4 10 83 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Publication Type E.g. newspaper/serial Play Publication The title of the newspaper/serial (if applicable) The Strange Gentleman TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad.xml" target="_blank" rel="noopener">'He’s Mad – Mad – Mad.' The Strange Gentleman (Lord Chamberlain’s Copy, 1836).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360101 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. All He’s Mad – Mad – Mad. Alas! Poor lad Like a March Hare he’s Mad. Overton Quick seize him I say. And take him away – Mrs Nooke Be careful I pray Stranger Only hear what I say. All He’s Mad – Mad – Mad! etc. Overton To his bedroom now take him. Tom If he’s restive, I’ll shake him Mrs N. When asleep, pray don’t wake him Tom Oh, I’ll never forsake him. All He’s Mad – Mad – Mad! etc. Stranger Let me go Overton Hold him fast We’ve got him at last Mrs N. His sanity’s past Tom His die now is cast All He’s Mad – Mad – Mad! etc. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'He’s Mad – Mad – Mad' Description An account of the resource From Act 2, Scene 1 of The Strange Gentleman (Lord Chamberlain’s Copy, 1836). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Lord Chamberlain’s Copy, British Library. 'He’s Mad – Mad – Mad.' The Strange Gentleman. The Letters of Charles Dickens. The Pilgrim Edition. Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 697. Oxford University Press, 1965. Date A point or period of time associated with an event in the lifecycle of the resource 1836 Type The nature or genre of the resource Song Identifier An unambiguous reference to the resource within a given context 1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'He’s Mad – Mad – Mad.' The Strange Gentleman (1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad">https://dickenssearch.com/verse/1836_The_Strange_Gentleman_Hes_Mad_Mad_Mad</a>. Scripto Transcription A written representation of a document. All He’s Mad – Mad – Mad. Alas! Poor lad Like a March Hare he’s Mad. Overton Quick seize him I say. And take him away – Mrs Nooke Be careful I pray Stranger Only hear what I say. All He’s Mad – Mad – Mad! &c. Overton To his bedroom now take him. Tom If he’s restive, I’ll shake him Mrs N. When asleep, pray don’t wake him Tom Oh, I’ll never forsake him. All He’s Mad – Mad – Mad! &c. Stranger Let me go Overton Hold him fast We’ve got him at last Mrs N. His sanity’s past Tom His die now is cast All He’s Mad – Mad – Mad! &c. https://www.dickenssearch.com/files/original/3/The_Ivy_Green/1836-05_Pickwick_Papers_The_Ivy_Green.pdf 97b5547e472f158fad633f922f6748db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360501 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Oh, a dainty plant is the Ivy green, That creepeth o’er ruins old! Of right choice food are his meals, I ween, In his cell so lone and cold. The wall must be crumbled, the stone decayed, To pleasure his dainty whim: And the mouldering dust that years have made Is a merry meal for him. Creeping where no life is seen, A rare old plant is the Ivy green. Fast he stealeth on, though he wears no wings, And a staunch old heart has he. How closely he twineth, how tight he clings, To his friend the huge Oak Tree! And slily he traileth along the ground, And his leaves he gently waves, As he joyously hugs and crawleth round The rich mould of dead men’s graves. Creeping where grim death hath been, A rare old plant is the Ivy green. Whole ages have fled and their works decayed, And nations have scattered been; But the stout old Ivy shall never fade, From its hale and hearty green. The brave old plant, in its lonely days, Shall fatten upon the past: For the stateliest building man can raise Is the Ivy’s food at last. Creeping on, where time has been, A rare old plant is the Ivy green. Publication Type E.g. newspaper/serial Serial Publication The title of the newspaper/serial (if applicable) The Pickwick Papers TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836-05_Pickwick_Papers_The_Ivy_Green.xml" target="_blank" rel="noopener">'The Ivy Green.' The Posthumous Papers of the Pickwick Club. Issue 3, Chapter 6 (May 1836): p. 55.</a> Pseudonym The name under which the item was published Boz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Ivy Green' Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Posthumous Papers of the Pickwick Club, Chapter 6. Number 3 (May 1836), p. 55. UVic Libraries, <a href="https://vault.library.uvic.ca/concern/generic_works/d9b13cdd-9d78-4f71-947e-5ad5fb7d50e4?">https://vault.library.uvic.ca/concern/generic_works/d9b13cdd-9d78-4f71-947e-5ad5fb7d50e4?</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-05 Rights Information about rights held in and over the resource UVic Libraries, Creative Commons Attribution-NonCommercial, <a href="https://creativecommons.org/licenses/by-nc/4.0/" target="_blank" rel="noopener">https://creativecommons.org/licenses/by-nc/4.0/</a>. Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1836-05_Pickwick_Papers_The_Ivy_Green Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'The Ivy Green' from The Posthumous Papers of the Pickwick Club. Issue 3, Chapter 6 (May 1836), p. 55. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green</a>. Publisher An entity responsible for making the resource available Chapman and Hall Description An account of the resource From The Pickwick Papers, ch. 6, number 3 (May 1836). Scripto Transcription A written representation of a document. Oh, a dainty plant is the Ivy green, That creepeth o’er ruins old!  Of right choice food are his meals, I ween, In his cell so lone and cold. The wall must be crumbled, the stone decayed, To pleasure his dainty whim: And the mouldering dust that years have made Is a merry meal for him. Creeping where no life is seen, A rare old plant is the Ivy green. Fast he stealeth on, though he wears no wings, And a staunch old heart has he. How closely he twineth, how tight he clings, To his friend the huge Oak Tree!  And slily he traileth along the ground, And his leaves he gently waves, As he joyously hugs and crawleth round The rich mould of dead men’s graves. Creeping where grim death hath been, A rare old plant is the Ivy green.  Whole ages have fled and their works decayed, And nations have scattered been; But the stout old Ivy shall never fade, From its hale and hearty green. The brave old plant, in its lonely days, Shall fatten upon the past: For the stateliest building man can raise Is the Ivy’s food at last. Creeping on, where time has been, A rare old plant is the Ivy green. https://www.dickenssearch.com/files/original/3/Ode_to_an_Expiring_Frog/1836-08-Pickwick_Papers_Ode_to_an_Expiring_Frog.pdf 72cc92997f3d84e3cc3bbf630dab9de6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360801 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Can I view thee panting, lying On thy stomach, without sighing? Can I unmoved see thee dying On a log, Expiring frog? Say, have fiends in shape of boys, With wild halloo and brutal noise, Hunted thee from marshy joys, With a dog, Expiring frog? Publication Type E.g. newspaper/serial Serial Publication The title of the newspaper/serial (if applicable) The Pickwick Papers TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836-08_Pickwick_Papers_Ode_to_an_Expiring_Frog.xml" target="_blank" rel="noopener">'Ode to an Expiring Frog. The Posthumous Papers of the Pickwick Club. Issue 6, Chapter 15 (August 1836): p. 148.</a> Pseudonym The name under which the item was published Boz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Ode to an Expiring Frog' Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Posthumous Papers of the Pickwick Club, Chapter 15, Number 6 (August 1836), p.148. UVic Libraries, <a href="https://vault.library.uvic.ca/concern/file_sets/070f8b17-ceef-4687-9ce5-e81bb81c1ac3?locale=en" target="_blank" rel="noopener">https://vault.library.uvic.ca/concern/file_sets/070f8b17-ceef-4687-9ce5-e81bb81c1ac3?locale=en</a>. Publisher An entity responsible for making the resource available Chapman and Hall Date A point or period of time associated with an event in the lifecycle of the resource 1836-08 Rights Information about rights held in and over the resource UVic Libraries, Creative Commons Attribution NonCommercial, <a href="https://creativecommons.org/lice%20nses/by-nc/4.0/ " target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a>. Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1836-08-Pickwick_Papers_Ode_to_an_Expiring_Frog Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Ode to an Expiring Frog' from The Posthumous Papers of the Pickwick Club. Issue 6, Chapter 15 (August 1836), p. 148. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-08-Pickwick_Papers_Ode_to_an_Expiring_Frog">https://dickenssearch.com/verse/1836-08-Pickwick_Papers_Ode_to_an_Expiring_Frog</a>. Description An account of the resource From The Pickwick Papers issue 6, ch. 15 (August 1836). Scripto Transcription A written representation of a document. Can I view thee panting, lying On thy stomach, without sighing? Can I unmoved see thee dying On a log, Expiring frog? Say, have fiends in shape of boys, With wild halloo and brutal noise, Hunted thee from marshy joys, With a dog, Expiring frog? https://www.dickenssearch.com/files/original/3/A_Christmas_Carol/1836-12_Pickwick_Papers_A_Christmas_Carol.pdf ccfa496801a548d8ec9092ea580c9353 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18361201 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I care not for Spring; on his fickle wing, Let the blossoms and buds be borne: He wooes them amain with his treacherous rain, And he scatters them ere the morn. An inconstant elf, he knows not himself, Nor his own changing mind an hour, He’ll smile in your face, and, with wry grimace, He’ll wither your youngest flower. Let the Summer sun to his bright home run, He shall never be sought by me; When he’s dimmed by a cloud I can laugh aloud, And care not how sulky he be! For his darling child is the madness wild That sports in fierce fever’s train; And when love is too strong, it don’t last long, As many have found to their pain. A mild harvest night, by the tranquil light Of the modest and gentle moon, Has a far sweeter sheen, for me, I ween, Than the broad and unblushing noon. But every leaf awakens my grief, As it lieth beneath the tree; So let Autumn air be never so far, It by no means agrees with me. But my song I troll out, for CHRISTMAS stout, The heart, the true, and the bold; A bumper I drain, and with might and main Give three cheers for this Christmas old! We’ll usher him in with a merry din That shall gladden his joyous heart, And we’ll keep him up, while there’s bite or sup, And in fellowship good, we’ll part. In his fine honest pride, he scorns to hide One jot of his hard-weather scars; They’re no disgrace, for there’s much the same trace On the cheeks of our bravest tars. Then again I sing till the roof doth ring, And it echoes from wall to wall – To the stout old wight, fair welcome to-night, As the King of the Seasons all! Publication Type E.g. newspaper/serial Serial Publication The title of the newspaper/serial (if applicable) The Pickwick Papers TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836-12_Pickwick_Papers_A_Christmas_Carol.xml" target="_blank" rel="noopener">'A Christmas Carol.' The Pickwick Papers. Issue 10, ch. 28 (December 1836): p. 298.</a> Pseudonym The name under which the item was published BOZ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Christmas Carol' Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Posthumous Papers of the Pickwick Club, Chapter 28. Number 10 (December 1836), pp. 297-298. UVic Libraries, <a href="https://vault.library.uvic.ca/concern/generic_works/003c9690-060f-4e1a-bc46-712154b6a510?">https://vault.library.uvic.ca/concern/generic_works/003c9690-060f-4e1a-bc46-712154b6a510?</a>. Publisher An entity responsible for making the resource available Chapman and Hall Date A point or period of time associated with an event in the lifecycle of the resource 1836-12 Rights Information about rights held in and over the resource UVic Libraries, Creative Commons Attribution NonCommercial, <a href="https://creativecommons.org/lice%20nses/by-nc/4.0/" target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a>. Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1836-12_Pickwick_Papers_A_Christmas_Carol Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Christmas Carol' from The Posthumous Papers of the Pickwick Club. Issue 10, Chapter 28 (December 1836): pp. 297-298. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-12_Pickwick_Papers_A_Christmas_Carol">https://dickenssearch.com/verse/1836-12_Pickwick_Papers_A_Christmas_Carol</a>. Description An account of the resource From The Pickwick Papers, ch. 28, no. 10 (December 1836). Scripto Transcription A written representation of a document. I care not for Spring; on his fickle wing, Let the blossoms and buds be borne: He wooes them amain with his treacherous rain, And he scatters them ere the morn. An inconstant elf, he knows not himself, Nor his own changing mind an hour, He’ll smile in your face, and, with wry grimace, He’ll wither your youngest flower. Let the Summer sun to his bright home run, He shall never be sought by me; When he’s dimmed by a cloud I can laugh aloud, And care not how sulky he be! For his darling child is the madness wild That sports in fierce fever’s train; And when love is too strong, it don’t last long, As many have found to their pain. A mild harvest night, by the tranquil light Of the modest and gentle moon, Has a far sweeter sheen, for me, I ween, Than the broad and unblushing noon. But every leaf awakens my grief, As it lieth beneath the tree; So let Autumn air be never so far, It by no means agrees with me. But my song I troll out, for CHRISTMAS stout, The heart, the true, and the bold; A bumper I drain, and with might and main Give three cheers for this Christmas old! We’ll usher him in with a merry din That shall gladden his joyous heart, And we’ll keep him up, while there’s bite or sup, And in fellowship good, we’ll part. In his fine honest pride, he scorns to hide One jot of his hard-weather scars; They’re no disgrace, for there’s much the same trace On the cheeks of our bravest tars. Then again I sing till the roof doth ring, And it echoes from wall to wall –   To the stout old wight, fair welcome to-night, As the King of the Seasons all! https://www.dickenssearch.com/files/original/3/Gabriel_Grub_s_Song/1836-12-Pickwick_Papers_Gabriel_Grubs_Song.pdf c223ab3f9d32f299f8f737202247b196 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18361201 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Brave lodgings for one, brave lodgings for one, A few feet of cold earth, when life is done; A stone at the head, a stone at the feet, A rich, juicy meal for the worms to eat; Rank grass over head, and damp clay around, Brave lodgings for one, these, in holy ground! Publication Type E.g. newspaper/serial Serial Publication The title of the newspaper/serial (if applicable) The Pickwick Papers TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836-12_Pickwick_Papers_Gabriel_Grubs_Song.xml" target="_blank" rel="noopener">'Gabriel Grub's Song.' The Posthumous Papers of the Pickwick Club. Issue 10, Chapter 29 (December 1836): p. 300.</a> Pseudonym The name under which the item was published Boz Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Gabriel Grub's Song' Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Posthumous Papers of the Pickwick Club. Issue 10, Chapter 29 (December 1836), p. 300. UVic Libraries,<a href="https://vault.library.uvic.ca/concern/file_sets/bf08b770-6776-47b5-be67-433295ac4b4a?locale=en" target="_blank" rel="noopener"> https://vault.library.uvic.ca/concern/file_sets/bf08b770-6776-47b5-be67-433295ac4b4a?locale=en</a>. Publisher An entity responsible for making the resource available Chapman and Hall Date A point or period of time associated with an event in the lifecycle of the resource 1836-12 Rights Information about rights held in and over the resource UVic Libraries, Creative Commons Attribution NonCommercial, <a href="https://creativecommons.org/lice%20nses/by-nc/4.0/" target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a>. Identifier An unambiguous reference to the resource within a given context 1836-12-Pickwick_Papers_Gabriel_Grubs_Song Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'The Ivy Green' from The Posthumous Papers of the Pickwick Club. Issue 10, Chapter 29 (December 1836), p. 300. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-12-Pickwick_Papers_Gabriel_Grubs_Song">https://dickenssearch.com/verse/1836-12-Pickwick_Papers_Gabriel_Grubs_Song</a>. Description An account of the resource From The Pickwick Papers issue 10, ch. 29 (December 1836). Type The nature or genre of the resource Song Scripto Transcription A written representation of a document. Brave lodgings for one, brave lodgings for one, A few feet of cold earth, when life is done; A stone at the head, a stone at the feet, A rich, juicy meal for the worms to eat; Rank grass over head, and damp clay around, Brave lodgings for one, these, in holy ground! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Pseudonym The name under which the item was published Boz Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370101 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Now, if I don't make The completest mistake That ever put man in a rage, This bird of two weathers Has moulted his feathers, And left them in some other cage. Publication Type E.g. newspaper/serial Autograph Album TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836-after-Now_if_I_dont_make_the_completest_mistake.xml" target="_blank" rel="noopener">'Now if I don't make the completest mistake.' Autograph Album of Mrs. S. C. Hall (after 1836).</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Now if I don't make the completest mistake' Creator An entity primarily responsible for making the resource Dickens, Charles Rights Information about rights held in and over the resource Held at The New York Public Library's Archives & Manuscripts, <a href="http://archives.nypl.org/brg/19176#c218463" target="_blank" rel="noopener">http://archives.nypl.org/brg/19176#c218463</a>. Quoted in Hall, S.C. and Mrs. S.C. Hall. ‘Memories of the Authors of the Age’. Art-Journal, vol.5, 1 January 1866, pp. 21-24; p. 22 and Hotten, John Camden. <a href="https://www.google.com/books/edition/_/uDUz2Uu8KxYC?hl=en&gbpv=1&bsq=completest%20mistake" target="_blank" rel="noopener">Charles Dickens, the Story of his Life</a> (John Camden Hotten, 1870), pp. 280-281. Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1836-after-Now_if_I_dont_make_the_completest_mistake Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Now if I don't make the completest mistake.' For Mrs. S.C. Hall (written after 1836): Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1836-after-Now_if_I_dont_make_the_completest_mistake">https://dickenssearch.com/verse/1836-after-Now_if_I_dont_make_the_completest_mistake</a>. Source A related resource from which the described resource is derived Autograph Album of Mrs. S. C. Hall. Date A point or period of time associated with an event in the lifecycle of the resource 1836, after Description An account of the resource From the autograph album of Mrs. S. C. Hall (after 1836). Scripto Transcription A written representation of a document. Now, if I don't make The completest mistake That ever put man in a rage, This bird of two weathers Has moulted his feathers, And left them in some other cage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Publication Type E.g. newspaper/serial Play Publication The title of the newspaper/serial (if applicable) Is She His Wife? Or, Something Singular! TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown.xml" target="_blank" rel="noopener">'Duet: Mr. and Mrs. Lovetown.' Is She His Wife? Or, Something Singular! (27 February 1837).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370227 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. A married life, Is not all joy; But noise & strife, Its charms alloy. Tho’ to please we do our best: Misery’ll our life infest – Nought is right we e’re can do, But all is wrong – & all is rue! Sometimes darling, Oft times snarling Now then pleasing Then there teasing Nought but care – and nought but strife Oh, who would sigh for a married life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Duet: Mr. and Mrs. Lovetown' Description An account of the resource From Is She His Wife? Or, Something Singular! (Lord Chamberlain’s Copy, 27 February 1837). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Lord Chamberlain’s Copy, British Library. 'Duet: Mr. and Mrs. Lovetown.' Is She His Wife? Or, Something Singular! The Letters of Charles Dickens. The Pilgrim Edition. Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), pp. 698-699. Oxford University Press, 1965. Date A point or period of time associated with an event in the lifecycle of the resource 1837-02-27 Type The nature or genre of the resource Song Identifier An unambiguous reference to the resource within a given context 1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Duet: Mr. and Mrs. Lovetown.' Is She His Wife? Or, Something Singular! (27 February 1837). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown">https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Duet_Mr_And_Mrs_Lovetown</a>. Scripto Transcription A written representation of a document. A married life, Is not all joy; But noise & strife, Its charms alloy. Tho’ to please we do our best: Misery’ll our life infest – Nought is right we e’re can do, But all is wrong – & all is rue! Sometimes darling, Oft times snarling Now then pleasing Then there teasing Nought but care – and nought but strife Oh, who would sigh for a married life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Publication Type E.g. newspaper/serial Play Publication The title of the newspaper/serial (if applicable) Is She His Wife? Or, Something Singular! TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins.xml" target="_blank" rel="noopener">'Song – Felix Tapkins.' Is She His Wife? Or, Something Singular! (27 February 1837).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370227 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. 1. It was in search of wonders so high and so low That the flying Phemominon, said he would go Where no mortal man had e’re been before For he, all the world was resolved to explore. 2. With wings made of leather, of steel, and of steam Of wonders he said, he should sure be the theme For who in the world could with him compare As like a great Goose he should fly thro’ the air. 3. No sooner the Globe he resolved o’er to range Then of linen, he packed in his bag up a change To give Mankind the bag, he thought it no harm So his bag he took with him just under his arm. 4. In the Morning it was, he first took his flight And in Greece on a Turkey, he supp’d the same night – He dined on his way, at Hamberg, upon Ham – And in Tartary, sipp’d his Bohe with the Cham. 5. In the Artic regeons, twas he took his lunc And on an Ice-burg – why he drank Ice’d punch. His heart was so full, it he couldn’t control So he sat and he sung on the famous North Pole. 6. He paid him a visit to Venus and Mars To the Sun, to the Moon, and the seven stars He shook hands with Satan, and then I declare That he had a hug of the very great Bear. 7. With a fiery Comit, he then tried his pace And in spite of its tail why he won the race But much further of, he couldn’t well roam For he sing’d all his wings, and was forced to come home. 8. Now I think that with me, you all will agree That a cleverer chap, sure there never could be But if what I have said, should not be quite right Why like him, I’ve indulged in fancy’s flight. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Song – Felix Tapkins' Description An account of the resource From Is She His Wife? Or, Something Singular! (Lord Chamberlain’s Copy, 27 February 1837). Source A related resource from which the described resource is derived Lord Chamberlain’s Copy, British Library. 'Song – Felix Tapkins.' Is She His Wife? Or, Something Singular!. The Letters of Charles Dickens. The Pilgrim Edition. Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 698-699. Oxford University Press, 1965. Date A point or period of time associated with an event in the lifecycle of the resource 1837-02-27 Type The nature or genre of the resource Song Identifier An unambiguous reference to the resource within a given context 1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Song – Felix Tapkins.' Is She His Wife? Or, Something Singular! (27 February 1837). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins">https://dickenssearch.com/verse/1837-02-27_Is_She_His_Wife_Or_Something_Singular_Song_Felix_Tapkins</a>. Creator An entity primarily responsible for making the resource Dickens, Charles Scripto Transcription A written representation of a document. <h4>1.</h4> It was in search of wonders so high and so low That the flying Phemominon, said he would go Where no mortal man had e’re been before For he, all the world was resolved to explore. <h4>2.</h4> With wings made of leather, of steel, and of steam Of wonders he said, he should sure be the theme For who in the world could with him compare As like a great Goose he should fly thro’ the air. <h4>3.</h4> No sooner the Globe he resolved o’er to range Then of linen, he packed in his bag up a change To give Mankind the bag, he thought it no harm So his bag he took with him just under his arm. <h4>4.</h4> In the Morning it was, he first took his flight And in Greece on a Turkey, he supp’d the same night – He dined on his way, at Hamberg, upon Ham – And in Tartary, sipp’d his Bohe with the Cham. <h4>5.</h4> In the Artic regeons, twas he took his lunc And on an Ice-burg – why he drank Ice’d punch. His heart was so full, it he couldn’t control So he sat and he sung on the famous North Pole. <h4>6.</h4> He paid him a visit to Venus and Mars To the Sun, to the Moon, & the seven stars He shook hands with Satan, and then I declare That he had a hug of the very great Bear. <h4>7.</h4> With a fiery Comit, he then tried his pace And in spite of its tail why he won the race But much further of, he couldn’t well roam For he sing’d all his wings, & was forced to come home. <h4>8.</h4> Now I think that with me, you all will agree That a cleverer chap, sure there never could be But if what I have said, should not be quite right Why like him, I’ve indulged in fancy’s flight. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1837-05_Epitaph_Mary_Hogarth.xml" target="_blank" rel="noopener">'Epitaph of Mary Hogarth' (May 1837).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370512 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mary Scott Hogarth Died 7th May 1837 Young Beautiful And Good God In His Mercy Numbered Her With His Angels At the Early Age Of Seventeen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Epitaph of Mary Hogarth' Description An account of the resource Composed after the death of Mary Hogarth on 7 May 1837 (May 1837). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived <div id="dublin-core-source" class="element"> <div class="element-text">'Epitaph of Mary Hogarth.' The Letters of Charles Dickens. The Pilgrim Edition. Edited by Madeline House and Graham Storey. Volume 1 (1820-1839), p. 259n. Oxford University Press, 1965.</div> </div> Date A point or period of time associated with an event in the lifecycle of the resource 1837-05 Type The nature or genre of the resource Epitaph Identifier An unambiguous reference to the resource within a given context 1837-05_Epitaph_Mary_Hogarth Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Epitaph of Mary Hogarth' (May 1837). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/ 1837-05_Epitaph_Mary_Hogarth" target="_blank" rel="noopener">https://dickenssearch.com/verse/ 1837-05_Epitaph_Mary_Hogarth</a>. Scripto Transcription A written representation of a document. <div style="text-align: center;">Mary Scott Hogarth</div> <div style="text-align: center;">Died 7th May 1837</div> <div style="text-align: center;">Young Beautiful And Good</div> <div style="text-align: center;">God In His Mercy</div> <div style="text-align: center;">Numbered Her With His Angels</div> <div style="text-align: center;">At the Early Age Of</div> <div style="text-align: center;">Seventeen</div> https://www.dickenssearch.com/files/original/3/Romance/1837-06-Pickwick_Papers_Romance.pdf 10e1359e5231ffc8cff0778693dfb78b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370601 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Bold Turpin vunce, on Hounslow Heath, His bold mare Bess bestrode – er; Ven there he see’d the Bishop’s coach A-comin’ along the road – er. So he gallops close to the ‘orse’s legs, And he claps his head vithin; And the Bishop says, "Sure as eggs is eggs, This here’s the bold Turpin!” (CHORUS.) And the Bishop says, "Sure as eggs is eggs, This here’s the bold Turpin!" Says Turpin, "You shall eat your words, With a sarse of leaden bul’let;" So he puts a pistol to his mouth, And he fires it down his gul-let. The coachman, he not likin’ the job, Set off at a full gal-lop, But Dick put a couple of balls in his nob, And perwailed on him to stop. (CHORUS sarcastically.) But Dick put a couple of balls in his nob, And perwailed on him to stop. Publication Type E.g. newspaper/serial Serial Publication The title of the newspaper/serial (if applicable) The Pickwick Papers TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1837-06_Pickwick_Papers_Romance.xml" target="_blank" rel="noopener">'Romance.' The Posthumous Papers of the Pickwick Club. Issue 15, Chapter 43 (June 1837): p. 464.</a> Pseudonym The name under which the item was published BOZ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Romance' Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Posthumous Papers of the Pickwick Club. Issue 15, Chapter 43 (June 1837), p. 464. UVic Libraries, <a href="https://vault.library.uvic.ca/concern/file_sets/93a0e9d2-e383-4c75-88eb-a6cdb9d29cac?locale=en" target="_blank" rel="noopener">https://vault.library.uvic.ca/concern/file_sets/93a0e9d2-e383-4c75-88eb-a6cdb9d29cac?locale=en</a>. Publisher An entity responsible for making the resource available Chapman and Hall Date A point or period of time associated with an event in the lifecycle of the resource 1837-06 Rights Information about rights held in and over the resource UVic Libraries, Creative Commons Attribution NonCommercial, <a href="https://creativecommons.org/lice%20nses/by-nc/4.0/ " target="_blank" rel="noopener">https://creativecommons.org/lice nses/by-nc/4.0/</a>. Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1837-06-Pickwick_Papers_Romance Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Romance' from The Posthumous Papers of the Pickwick Club. Chapter 43, Number 15 (June 1837), p. 464. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1837-06-Pickwick_Papers_Romance">https://dickenssearch.com/verse/1837-06-Pickwick_Papers_Romance</a>. Description An account of the resource From The Pickwick Papers, Chapter 43, Number 15 (June 1837). Scripto Transcription A written representation of a document. Bold Turpin vunce, on Hounslow Heath, His bold mare Bess bestrode – er; Ven there he see’d the Bishop’s coach A-comin’ along the road – er.  So he gallops close to the ‘orse’s legs, And he claps his head vithin; And the Bishop says, "Sure as eggs is eggs, This here’s the bold Turpin!” (CHORUS.) And the Bishop says, "Sure as eggs is eggs, This here’s the bold Turpin!" Says Turpin, "You shall eat your words, With a sarse of leaden bul’let;" So he puts a pistol to his mouth, And he fires it down his gul-let. The coachman, he not likin’ the job, Set off at a full gal-lop, But Dick put a couple of balls in his nob, And perwailed on him to stop. (CHORUS sarcastically.) But Dick put a couple of balls in his nob, And perwailed on him to stop.