6 10 85 https://www.dickenssearch.com/files/original/5/The_Hospital_Patient/1836-08-06-The_Hospital_Patient.pdf d3c78ac353a70e855ed4468cc8bbf419 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Carlton Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360806 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. In my rambles through the streets of London after evening has set in, I have often paused beneath the windows of some public hospital, and picture to myself the gloomy and mournful scenes that were passing within. The sudden moving of a taper as its feeble ray shot from window after window, until its light gradually disappeared, as if it were carried further back into the room to the bedside of some suffering patient, has been enough to awaken a whole crowd of reflections; the mere glimmering of the low-burning lamps which when all other habitations are wrapped in darkness and slumber, denote the chamber where so many forms are writhing with pain, or wasting with disease, has been sufficient to check the most boisterous merriment. Who can tell the anguish of those weary hours, when the only sound the sick man hears, is the disjointed wanderings of some feverish slumberer near him, the low moan of pain, or perhaps the muttered, long-forgotten prayer of a dying man? Who, but they who have felt it, can imagine the sense of loneliness and desolation which must be the portion of those who in the hour of dangerous illness are left to be tended by strangers,—what hands, be they ever so gentle, can wipe the clammy brow, or smooth the restless bed, like those of mother, wife, or child? Impressed with these thoughts, I have turned away through the nearly-deserted streets; and the sight of the few miserable creatures still hovering about them, has not tended to lessen the pain which such meditations awaken. The hospital is a refuge and resting-place for hundreds, who but for such institutions must die in the streets and doorways; but what can be the feelings of outcasts like these, when they are stretched on the bed of sickness with scarcely a hope of recovery? The wretched woman who lingers about the pavement, hours after midnight, and the miserable shadow of a man—the ghastly remnant that want and drunkenness have left—which crouches beneath a window-ledge, to sleep where there is some shelter from the rain, have little to bind them to life, but what have they to look back upon, in death? What are the unwonted comforts of a roof and a bed to them, when the recollections of a whole life of debasement, stalk before them; when repentance seems a mockery, and sorrow comes too late? About a twelvemonth ago, as I was strolling through Covent Garden (I had been thinking about these things overnight), I was attracted by the very prepossessing appearance of a pickpocket, who having declined to take the trouble of walking to the Police Office, on the ground that he hadn't the slightest wish to go there at all, was being conveyed thither in a wheelbarrow, to the huge delight of a crowd, but apparently not very much to his own individual gratification. Somehow, I never can resist joining a crowd—nature certainly intended me for a vagabond—so I turned back with the mob, and entered the office, in company with my friend the pickpocket, a couple of policemen, and as many dirty-faced spectators as could squeeze their way in. There was a powerful, ill-looking young fellow at the bar, who was undergoing an examination on the very common charge of having, on the previous night, ill-treated a woman with whom he lived in some court hard by. Several witnesses bore testimony to acts of the grossest brutality, and a certificate was read from the house-surgeon of a neighbouring hospital, describing the nature of the injuries the woman had received, and intimating that her recovery was extremely doubtful. Some question appeared to have been raised about the identity of the prisoner; for when it was agreed that the two magistrates should visit the hospital at eight o'clock that evening, to take her deposition, it was settled that the man should be taken there also. He turned deadly pale at this, and I saw him clench the bar very hard when the order was given. He was removed directly afterwards, and he spoke not a word. I felt an irrepressible curiosity to witness this interview, although I can hardly tell why, at this instant, for I knew it must be a painful one. It was no very difficult matter for me to gain permission, and I obtained it. The prisoner, and the officer who had him in custody, were already at the hospital when I reached it, and waiting the arrival of the magistrates in a small room below stairs. The man was handcuffed, and his hat was pulled forward over his eyes. I could tell though, by the livid whiteness of his countenance, and the constant twitching of the muscles of his face, that he dreaded what was to come. After a short interval, the magistrates and clerk were bowed in, by the house-surgeon, and a couple of young men who smelt very strongly of tobacco-smoke—"dressers" I think they call them"—and after one magistrate had complained bitterly of the cold, and the other of the absence of any news in the evening paper, it was announced that the patient was prepared, and we were conducted to the "casualty ward" in which she was lying. The dim light which burnt in the spacious room, increased rather than diminished the ghastly appearance of the hapless creatures in the beds, which were ranged in two long rows on either side. In one bed, lay a child enveloped in bandages, with its body half-consumed by fire; in another, a female, rendered hideous by some dreadful accident, was wildly beating her clenched fists on the coverlet, in an agony of pain; on a third, there lay stretched a young girl, apparently in the heavy stupor which is sometimes the immediate precursor of death: her face was stained with blood, and her breast and arms were bound up in folds of linen. Two or three of the beds were empty, and their recent occupants were sitting beside them, but with faces so wan, and eyes so bright and glassy, that it was fearful to meet their gaze. On every face was stamped the expression of anguish and suffering. The object of the visit was lying at the upper end of the room. She was a fine young woman of about two or three and twenty. Her long black hair had been hastily cut from about the wounds on her head, and streamed over the pillow in jagged and matted locks. Her face bore frightful marks of the ill-usage she had received: her hand was pressed upon her side, as if her chief pain was there, her breathing was short and heavy, and it was plain to see that she was dying fast. She murmured a few words in reply to the magistrate's inquiry, whether she was in great pain: and having been raised on the pillow by the nurse, looked anxiously into the strange countenances that surrounded her bed. The magistrate nodded to the officer, to bring the man forward. He did so, and stationed him at the bedside. The girl looked on with a wild and troubled expression of face, but her sight was dim, and she did not know him. "Take off his hat," said the magistrate. The officer did as he was desired, and the man's features were fully disclosed. The girl started up with an energy quite preternatural; the fire gleamed in her heavy eyes, and the blood rushed to her pale and sunken cheeks. It was a convulsive effort. She fell back upon her pillow, and covering her scarred and bruised face with her hands, burst into tears. The man cast an anxious look towards her, but otherwise appeared wholly unmoved. After a brief pause the nature of the errand was explained, and the oath tendered. "Oh, no, gentlemen," said the girl, raising herself once more, and folding her hands together; "no, gentlemen, for God's sake! I did it myself, it was nobody's fault, it was an accident. He didn't hurt me; he wouldn't for all the world. Jack, dear Jack, you know you wouldn't." Her sight was fast failing her, and her hand groped over the bedclothes in search of his, in vain. Brute as the man was, he was not prepared for this. He turned his face from the bed, and sobbed aloud. The girl's colour changed, and her breathing grew more difficult. She was evidently dying. "We respect the feelings which prompt you to this," said the gentleman who had spoken first "but let me warn you, not to persist in what you know to be untrue, until it is too late. It cannot save him." "Jack," murmured the girl, laying her hand upon his arm. "They shall not persuade me to swear your life away. He didn't do it, gentlemen He never hurt me." She grasped his arm tightly, and added, in a broken whisper, "I hope God Almighty will forgive me all the wrong I have done, and the life I have led. God bless you, Jack. Some kind gentleman take my love to my poor old father. Five years ago, he said he wished I had died a child. Oh, I wish I had! I wish I had!" We turned away; it was no sight for strangers to look upon. The nurse bent over the girl for a few seconds, and then drew the sheet over her face. It covered a corpse. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'The Hospital Patient' Description An account of the resource Published in The Carlton Chronicle, 6 August 1836, pp. 11. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Newspaper Archive, <a href="https://newspaperarchive.com/carlton-chronicle-aug-06-1836-p-11/">https://newspaperarchive.com/carlton-chronicle-aug-06-1836-p-11/</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-08-06 Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1836-08-06-The_Hospital_Patient Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'The Hospital Patient' (6 August 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-08-06-The_Hospital_Patient">https://www.dickenssearch.com/short-stories/1836-08-06-The_Hospital_Patient</a>. References A related resource that is referenced, cited, or otherwise pointed to by the described resource. A brief preface states, 'LEAVES from an unpublished volume. By "BOZ," (which will be torn out once a fortnight). Scripto Transcription A written representation of a document. In my rambles through the streets of London after evening has set in, I have often paused beneath the windows of some public hospital, and picture to myself the gloomy and mournful scenes that were passing within. The sudden moving of a taper as its feeble ray shot from window after window, until its light gradually disappeared, as if it were carried further back into the room to the bedside of some suffering patient, has been enough to awaken a whole crowd of reflections; the mere glimmering of the low-burning lamps which when all other habitations are wrapped in darkness and slumber, denote the chamber where so many forms are writhing with pain, or wasting with disease, has been sufficient to check the most boisterous merriment. Who can tell the anguish of those weary hours, when the only sound the sick man hears, is the disjointed wanderings of some feverish slumberer near him, the low moan of pain, or perhaps the muttered, long-forgotten prayer of a dying man? Who, but they who have felt it, can imagine the sense of loneliness and desolation which must be the portion of those who in the hour of dangerous illness are left to be tended by strangers,—what hands, be they ever so gentle, can wipe the clammy brow, or smooth the restless bed, like those of mother, wife, or child? Impressed with these thoughts, I have turned away through the nearly-deserted streets; and the sight of the few miserable creatures still hovering about them, has not tended to lessen the pain which such meditations awaken. The hospital is a refuge and resting-place for hundreds, who but for such institutions must die in the streets and doorways; but what can be the feelings of outcasts like these, when they are stretched on the bed of sickness with scarcely a hope of recovery? The wretched woman who lingers about the pavement, hours after midnight, and the miserable shadow of a man—the ghastly remnant that want and drunkenness have left—which crouches beneath a window-ledge, to sleep where there is some shelter from the rain, have little to bind them to life, but what have they to look back upon, in death? What are the unwonted comforts of a roof and a bed to them, when the recollections of a whole life of debasement, stalk before them; when repentance seems a mockery, and sorrow comes too late? About a twelvemonth ago, as I was strolling through Covent Garden (I had been thinking about these things overnight), I was attracted by the very prepossessing appearance of a pickpocket, who having declined to take the trouble of walking to the Police Office, on the ground that he hadn't the slightest wish to go there at all, was being conveyed thither in a wheelbarrow, to the huge delight of a crowd, but apparently not very much to his own individual gratification. Somehow, I never can resist joining a crowd—nature certainly intended me for a vagabond—so I turned back with the mob, and entered the office, in company with my friend the pickpocket, a couple of policemen, and as many dirty-faced spectators as could squeeze their way in. There was a powerful, ill-looking young fellow at the bar, who was undergoing an examination on the very common charge of having, on the previous night, ill-treated a woman with whom he lived in some court hard by. Several witnesses bore testimony to acts of the grossest brutality, and a certificate was read from the house-surgeon of a neighbouring hospital, describing the nature of the injuries the woman had received, and intimating that her recovery was extremely doubtful. Some question appeared to have been raised about the identity of the prisoner; for when it was agreed that the two magistrates should visit the hospital at eight o'clock that evening, to take her deposition, it was settled that the man should be taken there also. He turned deadly pale at this, and I saw him clench the bar very hard when the order was given. He was removed directly afterwards, and he spoke not a word. I felt an irrepressible curiosity to witness this interview, although I can hardly tell why, at this instant, for I knew it must be a painful one. It was no very difficult matter for me to gain permission, and I obtained it. The prisoner, and the officer who had him in custody, were already at the hospital when I reached it, and waiting the arrival of the magistrates in a small room below stairs. The man was handcuffed, and his hat was pulled forward over his eyes. I could tell though, by the livid whiteness of his countenance, and the constant twitching of the muscles of his face, that he dreaded what was to come. After a short interval, the magistrates and clerk were bowed in, by the house-surgeon, and a couple of young men who smelt very strongly of tobacco-smoke—"dressers" I think they call them"—and after one magistrate had complained bitterly of the cold, and the other of the absence of any news in the evening paper, it was announced that the patient was prepared, and we were conducted to the "casualty ward" in which she was lying. The dim light which burnt in the spacious room, increased rather than diminished the ghastly appearance of the hapless creatures in the beds, which were ranged in two long rows on either side. In one bed, lay a child enveloped in bandages, with its body half-consumed by fire; in another, a female, rendered hideous by some dreadful accident, was wildly beating her clenched fists on the coverlet, in an agony of pain; on a third, there lay stretched a young girl, apparently in the heavy stupor which is sometimes the immediate precursor of death: her face was stained with blood, and her breast and arms were bound up in folds of linen. Two or three of the beds were empty, and their recent occupants were sitting beside them, but with faces so wan, and eyes so bright and glassy, that it was fearful to meet their gaze. On every face was stamped the expression of anguish and suffering. The object of the visit was lying at the upper end of the room. She was a fine young woman of about two or three and twenty. Her long black hair had been hastily cut from about the wounds on her head, and streamed over the pillow in jagged and matted locks. Her face bore frightful marks of the ill-usage she had received: her hand was pressed upon her side, as if her chief pain was there, her breathing was short and heavy, and it was plain to see that she was dying fast. She murmured a few words in reply to the magistrate's inquiry, whether she was in great pain: and having been raised on the pillow by the nurse, looked anxiously into the strange countenances that surrounded her bed. The magistrate nodded to the officer, to bring the man forward. He did so, and stationed him at the bedside. The girl looked on with a wild and troubled expression of face, but her sight was dim, and she did not know him. "Take off his hat," said the magistrate. The officer did as he was desired, and the man's features were fully disclosed. The girl started up with an energy quite preternatural; the fire gleamed in her heavy eyes, and the blood rushed to her pale and sunken cheeks. It was a convulsive effort. She fell back upon her pillow, and covering her scarred and bruised face with her hands, burst into tears. The man cast an anxious look towards her, but otherwise appeared wholly unmoved. After a brief pause the nature of the errand was explained, and the oath tendered. "Oh, no, gentlemen," said the girl, raising herself once more, and folding her hands together; "no, gentlemen, for God's sake! I did it myself, it was nobody's fault, it was an accident. He didn't hurt me; he wouldn't for all the world. Jack, dear Jack, you know you wouldn't." Her sight was fast failing her, and her hand groped over the bedclothes in search of his, in vain. Brute as the man was, he was not prepared for this. He turned his face from the bed, and sobbed aloud. The girl's colour changed, and her breathing grew more difficult. She was evidently dying. "We respect the feelings which prompt you to this," said the gentleman who had spoken first "but let me warn you, not to persist in what you know to be untrue, until it is too late. It cannot save him." "Jack," murmured the girl, laying her hand upon his arm. "They shall not persuade me to swear your life away. He didn't do it, gentlemen He never hurt me." She grasped his arm tightly, and added, in a broken whisper, "I hope God Almighty will forgive me all the wrong I have done, and the life I have led. God bless you, Jack. Some kind gentleman take my love to my poor old father. Five years ago, he said he wished I had died a child. Oh, I wish I had! I wish I had!" We turned away; it was no sight for strangers to look upon. The nurse bent over the girl for a few seconds, and then drew the sheet over her face. It covered a corpse. https://www.dickenssearch.com/files/original/5/Sentiment/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment.pdf 0627766a4d354af157c94a4ffa5824c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) The Magazine of the Beau Monde Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360901 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The Miss Crumptons, or to quote the authority of the inscription on the garden-gate of Minerva House, Hammersmith—"The Misses Crumpton" were two unusually tall, particularly thin, and exceedingly skinny personages— very upright and very yellow. Miss Amelia Crumpton owned to thirty-eight, and Miss Maria Crumpton admitted she was forty—an admission which was rendered perfectly unnecessary by the self-evident fact of her being fifty at least. They dressed in the most interesting manner—like twins, and looks about as happy and comfortable as a couple of marigolds run to seed. They were very precise, had the strictest possible ideas of propriety, wore false hair, and always smelt very strongly of lavender. Minerva House, conducted under the auspices of the two sisters, was a "finishing establishment for young ladies," where some twenty girls of the ages of from thirteen to nineteen inclusive, acquired a smattering of everything, and a knowledge of nothing; instruction in French and Italian, dancing lessons twice a week, and other necessaries of life. The house was a white one, a little removed from the road side, with close palings in front. The bed-room windows were always left partly open to afford a bird's eye view of numerous little bedsteads, with very white dimity furniture, and thereby impress the passer-by with a due sense of the luxuries of the establishment; and there was a front parlour hung round with highly varnished maps, which nobody ever looked at, and filled with books which no one ever read, appropriated exclusively to the reception of parents, who whenever they called, could not fail to be struck with the very knowledge-imparting appearance of the place. "Amelia, my dear," said Miss Maria Crumpton, entering the school room, with her false hair in papers, as she occasionally did, in order to impress the young ladies with a conviction of its reality—"Amelia, my dear, here's a most gratifying note I have just received. You needn't mind reading it aloud." Miss Amelia thus advised, proceeded to read the following note, with an air of great triumph. "Cornelius Brook Dingwall, Esq. M.P. presents his compliments to Miss Crumpton, and will feel much obliged by Miss Crumpton's calling on him, if she conveniently can, to morrow morning at one o'clock, as Cornelius Brook Dingall, Esq. M.P. is anxious to see Miss Crumpton on the subject of placing Miss Brook Dingwall under her charge. "Adelphi. "Monday morning." "A Member of Parliament's daughter!" ejaculated Amelia in an ecstatic tone. "A Member of Parliament's daughter!" repeated Miss Maria with a smile of delight, which of course, forthwith elicited a concurrent titter of pleasure from all the young ladies. "Its exceedingly delightful," said Miss Amelia, whereupon all the young ladies murmured their admiration again. Courtiers are but schoolboys multiplied by fifty. So important an announcement at once superseded the business of the day. A holiday was declared in commemoration of the greatevent: the Miss Crumptons retired to their private apartment to talk it over; the smaller girls discussed the probable manners and customs of the daughter of a Member of Parliament, and the young ladies verging on eighteen, wondered whether she was engaged, whether she was pretty, whether she wore much bustle, and many other whethers of equal importance. The two Miss Crumptons proceeded to the Adelphi at the appointed time next day, dressed, of course, in their best style, and looking as amiable as they possibly could—which, by-the-bye, is not saying much for them. Having sent in their cards through the medium of a red-hot looking footman in bright livery, they were ushered into the august presence of the profound Dingwall. Cornelius Brook Dingwall, Esq., M.P. was very haughty, solemn, and portentous. He had naturally a somewhat spasmodic expression of countenance, which was not rendered the less remarkable by his wearing an extremely stiff cravat. He was wonderfully proud of the "M.P.," attached to his name, and never lost an opportunity of reminding people of his dignity. He had a great idea of his own abilities, which must have been a great comfort to him, as no one else had; and in diplomacy, on a small scale in his own family arrangements, he considered himself unrivalled. He was a country magistrate, and discharged the duties of his station with all due justice and impartiality, frequently committing poachers, and occasionally committing himself. Miss Brook Dingwall was one of that numerous class of young ladies, who, like adverbs may be known by their answering to a common-place question, and doing nothing else. On the present occasion this talented individual was seated in a small library at a table covered with papers, doing nothing; but trying to look busy—playing at shop. Acts of Parliament, and letters directed to "Cornelius Brook Dingwall, Esq. M.P.," were ostentatiously scattered over the table, at a little distance from which, Mrs. Brook Dingwall was seated at work. One of those public nuisances, a spoiled child, was playing about the room, dressed after the most approved fashion, in a blue tunic with a black belt a quarter of a yard wide, fastened with an immense buckle, and looking like a robber in a Melo-Drama, seen through a diminishing glass. After a little pleasantry from the sweet child, who amused himself by running away with Miss Maria Crumpton's chair as fast as it was placed for her, the visitors were seated, and Cornelius Brook Dingwall Esq. opened the conversation. He had sent for Miss Crumpton, he said, in consequence of the high character he had received of her establishment from his friend Sir Alfred Muggs. Miss Crumpton murmured her acknowledgments to him (Muggs) and Cornelius proceeded. "One of my principal reasons Miss Crumpton for parting with my daughter is, that she has lately acquired some false sentimental sort of ideas which it is most desirable to eradicate from her young mind." (Here the little innocent before-noticed, fell out of an arm chair with an awful crash.) "Naughty boy," said his mamma, who appeared more surprised at his taking the liberty of falling down, than at anything else, "I'll ring the bell for James to take him away." "Pray don't check him, my love," said the diplomatist, as soon as he could make himself heard amidst the unearthly howling, consequent upon the threat and the tumble. "It all arises from his great flow of spirits." This last explanation was addressed to Miss Crumpton. "Certainly, Sir," replied the antique Maria, not exactly seeing, however, the connection between a flow of animal spirits, and a fall from an arm chair. Silence was restored, and the M.P. resumed: "Now I know nothing so likely to effect this object, Miss Crumpton, as her mixing constantly in the society of girls of her own age; and as I know that in your establishment she will meet such as are not likely to contaminate her young mind, I propose to send her to you." The youngest Miss Crumpton expressed the acknowledgements of the establishment generally. Maria was rendered perfectly speechless by bodily pain—the dear little fellow having recovered his spirits, was standing upon her most tender foot, by way of getting his face (which looked like a capital O in a red-lettered play-bill) on a level with the writing-table. "Of course Lavinia will be a parlour boarder," continued the enviable father; "and on one point I wish my directions to be strictly observed. The fact is, that some ridiculous love affair with a person much her inferior in life has been the case of her present state of mind. Knowing that of course under your care she can have no opportunity of meeting this person, I do not object to—indeed, I should rather prefer—her joining in such society as you see yourself," The important statement was again interrupted by the high-spirited little creature, in the excess of his joyousness, breaking a pane of glass, and nearly precipitating himself into an adjacent area. James was rung for; considerable confusion and screaming succeeded, two little blue legs, about the size of hoopsticks, were seen to kick violently in the air, as the man left the room, and the child was gone. "Mr. Brook Dingwall would like Miss Brook Dingwall to learn everything," said Mrs. Brook Dingwall, who hardly ever said any thing at all. "Certainly." said both the Miss Crumptons together. "And as I trust the plan I have devised will be effectual in weaning my daughter from this absurd idea, Miss Crumpton," continued the legislator, "I hope you will have the goodness to comply in all respects with any request I may forward to you." The promise was of course made, and after a lengthened discussion, conducted on behalf of the Dingwall's with the most becoming diplomatic gravity, and on that of the Crumpton's with profound respect, it was finally arranged that Miss Lavinia should be forwarded to Hammersmith on the next day but one; on which occasion the half-yearly ball given at the establishment was to take place. It might divert the dear girl's mind. This, by the way, was another bit of diplomacy. Miss Lavinia was forthwith introduced to her future governesses, and both the Miss Crumpton's pronounced her "a most charming girl," an opinion which, by a singular coincidence, they always entertained of any new pupil. Curtsies were made, acknowledgements expressed, condescension exhibited; and the interview terminated. Preparations, to make use of theatrical phraseology, "on a scale of magnitude never before attempted," were incessantly made at Minerva House, to give every effect to the forthcoming ball. The largest room in the house was pleasingly ornamented with blue calico roses, plaid tulips, and other equally natural-looking artificial flowers, the work of the young ladies themselves. The carpet was taken up; the folding-doors were taken door; the furniture was taken out, and rout seats taken in. The linen-drapers of Hammersmith were astounded at the sudden demand for blue sarsnet ribbon, and long white gloves. Dozens of geraniums were purchased for bouquets, and a harp and two violins were bespoke from town, in addition to the grand-piano already on the premises. The young ladies who were selected to show off "on the occasion," and do credit to the establishment, practised unceasingly, much to their own satisfaction, and greatly to the annoyance of the lame old gentleman over the way; and a constant correspondence was kept up with the Misses Crumpton and the Hammersmith pastry cook. The evening came: and then there was such a lacing of stays, and tying of sandals, and dressing of hair, as never can take place with a proper degree of bustle out of a boarding-school. The smaller girls managed to be in everybody's way, and were pushed about accordingly, and the elder ones dressed, and tied, and flattered, and envied one another as earnestly and sincerely as if they had actually come out. "How do I look, dear?" enquired Miss Emily Smithers, the belle of the house, of Miss Caroline Wilson, who was her bosom friend because she was the ugliest girl in Hammersmith, or out of it. "Oh, charming dear. How do I?" "Delightful—you never looked so handsome," returned the belle, adjusting her own dress, and not bestowing a glance on her poor companion. "I hope young Hilton will come early," said another young lady to Miss somebody else, in a fever of expectation. "I'm sure he'd be highly flattered if he knew it," returned the other, who was practicing l'eté for effect. "Oh! he's so handsome," said the first. "Such a charming person," added a second. "Such a distingue air," said a third. "Oh what do you think?" said another girl running into the room; Miss Crumpton says that her cousin's coming." "What! Theodosius Butler?" said everybody, in raptures. "Is he handsome," enquired a novice. "No, not particularly handsome," was the general reply; but oh, so clever!" Mr. Theodosius Butler was one of those immortal geniuses who are to be met with in almost every circle. They have usually very deep monotonous voices. They always persuade themselves that they are wonderful persons, and that they ought to be very miserable. They dont exactly know why. They are very conceited, and usually possess exactly half an idea: but with enthusiastic young ladies and silly young gentlemen, they are something wonderfully superior. The individual in question, Mr. Theodosius, had written a phamphlet containing some very weighty considerations on the expediency of doing something or other; and as every sentence contained at least fifty words of four syllables, his admirers took it for granted that he meant a good deal. "Perhaps that's he," exclaimed several young ladies, as the first pull of the evening threatened destruction to the bell at the gate. An awful pause ensued. Some boxes arrived, and a young lady—it was Miss Brook Dingwall, in full ball costumes, with an immense gold chain round her neck, and her dress looped up with a single rose. An ivory fan in her hand, and a most interesting expression of despair in her face. The Miss Crumptons enquired after the family with the most excruciating anxiety, and Miss Brook Dingwall was formally introduced to her future companions. The Miss Crumptons conversed with the young ladies in the most mellifluous tones, in order that Miss Brook Dingwall might be properly impressed with their amiable treatment. Another pull at the bell. Mr. Dadson, the writing master and his wife. The wife in green silk, with shoes and cap trimmings to correspond, and the writing master in a white waistcoat, black knee shorts, and ditto silk stockings, displaying a leg large enough for two writing masters, at least. The young ladies whispered one another, and the writing master and his wife flattered the Miss Crumptons who were dressed in amber, with long sashes, like dolls. Repeated pulls at the bell, and arrivals too numerous to particularize: Papas and Mammas, and aunts and uncles, the owners and guardians of the different pupils; the singing master Signor Lobskini, in a black wig; the pianoforte player and the violins, the harp in a state of intoxication, and some twenty young men who stood near the door, and talked to one another, occasionally bursting into a giggle. A general hum of conversation.—Coffee handed round, and plentifully partaken of by fat mamma's, looking like the stout people who come on in pantomimes for the sole purpose of being knocked down. The popular Mr. Hilton was the next arrival, and having, at the request of the Miss Crumptons, undertaken the office of Master of Ceremonies, the quadrilles commenced with considerable spirit. The young men by the door gradually advanced into the middle of the room, and in time became sufficiently at ease to consent to be introduced to partners. The writing master danced every set, springing about with the most fearful agility, and his wife played a rubber in the back parlour—a little room with five book shelves dignified by the name of the study. Setting her down to whist was a half-yearly piece of generalship on the part of the Miss Crumptons, as it was necessary to hide her somewhere on account of her being a fright. The interesting Lavinia Brook Dingwall was the only girl present who appeared to take no interest in the proceedings of the evening. In vain was she solicited to dance, in vain was the universal homage paid to her as the daughter of a member of parliament. She was equally unmoved by the splendid tenor of the inimitable Lobskini, and the brilliant execution of Miss Letitia Parsons, who performance of "The Recollections of Ireland," was universally declared to be almost equal to Moscheles himself. Not even the announcement of the arrival of Mr. Theodosius Butler could induce her to leave the corner of the back drawing room in which she was seated. "Now, Theodosius," said Miss Maria Crumpton, after that enlightened pamphleteer had nearly run the gauntlet of he whole company, "I must introduce you to our new pupil." Theodosius looked as if he cared for nothing earthly. "She's the daughter of a member of parliament," said Maria - Theodosius started. "And her name is—?" he enquired. "Miss Brook Dingwall." "Great Heaven!" poetically exclaimed Theodosius in a low tone. Miss Crumpton commenced the introduction in due form. Miss Brook Dingwall languidly raised her head. "Edward!" she exclaimed with a half shriek, on seeing the well known nankeen legs. Fortunately, as Miss Maria Crumpton possessed no remarkable share of penetration, and as it was one of the diplomatic arrangements that no attention was to be paid to Miss Lavinia's incoherent exclamations, she was perfectly unconscious of the mutual agitation of the parties; and therefore, seeing that the offer of his hand for the next quadrille was accepted, she left him by the side of Miss Brook Dingwall. "Oh, Edward," exclaimed that most romantic of all romantic young ladies, as that light of science seated himself beside her, "Oh, Edward is it you?" Mr. Theodosius assured the dear creature in the most impassioned manner that he was not conscious of being anybody but himself. "Then why—why—this disguise? oh, Edward McNeville Walter, what have I not suffered on your account." "Lavinia, hear me," replied the hero in his most poetic strain "Do not condemn me unheard. If anything that emanates from the soul of such a wretch as I, can occupy a place in your recollection—if any being so vile deserve your notice—you may remember that I once published a pamphlet (and paid for its publication) entitled "Considerations on the policy of removing the duty on bee's wax." "I do—I do—" sobbed Lavinia. "That," continued the lover "was a subject to which your father was devoted heart and soul." "He was—he was," reiterated the sentimentalist. "I knew it" continued Theodosius tragically, "I knew it—I forwarded him a copy. He wished to know me. Could I disclose my real name? Never! no, I assumed that name which you have so often pronounced in tones of endearment. As McNeville Walter I devoted myself to the stirring cause; as McNeville Walter I gained your heart; in the same character i was ejected from your house by your father's domestics, and in no character at all, have I since been enabled to see you. We now meet again, and I proudly own that I am—Theodosius Butler. The young lady appeared perfectly satisfied with this very argumentative address, and bestowed a look of the most ardent affection on the immortal advocate of bees wax. "May I hope," said he, "that the promise, your father's violent behaviour interrupted, may be renewed?" "Let us join this set," replied Lavinia coquetishly—for girls of nineteen can coquette. "No," ejaculated he of the nankeens. "I stir not from this spot writhing under this torture of suspense. May I—may I hope?" "You may." "The promise is renewed?" "It is." "I have your permission?" "You have." "To the fullest extent?" "You know it," returned Lavinia, affecting to blush. The contortions of the interesting Butler's visage expressed his raptures. We could dilate upon the occurrences of the evening. How Mr. Theodosius and Miss Lavinia danced and talked, and sighed for the remainder of the evening. How the Miss Crumpton's were delighted thereat. How the writing master continued to frisk about with one-horse power, and how his wife, from some unaccountable freak, left the whist table in the little back parlour, and persisted in displaying her green head dress in the most conspicuous part of the drawing-room. How the supper consisted of small triangular sandwiches in trays, with a tart here and there, by way of variety, and how the visitors consumed warm water disguised with lemon, and dotted with nutmeg, under the denomination of negus. These, and other matters of as much interest, however, we pass over, for the purpose of describing a scene of even more importance. A fortnight after the date of the ball, Cornelius Brook Dingwall, Esq. M.P. was seated at the same library table, and in the same room as we have before described. He was alone, and his face bore an expression of deep thought and solemn gravity—he was drawing up a bill for the better observance of Easter Monday. The footman tapped at the door. The legislator started from his reverie, and "Miss Crumpton" was announced. Permission was given for Miss Crumption to enter the sanctum; Maria came sidling in, and having taken her seat with a due portion of affectation, the footman retired, and the governess was left alone with the M.P. Oh! how she longed for the presence of a third party—even the facetious young gentleman would have been a relief. Miss Crumpton began the duet. She hoped Mrs. Brook Dingwall, and the handsome little boy were in good health. They were. Mrs. Brook Dingwall and little Frederick were at Brighton. "Much obliged to you Miss Crumpton," said Cornelius in his dignified manner, "for your attention to calling this morning. I should have driven down to Hammersmith to see Lavinia, but your account was so very satisfactory, and my duties in the House occupy me so much that I determined to postpone it for a week. How has she gone on." "Very well, indeed, Sir," returned Maria, dreading to inform the father she had gone off. "Ah, I thought the plan on which I proceeded would be a match for her." "Here was a favourable opportunity to say that somebody else had been a match for her. The unfortunate governess was unequal to the task. "You have persevered strictly in the line of conduct I prescribed Miss Crumpton?" "Strictly, Sir." "You tell me in your note that her spirits gradually improved." "Very much, indeed, sir." "To be sure, I was convinced they would." "But I fear, sir," said Miss Crumpton, with visible emotion. "I fear the plan has not succeeded so well as we could have wished." "No!" exclaimed the prophet, "God bless me, Miss Crumpton, you look alarmed. What has happened?" "Miss Brook Dingwall, Sir—" "Yes, Ma'am." "Has gone, Sir"—said Maria, exhibiting a strong inclination to faint. "Gone!" "Eloped, Sir." "Eloped!—Who wish—when—where—how?" almost shrieked the agitated diplomatist. The natural yellow of the unfortunate Maria's face, changed to all the hues of the rainbow, as she laid a small packet upon the member's table. He hurriedly opened it. A letter from his daughter and another from Theodosius. He glanced over their contents - "ere this reaches you, far distant—appeal to feelings—love to distraction—bee's wax—slavery," &c., &c. He dashed his hand to his forehead, and paced the room with fearfully long strides, to the great alarm of the precise Maria. "Now mind; from this time forward," said the Brook Dingwall, suddenly stopping at the table, and beating time upon it with his hand "from this time forward, I never will, under any circumstances whatever, allow a man who writes pamphlets to enter any room of this house but the kitchen—I'll allow my daughter and her husband one hundred and fifty pounds a year, and never see their faces again—and damme, ma'am, I'll bring in a bill for abolition of finishing schools!" Some time has elapsed since this passionate declaration. Mr. and Mrs. Butler are at present rusticating in a small cottage at Ball's Pond, pleasantly situated in the immediate vicinity of a brick-field. They have no family. Mr. Theodosius looks very important and writes incessantly, but in consequence of some gross combination on the part of publishers, none of his productions appear in print. His young wife begins to think that ideal misery is preferable to real unhappiness; and that a marriage contracted in haste, and repented at leisure, is the cause of more substantial wretchedness, than she ever anticipated. On cool reflection, Cornelius Brook Dingwall, Esq. M.P., was reluctantly compelled to admit that the untoward result of his admirable arrangements, was attributable, not to the Miss Crumptons', but his own diplomacy. He, however, consoles himself, like some other small diplomatists, by satisfactorily proving that if his plans did not succeed, they ought to have done so. Minerva House is in statu quo, and "The Misses Crumpton" remain in the peaceable and undisturbed enjoyment of all the advantages resulting from their Finishing-school. TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment.xml" target="_blank" rel="noopener">'Sentiment.' The Magazine of the Beau Monde (1 September 1836).</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Sentiment' Description An account of the resource Published in The Magazine of the Beau Monde (1 September 1836), pp. 122-126. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Magazine of the Beau Monde, <a href="https://www.google.com/books/edition/The_Magazine_of_the_beau_monde_or_Monthl/piYGAAAAQAAJ" target="_blank" rel="noopener">https://www.google.com/books/edition/The_Magazine_of_the_beau_monde_or_Monthl/piYGAAAAQAAJ.</a> Date A point or period of time associated with an event in the lifecycle of the resource 1836-09-01 Rights Information about rights held in and over the resource Digitised materials on Google Books published before 1922 are in the public domain. Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Sentiment' (1 September 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment">https://dickenssearch.com/short-stories/1836-09-01_The_Magazine_of_the_Beau_Monde_Sentiment</a>. Scripto Transcription A written representation of a document. The Miss Crumptons, or to quote the authority of the inscription on the garden-gate of Minerva House, Hammersmith—"The Misses Crumpton" were two unusually tall, particularly thin, and exceedingly skinny personages— very upright and very yellow. Miss Amelia Crumpton owned to thirty-eight, and Miss Maria Crumpton admitted she was forty—an admission which was rendered perfectly unnecessary by the self-evident fact of her being fifty at least. They dressed in the most interesting manner—like twins, and looks about as happy and comfortable as a couple of marigolds run to seed. They were very precise, had the strictest possible ideas of propriety, wore false hair, and always smelt very strongly of lavender.  Minerva House, conducted under the auspices of the two sisters, was a "finishing establishment for young ladies," where some twenty girls of the ages of from thirteen to nineteen inclusive, acquired a smattering of everything, and a knowledge of nothing; instruction in French and Italian, dancing lessons twice a week, and other necessaries of life. The house was a white one, a little removed from the road side, with close palings in front. The bed-room windows were always left partly open to afford a bird's eye view of numerous little bedsteads, with very white dimity furniture, and thereby impress the passer-by with a due sense of the luxuries of the establishment; and there was a front parlour hung round with highly varnished maps, which nobody ever looked at, and filled with books which no one ever read, appropriated exclusively to the reception of parents, who whenever they called, could not fail to be struck with the very knowledge-imparting appearance of the place.  "Amelia, my dear," said Miss Maria Crumpton, entering the school room, with her false hair in papers, as she occasionally did, in order to impress the young ladies with a conviction of its reality—"Amelia, my dear, here's a most gratifying note I have just received. You needn't mind reading it aloud." Miss Amelia thus advised, proceeded to read the following note, with an air of great triumph. "Cornelius Brook Dingwall, Esq. M.P. presents his compliments to Miss Crumpton, and will feel much obliged by Miss Crumpton's calling on him, if she conveniently can, to morrow morning at one o'clock, as Cornelius Brook Dingall, Esq. M.P. is anxious to see Miss Crumpton on the subject of placing Miss Brook Dingwall under her charge.  "Adelphi.     "Monday morning." "A Member of Parliament's daughter!" ejaculated Amelia in an ecstatic tone. "A Member of Parliament's daughter!" repeated Miss Maria with a smile of delight, which of course, forthwith elicited a concurrent titter of pleasure from all the young ladies. "Its exceedingly delightful," said Miss Amelia, whereupon all the young ladies murmured their admiration again. Courtiers are but schoolboys multiplied by fifty. So important an announcement at once superseded the business of the day. A holiday was declared in commemoration of the greatevent: the Miss Crumptons retired to their private apartment to talk it over; the smaller girls discussed the probable manners and customs of the daughter of a Member of Parliament, and the young ladies verging on eighteen, wondered whether she was engaged, whether she was pretty, whether she wore much bustle, and many other whethers of equal importance.  The two Miss Crumptons proceeded to the Adelphi at the appointed time next day, dressed, of course, in their best style, and looking as amiable as they possibly could—which, by-the-bye, is not saying much for them. Having sent in their cards through the medium of a red-hot looking footman in bright livery, they were ushered into the august presence of the profound Dingwall. Cornelius Brook Dingwall, Esq., M.P. was very haughty, solemn, and portentous. He had naturally a somewhat spasmodic expression of countenance, which was not rendered the less remarkable by his wearing an extremely stiff cravat. He was wonderfully proud of the "M.P.," attached to his name, and never lost an opportunity of reminding people of his dignity. He had a great idea of his own abilities, which must have been a great comfort to him, as no one else had; and in diplomacy, on a small scale in his own family arrangements, he considered himself unrivalled. He was a country magistrate, and discharged the duties of his station with all due justice and impartiality, frequently committing poachers, and occasionally committing himself. Miss Brook Dingwall was one of that numerous class of young ladies, who, like adverbs may be known by their answering to a common-place question, and doing nothing else.  On the present occasion this talented individual was seated in a small library at a table covered with papers, doing nothing; but trying to look busy—playing at shop. Acts of Parliament, and letters directed to "Cornelius Brook Dingwall, Esq. M.P.," were ostentatiously scattered over the table, at a little distance from which, Mrs. Brook Dingwall was seated at work. One of those public nuisances, a spoiled child, was playing about the room, dressed after the most approved fashion, in a blue tunic with a black belt a quarter of a yard wide, fastened with an immense buckle, and looking like a robber in a Melo-Drama, seen through a diminishing glass.  After a little pleasantry from the sweet child, who amused himself by running away with Miss Maria Crumpton's chair as fast as it was placed for her, the visitors were seated, and Cornelius Brook Dingwall Esq. opened the conversation. He had sent for Miss Crumpton, he said, in consequence of the high character he had received of her establishment from his friend Sir Alfred Muggs.  Miss Crumpton murmured her acknowledgments to him (Muggs) and Cornelius proceeded. "One of my principal reasons Miss Crumpton for parting with my daughter is, that she has lately acquired some false sentimental sort of ideas which it is most desirable to eradicate from her young mind." (Here the little innocent before-noticed, fell out of an arm chair with an awful crash.) "Naughty boy," said his mamma, who appeared more surprised at his taking the liberty of falling down, than at anything else, "I'll ring the bell for James to take him away." "Pray don't check him, my love," said the diplomatist, as soon as he could make himself heard amidst the unearthly howling, consequent upon the threat and the tumble. "It all arises from his great flow of spirits." This last explanation was addressed to Miss Crumpton.  "Certainly, Sir," replied the antique Maria, not exactly seeing, however, the connection between a flow of animal spirits, and a fall from an arm chair.  Silence was restored, and the M.P. resumed: "Now I know nothing so likely to effect this object, Miss Crumpton, as her mixing constantly in the society of girls of her own age; and as I know that in your establishment she will meet such as are not likely to contaminate her young mind, I propose to send her to you." The youngest Miss Crumpton expressed the acknowledgements of the establishment generally. Maria was rendered perfectly speechless by bodily pain—the dear little fellow having recovered his spirits, was standing upon her most tender foot, by way of getting his face (which looked like a capital O in a red-lettered play-bill) on a level with the writing-table.  "Of course Lavinia will be a parlour boarder," continued the enviable father; "and on one point I wish my directions to be strictly observed. The fact is, that some ridiculous love affair with a person much her inferior in life has been the case of her present state of mind. Knowing that of course under your care she can have no opportunity of meeting this person, I do not object to—indeed, I should rather prefer—her joining in such society as you see yourself," The important statement was again interrupted by the high-spirited little creature, in the excess of his joyousness, breaking a pane of glass, and nearly precipitating himself into an adjacent area. James was rung for; considerable confusion and screaming succeeded, two little blue legs, about the size of hoopsticks, were seen to kick violently in the air, as the man left the room, and the child was gone.  "Mr. Brook Dingwall would like Miss Brook Dingwall to learn everything," said Mrs. Brook Dingwall, who hardly ever said any thing at all. "Certainly." said both the Miss Crumptons together. "And as I trust the plan I have devised will be effectual in weaning my daughter from this absurd idea, Miss Crumpton," continued the legislator, "I hope you will have the goodness to comply in all respects with any request I may forward to you." The promise was of course made, and after a lengthened discussion, conducted on behalf of the Dingwall's with the most becoming diplomatic gravity, and on that of the Crumpton's with profound respect, it was finally arranged that Miss Lavinia should be forwarded to Hammersmith on the next day but one; on which occasion the half-yearly ball given at the establishment was to take place. It might divert the dear girl's mind. This, by the way, was another bit of diplomacy. Miss Lavinia was forthwith introduced to her future governesses, and both the Miss Crumpton's pronounced her "a most charming girl," an opinion which, by a singular coincidence, they always entertained of any new pupil.  Curtsies were made, acknowledgements expressed, condescension exhibited; and the interview terminated. Preparations, to make use of theatrical phraseology, "on a scale of magnitude never before attempted," were incessantly made at Minerva House, to give every effect to the forthcoming ball. The largest room in the house was pleasingly ornamented with blue calico roses, plaid tulips, and other equally natural-looking artificial flowers, the work of the young ladies themselves. The carpet was taken up; the folding-doors were taken door; the furniture was taken out, and rout seats taken in. The linen-drapers of Hammersmith were astounded at the sudden demand for blue sarsnet ribbon, and long white gloves. Dozens of geraniums were purchased for bouquets, and a harp and two violins were bespoke from town, in addition to the grand-piano already on the premises. The young ladies who were selected to show off "on the occasion," and do credit to the establishment, practised unceasingly, much to their own satisfaction, and greatly to the annoyance of the lame old gentleman over the way; and a constant correspondence was kept up with the Misses Crumpton and the Hammersmith pastry cook. The evening came: and then there was such a lacing of stays, and tying of sandals, and dressing of hair, as never can take place with a proper degree of bustle out of a boarding-school. The smaller girls managed to be in everybody's way, and were pushed about accordingly, and the elder ones dressed, and tied, and flattered, and envied one another as earnestly and sincerely as if they had actually come out.  "How do I look, dear?" enquired Miss Emily Smithers, the belle of the house, of Miss Caroline Wilson, who was her bosom friend because she was the ugliest girl in Hammersmith, or out of it. "Oh, charming dear. How do I?" "Delightful—you never looked so handsome," returned the belle, adjusting her own dress, and not bestowing a glance on her poor companion.  "I hope young Hilton will come early," said another young lady to Miss somebody else, in a fever of expectation. "I'm sure he'd be highly flattered if he knew it," returned the other, who was practicing l'eté for effect. "Oh! he's so handsome," said the first. "Such a charming person," added a second.  "Such a distingue air," said a third.  "Oh what do you think?" said another girl running into the room; Miss Crumpton says that her cousin's coming." "What! Theodosius Butler?" said everybody, in raptures. "Is he handsome," enquired a novice. "No, not particularly handsome," was the general reply; but oh, so clever!" Mr. Theodosius Butler was one of those immortal geniuses who are to be met with in almost every circle. They have usually very deep monotonous voices. They always persuade themselves that they are wonderful persons, and that they ought to be very miserable. They dont exactly know why. They are very conceited, and usually possess exactly half an idea: but with enthusiastic young ladies and silly young gentlemen, they are something wonderfully superior. The individual in question, Mr. Theodosius, had written a phamphlet containing some very weighty considerations on the expediency of doing something or other; and as every sentence contained at least fifty words of four syllables, his admirers took it for granted that he meant a good deal.  "Perhaps that's he," exclaimed several young ladies, as the first pull of the evening threatened destruction to the bell at the gate.  An awful pause ensued. Some boxes arrived, and a young lady—it was Miss Brook Dingwall, in full ball costumes, with an immense gold chain round her neck, and her dress looped up with a single rose. An ivory fan in her hand, and a most interesting expression of despair in her face. The Miss Crumptons enquired after the family with the most excruciating anxiety, and Miss Brook Dingwall was formally introduced to her future companions. The Miss Crumptons conversed with the young ladies in the most mellifluous tones, in order that Miss Brook Dingwall might be properly impressed with their amiable treatment.  Another pull at the bell. Mr. Dadson, the writing master and his wife. The wife in green silk, with shoes and cap trimmings to correspond, and the writing master in a white waistcoat, black knee shorts, and ditto silk stockings, displaying a leg large enough for two writing masters, at least. The young ladies whispered one another, and the writing master and his wife flattered the Miss Crumptons who were dressed in amber, with long sashes, like dolls.  Repeated pulls at the bell, and arrivals too numerous to particularize: Papas and Mammas, and aunts and uncles, the owners and guardians of the different pupils; the singing master Signor Lobskini, in a black wig; the pianoforte player and the violins, the harp in a state of intoxication, and some twenty young men who stood near the door, and talked to one another, occasionally bursting into a giggle. A general hum of conversation.—Coffee handed round, and plentifully partaken of by fat mamma's, looking like the stout people who come on in pantomimes for the sole purpose of being knocked down.  The popular Mr. Hilton was the next arrival, and having, at the request of the Miss Crumptons, undertaken the office of Master of Ceremonies, the quadrilles commenced with considerable spirit. The young men by the door gradually advanced into the middle of the room, and in time became sufficiently at ease to consent to be introduced to partners. The writing master danced every set, springing about with the most fearful agility, and his wife played a rubber in the back parlour—a little room with five book shelves dignified by the name of the study. Setting her down to whist was a half-yearly piece of generalship on the part of the Miss Crumptons, as it was necessary to hide her somewhere on account of her being a fright.  The interesting Lavinia Brook Dingwall was the only girl present who appeared to take no interest in the proceedings of the evening. In vain was she solicited to dance, in vain was the universal homage paid to her as the daughter of a member of parliament. She was equally unmoved by the splendid tenor of the inimitable Lobskini, and the brilliant execution of Miss Letitia Parsons, who performance of "The Recollections of Ireland," was universally declared to be almost equal to Moscheles himself. Not even the announcement of the arrival of Mr. Theodosius Butler could induce her to leave the corner of the back drawing room in which she was seated. "Now, Theodosius," said Miss Maria Crumpton, after that enlightened pamphleteer had nearly run the gauntlet of he whole company, "I must introduce you to our new pupil." Theodosius looked as if he cared for nothing earthly.  "She's the daughter of a member of parliament," said Maria - Theodosius started. "And her name is—?" he enquired. "Miss Brook Dingwall." "Great Heaven!" poetically exclaimed Theodosius in a low tone. Miss Crumpton commenced the introduction in due form. Miss Brook Dingwall languidly raised her head.  "Edward!" she exclaimed with a half shriek, on seeing the well known nankeen legs.  Fortunately, as Miss Maria Crumpton possessed no remarkable share of penetration, and as it was one of the diplomatic arrangements that no attention was to be paid to Miss Lavinia's incoherent exclamations, she was perfectly unconscious of the mutual agitation of the parties; and therefore, seeing that the offer of his hand for the next quadrille was accepted, she left him by the side of Miss Brook Dingwall. "Oh, Edward," exclaimed that most romantic of all romantic young ladies, as that light of science seated himself beside her, "Oh, Edward is it you?" Mr. Theodosius assured the dear creature in the most impassioned manner that he was not conscious of being anybody but himself.  "Then why—why—this disguise? oh, Edward McNeville Walter, what have I not suffered on your account." "Lavinia, hear me," replied the hero in his most poetic strain "Do not condemn me unheard. If anything that emanates from the soul of such a wretch as I, can occupy a place in your recollection—if any being so vile deserve your notice—you may remember that I once published a pamphlet (and paid for its publication) entitled "Considerations on the policy of removing the duty on bee's wax."  "I do—I do—" sobbed Lavinia. "That," continued the lover "was a subject to which your father was devoted heart and soul." "He was—he was," reiterated the sentimentalist. "I knew it" continued Theodosius tragically, "I knew it—I forwarded him a copy. He wished to know me. Could I disclose my real name? Never! no, I assumed that name which you have so often pronounced in tones of endearment. As McNeville Walter I devoted myself to the stirring cause; as McNeville Walter I gained your heart; in the same character i was ejected from your house by your father's domestics, and in no character at all, have I since been enabled to see you. We now meet again, and I proudly own that I am—Theodosius Butler. The young lady appeared perfectly satisfied with this very argumentative address, and bestowed a look of the most ardent affection on the immortal advocate of bees wax.  "May I hope," said he, "that the promise, your father's violent behaviour interrupted, may be renewed?" "Let us join this set," replied Lavinia coquetishly—for girls of nineteen can coquette. "No," ejaculated he of the nankeens. "I stir not from this spot writhing under this torture of suspense. May I—may I hope?"  "You may." "The promise is renewed?" "It is." "I have your permission?" "You have." "To the fullest extent?" "You know it," returned Lavinia, affecting to blush. The contortions of the interesting Butler's visage expressed his raptures. We could dilate upon the occurrences of the evening. How Mr. Theodosius and Miss Lavinia danced and talked, and sighed for the remainder of the evening. How the Miss Crumpton's were delighted thereat. How the writing master continued to frisk about with one-horse power, and how his wife, from some unaccountable freak, left the whist table in the little back parlour, and persisted in displaying her green head dress in the most conspicuous part of the drawing-room. How the supper consisted of small triangular sandwiches in trays, with a tart here and there, by way of variety, and how the visitors consumed warm water disguised with lemon, and dotted with nutmeg, under the denomination of negus. These, and other matters of as much interest, however, we pass over, for the purpose of describing a scene of even more importance.  A fortnight after the date of the ball, Cornelius Brook Dingwall, Esq. M.P. was seated at the same library table, and in the same room as we have before described. He was alone, and his face bore an expression of deep thought and solemn gravity—he was drawing up a bill for the better observance of Easter Monday. The footman tapped at the door. The legislator started from his reverie, and "Miss Crumpton" was announced. Permission was given for Miss Crumption to enter the sanctum; Maria came sidling in, and having taken her seat with a due portion of affectation, the footman retired, and the governess was left alone with the M.P. Oh! how she longed for the presence of a third party—even the facetious young gentleman would have been a relief. Miss Crumpton began the duet. She hoped Mrs. Brook Dingwall, and the handsome little boy were in good health.  They were. Mrs. Brook Dingwall and little Frederick were at Brighton.  "Much obliged to you Miss Crumpton," said Cornelius in his dignified manner, "for your attention to calling this morning. I should have driven down to Hammersmith to see Lavinia, but your account was so very satisfactory, and my duties in the House occupy me so much that I determined to postpone it for a week. How has she gone on."  "Very well, indeed, Sir," returned Maria, dreading to inform the father she had gone off. "Ah, I thought the plan on which I proceeded would be a match for her." "Here was a favourable opportunity to say that somebody else had been a match for her. The unfortunate governess was unequal to the task. "You have persevered strictly in the line of conduct I prescribed Miss Crumpton?" "Strictly, Sir." "You tell me in your note that her spirits gradually improved." "Very much, indeed, sir." "To be sure, I was convinced they would." "But I fear, sir," said Miss Crumpton, with visible emotion. "I fear the plan has not succeeded so well as we could have wished." "No!" exclaimed the prophet, "God bless me, Miss Crumpton, you look alarmed. What has happened?" "Miss Brook Dingwall, Sir—" "Yes, Ma'am." "Has gone, Sir"—said Maria, exhibiting a strong inclination to faint. "Gone!"  "Eloped, Sir." "Eloped!—Who wish—when—where—how?" almost shrieked the agitated diplomatist.  The natural yellow of the unfortunate Maria's face, changed to all the hues of the rainbow, as she laid a small packet upon the member's table. He hurriedly opened it. A letter from his daughter and another from Theodosius. He glanced over their contents - "ere this reaches you, far distant—appeal to feelings—love to distraction—bee's wax—slavery," &c., &c. He dashed his hand to his forehead, and paced the room with fearfully long strides, to the great alarm of the precise Maria. "Now mind; from this time forward," said the Brook Dingwall, suddenly stopping at the table, and beating time upon it with his hand "from this time forward, I never will, under any circumstances whatever, allow a man who writes pamphlets to enter any room of this house but the kitchen—I'll allow my daughter and her husband one hundred and fifty pounds a year, and never see their faces again—and damme, ma'am, I'll bring in a bill for abolition of finishing schools!" Some time has elapsed since this passionate declaration. Mr. and Mrs. Butler are at present rusticating in a small cottage at Ball's Pond, pleasantly situated in the immediate vicinity of a brick-field. They have no family. Mr. Theodosius looks very important and writes incessantly, but in consequence of some gross combination on the part of publishers, none of his productions appear in print. His young wife begins to think that ideal misery is preferable to real unhappiness; and that a marriage contracted in haste, and repented at leisure, is the cause of more substantial wretchedness, than she ever anticipated. On cool reflection, Cornelius Brook Dingwall, Esq. M.P., was reluctantly compelled to admit that the untoward result of his admirable arrangements, was attributable, not to the Miss Crumptons', but his own diplomacy. He, however, consoles himself, like some other small diplomatists, by satisfactorily proving that if his plans did not succeed, they ought to have done so. Minerva House is in statu quo, and "The Misses Crumpton" remain in the peaceable and undisturbed enjoyment of all the advantages resulting from their Finishing-school. https://www.dickenssearch.com/files/original/5/New_Series_No._1_Meditations_in_Monmouth-Street/1836-09-24-The-Morning_Chronicle_New_Series_I_Meditations_in_Monmouth_Street.pdf 0283afd9432754132796355f3d28ebf5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360924 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. We have always entertained a particular attachment towards Monmouth-street, as the only true and real emporium for second-hand wearing apparel. Monmouth-street is venerable from its antiquity, and respectable from its usefulness. Holywell-street we despise; the red-headed and red-whiskered Jews who forcibly haul you into their squalid houses, and thrust you into a suit of clothes whether you will or not, we detest. The inhabitants of Monmouth-street are a distinct class; a peaceable and retiring race, who immure themselves for the most part in deep cellars or small back parlours, and who seldom come forth into the world, except in the dusk and coolness of evening, when they may be seen seated in chairs on the pavement, smoking their pipes or watching the gambols of their engaging children as they revel in the gutter, a happy troop of infantine scavengers. Their countenances bear a thoughtful and dirty cast—certain indications of their love of traffic; and their habitations are distinguished by that disregard of outward appearances, and neglect of personal comfort, so common among people who are constantly immersed in profound speculations, and deeply engaged in sedentary pursuits. We have hinted at the antiquity of our favourite spot. "A Monmouth-street laced coat" was a by-word years and years ago; and still we find Monmouth-street the same. Pilot great coats with wooden buttons, have usurped the place of the ponderous laced coats with full skirts; embroidered waistcoats with large flaps, have yielded to double-breasted checks with roll-collars; and three-cornered hats of quaint appearance have given place to the low crowns and broad brims of the coachman school; but it is the times that have changed, not Monmouth-street. Through every alteration and every change, Monmouth-street has still remained the burial-place of the fashions; and such, to judge from all present appearances, it will remain, until there are no more fashions to bury. We love to walk among these extensive groves of the illustrious dead, and to indulge in the speculations to which they give rise; now fitting a deceased coat, then a dead pair of trousers, and anon the mortal remains of a gaudy waistcoat, upon some being of our own conjuring up, and endeavouring, from the shape and fashion of the garment itself, to bring its former owner before our mind’s eye. We have gone on speculating in this way, until whole rows of coats have started from their pegs, and buttoned up, of their own accord, round the waists of imaginary wearers, lines of trousers have jumped down to meet them, waistcoats have almost burst with anxiety to put themselves on, and half an acre of shoes have suddenly found feet to fit them, and gone stumping down the street with a noise which has fairly awakened us from our pleasant reverie, and driven us slowly away, with a bewildered stare, an object of astonishment to the good people of Monmouth-street, and of no slight suspicion to the policemen at the opposite street corner. We were occupied in this manner the other day, endeavouring to fit a pair of lace-up half boots on an ideal personage, for whom, to say the truth, they were full a couple of sizes too small, when our eyes happened to alight on a few suits of clothes, ranged outside a shop-window, which it immediately struck us, must at different periods have all belonged to, and been worn by, the same individual, and had now, by one of those strange conjunctions of circumstances which will occur sometimes, come to be exposed together for sale in the same shop. The idea seemed a fantastic one, and we looked at the clothes again with a firm determination not to be easily led away. No, we were right, the more we looked the more we were convinced of the accuracy of our previous impression. There was the man’s whole life written as legibly on those clothes as if we had his autobiography engrossed on parchment before us. The first was a patched and much-soiled skeleton suit—one of those straight blue cloth cases in which small boys used to be confined, before belts and tunics had come in, and old notions had gone out: an ingenious contrivance for displaying the full symmetry of a boy’s figure, by fastening him into a very tight jacket, with an ornamental row of buttons over each shoulder, and then buttoning his trousers over it, so as to give his legs the appearance of being hooked on just under the armpits. This was the boy’s dress. It had belonged to a town boy, we could see; there was a shortness about the legs and arms of the suit, and a bagging at the knees, peculiar to the rising youth of London streets. A small day-school he had been at, evidently. If it had been a regular boys’ school they wouldn’t have let him play on the floor so much, and rub his knees so white. He had had an indulgent mother too, and plenty of halfpence, as the numerous smears of some sticky substance about the pockets, and just below the chin, which even the salesman’s skill could not succeed in disguising, sufficiently betokened. They were decent people, but not overburdened with riches, or he would not have so far outgrown the suit when he passed into those corduroys with the round jacket; in which he went to a boys’ school, however, and learnt to write—and in ink of pretty tolerable blackness too, if the place where he used to wipe his pen might be taken as evidence. A black suit, and the jacket changed into a diminutive coat. His father had died, and the mother had got the boy a message-lad’s place in some office. A long-worn suit that one; rusty and threadbare before it was laid aside, but clean and free from soil to the last. Poor woman! We could imagine her assumed cheerfulness over the scanty meal, and the refusal of her own small portion, that her hungry boy might have enough. Her constant anxiety for his welfare, her pride in his growth mingled sometimes with the thought, almost too acute to bear, that as he grew to be a man his old affection might cool, old kindnesses fade from his mind, and old promises be forgotten—the sharp pain that even then a careless word or a cold look would give her—all crowded on our thoughts as vividly as if the very scene were passing before us. These things happen every hour, and we all know it; and yet we felt as much sorrow when we saw, or fancied we saw—it makes no difference which—the change that began to take place now, as if we had just conceived the bare possibility of such a thing for the first time. The next suit, smart but slovenly; meant to be gay, and yet not half so decent as the threadbare apparel; redolent of the idle lounge, and the blackguard companions, told us, we thought, that the widow’s comfort had rapidly faded away. We could imagine that coat—imagine! we could see it; we had seen it a hundred times—sauntering in company with three or four other coats of the same cut, about some place of profligate resort at night. We dressed, from the same shop-window in an instant, half a dozen boys of from fifteen to twenty; and putting cigars into their mouths, and their hands into their pockets, watched them as they sauntered down the street, and lingered at the corner with the obscene jest, and the often-repeated oath. We never lost sight of them, till they had cocked their hats a little more on one side, and swaggered into the public-house; and then we entered the desolate house, where the mother sat, late in the night, alone; we watched her, as she paced the room in feverish anxiety, and every now and then opened the door, looked wistfully into the dark and empty street, and again returned, to be again and again disappointed. We beheld the look of patience with which she bore the brutish threat, and the drunken blow; and we heard the agony of tears that gushed from her very heart as she sunk upon her knees in her solitary and wretched chamber. A long period had elapsed, and a greater change had taken place by the time of casting off the suit that hung above. It was that of a stout, broad-shouldered, sturdy-chested man; and we knew at once, as anybody would who glanced at that broad-skirted green coat, with the large metal buttons, that its wearer seldom walked forth without a dog at his heels, and some idle ruffian, the very counterpart of himself, at his side. The vices of the boy had grown with the man, and we fancied his home then—if such a place deserved the name. The bare and miserable room, destitute of furniture, crowded with his wife and children, pale, hungry, and emaciated; the man cursing their lamentations, staggering to the tap-room, from whence he had just returned, followed by his wife and a sickly infant, clamouring for bread; and heard the street wrangle and noisy recrimination that his striking her occasioned. And then imagination led us to some metropolitan workhouse, situated in the midst of crowded streets and alleys, filled with noxious vapours, and ringing with boisterous cries, where an old and feeble woman, imploring pardon for her son, lay dying in a close dark room, with no child to clasp her hand, and no pure air from Heaven to fan her brow. A stranger closed the eyes that settled into a cold unmeaning glare, and strange ears received the words that murmured from the white and half-closed lips. A coarse round frock, with a worn cotton neckerchief, and other articles of clothing of the commonest description, completed the history. A prison, and the sentence— banishment or the gallows. What would the man have given then to be once again the contented humble drudge of his boyish years—to have been restored to life, but for a week, a day, an hour, a minute—only for so long a time as would enable him to say one word of passionate regret to, and hear one sound of heartfelt forgiveness from—the cold and ghastly form that lay rotting in the pauper’s grave? The children wild in the streets, the mother a destitute widow; both deeply tainted with the deep disgrace of the husband and father’s name, and impelled, by sheer necessity, down the precipice that had led him to a lingering death, possibly of many years’ duration, thousands of miles away. We had no clue to the end of the tale; but it was easy to guess its termination. We took a step or two further on, and by way of restoring the naturally cheerful tone of our thoughts, began fitting visionary feet and legs into a cellar-board full of boots and shoes, with a speed and accuracy that would have astonished the most expert artist in leather, living. There was one pair of boots in particular—a jolly, good-tempered, hearty-looking pair of tops—that excited our warmest regard, and we had got a fine, red-faced jovial fellow of a market-gardener into them, before we had made their acquaintance half a minute. They were just the very thing for him. There was his huge fat legs bulging over the tops, and fitting them too tight to admit of his tucking in the loops he had pulled them on by, and his knee-cords with an interval of stocking, and his blue apron tucked up round his waist, and his red neckerchief and blue coat, and a white hat stuck on one side of his head; and there he stood with a broad grin on his great red face, whistling away as if any other idea but that of being happy and comfortable had never entered his brain. This was the very man after our own heart—we knew all about him—we had seen him coming up to Covent-garden in his green chaise-cart, with the fat, tubby little horse, half a thousand times; and even while we cast an affectionate look upon his boots at that instant, the form of a coquettish servant-maid suddenly sprung into a pair of Denmark satin-shoes that stood beside them, and we at once recognised the very girl that accepted his offer of a ride, just on this side the Hammersmith suspension-bridge, the very last Tuesday morning we rode into town from Richmond. A very smart female, in a showy bonnet, stepped into a pair of grey cloth boots with black fringe and binding, that were studiously pointing out their toes on the other side of the top-boots, and seemed very anxious to engage his attention, but we didn’t observe that our friend the market-gardener appeared at all captivated with these blandishments, for beyond giving a knowing wink when they first began, as if to imply that he quite understood their end and object, he took no further notice of them. His indifference, however, was amply recompensed by the excessive gallantry of a very old gentleman with a silver-headed stick, who tottered into a pair of large list shoes, that were standing in one corner of the board, and indulged in a variety of gestures expressive of his admiration of the lady in the cloth boots, to the immeasurable amusement of a young fellow we put into a pair of long-quartered pumps, who we thought would have split the coat that slid down to meet him with laughing. We had been looking on at this little pantomime with great satisfaction for some time, when, to our unspeakable astonishment, we perceived that the whole of the characters, including a numerous corps de ballet of boots and shoes in the back-ground, into which we had been hastily thrusting as many feet as we could press into the service, were arranging themselves in order for dancing; and some music striking up at the moment, to it they went without delay. It was perfectly delightful to witness the agility of the market-gardener. Out went the boots, first on one side, then on the other, then cutting, then shuffling, then setting to the Denmark satins, then advancing, then retreating, then going round, and then repeating the whole of the evolutions again, without appearing to suffer in the least from the violence of the exercise. Nor were the Denmark satins a bit behind-hand, for they jumped and bounded about in all directions; and though they were neither so regular, nor so true to the time as the cloth boots, still, as they seemed to do it from the heart, and to enjoy it more, we candidly confess that we preferred their style of dancing to the other. But the old gentleman in the list shoes was the most amusing object in the whole party; for, besides his grotesque attempts to appear youthful, and amorous, which were sufficiently entertaining in themselves, the young fellow in the pumps managed so artfully that every time the old gentleman advanced to salute the lady in the cloth boots, he trod with his whole weight on the old fellow’s toes, which made him roar with anguish, and rendered all the others like to die of laughing. We were in the full enjoyment of these festivities when we heard a shrill, and by no means musical voice, exclaim, "Hope you’ll know me agin, imperence;" and on looking intently forward to see from whence the sound came, we found that it proceeded, not from the young lady in the cloth boots, as we had at first been inclined to suppose, but from a bulky lady of elderly appearance who was seated in a chair at the head of the cellar-steps, apparently for the purpose of superintending the sale of the articles arranged there. A barrel-organ, which had been in full force close behind us, ceased playing; the people we had been fitting into the shoes and boots took to flight at the interruption; and as we were conscious that in the depth of our meditations we might have been rudely staring at the old lady for half an hour without knowing it, we took to flight too, and were soon immersed in the deepest obscurity of the adjacent "Dials." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'New Series, No. 1, Meditations in Monmouth-Street' Description An account of the resource Published in The Morning Chronicle (24 September 1836), p. 3. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360924/009/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360924/009/0003</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-09-24 Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1836-09-24-Meditations_in_Monmouth_Street Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'New Series, No. 1, Meditations in Monmouth-Street' (24 September 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-09-24-Meditations_in_Monmouth_Street">https://www.dickenssearch.com/short-stories/1836-09-24-Meditations_in_Monmouth_Street</a>. Scripto Transcription A written representation of a document. We have always entertained a particular attachment towards Monmouth-street, as the only true and real emporium for second-hand wearing apparel. Monmouth-street is venerable from its antiquity, and respectable from its usefulness. Holywell-street we despise; the red-headed and red-whiskered Jews who forcibly haul you into their squalid houses, and thrust you into a suit of clothes whether you will or not, we detest. The inhabitants of Monmouth-street are a distinct class; a peaceable and retiring race, who immure themselves for the most part in deep cellars or small back parlours, and who seldom come forth into the world, except in the dusk and coolness of evening, when they may be seen seated in chairs on the pavement, smoking their pipes or watching the gambols of their engaging children as they revel in the gutter, a happy troop of infantine scavengers. Their countenances bear a thoughtful and dirty cast—certain indications of their love of traffic; and their habitations are distinguished by that disregard of outward appearances, and neglect of personal comfort, so common among people who are constantly immersed in profound speculations, and deeply engaged in sedentary pursuits. We have hinted at the antiquity of our favourite spot. "A Monmouth-street laced coat" was a by-word years and years ago; and still we find Monmouth-street the same. Pilot great coats with wooden buttons, have usurped the place of the ponderous laced coats with full skirts; embroidered waistcoats with large flaps, have yielded to double-breasted checks with roll-collars; and three-cornered hats of quaint appearance have given place to the low crowns and broad brims of the coachman school; but it is the times that have changed, not Monmouth-street. Through every alteration and every change, Monmouth-street has still remained the burial-place of the fashions; and such, to judge from all present appearances, it will remain, until there are no more fashions to bury. We love to walk among these extensive groves of the illustrious dead, and to indulge in the speculations to which they give rise; now fitting a deceased coat, then a dead pair of trousers, and anon the mortal remains of a gaudy waistcoat, upon some being of our own conjuring up, and endeavouring, from the shape and fashion of the garment itself, to bring its former owner before our mind’s eye. We have gone on speculating in this way, until whole rows of coats have started from their pegs, and buttoned up, of their own accord, round the waists of imaginary wearers, lines of trousers have jumped down to meet them, waistcoats have almost burst with anxiety to put themselves on, and half an acre of shoes have suddenly found feet to fit them, and gone stumping down the street with a noise which has fairly awakened us from our pleasant reverie, and driven us slowly away, with a bewildered stare, an object of astonishment to the good people of Monmouth-street, and of no slight suspicion to the policemen at the opposite street corner. We were occupied in this manner the other day, endeavouring to fit a pair of lace-up half boots on an ideal personage, for whom, to say the truth, they were full a couple of sizes too small, when our eyes happened to alight on a few suits of clothes, ranged outside a shop-window, which it immediately struck us, must at different periods have all belonged to, and been worn by, the same individual, and had now, by one of those strange conjunctions of circumstances which will occur sometimes, come to be exposed together for sale in the same shop. The idea seemed a fantastic one, and we looked at the clothes again with a firm determination not to be easily led away. No, we were right, the more we looked the more we were convinced of the accuracy of our previous impression. There was the man’s whole life written as legibly on those clothes as if we had his autobiography engrossed on parchment before us. The first was a patched and much-soiled skeleton suit—one of those straight blue cloth cases in which small boys used to be confined, before belts and tunics had come in, and old notions had gone out: an ingenious contrivance for displaying the full symmetry of a boy’s figure, by fastening him into a very tight jacket, with an ornamental row of buttons over each shoulder, and then buttoning his trousers over it, so as to give his legs the appearance of being hooked on just under the armpits. This was the boy’s dress. It had belonged to a town boy, we could see; there was a shortness about the legs and arms of the suit, and a bagging at the knees, peculiar to the rising youth of London streets. A small day-school he had been at, evidently. If it had been a regular boys’ school they wouldn’t have let him play on the floor so much, and rub his knees so white. He had had an indulgent mother too, and plenty of halfpence, as the numerous smears of some sticky substance about the pockets, and just below the chin, which even the salesman’s skill could not succeed in disguising, sufficiently betokened. They were decent people, but not overburdened with riches, or he would not have so far outgrown the suit when he passed into those corduroys with the round jacket; in which he went to a boys’ school, however, and learnt to write—and in ink of pretty tolerable blackness too, if the place where he used to wipe his pen might be taken as evidence. A black suit, and the jacket changed into a diminutive coat. His father had died, and the mother had got the boy a message-lad’s place in some office. A long-worn suit that one; rusty and threadbare before it was laid aside, but clean and free from soil to the last. Poor woman! We could imagine her assumed cheerfulness over the scanty meal, and the refusal of her own small portion, that her hungry boy might have enough. Her constant anxiety for his welfare, her pride in his growth mingled sometimes with the thought, almost too acute to bear, that as he grew to be a man his old affection might cool, old kindnesses fade from his mind, and old promises be forgotten—the sharp pain that even then a careless word or a cold look would give her—all crowded on our thoughts as vividly as if the very scene were passing before us. These things happen every hour, and we all know it; and yet we felt as much sorrow when we saw, or fancied we saw—it makes no difference which—the change that began to take place now, as if we had just conceived the bare possibility of such a thing for the first time. The next suit, smart but slovenly; meant to be gay, and yet not half so decent as the threadbare apparel; redolent of the idle lounge, and the blackguard companions, told us, we thought, that the widow’s comfort had rapidly faded away. We could imagine that coat—imagine! we could see it; we had seen it a hundred times—sauntering in company with three or four other coats of the same cut, about some place of profligate resort at night. We dressed, from the same shop-window in an instant, half a dozen boys of from fifteen to twenty; and putting cigars into their mouths, and their hands into their pockets, watched them as they sauntered down the street, and lingered at the corner with the obscene jest, and the often-repeated oath. We never lost sight of them, till they had cocked their hats a little more on one side, and swaggered into the public-house; and then we entered the desolate house, where the mother sat, late in the night, alone; we watched her, as she paced the room in feverish anxiety, and every now and then opened the door, looked wistfully into the dark and empty street, and again returned, to be again and again disappointed. We beheld the look of patience with which she bore the brutish threat, and the drunken blow; and we heard the agony of tears that gushed from her very heart as she sunk upon her knees in her solitary and wretched chamber. A long period had elapsed, and a greater change had taken place by the time of casting off the suit that hung above. It was that of a stout, broad-shouldered, sturdy-chested man; and we knew at once, as anybody would who glanced at that broad-skirted green coat, with the large metal buttons, that its wearer seldom walked forth without a dog at his heels, and some idle ruffian, the very counterpart of himself, at his side. The vices of the boy had grown with the man, and we fancied his home then—if such a place deserved the name. The bare and miserable room, destitute of furniture, crowded with his wife and children, pale, hungry, and emaciated; the man cursing their lamentations, staggering to the tap-room, from whence he had just returned, followed by his wife and a sickly infant, clamouring for bread; and heard the street wrangle and noisy recrimination that his striking her occasioned. And then imagination led us to some metropolitan workhouse, situated in the midst of crowded streets and alleys, filled with noxious vapours, and ringing with boisterous cries, where an old and feeble woman, imploring pardon for her son, lay dying in a close dark room, with no child to clasp her hand, and no pure air from Heaven to fan her brow. A stranger closed the eyes that settled into a cold unmeaning glare, and strange ears received the words that murmured from the white and half-closed lips. A coarse round frock, with a worn cotton neckerchief, and other articles of clothing of the commonest description, completed the history. A prison, and the sentence— banishment or the gallows. What would the man have given then to be once again the contented humble drudge of his boyish years—to have been restored to life, but for a week, a day, an hour, a minute—only for so long a time as would enable him to say one word of passionate regret to, and hear one sound of heartfelt forgiveness from—the cold and ghastly form that lay rotting in the pauper’s grave? The children wild in the streets, the mother a destitute widow; both deeply tainted with the deep disgrace of the husband and father’s name, and impelled, by sheer necessity, down the precipice that had led him to a lingering death, possibly of many years’ duration, thousands of miles away. We had no clue to the end of the tale; but it was easy to guess its termination. We took a step or two further on, and by way of restoring the naturally cheerful tone of our thoughts, began fitting visionary feet and legs into a cellar-board full of boots and shoes, with a speed and accuracy that would have astonished the most expert artist in leather, living. There was one pair of boots in particular—a jolly, good-tempered, hearty-looking pair of tops—that excited our warmest regard, and we had got a fine, red-faced jovial fellow of a market-gardener into them, before we had made their acquaintance half a minute. They were just the very thing for him. There was his huge fat legs bulging over the tops, and fitting them too tight to admit of his tucking in the loops he had pulled them on by, and his knee-cords with an interval of stocking, and his blue apron tucked up round his waist, and his red neckerchief and blue coat, and a white hat stuck on one side of his head; and there he stood with a broad grin on his great red face, whistling away as if any other idea but that of being happy and comfortable had never entered his brain. This was the very man after our own heart—we knew all about him—we had seen him coming up to Covent-garden in his green chaise-cart, with the fat, tubby little horse, half a thousand times; and even while we cast an affectionate look upon his boots at that instant, the form of a coquettish servant-maid suddenly sprung into a pair of Denmark satin-shoes that stood beside them, and we at once recognised the very girl that accepted his offer of a ride, just on this side the Hammersmith suspension-bridge, the very last Tuesday morning we rode into town from Richmond. A very smart female, in a showy bonnet, stepped into a pair of grey cloth boots with black fringe and binding, that were studiously pointing out their toes on the other side of the top-boots, and seemed very anxious to engage his attention, but we didn’t observe that our friend the market-gardener appeared at all captivated with these blandishments, for beyond giving a knowing wink when they first began, as if to imply that he quite understood their end and object, he took no further notice of them. His indifference, however, was amply recompensed by the excessive gallantry of a very old gentleman with a silver-headed stick, who tottered into a pair of large list shoes, that were standing in one corner of the board, and indulged in a variety of gestures expressive of his admiration of the lady in the cloth boots, to the immeasurable amusement of a young fellow we put into a pair of long-quartered pumps, who we thought would have split the coat that slid down to meet him with laughing. We had been looking on at this little pantomime with great satisfaction for some time, when, to our unspeakable astonishment, we perceived that the whole of the characters, including a numerous corps de ballet of boots and shoes in the back-ground, into which we had been hastily thrusting as many feet as we could press into the service, were arranging themselves in order for dancing; and some music striking up at the moment, to it they went without delay. It was perfectly delightful to witness the agility of the market-gardener. Out went the boots, first on one side, then on the other, then cutting, then shuffling, then setting to the Denmark satins, then advancing, then retreating, then going round, and then repeating the whole of the evolutions again, without appearing to suffer in the least from the violence of the exercise. Nor were the Denmark satins a bit behind-hand, for they jumped and bounded about in all directions; and though they were neither so regular, nor so true to the time as the cloth boots, still, as they seemed to do it from the heart, and to enjoy it more, we candidly confess that we preferred their style of dancing to the other. But the old gentleman in the list shoes was the most amusing object in the whole party; for, besides his grotesque attempts to appear youthful, and amorous, which were sufficiently entertaining in themselves, the young fellow in the pumps managed so artfully that every time the old gentleman advanced to salute the lady in the cloth boots, he trod with his whole weight on the old fellow’s toes, which made him roar with anguish, and rendered all the others like to die of laughing. We were in the full enjoyment of these festivities when we heard a shrill, and by no means musical voice, exclaim, "Hope you’ll know me agin, imperence;" and on looking intently forward to see from whence the sound came, we found that it proceeded, not from the young lady in the cloth boots, as we had at first been inclined to suppose, but from a bulky lady of elderly appearance who was seated in a chair at the head of the cellar-steps, apparently for the purpose of superintending the sale of the articles arranged there. A barrel-organ, which had been in full force close behind us, ceased playing; the people we had been fitting into the shoes and boots took to flight at the interruption; and as we were conscious that in the depth of our meditations we might have been rudely staring at the old lady for half an hour without knowing it, we took to flight too, and were soon immersed in the deepest obscurity of the adjacent "Dials." https://www.dickenssearch.com/files/original/5/New_Series_No._2_Scotland_Yard/1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard.pdf 8d4e9701d9bde9b3056231599ec57120 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18361004 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. If our recollection serves us, we have more than once hinted, confidentially, to our readers that we entertain a strong partiality for the queer little old streets which yet remain in some parts of London, and that we infinitely prefer them to the modern innovations, the wide streets with broad pavements, which are every day springing up around us. The old Exeter 'Change, for instance, and the narrow and dirty part of the Strand immediatley adjoining, we were warmly attached to. The death of the elephant was a great shock to us; we knew him well; and, having enjoyed the honour of his intimate acquaintance for some years, felt grieved—deeply grieved—that in a paroxysm of insanity he should have so far forgotten all his estimable and companionable qualities as to exhibit a sanguinary desire to scrunch his faithful valet, and pulverize even Mrs. Cross herself, who for a long period had evinced towards him that pure and touching attachment which woman alone can feel. This was a sad blow to us. The constitution of the beef-eater at the door sunk beneath the loss of the elephant; this was another. They pulled down Exeter 'Change itself; this was a greater trial than either but we got over it in time. And since that period the rage for improvement has exposed us to so many melancholy trials of a similar description, that we have grown callous to suffering, and the only effect of our persecutions is to render us more attached than ever to the few old spots that are yet left us. Of these, there is no one which, having a peculiar character of its own, preserved it so tenaciously, or took an honest pride in it so long, as Scotland-yard. It is so thoroughly a little colony of itself, it is so utterly unlike any other part of London, that a slight account of its progress and history has always seemed to us to be imperatively called for. None has as yet appeared, however, and we now take pen in hand, more with the view of throwing out a few slight hints for the guidance of future historians, than with any idea of developing with the ability which such an empire demands, the past and present state of this little empire. Scotland-yard, then, is a small—a very small—tract of land, bounded on one side by the river Thames, on the other by the gardens of Northumberland-house: abutting at one end on the bottom of Northumberland-street, at the other on the back of Whitehall-place. When this territory was first accidentally discovered by a country gentleman who lost his way in the Strand some years ago, the original settlers were found to be a tailor, a publican, two eating-house-keepers, and a fruit-pie-maker; and it was also found to contain a race of strong and bulky men, who repaired to the wharfs in Scotland-yard regularly every morning about five or six o’clock, to fill heavy waggons with coal, with which they proceeded to distant places up the country, and supplied the inhabitants with fuel. When they had emptied their waggons they again returned for a fresh supply, and this trade was continued throughout the year. As the settlers derived their subsistence from ministering to the wants of these primitive traders, the articles exposed for sale, and the places where they were sold, bore strong outward marks of being expressly adapted to their tastes and wishes. The tailor displayed in his window a Lilliputian pair of leather gaiters, and a diminutive round frock, while each doorpost was appropriately garnished with a model of a coal sack. The two eating-house-keepers exhibited joints of a magnitude and puddings of a solidity which coal-heavers alone could appreciate; and the fruit-pie-maker displayed on his well-scrubbed window-board large white compositions of flour and dripping ornamented with pink stains giving rich promise of the fruit within, which made their huge mouths water, as they lingered past. But the choicest spot in all Scotland-yard, was the old public-house in the corner. Here, in a dark, wainscotted room of ancient appearance, cheered by the glow of a mighty fire, and decorated with an enormous clock, whereof the face was white, and the figures black, sat the lusty coal-heavers, quaffing large draughts of Barclay’s best, and puffing forth volumes of smoke, which wreathed heavily above their heads, and involved the room in a thick dark cloud. From this apartment might their voices be heard on a winter’s night, penetrating to the very bank of the river, as they shouted out some sturdy chorus, or roared forth the burden of a popular song; dwelling upon the last few words with a strength and length of emphasis which made the very roof tremble above them. Here, too, would they tell old legends of what the Thames was in ancient times, when the Patent Shot Manufactory wasn’t built, and Waterloo-bridge had never been thought of; and then they would shake their heads with portentous looks, to the deep edification of the rising generation of heavers, who crowded round them, and wondered where all this would end, whereat the tailor would take his pipe solemnly from his mouth, and say, how that he hoped it might end well, but he very much doubted whether it would or not, and couldn’t rightly tell what to make of it—a mysterious expression of opinion, delivered with a semi-prophetic air, which never failed to elicit the fullest concurrence of the assembled company, and so they would go on drinking and wondering till ten o’clock came, and with it the tailor’s wife to fetch him home, when the little party broke up, to meet again in the same room, and say and do precisely the same things, on the following evening, at the same hour. About this time the barges that came up the river began to bring vague rumours to Scotland-yard of somebody in the city having been heard to say, that the Lord Mayor had threatened in so many words to pull down the old London-bridge and build up a new one. At first these rumours were disregarded as idle tales, wholly destitute of foundation, for nobody in Scotland-yard doubted that if the Lord Mayor contemplated any such dark design, he would just be clapped up in the Tower for a week or two, and then killed off for high treason. By degrees, however, the reports grew stronger, and more frequent, and at last a barge laden with numerous chaldrons of the best Wallsend brought up the positive intelligence that several of the arches of the old bridge were 'stopped, and that preparations were actually in progress for constructing the new one. What an excitement was visible in the old tap-room on that memorable night! Each man looked into his neighbour’s face, pale with alarm and astonishment, and read therein an echo of the sentiments which filled his own breast. The oldest heaver present proved to demonstration that the moment the piers were removed all the water in the Thames would run clean off, and leave a dry gulley in its place. What was to become of the coal-barges, - of the trade of Scotland-yard,—of the very existence of its population? The tailor shook his head more sagely than usual, and grimly pointing to a knife on the table, bid them wait and see what happened. He said nothing—not he; but if the Lord Mayor didn’t fall a victim to popular indignation, why he would be rather astonished; that was all. They did wait; barge after barge arrived, and still no tidings of the assassination of the Lord Mayor. The first stone was laid: it was done by a Duke—the King’s brother. Years passed away, and the bridge was opened by the King himself. In course of time, the piers were removed; and when the people in Scotland-yard got up next morning in the confident expectation of being able to step over to Pedlar’s-acre without wetting the soles of their shoes, they found to their unspeakable astonishment that the water was just where it used to be. A result so different from that which they had anticipated from this first improvement produced its full effect upon the inhabitants of Scotland-yard. One of the eating-house-keepers began to court public opinion, and to look for customers among a new class of people. He covered his little dining-tables with white cloths, and got a painter’s apprentice to inscribe something about hot joints from twelve till two in one of the little panes of his shop window. Improvement began to march with rapid strides to the very threshold of Scotland-yard. A new market sprung up at Hungerford, and the Police Commissioners established their office in Whitehall-place. The traffic in Scotland-yard increased; fresh Members were added to the House of Commons, the Metropolitan Representatives found it a near cut, and many other foot passengers followed their example. We marked the advance of civilization, and beheld it with a sigh. The eating-house-keeper who manfully resisted the innovation of table-cloth, was losing ground every day, as his opponent gained it; a deadly feud sprung up between them, and the genteel one no longer took his evening’s pint in Scotland-yard, but drank gin and water at a "parlour" in Parliament-street. The fruit-pie maker still continued to visit the old room, but he took to smoking cigars, and began to call himself a pastry-cook, and to read the papers. The old heavers still assembled round the ancient fireplace, but their talk was mournful; and the loud song and the joyous shout were heard no more. And what is Scotland-yard now? How have its old customs changed; and how has the ancient simplicity of its inhabitants faded away! The old tottering public-house is converted into a spacious and lofty "wine-vaults;" gold leaf has been used in the construction of the letters which emblazon its exterior, and the poet’s art has been called into requisition to intimate that if you drink a certain description of ale you must hold fast by the rail. The tailor exhibits in his window the pattern of a foreign-looking brown surtout, with silk buttons, a fur collar, and fur cuffs. He wears a stripe down the outside of each leg of his trousers, and we have detected his assistants (for he has assistants now) in the act of sitting on the shop-board in the same uniform. At the other end of the little row of houses a boot-maker has established himself in a brick box, with the additional innovation of a first floor; and here he exposes for sale, boots—real Wellington boots—an article which a few years ago, none of the original inhabitants had ever seen or heard of. It was but the other day, that a dress-maker opened another little box in the middle of the row; and, when we thought that the spirit of change could produce no alteration beyond that, a jeweller appeared, and not content with exposing gilt rings and copper bracelets out of number, put up an announcement, which still sticks in his window, that ladies’ ears may be pierced, within. The dress-maker employs a young lady who wears pockets in her apron, and the tailor informs the public that gentlemen may have their own materials made up. Amidst all this change, and restlessness, and innovation, there remains but one old man who seems to mourn the downfall of this ancient place. He holds no converse with human kind, but, seated on a wooden bench at the angle of the wall which fronts the crossing from Whitehall-place, watches in silence the gambols of his sleek and well-fed dogs. He is the presiding genius of Scotland-yard. Years and years have rolled over his head; but, in fine weather or in foul, hot or cold, wet or dry, hail, rain, or snow, he is still in his accustomed spot. Misery and want are depicted in his countenance; his form is bent by age, his head is grey with length of trial, but there he sits from day to day, brooding over the past, and thither he will continue to drag his feeble limbs, until his eyes have closed upon Scotland-yard and upon the world together. A few years hence, and the antiquary of another generation, looking into some mouldy record of the strife and passions that agitated the world in these times, may glance his eye over the column we have just filled: and not all his knowledge of the history of the past—not the dry studies of a whole life—may help him to the whereabout either of Scotland-yard, or any one of the land marks we have mentioned in describing it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'New Series, No. 2, 'Scotland Yard' Description An account of the resource Published in The Morning Chronicle (4 October 1836), p.3. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18361004/009/0003">https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18361004/009/0003</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-10-04 Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'New Series, No. II, Scotland Yard' (4 October 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date].<a href="1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard">1836-10-04-The-Morning_Chronicle__New_Series_No2_Scotland_Yard</a>. Scripto Transcription A written representation of a document. If our recollection serves us, we have more than once hinted, confidentially, to our readers that we entertain a strong partiality for the queer little old streets which yet remain in some parts of London, and that we infinitely prefer them to the modern innovations, the wide streets with broad pavements, which are every day springing up around us. The old Exeter 'Change, for instance, and the narrow and dirty part of the Strand immediatley adjoining, we were warmly attached to. The death of the elephant was a great shock to us; we knew him well; and, having enjoyed the honour of his intimate acquaintance for some years, felt grieved—deeply grieved—that in a paroxysm of insanity he should have so far forgotten all his estimable and companionable qualities as to exhibit a sanguinary desire to scrunch his faithful valet, and pulverize even Mrs. Cross herself, who for a long period had evinced towards him that pure and touching attachment which woman alone can feel. This was a sad blow to us. The constitution of the beef-eater at the door sunk beneath the loss of the elephant; this was another. They pulled down Exeter 'Change itself; this was a greater trial than either but we got over it in time. And since that period the rage for improvement has exposed us to so many melancholy trials of a similar description, that we have grown callous to suffering, and the only effect of our persecutions is to render us more attached than ever to the few old spots that are yet left us.  Of these, there is no one which, having a peculiar character of its own, preserved it so tenaciously, or took an honest pride in it so long, as Scotland-yard. It is so thoroughly a little colony of itself, it is so utterly unlike any other part of London, that a slight account of its progress and history has always seemed to us to be imperatively called for. None has as yet appeared, however, and we now take pen in hand, more with the view of throwing out a few slight hints for the guidance of future historians, than with any idea of developing with the ability which such an empire demands, the past and present state of this little empire. Scotland-yard, then, is a small—a very small—tract of land, bounded on one side by the river Thames, on the other by the gardens of Northumberland-house: abutting at one end on the bottom of Northumberland-street, at the other on the back of Whitehall-place. When this territory was first accidentally discovered by a country gentleman who lost his way in the Strand some years ago, the original settlers were found to be a tailor, a publican, two eating-house-keepers, and a fruit-pie-maker; and it was also found to contain a race of strong and bulky men, who repaired to the wharfs in Scotland-yard regularly every morning about five or six o’clock, to fill heavy waggons with coal, with which they proceeded to distant places up the country, and supplied the inhabitants with fuel. When they had emptied their waggons they again returned for a fresh supply, and this trade was continued throughout the year. As the settlers derived their subsistence from ministering to the wants of these primitive traders, the articles exposed for sale, and the places where they were sold, bore strong outward marks of being expressly adapted to their tastes and wishes. The tailor displayed in his window a Lilliputian pair of leather gaiters, and a diminutive round frock, while each doorpost was appropriately garnished with a model of a coal sack. The two eating-house-keepers exhibited joints of a magnitude and puddings of a solidity which coal-heavers alone could appreciate; and the fruit-pie-maker displayed on his well-scrubbed window-board large white compositions of flour and dripping ornamented with pink stains giving rich promise of the fruit within, which made their huge mouths water, as they lingered past. But the choicest spot in all Scotland-yard, was the old public-house in the corner. Here, in a dark, wainscotted room of ancient appearance, cheered by the glow of a mighty fire, and decorated with an enormous clock, whereof the face was white, and the figures black, sat the lusty coal-heavers, quaffing large draughts of Barclay’s best, and puffing forth volumes of smoke, which wreathed heavily above their heads, and involved the room in a thick dark cloud. From this apartment might their voices be heard on a winter’s night, penetrating to the very bank of the river, as they shouted out some sturdy chorus, or roared forth the burden of a popular song; dwelling upon the last few words with a strength and length of emphasis which made the very roof tremble above them. Here, too, would they tell old legends of what the Thames was in ancient times, when the Patent Shot Manufactory wasn’t built, and Waterloo-bridge had never been thought of; and then they would shake their heads with portentous looks, to the deep edification of the rising generation of heavers, who crowded round them, and wondered where all this would end, whereat the tailor would take his pipe solemnly from his mouth, and say, how that he hoped it might end well, but he very much doubted whether it would or not, and couldn’t rightly tell what to make of it—a mysterious expression of opinion, delivered with a semi-prophetic air, which never failed to elicit the fullest concurrence of the assembled company, and so they would go on drinking and wondering till ten o’clock came, and with it the tailor’s wife to fetch him home, when the little party broke up, to meet again in the same room, and say and do precisely the same things, on the following evening, at the same hour. About this time the barges that came up the river began to bring vague rumours to Scotland-yard of somebody in the city having been heard to say, that the Lord Mayor had threatened in so many words to pull down the old London-bridge and build up a new one. At first these rumours were disregarded as idle tales, wholly destitute of foundation, for nobody in Scotland-yard doubted that if the Lord Mayor contemplated any such dark design, he would just be clapped up in the Tower for a week or two, and then killed off for high treason. By degrees, however, the reports grew stronger, and more frequent, and at last a barge laden with numerous chaldrons of the best Wallsend brought up the positive intelligence that several of the arches of the old bridge were 'stopped, and that preparations were actually in progress for constructing the new one. What an excitement was visible in the old tap-room on that memorable night! Each man looked into his neighbour’s face, pale with alarm and astonishment, and read therein an echo of the sentiments which filled his own breast. The oldest heaver present proved to demonstration that the moment the piers were removed all the water in the Thames would run clean off, and leave a dry gulley in its place. What was to become of the coal-barges, - of the trade of Scotland-yard,—of the very existence of its population? The tailor shook his head more sagely than usual, and grimly pointing to a knife on the table, bid them wait and see what happened. He said nothing—not he; but if the Lord Mayor didn’t fall a victim to popular indignation, why he would be rather astonished; that was all. They did wait; barge after barge arrived, and still no tidings of the assassination of the Lord Mayor. The first stone was laid: it was done by a Duke—the King’s brother. Years passed away, and the bridge was opened by the King himself. In course of time, the piers were removed; and when the people in Scotland-yard got up next morning in the confident expectation of being able to step over to Pedlar’s-acre without wetting the soles of their shoes, they found to their unspeakable astonishment that the water was just where it used to be. A result so different from that which they had anticipated from this first improvement produced its full effect upon the inhabitants of Scotland-yard. One of the eating-house-keepers began to court public opinion, and to look for customers among a new class of people. He covered his little dining-tables with white cloths, and got a painter’s apprentice to inscribe something about hot joints from twelve till two in one of the little panes of his shop window. Improvement began to march with rapid strides to the very threshold of Scotland-yard. A new market sprung up at Hungerford, and the Police Commissioners established their office in Whitehall-place. The traffic in Scotland-yard increased; fresh Members were added to the House of Commons, the Metropolitan Representatives found it a near cut, and many other foot passengers followed their example. We marked the advance of civilization, and beheld it with a sigh. The eating-house-keeper who manfully resisted the innovation of table-cloth, was losing ground every day, as his opponent gained it; a deadly feud sprung up between them, and the genteel one no longer took his evening’s pint in Scotland-yard, but drank gin and water at a "parlour" in Parliament-street. The fruit-pie maker still continued to visit the old room, but he took to smoking cigars, and began to call himself a pastry-cook, and to read the papers. The old heavers still assembled round the ancient fireplace, but their talk was mournful; and the loud song and the joyous shout were heard no more. And what is Scotland-yard now? How have its old customs changed; and how has the ancient simplicity of its inhabitants faded away! The old tottering public-house is converted into a spacious and lofty "wine-vaults;" gold leaf has been used in the construction of the letters which emblazon its exterior, and the poet’s art has been called into requisition to intimate that if you drink a certain description of ale you must hold fast by the rail. The tailor exhibits in his window the pattern of a foreign-looking brown surtout, with silk buttons, a fur collar, and fur cuffs. He wears a stripe down the outside of each leg of his trousers, and we have detected his assistants (for he has assistants now) in the act of sitting on the shop-board in the same uniform. At the other end of the little row of houses a boot-maker has established himself in a brick box, with the additional innovation of a first floor; and here he exposes for sale, boots—real Wellington boots—an article which a few years ago, none of the original inhabitants had ever seen or heard of. It was but the other day, that a dress-maker opened another little box in the middle of the row; and, when we thought that the spirit of change could produce no alteration beyond that, a jeweller appeared, and not content with exposing gilt rings and copper bracelets out of number, put up an announcement, which still sticks in his window, that ladies’ ears may be pierced, within. The dress-maker employs a young lady who wears pockets in her apron, and the tailor informs the public that gentlemen may have their own materials made up. Amidst all this change, and restlessness, and innovation, there remains but one old man who seems to mourn the downfall of this ancient place. He holds no converse with human kind, but, seated on a wooden bench at the angle of the wall which fronts the crossing from Whitehall-place, watches in silence the gambols of his sleek and well-fed dogs. He is the presiding genius of Scotland-yard. Years and years have rolled over his head; but, in fine weather or in foul, hot or cold, wet or dry, hail, rain, or snow, he is still in his accustomed spot. Misery and want are depicted in his countenance; his form is bent by age, his head is grey with length of trial, but there he sits from day to day, brooding over the past, and thither he will continue to drag his feeble limbs, until his eyes have closed upon Scotland-yard and upon the world together. A few years hence, and the antiquary of another generation, looking into some mouldy record of the strife and passions that agitated the world in these times, may glance his eye over the column we have just filled: and not all his knowledge of the history of the past—not the dry studies of a whole life—may help him to the whereabout either of Scotland-yard, or any one of the land marks we have mentioned in describing it. https://www.dickenssearch.com/files/original/5/New_Series_No._3_Doctors_Commons/1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons.pdf c4d5fcd6f804115944721feb556db2e8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18361011 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Walking, without any definite object, through St. Paul’s Church-yard, a little while ago, we happened to turn down a street entitled "Paul’s-chain," and keeping straight forward for a few hundred yards, found ourself, as a natural consequence, in Doctors’ Commons. Now, Doctors’ Commons being familiar by name to everybody as the place where they grant marriage-licenses to love-sick couples, and divorces to unfaithful ones; register the wills of people who have any property to leave, and punish hasty gentlemen who call ladies by unpleasant names; we no sooner discovered that we were really within its precincts, than we felt a laudable desire to become better acquainted therewith; and as the first object of our curiosity was the Court whose decrees can even unloose the bonds of matrimony, we procured a direction to it, and bent our steps thither without delay. Crossing a quiet and shady court-yard, paved with stone, and frowned upon by old red-brick houses, on the doors of which were painted the names of sundry learned civilians, we paused before a small, green-baized, brass-headed-nailed door, which, yielding to our gentle push, at once admitted us into an old quaint-looking apartment, with sunken windows, and black carved wainscoting, at the upper end of which, seated on a raised platform, of semicircular shape, were about a dozen solemn-looking gentlemen, in crimson gowns and wigs. At a more elevated desk, in the centre, sat a very fat and red-faced gentleman, in tortoise-shell spectacles, whose dignified appearance announced the judge; and round a long green-baized table below, something like a billiard-table without the cushions and pockets, were a number of very self-important-looking personages, in stiff neckcloths and black gowns with white fur collars, whom we at once set down as proctors. At the lower end of the billiard-table was an individual in an arm-chair, and a wig, whom we afterwards discovered to be the registrar; and seated behind a little desk, near the door, were a respectable-looking man in black, of about twenty stone weight or thereabouts, and a fat-faced, smirking, civil-looking body, in a black gown, black kid gloves, knee shorts, and silks, with a shirt-frill in his bosom, curls on his head, and a silver staff in his hand, whom we had no difficulty in recognising as the officers of the Court. The latter, indeed, speedily set our mind at rest upon this point, for advancing to our elbow, and opening a conversation forthwith, he had communicated to us in less than five minutes that he was the apparitor, and the other the court-keeper; that this was the Arches Court, and therefore the counsel wore red gowns, and the proctors fur collars; and that when the other Courts sat there, they didn’t wear red gowns or fur collars either; with many other scraps of intelligence equally interesting. Besides these two officers, there was a little thin old man, with long grizzly hair, crouched in a remote corner, whose duty our communicative friend informed us was to ring a large hand-bell when the Court opened in the morning, and who, for aught his appearance betokened to the contrary, might have been similarly employed for the last two centuries at least. The red-faced gentleman in the tortoise-shell spectacles had got all the talk to himself just then, and very well he was doing it, too, only he spoke very fast, but that was habit; and rather thick, but that was good-living. So we had plenty of time to look about us. There was one individual amused us mightily. This was one of the bewigged gentlemen in the red robes, who was straddling before the fire in the centre of the Court, in the attitude of the brazen colossus, to the complete exclusion of everybody else. He had gathered up his robe behind, in much the same manner as a slovenly woman would her petticoats on a very dirty day, in order that he might feel the full warmth of the fire. His wig was put on all awry, with the tail straggling about his neck, his scanty gray trowsers and short black gaiters, made in the worst possible style, imported an additional inelegant appearance to his uncouth person; and his limp, badly-starched shirt-collar almost obscured his eyes. We shall never be able to claim any credit as a physiognomist again, for, after a careful scrutiny of this gentleman’s countenance, we had come to the conclusion that it bespoke nothing but conceit and silliness, when our friend with the silver staff whispered in our ear that he was no other than a doctor of law, an ecclesiastical dignitary in the cinque ports, a not very distant relation to a commissioner of lunacy, and heaven knows what besides. So of course we were mistaken, and he must be a very talented man. He conceals it so well though—perhaps with the merciful view of not astonishing ordinary people too much—that you would suppose him to be one of the stupidest dogs alive. The gentleman in the spectacles having concluded his judgment, and a few minutes having been allowed to elapse, to afford time for the buzz of the court to subside, the registrar called on the next cause, which was "the office of the Judge promoted by Bumple against Sludberry." A general movement was visible in the court at this announcement, and the obliging functionary with silver staff whispered us that "there would be some fun now, for this was a brawling case." We were not rendered much the wiser by this piece of information till we found by the opening speech of the counsel for their promoter that, under a half-obsolete statute of one of the Edwards, the court was empowered to visit with the penalty of excommunication any person who should be proved guilty of the crime of "brawling" or "smiting" in any church, or vestry adjoining thereto; and it appeared, by some eight-and-twenty affidavits, which were duly referred to, that on a certain night, at a certain vestry, meeting in a certain parish particularly set forth, Thomas Sludberry, the party appeared against in that suit, had made use of and applied to Michael Bumple, the reporter, the words "You be blowed;" and that on the said Michael Bumple and others remonstrating with the said Thomas Sludberry on the impropriety of his conduct, the said Thomas Sludberry repeated the aforesaid expression, "You be blowed;" and furthermore desired and requested to know, whether the said Michael Bumple "wanted anything for himself;" adding, ‘that if the said Michael Bumple did want anything for himself, he the said Thomas Sludberry "was the man to give it him;" at the same time making use of other heinous and sinful expressions, all of which, Bumple submitted, came within the intent and meaning of the Act; and therefore he, for the soul’s health and chastening of Sludberry, prayed for sentence of excommunication against him accordingly. Upon these facts a long argument was entered into on both sides, to the great edification of a number of persons interested in the parochial squabbles, who crowded the court; and when some very long and grave speeches had been made pro and con, the red-faced gentleman in the tortoise-shell spectacles took a review of the case, which occupied half an hour more, and then pronounced upon Sludberry the awful sentence of excommunication for a fortnight, and payment of the costs of the suit. Upon this, Sludberry, who was a little, red-faced, sly-looking, ginger-beer seller, addressed the Court, and said, if they’d be good enough to take off the costs, and excommunicate him for the term of his natural life instead, it would be much more convenient to him; for he never went to church at all. To this appeal the gentleman in the spectacles made no other reply than a look of virtuous propriety; and Sludberry and his friends retired. As the man with the silver staff informed us that the Court was on the point of rising, we retired too—pondering, as we walked away, upon the beautiful spirit of these ancient ecclesiastical laws, the kind and neighbourly feelings they are calculated to awaken, and the strong attachment to religious institutions which they cannot fail to engender. We were so lost in these meditations, that we had turned into the street and run up against a door-post, before we recollected where we were walking. On looking upwards to see what house we had stumbled upon, the words "Prerogative-office," written in large characters, met our eye; and as we were in a sight-seeing humour, and the place was a public one, we walked in, without more ado. The room into which we walked, was a long, busy-looking place, partitioned off, on either side, into a variety of little boxes, in which a few clerks were engaged in copying or examining deeds. Down the centre of the room were several desks, nearly breast high, at each of which three or four people were standing, poring over large volumes. As we knew that they were searching for wills, they attracted our attention at once. It was curious to contrast the lazy indifference of the attorneys’ clerks, who were making a search for some legal purpose, with the air of earnestness and interest which distinguished the strangers to the place, who were looking up the will of some deceased relative; the former pausing every now and then with an impatient yawn, or raising their heads to look at the people who passed up and down the room; the latter stooping over the book, and running down column after column of names in the deepest abstraction. There was one little dirty-faced man in a blue apron, who after a whole morning’s search, extending some fifty years back, had just found the will to which he wished to refer, which one of the officials was reading to him in a low hurried voice from a thick vellum book with large clasps. It was perfectly evident that the more the clerk read, the less the man with the blue apron understood about the matter. When the volume was first brought down, he took off his hat, smoothed down his hair, smiled with great self-satisfaction, and looked up in the reader’s face with the air of a man who had made up his mind to recollect every word he heard. The first two or three lines were intelligible enough; but then the technicalities began, and the little man began to look rather dubious. Then came a whole string of complicated trusts, and he was regularly at sea. As the reader proceeded, it was quite apparent that it was a hopeless case, and the little man, with his mouth open and his eyes fixed upon his face, looked on with an expression of bewilderment and perplexity irresistibly ludicrous. A little further on, a hard-featured old man with a deeply-wrinkled face, was intently perusing a lengthy will with the aid of a pair of horn spectacles, occasionally pausing from his task, and slily noting down some brief memorandum of the bequests contained in it. Every wrinkle about his toothless mouth, and sharp keen eyes, told of avarice and cunning. As he leisurely closed the register, put up his spectacles, and folded his scraps of paper in a large leathern pocket-book, we thought what a nice hard bargain he was driving with some poverty-stricken legatee, who, tired of waiting year after year, until some life-interest should fall in, was selling his chance, just as it began to grow most valuable, for a twelfth part of its worth. It was a good speculation—a very safe one. The old man stowed away his pocket-book in the breast of his great-coat, and hobbled away with a leer of anticipation. That will had made him ten years younger at least. Having commenced our observations, we should certainly have extended them to another dozen of people at least, had not a sudden shutting up, and putting away of the worm-eaten old books, warned us that the time for closing the office had arrived, and thus deprived us of a pleasure, and spared our readers an infliction. We naturally fell into a train of reflection as we walked homewards upon the curious old records of likings and dislikings; of jealousies and revenges; of affection defying the power of death, and hatred pursued beyond the grave, which these depositories contain; silent but striking tokens, some of them, of excellence of heart, and nobleness of soul; melancholy examples, others, of the worst passions of human nature. In short, the subject obtained such complete possession of us, that if we fail to write a whole paper about it one of these days we shall be rather surprised. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'New Series, No. 3, Doctors' Commons' Description An account of the resource Published in The Morning Chronicle (11 October 1836), p.3. Creator An entity primarily responsible for making the resource Dickens, Charles Publisher An entity responsible for making the resource available The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361011/005/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361011/005/0003</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-10-11 Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'New Series, No. III, Doctors' Commons' (11 October 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons">1836-10-11-The_Morning_Chronicle_New_Series_No3_Doctors_Commons</a>. Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Scripto Transcription A written representation of a document. Walking, without any definite object, through St. Paul’s Church-yard, a little while ago, we happened to turn down a street entitled "Paul’s-chain," and keeping straight forward for a few hundred yards, found ourself, as a natural consequence, in Doctors’ Commons. Now, Doctors’ Commons being familiar by name to everybody as the place where they grant marriage-licenses to love-sick couples, and divorces to unfaithful ones; register the wills of people who have any property to leave, and punish hasty gentlemen who call ladies by unpleasant names; we no sooner discovered that we were really within its precincts, than we felt a laudable desire to become better acquainted therewith; and as the first object of our curiosity was the Court whose decrees can even unloose the bonds of matrimony, we procured a direction to it, and bent our steps thither without delay. Crossing a quiet and shady court-yard, paved with stone, and frowned upon by old red-brick houses, on the doors of which were painted the names of sundry learned civilians, we paused before a small, green-baized, brass-headed-nailed door, which, yielding to our gentle push, at once admitted us into an old quaint-looking apartment, with sunken windows, and black carved wainscoting, at the upper end of which, seated on a raised platform, of semicircular shape, were about a dozen solemn-looking gentlemen, in crimson gowns and wigs. At a more elevated desk, in the centre, sat a very fat and red-faced gentleman, in tortoise-shell spectacles, whose dignified appearance announced the judge; and round a long green-baized table below, something like a billiard-table without the cushions and pockets, were a number of very self-important-looking personages, in stiff neckcloths and black gowns with white fur collars, whom we at once set down as proctors. At the lower end of the billiard-table was an individual in an arm-chair, and a wig, whom we afterwards discovered to be the registrar; and seated behind a little desk, near the door, were a respectable-looking man in black, of about twenty stone weight or thereabouts, and a fat-faced, smirking, civil-looking body, in a black gown, black kid gloves, knee shorts, and silks, with a shirt-frill in his bosom, curls on his head, and a silver staff in his hand, whom we had no difficulty in recognising as the officers of the Court. The latter, indeed, speedily set our mind at rest upon this point, for advancing to our elbow, and opening a conversation forthwith, he had communicated to us in less than five minutes that he was the apparitor, and the other the court-keeper; that this was the Arches Court, and therefore the counsel wore red gowns, and the proctors fur collars; and that when the other Courts sat there, they didn’t wear red gowns or fur collars either; with many other scraps of intelligence equally interesting. Besides these two officers, there was a little thin old man, with long grizzly hair, crouched in a remote corner, whose duty our communicative friend informed us was to ring a large hand-bell when the Court opened in the morning, and who, for aught his appearance betokened to the contrary, might have been similarly employed for the last two centuries at least. The red-faced gentleman in the tortoise-shell spectacles had got all the talk to himself just then, and very well he was doing it, too, only he spoke very fast, but that was habit; and rather thick, but that was good-living. So we had plenty of time to look about us. There was one individual amused us mightily. This was one of the bewigged gentlemen in the red robes, who was straddling before the fire in the centre of the Court, in the attitude of the brazen colossus, to the complete exclusion of everybody else. He had gathered up his robe behind, in much the same manner as a slovenly woman would her petticoats on a very dirty day, in order that he might feel the full warmth of the fire. His wig was put on all awry, with the tail straggling about his neck, his scanty gray trowsers and short black gaiters, made in the worst possible style, imported an additional inelegant appearance to his uncouth person; and his limp, badly-starched shirt-collar almost obscured his eyes. We shall never be able to claim any credit as a physiognomist again, for, after a careful scrutiny of this gentleman’s countenance, we had come to the conclusion that it bespoke nothing but conceit and silliness, when our friend with the silver staff whispered in our ear that he was no other than a doctor of law, an ecclesiastical dignitary in the cinque ports, a not very distant relation to a commissioner of lunacy, and heaven knows what besides. So of course we were mistaken, and he must be a very talented man. He conceals it so well though—perhaps with the merciful view of not astonishing ordinary people too much—that you would suppose him to be one of the stupidest dogs alive. The gentleman in the spectacles having concluded his judgment, and a few minutes having been allowed to elapse, to afford time for the buzz of the court to subside, the registrar called on the next cause, which was "the office of the Judge promoted by Bumple against Sludberry." A general movement was visible in the court at this announcement, and the obliging functionary with silver staff whispered us that "there would be some fun now, for this was a brawling case." We were not rendered much the wiser by this piece of information till we found by the opening speech of the counsel for their promoter that, under a half-obsolete statute of one of the Edwards, the court was empowered to visit with the penalty of excommunication any person who should be proved guilty of the crime of "brawling" or "smiting" in any church, or vestry adjoining thereto; and it appeared, by some eight-and-twenty affidavits, which were duly referred to, that on a certain night, at a certain vestry, meeting in a certain parish particularly set forth, Thomas Sludberry, the party appeared against in that suit, had made use of and applied to Michael Bumple, the reporter, the words "You be blowed;" and that on the said Michael Bumple and others remonstrating with the said Thomas Sludberry on the impropriety of his conduct, the said Thomas Sludberry repeated the aforesaid expression, "You be blowed;" and furthermore desired and requested to know, whether the said Michael Bumple "wanted anything for himself;" adding, ‘that if the said Michael Bumple did want anything for himself, he the said Thomas Sludberry "was the man to give it him;" at the same time making use of other heinous and sinful expressions, all of which, Bumple submitted, came within the intent and meaning of the Act; and therefore he, for the soul’s health and chastening of Sludberry, prayed for sentence of excommunication against him accordingly. Upon these facts a long argument was entered into on both sides, to the great edification of a number of persons interested in the parochial squabbles, who crowded the court; and when some very long and grave speeches had been made pro and con, the red-faced gentleman in the tortoise-shell spectacles took a review of the case, which occupied half an hour more, and then pronounced upon Sludberry the awful sentence of excommunication for a fortnight, and payment of the costs of the suit. Upon this, Sludberry, who was a little, red-faced, sly-looking, ginger-beer seller, addressed the Court, and said, if they’d be good enough to take off the costs, and excommunicate him for the term of his natural life instead, it would be much more convenient to him; for he never went to church at all. To this appeal the gentleman in the spectacles made no other reply than a look of virtuous propriety; and Sludberry and his friends retired. As the man with the silver staff informed us that the Court was on the point of rising, we retired too—pondering, as we walked away, upon the beautiful spirit of these ancient ecclesiastical laws, the kind and neighbourly feelings they are calculated to awaken, and the strong attachment to religious institutions which they cannot fail to engender. We were so lost in these meditations, that we had turned into the street and run up against a door-post, before we recollected where we were walking. On looking upwards to see what house we had stumbled upon, the words "Prerogative-office," written in large characters, met our eye; and as we were in a sight-seeing humour, and the place was a public one, we walked in, without more ado. The room into which we walked, was a long, busy-looking place, partitioned off, on either side, into a variety of little boxes, in which a few clerks were engaged in copying or examining deeds. Down the centre of the room were several desks, nearly breast high, at each of which three or four people were standing, poring over large volumes. As we knew that they were searching for wills, they attracted our attention at once. It was curious to contrast the lazy indifference of the attorneys’ clerks, who were making a search for some legal purpose, with the air of earnestness and interest which distinguished the strangers to the place, who were looking up the will of some deceased relative; the former pausing every now and then with an impatient yawn, or raising their heads to look at the people who passed up and down the room; the latter stooping over the book, and running down column after column of names in the deepest abstraction. There was one little dirty-faced man in a blue apron, who after a whole morning’s search, extending some fifty years back, had just found the will to which he wished to refer, which one of the officials was reading to him in a low hurried voice from a thick vellum book with large clasps. It was perfectly evident that the more the clerk read, the less the man with the blue apron understood about the matter. When the volume was first brought down, he took off his hat, smoothed down his hair, smiled with great self-satisfaction, and looked up in the reader’s face with the air of a man who had made up his mind to recollect every word he heard. The first two or three lines were intelligible enough; but then the technicalities began, and the little man began to look rather dubious. Then came a whole string of complicated trusts, and he was regularly at sea. As the reader proceeded, it was quite apparent that it was a hopeless case, and the little man, with his mouth open and his eyes fixed upon his face, looked on with an expression of bewilderment and perplexity irresistibly ludicrous. A little further on, a hard-featured old man with a deeply-wrinkled face, was intently perusing a lengthy will with the aid of a pair of horn spectacles, occasionally pausing from his task, and slily noting down some brief memorandum of the bequests contained in it. Every wrinkle about his toothless mouth, and sharp keen eyes, told of avarice and cunning. As he leisurely closed the register, put up his spectacles, and folded his scraps of paper in a large leathern pocket-book, we thought what a nice hard bargain he was driving with some poverty-stricken legatee, who, tired of waiting year after year, until some life-interest should fall in, was selling his chance, just as it began to grow most valuable, for a twelfth part of its worth. It was a good speculation—a very safe one. The old man stowed away his pocket-book in the breast of his great-coat, and hobbled away with a leer of anticipation. That will had made him ten years younger at least. Having commenced our observations, we should certainly have extended them to another dozen of people at least, had not a sudden shutting up, and putting away of the worm-eaten old books, warned us that the time for closing the office had arrived, and thus deprived us of a pleasure, and spared our readers an infliction. We naturally fell into a train of reflection as we walked homewards upon the curious old records of likings and dislikings; of jealousies and revenges; of affection defying the power of death, and hatred pursued beyond the grave, which these depositories contain; silent but striking tokens, some of them, of excellence of heart, and nobleness of soul; melancholy examples, others, of the worst passions of human nature. In short, the subject obtained such complete possession of us, that if we fail to write a whole paper about it one of these days we shall be rather surprised. https://www.dickenssearch.com/files/original/5/New_Series_No._4_Vauxhall-Gardens_by_Day/1836-10-26-VauxhallGardens_by_Day.pdf a89910bac14d85392f0a702410b8870c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18361026 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. There was a time when if a man ventured to wonder how Vauxhall-gardens would look by day, he was hailed with a shout of derision at the absurdity of the idea. Vauxhall by day-light! A porter pot without porter, the House of Commons without the Speaker, a gas lamp without the gas—pooh, nonsense, the thing was not to be thought of. It was rumoured, too, in those times, that Vauxhall-gardens by day were the scene of secret and hidden experiments; that there, carvers were exercised in the mystic art of cutting a moderate sized ham into slices thin enough to pave the whole of the grounds; that beneath the shade of the tall trees, studious men were constantly engaged in chemical experiments, with the view of discovering how much water a bowl of negus could possibly bear; and that in some retired nooks, appropriated to the study of ornithology, other sage and learned men were, by a process known only to themselves, incessantly employed in reducing fowls to a mere combination of skin and bone. Vague rumours of this kind, together with many others of a similar nature, cast over Vauxhall-gardens an air of deep mystery; and as there is a great deal in the mysterious, there is no doubt that to a good many people, at all events, the pleasure they afforded was not a little enhanced by this very circumstance. Of this class of people we confess to having made one. We loved to wander among these illuminated groves, thinking of the patient and laborious researches which had been carried on there during the day, and witnessing their results in the suppers which were served up, beneath the light of lamps, and to the sound of music at night. The temples and saloons and cosmoramas and fountains glittered and sparkled before our eyes; the beauty of the lady singers and the elegant deportment of the gentlemen captivated our hearts; a few hundred thousand of additional lamps dazzled our senses; a bowl or two of reeking punch bewildered our brains; and we were happy. In an evil hour, the proprietors of Vauxhall-gardens took to opening them by day. We regretted this as rudely and harshly disturbing that veil of mystery which had hung about the property for many years, and which none but the noon-day Sun and the late Mr. Simpson had ever penetrated. We shrunk from going; at this moment we scarcely know why. Perhaps a morbid consciousness of approaching disappointment—perhaps a fatal presentiment—perhaps the weather; whatever it was, we did not go until the second or third announcement of a race between two balloons tempted us, and we went. We paid our shilling at the gate, and then we saw, for the first time, that the entrance, if there had been any magic about it at all, was now decidedly disenchanted, being, in fact, nothing more nor less than a combination of very roughly-painted boards and saw-dust. We glanced at the orchestra and supper-room as we hurried past—we just recognised them, and that was all. We bent our steps to the firework-ground; there, at least, we should not be disappointed. We reached it, and stood rooted to the spot with mortification and astonishment. That the Moorish tower—that wooden shed with a door in the centre, and daubs of crimson and yellow all round, like a gigantic watch-case! That the place where night after night we had beheld the undaunted Mr. Blackmore make his terrific ascent, surrounded by flames of fire, and peals of artillery, and where the white garments of Madame Somebody or other, who nobly devoted her life to the manufacture of fireworks, had so often been seen fluttering in the wind, as she called up a red, blue, or party-coloured light to illumine her temple! That the—but at this moment the bell rung—the people scampered away, pell-mell, to the spot from whence the sound proceeded, and we, from the mere force of habit, found ourself running among the first, as if for very life. It was for the concert in the orchestra. A small party of dismal men in cocked hats were "executing" the overture to Tancredi, and a numerous assemblage of ladies and gentlemen, with their families, had rushed from their half-emptied stout mugs in the supper boxes, and crowded to the spot. Intense was the low murmur of admiration when a particularly small gentleman, in a dress coat, led on a particularly tall lady in a blue sarcenet pelisse and bonnet of the same, ornamented with large white feathers, and forthwith commenced a plaintive duet. We knew the small gentleman well; we had seen a lithographed semblance of him on many a piece of music, with his mouth wide open as if in the act of singing; a wine glass in his hand, and a table with two decanters and four pine-apples on it in the background. The tall lady, too, we had gazed on, lost in raptures of admiration, many and many a time—how different people do look by daylight and without punch, to be sure! It was a beautiful duet: first the small gentleman asked a question, and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air, and the band wound themselves up to a pitch of fury and the small gentleman handed the tall lady out, and the applause was rapturous. The comic singer, however, was the especial favourite; we really thought that a gentleman with his dinner in a pocket handkerchief, who stood near us, would have fainted with excess of joy. A fearfully facetious old man that comic singer is; his distinguishing characteristics are, a wig approaching to the flaxen, and an aged countenance, and he bears the name of one of the English counties, if we recollect right. He sang a song about the seven ages, the first half hour of which seemed to afford the assembly the purest delight; of the rest we can make no report, as we did not stay to hear any more. We walked about, and met with a disappointment at every turn; our favourite views were mere patches of paint; the fountain that had sparkled so showily by lamp-light, presented very much the appearance of a water-pipe that had burst; all the ornaments were dingy, and all the walks gloomy. There was a spectral attempt at rope-dancing in the little open theatre; the sun shone upon the spangled dresses of the performers, and their evolutions were about as inspiriting and appropriate as a country dance in a family vault. So we retraced our steps to the firework-ground, and mingled with the little crowd of people who were contemplating Mr. Green. Some half-dozen men were restraining the impetuosity of one of the balloons, which was completely filled, and had the car already attached; and as rumours had gone abroad that a lord was "going up," the crowd were more than usually anxious and talkative. There was one little man in faded black, with a dirty face and a rusty black neckerchief with a red border, tied in a narrow wisp round his neck, who entered into conversation with everybody, and had something to say upon every remark that was made within his hearing. He was standing with his arms folded, staring up at the balloon, and every now and then vented his feelings of reverence for the aeronaut, by saying, as he looked round to catch somebody’s eye, "He’s a rum ’un is Green; think o’ this here being up’ards of his two hundredth ascent; by God, the man as is ekal to Green never had the tooth-ache yet, nor wo'nt have within this hundred year, and that’s all about it. Wen you meets with real talent, and native, too, encourage it, that’s wot I say;" and when he had delivered himself to this effect, he would fold his arms with more determination than ever, and stare at the balloon with a sort of admiring defiance of any other man alive, beyond himself and Green, that impressed the crowd with the opinion that he was an oracle. "Ah, you’re very right, sir," said another gentleman, with his wife, and children, and mother, and wife’s sister, and a host of female friends, in all the gentility of white pocket-handkerchiefs, frills, and spencers, "Mr. Green is a steady hand, sir, and there’s no fear about him." "Fear!" said the little man: "ain't it a lovely thing to see him and his wife a going up in one balloon, and his own son and his wife a jostling up agin 'em in another, and all of 'em going twenty or thirty mile in three hours or so, and then coming back in po-chayses? I don’t know where this here science is to stop, mind you; that’s what bothers me." Here there was a considerable talking among the females in the spencers. "What’s the ladies a laughing at, sir?" inquired the little man, condescendingly. "It’s only my sister Mary," said one of the girls, "as says she hopes his Lordship won’t be frightened when he’s in the car, and want to come out agin." "Make yourself easy about that there, my dear," replied the little man. "If he was so much as to move a inch without leave, Green would jist fetch him a crack over the head with the telescope, as vid send him into the bottom of the basket in no time, and stun him till they come down again." "Would he, though?" inquired the other man. "Yes, by God, would he," replied the little one, 'and think nothing of it, neither, if he was the king himself. Green’s presence of mind is wonderful." Just at this moment all eyes were directed to the preparations which were being made for starting. The car was attached to the second balloon, the two were brought pretty close together, and a military band commenced playing with a zeal and fervour which would render the most timid man in existence but too happy to accept any means of quitting that particular spot of earth on which they were stationed. Then Mr. Green, sen., and his noble companion entered one car, and Mr. Green, jun., and his companion the other; and then the balloons went up, and the aerial travellers stood up, and the crowd outside roared with delight, and the two gentlemen who had never ascended before, tried to wave their flags, as if they were not nervous, but held on very fast all the while, and the balloons were wafted gently away, our little friend solemnly protesting, long after they were reduced to mere specks in the air, that he could still distinguish the white hat of Mr. Green; the gardens disgorged their multitudes, boys ran up and down screaming "bal-loon," and in all the crowded thoroughfares people rushed out of their shops into the middle of the road, and having stared up in the air at two little black objects till they almost dislocated their necks, walked slowly in again, perfectly satisfied. The next day there was a grand account of the ascent in the morning papers, and the public were informed how it was the finest day but four in Mr. Green’s remembrance; how they retained sight of the earth till they lost it behind the clouds; and how the reflection of the balloon on the undulating masses of vapour was gorgeously picturesque; together with a little science about the refraction of the sun’s rays, and some mysterious hints respecting atmospheric heat and eddying currents of air. There was also an interesting account how a man in a boat was distinctly heard by Mr. Green, jun., to exclaim, "My eye!" which Mr. Green, jun., attributed to his voice rising to the balloon, and the sound being thrown back from its surface into the car; and the whole concluded with a slight allusion to another ascent next Wednesday, all of which was very instructive and very amusing, as our readers will see if they look to the papers. If we have forgotten to mention the date, they have only to wait till next summer and take the account of the first ascent, and it will answer the purpose equally well. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'New Series, No. 4, Vauxhall-Gardens by Day' Description An account of the resource Published in The Morning Chronicle (26 October 1836), p. 3. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361026/006/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361026/006/0003</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-10-26 Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1836-10-26-VauxhallGardens_by_Day Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'New Series, No. 4, 'Vauxhall-Gardens by Day' (26 October 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-10-26-VauxhallGardens_by_Day">https://www.dickenssearch.com/short-stories/1836-10-26-VauxhallGardens_by_Day</a>. Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Scripto Transcription A written representation of a document. There was a time when if a man ventured to wonder how Vauxhall-gardens would look by day, he was hailed with a shout of derision at the absurdity of the idea. Vauxhall by day-light! A porter pot without porter, the House of Commons without the Speaker, a gas lamp without the gas—pooh, nonsense, the thing was not to be thought of. It was rumoured, too, in those times, that Vauxhall-gardens by day were the scene of secret and hidden experiments; that there, carvers were exercised in the mystic art of cutting a moderate sized ham into slices thin enough to pave the whole of the grounds; that beneath the shade of the tall trees, studious men were constantly engaged in chemical experiments, with the view of discovering how much water a bowl of negus could possibly bear; and that in some retired nooks, appropriated to the study of ornithology, other sage and learned men were, by a process known only to themselves, incessantly employed in reducing fowls to a mere combination of skin and bone. Vague rumours of this kind, together with many others of a similar nature, cast over Vauxhall-gardens an air of deep mystery; and as there is a great deal in the mysterious, there is no doubt that to a good many people, at all events, the pleasure they afforded was not a little enhanced by this very circumstance. Of this class of people we confess to having made one. We loved to wander among these illuminated groves, thinking of the patient and laborious researches which had been carried on there during the day, and witnessing their results in the suppers which were served up, beneath the light of lamps, and to the sound of music at night. The temples and saloons and cosmoramas and fountains glittered and sparkled before our eyes; the beauty of the lady singers and the elegant deportment of the gentlemen captivated our hearts; a few hundred thousand of additional lamps dazzled our senses; a bowl or two of reeking punch bewildered our brains; and we were happy. In an evil hour, the proprietors of Vauxhall-gardens took to opening them by day. We regretted this as rudely and harshly disturbing that veil of mystery which had hung about the property for many years, and which none but the noon-day Sun and the late Mr. Simpson had ever penetrated. We shrunk from going; at this moment we scarcely know why. Perhaps a morbid consciousness of approaching disappointment—perhaps a fatal presentiment—perhaps the weather; whatever it was, we did not go until the second or third announcement of a race between two balloons tempted us, and we went. We paid our shilling at the gate, and then we saw, for the first time, that the entrance, if there had been any magic about it at all, was now decidedly disenchanted, being, in fact, nothing more nor less than a combination of very roughly-painted boards and saw-dust. We glanced at the orchestra and supper-room as we hurried past—we just recognised them, and that was all. We bent our steps to the firework-ground; there, at least, we should not be disappointed. We reached it, and stood rooted to the spot with mortification and astonishment. That the Moorish tower—that wooden shed with a door in the centre, and daubs of crimson and yellow all round, like a gigantic watch-case! That the place where night after night we had beheld the undaunted Mr. Blackmore make his terrific ascent, surrounded by flames of fire, and peals of artillery, and where the white garments of Madame Somebody or other, who nobly devoted her life to the manufacture of fireworks, had so often been seen fluttering in the wind, as she called up a red, blue, or party-coloured light to illumine her temple! That the—but at this moment the bell rung—the people scampered away, pell-mell, to the spot from whence the sound proceeded, and we, from the mere force of habit, found ourself running among the first, as if for very life. It was for the concert in the orchestra. A small party of dismal men in cocked hats were "executing" the overture to Tancredi, and a numerous assemblage of ladies and gentlemen, with their families, had rushed from their half-emptied stout mugs in the supper boxes, and crowded to the spot. Intense was the low murmur of admiration when a particularly small gentleman, in a dress coat, led on a particularly tall lady in a blue sarcenet pelisse and bonnet of the same, ornamented with large white feathers, and forthwith commenced a plaintive duet. We knew the small gentleman well; we had seen a lithographed semblance of him on many a piece of music, with his mouth wide open as if in the act of singing; a wine glass in his hand, and a table with two decanters and four pine-apples on it in the background. The tall lady, too, we had gazed on, lost in raptures of admiration, many and many a time—how different people do look by daylight and without punch, to be sure! It was a beautiful duet: first the small gentleman asked a question, and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air, and the band wound themselves up to a pitch of fury and the small gentleman handed the tall lady out, and the applause was rapturous. The comic singer, however, was the especial favourite; we really thought that a gentleman with his dinner in a pocket handkerchief, who stood near us, would have fainted with excess of joy. A fearfully facetious old man that comic singer is; his distinguishing characteristics are, a wig approaching to the flaxen, and an aged countenance, and he bears the name of one of the English counties, if we recollect right. He sang a song about the seven ages, the first half hour of which seemed to afford the assembly the purest delight; of the rest we can make no report, as we did not stay to hear any more. We walked about, and met with a disappointment at every turn; our favourite views were mere patches of paint; the fountain that had sparkled so showily by lamp-light, presented very much the appearance of a water-pipe that had burst; all the ornaments were dingy, and all the walks gloomy. There was a spectral attempt at rope-dancing in the little open theatre; the sun shone upon the spangled dresses of the performers, and their evolutions were about as inspiriting and appropriate as a country dance in a family vault. So we retraced our steps to the firework-ground, and mingled with the little crowd of people who were contemplating Mr. Green. Some half-dozen men were restraining the impetuosity of one of the balloons, which was completely filled, and had the car already attached; and as rumours had gone abroad that a lord was "going up," the crowd were more than usually anxious and talkative. There was one little man in faded black, with a dirty face and a rusty black neckerchief with a red border, tied in a narrow wisp round his neck, who entered into conversation with everybody, and had something to say upon every remark that was made within his hearing. He was standing with his arms folded, staring up at the balloon, and every now and then vented his feelings of reverence for the aëronaut, by saying, as he looked round to catch somebody’s eye, "He’s a rum ’un is Green; think o’ this here being up’ards of his two hundredth ascent; by God, the man as is ekal to Green never had the tooth-ache yet, nor wo'nt have within this hundred year, and that’s all about it. Wen you meets with real talent, and native, too, encourage it, that’s wot I say;" and when he had delivered himself to this effect, he would fold his arms with more determination than ever, and stare at the balloon with a sort of admiring defiance of any other man alive, beyond himself and Green, that impressed the crowd with the opinion that he was an oracle. "Ah, you’re very right, sir," said another gentleman, with his wife, and children, and mother, and wife’s sister, and a host of female friends, in all the gentility of white pocket-handkerchiefs, frills, and spencers, "Mr. Green is a steady hand, sir, and there’s no fear about him." "Fear!" said the little man: "ain't it a lovely thing to see him and his wife a going up in one balloon, and his own son and his wife a jostling up agin 'em in another, and all of 'em going twenty or thirty mile in three hours or so, and then coming back in po-chayses? I don’t know where this here science is to stop, mind you; that’s what bothers me." Here there was a considerable talking among the females in the spencers. "What’s the ladies a laughing at, sir?" inquired the little man, condescendingly. "It’s only my sister Mary," said one of the girls, "as says she hopes his Lordship won’t be frightened when he’s in the car, and want to come out agin." "Make yourself easy about that there, my dear," replied the little man. "If he was so much as to move a inch without leave, Green would jist fetch him a crack over the head with the telescope, as vid send him into the bottom of the basket in no time, and stun him till they come down again." "Would he, though?" inquired the other man. "Yes, by God, would he," replied the little one, 'and think nothing of it, neither, if he was the king himself. Green’s presence of mind is wonderful." Just at this moment all eyes were directed to the preparations which were being made for starting. The car was attached to the second balloon, the two were brought pretty close together, and a military band commenced playing with a zeal and fervour which would render the most timid man in existence but too happy to accept any means of quitting that particular spot of earth on which they were stationed. Then Mr. Green, sen., and his noble companion entered one car, and Mr. Green, jun., and his companion the other; and then the balloons went up, and the aerial travellers stood up, and the crowd outside roared with delight, and the two gentlemen who had never ascended before, tried to wave their flags, as if they were not nervous, but held on very fast all the while, and the balloons were wafted gently away, our little friend solemnly protesting, long after they were reduced to mere specks in the air, that he could still distinguish the white hat of Mr. Green; the gardens disgorged their multitudes, boys ran up and down screaming "bal-loon," and in all the crowded thoroughfares people rushed out of their shops into the middle of the road, and having stared up in the air at two little black objects till they almost dislocated their necks, walked slowly in again, perfectly satisfied. The next day there was a grand account of the ascent in the morning papers, and the public were informed how it was the finest day but four in Mr. Green’s remembrance; how they retained sight of the earth till they lost it behind the clouds; and how the reflection of the balloon on the undulating masses of vapour was gorgeously picturesque; together with a little science about the refraction of the sun’s rays, and some mysterious hints respecting atmospheric heat and eddying currents of air. There was also an interesting account how a man in a boat was distinctly heard by Mr. Green, jun., to exclaim, "My eye!" which Mr. Green, jun., attributed to his voice rising to the balloon, and the sound being thrown back from its surface into the car; and the whole concluded with a slight allusion to another ascent next Wednesday, all of which was very instructive and very amusing, as our readers will see if they look to the papers. If we have forgotten to mention the date, they have only to wait till next summer and take the account of the first ascent, and it will answer the purpose equally well. https://www.dickenssearch.com/files/original/5/Sketches_by_Boz_Second_Series_[1837]/1837_Sketches_by_Boz_Second_Series.pdf 4dfb0a54160ccc80e7508853924ea083 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Book Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370101 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketches by Boz, Second Series (1837) Description An account of the resource Published by John Macrone, 1837, 1 vol. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Google Books, <a href="https://www.google.com/books/edition/Sketches_by_Boz/NyAGAAAAQAAJ">https://www.google.com/books/edition/Sketches_by_Boz/NyAGAAAAQAAJ</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1837 Contributor An entity responsible for making contributions to the resource Illustrated by George Cruikshank Rights Information about rights held in and over the resource Public domain, Google-digitised Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1837_Sketches_by_Boz_Second_Series Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. Sketches by Boz, Second Series (1837). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1837_Sketches_by_Boz_Second_Series">https://www.dickenssearch.com/short-stories/1837_Sketches_by_Boz_Second_Series</a>. Relation A related resource Table of Contents and Relation to Previous Sketches: <ul> <li>'The Streets by Morning', pp. 1-16. Originally <a href="http://dickenssearch.com/admin/items/show/56">'Sketches of London, No. XVII, The Streets—Morning'</a>.</li> <li>'The Streets by Night', pp. 17-23. Orig. <a href="http://dickenssearch.com/admin/items/show/106">'Scenes and Characters, No. 12, The Streets at Night'</a>.</li> <li>'Making a Night of It', pp. 24-48. Orig. <a href="http://dickenssearch.com/admin/items/show/67">'Scenes and Characters, No. 4, Making a Night of It'</a>.</li> <li>'Criminal Courts', pp. 49-62. Orig. <a href="http://dickenssearch.com/admin/items/show/160">'Street Sketches. No. III. The Old Bailey'</a>.</li> <li>'Scotland-Yard', pp. 63-76. Orig. <a href="http://dickenssearch.com/admin/items/show/138">New Series, No. 2, 'Scotland Yard'</a>.</li> <li>'The New Year', pp. 77-92. Orig. <a href="http://dickenssearch.com/admin/items/show/105">'Scenes and Characters, No. 11, The New Year'</a>.</li> <li>'Meditations in Monmouth-Street', pp. 93-112. Orig. <a href="http://dickenssearch.com/admin/items/show/137">New Series, No. 1, 'Meditations in Monmouth-Street'</a>.</li> <li>'Our Next-Door Neighbours', pp. 113-131. Orig. <a href="http://dickenssearch.com/admin/items/show/167">'Our Next-Door Neighbours'</a>.</li> <li>'The Hospital Patient', pp. 132-142. Orig. <a href="http://dickenssearch.com/admin/items/show/219">'The Hospital Patient'</a>. </li> <li>'Seven Dials', pp. 143-156. Orig. <a href="http://dickenssearch.com/admin/items/show/64">'Scenes and Characters, No. 1, Seven Dials'</a>.</li> <li>'The Mistaken Milliner. A Tale of Ambition', pp. 157-174. Orig. <a href="http://dickenssearch.com/admin/items/show/101">'Scenes and Characters, No. 7, The Vocal Dressmaker'</a>.</li> <li>'Doctors' Commons', pp. 175-190. Orig. <a href="http://dickenssearch.com/admin/items/show/139">'New Series, No. 3, 'Doctors' Commons'</a>.</li> <li>'Misplaced Attachment of Mr. John Dounce', pp. 191-208. Orig. <a href="http://dickenssearch.com/admin/items/show/68">'Scenes and Characters, No. 5, Love and Oysters'</a>.</li> <li>'Vauxhall Gardens by Day', pp. 209-224. Orig. <a href="http://dickenssearch.com/admin/items/show/166">New Series No. 4, 'Vauxhall-Gardens by Day'.</a></li> <li>'A Parliamentary Sketch—With a Few Portraits', pp. 225-255. Orig. <a href="http://dickenssearch.com/admin/items/show/44">'Sketches of London, No. V, The House'</a> and <a href="http://dickenssearch.com/admin/items/show/47">'Sketches of London, No. VIII, Bellamy's'</a>.</li> <li>'Mr. Minns and His Cousin', pp. 256-282. Orig. <a href="http://dickenssearch.com/admin/items/show/39">'A Dinner at Poplar Walk'</a>. </li> <li>'The Last Cab-Driver, and the First Omnibus Cad', pp. 283-308. Orig. <a href="http://dickenssearch.com/admin/items/show/87">'Scenes and Characters, No. 6, Some Account of an Omnibus Cad'</a>.</li> <li>'The Parlour Orator', pp. 309. Orig. <a href="http://dickenssearch.com/admin/items/show/103">'Scenes and Characters, No. 9, The Parlour'</a>.</li> <li>'The First of May', pp. 325-346. Orig. <a href="http://dickenssearch.com/admin/items/show/165">'A Little Talk about Spring and the Sweeps'</a>.</li> <li>'The Drunkard's Death', pp. 347-377. First Printing.</li> </ul> Scripto Transcription A written representation of a document. PREFACE. If brevity be the soul of wit, anywhere, it is most especially so, in a preface; firstly, because those who do read such things as prefaces, prefer them, like grace before meat, in an epigrammatic form; and, secondly, because nine hundred and ninety-nine people out of every thousand, never read a preface at all. Some of these sketches were written before the appearance of the former series, and the remainder have been added at different periods since that time. The author ventures to hope that they may experience as favourable a reception as the first productions of his pen; and that the present volume will not be considered an unwelcome, or inappropriate sequel, to the two which preceded it. With these few words, he gives a modest tap at the door of the public with his Christmas Piece, when, perhaps, he may imagine the following dialogue to ensue, founded on the well-known precedent of the charity-boys and the housemaid. Publisher (to author.)⁠—You knock.  Author (to publisher.)⁠—No⁠—you. [Here the publisher seizes the knocker, and gives a loud rap at the door.] Public (suspiciously, and with the door a-jar.)⁠—Well; what do you want? Publisher.⁠—Please, will you look at this Christmas Piece; me and the other boy goes partners in it. Public.⁠— Go away; we have so many knocks of the same kind, at this time of year, that we are tired of answering the door. Go away. Publisher (pushing it.)⁠—No; but do look at it, please. It's all his own doing, except the pictures; and they're capital, let alone the writing. [Here the public gradually softens, and takes the Christmas Piece in; upon which the Publisher makes a bow, and retires]⁠—while the author lingers behind, for one instant, to repeat an old form with much sincerity; and to express his hearty wish that his best friend, the Public, may enjoy "a merry Christmas, and a happy new year." Furnival's Inn. December 17, 1836. The Streets by Morning. The appearance presented by the streets of London an hour before sunrise on a summer’s morning, is most striking even to the few whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, make them well acquainted with the scene. There is an air of cold, solitary desolation about the noiseless streets we are accustomed to see thronged at other times by a busy, eager crowd, and the quiet, closely shut buildings which throughout the day are swarming with life and bustle, that is very impressive. The last drunken man, who shall find his way home before sunlight, has just staggered heavily along, occasionally roaring out the burden of the drinking song of the previous night: the last houseless vagrant whom penury and the police have left in the streets, has coiled up his chilly limbs in some paved corner, to dream of food and warmth. The drunken, the dissipated, and the wretched have disappeared: the more sober and orderly part of the population have not yet awakened to the labours of the day: and the stillness of death is over the streets; its very hue seems to be imparted to them, cold and lifeless as they look, in the grey, sombre light of day-break. The coach-stands in the larger thoroughfares are deserted: the night-houses are closed: the chosen promenades of profligate misery are empty. An occasional policeman may be seen at the street-corners, listlessly gazing on the deserted prospect before him; and now and then a rakish-looking cat runs stealthily across the road, and descends his own area with as much caution and slyness, bounding first on the water-butt, then on the dust-hole, and then alighting on the flag-stones, as if he were conscious that his character depended on his gallantries of the preceding night escaping public observation. A partially opened bedroom-window here, and there, bespeaks the heat of the weather, and the uneasy slumbers of its occupant—and the dim scanty flicker of the rush-light, through the window-blind, denotes the chamber of watching or sickness. With these few exceptions the streets present no signs of life, nor the houses of habitation. An hour wears away. The spires of the churches, and roofs of the principal buildings, are faintly tinged with the light of the rising sun; and the streets, by almost imperceptible degrees, begin to resume their bustle and animation. Market-carts roll slowly along: the sleepy waggoner impatiently urging on his tired horses, or vainly endeavouring to awaken the boy, who, luxuriously stretched on the top of the fruit-baskets, forgets in happy oblivion his long-cherished curiosity to behold the wonders of London. Rough, sleepy-looking animals, of strange appearance, something between ostlers and hackney-coachmen, begin to take down the shutters of early public-houses; and little deal tables, with the ordinary preparations for a street-breakfast, make their appearance at the customary stations. Numbers of men and women (principally the latter), carrying upon their heads heavy baskets of fruit, toil down the park side of Piccadilly, on their way to Covent-garden; and, following each other in rapid succession, form a long straggling line from thence to the turn of the road at Knightsbridge. Here and there, a bricklayer’s labourer, with the day’s dinner tied up in a handkerchief, walks briskly to his work, and occasionally a little knot of three or four school-boys on a stolen bathing expedition, rattle merrily over the pavement, their boisterous mirth contrasting forcibly with the demeanour of the little sweep, who, having knocked and rung till his arm aches, and being interdicted by a merciful legislature from endangering his lungs by calling out, sits patiently down on the door-step until the house maid may happen to awake. Covent-garden market, and the avenues leading to it, are thronged with carts of all sorts, sizes, and descriptions, from the heavy lumbering waggon, with its four stout horses, to the jingling coster-monger’s cart with its consumptive donkey. The pavement is already strewed with decayed cabbage-leaves, broken hay-bands, and all the indescribable litter of a vegetable market, and the numerous noises are almost as multifarious—men shouting, carts backing, horses neighing, boys fighting, basket-women talking, piemen expatiating on the excellence of their pastry, donkeys braying, and a hundred other sounds, form a compound discordant enough, even to a Londoner’s ears, and remarkably disagreeable to those of country gentlemen, who are sleeping at the Hummums for the first time. Another hour passes away, and the day begins in good earnest. The servant of all-work, who, under the plea of sleeping very soundly, has utterly disregarded "Missis's" ringing for half an hour previously, is warned by Master (whom Missis has sent up in his drapery to the landing-place for that purpose) that it’s half-past six, whereupon she awakes all of a sudden with well feigned astonishment, and goes down stairs very sulkily, wishing, while she strikes a light, that the principle of spontaneous combustion would extend itself to coals and kitchen ranges. When the fire is lit she opens the street-door to take in the milk, when, by the most singular coincidence in the world, she discovers that the servant next door has just taken in her milk too, and that Mr. Todd’s young man over the way, is by an equally extraordinary chance taking down his master’s shutters. The inevitable consequence is, that she just steps, milk-jug in hand, as far as next door, just to say "good morning" to Betsy Clark, and that Mr. Todd’s young man just steps over the way just to say "good morning" to both of ’em; and as the aforesaid Mr. Todd’s young man is almost as good-looking and fascinating as the baker himself, the conversation quickly becomes very interesting, and probably would become more so, if Betsy Clark’s missis, who always will be a followin’ her about, didn’t give an angry tap at her bed-room window, on which Mr. Todd’s young man tries to whistle coolly, as he goes back to his shop much faster than he came from it; and the two girls run back to their respective places, and shut their street-doors with surprising softness, each of them poking their heads out of the front parlour-window a minute afterwards, however, ostensibly with the view of looking at the mail which just then passes by, but really for the purpose of catching another glimpse of Mr. Todd’s young man, who, being fond of mails, but more fond of females, takes a short look at the coach and a long look at the girls, much to the satisfaction of all parties concerned. The mail itself goes on to the coach-office in due course, and the passengers who are going out by the early coach, stare with astonishment at the passengers who are coming in by the early coach, who look blue and dismal, and are evidently under the influence of that odd feeling produced by travelling, which makes the events of yesterday morning seem as if they had happened at least six months ago, and induces people to wonder with considerable gravity whether the friends and relations they took leave of, a fortnight before, have altered much since they have left them. The coach-office is all alive, and the coaches which are just going out are surrounded by the usual crowd of Jews and nondescripts, who seem to consider, Heaven knows why, that it's quite impossible any man can mount a coach without requiring at least sixpenn'orth of oranges, a penknife, a pocket-book, a last year’s annual, a pencil-case, a piece of sponge, and a small series of caricatures. Half-an-hour more, and the sun darts his bright rays cheerfully down the still half-empty streets, and shines with sufficient force to rouse the diurnal laziness of the apprentice, who pauses every other minute from his task of sweeping out the shop and watering the pavement in front of it, to tell another apprentice similarly employed how hot it will be to-day, or to stand with his right hand shading his eyes and his left resting on the broom, gazing at the Wonder, or the Tally-Ho, or the Nimrod, or some other fast coach, till it's out of sight, when he re-enters the shop, envying the passengers on the outside of the fast coach, and thinking of the old red brick house "down in the country," where he went to school: the miseries of thin milk and water and thick bread and scrapings, fading into nothing before the pleasant recollection of the green field the boys used to play in, and the green pond he was caned for presuming to fall into, and other school-boy associations. Cabs, with trunks and band-boxes between the drivers’ legs, and outside the apron, rattle briskly up and down the streets on their way to the coach-offices, or steam-packet wharfs; and the cab-drivers and hackney-coachmen who are on the stand, polish up the ornamental part of their dingy vehicles—the former wondering how people can prefer "them wild beast cariwans of omnibuses, to a riglar cab with a fast trotter," and the latter admiring how people can trust their necks into one of "them crazy cabs, when they can have a ’spectable ackney cotche with a pair of orses as von’t run away with no vun;"—a consolation unquestionably founded in fact, seeing that a hackney-coach horse never was known to run at all, "except," as the smart cabman in front of the rank observes, "except one, and he run back’ards!" The shops are now completely opened, and apprentices and shopmen are busily engaged in cleaning and decking the windows for the day. The bakers’ shops in town are filled with servants and children waiting for the drawing of the first batch of rolls—an operation which was performed a full hour ago, in the suburbs; for the early-clerk population of Somers and Camdon Towns, Islington and Pentonville, are fast pouring into the City, or directing their steps towards Chancery-lane and the Inns of court. Middle-aged men, whose salaries have by no means increased in the same proportion as their families, plod steadily along, apparently with no object in view but the counting-house: knowing by sight almost every body they meet or overtake, for they have seen them every morning (Sunday excepted) during the last twenty years; but speaking to no one. If they do happen to overtake a personal acquaintance, they just exchange a hurried salutation, and keep walking on, either by his side or in front of him, as his rate of walking may chance to be. As to stopping to shake hands, or to take the friend’s arm, they seem to think that it is not included in their salary, and they have no right to do it. Small office lads in large hats, who are made men before they are boys, hurry along in pairs with their first coat carefully brushed, and the white trowsers of last Sunday plentifully besmeared with dust and ink. It evidently requires a considerable mental struggle to avoid investing part of the day’s dinner-money in the purchase of the stale tarts so temptingly exposed in dusty tins at the pastry-cooks’ doors; but a consciousness of their own importance, and the receipt of seven shillings a week, with the prospect of an early rise to eight, comes to their aid, and they accordingly put their hats a little more on one side, and look under the bonnets of all the milliners’ and stay-makers’ apprentices they meet. Poor girls! The hardest worked, the worst paid, and, too often, the worst used, class of the community. Eleven o’clock, and a new set of people fill the streets. The goods in the shop windows are invitingly arranged; the shopmen in their white neckerchiefs, and spruce coats, look as if they couldn’t clean a window if their lives depended on it; the carts have disappeared from Covent Garden; the waggoners have returned, and the costermongers repaired to their ordinary "beats" in the suburbs; clerks are at their offices, and gigs, cabs, omnibuses, and saddle-horses, are conveying their masters to the same destination. The streets are thronged with a vast concourse of people—gay and shabby, rich and poor, idle and industrious; and we come to the heat, bustle, and activity, of NOON. The Streets by Night. But the Streets of London, to be beheld in the very height of their glory, should be seen on a dark, dull, murky, winter’s night, when there is just enough damp gently stealing down to make the pavement greasy, without cleaning it of any of its impurities, and when the heavy lazy mist which hangs over every object makes the gas lamps look brighter, and the brilliantly-lighted shops more splendid, from the contrast they present to the darkness around. Everybody at home on such a night as this, seem disposed to make themselves as snug and comfortable as possible; and the passengers in the streets have excellent reason to envy the fortunate individuals who are seated by their own fire-sides.  In the larger and better kind of streets, dining parlour curtains are closely drawn, kitchen fires blaze brightly up, and savoury steams of hot dinners salute the nostrils of the hungry wayfarer, as he plods wearily by the area railings. In the suburbs, the muffin-boy rings his way down the little street, much more slowly than he is wont to do: for Mrs. Macklin, at No. 4, has no sooner opened her little street door and screamed out "Muffins" with all her might, than Mrs. Walker at No. 5, puts her head out of the parlour-window, and screams "Muffins" too, and Mrs. Walker has scarcely got the word out of her lips, than Mrs. Peplow over the way, lets loose Master Peplow, who darts down the street with a velocity which nothing but buttered muffins in perspective could possibly inspire, and drags the boy back by main force, whereupon Mrs. Macklin and Mrs. Walker, just to save the boy trouble, and to say a few neighbourly words to Mrs. Peplow at the same time, run over the way and buy their muffins at Mrs. Peplow’s door, when it appears from the voluntary statement of Mrs. Walker, that her kittle’s just a-biling, and the cups and sarsers ready laid, and that, as it was such a wretched night out o’ doors, she’d made up her mind to have a nice hot comfortable cup o’ tea—a determination at which, by the most singular coincidence, the other two ladies had simultaneously arrived.  After a little conversation about the wretchedness of the weather and the merits of tea, with a digression relative to the viciousness of boys as a rule, and the amiability of Master Peplow as an exception, Mrs. Walker sees her husband coming down the street; and as he must want his tea, poor man, after his dirty walk from the Docks, she instantly runs across, muffins in hand, and Mrs. Macklin does the same, and after a few words to Mrs. Walker, they all pop into their little houses and slam their little street doors, which are not opened again for the remainder of the evening, except to the nine o’clock "beer," who comes round with a lantern in front of his tray, and says, as he lends Mrs. Walker "Yesterday’s 'Tiser," that he’s blessed if he can hardly hold the p, much less feel the paper, for it’s one of the bitterest nights he ever felt, ’cept the night when the man was frozen to death in the Brick-field.  After a little prophetic conversation with the policeman at the street-corner, touching a probable change in the weather, and the setting-in of a hard frost, the nine o’clock beer returns to his master’s house, and employs himself for the remainder of the evening, in assiduously stirring the tap-room fire, and deferentially taking part in the conversation of the worthies assembled round it. The streets in the vicinity of the Marsh-gate and Victoria Theatre present an appearance of dirt, and discomfort on such a night, which the groups who lounge about them, in no degree tend to diminish.  Even the little block-tin temple sacred to baked potatoes, surmounted by a splendid design in variegated lamps, looks less gay than usual: and as to the kidney-pie stand, its glory has quite departed. The candle in the transparent lamp, manufactured of oiled paper, embellished with "Characters" has been blown out fifty times, so the kidney-pie merchant, tired with running backwards and forwards to the next wine-vaults to get a light, has given up the idea of illumination in despair, and the only signs of his whereabout, are the bright sparks, of which a long irregular train is whirled down the street every time he opens his portable oven to hand a hot kidney-pie to a customer.  Flat-fish, oyster, and fruit-vendors linger hopelessly in the kennel, in vain endeavouring to attract customers; and the ragged boys who usually disport themselves about the streets, stand crouched in little knots in some projecting doorway, or under the canvass window blind of the cheesemonger’s, where great flaring gas lights, unshaded by any glass, display huge piles of bright red, and pale yellow cheeses, mingled with little five-penny dabs of dingy bacon, various tubs of weekly Dorset, and cloudy rolls of "best fresh."  Here they amuse themselves with theatrical converse, arising out of their last half-price visit to the Victoria gallery, admire the terrific combat, which is nightly encored, and expatiate on the inimitable manner in which Bill Thompson can come the double monkey, or go through the mysterious involutions of a sailor’s hornpipe. It is nearly eleven o’clock, and the cold thin rain which has been drizzling so long, is beginning to pour down in good earnest; the baked-tatur man has departed—the kidney-pie man has just departed with his warehouse on his arm with the same object—the cheesemonger has drawn in his blind,— and the boys have dispersed. The constant clicking of pattens on the slippy and uneven pavement, and the rustling of umbrellas, as the wind blows against the shop windows, bear testimony to the inclemency of the night; and the policeman, with his oil-skin cape buttoned closely round him, seems as he holds his hat on his head, and turns round to avoid the gust of wind and rain which drives against him at the street corner, to be very far from congratulating himself on the prospect before him.  The little chandler’s shop, with the cracked bell behind the door, whose melancholy tinkling has been regulated by the demand for quarterns of sugar and half-ounces of coffee, is shutting up. The crowds which have been passing to and fro during the whole day, are rapidly dwindling away; and the noise of shouting and quarrelling which issues from the public houses, is almost the only sound that breaks the melancholy stillness of the night.  There was another, but it has ceased. That wretched woman with the infant in her arms, round whose meagre form the remnant of her own scanty shawl is carefully wrapped, has been attempting to sing some popular ballad in the hope of wringing a few pence from the compassionate passer-by. A brutal laugh at her weak voice, is all she has gained. The tears fall thick and fast down her worn pale face; the child is cold and hungry, and its low half-stifled wailing adds to the misery of its wretched mother, as she moans aloud, and sinks despairingly down, on a cold damp door-step. Singing! How few of those who pass such a miserable creature as this, think of the anguish of heart, the sinking of soul and spirit, which the very effort of singing produces. What a bitter mockery! Disease, neglect, and starvation faintly articulating the words of the joyous ditty that has enlivened your hours of feasting and merriment, God knows how often! It is no subject for jeering. The weak tremulous voice tells a fearful tale of want and famishing; and the feeble singer of this roaring song, may turn away, only to die of cold and hunger. One o’clock! Parties returning from the different theatres foot it through the muddy streets; cabs, hackney-coaches, carriages, and theatre omnibuses, roll swiftly by; watermen with dim dirty lanterns in their hands, and large brass plates upon their breasts, who have been shouting and rushing about, for the last two hours, retire to their watering houses, to solace themselves with the creature comforts of pipes and purl; the half-price pit and box frequenters of the theatres, throng to the different houses of refreshment; and chops, kidneys, rabbits, oysters, stout, cigars, and "goes" innumerable, are served up amidst a noise and confusion of smoking, running, knife clattering, and waiter clattering, perfectly indescribable.  The more musical portion of the play-going community betake themselves to some harmonic meeting; and, as a matter of curiosity we will follow them thither for a few moments. In a lofty room, of spacious dimensions, are some eighty or a hundred guests knocking little pewter measures on the tables, and hammering away, with the handles of their knives, as if they were so many trunk makers. They are applauding a glee, which has just been executed by the three "professional gentlemen" at the top of the centre table, one of whom is in the chair—the little pompous man with the bald head just emerging from the collar of his green coat. The others are seated on either side of him—the stout man with the small voice, and the thin-faced dark man in black. The little man in the chair is a most amusing personage,—such condescending grandeur, and such a voice. "Bass!" as the young gentleman near us with the blue stock forcibly remarks to his companion, "bass!  I b’lieve you, he can go down lower than any man: so low sometimes that you can’t hear him." And so he does. To hear him growling away, gradually lower and lower down, till he can’t get back again, is the most delightful thing in the world, and it is quite impossible to witness unmoved the impressive solemnity with which he pours forth his soul in "My ’art’s in the Highlands, or "The Brave old Hoak." The stout man is also addicted to sentimentality, and warbles "Fly fly from the World, my Bessy, with me," or some such song, with lady-like sweetness and in the most seductive tones imaginable. "Pray give your orders gen’l’m’n—pray give your orders"—says the pale-faced man with the red-head; and demands for "goes" of gin and "goes" of brandy, and pints of stout, and cigars of peculiar mildness, are vociferously made from all parts of the room. The "professional gentlemen" are in the very height of their glory, and bestow condescending nods, or even a word or two of recognition on the better known frequenters of the room, in the most bland and patronising manner possible. The little round-faced man with the small brown surtout, white stockings and shoes, is in the comic line; the mixed air of self-denial, and mental consciousness of his own powers, with which he acknowledges the call of the chair, is particularly gratifying. "Gentlemen," says the little pompous man, accompanying the word with a knock of the president’s hammer on the table—"Gentlemen, allow me to claim your attention—Our friend Mr. Smuggins will oblige."—"Bravo!" shout the company, and Smuggins, after a considerable quantity of coughing by way of symphony, and a most facetious sniff or two, which afford general delight, sings a comic song with a fal-de-ral—tol-de-rol chorus at the end of every verse, much longer than the verse itself. It is received with unbounded applause; and after some aspiring genius has volunteered a recitation, and failed dismally therein, the little pompous man gives another knock, and says "Gen'lm'n, we will attempt a glee, if you please." This announcement calls forth tumultuous applause, and the more energetic spirits express the unqualified approbation it affords them by knocking one or two stout glasses off their legs—a humorous device; but one which frequently occasions some slight altercation when the form of paying the damage is proposed to be gone through, by the waiter. Scenes like these, are continued until three or four o’clock in the morning; and even when they close, fresh ones open to the inquisitive novice.  But as a description of all of them, however slight, would require a volume, the contents of which, however instructive, would be by no means pleasing, we make our bow, and drop the curtain. Making a Night of it. Damon and Pythias were undoubtedly very good fellows in their way: the former for his extreme readiness to put in special bail for a friend; and the latter for a certain trump-like punctuality in turning up just in the very nick of time, scarcely less remarkable. Many points in their character have now obsolete. Damons are rather hard to find in these days of imprisonment for debt (except the sham ones, and they cost half-a-crown); and, as to the Pythiases, the few that have existed in these degenerate times, have had an unfortunate knack of making themselves scarce, at the very moment when their appearance would have been strictly classical. If the actions of these heroes, however, can find no parallel in modern times, their friendship can. We have Damon and Pythias on the one hand—Potter and Smithers on the other; and lest the two last-mentioned names should never have reached the ears of our unenlightened readers, we can do no better than make them acquainted with the owners thereof. Mr. Thomas Potter, then, was a clerk in the city, and Mr. Robert Smithers was a ditto in the same; their incomes were limited, but their friendship was unbounded. They lived in the same street, walked into town every morning at the same hour, dined at the same slap-bang every day, and revelled in each other’s company very night. They were knit together by the closest ties of intimacy and friendship; or, as Mr. Thomas Potter touchingly observed, they were "thick-and-thin pals, and nothing but it." There was a spice of romance in Mr. Smithers’s disposition—a ray of poetry—a gleam of misery—a sort of consciousness of he didn’t exactly know what coming across him he didn’t precisely know why—which stood out in fine relief against the off-hand, dashing, amateur-pickpocket-sort-of-manner, which distinguished Mr. Potter in an eminent degree. The peculiarity of their respective dispositions, extended itself to their individual costume. Mr. Smithers generally appeared in public, in a surtout and shoes, with a narrow black neckerchief, and a brown hat, very much turned up at the sides— peculiarities which Mr. Potter wholly eschewed: for it was his ambition to do something in the celebrated "kiddy" or stage-coach way, and he had even gone so far as to invest capital in the purchase of a rough blue coat with wooden buttons, made upon the fireman’s principle, in which, with the addition of a low-crowned, flower-pot-saucer-shaped hat, he had created no inconsiderable sensation at the Albion, and divers other places of public and fashionable resort. Mr. Potter and Mr. Smithers had mutually agreed that, on the receipt of their quarter’s salary, they would jointly and in company "spend the evening"— an evident misnomer—the spending applying, as everybody knows, not to the evening itself, but to all the money the individual may chance to be possessed of, on the occasion to which reference is made; and they had likewise agreed that, on the evening aforesaid, they would "make a night of it"—an expressive term, implying the borrowing of several hours from to-morrow morning, adding them to the night before, and manufacturing a compound night of the whole. The quarter-day arrived at last—we say at last, because quarter-days are as eccentric as comets, moving wonderfully quick when you've a good deal to pay, and marvellously slow when you have a little to receive: and Mr. Thomas Potter and Mr. Robert Smithers met by appointment to begin the evening with a dinner; and a nice, snug, comfortable dinner they had, consisting of a little procession of four chops, and four kidneys, following each other, supported on either side by a pot of the real draught stout, and attended by divers cushions of bread, and wedges of cheese. When the cloth was removed, Mr. Thomas Potter ordered the waiter to bring in, two goes of his best Scotch whiskey, with warm water and sugar, and a couple of his "very mildest" Havannahs, which the waiter did. Mr. Thomas Potter mixed his grog, and lit his cigar; Mr. Robert Smithers did the same; and then Mr. Thomas Potter jocularly proposed as the first toast, "the abolition of all offices whatever" (not sinecures, but counting-houses), which was immediately drank by Mr. Robert Smithers, with enthusiastic applause; and then they went on talking politics, puffing cigars, and sipping whiskey and water, until the "goes"—most appropriately so called—were both gone, which Mr. Robert Smithers forthwith perceiving, immediately ordered in two more goes of the best Scotch whiskey, and two more of the very mildest Havannahs; and the goes kept coming in, and the mild Havannahs kept going out, until what with the drinking, and lighting, and puffing, and the stale ashes on the table, and the tallow-grease on the cigars, Mr. Robert Smithers began to doubt the mildness of the Havannahs, and to feel very much as if he had been sitting in a hackney-coach, with his back to the horses. As to Mr. Thomas Potter, he would keep laughing out loud, and volunteering inarticulate declarations that he was "all right," in proof of which, he feebly bespoke the evening paper after the next gentleman, but finding it a matter of some difficulty to discover any news in its columns, or to ascertain distinctly whether it had any columns at all, he walked slowly out to look for the comet, and after coming back quite pale with looking up at the sky so long, and attempting to express mirth at Mr. Robert Smithers having fallen asleep, by various galvanic chuckles, he laid his head on his arm, and went to sleep also. When he awoke again, Mr. Robert Smithers woke too, and they both very gravely agreed that it was extremely unwise to eat so many pickled walnuts with the chops, as it was a notorious fact that they always made people queer and sleepy; indeed, if it hadn't been for the whiskey and cigars, there was no knowing what harm they mightn’t have done ’em. So they took some coffee, and after paying the bill, twelve and two-pence the dinner, and the odd ten-pence for the waiter, thirteen shillings, started out on their expedition to manufacture a night. It was just half-past eight, so they thought they couldn’t do better than go half-price to the slips at the City Theatre, which they did accordingly. Mr. Robert Smithers, who had become extremely poetical after the settlement of the bill, enlivening the walk by informing Mr. Thomas Potter, in confidence, that he felt an inward presentiment of approaching dissolution: and subsequently embellishing the theatre, by falling asleep, with his head and both arms gracefully drooping over the front of the boxes. Such was the quiet demeanour of the unassuming Smithers, and such were the happy effects of Scotch whiskey and Havannahs on that interesting person; but Mr. Thomas Potter, whose great aim it was to be considered as a "knowing card," a "fast-goer," and so forth, conducted himself in a very different manner, and commenced going very fast indeed—rather too fast at last, for the patience of the audience to keep pace with. On his first entry, he contented himself by earnestly calling upon the gentlemen in the gallery to "flare up," accompanying the demand with another request expressive of his wish that they would instantaneously "form a union," both which requisitions were responded to in the manner most in vogue on such occasions. "Give that dog a bone," cried one gentleman in his shirt sleeves. "Vere have you been having half a pint of intermediate?" cried a second. "Tailor!" screamed a third. "Barber’s clerk!" shouted a fourth. "Throw him o—ver!" roared a fifth, while numerous voices concurred in desiring Mr. Thomas Potter to return to the arms of his maternal parent, or in common parlance to "go home to his mother." All these taunts Mr. Thomas Potter received with supreme contempt, cocking the low-crowned hat a little more on one side, whenever any reference was made to his personal appearance; and standing up with his arms a-kimbo, expressing defiance most melodramatically. The overture—to which these various sounds had been an ad libitum accompaniment—concluded: the second piece began, and Mr. Thomas Potter emboldened by impunity, proceeded to behave in a most unprecedented and outrageous manner. First of all he imitated the shake of the principal female singer: then groaned at the blue fire, then affected to be frightened into convulsions of terror at the appearance of the ghost; and lastly, not only made a running commentary in an audible voice, upon the dialogue on the stage, but actually woke Mr. Robert Smithers who, hearing his companion making a noise, and having a very indistinct notion of where he was, or what was required of him, immediately, by way of imitating a good example, set up the most unearthly, unremitting, and appalling howling that ever audience heard. It was too much. "Turn 'em out," was the general cry. A noise as of shuffling of feet, and men being knocked up with violence against wainscotting, was heard: a hurried dialogue of "come out"—"I won’t"—"You shall"—"I shan’t"—"Give me your card Sir"—"You're a scoundrel, Sir," and so forth, succeeded; a round of applause betokened the approbation of the audience; and Mr. Robert Smithers and Mr. Thomas Potter found themselves shot with astonishing swiftness into the road, without having had the trouble of once putting foot to ground during the whole progress of their rapid descent. Mr. Robert Smithers being constitutionally one of the slow-goers, and having had quite enough of fast-going, in the course of his recent expulsion, to last 'till the quarter-day then next ensuing, at the very least, had no sooner emerged with his companion from the precincts of Milton-street, than he proceeded to indulge in circuitous references to the beauties of sleep, mingled with distant allusions to the propriety of returning to Islington, and testing the influence of their patent Bramahs over the street-door locks to which they respectively belonged. Mr. Thomas Potter, however, was valorous and peremptory. They had come out to make a night of it; and a night must be made. So Mr. Robert Smithers, who was three parts dull, and the other dismal, despairingly assented; and they went into a wine-vaults to get materials for assisting them in making a night, where they found a good many young ladies, and various old gentlemen, and a plentiful sprinkling of hackney-coachmen and cab-drivers, all drinking and talking together; and Mr. Thomas Potter and Mr. Robert Smithers drank small glasses of brandy, and large glasses of soda, till they began to have a very confused idea either of things in general, or anything in particular; and when they had done treating themselves, they began to treat everybody else; and the rest of the entertainment was a confused mixture of heads and heels, black eyes and blue uniforms, mud and gas-lights, thick doors, and a stone paving. Then, as standard novelists expressively inform us—"all was a blank!" and in the morning the blank was filled up with the words "Station-house," and the station-house was filled up with Mr. Thomas Potter, Mr. Robert Smithers, and the major part of their wine-vault companions of the preceding night, with a comparatively small portion of clothing of any kind. And it was disclosed at the Police-office to the indignation of the Bench, and the astonishment of the spectators, how one Robert Smithers aided and abetted by one Thomas Potter, had knocked down and beaten, in divers streets, at different times, five men, four boys, and three women; how the said Thomas Potter had feloniously obtained possession of five door-knockers, two bell-handles, and a bonnet; how Robert Smithers, his friend, had sworn, at least forty pounds’ worth of oaths, at the rate of five shillings a-piece, terrified whole streets-full of His Majesty’s subjects, with awful shrieks and alarms of fire, destroyed the uniforms of five policemen; and committed various other atrocities, too numerous to recapitulate. And the magistrate, after an appropriate reprimand, fined Mr. Thomas Potter and Mr. Thomas Smithers, five shillings each, for being, what the law vulgarly terms, drunk, with the trifling addition of thirty-four pounds, for seventeen assaults, at five shillings a-head, with liberty to speak to the prosecutors. The prosecutors were spoken to; and Messrs. Potter and Smithers lived on credit for a quarter, as best they might; and, although the prosecutors expressed their readiness to be assaulted twice a-week on the same terms, they have never since been detected in making a night of it. Criminal Courts. We shall never forget the mingled feelings of awe and respect, with which we used to gaze on the exterior of Newgate in our schoolboy days. How dreadful its rough, heavy walls, and low massive doors, appeared to us—the latter looking as if they were made for the express purpose of letting people in, and never letting them out again. Then the fetters over the debtors’ door, which we used to think were a bonâ fide set of irons, just hung up there, for convenience sake, ready to be taken down at a moment’s notice, and rivetted on the limbs of some refractory felon! We used to wonder how the hackney-coachmen on the opposite stand could cut jokes in the presence of such horrors, and drink pots of half-and-half so near the last drop. Often have we strayed here in sessions time, just to catch a glimpse of the whipping-place, and that dark building on one side of the yard, in which is kept the gibbet with all its dreadful apparatus, and on the door of which we half expected to see a brass plate, with the inscription "Mr. Ketch;" for we never imagined that the distinguished functionary could by possibility live anywhere else. The days of these childish dreams have passed away, and with them many other boyish ideas of a gayer nature. But we still retain so much of our original feeling, that to this hour we never pass the building without something like a shudder. What London pedestrian is there who has not, at some time or other, cast a hurried glance through the wicket at which prisoners are admitted into this gloomy mansion, and surveyed the few objects he could discern, with an indescribable feeling of curiosity? The thick door, plated with iron and mounted with spikes, just low enough to enable you to see, leaning over them, an ill-looking fellow in a broad-brimmed hat, belcher handkerchief, and top boots, with a brown coat, something between a great coat and a "sporting" jacket, on his back, and an immense key in his left hand. Perhaps you are lucky enough to pass just as the gate is being opened; then you see on the other side of the lodge, another gate, the very image of its predecessor, and two or three more turnkeys, who look like multiplications of the first one, seated round a fire which just lights up the whitewashed apartment sufficiently to enable you to catch a hasty glimpse of these different objects. We have a great respect for Mrs. Fry, but she certainly ought to have written more romances than Mrs. Radcliffe. We were walking leisurely down the Old Bailey, a few weeks ago, when, just as we passed this identical gate, it was opened by the officiating turnkey. We turned quickly round, as a matter of course, and saw two persons descending the steps. We could not help stopping and observing them. They were an elderly woman, of decent appearance, though evidently poor, and a boy of about fourteen or fifteen. The woman was crying bitterly; she carried a small bundle in her hand, and the boy followed at a short distance behind her. Their little history was obvious. The boy was her son, to whose early comfort she had perhaps sacrificed her own; for whose sake she had borne misery without repining, and poverty without a murmur; looking steadily forward to the time, when he who had so long witnessed her struggles for himself, might be enabled to make some exertions for their joint support. He had formed dissolute connexions; idleness had led to crime, and he had been committed to take his trial for some petty theft. He had been long in prison, and, after receiving some trifling additional punishments, had been ordered to be discharged that morning. It was his first offence, and his poor old mother, still hoping to reclaim him, had been waiting at the gate to implore him to return home. We cannot forget the boy; he descended the steps with a dogged look, shaking his head with an air of bravado, and obstinate determination. They walked a few paces, and paused. The woman put her hand upon his shoulder in an agony of entreaty, and the boy sullenly raised his head as if in refusal. It was a brilliant morning, and every object looked fresh and happy in the broad, gay sun-light; he gazed around him for a few moments, bewildered with the brightness of the scene—it was long since he had beheld any thing save the gloomy walls of a prison. The contrast was powerful; perhaps the wretchedness of his mother made some impression on the boy’s heart; perhaps some undefined recollection of the time when he was a happy child, and she his only friend, and best companion, crowded on him—he burst into tears; and covering his face with one hand, and hurriedly placing the other in his mother’s, they walked away together.  Curiosity has occasionally led us into both Courts at the Old Bailey. Nothing is so likely to strike the person who enters them for the first time, as the calm indifference with which the proceedings are conducted; every trial seems a mere matter of business. There is a great deal of form, but no compassion; considerable interest, but no sympathy. Take the Old Court for example. There sit the Judges, with whose great dignity everybody is acquainted, and of whom therefore we need say no more. Then, there is the Lord Mayor in the centre, looking as cool as a Lord Mayor can look, with an immense bouquet before him, and habited in all the splendour of his office. Then there are the Sheriffs, who are almost as dignified as the Lord Mayor himself; and the Barristers, who are quite dignified enough in their own opinion; and the spectators, who having paid for their admission, look upon the whole scene as if it were got up especially for their amusement. Look upon the whole group in the body of the Court—some wholly engrossed in the morning papers, others carelessly conversing in low whispers, and others, again, quietly dozing away an hour—and you can scarcely believe that the result of the trial is a matter of life or death to one wretched being present. Turn your eyes to the dock; watch the prisoner attentively for a few moments, and the fact is before you, in all its painful reality. Mark how restlessly he has been engaged for the last ten minutes, in forming all sorts of fantastic figures with the herbs which are strewed upon the ledge before him; observe the ashy paleness of his face, when a particular witness appears, and how he changes his position and wipes his clammy forehead, and feverish hands, when the case for the prosecution is closed, as if it were a relief to him to feel that the jury knew the worst. The defence is concluded; the judge proceeds to sum up the evidence, and the prisoner watches the countenances of the jury, as a dying man, clinging to life to the very last, vainly looks in the face of his physician for one slight ray of hope. They turn round to consult; you can almost hear the man’s heart beat, as he bites that stalk of rosemary, with a desperate effort to appear composed. They resume their places; a dead silence prevails as the foreman delivers in the verdict—"Guilty!" An appalling shriek bursts from a female in the gallery; the prisoner casts one look at the quarter from whence the noise proceeded, and is immediately hurried from the dock by the gaoler. The clerk directs one of the officers of the court to "take the woman out," and fresh business is proceeded with, as if nothing had occurred. No imaginary contrast to a case like this, could be as complete as that which is constantly presented in the New Court, the gravity of which is frequently disturbed in no small degree, by the cunning and pertinacity of juvenile offenders. A boy of thirteen is tried, say for picking the pocket of some subject of his Majesty, and the offence is about as clearly proved as an offence can be. He is called upon for his defence, and contents himself with a little declamation about the jurymen and his country—asserts that all the witnesses have committed perjury, and hints that the police force generally, have entered into a conspiracy "again" him. However probable this statement may be, it fails to convince the Court, and some such scene as the following then takes place:— Court: Have you any witnesses to speak to your character, boy? Boy: Yes, my Lord; fifteen gen’lm’n is a vaten outside, and vos a vaten all day yesterday, vich they told me the night afore my trial vos a comin’ on. Court: Inquire for these witnesses. Here, a stout beadle runs out, and vociferates for the witnesses at the very top of his voice; you hear his cry grow fainter and fainter as he descends the steps into the court-yard below. After an absence of five minutes, he returns very warm, and hoarse, and informs the Court of what it was perfectly well aware of, before—namely, that there are no such witnesses in attendance. Hereupon the boy sets up the most awful howling ever heard within or without the walls of a court; screws the lower part of the palms of his hands into the corners of his eyes, and endeavours to look the picture of injured innocence. The jury at once find him "guilty," and his endeavours to squeeze out a tear or two, are redoubled. The governor of the gaol then states, in reply to an inquiry from the bench, that the prisoner has been under his care twice before. This the urchin resolutely denies in some such terms as—"S’elp me God, gen’lm’n, I never vos in trouble afore—indeed, my Lord, I never vos. It’s all a howen to my having a twin brother, vich has wrongfully taken to prigging, and vich is so exactly like me, that no vun ever knows the difference atween us." This representation, like the defence, fails in producing the desired effect, and the boy is sentenced, perhaps, to seven years’ transportation. Finding it impossible to excite compassion, he gives vent to his feelings in an indignant cry of "Flare up, old big vig!" and as he declines to take the trouble of walking from the dock, is forthwith carried out by two men, congratulating himself on having succeeded in giving everybody as much trouble as possible. https://www.dickenssearch.com/files/original/5/Public_Life_of_Mr._Tulrumble_Once_Mayor_of_Mudfog/1837-01-Public_Life_Tulrumble.pdf 399860df9f9efc3df7ed874864f592a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Bentley's Miscellany Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370101 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mudfog is a pleasant town—a remarkably pleasant town—situated in a charming hollow by the side of a river, from which river, Mudfog derives an agreeable scent of pitch, tar, coals, and rope-yarn, a roving population in oil-skin hats, a pretty steady influx of drunken bargemen, and a great many other maritime advantages. There is a good deal of water about Mudfog, and yet it is not exactly the sort of town for a watering-place, either. Water is a perverse sort of element at the best of times, and in Mudfog it is particularly so. In winter, it comes oozing down the streets and tumbling over the fields,—nay, rushes into the very cellars and kitchens of the houses, with a lavish prodigality that might well be dispensed with; but in the hot summer weather it will dry up, and turn green: and, although green is a very good colour in its way, especially in grass, still it certainly is not becoming to water; and it cannot be denied that the beauty of Mudfog is rather impaired, even by this trifling circumstance. Mudfog is a healthy place—very healthy;—damp, perhaps, but none the worse for that. It’s quite a mistake to suppose that damp is unwholesome: plants thrive best in damp situations, and why shouldn’t men? The inhabitants of Mudfog are unanimous in asserting that there exists not a finer race of people on the face of the earth; here we have an indisputable and veracious contradiction of the vulgar error at once. So, admitting Mudfog to be damp, we distinctly state that it is salubrious. The town of Mudfog is extremely picturesque. Limehouse and Ratcliffe Highway are both something like it, but they give you a very faint idea of Mudfog. There are a great many more public-houses in Mudfog,—more than in Ratcliffe Highway and Limehouse put together. The public buildings, too, are very imposing. We consider the Town-hall one of the finest specimens of shed architecture, extant: it is a combination of the pig-sty and tea-garden-box, orders; and the simplicity of its design is of surpassing beauty. The idea of placing a large window on one side of the door, and a small one on the other, is particularly happy. There is a fine bold Doric beauty, too, about the padlock and scraper, which is strictly in keeping with the general effect. In this room do the mayor and corporation of Mudfog assemble together in solemn council for the public weal. Seated on the massive wooden benches, which, with the table in the centre, form the only furniture of the whitewashed apartment, the sage men of Mudfog spend hour after hour in grave deliberation. Here they settle at what hour of the night the public-houses shall be closed, at what hour of the morning they shall be permitted to open, how soon it shall be lawful for people to eat their dinner on church-days, and other great political questions; and sometimes, long after silence has fallen on the town, and the distant lights from the shops and houses have ceased to twinkle, like far-off stars, to the sight of the boatmen on the river, the illumination in the two unequal-sized windows of the town-hall, warns the inhabitants of Mudfog that its little body of legislators, like a larger and better-known body of the same genus, a great deal more noisy, and not a whit more profound, are patriotically dozing away in company, far into the night, for their country’s good. Among this knot of sage and learned men, no one was so eminently distinguished, during many years, for the quiet modesty of his appearance and demeanour, as Nicholas Tulrumble, the well-known coal-dealer. However exciting the subject of discussion, however animated the tone of the debate, or however warm the personalities exchanged, (and even in Mudfog we get personal sometimes,) Nicholas Tulrumble was always the same. To say truth, Nicholas, being an industrious man, and always up betimes, was apt to fall asleep when a debate began, and to remain asleep till it was over, when he would wake up very much refreshed, and give his vote with the greatest complacency. The fact was, that Nicholas Tulrumble, knowing that everybody there, had made up his mind beforehand, considered the talking as just a long botheration about nothing at all; and to the present hour it remains a question, whether, on this point at all events, Nicholas Tulrumble was not pretty near right. Time, which strews a man’s head with silver, sometimes fills his pockets with gold. As he gradually performed one good office for Nicholas Tulrumble, he was obliging enough, not to omit the other. Nicholas began life in a wooden tenement of four feet square, with a capital of two and ninepence, and a stock in trade of three bushels and a-half of coals, exclusive of the large lump which hung, by way of sign-board, outside. Then he enlarged the shed, and kept a truck; then he left the shed, and the truck too, and started a donkey and a Mrs. Tulrumble; then he moved again and set up a cart; the cart was soon afterwards exchanged for a waggon; and so he went on, like his great predecessor Whittington—only without a cat for a partner—increasing in wealth and fame, until at last he gave up business altogether, and retired with Mrs. Tulrumble and family to Mudfog Hall, which he had himself erected, on something which he endeavoured to delude himself into the belief was a hill, about a quarter of a mile distant from the town of Mudfog. About this time, it began to be murmured in Mudfog that Nicholas Tulrumble was growing vain and haughty; that prosperity and success had corrupted the simplicity of his manners, and tainted the natural goodness of his heart; in short, that he was setting up for a public character, and a great gentleman, and affected to look down upon his old companions with compassion and contempt. Whether these reports were at the time well-founded, or not, certain it is that Mrs. Tulrumble very shortly afterwards started a four-wheel chaise, driven by a tall postilion in a yellow cap,—that Mr. Tulrumble junior took to smoking cigars, and calling the footman a “feller,”—and that Mr. Tulrumble from that time forth, was no more seen in his old seat in the chimney-corner of the Lighterman’s Arms at night. This looked bad; but, more than this, it began to be observed that Mr. Nicholas Tulrumble attended the corporation meetings more frequently than heretofore; that he no longer went to sleep as he had done for so many years, but propped his eyelids open with his two fore-fingers; that he read the newspapers by himself at home; and that he was in the habit of indulging abroad in distant and mysterious allusions to “masses of people,” and “the property of the country,” and “productive power,” and “the monied interest:” all of which denoted and proved that Nicholas Tulrumble was either mad, or worse; and it puzzled the good people of Mudfog amazingly. At length, about the middle of the month of October, Mr. Tulrumble and family went up to London; the middle of October being, as Mrs. Tulrumble informed her acquaintance in Mudfog, the very height of the fashionable season. Somehow or other, just about this time, despite the health-preserving air of Mudfog, the Mayor died. It was a most extraordinary circumstance; he had lived in Mudfog for eighty-five years. The corporation didn’t understand it at all; indeed it was with great difficulty that one old gentleman, who was a great stickler for forms, was dissuaded from proposing a vote of censure on such unaccountable conduct. Strange as it was, however, die he did, without taking the slightest notice of the corporation; and the corporation were imperatively called upon to elect his successor. So, they met for the purpose; and being very full of Nicholas Tulrumble just then, and Nicholas Tulrumble being a very important man, they elected him, and wrote off to London by the very next post to acquaint Nicholas Tulrumble with his new elevation. Now, it being November time, and Mr. Nicholas Tulrumble being in the capital, it fell out that he was present at the Lord Mayor’s show and dinner, at sight of the glory and splendour whereof, he, Mr. Tulrumble, was greatly mortified, inasmuch as the reflection would force itself on his mind, that, had he been born in London instead of in Mudfog, he might have been a Lord Mayor too, and have patronised the judges, and been affable to the Lord Chancellor, and friendly with the Premier, and coldly condescending to the Secretary to the Treasury, and have dined with a flag behind his back, and done a great many other acts and deeds which unto Lord Mayors of London peculiarly appertain. The more he thought of the Lord Mayor, the more enviable a personage he seemed. To be a King was all very well; but what was the King to the Lord Mayor! When the King made a speech, everybody knew it was somebody else’s writing; whereas here was the Lord Mayor, talking away for half an hour—all out of his own head—amidst the enthusiastic applause of the whole company, while it was notorious that the King might talk to his parliament till he was black in the face without getting so much as a single cheer. As all these reflections passed through the mind of Mr. Nicholas Tulrumble, the Lord Mayor of London appeared to him the greatest sovereign on the face of the earth, beating the Emperor of Russia all to nothing, and leaving the Great Mogul immeasurably behind. Mr. Nicholas Tulrumble was pondering over these things, and inwardly cursing the fate which had pitched his coal-shed in Mudfog, when the letter of the corporation was put into his hand. A crimson flush mantled over his face as he read it, for visions of brightness were already dancing before his imagination. “My dear,” said Mr. Tulrumble to his wife, “they have elected me, Mayor of Mudfog.” “Lor-a-mussy!” said Mrs. Tulrumble: “why, what’s become of old Sniggs?” “The late Mr. Sniggs, Mrs. Tulrumble,” said Mr. Tulrumble sharply, for he by no means approved of the notion of unceremoniously designating a gentleman who had filled the high office of Mayor, as “old Sniggs,”—“The late Mr. Sniggs, Mrs. Tulrumble, is dead.” The communication was very unexpected; but Mrs. Tulrumble only ejaculated “Lor-a-mussy!” once again, as if a Mayor were a mere ordinary Christian, at which Mr. Tulrumble frowned gloomily. “What a pity ’tan’t in London, ain’t it?” said Mrs. Tulrumble, after a short pause; “what a pity ’tan’t in London, where you might have had a show.” “I might have a show in Mudfog, if I thought proper, I apprehend,” said Mr. Tulrumble mysteriously. “Lor! so you might, I declare,” replied Mrs. Tulrumble.“And a good one, too,” said Mr. Tulrumble. “Delightful!” exclaimed Mrs. Tulrumble. “One which would rather astonish the ignorant people down there,” said Mr. Tulrumble. “It would kill them with envy,” said Mrs. Tulrumble. So it was agreed that his Majesty’s lieges in Mudfog should be astonished with splendour, and slaughtered with envy, and that such a show should take place as had never been seen in that town, or in any other town before,—no, not even in London itself. On the very next day after the receipt of the letter, down came the tall postilion in a post-chaise,—not upon one of the horses, but inside—actually inside the chaise,—and, driving up to the very door of the town-hall, where the corporation were assembled, delivered a letter, written by the Lord knows who, and signed by Nicholas Tulrumble, in which Nicholas said, all through four sides of closely-written, gilt-edged, hot-pressed, Bath post letter-paper, that he responded to the call of his fellow-townsmen with feelings of heartfelt delight; that he accepted the arduous office which their confidence had imposed upon him; that they would never find him shrinking from the discharge of his duty; that he would endeavour to execute his functions with all that dignity which their magnitude and importance demanded; and a great deal more to the same effect. But even this was not all. The tall postilion produced from his right-hand top-boot, a damp copy of that afternoon’s number of the county paper; and there, in large type, running the whole length of the very first column, was a long address from Nicholas Tulrumble to the inhabitants of Mudfog, in which he said that he cheerfully complied with their requisition, and, in short, as if to prevent any mistake about the matter, told them over again what a grand fellow he meant to be, in very much the same terms as those in which he had already told them all about the matter in his letter. The corporation stared at one another very hard at all this, and then looked as if for explanation to the tall postilion, but as the tall postilion was intently contemplating the gold tassel on the top of his yellow cap, and could have afforded no explanation whatever, even if his thoughts had been entirely disengaged, they contented themselves with coughing very dubiously, and looking very grave. The tall postilion then delivered another letter, in which Nicholas Tulrumble informed the corporation, that he intended repairing to the town-hall, in grand state and gorgeous procession, on the Monday afternoon then next ensuing. At this, the corporation looked still more solemn; but, as the epistle wound up with a formal invitation to the whole body to dine with the Mayor on that day, at Mudfog Hall, Mudfog Hill, Mudfog, they began to see the fun of the thing directly, and sent back their compliments, and they’d be sure to come. Now there happened to be in Mudfog, as somehow or other there does happen to be, in almost every town in the British dominions, and perhaps in foreign dominions too—we think it very likely, but, being no great traveller, cannot distinctly say—there happened to be, in Mudfog a merry-tempered, pleasant-faced, good-for-nothing sort of vagabond, with an invincible dislike to manual labour, and an unconquerable attachment to strong beer and spirits, whom everybody knew, and nobody, except his wife, took the trouble to quarrel with, who inherited from his ancestors the appellation of Edward Twigger, and rejoiced in the sobriquet of Bottle-nosed Ned. He was drunk upon the average once a day, and penitent upon an equally fair calculation once a month; and when he was penitent, he was invariably in the very last stage of maudlin intoxication. He was a ragged, roving, roaring kind of fellow, with a burly form, a sharp wit, and a ready head, and could turn his hand to anything when he chose to do it. He was by no means opposed to hard labour on principle, for he would work away at a cricket-match by the day together,—running, and catching, and batting, and bowling, and revelling in toil which would exhaust a galley-slave. He would have been invaluable to a fire-office; never was a man with such a natural taste for pumping engines, running up ladders, and throwing furniture out of two-pair-of-stairs’ windows: nor was this the only element in which he was at home; he was a humane society in himself, a portable drag, an animated life-preserver, and had saved more people, in his time, from drowning, than the Plymouth life-boat, or Captain Manby’s apparatus. With all these qualifications, notwithstanding his dissipation, Bottle-nosed Ned was a general favourite; and the authorities of Mudfog, remembering his numerous services to the population, allowed him in return to get drunk in his own way, without the fear of stocks, fine, or imprisonment. He had a general licence, and he showed his sense of the compliment by making the most of it. We have been thus particular in describing the character and avocations of Bottle-nosed Ned, because it enables us to introduce a fact politely, without hauling it into the reader’s presence with indecent haste by the head and shoulders, and brings us very naturally to relate, that on the very same evening on which Mr. Nicholas Tulrumble and family returned to Mudfog, Mr. Tulrumble’s new secretary, just imported from London, with a pale face and light whiskers, thrust his head down to the very bottom of his neckcloth-tie, in at the tap-room door of the Lighterman’s Arms, and enquiring whether one Ned Twigger was luxuriating within, announced himself as the bearer of a message from Nicholas Tulrumble, Esquire, requiring Mr. Twigger’s immediate attendance at the hall, on private and particular business. It being by no means Mr. Twigger’s interest to affront the Mayor, he rose from the fire-place with a slight sigh, and followed the light-whiskered secretary through the dirt and wet of Mudfog streets, up to Mudfog Hall, without further ado. Mr. Nicholas Tulrumble was seated in a small cavern with a skylight, which he called his library, sketching out a plan of the procession on a large sheet of paper; and into the cavern the secretary ushered Ned Twigger. “Well, Twigger!” said Nicholas Tulrumble, condescendingly. There was a time when Twigger would have replied, “Well, Nick!” but that was in the days of the truck, and a couple of years before the donkey; so, he only bowed. “I want you to go into training, Twigger,” said Mr. Tulrumble. “What for, sir?” enquired Ned, with a stare. “Hush, hush, Twigger!” said the Mayor. “Shut the door, Mr. Jennings. Look here, Twigger.” As the Mayor said this, he unlocked a high closet, and disclosed a complete suit of brass armour, of gigantic dimensions. “I want you to wear this, next Monday, Twigger,” said the Mayor. “Bless your heart and soul, sir!” replied Ned, “you might as well ask me to wear a seventy-four pounder, or a cast-iron boiler.” “Nonsense, Twigger! nonsense!” said the Mayor. “I couldn’t stand under it, sir,” said Twigger; “it would make mashed potatoes of me, if I attempted it.” “Pooh, pooh, Twigger!” returned the Mayor. “I tell you I have seen it done with my own eyes, in London, and the man wasn’t half such a man as you are, either.” “I should as soon have thought of a man’s wearing the case of an eight-day clock to save his linen,” said Twigger, casting a look of apprehension at the brass suit. “It’s the easiest thing in the world,” rejoined the Mayor. “It’s nothing,” said Mr. Jennings. “When you’re used to it,” added Ned. “You do it by degrees,” said the Mayor. “You would begin with one piece to-morrow, and two the next day, and so on, till you had got it all on. Mr. Jennings, give Twigger a glass of rum. Just try the breast-plate, Twigger. Stay; take another glass of rum first. Help me to lift it, Mr. Jennings. Stand firm, Twigger! There!—it isn’t half as heavy as it looks, is it?” Twigger was a good strong, stout fellow; so, after a great deal of staggering, he managed to keep himself up, under the breast-plate, and even contrived, with the aid of another glass of rum, to walk about in it, and the gauntlets into the bargain. He made a trial of the helmet, but was not equally successful, inasmuch as he tipped over instantly,—an accident which Mr. Tulrumble clearly demonstrated to be occasioned by his not having a counteracting weight of brass on his legs. “Now, wear that with grace and propriety on Monday next,” said Tulrumble, “and I’ll make your fortune.” “I’ll try what I can do, sir,” said Twigger. “It must be kept a profound secret,” said Tulrumble. “Of course, sir,” replied Twigger. “And you must be sober,” said Tulrumble; “perfectly sober.” Mr. Twigger at once solemnly pledged himself to be as sober as a judge, and Nicholas Tulrumble was satisfied, although, had we been Nicholas, we should certainly have exacted some promise of a more specific nature; inasmuch as, having attended the Mudfog assizes in the evening more than once, we can solemnly testify to having seen judges with very strong symptoms of dinner under their wigs. However, that’s neither here nor there. The next day, and the day following, and the day after that, Ned Twigger was securely locked up in the small cavern with the skylight, hard at work at the armour. With every additional piece he could manage to stand upright in, he had an additional glass of rum; and at last, after many partial suffocations, he contrived to get on the whole suit, and to stagger up and down the room in it, like an intoxicated effigy from Westminster Abbey. Never was man so delighted as Nicholas Tulrumble; never was woman so charmed as Nicholas Tulrumble’s wife. Here was a sight for the common people of Mudfog! A live man in brass armour! Why, they would go wild with wonder! The day—the Monday—arrived. If the morning had been made to order, it couldn’t have been better adapted to the purpose. They never showed a better fog in London on Lord Mayor’s day, than enwrapped the town of Mudfog on that eventful occasion. It had risen slowly and surely from the green and stagnant water with the first light of morning, until it reached a little above the lamp-post tops; and there it had stopped, with a sleepy, sluggish obstinacy, which bade defiance to the sun, who had got up very blood-shot about the eyes, as if he had been at a drinking-party over night, and was doing his day’s work with the worst possible grace. The thick damp mist hung over the town like a huge gauze curtain. All was dim and dismal. The church-steeples had bidden a temporary adieu to the world below; and every object of lesser importance—houses, barns, hedges, trees, and barges—had all taken the veil. The church-clock struck one. A cracked trumpet from the front-garden of Mudfog Hall produced a feeble flourish, as if some asthmatic person had coughed into it accidentally; the gate flew open, and out came a gentleman, on a moist-sugar coloured charger, intended to represent a herald, but bearing a much stronger resemblance to a court-card on horseback. This was one of the Circus people, who always came down to Mudfog at that time of the year, and who had been engaged by Nicholas Tulrumble expressly for the occasion. There was the horse, whisking his tail about, balancing himself on his hind-legs, and flourishing away with his fore-feet, in a manner which would have gone to the hearts and souls of any reasonable crowd. But a Mudfog crowd never was a reasonable one, and in all probability never will be. Instead of scattering the very fog with their shouts, as they ought most indubitably to have done, and were fully intended to do, by Nicholas Tulrumble, they no sooner recognised the herald, than they began to growl forth the most unqualified disapprobation at the bare notion of his riding like any other man. If he had come out on his head indeed, or jumping through a hoop, or flying through a red-hot drum, or even standing on one leg with his other foot in his mouth, they might have had something to say to him; but for a professional gentleman to sit astride in the saddle, with his feet in the stirrups, was rather too good a joke. So, the herald was a decided failure, and the crowd hooted with great energy, as he pranced ingloriously away. On the procession came. We are afraid to say how many supernumeraries there were, in striped shirts and black velvet caps, to imitate the London watermen, or how many base imitations of running-footmen, or how many banners, which, owing to the heaviness of the atmosphere, could by no means be prevailed on to display their inscriptions: still less do we feel disposed to relate how the men who played the wind instruments, looking up into the sky (we mean the fog) with musical fervour, walked through pools of water and hillocks of mud, till they covered the powdered heads of the running-footmen aforesaid with splashes, that looked curious, but not ornamental; or how the barrel-organ performer put on the wrong stop, and played one tune while the band played another; or how the horses, being used to the arena, and not to the streets, would stand still and dance, instead of going on and prancing;—all of which are matters which might be dilated upon to great advantage, but which we have not the least intention of dilating upon, notwithstanding. Oh! it was a grand and beautiful sight to behold the corporation in glass coaches, provided at the sole cost and charge of Nicholas Tulrumble, coming rolling along, like a funeral out of mourning, and to watch the attempts the corporation made to look great and solemn, when Nicholas Tulrumble himself, in the four-wheel chaise, with the tall postilion, rolled out after them, with Mr. Jennings on one side to look like the chaplain, and a supernumerary on the other, with an old life-guardsman’s sabre, to imitate the sword-bearer; and to see the tears rolling down the faces of the mob as they screamed with merriment. This was beautiful! and so was the appearance of Mrs. Tulrumble and son, as they bowed with grave dignity out of their coach-window to all the dirty faces that were laughing around them: but it is not even with this that we have to do, but with the sudden stopping of the procession at another blast of the trumpet, whereat, and whereupon, a profound silence ensued, and all eyes were turned towards Mudfog Hall, in the confident anticipation of some new wonder. “They won’t laugh now, Mr. Jennings,” said Nicholas Tulrumble. “I think not, sir,” said Mr. Jennings. “See how eager they look,” said Nicholas Tulrumble. “Aha! the laugh will be on our side now; eh, Mr. Jennings?” “No doubt of that, sir,” replied Mr. Jennings; and Nicholas Tulrumble, in a state of pleasurable excitement, stood up in the four-wheel chaise, and telegraphed gratification to the Mayoress behind. While all this was going forward, Ned Twigger had descended into the kitchen of Mudfog Hall for the purpose of indulging the servants with a private view of the curiosity that was to burst upon the town; and, somehow or other, the footman was so companionable, and the housemaid so kind, and the cook so friendly, that he could not resist the offer of the first-mentioned to sit down and take something—just to drink success to master in. So, down Ned Twigger sat himself in his brass livery on the top of the kitchen-table; and in a mug of something strong, paid for the by unconscious Nicholas Tulrumble, and provided by the companionable footman, drank success to the Mayor and his procession; and, as Ned laid by his helmet to imbibe the something strong, the companionable footman put it on his own head, to the immeasurable and unrecordable delight of the cook and housemaid. The companionable footman was very facetious to Ned, and Ned was very gallant to the cook and housemaid by turns. They were all very cosy and comfortable; and the something strong went briskly round. At last Ned Twigger was loudly called for, by the procession people: and, having had his helmet fixed on, in a very complicated manner, by the companionable footman, and the kind housemaid, and the friendly cook, he walked gravely forth, and appeared before the multitude. The crowd roared—it was not with wonder, it was not with surprise; it was most decidedly and unquestionably with laughter. “What!” said Mr. Tulrumble, starting up in the four-wheel chaise. “Laughing? If they laugh at a man in real brass armour, they’d laugh when their own fathers were dying. Why doesn’t he go into his place, Mr. Jennings? What’s he rolling down towards us for?—he has no business here!” “I am afraid, sir —” faltered Mr. Jennings. “Afraid of what, sir?” said Nicholas Tulrumble, looking up into the secretary’s face. “I am afraid he’s drunk, sir;” replied Mr. Jennings. Nicholas Tulrumble took one look at the extraordinary figure that was bearing down upon them; and then, clasping his secretary by the arm, uttered an audible groan in anguish of spirit. It is a melancholy fact that Mr. Twigger having full licence to demand a single glass of rum on the putting on of every piece of the armour, got, by some means or other, rather out in his calculation in the hurry and confusion of preparation, and drank about four glasses to a piece instead of one, not to mention the something strong which went on the top of it. Whether the brass armour checked the natural flow of perspiration, and thus prevented the spirit from evaporating, we are not scientific enough to know; but, whatever the cause was, Mr. Twigger no sooner found himself outside the gate of Mudfog Hall, than he also found himself in a very considerable state of intoxication; and hence his extraordinary style of progressing. This was bad enough, but, as if fate and fortune had conspired against Nicholas Tulrumble, Mr. Twigger, not having been penitent for a good calendar month, took it into his head to be most especially and particularly sentimental, just when his repentance could have been most conveniently dispensed with. Immense tears were rolling down his cheeks, and he was vainly endeavouring to conceal his grief by applying to his eyes a blue cotton pocket-handkerchief with white spots,— an article not strictly in keeping with a suit of armour some three hundred years old, or thereabouts. “Twigger, you villain!” said Nicholas Tulrumble, quite forgetting his dignity, “go back!” “Never,” said Ned. “I’m a miserable wretch. I’ll never leave you.” The by-standers of course received this declaration with acclamations of “That’s right, Ned; don’t!” “I don’t intend it,” said Ned, with all the obstinacy of a very tipsy man. “I’m very unhappy. I’m the wretched father of an unfortunate family; but I am very faithful, sir. I’ll never leave you.” Having reiterated this obliging promise, Ned proceeded in broken words to harangue the crowd upon the number of years he had lived in Mudfog, the excessive respectability of his character, and other topics of the like nature. “Here! will anybody lead him away?” said Nicholas: “if they’ll call on me afterwards, I’ll reward them well.” Two or three men stepped forward, with the view of bearing Ned off, when the secretary interposed. “Take care! take care!” said Mr. Jennings. “I beg your pardon, sir; but they’d better not go too near him, because, if he falls over, he’ll certainly crush somebody.” At this hint the crowd retired on all sides to a very respectful distance, and left Ned, like the Duke of Devonshire, in a little circle of his own. “But, Mr. Jennings,” said Nicholas Tulrumble, “he’ll be suffocated.” “I’m very sorry for it, sir,” replied Mr. Jennings; “but nobody can get that armour off, without his own assistance. I’m quite certain of it, from the way he put it on.” Here Ned wept dolefully, and shook his helmeted head, in a manner that might have touched a heart of stone; but the crowd had not hearts of stone, and they laughed heartily. “Dear me, Mr. Jennings,” said Nicholas, turning pale at the possibility of Ned’s being smothered in his antique costume—“Dear me, Mr. Jennings, can nothing be done with him?” “Nothing at all,” replied Ned, “nothing at all. Gentlemen, I’m an unhappy wretch. I’m a body, gentlemen, in a brass coffin.” At this poetical idea of his own conjuring up, Ned cried so much that the people began to get sympathetic, and to ask what Nicholas Tulrumble meant by putting a man into such a machine as that; and one individual in a hairy waistcoat like the top of a trunk, who had previously expressed his opinion that if Ned hadn’t been a poor man, Nicholas wouldn’t have dared to do it, hinted at the propriety of breaking the four-wheel chaise, or Nicholas’s head, or both, which last compound proposition the crowd seemed to consider a very good notion. It was not acted upon, however, for it had hardly been broached, when Ned Twigger’s wife made her appearance abruptly in the little circle before noticed, and Ned no sooner caught a glimpse of her face and form, than from the mere force of habit he set off towards his home just as fast as his legs would carry him; and that was not very quick in the present instance either, for, however ready they might have been to carry ''him'', they couldn’t get on very well under the brass armour. So, Mrs. Twigger had plenty of time to denounce Nicholas Tulrumble to his face: to express her opinion that he was a decided monster; and to intimate that, if her ill-used husband sustained any personal damage from the brass armour, she would have the law of Nicholas Tulrumble for manslaughter. When she had said all this with due vehemence, she posted after Ned, who was dragging himself along as best he could, and deploring his unhappiness in most dismal tones. What a wailing and screaming Ned’s children raised when he got home at last! Mrs. Twigger tried to undo the armour, first in one place, and then in another, but she couldn’t manage it; so she tumbled Ned into bed, helmet, armour, gauntlets, and all. Such a creaking as the bedstead made, under Ned’s weight in his new suit! It didn’t break down though; and there Ned lay, like the anonymous vessel in the Bay of Biscay, till next day, drinking barley-water, and looking miserable: and every time he groaned, his good lady said it served him right, which was all the consolation Ned Twigger got. Nicholas Tulrumble and the gorgeous procession went on together to the town-hall, amid the hisses and groans of all the spectators, who had suddenly taken it into their heads to consider poor Ned a martyr. Nicholas was formally installed in his new office, in acknowledgment of which ceremony he delivered himself of a speech, composed by the secretary, which was very long, and no doubt very good, only the noise of the people outside prevented anybody from hearing it, but Nicholas Tulrumble himself. After which, the procession got back to Mudfog Hall any how it could; and Nicholas and the corporation sat down to dinner. But the dinner was flat, and Nicholas was disappointed. They were such dull sleepy old fellows, that corporation. Nicholas made quite as long speeches as the Lord Mayor of London had done, nay, he said the very same things that the Lord Mayor of London had said, and the deuce a cheer the corporation gave him. There was only one man in the party who was thoroughly awake; and he was insolent, and called him Nick. Nick! What would be the consequence, thought Nicholas, of anybody presuming to call the Lord Mayor of London “Nick!” He should like to know what the sword-bearer would say to that; or the recorder, or the toast-master, or any other of the great officers of the city. They’d nick him. But these were not the worst of Nicholas Tulrumble’s doings; If they had been, he might have remained a Mayor to this day, and have talked till he lost his voice. He contracted a relish for statistics, and got philosophical; and the statistics and the philosophy together, led him into an act which increased his unpopularity and hastened his downfall. At the very end of the Mudfog High-street, and abutting on the river-side, stands the Jolly Boatmen, an old-fashioned, low-roofed, bay-windowed house, with a bar, kitchen, and tap-room all in one, and a large fire-place with a kettle to correspond, round which the working men have congregated time out of mind on a winter’s night, refreshed by draughts of good strong beer, and cheered by the sounds of a fiddle and tambourine: the Jolly Boatmen having been duly licensed by the Mayor and corporation, to scrape the fiddle and thumb the tambourine from time, whereof the memory of the oldest inhabitants goeth not to the contrary. Now Nicholas Tulrumble had been reading pamphlets on crime, and parliamentary reports,— or had made the secretary read them to him, which is the same thing in effect,—and he at once perceived that this fiddle and tambourine must have done more to demoralize Mudfog, than any other operating causes that ingenuity could imagine. So he read up for the subject, and determined to come out on the corporation with a burst, the very next time the licence was applied for. The licensing day came, and the red-faced landlord of the Jolly Boatmen, walked into the town-hall, looking as jolly as need be, having actually put on an extra fiddle for that night, to commemorate the anniversary of the Jolly Boatmen’s music licence. It was applied for in due form, and was just about to be granted as a matter of course, when up rose Nicholas Tulrumble, and drowned the astonished corporation in a torrent of eloquence. He descanted in glowing terms upon the increasing depravity of his native town of Mudfog, and the excesses committed by its population. Then, he related how shocked he had been, to see barrels of beer sliding down into the cellar of the Jolly Boatmen week after week; and how he had sat at a window opposite the Jolly Boatmen for two days together, to count the people who went in for beer between the hours of twelve and one o’clock alone—which, by-the-bye, was the time at which the great majority of the Mudfog people dined. Then, he went on to state, how the number of people who came out with beer-jugs, averaged twenty-one in five minutes, which, being multiplied by twelve, gave two hundred and fifty-two people with beer-jugs in an hour, and multiplied again by fifteen (the number of hours during which the house was open daily) yielded three thousand seven hundred and eighty people with beer-jugs per day, or twenty-six thousand four hundred and sixty people with beer-jugs, per week. Then he proceeded to show that a tambourine and moral degradation were synonymous terms, and a fiddle and vicious propensities wholly inseparable. All these arguments he strengthened and demonstrated by frequent references to a large book with a blue cover, and sundry quotations from the Middlesex magistrates; and in the end, the corporation, who were posed with the figures, and sleepy with the speech, and sadly in want of dinner into the bargain, yielded the palm to Nicholas Tulrumble, and refused the music licence to the Jolly Boatmen. But although Nicholas triumphed, his triumph was short. He carried on the war against beer-jugs and fiddles, forgetting the time when he was glad to drink out of the one, and to dance to the other, till the people hated, and his old friends shunned him. He grew tired of the lonely magnificence of Mudfog Hall, and his heart yearned towards the Lighterman’s Arms. He wished he had never set up as a public man, and sighed for the good old times of the coal-shop, and the chimney-corner. At length old Nicholas, being thoroughly miserable, took heart of grace, paid the secretary a quarter’s wages in advance, and packed him off to London by the next coach. Having taken this step, he put his hat on his head, and his pride in his pocket, and walked down to the old room at the Lighterman’s Arms. There were only two of the old fellows there, and they looked coldly on Nicholas as he proffered his hand. “Are you going to put down pipes, Mr. Tulrumble?” said one. “Or trace the progress of crime to ’baccer?” growled the other. “Neither,” replied Nicholas Tulrumble, shaking hands with them both, whether they would or not. “I’ve come down to say that I’m very sorry for having made a fool of myself, and that I hope you’ll give me up, the old chair, again.” The old fellows opened their eyes, and three or four more old fellows opened the door, to whom Nicholas, with tears in his eyes, thrust out his hand too, and told the same story. They raised a shout of joy, that made the bells in the ancient church-tower vibrate again, and wheeling the old chair into the warm corner, thrust old Nicholas down into it, and ordered in the very largest-sized bowl of hot punch, with an unlimited number of pipes, directly. The next day, the Jolly Boatmen got the licence, and the next night, old Nicholas and Ned Twigger’s wife led off a dance to the music of the fiddle and tambourine, the tone of which seemed mightily improved by a little rest, for they never had played so merrily before. Ned Twigger was in the very height of his glory, and he danced hornpipes, and balanced chairs on his chin, and straws on his nose, till the whole company, including the corporation, were in raptures of admiration at the brilliancy of his acquirements. Mr. Tulrumble, junior, couldn’t make up his mind to be anything but magnificent, so he went up to London and drew bills on his father; and when he had overdrawn, and got into debt, he grew penitent and came home again. As to old Nicholas, he kept his word, and having had six weeks of public life, never tried it any more. He went to sleep in the town-hall at the very next meeting; and, in full proof of his sincerity, has requested us to write this faithful narrative. We wish it could have the effect of reminding the Tulrumbles of another sphere, that puffed-up conceit is not dignity, and that snarling at the little pleasures they were once glad to enjoy, because they would rather forget the times when they were of lower station, renders them objects of contempt and ridicule. This is the first time we have published any of our gleanings from this particular source. Perhaps, at some future period, we may venture to open the chronicles of Mudfog. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Public Life of Mr. Tulrumble, Once Mayor of Mudfog' Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1837-01 Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1837-01-Public_Life_Tulrumble Description An account of the resource Published in Bentley's Miscellany, vol.1 (January 1837), pp. 49-63. Source A related resource from which the described resource is derived HathiTrust, <a href="https://babel.hathitrust.org/cgi/pt?id=iau.31858046014936">https://babel.hathitrust.org/cgi/pt?id=iau.31858046014936</a>. Rights Information about rights held in and over the resource Google-digitised. Digitised materials on Google Books published before 1922 are in the public domain. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Public Life of Mr. Tulrumble, Once Mayor of Mudfog.' Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1837-01-Public_Life_Tulrumble">https://www.dickenssearch.com/short-stories/1837-01-Public_Life_Tulrumble</a>. Scripto Transcription A written representation of a document. <div class="transcription prose"> Mudfog is a pleasant town—a remarkably pleasant town—situated in a charming hollow by the side of a river, from which river, Mudfog derives an agreeable scent of pitch, tar, coals, and rope-yarn, a roving population in oil-skin hats, a pretty steady influx of drunken bargemen, and a great many other maritime advantages. There is a good deal of water about Mudfog, and yet it is not exactly the sort of town for a watering-place, either. Water is a perverse sort of element at the best of times, and in Mudfog it is particularly so. In winter, it comes oozing down the streets and tumbling over the fields,—nay, rushes into the very cellars and kitchens of the houses, with a lavish prodigality that might well be dispensed with; but in the hot summer weather it will dry up, and turn green: and, although green is a very good colour in its way, especially in grass, still it certainly is not becoming to water; and it cannot be denied that the beauty of Mudfog is rather impaired, even by this trifling circumstance. Mudfog is a healthy place—very healthy;—damp, perhaps, but none the worse for that. It’s quite a mistake to suppose that damp is unwholesome: plants thrive best in damp situations, and why shouldn’t men? The inhabitants of Mudfog are unanimous in asserting that there exists not a finer race of people on the face of the earth; here we have an indisputable and veracious contradiction of the vulgar error at once. So, admitting Mudfog to be damp, we distinctly state that it is salubrious. The town of Mudfog is extremely picturesque. Limehouse and Ratcliffe Highway are both something like it, but they give you a very faint idea of Mudfog. There are a great many more public-houses in Mudfog,—more than in Ratcliffe Highway and Limehouse put together. The public buildings, too, are very imposing. We consider the Town-hall one of the finest specimens of shed architecture, extant: it is a combination of the pig-sty and tea-garden-box, orders; and the simplicity of its design is of surpassing beauty. The idea of placing a large window on one side of the door, and a small one on the other, is particularly happy. There is a fine bold Doric beauty, too, about the padlock and scraper, which is strictly in keeping with the general effect. In this room do the mayor and corporation of Mudfog assemble together in solemn council for the public weal. Seated on the massive wooden benches, which, with the table in the centre, form the only furniture of the whitewashed apartment, the sage men of Mudfog spend hour after hour in grave deliberation. Here they settle at what hour of the night the public-houses shall be closed, at what hour of the morning they shall be permitted to open, how soon it shall be lawful for people to eat their dinner on church-days, and other great political questions; and sometimes, long after silence has fallen on the town, and the distant lights from the shops and houses have ceased to twinkle, like far-off stars, to the sight of the boatmen on the river, the illumination in the two unequal-sized windows of the town-hall, warns the inhabitants of Mudfog that its little body of legislators, like a larger and better-known body of the same genus, a great deal more noisy, and not a whit more profound, are patriotically dozing away in company, far into the night, for their country’s good. Among this knot of sage and learned men, no one was so eminently distinguished, during many years, for the quiet modesty of his appearance and demeanour, as Nicholas Tulrumble, the well-known coal-dealer. However exciting the subject of discussion, however animated the tone of the debate, or however warm the personalities exchanged, (and even in Mudfog we get personal sometimes,) Nicholas Tulrumble was always the same. To say truth, Nicholas, being an industrious man, and always up betimes, was apt to fall asleep when a debate began, and to remain asleep till it was over, when he would wake up very much refreshed, and give his vote with the greatest complacency. The fact was, that Nicholas Tulrumble, knowing that everybody there, had made up his mind beforehand, considered the talking as just a long botheration about nothing at all; and to the present hour it remains a question, whether, on this point at all events, Nicholas Tulrumble was not pretty near right. Time, which strews a man’s head with silver, sometimes fills his pockets with gold. As he gradually performed one good office for Nicholas Tulrumble, he was obliging enough, not to omit the other. Nicholas began life in a wooden tenement of four feet square, with a capital of two and ninepence, and a stock in trade of three bushels and a-half of coals, exclusive of the large lump which hung, by way of sign-board, outside. Then he enlarged the shed, and kept a truck; then he left the shed, and the truck too, and started a donkey and a Mrs. Tulrumble; then he moved again and set up a cart; the cart was soon afterwards exchanged for a waggon; and so he went on, like his great predecessor Whittington—only without a cat for a partner—increasing in wealth and fame, until at last he gave up business altogether, and retired with Mrs. Tulrumble and family to Mudfog Hall, which he had himself erected, on something which he endeavoured to delude himself into the belief was a hill, about a quarter of a mile distant from the town of Mudfog. About this time, it began to be murmured in Mudfog that Nicholas Tulrumble was growing vain and haughty; that prosperity and success had corrupted the simplicity of his manners, and tainted the natural goodness of his heart; in short, that he was setting up for a public character, and a great gentleman, and affected to look down upon his old companions with compassion and contempt. Whether these reports were at the time well-founded, or not, certain it is that Mrs. Tulrumble very shortly afterwards started a four-wheel chaise, driven by a tall postilion in a yellow cap,—that Mr. Tulrumble junior took to smoking cigars, and calling the footman a “feller,”—and that Mr. Tulrumble from that time forth, was no more seen in his old seat in the chimney-corner of the Lighterman’s Arms at night. This looked bad; but, more than this, it began to be observed that Mr. Nicholas Tulrumble attended the corporation meetings more frequently than heretofore; that he no longer went to sleep as he had done for so many years, but propped his eyelids open with his two fore-fingers; that he read the newspapers by himself at home; and that he was in the habit of indulging abroad in distant and mysterious allusions to “masses of people,” and “the property of the country,” and “productive power,” and “the monied interest:” all of which denoted and proved that Nicholas Tulrumble was either mad, or worse; and it puzzled the good people of Mudfog amazingly. At length, about the middle of the month of October, Mr. Tulrumble and family went up to London; the middle of October being, as Mrs. Tulrumble informed her acquaintance in Mudfog, the very height of the fashionable season. Somehow or other, just about this time, despite the health-preserving air of Mudfog, the Mayor died. It was a most extraordinary circumstance; he had lived in Mudfog for eighty-five years. The corporation didn’t understand it at all; indeed it was with great difficulty that one old gentleman, who was a great stickler for forms, was dissuaded from proposing a vote of censure on such unaccountable conduct. Strange as it was, however, die he did, without taking the slightest notice of the corporation; and the corporation were imperatively called upon to elect his successor. So, they met for the purpose; and being very full of Nicholas Tulrumble just then, and Nicholas Tulrumble being a very important man, they elected him, and wrote off to London by the very next post to acquaint Nicholas Tulrumble with his new elevation. Now, it being November time, and Mr. Nicholas Tulrumble being in the capital, it fell out that he was present at the Lord Mayor’s show and dinner, at sight of the glory and splendour whereof, he, Mr. Tulrumble, was greatly mortified, inasmuch as the reflection would force itself on his mind, that, had he been born in London instead of in Mudfog, he might have been a Lord Mayor too, and have patronised the judges, and been affable to the Lord Chancellor, and friendly with the Premier, and coldly condescending to the Secretary to the Treasury, and have dined with a flag behind his back, and done a great many other acts and deeds which unto Lord Mayors of London peculiarly appertain. The more he thought of the Lord Mayor, the more enviable a personage he seemed. To be a King was all very well; but what was the King to the Lord Mayor! When the King made a speech, everybody knew it was somebody else’s writing; whereas here was the Lord Mayor, talking away for half an hour—all out of his own head—amidst the enthusiastic applause of the whole company, while it was notorious that the King might talk to his parliament till he was black in the face without getting so much as a single cheer. As all these reflections passed through the mind of Mr. Nicholas Tulrumble, the Lord Mayor of London appeared to him the greatest sovereign on the face of the earth, beating the Emperor of Russia all to nothing, and leaving the Great Mogul immeasurably behind. Mr. Nicholas Tulrumble was pondering over these things, and inwardly cursing the fate which had pitched his coal-shed in Mudfog, when the letter of the corporation was put into his hand. A crimson flush mantled over his face as he read it, for visions of brightness were already dancing before his imagination. “My dear,” said Mr. Tulrumble to his wife, “they have elected me, Mayor of Mudfog.” “Lor-a-mussy!” said Mrs. Tulrumble: “why, what’s become of old Sniggs?” “The late Mr. Sniggs, Mrs. Tulrumble,” said Mr. Tulrumble sharply, for he by no means approved of the notion of unceremoniously designating a gentleman who had filled the high office of Mayor, as “old Sniggs,”—“The late Mr. Sniggs, Mrs. Tulrumble, is dead.” The communication was very unexpected; but Mrs. Tulrumble only ejaculated “Lor-a-mussy!” once again, as if a Mayor were a mere ordinary Christian, at which Mr. Tulrumble frowned gloomily. “What a pity ’tan’t in London, ain’t it?” said Mrs. Tulrumble, after a short pause; “what a pity ’tan’t in London, where you might have had a show.” “I might have a show in Mudfog, if I thought proper, I apprehend,” said Mr. Tulrumble mysteriously. “Lor! so you might, I declare,” replied Mrs. Tulrumble.“And a good one, too,” said Mr. Tulrumble. “Delightful!” exclaimed Mrs. Tulrumble. “One which would rather astonish the ignorant people down there,” said Mr. Tulrumble. “It would kill them with envy,” said Mrs. Tulrumble. So it was agreed that his Majesty’s lieges in Mudfog should be astonished with splendour, and slaughtered with envy, and that such a show should take place as had never been seen in that town, or in any other town before,—no, not even in London itself. On the very next day after the receipt of the letter, down came the tall postilion in a post-chaise,—not upon one of the horses, but inside—actually inside the chaise,—and, driving up to the very door of the town-hall, where the corporation were assembled, delivered a letter, written by the Lord knows who, and signed by Nicholas Tulrumble, in which Nicholas said, all through four sides of closely-written, gilt-edged, hot-pressed, Bath post letter-paper, that he responded to the call of his fellow-townsmen with feelings of heartfelt delight; that he accepted the arduous office which their confidence had imposed upon him; that they would never find him shrinking from the discharge of his duty; that he would endeavour to execute his functions with all that dignity which their magnitude and importance demanded; and a great deal more to the same effect. But even this was not all. The tall postilion produced from his right-hand top-boot, a damp copy of that afternoon’s number of the county paper; and there, in large type, running the whole length of the very first column, was a long address from Nicholas Tulrumble to the inhabitants of Mudfog, in which he said that he cheerfully complied with their requisition, and, in short, as if to prevent any mistake about the matter, told them over again what a grand fellow he meant to be, in very much the same terms as those in which he had already told them all about the matter in his letter. The corporation stared at one another very hard at all this, and then looked as if for explanation to the tall postilion, but as the tall postilion was intently contemplating the gold tassel on the top of his yellow cap, and could have afforded no explanation whatever, even if his thoughts had been entirely disengaged, they contented themselves with coughing very dubiously, and looking very grave. The tall postilion then delivered another letter, in which Nicholas Tulrumble informed the corporation, that he intended repairing to the town-hall, in grand state and gorgeous procession, on the Monday afternoon then next ensuing. At this, the corporation looked still more solemn; but, as the epistle wound up with a formal invitation to the whole body to dine with the Mayor on that day, at Mudfog Hall, Mudfog Hill, Mudfog, they began to see the fun of the thing directly, and sent back their compliments, and they’d be sure to come. Now there happened to be in Mudfog, as somehow or other there does happen to be, in almost every town in the British dominions, and perhaps in foreign dominions too—we think it very likely, but, being no great traveller, cannot distinctly say—there happened to be, in Mudfog a merry-tempered, pleasant-faced, good-for-nothing sort of vagabond, with an invincible dislike to manual labour, and an unconquerable attachment to strong beer and spirits, whom everybody knew, and nobody, except his wife, took the trouble to quarrel with, who inherited from his ancestors the appellation of Edward Twigger, and rejoiced in the sobriquet of Bottle-nosed Ned. He was drunk upon the average once a day, and penitent upon an equally fair calculation once a month; and when he was penitent, he was invariably in the very last stage of maudlin intoxication. He was a ragged, roving, roaring kind of fellow, with a burly form, a sharp wit, and a ready head, and could turn his hand to anything when he chose to do it. He was by no means opposed to hard labour on principle, for he would work away at a cricket-match by the day together,—running, and catching, and batting, and bowling, and revelling in toil which would exhaust a galley-slave. He would have been invaluable to a fire-office; never was a man with such a natural taste for pumping engines, running up ladders, and throwing furniture out of two-pair-of-stairs’ windows: nor was this the only element in which he was at home; he was a humane society in himself, a portable drag, an animated life-preserver, and had saved more people, in his time, from drowning, than the Plymouth life-boat, or Captain Manby’s apparatus. With all these qualifications, notwithstanding his dissipation, Bottle-nosed Ned was a general favourite; and the authorities of Mudfog, remembering his numerous services to the population, allowed him in return to get drunk in his own way, without the fear of stocks, fine, or imprisonment. He had a general licence, and he showed his sense of the compliment by making the most of it. We have been thus particular in describing the character and avocations of Bottle-nosed Ned, because it enables us to introduce a fact politely, without hauling it into the reader’s presence with indecent haste by the head and shoulders, and brings us very naturally to relate, that on the very same evening on which Mr. Nicholas Tulrumble and family returned to Mudfog, Mr. Tulrumble’s new secretary, just imported from London, with a pale face and light whiskers, thrust his head down to the very bottom of his neckcloth-tie, in at the tap-room door of the Lighterman’s Arms, and enquiring whether one Ned Twigger was luxuriating within, announced himself as the bearer of a message from Nicholas Tulrumble, Esquire, requiring Mr. Twigger’s immediate attendance at the hall, on private and particular business. It being by no means Mr. Twigger’s interest to affront the Mayor, he rose from the fire-place with a slight sigh, and followed the light-whiskered secretary through the dirt and wet of Mudfog streets, up to Mudfog Hall, without further ado. Mr. Nicholas Tulrumble was seated in a small cavern with a skylight, which he called his library, sketching out a plan of the procession on a large sheet of paper; and into the cavern the secretary ushered Ned Twigger. “Well, Twigger!” said Nicholas Tulrumble, condescendingly. There was a time when Twigger would have replied, “Well, Nick!” but that was in the days of the truck, and a couple of years before the donkey; so, he only bowed. “I want you to go into training, Twigger,” said Mr. Tulrumble. “What for, sir?” enquired Ned, with a stare. “Hush, hush, Twigger!” said the Mayor. “Shut the door, Mr. Jennings. Look here, Twigger.” As the Mayor said this, he unlocked a high closet, and disclosed a complete suit of brass armour, of gigantic dimensions. “I want you to wear this, next Monday, Twigger,” said the Mayor. “Bless your heart and soul, sir!” replied Ned, “you might as well ask me to wear a seventy-four pounder, or a cast-iron boiler.” “Nonsense, Twigger! nonsense!” said the Mayor. “I couldn’t stand under it, sir,” said Twigger; “it would make mashed potatoes of me, if I attempted it.” “Pooh, pooh, Twigger!” returned the Mayor. “I tell you I have seen it done with my own eyes, in London, and the man wasn’t half such a man as you are, either.” “I should as soon have thought of a man’s wearing the case of an eight-day clock to save his linen,” said Twigger, casting a look of apprehension at the brass suit. “It’s the easiest thing in the world,” rejoined the Mayor. “It’s nothing,” said Mr. Jennings. “When you’re used to it,” added Ned. “You do it by degrees,” said the Mayor. “You would begin with one piece to-morrow, and two the next day, and so on, till you had got it all on. Mr. Jennings, give Twigger a glass of rum. Just try the breast-plate, Twigger. Stay; take another glass of rum first. Help me to lift it, Mr. Jennings. Stand firm, Twigger! There!—it isn’t half as heavy as it looks, is it?” Twigger was a good strong, stout fellow; so, after a great deal of staggering, he managed to keep himself up, under the breast-plate, and even contrived, with the aid of another glass of rum, to walk about in it, and the gauntlets into the bargain. He made a trial of the helmet, but was not equally successful, inasmuch as he tipped over instantly,—an accident which Mr. Tulrumble clearly demonstrated to be occasioned by his not having a counteracting weight of brass on his legs. “Now, wear that with grace and propriety on Monday next,” said Tulrumble, “and I’ll make your fortune.” “I’ll try what I can do, sir,” said Twigger. “It must be kept a profound secret,” said Tulrumble. “Of course, sir,” replied Twigger. “And you must be sober,” said Tulrumble; “perfectly sober.” Mr. Twigger at once solemnly pledged himself to be as sober as a judge, and Nicholas Tulrumble was satisfied, although, had we been Nicholas, we should certainly have exacted some promise of a more specific nature; inasmuch as, having attended the Mudfog assizes in the evening more than once, we can solemnly testify to having seen judges with very strong symptoms of dinner under their wigs. However, that’s neither here nor there. The next day, and the day following, and the day after that, Ned Twigger was securely locked up in the small cavern with the skylight, hard at work at the armour. With every additional piece he could manage to stand upright in, he had an additional glass of rum; and at last, after many partial suffocations, he contrived to get on the whole suit, and to stagger up and down the room in it, like an intoxicated effigy from Westminster Abbey. Never was man so delighted as Nicholas Tulrumble; never was woman so charmed as Nicholas Tulrumble’s wife. Here was a sight for the common people of Mudfog! A live man in brass armour! Why, they would go wild with wonder! The day—the Monday—arrived. If the morning had been made to order, it couldn’t have been better adapted to the purpose. They never showed a better fog in London on Lord Mayor’s day, than enwrapped the town of Mudfog on that eventful occasion. It had risen slowly and surely from the green and stagnant water with the first light of morning, until it reached a little above the lamp-post tops; and there it had stopped, with a sleepy, sluggish obstinacy, which bade defiance to the sun, who had got up very blood-shot about the eyes, as if he had been at a drinking-party over night, and was doing his day’s work with the worst possible grace. The thick damp mist hung over the town like a huge gauze curtain. All was dim and dismal. The church-steeples had bidden a temporary adieu to the world below; and every object of lesser importance—houses, barns, hedges, trees, and barges—had all taken the veil. The church-clock struck one. A cracked trumpet from the front-garden of Mudfog Hall produced a feeble flourish, as if some asthmatic person had coughed into it accidentally; the gate flew open, and out came a gentleman, on a moist-sugar coloured charger, intended to represent a herald, but bearing a much stronger resemblance to a court-card on horseback. This was one of the Circus people, who always came down to Mudfog at that time of the year, and who had been engaged by Nicholas Tulrumble expressly for the occasion. There was the horse, whisking his tail about, balancing himself on his hind-legs, and flourishing away with his fore-feet, in a manner which would have gone to the hearts and souls of any reasonable crowd. But a Mudfog crowd never was a reasonable one, and in all probability never will be. Instead of scattering the very fog with their shouts, as they ought most indubitably to have done, and were fully intended to do, by Nicholas Tulrumble, they no sooner recognised the herald, than they began to growl forth the most unqualified disapprobation at the bare notion of his riding like any other man. If he had come out on his head indeed, or jumping through a hoop, or flying through a red-hot drum, or even standing on one leg with his other foot in his mouth, they might have had something to say to him; but for a professional gentleman to sit astride in the saddle, with his feet in the stirrups, was rather too good a joke. So, the herald was a decided failure, and the crowd hooted with great energy, as he pranced ingloriously away. On the procession came. We are afraid to say how many supernumeraries there were, in striped shirts and black velvet caps, to imitate the London watermen, or how many base imitations of running-footmen, or how many banners, which, owing to the heaviness of the atmosphere, could by no means be prevailed on to display their inscriptions: still less do we feel disposed to relate how the men who played the wind instruments, looking up into the sky (we mean the fog) with musical fervour, walked through pools of water and hillocks of mud, till they covered the powdered heads of the running-footmen aforesaid with splashes, that looked curious, but not ornamental; or how the barrel-organ performer put on the wrong stop, and played one tune while the band played another; or how the horses, being used to the arena, and not to the streets, would stand still and dance, instead of going on and prancing;—all of which are matters which might be dilated upon to great advantage, but which we have not the least intention of dilating upon, notwithstanding. Oh! it was a grand and beautiful sight to behold the corporation in glass coaches, provided at the sole cost and charge of Nicholas Tulrumble, coming rolling along, like a funeral out of mourning, and to watch the attempts the corporation made to look great and solemn, when Nicholas Tulrumble himself, in the four-wheel chaise, with the tall postilion, rolled out after them, with Mr. Jennings on one side to look like the chaplain, and a supernumerary on the other, with an old life-guardsman’s sabre, to imitate the sword-bearer; and to see the tears rolling down the faces of the mob as they screamed with merriment. This was beautiful! and so was the appearance of Mrs. Tulrumble and son, as they bowed with grave dignity out of their coach-window to all the dirty faces that were laughing around them: but it is not even with this that we have to do, but with the sudden stopping of the procession at another blast of the trumpet, whereat, and whereupon, a profound silence ensued, and all eyes were turned towards Mudfog Hall, in the confident anticipation of some new wonder. “They won’t laugh now, Mr. Jennings,” said Nicholas Tulrumble. “I think not, sir,” said Mr. Jennings. “See how eager they look,” said Nicholas Tulrumble. “Aha! the laugh will be on our side now; eh, Mr. Jennings?” “No doubt of that, sir,” replied Mr. Jennings; and Nicholas Tulrumble, in a state of pleasurable excitement, stood up in the four-wheel chaise, and telegraphed gratification to the Mayoress behind. While all this was going forward, Ned Twigger had descended into the kitchen of Mudfog Hall for the purpose of indulging the servants with a private view of the curiosity that was to burst upon the town; and, somehow or other, the footman was so companionable, and the housemaid so kind, and the cook so friendly, that he could not resist the offer of the first-mentioned to sit down and take something—just to drink success to master in. So, down Ned Twigger sat himself in his brass livery on the top of the kitchen-table; and in a mug of something strong, paid for the by unconscious Nicholas Tulrumble, and provided by the companionable footman, drank success to the Mayor and his procession; and, as Ned laid by his helmet to imbibe the something strong, the companionable footman put it on his own head, to the immeasurable and unrecordable delight of the cook and housemaid. The companionable footman was very facetious to Ned, and Ned was very gallant to the cook and housemaid by turns. They were all very cosy and comfortable; and the something strong went briskly round. At last Ned Twigger was loudly called for, by the procession people: and, having had his helmet fixed on, in a very complicated manner, by the companionable footman, and the kind housemaid, and the friendly cook, he walked gravely forth, and appeared before the multitude. The crowd roared—it was not with wonder, it was not with surprise; it was most decidedly and unquestionably with laughter. “What!” said Mr. Tulrumble, starting up in the four-wheel chaise. “Laughing? If they laugh at a man in real brass armour, they’d laugh when their own fathers were dying. Why doesn’t he go into his place, Mr. Jennings? What’s he rolling down towards us for?—he has no business here!” “I am afraid, sir —” faltered Mr. Jennings. “Afraid of what, sir?” said Nicholas Tulrumble, looking up into the secretary’s face. “I am afraid he’s drunk, sir;” replied Mr. Jennings. Nicholas Tulrumble took one look at the extraordinary figure that was bearing down upon them; and then, clasping his secretary by the arm, uttered an audible groan in anguish of spirit. It is a melancholy fact that Mr. Twigger having full licence to demand a single glass of rum on the putting on of every piece of the armour, got, by some means or other, rather out in his calculation in the hurry and confusion of preparation, and drank about four glasses to a piece instead of one, not to mention the something strong which went on the top of it. Whether the brass armour checked the natural flow of perspiration, and thus prevented the spirit from evaporating, we are not scientific enough to know; but, whatever the cause was, Mr. Twigger no sooner found himself outside the gate of Mudfog Hall, than he also found himself in a very considerable state of intoxication; and hence his extraordinary style of progressing. This was bad enough, but, as if fate and fortune had conspired against Nicholas Tulrumble, Mr. Twigger, not having been penitent for a good calendar month, took it into his head to be most especially and particularly sentimental, just when his repentance could have been most conveniently dispensed with. Immense tears were rolling down his cheeks, and he was vainly endeavouring to conceal his grief by applying to his eyes a blue cotton pocket-handkerchief with white spots,— an article not strictly in keeping with a suit of armour some three hundred years old, or thereabouts. “Twigger, you villain!” said Nicholas Tulrumble, quite forgetting his dignity, “go back!” “Never,” said Ned. “I’m a miserable wretch. I’ll never leave you.” The by-standers of course received this declaration with acclamations of “That’s right, Ned; don’t!” “I don’t intend it,” said Ned, with all the obstinacy of a very tipsy man. “I’m very unhappy. I’m the wretched father of an unfortunate family; but I am very faithful, sir. I’ll never leave you.” Having reiterated this obliging promise, Ned proceeded in broken words to harangue the crowd upon the number of years he had lived in Mudfog, the excessive respectability of his character, and other topics of the like nature. “Here! will anybody lead him away?” said Nicholas: “if they’ll call on me afterwards, I’ll reward them well.” Two or three men stepped forward, with the view of bearing Ned off, when the secretary interposed. “Take care! take care!” said Mr. Jennings. “I beg your pardon, sir; but they’d better not go too near him, because, if he falls over, he’ll certainly crush somebody.” At this hint the crowd retired on all sides to a very respectful distance, and left Ned, like the Duke of Devonshire, in a little circle of his own. “But, Mr. Jennings,” said Nicholas Tulrumble, “he’ll be suffocated.” “I’m very sorry for it, sir,” replied Mr. Jennings; “but nobody can get that armour off, without his own assistance. I’m quite certain of it, from the way he put it on.” Here Ned wept dolefully, and shook his helmeted head, in a manner that might have touched a heart of stone; but the crowd had not hearts of stone, and they laughed heartily. “Dear me, Mr. Jennings,” said Nicholas, turning pale at the possibility of Ned’s being smothered in his antique costume—“Dear me, Mr. Jennings, can nothing be done with him?” “Nothing at all,” replied Ned, “nothing at all. Gentlemen, I’m an unhappy wretch. I’m a body, gentlemen, in a brass coffin.” At this poetical idea of his own conjuring up, Ned cried so much that the people began to get sympathetic, and to ask what Nicholas Tulrumble meant by putting a man into such a machine as that; and one individual in a hairy waistcoat like the top of a trunk, who had previously expressed his opinion that if Ned hadn’t been a poor man, Nicholas wouldn’t have dared to do it, hinted at the propriety of breaking the four-wheel chaise, or Nicholas’s head, or both, which last compound proposition the crowd seemed to consider a very good notion. It was not acted upon, however, for it had hardly been broached, when Ned Twigger’s wife made her appearance abruptly in the little circle before noticed, and Ned no sooner caught a glimpse of her face and form, than from the mere force of habit he set off towards his home just as fast as his legs would carry him; and that was not very quick in the present instance either, for, however ready they might have been to carry ''him'', they couldn’t get on very well under the brass armour. So, Mrs. Twigger had plenty of time to denounce Nicholas Tulrumble to his face: to express her opinion that he was a decided monster; and to intimate that, if her ill-used husband sustained any personal damage from the brass armour, she would have the law of Nicholas Tulrumble for manslaughter. When she had said all this with due vehemence, she posted after Ned, who was dragging himself along as best he could, and deploring his unhappiness in most dismal tones. What a wailing and screaming Ned’s children raised when he got home at last! Mrs. Twigger tried to undo the armour, first in one place, and then in another, but she couldn’t manage it; so she tumbled Ned into bed, helmet, armour, gauntlets, and all. Such a creaking as the bedstead made, under Ned’s weight in his new suit! It didn’t break down though; and there Ned lay, like the anonymous vessel in the Bay of Biscay, till next day, drinking barley-water, and looking miserable: and every time he groaned, his good lady said it served him right, which was all the consolation Ned Twigger got. Nicholas Tulrumble and the gorgeous procession went on together to the town-hall, amid the hisses and groans of all the spectators, who had suddenly taken it into their heads to consider poor Ned a martyr. Nicholas was formally installed in his new office, in acknowledgment of which ceremony he delivered himself of a speech, composed by the secretary, which was very long, and no doubt very good, only the noise of the people outside prevented anybody from hearing it, but Nicholas Tulrumble himself. After which, the procession got back to Mudfog Hall any how it could; and Nicholas and the corporation sat down to dinner. But the dinner was flat, and Nicholas was disappointed. They were such dull sleepy old fellows, that corporation. Nicholas made quite as long speeches as the Lord Mayor of London had done, nay, he said the very same things that the Lord Mayor of London had said, and the deuce a cheer the corporation gave him. There was only one man in the party who was thoroughly awake; and he was insolent, and called him Nick. Nick! What would be the consequence, thought Nicholas, of anybody presuming to call the Lord Mayor of London “Nick!” He should like to know what the sword-bearer would say to that; or the recorder, or the toast-master, or any other of the great officers of the city. They’d nick him. But these were not the worst of Nicholas Tulrumble’s doings; If they had been, he might have remained a Mayor to this day, and have talked till he lost his voice. He contracted a relish for statistics, and got philosophical; and the statistics and the philosophy together, led him into an act which increased his unpopularity and hastened his downfall. At the very end of the Mudfog High-street, and abutting on the river-side, stands the Jolly Boatmen, an old-fashioned, low-roofed, bay-windowed house, with a bar, kitchen, and tap-room all in one, and a large fire-place with a kettle to correspond, round which the working men have congregated time out of mind on a winter’s night, refreshed by draughts of good strong beer, and cheered by the sounds of a fiddle and tambourine: the Jolly Boatmen having been duly licensed by the Mayor and corporation, to scrape the fiddle and thumb the tambourine from time, whereof the memory of the oldest inhabitants goeth not to the contrary. Now Nicholas Tulrumble had been reading pamphlets on crime, and parliamentary reports,— or had made the secretary read them to him, which is the same thing in effect,—and he at once perceived that this fiddle and tambourine must have done more to demoralize Mudfog, than any other operating causes that ingenuity could imagine. So he read up for the subject, and determined to come out on the corporation with a burst, the very next time the licence was applied for. The licensing day came, and the red-faced landlord of the Jolly Boatmen, walked into the town-hall, looking as jolly as need be, having actually put on an extra fiddle for that night, to commemorate the anniversary of the Jolly Boatmen’s music licence. It was applied for in due form, and was just about to be granted as a matter of course, when up rose Nicholas Tulrumble, and drowned the astonished corporation in a torrent of eloquence. He descanted in glowing terms upon the increasing depravity of his native town of Mudfog, and the excesses committed by its population. Then, he related how shocked he had been, to see barrels of beer sliding down into the cellar of the Jolly Boatmen week after week; and how he had sat at a window opposite the Jolly Boatmen for two days together, to count the people who went in for beer between the hours of twelve and one o’clock alone—which, by-the-bye, was the time at which the great majority of the Mudfog people dined. Then, he went on to state, how the number of people who came out with beer-jugs, averaged twenty-one in five minutes, which, being multiplied by twelve, gave two hundred and fifty-two people with beer-jugs in an hour, and multiplied again by fifteen (the number of hours during which the house was open daily) yielded three thousand seven hundred and eighty people with beer-jugs per day, or twenty-six thousand four hundred and sixty people with beer-jugs, per week. Then he proceeded to show that a tambourine and moral degradation were synonymous terms, and a fiddle and vicious propensities wholly inseparable. All these arguments he strengthened and demonstrated by frequent references to a large book with a blue cover, and sundry quotations from the Middlesex magistrates; and in the end, the corporation, who were posed with the figures, and sleepy with the speech, and sadly in want of dinner into the bargain, yielded the palm to Nicholas Tulrumble, and refused the music licence to the Jolly Boatmen. But although Nicholas triumphed, his triumph was short. He carried on the war against beer-jugs and fiddles, forgetting the time when he was glad to drink out of the one, and to dance to the other, till the people hated, and his old friends shunned him. He grew tired of the lonely magnificence of Mudfog Hall, and his heart yearned towards the Lighterman’s Arms. He wished he had never set up as a public man, and sighed for the good old times of the coal-shop, and the chimney-corner. At length old Nicholas, being thoroughly miserable, took heart of grace, paid the secretary a quarter’s wages in advance, and packed him off to London by the next coach. Having taken this step, he put his hat on his head, and his pride in his pocket, and walked down to the old room at the Lighterman’s Arms. There were only two of the old fellows there, and they looked coldly on Nicholas as he proffered his hand. “Are you going to put down pipes, Mr. Tulrumble?” said one. “Or trace the progress of crime to ’baccer?” growled the other. “Neither,” replied Nicholas Tulrumble, shaking hands with them both, whether they would or not. “I’ve come down to say that I’m very sorry for having made a fool of myself, and that I hope you’ll give me up, the old chair, again.” The old fellows opened their eyes, and three or four more old fellows opened the door, to whom Nicholas, with tears in his eyes, thrust out his hand too, and told the same story. They raised a shout of joy, that made the bells in the ancient church-tower vibrate again, and wheeling the old chair into the warm corner, thrust old Nicholas down into it, and ordered in the very largest-sized bowl of hot punch, with an unlimited number of pipes, directly. The next day, the Jolly Boatmen got the licence, and the next night, old Nicholas and Ned Twigger’s wife led off a dance to the music of the fiddle and tambourine, the tone of which seemed mightily improved by a little rest, for they never had played so merrily before. Ned Twigger was in the very height of his glory, and he danced hornpipes, and balanced chairs on his chin, and straws on his nose, till the whole company, including the corporation, were in raptures of admiration at the brilliancy of his acquirements. Mr. Tulrumble, junior, couldn’t make up his mind to be anything but magnificent, so he went up to London and drew bills on his father; and when he had overdrawn, and got into debt, he grew penitent and came home again. As to old Nicholas, he kept his word, and having had six weeks of public life, never tried it any more. He went to sleep in the town-hall at the very next meeting; and, in full proof of his sincerity, has requested us to write this faithful narrative. We wish it could have the effect of reminding the Tulrumbles of another sphere, that puffed-up conceit is not dignity, and that snarling at the little pleasures they were once glad to enjoy, because they would rather forget the times when they were of lower station, renders them objects of contempt and ridicule. This is the first time we have published any of our gleanings from this particular source. Perhaps, at some future period, we may venture to open the chronicles of Mudfog. </div> https://www.dickenssearch.com/files/original/5/Full_Report_of_the_First_Meeting_of_the_Mudfog_Association_for_the_Advancement_of_Everything/1837-10-Full_Report_First_Meeting_Mudfog_Asso.pdf e0496df100b27e02f244ee90e7ae2c8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Bentley's Miscellany Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18371001 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. We have made the most unparalleled and extraordinary exertions to place before our readers a complete and accurate account of the proceedings at the late grand meeting of the Mudfog Association, holden in the town of Mudfog; it affords us great happiness to lay the result before them, in the shape of various communications received from our able, talented, and graphic correspondent, expressly sent down for the purpose, who has immortalised us, himself, Mudfog, and the association, all at one and the same time. We have been, indeed, for some days unable to determine who will transmit the greatest name to posterity; ourselves, who sent our correspondent down; our correspondent, who wrote an account of the matter; or the association, who gave our correspondent something to write about. We rather incline to the opinion that we are the greatest man of the party, inasmuch as the notion of an exclusive and authentic report originated with us; this may be prejudice: it may arise from a prepossession on our part in our own favour. Be it so. We have no doubt that every gentleman concerned in this mighty assemblage is troubled with the same complaint in a greater or less degree; and it is a consolation to us to know that we have at least this feeling in common with the great scientific stars, the brilliant and extraordinary luminaries, whose speculations we record. We give our correspondent's letters in the order in which they reached us. Any attempt at amalgamating them into one beautiful whole, would only destroy that glowing tone, that dash of wildness, and rich vein of picturesque interest, which pervade them throughout. "Mudfog, Monday night, seven o'clock. "We are in a state of great excitement here. Nothing is spoken of, but the approaching meeting of the association. The inn-doors are thronged with waiters anxiously looking for the expected arrivals; and the numerous bills which are wafered up in the windows of private houses, intimating that there are beds to let within, give the streets a very animated and cheerful appearance, the wafers being of a great variety of colours, and the monotony of printed inscriptions being relieved by every possible size and style of hand-writing. It is confidently rumoured that Professors Snore, Doze, and Wheezy have engaged three beds and a sitting-room at the Pig and Tinder-box. I give you the rumour as it has reached me; but I cannot, as yet, vouch for its accuracy. The moment I have been enabled to obtain any certain information upon this interesting point, you may depend upon receiving it.' "Half-past seven. "I have just returned from a personal interview with the landlord of the Pig and Tinder-box. He speaks confidently of the probability of Professors Snore, Doze, and Wheezy taking up their residence at his house during the sitting of the association, but denies that the beds have been yet engaged; in which representation he is confirmed by the chambermaid,—a girl of artless manners, and interesting appearance. The boots denies that it is at all likely that Professors Snore, Doze, and Wheezy will put up here; but I have reason to believe that this man has been suborned by the proprietor of the Original Pig, which is the opposition hotel. Amidst such conflicting testimony it is difficult to arrive at the real truth; but you may depend upon receiving authentic information upon this point the moment the fact is ascertained. The excitement still continues. A boy fell through the window of the pastrycook's shop at the corner of the High-street about half an hour ago, which has occasioned much confusion. The general impression is, that it was an accident. Pray heaven it may prove so!' "Tuesday, noon. "At an early hour this morning the bells of all the churches struck seven o'clock; the effect of which, in the present lively state of the town, was extremely singular. While I was at breakfast, a yellow gig, drawn by a dark grey horse, with a patch of white over his right eyelid, proceeded at a rapid pace in the direction of the Original Pig stables; it is currently reported that this gentleman has arrived here for the purpose of attending the association, and, from what I have heard, I consider it extremely probable, although nothing decisive is yet known regarding him. You may conceive the anxiety with which we are all looking forward to the arrival of the four o'clock coach this afternoon. "Notwithstanding the excited state of the populace, no outrage has yet been committed, owing to the admirable discipline and discretion of the police, who are nowhere to be seen. A barrel-organ is playing opposite my window, and groups of people, offering fish and vegetables for sale, parade the streets. With these exceptions everything is quiet, and I trust will continue so." "Five o'clock. "It is now ascertained beyond all doubt that Professors Snore, Doze, and Wheezy will not repair to the Pig and Tinder-box, but have actually engaged apartments at the Original Pig. This intelligence is exclusive; and I leave you and your readers to draw their own inferences from it. Why Professor Wheezy, of all people in the world, should repair to the Original Pig in preference to the Pig and Tinder-box, it is not easy to conceive. The professor is a man who should be above all such petty feelings. Some people here, openly impute treachery and a distinct breach of faith to Professors Snore and Doze; while others, again, are disposed to acquit them of any culpability in the transaction, and to insinuate that the blame rests solely with Professor Wheezy. I own that I incline to the latter opinion; and although it gives me great pain to speak in terms of censure or disapprobation of a man of such transcendent genius and acquirements, still I am bound to say, that if my suspicions be well founded, and if all the reports which have reached my ears be true, I really do not well know what to make of the matter. "Mr. Slug, so celebrated for his statistical researches, arrived this afternoon by the four o'clock stage. His complexion is a dark purple, and he has a habit of sighing constantly. He looked extremely well, and appeared in high health and spirits. Mr. Woodensconce also came down in the same conveyance. The distinguished gentleman was fast asleep on his arrival, and I am informed by the guard that he had been so, the whole way. He was, no doubt, preparing for his approaching fatigues; but what gigantic visions must those be, that flit through the brain of such a man, when his body is in a state of torpidity! "The influx of visitors increases every moment. I am told (I know not how truly) that two post-chaises have arrived at the Original Pig within the last half-hour; and I myself observed a wheelbarrow, containing three carpet bags and a bundle, entering the yard of the Pig and Tinder-box no longer ago than five minutes since. The people are still quietly pursuing their ordinary occupations; but there is a wildness in their eyes, and an unwonted rigidity in the muscles of their countenances, which shows to the observant spectator that their expectations are strained to the very utmost pitch. I fear, unless some very extraordinary arrivals take place to-night, that consequences may arise from this popular ferment, which every man of sense and feeling would deplore." "Twenty minutes past six. "I have just heard that the boy who fell through the pastrycook's window last night, has died of the fright. He was suddenly called upon to pay three and sixpence for the damage done, and his constitution, it seems, was not strong enough to bear up against the shock. The inquest, it is said, will be held to-morrow." "Three-quarters part seven. "Professors Muff and Nogo have just driven up to the hotel door; they at once ordered dinner with great condescension. We are all very much delighted with the urbanity of their manners, and the ease with which they adapt themselves to the forms and ceremonies of ordinary life. Immediately on their arrival they sent for the head-waiter, and privately requested him to purchase a live dog,—as cheap a one as he could meet with,—and to send him up after dinner, with a pie-board, a knife and fork, and a clean plate. It is conjectured that some experiments will be tried upon the dog to-night; if any particulars should transpire, I will forward them by express." "Half-past eight. "The animal has been procured. He is a pug-dog, of rather intelligent appearance, in good condition, and with very short legs. He has been tied to a curtain-peg in a dark room, and is howling dreadfully." "Ten minutes to nine. "The dog has just been rung for. With an instinct which would appear almost the result of reason, the sagacious animal seized the waiter by the calf of the leg when he approached to take him, and made a desperate, though ineffectual resistance. I have not been able to procure admission to the apartment occupied by the scientific gentlemen; but, judging from the sounds which reached my ears when I stood upon the landing-place outside the door, just now, I should be disposed to say that the dog had retreated growling beneath some article of furniture, and was keeping the professors at bay. This conjecture is confirmed by the testimony of the ostler, who, after peeping through the keyhole, assures me that he distinctly saw Professor Nogo on his knees, holding forth a small bottle of prussic acid, to which the animal, who was crouched beneath an arm-chair, obstinately declined to smell. You cannot imagine the feverish state of irritation we are in, lest the interests of science should be sacrificed to the prejudices of a brute creature, who is not endowed with sufficient sense to foresee the incalculable benefits which the whole human race may derive from so very slight a concession on his part." "Nine o'clock. "The dog's tail and ears have been sent down stairs to be washed; from which circumstance we infer that the animal is no more. His forelegs have been delivered to the boots to be brushed, which strengthens the supposition." "Half after ten. "My feelings are so overpowered by what has taken place in the course of the last hour and a half, that I have scarcely strength to detail the rapid succession of events which have quite bewildered all those who are cognizant of their occurrence. It appears that the pug-dog mentioned in my last was surreptitiously obtained,⁠—stolen, in fact,⁠—by some person attached to the stable department, from an unmarried lady resident in this town. Frantic on discovering the loss of her favourite, the lady rushed distractedly into the street, calling in the most heart-rending and pathetic manner upon the passengers to restore her, her Augustus,⁠—for so the deceased was named, in affectionate remembrance of a former lover of his mistress, to whom he bore a striking personal resemblance, which renders the circumstances additionally affecting. I am not yet in a condition to inform you what circumstance induced the bereaved lady to direct her steps to the hotel which had witnessed the last struggles of her protegé. I can only state that she arrived there, at the very instant when his detached members were passing through the passage on a small tray. Her shrieks still reverberate in my ears! I grieve to say that the expressive features of Professor Muff were much scratched and lacerated by the injured lady; and that Professor Nogo, besides sustaining several severe bites, has lost some handfuls of hair from the same cause. It must be some consolation to these gentlemen to know that their ardent attachment to scientific pursuits has alone occasioned these unpleasant consequences; for which the sympathy of a grateful country will sufficiently reward them. The unfortunate lady remains at the Pig and Tinder-box, and up to this time is reported in a very precarious state. "I need scarcely tell you that this unlooked-for catastrophe has cast a damp and gloom upon us in the midst of our exhilaration; natural in any case, but greatly enhanced in this, by the amiable qualities of the deceased animal, who appears to have been much and deservedly respected by the whole of his acquaintance.' "Twelve o'clock. "I take the last opportunity before sealing my parcel to inform you that the boy who fell through the pastrycook's window is not dead, as was universally believed, but alive and well. The report appears to have had its origin in his mysterious disappearance. He was found half an hour since on the premises of a sweet-stuff maker, where a raffle had been announced for a second-hand seal-skin cap and a tambourine; and where⁠—a sufficient number of members not having been obtained at first⁠—he had patiently waited until the list was completed. This fortunate discovery has in some degree restored our gaiety and cheerfulness. It is proposed to get up a subscription for him without delay. "Everybody is nervously anxious to see what to-morrow will bring forth. If any one should arrive in the course of the night, I have left strict directions to be called immediately. I should have sat up, indeed, but the agitating events of this day have been too much for me. "No news yet of either of the Professors Snore, Doze, or Wheezy. It is very strange!" "Wednesday afternoon. "All is now over; and, upon one point at least, I am at length enabled to set the minds of your readers at rest. The three professors arrived at ten minutes after two o'clock, and, instead of taking up their quarters at the Original Pig, as it was universally understood in the course of yesterday that they would assuredly have done, drove straight to the Pig and Tinder-box, where they threw off the mask at once, and openly announced their intention of remaining. Professor Wheezy may reconcile this very extraordinary conduct with his notions of fair and equitable dealing, but I would recommend Professor Wheezy to be cautious how he presumes too far upon his well-earned reputation. How such a man as Professor Snore, or, which is still more extraordinary, such an individual as Professor Doze, can quietly allow himself to be mixed up with such proceedings as these, you will naturally inquire. Upon this head, rumour is silent; I have my speculations, but forbear to give utterance to them just now." "Four o'clock. "The town is filling fast; eighteenpence has been offered for a bed, and refused. Several gentlemen were under the necessity last night of sleeping in the brick-fields, and on the steps of doors, for which they were taken before the magistrates in a body this morning, and committed to prison as vagrants for various terms. One of these persons I understand to be a highly-respectable tinker, of great practical skill, who had forwarded a paper to the President of Section D. Mechanical Science, on the construction of pipkins with copper bottoms and safety-values, of which report speaks highly. The incarceration of this gentleman is greatly to be regretted, as his absence will preclude any discussion on the subject. "The bills are being taken down in all directions, and lodgings are being secured on almost any terms. I have heard of fifteen shillings a week for two rooms, exclusive of coals and attendance, but I can scarcely believe it. The excitement is dreadful. I was informed this morning that the civil authorities, apprehensive of some outbreak of popular feeling, had commanded a recruiting sergeant and two corporals to be under arms; and that, with the view of not irritating the people unnecessarily by their presence, they had been requested to take up their position before daybreak in a turnpike, distant about a quarter of a mile from the town. The vigour and promptness of these measures cannot be too highly extolled. "Intelligence has just been brought me, that an elderly female, in a state of inebriety, has declared in the open street her intention to 'do' for Mr. Slug. Some statistical returns compiled by that gentleman, relative to the consumption of raw spirituous liquors in this place, are supposed to be the cause of the wretch's animosity. It is added that this declaration was loudly cheered by a crowd of persons who had assembled on the spot; and that one man had the boldness to designate Mr. Slug aloud by the opprobrious epithet of 'Stick-in-the-mud!' It is earnestly to be hoped that now, when the moment has arrived for their interference, the magistrates will not shrink from the exercise of that power which is vested in them by the constitution of our common country." "Half-past ten. "The disturbance, I am happy to inform you, has been completely quelled, and the ringleader taken into custody. She had a pail of cold water thrown over her, previous to being locked up, and expresses great contrition and uneasiness. We are all in a fever of anticipation about to-morrow; but, now that we are within a few hours of the meeting of the association, and at last enjoy the proud consciousness of having its illustrious members amongst us, I trust and hope everything may go off peaceably. I shall send you a full report of to-morrow's proceedings by the night coach.' "Eleven o'clock. "I open my letter to say that nothing whatever has occurred since I folded it up." "Thursday. "The sun rose this morning at the usual hour. I did not observe anything particular in the aspect of the glorious planet, except that he appeared to me (it might have been a delusion of my heightened fancy) to shine with more than common brilliancy, and to shed a refulgent lustre upon the town, such as I had never observed before. This is the more extraordinary, as the sky was perfectly cloudless, and the atmosphere peculiarly fine. At half-past nine o'clock the general committee assembled, with the last year's president in the chair. The report of the council was read; and one passage, which stated that the council had corresponded with no less than three thousand five hundred and seventy-one persons, (all of whom paid their own postage,) on no fewer than seven thousand two hundred and forty-three topics, was received with a degree of enthusiasm which no efforts could suppress. The various committees and sections having been appointed, and the more formal business transacted, the great proceedings of the meeting commenced at eleven o'clock precisely. I had the happiness of occupying a most eligible position at that time, in "SECTION A.⁠—ZOOLOGY AND BOTANY. "GREAT ROOM, PIG AND TINDER-BOX. "PRESIDENT—PROFESSOR SNORE. VICE-PRESIDENTS⁠—PROFESSORS DOZE AND WHEEZY. "The scene at this moment was particularly striking. The sun streamed through the windows of the apartments, and tinted the whole scene with its brilliant rays, bringing out in strong relief the noble visages of the professors and scientific gentlemen, who, some with bald heads, some with red heads, some with brown heads, some with grey heads, some with black heads, some with block heads, presented a coup-d'oeil which no eye-witness will readily forget. In front of these gentlemen were papers and inkstands; and round the room, on elevated benches extending as far as the forms could reach, were assembled a brilliant concourse of those lovely and elegant women for which Mudfog is justly acknowledged to be without a rival in the whole world. The contrast between their fair faces and the dark coats and trousers of the scientific gentlemen I shall never cease to remember while Memory holds her seat. "Time having been allowed for a slight confusion, occasioned by the falling down of the greater part of the platforms, to subside, the president called on one of the secretaries to read a communication entitled, 'Some remarks on the industrious fleas, with considerations on the importance of establishing infant schools among that numerous class of society; of directing their industry to useful and practical ends; and of applying the surplus fruits thereof, towards providing for them a comfortable and respectable maintenance in their old age.' "The Author stated, that, having long turned his attention to the moral and social condition of these interesting animals, he had been induced to visit an exhibition in Regent-street, London, commonly known by the designation of 'The Industrious Fleas.' He had there seen many fleas, occupied certainly in various pursuits and avocations, but occupied, he was bound to add, in a manner which no man of well-regulated mind could fail to regard with sorrow and regret. One flea, reduced to the level of a beast of burden, was drawing about a miniature gig, containing a particularly small effigy of His Grace the Duke of Wellington; while another was staggering beneath the weight of a golden model of his great adversary Napoleon Bonaparte. Some, brought up as mountebanks and ballet-dancers, were performing a figure-dance (he regretted to observe, that, of the fleas so employed, several were females); others were in training, in a small card-board box, for pedestrians,⁠—mere sporting characters⁠—and two were actually engaged in the cold-blooded and barbarous occupation of duelling; a pursuit from which humanity recoiled with horror and disgust. He suggested that measures should be immediately taken to employ the labour of these fleas as part and parcel of the productive power of the country, which might easily be done by the establishment among them of infant schools and houses of industry, in which a system of virtuous education, based upon sound principles, should be observed, and moral precepts strictly inculcated. He proposed that every flea who presumed to exhibit, for hire, music, or dancing, or any species of theatrical entertainment, without a licence, should be considered a vagabond, and treated accordingly; in which respect he only placed him upon a level with the rest of mankind. He would further suggest that their labour should be placed under the control and regulation of the state, who should set apart from the profits, a fund for the support of superannuated or disabled fleas, their widows and orphans. With this view, he proposed that liberal premiums should be offered for the three best designs for a general almshouse; from which⁠—as insect architecture was well known to be in a very advanced and perfect state⁠—we might possibly derive many valuable hints for the improvement of our metropolitan universities, national galleries, and other public edifices. "THE PRESIDENT wished to be informed how the ingenious gentleman proposed to open a communication with fleas generally, in the first instance, so that they might be thoroughly imbued with a sense of the advantages they must necessarily derive from changing their mode of life, and applying themselves to honest labour. This appeared to him, the only difficulty. "THE AUTHOR submitted that this difficulty was easily overcome, or rather that there was no difficulty at all in the case. Obviously the course to be pursued, if Her Majesty's government could be prevailed upon to take up the plan, would be, to secure at a remunerative salary the individual to whom he had alluded as presiding over the exhibition in Regent-street at the period of his visit. That gentleman would at once be able to put himself in communication with the mass of the fleas, and to instruct them in pursuance of some general plan of education, to be sanctioned by Parliament, until such time as the more intelligent among them were advanced enough to officiate as teachers to the rest. "The President and several members of the section highly complimented the author of the paper last read, on his most ingenious and important treatise. It was determined that the subject should be recommended to the immediate consideration of the council. "MR. WIGSBY produced a cauliflower somewhat larger than a chaise-umbrella, which had been raised by no other artificial means than the simple application of highly carbonated soda-water as manure. He explained that by scooping out the head, which would afford a new and delicious species of nourishment for the poor, a parachute, in principle something similar to that constructed by M. Garnerin, was at once obtained: the stalk of course being kept downwards. He added that he was perfectly willing to make a descent from a height of not less than three miles and a quarter; and had in fact already proposed the same to the proprietors of Vauxhall Gardens, who in the handsomest manner at once consented to his wishes, and appointed an early day next summer for the undertaking; merely stipulating that the rim of the cauliflower should be previously broken in three or four places to ensure the safety of the descent. "THE PRESIDENT congratulated the public on the grand gala in store for them, and warmly eulogised the proprietors of the establishment alluded to, for their love of science, and regard for the safety of human life, both of which did them the highest honour. "A Member wished to know how many thousand additional lamps the royal property would be illuminated with, on the night after the descent. "MR. WIGSBY replied that the point was not yet finally decided; but he believed it was proposed, over and above the ordinary illuminations, to exhibit in various devices eight millions and a half of additional lamps. "The Member expressed himself much gratified with this announcement. "MR. BLUNDERUM delighted the section with a most interesting and valuable paper 'on the last moments of the learned pig,' which produced a very strong impression on the assembly, the account being compiled from the personal recollections of his favourite attendant. The account stated in the most emphatic terms that the animal's name was not Toby, but Solomon; and distinctly proved that he could have no near relatives in the profession, as many designing persons had falsely stated, inasmuch as his father, mother, brothers and sisters, had all fallen victims to the butcher at different times. An uncle of his indeed, had with very great labour been traced to a sty in Somers Town; but as he was in a very infirm state at the time, being afflicted with measles, and shortly afterwards disappeared, there appeared too much reason to conjecture that he had been converted into sausages. The disorder of the learned pig was originally a severe cold, which, being aggravated by excessive trough indulgence, finally settled upon the lungs, and terminated in a general decay of the constitution. A melancholy instance of a presentiment entertained by the animal of his approaching dissolution, was recorded. After gratifying a numerous and fashionable company with his performances, in which no falling-off whatever, was visible, he fixed his eyes on the biographer, and, turning to the watch which lay on the floor, and on which he was accustomed to point out the hour, deliberately passed his snout twice round the dial. In precisely four-and-twenty hours from that time he had ceased to exist! "PROFESSOR WHEEZY inquired whether, previous to his demise, the animal had expressed, by signs or otherwise, any wishes regarding the disposal of his little property. "MR. BLUNDERUM replied, that, when the biographer took up the pack of cards at the conclusion of the performance, the animal grunted several times in a significant manner, and nodding his head as he was accustomed to do, when gratified. From these gestures it was understood that he wished the attendant to keep the cards, which he had ever since done. He had not expressed any wish relative to his watch, which had accordingly been pawned by the same individual. "THE PRESIDENT wished to know whether any Member of the section had ever seen or conversed with the pig-faced lady, who was reported to have worn a black velvet mask, and to have taken her meals from a golden trough. "After some hesitation a Member replied that the pig-faced lady was his mother-in-law, and that he trusted the President would not violate the sanctity of private life. "THE PRESIDENT begged pardon. He had considered the pig-faced lady a public character. Would the honourable member object to state, with a view to the advancement of science, whether she was in any way connected with the learned pig? "The Member replied in the same low tone, that, as the question appeared to involve a suspicion that the learned pig might be his half-brother, he must decline answering it. "SECTION B.⁠—ANATOMY AND MEDICINE. "COACH-HOUSE, PIG AND TINDER-BOX. "PRESIDENT⁠—DR. TOORELL. VICE-PRESIDENTS⁠—PROFESSORS MUFF AND NOGO. "DR. KUTANKUMAGEN (of Moscow) read to the section a report of a case which had occurred within his own practice, strikingly illustrative of the power of medicine, as exemplified in his successful treatment of a virulent disorder. He had been called in to visit the patient on the 1st of April, 1837. He was then labouring under symptoms peculiarly alarming to any medical man. His frame was stout and muscular, his step firm and elastic, his cheeks plump and red, his voice loud, his appetite good, his pulse full and round. He was in the constant habit of eating three meals per diem, and of drinking at least one bottle of wine, and one glass of spirituous liquors diluted with water, in the course of the four-and-twenty hours. He laughed constantly, and in so hearty a manner that it was terrible to hear him. By dint of powerful medicine, low diet, and bleeding, the symptoms in the course of three days perceptibly decreased. A rigid perseverance in the same course of treatment for only one week, accompanied with small doses of water-gruel, weak broth, and barley-water, led to their entire disappearance. In the course of a month he was sufficiently recovered to be carried down stairs by two nurses, and to enjoy an airing in a close carriage, supported by soft pillows. At the present moment he was restored so far as to walk about, with the slight assistance of a crutch and a boy. It would perhaps be gratifying to the section to learn that he ate little, drank little, slept little, and was never heard to laugh by any accident whatever. "DR. W. R. FEE, in complimenting the honourable member upon the triumphant cure he had effected, begged to ask whether the patient still bled freely? "DR. KUTANKUMAGEN replied in the affirmative. "DR. W. R. FEE.—And you found that he bled freely during the whole course of the disorder? "DR. KUTANKUMAGEN.⁠—Oh dear, yes; most freely. "DR. NEESHAWTS supposed, that if the patient had not submitted to be bled with great readiness and perseverance, so extraordinary a cure could never, in fact, have been accomplished. Dr. Kutankumagen rejoined, certainly not. "MR. KNIGHT BELL (M.R.C.S.) exhibited a wax preparation of the interior of a gentleman who in early life had inadvertently swallowed a door-key. It was a curious fact that a medical student of dissipated habits, being present at the post mortem examination, found means to escape unobserved from the room, with that portion of the coats of the stomach upon which an exact model of the instrument was distinctly impressed, with which he hastened to a locksmith of doubtful character, who made a new key from the pattern so shown to him. With this key the medical student entered the house of the deceased gentleman, and committed a burglary to a large amount, for which he was subsequently tried and executed. "THE PRESIDENT wished to know what became of the original key after the lapse of years. Mr. Knight Bell replied that the gentleman was always much accustomed to punch, and it was supposed the acid had gradually devoured it. "DR. NEESHAWTS and several of the members were of opinion that the key must have lain very cold and heavy upon the gentleman's stomach. "MR. KNIGHT BELL believed it did at first. It was worthy of remark, perhaps, that for some years the gentleman was troubled with a night-mare, under the influence of which he always imagined himself a wine-cellar door. "PROFESSOR MUFF related a very extraordinary and convincing proof of the wonderful efficacy of the system of infinitesimal doses, which the section were doubtless aware was based upon the theory that the very minutest amount of any given drug, properly dispersed through the human frame, would be productive of precisely the same result as a very large dose administered in the usual manner. Thus, the fortieth part of a grain of calomel was supposed to be equal to a five-grain calomel pill, and so on in proportion throughout the whole range of medicine. He had tried the experiment in a curious manner upon a publican who had been brought into the hospital with a broken head, and was cured upon the infinitesimal system in the incredibly short space of three months. This man was a hard drinker. He (Professor Muff) had dispersed three drops of rum through a bucket of water, and requested the man to drink the whole. What was the result? Before he had drunk a quart, he was in a state of beastly intoxication; and five other men were made dead drunk with the remainder. "THE PRESIDENT wished to know whether an infinitesimal dose of soda-water would have recovered them? Professor Muff replied that the twenty-fifth part of a tea-spoonful, properly administered to each patient would have sobered him immediately. The President remarked that this was a most important discovery, and he hoped the Lord Mayor and Court of Aldermen would patronise it immediately. "A Member begged to be informed whether it would be possible to administer⁠—say, the twentieth part of a grain of bread and cheese to all grown-up paupers, and the fortieth part to children, with the same satisfying effect as their present allowance. "PROFESSOR MUFF was willing to stake his professional reputation on the perfect adequacy of such a quantity of food to the support of human life⁠—in workhouses; the addition of the fifteenth part of a grain of pudding twice a week would render it a high diet. "PROFESSOR NOGO called the attention of the section to a very extraordinary case of animal magnetism. A private watchman, being merely looked at by the operator from the opposite side of a wide street, was at once observed to be in a very drowsy and languid state. He was followed to his box, and being once slightly rubbed on the palms of the hands, fell into a sound sleep, in which he continued without intermission for ten hours. "SECTION C.⁠—STATISTICS. "HAY-LOFT, ORIGINAL PIG. "PRESIDENT⁠—MR. WOODENSCONCE. VICE-PRESIDENTS⁠—MR. LEDBRAIN AND MR. TIMBERED. "MR. SLUG stated to the section the result of some calculations he had made with great difficulty and labour, regarding the state of infant education among the middle classes of London. He found that, within a circle of three miles from the Elephant and Castle, the following were the names and numbers of children's books principally in circulation:⁠— "Jack the Giant-killer ... 7,943 Ditto and Bean-stalk.. 8,621 Ditto and Eleven Brothers...2,845 Ditto and Jill...1,998 Total..21,407 "He found that the proportion of Robinson Crusoes to Philip Quarlls was as four and a half to one; and that the preponderance of Valentine and Orsons over Goody Two Shoeses was as three and an eighth of the former to half a one of the latter: a comparison of Seven Champions with Simple Simons gave the same result. The ignorance that prevailed, was lamentable. One child, on being asked whether he would rather be Saint George of England or a respectable tallow-chandler, instantly replied, 'Taint George of Ingling.' Another, a little boy of eight years old, was found to be firmly impressed with a belief in the existence of dragons, and openly stated that it was his intention when he grew up, to rush forth sword in hand for the deliverance of captive princesses, and the promiscuous slaughter of giants. Not one child among the number interrogated had ever heard of Mungo Park,⁠—some inquiring whether he was at all connected with the black man that swept the crossing; and others whether he was in any way related to the Regent's Park. They had not the slightest conception of the commonest principles of mathematics, and considered Sindbad the Sailor the most enterprising voyager that the world had ever produced. "A Member strongly deprecating the use of all the other books mentioned, suggested that Jack and Jill might perhaps be exempted from the general censure, inasmuch as the hero and heroine, in the very outset of the tale, were depicted as going up a hill to fetch a pail of water, which was a laborious and useful occupation,⁠—supposing the family linen was being washed, for instance. "MR. SLUG feared that the moral effect of this passage was more than counterbalanced by another in a subsequent part of the poem, in which very gross allusion was made to the mode in which the heroine was personally chastised by her mother "'For laughing at Jack's disaster;' besides, the whole work had this one great fault, it was not true. "THE PRESIDENT complimented the honourable member on the excellent distinction he had drawn. Several other members, too, dwelt upon the immense and urgent necessity of storing the minds of children with nothing but facts and figures; which process the President very forcibly remarked, had made them (the section) the men they were. "MR. SLUG then stated some curious calculations respecting the dogs'-meat barrows of London. He found that the total number of small carts and barrows engaged in dispensing provision to the cats and dogs of the metropolis was, one thousand seven hundred and forty-three. The average number of skewers delivered daily with the provender, by each dogs'-meat cart or barrow was thirty-six. Now, multiplying the number of skewers so delivered by the number of barrows, a total of sixty-two thousand seven hundred and forty-eight skewers daily would be obtained. Allowing that, of these sixty-two thousand seven hundred and forty-eight skewers, the odd two thousand seven hundred and forty-eight were accidentally devoured with the meat, by the most voracious of the animals supplied, it followed that sixty thousand skewers per day, or the enormous number of twenty-one millions nine hundred thousand skewers annually, were wasted in the kennels and dust-holes of London; which, if collected and warehoused, would in ten years' time afford a mass of timber more than sufficient for the construction of a first-rate vessel of war for the use of her Majesty's navy, to be called 'The Royal Skewer,' and to become under that name the terror of all the enemies of this island. "MR. X. LEDBRAIN read a very ingenious communication, from which it appeared that the total number of legs belonging to the manufacturing population of one great town in Yorkshire was, in round numbers, forty thousand, while the total number of chair and stool legs in their houses was only thirty thousand, which, upon the very favourable average of three legs to a seat, yielded only ten thousand seats in all. From this calculation it would appear,⁠—not taking wooden or cork legs into the account, but allowing two legs to every person,⁠—that ten thousand individuals (one-half of the whole population) were either destitute of any rest for their legs at all, or passed the whole of their leisure time in sitting upon boxes. "SECTION D.⁠—MECHANICAL SCIENCE. "COACH-HOUSE, ORIGINAL PIG. "PRESIDENT—MR. CARTER. VICE-PRESIDENTS—MR. TRUCK AND MR. WAGHORN. "PROFESSOR QUEERSPECK exhibited an elegant model of a portable railway, neatly mounted in a green case, for the waistcoat pocket. By attaching this beautiful instrument to his boots, any Bank or public-office clerk could transport himself from his place of residence to his place of business, at the easy rate of sixty-five miles an hour, which, to gentlemen of sedentary pursuits, would be an incalculable advantage. "THE PRESIDENT was desirous of knowing whether it was necessary to have a level surface on which the gentleman was to run. "PROFESSOR QUEERSPECK explained that City gentlemen would run in trains, being handcuffed together to prevent confusion or unpleasantness. For instance, trains would start every morning at eight, nine, and ten o'clock, from Camden Town, Islington, Camberwell, Hackney, and various other places in which City gentlemen are accustomed to reside. It would be necessary to have a level, but he had provided for this difficulty by proposing that the best line that the circumstances would admit of, should be taken through the sewers which undermine the streets of the metropolis, and which, well lighted by jets from the gas-pipes which run immediately above them, would form a pleasant and commodious arcade, especially in winter-time, when the inconvenient custom of carrying umbrellas, now so general, could be wholly dispensed with. In reply to another question, Professor Queerspeck stated that no substitute for the purposes to which these arcades were at present devoted had yet occurred to him, but that he hoped no fanciful objection on this head would be allowed to interfere with so great an undertaking. "MR. JOBBA produced a forcing-machine on a novel plan, for bringing joint-stock railway shares prematurely to a premium. The instrument was in the form of an elegant gilt weather-glass, of most dazzling appearance, and was worked behind, by strings, after the manner of a pantomime trick, the strings being always pulled by the directors of the company to which the machine belonged. The quicksilver was so ingeniously placed, that when the acting directors held shares in their pockets, figures denoting very small expenses and very large returns appeared upon the glass; but the moment the directors parted with these pieces of paper, the estimate of needful expenditure suddenly increased itself to an immense extent, while the statements of certain profits became reduced in the same proportion. Mr. Jobba stated that the machine had been in constant requisition for some months past, and he had never once known it to fail. "A Member expressed his opinion that it was extremely neat and pretty. He wished to know whether it was not liable to accidental derangement? Mr. Jobba said that the whole machine was undoubtedly liable to be blown up, but that was the only objection to it. "PROFESSOR NOGO arrived from the anatomical section to exhibit a model of a safety fire-escape, which could be fixed at any time, in less than half an hour, and by means of which, the youngest or most infirm persons (successfully resisting the progress of the flames until it was quite ready) could be preserved if they merely balanced themselves for a few minutes on the sill of their bed-room window, and got into the escape without falling into the street. The Professor stated that the number of boys who had been rescued in the day-time by this machine from houses which were not on fire, was almost incredible. Not a conflagration had occurred in the whole of London for many months past to which the escape had not been carried on the very next day, and put in action before a concourse of persons. "THE PRESIDENT inquired whether there was not some difficulty in ascertaining which was the top of the machine, and which the bottom, in cases of pressing emergency. "PROFESSOR NOGO explained that of course it could not be expected to act quite as well when there was a fire, as when there was not a fire; but in the former case he thought it would be of equal service whether the top were up or down." ⁠— With the last section our correspondent concludes his most able and faithful Report, which will never cease to reflect credit upon him for his scientific attainments, and upon us for our enterprising spirit. It is needless to take a review of the subjects which have been discussed; of the mode in which they have been examined; of the great truths which they have elicited. They are now before the world, and we leave them to read, to consider, and to profit. The place of meeting for next year has undergone discussion, and has at length been decided; regard being had to, and evidence being taken upon, the goodness of its wines, the supply of its markets, the hospitality of its inhabitants, and the quality of its hotels. We hope at this next meeting our correspondent may again be present, and that we may be once more the means of placing his communications before the world. Until that period we have been prevailed upon to allow this number of our Miscellany to be retailed to the public, or wholesaled to the trade, without any advance upon our usual price. We have only to add, that the committees are now broken up, and that Mudfog is once again restored to its accustomed tranquillity,⁠—that Professors and Members have had balls, and soirées, and suppers, and great mutual complimentations, and have at length dispersed to their several homes,⁠—whither all good wishes and joys attend them, until next year! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Full Report of the First Meeting of the Mudfog Association for the Advancement of Everything' Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1837-10 Identifier An unambiguous reference to the resource within a given context 1837-10-Full_Report_First_Meeting_Mudfog_Asso Description An account of the resource Published in Bentley's Miscellany vol.2 (October 1837), pp. 397-413. Edited by Charles Dickens. Source A related resource from which the described resource is derived HathiTrust, <a href="https://babel.hathitrust.org/cgi/pt?id=nyp.33433081673711&view=1up&seq=7&skin=2021">https://babel.hathitrust.org/cgi/pt?id=nyp.33433081673711&view=1up&seq=7&skin=2021</a>. Type The nature or genre of the resource Short story Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Full Report of the First Meeting of the Mudfog Association for the Advancement of Everything'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1837-10-Full_Report_First_Meeting_Mudfog_Asso">https://www.dickenssearch.com/short-stories/1837-10-Full_Report_First_Meeting_Mudfog_Asso</a>. Rights Information about rights held in and over the resource Google-digitised. Digitised materials on Google Books published before 1922 are in the public domain. Scripto Transcription A written representation of a document. We have made the most unparalleled and extraordinary exertions to place before our readers a complete and accurate account of the proceedings at the late grand meeting of the Mudfog Association, holden in the town of Mudfog; it affords us great happiness to lay the result before them, in the shape of various communications received from our able, talented, and graphic correspondent, expressly sent down for the purpose, who has immortalised us, himself, Mudfog, and the association, all at one and the same time. We have been, indeed, for some days unable to determine who will transmit the greatest name to posterity; ourselves, who sent our correspondent down; our correspondent, who wrote an account of the matter; or the association, who gave our correspondent something to write about. We rather incline to the opinion that we are the greatest man of the party, inasmuch as the notion of an exclusive and authentic report originated with us; this may be prejudice: it may arise from a prepossession on our part in our own favour. Be it so. We have no doubt that every gentleman concerned in this mighty assemblage is troubled with the same complaint in a greater or less degree; and it is a consolation to us to know that we have at least this feeling in common with the great scientific stars, the brilliant and extraordinary luminaries, whose speculations we record. We give our correspondent's letters in the order in which they reached us. Any attempt at amalgamating them into one beautiful whole, would only destroy that glowing tone, that dash of wildness, and rich vein of picturesque interest, which pervade them throughout. "Mudfog, Monday night, seven o'clock. "We are in a state of great excitement here. Nothing is spoken of, but the approaching meeting of the association. The inn-doors are thronged with waiters anxiously looking for the expected arrivals; and the numerous bills which are wafered up in the windows of private houses, intimating that there are beds to let within, give the streets a very animated and cheerful appearance, the wafers being of a great variety of colours, and the monotony of printed inscriptions being relieved by every possible size and style of hand-writing. It is confidently rumoured that Professors Snore, Doze, and Wheezy have engaged three beds and a sitting-room at the Pig and Tinder-box. I give you the rumour as it has reached me; but I cannot, as yet, vouch for its accuracy. The moment I have been enabled to obtain any certain information upon this interesting point, you may depend upon receiving it.' "Half-past seven. "I have just returned from a personal interview with the landlord of the Pig and Tinder-box. He speaks confidently of the probability of Professors Snore, Doze, and Wheezy taking up their residence at his house during the sitting of the association, but denies that the beds have been yet engaged; in which representation he is confirmed by the chambermaid—a girl of artless manners, and interesting appearance. The boots denies that it is at all likely that Professors Snore, Doze, and Wheezy will put up here; but I have reason to believe that this man has been suborned by the proprietor of the Original Pig, which is the opposition hotel. Amidst such conflicting testimony it is difficult to arrive at the real truth; but you may depend upon receiving authentic information upon this point the moment the fact is ascertained. The excitement still continues. A boy fell through the window of the pastrycook's shop at the corner of the High-street about half an hour ago, which has occasioned much confusion. The general impression is, that it was an accident. Pray heaven it may prove so!' "Tuesday, noon. "At an early hour this morning the bells of all the churches struck seven o'clock; the effect of which, in the present lively state of the town, was extremely singular. While I was at breakfast, a yellow gig, drawn by a dark grey horse, with a patch of white over his right eyelid, proceeded at a rapid pace in the direction of the Original Pig stables; it is currently reported that this gentleman has arrived here for the purpose of attending the association, and, from what I have heard, I consider it extremely probable, although nothing decisive is yet known regarding him. You may conceive the anxiety with which we are all looking forward to the arrival of the four o'clock coach this afternoon. "Notwithstanding the excited state of the populace, no outrage has yet been committed, owing to the admirable discipline and discretion of the police, who are nowhere to be seen. A barrel-organ is playing opposite my window, and groups of people, offering fish and vegetables for sale, parade the streets. With these exceptions everything is quiet, and I trust will continue so." "Five o'clock. "It is now ascertained beyond all doubt that Professors Snore, Doze, and Wheezy will not repair to the Pig and Tinder-box, but have actually engaged apartments at the Original Pig. This intelligence is exclusive; and I leave you and your readers to draw their own inferences from it. Why Professor Wheezy, of all people in the world, should repair to the Original Pig in preference to the Pig and Tinder-box, it is not easy to conceive. The professor is a man who should be above all such petty feelings. Some people here, openly impute treachery and a distinct breach of faith to Professors Snore and Doze; while others, again, are disposed to acquit them of any culpability in the transaction, and to insinuate that the blame rests solely with Professor Wheezy. I own that I incline to the latter opinion; and although it gives me great pain to speak in terms of censure or disapprobation of a man of such transcendent genius and acquirements, still I am bound to say, that if my suspicions be well founded, and if all the reports which have reached my ears be true, I really do not well know what to make of the matter. "Mr. Slug, so celebrated for his statistical researches, arrived this afternoon by the four o'clock stage. His complexion is a dark purple, and he has a habit of sighing constantly. He looked extremely well, and appeared in high health and spirits. Mr. Woodensconce also came down in the same conveyance. The distinguished gentleman was fast asleep on his arrival, and I am informed by the guard that he had been so, the whole way. He was, no doubt, preparing for his approaching fatigues; but what gigantic visions must those be, that flit through the brain of such a man, when his body is in a state of torpidity! "The influx of visitors increases every moment. I am told (I know not how truly) that two post-chaises have arrived at the Original Pig within the last half-hour; and I myself observed a wheelbarrow, containing three carpet bags and a bundle, entering the yard of the Pig and Tinder-box no longer ago than five minutes since. The people are still quietly pursuing their ordinary occupations; but there is a wildness in their eyes, and an unwonted rigidity in the muscles of their countenances, which shows to the observant spectator that their expectations are strained to the very utmost pitch. I fear, unless some very extraordinary arrivals take place to-night, that consequences may arise from this popular ferment, which every man of sense and feeling would deplore." "Twenty minutes past six. "I have just heard that the boy who fell through the pastrycook's window last night, has died of the fright. He was suddenly called upon to pay three and sixpence for the damage done, and his constitution, it seems, was not strong enough to bear up against the shock. The inquest, it is said, will be held to-morrow." "Three-quarters part seven. "Professors Muff and Nogo have just driven up to the hotel door; they at once ordered dinner with great condescension. We are all very much delighted with the urbanity of their manners, and the ease with which they adapt themselves to the forms and ceremonies of ordinary life. Immediately on their arrival they sent for the head-waiter, and privately requested him to purchase a live dog,—as cheap a one as he could meet with,—and to send him up after dinner, with a pie-board, a knife and fork, and a clean plate. It is conjectured that some experiments will be tried upon the dog to-night; if any particulars should transpire, I will forward them by express." "Half-past eight. "The animal has been procured. He is a pug-dog, of rather intelligent appearance, in good condition, and with very short legs. He has been tied to a curtain-peg in a dark room, and is howling dreadfully." "Ten minutes to nine. "The dog has just been rung for. With an instinct which would appear almost the result of reason, the sagacious animal seized the waiter by the calf of the leg when he approached to take him, and made a desperate, though ineffectual resistance. I have not been able to procure admission to the apartment occupied by the scientific gentlemen; but, judging from the sounds which reached my ears when I stood upon the landing-place outside the door, just now, I should be disposed to say that the dog had retreated growling beneath some article of furniture, and was keeping the professors at bay. This conjecture is confirmed by the testimony of the ostler, who, after peeping through the keyhole, assures me that he distinctly saw Professor Nogo on his knees, holding forth a small bottle of prussic acid, to which the animal, who was crouched beneath an arm-chair, obstinately declined to smell. You cannot imagine the feverish state of irritation we are in, lest the interests of science should be sacrificed to the prejudices of a brute creature, who is not endowed with sufficient sense to foresee the incalculable benefits which the whole human race may derive from so very slight a concession on his part." "Nine o'clock. "The dog's tail and ears have been sent down stairs to be washed; from which circumstance we infer that the animal is no more. His forelegs have been delivered to the boots to be brushed, which strengthens the supposition." "Half after ten. "My feelings are so overpowered by what has taken place in the course of the last hour and a half, that I have scarcely strength to detail the rapid succession of events which have quite bewildered all those who are cognizant of their occurrence. It appears that the pug-dog mentioned in my last was surreptitiously obtained,⁠—stolen, in fact,⁠—by some person attached to the stable department, from an unmarried lady resident in this town. Frantic on discovering the loss of her favourite, the lady rushed distractedly into the street, calling in the most heart-rending and pathetic manner upon the passengers to restore her, her Augustus,⁠—for so the deceased was named, in affectionate remembrance of a former lover of his mistress, to whom he bore a striking personal resemblance, which renders the circumstances additionally affecting. I am not yet in a condition to inform you what circumstance induced the bereaved lady to direct her steps to the hotel which had witnessed the last struggles of her protegé. I can only state that she arrived there, at the very instant when his detached members were passing through the passage on a small tray. Her shrieks still reverberate in my ears! I grieve to say that the expressive features of Professor Muff were much scratched and lacerated by the injured lady; and that Professor Nogo, besides sustaining several severe bites, has lost some handfuls of hair from the same cause. It must be some consolation to these gentlemen to know that their ardent attachment to scientific pursuits has alone occasioned these unpleasant consequences; for which the sympathy of a grateful country will sufficiently reward them. The unfortunate lady remains at the Pig and Tinder-box, and up to this time is reported in a very precarious state. "I need scarcely tell you that this unlooked-for catastrophe has cast a damp and gloom upon us in the midst of our exhilaration; natural in any case, but greatly enhanced in this, by the amiable qualities of the deceased animal, who appears to have been much and deservedly respected by the whole of his acquaintance.' "Twelve o'clock. "I take the last opportunity before sealing my parcel to inform you that the boy who fell through the pastrycook's window is not dead, as was universally believed, but alive and well. The report appears to have had its origin in his mysterious disappearance. He was found half an hour since on the premises of a sweet-stuff maker, where a raffle had been announced for a second-hand seal-skin cap and a tambourine; and where⁠—a sufficient number of members not having been obtained at first⁠—he had patiently waited until the list was completed. This fortunate discovery has in some degree restored our gaiety and cheerfulness. It is proposed to get up a subscription for him without delay. "Everybody is nervously anxious to see what to-morrow will bring forth. If any one should arrive in the course of the night, I have left strict directions to be called immediately. I should have sat up, indeed, but the agitating events of this day have been too much for me. "No news yet of either of the Professors Snore, Doze, or Wheezy. It is very strange!" "Wednesday afternoon. "All is now over; and, upon one point at least, I am at length enabled to set the minds of your readers at rest. The three professors arrived at ten minutes after two o'clock, and, instead of taking up their quarters at the Original Pig, as it was universally understood in the course of yesterday that they would assuredly have done, drove straight to the Pig and Tinder-box, where they threw off the mask at once, and openly announced their intention of remaining. Professor Wheezy may reconcile this very extraordinary conduct with his notions of fair and equitable dealing, but I would recommend Professor Wheezy to be cautious how he presumes too far upon his well-earned reputation. How such a man as Professor Snore, or, which is still more extraordinary, such an individual as Professor Doze, can quietly allow himself to be mixed up with such proceedings as these, you will naturally inquire. Upon this head, rumour is silent; I have my speculations, but forbear to give utterance to them just now." "Four o'clock. "The town is filling fast; eighteenpence has been offered for a bed, and refused. Several gentlemen were under the necessity last night of sleeping in the brick-fields, and on the steps of doors, for which they were taken before the magistrates in a body this morning, and committed to prison as vagrants for various terms. One of these persons I understand to be a highly-respectable tinker, of great practical skill, who had forwarded a paper to the President of Section D. Mechanical Science, on the construction of pipkins with copper bottoms and safety-values, of which report speaks highly. The incarceration of this gentleman is greatly to be regretted, as his absence will preclude any discussion on the subject. "The bills are being taken down in all directions, and lodgings are being secured on almost any terms. I have heard of fifteen shillings a week for two rooms, exclusive of coals and attendance, but I can scarcely believe it. The excitement is dreadful. I was informed this morning that the civil authorities, apprehensive of some outbreak of popular feeling, had commanded a recruiting sergeant and two corporals to be under arms; and that, with the view of not irritating the people unnecessarily by their presence, they had been requested to take up their position before daybreak in a turnpike, distant about a quarter of a mile from the town. The vigour and promptness of these measures cannot be too highly extolled. "Intelligence has just been brought me, that an elderly female, in a state of inebriety, has declared in the open street her intention to 'do' for Mr. Slug. Some statistical returns compiled by that gentleman, relative to the consumption of raw spirituous liquors in this place, are supposed to be the cause of the wretch's animosity. It is added that this declaration was loudly cheered by a crowd of persons who had assembled on the spot; and that one man had the boldness to designate Mr. Slug aloud by the opprobrious epithet of 'Stick-in-the-mud!' It is earnestly to be hoped that now, when the moment has arrived for their interference, the magistrates will not shrink from the exercise of that power which is vested in them by the constitution of our common country." "Half-past ten. "The disturbance, I am happy to inform you, has been completely quelled, and the ringleader taken into custody. She had a pail of cold water thrown over her, previous to being locked up, and expresses great contrition and uneasiness. We are all in a fever of anticipation about to-morrow; but, now that we are within a few hours of the meeting of the association, and at last enjoy the proud consciousness of having its illustrious members amongst us, I trust and hope everything may go off peaceably. I shall send you a full report of to-morrow's proceedings by the night coach.' "Eleven o'clock. "I open my letter to say that nothing whatever has occurred since I folded it up." "Thursday. "The sun rose this morning at the usual hour. I did not observe anything particular in the aspect of the glorious planet, except that he appeared to me (it might have been a delusion of my heightened fancy) to shine with more than common brilliancy, and to shed a refulgent lustre upon the town, such as I had never observed before. This is the more extraordinary, as the sky was perfectly cloudless, and the atmosphere peculiarly fine. At half-past nine o'clock the general committee assembled, with the last year's president in the chair. The report of the council was read; and one passage, which stated that the council had corresponded with no less than three thousand five hundred and seventy-one persons, (all of whom paid their own postage,) on no fewer than seven thousand two hundred and forty-three topics, was received with a degree of enthusiasm which no efforts could suppress. The various committees and sections having been appointed, and the more formal business transacted, the great proceedings of the meeting commenced at eleven o'clock precisely. I had the happiness of occupying a most eligible position at that time, in "SECTION A.⁠—ZOOLOGY AND BOTANY. "GREAT ROOM, PIG AND TINDER-BOX. "PRESIDENT—PROFESSOR SNORE. VICE-PRESIDENTS⁠—PROFESSORS DOZE AND WHEEZY. "The scene at this moment was particularly striking. The sun streamed through the windows of the apartments, and tinted the whole scene with its brilliant rays, bringing out in strong relief the noble visages of the professors and scientific gentlemen, who, some with bald heads, some with red heads, some with brown heads, some with grey heads, some with black heads, some with block heads, presented a coup-d'oeil which no eye-witness will readily forget. In front of these gentlemen were papers and inkstands; and round the room, on elevated benches extending as far as the forms could reach, were assembled a brilliant concourse of those lovely and elegant women for which Mudfog is justly acknowledged to be without a rival in the whole world. The contrast between their fair faces and the dark coats and trousers of the scientific gentlemen I shall never cease to remember while Memory holds her seat. "Time having been allowed for a slight confusion, occasioned by the falling down of the greater part of the platforms, to subside, the president called on one of the secretaries to read a communication entitled, 'Some remarks on the industrious fleas, with considerations on the importance of establishing infant schools among that numerous class of society; of directing their industry to useful and practical ends; and of applying the surplus fruits thereof, towards providing for them a comfortable and respectable maintenance in their old age.' "The Author stated, that, having long turned his attention to the moral and social condition of these interesting animals, he had been induced to visit an exhibition in Regent-street, London, commonly known by the designation of 'The Industrious Fleas.' He had there seen many fleas, occupied certainly in various pursuits and avocations, but occupied, he was bound to add, in a manner which no man of well-regulated mind could fail to regard with sorrow and regret. One flea, reduced to the level of a beast of burden, was drawing about a miniature gig, containing a particularly small effigy of His Grace the Duke of Wellington; while another was staggering beneath the weight of a golden model of his great adversary Napoleon Bonaparte. Some, brought up as mountebanks and ballet-dancers, were performing a figure-dance (he regretted to observe, that, of the fleas so employed, several were females); others were in training, in a small card-board box, for pedestrians,⁠—mere sporting characters⁠—and two were actually engaged in the cold-blooded and barbarous occupation of duelling; a pursuit from which humanity recoiled with horror and disgust. He suggested that measures should be immediately taken to employ the labour of these fleas as part and parcel of the productive power of the country, which might easily be done by the establishment among them of infant schools and houses of industry, in which a system of virtuous education, based upon sound principles, should be observed, and moral precepts strictly inculcated. He proposed that every flea who presumed to exhibit, for hire, music, or dancing, or any species of theatrical entertainment, without a licence, should be considered a vagabond, and treated accordingly; in which respect he only placed him upon a level with the rest of mankind. He would further suggest that their labour should be placed under the control and regulation of the state, who should set apart from the profits, a fund for the support of superannuated or disabled fleas, their widows and orphans. With this view, he proposed that liberal premiums should be offered for the three best designs for a general almshouse; from which⁠—as insect architecture was well known to be in a very advanced and perfect state⁠—we might possibly derive many valuable hints for the improvement of our metropolitan universities, national galleries, and other public edifices. "THE PRESIDENT wished to be informed how the ingenious gentleman proposed to open a communication with fleas generally, in the first instance, so that they might be thoroughly imbued with a sense of the advantages they must necessarily derive from changing their mode of life, and applying themselves to honest labour. This appeared to him, the only difficulty. "THE AUTHOR submitted that this difficulty was easily overcome, or rather that there was no difficulty at all in the case. Obviously the course to be pursued, if Her Majesty's government could be prevailed upon to take up the plan, would be, to secure at a remunerative salary the individual to whom he had alluded as presiding over the exhibition in Regent-street at the period of his visit. That gentleman would at once be able to put himself in communication with the mass of the fleas, and to instruct them in pursuance of some general plan of education, to be sanctioned by Parliament, until such time as the more intelligent among them were advanced enough to officiate as teachers to the rest. "The President and several members of the section highly complimented the author of the paper last read, on his most ingenious and important treatise. It was determined that the subject should be recommended to the immediate consideration of the council. "MR. WIGSBY produced a cauliflower somewhat larger than a chaise-umbrella, which had been raised by no other artificial means than the simple application of highly carbonated soda-water as manure. He explained that by scooping out the head, which would afford a new and delicious species of nourishment for the poor, a parachute, in principle something similar to that constructed by M. Garnerin, was at once obtained: the stalk of course being kept downwards. He added that he was perfectly willing to make a descent from a height of not less than three miles and a quarter; and had in fact already proposed the same to the proprietors of Vauxhall Gardens, who in the handsomest manner at once consented to his wishes, and appointed an early day next summer for the undertaking; merely stipulating that the rim of the cauliflower should be previously broken in three or four places to ensure the safety of the descent. "THE PRESIDENT congratulated the public on the grand gala in store for them, and warmly eulogised the proprietors of the establishment alluded to, for their love of science, and regard for the safety of human life, both of which did them the highest honour. "A Member wished to know how many thousand additional lamps the royal property would be illuminated with, on the night after the descent. "MR. WIGSBY replied that the point was not yet finally decided; but he believed it was proposed, over and above the ordinary illuminations, to exhibit in various devices eight millions and a half of additional lamps. "The Member expressed himself much gratified with this announcement. "MR. BLUNDERUM delighted the section with a most interesting and valuable paper 'on the last moments of the learned pig,' which produced a very strong impression on the assembly, the account being compiled from the personal recollections of his favourite attendant. The account stated in the most emphatic terms that the animal's name was not Toby, but Solomon; and distinctly proved that he could have no near relatives in the profession, as many designing persons had falsely stated, inasmuch as his father, mother, brothers and sisters, had all fallen victims to the butcher at different times. An uncle of his indeed, had with very great labour been traced to a sty in Somers Town; but as he was in a very infirm state at the time, being afflicted with measles, and shortly afterwards disappeared, there appeared too much reason to conjecture that he had been converted into sausages. The disorder of the learned pig was originally a severe cold, which, being aggravated by excessive trough indulgence, finally settled upon the lungs, and terminated in a general decay of the constitution. A melancholy instance of a presentiment entertained by the animal of his approaching dissolution, was recorded. After gratifying a numerous and fashionable company with his performances, in which no falling-off whatever, was visible, he fixed his eyes on the biographer, and, turning to the watch which lay on the floor, and on which he was accustomed to point out the hour, deliberately passed his snout twice round the dial. In precisely four-and-twenty hours from that time he had ceased to exist! "PROFESSOR WHEEZY inquired whether, previous to his demise, the animal had expressed, by signs or otherwise, any wishes regarding the disposal of his little property. "MR. BLUNDERUM replied, that, when the biographer took up the pack of cards at the conclusion of the performance, the animal grunted several times in a significant manner, and nodding his head as he was accustomed to do, when gratified. From these gestures it was understood that he wished the attendant to keep the cards, which he had ever since done. He had not expressed any wish relative to his watch, which had accordingly been pawned by the same individual. "THE PRESIDENT wished to know whether any Member of the section had ever seen or conversed with the pig-faced lady, who was reported to have worn a black velvet mask, and to have taken her meals from a golden trough. "After some hesitation a Member replied that the pig-faced lady was his mother-in-law, and that he trusted the President would not violate the sanctity of private life. "THE PRESIDENT begged pardon. He had considered the pig-faced lady a public character. Would the honourable member object to state, with a view to the advancement of science, whether she was in any way connected with the learned pig? "The Member replied in the same low tone, that, as the question appeared to involve a suspicion that the learned pig might be his half-brother, he must decline answering it. "SECTION B.⁠—ANATOMY AND MEDICINE. "COACH-HOUSE, PIG AND TINDER-BOX. "PRESIDENT⁠—DR. TOORELL. VICE-PRESIDENTS⁠—PROFESSORS MUFF AND NOGO. "DR. KUTANKUMAGEN (of Moscow) read to the section a report of a case which had occurred within his own practice, strikingly illustrative of the power of medicine, as exemplified in his successful treatment of a virulent disorder. He had been called in to visit the patient on the 1st of April, 1837. He was then labouring under symptoms peculiarly alarming to any medical man. His frame was stout and muscular, his step firm and elastic, his cheeks plump and red, his voice loud, his appetite good, his pulse full and round. He was in the constant habit of eating three meals per diem, and of drinking at least one bottle of wine, and one glass of spirituous liquors diluted with water, in the course of the four-and-twenty hours. He laughed constantly, and in so hearty a manner that it was terrible to hear him. By dint of powerful medicine, low diet, and bleeding, the symptoms in the course of three days perceptibly decreased. A rigid perseverance in the same course of treatment for only one week, accompanied with small doses of water-gruel, weak broth, and barley-water, led to their entire disappearance. In the course of a month he was sufficiently recovered to be carried down stairs by two nurses, and to enjoy an airing in a close carriage, supported by soft pillows. At the present moment he was restored so far as to walk about, with the slight assistance of a crutch and a boy. It would perhaps be gratifying to the section to learn that he ate little, drank little, slept little, and was never heard to laugh by any accident whatever. "DR. W. R. FEE, in complimenting the honourable member upon the triumphant cure he had effected, begged to ask whether the patient still bled freely? "DR. KUTANKUMAGEN replied in the affirmative. "DR. W. R. FEE.—And you found that he bled freely during the whole course of the disorder? "DR. KUTANKUMAGEN.⁠—Oh dear, yes; most freely. "DR. NEESHAWTS supposed, that if the patient had not submitted to be bled with great readiness and perseverance, so extraordinary a cure could never, in fact, have been accomplished. Dr. Kutankumagen rejoined, certainly not. "MR. KNIGHT BELL (M.R.C.S.) exhibited a wax preparation of the interior of a gentleman who in early life had inadvertently swallowed a door-key. It was a curious fact that a medical student of dissipated habits, being present at the post mortem examination, found means to escape unobserved from the room, with that portion of the coats of the stomach upon which an exact model of the instrument was distinctly impressed, with which he hastened to a locksmith of doubtful character, who made a new key from the pattern so shown to him. With this key the medical student entered the house of the deceased gentleman, and committed a burglary to a large amount, for which he was subsequently tried and executed. "THE PRESIDENT wished to know what became of the original key after the lapse of years. Mr. Knight Bell replied that the gentleman was always much accustomed to punch, and it was supposed the acid had gradually devoured it. "DR. NEESHAWTS and several of the members were of opinion that the key must have lain very cold and heavy upon the gentleman's stomach. "MR. KNIGHT BELL believed it did at first. It was worthy of remark, perhaps, that for some years the gentleman was troubled with a night-mare, under the influence of which he always imagined himself a wine-cellar door. "PROFESSOR MUFF related a very extraordinary and convincing proof of the wonderful efficacy of the system of infinitesimal doses, which the section were doubtless aware was based upon the theory that the very minutest amount of any given drug, properly dispersed through the human frame, would be productive of precisely the same result as a very large dose administered in the usual manner. Thus, the fortieth part of a grain of calomel was supposed to be equal to a five-grain calomel pill, and so on in proportion throughout the whole range of medicine. He had tried the experiment in a curious manner upon a publican who had been brought into the hospital with a broken head, and was cured upon the infinitesimal system in the incredibly short space of three months. This man was a hard drinker. He (Professor Muff) had dispersed three drops of rum through a bucket of water, and requested the man to drink the whole. What was the result? Before he had drunk a quart, he was in a state of beastly intoxication; and five other men were made dead drunk with the remainder. "THE PRESIDENT wished to know whether an infinitesimal dose of soda-water would have recovered them? Professor Muff replied that the twenty-fifth part of a tea-spoonful, properly administered to each patient would have sobered him immediately. The President remarked that this was a most important discovery, and he hoped the Lord Mayor and Court of Aldermen would patronise it immediately. "A Member begged to be informed whether it would be possible to administer⁠—say, the twentieth part of a grain of bread and cheese to all grown-up paupers, and the fortieth part to children, with the same satisfying effect as their present allowance. "PROFESSOR MUFF was willing to stake his professional reputation on the perfect adequacy of such a quantity of food to the support of human life⁠—in workhouses; the addition of the fifteenth part of a grain of pudding twice a week would render it a high diet. "PROFESSOR NOGO called the attention of the section to a very extraordinary case of animal magnetism. A private watchman, being merely looked at by the operator from the opposite side of a wide street, was at once observed to be in a very drowsy and languid state. He was followed to his box, and being once slightly rubbed on the palms of the hands, fell into a sound sleep, in which he continued without intermission for ten hours. "SECTION C.⁠—STATISTICS. "HAY-LOFT, ORIGINAL PIG. "PRESIDENT⁠—MR. WOODENSCONCE. VICE-PRESIDENTS⁠—MR. LEDBRAIN AND MR. TIMBERED.  "MR. SLUG stated to the section the result of some calculations he had made with great difficulty and labour, regarding the state of infant education among the middle classes of London. He found that, within a circle of three miles from the Elephant and Castle, the following were the names and numbers of children's books principally in circulation:⁠— "Jack the Giant-killer ... 7,943 Ditto and Bean-stalk.. 8,621 Ditto and Eleven Brothers...2,845 Ditto and Jill...1,998 Total..21,407 "He found that the proportion of Robinson Crusoes to Philip Quarlls was as four and a half to one; and that the preponderance of Valentine and Orsons over Goody Two Shoeses was as three and an eighth of the former to half a one of the latter: a comparison of Seven Champions with Simple Simons gave the same result. The ignorance that prevailed, was lamentable. One child, on being asked whether he would rather be Saint George of England or a respectable tallow-chandler, instantly replied, 'Taint George of Ingling.' Another, a little boy of eight years old, was found to be firmly impressed with a belief in the existence of dragons, and openly stated that it was his intention when he grew up, to rush forth sword in hand for the deliverance of captive princesses, and the promiscuous slaughter of giants. Not one child among the number interrogated had ever heard of Mungo Park,⁠—some inquiring whether he was at all connected with the black man that swept the crossing; and others whether he was in any way related to the Regent's Park. They had not the slightest conception of the commonest principles of mathematics, and considered Sindbad the Sailor the most enterprising voyager that the world had ever produced. "A Member strongly deprecating the use of all the other books mentioned, suggested that Jack and Jill might perhaps be exempted from the general censure, inasmuch as the hero and heroine, in the very outset of the tale, were depicted as going up a hill to fetch a pail of water, which was a laborious and useful occupation,⁠—supposing the family linen was being washed, for instance. "MR. SLUG feared that the moral effect of this passage was more than counterbalanced by another in a subsequent part of the poem, in which very gross allusion was made to the mode in which the heroine was personally chastised by her mother "'For laughing at Jack's disaster;' besides, the whole work had this one great fault, it was not true. "THE PRESIDENT complimented the honourable member on the excellent distinction he had drawn. Several other members, too, dwelt upon the immense and urgent necessity of storing the minds of children with nothing but facts and figures; which process the President very forcibly remarked, had made them (the section) the men they were. "MR. SLUG then stated some curious calculations respecting the dogs'-meat barrows of London. He found that the total number of small carts and barrows engaged in dispensing provision to the cats and dogs of the metropolis was, one thousand seven hundred and forty-three. The average number of skewers delivered daily with the provender, by each dogs'-meat cart or barrow was thirty-six. Now, multiplying the number of skewers so delivered by the number of barrows, a total of sixty-two thousand seven hundred and forty-eight skewers daily would be obtained. Allowing that, of these sixty-two thousand seven hundred and forty-eight skewers, the odd two thousand seven hundred and forty-eight were accidentally devoured with the meat, by the most voracious of the animals supplied, it followed that sixty thousand skewers per day, or the enormous number of twenty-one millions nine hundred thousand skewers annually, were wasted in the kennels and dust-holes of London; which, if collected and warehoused, would in ten years' time afford a mass of timber more than sufficient for the construction of a first-rate vessel of war for the use of her Majesty's navy, to be called 'The Royal Skewer,' and to become under that name the terror of all the enemies of this island. "MR. X. LEDBRAIN read a very ingenious communication, from which it appeared that the total number of legs belonging to the manufacturing population of one great town in Yorkshire was, in round numbers, forty thousand, while the total number of chair and stool legs in their houses was only thirty thousand, which, upon the very favourable average of three legs to a seat, yielded only ten thousand seats in all. From this calculation it would appear,⁠—not taking wooden or cork legs into the account, but allowing two legs to every person,⁠—that ten thousand individuals (one-half of the whole population) were either destitute of any rest for their legs at all, or passed the whole of their leisure time in sitting upon boxes. "SECTION D.⁠—MECHANICAL SCIENCE. "COACH-HOUSE, ORIGINAL PIG. "PRESIDENT—MR. CARTER. VICE-PRESIDENTS—MR. TRUCK AND MR. WAGHORN. "PROFESSOR QUEERSPECK exhibited an elegant model of a portable railway, neatly mounted in a green case, for the waistcoat pocket. By attaching this beautiful instrument to his boots, any Bank or public-office clerk could transport himself from his place of residence to his place of business, at the easy rate of sixty-five miles an hour, which, to gentlemen of sedentary pursuits, would be an incalculable advantage. "THE PRESIDENT was desirous of knowing whether it was necessary to have a level surface on which the gentleman was to run. "PROFESSOR QUEERSPECK explained that City gentlemen would run in trains, being handcuffed together to prevent confusion or unpleasantness. For instance, trains would start every morning at eight, nine, and ten o'clock, from Camden Town, Islington, Camberwell, Hackney, and various other places in which City gentlemen are accustomed to reside. It would be necessary to have a level, but he had provided for this difficulty by proposing that the best line that the circumstances would admit of, should be taken through the sewers which undermine the streets of the metropolis, and which, well lighted by jets from the gas-pipes which run immediately above them, would form a pleasant and commodious arcade, especially in winter-time, when the inconvenient custom of carrying umbrellas, now so general, could be wholly dispensed with. In reply to another question, Professor Queerspeck stated that no substitute for the purposes to which these arcades were at present devoted had yet occurred to him, but that he hoped no fanciful objection on this head would be allowed to interfere with so great an undertaking. "MR. JOBBA produced a forcing-machine on a novel plan, for bringing joint-stock railway shares prematurely to a premium. The instrument was in the form of an elegant gilt weather-glass, of most dazzling appearance, and was worked behind, by strings, after the manner of a pantomime trick, the strings being always pulled by the directors of the company to which the machine belonged. The quicksilver was so ingeniously placed, that when the acting directors held shares in their pockets, figures denoting very small expenses and very large returns appeared upon the glass; but the moment the directors parted with these pieces of paper, the estimate of needful expenditure suddenly increased itself to an immense extent, while the statements of certain profits became reduced in the same proportion. Mr. Jobba stated that the machine had been in constant requisition for some months past, and he had never once known it to fail. "A Member expressed his opinion that it was extremely neat and pretty. He wished to know whether it was not liable to accidental derangement? Mr. Jobba said that the whole machine was undoubtedly liable to be blown up, but that was the only objection to it. "PROFESSOR NOGO arrived from the anatomical section to exhibit a model of a safety fire-escape, which could be fixed at any time, in less than half an hour, and by means of which, the youngest or most infirm persons (successfully resisting the progress of the flames until it was quite ready) could be preserved if they merely balanced themselves for a few minutes on the sill of their bed-room window, and got into the escape without falling into the street. The Professor stated that the number of boys who had been rescued in the day-time by this machine from houses which were not on fire, was almost incredible. Not a conflagration had occurred in the whole of London for many months past to which the escape had not been carried on the very next day, and put in action before a concourse of persons. "THE PRESIDENT inquired whether there was not some difficulty in ascertaining which was the top of the machine, and which the bottom, in cases of pressing emergency. "PROFESSOR NOGO explained that of course it could not be expected to act quite as well when there was a fire, as when there was not a fire; but in the former case he thought it would be of equal service whether the top were up or down." ⁠— With the last section our correspondent concludes his most able and faithful Report, which will never cease to reflect credit upon him for his scientific attainments, and upon us for our enterprising spirit. It is needless to take a review of the subjects which have been discussed; of the mode in which they have been examined; of the great truths which they have elicited. They are now before the world, and we leave them to read, to consider, and to profit. The place of meeting for next year has undergone discussion, and has at length been decided; regard being had to, and evidence being taken upon, the goodness of its wines, the supply of its markets, the hospitality of its inhabitants, and the quality of its hotels. We hope at this next meeting our correspondent may again be present, and that we may be once more the means of placing his communications before the world. Until that period we have been prevailed upon to allow this number of our Miscellany to be retailed to the public, or wholesaled to the trade, without any advance upon our usual price. We have only to add, that the committees are now broken up, and that Mudfog is once again restored to its accustomed tranquillity,⁠—that Professors and Members have had balls, and soirées, and suppers, and great mutual complimentations, and have at length dispersed to their several homes,⁠—whither all good wishes and joys attend them, until next year! https://www.dickenssearch.com/files/original/5/Sketches_of_Young_Gentlemen/1838-Sketches_of_Young_Gentlemen.pdf 49d0bdd109be0c6f31855620295dc56a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. TO THE YOUNG LADIES OF THE United Kingdom of Great Britain and Ireland; ALSO THE YOUNG LADIES OF THE PRINCIPALITY OF WALES, AND LIKEWISE THE YOUNG LADIES RESIDENT IN THE ISLES OF Guernsey, Jersey, Alderney, and Sark, THE HUMBLE DEDICATION OF THEIR DEVOTED ADMIRER, Sheweth,— That your Dedicator has perused, with feelings of virtuous indignation, a work purporting to be "Sketches of Young Ladies;" written by Quiz, illustrated by Phiz, and published in one volume, square twelvemo. That after an attentive and vigilant perusal of the said work, your Dedicator is humbly of opinion that so many libels, upon your Honourable sex, were never contained in any previously published work, in twelvemo or any other mo. That in the title page and preface to the said work, your Honourable sex are described and classified as animals; and although your Dedicator is not at present prepared to deny that you are animals, still he humbly submits that it is not polite to call you so. That in the aforesaid preface, your Honourable sex are also described as Troglodites, which, being a hard word, may, for aught your Honourable sex or your Dedicator can say to the contrary, be an injurious and disrespectful appellation. That the author of the said work applied himself to his task in malice prepense and with wickedness aforethought; a fact which, your Dedicator contends, is sufficiently demonstrated, by his assuming the name of Quiz, which, your Dedicator submits, denotes a foregone conclusion, and implies an intention of quizzing. That in the execution of his evil design, the said Quiz, or author of the said work, must have betrayed some trust or confidence reposed in him by some members of your Honourable sex, otherwise he never could have acquired so much information relative to the manners and customs of your Honourable sex in general. That actuated by these considerations, and further moved by various slanders and insinuations respecting your Honourable sex contained in the said work, square twelvemo, entitled "Sketches of Young Ladies," your Dedicator ventures to produce another work, square twelvemo, entitled "Sketches of Young Gentlemen," of which he now solicits your acceptance and approval. That as the Young Ladies are the best companions of the Young Gentlemen, so the Young Gentlemen should be the best companions of the Young Ladies; and extending the comparison from animals (to quote the disrespectful language of the said Quiz) to inanimate objects, your Dedicator humbly suggests, that such of your Honourable sex as purchased the bane should possess themselves of the antidote, and that those of your Honourable sex who were not rash enough to take the first, should lose no time in swallowing the last,—prevention being in all cases better than cure, as we are informed upon the authority, not only of general acknowledgment, but also of traditionary wisdom. That with reference to the said bane and antidote, your Dedicator has no further remarks to make, than are comprised in the printed directions issued with Doctor Morison’s pills; namely, that whenever your Honourable sex take twenty-five of Number, 1, you will be pleased to take fifty of Number 2, without delay. And your Dedicator shall ever pray, &c. THE BASHFUL YOUNG GENTLEMAN. We found ourself seated at a small dinner party the other day, opposite a stranger of such singular appearance and manner, that he irresistibly attracted our attention. This was a fresh-coloured young gentleman, with as good a promise of light whisker as one might wish to see, and possessed of a very velvet-like soft-looking countenance. We do not use the latter term invidiously, but merely to denote a pair of smooth, plump, highly-coloured cheeks of capacious dimensions, and a mouth rather remarkable for the fresh hue of the lips than for any marked or striking expression it presented. His whole face was suffused with a crimson blush, and bore that downcast, timid, retiring look, which betokens a man ill at ease with himself. There was nothing in these symptoms to attract more than a passing remark, but our attention had been originally drawn to the bashful young gentleman, on his first appearance in the drawing-room above-stairs, into which he was no sooner introduced, than making his way towards us who were standing in a window, and wholly neglecting several persons who warmly accosted him, he seized our hand with visible emotion, and pressed it with a convulsive grasp for a good couple of minutes, after which he dived in a nervous manner across the room, oversetting in his way a fine little girl of six years and a quarter old—and shrouding himself behind some hangings, was seen no more, until the eagle eye of the hostess detecting him in his concealment, on the announcement of dinner, he was requested to pair off with a lively single lady, of two or three and thirty. This most flattering salutation from a perfect stranger, would have gratified us not a little as a token of his having held us in high respect, and for that reason been desirous of our acquaintance, if we had not suspected from the first, that the young gentleman, in making a desperate effort to get through the ceremony of introduction, had, in the bewilderment of his ideas, shaken hands with us at random. This impression was fully confirmed by the subsequent behaviour of the bashful young gentleman in question, which we noted particularly, with the view of ascertaining whether we were right in our conjecture. The young gentleman seated himself at table with evident misgivings, and turning sharp round to pay attention to some observation of his loquacious neighbour, overset his bread. There was nothing very bad in this, and if he had had the presence of mind to let it go, and say nothing about it, nobody but the man who had laid the cloth would have been a bit the wiser; but the young gentleman in various semi-successful attempts to prevent its fall, played with it a little, as gentlemen in the streets may be seen to do with their hats on a windy day, and then giving the roll a smart rap in his anxiety to catch it, knocked it with great adroitness into a tureen of white soup at some distance, to the unspeakable terror and disturbance of a very amiable bald gentleman, who was dispensing the contents. We thought the bashful young gentleman would have gone off in an apoplectic fit, consequent upon the violent rush of blood to his face at the occurrence of this catastrophe. From this moment we perceived, in the phraseology of the fancy, that it was "all up" with the bashful young gentleman, and so indeed it was. Several benevolent persons endeavoured to relieve his embarrassment by taking wine with him, but finding that it only augmented his sufferings, and that after mingling sherry, champagne, hock, and moselle together, he applied the greater part of the mixture externally, instead of internally, they gradually dropped off, and left him to the exclusive care of the talkative lady, who not noting the wildness of his eye, firmly believed she had secured a listener. He broke a glass or two in the course of the meal, and disappeared shortly afterwards; it is inferred that he went away in some confusion, inasmuch as he left the house in another gentleman’s coat, and the footman’s hat. This little incident led us to reflect upon the most prominent characteristics of bashful young gentlemen in the abstract; and as this portable volume will be the great text-book of young ladies in all future generations, we record them here for their guidance and behoof. If the bashful young gentleman, in turning a street corner, chance to stumble suddenly upon two or three young ladies of his acquaintance, nothing can exceed his confusion and agitation. His first impulse is to make a great variety of bows, and dart past them, which he does until, observing that they wish to stop, but are uncertain whether to do so or not, he makes several feints of returning, which causes them to do the same; and at length, after a great quantity of unnecessary dodging and falling up against the other passengers, he returns and shakes hands most affectionately with all of them, in doing which he knocks out of their grasp sundry little parcels, which he hastily picks up, and returns very muddy and disordered. The chances are that the bashful young gentleman then observes it is very fine weather, and being reminded that it has only just left off raining for the first time these three days, he blushes very much, and smiles as if he had said a very good thing. The young lady who was most anxious to speak, here inquires, with an air of great commiseration, how his dear sister Harriet is to-day; to which the young gentleman, without the slightest consideration, replies with many thanks, that she is remarkably well. "Well, Mr. Hopkins!" cries the young lady, "why, we heard she was bled yesterday evening, and have been perfectly miserable about her." "Oh, ah," says the young gentleman, "so she was. Oh, she’s very ill, very ill indeed." The young gentleman then shakes his head, and looks very desponding (he has been smiling perpetually up to this time), and after a short pause, gives his glove a great wrench at the wrist, and says, with a strong emphasis on the adjective, "Good morning, good morning." And making a great number of bows in acknowledgment of several little messages to his sister, walks backward a few paces, and comes with great violence against a lamp-post, knocking his hat off in the contact, which in his mental confusion and bodily pain he is going to walk away without, until a great roar from a carter attracts his attention, when he picks it up, and tries to smile cheerfully to the young ladies, who are looking back, and who, he has the satisfaction of seeing, are all laughing heartily. At a quadrille party, the bashful young gentleman always remains as near the entrance of the room as possible, from which position he smiles at the people he knows as they come in, and sometimes steps forward to shake hands with more intimate friends: a process which on each repetition seems to turn him a deeper scarlet than before. He declines dancing the first set or two, observing, in a faint voice, that he would rather wait a little; but at length is absolutely compelled to allow himself to be introduced to a partner, when he is led, in a great heat and blushing furiously, across the room to a spot where half-a-dozen unknown ladies are congregated together. "Miss Lambert, let me introduce Mr. Hopkins for the next quadrille." Miss Lambert inclines her head graciously. Mr. Hopkins bows, and his fair conductress disappears, leaving Mr. Hopkins, as he too well knows, to make himself agreeable. The young lady more than half expects that the bashful young gentleman will say something, and the bashful young gentleman feeling this, seriously thinks whether he has got anything to say, which, upon mature reflection, he is rather disposed to conclude he has not, since nothing occurs to him. Meanwhile, the young lady, after several inspections of her bouquet, all made in the expectation that the bashful young gentleman is going to talk, whispers her mamma, who is sitting next her, which whisper the bashful young gentleman immediately suspects (and possibly with very good reason) must be about him. In this comfortable condition he remains until it is time to "stand up,"when murmuring a "Will you allow me?" he gives the young lady his arm, and after inquiring where she will stand, and receiving a reply that she has no choice, conducts her to the remotest corner of the quadrille, and making one attempt at conversation, which turns out a desperate failure, preserves a profound silence until it is all over, when he walks her twice round the room, deposits her in her old seat, and retires in confusion. A married bashful gentleman—for these bashful gentlemen do get married sometimes; how it is ever brought about, is a mystery to us—a married bashful gentleman either causes his wife to appear bold by contrast, or merges her proper importance in his own insignificance. Bashful young gentlemen should be cured, or avoided. They are never hopeless, and never will be, while female beauty and attractions retain their influence, as any young lady will find, who may think it worth while on this confident assurance to take a patient in hand. THE OUT-AND-OUT YOUNG GENTLEMAN. Out-and-out young gentlemen may be divided into two classes—those who have something to do, and those who have nothing. I shall commence with the former, because that species come more frequently under the notice of young ladies, whom it is our province to warn and to instruct. The out-and-out young gentleman is usually no great dresser, his instructions to his tailor being all comprehended in the one general direction to "make that what’s-a-name a regular bang-up sort of thing." For some years past, the favourite costume of the out-and-out young gentleman has been a rough pilot coat, with two gilt hooks and eyes to the velvet collar; buttons somewhat larger than crown-pieces; a black or fancy neckerchief, loosely tied; a wide-brimmed hat, with a low crown; tightish inexpressibles, and iron-shod boots. Out of doors he sometimes carries a large ash stick, but only on special occasions, for he prefers keeping his hands in his coat pockets. He smokes at all hours, of course, and swears considerably. The out-and-out young gentleman is employed in a city counting-house or solicitor’s office, in which he does as little as he possibly can: his chief places of resort are, the streets, the taverns, and the theatres. In the streets at evening time, out-and-out young gentlemen have a pleasant custom of walking six or eight abreast, thus driving females and other inoffensive persons into the road, which never fails to afford them the highest satisfaction, especially if there be any immediate danger of their being run over, which enhances the fun of the thing materially. In all places of public resort, the out-and-outers are careful to select each a seat to himself, upon which he lies at full length, and (if the weather be very dirty, but not in any other case) he lies with his knees up, and the soles of his boots planted firmly on the cushion, so that if any low fellow should ask him to make room for a lady, he takes ample revenge upon her dress, without going at all out of his way to do it. He always sits with his hat on, and flourishes his stick in the air while the play is proceeding, with a dignified contempt of the performance; if it be possible for one or two out-and-out young gentlemen to get up a little crowding in the passages, they are quite in their element, squeezing, pushing, whooping, and shouting in the most humorous manner possible. If they can only succeed in irritating the gentleman who has a family of daughters under his charge, they are like to die with laughing, and boast of it among their companions for a week afterwards, adding, that one or two of them were "devilish fine girls," and that they really thought the youngest would have fainted, which was the only thing wanted to render the joke complete. If the out-and-out young gentleman have a mother and sisters, of course he treats them with becoming contempt, inasmuch as they (poor things!) having no notion of life or gaiety, are far too weak-spirited and moping for him. Sometimes, however, on a birth-day or at Christmas time, he cannot very well help accompanying them to a party at some old friend’s, with which view he comes home when they have been dressed an hour or two, smelling very strongly of tobacco and spirits, and after exchanging his rough coat for some more suitable attire (in which however he loses nothing of the out-and-outer), gets into the coach and grumbles all the way at his own good-nature: his bitter reflections aggravated by the recollection, that Tom Smith has taken the chair at a little impromptu dinner at a fighting man’s, and that a set-to was to take place on a dining-table, between the fighting man and his brother-in-law, which is probably "coming off" at that very instant. As the out-and-out young gentleman is by no means at his ease in ladies’ society, he shrinks into a corner of the drawing-room when they reach the friend’s, and unless one of his sisters is kind enough to talk to him, remains there without being much troubled by the attentions of other people, until he espies, lingering outside the door, another gentleman, whom he at once knows, by his air and manner (for there is a kind of free-masonry in the craft), to be a brother out-and-outer, and towards whom he accordingly makes his way. Conversation being soon opened by some casual remark, the second out-and-outer confidentially informs the first, that he is one of the rough sort and hates that kind of thing, only he couldn’t very well be off coming; to which the other replies, that that’s just his case—"and I’ll tell you what," continues the out-and-outer in a whisper, "I should like a glass of warm brandy and water just now,"— "Or a pint of stout and a pipe," suggests the other out-and-outer. The discovery is at once made that they are sympathetic souls; each of them says at the same moment, that he sees the other understands what’s what: and they become fast friends at once, more especially when it appears, that the second out-and-outer is no other than a gentleman, long favourably known to his familiars as "Mr. Warmint Blake," who upon divers occasions has distinguished himself in a manner that would not have disgraced the fighting man, and who—having been a pretty long time about town—had the honour of once shaking hands with the celebrated Mr. Thurtell himself. At supper, these gentlemen greatly distinguish themselves, brightening up very much when the ladies leave the table, and proclaiming aloud their intention of beginning to spend the evening—a process which is generally understood to be satisfactorily performed, when a great deal of wine is drunk and a great deal of noise made, both of which feats the out-and-out young gentlemen execute to perfection. Having protracted their sitting until long after the host and the other guests have adjourned to the drawing-room, and finding that they have drained the decanters empty, they follow them thither with complexions rather heightened, and faces rather bloated with wine; and the agitated lady of the house whispers her friends as they waltz together, to the great terror of the whole room, that "both Mr. Blake and Mr. Dummins are very nice sort of young men in their way, only they are eccentric persons, and unfortunately rather too wild!" The remaining class of out-and-out young gentlemen is composed of persons, who, having no money of their own and a soul above earning any, enjoy similar pleasures, nobody knows how. These respectable gentlemen, without aiming quite so much at the out-and-out in external appearance, are distinguished by all the same amiable and attractive characteristics, in an equal or perhaps greater degree, and now and then find their way into society, through the medium of the other class of out-and-out young gentlemen, who will sometimes carry them home, and who usually pay their tavern bills. As they are equally gentlemanly, clever, witty, intelligent, wise, and well-bred, we need scarcely have recommended them to the peculiar consideration of the young ladies, if it were not that some of the gentle creatures whom we hold in such high respect, are perhaps a little too apt to confound a great many heavier terms with the light word eccentricity, which we beg them henceforth to take in a strictly Johnsonian sense, without any liberality or latitude of construction. THE VERY FRIENDLY YOUNG GENTLEMAN. We know—and all people know—so many specimens of this class, that in selecting the few heads our limits enable us to take from a great number, we have been induced to give the very friendly young gentleman the preference over many others, to whose claims upon a more cursory view of the question we had felt disposed to assign the priority. The very friendly young gentleman is very friendly to everybody, but he attaches himself particularly to two, or at most to three families: regulating his choice by their dinners, their circle of acquaintance, or some other criterion in which he has an immediate interest. He is of any age between twenty and forty, unmarried of course, must be fond of children, and is expected to make himself generally useful if possible. Let us illustrate our meaning by an example, which is the shortest mode and the clearest. We encountered one day, by chance, an old friend of whom we had lost sight for some years, and who—expressing a strong anxiety to renew our former intimacy—urged us to dine with him on an early day, that we might talk over old times. We readily assented, adding, that we hoped we should be alone. "Oh, certainly, certainly," said our friend, "not a soul with us but Mincin." "And who is Mincin?’ was our natural inquiry. "O don’t mind him," replied our friend, "he’s a most particular friend of mine, and a very friendly fellow you will find him;" and so he left us. We thought no more about Mincin until we duly presented ourselves at the house next day, when, after a hearty welcome, our friend motioned towards a gentleman who had been previously showing his teeth by the fire-place, and gave us to understand that it was Mr. Mincin, of whom he had spoken. It required no great penetration on our part to discover at once that Mr. Mincin was in every respect a very friendly young gentleman. "I am delighted," said Mincin, hastily advancing, and pressing our hand warmly between both of his, "I am delighted, I am sure, to make your acquaintance—(here he smiled)—very much delighted indeed—(here he exhibited a little emotion)—I assure you that I have looked forward to it anxiously for a very long time:" here he released our hands, and rubbing his own, observed, that the day was severe, but that he was delighted to perceive from our appearance that it agreed with us wonderfully; and then went on to observe, that, notwithstanding the coldness of the weather, he had that morning seen in the paper an exceedingly curious paragraph, to the effect, that there was now in the garden of Mr. Wilkins of Chichester, a pumpkin, measuring four feet in height, and eleven feet seven inches in circumference, which he looked upon as a very extraordinary piece of intelligence. We ventured to remark, that we had a dim recollection of having once or twice before observed a similar paragraph in the public prints, upon which Mr. Mincin took us confidentially by the button, and said, Exactly, exactly, to be sure, we were very right, and he wondered what the editors meant by putting in such things. Who the deuce, he should like to know, did they suppose cared about them? that struck him as being the best of it. The lady of the house appeared shortly afterwards, and Mr. Mincin’s friendliness, as will readily be supposed, suffered no diminution in consequence; he exerted much strength and skill in wheeling a large easy-chair up to the fire, and the lady being seated in it, carefully closed the door, stirred the fire, and looked to the windows to see that they admitted no air; having satisfied himself upon all these points, he expressed himself quite easy in his mind, and begged to know how she found herself to-day. Upon the lady’s replying very well, Mr. Mincin (who it appeared was a medical gentleman) offered some general remarks upon the nature and treatment of colds in the head, which occupied us agreeably until dinner-time. During the meal, he devoted himself to complimenting everybody, not forgetting himself, so that we were an uncommonly agreeable quartette. "I’ll tell you what, Capper," said Mr. Mincin to our host, as he closed the room door after the lady had retired, "you have very great reason to be fond of your wife. Sweet woman, Mrs. Capper, sir!" "Nay, Mincin—I beg," interposed the host, as we were about to reply that Mrs. Capper unquestionably was particularly sweet. "Pray, Mincin, don’t." "Why not?" exclaimed Mr. Mincin, "why not? Why should you feel any delicacy before your old friend—our old friend, if I may be allowed to call you so, sir; why should you, I ask?" We of course wished to know why he should also, upon which our friend admitted that Mrs. Capper was a very sweet woman, at which admission Mr. Mincin cried "Bravo!" and begged to propose Mrs. Capper with heartfelt enthusiasm, whereupon our host said, "Thank you, Mincin," with deep feeling; and gave us, in a low voice, to understand, that Mincin had saved Mrs. Capper’s cousin’s life no less than fourteen times in a year and a half, which he considered no common circumstance—an opinion to which we most cordially subscribed. Now that we three were left to entertain ourselves with conversation, Mr. Mincin’s extreme friendliness became every moment more apparent; he was so amazingly friendly, indeed, that it was impossible to talk about anything in which he had not the chief concern. We happened to allude to some affairs in which our friend and we had been mutually engaged nearly fourteen years before, when Mr. Mincin was all at once reminded of a joke which our friend had made on that day four years, which he positively must insist upon telling—and which he did tell accordingly, with many pleasant recollections of what he said, and what Mrs. Capper said, and how he well remembered that they had been to the play with orders on the very night previous, and had seen Romeo and Juliet, and the pantomime, and how Mrs. Capper being faint had been led into the lobby, where she smiled, said it was nothing after all, and went back again, with many other interesting and absorbing particulars: after which the friendly young gentleman went on to assure us, that our friend had experienced a marvellously prophetic opinion of that same pantomime, which was of such an admirable kind, that two morning papers took the same view next day: to this our friend replied, with a little triumph, that in that instance he had some reason to think he had been correct, which gave the friendly young gentleman occasion to believe that our friend was always correct; and so we went on, until our friend, filling a bumper, said he must drink one glass to his dear friend Mincin, than whom he would say no man saved the lives of his acquaintances more, or had a more friendly heart. Finally, our friend having emptied his glass, said, "God bless you, Mincin,"—and Mr. Mincin and he shook hands across the table with much affection and earnestness. But great as the friendly young gentleman is, in a limited scene like this, he plays the same part on a larger scale with increased éclat. Mr. Mincin is invited to an evening party with his dear friends the Martins, where he meets his dear friends the Cappers, and his dear friends the Watsons, and a hundred other dear friends too numerous to mention. He is as much at home with the Martins as with the Cappers; but how exquisitely he balances his attentions, and divides them among his dear friends! If he flirts with one of the Miss Watsons, he has one little Martin on the sofa pulling his hair, and the other little Martin on the carpet riding on his foot. He carries Mrs. Watson down to supper on one arm, and Miss Martin on the other, and takes wine so judiciously, and in such exact order, that it is impossible for the most punctilious old lady to consider herself neglected. If any young lady, being prevailed upon to sing, become nervous afterwards, Mr. Mincin leads her tenderly into the next room, and restores her with port wine, which she must take medicinally. If any gentleman be standing by the piano during the progress of the ballad, Mr. Mincin seizes him by the arm at one point of the melody, and softly beating time the while with his head, expresses in dumb show his intense perception of the delicacy of the passage. If anybody’s self-love is to be flattered, Mr. Mincin is at hand. If anybody’s overweening vanity is to be pampered, Mr. Mincin will surfeit it. What wonder that people of all stations and ages recognise Mr. Mincin’s friendliness; that he is universally allowed to be handsome as amiable; that mothers think him an oracle, daughters a dear, brothers a beau, and fathers a wonder! And who would not have the reputation of the very friendly young gentleman? THE MILITARY YOUNG GENTLEMAN. We are rather at a loss to imagine how it has come to pass that military young gentlemen have obtained so much favour in the eyes of the young ladies of this kingdom. We cannot think so lightly of them as to suppose that the mere circumstance of a man’s wearing a red coat ensures him a ready passport to their regard; and even if this were the case, it would be no satisfactory explanation of the circumstance, because, although the analogy may in some degree hold good in the case of mail coachmen and guards, still general postmen wear red coats, and they are not to our knowledge better received than other men; nor are firemen either, who wear (or used to wear) not only red coats, but very resplendent and massive badges besides—much larger than epaulettes. Neither do the twopenny post-office boys, if the result of our inquiries be correct, find any peculiar favour in woman’s eyes, although they wear very bright red jackets, and have the additional advantage of constantly appearing in public on horseback, which last circumstance may be naturally supposed to be greatly in their favour. We have sometimes thought that this phenomenon may take its rise in the conventional behaviour of captains and colonels and other gentlemen in red coats on the stage, where they are invariably represented as fine swaggering fellows, talking of nothing but charming girls, their king and country, their honour, and their debts, and crowing over the inferior classes of the community, whom they occasionally treat with a little gentlemanly swindling, no less to the improvement and pleasure of the audience, than to the satisfaction and approval of the choice spirits who consort with them. But we will not devote these pages to our speculations upon the subject, inasmuch as our business at the present moment is not so much with the young ladies who are bewitched by her Majesty’s livery as with the young gentlemen whose heads are turned by it. For "heads" we had written "brains;" but upon consideration, we think the former the more appropriate word of the two. These young gentlemen may be divided into two classes—young gentlemen who are actually in the army, and young gentlemen who, having an intense and enthusiastic admiration for all things appertaining to a military life, are compelled by adverse fortune or adverse relations to wear out their existence in some ignoble counting-house. We will take this latter description of military young gentlemen first. The whole heart and soul of the military young gentleman are concentrated in his favourite topic. There is nothing that he is so learned upon as uniforms; he will tell you, without faltering for an instant, what the habiliments of any one regiment are turned up with, what regiment wear stripes down the outside and inside of the leg, and how many buttons the Tenth had on their coats; he knows to a fraction how many yards and odd inches of gold lace it takes to make an ensign in the Guards; is deeply read in the comparative merits of different bands, and the apparelling of trumpeters; and is very luminous indeed in descanting upon "crack regiments," and the "crack" gentlemen who compose them, of whose mightiness and grandeur he is never tired of telling. We were suggesting to a military young gentleman only the other day, after he had related to us several dazzling instances of the profusion of half-a-dozen honourable ensign somebodies or nobodies in the articles of kid gloves and polished boots, that possibly "cracked" regiments would be an improvement upon "crack," as being a more expressive and appropriate designation, when he suddenly interrupted us by pulling out his watch, and observing that he must hurry off to the Park in a cab, or he would be too late to hear the band play. Not wishing to interfere with so important an engagement, and being in fact already slightly overwhelmed by the anecdotes of the honourable ensigns afore-mentioned, we made no attempt to detain the military young gentleman, but parted company with ready good-will. Some three or four hours afterwards, we chanced to be walking down Whitehall, on the Admiralty side of the way, when, as we drew near to one of the little stone places in which a couple of horse soldiers mount guard in the day-time, we were attracted by the motionless appearance and eager gaze of a young gentleman, who was devouring both man and horse with his eyes, so eagerly, that he seemed deaf and blind to all that was passing around him. We were not much surprised at the discovery that it was our friend, the military young gentleman, but we were a little astonished when we returned from a walk to South Lambeth to find him still there, looking on with the same intensity as before. As it was a very windy day, we felt bound to awaken the young gentleman from his reverie, when he inquired of us with great enthusiasm, whether "that was not a glorious spectacle," and proceeded to give us a detailed account of the weight of every article of the spectacle’s trappings, from the man’s gloves to the horse’s shoes. We have made it a practice since, to take the Horse Guards in our daily walk, and we find it is the custom of military young gentlemen to plant themselves opposite the sentries, and contemplate them at leisure, in periods varying from fifteen minutes to fifty, and averaging twenty-five. We were much struck a day or two since, by the behaviour of a very promising young butcher who (evincing an interest in the service, which cannot be too strongly commanded or encouraged), after a prolonged inspection of the sentry, proceeded to handle his boots with great curiosity, and as much composure and indifference as if the man were wax-work. But the really military young gentleman is waiting all this time, and at the very moment that an apology rises to our lips, he emerges from the barrack gate (he is quartered in a garrison town), and takes the way towards the high street. He wears his undress uniform, which somewhat mars the glory of his outward man; but still how great, how grand, he is! What a happy mixture of ease and ferocity in his gait and carriage, and how lightly he carries that dreadful sword under his arm, making no more ado about it than if it were a silk umbrella! The lion is sleeping: only think if an enemy were in sight, how soon he’d whip it out of the scabbard, and what a terrible fellow he would be! But he walks on, thinking of nothing less than blood and slaughter; and now he comes in sight of three other military young gentlemen, arm-in-arm, who are bearing down towards him, clanking their iron heels on the pavement, and clashing their swords with a noise, which should cause all peaceful men to quail at heart. They stop to talk. See how the flaxen-haired young gentleman with the weak legs—he who has his pocket-handkerchief thrust into the breast of his coat-glares upon the fainthearted civilians who linger to look upon his glory; how the next young gentleman elevates his head in the air, and majestically places his arms a-kimbo, while the third stands with his legs very wide apart, and clasps his hands behind him. Well may we inquire—not in familiar jest, but in respectful earnest—if you call that nothing. Oh! if some encroaching foreign power—the emperor of Russia, for instance, or any of those deep fellows, could only see those military young gentlemen as they move on together towards the billiard-room over the way, wouldn’t he tremble a little! And then, at the Theatre at night, when the performances are by command of Colonel Fitz-Sordust and the officers of the garrison—what a splendid sight it is! How sternly the defenders of their country look round the house as if in mute assurance to the audience, that they may make themselves comfortable regarding any foreign invasion, for they (the military young gentlemen) are keeping a sharp look-out, and are ready for anything. And what a contrast between them, and that stage-box full of grey-headed officers with tokens of many battles about them, who have nothing at all in common with the military young gentlemen, and who—but for an old-fashioned kind of manly dignity in their looks and bearing—might be common hard-working soldiers for anything they take the pains to announce to the contrary! Ah! here is a family just come in who recognise the flaxen-headed young gentleman; and the flaxen-headed young gentleman recognises them too, only he doesn’t care to show it just now. Very well done indeed! He talks louder to the little group of military young gentlemen who are standing by him, and coughs to induce some ladies in the next box but one to look round, in order that their faces may undergo the same ordeal of criticism to which they have subjected, in not a wholly inaudible tone, the majority of the female portion of the audience. Oh! a gentleman in the same box looks round as if he were disposed to resent this as an impertinence; and the flaxen-headed young gentleman sees his friends at once, and hurries away to them with the most charming cordiality. Three young ladies, one young man, and the mamma of the party, receive the military young gentleman with great warmth and politeness, and in five minutes afterwards the military young gentleman, stimulated by the mamma, introduces the two other military young gentlemen with whom he was walking in the morning, who take their seats behind the young ladies and commence conversation; whereat the mamma bestows a triumphant bow upon a rival mamma, who has not succeeded in decoying any military young gentlemen, and prepares to consider her visitors from that moment three of the most elegant and superior young gentlemen in the whole world. THE POLITICAL YOUNG GENTLEMAN. Once upon a time—not in the days when pigs drank wine, but in a more recent period of our history—it was customary to banish politics when ladies were present. If this usage still prevailed, we should have had no chapter for political young gentlemen, for ladies would have neither known nor cared what kind of monster a political young gentleman was. But as this good custom in common with many others has "gone out," and left no word when it is likely to be home again; as political young ladies are by no means rare, and political young gentlemen the very reverse of scarce, we are bound in the strict discharge of our most responsible duty not to neglect this natural division of our subject. If the political young gentleman be resident in a country town (and there are political young gentlemen in country towns sometimes), he is wholly absorbed in his politics; as a pair of purple spectacles communicate the same uniform tint to all objects near and remote, so the political glasses, with which the young gentleman assists his mental vision, give to everything the hue and tinge of party feeling. The political young gentleman would as soon think of being struck with the beauty of a young lady in the opposite interest, as he would dream of marrying his sister to the opposite member. If the political young gentleman be a Conservative, he has usually some vague ideas about Ireland and the Pope which he cannot very clearly explain, but which he knows are the right sort of thing, and not to be very easily got over by the other side. He has also some choice sentences regarding church and state, culled from the banners in use at the last election, with which he intersperses his conversation at intervals with surprising effect. But his great topic is the constitution, upon which he will declaim, by the hour together, with much heat and fury; not that he has any particular information on the subject, but because he knows that the constitution is somehow church and state, and church and state somehow the constitution, and that the fellows on the other side say it isn’t, which is quite a sufficient reason for him to say it is, and to stick to it. Perhaps his greatest topic of all, though, is the people. If a fight takes place in a populous town, in which many noses are broken, and a few windows, the young gentleman throws down the newspaper with a triumphant air, and exclaims, "Here’s your precious people!" If half-a-dozen boys run across the course at race time, when it ought to be kept clear, the young gentleman looks indignantly round, and begs you to observe the conduct of the people; if the gallery demand a hornpipe between the play and the afterpiece, the same young gentleman cries "No" and "Shame" till he is hoarse, and then inquires with a sneer what you think of popular moderation now; in short, the people form a never-failing theme for him; and when the attorney, on the side of his candidate, dwells upon it with great power of eloquence at election time, as he never fails to do, the young gentleman and his friends, and the body they head, cheer with great violence against the other people, with whom, of course, they have no possible connexion. In much the same manner the audience at a theatre never fail to be highly amused with any jokes at the expense of the public—always laughing heartily at some other public, and never at themselves. If the political young gentleman be a Radical, he is usually a very profound person indeed, having great store of theoretical questions to put to you, with an infinite variety of possible cases and logical deductions therefrom. If he be of the utilitarian school, too, which is more than probable, he is particularly pleasant company, having many ingenious remarks to offer upon the voluntary principle and various cheerful disquisitions connected with the population of the country, the position of Great Britain in the scale of nations, and the balance of power. Then he is exceedingly well versed in all doctrines of political economy as laid down in the newspapers, and knows a great many parliamentary speeches by heart; nay, he has a small stock of aphorisms, none of them exceeding a couple of lines in length, which will settle the toughest question and leave you nothing to say. He gives all the young ladies to understand, that Miss Martineau is the greatest woman that ever lived; and when they praise the good looks of Mr. Hawkins the new member, says he’s very well for a representative, all things considered, but he wants a little calling to account, and he is more than half afraid it will be necessary to bring him down on his knees for that vote on the miscellaneous estimates. At this, the young ladies express much wonderment, and say surely a Member of Parliament is not to be brought upon his knees so easily; in reply to which the political young gentleman smiles sternly, and throws out dark hints regarding the speedy arrival of that day, when Members of Parliament will be paid salaries, and required to render weekly accounts of their proceedings, at which the young ladies utter many expressions of astonishment and incredulity, while their lady-mothers regard the prophecy as little else than blasphemous. It is extremely improving and interesting to hear two political young gentlemen, of diverse opinions, discuss some great question across a dinner-table; such as, whether, if the public were admitted to Westminster Abbey for nothing, they would or would not convey small chisels and hammers in their pockets, and immediately set about chipping all the noses off the statues; or whether, if they once got into the Tower for a shilling, they would not insist upon trying the crown on their own heads, and loading and firing off all the small arms in the armoury, to the great discomposure of Whitechapel and the Minories. Upon these, and many other momentous questions which agitate the public mind in these desperate days, they will discourse with great vehemence and irritation for a considerable time together, both leaving off precisely where they began, and each thoroughly persuaded that he has got the better of the other. In society, at assemblies, balls, and playhouses, these political young gentlemen are perpetually on the watch for a political allusion, or anything which can be tortured or construed into being one; when, thrusting themselves into the very smallest openings for their favourite discourse, they fall upon the unhappy company tooth and nail. They have recently had many favourable opportunities of opening in churches, but as there the clergyman has it all his own way, and must not be contradicted, whatever politics he preaches, they are fain to hold their tongues until they reach the outer door, though at the imminent risk of bursting in the effort. As such discussions can please nobody but the talkative parties concerned, we hope they will henceforth take the hint and discontinue them, otherwise we now give them warning, that the ladies have our advice to discountenance such talkers altogether. THE DOMESTIC YOUNG GENTLEMAN. Let us make a slight sketch of our amiable friend, Mr. Felix Nixon. We are strongly disposed to think, that if we put him in this place, he will answer our purpose without another word of comment. Felix, then, is a young gentleman who lives at home with his mother, just within the twopenny-post office circle of three miles from St. Martin le Grand. He wears India-rubber goloshes when the weather is at all damp, and always has a silk handkerchief neatly folded up in the right-hand pocket of his great-coat, to tie over his mouth when he goes home at night; moreover, being rather near-sighted, he carries spectacles for particular occasions, and has a weakish tremulous voice, of which he makes great use, for he talks as much as any old lady breathing. The two chief subjects of Felix’s discourse, are himself and his mother, both of whom would appear to be very wonderful and interesting persons. As Felix and his mother are seldom apart in body, so Felix and his mother are scarcely ever separate in spirit. If you ask Felix how he finds himself to-day, he prefaces his reply with a long and minute bulletin of his mother’s state of health; and the good lady in her turn, edifies her acquaintance with a circumstantial and alarming account, how he sneezed four times and coughed once after being out in the rain the other night, but having his feet promptly put into hot water, and his head into a flannel-something, which we will not describe more particularly than by this delicate allusion, was happily brought round by the next morning, and enabled to go to business as usual. Our friend is not a very adventurous or hot-headed person, but he has passed through many dangers, as his mother can testify: there is one great story in particular, concerning a hackney coachman who wanted to overcharge him one night for bringing them home from the play, upon which Felix gave the aforesaid coachman a look which his mother thought would have crushed him to the earth, but which did not crush him quite, for he continued to demand another sixpence, notwithstanding that Felix took out his pocket-book, and, with the aid of a flat candle, pointed out the fare in print, which the coachman obstinately disregarding, he shut the street-door with a slam which his mother shudders to think of; and then, roused to the most appalling pitch of passion by the coachman knocking a double knock to show that he was by no means convinced, he broke with uncontrollable force from his parent and the servant girl, and running into the street without his hat, actually shook his fist at the coachman, and came back again with a face as white, Mrs. Nixon says, looking about her for a simile, as white as that ceiling. She never will forget his fury that night, Never! To this account Felix listens with a solemn face, occasionally looking at you to see how it affects you, and when his mother has made an end of it, adds that he looked at every coachman he met for three weeks afterwards, in hopes that he might see the scoundrel; whereupon Mrs. Nixon, with an exclamation of terror, requests to know what he would have done to him if he had seen him, at which Felix smiling darkly and clenching his right fist, she exclaims, "Goodness gracious!" with a distracted air, and insists upon extorting a promise that he never will on any account do anything so rash, which her dutiful son—it being something more than three years since the offence was committed—reluctantly concedes, and his mother, shaking her head prophetically, fears with a sigh that his spirit will lead him into something violent yet. The discourse then, by an easy transition, turns upon the spirit which glows within the bosom of Felix, upon which point Felix himself becomes eloquent, and relates a thrilling anecdote of the time when he used to sit up till two o’clock in the morning reading French, and how his mother used to say, "Felix, you will make yourself ill, I know you will;" and how he used to say, "Mother, I don’t care—I will do it;" and how at last his mother privately procured a doctor to come and see him, who declared, the moment he felt his pulse, that if he had gone on reading one night more—only one night more—he must have put a blister on each temple, and another between his shoulders; and who, as it was, sat down upon the instant, and writing a prescription for a blue pill, said it must be taken immediately, or he wouldn’t answer for the consequences. The recital of these and many other moving perils of the like nature, constantly harrows up the feelings of Mr. Nixon’s friends. Mrs. Nixon has a tolerably extensive circle of female acquaintance, being a good-humoured, talkative, bustling little body, and to the unmarried girls among them she is constantly vaunting the virtues of her son, hinting that she will be a very happy person who wins him, but that they must mind their P’s and Q’s, for he is very particular, and terribly severe upon young ladies. At this last caution the young ladies resident in the same row, who happen to be spending the evening there, put their pocket-handkerchiefs before their mouths, and are troubled with a short cough; just then Felix knocks at the door, and his mother drawing the tea-table nearer the fire, calls out to him as he takes off his boots in the back parlour that he needn’t mind coming in in his slippers, for there are only the two Miss Greys and Miss Thompson, and she is quite sure they will excuse him, and nodding to the two Miss Greys, she adds, in a whisper, that Julia Thompson is a great favourite with Felix, at which intelligence the short cough comes again, and Miss Thompson in particular is greatly troubled with it, till Felix coming in, very faint for want of his tea, changes the subject of discourse, and enables her to laugh out boldly and tell Amelia Grey not to be so foolish. Here they all three laugh, and Mrs. Nixon says they are giddy girls; in which stage of the proceedings, Felix, who has by this time refreshened himself with the grateful herb that "cheers but not inebriates," removes his cup from his countenance and says with a knowing smile, that all girls are; whereat his admiring mamma pats him on the back and tells him not to be sly, which calls forth a general laugh from the young ladies, and another smile from Felix, who, thinking he looks very sly indeed, is perfectly satisfied. Tea being over, the young ladies resume their work, and Felix insists upon holding a skein of silk while Miss Thompson winds it on a card. This process having been performed to the satisfaction of all parties, he brings down his flute in compliance with a request from the youngest Miss Grey, and plays divers tunes out of a very small music-book till supper-time, when he is very facetious and talkative indeed. Finally, after half a tumblerful of warm sherry and water, he gallantly puts on his goloshes over his slippers, and telling Miss Thompson’s servant to run on first and get the door open, escorts that young lady to her house, five doors off: the Miss Greys who live in the next house but one stopping to peep with merry faces from their own door till he comes back again, when they call out "Very well, Mr. Felix," and trip into the passage with a laugh more musical than any flute that was ever played. Felix is rather prim in his appearance, and perhaps a little priggish about his books and flute, and so forth, which have all their peculiar corners of peculiar shelves in his bedroom; indeed all his female acquaintance (and they are good judges) have long ago set him down as a thorough old bachelor. He is a favourite with them however, in a certain way, as an honest inoffensive, kind-hearted creature; and as his peculiarities harm nobody, not even himself, we are induced to hope that many who are not personally acquainted with him will take our good word in his behalf, and be content to leave him to a long continuance of his harmless existence. THE CENSORIOUS YOUNG GENTLEMAN. There is an amiable kind of young gentleman going about in society, upon whom, after much experience of him, and considerable turning over of the subject in our mind, we feel it our duty to affix the above appellation. Young ladies mildly call him a "sarcastic" young gentleman, or a "severe" young gentleman. We, who know better, beg to acquaint them with the fact, that he is merely a censorious young gentleman, and nothing else. The censorious young gentleman has the reputation among his familiars of a remarkably clever person, which he maintains by receiving all intelligence and expressing all opinions with a dubious sneer, accompanied with a half smile, expressive of anything you please but good-humour. This sets people about thinking what on earth the censorious young gentleman means, and they speedily arrive at the conclusion that he means something very deep indeed; for they reason in this way—"This young gentleman looks so very knowing that he must mean something, and as I am by no means a dull individual, what a very deep meaning he must have if I can’t find it out!" It is extraordinary how soon a censorious young gentleman may make a reputation in his own small circle if he bear this in his mind, and regulate his proceedings accordingly. As young ladies are generally—not curious, but laudably desirous to acquire information, the censorious young gentleman is much talked about among them, and many surmises are hazarded regarding him. "I wonder," exclaims the eldest Miss Greenwood, laying down her work to turn up the lamp, "I wonder whether Mr. Fairfax will ever be married." "Bless me, dear,’ cries Miss Marshall, "what ever made you think of him?" "Really I hardly know," replies Miss Greenwood; "he is such a very mysterious person, that I often wonder about him." "Well, to tell you the truth,’ replies Miss Marshall, "and so do I." Here two other young ladies profess that they are constantly doing the like, and all present appear in the same condition except one young lady, who, not scrupling to state that she considers Mr. Fairfax "a horror," draws down all the opposition of the others, which having been expressed in a great many ejaculatory passages, such as "Well, did I ever!"—and "Lor, Emily, dear!" ma takes up the subject, and gravely states, that she must say she does not think Mr. Fairfax by any means a horror, but rather takes him to be a young man of very great ability; "and I am quite sure," adds the worthy lady, "he always means a great deal more than he says." The door opens at this point of the disclosure, and who of all people alive walks into the room, but the very Mr. Fairfax, who has been the subject of conversation! "Well, it really is curious," cries ma, "we were at that very moment talking about you." "You did me great honour," replies Mr. Fairfax;"‘may I venture to ask what you were saying?" "Why, if you must know," returns the eldest girl, "we were remarking what a very mysterious man you are." "Ay, ay!" observes Mr. Fairfax, "Indeed!" Now Mr. Fairfax says this ay, ay, and indeed, which are slight words enough in themselves, with so very unfathomable an air, and accompanies them with such a very equivocal smile, that ma and the young ladies are more than ever convinced that he means an immensity, and so tell him he is a very dangerous man, and seems to be always thinking ill of somebody, which is precisely the sort of character the censorious young gentleman is most desirous to establish; wherefore he says, "Oh, dear, no," in a tone, obviously intended to mean, "You have me there," and which gives them to understand that they have hit the right nail on the very centre of its head. When the conversation ranges from the mystery overhanging the censorious young gentleman’s behaviour, to the general topics of the day, he sustains his character to admiration. He considers the new tragedy well enough for a new tragedy, but Lord bless us—well, no matter; he could say a great deal on that point, but he would rather not, lest he should be thought ill-natured, as he knows he would be. "But is not Mr. So-and-so’s performance truly charming?" inquires a young lady. "Charming!" replies the censorious young gentleman. "Oh, dear, yes, certainly; very charming—oh, very charming indeed." After this, he stirs the fire, smiling contemptuously all the while: and a modest young gentleman, who has been a silent listener, thinks what a great thing it must be, to have such a critical judgment. Of music, pictures, books, and poetry, the censorious young gentleman has an equally fine conception. As to men and women, he can tell all about them at a glance. "Now let us hear your opinion of young Mrs. Barker," says some great believer in the powers of Mr. Fairfax, "but don’t be too severe." "I never am severe," replies the censorious young gentleman. "Well, never mind that now. She is very lady-like, is she not?" "Lady-like!" repeats the censorious young gentleman (for he always repeats when he is at a loss for anything to say). "Did you observe her manner? Bless my heart and soul, Mrs. Thompson, did you observe her manner?—that’s all I ask." "I thought I had done so," rejoins the poor lady, much perplexed; "I did not observe it very closely perhaps." "Oh, not very closely," rejoins the censorious young gentleman, triumphantly. "Very good; then I did. Let us talk no more about her." The censorious young gentleman purses up his lips, and nods his head sagely, as he says this; and it is forthwith whispered about, that Mr. Fairfax (who, though he is a little prejudiced, must be admitted to be a very excellent judge) has observed something exceedingly odd in Mrs. Barker’s manner. THE FUNNY YOUNG GENTLEMAN. As one funny young gentleman will serve as a sample of all funny young gentlemen we purpose merely to note down the conduct and behaviour of an individual specimen of this class, whom we happened to meet at an annual family Christmas party in the course of this very last Christmas that ever came. We were all seated round a blazing fire which crackled pleasantly as the guests talked merrily and the urn steamed cheerily—for, being an old-fashioned party, there was an urn, and a teapot besides—when there came a postman’s knock at the door, so violent and sudden, that it startled the whole circle, and actually caused two or three very interesting and most unaffected young ladies to scream aloud and to exhibit many afflicting symptoms of terror and distress, until they had been several times assured by their respective adorers, that they were in no danger. We were about to remark that it was surely beyond post-time, and must have been a runaway knock, when our host, who had hitherto been paralysed with wonder, sank into a chair in a perfect ecstasy of laughter, and offered to lay twenty pounds that it was that droll dog Griggins. He had no sooner said this, than the majority of the company and all the children of the house burst into a roar of laughter too, as if some inimitable joke flashed upon them simultaneously, and gave vent to various exclamations of—To be sure it must be Griggins, and How like him that was, and What spirits he was always in! with many other commendatory remarks of the like nature. Not having the happiness to know Griggins, we became extremely desirous to see so pleasant a fellow, the more especially as a stout gentleman with a powdered head, who was sitting with his breeches buckles almost touching the hob, whispered us he was a wit of the first water, when the door opened, and Mr. Griggins being announced, presented himself, amidst another shout of laughter and a loud clapping of hands from the younger branches. This welcome he acknowledged by sundry contortions of countenance, imitative of the clown in one of the new pantomimes, which were so extremely successful, that one stout gentleman rolled upon an ottoman in a paroxysm of delight, protesting, with many gasps, that if somebody didn’t make that fellow Griggins leave off, he would be the death of him, he knew. At this the company only laughed more boisterously than before, and as we always like to accommodate our tone and spirit if possible to the humour of any society in which we find ourself, we laughed with the rest, and exclaimed, "Oh! capital, capital!" as loud as any of them. When he had quite exhausted all beholders, Mr. Griggins received the welcomes and congratulations of the circle, and went through the needful introductions with much ease and many puns. This ceremony over, he avowed his intention of sitting in somebody’s lap unless the young ladies made room for him on the sofa, which being done, after a great deal of tittering and pleasantry, he squeezed himself among them, and likened his condition to that of love among the roses. At this novel jest we all roared once more. "You should consider yourself highly honoured, sir," said we. "Sir," replied Mr. Griggins, "you do me proud." Here everybody laughed again; and the stout gentleman by the fire whispered in our ear that Griggins was making a dead set at us. The tea things having been removed, we all sat down to a round game, and here Mr. Griggins shone forth with peculiar brilliancy, abstracting other people’s fish, and looking over their hands in the most comical manner. He made one most excellent joke in snuffing a candle, which was neither more nor less than setting fire to the hair of a pale young gentleman who sat next him, and afterwards begging his pardon with considerable humour. As the young gentleman could not see the joke however, possibly in consequence of its being on the top of his own head, it did not go off quite as well as it might have done; indeed, the young gentleman was heard to murmur some general references to "impertinence," and a "rascal," and to state the number of his lodgings in an angry tone—a turn of the conversation which might have been productive of slaughterous consequences, if a young lady, betrothed to the young gentleman, had not used her immediate influence to bring about a reconciliation: emphatically declaring in an agitated whisper, intended for his peculiar edification but audible to the whole table, that if he went on in that way, she never would think of him otherwise than as a friend, though as that she must always regard him. At this terrible threat the young gentleman became calm, and the young lady, overcome by the revulsion of feeling, instantaneously fainted. Mr. Griggins’s spirits were slightly depressed for a short period by this unlooked-for result of such a harmless pleasantry, but being promptly elevated by the attentions of the host and several glasses of wine, he soon recovered, and became even more vivacious than before, insomuch that the stout gentleman previously referred to, assured us that although he had known him since he was that high (something smaller than a nutmeg-grater), he had never beheld him in such excellent cue. When the round game and several games at blind man’s buff which followed it were all over, and we were going down to supper, the inexhaustible Mr. Griggins produced a small sprig of mistletoe from his waistcoat pocket, and commenced a general kissing of the assembled females, which occasioned great commotion and much excitement. We observed that several young gentlemen—including the young gentleman with the pale countenance—were greatly scandalised at this indecorous proceeding, and talked very big among themselves in corners; and we observed too, that several young ladies when remonstrated with by the aforesaid young gentlemen, called each other to witness how they had struggled, and protested vehemently that it was very rude, and that they were surprised at Mrs. Brown’s allowing it, and that they couldn’t bear it, and had no patience with such impertinence. But such is the gentle and forgiving nature of woman, that although we looked very narrowly for it, we could not detect the slightest harshness in the subsequent treatment of Mr. Griggins. Indeed, upon the whole, it struck us that among the ladies he seemed rather more popular than before! To recount all the drollery of Mr. Griggins at supper, would fill such a tiny volume as this, to the very bottom of the outside cover. How he drank out of other people’s glasses, and ate of other people’s bread, how he frightened into screaming convulsions a little boy who was sitting up to supper in a high chair, by sinking below the table and suddenly reappearing with a mask on; how the hostess was really surprised that anybody could find a pleasure in tormenting children, and how the host frowned at the hostess, and felt convinced that Mr. Griggins had done it with the very best intentions; how Mr. Griggins explained, and how everybody’s good-humour was restored but the child’s;—to tell these and a hundred other things ever so briefly, would occupy more of our room and our readers’ patience, than either they or we can conveniently spare. Therefore we change the subject, merely observing that we have offered no description of the funny young gentleman’s personal appearance, believing that almost every society has a Griggins of its own, and leaving all readers to supply the deficiency, according to the particular circumstances of their particular case. THE THEATRICAL YOUNG GENTLEMAN. All gentlemen who love the drama—and there are few gentlemen who are not attached to the most intellectual and rational of all our amusements—do not come within this definition. As we have no mean relish for theatrical entertainments ourself, we are disinterestedly anxious that this should be perfectly understood. The theatrical young gentleman has early and important information on all theatrical topics. "Well," says he, abruptly, when you meet him in the street, "here’s a pretty to-do. Flimkins has thrown up his part in the melodrama at the Surrey."—"And what’s to be done?’ you inquire with as much gravity as you can counterfeit. "Ah, that’s the point," replies the theatrical young gentleman, looking very serious; "Boozle declines it; positively declines it. From all I am told, I should say it was decidedly in Boozle’s line, and that he would be very likely to make a great hit in it; but he objects on the ground of Flimkins having been put up in the part first, and says no earthly power shall induce him to take the character. It’s a fine part, too—excellent business, I’m told. He has to kill six people in the course of the piece, and to fight over a bridge in red fire, which is as safe a card, you know, as can be. Don’t mention it; but I hear that the last scene, when he is first poisoned, and then stabbed, by Mrs. Flimkins as Vengedora, will be the greatest thing that has been done these many years." With this piece of news, and laying his finger on his lips as a caution for you not to excite the town with it, the theatrical young gentleman hurries away. The theatrical young gentleman, from often frequenting the different theatrical establishments, has pet and familiar names for them all. Thus Covent-Garden is the garden, Drury-Lane the lane, the Victoria the vic, and the Olympic the pic. Actresses, too, are always designated by their surnames only, as Taylor, Nisbett, Faucit, Honey; that talented and lady-like girl Sheriff, that clever little creature Horton, and so on. In the same manner he prefixes Christian names when he mentions actors, as Charley Young, Jemmy Buckstone, Fred. Yates, Paul Bedford. When he is at a loss for a Christian name, the word "old" applied indiscriminately answers quite as well: as old Charley Matthews at Vestris’s, old Harley, and old Braham. He has a great knowledge of the private proceedings of actresses, especially of their getting married, and can tell you in a breath half-a-dozen who have changed their names without avowing it. Whenever an alteration of this kind is made in the playbills, he will remind you that he let you into the secret six months ago. The theatrical young gentleman has a great reverence for all that is connected with the stage department of the different theatres. He would, at any time, prefer going a street or two out of his way, to omitting to pass a stage-entrance, into which he always looks with a curious and searching eye. If he can only identify a popular actor in the street, he is in a perfect transport of delight; and no sooner meets him, than he hurries back, and walks a few paces in front of him, so that he can turn round from time to time, and have a good stare at his features. He looks upon a theatrical-fund dinner as one of the most enchanting festivities ever known; and thinks that to be a member of the Garrick Club, and see so many actors in their plain clothes, must be one of the highest gratifications the world can bestow. The theatrical young gentleman is a constant half-price visitor at one or other of the theatres, and has an infinite relish for all pieces which display the fullest resources of the establishment. He likes to place implicit reliance upon the play-bills when he goes to see a show-piece, and works himself up to such a pitch of enthusiasm, as not only to believe (if the bills say so) that there are three hundred and seventy-five people on the stage at one time in the last scene, but is highly indignant with you, unless you believe it also. He considers that if the stage be opened from the foot-lights to the back wall, in any new play, the piece is a triumph of dramatic writing, and applauds accordingly. He has a great notion of trap-doors too; and thinks any character going down or coming up a trap (no matter whether he be an angel or a demon—they both do it occasionally) one of the most interesting feats in the whole range of scenic illusion. Besides these acquirements, he has several veracious accounts to communicate of the private manners and customs of different actors, which, during the pauses of a quadrille, he usually communicates to his partner, or imparts to his neighbour at a supper table. Thus he is advised, that Mr. Liston always had a footman in gorgeous livery waiting at the side-scene with a brandy bottle and tumbler, to administer half a pint or so of spirit to him every time he came off, without which assistance he must infallibly have fainted. He knows for a fact, that, after an arduous part, Mr. George Bennett is put between two feather beds, to absorb the perspiration; and is credibly informed, that Mr. Baker has, for many years, submitted to a course of lukewarm toast-and-water, to qualify him to sustain his favourite characters. He looks upon Mr. Fitz Ball as the principal dramatic genius and poet of the day; but holds that there are great writers extant besides him,—in proof whereof he refers you to various dramas and melodramas recently produced, of which he takes in all the sixpenny and three-penny editions as fast as they appear. The theatrical young gentleman is a great advocate for violence of emotion and redundancy of action. If a father has to curse a child upon the stage, he likes to see it done in the thorough-going style, with no mistake about it: to which end it is essential that the child should follow the father on her knees, and be knocked violently over on her face by the old gentleman as he goes into a small cottage, and shuts the door behind him. He likes to see a blessing invoked upon the young lady, when the old gentleman repents, with equal earnestness, and accompanied by the usual conventional forms, which consist of the old gentleman looking anxiously up into the clouds, as if to see whether it rains, and then spreading an imaginary tablecloth in the air over the young lady’s head—soft music playing all the while. Upon these, and other points of a similar kind, the theatrical young gentleman is a great critic indeed. He is likewise very acute in judging of natural expressions of the passions, and knows precisely the frown, wink, nod, or leer, which stands for any one of them, or the means by which it may be converted into any other: as jealousy, with a good stamp of the right foot, becomes anger; or wildness, with the hands clasped before the throat, instead of tearing the wig, is passionate love. If you venture to express a doubt of the accuracy of any of these portraitures, the theatrical young gentleman assures you, with a haughty smile, that it always has been done in that way, and he supposes they are not going to change it at this time of day to please you; to which, of course, you meekly reply that you suppose not. There are innumerable disquisitions of this nature, in which the theatrical young gentleman is very profound, especially to ladies whom he is most in the habit of entertaining with them; but as we have no space to recapitulate them at greater length, we must rest content with calling the attention of the young ladies in general to the theatrical young gentlemen of their own acquaintance. THE POETICAL YOUNG GENTLEMAN. Time was, and not very long ago either, when a singular epidemic raged among the young gentlemen, vast numbers of whom, under the influence of the malady, tore off their neckerchiefs, turned down their shirt collars, and exhibited themselves in the open streets with bare throats and dejected countenances, before the eyes of an astonished public. These were poetical young gentlemen. The custom was gradually found to be inconvenient, as involving the necessity of too much clean linen and too large washing bills, and these outward symptoms have consequently passed away; but we are disposed to think, notwithstanding, that the number of poetical young gentlemen is considerably on the increase. We know a poetical young gentleman—a very poetical young gentleman. We do not mean to say that he is troubled with the gift of poesy in any remarkable degree, but his countenance is of a plaintive and melancholy cast, his manner is abstracted and bespeaks affliction of soul: he seldom has his hair cut, and often talks about being an outcast and wanting a kindred spirit; from which, as well as from many general observations in which he is wont to indulge, concerning mysterious impulses, and yearnings of the heart, and the supremacy of intellect gilding all earthly things with the glowing magic of immortal verse, it is clear to all his friends that he has been stricken poetical. The favourite attitude of the poetical young gentleman is lounging on a sofa with his eyes fixed upon the ceiling, or sitting bolt upright in a high-backed chair, staring with very round eyes at the opposite wall. When he is in one of these positions, his mother, who is a worthy, affectionate old soul, will give you a nudge to bespeak your attention without disturbing the abstracted one, and whisper with a shake of the head, that John’s imagination is at some extraordinary work or other, you may take her word for it. Hereupon John looks more fiercely intent upon vacancy than before, and suddenly snatching a pencil from his pocket, puts down three words, and a cross on the back of a card, sighs deeply, paces once or twice across the room, inflicts a most unmerciful slap upon his head, and walks moodily up to his dormitory. The poetical young gentleman is apt to acquire peculiar notions of things too, which plain ordinary people, unblessed with a poetical obliquity of vision, would suppose to be rather distorted. For instance, when the sickening murder and mangling of a wretched woman was affording delicious food wherewithal to gorge the insatiable curiosity of the public, our friend the poetical young gentleman was in ecstasies—not of disgust, but admiration. "Heavens!" cried the poetical young gentleman, "how grand; how great!" We ventured deferentially to inquire upon whom these epithets were bestowed: our humble thoughts oscillating between the police officer who found the criminal, and the lock-keeper who found the head. "Upon whom!" exclaimed the poetical young gentleman in a frenzy of poetry, "Upon whom should they be bestowed but upon the murderer!"—and thereupon it came out, in a fine torrent of eloquence, that the murderer was a great spirit, a bold creature full of daring and nerve, a man of dauntless heart and determined courage, and withal a great casuist and able reasoner, as was fully demonstrated in his philosophical colloquies with the great and noble of the land. We held our peace, and meekly signified our indisposition to controvert these opinions—firstly, because we were no match at quotation for the poetical young gentleman; and secondly, because we felt it would be of little use our entering into any disputation, if we were: being perfectly convinced that the respectable and immoral hero in question is not the first and will not be the last hanged gentleman upon whom false sympathy or diseased curiosity will be plentifully expended. This was a stern mystic flight of the poetical young gentleman. In his milder and softer moments he occasionally lays down his neckcloth, and pens stanzas, which sometimes find their way into a Lady’s Magazine, or the "Poets’ Corner" of some country newspaper; or which, in default of either vent for his genius, adorn the rainbow leaves of a lady’s album. These are generally written upon some such occasions as contemplating the Bank of England by midnight, or beholding Saint Paul’s in a snow storm; and when these gloomy objects fail to afford him inspiration, he pours forth his soul in a touching address to a violet, or a plaintive lament that he is no longer a child, but has gradually grown up. The poetical young gentleman is fond of quoting passages from his favourite authors, who are all of the gloomy and desponding school. He has a great deal to say too about the world, and is much given to opining, especially if he has taken anything strong to drink, that there is nothing in it worth living for. He gives you to understand, however, that for the sake of society, he means to bear his part in the tiresome play, manfully resisting the gratification of his own strong desire to make a premature exit; and consoles himself with the reflection, that immortality has some chosen nook for himself and the other great spirits whom earth has chafed and wearied. When the poetical young gentleman makes use of adjectives, they are all superlatives. Everything is of the grandest, greatest, noblest, mightiest, loftiest; or the lowest, meanest, obscurest, vilest, and most pitiful. He knows no medium: for enthusiasm is the soul of poetry; and who so enthusiastic as a poetical young gentleman? "Mr. Milkwash," says a young lady as she unlocks her album to receive the young gentleman’s original impromptu contribution, "how very silent you are! I think you must be in love." "Love!" cries the poetical young gentleman, starting from his seat by the fire and terrifying the cat who scampers off at full speed, "Love! that burning, consuming passion; that ardour of the soul, that fierce glowing of the heart. Love! The withering, blighting influence of hope misplaced and affection slighted. Love did you say! Ha! ha! ha!" With this, the poetical young gentleman laughs a laugh belonging only to poets and Mr. O. Smith of the Adelphi Theatre, and sits down, pen in hand, to throw off a page or two of verse in the biting, semi-atheistical demoniac style, which, like the poetical young gentleman himself, is full of sound and fury, signifying nothing. THE "THROWING-OFF" YOUNG GENTLEMAN. There is a certain kind of impostor—a bragging, vaunting, puffing young gentleman—against whom we are desirous to warn that fairer part of the creation, to whom we more peculiarly devote these our labours. And we are particularly induced to lay especial stress upon this division of our subject, by a little dialogue we held some short time ago, with an esteemed young lady of our acquaintance, touching a most gross specimen of this class of men. We had been urging all the absurdities of his conduct and conversation, and dwelling upon the impossibilities he constantly recounted—to which indeed we had not scrupled to prefix a certain hard little word of one syllable and three letters—when our fair friend, unable to maintain the contest any longer, reluctantly cried, "Well; he certainly has a habit of throwing-off, but then—" "What then? Throw him off yourself," said we. And so she did, but not at our instance, for other reasons appeared, and it might have been better if she had done so at first. The throwing-off young gentleman has so often a father possessed of vast property in some remote district of Ireland, that we look with some suspicion upon all young gentlemen who volunteer this description of themselves. The deceased grandfather of the throwing-off young gentleman was a man of immense possessions, and untold wealth; the throwing-off young gentleman remembers, as well as if it were only yesterday, the deceased baronet’s library, with its long rows of scarce and valuable books in superbly embossed bindings, arranged in cases, reaching from the lofty ceiling to the oaken floor; and the fine antique chairs and tables, and the noble old castle of Ballykillbabaloo, with its splendid prospect of hill and dale, and wood, and rich wild scenery, and the fine hunting stables and the spacious court-yards, "and—and—everything upon the same magnificent scale" says the throwing-off young gentleman, "princely; quite princely. Ah!" And he sighs as if mourning over the fallen fortunes of his noble house. The throwing-off young gentleman is a universal genius; at walking, running, rowing, swimming, and skating, he is unrivalled; at all games of chance or skill, at hunting, shooting, fishing, riding, driving, or amateur theatricals, no one can touch him—that is could not, because he gives you carefully to understand, lest there should be any opportunity of testing his skill, that he is quite out of practice just now, and has been for some years. If you mention any beautiful girl of your common acquaintance in his hearing, the throwing-off young gentleman starts, smiles, and begs you not to mind him, for it was quite involuntary: people do say indeed that they were once engaged, but no—although she is a very fine girl, he was so situated at that time that he couldn’t possibly encourage the—"but it’s of no use talking about it!" he adds, interrupting himself. "She has got over it now, and I firmly hope and trust is happy." With this benevolent aspiration he nods his head in a mysterious manner, and whistling the first part of some popular air, thinks perhaps it will be better to change the subject. There is another great characteristic of the throwing-off young gentleman, which is, that he "happens to be acquainted" with a most extraordinary variety of people in all parts of the world. Thus in all disputed questions, when the throwing-off young gentleman has no argument to bring forward, he invariably happens to be acquainted with some distant person, intimately connected with the subject, whose testimony decides the point against you, to the great—may we say it—to the great admiration of three young ladies out of every four, who consider the throwing-off young gentleman a very highly-connected young man, and a most charming person. Sometimes the throwing-off young gentleman happens to look in upon a little family circle of young ladies who are quietly spending the evening together, and then indeed is he at the very height and summit of his glory; for it is to be observed that he by no means shines to equal advantage in the presence of men as in the society of over-credulous young ladies, which is his proper element. It is delightful to hear the number of pretty things the throwing-off young gentleman gives utterance to, during tea, and still more so to observe the ease with which, from long practice and study, he delicately blends one compliment to a lady with two for himself. "Did you ever see a more lovely blue than this flower, Mr. Caveton?" asks a young lady who, truth to tell, is rather smitten with the throwing-off young gentleman. "Never," he replies, bending over the object of admiration, "never but in your eyes." "Oh, Mr. Caveton," cries the young lady, blushing of course. "Indeed I speak the truth," replies the throwing-off young gentleman, ‘I never saw any approach to them. I used to think my cousin’s blue eyes lovely, but they grow dim and colourless beside yours." "Oh! a beautiful cousin, Mr. Caveton!" replies the young lady, with that perfect artlessness which is the distinguishing characteristic of all young ladies; "an affair, of course." "No; indeed, indeed you wrong me," rejoins the throwing-off young gentleman with great energy. "I fervently hope that her attachment towards me may be nothing but the natural result of our close intimacy in childhood, and that in change of scene and among new faces she may soon overcome it. I love her! Think not so meanly of me, Miss Lowfield, I beseech, as to suppose that title, lands, riches, and beauty, can influence my choice. The heart, the heart, Miss Lowfield." Here the throwing-off young gentleman sinks his voice to a still lower whisper; and the young lady duly proclaims to all the other young ladies when they go up-stairs, to put their bonnets on, that Mr. Caveton’s relations are all immensely rich, and that he is hopelessly beloved by title, lands, riches, and beauty. We have seen a throwing-off young gentleman who, to our certain knowledge, was innocent of a note of music, and scarcely able to recognise a tune by ear, volunteer a Spanish air upon the guitar when he had previously satisfied himself that there was not such an instrument within a mile of the house. We have heard another throwing-off young gentleman, after striking a note or two upon the piano, and accompanying it correctly (by dint of laborious practice) with his voice, assure a circle of wondering listeners that so acute was his ear that he was wholly unable to sing out of tune, let him try as he would. We have lived to witness the unmasking of another throwing-off young gentleman, who went out a visiting in a military cap with a gold band and tassel, and who, after passing successfully for a captain and being lauded to the skies for his red whiskers, his bravery, his soldierly bearing and his pride, turned out to be the dishonest son of an honest linen-draper in a small country town, and whom, if it were not for this fortunate exposure, we should not yet despair of encountering as the fortunate husband of some rich heiress. Ladies, ladies, the throwing-off young gentlemen are often swindlers, and always fools. So pray you avoid them. THE YOUNG LADIES’ YOUNG GENTLEMAN. This young gentleman has several titles. Some young ladies consider him "a nice young man," others "a fine young man," others "quite a lady’s man," others "a handsome man," others "a remarkably good-looking young man." With some young ladies he is "a perfect angel," and with others "quite a love." He is likewise a charming creature, a duck, and a dear. The young ladies’ young gentleman has usually a fresh colour and very white teeth, which latter articles, of course, he displays on every possible opportunity. He has brown or black hair, and whiskers of the same, if possible; but a slight tinge of red, or the hue which is vulgarly known as sandy, is not considered an objection. If his head and face be large, his nose prominent, and his figure square, he is an uncommonly fine young man, and worshipped accordingly. Should his whiskers meet beneath his chin, so much the better, though this is not absolutely insisted on; but he must wear an under-waistcoat, and smile constantly. There was a great party got up by some party-loving friends of ours last summer, to go and dine in Epping Forest. As we hold that such wild expeditions should never be indulged in, save by people of the smallest means, who have no dinner at home, we should indubitably have excused ourself from attending, if we had not recollected that the projectors of the excursion were always accompanied on such occasions by a choice sample of the young ladies’ young gentleman, whom we were very anxious to have an opportunity of meeting. This determined us, and we went. We were to make for Chigwell in four glass coaches, each with a trifling company of six or eight inside, and a little boy belonging to the projectors on the box—and to start from the residence of the projectors, Woburn-place, Russell-square, at half-past ten precisely. We arrived at the place of rendezvous at the appointed time, and found the glass coaches and the little boys quite ready, and divers young ladies and young gentlemen looking anxiously over the breakfast-parlour blinds, who appeared by no means so much gratified by our approach as we might have expected, but evidently wished we had been somebody else. Observing that our arrival in lieu of the unknown occasioned some disappointment, we ventured to inquire who was yet to come, when we found from the hasty reply of a dozen voices, that it was no other than the young ladies’ young gentleman. "I cannot imagine," said the mama, "what has become of Mr. Balim—always so punctual, always so pleasant and agreeable. I am sure I can-not think." As these last words were uttered in that measured, emphatic manner which painfully announces that the speaker has not quite made up his or her mind what to say, but is determined to talk on nevertheless, the eldest daughter took up the subject, and hoped no accident had happened to Mr. Balim, upon which there was a general chorus of "Dear Mr. Balim!" and one young lady, more adventurous than the rest, proposed that an express should be straightway sent to dear Mr. Balim’s lodgings. This, however, the papa resolutely opposed, observing, in what a short young lady behind us termed "quite a bearish way," that if Mr. Balim didn’t choose to come, he might stop at home. At this all the daughters raised a murmur of "Oh pa!" except one sprightly little girl of eight or ten years old, who, taking advantage of a pause in the discourse, remarked, that perhaps Mr. Balim might have been married that morning—for which impertinent suggestion she was summarily ejected from the room by her eldest sister. We were all in a state of great mortification and uneasiness, when one of the little boys, running into the room as airily as little boys usually run who have an unlimited allowance of animal food in the holidays, and keep their hands constantly forced down to the bottoms of very deep trouser-pockets when they take exercise, joyfully announced that Mr. Balim was at that moment coming up the street in a hackney-cab; and the intelligence was confirmed beyond all doubt a minute afterwards by the entry of Mr. Balim himself, who was received with repeated cries of "Where have you been, you naughty creature?" whereunto the naughty creature replied, that he had been in bed, in consequence of a late party the night before, and had only just risen. The acknowledgment awakened a variety of agonizing fears that he had taken no breakfast; which appearing after a slight cross-examination to be the real state of the case, breakfast for one was immediately ordered, notwithstanding Mr. Balim’s repeated protestations that he couldn’t think of it. He did think of it though, and thought better of it too, for he made a remarkably good meal when it came, and was assiduously served by a select knot of young ladies. It was quite delightful to see how he ate and drank, while one pair of fair hands poured out his coffee, and another put in the sugar, and another the milk; the rest of the company ever and anon casting angry glances at their watches, and the glass coaches,—and the little boys looking on in an agony of apprehension lest it should begin to rain before we set out; it might have rained all day, after we were once too far to turn back again, and welcome, for aught they cared. However, the cavalcade moved at length, every coachman being accommodated with a hamper between his legs something larger than a wheelbarrow; and the company being packed as closely as they possibly could in the carriages, "according," as one married lady observed, "to the immemorial custom, which was half the diversion of gipsy parties." Thinking it very likely it might be (we have never been able to discover the other half), we submitted to be stowed away with a cheerful aspect, and were fortunate enough to occupy one corner of a coach in which were one old lady, four young ladies, and the renowned Mr. Balim the young ladies’ young gentleman. We were no sooner fairly off, than the young ladies’ young gentleman hummed a fragment of an air, which induced a young lady to inquire whether he had danced to that the night before. "By Heaven, then, I did," replied the young gentleman, "and with a lovely heiress; a superb creature, with twenty thousand pounds." "You seem rather struck," observed another young lady. " 'Gad she was a sweet creature," returned the young gentleman, arranging his hair. "Of course she was struck too?" inquired the first young lady. "How can you ask, love?" interposed the second; "Could she fail to be?" "Well, honestly I think she was," observed the young gentleman. At this point of the dialogue, the young lady who had spoken first, and who sat on the young gentleman’s right, struck him a severe blow on the arm with a rosebud, and said he was a vain man—whereupon the young gentleman insisted on having the rosebud, and the young lady appealing for help to the other young ladies, a charming struggle ensued, terminating in the victory of the young gentleman, and the capture of the rosebud. This little skirmish over, the married lady, who was the mother of the rosebud, smiled sweetly upon the young gentleman, and accused him of being a flirt; the young gentleman pleading not guilty, a most interesting discussion took place upon the important point whether the young gentleman was a flirt or not, which being an agreeable conversation of a light kind, lasted a considerable time. At length, a short silence occurring, the young ladies on either side of the young gentleman fell suddenly fast asleep; and the young gentleman, winking upon us to preserve silence, won a pair of gloves from each, thereby causing them to wake with equal suddenness and to scream very loud. The lively conversation to which this pleasantry gave rise, lasted for the remainder of the ride, and would have eked out a much longer one. We dined rather more comfortably than people usually do under such circumstances, nothing having been left behind but the corkscrew and the bread. The married gentlemen were unusually thirsty, which they attributed to the heat of the weather; the little boys ate to inconvenience; mamas were very jovial, and their daughters very fascinating; and the attendants being well-behaved men, got exceedingly drunk at a respectful distance. We had our eye on Mr. Balim at dinner-time, and perceived that he flourished wonderfully, being still surrounded by a little group of young ladies, who listened to him as an oracle, while he ate from their plates and drank from their glasses in a manner truly captivating from its excessive playfulness. His conversation, too, was exceedingly brilliant. In fact, one elderly lady assured us, that in the course of a little lively badinage on the subject of ladies’ dresses, he had evinced as much knowledge as if he had been born and bred a milliner. As such of the fat people who did not happen to fall asleep after dinner entered upon a most vigorous game at ball, we slipped away alone into a thicker part of the wood, hoping to fall in with Mr. Balim, the greater part of the young people having dropped off in twos and threes and the young ladies’ young gentleman among them. Nor were we disappointed, for we had not walked far, when, peeping through the trees, we discovered him before us, and truly it was a pleasant thing to contemplate his greatness. The young ladies’ young gentleman was seated upon the ground, at the feet of a few young ladies who were reclining on a bank; he was so profusely decked with scarfs, ribands, flowers, and other pretty spoils, that he looked like a lamb—or perhaps a calf would be a better simile—adorned for the sacrifice. One young lady supported a parasol over his interesting head, another held his hat, and a third his neck-cloth, which in romantic fashion he had thrown off; the young gentleman himself, with his hand upon his breast, and his face moulded into an expression of the most honeyed sweetness, was warbling forth some choice specimens of vocal music in praise of female loveliness, in a style so exquisitely perfect, that we burst into an involuntary shout of laughter, and made a hasty retreat. What charming fellows these young ladies’ young gentlemen are! Ducks, dears, loves, angels, are all terms inadequate to express their merit. They are such amazingly, uncommonly, wonderfully, nice men. CONCLUSION. As we have placed before the young ladies so many specimens of young gentlemen, and have also in the dedication of this volume given them to understand how much we reverence and admire their numerous virtues and perfections; as we have given them such strong reasons to treat us with confidence, and to banish, in our case, all that reserve and distrust of the male sex which, as a point of general behaviour, they cannot do better than preserve and maintain—we say, as we have done all this, we feel that now, when we have arrived at the close of our task, they may naturally press upon us the inquiry, what particular description of young gentlemen we can conscientiously recommend. Here we are at a loss. We look over our list, and can neither recommend the bashful young gentleman, nor the out-and-out young gentleman, nor the very friendly young gentleman, nor the military young gentleman, nor the political young gentleman, nor the domestic young gentleman, nor the censorious young gentleman, nor the funny young gentleman, nor the theatrical young gentleman, nor the poetical young gentleman, nor the throwing-off young gentleman, nor the young ladies’ young gentleman. As there are some good points about many of them, which still are not sufficiently numerous to render any one among them eligible, as a whole, our respectful advice to the young ladies is, to seek for a young gentleman who unites in himself the best qualities of all, and the worst weaknesses of none, and to lead him forthwith to the hymeneal altar, whether he will or no. And to the young lady who secures him, we beg to tender one short fragment of matrimonial advice, selected from many sound passages of a similar tendency, to be found in a letter written by Dean Swift to a young lady on her marriage. "The grand affair of your life will be, to gain and preserve the esteem of your husband. Neither good-nature nor virtue will suffer him to esteem you against his judgment; and although he is not capable of using you ill, yet you will in time grow a thing indifferent and perhaps contemptible; unless you can supply the loss of youth and beauty with more durable qualities. You have but a very few years to be young and handsome in the eyes of the world; and as few months to be so in the eyes of a husband who is not a fool; for I hope you do not still dream of charms and raptures, which marriage ever did, and ever will, put a sudden end to." From the anxiety we express for the proper behaviour of the fortunate lady after marriage, it may possibly be inferred that the young gentleman to whom we have so delicately alluded, is no other than ourself. Without in any way committing ourself upon this point, we have merely to observe, that we are ready to receive sealed offers containing a full specification of age, temper, appearance, and condition; but we beg it to be distinctly understood that we do not pledge ourself to accept the highest bidder. These offers may be forwarded to the Publishers, Messrs. Chapman and Hall, one hundred and eighty-six, Strand, London; to whom all pieces of plate and other testimonials of approbation from the young ladies generally, are respectfully requested to be addressed. Publication Type E.g. newspaper/serial Book Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18380101 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketches of Young Gentlemen Description An account of the resource Sketches of Young Gentlemen. London: Chapman and Hall, 1838. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived HathiTrust, <a href="https://catalog.hathitrust.org/Record/102287701">https://catalog.hathitrust.org/Record/102287701</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1838 Rights Information about rights held in and over the resource Google digitised. Digitised materials on Google Books published before 1922 are in the public domain. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1838-Sketches_of_Young_Gentlemen Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. Sketches of Young Gentlemen (1838). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/shortstories/1838-Sketches_of_Young_Gentlemen">https://www.dickenssearch.com/shortstories/1838-Sketches_of_Young_Gentlemen</a>. Contributor An entity responsible for making contributions to the resource Illustrated by Hablot Knight Browne ("PHIZ") Relation A related resource Sketches of Young Gentlemen (1838) was a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), which is referenced throughout Dickens's rejoinder. Scripto Transcription A written representation of a document. TO THE YOUNG LADIES OF THE United Kingdom of Great Britain and Ireland; ALSO THE YOUNG LADIES OF THE PRINCIPALITY OF WALES, AND LIKEWISE THE YOUNG LADIES RESIDENT IN THE ISLES OF Guernsey, Jersey, Alderney, and Sark, THE HUMBLE DEDICATION OF THEIR DEVOTED ADMIRER, Sheweth,— That your Dedicator has perused, with feelings of virtuous indignation, a work purporting to be "Sketches of Young Ladies;" written by Quiz, illustrated by Phiz, and published in one volume, square twelvemo. That after an attentive and vigilant perusal of the said work, your Dedicator is humbly of opinion that so many libels, upon your Honourable sex, were never contained in any previously published work, in twelvemo or any other mo. That in the title page and preface to the said work, your Honourable sex are described and classified as animals; and although your Dedicator is not at present prepared to deny that you are animals, still he humbly submits that it is not polite to call you so. That in the aforesaid preface, your Honourable sex are also described as Troglodites, which, being a hard word, may, for aught your Honourable sex or your Dedicator can say to the contrary, be an injurious and disrespectful appellation. That the author of the said work applied himself to his task in malice prepense and with wickedness aforethought; a fact which, your Dedicator contends, is sufficiently demonstrated, by his assuming the name of Quiz, which, your Dedicator submits, denotes a foregone conclusion, and implies an intention of quizzing. That in the execution of his evil design, the said Quiz, or author of the said work, must have betrayed some trust or confidence reposed in him by some members of your Honourable sex, otherwise he never could have acquired so much information relative to the manners and customs of your Honourable sex in general. That actuated by these considerations, and further moved by various slanders and insinuations respecting your Honourable sex contained in the said work, square twelvemo, entitled "Sketches of Young Ladies," your Dedicator ventures to produce another work, square twelvemo, entitled "Sketches of Young Gentlemen," of which he now solicits your acceptance and approval. That as the Young Ladies are the best companions of the Young Gentlemen, so the Young Gentlemen should be the best companions of the Young Ladies; and extending the comparison from animals (to quote the disrespectful language of the said Quiz) to inanimate objects, your Dedicator humbly suggests, that such of your Honourable sex as purchased the bane should possess themselves of the antidote, and that those of your Honourable sex who were not rash enough to take the first, should lose no time in swallowing the last,—prevention being in all cases better than cure, as we are informed upon the authority, not only of general acknowledgment, but also of traditionary wisdom. That with reference to the said bane and antidote, your Dedicator has no further remarks to make, than are comprised in the printed directions issued with Doctor Morison’s pills; namely, that whenever your Honourable sex take twenty-five of Number, 1, you will be pleased to take fifty of Number 2, without delay. And your Dedicator shall ever pray, &c. THE BASHFUL YOUNG GENTLEMAN. We found ourself seated at a small dinner party the other day, opposite a stranger of such singular appearance and manner, that he irresistibly attracted our attention. This was a fresh-coloured young gentleman, with as good a promise of light whisker as one might wish to see, and possessed of a very velvet-like soft-looking countenance. We do not use the latter term invidiously, but merely to denote a pair of smooth, plump, highly-coloured cheeks of capacious dimensions, and a mouth rather remarkable for the fresh hue of the lips than for any marked or striking expression it presented. His whole face was suffused with a crimson blush, and bore that downcast, timid, retiring look, which betokens a man ill at ease with himself. There was nothing in these symptoms to attract more than a passing remark, but our attention had been originally drawn to the bashful young gentleman, on his first appearance in the drawing-room above-stairs, into which he was no sooner introduced, than making his way towards us who were standing in a window, and wholly neglecting several persons who warmly accosted him, he seized our hand with visible emotion, and pressed it with a convulsive grasp for a good couple of minutes, after which he dived in a nervous manner across the room, oversetting in his way a fine little girl of six years and a quarter old—and shrouding himself behind some hangings, was seen no more, until the eagle eye of the hostess detecting him in his concealment, on the announcement of dinner, he was requested to pair off with a lively single lady, of two or three and thirty. This most flattering salutation from a perfect stranger, would have gratified us not a little as a token of his having held us in high respect, and for that reason been desirous of our acquaintance, if we had not suspected from the first, that the young gentleman, in making a desperate effort to get through the ceremony of introduction, had, in the bewilderment of his ideas, shaken hands with us at random. This impression was fully confirmed by the subsequent behaviour of the bashful young gentleman in question, which we noted particularly, with the view of ascertaining whether we were right in our conjecture. The young gentleman seated himself at table with evident misgivings, and turning sharp round to pay attention to some observation of his loquacious neighbour, overset his bread. There was nothing very bad in this, and if he had had the presence of mind to let it go, and say nothing about it, nobody but the man who had laid the cloth would have been a bit the wiser; but the young gentleman in various semi-successful attempts to prevent its fall, played with it a little, as gentlemen in the streets may be seen to do with their hats on a windy day, and then giving the roll a smart rap in his anxiety to catch it, knocked it with great adroitness into a tureen of white soup at some distance, to the unspeakable terror and disturbance of a very amiable bald gentleman, who was dispensing the contents. We thought the bashful young gentleman would have gone off in an apoplectic fit, consequent upon the violent rush of blood to his face at the occurrence of this catastrophe. From this moment we perceived, in the phraseology of the fancy, that it was "all up" with the bashful young gentleman, and so indeed it was. Several benevolent persons endeavoured to relieve his embarrassment by taking wine with him, but finding that it only augmented his sufferings, and that after mingling sherry, champagne, hock, and moselle together, he applied the greater part of the mixture externally, instead of internally, they gradually dropped off, and left him to the exclusive care of the talkative lady, who not noting the wildness of his eye, firmly believed she had secured a listener. He broke a glass or two in the course of the meal, and disappeared shortly afterwards; it is inferred that he went away in some confusion, inasmuch as he left the house in another gentleman’s coat, and the footman’s hat. This little incident led us to reflect upon the most prominent characteristics of bashful young gentlemen in the abstract; and as this portable volume will be the great text-book of young ladies in all future generations, we record them here for their guidance and behoof. If the bashful young gentleman, in turning a street corner, chance to stumble suddenly upon two or three young ladies of his acquaintance, nothing can exceed his confusion and agitation. His first impulse is to make a great variety of bows, and dart past them, which he does until, observing that they wish to stop, but are uncertain whether to do so or not, he makes several feints of returning, which causes them to do the same; and at length, after a great quantity of unnecessary dodging and falling up against the other passengers, he returns and shakes hands most affectionately with all of them, in doing which he knocks out of their grasp sundry little parcels, which he hastily picks up, and returns very muddy and disordered. The chances are that the bashful young gentleman then observes it is very fine weather, and being reminded that it has only just left off raining for the first time these three days, he blushes very much, and smiles as if he had said a very good thing. The young lady who was most anxious to speak, here inquires, with an air of great commiseration, how his dear sister Harriet is to-day; to which the young gentleman, without the slightest consideration, replies with many thanks, that she is remarkably well. "Well, Mr. Hopkins!" cries the young lady, "why, we heard she was bled yesterday evening, and have been perfectly miserable about her." "Oh, ah," says the young gentleman, "so she was. Oh, she’s very ill, very ill indeed." The young gentleman then shakes his head, and looks very desponding (he has been smiling perpetually up to this time), and after a short pause, gives his glove a great wrench at the wrist, and says, with a strong emphasis on the adjective, "Good morning, good morning." And making a great number of bows in acknowledgment of several little messages to his sister, walks backward a few paces, and comes with great violence against a lamp-post, knocking his hat off in the contact, which in his mental confusion and bodily pain he is going to walk away without, until a great roar from a carter attracts his attention, when he picks it up, and tries to smile cheerfully to the young ladies, who are looking back, and who, he has the satisfaction of seeing, are all laughing heartily. At a quadrille party, the bashful young gentleman always remains as near the entrance of the room as possible, from which position he smiles at the people he knows as they come in, and sometimes steps forward to shake hands with more intimate friends: a process which on each repetition seems to turn him a deeper scarlet than before. He declines dancing the first set or two, observing, in a faint voice, that he would rather wait a little; but at length is absolutely compelled to allow himself to be introduced to a partner, when he is led, in a great heat and blushing furiously, across the room to a spot where half-a-dozen unknown ladies are congregated together. "Miss Lambert, let me introduce Mr. Hopkins for the next quadrille." Miss Lambert inclines her head graciously. Mr. Hopkins bows, and his fair conductress disappears, leaving Mr. Hopkins, as he too well knows, to make himself agreeable. The young lady more than half expects that the bashful young gentleman will say something, and the bashful young gentleman feeling this, seriously thinks whether he has got anything to say, which, upon mature reflection, he is rather disposed to conclude he has not, since nothing occurs to him. Meanwhile, the young lady, after several inspections of her bouquet, all made in the expectation that the bashful young gentleman is going to talk, whispers her mamma, who is sitting next her, which whisper the bashful young gentleman immediately suspects (and possibly with very good reason) must be about him. In this comfortable condition he remains until it is time to "stand up,"when murmuring a "Will you allow me?" he gives the young lady his arm, and after inquiring where she will stand, and receiving a reply that she has no choice, conducts her to the remotest corner of the quadrille, and making one attempt at conversation, which turns out a desperate failure, preserves a profound silence until it is all over, when he walks her twice round the room, deposits her in her old seat, and retires in confusion. A married bashful gentleman—for these bashful gentlemen do get married sometimes; how it is ever brought about, is a mystery to us—a married bashful gentleman either causes his wife to appear bold by contrast, or merges her proper importance in his own insignificance. Bashful young gentlemen should be cured, or avoided. They are never hopeless, and never will be, while female beauty and attractions retain their influence, as any young lady will find, who may think it worth while on this confident assurance to take a patient in hand. THE OUT-AND-OUT YOUNG GENTLEMAN. Out-and-out young gentlemen may be divided into two classes—those who have something to do, and those who have nothing. I shall commence with the former, because that species come more frequently under the notice of young ladies, whom it is our province to warn and to instruct. The out-and-out young gentleman is usually no great dresser, his instructions to his tailor being all comprehended in the one general direction to "make that what’s-a-name a regular bang-up sort of thing." For some years past, the favourite costume of the out-and-out young gentleman has been a rough pilot coat, with two gilt hooks and eyes to the velvet collar; buttons somewhat larger than crown-pieces; a black or fancy neckerchief, loosely tied; a wide-brimmed hat, with a low crown; tightish inexpressibles, and iron-shod boots. Out of doors he sometimes carries a large ash stick, but only on special occasions, for he prefers keeping his hands in his coat pockets. He smokes at all hours, of course, and swears considerably. The out-and-out young gentleman is employed in a city counting-house or solicitor’s office, in which he does as little as he possibly can: his chief places of resort are, the streets, the taverns, and the theatres. In the streets at evening time, out-and-out young gentlemen have a pleasant custom of walking six or eight abreast, thus driving females and other inoffensive persons into the road, which never fails to afford them the highest satisfaction, especially if there be any immediate danger of their being run over, which enhances the fun of the thing materially. In all places of public resort, the out-and-outers are careful to select each a seat to himself, upon which he lies at full length, and (if the weather be very dirty, but not in any other case) he lies with his knees up, and the soles of his boots planted firmly on the cushion, so that if any low fellow should ask him to make room for a lady, he takes ample revenge upon her dress, without going at all out of his way to do it. He always sits with his hat on, and flourishes his stick in the air while the play is proceeding, with a dignified contempt of the performance; if it be possible for one or two out-and-out young gentlemen to get up a little crowding in the passages, they are quite in their element, squeezing, pushing, whooping, and shouting in the most humorous manner possible. If they can only succeed in irritating the gentleman who has a family of daughters under his charge, they are like to die with laughing, and boast of it among their companions for a week afterwards, adding, that one or two of them were "devilish fine girls," and that they really thought the youngest would have fainted, which was the only thing wanted to render the joke complete. If the out-and-out young gentleman have a mother and sisters, of course he treats them with becoming contempt, inasmuch as they (poor things!) having no notion of life or gaiety, are far too weak-spirited and moping for him. Sometimes, however, on a birth-day or at Christmas time, he cannot very well help accompanying them to a party at some old friend’s, with which view he comes home when they have been dressed an hour or two, smelling very strongly of tobacco and spirits, and after exchanging his rough coat for some more suitable attire (in which however he loses nothing of the out-and-outer), gets into the coach and grumbles all the way at his own good-nature: his bitter reflections aggravated by the recollection, that Tom Smith has taken the chair at a little impromptu dinner at a fighting man’s, and that a set-to was to take place on a dining-table, between the fighting man and his brother-in-law, which is probably "coming off" at that very instant. As the out-and-out young gentleman is by no means at his ease in ladies’ society, he shrinks into a corner of the drawing-room when they reach the friend’s, and unless one of his sisters is kind enough to talk to him, remains there without being much troubled by the attentions of other people, until he espies, lingering outside the door, another gentleman, whom he at once knows, by his air and manner (for there is a kind of free-masonry in the craft), to be a brother out-and-outer, and towards whom he accordingly makes his way. Conversation being soon opened by some casual remark, the second out-and-outer confidentially informs the first, that he is one of the rough sort and hates that kind of thing, only he couldn’t very well be off coming; to which the other replies, that that’s just his case—"and I’ll tell you what," continues the out-and-outer in a whisper, "I should like a glass of warm brandy and water just now,"— "Or a pint of stout and a pipe," suggests the other out-and-outer. The discovery is at once made that they are sympathetic souls; each of them says at the same moment, that he sees the other understands what’s what: and they become fast friends at once, more especially when it appears, that the second out-and-outer is no other than a gentleman, long favourably known to his familiars as "Mr. Warmint Blake," who upon divers occasions has distinguished himself in a manner that would not have disgraced the fighting man, and who—having been a pretty long time about town—had the honour of once shaking hands with the celebrated Mr. Thurtell himself. At supper, these gentlemen greatly distinguish themselves, brightening up very much when the ladies leave the table, and proclaiming aloud their intention of beginning to spend the evening—a process which is generally understood to be satisfactorily performed, when a great deal of wine is drunk and a great deal of noise made, both of which feats the out-and-out young gentlemen execute to perfection. Having protracted their sitting until long after the host and the other guests have adjourned to the drawing-room, and finding that they have drained the decanters empty, they follow them thither with complexions rather heightened, and faces rather bloated with wine; and the agitated lady of the house whispers her friends as they waltz together, to the great terror of the whole room, that "both Mr. Blake and Mr. Dummins are very nice sort of young men in their way, only they are eccentric persons, and unfortunately rather too wild!" The remaining class of out-and-out young gentlemen is composed of persons, who, having no money of their own and a soul above earning any, enjoy similar pleasures, nobody knows how. These respectable gentlemen, without aiming quite so much at the out-and-out in external appearance, are distinguished by all the same amiable and attractive characteristics, in an equal or perhaps greater degree, and now and then find their way into society, through the medium of the other class of out-and-out young gentlemen, who will sometimes carry them home, and who usually pay their tavern bills. As they are equally gentlemanly, clever, witty, intelligent, wise, and well-bred, we need scarcely have recommended them to the peculiar consideration of the young ladies, if it were not that some of the gentle creatures whom we hold in such high respect, are perhaps a little too apt to confound a great many heavier terms with the light word eccentricity, which we beg them henceforth to take in a strictly Johnsonian sense, without any liberality or latitude of construction. THE VERY FRIENDLY YOUNG GENTLEMAN. We know—and all people know—so many specimens of this class, that in selecting the few heads our limits enable us to take from a great number, we have been induced to give the very friendly young gentleman the preference over many others, to whose claims upon a more cursory view of the question we had felt disposed to assign the priority. The very friendly young gentleman is very friendly to everybody, but he attaches himself particularly to two, or at most to three families: regulating his choice by their dinners, their circle of acquaintance, or some other criterion in which he has an immediate interest. He is of any age between twenty and forty, unmarried of course, must be fond of children, and is expected to make himself generally useful if possible. Let us illustrate our meaning by an example, which is the shortest mode and the clearest. We encountered one day, by chance, an old friend of whom we had lost sight for some years, and who—expressing a strong anxiety to renew our former intimacy—urged us to dine with him on an early day, that we might talk over old times. We readily assented, adding, that we hoped we should be alone. "Oh, certainly, certainly," said our friend, "not a soul with us but Mincin." "And who is Mincin?’ was our natural inquiry. "O don’t mind him," replied our friend, "he’s a most particular friend of mine, and a very friendly fellow you will find him;" and so he left us. We thought no more about Mincin until we duly presented ourselves at the house next day, when, after a hearty welcome, our friend motioned towards a gentleman who had been previously showing his teeth by the fire-place, and gave us to understand that it was Mr. Mincin, of whom he had spoken. It required no great penetration on our part to discover at once that Mr. Mincin was in every respect a very friendly young gentleman. "I am delighted," said Mincin, hastily advancing, and pressing our hand warmly between both of his, "I am delighted, I am sure, to make your acquaintance—(here he smiled)—very much delighted indeed—(here he exhibited a little emotion)—I assure you that I have looked forward to it anxiously for a very long time:" here he released our hands, and rubbing his own, observed, that the day was severe, but that he was delighted to perceive from our appearance that it agreed with us wonderfully; and then went on to observe, that, notwithstanding the coldness of the weather, he had that morning seen in the paper an exceedingly curious paragraph, to the effect, that there was now in the garden of Mr. Wilkins of Chichester, a pumpkin, measuring four feet in height, and eleven feet seven inches in circumference, which he looked upon as a very extraordinary piece of intelligence. We ventured to remark, that we had a dim recollection of having once or twice before observed a similar paragraph in the public prints, upon which Mr. Mincin took us confidentially by the button, and said, Exactly, exactly, to be sure, we were very right, and he wondered what the editors meant by putting in such things. Who the deuce, he should like to know, did they suppose cared about them? that struck him as being the best of it. The lady of the house appeared shortly afterwards, and Mr. Mincin’s friendliness, as will readily be supposed, suffered no diminution in consequence; he exerted much strength and skill in wheeling a large easy-chair up to the fire, and the lady being seated in it, carefully closed the door, stirred the fire, and looked to the windows to see that they admitted no air; having satisfied himself upon all these points, he expressed himself quite easy in his mind, and begged to know how she found herself to-day. Upon the lady’s replying very well, Mr. Mincin (who it appeared was a medical gentleman) offered some general remarks upon the nature and treatment of colds in the head, which occupied us agreeably until dinner-time. During the meal, he devoted himself to complimenting everybody, not forgetting himself, so that we were an uncommonly agreeable quartette. "I’ll tell you what, Capper," said Mr. Mincin to our host, as he closed the room door after the lady had retired, "you have very great reason to be fond of your wife. Sweet woman, Mrs. Capper, sir!" "Nay, Mincin—I beg," interposed the host, as we were about to reply that Mrs. Capper unquestionably was particularly sweet. "Pray, Mincin, don’t." "Why not?" exclaimed Mr. Mincin, "why not? Why should you feel any delicacy before your old friend—our old friend, if I may be allowed to call you so, sir; why should you, I ask?" We of course wished to know why he should also, upon which our friend admitted that Mrs. Capper was a very sweet woman, at which admission Mr. Mincin cried "Bravo!" and begged to propose Mrs. Capper with heartfelt enthusiasm, whereupon our host said, "Thank you, Mincin," with deep feeling; and gave us, in a low voice, to understand, that Mincin had saved Mrs. Capper’s cousin’s life no less than fourteen times in a year and a half, which he considered no common circumstance—an opinion to which we most cordially subscribed. Now that we three were left to entertain ourselves with conversation, Mr. Mincin’s extreme friendliness became every moment more apparent; he was so amazingly friendly, indeed, that it was impossible to talk about anything in which he had not the chief concern. We happened to allude to some affairs in which our friend and we had been mutually engaged nearly fourteen years before, when Mr. Mincin was all at once reminded of a joke which our friend had made on that day four years, which he positively must insist upon telling—and which he did tell accordingly, with many pleasant recollections of what he said, and what Mrs. Capper said, and how he well remembered that they had been to the play with orders on the very night previous, and had seen Romeo and Juliet, and the pantomime, and how Mrs. Capper being faint had been led into the lobby, where she smiled, said it was nothing after all, and went back again, with many other interesting and absorbing particulars: after which the friendly young gentleman went on to assure us, that our friend had experienced a marvellously prophetic opinion of that same pantomime, which was of such an admirable kind, that two morning papers took the same view next day: to this our friend replied, with a little triumph, that in that instance he had some reason to think he had been correct, which gave the friendly young gentleman occasion to believe that our friend was always correct; and so we went on, until our friend, filling a bumper, said he must drink one glass to his dear friend Mincin, than whom he would say no man saved the lives of his acquaintances more, or had a more friendly heart. Finally, our friend having emptied his glass, said, "God bless you, Mincin,"—and Mr. Mincin and he shook hands across the table with much affection and earnestness. But great as the friendly young gentleman is, in a limited scene like this, he plays the same part on a larger scale with increased éclat. Mr. Mincin is invited to an evening party with his dear friends the Martins, where he meets his dear friends the Cappers, and his dear friends the Watsons, and a hundred other dear friends too numerous to mention. He is as much at home with the Martins as with the Cappers; but how exquisitely he balances his attentions, and divides them among his dear friends! If he flirts with one of the Miss Watsons, he has one little Martin on the sofa pulling his hair, and the other little Martin on the carpet riding on his foot. He carries Mrs. Watson down to supper on one arm, and Miss Martin on the other, and takes wine so judiciously, and in such exact order, that it is impossible for the most punctilious old lady to consider herself neglected. If any young lady, being prevailed upon to sing, become nervous afterwards, Mr. Mincin leads her tenderly into the next room, and restores her with port wine, which she must take medicinally. If any gentleman be standing by the piano during the progress of the ballad, Mr. Mincin seizes him by the arm at one point of the melody, and softly beating time the while with his head, expresses in dumb show his intense perception of the delicacy of the passage. If anybody’s self-love is to be flattered, Mr. Mincin is at hand. If anybody’s overweening vanity is to be pampered, Mr. Mincin will surfeit it. What wonder that people of all stations and ages recognise Mr. Mincin’s friendliness; that he is universally allowed to be handsome as amiable; that mothers think him an oracle, daughters a dear, brothers a beau, and fathers a wonder! And who would not have the reputation of the very friendly young gentleman? THE MILITARY YOUNG GENTLEMAN. We are rather at a loss to imagine how it has come to pass that military young gentlemen have obtained so much favour in the eyes of the young ladies of this kingdom. We cannot think so lightly of them as to suppose that the mere circumstance of a man’s wearing a red coat ensures him a ready passport to their regard; and even if this were the case, it would be no satisfactory explanation of the circumstance, because, although the analogy may in some degree hold good in the case of mail coachmen and guards, still general postmen wear red coats, and they are not to our knowledge better received than other men; nor are firemen either, who wear (or used to wear) not only red coats, but very resplendent and massive badges besides—much larger than epaulettes. Neither do the twopenny post-office boys, if the result of our inquiries be correct, find any peculiar favour in woman’s eyes, although they wear very bright red jackets, and have the additional advantage of constantly appearing in public on horseback, which last circumstance may be naturally supposed to be greatly in their favour. We have sometimes thought that this phenomenon may take its rise in the conventional behaviour of captains and colonels and other gentlemen in red coats on the stage, where they are invariably represented as fine swaggering fellows, talking of nothing but charming girls, their king and country, their honour, and their debts, and crowing over the inferior classes of the community, whom they occasionally treat with a little gentlemanly swindling, no less to the improvement and pleasure of the audience, than to the satisfaction and approval of the choice spirits who consort with them. But we will not devote these pages to our speculations upon the subject, inasmuch as our business at the present moment is not so much with the young ladies who are bewitched by her Majesty’s livery as with the young gentlemen whose heads are turned by it. For "heads" we had written "brains;" but upon consideration, we think the former the more appropriate word of the two. These young gentlemen may be divided into two classes—young gentlemen who are actually in the army, and young gentlemen who, having an intense and enthusiastic admiration for all things appertaining to a military life, are compelled by adverse fortune or adverse relations to wear out their existence in some ignoble counting-house. We will take this latter description of military young gentlemen first. The whole heart and soul of the military young gentleman are concentrated in his favourite topic. There is nothing that he is so learned upon as uniforms; he will tell you, without faltering for an instant, what the habiliments of any one regiment are turned up with, what regiment wear stripes down the outside and inside of the leg, and how many buttons the Tenth had on their coats; he knows to a fraction how many yards and odd inches of gold lace it takes to make an ensign in the Guards; is deeply read in the comparative merits of different bands, and the apparelling of trumpeters; and is very luminous indeed in descanting upon "crack regiments," and the "crack" gentlemen who compose them, of whose mightiness and grandeur he is never tired of telling. We were suggesting to a military young gentleman only the other day, after he had related to us several dazzling instances of the profusion of half-a-dozen honourable ensign somebodies or nobodies in the articles of kid gloves and polished boots, that possibly "cracked" regiments would be an improvement upon "crack," as being a more expressive and appropriate designation, when he suddenly interrupted us by pulling out his watch, and observing that he must hurry off to the Park in a cab, or he would be too late to hear the band play. Not wishing to interfere with so important an engagement, and being in fact already slightly overwhelmed by the anecdotes of the honourable ensigns afore-mentioned, we made no attempt to detain the military young gentleman, but parted company with ready good-will. Some three or four hours afterwards, we chanced to be walking down Whitehall, on the Admiralty side of the way, when, as we drew near to one of the little stone places in which a couple of horse soldiers mount guard in the day-time, we were attracted by the motionless appearance and eager gaze of a young gentleman, who was devouring both man and horse with his eyes, so eagerly, that he seemed deaf and blind to all that was passing around him. We were not much surprised at the discovery that it was our friend, the military young gentleman, but we were a little astonished when we returned from a walk to South Lambeth to find him still there, looking on with the same intensity as before. As it was a very windy day, we felt bound to awaken the young gentleman from his reverie, when he inquired of us with great enthusiasm, whether "that was not a glorious spectacle," and proceeded to give us a detailed account of the weight of every article of the spectacle’s trappings, from the man’s gloves to the horse’s shoes. We have made it a practice since, to take the Horse Guards in our daily walk, and we find it is the custom of military young gentlemen to plant themselves opposite the sentries, and contemplate them at leisure, in periods varying from fifteen minutes to fifty, and averaging twenty-five. We were much struck a day or two since, by the behaviour of a very promising young butcher who (evincing an interest in the service, which cannot be too strongly commanded or encouraged), after a prolonged inspection of the sentry, proceeded to handle his boots with great curiosity, and as much composure and indifference as if the man were wax-work. But the really military young gentleman is waiting all this time, and at the very moment that an apology rises to our lips, he emerges from the barrack gate (he is quartered in a garrison town), and takes the way towards the high street. He wears his undress uniform, which somewhat mars the glory of his outward man; but still how great, how grand, he is! What a happy mixture of ease and ferocity in his gait and carriage, and how lightly he carries that dreadful sword under his arm, making no more ado about it than if it were a silk umbrella! The lion is sleeping: only think if an enemy were in sight, how soon he’d whip it out of the scabbard, and what a terrible fellow he would be! But he walks on, thinking of nothing less than blood and slaughter; and now he comes in sight of three other military young gentlemen, arm-in-arm, who are bearing down towards him, clanking their iron heels on the pavement, and clashing their swords with a noise, which should cause all peaceful men to quail at heart. They stop to talk. See how the flaxen-haired young gentleman with the weak legs—he who has his pocket-handkerchief thrust into the breast of his coat-glares upon the fainthearted civilians who linger to look upon his glory; how the next young gentleman elevates his head in the air, and majestically places his arms a-kimbo, while the third stands with his legs very wide apart, and clasps his hands behind him. Well may we inquire—not in familiar jest, but in respectful earnest—if you call that nothing. Oh! if some encroaching foreign power—the emperor of Russia, for instance, or any of those deep fellows, could only see those military young gentlemen as they move on together towards the billiard-room over the way, wouldn’t he tremble a little! And then, at the Theatre at night, when the performances are by command of Colonel Fitz-Sordust and the officers of the garrison—what a splendid sight it is! How sternly the defenders of their country look round the house as if in mute assurance to the audience, that they may make themselves comfortable regarding any foreign invasion, for they (the military young gentlemen) are keeping a sharp look-out, and are ready for anything. And what a contrast between them, and that stage-box full of grey-headed officers with tokens of many battles about them, who have nothing at all in common with the military young gentlemen, and who—but for an old-fashioned kind of manly dignity in their looks and bearing—might be common hard-working soldiers for anything they take the pains to announce to the contrary! Ah! here is a family just come in who recognise the flaxen-headed young gentleman; and the flaxen-headed young gentleman recognises them too, only he doesn’t care to show it just now. Very well done indeed! He talks louder to the little group of military young gentlemen who are standing by him, and coughs to induce some ladies in the next box but one to look round, in order that their faces may undergo the same ordeal of criticism to which they have subjected, in not a wholly inaudible tone, the majority of the female portion of the audience. Oh! a gentleman in the same box looks round as if he were disposed to resent this as an impertinence; and the flaxen-headed young gentleman sees his friends at once, and hurries away to them with the most charming cordiality. Three young ladies, one young man, and the mamma of the party, receive the military young gentleman with great warmth and politeness, and in five minutes afterwards the military young gentleman, stimulated by the mamma, introduces the two other military young gentlemen with whom he was walking in the morning, who take their seats behind the young ladies and commence conversation; whereat the mamma bestows a triumphant bow upon a rival mamma, who has not succeeded in decoying any military young gentlemen, and prepares to consider her visitors from that moment three of the most elegant and superior young gentlemen in the whole world. THE POLITICAL YOUNG GENTLEMAN. Once upon a time—not in the days when pigs drank wine, but in a more recent period of our history—it was customary to banish politics when ladies were present. If this usage still prevailed, we should have had no chapter for political young gentlemen, for ladies would have neither known nor cared what kind of monster a political young gentleman was. But as this good custom in common with many others has "gone out," and left no word when it is likely to be home again; as political young ladies are by no means rare, and political young gentlemen the very reverse of scarce, we are bound in the strict discharge of our most responsible duty not to neglect this natural division of our subject. If the political young gentleman be resident in a country town (and there are political young gentlemen in country towns sometimes), he is wholly absorbed in his politics; as a pair of purple spectacles communicate the same uniform tint to all objects near and remote, so the political glasses, with which the young gentleman assists his mental vision, give to everything the hue and tinge of party feeling. The political young gentleman would as soon think of being struck with the beauty of a young lady in the opposite interest, as he would dream of marrying his sister to the opposite member. If the political young gentleman be a Conservative, he has usually some vague ideas about Ireland and the Pope which he cannot very clearly explain, but which he knows are the right sort of thing, and not to be very easily got over by the other side. He has also some choice sentences regarding church and state, culled from the banners in use at the last election, with which he intersperses his conversation at intervals with surprising effect. But his great topic is the constitution, upon which he will declaim, by the hour together, with much heat and fury; not that he has any particular information on the subject, but because he knows that the constitution is somehow church and state, and church and state somehow the constitution, and that the fellows on the other side say it isn’t, which is quite a sufficient reason for him to say it is, and to stick to it. Perhaps his greatest topic of all, though, is the people. If a fight takes place in a populous town, in which many noses are broken, and a few windows, the young gentleman throws down the newspaper with a triumphant air, and exclaims, "Here’s your precious people!" If half-a-dozen boys run across the course at race time, when it ought to be kept clear, the young gentleman looks indignantly round, and begs you to observe the conduct of the people; if the gallery demand a hornpipe between the play and the afterpiece, the same young gentleman cries "No" and "Shame" till he is hoarse, and then inquires with a sneer what you think of popular moderation now; in short, the people form a never-failing theme for him; and when the attorney, on the side of his candidate, dwells upon it with great power of eloquence at election time, as he never fails to do, the young gentleman and his friends, and the body they head, cheer with great violence against the other people, with whom, of course, they have no possible connexion. In much the same manner the audience at a theatre never fail to be highly amused with any jokes at the expense of the public—always laughing heartily at some other public, and never at themselves. If the political young gentleman be a Radical, he is usually a very profound person indeed, having great store of theoretical questions to put to you, with an infinite variety of possible cases and logical deductions therefrom. If he be of the utilitarian school, too, which is more than probable, he is particularly pleasant company, having many ingenious remarks to offer upon the voluntary principle and various cheerful disquisitions connected with the population of the country, the position of Great Britain in the scale of nations, and the balance of power. Then he is exceedingly well versed in all doctrines of political economy as laid down in the newspapers, and knows a great many parliamentary speeches by heart; nay, he has a small stock of aphorisms, none of them exceeding a couple of lines in length, which will settle the toughest question and leave you nothing to say. He gives all the young ladies to understand, that Miss Martineau is the greatest woman that ever lived; and when they praise the good looks of Mr. Hawkins the new member, says he’s very well for a representative, all things considered, but he wants a little calling to account, and he is more than half afraid it will be necessary to bring him down on his knees for that vote on the miscellaneous estimates. At this, the young ladies express much wonderment, and say surely a Member of Parliament is not to be brought upon his knees so easily; in reply to which the political young gentleman smiles sternly, and throws out dark hints regarding the speedy arrival of that day, when Members of Parliament will be paid salaries, and required to render weekly accounts of their proceedings, at which the young ladies utter many expressions of astonishment and incredulity, while their lady-mothers regard the prophecy as little else than blasphemous. It is extremely improving and interesting to hear two political young gentlemen, of diverse opinions, discuss some great question across a dinner-table; such as, whether, if the public were admitted to Westminster Abbey for nothing, they would or would not convey small chisels and hammers in their pockets, and immediately set about chipping all the noses off the statues; or whether, if they once got into the Tower for a shilling, they would not insist upon trying the crown on their own heads, and loading and firing off all the small arms in the armoury, to the great discomposure of Whitechapel and the Minories. Upon these, and many other momentous questions which agitate the public mind in these desperate days, they will discourse with great vehemence and irritation for a considerable time together, both leaving off precisely where they began, and each thoroughly persuaded that he has got the better of the other. In society, at assemblies, balls, and playhouses, these political young gentlemen are perpetually on the watch for a political allusion, or anything which can be tortured or construed into being one; when, thrusting themselves into the very smallest openings for their favourite discourse, they fall upon the unhappy company tooth and nail. They have recently had many favourable opportunities of opening in churches, but as there the clergyman has it all his own way, and must not be contradicted, whatever politics he preaches, they are fain to hold their tongues until they reach the outer door, though at the imminent risk of bursting in the effort. As such discussions can please nobody but the talkative parties concerned, we hope they will henceforth take the hint and discontinue them, otherwise we now give them warning, that the ladies have our advice to discountenance such talkers altogether. THE DOMESTIC YOUNG GENTLEMAN. Let us make a slight sketch of our amiable friend, Mr. Felix Nixon. We are strongly disposed to think, that if we put him in this place, he will answer our purpose without another word of comment. Felix, then, is a young gentleman who lives at home with his mother, just within the twopenny-post office circle of three miles from St. Martin le Grand. He wears India-rubber goloshes when the weather is at all damp, and always has a silk handkerchief neatly folded up in the right-hand pocket of his great-coat, to tie over his mouth when he goes home at night; moreover, being rather near-sighted, he carries spectacles for particular occasions, and has a weakish tremulous voice, of which he makes great use, for he talks as much as any old lady breathing. The two chief subjects of Felix’s discourse, are himself and his mother, both of whom would appear to be very wonderful and interesting persons. As Felix and his mother are seldom apart in body, so Felix and his mother are scarcely ever separate in spirit. If you ask Felix how he finds himself to-day, he prefaces his reply with a long and minute bulletin of his mother’s state of health; and the good lady in her turn, edifies her acquaintance with a circumstantial and alarming account, how he sneezed four times and coughed once after being out in the rain the other night, but having his feet promptly put into hot water, and his head into a flannel-something, which we will not describe more particularly than by this delicate allusion, was happily brought round by the next morning, and enabled to go to business as usual. Our friend is not a very adventurous or hot-headed person, but he has passed through many dangers, as his mother can testify: there is one great story in particular, concerning a hackney coachman who wanted to overcharge him one night for bringing them home from the play, upon which Felix gave the aforesaid coachman a look which his mother thought would have crushed him to the earth, but which did not crush him quite, for he continued to demand another sixpence, notwithstanding that Felix took out his pocket-book, and, with the aid of a flat candle, pointed out the fare in print, which the coachman obstinately disregarding, he shut the street-door with a slam which his mother shudders to think of; and then, roused to the most appalling pitch of passion by the coachman knocking a double knock to show that he was by no means convinced, he broke with uncontrollable force from his parent and the servant girl, and running into the street without his hat, actually shook his fist at the coachman, and came back again with a face as white, Mrs. Nixon says, looking about her for a simile, as white as that ceiling. She never will forget his fury that night, Never! To this account Felix listens with a solemn face, occasionally looking at you to see how it affects you, and when his mother has made an end of it, adds that he looked at every coachman he met for three weeks afterwards, in hopes that he might see the scoundrel; whereupon Mrs. Nixon, with an exclamation of terror, requests to know what he would have done to him if he had seen him, at which Felix smiling darkly and clenching his right fist, she exclaims, "Goodness gracious!" with a distracted air, and insists upon extorting a promise that he never will on any account do anything so rash, which her dutiful son—it being something more than three years since the offence was committed—reluctantly concedes, and his mother, shaking her head prophetically, fears with a sigh that his spirit will lead him into something violent yet. The discourse then, by an easy transition, turns upon the spirit which glows within the bosom of Felix, upon which point Felix himself becomes eloquent, and relates a thrilling anecdote of the time when he used to sit up till two o’clock in the morning reading French, and how his mother used to say, "Felix, you will make yourself ill, I know you will;" and how he used to say, "Mother, I don’t care—I will do it;" and how at last his mother privately procured a doctor to come and see him, who declared, the moment he felt his pulse, that if he had gone on reading one night more—only one night more—he must have put a blister on each temple, and another between his shoulders; and who, as it was, sat down upon the instant, and writing a prescription for a blue pill, said it must be taken immediately, or he wouldn’t answer for the consequences. The recital of these and many other moving perils of the like nature, constantly harrows up the feelings of Mr. Nixon’s friends. Mrs. Nixon has a tolerably extensive circle of female acquaintance, being a good-humoured, talkative, bustling little body, and to the unmarried girls among them she is constantly vaunting the virtues of her son, hinting that she will be a very happy person who wins him, but that they must mind their P’s and Q’s, for he is very particular, and terribly severe upon young ladies. At this last caution the young ladies resident in the same row, who happen to be spending the evening there, put their pocket-handkerchiefs before their mouths, and are troubled with a short cough; just then Felix knocks at the door, and his mother drawing the tea-table nearer the fire, calls out to him as he takes off his boots in the back parlour that he needn’t mind coming in in his slippers, for there are only the two Miss Greys and Miss Thompson, and she is quite sure they will excuse him, and nodding to the two Miss Greys, she adds, in a whisper, that Julia Thompson is a great favourite with Felix, at which intelligence the short cough comes again, and Miss Thompson in particular is greatly troubled with it, till Felix coming in, very faint for want of his tea, changes the subject of discourse, and enables her to laugh out boldly and tell Amelia Grey not to be so foolish. Here they all three laugh, and Mrs. Nixon says they are giddy girls; in which stage of the proceedings, Felix, who has by this time refreshened himself with the grateful herb that "cheers but not inebriates," removes his cup from his countenance and says with a knowing smile, that all girls are; whereat his admiring mamma pats him on the back and tells him not to be sly, which calls forth a general laugh from the young ladies, and another smile from Felix, who, thinking he looks very sly indeed, is perfectly satisfied. Tea being over, the young ladies resume their work, and Felix insists upon holding a skein of silk while Miss Thompson winds it on a card. This process having been performed to the satisfaction of all parties, he brings down his flute in compliance with a request from the youngest Miss Grey, and plays divers tunes out of a very small music-book till supper-time, when he is very facetious and talkative indeed. Finally, after half a tumblerful of warm sherry and water, he gallantly puts on his goloshes over his slippers, and telling Miss Thompson’s servant to run on first and get the door open, escorts that young lady to her house, five doors off: the Miss Greys who live in the next house but one stopping to peep with merry faces from their own door till he comes back again, when they call out "Very well, Mr. Felix," and trip into the passage with a laugh more musical than any flute that was ever played. Felix is rather prim in his appearance, and perhaps a little priggish about his books and flute, and so forth, which have all their peculiar corners of peculiar shelves in his bedroom; indeed all his female acquaintance (and they are good judges) have long ago set him down as a thorough old bachelor. He is a favourite with them however, in a certain way, as an honest inoffensive, kind-hearted creature; and as his peculiarities harm nobody, not even himself, we are induced to hope that many who are not personally acquainted with him will take our good word in his behalf, and be content to leave him to a long continuance of his harmless existence. THE CENSORIOUS YOUNG GENTLEMAN. There is an amiable kind of young gentleman going about in society, upon whom, after much experience of him, and considerable turning over of the subject in our mind, we feel it our duty to affix the above appellation. Young ladies mildly call him a "sarcastic" young gentleman, or a "severe" young gentleman. We, who know better, beg to acquaint them with the fact, that he is merely a censorious young gentleman, and nothing else. The censorious young gentleman has the reputation among his familiars of a remarkably clever person, which he maintains by receiving all intelligence and expressing all opinions with a dubious sneer, accompanied with a half smile, expressive of anything you please but good-humour. This sets people about thinking what on earth the censorious young gentleman means, and they speedily arrive at the conclusion that he means something very deep indeed; for they reason in this way—"This young gentleman looks so very knowing that he must mean something, and as I am by no means a dull individual, what a very deep meaning he must have if I can’t find it out!" It is extraordinary how soon a censorious young gentleman may make a reputation in his own small circle if he bear this in his mind, and regulate his proceedings accordingly. As young ladies are generally—not curious, but laudably desirous to acquire information, the censorious young gentleman is much talked about among them, and many surmises are hazarded regarding him. "I wonder," exclaims the eldest Miss Greenwood, laying down her work to turn up the lamp, "I wonder whether Mr. Fairfax will ever be married." "Bless me, dear,’ cries Miss Marshall, "what ever made you think of him?" "Really I hardly know," replies Miss Greenwood; "he is such a very mysterious person, that I often wonder about him." "Well, to tell you the truth,’ replies Miss Marshall, "and so do I." Here two other young ladies profess that they are constantly doing the like, and all present appear in the same condition except one young lady, who, not scrupling to state that she considers Mr. Fairfax "a horror," draws down all the opposition of the others, which having been expressed in a great many ejaculatory passages, such as "Well, did I ever!"—and "Lor, Emily, dear!" ma takes up the subject, and gravely states, that she must say she does not think Mr. Fairfax by any means a horror, but rather takes him to be a young man of very great ability; "and I am quite sure," adds the worthy lady, "he always means a great deal more than he says." The door opens at this point of the disclosure, and who of all people alive walks into the room, but the very Mr. Fairfax, who has been the subject of conversation! "Well, it really is curious," cries ma, "we were at that very moment talking about you." "You did me great honour," replies Mr. Fairfax;"‘may I venture to ask what you were saying?" "Why, if you must know," returns the eldest girl, "we were remarking what a very mysterious man you are." "Ay, ay!" observes Mr. Fairfax, "Indeed!" Now Mr. Fairfax says this ay, ay, and indeed, which are slight words enough in themselves, with so very unfathomable an air, and accompanies them with such a very equivocal smile, that ma and the young ladies are more than ever convinced that he means an immensity, and so tell him he is a very dangerous man, and seems to be always thinking ill of somebody, which is precisely the sort of character the censorious young gentleman is most desirous to establish; wherefore he says, "Oh, dear, no," in a tone, obviously intended to mean, "You have me there," and which gives them to understand that they have hit the right nail on the very centre of its head. When the conversation ranges from the mystery overhanging the censorious young gentleman’s behaviour, to the general topics of the day, he sustains his character to admiration. He considers the new tragedy well enough for a new tragedy, but Lord bless us—well, no matter; he could say a great deal on that point, but he would rather not, lest he should be thought ill-natured, as he knows he would be. "But is not Mr. So-and-so’s performance truly charming?" inquires a young lady. "Charming!" replies the censorious young gentleman. "Oh, dear, yes, certainly; very charming—oh, very charming indeed." After this, he stirs the fire, smiling contemptuously all the while: and a modest young gentleman, who has been a silent listener, thinks what a great thing it must be, to have such a critical judgment. Of music, pictures, books, and poetry, the censorious young gentleman has an equally fine conception. As to men and women, he can tell all about them at a glance. "Now let us hear your opinion of young Mrs. Barker," says some great believer in the powers of Mr. Fairfax, "but don’t be too severe." "I never am severe," replies the censorious young gentleman. "Well, never mind that now. She is very lady-like, is she not?" "Lady-like!" repeats the censorious young gentleman (for he always repeats when he is at a loss for anything to say). "Did you observe her manner? Bless my heart and soul, Mrs. Thompson, did you observe her manner?—that’s all I ask." "I thought I had done so," rejoins the poor lady, much perplexed; "I did not observe it very closely perhaps." "Oh, not very closely," rejoins the censorious young gentleman, triumphantly. "Very good; then I did. Let us talk no more about her." The censorious young gentleman purses up his lips, and nods his head sagely, as he says this; and it is forthwith whispered about, that Mr. Fairfax (who, though he is a little prejudiced, must be admitted to be a very excellent judge) has observed something exceedingly odd in Mrs. Barker’s manner. THE FUNNY YOUNG GENTLEMAN. As one funny young gentleman will serve as a sample of all funny young gentlemen we purpose merely to note down the conduct and behaviour of an individual specimen of this class, whom we happened to meet at an annual family Christmas party in the course of this very last Christmas that ever came. We were all seated round a blazing fire which crackled pleasantly as the guests talked merrily and the urn steamed cheerily—for, being an old-fashioned party, there was an urn, and a teapot besides—when there came a postman’s knock at the door, so violent and sudden, that it startled the whole circle, and actually caused two or three very interesting and most unaffected young ladies to scream aloud and to exhibit many afflicting symptoms of terror and distress, until they had been several times assured by their respective adorers, that they were in no danger. We were about to remark that it was surely beyond post-time, and must have been a runaway knock, when our host, who had hitherto been paralysed with wonder, sank into a chair in a perfect ecstasy of laughter, and offered to lay twenty pounds that it was that droll dog Griggins. He had no sooner said this, than the majority of the company and all the children of the house burst into a roar of laughter too, as if some inimitable joke flashed upon them simultaneously, and gave vent to various exclamations of—To be sure it must be Griggins, and How like him that was, and What spirits he was always in! with many other commendatory remarks of the like nature. Not having the happiness to know Griggins, we became extremely desirous to see so pleasant a fellow, the more especially as a stout gentleman with a powdered head, who was sitting with his breeches buckles almost touching the hob, whispered us he was a wit of the first water, when the door opened, and Mr. Griggins being announced, presented himself, amidst another shout of laughter and a loud clapping of hands from the younger branches. This welcome he acknowledged by sundry contortions of countenance, imitative of the clown in one of the new pantomimes, which were so extremely successful, that one stout gentleman rolled upon an ottoman in a paroxysm of delight, protesting, with many gasps, that if somebody didn’t make that fellow Griggins leave off, he would be the death of him, he knew. At this the company only laughed more boisterously than before, and as we always like to accommodate our tone and spirit if possible to the humour of any society in which we find ourself, we laughed with the rest, and exclaimed, "Oh! capital, capital!" as loud as any of them. When he had quite exhausted all beholders, Mr. Griggins received the welcomes and congratulations of the circle, and went through the needful introductions with much ease and many puns. This ceremony over, he avowed his intention of sitting in somebody’s lap unless the young ladies made room for him on the sofa, which being done, after a great deal of tittering and pleasantry, he squeezed himself among them, and likened his condition to that of love among the roses. At this novel jest we all roared once more. "You should consider yourself highly honoured, sir," said we. "Sir," replied Mr. Griggins, "you do me proud." Here everybody laughed again; and the stout gentleman by the fire whispered in our ear that Griggins was making a dead set at us. The tea things having been removed, we all sat down to a round game, and here Mr. Griggins shone forth with peculiar brilliancy, abstracting other people’s fish, and looking over their hands in the most comical manner. He made one most excellent joke in snuffing a candle, which was neither more nor less than setting fire to the hair of a pale young gentleman who sat next him, and afterwards begging his pardon with considerable humour. As the young gentleman could not see the joke however, possibly in consequence of its being on the top of his own head, it did not go off quite as well as it might have done; indeed, the young gentleman was heard to murmur some general references to "impertinence," and a "rascal," and to state the number of his lodgings in an angry tone—a turn of the conversation which might have been productive of slaughterous consequences, if a young lady, betrothed to the young gentleman, had not used her immediate influence to bring about a reconciliation: emphatically declaring in an agitated whisper, intended for his peculiar edification but audible to the whole table, that if he went on in that way, she never would think of him otherwise than as a friend, though as that she must always regard him. At this terrible threat the young gentleman became calm, and the young lady, overcome by the revulsion of feeling, instantaneously fainted. Mr. Griggins’s spirits were slightly depressed for a short period by this unlooked-for result of such a harmless pleasantry, but being promptly elevated by the attentions of the host and several glasses of wine, he soon recovered, and became even more vivacious than before, insomuch that the stout gentleman previously referred to, assured us that although he had known him since he was that high (something smaller than a nutmeg-grater), he had never beheld him in such excellent cue. When the round game and several games at blind man’s buff which followed it were all over, and we were going down to supper, the inexhaustible Mr. Griggins produced a small sprig of mistletoe from his waistcoat pocket, and commenced a general kissing of the assembled females, which occasioned great commotion and much excitement. We observed that several young gentlemen—including the young gentleman with the pale countenance—were greatly scandalised at this indecorous proceeding, and talked very big among themselves in corners; and we observed too, that several young ladies when remonstrated with by the aforesaid young gentlemen, called each other to witness how they had struggled, and protested vehemently that it was very rude, and that they were surprised at Mrs. Brown’s allowing it, and that they couldn’t bear it, and had no patience with such impertinence. But such is the gentle and forgiving nature of woman, that although we looked very narrowly for it, we could not detect the slightest harshness in the subsequent treatment of Mr. Griggins. Indeed, upon the whole, it struck us that among the ladies he seemed rather more popular than before! To recount all the drollery of Mr. Griggins at supper, would fill such a tiny volume as this, to the very bottom of the outside cover. How he drank out of other people’s glasses, and ate of other people’s bread, how he frightened into screaming convulsions a little boy who was sitting up to supper in a high chair, by sinking below the table and suddenly reappearing with a mask on; how the hostess was really surprised that anybody could find a pleasure in tormenting children, and how the host frowned at the hostess, and felt convinced that Mr. Griggins had done it with the very best intentions; how Mr. Griggins explained, and how everybody’s good-humour was restored but the child’s;—to tell these and a hundred other things ever so briefly, would occupy more of our room and our readers’ patience, than either they or we can conveniently spare. Therefore we change the subject, merely observing that we have offered no description of the funny young gentleman’s personal appearance, believing that almost every society has a Griggins of its own, and leaving all readers to supply the deficiency, according to the particular circumstances of their particular case. THE THEATRICAL YOUNG GENTLEMAN. All gentlemen who love the drama—and there are few gentlemen who are not attached to the most intellectual and rational of all our amusements—do not come within this definition. As we have no mean relish for theatrical entertainments ourself, we are disinterestedly anxious that this should be perfectly understood. The theatrical young gentleman has early and important information on all theatrical topics. "Well," says he, abruptly, when you meet him in the street, "here’s a pretty to-do. Flimkins has thrown up his part in the melodrama at the Surrey."—"And what’s to be done?’ you inquire with as much gravity as you can counterfeit. "Ah, that’s the point," replies the theatrical young gentleman, looking very serious; "Boozle declines it; positively declines it. From all I am told, I should say it was decidedly in Boozle’s line, and that he would be very likely to make a great hit in it; but he objects on the ground of Flimkins having been put up in the part first, and says no earthly power shall induce him to take the character. It’s a fine part, too—excellent business, I’m told. He has to kill six people in the course of the piece, and to fight over a bridge in red fire, which is as safe a card, you know, as can be. Don’t mention it; but I hear that the last scene, when he is first poisoned, and then stabbed, by Mrs. Flimkins as Vengedora, will be the greatest thing that has been done these many years." With this piece of news, and laying his finger on his lips as a caution for you not to excite the town with it, the theatrical young gentleman hurries away. The theatrical young gentleman, from often frequenting the different theatrical establishments, has pet and familiar names for them all. Thus Covent-Garden is the garden, Drury-Lane the lane, the Victoria the vic, and the Olympic the pic. Actresses, too, are always designated by their surnames only, as Taylor, Nisbett, Faucit, Honey; that talented and lady-like girl Sheriff, that clever little creature Horton, and so on. In the same manner he prefixes Christian names when he mentions actors, as Charley Young, Jemmy Buckstone, Fred. Yates, Paul Bedford. When he is at a loss for a Christian name, the word "old" applied indiscriminately answers quite as well: as old Charley Matthews at Vestris’s, old Harley, and old Braham. He has a great knowledge of the private proceedings of actresses, especially of their getting married, and can tell you in a breath half-a-dozen who have changed their names without avowing it. Whenever an alteration of this kind is made in the playbills, he will remind you that he let you into the secret six months ago. The theatrical young gentleman has a great reverence for all that is connected with the stage department of the different theatres. He would, at any time, prefer going a street or two out of his way, to omitting to pass a stage-entrance, into which he always looks with a curious and searching eye. If he can only identify a popular actor in the street, he is in a perfect transport of delight; and no sooner meets him, than he hurries back, and walks a few paces in front of him, so that he can turn round from time to time, and have a good stare at his features. He looks upon a theatrical-fund dinner as one of the most enchanting festivities ever known; and thinks that to be a member of the Garrick Club, and see so many actors in their plain clothes, must be one of the highest gratifications the world can bestow. The theatrical young gentleman is a constant half-price visitor at one or other of the theatres, and has an infinite relish for all pieces which display the fullest resources of the establishment. He likes to place implicit reliance upon the play-bills when he goes to see a show-piece, and works himself up to such a pitch of enthusiasm, as not only to believe (if the bills say so) that there are three hundred and seventy-five people on the stage at one time in the last scene, but is highly indignant with you, unless you believe it also. He considers that if the stage be opened from the foot-lights to the back wall, in any new play, the piece is a triumph of dramatic writing, and applauds accordingly. He has a great notion of trap-doors too; and thinks any character going down or coming up a trap (no matter whether he be an angel or a demon—they both do it occasionally) one of the most interesting feats in the whole range of scenic illusion. Besides these acquirements, he has several veracious accounts to communicate of the private manners and customs of different actors, which, during the pauses of a quadrille, he usually communicates to his partner, or imparts to his neighbour at a supper table. Thus he is advised, that Mr. Liston always had a footman in gorgeous livery waiting at the side-scene with a brandy bottle and tumbler, to administer half a pint or so of spirit to him every time he came off, without which assistance he must infallibly have fainted. He knows for a fact, that, after an arduous part, Mr. George Bennett is put between two feather beds, to absorb the perspiration; and is credibly informed, that Mr. Baker has, for many years, submitted to a course of lukewarm toast-and-water, to qualify him to sustain his favourite characters. He looks upon Mr. Fitz Ball as the principal dramatic genius and poet of the day; but holds that there are great writers extant besides him,—in proof whereof he refers you to various dramas and melodramas recently produced, of which he takes in all the sixpenny and three-penny editions as fast as they appear. The theatrical young gentleman is a great advocate for violence of emotion and redundancy of action. If a father has to curse a child upon the stage, he likes to see it done in the thorough-going style, with no mistake about it: to which end it is essential that the child should follow the father on her knees, and be knocked violently over on her face by the old gentleman as he goes into a small cottage, and shuts the door behind him. He likes to see a blessing invoked upon the young lady, when the old gentleman repents, with equal earnestness, and accompanied by the usual conventional forms, which consist of the old gentleman looking anxiously up into the clouds, as if to see whether it rains, and then spreading an imaginary tablecloth in the air over the young lady’s head—soft music playing all the while. Upon these, and other points of a similar kind, the theatrical young gentleman is a great critic indeed. He is likewise very acute in judging of natural expressions of the passions, and knows precisely the frown, wink, nod, or leer, which stands for any one of them, or the means by which it may be converted into any other: as jealousy, with a good stamp of the right foot, becomes anger; or wildness, with the hands clasped before the throat, instead of tearing the wig, is passionate love. If you venture to express a doubt of the accuracy of any of these portraitures, the theatrical young gentleman assures you, with a haughty smile, that it always has been done in that way, and he supposes they are not going to change it at this time of day to please you; to which, of course, you meekly reply that you suppose not. There are innumerable disquisitions of this nature, in which the theatrical young gentleman is very profound, especially to ladies whom he is most in the habit of entertaining with them; but as we have no space to recapitulate them at greater length, we must rest content with calling the attention of the young ladies in general to the theatrical young gentlemen of their own acquaintance. THE POETICAL YOUNG GENTLEMAN. Time was, and not very long ago either, when a singular epidemic raged among the young gentlemen, vast numbers of whom, under the influence of the malady, tore off their neckerchiefs, turned down their shirt collars, and exhibited themselves in the open streets with bare throats and dejected countenances, before the eyes of an astonished public. These were poetical young gentlemen. The custom was gradually found to be inconvenient, as involving the necessity of too much clean linen and too large washing bills, and these outward symptoms have consequently passed away; but we are disposed to think, notwithstanding, that the number of poetical young gentlemen is considerably on the increase. We know a poetical young gentleman—a very poetical young gentleman. We do not mean to say that he is troubled with the gift of poesy in any remarkable degree, but his countenance is of a plaintive and melancholy cast, his manner is abstracted and bespeaks affliction of soul: he seldom has his hair cut, and often talks about being an outcast and wanting a kindred spirit; from which, as well as from many general observations in which he is wont to indulge, concerning mysterious impulses, and yearnings of the heart, and the supremacy of intellect gilding all earthly things with the glowing magic of immortal verse, it is clear to all his friends that he has been stricken poetical. The favourite attitude of the poetical young gentleman is lounging on a sofa with his eyes fixed upon the ceiling, or sitting bolt upright in a high-backed chair, staring with very round eyes at the opposite wall. When he is in one of these positions, his mother, who is a worthy, affectionate old soul, will give you a nudge to bespeak your attention without disturbing the abstracted one, and whisper with a shake of the head, that John’s imagination is at some extraordinary work or other, you may take her word for it. Hereupon John looks more fiercely intent upon vacancy than before, and suddenly snatching a pencil from his pocket, puts down three words, and a cross on the back of a card, sighs deeply, paces once or twice across the room, inflicts a most unmerciful slap upon his head, and walks moodily up to his dormitory. The poetical young gentleman is apt to acquire peculiar notions of things too, which plain ordinary people, unblessed with a poetical obliquity of vision, would suppose to be rather distorted. For instance, when the sickening murder and mangling of a wretched woman was affording delicious food wherewithal to gorge the insatiable curiosity of the public, our friend the poetical young gentleman was in ecstasies—not of disgust, but admiration. "Heavens!" cried the poetical young gentleman, "how grand; how great!" We ventured deferentially to inquire upon whom these epithets were bestowed: our humble thoughts oscillating between the police officer who found the criminal, and the lock-keeper who found the head. "Upon whom!" exclaimed the poetical young gentleman in a frenzy of poetry, "Upon whom should they be bestowed but upon the murderer!"—and thereupon it came out, in a fine torrent of eloquence, that the murderer was a great spirit, a bold creature full of daring and nerve, a man of dauntless heart and determined courage, and withal a great casuist and able reasoner, as was fully demonstrated in his philosophical colloquies with the great and noble of the land. We held our peace, and meekly signified our indisposition to controvert these opinions—firstly, because we were no match at quotation for the poetical young gentleman; and secondly, because we felt it would be of little use our entering into any disputation, if we were: being perfectly convinced that the respectable and immoral hero in question is not the first and will not be the last hanged gentleman upon whom false sympathy or diseased curiosity will be plentifully expended. This was a stern mystic flight of the poetical young gentleman. In his milder and softer moments he occasionally lays down his neckcloth, and pens stanzas, which sometimes find their way into a Lady’s Magazine, or the "Poets’ Corner" of some country newspaper; or which, in default of either vent for his genius, adorn the rainbow leaves of a lady’s album. These are generally written upon some such occasions as contemplating the Bank of England by midnight, or beholding Saint Paul’s in a snow storm; and when these gloomy objects fail to afford him inspiration, he pours forth his soul in a touching address to a violet, or a plaintive lament that he is no longer a child, but has gradually grown up. The poetical young gentleman is fond of quoting passages from his favourite authors, who are all of the gloomy and desponding school. He has a great deal to say too about the world, and is much given to opining, especially if he has taken anything strong to drink, that there is nothing in it worth living for. He gives you to understand, however, that for the sake of society, he means to bear his part in the tiresome play, manfully resisting the gratification of his own strong desire to make a premature exit; and consoles himself with the reflection, that immortality has some chosen nook for himself and the other great spirits whom earth has chafed and wearied. When the poetical young gentleman makes use of adjectives, they are all superlatives. Everything is of the grandest, greatest, noblest, mightiest, loftiest; or the lowest, meanest, obscurest, vilest, and most pitiful. He knows no medium: for enthusiasm is the soul of poetry; and who so enthusiastic as a poetical young gentleman? "Mr. Milkwash," says a young lady as she unlocks her album to receive the young gentleman’s original impromptu contribution, "how very silent you are! I think you must be in love." "Love!" cries the poetical young gentleman, starting from his seat by the fire and terrifying the cat who scampers off at full speed, "Love! that burning, consuming passion; that ardour of the soul, that fierce glowing of the heart. Love! The withering, blighting influence of hope misplaced and affection slighted. Love did you say! Ha! ha! ha!" With this, the poetical young gentleman laughs a laugh belonging only to poets and Mr. O. Smith of the Adelphi Theatre, and sits down, pen in hand, to throw off a page or two of verse in the biting, semi-atheistical demoniac style, which, like the poetical young gentleman himself, is full of sound and fury, signifying nothing. THE "THROWING-OFF" YOUNG GENTLEMAN. There is a certain kind of impostor—a bragging, vaunting, puffing young gentleman—against whom we are desirous to warn that fairer part of the creation, to whom we more peculiarly devote these our labours. And we are particularly induced to lay especial stress upon this division of our subject, by a little dialogue we held some short time ago, with an esteemed young lady of our acquaintance, touching a most gross specimen of this class of men. We had been urging all the absurdities of his conduct and conversation, and dwelling upon the impossibilities he constantly recounted—to which indeed we had not scrupled to prefix a certain hard little word of one syllable and three letters—when our fair friend, unable to maintain the contest any longer, reluctantly cried, "Well; he certainly has a habit of throwing-off, but then—" "What then? Throw him off yourself," said we. And so she did, but not at our instance, for other reasons appeared, and it might have been better if she had done so at first. The throwing-off young gentleman has so often a father possessed of vast property in some remote district of Ireland, that we look with some suspicion upon all young gentlemen who volunteer this description of themselves. The deceased grandfather of the throwing-off young gentleman was a man of immense possessions, and untold wealth; the throwing-off young gentleman remembers, as well as if it were only yesterday, the deceased baronet’s library, with its long rows of scarce and valuable books in superbly embossed bindings, arranged in cases, reaching from the lofty ceiling to the oaken floor; and the fine antique chairs and tables, and the noble old castle of Ballykillbabaloo, with its splendid prospect of hill and dale, and wood, and rich wild scenery, and the fine hunting stables and the spacious court-yards, "and—and—everything upon the same magnificent scale" says the throwing-off young gentleman, "princely; quite princely. Ah!" And he sighs as if mourning over the fallen fortunes of his noble house. The throwing-off young gentleman is a universal genius; at walking, running, rowing, swimming, and skating, he is unrivalled; at all games of chance or skill, at hunting, shooting, fishing, riding, driving, or amateur theatricals, no one can touch him—that is could not, because he gives you carefully to understand, lest there should be any opportunity of testing his skill, that he is quite out of practice just now, and has been for some years. If you mention any beautiful girl of your common acquaintance in his hearing, the throwing-off young gentleman starts, smiles, and begs you not to mind him, for it was quite involuntary: people do say indeed that they were once engaged, but no—although she is a very fine girl, he was so situated at that time that he couldn’t possibly encourage the—"but it’s of no use talking about it!" he adds, interrupting himself. "She has got over it now, and I firmly hope and trust is happy." With this benevolent aspiration he nods his head in a mysterious manner, and whistling the first part of some popular air, thinks perhaps it will be better to change the subject. There is another great characteristic of the throwing-off young gentleman, which is, that he "happens to be acquainted" with a most extraordinary variety of people in all parts of the world. Thus in all disputed questions, when the throwing-off young gentleman has no argument to bring forward, he invariably happens to be acquainted with some distant person, intimately connected with the subject, whose testimony decides the point against you, to the great—may we say it—to the great admiration of three young ladies out of every four, who consider the throwing-off young gentleman a very highly-connected young man, and a most charming person. Sometimes the throwing-off young gentleman happens to look in upon a little family circle of young ladies who are quietly spending the evening together, and then indeed is he at the very height and summit of his glory; for it is to be observed that he by no means shines to equal advantage in the presence of men as in the society of over-credulous young ladies, which is his proper element. It is delightful to hear the number of pretty things the throwing-off young gentleman gives utterance to, during tea, and still more so to observe the ease with which, from long practice and study, he delicately blends one compliment to a lady with two for himself. "Did you ever see a more lovely blue than this flower, Mr. Caveton?" asks a young lady who, truth to tell, is rather smitten with the throwing-off young gentleman. "Never," he replies, bending over the object of admiration, "never but in your eyes." "Oh, Mr. Caveton," cries the young lady, blushing of course. "Indeed I speak the truth," replies the throwing-off young gentleman, ‘I never saw any approach to them. I used to think my cousin’s blue eyes lovely, but they grow dim and colourless beside yours." "Oh! a beautiful cousin, Mr. Caveton!" replies the young lady, with that perfect artlessness which is the distinguishing characteristic of all young ladies; "an affair, of course." "No; indeed, indeed you wrong me," rejoins the throwing-off young gentleman with great energy. "I fervently hope that her attachment towards me may be nothing but the natural result of our close intimacy in childhood, and that in change of scene and among new faces she may soon overcome it. I love her! Think not so meanly of me, Miss Lowfield, I beseech, as to suppose that title, lands, riches, and beauty, can influence my choice. The heart, the heart, Miss Lowfield." Here the throwing-off young gentleman sinks his voice to a still lower whisper; and the young lady duly proclaims to all the other young ladies when they go up-stairs, to put their bonnets on, that Mr. Caveton’s relations are all immensely rich, and that he is hopelessly beloved by title, lands, riches, and beauty. We have seen a throwing-off young gentleman who, to our certain knowledge, was innocent of a note of music, and scarcely able to recognise a tune by ear, volunteer a Spanish air upon the guitar when he had previously satisfied himself that there was not such an instrument within a mile of the house. We have heard another throwing-off young gentleman, after striking a note or two upon the piano, and accompanying it correctly (by dint of laborious practice) with his voice, assure a circle of wondering listeners that so acute was his ear that he was wholly unable to sing out of tune, let him try as he would. We have lived to witness the unmasking of another throwing-off young gentleman, who went out a visiting in a military cap with a gold band and tassel, and who, after passing successfully for a captain and being lauded to the skies for his red whiskers, his bravery, his soldierly bearing and his pride, turned out to be the dishonest son of an honest linen-draper in a small country town, and whom, if it were not for this fortunate exposure, we should not yet despair of encountering as the fortunate husband of some rich heiress. Ladies, ladies, the throwing-off young gentlemen are often swindlers, and always fools. So pray you avoid them. THE YOUNG LADIES’ YOUNG GENTLEMAN. This young gentleman has several titles. Some young ladies consider him "a nice young man," others "a fine young man," others "quite a lady’s man," others "a handsome man," others "a remarkably good-looking young man." With some young ladies he is "a perfect angel," and with others "quite a love." He is likewise a charming creature, a duck, and a dear. The young ladies’ young gentleman has usually a fresh colour and very white teeth, which latter articles, of course, he displays on every possible opportunity. He has brown or black hair, and whiskers of the same, if possible; but a slight tinge of red, or the hue which is vulgarly known as sandy, is not considered an objection. If his head and face be large, his nose prominent, and his figure square, he is an uncommonly fine young man, and worshipped accordingly. Should his whiskers meet beneath his chin, so much the better, though this is not absolutely insisted on; but he must wear an under-waistcoat, and smile constantly. There was a great party got up by some party-loving friends of ours last summer, to go and dine in Epping Forest. As we hold that such wild expeditions should never be indulged in, save by people of the smallest means, who have no dinner at home, we should indubitably have excused ourself from attending, if we had not recollected that the projectors of the excursion were always accompanied on such occasions by a choice sample of the young ladies’ young gentleman, whom we were very anxious to have an opportunity of meeting. This determined us, and we went. We were to make for Chigwell in four glass coaches, each with a trifling company of six or eight inside, and a little boy belonging to the projectors on the box—and to start from the residence of the projectors, Woburn-place, Russell-square, at half-past ten precisely. We arrived at the place of rendezvous at the appointed time, and found the glass coaches and the little boys quite ready, and divers young ladies and young gentlemen looking anxiously over the breakfast-parlour blinds, who appeared by no means so much gratified by our approach as we might have expected, but evidently wished we had been somebody else. Observing that our arrival in lieu of the unknown occasioned some disappointment, we ventured to inquire who was yet to come, when we found from the hasty reply of a dozen voices, that it was no other than the young ladies’ young gentleman. "I cannot imagine," said the mama, "what has become of Mr. Balim—always so punctual, always so pleasant and agreeable. I am sure I can-not think." As these last words were uttered in that measured, emphatic manner which painfully announces that the speaker has not quite made up his or her mind what to say, but is determined to talk on nevertheless, the eldest daughter took up the subject, and hoped no accident had happened to Mr. Balim, upon which there was a general chorus of "Dear Mr. Balim!" and one young lady, more adventurous than the rest, proposed that an express should be straightway sent to dear Mr. Balim’s lodgings. This, however, the papa resolutely opposed, observing, in what a short young lady behind us termed "quite a bearish way," that if Mr. Balim didn’t choose to come, he might stop at home. At this all the daughters raised a murmur of "Oh pa!" except one sprightly little girl of eight or ten years old, who, taking advantage of a pause in the discourse, remarked, that perhaps Mr. Balim might have been married that morning—for which impertinent suggestion she was summarily ejected from the room by her eldest sister. We were all in a state of great mortification and uneasiness, when one of the little boys, running into the room as airily as little boys usually run who have an unlimited allowance of animal food in the holidays, and keep their hands constantly forced down to the bottoms of very deep trouser-pockets when they take exercise, joyfully announced that Mr. Balim was at that moment coming up the street in a hackney-cab; and the intelligence was confirmed beyond all doubt a minute afterwards by the entry of Mr. Balim himself, who was received with repeated cries of "Where have you been, you naughty creature?" whereunto the naughty creature replied, that he had been in bed, in consequence of a late party the night before, and had only just risen. The acknowledgment awakened a variety of agonizing fears that he had taken no breakfast; which appearing after a slight cross-examination to be the real state of the case, breakfast for one was immediately ordered, notwithstanding Mr. Balim’s repeated protestations that he couldn’t think of it. He did think of it though, and thought better of it too, for he made a remarkably good meal when it came, and was assiduously served by a select knot of young ladies. It was quite delightful to see how he ate and drank, while one pair of fair hands poured out his coffee, and another put in the sugar, and another the milk; the rest of the company ever and anon casting angry glances at their watches, and the glass coaches,—and the little boys looking on in an agony of apprehension lest it should begin to rain before we set out; it might have rained all day, after we were once too far to turn back again, and welcome, for aught they cared. However, the cavalcade moved at length, every coachman being accommodated with a hamper between his legs something larger than a wheelbarrow; and the company being packed as closely as they possibly could in the carriages, "according," as one married lady observed, "to the immemorial custom, which was half the diversion of gipsy parties." Thinking it very likely it might be (we have never been able to discover the other half), we submitted to be stowed away with a cheerful aspect, and were fortunate enough to occupy one corner of a coach in which were one old lady, four young ladies, and the renowned Mr. Balim the young ladies’ young gentleman. We were no sooner fairly off, than the young ladies’ young gentleman hummed a fragment of an air, which induced a young lady to inquire whether he had danced to that the night before. "By Heaven, then, I did," replied the young gentleman, "and with a lovely heiress; a superb creature, with twenty thousand pounds." "You seem rather struck," observed another young lady. " 'Gad she was a sweet creature," returned the young gentleman, arranging his hair. "Of course she was struck too?" inquired the first young lady. "How can you ask, love?" interposed the second; "Could she fail to be?" "Well, honestly I think she was," observed the young gentleman. At this point of the dialogue, the young lady who had spoken first, and who sat on the young gentleman’s right, struck him a severe blow on the arm with a rosebud, and said he was a vain man—whereupon the young gentleman insisted on having the rosebud, and the young lady appealing for help to the other young ladies, a charming struggle ensued, terminating in the victory of the young gentleman, and the capture of the rosebud. This little skirmish over, the married lady, who was the mother of the rosebud, smiled sweetly upon the young gentleman, and accused him of being a flirt; the young gentleman pleading not guilty, a most interesting discussion took place upon the important point whether the young gentleman was a flirt or not, which being an agreeable conversation of a light kind, lasted a considerable time. At length, a short silence occurring, the young ladies on either side of the young gentleman fell suddenly fast asleep; and the young gentleman, winking upon us to preserve silence, won a pair of gloves from each, thereby causing them to wake with equal suddenness and to scream very loud. The lively conversation to which this pleasantry gave rise, lasted for the remainder of the ride, and would have eked out a much longer one. We dined rather more comfortably than people usually do under such circumstances, nothing having been left behind but the corkscrew and the bread. The married gentlemen were unusually thirsty, which they attributed to the heat of the weather; the little boys ate to inconvenience; mamas were very jovial, and their daughters very fascinating; and the attendants being well-behaved men, got exceedingly drunk at a respectful distance. We had our eye on Mr. Balim at dinner-time, and perceived that he flourished wonderfully, being still surrounded by a little group of young ladies, who listened to him as an oracle, while he ate from their plates and drank from their glasses in a manner truly captivating from its excessive playfulness. His conversation, too, was exceedingly brilliant. In fact, one elderly lady assured us, that in the course of a little lively badinage on the subject of ladies’ dresses, he had evinced as much knowledge as if he had been born and bred a milliner. As such of the fat people who did not happen to fall asleep after dinner entered upon a most vigorous game at ball, we slipped away alone into a thicker part of the wood, hoping to fall in with Mr. Balim, the greater part of the young people having dropped off in twos and threes and the young ladies’ young gentleman among them. Nor were we disappointed, for we had not walked far, when, peeping through the trees, we discovered him before us, and truly it was a pleasant thing to contemplate his greatness. The young ladies’ young gentleman was seated upon the ground, at the feet of a few young ladies who were reclining on a bank; he was so profusely decked with scarfs, ribands, flowers, and other pretty spoils, that he looked like a lamb—or perhaps a calf would be a better simile—adorned for the sacrifice. One young lady supported a parasol over his interesting head, another held his hat, and a third his neck-cloth, which in romantic fashion he had thrown off; the young gentleman himself, with his hand upon his breast, and his face moulded into an expression of the most honeyed sweetness, was warbling forth some choice specimens of vocal music in praise of female loveliness, in a style so exquisitely perfect, that we burst into an involuntary shout of laughter, and made a hasty retreat. What charming fellows these young ladies’ young gentlemen are! Ducks, dears, loves, angels, are all terms inadequate to express their merit. They are such amazingly, uncommonly, wonderfully, nice men. CONCLUSION. As we have placed before the young ladies so many specimens of young gentlemen, and have also in the dedication of this volume given them to understand how much we reverence and admire their numerous virtues and perfections; as we have given them such strong reasons to treat us with confidence, and to banish, in our case, all that reserve and distrust of the male sex which, as a point of general behaviour, they cannot do better than preserve and maintain—we say, as we have done all this, we feel that now, when we have arrived at the close of our task, they may naturally press upon us the inquiry, what particular description of young gentlemen we can conscientiously recommend. Here we are at a loss. We look over our list, and can neither recommend the bashful young gentleman, nor the out-and-out young gentleman, nor the very friendly young gentleman, nor the military young gentleman, nor the political young gentleman, nor the domestic young gentleman, nor the censorious young gentleman, nor the funny young gentleman, nor the theatrical young gentleman, nor the poetical young gentleman, nor the throwing-off young gentleman, nor the young ladies’ young gentleman. As there are some good points about many of them, which still are not sufficiently numerous to render any one among them eligible, as a whole, our respectful advice to the young ladies is, to seek for a young gentleman who unites in himself the best qualities of all, and the worst weaknesses of none, and to lead him forthwith to the hymeneal altar, whether he will or no. And to the young lady who secures him, we beg to tender one short fragment of matrimonial advice, selected from many sound passages of a similar tendency, to be found in a letter written by Dean Swift to a young lady on her marriage. "The grand affair of your life will be, to gain and preserve the esteem of your husband. Neither good-nature nor virtue will suffer him to esteem you against his judgment; and although he is not capable of using you ill, yet you will in time grow a thing indifferent and perhaps contemptible; unless you can supply the loss of youth and beauty with more durable qualities. You have but a very few years to be young and handsome in the eyes of the world; and as few months to be so in the eyes of a husband who is not a fool; for I hope you do not still dream of charms and raptures, which marriage ever did, and ever will, put a sudden end to." From the anxiety we express for the proper behaviour of the fortunate lady after marriage, it may possibly be inferred that the young gentleman to whom we have so delicately alluded, is no other than ourself. Without in any way committing ourself upon this point, we have merely to observe, that we are ready to receive sealed offers containing a full specification of age, temper, appearance, and condition; but we beg it to be distinctly understood that we do not pledge ourself to accept the highest bidder. These offers may be forwarded to the Publishers, Messrs. Chapman and Hall, one hundred and eighty-six, Strand, London; to whom all pieces of plate and other testimonials of approbation from the young ladies generally, are respectfully requested to be addressed.