<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://www.dickenssearch.com/items/browse?output=omeka-xml&amp;page=16" accessDate="2026-09-16T21:20:04+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>16</pageNumber>
      <perPage>10</perPage>
      <totalResults>361</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="293" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="101">
          <name>Summary</name>
          <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
          <elementTextContainer>
            <elementText elementTextId="4309">
              <text>Dickens spoke shortly and well enough, but it had a very cut and dried air, and rather pompous and shapely in its construction and delivered in rather a sonorous deep voice. Not a jot of humour in it.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4310">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4311">
              <text>Freemasons' Tavern</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Publication Type</name>
          <description>E.g.  newspaper/serial</description>
          <elementTextContainer>
            <elementText elementTextId="4312">
              <text>Letter</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Publication</name>
          <description>The title of the newspaper/serial (if applicable)</description>
          <elementTextContainer>
            <elementText elementTextId="4313">
              <text>Rev. W. H. Brookfield, letter to his wife</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4314">
              <text>18440511</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4303">
                <text>Artists' Benevolent Society Anniversary Festival 1844</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4304">
                <text>Speech at the Artists' Benevolent Society Anniversary Festival (11 May 1844).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4305">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4306">
                <text>1844-05-11</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4307">
                <text>1844-05-11_Speech_Artists-Benevolent-Society-Anniversary-Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4308">
                <text>Dickens, Charles. 'Speech at the Artists' Benevolent Society Anniversary Festival' (11 May 1844). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1844-05-11_Speech_Artists-Benevolent-Society-Anniversary-Festival"&gt;https://dickenssearch.com/speeches/1844-05-11_Speech_Artists-Benevolent-Society-Anniversary-Festival&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="301" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="101">
          <name>Summary</name>
          <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
          <elementTextContainer>
            <elementText elementTextId="4397">
              <text>&lt;span data-contrast="none" xml:lang="EN-GB" lang="EN-GB" class="TextRun Highlight SCXW125234455 BCX0"&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;When he had given that toast, he said, he should feel that the glory of his office was gone. He had often looked towards the gallery of that room and wondered why the ladies were consigned to that dismal, gloomy, and uncomfortable region, and considered whether there could be any good reason for sending them skyward. He had &lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;speculated&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt; &lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;again and again&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt; whether the custom was Chinese, &lt;/span&gt;&lt;span class="NormalTextRun SpellingErrorV2Themed SCXW125234455 BCX0"&gt;Kamschatkan&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;, Mahometan, or &lt;/span&gt;&lt;span class="NormalTextRun SpellingErrorV2Themed SCXW125234455 BCX0"&gt;Ojibbeway&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;, because he felt it was certainly not an English one, or, if it was, that it ought no longer to be so. He was lately conversing with a friend upon the subject, and he suggested as a reason for the custom a desire, on the part of the men, to etherealize the ladies, as they could not &lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;possibly suppose&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt; that they &lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;desired&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt; to eat and drink. It certainly was not that distance might increase the enchantment, as they were enchanting to us under any circumstances. He had consulted several ladies who sat around him on the subject, and they had told him we were mistaken in their views, and indeed it was high time the men set themselves right, or there was no knowing what tremendous consequences might ensue from the ladies&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;’ &lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;determined vows of celibacy. They had, however, this evening set themselves right, and they might congratulate themselves upon the grace and lustre that were shed upon the meeting by the presence of &lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;‘&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;our better angels&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;’&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;, of our dearest companions and our constant and unchanging friend&lt;/span&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;s &lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="none" xml:lang="EN-GB" lang="EN-GB" class="TextRun Highlight SCXW125234455 BCX0"&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt;–&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span data-contrast="none" xml:lang="EN-GB" lang="EN-GB" class="TextRun Highlight SCXW125234455 BCX0"&gt;&lt;span class="NormalTextRun SCXW125234455 BCX0"&gt; those friends who were ever at our sides in the period of our success, the closest to us in triumph and defeat, and to whom, let us roam through the world as fiercely as we will, we must come back for comfort and help; and excellent as this establishment was with all its appliances and means to boot, it was nothing in comparison with the soothing kindness and affection of their gentle care.&lt;/span&gt;&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4398">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4399">
              <text>London Tavern</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4400">
              <text>18440604</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4401">
              <text>Ladies and Gentlemen, I have now to propose to you a toast which may not only be assumed to have a real interest for us who are met here to advance the prospects of a young and struggling institution, but which I know concerns and deeply moves the welfare, comfort, mental ease, health, and life of a vast multitude of persons of both sexes, born and bred among the middle classes of society, who are dependent, under Providence, upon their own honourable exertions for subsistence in this great wilderness –  London. The toast, ladies and gentlemen, is ‘Prosperity to the Sanatorium’. I scarcely know whether it is necessary for me in this company to enter into any explanation of the objects and designs of this establishment, but its leading principle may be very easily and briefly stated. It is a home in sickness, founded and maintained upon the footing of a club, the expenses of which, by the voluntary contributions of many persons for a common welfare and advantage, are rendered so light that a weekly payment never exceeding two guineas, and in many instances not exceeding one guinea, secures to every inmate, gentleman or lady, a comfortable, genteel, and cheerful house; a quiet, well-ventilated, and wholesome chamber; the first medical advice that the skill and science of this city can supply; the diligent and careful nursing of persons trained and educated for the purpose; every possible comfort in illness, and every possible means towards recovery. This small weekly payment begins and ceases with the residence of the sick persons in the house, the qualification for a member being the annual subscription of only one guinea. If the patient have any relative or devoted friends anxious to minister to his or her afflictions, that friend can reside in the house on the same cheap and easy terms; and if the patient have a preference for any medical adviser not immediately connected with the institution, that gentleman can rely, as many have, and certify to it afterwards, on his instructions being honestly and faithfully carried out, and his treatment never being interfered with in the least degree; nay, the patient never even having heard of such a place as the Sanatorium, may have been induced to enter it – for this has happened also – by the advice of a medical professor most eminent and most honoured for his humanity and great attainments, who has said: ‘You have to submit to a most terrible bodily trial, go into this place, in Heaven's name; for on nowhere else can I repose such perfect confidence in the treatment and attention you will receive and which will, therefore, lead to your ultimate recovery? Bear in mind, ladies and gentlemen, that all those benefits are extended to the recipients, not in charity, but as a just right which honest pride may claim without a blush. Bear in mind that but for this Sick Home hundreds of persons, as sensitively and delicately nurtured as ourselves, would have had no choice between a public hospital and the uncertain supplies of strangers. Is it too much to claim, therefore, for an institution such as this the sympathy of every generous mind and feeling heart?  Let us suppose for a moment that there was no such place as the Sanatorium, as there was not two years ago, and that a lady who lives by imparting to others the accomplishments that she acquired in happier and more prosperous days, who is a governess in a family, is stricken down by illness. It is part of the lady's position that she should have no home to repair to in such a case, for her profession leads her, of necessity, to establish herself in the homes of others. It is, therefore, almost a part of that lady's position, very often to have no right to be ill; but, as that implied contract is an artificial one in which nature has no very great share, ill she is – and seriously. The lady in the family, Mrs. Wilkins we will say, takes an early opportunity of informing Mr. Wilkins of the circumstance, and Mr. Wilkins at first, does not very well know what to make of it, as it was not in the agreement; but he, after a little reflection, says that this sort of thing is very inconvenient to the family, as no doubt it is, and that he hopes it is not catching. The family apothecary advises him, and says ‘No, it is not catching; but it is a surgical disorder of long standing, not uncommon – not at all uncommon; but of a very serious nature, which will require time, the best medical advice, and a severe operation.’ Mr. Wilkins lives in a very good style; but his house is not larger than will comfortably accommodate his family, and he has to provide another governess for the instruction of his children. He is a tender-hearted man enough; but he cannot create out of a tender heart the room and attention which such a case requires. The poor lady is perfectly aware of that, resigns her situation, and takes a lodging. She is visited there by a surgeon, a most humane and liberal man, to whom this melancholy case is by no means strange, who entertains a great interest and compassion for her, and who more than confirms the statement of the apothecary. He feels for her desolate situation, and makes a few inquiries. Her family, of course, was broken up when she went out as a governess, or she never would have gone out. But has she no relative? Yes, a brother, but he is a clerk in the City. She has a sister, but she went to Australia four years ago, with a husband and six children. The case must be proceeded with. Nobody dare venture to breathe in her anxious and excited ear of a hospital, and there is nothing for her but a lodging, which, for any provision that it has in its convenience for illness, might be a lodging for an immortal spirit wholly unencumbered by a body – where the good woman of the house is almost perpetually employed in the back parlour dotting down her accounts with pen and ink, adding them up and bringing them forward, and carrying them over. She is greatly assisted in the product of these items by an odious anomaly called a sick nurse, who has been hired to attend upon the poor lady, and who is a creature of that sort who never could continue to exist but for our deplorable propensity to take whatever does exist for granted, and to rest comfortably satisfied that, because it is very bad, it cannot be better. And so this poor lady struggles on, surrounded by every adverse circumstance at a time when everything should be propitious, and instead of kind feelings and fostering hope going hand in hand to speed her recovery, her home is gloomy, hopeless, and disconsolate. And even if her desolate situation should awaken, and Heaven forbid such circumstances should not awaken, the sympathies of those about her, leading them to be regardless of their own immediate profit in her great misery, even that is torture to an honourable mind; for in this miserable sacrifice of the poor, and the uncertainty of ever being able to repay the kindnesses, new causes of despondency and grief inevitably spring up. This is no idle picture, but one of every day's occurrence, and you may know of its existence. It is even stated here, in this little record which has been laid before you today, where a poor governess frightfully afflicted is cured, where the blind clerk recovers the inestimable blessing of sight, where the senseless is restored to health, where the gentleman and scholar, whose labours are connected with popular instruction through the press, does not disdain to seek refuge, where the dying man expatiates to his brother, day by day, upon the happiness and peace of such a place as this institution, begging him with his last breath to make it better known when he is in his grave. There is not one among us, I am confident, who can withstand this little simple history. There is not one among us, I know by myself, who can pass it wholly by-there is not one among us, having a brother or child, or any dear friend, who can dismiss the harrowing echoes of that faint voice from his mind. This, ladies and gentlemen, is the Sanatorium we call upon you to assist. I am confident that the voice of which I have spoken will speak to you far more forcibly than I can ever hope to do of the high claims it has upon you. Its principle is self-support, – still, it appeals to you and the public for help; for to be self-supporting it must be thoroughly and well established, and there is no greater inconsistency in thus putting forth its pretentions and appealing to you for help, than there is in any young married couple who are to live upon their annual income wanting some assistance upon their first entering into the world. The directors of this Sanatorium,  ladies and gentlemen, cannot offer you the luxury sometimes too freely offered, of the bestowing of charity in the common acceptance of the word, but they can offer you the gratification – and you will judge for yourselves whether there can be a higher or better one – of helping those who help themselves. They offer you the gratification of enabling men and women of strong hearts to preserve an independent spirit and an upright mien, when that calamity, which is our common inheritance, stops the labour of their hands and heads. There can be no one here who does not owe a debt of sympathy for acts of kindness and affection in the hour of need, and I am persuaded that there is no one present to whom the prosperity of this institution, if it be rightly understood, can by possibility be a matter of indifference or slight regard. I beg, therefore, to propose to you to drink, ‘Prosperity to the Sanatorium’.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4391">
                <text>The Sanatorium Anniversary Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4392">
                <text>Speech at the Sanatorium Anniversary Festival (4 June 1844).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4393">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4394">
                <text>1844-06-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4395">
                <text>1844-06-04_Speech_Sanatorium-Anniversary-Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4396">
                <text>Dickens, Charles. 'Speech at the Sanatorium Anniversary Festival' (4 June 1844). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1844-06-04_Speech_Sanatorium-Anniversary-Festival"&gt;https://dickenssearch.com/speeches/1844-06-04_Speech_Sanatorium-Anniversary-Festival&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4402">
                <text>&lt;p&gt;&lt;span data-contrast="auto"&gt;Ladies and Gentlemen, I have now to propose to you a toast which may not only be assumed to have a real interest for us who are met here to advance the prospects of a young and struggling institution, but which I know concerns and deeply moves the welfare, comfort, mental ease, health, and life of a vast multitude of persons of both sexes, born and bred among the middle classes of society, who are dependent, under Providence, upon their own honourable exertions for subsistence in this great wilderness &lt;/span&gt;&lt;span data-contrast="none"&gt;–  &lt;/span&gt;&lt;span data-contrast="auto"&gt;London. The toast, ladies and gentlemen, is ‘Prosperity to the Sanatorium’.&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;I scarcely know whether it is necessary for me in this company to enter into any explanation of the objects and designs of this establishment, but its leading principle may be very easily and briefly stated. It is a home in sickness, founded and maintained upon the footing of a club, the expenses of which, by the voluntary contributions of many persons for a common welfare and advantage, are rendered so light that a weekly payment never exceeding two guineas, and in many instances not exceeding one guinea, secures to every inmate, gentleman or lady, a comfortable, genteel, and cheerful house; a quiet, well-ventilated, and wholesome chamber; the first medical advice that the skill and science of this city can supply; the diligent and careful nursing of persons trained and educated for the purpose; every possible comfort in illness, and every possible means towards recovery. This small weekly payment begins and ceases with the residence of the sick persons in the house, the qualification for a member being the annual subscription of only one guinea. If the patient have any relative or devoted friends anxious to minister to his or her afflictions, that friend can reside in the house on the same cheap and easy terms; and if the patient have a preference for any medical adviser not immediately connected with the institution, that gentleman can rely, as many have, and certify to it afterwards, on his instructions being honestly and faithfully carried out, and his treatment never being interfered with in the least degree; nay, the patient never even having heard of such a place as the Sanatorium, may have been induced to enter it &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;for this has happened also &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;by the advice of a medical professor most eminent and most honoured for his humanity and great attainments, who has said: ‘You have to submit to a most terrible bodily trial, go into this place, in Heaven's name; for on nowhere else can I repose such perfect confidence in the treatment and attention you will receive and which will, therefore, lead to your ultimate recovery?&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;Bear in mind, ladies and gentlemen, that all those benefits are extended to the recipients, not in charity, but as a just right which honest pride may claim without a blush. Bear in mind that but for this Sick Home hundreds of persons, as sensitively and delicately nurtured as ourselves, would have had no choice between a public hospital and the uncertain supplies of strangers. Is it too much to claim, therefore, for an institution such as this the sympathy of every generous mind and feeling heart? &lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;Let us suppose for a moment that there was no such place as the Sanatorium, as there was not two years ago, and that a lady who lives by imparting to others the accomplishments that she acquired in happier and more prosperous days, who is a governess in a family, is stricken down by illness. It is part of the lady's position that she should have no home to repair to in such a case, for her profession leads her, of necessity, to establish herself in the homes of others. It is, therefore, almost a part of that lady's position, very often to have no right to be ill; but, as that implied contract is an artificial one in which nature has no very great share, ill she is &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;and seriously. The lady in the family, Mrs. Wilkins we will say, takes an early opportunity of informing Mr. Wilkins of the circumstance, and Mr. Wilkins at first, does not very well know what to make of it, as it was not in the agreement; but he, after a little reflection, says that this sort of thing is very inconvenient to the family, as no doubt it is, and that he hopes it is not catching. The family apothecary advises him, and says ‘No, it is not catching; but it is a surgical disorder of long standing, not uncommon &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;not at all uncommon; but of a very serious nature, which will require time, the best medical advice, and a severe operation.’&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;Mr. Wilkins lives in a very good style; but his house is not larger than will comfortably accommodate his family, and he has to provide another governess for the instruction of his children. He is a tender-hearted man enough; but he cannot create out of a tender heart the room and attention which such a case requires. The poor lady is perfectly aware of that, resigns her situation, and takes a lodging. She is visited there by a surgeon, a most humane and liberal man, to whom this melancholy case is by no means strange, who entertains a great interest and compassion for her, and who more than confirms the statement of the apothecary. He feels for her desolate situation, and makes a few inquiries. Her family, of course, was broken up when she went out as a governess, or she never would have gone out. But has she no relative? Yes, a brother, but he is a clerk in the City. She has a sister, but she went to Australia four years ago, with a husband and six children. The case must be proceeded with. Nobody dare venture to breathe in her anxious and excited ear of a hospital, and there is nothing for her but a lodging, which, for any provision that it has in its convenience for illness, might be a lodging for an immortal spirit wholly unencumbered by a body &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;where the good woman of the house is almost perpetually employed in the back parlour dotting down her accounts with pen and ink, adding them up and bringing them forward, and carrying them over. She is greatly assisted in the product of these items by an odious anomaly called a sick nurse, who has been hired to attend upon the poor lady, and who is a creature of that sort who never could continue to exist but for our deplorable propensity to take whatever does exist for granted, and to rest comfortably satisfied that, because it is very bad, it cannot be better.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;And so this poor lady struggles on, surrounded by every adverse circumstance at a time when everything should be propitious, and instead of kind feelings and fostering hope going hand in hand to speed her recovery, her home is gloomy, hopeless, and disconsolate. And even if her desolate situation should awaken, and Heaven forbid such circumstances should not awaken, the sympathies of those about her, leading them to be regardless of their own immediate profit in her great misery, even that is torture to an honourable mind; for in this miserable sacrifice of the poor, and the uncertainty of ever being able to repay the kindnesses, new causes of despondency and grief inevitably spring up. This is no idle picture, but one of every day's occurrence, and you may know of its existence. It is even stated here, in this little record which has been laid before you today, where a poor governess frightfully afflicted is cured, where the blind clerk recovers the inestimable blessing of sight, where the senseless is restored to health, where the gentleman and scholar, whose labours are connected with popular instruction through the press, does not disdain to seek refuge, where the dying man expatiates to his brother, day by day, upon the happiness and peace of such a place as this institution, begging him with his last breath to make it better known when he is in his grave. There is not one among us, I am confident, who can withstand this little simple history. There is not one among us, I know by myself, who can pass it wholly by-there is not one among us, having a brother or child, or any dear friend, who can dismiss the harrowing echoes of that faint voice from his mind.&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;This, ladies and gentlemen, is the Sanatorium we call upon you to assist. I am confident that the voice of which I have spoken will speak to you far more forcibly than I can ever hope to do of the high claims it has upon you. Its principle is self-support, &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;still, it appeals to you and the public for help; for to be self-supporting it must be thoroughly and well established, and there is no greater inconsistency in thus putting forth its pretentions and appealing to you for help, than there is in any young married couple who are to live upon their annual income wanting some assistance upon their first entering into the world. The directors of this Sanatorium, &lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;span data-contrast="auto"&gt;ladies and gentlemen, cannot offer you the luxury sometimes too freely offered, of the bestowing of charity in the common acceptance of the word, but they can offer you the gratification &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;and you will judge for yourselves whether there can be a higher or better one &lt;/span&gt;&lt;span data-contrast="none"&gt;– of&lt;/span&gt;&lt;span data-contrast="auto"&gt; helping those who help themselves. They offer you the gratification of enabling men and women of strong hearts to preserve an independent spirit and an upright mien, when that calamity, which is our common inheritance, stops the labour of their hands and heads. There can be no one here who does not owe a debt of sympathy for acts of kindness and affection in the hour of need, and I am persuaded that there is no one present to whom the prosperity of this institution, if it be rightly understood, can by possibility be a matter of indifference or slight regard. I beg, therefore, to propose to you to drink, ‘Prosperity to the Sanatorium’.&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="214" public="1" featured="0">
    <fileContainer>
      <file fileId="280">
        <src>https://www.dickenssearch.com/files/original/7/The_Chimes_A_Goblin_Story_of_Some_Bells_that_Rang_an_Old_Year_Out_and_a_New_Year_In/1844-12-The_Chimes.pdf</src>
        <authentication>8ed6996524a66927b06f7e0127b98f7f</authentication>
      </file>
    </fileContainer>
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2170">
                  <text>Christmas Books</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3362">
                  <text>Lydia Craig</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>christmas-books</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
        <elementSet elementSetId="4">
          <name>Scripto</name>
          <description/>
          <elementContainer>
            <element elementId="92">
              <name>Transcription</name>
              <description>A written representation of a document.</description>
              <elementTextContainer>
                <elementText elementTextId="3361">
                  <text>&lt;strong&gt;This collection (still in development) unites the five Christmas books that Dickens wrote between 1843 and 1848 and published firstly with Chapman and Hall and secondly with Bradbury and Evans.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Charles Dickens wrote the first of five Christmas books in 1843. &lt;em&gt;A Christmas Carol, &lt;/em&gt;the story of a miser's slow repentance and decision to make amends, under the influence of the Ghosts of his old law partner Jacob Marley, Christmas Past, Christmas Present, and Christmas Future, would prove to be a timeless classic. In Scrooge's realization of his own selfishness, mortality, and responsibility towards both his impoverished employee and the faceless London poor, readers are compelled to reassess their own social actions evidenced over the course of a lifetime. Consequently, this Christmas book's cultural and academic legacy has overshadowed the other four subsequently penned by Dickens in response to public interest. Due to Dickens's use of various passages for public readings, it instantly commenced a theatrical life as well, and continues to be the most adapted of his works for film and stage.&lt;br /&gt;&lt;br /&gt;Though the financial success of &lt;em&gt;A Christmas Carol&lt;/em&gt; did not benefit Dickens to the degree he had hoped, its immediate attraction to Victorians and enduring legacy opened up a seasonal niche that author and publishers were eager to exploit annually, for multiple reasons. The Christmas books provided Dickens with a way to morally encourage and exhort his readers to better themselves and society under the influence of holiday sentiment. They also offered the chance to acquire some much-needed revenue.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, he wrote &lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In &lt;/em&gt;(Chapman and Hall, 1844). Continuing to point out socioeconomic discrepancies between Victorian strata, Dickens induces sympathy for the straitened porter Toby Veck, and the endangered future life of his beloved daughter, Meg, who is headed for catastrophe unless she can marry her sweetheart despite the ill-intentioned advice of politicians and the barrier of her own poverty.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt; (Bradbury and Evans, 1845) dealt with the spectre of adultery in an age-gap marriage, later to be explored with a similar resolution in Dickens's novel &lt;em&gt;David Copperfield&lt;/em&gt; (1850). Due to the evil Mr. Tackleton, a sinister toy-merchant, John Peerybingle comes to doubt the fidelity of his beloved young wife, Dot. The cricket, a chirping guardian spirit of the home, plays a significant part in the action that ensues. In this story, Dickens also features a blind girl, Bertha Plummer, one of his most extensive explorations of disability.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1846, &lt;em&gt;The Battle of Life. A Love Story&lt;/em&gt; was published by Bradbury and Evans, a romantic tale set in the eighteenth century on the site of an ancient battle-field. Interestingly, it centres around the relationship between two sisters, Grace and Marion Jeddler, and the latter's engagement to a childhood friend, Alfred Heathfield. Several characters in this tale elicit interest, such as the intimate partners-in-law Mr. Snitchey and Mr. Craggs and the semi-literate maid Clemency. What might be the reader's philosophy of life is brought into question under the influence of the dramatic events that so greatly unsettle the rural village.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The last of these Christmas books, &lt;em&gt;The Haunted Man and the Ghost's Bargain&lt;/em&gt; (Bradbury and Evans, 1848) represents a more sinister view of Christmas, with the full powers of a menacing double of the brooding Chemist Mr. Redlaw spiritually contending with the cheerful good-will of Milly Swidger. Like another of Dickens's domestic paragons, Esther Summerson, Milly endeavours to brighten the lives of those around her while the double seeks to provoke their regrets.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Ultimately, Dickens would never pen another Christmas book, though he wrote the short reflective pieces "A Christmas Tree" (1850) and "What Christmas is, as we Grow Older" (1851) for &lt;em&gt;Household Words. &lt;/em&gt;However, between 1852 and 1867, he annually orchestrated and significantly contributed to a Christmas number, either published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; or &lt;em&gt;All the Year Round&lt;/em&gt;. In most cases, a scan of each full number - and Dickens's specific contributions, transcribed - can be accessed in the &lt;em&gt;Dickens Search&lt;/em&gt; collection &lt;a href="http://dickenssearch.com/admin/collections/show/8"&gt;Christmas Stories&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Before citing the five texts in this collection of the Christmas books, please consult the metadata and pdf scan. In most cases, the edition is not the first, but the earliest that can be found freely digitised on the internet. Eventually, these will hopefully be replaced by scans of first editions, with the transcriptions updated, when necessary.&lt;br /&gt;&lt;br /&gt;While building this collection, we have consulted, and transcribed scans found on databases such as &lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;em&gt;Internet Archive,&lt;/em&gt; and &lt;em&gt;Google Books&lt;/em&gt;; all items are linked to their original location on the internet.&lt;br /&gt;&lt;br /&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Christine Schintgen. 'Dickens and the Specter of Materialism: The Spiritual Significance of Ghosts in the Christmas Books and Ghost Stories'. In &lt;em&gt;The Theological Dickens.&lt;/em&gt; Routledge, 2021; Emily Moody. '"Implausible and inappropriate"?: A Defense of Dickens's &lt;em&gt;A Christmas Carol&lt;/em&gt;. &lt;em&gt;Dickens Quarterly&lt;/em&gt; 37.4 (2020): pp. 393-408; Aubrey Plourde. '"Another Man from What I Was": Enchanted Reading and Ethical Selfhood in &lt;em&gt;A Christmas Carol&lt;/em&gt;'. &lt;em&gt;Victorian Review: An Interdisciplinary Journal of Victorian Studies&lt;/em&gt; 43.2 (Fall 2017): 271-286; Brandon Chitwood. 'Eternal Returns: &lt;em&gt;A Christmas Carol's&lt;/em&gt; Ghosts of Repetition'. &lt;em&gt;Victorian Literature and Culture &lt;/em&gt;43.4 (2015): pp. 675-687; Phillip V. Allingham. 'Charles "Carlo" Dickens In and Out of Italy in 1844: &lt;em&gt;The Chimes&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 41 (2010): pp. 127-149; Michael Slater. 'Carlyle and Jerrold Into Dickens: A Study of &lt;em&gt;The Chimes'. Nineteenth-Century Fiction &lt;/em&gt;24.4 (Mar 1970): pp. 506-52; David Raybin. 'Chaucer on the Hearth'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 49.1 (2018): pp. 1-25; Heather Anne Tilley. 'Sentiment and Vision in Charles Dickens’s &lt;em&gt;A Christmas Carol &lt;/em&gt;and &lt;em&gt;The Cricket on the Hearth&lt;/em&gt;'. &lt;em&gt;19: Interdisciplinary Studies in the Long Nineteenth Century&lt;/em&gt;&amp;nbsp;4 (2007): 1-22; Elisabeth G. Gitter. 'The Blind Daughter in Charles Dickens's &lt;em&gt;Cricket on the Hearth'. Studies in English Literature, 1500-1900&lt;/em&gt; 39.4 (Autumn 1999): pp. 675-689; Goldie Morgentaler. 'The Doppelganger Effect: Dickens, Heredity, and the Double in &lt;em&gt;The Battle of Life&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual: Essays on Victorian Fiction&lt;/em&gt; 42 (2011): 159-175; Phillip V. Allingham. 'The Illustrations in Dickens's &lt;em&gt;The Haunted Man&lt;/em&gt; &lt;em&gt;and The Ghost's Bargain&lt;/em&gt;: Public and Private Spheres and Spaces'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 36 (2005): pp. 75-123.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="17">
      <name>Short Story</name>
      <description/>
      <elementContainer>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3236">
              <text>18441201</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3248">
              <text>First Quarter. There are not many people—and as it is desirable that a story-teller and a story-reader should establish a mutual understanding as soon as possible, I beg it to be noticed that I confine this observation neither to young people nor to little people, but extend it to all conditions of people: little and big, young and old: yet growing up, or already growing down again—there are not, I say, many people who would care to sleep in a church. I don’t mean at sermon-time in warm weather (when the thing has actually been done, once or twice), but in the night, and alone. A great multitude of persons will be violently astonished, I know, by this position, in the broad bold Day. But it applies to Night. It must be argued by night. And I will undertake to maintain it successfully on any gusty winter’s night appointed for the purpose, with any one opponent chosen from the rest, who will meet me singly in an old churchyard, before an old church door; and will previously empower me to lock him in, if needful to his satisfaction, until morning. For the night-wind has a dismal trick of wandering round and round a building of that sort, and moaning as it goes; and of trying, with its unseen hand, the windows and the doors; and seeking out some crevices by which to enter. And when it has got in; as one not finding what it seeks, whatever that may be; it wails and howls to issue forth again: and not content with stalking through the aisles, and gliding round and round the pillars, and tempting the deep organ, soars up to the roof, and strives to rend the rafters: then flings itself despairingly upon the stones below, and passes, muttering, into the vaults. Anon, it comes up stealthily, and creeps along the walls: seeming to read, in whispers, the Inscriptions sacred to the Dead. At some of these, it breaks out shrilly, as with laughter; and at others, moans and cries as if it were lamenting. It has a ghostly sound too, lingering within the altar; where it seems to chaunt, in its wild way, of Wrong and Murder done, and false Gods worshipped; in defiance of the Tables of the Law, which look so fair and smooth, but are so flawed and broken. Ugh! Heaven preserve us, sitting snugly round the fire! It has an awful voice, that wind at Midnight, singing in a church! But high up in the steeple! There the foul blast roars and whistles! High up in the steeple, where it is free to come and go through many an airy arch and loophole, and to twist and twine itself about the giddy stair, and twirl the groaning weathercock, and make the very tower shake and shiver! High up in the steeple, where the belfry is; and iron rails are ragged with rust; and sheets of lead and copper, shrivelled by the changing weather, crackle and heave beneath the unaccustomed tread; and birds stuff shabby nests into corners of old oaken joists and beams; and dust grows old and grey; and speckled spiders, indolent and fat with long security, swing idly to and fro in the vibration of the bells, and never loose their hold upon their thread-spun castles in the air, or climb up sailor-like in quick alarm, or drop upon the ground and ply a score of nimble legs to save a life! High up in the steeple of an old church, far above the light and murmur of the town and far below the flying clouds that shadow it, is the wild and dreary place at night: and high up in the steeple of an old church, dwelt the Chimes I tell of. They were old Chimes, trust me. Centuries ago, these Bells had been baptized by bishops: so many centuries ago, that the register of their baptism was lost long, long before the memory of man: and no one knew their names. They had had their Godfathers and Godmothers, these Bells (for my own part, by the way, I would rather incur the responsibility of being Godfather to a Bell than a Boy): and had had their silver mugs no doubt, besides. But Time had mowed down their sponsors, and Henry the Eighth had melted down their mugs: and they now hung, nameless and mugless, in the church tower. Not speechless, though. Far from it. They had clear, loud, lusty, sounding voices, had these Bells; and far and wide they might be heard upon the wind. Much too sturdy Chimes were they, to be dependent on the pleasure of the wind, moreover; for, fighting gallantly against it when it took an adverse whim, they would pour their cheerful notes into a listening ear right royally; and bent on being heard, on stormy nights, by some poor mother watching a sick child, or some lone wife whose husband was at sea, they had been sometimes known to beat a blustering Nor’-Wester — aye, "all to fits," as Toby Veck said; for though they chose to call him Trotty Veck, his name was Toby, and nobody could make it anything else either (except Tobias) without a special act of parliament; he having been as lawfully christened in his day as the Bells had been in theirs, though with not quite so much of solemnity or public rejoicing. For my part, I confess myself of Toby Veck’s belief, for I am sure he had opportunities enough of forming a correct one. And whatever Toby Veck said, I say. And I take my stand by Toby Veck, although he did stand all day long (and weary work it was) just outside the church-door. In fact he was a ticket-porter, Toby Veck, and waited there for jobs. And a breezy, goose-skinned, blue-nosed, red-eyed, stony-toed, tooth-chattering place it was, to wait in, in the winter-time, as Toby Veck well knew. The wind came tearing round the corner—especially the east wind—as if it had sallied forth, express, from the confines of the earth, to have a blow at Toby. And oftentimes it seemed to come upon him sooner than it had expected, for bouncing round the corner, and passing Toby, it would suddenly wheel round again, as if it cried "Why, here he is!" Incontinently his little white apron would be caught up over his head like a naughty boy’s garments, and his feeble little cane would be seen to wrestle and struggle unavailingly in his hand, and his legs would undergo tremendous agitation, and Toby himself all aslant, and facing now in this direction, now in that, would be so banged and buffeted, and touzled, and worried, and hustled, and lifted off his feet, as to render it a state of things but one degree removed from a positive miracle, that he wasn’t carried up bodily into the air as a colony of frogs or snails or other portable creatures sometimes are, and rained down again, to the great astonishment of the natives, on some strange corner of the world where ticket-porters are unknown. But windy weather, in spite of its using him so roughly, was, after all, a sort of holiday for Toby. That’s the fact. He didn’t seem to wait so long for a sixpence in the wind, as at other times; for the having to fight with that boisterous element took off his attention, and quite freshened him up, when he was getting hungry and low-spirited. A hard frost too, or a fall of snow, was an Event; and it seemed to do him good, somehow or other—it would have been hard to say in what respect though, Toby! So wind and frost and snow, and perhaps a good stiff storm of hail, were Toby Veck’s red-letter days. Wet weather was the worst: the cold, damp, clammy wet, that wrapped him up like a moist great-coat: the only kind of great-coat Toby owned, or could have added to his comfort by dispensing with. Wet days, when the rain came slowly, thickly, obstinately down; when the street’s throat, like his own, was choked with mist; when smoking umbrellas passed and re-passed, spinning round and round like so many teetotums, as they knocked against each other on the crowded footway, throwing off a little whirlpool of uncomfortable sprinklings; when gutters brawled and water-spouts were full and noisy; when the wet from the projecting stones and ledges of the church fell drip, drip, drip, on Toby, making the wisp of straw on which he stood mere mud in no time; those were the days that tried him. Then indeed, you might see Toby looking anxiously out from his shelter in an angle of the church wall—such a meagre shelter that in summer time it never cast a shadow thicker than a good-sized walking stick upon the sunny pavement—with a disconsolate and lengthened face. But coming out, a minute afterwards, to warm himself by exercise: and trotting up and down some dozen times: he would brighten even then, and go back more brightly to his niche. They called him Trotty from his pace, which meant speed if it didn't make it. He could have Walked faster perhaps; most likely; but rob him of his trot, and Toby would have taken to his bed and died. It bespattered him with mud in dirty weather; it cost him a world of trouble; he could have walked with infinitely greater ease; but that was one reason for his clinging to it so tenaciously. A weak, small, spare old man, he was a very Hercules, this Toby, in his good intentions. He loved to earn his money. He delighted to believe—Toby was very poor, and couldn't well afford to part with a delight—that he was worth his salt. With a shilling or an eighteenpenny message or small parcel in hand, his courage, always high, rose higher. As he trotted on, he would call out to fast Postmen ahead of him, to get out of the way; devoutly believing that in the natural course of things he must inevitably overtake and run them down; and he had perfect faith—not often tested—in his being able to carry anything that man could lift. Thus, even when he came out of his nook to warm himself on a wet day, Toby trotted. Making, with his leaky shoes, a crooked line of slushy footprints in the mire; and blowing on his chilly hands and rubbing them against each other, poorly defended from the searching cold by threadbare mufflers of grey worsted, with a private apartment only for the thumb and a common room or tap for the rest of the fingers; Toby, with his knees bent and his cane beneath his arm, still trotted. Falling out into the road to look up at the belfry when the Chimes resounded, Toby trotted still. He made this last excursion several times a day, for they were company to him; and when he heard their voices, he had an interest in glancing at their lodging-place, and thinking how they were moved, and what hammers beat upon them. Perhaps he was the more curious about these Bells, because there were points of resemblance between themselves and him. They hung there, in all weathers: with the wind and rain driving in upon them: facing only the outsides of all those houses; never getting any nearer to the blazing fires that gleamed and shone upon the windows, or came puffing out of the chimney tops; and incapable of participation in any of the good things that were constantly being handed, through the street doors and the area railings, to prodigious cooks. Faces came and went at many windows: sometimes pretty faces, youthful faces, pleasant faces: sometimes the reverse: but Toby knew no more (though he often speculated on these trifles, standing idle in the streets) whence they came, or where they went, or whether, when the lips moved, one kind word was said of him in all the year, than did the Chimes themselves. Toby was not a casuist—that he knew of, at least—and I don't mean to say that when he began to take to the Bells, and to knit up his first rough acquaintance with them into something of a closer and more delicate woof, he passed through these considerations one by one, or held any formal review or great field-day in his thoughts. But what I mean to say and do say is, that as the functions of Toby’s body, his digestive organs for example, did of their own cunning, and by a great many operations of which he was altogether ignorant, and the knowledge of which would have astonished him very much, arrive at a certain end; so his mental faculties, without his privity or concurrence, set all these wheels and springs in motion, with a thousand others, when they worked to bring about his liking for the Bells. And though I had said his love, I would not have recalled the word, though it would scarcely have expressed his complicated feeling. For, being but a simple man, he invested them with a strange and solemn character. They were so mysterious, often heard and never seen; so high up, so far off, so full of such a deep strong melody, that he regarded them with a species of awe; and sometimes when he looked up at the dark arched windows in the tower, he half expected to be beckoned to by something which was not a Bell, and yet was what he had heard so often sounding in the Chimes. For all this, Toby scouted with indignation a certain flying rumour that the Chimes were haunted, as implying the possibility of their being connected with any Evil thing. In short, they were very often in his ears, and very often in his thoughts, but always in his good opinion; and he very often got such a crick in his neck by staring with his mouth wide open, at the steeple where they hung, that he was fain to take an extra trot or two, afterwards, to cure it. The very thing he was in the act of doing one cold day, when the last drowsy sound of Twelve o’clock, just struck, was humming like a melodious monster of a Bee, and not by any means a busy Bee, all through the steeple. "Dinner-time, eh!" said Toby, trotting up and down before the church. "Ah!" Toby’s nose was very red, and his eyelids were very red, and he winked very much, and his shoulders were very near his ears, and his legs were very stiff; and altogether he was evidently a long way upon the frosty side of cool. "Dinner-time, eh!" repeated Toby, using his right-hand muffler like an infantine boxing-glove, and punishing his chest for being cold. "Ah-h-h-h!" He took a silent trot, after that, for a minute or two. "There’s nothing," said Toby, breaking forth afresh—but here he stopped short in his trot, and with a face of great interest and some alarm, felt his nose carefully all the way up. It was but a little way: not being much of a nose: and he had soon finished. "I thought it was gone," said Toby, trotting off again. "It's all right, however. I am sure I couldn't blame it if it was to go. It has a precious hard service of it in the bitter weather, and precious little to look forward to: for I don’t take snuff myself. It's a good deal tried, poor creetur, at the best of times; for when it does get hold of a pleasant whiff or so (which an't too often) it's generally from somebody else's dinner, a-coming home from the baker's." The reflection reminded him of that other reflection, which he had left unfinished. "There's nothing," said Toby, "more regular in its coming round than dinner-time, and nothing less regular in its coming round than dinner. That’s the great difference between 'em. It's took me a long time to find it out. I wonder whether it would be worth any gentleman's while, now, to buy that obserwation for the Papers; or the Parliament!" Toby was only joking, for he gravely shook his head in self-depreciation. "Why! Lord!" said Toby. "The Papers is full of obserwations as it is; and so's the Parliament. Here's last week's paper, now;" taking a very dirty one from his pocket, and holding it from him at arm's length; "full of obserwations! Full of obserwations! I like to know the news as well as any man," said Toby, slowly; folding it a little smaller, and putting it in his pocket again; "but it almost goes against the grain with me to read a paper now. It frightens me almost. I don’t know what we poor people are coming to. Lord send we may be coming to something better in the New Year nigh upon us!" "Why, father, father!" said a pleasant voice, hard by. But Toby, not hearing it, continued to trot backwards and forwards: musing as he went, and talking to himself. "It seems as if we can’t go right, or do right, or be righted," said Toby. "I hadn’t much schooling, myself, when I was young; and I can’t make out whether we have any business on the face of the earth, or not. Sometimes I think we must have a little; and sometimes I think we must be intruding. I get so puzzled sometimes that I am not even able to make up my mind whether there is any good at all in us, or whether we are born bad. We seem to be dreadful things; we seem to give a deal of trouble; we are always being complained of and guarded against. One way or other, we fill the papers. Talk of a New Year!" said Toby, mournfully. "I can bear up as well as another man at most times; better than a good many, for I am as strong as a lion, and all men an’t; but supposing it should really be that we have no right to a New Year—supposing we really are intruding—" “Why, father, father!” said the pleasant voice again. Toby heard it this time; started; stopped; and shortening his sight, which had been directed a long way off as seeking the enlightenment in the very heart of the approaching year, found himself face to face with his own child, and looking close into her eyes. Bright eyes they were. Eyes that would bear a world of looking in, before their depth was fathomed. Dark eyes, that reflected back the eyes which searched them; not flashingly, or at the owner’s will, but with a clear, calm, honest, patient radiance, claiming kindred with that light which Heaven called into being. Eyes that were beautiful and true, and beaming with Hope. With Hope so young and fresh; with Hope so buoyant, vigorous, and bright, despite the twenty years of work and poverty on which they had looked; that they became a voice to Trotty Veck, and said: "I think we have some business here—a little!" Trotty kissed the lips belonging to the eyes, and squeezed the blooming face between his hands. "Why, Pet," said Trotty. "What’s to do? I didn’t expect you to-day, Meg." "Neither did I expect to come, father," cried the girl, nodding her head and smiling as she spoke. "But here I am! And not alone; not alone!" "Why you don’t mean to say," observed Trotty, looking curiously at a covered basket which she carried in her hand, "that you—" "Smell it, father dear," said Meg. "Only smell it!" Trotty was going to lift up the cover at once, in a great hurry, when she gaily interposed her hand. "No, no, no," said Meg, with the glee of a child. "Lengthen it out a little. Let me just lift up the corner; just the lit-tle ti-ny cor-ner, you know," said Meg, suiting the action to the word with the utmost gentleness, and speaking very softly, as if she were afraid of being overheard by something inside the basket; "there. Now. What’s that?" Toby took the shortest possible sniff at the edge of the basket, and cried out in a rapture: "Why, it’s hot!" "It’s burning hot!" cried Meg. "Ha, ha, ha! It’s scalding hot!" "Ha, ha, ha!" roared Toby, with a sort of kick. "It’s scalding hot." "But what is it, father?" said Meg. "Come! You haven’t guessed what it is. And you must guess what it is. I can’t think of taking it out, till you guess what it is. Don’t be in such a hurry! Wait a minute! A little bit more of the cover. Now guess!" Meg was in a perfect fright lest he should guess right too soon; shrinking away, as she held the basket towards him; curling up her pretty shoulders; stopping her ear with her hand, as if by so doing she could keep the right word out of Toby’s lips; and laughing softly the whole time. Meanwhile Toby, putting a hand on each knee, bent down his nose to the basket, and took a long inspiration at the lid; the grin upon his withered face expanding in the process, as if he were inhaling laughing gas. "Ah! It's very nice," said Toby. "It an't—I suppose it an't Polonies?" "No, no, no!" cried Meg, delighted. "Nothing like Polonies!" "No," said Toby, after another sniff. "It’s—it’s mellower than Polonies. It’s very nice. It improves every moment. It’s too decided for Trotters. An’t it?" Meg was in an ecstasy. He could not have gone wider of the mark than Trotters—except Polonies. “Liver?” said Toby, communing with himself. “No. There’s a mildness about it that don’t answer to liver. Pettitoes? No. It an’t faint enough for pettitoes. It wants the stringiness of Cocks’ heads. And I know it an’t sausages. I’ll tell you what it is. It’s chitterlings!” “No, it an’t!” cried Meg, in a burst of delight. “No, it an’t!” “Why, what am I a thinking of!” said Toby, suddenly recovering a position as near the perpendicular as it was possible for him to assume. “I shall forget my own name next. It’s tripe!” Tripe it was; and Meg, in high joy, protested he should say, in half a minute more, it was the best tripe ever stewed. “And so,” said Meg, busying herself exultingly with the basket, “I’ll lay the cloth at once, father; for I have brought the tripe in a basin, and tied the basin up in a pocket-handkerchief; and if I like to be proud for once, and spread that for a cloth, and call it a cloth, there’s no law to prevent me; is there, father?” “Not that I know of, my dear,” said Toby. “But they’re always a-bringing up some new law or other.” “And according to what I was reading you in the paper the other day, father; what the Judge said, you know; we poor people are supposed to know them all. Ha ha! What a mistake! My goodness me, how clever they think us!” “Yes, my dear,” cried Trotty; “and they’d be very fond of any one of us that did know ’em all. He’d grow fat upon the work he’d get, that man, and be popular with the gentlefolks in his neighbourhood. Very much so!” “He’d eat his dinner with an appetite, whoever he was, if it smelt like this,” said Meg, cheerfully. “Make haste, for there’s a hot potatoe besides, and half a pint of fresh-drawn beer in a bottle. Where will you dine, father? On the Post, or on the Steps? Dear, dear, how grand we are. Two places to choose from!” “The steps to-day, my Pet,” said Trotty. “Steps in dry weather. Post in wet. There’s a greater conveniency in the steps at all times, because of the sitting down; but they’re rheumatic in the damp.” “Then here,” said Meg, clapping her hands, after a moment’s bustle; “here it is, all ready! And beautiful it looks! Come, father. Come!” Since his discovery of the contents of the basket, Trotty had been standing looking at her—and had been speaking too—in an abstracted manner, which showed that though she was the object of his thoughts and eyes, to the exclusion even of tripe, he neither saw nor thought about her as she was at that moment, but had before him some imaginary rough sketch or drama of her future life. Roused, now, by her cheerful summons, he shook off a melancholy shake of the head which was just coming upon him, and trotted to her side. As he was stooping to sit down, the Chimes rang. “Amen!” said Trotty, pulling off his hat and looking up towards them. “Amen to the Bells, father?” cried Meg. “They broke in like a grace, my dear,” said Trotty, taking his seat. “They’d say a good one, I am sure, if they could. Many’s the kind thing they say to me.” “The Bells do, father!” laughed Meg, as she set the basin, and a knife and fork before him. “Well!” "Seem to, my Pet," said Trotty, falling to with great vigour. "And where’s the difference? If I hear ’em, what does it matter whether they speak it or not? Why bless you, my dear," said Toby, pointing at the tower with his fork, and becoming more animated under the influence of dinner, "how often have I heard them bells say, ‘Toby Veck, Toby Veck, keep a good heart Toby! Toby Veck, Toby Veck, keep a good heart Toby!’ A million times? More!" “Well, I never!” cried Meg. She had, though—over and over again. For it was Toby’s constant topic. “When things is very bad,” said Trotty; “very bad indeed, I mean; almost at the worst; then it’s ‘Toby Veck, Toby Veck, job coming soon, Toby! Toby Veck, Toby Veck, job coming soon, Toby!’ That way.” “And it comes—at last, father,” said Meg, with a touch of sadness in her pleasant voice. “Always,” answered the unconscious Toby. “Never fails.” While this discourse was holding, Trotty made no pause in his attack upon the savoury meat before him, but cut and ate, and cut and drank, and cut and chewed, and dodged about, from tripe to hot potatoe, and from hot potatoe back again to tripe, with an unctuous and unflagging relish. But happening now to look all round the street—in case anybody should be beckoning from any door or window, for a porter—his eyes, in coming back again, encountered Meg: sitting opposite to him, with her arms folded: and only busy in watching his progress with a smile of happiness. “Why, Lord forgive me!” said Trotty, dropping his knife and fork. “My dove! Meg! why didn’t you tell me what a beast I was?” “Father?” “Sitting here,” said Trotty, in penitent explanation, “cramming, and stuffing, and gorging myself; and you before me there, never so much as breaking your precious fast, nor wanting to, when—" “But I have broken it, father,” interposed his daughter, laughing, “all to bits. I have had my dinner.” “Nonsense,” said Trotty. “Two dinners in one day! It an’t possible! You might as well tell me that two New Year’s Days will come together, or that I have had a gold head all my life, and never changed it.” “I have had my dinner, father, for all that,” said Meg, coming nearer to him. “And if you’ll go on with yours, I’ll tell you how and where; and how your dinner came to be brought; and—and something else besides.” Toby still appeared incredulous; but she looked into his face with her clear eyes, and laying her hand upon his shoulder, motioned him to go on while the meat was hot. So Trotty took up his knife and fork again, and went to work. But much more slowly than before, and shaking his head, as if he were not at all pleased with himself. “I had my dinner, father,” said Meg, after a little hesitation, “with—with Richard. His dinner-time was early; and as he brought his dinner with him when he came to see me, we—we had it together, father.” Trotty took a little beer, and smacked his lips. Then he said, “Oh!”—because she waited. “And Richard says, father—" Meg resumed. Then stopped. “What does Richard say, Meg?” asked Toby. “Richard says, father—" Another stoppage. “Richard’s a long time saying it,” said Toby. “He says then, father,” Meg continued, lifting up her eyes at last, and speaking in a tremble, but quite plainly; “another year is nearly gone, and where is the use of waiting on from year to year, when it is so unlikely we shall ever be better off than we are now? He says we are poor now, father, and we shall be poor then, but we are young now, and years will make us old before we know it. He says that if we wait: people in our condition: until we see our way quite clearly, the way will be a narrow one indeed—the common way—the Grave, father.” A bolder man than Trotty Veck must needs have drawn upon his boldness largely, to deny it. Trotty held his peace. “And how hard, father, to grow old, and die, and think we might have cheered and helped each other! How hard in all our lives to love each other; and to grieve, apart, to see each other working, changing, growing old and grey. Even if I got the better of it, and forgot him (which I never could), oh father dear, how hard to have a heart so full as mine is now, and live to have it slowly drained out every drop, without the recollection of one happy moment of a woman’s life, to stay behind and comfort me, and make me better!” Trotty sat quite still. Meg dried her eyes, and said more gaily: that is to say, with here a laugh, and there a sob, and here a laugh and sob together: “So Richard says, father; as his work was yesterday made certain for some time to come, and as I love him, and have loved him full three years—ah! longer than that, if he knew it!—will I marry him on New Year’s Day; the best and happiest day, he says, in the whole year, and one that is almost sure to bring good fortune with it. It’s a short notice, father—isn’t it?—but I haven’t my fortune to be settled, or my wedding dresses to be made, like the great ladies, father — have I? And he said so much, and said it in his way; so strong and earnest, and all the time so kind and gentle; that I said I’d come and talk to you, father. And as they paid the money for that work of mine this morning (unexpectedly, I am sure!) and as you have fared very poorly for a whole week, and as I couldn’t help wishing there should be something to make this day a sort of holiday to you as well as a dear and happy day to me, father, I made a little treat and brought it to surprise you.” “And see how he leaves it cooling on the step!” said another voice. It was the voice of this same Richard, who had come upon them unobserved, and stood before the father and daughter: looking down upon them with a face as glowing as the iron on which his stout sledge-hammer daily rung. A handsome, well-made, powerful youngster he was; with eyes that sparkled like the red-hot droppings from a furnace fire; black hair that curled about his swarthy temples rarely; and a smile—a smile that bore out Meg’s eulogium on his style of conversation. “See how he leaves it cooling on the step!” said Richard. “Meg don’t know what he likes. Not she!” Trotty, all action and enthusiasm, immediately reached up his hand to Richard, and was going to address him in a great hurry, when the house-door opened without any warning, and a footman very nearly put his foot into the tripe. “Out of the vays here, will you! You must always go and be a-settin on our steps, must you! You can’t go and give a turn to none of the neighbours never, can’t you! Will you clear the road, or won’t you?” Strictly speaking, the last question was irrelevant, as they had already done it. “What’s the matter, what’s the matter!” said the gentleman for whom the door was opened; coming out of the house at that kind of light-heavy pace—that peculiar compromise between a walk and a jog-trot—with which a gentleman upon the smooth down-hill of life, wearing creaking boots, a watch-chain, and clean linen, may come out of his house: not only without any abatement of his dignity, but with an expression of having important and wealthy engagements elsewhere. “What’s the matter! What’s the matter!” “You’re always a-being begged, and prayed, upon your bended knees you are,” said the footman with great emphasis to Trotty Veck, “to let our door-steps be. Why don’t you let ’em be? CAN’T you let ’em be?” “There! That’ll do, that’ll do!” said the gentleman. “Halloa there! Porter!” beckoning with his head to Trotty Veck. “Come here. What’s that? Your dinner?” “Yes, sir,” said Trotty, leaving it behind him in a corner. “Don’t leave it there,” exclaimed the gentleman. “Bring it here, bring it here. So! This is your dinner, is it?” “Yes, Sir,” repeated Trotty, looking, with a fixed eye and a watery mouth, at the piece of tripe he had reserved for a last delicious tit-bit; which the gentleman was now turning over and over on the end of the fork. Two other gentlemen had come out with him. One was a low-spirited gentleman of middle age, of a meagre habit, and a disconsolate face; who kept his hands continually in the pockets of his scanty pepper-and-salt trousers, very large and dog’s-eared from that custom; and was not particularly well brushed or washed. The other, a full-sized, sleek, well-conditioned gentleman, in a blue coat with bright buttons, and a white cravat. This gentleman had a very red face, as if an undue proportion of the blood in his body were squeezed up into his head; which perhaps accounted for his having also the appearance of being rather cold about the heart. He who had Toby’s meat upon the fork, called to the first one by the name of Filer; and they both drew near together. Mr. Filer being exceedingly short-sighted, was obliged to go so close to the remnant of Toby’s dinner before he could make out what it was, that Toby’s heart leaped up into his mouth. But Mr. Filer didn’t eat it. “This is a description of animal food, Alderman,” said Filer, making little punches in it with a pencil-case, “commonly known to the labouring population of this country, by the name of tripe.” The Alderman laughed, and winked; for he was a merry fellow, Alderman Cute. Oh, and a sly fellow too! A knowing fellow. Up to everything. Not to be imposed upon. Deep in the people’s hearts! He knew them, Cute did. I believe you! “But who eats tripe?” said Mr. Filer, looking round. “Tripe is without an exception the least economical, and the most wasteful article of consumption that the markets of this country can by possibility produce. The loss upon a pound of tripe has been found to be, in the boiling, seven-eights of a fifth more than the loss upon a pound of any other animal substance whatever. Tripe is more expensive, properly understood, than the hothouse pine-apple. Taking into account the number of animals slaughtered yearly within the bills of mortality alone; and forming a low estimate of the quantity of tripe which the carcases of those animals, reasonably well butchered, would yield; I find that the waste on that amount of tripe, if boiled, would victual a garrison of five hundred men for five months of thirty-one days each, and a February over. The Waste, the Waste!” Trotty stood aghast, and his legs shook under him. He seemed to have starved a garrison of five hundred men with his own hand. “Who eats tripe?” said Mr. Filer, warmly. “Who eats tripe?” Trotty made a miserable bow. “You do, do you?” said Mr. Filer. “Then I’ll tell you something. You snatch your tripe, my friend, out of the mouths of widows and orphans.” “I hope not Sir,” said Trotty, faintly. “I’d sooner die of want!” “Divide the amount of tripe before-mentioned, Alderman,” said Mr. Filer, “by the estimated number of existing widows and orphans, and the result will be one pennyweight of tripe to each. Not a grain is left for that man. Consequently, he’s a robber.” Trotty was so shocked, that it gave him no concern to see the Alderman finish the tripe himself. It was a relief to get rid of it, anyhow. “And what do you say?” asked the Alderman, jocosely, of the red-faced gentleman in the blue coat. “You have heard friend Filer. What do you say?” “What’s it possible to say?” returned the gentleman. “What is to be said? Who can take any interest in a fellow like this,” meaning Trotty; “in such degenerate times as these? Look at him! What an object! The good old times, the grand old times, the great old times! Those were the times for a bold peasantry, and all that sort of thing. Those were the times for every sort of thing, in fact. There’s nothing now-a-days. Ah!” sighed the red-faced gentleman. “The good old times, the good old times!” The gentleman didn’t specify what particular times he alluded to; nor did he say whether he objected to the present times, from a disinterested consciousness that they had done nothing very remarkable in producing himself. “The good old times, the good old times,” repeated the gentleman. “What times they were! They were the only times. It’s of no use talking about any other times, or discussing what the people are in these times. You don’t call these, times, do you? I don’t. Look into Strutt’s Costumes, and see what a Porter used to be, in any of the good old English reigns.” “He hadn’t, in his very best circumstances, a shirt to his back, or a stocking to his foot; and there was scarcely a vegetable in all England for him to put into his mouth,” said Mr. Filer. “I can prove it, by tables.” But still the red-faced gentleman extolled the good old times, the grand old times, the great old times. No matter what anybody else said, he still went turning round and round in one set form of words concerning them; as a poor squirrel turns and turns in its revolving cage; touching the mechanism, and trick of which, it has probably quite as distinct perceptions, as ever this red-faced gentleman had of his deceased Millennium. It is possible that poor Trotty’s faith in these very vague Old Times was not entirely destroyed, for he felt vague enough, at that moment. One thing, however, was plain to him, in the midst of his distress; to wit, that however these gentlemen might differ in details, his misgivings of that morning, and of many other mornings, were well founded. “No, no. We can’t go right or do right,” thought Trotty in despair. “There is no good in us. We are born bad!” But Trotty had a father’s heart within him; which had somehow got into his breast in spite of this decree; and he could not bear that Meg, in the blush of her brief joy, should have her fortune read by these wise gentlemen. “God help her,” thought poor Trotty. “She will know it soon enough.” He anxiously signed, therefore, to the young smith, to take her away. But he was so busy, talking to her softly at a little distance, that he only became conscious of this desire, simultaneously with Alderman Cute. Now, the Alderman had not yet had his say, but he was a philosopher, too—practical, though! Oh, very practical—and, as he had no idea of losing any portion of his audience, he cried “Stop!” “Now, you know,” said the Alderman, addressing his two friends, with a self-complacent smile upon his face, which was habitual to him, “I am a plain man, and a practical man; and I go to work in a plain practical way. That’s my way. There is not the least mystery or difficulty in dealing with this sort of people if you only understand ’em, and can talk to ’em in their own manner. Now, you Porter! Don’t you ever tell me, or anybody else, my friend, that you haven’t always enough to eat, and of the best; because I know better. I have tasted your tripe, you know, and you can’t ‘chaff’ me. You understand what ‘chaff’ means, eh? That’s the right word, isn’t it? Ha, ha, ha! Lord bless you,” said the Alderman, turning to his friends again, “it’s the easiest thing on earth to deal with this sort of people, if you understand ’em.” Famous man for the common people, Alderman Cute! Never out of temper with them! Easy, affable, joking, knowing gentleman! “You see, my friend,” pursued the Alderman, “there’s a great deal of nonsense talked about Want—'hard up,’ you know; that’s the phrase, isn’t it? ha! ha! ha!—and I intend to Put it Down. There’s a certain amount of cant in vogue about Starvation, and I mean to Put it Down. That’s all! Lord bless you,” said the Alderman, turning to his friends again, “you may Put Down anything among this sort of people, if you only know the way to set about it!” Trotty took Meg’s hand and drew it through his arm: He didn’t seem to know what he was doing though. “Your daughter, eh?” said the Alderman, chucking her familiarly under the chin. Always affable with the working classes, Alderman Cute! Knew what pleased them! Not a bit of pride! “Where’s her mother?” asked that worthy gentleman. “Dead,” said Toby. “Her mother got up linen; and was called to Heaven when She was born.” “Not to get up linen there, I suppose,” remarked the Alderman pleasantly. Toby might or might not have been able to separate his wife in Heaven from her old pursuits. But query: If Mrs. Alderman Cute had gone to Heaven, would Mr. Alderman Cute have pictured her as holding any state or station there? “And you’re making love to her, are you?” said Cute to the young smith. “Yes,” returned Richard quickly, for he was nettled by the question. “And we are going to be married on New Year’s Day.” “What do you mean!” cried Filer sharply. “Married!” “Why, yes, we’re thinking of it, Master,” said Richard. “We’re rather in a hurry, you see, in case it should be Put Down first.” “Ah!” cried Filer, with a groan. “Put that down indeed, Alderman, and you’ll do something. Married! Married!! The ignorance of the first principles of political economy on the part of these people; their improvidence; their wickedness; is, by Heavens! enough to—Now look at that couple, will you!” Well? They were worth looking at. And marriage seemed as reasonable and fair a deed as they need have in contemplation. “A man may live to be as old as Methuselah,” said Mr. Filer, “and may labour all his life for the benefit of such people as those; and may heap up facts on figures, facts on figures, facts on figures, mountains high and dry; and he can no more hope to persuade ’em that they have no right or business to be married, than he can hope to persuade ’em that they have no earthly right or business to be born. And that we know they haven’t. We reduced it to a mathematical certainty long ago!” Alderman Cute was mightily diverted, and laid his right forefinger on the side of his nose, as much as to say to both his friends, “Observe me, will you! Keep your eye on the practical man!”—and called Meg to him. “Come here, my girl!” said Alderman Cute. The young blood of her lover had been mounting, wrathfully, within the last few minutes; and he was indisposed to let her come. But, setting a constraint upon himself, he came forward with a stride as Meg approached, and stood beside her. Trotty kept her hand within his arm still, but looked from face to face as wildly as a sleeper in a dream. “Now, I’m going to give you a word or two of good advice, my girl,” said the Alderman, in his nice easy way. “It’s my place to give advice, you know, because I’m a Justice. You know I’m a Justice, don’t you?” Meg timidly said, “Yes.” But everybody knew Alderman Cute was a Justice! Oh dear, so active a Justice always! Who such a mote of brightness in the public eye, as Cute! “You are going to be married, you say,” pursued the Alderman. “Very unbecoming and indelicate in one of your sex! But never mind that. After you are married, you’ll quarrel with your husband and come to be a distressed wife. You may think not; but you will, because I tell you so. Now, I give you fair warning, that I have made up my mind to Put distressed wives Down. So, don’t be brought before me. You’ll have children—boys. Those boys will grow up bad, of course, and run wild in the streets, without shoes and stockings. Mind, my young friend! I’ll convict ’em summarily, every one, for I am determined to Put boys without shoes and stockings, Down. Perhaps your husband will die young (most likely) and leave you with a baby. Then you’ll be turned out of doors, and wander up and down the streets. Now, don’t wander near me, my dear, for I am resolved, to Put all wandering mothers Down. All young mothers, of all sorts and kinds, it’s my determination to Put Down. Don’t think to plead illness as an excuse with me; or babies as an excuse with me; for all sick persons and young children (I hope you know the church-service, but I’m afraid not) I am determined to Put Down. And if you attempt, desperately, and ungratefully, and impiously, and fraudulently attempt, to drown yourself, or hang yourself, I’ll have no pity for you, for I have made up my mind to Put all suicide Down! If there is one thing,” said the Alderman, with his self-satisfied smile, “on which I can be said to have made up my mind more than on another, it is to Put suicide Down. So don’t try it on. That’s the phrase, isn’t it? Ha, ha! now we understand each other.” Toby knew not whether to be agonised or glad to see that Meg had turned a deadly white, and dropped her lover’s hand. “And as for you, you dull dog,” said the Alderman, turning with even increased cheerfulness and urbanity to the young smith, “what are you thinking of being married for? What do you want to be married for, you silly fellow? If I was a fine, young, strapping chap like you, I should be ashamed of being milksop enough to pin myself to a woman’s apron-strings! Why, she’ll be an old woman before you’re a middle-aged man! And a pretty figure you’ll cut then, with a draggle-tailed wife and a crowd of squalling children crying after you wherever you go!” Oh, he knew how to banter the common people, Alderman Cute! “There! Go along with you,” said the Alderman, “and repent. Don’t make such a fool of yourself as to get married on New Year’s Day. You’ll think very differently of it long before next New Year’s Day: a trim young fellow like you, with all the girls looking after you. There! Go along with you!” They went along. Not arm in arm, or hand in hand, or interchanging bright glances” but, she in tears, he gloomy and down-looking. Were these the hearts that had so lately made old Toby’s leap up from its faintness? No, no. The Alderman (a blessing on his head!) had Put them Down. “As you happen to be here,” said the Alderman to Toby, “you shall carry a letter for me. Can you be quick? You’re an old man.” Toby, who had been looking after Meg, quite stupidly, made shift to murmur out that he was very quick, and very strong. “How old are you?” inquired the Alderman. “I’m over sixty, Sir,” said Toby. “Oh! This man’s a great deal past the average age, you know,” cried Mr. Filer breaking in as if his patience would bear some trying, but this really was carrying matters a little too far. “I feel I’m intruding, sir,” said Toby. “I—I misdoubted it this morning. Oh dear me!” The Alderman cut him short by giving him the letter from his pocket. Toby would have got a shilling too; but Mr. Filer clearly showing that in that case he would rob a certain given number of persons of ninepence-halfpenny a-piece, he only got sixpence; and thought himself very well off to get that. Then the Alderman gave an arm to each of his friends, and walked off in high feather; but he immediately came hurrying back alone, as if he had forgotten something. “Porter!” said the Alderman. “Sir!” said Toby. “Take care of that daughter of yours. She’s much too handsome.” “Even her good looks are stolen from somebody or other, I suppose,” thought Toby, looking at the sixpence in his hand, and thinking of the tripe. “She’s been and robbed five hundred ladies of a bloom a-piece, I shouldn’t wonder. It’s very dreadful!” “She’s much too handsome, my man,” repeated the Alderman. “The chances are, that she’ll come to no good, I clearly see. Observe what I say. Take care of her!” With which, he hurried off again. “Wrong every way. Wrong every way!” said Trotty, clasping his hands. “Born bad. No business here!” The Chimes came clashing in upon him as he said the words. Full, loud, and sounding—but with no encouragement. No, not a drop. “The tune’s changed,” cried the old man, as he listened. “There’s not a word of all that fancy in it. Why should there be? I have no business with the New Year nor with the old one neither. Let me die!” Still the Bells, pealing forth their changes, made the very air spin. Put ’em down, Put ’em down! Good old Times, Good old Times! Facts and figures, Facts and figures! Put ’em down, Put ’em down! If they said anything they said this, until the brain of Toby reeled. He pressed his bewildered head between his hands, as if to keep it from splitting asunder. A well-timed action, as it happened; for finding the letter in one of them, and being by that means reminded of his charge, he fell, mechanically, into his usual trot, and trotted off. The Second Quarter. The letter Toby had received from Alderman Cute, was addressed to a great man in the great district of the town. The greatest district of the town. It must have been the greatest district of the town, because it was commonly called The World by its inhabitants. The letter positively seemed heavier in Toby’s hand, than another letter. Not because the Alderman had sealed it with a very large coat of arms and no end of wax, but because of the weighty name on the superscription, and the ponderous amount of gold and silver with which it was associated. “How different from us!” thought Toby, in all simplicity and earnestness, as he looked at the direction. “Divide the lively turtles in the bills of mortality, by the number of gentlefolks able to buy ’em; and whose share does he take but his own! As to snatching tripe from anybody’s mouth—he’d scorn it!” With the involuntary homage due to such an exalted character, Toby interposed a corner of his apron between the letter and his fingers. “His children,” said Trotty, and a mist rose before his eyes; “his daughters—Gentlemen may win their hearts and marry them; they may be happy wives and mothers; they may be handsome like my darling M-e-.” He couldn’t finish the name. The final letter swelled in his throat, to the size of the whole alphabet. “Never mind,” thought Trotty. “I know what I mean. That’s more than enough for me.” And with this consolatory rumination, trotted on. It was a hard frost, that day. The air was bracing, crisp, and clear. The wintry sun, though powerless for warmth, looked brightly down upon the ice it was too weak to melt, and set a radiant glory there. At other times, Trotty might have learned a poor man’s lesson from the wintry sun; but he was past that, now. The Year was Old, that day. The patient Year had lived through the reproaches and misuses of its slanderers, and faithfully performed its work. Spring, summer, autumn, winter. It had laboured through the destined round, and now laid down its weary head to die. Shut out from hope, high impulse, active happiness, itself, but active messenger of many joys to others, it made appeal in its decline to have its toiling days and patient hours remembered, and to die in peace. Trotty might have read a poor man’s allegory in the fading year; but he was past that now. And only he? Or has the like appeal been ever made, by seventy years at once upon an English labourer’s head, and made in vain! The streets were full of motion, and the shops were decked out gaily. The New Year, like an Infant Heir to the whole world, was waited for, with welcomes, presents, and rejoicings. There were books and toys for the New Year, glittering trinkets for the New Year, dresses for the New Year, schemes of fortune for the New Year; new inventions to beguile it. Its life was parcelled out in almanacks and pocket-books; the coming of its moons, and stars, and tides, was known beforehand to the moment; all the workings of its seasons in their days and nights, were calculated with as much precision as Mr. Filer could work sums in men and women. The New Year, the New Year. Everywhere the New Year! The Old Year was already looked upon as dead; and its effects were selling cheap, like some drowned mariner’s aboardship. Its patterns were Last Year’s and going at a sacrifice, before its breath was gone. Its treasures were mere dirt, beside the riches of its unborn successor! Trotty had no portion, to his thinking, in the New Year or the Old. “Put ’em down, Put ’em down! Facts and Figures, facts and figures! Good old Times, Good old Times! Put ’em down, put ’em down!”—his trot went to that measure, and would fit itself to nothing else. But, even that one, melancholy as it was, brought him, in due time, to the end of his journey. To the mansion of Sir Joseph Bowley, Member of Parliament. The door was opened by a Porter. Such a Porter! Not of Toby’s order. Quite another thing. His place was the ticket though; not Toby’s. This Porter underwent some hard panting before he could speak; having breathed himself by coming incautiously out of his chair, without first taking time to think about it and compose his mind. When he had found his voice—which it took him a long time to do, for it was a long way off, and hidden under a load of meat—he said in a fat whisper, “Who’s it from?” Toby told him. “You’re to take it in, yourself,” said the Porter, pointing to a room at the end of a long passage, opening from the hall. “Everything goes straight in, on this day of the year. You’re not a bit too soon, for the carriage is at the door now, and they have only come to town for a couple of hours, a’ purpose.” Toby wiped his feet (which were quite dry already) with great care, and took the way pointed out to him; observing as he went that it was an awfully grand house, but hushed and covered up, as if the family were in the country. Knocking at the room door, he was told to enter from within; and doing so found himself in a spacious library, where, at a table strewn with files and papers, were a stately lady in a bonnet; and a not very stately gentleman in black who wrote from her dictation; while another, and an older, and a much statelier gentleman, whose hat and cane were on the table, walked up and down, with one hand in his breast, and looked complacently from time to time at his own picture—a full length; a very full length—hanging over the fire-place. “What is this?” said the last-named gentleman. “Mr. Fish, will you have the goodness to attend?” Mr. Fish begged pardon, and taking the letter from Toby, handed it, with great respect. “From Alderman Cute, Sir Joseph.” “Is this all? Have you nothing else, Porter?” inquired Sir Joseph. Toby replied in the negative. “You have no bill or demand upon me; my name is Bowley, Sir Joseph Bowley; of any kind from anybody, have you?” said Sir Joseph. “If you have, present it. There is a cheque-book by the side of Mr. Fish. I allow nothing to be carried into the New Year. Every description of account is settled in this house at the close of the old one. So that if death was to—to—" “To cut,” suggested Mr. Fish. “To sever, Sir,” returned Sir Joseph, with great asperity, “the cord of existence—my affairs would be found, I hope, in a state of preparation.” “My dear Sir Joseph!” said the lady, who was greatly younger than the gentleman. “How shocking!” “My lady Bowley,” returned Sir Joseph, floundering now and then, as in the great depth of his observations, “at this season of the year we should think of—of—ourselves. We should look into our—our accounts. We should feel that every return of so eventful a period in human transactions, involves a matter of deep moment between a man and his—and his banker.” Sir Joseph delivered these words as if he felt the full morality of what he was saying; and desired that even Trotty should have an opportunity of being improved by such discourse. Possibly he had this end before him in still forbearing to break the seal of the letter, and in telling Trotty to wait where he was, a minute. “You were desiring Mr. Fish to say, my lady—” observed Sir Joseph. “Mr. Fish has said that, I believe,” returned his lady, glancing at the letter. “But, upon my word, Sir Joseph, I don’t think I can let it go after all. It is so very dear.” “What is dear?” inquired Sir Joseph. “That Charity, my love. They only allow two votes for a subscription of five pounds. Really monstrous!” “My lady Bowley,” returned Sir Joseph, “you surprise me. Is the luxury of feeling in proportion to the number of votes; or is it, to a rightly constituted mind, in proportion to the number of applicants and the wholesome state of mind to which their canvassing reduces them? Is there no excitement of the purest kind in having two votes to dispose of among fifty people?” “Not to me, I acknowledge,” replied the lady. “It bores one. Besides, one can’t oblige one’s acquaintance. But you are the Poor Man’s Friend, you know, Sir Joseph. You think otherwise.” “I am the Poor Man’s Friend,” observed Sir Joseph, glancing at the poor man present. “As such I may be taunted. As such I have been taunted. But I ask no other title.” “Bless him for a noble gentleman!” thought Trotty. “I don’t agree with Cute here, for instance,” said Sir Joseph, holding out the letter. “I don’t agree with the Filer party. I don’t agree with any party. My friend the Poor Man, has no business with anything of that sort, and nothing of that sort has any business with him. My friend the Poor Man, in my district, is my business. No man or body of men has any right to interfere between my friend and me. That is the ground I take. I assume a—a paternal character towards my friend. I say, ‘My good fellow, I will treat you paternally.”’ Toby listened with great gravity, and began to feel more comfortable. "Your only business, my good fellow," pursued Sir Joseph, looking abstractedly at Toby; "your only business in life is with me. You needn’t trouble yourself to think about anything. I will think for you; I know what is good for you; I am your perpetual parent. Such is the dispensation of an all-wise Providence! Now, the design of your creation is: not that you should swill, and guzzle, and associate your enjoyments, brutally, with food" —Toby thought remorsefully of the tripe— "but that you should feel the Dignity of Labor; go forth erect into the cheerful morning air, and—and stop there. Live hard and temperately, be respectful, exercise your self-denial, bring up your family on next to nothing, pay your rent as regularly as the clock strikes, be punctual in your dealings (I set you a good example; you will find Mr. Fish, my confidential secretary, with a cash-box before him at all times); and you may trust to me to be your Friend and Father." “Nice children, indeed, Sir Joseph!” said the lady, with a shudder. “Rheumatisms, and fevers, and crooked legs, and asthmas, and all kinds of horrors!” “My lady,” returned Sir Joseph, with solemnity, “not the less am I the Poor Man’s Friend and Father. Not the less shall he receive encouragement at my hands. Every quarter-day he will be put in communication with Mr. Fish. Every New-Year’s Day, myself and friends will drink his health. Once every year, myself and friends will address him with the deepest feeling. Once in his life, he may even perhaps receive; in public, in the presence of the gentry; a Trifle from a Friend. And when, upheld no more by these stimulants, and the Dignity of Labor, he sinks into his comfortable grave, then my lady”—here Sir Joseph blew his nose—"I will be a Friend and a Father—on the same terms—to his children.” Toby was greatly moved. “Oh! You have a thankful family, Sir Joseph!” cried his wife. “My lady,” said Sir Joseph, quite majestically, “Ingratitude is known to be the sin of that class. I expect no other return.” “Ah! Born bad!” thought Toby. “Nothing melts us.” “What man can do, I do,” pursued Sir Joseph. “I do my duty as the Poor Man’s Friend and Father; and I endeavour to educate his mind, by inculcating on all occasions the one great moral lesson which that class requires. That is, entire Dependence on myself. They have no business whatever with—with themselves. If wicked and designing persons tell them otherwise, and they become impatient and discontented, and are guilty of insubordinate conduct and black-hearted ingratitude; which is undoubtedly the case; I am their Friend and Father still. It is so Ordained. It is in the nature of things.” With that great sentiment, he opened the Alderman’s letter; and read it. “Very polite and attentive, I am sure!” exclaimed Sir Joseph. “My lady, the Alderman is so obliging as to remind me that he has had ‘the distinguished honour’—he is very good—of meeting me at the house of our mutual friend Deedles, the banker; and he does me the favour to inquire whether it will be agreeable to me to have Will Fern put down.” “Most agreeable!” replied my Lady Bowley. “The worst man among them! He has been committing a robbery, I hope?” “Why no,” said Sir Joseph, referring to the letter. “Not quite. Very near. Not quite. He came up to London, it seems, to look for employment (trying to better himself—that’s his story), and being found at night asleep in a shed, was taken into custody, and carried next morning before the Alderman. The Alderman observes (very properly) that he is determined to put this sort of thing down; and that if it will be agreeable to me to have Will Fern put down, he will be happy to begin with him.” “Let him be made an example of, by all means,” returned the lady. “Last winter, when I introduced pinking and eyelet-holing among the men and boys in the village, as a nice evening employment, and had the lines, O let us love our occupations, Bless the squire and his relations, Live upon our daily rations, And always know our proper stations, set to music on the new system, for them to sing the while; this very Fern—I see him now—touched that hat of his, and said, ‘I humbly ask your pardon, my lady, but an’t I something different from a great girl?’ I expected it, of course; who can expect anything but insolence and ingratitude from that class of people! That is not to the purpose, however. Sir Joseph! Make an example of him!” “Hem!” coughed Sir Joseph. “Mr. Fish, if you’ll have the goodness to attend”— Mr. Fish immediately seized his pen, and wrote from Sir Joseph’s dictation. “Private. My dear Sir. I am very much indebted to you for your courtesy in the matter of the man William Fern, of whom, I regret to add, I can say nothing favourable. I have uniformly considered myself in the light of his Friend and Father, but have been repaid (a common case, I grieve to say) with ingratitude, and constant opposition to my plans. He is a turbulent and rebellious spirit. His character will not bear investigation. Nothing will persuade him to be happy when he might. Under these circumstances, it appears to me, I own, that when he comes before you again (as you informed me he promised to do to-morrow, pending your inquiries, and I think he may be so far relied upon), his committal for some short term as a Vagabond, would be a service to society, and would be a salutary example in a country where—for the sake of those who are, through good and evil report, the Friends and Fathers of the Poor, as well as with a view to that, generally speaking, misguided class themselves—examples are greatly needed. And I am,” and so forth. “It appears,” remarked Sir Joseph when he had signed this letter, and Mr. Fish was sealing it, “as if this were Ordained: really. At the close of the year, I wind up my account and strike my balance, even with William Fern!” Trotty, who had long ago relapsed, and was very low-spirited, stepped forward with a rueful face to take the letter. “With my compliments and thanks,” said Sir Joseph. “Stop!” “Stop!” echoed Mr. Fish. “You have heard, perhaps,” said Sir Joseph, oracularly, “certain remarks into which I have been led respecting the solemn period of time at which we have arrived, and the duty imposed upon us of settling our affairs, and being prepared. You have observed that I don’t shelter myself behind my superior standing in society, but that Mr. Fish—that gentleman—has a cheque-book at his elbow, and is in fact here, to enable me to turn over a perfectly new leaf, and enter on the epoch before us with a clean account. Now, my friend, can you lay your hand upon your heart, and say, that you also have made preparations for a New Year?” “I am afraid, Sir,” stammered Trotty, looking meekly at him, “that I am a—a—little behind-hand with the world.” “Behind-hand with the world!” repeated Sir Joseph Bowley, in a tone of terrible distinctness. “I am afraid, Sir,” faltered Trotty, “that there’s a matter of ten or twelve shillings owing to Mrs. Chickenstalker.” “To Mrs. Chickenstalker!” repeated Sir Joseph, in the same tone as before. “A shop Sir,” exclaimed Toby, “in the general line. Also a—a little money on account of rent. A very little, sir. It oughtn’t to be owing, I know, but we have been hard put to it, indeed!” Sir Joseph looked at his lady, and at Mr. Fish, and at Trotty, one after another, twice all round. He then made a despondent gesture with both hands at once, as if he gave the thing up altogether. “How a man, even among this improvident and impracticable race; an old man; a man grown grey; can look a New Year in the face, with his affairs in this condition; how he can lie down on his bed at night, and get up again in the morning, and—There!” he said, turning his back on Trotty. “Take the letter. Take the letter!” “I heartily wish it was otherwise, sir,” said Trotty, anxious to excuse himself. “We have been tried very hard.” Sir Joseph still repeating “Take the letter, take the letter!” and Mr. Fish not only saying the same thing, but giving additional force to the request by motioning the bearer to the door, he had nothing for it but to make his bow and leave the house. And in the street, poor Trotty pulled his worn old hat down on his head, to hide the grief he felt at getting no hold on the New Year, anywhere. He didn’t even lift his hat to look up at the Bell tower when he came to the old church on his return. He halted there a moment, from habit: and knew that it was growing dark, and that the steeple rose above him, indistinct and faint, in the murky air. He knew, too, that the Chimes would ring immediately; and that they sounded to his fancy, at such a time, like voices in the clouds. But he only made the more haste to deliver the Alderman’s letter, and get out of the way before they began; for he dreaded to hear them tagging “Friends and Fathers, Friends and Fathers,” to the burden they had rung out last. Toby discharged himself of his commission, therefore, with all possible speed, and set off trotting homeward. But what with his pace, which was at best an awkward one in the street; and what with his hat, which didn’t improve it; he trotted against somebody in less than no time, and was sent staggering out into the road. “I beg your pardon, I’m sure!” said Trotty, pulling up his hat in great confusion, and between the hat and the torn lining, fixing his head into a kind of bee-hive. “I hope I haven’t hurt you.” As to hurting anybody, Toby was not such an absolute Samson, but that he was much more likely to be hurt himself: and indeed, he had flown out into the road, like a shuttlecock. He had such an opinion of his own strength, however, that he was in real concern for the other party: and said again, “I hope I haven’t hurt you?” The man against whom he had run; a sun-browned, sinewy, country-looking man, with grizzled hair, and a rough chin; stared at him for a moment, as if he suspected him to be in jest. But, satisfied of his good faith, he answered: “No, friend. You have not hurt me.” “Nor the child, I hope?” said Trotty. “Nor the child,” returned the man. “I thank you kindly.” As he said so, he glanced at a little girl he carried in his arms, asleep: and shading her face with the long end of the poor handkerchief he wore about his throat, went slowly on. The tone in which he said “I thank you kindly,” penetrated Trotty’s heart. He was so jaded and foot-sore, and so soiled with travel, and looked about him so forlorn and strange, that it was a comfort to him to be able to thank any one: no matter for how little. Toby stood gazing after him as he plodded wearily away; with the child’s arm clinging round his neck. At the figure in the worn shoes—now the very shade and ghost of shoes—rough leather leggings, common frock, and broad slouched hat, Trotty stood gazing, blind to the whole street. And at the child’s arm, clinging round its neck. Before he merged into the darkness the traveller stopped; and looking round, and seeing Trotty standing there yet, seemed undecided whether to return or go on. After doing first the one and then the other, he came back, and Trotty went half way to meet him. “You can tell me, perhaps,” said the man with a faint smile, “and if you can I am sure you will, and I’d rather ask you than another—where Alderman Cute lives.” “Close at hand,” replied Toby. “I’ll show you his house with pleasure.” “I was to have gone to him elsewhere to-morrow,” said the man, accompanying Toby, “but I’m uneasy under suspicion, and want to clear myself, and to be free to go and seek my bread—I don’t know where. So, maybe he’ll forgive my going to his house to-night.” “It’s impossible,” cried Toby with a start, “that your name’s Fern!” “Eh!” cried the other, turning on him in astonishment. “Fern! Will Fern!” said Trotty. “That’s my name,” replied the other. “Why then,” said Trotty, seizing him by the arm, and looking cautiously round, “for Heaven’s sake don’t go to him! Don’t go to him! He’ll put you down as sure as ever you were born. Here! come up this alley, and I’ll tell you what I mean. Don’t go to him.” His new acquaintance looked as if he thought him mad; but he bore him company nevertheless. When they were shrouded from observation, Trotty told him what he knew, and what character he had received, and all about it. The subject of his history listened to it with a calmness that surprised him. He did not contradict or interrupt it, once. He nodded his head now and then—more in corroboration of an old and worn-out story, it appeared, than in refutation of it; and once or twice threw back his hat, and passed his freckled hand over a brow, where every furrow he had ploughed seemed to have set its image in little. But he did no more. “It’s true enough in the main,” he said, “master, I could sift grain from husk here and there, but let it be as ’tis. What odds? I have gone against his plans; to my misfortun’. I can’t help it; I should do the like to-morrow. As to character, them gentlefolks will search and search, and pry and pry, and have it as free from spot or speck in us, afore they’ll help us to a dry good word! Well! I hope they don’t lose good opinion as easy as we do, or their lives is strict indeed, and hardly worth the keeping. For myself, master, I never took with that hand”—holding it before him—"what wasn’t my own; and never held it back from work, however hard, or poorly paid. Whoever can deny it, let him chop it off! But when work won’t maintain me like a human creetur; when my living is so bad, that I am Hungry, out of doors and in; when I see a whole working life begin that way, go on that way, and end that way, without a chance or change; then I say to the gentlefolks ‘Keep away from me! Let my cottage be. My doors is dark enough without your darkening of ’em more. Don’t look for me to come up into the Park to help the show when there’s a Birthday, or a fine Speechmaking, or what not. Act your Plays and Games without me, and be welcome to ’em, and enjoy ’em. We’ve nought to do with one another. I’m best let alone!’” Seeing that the child in his arms had opened her eyes, and was looking about her in wonder, he checked himself to say a word or two of foolish prattle in her ear, and stand her on the ground beside him. Then slowly winding one of her long tresses round and round his rough forefinger like a ring, while she hung about his dusty leg, he said to Trotty: “I’m not a cross-grained man by natu’, I believe; and easy satisfied, I’m sure. I bear no ill-will against none of ’em: I only want to live like one of the Almighty’s creeturs. I can’t; I don’t; and so there’s a pit dug between me and them that can and do. There’s others like me. You might tell ’em off by hundreds and by thousands, sooner than by ones.” Trotty knew he spoke the Truth in this, and shook his head to signify as much. “I’ve got a bad name this way,” said Fern; “and I’m not likely, I’m afeared, to get a better. ’Tan’t lawful to be out of sorts, and I AM out of sorts, though God knows I’d sooner bear a cheerful spirit if I could. Well! I don’t know as this Alderman could hurt me much by sending me to jail; but without a friend to speak a word for me, he might do it; and you see—!” pointing downward with his finger, at the child. “She has a beautiful face,” said Trotty. “Why yes!” replied the other in a low voice, as he gently turned it up with both his hands towards his own, and looked upon it steadfastly. “I’ve thought so, many times. I’ve thought so, when my hearth was very cold, and cupboard very bare. I thought so t’other night, when we were taken like two thieves. But they—they shouldn’t try the little face too often, should they, Lilian? That’s hardly fair upon a man!” He sunk his voice so low, and gazed upon her with an air so stern and strange, that Toby, to divert the current of his thoughts, inquired if his wife were living. “I never had one,” he returned, shaking his head. “She’s my brother’s child: a orphan. Nine year old, though you’d hardly think it; but she’s tired and worn out now. They’d have taken care on her, the Union—eight and twenty mile away from where we live; between four walls (as they took care of my old father when he couldn’t work no more, though he didn’t trouble ’em long); but I took her instead, and she’s lived with me ever since. Her mother had a friend once, in London here. We are trying to find her, and to find work too; but it’s a large place. Never mind. More room for us to walk about in, Lilly!” Meeting the child’s eyes with a smile which melted Toby more than tears, he shook him by the hand. “I don’t so much as know your name,” he said, “but I’ve opened my heart free to you, for I’m thankful to you; with good reason. I’ll take your advice, and keep clear of this—" “Justice,” suggested Toby. “Ah!” he said. “If that’s the name they give him. This Justice. And to-morrow will try whether there’s better fortun’ to be met with, somewheres near London. Good night. A Happy New Year!” “Stay!” cried Trotty, catching at his hand, as he relaxed his grip. “Stay! The New Year never can be happy to me, if we part like this. The New Year never can be happy to me, if I see the child and you, go wandering away you don’t know where, without a shelter for your heads. Come home with me! I’m a poor man, living in a poor place; but I can give you lodging for one night and never miss it. Come home with me! Here! I’ll take her!” cried Trotty, lifting up the child. “A pretty one! I’d carry twenty times her weight, and never know I’d got it. Tell me if I go too quick for you. I’m very fast. I always was!” Trotty said this, taking about six of his trotting paces to one stride of his fatigued companion; and with his thin legs quivering again, beneath the load he bore. “Why, she’s as light,” said Trotty, trotting in his speech as well as in his gait; for he couldn’t bear to be thanked, and dreaded a moment’s pause; “as light as a feather. Lighter than a Peacock’s feather—a great deal lighter. Here we are and here we go! Round this first turning to the right, Uncle Will, and past the pump, and sharp off up the passage to the left, right opposite the public-house. Here we are and here we go! Cross over, Uncle Will, and mind the kidney pieman at the corner! Here we are and here we go! Down the Mews here, Uncle Will, and stop at the black door, with ‘T. Veck, Ticket Porter,’ wrote upon a board; and here we are and here we go, and here we are indeed, my precious Meg, surprising you!” With which words Trotty, in a breathless state, set the child down before his daughter in the middle of the floor. The little visitor looked once at Meg; and doubting nothing in that face, but trusting everything she saw there; ran into her arms. “Here we are and here we go!” cried Trotty, running round the room, and choking audibly. “Here, Uncle Will, here’s a fire you know! Why don’t you come to the fire? Oh here we are and here we go! Meg, my precious darling, where’s the kettle? Here it is and here it goes, and it’ll bile in no time!” Trotty really had picked up the kettle somewhere or other in the course of his wild career, and now put it on the fire: while Meg, seating the child in a warm corner, knelt down on the ground before her, and pulled off her shoes, and dried her wet feet on a cloth. Ay, and she laughed at Trotty too—so pleasantly, so cheerfully, that Trotty could have blessed her where she kneeled: for he had seen that, when they entered, she was sitting by the fire in tears. “Why, father!” said Meg. “You’re crazy to-night, I think. I don’t know what the Bells would say to that. Poor little feet. How cold they are!” “Oh, they’re warmer now!” exclaimed the child. “They’re quite warm now!” “No, no, no,” said Meg. “We haven’t rubbed ’em half enough. We’re so busy. So busy! And when they’re done, we’ll brush out the damp hair; and when that’s done, we’ll bring some colour to the poor pale face with fresh water; and when that’s done, we’ll be so gay, and brisk, and happy—!” The child, in a burst of sobbing, clasped her round the neck; caressed her fair cheek with its hand; and said, “Oh Meg! oh dear Meg!” Toby’s blessing could have done no more. Who could do more! “Why, father!” cried Meg, after a pause. “Here I am and here I go, my dear!” said Trotty. “Good Gracious me!” cried Meg. “He’s crazy! He’s put the dear child’s bonnet on the kettle, and hung the lid behind the door!” “I didn’t go for to do it, my love,” said Trotty, hastily repairing this mistake. “Meg, my dear?” Meg looked towards him and saw that he had elaborately stationed himself behind the chair of their male visitor, where with many mysterious gestures he was holding up the sixpence he had earned. “I see, my dear,” said Trotty, “as I was coming in, half an ounce of tea lying somewhere on the stairs; and I’m pretty sure there was a bit of bacon too. As I don’t remember where it was exactly, I’ll go myself and try to find ’em.” With this inscrutable artifice, Toby withdrew to purchase the viands he had spoken of, for ready money, at Mrs. Chickenstalker’s; and presently came back, pretending he had not been able to find them, at first, in the dark. “But here they are at last,” said Trotty, setting out the tea-things, “all correct! I was pretty sure it was tea, and a rasher. So it is. Meg, my Pet, if you’ll just make the tea, while your unworthy father toasts the bacon, we shall be ready, immediate. It’s a curious circumstance,” said Trotty, proceeding in his cookery, with the assistance of the toasting-fork, “curious, but well known to my friends, that I never care, myself, for rashers, nor for tea. I like to see other people enjoy ’em,” said Trotty, speaking very loud, to impress the fact upon his guest, “but to me, as food, they’re disagreeable.” Yet Trotty sniffed the savour of the hissing bacon—ah!—as if he liked it; and when he poured the boiling water in the tea-pot, looked lovingly down into the depths of that snug cauldron, and suffered the fragrant steam to curl about his nose, and wreathe his head and face in a thick cloud. However, for all this, he neither ate nor drank, except at the very beginning, a mere morsel for form’s sake, which he appeared to eat with infinite relish, but declared was perfectly uninteresting to him. No. Trotty’s occupation was, to see Will Fern and Lilian eat and drink; and so was Meg’s. And never did spectators at a city dinner or court banquet find such high delight in seeing others feast: although it were a monarch or a pope: as those two did, in looking on that night. Meg smiled at Trotty, Trotty laughed at Meg. Meg shook her head, and made belief to clap her hands, applauding Trotty; Trotty conveyed, in dumb-show, unintelligible narratives of how and when and where he had found their visitors, to Meg; and they were happy. Very happy. “Although,” thought Trotty, sorrowfully, as he watched Meg’s face; “that match is broken off, I see!” “Now, I’ll tell you what,” said Trotty after tea. “The little one, she sleeps with Meg, I know.” “With good Meg!” cried the child, caressing her. “With Meg.” “That’s right,” said Trotty. “And I shouldn’t wonder if she kiss Meg’s father, won’t she? I’m Meg’s father.” Mightily delighted Trotty was, when the child went timidly towards him, and having kissed him, fell back upon Meg again. “She’s as sensible as Solomon,” said Trotty. “Here we come and here we—no, we don’t—I don’t mean that—I—what was I saying, Meg, my precious?” Meg looked towards their guest, who leaned upon her chair, and with his face turned from her, fondled the child’s head, half hidden in her lap. “To be sure,” said Toby. “To be sure! I don’t know what I’m rambling on about, to-night. My wits are wool-gathering, I think. Will Fern, you come along with me. You’re tired to death, and broken down for want of rest. You come along with me.” The man still played with the child’s curls, still leaned upon Meg’s chair, still turned away his face. He didn’t speak, but in his rough coarse fingers, clenching and expanding in the fair hair of the child, there was an eloquence that said enough. “Yes, yes,” said Trotty, answering unconsciously what he saw expressed in his daughter’s face. “Take her with you, Meg. Get her to-bed. There! Now, Will, I’ll show you where you lie. It’s not much of a place: only a loft; but having a loft, I always say, is one of the great conveniences of living in a mews; and till this coach-house and stable gets a better let, we live here cheap. There’s plenty of sweet hay up there, belonging to a neighbour; and it’s as clean, as hands and Meg can make it. Cheer up! Don’t give way. A new heart for a New Year, always!” The hand released from the child’s hair, had fallen, trembling, into Trotty’s hand. So Trotty, talking without intermission, led him out as tenderly and easily as if he had been a child himself. Returning before Meg, he listened for an instant at the door of her little chamber; an adjoining room. The child was murmuring a simple Prayer before lying down to sleep; and when she had remembered Meg’s name, “Dearly, Dearly”—so her words ran—Trotty heard her stop and ask for his. It was some short time before the foolish little old fellow could compose himself to mend the fire, and draw his chair to the warm hearth. But, when he had done so, and had trimmed the light, he took his newspaper from his pocket, and began to read. Carelessly at first, and skimming up and down the columns; but with an earnest and a sad attention, very soon. For this same dreaded paper re-directed Trotty’s thoughts into the channel they had taken all that day, and which the day’s events had so marked out and shaped. His interest in the two wanderers had set him on another course of thinking, and a happier one, for the time; but being alone again, and reading of the crimes and violences of the people, he relapsed into his former train. In this mood, he came to an account (and it was not the first he had ever read) of a woman who had laid her desperate hands not only on her own life but on that of her young child. A crime so terrible, and so revolting to his soul, dilated with the love of Meg, that he let the journal drop, and fell back in his chair, appalled. “Unnatural and cruel!” Toby cried. “Unnatural and cruel! None but people who were bad at heart: born bad: who had no business on the earth: could do such deeds. It’s too true, all I’ve heard to-day; too just, too full of proof. We’re Bad!” The Chimes took up the words so suddenly—burst out so loud, and clear, and sonorous—that the Bells seemed to strike him in his chair. And what was that, they said? "Toby Veck, Toby Veck, waiting for you Toby! Toby Veck, Toby Veck, waiting for you Toby! Come and see us, come and see us, Drag him to us, drag him to us, Haunt and hunt him, haunt and hunt him, Break his slumbers, break his slumbers! Toby Veck Toby Veck, door open wide Toby, Toby Veck Toby Veck, door open wide Toby—" then fiercely back to their impetuous strain again, and ringing in the very bricks and plaster on the walls. Toby listened. Fancy, fancy! His remorse for having run away from them that afternoon! No, no. Nothing of the kind. Again, again, and yet a dozen times again. "Haunt and hunt him, haunt and hunt him, Drag him to us, drag him to us!" Deafening the whole town! "Meg," said Trotty softly: tapping at her door. "Do you hear anything?" "I hear the Bells, father. Surely they’re very loud to-night." "Is she asleep," said Toby, making an excuse for peeping in. "So peacefully and happily! I can’t leave her yet though, father. Look how she holds my hand!" "Meg," whispered Trotty. "Listen to the Bells!" She listened, with her face towards him all the time. But it underwent no change. She didn’t understand them. Trotty withdrew, resumed his seat by the fire, and once more listened by himself. He remained here a little time. It was impossible to bear it; their energy was dreadful. "If the tower-door is really open,' said Toby, hastily laying aside his apron, but never thinking of his hat, "what’s to hinder me from going up into the steeple and satisfying myself? If it’s shut, I don’t want any other satisfaction. That’s enough." He was pretty certain as he slipped out quietly into the street that he should find it shut and locked, for he knew the door well, and had so rarely seen it open, that he couldn’t reckon above three times in all. It was a low arched portal, outside the church, in a dark nook behind a column; and had such great iron hinges and such a monstrous lock, that there was more hinge and lock than door. But what was his astonishment when, coming bare-headed to the church; and putting his hand into this dark nook, with a certain misgiving that it might be unexpectedly seized, and a shivering propensity to draw it back again; he found that the door, which opened outwards, actually stood ajar! He thought, on the first surprise, of going back; or of getting a light, or a companion; but his courage aided him immediately; and he determined to ascend alone. "What have I to fear?" said Trotty. "It’s a church! Besides, the ringers may be there, and have forgotten to shut the door." So he went in; feeling his way as he went, like a blind man; for it was very dark. And very quiet, for the Chimes were silent. The dust from the street had blown into the recess; and lying there, heaped up, made it so soft and velvet-like to the foot, that there was something startling even in that. The narrow stair was so close to the door, too, that he stumbled at the very first; and shutting the door upon himself, by striking it with his foot, and causing it to rebound back heavily, he couldn’t open it again. This was another reason, however, for going on. Trotty groped his way, and went on. Up, up, up, and round and round; and up, up, up; higher, higher, higher up! It was a disagreeable staircase for that groping work; so low and narrow, that his groping hand was always touching something; and it often felt so like a man or ghostly figure standing up erect and making room for him to pass without discovery, that he would rub the smooth wall upward searching for its face, and downward searching for its feet, while a chill tingling crept all over him. Twice or thrice a door or niche broke the monotonous surface; and then it seemed a gap as wide as the whole church; and he felt on the brink of an abyss, and going to tumble headlong down; until he found the wall again. Still up, up, up; and round and round; and up, up, up; higher, higher, higher up! At length, the dull and stifling atmosphere began to freshen: presently to feel quite windy: presently it blew so strong, that he could hardly keep his legs. But he got to an arched window in the tower, breast high, and holding tight, looked down upon the house-tops, on the smoking chimneys, on the blur and blotch of lights (towards the place where Meg was wondering where he was and calling to him perhaps), all kneaded up together in a leaven of mist and darkness. This was the belfry, where the ringers came. He had caught hold of one of the frayed ropes which hung down through apertures in the oaken roof. At first he started; thinking it was hair; then trembled at the very thought of waking the deep Bell. The Bells themselves were higher. Higher, Trotty, in his fascination, or in working out the spell upon him, groped his way. By ladders now, and toilsomely, for it was steep, and not too certain holding for the feet. Up, up, up; and climb and clamber; up, up, up; higher, higher, higher up! Until, ascending through the floor, and pausing with his head just raised above its beams, he came among the Bells. It was barely possible to make out their great shapes in the gloom; but there they were. Shadowy, and dark, and dumb. A heavy sense of dread and loneliness fell instantly upon him, as he climbed into this airy nest of stone and metal. His head went round and round. He listened, and then raised a wild "Halloa!" Halloa! was mournfully protracted by the echoes. Giddy, confused, and out of breath, and frightened, Toby looked about him vacantly, and sunk down in a swoon. Third Quarter. Black are the brooding clouds and troubled the deep waters, when the Sea of Thought, first heaving from a calm, gives up its Dead. Monsters uncouth and wild, arise in premature, imperfect resurrection; the several parts and shapes of different things are joined and mixed by chance; and when, and how, and by what wonderful degrees, each separates from each, and every sense and object of the mind resumes its usual form and lives again, no man—though every man is every day the casket of this type of the Great Mystery—can tell. So, when and how the darkness of the night-black steeple changed to shining light; when and how the solitary tower was peopled with a myriad figures; when and how the whispered "Haunt and hunt him," breathing monotonously through his sleep or swoon, became a voice exclaiming in the waking ears of Trotty, "Break his slumbers;" when and how he ceased to have a sluggish and confused idea that such things were, companioning a host of others that were not; there are no dates or means to tell. But: awake, and standing on his feet upon the boards where he had lately lain: he saw this Goblin Sight. He saw the tower, whither his charmed footsteps had brought him, swarming with dwarf phantoms, spirits, elfin creatures of the Bells. He saw them leaping, flying, dropping, pouring from the Bells without a pause. He saw them, round him on the ground; above him, in the air; clambering from him, by the ropes below; looking down upon him, from the massive iron-girded beams; peeping in upon him, through the chinks and loopholes in the walls; spreading away and away from him in enlarging circles, as the water ripples give way to a huge stone that suddenly comes plashing in among them. He saw them, of all aspects and all shapes. He saw them ugly, handsome, crippled, exquisitely formed. He saw them young, he saw them old, he saw them kind, he saw them cruel, he saw them merry, he saw them grim; he saw them dance, and heard them sing; he saw them tear their hair, and heard them howl. He saw the air thick with them. He saw them come and go, incessantly. He saw them riding downward, soaring upward, sailing off afar, perching near at hand, all restless and all violently active. Stone, and brick, and slate, and tile, became transparent to him as to them. He saw them in the houses, busy at the sleepers’ beds. He saw them soothing people in their dreams; he saw them beating them with knotted whips; he saw them yelling in their ears; he saw them playing softest music on their pillows; he saw them cheering some with the songs of birds and the perfume of flowers; he saw them flashing awful faces on the troubled rest of others, from enchanted mirrors which they carried in their hands. He saw these creatures, not only among sleeping men but waking also, active in pursuits irreconcilable with one another, and possessing or assuming natures the most opposite. He saw one buckling on innumerable wings to increase his speed; another loading himself with chains and weights, to retard his. He saw some putting the hands of clocks forward, some putting the hands of clocks backward, some endeavouring to stop the clock entirely. He saw them representing, here a marriage ceremony, there a funeral; in this chamber an election, and in that a ball; everywhere, restless and untiring motion. Bewildered by the host of shifting and extraordinary figures, as well as by the uproar of the Bells, which all this while were ringing, Trotty clung to a wooden pillar for support, and turned his white face here and there, in mute and stunned astonishment. As he gazed, the Chimes stopped. Instantaneous change! The whole swarm fainted! their forms collapsed, their speed deserted them; they sought to fly, but in the act of falling died and melted into air. No fresh supply succeeded them. One straggler leaped down pretty briskly from the surface of the Great Bell, and alighted on his feet, but he was dead and gone before he could turn round. Some few of the late company who had gambolled in the tower, remained there, spinning over and over a little longer; but these became at every turn more faint, and few, and feeble, and soon went the way of the rest. The last of all was one small hunchback, who had got into an echoing corner, where he twirled and twirled, and floated by himself a long time; showing such perseverance, that at last he dwindled to a leg and even to a foot, before he finally retired; but he vanished in the end, and then the tower was silent. Then and not before, did Trotty see in every Bell a bearded figure of the bulk and stature of the Bell—incomprehensibly, a figure and the Bell itself. Gigantic, grave, and darkly watchful of him, as he stood rooted to the ground. Mysterious and awful figures! Resting on nothing; poised in the night air of the tower, with their draped and hooded heads merged in the dim roof; motionless and shadowy. Shadowy and dark, although he saw them by some light belonging to themselves—none else was there—each with its muffled hand upon its goblin mouth. He could not plunge down wildly through the opening in the floor; for all power of motion had deserted him. Otherwise he would have done so—aye, would have thrown himself, headforemost, from the steeple-top, rather than have seen them watching him with eyes that would have waked and watched although the pupils had been taken out. Again, again, the dread and terror of the lonely place, and of the wild and fearful night that reigned there, touched him like a spectral hand. His distance from all help; the long, dark, winding, ghost-beleaguered way that lay between him and the earth on which men lived; his being high, high, high, up there, where it had made him dizzy to see the birds fly in the day; cut off from all good people, who at such an hour were safe at home and sleeping in their beds; all this struck coldly through him, not as a reflection but a bodily sensation. Meantime his eyes and thoughts and fears, were fixed upon the watchful figures; which, rendered unlike any figures of this world by the deep gloom and shade enwrapping and enfolding them, as well as by their looks and forms and supernatural hovering above the floor, were nevertheless as plainly to be seen as were the stalwart oaken frames, cross-pieces, bars and beams, set up there to support the Bells. These hemmed them, in a very forest of hewn timber; from the entanglements, intricacies, and depths of which, as from among the boughs of a dead wood blighted for their phantom use, they kept their darksome and unwinking watch. A blast of air—how cold and shrill!—came moaning through the tower. As it died away, the Great Bell, or the Goblin of the Great Bell, spoke. "What visitor is this!" it said. The voice was low and deep, and Trotty fancied that it sounded in the other figures as well. "I thought my name was called by the Chimes!" said Trotty, raising his hands in an attitude of supplication. "I hardly know why I am here, or how I came. I have listened to the Chimes these many years. They have cheered me often." "And you have thanked them?" said the Bell. "A thousand times!" cried Trotty. "How?" "I am a poor man," faltered Trotty, "and could only thank them in words." "And always so?" inquired the Goblin of the Bell. "Have you never done us wrong in words?" "No!" cried Trotty eagerly. "Never done us foul, and false, and wicked wrong, in words?" pursued the Goblin of the Bell. Trotty was about to answer, "Never!" But he stopped, and was confused. "The voice of Time," said the Phantom, "cries to man, Advance! Time is for his advancement and improvement; for his greater worth, his greater happiness, his better life; his progress onward to that goal within its knowledge and its view, and set there, in the period when Time and He began. Ages of darkness, wickedness, and violence, have come and gone; millions uncountable, have suffered, lived, and died; to point the way Before him. Who seeks to turn him back, or stay him on his course, arrests a mighty engine which will strike the meddler dead; and be the fiercer and the wilder, ever, for its momentary check!" "I never did so to my knowledge, Sir," said Trotty. "It was quite by accident if I did. I wouldn’t go to do it, I’m sure." "Who puts into the mouth of Time, or of its servants," said the Goblin of the Bell, "a cry of lamentation for days which have had their trial and their failure, and have left deep traces of it which the blind may see—a cry that only serves the Present Time, by showing men how much it needs their help when any ears can listen to regrets for such a Past—who does this, does a wrong. And you have done that wrong, to us, the Chimes." Trotty’s first excess of fear was gone. But he had felt tenderly and gratefully towards the Bells, as you have seen; and when he heard himself arraigned as one who had offended them so weightily, his heart was touched with penitence and grief. "If you knew," said Trotty, clasping his hands earnestly—"or perhaps you do know—if you know how often you have kept me company; how often you have cheered me up when I’ve been low; how you were quite the plaything of my little daughter Meg (almost the only one she ever had) when first her mother died, and she and me were left alone; you won’t bear malice for a hasty word!" "Who hears in us, the Chimes, one note bespeaking disregard, or stern regard, of any hope, or joy, or pain, or sorrow, of the many-sorrowed throng; who hears us make response to any creed that gauges human passions and affections, as it gauges the amount of miserable food on which humanity may pine and wither; does us wrong. That wrong you have done us!" said the Bell. "I have!" said Trotty. "Oh forgive me!" "Who hears us echo the dull vermin of the earth: the Putters Down of crushed and broken natures, formed to be raised up higher than such maggots of the time can crawl or can conceive," pursued the Goblin of the Bell; "who does so, does us wrong. And you have done us wrong!" "Not meaning it," said Trotty. "In my ignorance. Not meaning it!" "Lastly, and most of all," pursued the Bell. "Who turns his back upon the fallen and disfigured of his kind; abandons them as Vile; and does not trace and track with pitying eyes the unfenced precipice by which they fell from Good—grasping in their fall some tufts and shreds of that lost soil, and clinging to them still when bruised and dying in the gulf below; does wrong to Heaven and Man, to Time and to Eternity. And you have done that wrong!" "Spare me!" cried Trotty, falling on his knees; "for Mercy’s sake!" "Listen!" said the Shadow. "Listen!" cried the other Shadows. "Listen!" said a clear and child-like voice, which Trotty thought he recognised as having heard before. The organ sounded faintly in the church below. Swelling by degrees, the melody ascended to the roof, and filled the choir and nave. Expanding more and more, it rose up, up; up, up; higher, higher, higher up; awakening agitated hearts within the burly piles of oak: the hollow bells, the iron-bound doors, the stairs of solid stone; until the tower walls were insufficient to contain it, and it soared into the sky. No wonder that an old man’s breast could not contain a sound so vast and mighty. It broke from that weak prison in a rush of tears; and Trotty put his hands before his face. "Listen!" said the Shadow. "Listen!" said the other Shadows. "Listen!" said the child’s voice. A solemn strain of blended voices, rose into the tower. It was a very low and mournful strain: a Dirge: and as he listened, Trotty heard his child among the singers. "She is dead!" exclaimed the old man. "Meg is dead! Her Spirit calls to me. I hear it!" "The Spirit of your child bewails the dead, and mingles with the dead—dead hopes, dead fancies, dead imaginings of youth," returned the Bell, "but she is living. Learn from her life, a living truth. Learn from the creature dearest to your heart, how bad the Bad are born. See every bud and leaf plucked one by one from off the fairest stem, and know how bare and wretched it may be. Follow her! To Desperation!" Each of the shadowy figures stretched its right arm forth, and pointed downward. "The Spirit of the Chimes is your companion," said the figure. "Go! It stands behind you!" Trotty turned, and saw—the child? The child Will Fern had carried in the street; the child whom Meg had watched, but now, asleep! "I carried her myself, to-night," said Trotty. "In these arms!" "Show him what he calls himself," said the dark figures, one and all. The tower opened at his feet. He looked down, and beheld his own form, lying at the bottom, on the outside: crushed and motionless. "No more a living man!" cried Trotty. "Dead!" "Dead!" said the figures all together. "Gracious Heaven! And the New Year—" "Past," said the figures. "What!" he cried, shuddering. "I missed my way, and coming on the outside of this tower in the dark, fell down—a year ago?" "Nine years ago!" replied the figures. As they gave the answer, they recalled their outstretched hands; and where their figures had been, there the Bells were. And they rung; their time being come again. And once again, vast multitudes of phantoms sprung into existence; once again, were incoherently engaged, as they had been before; once again, faded on the stopping of the Chimes; and dwindled into nothing. "What are these?" he asked his guide. "If I am not mad, what are these?" "Spirits of the Bells. Their sound upon the air," returned the child. "They take such shapes and occupations as the hopes and thoughts of mortals, and the recollections they have stored up, give them." "And you," said Trotty wildly. "What are you?’ "Hush, hush!" returned the child. "Look here!" In a poor, mean room; working at the same kind of embroidery which he had often, often seen before her; Meg, his own dear daughter, was presented to his view. He made no effort to imprint his kisses on her face; he did not strive to clasp her to his loving heart; he knew that such endearments were, for him, no more. But, he held his trembling breath; and brushed away the blinding tears, that he might look upon her; that he might only see her. Ah! Changed. Changed. The light of the clear eye, how dimmed. The bloom, how faded from the cheek. Beautiful she was, as she had ever been, but Hope, Hope, Hope, oh where was the fresh Hope that had spoken to him like a voice! She looked up from her work, at a companion. Following her eyes, the old man started back. In the woman grown, he recognised her at a glance. In the long silken hair, he saw the self-same curls; around the lips, the child’s expression lingering still. See! In the eyes, now turned inquiringly on Meg, there shone the very look that scanned those features when he brought her home! Then what was this, beside him! Looking with awe into its face, he saw a something reigning there: a lofty something, undefined and indistinct, which made it hardly more than a remembrance of that child—as yonder figure might be—yet it was the same: the same: and wore the dress. Hark. They were speaking! "Meg," said Lilian, hesitating. "How often you raise your head from your work to look at me!" "Are my looks so altered, that they frighten you?" asked Meg. "Nay, dear! But you smile at that, yourself! Why not smile, when you look at me, Meg?" "I do so. Do I not?" she answered: smiling on her. "Now you do," said Lilian, "but not usually. When you think I’m busy, and don’t see you, you look so anxious and so doubtful, that I hardly like to raise my eyes. There is little cause for smiling in this hard and toilsome life, but you were once so cheerful." "Am I not now!" cried Meg, speaking in a tone of strange alarm, and rising to embrace her. "Do I make our weary life more weary to you, Lilian!" "You have been the only thing that made it life," said Lilian, fervently kissing her; "sometimes the only thing that made me care to live so, Meg. Such work, such work! So many hours, so many days, so many long, long nights of hopeless, cheerless, never-ending work—not to heap up riches, not to live grandly or gaily, not to live upon enough, however coarse; but to earn bare bread; to scrape together just enough to toil upon, and want upon, and keep alive in us the consciousness of our hard fate! Oh Meg, Meg!' she raised her voice and twined her arms about her as she spoke, like one in pain. "How can the cruel world go round, and bear to look upon such lives!" "Lilly!" said Meg, soothing her, and putting back her hair from her wet face. "Why, Lilly! You! So pretty and so young!" "Oh Meg!" she interrupted, holding her at arm’s-length, and looking in her face imploringly. "The worst of all, the worst of all! Strike me old, Meg! Wither me, and shrivel me, and free me from the dreadful thoughts that tempt me in my youth!" Trotty turned to look upon his guide. But the Spirit of the child had taken flight. Was gone. Neither did he himself remain in the same place; for, Sir Joseph Bowley, Friend and Father of the Poor, held a great festivity at Bowley Hall, in honour of the natal day of Lady Bowley; and as Lady Bowley had been born on New Year’s day (which the local newspapers considered an especial pointing of the finger of Providence to number One, as Lady Bowley’s destined figure in Creation), it was on a New Year’s Day that this festivity took place. Bowley Hall was full of visitors. The red-faced gentleman was there, Mr. Filer was there, the great Alderman Cute was there—Alderman Cute had a sympathetic feeling with great people, and had considerably improved his acquaintance with Sir Joseph Bowley on the strength of his attentive letter: indeed had become quite a friend of the family since then—and many guests were there. Trotty’s ghost was there, wandering about, poor phantom, drearily; and looking for its guide. There was to be a great dinner in the Great Hall. At which Sir Joseph Bowley, in his celebrated character of Friend and Father of the Poor, was to make his great speech. Certain plum-puddings were to be eaten by his Friends and Children in another Hall first; and, at a given signal, Friends and Children flocking in among their Friends and Fathers, were to form a family assemblage, with not one manly eye therein unmoistened by emotion. But, there was more than this to happen. Even more than this. Sir Joseph Bowley, Baronet and Member of Parliament, was to play a match at skittles—real skittles—with his tenants. "Which quite reminds me," said Alderman Cute, "of the days of old King Hal, stout King Hal, bluff King Hal. Ah! Fine character!" "Very," said Mr. Filer, dryly. "For marrying women and murdering ’em. Considerably more than the average number of wives by the bye." "You’ll marry the beautiful ladies, and not murder ’em, eh?" said Alderman Cute to the heir of Bowley, aged twelve. "Sweet boy! We shall have this little gentleman in Parliament now," said the Alderman, holding him by the shoulders, and looking as reflective as he could, "before we know where we are. We shall hear of his successes at the poll; his speeches in the House; his overtures from Governments; his brilliant achievements of all kinds; ah! we shall make our little orations about him in the common council, I’ll be bound; before we have time to look about us!" "Oh, the difference of shoes and stockings!" Trotty thought. But his heart yearned towards the child, for the love of those same shoeless and stockingless boys, predestined (by the Alderman) to turn out bad, who might have been the children of poor Meg. "Richard," moaned Trotty, roaming among the company, to and fro; "where is he? I can’t find Richard! Where is Richard?" Not likely to be there, if still alive! But Trotty’s grief and solitude confused him; and he still went wandering among the gallant company, looking for his guide, and saying, "Where is Richard? Show me Richard!" He was wandering thus, when he encountered Mr. Fish, the confidential Secretary: in great agitation. "Bless my heart and soul!" cried Mr. Fish. "Where’s Alderman Cute? Has anybody seen the Alderman?" Seen the Alderman? Oh dear! Who could ever help seeing the Alderman? He was so considerate, so affable; he bore so much in mind the natural desire of folks to see him, that if he had a fault, it was the being constantly On View. And wherever the great people were, there, to be sure, attracted by the kindred sympathy between great souls, was Cute. Several voices cried that he was in the circle round Sir Joseph. Mr. Fish made way there; found him; and took him secretly into a window near at hand. Trotty joined them. Not of his own accord. He felt that his steps were led in that direction. "My dear Alderman Cute," said Mr. Fish. "A little more this way. The most dreadful circumstance has occurred. I have this moment received the intelligence. I think it will be best not to acquaint Sir Joseph with it till the day is over. You understand Sir Joseph, and will give me your opinion. The most frightful and deplorable event!" "Fish!" returned the Alderman. "Fish! My good fellow, what is the matter? Nothing revolutionary, I hope! No—no attempted interference with the magistrates?" "Deedles, the banker," gasped the Secretary. "Deedles Brothers—who was to have been here to-day—high in office in the Goldsmiths’ Company—" "Not stopped!" exclaimed the Alderman, "It can’t be!" "Shot himself." "Good God!" "Put a double-barrelled pistol to his mouth, in his own counting house," said Mr. Fish, "and blew his brains out. No motive. Princely circumstances!" "Circumstances!" exclaimed the Alderman. "A man of noble fortune. One of the most respectable of men. Suicide, Mr. Fish! By his own hand!" "This very morning," returned Mr. Fish. "Oh the brain, the brain!" exclaimed the pious Alderman, lifting up his hands. "Oh the nerves, the nerves; the mysteries of this machine called Man! Oh the little that unhinges it: poor creatures that we are! Perhaps a dinner, Mr. Fish. Perhaps the conduct of his son, who, I have heard, ran very wild, and was in the habit of drawing bills upon him without the least authority! A most respectable man. One of the most respectable men I ever knew! A lamentable instance, Mr. Fish. A public calamity! I shall make a point of wearing the deepest mourning. A most respectable man! But there is One above. We must submit, Mr. Fish. We must submit!" What, Alderman! No word of Putting Down? Remember, Justice, your high moral boast and pride. Come, Alderman! Balance those scales. Throw me into this, the empty one, No Dinner, and Nature’s founts in some poor woman, dried by starving misery and rendered obdurate to claims for which her offspring has authority in holy mother Eve. Weigh me the two, you Daniel going to judgment, when your day shall come! Weigh them, in the eyes of suffering thousands, audience (not unmindful) of the grim farce you play! Or supposing that you strayed from your five wits—it’s not so far to go, but that it might be—and laid hands upon that throat of yours, warning your fellows (if you have a fellow) how they croak their comfortable wickedness to raving heads and stricken hearts. What then? The words rose up in Trotty’s breast, as if they had been spoken by some other voice within him. Alderman Cute pledged himself to Mr. Fish that he would assist him in breaking the melancholy catastrophe to Sir Joseph when the day was over. Then, before they parted, wringing Mr. Fish’s hand in bitterness of soul, he said, "The most respectable of men!" And added that he hardly knew; not even he; why such afflictions were allowed on earth. "It’s almost enough to make one think, if one didn’t know better," said Alderman Cute, "that at times some motion of a capsizing nature was going on in things, which affected the general economy of the social fabric. Deedles Brothers!" The skittle-playing came off with immense success. Sir Joseph knocked the pins about quite skilfully; Master Bowley took an innings at a shorter distance also; and everybody said that now, when a Baronet and the Son of a Baronet played at skittles, the country was coming round again, as fast as it could come. At its proper time, the Banquet was served up. Trotty involuntarily repaired to the Hall with the rest, for he felt himself conducted thither by some stronger impulse than his own free will. The sight was gay in the extreme; the ladies were very handsome; the visitors delighted, cheerful, and good-tempered. When the lower doors were opened, and the people flocked in, in their rustic dresses, the beauty of the spectacle was at its height; but Trotty only murmured more and more, "Where is Richard! He should help and comfort her! I can’t see Richard!" There had been some speeches made; and Lady Bowley’s health had been proposed; and Sir Joseph Bowley had returned thanks, and had made his great speech, showing by various pieces of evidence that he was the born Friend and Father, and so forth; and had given as a Toast, his Friends and Children, and the Dignity of Labor; when a slight disturbance at the bottom of the hall attracted Toby’s notice. After some confusion, noise, and opposition, one man broke through the rest, and stood forward by himself. Not Richard. No. But one whom he had thought of, and had looked for, many times. In a scantier supply of light, he might have doubted the identity of that worn man, so old, and grey, and bent; but with a blaze of lamps upon his gnarled and knotted head, he knew Will Fern as soon as he stepped forth. "What is this!" exclaimed Sir Joseph, rising. "Who gave this man admittance? This is a criminal from prison! Mr. Fish, Sir, will you have the goodness—" "A minute!" said Will Fern. "A minute! My Lady, you was born on this day along with a New Year. Get me a minute’s leave to speak." She made some intercession for him. Sir Joseph took his seat again, with native dignity. The ragged visitor—for he was miserably dressed—looked round upon the company, and made his homage to them with a humble bow. "Gentlefolks!" he said. "You’ve drunk the Labourer. Look at me!" "Just come from jail," said Mr. Fish. "Just come from jail," said Will. "And neither for the first time, nor the second, nor the third, nor yet the fourth." Mr. Filer was heard to remark testily, that four times was over the average; and he ought to be ashamed of himself. "Gentlefolks!" repeated Will Fern. "Look at me! You see I’m at the worst. Beyond all hurt or harm; beyond your help; for the time when your kind words or kind actions could have done ME good,"—he struck his hand upon his breast, and shook his head, "is gone, with the scent of last year’s beans or clover on the air. Let me say a word for these," pointing to the labouring people in the Hall; "and when you’re met together, hear the real Truth spoke out for once." "There’s not a man here," said the host, "who would have him for a spokesman." "Like enough, Sir Joseph. I believe it. Not the less true, perhaps, is what I say. Perhaps that’s a proof on it. Gentlefolks, I’ve lived many a year in this place. You may see the cottage from the sunk fence over yonder. I’ve seen the ladies draw it in their books a hundred times. It looks well in a picter, I’ve heerd say; but there an’t weather in picters, and maybe ’tis fitter for that, than for a place to live in. Well! I lived there. How hard—how bitter hard, I lived there, I won’t say. Any day in the year, and every day, you can judge for your own selves." He spoke as he had spoken on the night when Trotty found him in the street. His voice was deeper and more husky, and had a trembling in it now and then; but he never raised it passionately, and seldom lifted it above the firm stern level of the homely facts he stated. "’Tis harder than you think for, gentlefolks, to grow up decent, commonly decent, in such a place. That I growed up a man and not a brute, says something for me—as I was then. As I am now, there’s nothing can be said for me or done for me. I’m past it." "I am glad this man has entered," observed Sir Joseph, looking round serenely. "Don’t disturb him. It appears to be Ordained. He is an Example: a living example. I hope and trust, and confidently expect, that it will not be lost upon my Friends here." "I dragged on," said Fern, after a moment’s silence, "Somehow. Neither me nor any other man knows how; but so heavy, that I couldn’t put a cheerful face upon it, or make believe that I was anything but what I was. Now, gentlemen—you gentlemen that sits at Sessions—when you see a man with discontent writ on his face, you says to one another, 'he’s suspicious. I has my doubts,' says you, 'about Will Fern. Watch that fellow!' I don’t say, gentlemen, it ain’t quite nat’ral, but I say ’tis so; and from that hour, whatever Will Fern does, or lets alone—all one—it goes against him." Alderman Cute stuck his thumbs in his waistcoat-pockets, and leaning back in his chair, and smiling, winked at a neighbouring chandelier. As much as to say, "Of course! I told you so. The common cry! Lord bless you, we are up to all this sort of thing—myself and human nature." "Now, gentlemen," said Will Fern, holding out his hands, and flushing for an instant in his haggard face, "See how your laws are made to trap and hunt us when we’re brought to this. I tries to live elsewhere. And I’m a vagabond. To jail with him! I comes back here. I goes a-nutting in your woods, and breaks—who don’t?—a limber branch or two. To jail with him! One of your keepers sees me in the broad day, near my own patch of garden, with a gun. To jail with him! I has a nat’ral angry word with that man, when I’m free again. To jail with him! I cuts a stick. To jail with him! I eats a rotten apple or a turnip. To jail with him! It’s twenty mile away; and coming back I begs a trifle on the road. To jail with him! At last, the constable, the keeper—anybody—finds me anywhere, a-doing anything. To jail with him, for he’s a vagrant, and a jail-bird known; and jail’s the only home he’s got." The Alderman nodded sagaciously, as who should say, "A very good home too!" "Do I say this to serve MY cause!" cried Fern. "Who can give me back my liberty, who can give me back my good name, who can give me back my innocent niece? Not all the Lords and Ladies in wide England. But, gentlemen, gentlemen, dealing with other men like me, begin at the right end. Give us, in mercy, better homes when we’re a-lying in our cradles; give us better food when we’re a-working for our lives; give us kinder laws to bring us back when we're a-going wrong; and don’t set Jail, Jail, Jail, afore us, everywhere we turn. There an’t a condescension you can show the Labourer then, that he won’t take, as ready and as grateful as a man can be; for he has a patient, peaceful, willing heart. But you must put his rightful spirit in him first; for whether he’s a wreck and ruin such as me, or is like one of them that stand here now, his spirit is divided from you at this time. Bring it back, gentlefolks, bring it back! Bring it back, afore the day comes when even his Bible changes in his altered mind, and the words seem to him to read, as they have sometimes read in my own eyes—in Jail: 'Whither thou goest, I can Not go; where thou lodgest, I do Not lodge; thy people are Not my people; Nor thy God my God!'" A sudden stir and agitation took place in Hall. Trotty thought at first, that several had risen to eject the man; and hence this change in its appearance. But, another moment showed him that the room and all the company had vanished from his sight, and that his daughter was again before him, seated at her work. But in a poorer, meaner garret than before; and with no Lilian by her side. The frame at which she had worked, was put away upon a shelf and covered up. The chair in which she had sat, was turned against the wall. A history was written in these little things, and in Meg’s grief-worn face. Oh! who could fail to read it! Meg strained her eyes upon her work until it was too dark to see the threads; and when the night closed in, she lighted her feeble candle and worked on. Still her old father was invisible about her; looking down upon her; loving her—how dearly loving her!—and talking to her in a tender voice about the old times, and the Bells. Though he knew, poor Trotty, though he knew she could not hear him. A great part of the evening had worn away, when a knock came at her door. She opened it. A man was on the threshold. A slouching, moody, drunken sloven: wasted by intemperance and vice, and with his matted hair and unshorn beard in wild disorder: but with some traces on him, too, of having been a man of good proportion and good features in his youth. He stopped until he had her leave to enter; and she, retiring a pace or two from the open door, silently and sorrowfully looked upon him. Trotty had his wish. He saw Richard. "May I come in, Margaret?" "Yes! Come in. Come in!" It was well that Trotty knew him before he spoke; for with any doubt remaining on his mind, the harsh discordant voice would have persuaded him that it was not Richard but some other man. There were but two chairs in the room. She gave him hers, and stood at some short distance from him, waiting to hear what he had to say. He sat, however, staring vacantly at the floor; with a lustreless and stupid smile. A spectacle of such deep degradation, of such abject hopelessness, of such a miserable downfall, that she put her hands before her face and turned away, lest he should see how much it moved her. Roused by the rustling of her dress, or some such trifling sound, he lifted his head, and began to speak as if there had been no pause since he entered. "Still at work, Margaret? You work late." "I generally do." "And early?" "And early." "So she said. She said you never tired; or never owned that you tired. Not all the time you lived together. Not even when you fainted, between work and fasting. But I told you that, the last time I came." "You did," she answered. "And I implored you to tell me nothing more; and you made me a solemn promise, Richard, that you never would." "A solemn promise," he repeated, with a drivelling laugh and vacant stare. "A solemn promise. To be sure. A solemn promise!" Awakening, as it were, after a time; in the same manner as before; he said with sudden animation: "How can I help it, Margaret? What am I to do? She has been to me again!" "Again!" cried Meg, clasping her hands. "Oh, does she think of me so often! Has she been again!" "Twenty times again," said Richard. "Margaret, she haunts me. She comes behind me in the street, and thrusts it in my hand. I hear her foot upon the ashes when I’m at my work (ha, ha! that an’t often), and before I can turn my head, her voice is in my ear, saying, 'Richard, don’t look round. For Heaven’s love, give her this!' She brings it where I live: she sends it in letters; she taps at the window and lays it on the sill. What can I do? Look at it!" He held out in his hand a little purse, and chinked the money it enclosed. "Hide it," said Meg. "Hide it! When she comes again, tell her, Richard, that I love her in my soul. That I never lie down to sleep, but I bless her, and pray for her. That in my solitary work, I never cease to have her in my thoughts. That she is with me, night and day. That if I died to-morrow, I would remember her with my last breath. But that I cannot look upon it!" He slowly recalled his hand, and crushing the purse together, said with a kind of drowsy thoughtfulness: "I told her so. I told her so, as plain as words could speak. I’ve taken this gift back and left it at her door, a dozen times since then. But when she came at last, and stood before me, face to face, what could I do?" "You saw her!" exclaimed Meg. "You saw her! O, Lilian, my sweet girl! O, Lilian, Lilian!" "I saw her," he went on to say, not answering, but engaged in the same slow pursuit of his own thoughts. "There she stood: trembling! 'How does she look, Richard? Does she ever speak of me? Is she thinner? My old place at the table: what’s in my old place? And the frame she taught me our old work on—has she burnt it, Richard!'" There she was. I heard her say it.’ Meg checked her sobs, and with the tears streaming from her eyes, bent over him to listen. Not to lose a breath. With his arms resting on his knees; and stooping forward in his chair, as if what he said were written on the ground in some half legible character, which it was his occupation to decipher and connect; he went on. "'Richard, I have fallen very low; and you may guess how much I have suffered in having this sent back, when I can bear to bring it in my hand to you. But you loved her once, even in my memory, dearly. Others stepped in between you; fears, and jealousies, and doubts, and vanities, estranged you from her; but you did love her, even in my memory!' I suppose I did," he said, interrupting himself for a moment. "I did! That’s neither here nor there. 'O Richard, if you ever did; if you have any memory for what is gone and lost, take it to her once more. Once more! Tell her how I begged and prayed. Tell her how I laid my head upon your shoulder, where her own head might have lain, and was so humble to you, Richard. Tell her that you looked into my face, and saw the beauty which she used to praise, all gone: all gone: and in its place, a poor, wan, hollow cheek, that she would weep to see. Tell her everything, and take it back, and she will not refuse again. She will not have the heart!'" So he sat musing, and repeating the last words, until he woke again, and rose. "You won’t take it, Margaret?" She shook her head, and motioned an entreaty to him to leave her. "Good night, Margaret." "Good night!" He turned to look upon her; struck by her sorrow, and perhaps by the pity for himself which trembled in her voice. It was a quick and rapid action; and for the moment some flash of his old bearing kindled in his form. In the next he went as he had come. Nor did this glimmer of a quenched fire seem to light him to a quicker sense of his debasement. In any mood, in any grief, in any torture of the mind or body, Meg’s work must be done. She sat down to her task, and plied it. Night, midnight. Still she worked. She had a meagre fire, the night being very cold; and rose at intervals to mend it. The Chimes rang half-past twelve while she was thus engaged; and when they ceased she heard a gentle knocking at the door. Before she could so much as wonder who was there, at that unusual hour, it opened. O Youth and Beauty, happy as ye should be, look at this. O Youth and Beauty, blest and blessing all within your reach, and working out the ends of your Beneficent Creator, look at this! She saw the entering figure; screamed its name; cried "Lilian!" It was swift, and fell upon its knees before her: clinging to her dress. "Up, dear! Up! Lilian! My own dearest!" "Never more, Meg; never more! Here! Here! Close to you, holding to you, feeling your dear breath upon my face!" "Sweet Lilian! Darling Lilian! Child of my heart—no mother’s love can be more tender—lay your head upon my breast!" "Never more, Meg; never more! When I first looked into your face, you knelt before me. On my knees before you, let me die. Let it be here!" "You have come back. My Treasure! We will live together, work together, hope together, die together!" "Ah! Kiss my lips, Meg; fold your arms about me; press me to your bosom; look kindly on me; but don’t raise me. Let it be here. Let me see the last of your dear face upon my knees!" O Youth and Beauty, happy as ye should be, look at this! O Youth and Beauty, working out the ends of your Beneficent Creator, look at this! "Forgive me, Meg! So dear, so dear! Forgive me! I know you do, I see you do, but say so, Meg!" She said so, with her lips on Lilian’s cheek. And with her arms twined round—she knew it now—a broken heart. "His blessing on you, dearest love. Kiss me once more! He suffered her to sit beside His feet, and dry them with her hair. O Meg, what Mercy and Compassion!" As she died, the Spirit of the child returning, innocent and radiant, touched the old man with its hand, and beckoned him away. Fourth Quarter. Some new remembrance of the ghostly figures in the Bells; some faint impression of the ringing of the Chimes; some giddy consciousness of having seen the swarm of phantoms reproduced and reproduced until the recollection of them lost itself in the confusion of their numbers; some hurried knowledge, how conveyed to him he knew not, that more years had passed; and Trotty, with the Spirit of the child attending him, stood looking on at mortal company. Fat company, rosy-cheeked company, comfortable company. They were but two, but they were red enough for ten. They sat before a bright fire, with a small low table between them; and unless the fragrance of hot tea and muffins lingered longer in that room than in most others, the table had seen service very lately. But all the cups and saucers being clean, and in their proper places in the corner-cupboard; and the brass toasting-fork hanging in its usual nook and spreading its four idle fingers out as if it wanted to be measured for a glove; there remained no other visible tokens of the meal just finished, than such as purred and washed their whiskers in the person of the basking cat, and glistened in the gracious, not to say the greasy, faces of her patrons. This cosy couple (married, evidently) had made a fair division of the fire between them, and sat looking at the glowing sparks that dropped into the grate; now nodding off into a doze; now waking up again when some hot fragment, larger than the rest, came rattling down, as if the fire were coming with it. It was in no danger of sudden extinction, however; for it gleamed not only in the little room, and on the panes of window-glass in the door, and on the curtain half drawn across them, but in the little shop beyond. A little shop, quite crammed and choked with the abundance of its stock; a perfectly voracious little shop, with a maw as accommodating and full as any shark’s. Cheese, butter, firewood, soap, pickles, matches, bacon, table-beer, peg-tops, sweetmeats, boys’ kites, bird-seed, cold ham, birch brooms, hearth-stones, salt, vinegar, blacking, red-herrings, stationery, lard, mushroom-ketchup, staylaces, loaves of bread, shuttlecocks, eggs, and slate pencil; everything was fish that came to the net of this greedy little shop, and all articles were in its net. How many other kinds of petty merchandise were there, it would be difficult to say; but balls of packthread, ropes of onions, pounds of candles, cabbage-nets, and brushes, hung in bunches from the ceiling, like extraordinary fruit; while various odd canisters emitting aromatic smells, established the veracity of the inscription over the outer door, which informed the public that the keeper of this little shop was a licensed dealer in tea, coffee, tobacco, pepper, and snuff. Glancing at such of these articles as were visible in the shining of the blaze, and the less cheerful radiance of two smoky lamps which burnt but dimly in the shop itself, as though its plethora sat heavy on their lungs; and glancing, then, at one of the two faces by the parlour-fire; Trotty had small difficulty in recognising in the stout old lady, Mrs. Chickenstalker: always inclined to corpulency, even in the days when he had known her as established in the general line, and having a small balance against him in her books. The features of her companion were less easy to him. The great broad chin, with creases in it large enough to hide a finger in; the astonished eyes, that seemed to expostulate with themselves for sinking deeper and deeper into the yielding fat of the soft face; the nose afflicted with that disordered action of its functions which is generally termed The Snuffles; the short thick throat and labouring chest, with other beauties of the like description; though calculated to impress the memory, Trotty could at first allot to nobody he had ever known: and yet he had some recollection of them too. At length, in Mrs. Chickenstalker’s partner in the general line, and in the crooked and eccentric line of life, he recognised the former porter of Sir Joseph Bowley; an apoplectic innocent, who had connected himself in Trotty’s mind with Mrs. Chickenstalker years ago, by giving him admission to the mansion where he had confessed his obligations to that lady, and drawn on his unlucky head such grave reproach. Trotty had little interest in a change like this, after the changes he had seen; but association is very strong sometimes; and he looked involuntarily behind the parlour-door, where the accounts of credit customers were usually kept in chalk. There was no record of his name. Some names were there, but they were strange to him, and infinitely fewer than of old; from which he argued that the porter was an advocate of ready-money transactions, and on coming into the business had looked pretty sharp after the Chickenstalker defaulters. So desolate was Trotty, and so mournful for the youth and promise of his blighted child, that it was a sorrow to him, even to have no place in Mrs. Chickenstalker’s ledger. "What sort of a night is it, Anne?" inquired the former porter of Sir Joseph Bowley, stretching out his legs before the fire, and rubbing as much of them as his short arms could reach; with an air that added, "Here I am if it’s bad, and I don’t want to go out if it’s good." "Blowing and sleeting hard," returned his wife; "and threatening snow. Dark. And very cold." "I’m glad to think we had muffins," said the former porter, in the tone of one who had set his conscience at rest. "It’s a sort of night that’s meant for muffins. Likewise crumpets. Also Sally Lunns." The former porter mentioned each successive kind of eatable, as if he were musingly summing up his good actions. After which he rubbed his fat legs as before, and jerking them at the knees to get the fire upon the yet unroasted parts, laughed as if somebody had tickled him. "You’re in spirits, Tugby, my dear," observed his wife. The firm was Tugby, late Chickenstalker. "No," said Tugby. "No. Not particular. I’m a little elewated. The muffins came so pat!" With that he chuckled until he was black in the face; and had so much ado to become any other colour, that his fat legs took the strangest excursions into the air. Nor were they reduced to anything like decorum until Mrs. Tugby had thumped him violently on the back, and shaken him as if he were a great bottle. "Good gracious, goodness, lord-a-mercy bless and save the man!" cried Mrs. Tugby, in great terror. "What’s he doing?" Mr. Tugby wiped his eyes, and faintly repeated that he found himself a little elewated. "Then don’t be so again, that’s a dear good soul," said Mrs. Tugby, "if you don’t want to frighten me to death, with your struggling and fighting!" Mr. Tugby said he wouldn’t; but, his whole existence was a fight, in which, if any judgment might be founded on the constantly-increasing shortness of his breath, and the deepening purple of his face, he was always getting the worst of it. "So it’s blowing, and sleeting, and threatening snow; and it’s dark, and very cold, is it, my dear?" said Mr. Tugby, looking at the fire, and reverting to the cream and marrow of his temporary elevation. "Hard weather indeed," returned his wife, shaking her head. "Aye, aye! Years," said Mr. Tugby, "are like christians in that respect. Some of ’em die hard; some of ’em die easy. This one hasn’t many days to run, and is making a fight for it. I like him all the better. There’s a customer, my love!" Attentive to the rattling door, Mrs. Tugby had already risen. "Now then!’ said that lady, passing out into the little shop. ‘What’s wanted? Oh! I beg your pardon, Sir, I’m sure. I didn’t think it was you." She made this apology to a gentleman in black, who, with his wristbands tucked up, and his hat cocked loungingly on one side, and his hands in his pockets, sat down astride on the table-beer barrel, and nodded in return. "This is a bad business up-stairs, Mrs. Tugby," said the gentleman. "The man can’t live." "Not the back-attic can’t!" cried Tugby, coming out into the shop to join the conference. "The back-attic, Mr. Tugby," said the gentleman, "is coming down-stairs fast, and will be below the basement very soon." Looking by turns at Tugby and his wife, he sounded the barrel with his knuckles for the depth of beer, and having found it, played a tune upon the empty part. "The back-attic, Mr. Tugby," said the gentleman: Tugby having stood in silent consternation for some time: "is Going." "Then," said Tugby, turning to his wife, "he must Go, you know, before he’s Gone." "I don’t think you can move him," said the gentleman, shaking his head. "I wouldn’t take the responsibility of saying it could be done, myself. You had better leave him where he is. He can’t live long." "It’s the only subject," said Tugby, bringing the butter-scale down upon the counter with a crash, by weighing his fist on it, "that we’ve ever had a word upon; she and me; and look what it comes to! He’s going to die here, after all. Going to die upon the premises. Going to die in our house!" "And where should he have died, Tugby?" cried his wife. "In the workhouse," he returned. "What are workhouses made for?" "Not for that," said Mrs. Tugby, with great energy. "Not for that! Neither did I marry you for that. Don’t think it, Tugby. I won’t have it. I won’t allow it. I’d be separated first, and never see your face again. When my widow’s name stood over that door, as it did for many years: this house being known as Mrs. Chickenstalker’s far and wide, and never known but to its honest credit and its good report: when my widow’s name stood over that door, Tugby, I knew him as a handsome, steady, manly, independent youth; I knew her as the sweetest-looking, sweetest-tempered girl, eyes ever saw; I knew her father (poor old creetur, he fell down from the steeple walking in his sleep, and killed himself), for the simplest, hardest-working, childest-hearted man, that ever drew the breath of life; and when I turn them out of house and home, may angels turn me out of Heaven. As they would! And serve me right!" Her old face, which had been a plump and dimpled one before the changes which had come to pass, seemed to shine out of her as she said these words; and when she dried her eyes, and shook her head and her handkerchief at Tugby, with an expression of firmness which it was quite clear was not to be easily resisted, Trotty said, "Bless her! Bless her!" Then he listened, with a panting heart, for what should follow. Knowing nothing yet, but that they spoke of Meg. If Tugby had been a little elevated in the parlour, he more than balanced that account by being not a little depressed in the shop, where he now stood staring at his wife, without attempting a reply; secretly conveying, however—either in a fit of abstraction or as a precautionary measure—all the money from the till into his own pockets, as he looked at her. The gentleman upon the table-beer cask, who appeared to be some authorised medical attendant upon the poor, was far too well accustomed, evidently, to little differences of opinion between man and wife, to interpose any remark in this instance. He sat softly whistling, and turning little drops of beer out of the tap upon the ground, until there was a perfect calm: when he raised his head, and said to Mrs. Tugby, late Chickenstalker: "There’s something interesting about the woman, even now. How did she come to marry him?" "Why that," said Mrs. Tugby, taking a seat near him, "is not the least cruel part of her story, sir. You see they kept company, she and Richard, many years ago. When they were a young and beautiful couple, everything was settled, and they were to have been married on a New Year’s Day. But, somehow, Richard got it into his head, through what the gentlemen told him, that he might do better, and that he’d soon repent it, and that she wasn’t good enough for him, and that a young man of spirit had no business to be married. And the gentlemen frightened her, and made her melancholy, and timid of his deserting her, and of her children coming to the gallows, and of its being wicked to be man and wife, and a good deal more of it. And in short, they lingered and lingered, and their trust in one another was broken, and so at last was the match. But the fault was his. She would have married him, Sir, joyfully. I’ve seen her heart swell many times afterwards, when he passed her in a proud and careless way; and never did a woman grieve more truly for a man, than she for Richard when he first went wrong." "Oh! he went wrong, did he?" said the gentleman, pulling out the vent-peg of the table-beer, and trying to peep down into the barrel through the hole. "Well, Sir, I don’t know that he rightly understood himself, you see. I think his mind was troubled by their having broke with one another; and that but for being ashamed before the gentlemen, and perhaps for being uncertain too, how she might take it, he’d have gone through any suffering or trial to have had Meg’s promise and Meg’s hand again. That’s my belief. He never said so; more’s the pity! He took to drinking, idling, bad companions: all the fine resources that were to be so much better for him than the Home he might have had. He lost his looks, his character, his health, his strength, his friends, his work: everything!" "He didn’t lose everything, Mrs. Tugby," returned the gentleman, "because he gained a wife; and I want to know how he gained her." "I’m coming to it, Sir, in a moment. This went on for years and years; he sinking lower and lower; she enduring, poor thing, miseries enough to wear her life away. At last, he was so cast down, and cast out, that no one would employ or notice him; and doors were shut upon him, go where he would. Applying from place to place, and door to door; and coming for the hundredth time to one gentleman who had often and often tried him (he was a good workman to the very end); that gentleman, who knew his history, said, 'I believe you are incorrigible; there is only one person in the world who has a chance of reclaiming you; ask me to trust you no more, until she tries to do it.' Something like that, in his anger and vexation." "Ah!" said the gentleman. "Well?" "Well, sir, he went to her, and kneeled to her; said it was so; said it ever had been so; and made a prayer to her to save him." "And she?—Don’t distress yourself, Mrs. Tugby." "She came to me that night to ask me about living here. 'What he was once to me,' she said, 'is buried in a grave, side by side with what I was to him. But I have thought of this; and I will make the trial. In the hope of saving him; for the love of the light-hearted girl (you remember her) who was to have been married on a New Year’s Day; and for the love of her Richard.' And she said he had come to her from Lilian, and Lilian had trusted to him, and she never could forget that. So they were married; and when they came home here, and I saw them, I hoped that such prophecies as parted them when they were young, may not often fulfil themselves as they did in this case, or I wouldn’t be the makers of them for a Mine of Gold." The gentleman got off the cask, and stretched himself, observing: "I suppose he used her ill, as soon as they were married?" "I don’t think he ever did that," said Mrs. Tugby, shaking her head, and wiping her eyes. "He went on better for a short time; but his habits were too old and strong to be got rid of; he soon fell back a little; and was falling fast back, when his illness came so strong upon him. I think he has always felt for her. I am sure he has. I have seen him, in his crying fits and tremblings, try to kiss her hand; and I have heard him call her 'Meg,' and say it was her nineteenth birthday. There he has been lying, now, these weeks and months. Between him and her baby, she has not been able to do her old work; and by not being able to be regular, she has lost it, even if she could have done it. How they have lived, I hardly know!" "I know," muttered Mr. Tugby; looking at the till, and round the shop, and at his wife; and rolling his head with immense intelligence. "Like Fighting Cocks!" He was interrupted by a cry—a sound of lamentation—from the upper story of the house. The gentleman moved hurriedly to the door. "My friend," he said, looking back, "you needn’t discuss whether he shall be removed or not. He has spared you that trouble, I believe." Saying so, he ran up-stairs, followed by Mrs. Tugby; while Mr. Tugby panted and grumbled after them at leisure: being rendered more than commonly short-winded by the weight of the till, in which there had been an inconvenient quantity of copper. Trotty, with the child beside him, floated up the staircase like mere air. "Follow her! Follow her! Follow her!" He heard the ghostly voices in the Bells repeat their words as he ascended. "Learn it, from the creature dearest to your heart!" It was over. It was over. And this was she, her father’s pride and joy! This haggard, wretched woman, weeping by the bed, if it deserved that name, and pressing to her breast, and hanging down her head upon, an infant. Who can tell how spare, how sickly, and how poor an infant! Who can tell how dear! "Thank God!" cried Trotty, holding up his folded hands. "Oh, God be thanked! She loves her child!" The gentleman, not otherwise hard-hearted or indifferent to such scenes, than that he saw them every day, and knew that they were figures of no moment in the Filer sums—mere scratches in the working of these calculations—laid his hand upon the heart that beat no more, and listened for the breath, and said, "His pain is over. It’s better as it is!" Mrs. Tugby tried to comfort her with kindness. Mr. Tugby tried philosophy. "Come, come!" he said, with his hands in his pockets, "you mustn’t give way, you know. That won’t do. You must fight up. What would have become of me if I had given way when I was porter; and we had as many as six runaway carriage-doubles at our door in one night! But I fell back upon my strength of mind, and didn’t open it!" Again Trotty heard the voices saying, "Follow her!" He turned towards his guide, and saw it rising from him, passing through the air. "Follow her!" it said. And vanished. He hovered round her; sat down at her feet; looked up into her face for one trace of her old self; listened for one note of her old pleasant voice. He flitted round the child: so wan, so prematurely old, so dreadful in its gravity, so plaintive in its feeble, mournful, miserable wail. He almost worshipped it. He clung to it as her only safeguard; as the last unbroken link that bound her to endurance. He set his father’s hope and trust on the frail baby; watched her every look upon it as she held it in her arms; and cried a thousand times, "She loves it! God be thanked, she loves it!" He saw the woman tend her in the night; return to her when her grudging husband was asleep, and all was still; encourage her, shed tears with her, set nourishment before her. He saw the day come, and the night again; the day, the night; the time go by; the house of death relieved of death; the room left to herself and to the child; he heard it moan and cry; he saw it harass her, and tire her out, and when she slumbered in exhaustion, drag her back to consciousness, and hold her with its little hands upon the rack; but she was constant to it, gentle with it, patient with it. Patient! Was its loving mother in her inmost heart and soul, and had its Being knitted up with hers as when she carried it unborn. All this time, she was in want: languishing away, in dire and pining want. With the baby in her arms, she wandered here and there, in quest of occupation; and with its thin face lying in her lap, and looking up in hers, did any work for any wretched sum; a day and night of labour for as many farthings as there were figures on the dial. If she had quarrelled with it; if she had neglected it; if she had looked upon it with a moment’s hate; if, in the frenzy of an instant, she had struck it! No. His comfort was, She loved it always. She told no one of her extremity, and wandered abroad in the day lest she should be questioned by her only friend: for any help she received from her hands, occasioned fresh disputes between the good woman and her husband; and it was new bitterness to be the daily cause of strife and discord, where she owed so much. She loved it still. She loved it more and more. But a change fell on the aspect of her love. One night. She was singing faintly to it in its sleep, and walking to and fro to hush it, when her door was softly opened, and a man looked in. "For the last time," he said. "William Fern!" "For the last time." He listened like a man pursued: and spoke in whispers. "Margaret, my race is nearly run. I couldn’t finish it, without a parting word with you. Without one grateful word." "What have you done?" she asked: regarding him with terror. He looked at her, but gave no answer. After a short silence, he made a gesture with his hand, as if he set her question by; as if he brushed it aside; and said: "It’s long ago, Margaret, now: but that night is as fresh in my memory as ever ’twas. We little thought, then," he added, looking round, "that we should ever meet like this. Your child, Margaret? Let me have it in my arms. Let me hold your child." He put his hat upon the floor, and took it. And he trembled as he took it, from head to foot. "Is it a girl?" "Yes." He put his hand before its little face. "See how weak I’m grown, Margaret, when I want the courage to look at it! Let her be, a moment. I won’t hurt her. It’s long ago, but—What’s her name?" "Margaret," she answered, quickly. "I’m glad of that," he said. "I’m glad of that!" He seemed to breathe more freely; and after pausing for an instant, took away his hand, and looked upon the infant’s face. But covered it again, immediately. "Margaret!" he said; and gave her back the child. "It’s Lilian’s." "Lilian’s!" "I held the same face in my arms when Lilian’s mother died and left her." "When Lilian’s mother died and left her!" she repeated, wildly. "How shrill you speak! Why do you fix your eyes upon me so? Margaret!" She sunk down in a chair, and pressed the infant to her breast, and wept over it. Sometimes, she released it from her embrace, to look anxiously in its face: then strained it to her bosom again. At those times, when she gazed upon it, then it was that something fierce and terrible began to mingle with her love. Then it was that her old father quailed. "Follow her!" was sounded through the house. "Learn it, from the creature dearest to your heart!" "Margaret," said Fern, bending over her, and kissing her upon the brow: "I thank you for the last time. Good night. Good bye. Put your hand in mine, and tell me you’ll forget me from this hour, and try to think the end of me was here." "What have you done?" she asked again. "There’ll be a Fire to-night," he said, removing from her. "There’ll be Fires this winter-time, to light the dark nights, East, West, North, and South. When you see the distant sky red, they’ll be blazing. When you see the distant sky red, think of me no more; or, if you do, remember what a Hell was lighted up inside of me, and think you see its Flames reflected in the clouds. Good night. Good bye!" She called to him; but he was gone. She sat down stupefied, until her infant roused her to a sense of hunger, cold, and darkness. She paced the room with it the livelong night, hushing it and soothing it. She said at intervals, "Like Lilian, when her mother died and left her!" Why was her step so quick, her eye so wild, her love so fierce and terrible, whenever she repeated those words? "But, it is Love," said Trotty. "It is Love. She’ll never cease to love it. My poor Meg!" She dressed the child next morning with unusual care—ah, vain expenditure of care upon such squalid robes!—and once more tried to find some means of life. It was the last day of the Old Year. She tried till night, and never broke her fast. She tried in vain. She mingled with an abject crowd, who tarried in the snow, until it pleased some officer appointed to dispense the public charity (the lawful charity; not that once preached upon a Mount), to call them in, and question them, and say to this one, "go to such a place," to that one, "come next week;" to make a foot-ball of another wretch, and pass him here and there, from hand to hand, from house to house, until he wearied and lay down to die; or started up and robbed, and so became a higher sort of criminal, whose claims allowed of no delay. Here, too, she failed. She loved her child, and wished to have it lying on her breast. And that was quite enough. It was night: a bleak, dark, cutting night: when, pressing the child close to her for warmth, she arrived outside the house she called her home. She was so faint and giddy, that she saw no one standing in the doorway until she was close upon it, and about to enter. Then, she recognised the master of the house, who had so disposed himself—with his person it was not difficult—as to fill up the whole entry. "Oh!" he said softly. "You have come back?" She looked at the child, and shook her head. "Don’t you think you have lived here long enough without paying any rent? Don’t you think that, without any money, you’ve been a pretty constant customer at this shop, now?" said Mr. Tugby. She repeated the same mute appeal. "Suppose you try and deal somewhere else," he said. "And suppose you provide yourself with another lodging. Come! Don’t you think you could manage it?" She said in a low voice, that it was very late. To-morrow. "Now I see what you want," said Tugby; "and what you mean. You know there are two parties in this house about you, and you delight in setting ’em by the ears. I don’t want any quarrels; I’m speaking softly to avoid a quarrel; but if you don’t go away, I’ll speak out loud, and you shall cause words high enough to please you. But you shan’t come in. That I am determined." She put her hair back with her hand, and looked in a sudden manner at the sky, and the dark lowering distance. "This is the last night of an Old Year, and I won’t carry ill-blood and quarrellings and disturbances into a New One, to please you nor anybody else," said Tugby, who was quite a retail Friend and Father. "I wonder you an’t ashamed of yourself, to carry such practices into a New Year. If you haven’t any business in the world, but to be always giving way, and always making disturbances between man and wife, you’d be better out of it. Go along with you." "Follow her! To desperation!" Again the old man heard the voices. Looking up, he saw the figures hovering in the air, and pointing where she went, down the dark street. "She loves it!" he exclaimed, in agonised entreaty for her. "Chimes! she loves it still!" "Follow her!" The shadow swept upon the track she had taken, like a cloud. He joined in the pursuit; he kept close to her; he looked into her face. He saw the same fierce and terrible expression mingling with her love, and kindling in her eyes. He heard her say, "Like Lilian! To be changed like Lilian!" and her speed redoubled. Oh, for something to awaken her! For any sight, or sound, or scent, to call up tender recollections in a brain on fire! For any gentle image of the Past, to rise before her! "I was her father! I was her father!" cried the old man, stretching out his hands to the dark shadows flying on above. "Have mercy on her, and on me! Where does she go? Turn her back! I was her father!" But they only pointed to her, as she hurried on; and said, "To desperation! Learn it from the creature dearest to your heart!" A hundred voices echoed it. The air was made of breath expended in those words. He seemed to take them in, at every gasp he drew. They were everywhere, and not to be escaped. And still she hurried on; the same light in her eyes, the same words in her mouth, "Like Lilian! To be changed like Lilian!" All at once she stopped. "Now, turn her back!" exclaimed the old man, tearing his white hair. "My child! Meg! Turn her back! Great Father, turn her back!" In her own scanty shawl, she wrapped the baby warm. With her fevered hands, she smoothed its limbs, composed its face, arranged its mean attire. In her wasted arms she folded it, as though she never would resign it more. And with her dry lips, kissed it in a final pang, and last long agony of Love. Putting its tiny hand up to her neck, and holding it there, within her dress: next to her distracted heart: she set its sleeping face against her: closely, steadily, against her: and sped onward to the river. To the rolling River, swift and dim, where Winter Night sat brooding like the last dark thoughts of many who had sought a refuge there before her. Where scattered lights upon the banks gleamed sullen, red, and dull, as torches that were burning there, to show the way to Death. Where no abode of living people cast its shadow, on the deep, impenetrable, melancholy shade. To the River! To that portal of Eternity, her desperate footsteps tended with the swiftness of its rapid waters running to the sea. He tried to touch her as she passed him, going down to its dark level; but the wild distempered form, the fierce and terrible love, the desperation that had left all human check or hold behind, swept by him like the wind. He followed her. She paused a moment on the brink, before the dreadful plunge. He fell down on his knees, and in a shriek addressed the figures in the Bells now hovering above them. "I have learnt it!" cried the old man. "From the creature dearest to my heart! Oh, save her, save her!" He could wind his fingers in her dress; could hold it! As the words escaped his lips he felt his sense of touch return, and knew that he detained her. The figures looked down steadfastly upon him. "I have learnt it!" cried the old man. "Oh, have mercy on me in this hour, if, in my love for her, so young and good, I slandered Nature in the breasts of mothers rendered desperate! Pity my presumption, wickedness, and ignorance, and save her." He felt his hold relaxing. They were silent still. "Have mercy on her!" he exclaimed, "as one in whom this dreadful crime has sprung from Love perverted; from the strongest, deepest Love we fallen creatures know! Think what her misery must have been, when such seed bears such fruit! Heaven meant her to be Good. There is no loving mother on the earth who might not come to this, if such a life had gone before. Oh, have mercy on my child, who, even at this pass, means mercy to her own, and dies herself, and perils her Immortal Soul, to save it!" She was in his arms. He held her now. His strength was like a giant’s. "I see the Spirit of the Chimes among you!" cried the old man, singling out the child, and speaking in some inspiration, which their looks conveyed to him. "I know that our Inheritance is held in store for us by Time. I know there is a Sea of Time to rise one day, before which all who wrong us or oppress us will be swept away like leaves. I see it, on the flow! I know that we must trust and hope, and neither doubt ourselves, nor doubt the Good in one another. I have learnt it from the creature dearest to my heart. I clasp her in my arms again. O Spirits, merciful and good, I take your lesson to my breast along with her! O Spirits, merciful and good, I am grateful!" He might have said more, but the Bells; the old familiar Bells; his own dear, constant, steady friends, the Chimes; began to ring the joy-peals for a New Year: so lustily, so merrily, so happily, so gaily, that he leapt upon his feet, and broke the spell that bound him. "And whatever you do, father," said Meg, "don’t eat tripe again, without asking some doctor whether it’s likely to agree with you; for how you have been going on, Good gracious!" She was working with her needle, at the little table by the fire; dressing her simple gown with ribbons for her wedding. So quietly happy, so blooming and youthful, so full of beautiful promise, that he uttered a great cry as if it were An Angel in his house; then flew to clasp her in his arms. But he caught his feet in the newspaper, which had fallen on the hearth; and somebody came rushing in between them. "No!" cried the voice of this same somebody; a generous and jolly voice it was! "Not even you. Not even you. The first kiss of Meg in the New Year is mine. Mine! I have been waiting outside the house, this hour, to hear the Bells and claim it. Meg, my precious prize, a happy year! A life of happy years, my darling wife!" And Richard smothered her with kisses. You never in all your life saw anything like Trotty after this. I don’t care where you have lived or what you have seen; you never in all your life saw anything at all approaching him! He sat down in his chair and beat his knees and cried; he sat down in his chair and beat his knees and laughed; he sat down in his chair and beat his knees and laughed and cried together; he got out of his chair and hugged Meg; he got out of his chair and hugged Richard; he got out of his chair and hugged them both at once; he kept running up to Meg, and squeezing her fresh face between his hands and kissing it, going from her backwards not to lose sight of it, and running up again like a figure in a magic lantern; and whatever he did, he was constantly sitting himself down in his chair, and never stopping in it for one single moment; being—that’s the truth—beside himself with joy. "And to-morrow’s your wedding-day, my pet!" cried Trotty. "Your real, happy wedding-day!" "To-day!" cried Richard, shaking hands with him. "To-day. The Chimes are ringing in the New Year. Hear them!" They WERE ringing! Bless their sturdy hearts, they WERE ringing! Great Bells as they were; melodious, deep-mouthed, noble Bells; cast in no common metal; made by no common founder; when had they ever chimed like that, before! "But, to-day, my Pet," said Trotty. "You and Richard had some words to-day." "Because he’s such a bad fellow, father," said Meg. "An’t you, Richard? Such a headstrong, violent man! He’d have made no more of speaking his mind to that great Alderman, and putting him down I don’t know where, than he would of—" "—Kissing Meg," suggested Richard. Doing it too! "No. Not a bit more," said Meg. "But I wouldn’t let him, father. Where would have been the use!" "Richard my boy!" cried Trotty. "You was turned up Trumps originally; and Trumps you must be, till you die! But, you were crying by the fire to-night, my Pet, when I came home! Why did you cry by the fire?" "I was thinking of the years we’ve passed together, father. Only that. And thinking that you might miss me, and be lonely." Trotty was backing off to that extraordinary chair again, when the child, who had been awakened by the noise, came running in half-dressed. "Why, here she is!" cried Trotty, catching her up. 'Here’s little Lilian! Ha ha ha! Here we are and here we go! O here we are and here we go again! And here we are and here we go! and Uncle Will too!" Stopping in his trot to greet him heartily. "Oh, Uncle Will, the Vision that I’ve had to-night, through lodging you! Oh, Uncle Will, the obligations that you’ve laid me under, by your coming, my good friend!" Before Will Fern could make the least reply, a Band of Music burst into the room, attended by a lot of neighbours, screaming "A Happy New Year, Meg!" "A Happy Wedding!" "Many of ’em!" and other fragmentary good wishes of that sort. The Drum (who was a private friend of Trotty’s) then stepped forward, and said: "Trotty Veck, my boy! It’s got about, that your daughter is going to be married to-morrow. There an’t a soul that knows you that don’t wish you well, or that knows her and don’t wish her well. Or that knows you both, and don’t wish you both all the happiness the New Year can bring. And here we are, to play it in and dance it in, accordingly." Which was received with a general shout. The Drum was rather drunk, by-the-bye; but, never mind. "What a happiness it is, I’m sure," said Trotty, "to be so esteemed! How kind and neighbourly you are! It’s all along of my dear daughter. She deserves it!" They were ready for a dance in half a second (Meg and Richard at the top); and the Drum was on the very brink of feathering away with all his power; when a combination of prodigious sounds was heard outside, and a good-humoured comely woman of some fifty years of age, or thereabouts, came running in, attended by a man bearing a stone pitcher of terrific size, and closely followed by the marrow-bones and cleavers, and the bells; not the Bells, but a portable collection on a frame. Trotty said, "It’s Mrs. Chickenstalker!" And sat down and beat his knees again. "Married, and not tell me, Meg!" cried the good woman. "Never! I couldn’t rest on the last night of the Old Year without coming to wish you joy. I couldn’t have done it, Meg. Not if I had been bed-ridden. So here I am; and as it’s New Year’s Eve, and the Eve of your wedding too, my dear, I had a little flip made, and brought it with me." Mrs. Chickenstalker’s notion of a little flip did honour to her character. The pitcher steamed and smoked and reeked like a volcano; and the man who had carried it, was faint. "Mrs. Tugby!" said Trotty, who had been going round and round her, in an ecstasy.—"I should say, Chickenstalker—Bless your heart and soul! A Happy New Year, and many of ’em! Mrs. Tugby," said Trotty when he had saluted her;—"I should say, Chickenstalker—This is William Fern and Lilian." The worthy dame, to his surprise, turned very pale and very red. "Not Lilian Fern whose mother died in Dorsetshire!" said she. Her uncle answered "Yes," and meeting hastily, they exchanged some hurried words together; of which the upshot was, that Mrs. Chickenstalker shook him by both hands; saluted Trotty on his cheek again of her own free will; and took the child to her capacious breast. "Will Fern!" said Trotty, pulling on his right-hand muffler. "Not the friend you was hoping to find?" "Aye!" returned Will, putting a hand on each of Trotty’s shoulders. "And like to prove a’most as good a friend, if that can be, as one I found." "Oh!" said Trotty. "Please to play up there. Will you have the goodness!" To the music of the band, and, the bells, the marrow-bones and cleavers, all at once; and while The Chimes were yet in lusty operation out of doors; Trotty, making Meg and Richard, second couple, led off Mrs. Chickenstalker down the dance, and danced it in a step unknown before or since; founded on his own peculiar trot. Had Trotty dreamed? Or, are his joys and sorrows, and the actors in them, but a dream; himself a dream; the teller of this tale a dreamer, waking but now? If it be so, oh Listener, dear to him in all his visions, try to bear in mind the stern realities from which these shadows come; and in your sphere—none is too wide, and none too limited for such an end—endeavour to correct, improve, and soften them. So may the New Year be a happy one to You, Happy to many more whose Happiness depends on You! So may each Year be happier than the last, and not the meanest of our brethren or sisterhood debarred their rightful share, in what our Great Creator formed them to enjoy.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3227">
                <text>&lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3228">
                <text>Published by Chapman and Hall, 1844 </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3229">
                <text>Dickens,  Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3230">
                <text>&lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;a href="https://catalog.hathitrust.org/Record/002606872"&gt;https://catalog.hathitrust.org/Record/002606872&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3231">
                <text>1844-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3232">
                <text>Illustrated by John Leech, Richard Doyle, Daniel Maclise, and Clarkson Stanfield</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3233">
                <text>Christmas Book</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3234">
                <text>1844-12-The_Chimes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3235">
                <text>Dickens, Charles. &lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In&lt;/em&gt; (December 1844). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. &lt;a href="https://www.dickenssearch.com/christmas-books/1844-12-The_Chimes"&gt;https://www.dickenssearch.com/christmas-books/1844-12-The_Chimes&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="3247">
                <text>&lt;p&gt;First Quarter.&lt;br /&gt;&lt;br /&gt;There are not many people—and as it is desirable that a story-teller and a story-reader should establish a mutual understanding as soon as possible, I beg it to be noticed that I confine this observation neither to young people nor to little people, but extend it to all conditions of people: little and big, young and old: yet growing up, or already growing down again—there are not, I say, many people who would care to sleep in a church. I don’t mean at sermon-time in warm weather (when the thing has actually been done, once or twice), but in the night, and alone. A great multitude of persons will be violently astonished, I know, by this position, in the broad bold Day. But it applies to Night. It must be argued by night. And I will undertake to maintain it successfully on any gusty winter’s night appointed for the purpose, with any one opponent chosen from the rest, who will meet me singly in an old churchyard, before an old church door; and will previously empower me to lock him in, if needful to his satisfaction, until morning.&lt;br /&gt;&lt;br /&gt;For the night-wind has a dismal trick of wandering round and round a building of that sort, and moaning as it goes; and of trying, with its unseen hand, the windows and the doors; and seeking out some crevices by which to enter. And when it has got in; as one not finding what it seeks, whatever that may be; it wails and howls to issue forth again: and not content with stalking through the aisles, and gliding round and round the pillars, and tempting the deep organ, soars up to the roof, and strives to rend the rafters: then flings itself despairingly upon the stones below, and passes, muttering, into the vaults. Anon, it comes up stealthily, and creeps along the walls: seeming to read, in whispers, the Inscriptions sacred to the Dead. At some of these, it breaks out shrilly, as with laughter; and at others, moans and cries as if it were lamenting. It has a ghostly sound too, lingering within the altar; where it seems to chaunt, in its wild way, of Wrong and Murder done, and false Gods worshipped; in defiance of the Tables of the Law, which look so fair and smooth, but are so flawed and broken. Ugh! Heaven preserve us, sitting snugly round the fire! It has an awful voice, that wind at Midnight, singing in a church!&lt;br /&gt;&lt;br /&gt;But high up in the steeple! There the foul blast roars and whistles! High up in the steeple, where it is free to come and go through many an airy arch and loophole, and to twist and twine itself about the giddy stair, and twirl the groaning weathercock, and make the very tower shake and shiver! High up in the steeple, where the belfry is; and iron rails are ragged with rust; and sheets of lead and copper, shrivelled by the changing weather, crackle and heave beneath the unaccustomed tread; and birds stuff shabby nests into corners of old oaken joists and beams; and dust grows old and grey; and speckled spiders, indolent and fat with long security, swing idly to and fro in the vibration of the bells, and never loose their hold upon their thread-spun castles in the air, or climb up sailor-like in quick alarm, or drop upon the ground and ply a score of nimble legs to save a life! High up in the steeple of an old church, far above the light and murmur of the town and far below the flying clouds that shadow it, is the wild and dreary place at night: and high up in the steeple of an old church, dwelt the Chimes I tell of.&lt;br /&gt;&lt;br /&gt;They were old Chimes, trust me. Centuries ago, these Bells had been baptized by bishops: so many centuries ago, that the register of their baptism was lost long, long before the memory of man: and no one knew their names. They had had their Godfathers and Godmothers, these Bells (for my own part, by the way, I would rather incur the responsibility of being Godfather to a Bell than a Boy): and had had their silver mugs no doubt, besides. But Time had mowed down their sponsors, and Henry the Eighth had melted down their mugs: and they now hung, nameless and mugless, in the church tower.&lt;br /&gt;&lt;br /&gt;Not speechless, though. Far from it. They had clear, loud, lusty, sounding voices, had these Bells; and far and wide they might be heard upon the wind. Much too sturdy Chimes were they, to be dependent on the pleasure of the wind, moreover; for, fighting gallantly against it when it took an adverse whim, they would pour their cheerful notes into a listening ear right royally; and bent on being heard, on stormy nights, by some poor mother watching a sick child, or some lone wife whose husband was at sea, they had been sometimes known to beat a blustering Nor’-Wester — aye, "all to fits," as Toby Veck said; for though they chose to call him Trotty Veck, his name was Toby, and nobody could make it anything else either (except Tobias) without a special act of parliament; he having been as lawfully christened in his day as the Bells had been in theirs, though with not quite so much of solemnity or public rejoicing.&lt;br /&gt;&lt;br /&gt;For my part, I confess myself of Toby Veck’s belief, for I am sure he had opportunities enough of forming a correct one. And whatever Toby Veck said, I say. And I take my stand by Toby Veck, although he &lt;em&gt;did&lt;/em&gt; stand all day long (and weary work it was) just outside the church-door. In fact he was a ticket-porter, Toby Veck, and waited there for jobs.&lt;br /&gt;&lt;br /&gt;And a breezy, goose-skinned, blue-nosed, red-eyed, stony-toed, tooth-chattering place it was, to wait in, in the winter-time, as Toby Veck well knew. The wind came tearing round the corner—especially the east wind—as if it had sallied forth, express, from the confines of the earth, to have a blow at Toby. And oftentimes it seemed to come upon him sooner than it had expected, for bouncing round the corner, and passing Toby, it would suddenly wheel round again, as if it cried "Why, here he is!" Incontinently his little white apron would be caught up over his head like a naughty boy’s garments, and his feeble little cane would be seen to wrestle and struggle unavailingly in his hand, and his legs would undergo tremendous agitation, and Toby himself all aslant, and facing now in this direction, now in that, would be so banged and buffeted, and touzled, and worried, and hustled, and lifted off his feet, as to render it a state of things but one degree removed from a positive miracle, that he wasn’t carried up bodily into the air as a colony of frogs or snails or other portable creatures sometimes are, and rained down again, to the great astonishment of the natives, on some strange corner of the world where ticket-porters are unknown.&lt;br /&gt;&lt;br /&gt;But windy weather, in spite of its using him so roughly, was, after all, a sort of holiday for Toby. That’s the fact. He didn’t seem to wait so long for a sixpence in the wind, as at other times; for the having to fight with that boisterous element took off his attention, and quite freshened him up, when he was getting hungry and low-spirited. A hard frost too, or a fall of snow, was an Event; and it seemed to do him good, somehow or other—it would have been hard to say in what respect though, Toby! So wind and frost and snow, and perhaps a good stiff storm of hail, were Toby Veck’s red-letter days.&lt;br /&gt;&lt;br /&gt;Wet weather was the worst: the cold, damp, clammy wet, that wrapped him up like a moist great-coat: the only kind of great-coat Toby owned, or could have added to his comfort by dispensing with. Wet days, when the rain came slowly, thickly, obstinately down; when the street’s throat, like his own, was choked with mist; when smoking umbrellas passed and re-passed, spinning round and round like so many teetotums, as they knocked against each other on the crowded footway, throwing off a little whirlpool of uncomfortable sprinklings; when gutters brawled and water-spouts were full and noisy; when the wet from the projecting stones and ledges of the church fell drip, drip, drip, on Toby, making the wisp of straw on which he stood mere mud in no time; those were the days that tried him. Then indeed, you might see Toby looking anxiously out from his shelter in an angle of the church wall—such a meagre shelter that in summer time it never cast a shadow thicker than a good-sized walking stick upon the sunny pavement—with a disconsolate and lengthened face. But coming out, a minute afterwards, to warm himself by exercise: and trotting up and down some dozen times: he would brighten even then, and go back more brightly to his niche.&lt;br /&gt;&lt;br /&gt;They called him Trotty from his pace, which meant speed if it didn't make it. He could have Walked faster perhaps; most likely; but rob him of his trot, and Toby would have taken to his bed and died. It bespattered him with mud in dirty weather; it cost him a world of trouble; he could have walked with infinitely greater ease; but that was one reason for his clinging to it so tenaciously. A weak, small, spare old man, he was a very Hercules, this Toby, in his good intentions. He loved to earn his money. He delighted to believe—Toby was very poor, and couldn't well afford to part with a delight—that he was worth his salt. With a shilling or an eighteenpenny message or small parcel in hand, his courage, always high, rose higher. As he trotted on, he would call out to fast Postmen ahead of him, to get out of the way; devoutly believing that in the natural course of things he must inevitably overtake and run them down; and he had perfect faith—not often tested—in his being able to carry anything that man could lift.&lt;br /&gt;&lt;br /&gt;Thus, even when he came out of his nook to warm himself on a wet day, Toby trotted. Making, with his leaky shoes, a crooked line of slushy footprints in the mire; and blowing on his chilly hands and rubbing them against each other, poorly defended from the searching cold by threadbare mufflers of grey worsted, with a private apartment only for the thumb and a common room or tap for the rest of the fingers; Toby, with his knees bent and his cane beneath his arm, still trotted. Falling out into the road to look up at the belfry when the Chimes resounded, Toby trotted still.&lt;br /&gt;&lt;br /&gt;He made this last excursion several times a day, for they were company to him; and when he heard their voices, he had an interest in glancing at their lodging-place, and thinking how they were moved, and what hammers beat upon them. Perhaps he was the more curious about these Bells, because there were points of resemblance between themselves and him. They hung there, in all weathers: with the wind and rain driving in upon them: facing only the outsides of all those houses; never getting any nearer to the blazing fires that gleamed and shone upon the windows, or came puffing out of the chimney tops; and incapable of participation in any of the good things that were constantly being handed, through the street doors and the area railings, to prodigious cooks. Faces came and went at many windows: sometimes pretty faces, youthful faces, pleasant faces: sometimes the reverse: but Toby knew no more (though he often speculated on these trifles, standing idle in the streets) whence they came, or where they went, or whether, when the lips moved, one kind word was said of him in all the year, than did the Chimes themselves.&lt;br /&gt;&lt;br /&gt;Toby was not a casuist—that he knew of, at least—and I don't mean to say that when he began to take to the Bells, and to knit up his first rough acquaintance with them into something of a closer and more delicate woof, he passed through these considerations one by one, or held any formal review or great field-day in his thoughts. But what I mean to say and do say is, that as the functions of Toby’s body, his digestive organs for example, did of their own cunning, and by a great many operations of which he was altogether ignorant, and the knowledge of which would have astonished him very much, arrive at a certain end; so his mental faculties, without his privity or concurrence, set all these wheels and springs in motion, with a thousand others, when they worked to bring about his liking for the Bells.&lt;br /&gt;&lt;br /&gt;And though I had said his love, I would not have recalled the word, though it would scarcely have expressed his complicated feeling. For, being but a simple man, he invested them with a strange and solemn character. They were so mysterious, often heard and never seen; so high up, so far off, so full of such a deep strong melody, that he regarded them with a species of awe; and sometimes when he looked up at the dark arched windows in the tower, he half expected to be beckoned to by something which was not a Bell, and yet was what he had heard so often sounding in the Chimes. For all this, Toby scouted with indignation a certain flying rumour that the Chimes were haunted, as implying the possibility of their being connected with any Evil thing. In short, they were very often in his ears, and very often in his thoughts, but always in his good opinion; and he very often got such a crick in his neck by staring with his mouth wide open, at the steeple where they hung, that he was fain to take an extra trot or two, afterwards, to cure it.&lt;br /&gt;&lt;br /&gt;The very thing he was in the act of doing one cold day, when the last drowsy sound of Twelve o’clock, just struck, was humming like a melodious monster of a Bee, and not by any means a busy Bee, all through the steeple.&lt;br /&gt;&lt;br /&gt;"Dinner-time, eh!" said Toby, trotting up and down before the church. "Ah!"&lt;br /&gt;&lt;br /&gt;Toby’s nose was very red, and his eyelids were very red, and he winked very much, and his shoulders were very near his ears, and his legs were very stiff; and altogether he was evidently a long way upon the frosty side of cool.&lt;br /&gt;&lt;br /&gt;"Dinner-time, eh!" repeated Toby, using his right-hand muffler like an infantine boxing-glove, and punishing his chest for being cold. "Ah-h-h-h!"&lt;br /&gt;&lt;br /&gt;He took a silent trot, after that, for a minute or two.&lt;br /&gt;&lt;br /&gt;"There’s nothing," said Toby, breaking forth afresh—but here he stopped short in his trot, and with a face of great interest and some alarm, felt his nose carefully all the way up. It was but a little way: not being much of a nose: and he had soon finished.&lt;br /&gt;&lt;br /&gt;"I thought it was gone," said Toby, trotting off again. "It's all right, however. I am sure I couldn't blame it if it was to go. It has a precious hard service of it in the bitter weather, and precious little to look forward to: for I don’t take snuff myself. It's a good deal tried, poor creetur, at the best of times; for when it &lt;em&gt;does&lt;/em&gt; get hold of a pleasant whiff or so (which an't too often) it's generally from somebody else's dinner, a-coming home from the baker's."&lt;br /&gt;&lt;br /&gt;The reflection reminded him of that other reflection, which he had left unfinished.&lt;br /&gt;&lt;br /&gt;"There's nothing," said Toby, "more regular in its coming round than dinner-time, and nothing less regular in its coming round than dinner. That’s the great difference between 'em. It's took me a long time to find it out. I wonder whether it would be worth any gentleman's while, now, to buy that obserwation for the Papers; or the Parliament!"&lt;br /&gt;&lt;br /&gt;Toby was only joking, for he gravely shook his head in self-depreciation.&lt;br /&gt;&lt;br /&gt;"Why! Lord!" said Toby. "The Papers is full of obserwations as it is; and so's the Parliament. Here's last week's paper, now;" taking a very dirty one from his pocket, and holding it from him at arm's length; "full of obserwations! Full of obserwations! I like to know the news as well as any man," said Toby, slowly; folding it a little smaller, and putting it in his pocket again; "but it almost goes against the grain with me to read a paper now. It frightens me almost. I don’t know what we poor people are coming to. Lord send we may be coming to something better in the New Year nigh upon us!"&lt;br /&gt;&lt;br /&gt;"Why, father, father!" said a pleasant voice, hard by.&lt;br /&gt;&lt;br /&gt;But Toby, not hearing it, continued to trot backwards and forwards: musing as he went, and talking to himself.&lt;br /&gt;&lt;br /&gt;"It seems as if we can’t go right, or do right, or be righted," said Toby. "I hadn’t much schooling, myself, when I was young; and I can’t make out whether we have any business on the face of the earth, or not. Sometimes I think we must have a little; and sometimes I think we must be intruding. I get so puzzled sometimes that I am not even able to make up my mind whether there is any good at all in us, or whether we are born bad. We seem to be dreadful things; we seem to give a deal of trouble; we are always being complained of and guarded against. One way or other, we fill the papers. Talk of a New Year!" said Toby, mournfully. "I can bear up as well as another man at most times; better than a good many, for I am as strong as a lion, and all men an’t; but supposing it should really be that we have no right to a New Year—supposing we really &lt;em&gt;are&lt;/em&gt; intruding—"&lt;br /&gt;&lt;br /&gt;“Why, father, father!” said the pleasant voice again.&lt;br /&gt;&lt;br /&gt;Toby heard it this time; started; stopped; and shortening his sight, which had been directed a long way off as seeking the enlightenment in the very heart of the approaching year, found himself face to face with his own child, and looking close into her eyes.&lt;br /&gt;&lt;br /&gt;Bright eyes they were. Eyes that would bear a world of looking in, before their depth was fathomed. Dark eyes, that reflected back the eyes which searched them; not flashingly, or at the owner’s will, but with a clear, calm, honest, patient radiance, claiming kindred with that light which Heaven called into being. Eyes that were beautiful and true, and beaming with Hope. With Hope so young and fresh; with Hope so buoyant, vigorous, and bright, despite the twenty years of work and poverty on which they had looked; that they became a voice to Trotty Veck, and said: "I think we have some business here—a little!"&lt;br /&gt;&lt;br /&gt;Trotty kissed the lips belonging to the eyes, and squeezed the blooming face between his hands.&lt;br /&gt;&lt;br /&gt;"Why, Pet," said Trotty. "What’s to do? I didn’t expect you to-day, Meg."&lt;br /&gt;&lt;br /&gt;"Neither did I expect to come, father," cried the girl, nodding her head and smiling as she spoke. "But here I am! And not alone; not alone!"&lt;br /&gt;&lt;br /&gt;"Why you don’t mean to say," observed Trotty, looking curiously at a covered basket which she carried in her hand, "that you—"&lt;br /&gt;&lt;br /&gt;"Smell it, father dear," said Meg. "Only smell it!"&lt;br /&gt;&lt;br /&gt;Trotty was going to lift up the cover at once, in a great hurry, when she gaily interposed her hand.&lt;br /&gt;&lt;br /&gt;"No, no, no," said Meg, with the glee of a child. "Lengthen it out a little. Let me just lift up the corner; just the lit-tle ti-ny cor-ner, you know," said Meg, suiting the action to the word with the utmost gentleness, and speaking very softly, as if she were afraid of being overheard by something inside the basket; "there. Now. What’s that?"&lt;br /&gt;&lt;br /&gt;Toby took the shortest possible sniff at the edge of the basket, and cried out in a rapture:&lt;br /&gt;&lt;br /&gt;"Why, it’s hot!"&lt;br /&gt;&lt;br /&gt;"It’s burning hot!" cried Meg. "Ha, ha, ha! It’s scalding hot!"&lt;br /&gt;&lt;br /&gt;"Ha, ha, ha!" roared Toby, with a sort of kick. "It’s scalding hot."&lt;br /&gt;&lt;br /&gt;"But what is it, father?" said Meg. "Come! You haven’t guessed what it is. And you must guess what it is. I can’t think of taking it out, till you guess what it is. Don’t be in such a hurry! Wait a minute! A little bit more of the cover. Now guess!"&lt;br /&gt;&lt;br /&gt;Meg was in a perfect fright lest he should guess right too soon; shrinking away, as she held the basket towards him; curling up her pretty shoulders; stopping her ear with her hand, as if by so doing she could keep the right word out of Toby’s lips; and laughing softly the whole time.&lt;br /&gt;&lt;br /&gt;Meanwhile Toby, putting a hand on each knee, bent down his nose to the basket, and took a long inspiration at the lid; the grin upon his withered face expanding in the process, as if he were inhaling laughing gas.&lt;br /&gt;&lt;br /&gt;"Ah! It's very nice," said Toby. "It an't—I suppose it an't Polonies?"&lt;br /&gt;&lt;br /&gt;"No, no, no!" cried Meg, delighted. "Nothing like Polonies!"&lt;br /&gt;&lt;br /&gt;"No," said Toby, after another sniff. "It’s—it’s mellower than Polonies. It’s very nice. It improves every moment. It’s too decided for Trotters. An’t it?"&lt;br /&gt;&lt;br /&gt;Meg was in an ecstasy. He could not have gone wider of the mark than Trotters—except Polonies.&lt;br /&gt;&lt;br /&gt;“Liver?” said Toby, communing with himself. “No. There’s a mildness about it that don’t answer to liver. Pettitoes? No. It an’t faint enough for pettitoes. It wants the stringiness of Cocks’ heads. And I know it an’t sausages. I’ll tell you what it is. It’s chitterlings!”&lt;br /&gt;&lt;br /&gt;“No, it an’t!” cried Meg, in a burst of delight. “No, it an’t!”&lt;br /&gt;&lt;br /&gt;“Why, what am I a thinking of!” said Toby, suddenly recovering a position as near the perpendicular as it was possible for him to assume. “I shall forget my own name next. It’s tripe!”&lt;br /&gt;&lt;br /&gt;Tripe it was; and Meg, in high joy, protested he should say, in half a minute more, it was the best tripe ever stewed.&lt;br /&gt;&lt;br /&gt;“And so,” said Meg, busying herself exultingly with the basket, “I’ll lay the cloth at once, father; for I have brought the tripe in a basin, and tied the basin up in a pocket-handkerchief; and if I like to be proud for once, and spread that for a cloth, and call it a cloth, there’s no law to prevent me; is there, father?”&lt;br /&gt;&lt;br /&gt;“Not that I know of, my dear,” said Toby. “But they’re always a-bringing up some new law or other.”&lt;br /&gt;&lt;br /&gt;“And according to what I was reading you in the paper the other day, father; what the Judge said, you know; we poor people are supposed to know them all. Ha ha! What a mistake! My goodness me, how clever they think us!”&lt;br /&gt;&lt;br /&gt;“Yes, my dear,” cried Trotty; “and they’d be very fond of any one of us that &lt;em&gt;did&lt;/em&gt; know ’em all. He’d grow fat upon the work he’d get, that man, and be popular with the gentlefolks in his neighbourhood. Very much so!”&lt;br /&gt;&lt;br /&gt;“He’d eat his dinner with an appetite, whoever he was, if it smelt like this,” said Meg, cheerfully. “Make haste, for there’s a hot potatoe besides, and half a pint of fresh-drawn beer in a bottle. Where will you dine, father? On the Post, or on the Steps? Dear, dear, how grand we are. Two places to choose from!”&lt;br /&gt;&lt;br /&gt;“The steps to-day, my Pet,” said Trotty. “Steps in dry weather. Post in wet. There’s a greater conveniency in the steps at all times, because of the sitting down; but they’re rheumatic in the damp.”&lt;br /&gt;&lt;br /&gt;“Then here,” said Meg, clapping her hands, after a moment’s bustle; “here it is, all ready! And beautiful it looks! Come, father. Come!”&lt;br /&gt;&lt;br /&gt;Since his discovery of the contents of the basket, Trotty had been standing looking at her—and had been speaking too—in an abstracted manner, which showed that though she was the object of his thoughts and eyes, to the exclusion even of tripe, he neither saw nor thought about her as she was at that moment, but had before him some imaginary rough sketch or drama of her future life. Roused, now, by her cheerful summons, he shook off a melancholy shake of the head which was just coming upon him, and trotted to her side. As he was stooping to sit down, the Chimes rang.&lt;br /&gt;&lt;br /&gt;“Amen!” said Trotty, pulling off his hat and looking up towards them.&lt;br /&gt;&lt;br /&gt;“Amen to the Bells, father?” cried Meg.&lt;br /&gt;&lt;br /&gt;“They broke in like a grace, my dear,” said Trotty, taking his seat. “They’d say a good one, I am sure, if they could. Many’s the kind thing they say to me.”&lt;br /&gt;&lt;br /&gt;“The Bells do, father!” laughed Meg, as she set the basin, and a knife and fork before him. “Well!”&lt;br /&gt;&lt;br /&gt;"Seem to, my Pet," said Trotty, falling to with great vigour. "And where’s the difference? If I hear ’em, what does it matter whether they speak it or not? Why bless you, my dear," said Toby, pointing at the tower with his fork, and becoming more animated under the influence of dinner, "how often have I heard them bells say, ‘Toby Veck, Toby Veck, keep a good heart Toby! Toby Veck, Toby Veck, keep a good heart Toby!’ A million times? More!"&lt;br /&gt;&lt;br /&gt;“Well, I never!” cried Meg.&lt;br /&gt;&lt;br /&gt;She had, though—over and over again. For it was Toby’s constant topic.&lt;br /&gt;&lt;br /&gt;“When things is very bad,” said Trotty; “very bad indeed, I mean; almost at the worst; then it’s ‘Toby Veck, Toby Veck, job coming soon, Toby! Toby Veck, Toby Veck, job coming soon, Toby!’ That way.”&lt;br /&gt;&lt;br /&gt;“And it comes—at last, father,” said Meg, with a touch of sadness in her pleasant voice.&lt;br /&gt;&lt;br /&gt;“Always,” answered the unconscious Toby. “Never fails.”&lt;br /&gt;&lt;br /&gt;While this discourse was holding, Trotty made no pause in his attack upon the savoury meat before him, but cut and ate, and cut and drank, and cut and chewed, and dodged about, from tripe to hot potatoe, and from hot potatoe back again to tripe, with an unctuous and unflagging relish. But happening now to look all round the street—in case anybody should be beckoning from any door or window, for a porter—his eyes, in coming back again, encountered Meg: sitting opposite to him, with her arms folded: and only busy in watching his progress with a smile of happiness.&lt;br /&gt;&lt;br /&gt;“Why, Lord forgive me!” said Trotty, dropping his knife and fork. “My dove! Meg! why didn’t you tell me what a beast I was?”&lt;br /&gt;&lt;br /&gt;“Father?”&lt;br /&gt;&lt;br /&gt;“Sitting here,” said Trotty, in penitent explanation, “cramming, and stuffing, and gorging myself; and you before me there, never so much as breaking your precious fast, nor wanting to, when—"&lt;br /&gt;&lt;br /&gt;“But I have broken it, father,” interposed his daughter, laughing, “all to bits. I have had my dinner.”&lt;br /&gt;&lt;br /&gt;“Nonsense,” said Trotty. “Two dinners in one day! It an’t possible! You might as well tell me that two New Year’s Days will come together, or that I have had a gold head all my life, and never changed it.”&lt;br /&gt;&lt;br /&gt;“I have had my dinner, father, for all that,” said Meg, coming nearer to him. “And if you’ll go on with yours, I’ll tell you how and where; and how your dinner came to be brought; and—and something else besides.”&lt;br /&gt;&lt;br /&gt;Toby still appeared incredulous; but she looked into his face with her clear eyes, and laying her hand upon his shoulder, motioned him to go on while the meat was hot. So Trotty took up his knife and fork again, and went to work. But much more slowly than before, and shaking his head, as if he were not at all pleased with himself.&lt;br /&gt;&lt;br /&gt;“I had my dinner, father,” said Meg, after a little hesitation, “with—with Richard. His dinner-time was early; and as he brought his dinner with him when he came to see me, we—we had it together, father.”&lt;br /&gt;&lt;br /&gt;Trotty took a little beer, and smacked his lips. Then he said, “Oh!”—because she waited.&lt;br /&gt;&lt;br /&gt;“And Richard says, father—" Meg resumed. Then stopped.&lt;br /&gt;&lt;br /&gt;“What does Richard say, Meg?” asked Toby.&lt;br /&gt;&lt;br /&gt;“Richard says, father—" Another stoppage.&lt;br /&gt;&lt;br /&gt;“Richard’s a long time saying it,” said Toby.&lt;br /&gt;&lt;br /&gt;“He says then, father,” Meg continued, lifting up her eyes at last, and speaking in a tremble, but quite plainly; “another year is nearly gone, and where is the use of waiting on from year to year, when it is so unlikely we shall ever be better off than we are now? He says we are poor now, father, and we shall be poor then, but we are young now, and years will make us old before we know it. He says that if we wait: people in our condition: until we see our way quite clearly, the way will be a narrow one indeed—the common way—the Grave, father.”&lt;br /&gt;&lt;br /&gt;A bolder man than Trotty Veck must needs have drawn upon his boldness largely, to deny it. Trotty held his peace.&lt;br /&gt;&lt;br /&gt;“And how hard, father, to grow old, and die, and think we might have cheered and helped each other! How hard in all our lives to love each other; and to grieve, apart, to see each other working, changing, growing old and grey. Even if I got the better of it, and forgot him (which I never could), oh father dear, how hard to have a heart so full as mine is now, and live to have it slowly drained out every drop, without the recollection of one happy moment of a woman’s life, to stay behind and comfort me, and make me better!”&lt;br /&gt;&lt;br /&gt;Trotty sat quite still. Meg dried her eyes, and said more gaily: that is to say, with here a laugh, and there a sob, and here a laugh and sob together:&lt;br /&gt;&lt;br /&gt;“So Richard says, father; as his work was yesterday made certain for some time to come, and as I love him, and have loved him full three years—ah! longer than that, if he knew it!—will I marry him on New Year’s Day; the best and happiest day, he says, in the whole year, and one that is almost sure to bring good fortune with it. It’s a short notice, father—isn’t it?—but I haven’t my fortune to be settled, or my wedding dresses to be made, like the great ladies, father — have I? And he said so much, and said it in his way; so strong and earnest, and all the time so kind and gentle; that I said I’d come and talk to you, father. And as they paid the money for that work of mine this morning (unexpectedly, I am sure!) and as you have fared very poorly for a whole week, and as I couldn’t help wishing there should be something to make this day a sort of holiday to you as well as a dear and happy day to me, father, I made a little treat and brought it to surprise you.”&lt;br /&gt;&lt;br /&gt;“And see how he leaves it cooling on the step!” said another voice.&lt;br /&gt;&lt;br /&gt;It was the voice of this same Richard, who had come upon them unobserved, and stood before the father and daughter: looking down upon them with a face as glowing as the iron on which his stout sledge-hammer daily rung. A handsome, well-made, powerful youngster he was; with eyes that sparkled like the red-hot droppings from a furnace fire; black hair that curled about his swarthy temples rarely; and a smile—a smile that bore out Meg’s eulogium on his style of conversation.&lt;br /&gt;&lt;br /&gt;“See how he leaves it cooling on the step!” said Richard. “Meg don’t know what he likes. Not she!”&lt;br /&gt;&lt;br /&gt;Trotty, all action and enthusiasm, immediately reached up his hand to Richard, and was going to address him in a great hurry, when the house-door opened without any warning, and a footman very nearly put his foot into the tripe.&lt;br /&gt;&lt;br /&gt;“Out of the vays here, will you! You must always go and be a-settin on our steps, must you! You can’t go and give a turn to none of the neighbours never, can’t you! &lt;em&gt;Will&lt;/em&gt; you clear the road, or won’t you?”&lt;br /&gt;&lt;br /&gt;Strictly speaking, the last question was irrelevant, as they had already done it.&lt;br /&gt;&lt;br /&gt;“What’s the matter, what’s the matter!” said the gentleman for whom the door was opened; coming out of the house at that kind of light-heavy pace—that peculiar compromise between a walk and a jog-trot—with which a gentleman upon the smooth down-hill of life, wearing creaking boots, a watch-chain, and clean linen, &lt;em&gt;may&lt;/em&gt; come out of his house: not only without any abatement of his dignity, but with an expression of having important and wealthy engagements elsewhere. “What’s the matter! What’s the matter!”&lt;br /&gt;&lt;br /&gt;“You’re always a-being begged, and prayed, upon your bended knees you are,” said the footman with great emphasis to Trotty Veck, “to let our door-steps be. Why don’t you let ’em be? CAN’T you let ’em be?”&lt;br /&gt;&lt;br /&gt;“There! That’ll do, that’ll do!” said the gentleman. “Halloa there! Porter!” beckoning with his head to Trotty Veck. “Come here. What’s that? Your dinner?”&lt;br /&gt;&lt;br /&gt;“Yes, sir,” said Trotty, leaving it behind him in a corner.&lt;br /&gt;&lt;br /&gt;“Don’t leave it there,” exclaimed the gentleman. “Bring it here, bring it here. So! This is your dinner, is it?”&lt;br /&gt;&lt;br /&gt;“Yes, Sir,” repeated Trotty, looking, with a fixed eye and a watery mouth, at the piece of tripe he had reserved for a last delicious tit-bit; which the gentleman was now turning over and over on the end of the fork.&lt;br /&gt;&lt;br /&gt;Two other gentlemen had come out with him. One was a low-spirited gentleman of middle age, of a meagre habit, and a disconsolate face; who kept his hands continually in the pockets of his scanty pepper-and-salt trousers, very large and dog’s-eared from that custom; and was not particularly well brushed or washed. The other, a full-sized, sleek, well-conditioned gentleman, in a blue coat with bright buttons, and a white cravat. This gentleman had a very red face, as if an undue proportion of the blood in his body were squeezed up into his head; which perhaps accounted for his having also the appearance of being rather cold about the heart.&lt;br /&gt;&lt;br /&gt;He who had Toby’s meat upon the fork, called to the first one by the name of Filer; and they both drew near together. Mr. Filer being exceedingly short-sighted, was obliged to go so close to the remnant of Toby’s dinner before he could make out what it was, that Toby’s heart leaped up into his mouth. But Mr. Filer didn’t eat it.&lt;br /&gt;&lt;br /&gt;“This is a description of animal food, Alderman,” said Filer, making little punches in it with a pencil-case, “commonly known to the labouring population of this country, by the name of tripe.”&lt;br /&gt;&lt;br /&gt;The Alderman laughed, and winked; for he was a merry fellow, Alderman Cute. Oh, and a sly fellow too! A knowing fellow. Up to everything. Not to be imposed upon. Deep in the people’s hearts! He knew them, Cute did. I believe you!&lt;br /&gt;&lt;br /&gt;“But who eats tripe?” said Mr. Filer, looking round. “Tripe is without an exception the least economical, and the most wasteful article of consumption that the markets of this country can by possibility produce. The loss upon a pound of tripe has been found to be, in the boiling, seven-eights of a fifth more than the loss upon a pound of any other animal substance whatever. Tripe is more expensive, properly understood, than the hothouse pine-apple. Taking into account the number of animals slaughtered yearly within the bills of mortality alone; and forming a low estimate of the quantity of tripe which the carcases of those animals, reasonably well butchered, would yield; I find that the waste on that amount of tripe, if boiled, would victual a garrison of five hundred men for five months of thirty-one days each, and a February over. The Waste, the Waste!”&lt;br /&gt;&lt;br /&gt;Trotty stood aghast, and his legs shook under him. He seemed to have starved a garrison of five hundred men with his own hand.&lt;br /&gt;&lt;br /&gt;“Who eats tripe?” said Mr. Filer, warmly. “Who eats tripe?”&lt;br /&gt;&lt;br /&gt;Trotty made a miserable bow.&lt;br /&gt;&lt;br /&gt;“You do, do you?” said Mr. Filer. “Then I’ll tell you something. You snatch your tripe, my friend, out of the mouths of widows and orphans.”&lt;br /&gt;&lt;br /&gt;“I hope not Sir,” said Trotty, faintly. “I’d sooner die of want!”&lt;br /&gt;&lt;br /&gt;“Divide the amount of tripe before-mentioned, Alderman,” said Mr. Filer, “by the estimated number of existing widows and orphans, and the result will be one pennyweight of tripe to each. Not a grain is left for that man. Consequently, he’s a robber.”&lt;br /&gt;&lt;br /&gt;Trotty was so shocked, that it gave him no concern to see the Alderman finish the tripe himself. It was a relief to get rid of it, anyhow.&lt;br /&gt;&lt;br /&gt;“And what do you say?” asked the Alderman, jocosely, of the red-faced gentleman in the blue coat. “You have heard friend Filer. What do &lt;em&gt;you&lt;/em&gt; say?”&lt;br /&gt;&lt;br /&gt;“What’s it possible to say?” returned the gentleman. “What &lt;em&gt;is&lt;/em&gt; to be said? Who can take any interest in a fellow like this,” meaning Trotty; “in such degenerate times as these? Look at him! What an object! The good old times, the grand old times, the great old times! &lt;em&gt;Those&lt;/em&gt; were the times for a bold peasantry, and all that sort of thing. Those were the times for every sort of thing, in fact. There’s nothing now-a-days. Ah!” sighed the red-faced gentleman. “The good old times, the good old times!”&lt;br /&gt;&lt;br /&gt;The gentleman didn’t specify what particular times he alluded to; nor did he say whether he objected to the present times, from a disinterested consciousness that they had done nothing very remarkable in producing himself.&lt;br /&gt;&lt;br /&gt;“The good old times, the good old times,” repeated the gentleman. “What times they were! They were the only times. It’s of no use talking about any other times, or discussing what the people are in these times. You don’t call these, times, do you? I don’t. Look into Strutt’s Costumes, and see what a Porter used to be, in any of the good old English reigns.”&lt;br /&gt;&lt;br /&gt;“He hadn’t, in his very best circumstances, a shirt to his back, or a stocking to his foot; and there was scarcely a vegetable in all England for him to put into his mouth,” said Mr. Filer. “I can prove it, by tables.”&lt;br /&gt;&lt;br /&gt;But still the red-faced gentleman extolled the good old times, the grand old times, the great old times. No matter what anybody else said, he still went turning round and round in one set form of words concerning them; as a poor squirrel turns and turns in its revolving cage; touching the mechanism, and trick of which, it has probably quite as distinct perceptions, as ever this red-faced gentleman had of his deceased Millennium.&lt;br /&gt;&lt;br /&gt;It is possible that poor Trotty’s faith in these very vague Old Times was not entirely destroyed, for he felt vague enough, at that moment. One thing, however, was plain to him, in the midst of his distress; to wit, that however these gentlemen might differ in details, his misgivings of that morning, and of many other mornings, were well founded. “No, no. We can’t go right or do right,” thought Trotty in despair. “There is no good in us. We are born bad!”&lt;br /&gt;&lt;br /&gt;But Trotty had a father’s heart within him; which had somehow got into his breast in spite of this decree; and he could not bear that Meg, in the blush of her brief joy, should have her fortune read by these wise gentlemen. “God help her,” thought poor Trotty. “She will know it soon enough.”&lt;br /&gt;&lt;br /&gt;He anxiously signed, therefore, to the young smith, to take her away. But he was so busy, talking to her softly at a little distance, that he only became conscious of this desire, simultaneously with Alderman Cute. Now, the Alderman had not yet had his say, but &lt;em&gt;he&lt;/em&gt; was a philosopher, too—practical, though! Oh, very practical—and, as he had no idea of losing any portion of his audience, he cried “Stop!”&lt;br /&gt;&lt;br /&gt;“Now, you know,” said the Alderman, addressing his two friends, with a self-complacent smile upon his face, which was habitual to him, “I am a plain man, and a practical man; and I go to work in a plain practical way. That’s my way. There is not the least mystery or difficulty in dealing with this sort of people if you only understand ’em, and can talk to ’em in their own manner. Now, you Porter! Don’t you ever tell me, or anybody else, my friend, that you haven’t always enough to eat, and of the best; because I know better. I have tasted your tripe, you know, and you can’t ‘chaff’ me. You understand what ‘chaff’ means, eh? That’s the right word, isn’t it? Ha, ha, ha! Lord bless you,” said the Alderman, turning to his friends again, “it’s the easiest thing on earth to deal with this sort of people, if you understand ’em.”&lt;br /&gt;&lt;br /&gt;Famous man for the common people, Alderman Cute! Never out of temper with them! Easy, affable, joking, knowing gentleman!&lt;br /&gt;&lt;br /&gt;“You see, my friend,” pursued the Alderman, “there’s a great deal of nonsense talked about Want—'hard up,’ you know; that’s the phrase, isn’t it? ha! ha! ha!—and I intend to Put it Down. There’s a certain amount of cant in vogue about Starvation, and I mean to Put it Down. That’s all! Lord bless you,” said the Alderman, turning to his friends again, “you may Put Down anything among this sort of people, if you only know the way to set about it!”&lt;br /&gt;&lt;br /&gt;Trotty took Meg’s hand and drew it through his arm: He didn’t seem to know what he was doing though.&lt;br /&gt;&lt;br /&gt;“Your daughter, eh?” said the Alderman, chucking her familiarly under the chin.&lt;br /&gt;&lt;br /&gt;Always affable with the working classes, Alderman Cute! Knew what pleased them! Not a bit of pride!&lt;br /&gt;&lt;br /&gt;“Where’s her mother?” asked that worthy gentleman.&lt;br /&gt;&lt;br /&gt;“Dead,” said Toby. “Her mother got up linen; and was called to Heaven when She was born.”&lt;br /&gt;&lt;br /&gt;“Not to get up linen &lt;em&gt;there&lt;/em&gt;, I suppose,” remarked the Alderman pleasantly.&lt;br /&gt;&lt;br /&gt;Toby might or might not have been able to separate his wife in Heaven from her old pursuits. But query: If Mrs. Alderman Cute had gone to Heaven, would Mr. Alderman Cute have pictured her as holding any state or station there?&lt;br /&gt;&lt;br /&gt;“And you’re making love to her, are you?” said Cute to the young smith.&lt;br /&gt;&lt;br /&gt;“Yes,” returned Richard quickly, for he was nettled by the question. “And we are going to be married on New Year’s Day.”&lt;br /&gt;&lt;br /&gt;“What do you mean!” cried Filer sharply. “Married!”&lt;br /&gt;&lt;br /&gt;“Why, yes, we’re thinking of it, Master,” said Richard. “We’re rather in a hurry, you see, in case it should be Put Down first.”&lt;br /&gt;&lt;br /&gt;“Ah!” cried Filer, with a groan. “Put &lt;em&gt;that&lt;/em&gt; down indeed, Alderman, and you’ll do something. Married! Married!! The ignorance of the first principles of political economy on the part of these people; their improvidence; their wickedness; is, by Heavens! enough to—Now look at that couple, will you!”&lt;br /&gt;&lt;br /&gt;Well? They were worth looking at. And marriage seemed as reasonable and fair a deed as they need have in contemplation.&lt;br /&gt;&lt;br /&gt;“A man may live to be as old as Methuselah,” said Mr. Filer, “and may labour all his life for the benefit of such people as those; and may heap up facts on figures, facts on figures, facts on figures, mountains high and dry; and he can no more hope to persuade ’em that they have no right or business to be married, than he can hope to persuade ’em that they have no earthly right or business to be born. And &lt;em&gt;that&lt;/em&gt; we know they haven’t. We reduced it to a mathematical certainty long ago!”&lt;br /&gt;&lt;br /&gt;Alderman Cute was mightily diverted, and laid his right forefinger on the side of his nose, as much as to say to both his friends, “Observe me, will you! Keep your eye on the practical man!”—and called Meg to him.&lt;br /&gt;&lt;br /&gt;“Come here, my girl!” said Alderman Cute.&lt;br /&gt;&lt;br /&gt;The young blood of her lover had been mounting, wrathfully, within the last few minutes; and he was indisposed to let her come. But, setting a constraint upon himself, he came forward with a stride as Meg approached, and stood beside her. Trotty kept her hand within his arm still, but looked from face to face as wildly as a sleeper in a dream.&lt;br /&gt;&lt;br /&gt;“Now, I’m going to give you a word or two of good advice, my girl,” said the Alderman, in his nice easy way. “It’s my place to give advice, you know, because I’m a Justice. You know I’m a Justice, don’t you?”&lt;br /&gt;&lt;br /&gt;Meg timidly said, “Yes.” But everybody knew Alderman Cute was a Justice! Oh dear, so active a Justice always! Who such a mote of brightness in the public eye, as Cute!&lt;br /&gt;&lt;br /&gt;“You are going to be married, you say,” pursued the Alderman. “Very unbecoming and indelicate in one of your sex! But never mind that. After you are married, you’ll quarrel with your husband and come to be a distressed wife. You may think not; but you will, because I tell you so. Now, I give you fair warning, that I have made up my mind to Put distressed wives Down. So, don’t be brought before me. You’ll have children—boys. Those boys will grow up bad, of course, and run wild in the streets, without shoes and stockings. Mind, my young friend! I’ll convict ’em summarily, every one, for I am determined to Put boys without shoes and stockings, Down. Perhaps your husband will die young (most likely) and leave you with a baby. Then you’ll be turned out of doors, and wander up and down the streets. Now, don’t wander near me, my dear, for I am resolved, to Put all wandering mothers Down. All young mothers, of all sorts and kinds, it’s my determination to Put Down. Don’t think to plead illness as an excuse with me; or babies as an excuse with me; for all sick persons and young children (I hope you know the church-service, but I’m afraid not) I am determined to Put Down. And if you attempt, desperately, and ungratefully, and impiously, and fraudulently attempt, to drown yourself, or hang yourself, I’ll have no pity for you, for I have made up my mind to Put all suicide Down! If there is one thing,” said the Alderman, with his self-satisfied smile, “on which I can be said to have made up my mind more than on another, it is to Put suicide Down. So don’t try it on. That’s the phrase, isn’t it? Ha, ha! now we understand each other.”&lt;br /&gt;&lt;br /&gt;Toby knew not whether to be agonised or glad to see that Meg had turned a deadly white, and dropped her lover’s hand.&lt;br /&gt;&lt;br /&gt;“And as for you, you dull dog,” said the Alderman, turning with even increased cheerfulness and urbanity to the young smith, “what are you thinking of being married for? What do you want to be married for, you silly fellow? If I was a fine, young, strapping chap like you, I should be ashamed of being milksop enough to pin myself to a woman’s apron-strings! Why, she’ll be an old woman before you’re a middle-aged man! And a pretty figure you’ll cut then, with a draggle-tailed wife and a crowd of squalling children crying after you wherever you go!”&lt;br /&gt;&lt;br /&gt;Oh, he knew how to banter the common people, Alderman Cute!&lt;br /&gt;&lt;br /&gt;“There! Go along with you,” said the Alderman, “and repent. Don’t make such a fool of yourself as to get married on New Year’s Day. You’ll think very differently of it long before next New Year’s Day: a trim young fellow like you, with all the girls looking after you. There! Go along with you!”&lt;br /&gt;&lt;br /&gt;They went along. Not arm in arm, or hand in hand, or interchanging bright glances” but, she in tears, he gloomy and down-looking. Were these the hearts that had so lately made old Toby’s leap up from its faintness? No, no. The Alderman (a blessing on his head!) had Put &lt;em&gt;them&lt;/em&gt; Down.&lt;br /&gt;&lt;br /&gt;“As you happen to be here,” said the Alderman to Toby, “you shall carry a letter for me. Can you be quick? You’re an old man.”&lt;br /&gt;&lt;br /&gt;Toby, who had been looking after Meg, quite stupidly, made shift to murmur out that he was very quick, and very strong.&lt;br /&gt;&lt;br /&gt;“How old are you?” inquired the Alderman.&lt;br /&gt;&lt;br /&gt;“I’m over sixty, Sir,” said Toby.&lt;br /&gt;&lt;br /&gt;“Oh! This man’s a great deal past the average age, you know,” cried Mr. Filer breaking in as if his patience would bear some trying, but this really was carrying matters a little too far.&lt;br /&gt;&lt;br /&gt;“I feel I’m intruding, sir,” said Toby. “I—I misdoubted it this morning. Oh dear me!”&lt;br /&gt;&lt;br /&gt;The Alderman cut him short by giving him the letter from his pocket. Toby would have got a shilling too; but Mr. Filer clearly showing that in that case he would rob a certain given number of persons of ninepence-halfpenny a-piece, he only got sixpence; and thought himself very well off to get that.&lt;br /&gt;Then the Alderman gave an arm to each of his friends, and walked off in high feather; but he immediately came hurrying back alone, as if he had forgotten something.&lt;br /&gt;&lt;br /&gt;“Porter!” said the Alderman.&lt;br /&gt;&lt;br /&gt;“Sir!” said Toby.&lt;br /&gt;&lt;br /&gt;“Take care of that daughter of yours. She’s much too handsome.”&lt;br /&gt;&lt;br /&gt;“Even her good looks are stolen from somebody or other, I suppose,” thought Toby, looking at the sixpence in his hand, and thinking of the tripe. “She’s been and robbed five hundred ladies of a bloom a-piece, I shouldn’t wonder. It’s very dreadful!”&lt;br /&gt;&lt;br /&gt;“She’s much too handsome, my man,” repeated the Alderman. “The chances are, that she’ll come to no good, I clearly see. Observe what I say. Take care of her!” With which, he hurried off again.&lt;br /&gt;&lt;br /&gt;“Wrong every way. Wrong every way!” said Trotty, clasping his hands. “Born bad. No business here!”&lt;br /&gt;&lt;br /&gt;The Chimes came clashing in upon him as he said the words. Full, loud, and sounding—but with no encouragement. No, not a drop.&lt;br /&gt;&lt;br /&gt;“The tune’s changed,” cried the old man, as he listened. “There’s not a word of all that fancy in it. Why should there be? I have no business with the New Year nor with the old one neither. Let me die!”&lt;br /&gt;&lt;br /&gt;Still the Bells, pealing forth their changes, made the very air spin. Put ’em down, Put ’em down! Good old Times, Good old Times! Facts and figures, Facts and figures! Put ’em down, Put ’em down! If they said anything they said this, until the brain of Toby reeled.&lt;br /&gt;&lt;br /&gt;He pressed his bewildered head between his hands, as if to keep it from splitting asunder. A well-timed action, as it happened; for finding the letter in one of them, and being by that means reminded of his charge, he fell, mechanically, into his usual trot, and trotted off.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Second Quarter.&lt;br /&gt;&lt;br /&gt;The letter Toby had received from Alderman Cute, was addressed to a great man in the great district of the town. The greatest district of the town. It must have been the greatest district of the town, because it was commonly called The World by its inhabitants.&lt;br /&gt;&lt;br /&gt;The letter positively seemed heavier in Toby’s hand, than another letter. Not because the Alderman had sealed it with a very large coat of arms and no end of wax, but because of the weighty name on the superscription, and the ponderous amount of gold and silver with which it was associated.&lt;br /&gt;&lt;br /&gt;“How different from us!” thought Toby, in all simplicity and earnestness, as he looked at the direction. “Divide the lively turtles in the bills of mortality, by the number of gentlefolks able to buy ’em; and whose share does he take but his own! As to snatching tripe from anybody’s mouth—he’d scorn it!”&lt;br /&gt;&lt;br /&gt;With the involuntary homage due to such an exalted&lt;br /&gt;character, Toby interposed a corner of his apron between the letter and his fingers.&lt;br /&gt;&lt;br /&gt;“His children,” said Trotty, and a mist rose before his eyes; “his daughters—Gentlemen may win their hearts and marry them; they may be happy wives and mothers; they may be handsome like my darling M-e-.”&lt;br /&gt;&lt;br /&gt;He couldn’t finish the name. The final letter swelled in his throat, to the size of the whole alphabet.&lt;br /&gt;&lt;br /&gt;“Never mind,” thought Trotty. “I know what I mean. That’s more than enough for me.” And with this consolatory rumination, trotted on.&lt;br /&gt;&lt;br /&gt;It was a hard frost, that day. The air was bracing, crisp, and clear. The wintry sun, though powerless for warmth, looked brightly down upon the ice it was too weak to melt, and set a radiant glory there. At other times, Trotty might have learned a poor man’s lesson from the wintry sun; but he was past that, now.&lt;br /&gt;&lt;br /&gt;The Year was Old, that day. The patient Year had lived through the reproaches and misuses of its slanderers, and faithfully performed its work. Spring, summer, autumn, winter. It had laboured through the destined round, and now laid down its weary head to die. Shut out from hope, high impulse, active happiness, itself, but active messenger of many joys to others, it made appeal in its decline to have its toiling days and patient hours remembered, and to die in peace. Trotty might have read a poor man’s allegory in the fading year; but he was past that now.&lt;br /&gt;&lt;br /&gt;And only he? Or has the like appeal been ever made, by seventy years at once upon an English labourer’s head, and made in vain!&lt;br /&gt;&lt;br /&gt;The streets were full of motion, and the shops were decked out gaily. The New Year, like an Infant Heir to the whole world, was waited for, with welcomes, presents, and rejoicings. There were books and toys for the New Year, glittering trinkets for the New Year, dresses for the New Year, schemes of fortune for the New Year; new inventions to beguile it. Its life was parcelled out in almanacks and pocket-books; the coming of its moons, and stars, and tides, was known beforehand to the moment; all the workings of its seasons in their days and nights, were calculated with as much precision as Mr. Filer could work sums in men and women.&lt;br /&gt;&lt;br /&gt;The New Year, the New Year. Everywhere the New Year! The Old Year was already looked upon as dead; and its effects were selling cheap, like some drowned mariner’s aboardship. Its patterns were Last Year’s and going at a sacrifice, before its breath was gone. Its treasures were mere dirt, beside the riches of its unborn successor!&lt;br /&gt;&lt;br /&gt;Trotty had no portion, to his thinking, in the New Year or the Old.&lt;br /&gt;&lt;br /&gt;“Put ’em down, Put ’em down! Facts and Figures, facts and figures! Good old Times, Good old Times! Put ’em down, put ’em down!”—his trot went to that measure, and would fit itself to nothing else.&lt;br /&gt;&lt;br /&gt;But, even that one, melancholy as it was, brought him, in due time, to the end of his journey. To the mansion of Sir Joseph Bowley, Member of Parliament.&lt;br /&gt;&lt;br /&gt;The door was opened by a Porter. Such a Porter! Not of Toby’s order. Quite another thing. His place was the ticket though; not Toby’s.&lt;br /&gt;&lt;br /&gt;This Porter underwent some hard panting before he could speak; having breathed himself by coming incautiously out of his chair, without first taking time to think about it and compose his mind. When he had found his voice—which it took him a long time to do, for it was a long way off, and hidden under a load of meat—he said in a fat whisper,&lt;br /&gt;&lt;br /&gt;“Who’s it from?”&lt;br /&gt;&lt;br /&gt;Toby told him.&lt;br /&gt;&lt;br /&gt;“You’re to take it in, yourself,” said the Porter, pointing to a room at the end of a long passage, opening from the hall. “Everything goes straight in, on this day of the year. You’re not a bit too soon, for the carriage is at the door now, and they have only come to town for a couple of hours, a’ purpose.”&lt;br /&gt;&lt;br /&gt;Toby wiped his feet (which were quite dry already) with great care, and took the way pointed out to him; observing as he went that it was an awfully grand house, but hushed and covered up, as if the family were in the country. Knocking at the room door, he was told to enter from within; and doing so found himself in a spacious library, where, at a table strewn with files and papers, were a stately lady in a bonnet; and a not very stately gentleman in black who wrote from her dictation; while another, and an older, and a much statelier gentleman, whose hat and cane were on the table, walked up and down, with one hand in his breast, and looked complacently from time to time at his own picture—a full length; a very full length—hanging over the fire-place.&lt;br /&gt;&lt;br /&gt;“What is this?” said the last-named gentleman. “Mr. Fish, will you have the goodness to attend?”&lt;br /&gt;&lt;br /&gt;Mr. Fish begged pardon, and taking the letter from Toby, handed it, with great respect.&lt;br /&gt;&lt;br /&gt;“From Alderman Cute, Sir Joseph.”&lt;br /&gt;&lt;br /&gt;“Is this all? Have you nothing else, Porter?” inquired Sir Joseph.&lt;br /&gt;&lt;br /&gt;Toby replied in the negative.&lt;br /&gt;&lt;br /&gt;“You have no bill or demand upon me; my name is Bowley, Sir Joseph Bowley; of any kind from anybody, have you?” said Sir Joseph. “If you have, present it. There is a cheque-book by the side of Mr. Fish. I allow nothing to be carried into the New Year. Every description of account is settled in this house at the close of the old one. So that if death was to—to—"&lt;br /&gt;&lt;br /&gt;“To cut,” suggested Mr. Fish.&lt;br /&gt;&lt;br /&gt;“To sever, Sir,” returned Sir Joseph, with great asperity, “the cord of existence—my affairs would be found, I hope, in a state of preparation.”&lt;br /&gt;&lt;br /&gt;“My dear Sir Joseph!” said the lady, who was greatly younger than the gentleman. “How shocking!”&lt;br /&gt;&lt;br /&gt;“My lady Bowley,” returned Sir Joseph, floundering now and then, as in the great depth of his observations, “at this season of the year we should think of—of—ourselves. We should look into our—our accounts. We should feel that every return of so eventful a period in human transactions, involves a matter of deep moment between a man and his—and his banker.”&lt;br /&gt;&lt;br /&gt;Sir Joseph delivered these words as if he felt the full morality of what he was saying; and desired that even Trotty should have an opportunity of being improved by such discourse. Possibly he had this end before him in still forbearing to break the seal of the letter, and in telling Trotty to wait where he was, a minute.&lt;br /&gt;&lt;br /&gt;“You were desiring Mr. Fish to say, my lady—” observed Sir Joseph.&lt;br /&gt;&lt;br /&gt;“Mr. Fish has said that, I believe,” returned his lady, glancing at the letter. “But, upon my word, Sir Joseph, I don’t think I can let it go after all. It is so very dear.”&lt;br /&gt;&lt;br /&gt;“What is dear?” inquired Sir Joseph.&lt;br /&gt;&lt;br /&gt;“That Charity, my love. They only allow two votes for a subscription of five pounds. Really monstrous!”&lt;br /&gt;&lt;br /&gt;“My lady Bowley,” returned Sir Joseph, “you surprise me. Is the luxury of feeling in proportion to the number of votes; or is it, to a rightly constituted mind, in proportion to the number of applicants and the wholesome state of mind to which their canvassing reduces them? Is there no excitement of the purest kind in having two votes to dispose of among fifty people?”&lt;br /&gt;&lt;br /&gt;“Not to me, I acknowledge,” replied the lady. “It bores one. Besides, one can’t oblige one’s acquaintance. But you are the Poor Man’s Friend, you know, Sir Joseph. You think otherwise.”&lt;br /&gt;&lt;br /&gt;“I &lt;em&gt;am&lt;/em&gt; the Poor Man’s Friend,” observed Sir Joseph, glancing at the poor man present. “As such I may be taunted. As such I have been taunted. But I ask no other title.”&lt;br /&gt;&lt;br /&gt;“Bless him for a noble gentleman!” thought Trotty.&lt;br /&gt;&lt;br /&gt;“I don’t agree with Cute here, for instance,” said Sir Joseph, holding out the letter. “I don’t agree with the Filer party. I don’t agree with any party. My friend the Poor Man, has no business with anything of that sort, and nothing of that sort has any business with him. My friend the Poor Man, in my district, is my business. No man or body of men has any right to interfere between my friend and me. That is the ground I take. I assume a—a paternal character towards my friend. I say, ‘My good fellow, I will treat you paternally.”’&lt;br /&gt;&lt;br /&gt;Toby listened with great gravity, and began to feel more comfortable.&lt;br /&gt;&lt;br /&gt;"Your only business, my good fellow," pursued Sir Joseph, looking abstractedly at Toby; "your only business in life is with me. You needn’t trouble yourself to think about anything. I will think for you; I know what is good for you; I am your perpetual parent. Such is the dispensation of an all-wise Providence! Now, the design of your creation is: not that you should swill, and guzzle, and associate your enjoyments, brutally, with food" —Toby thought remorsefully of the tripe— "but that you should feel the Dignity of Labor; go forth erect into the cheerful morning air, and—and stop there. Live hard and temperately, be respectful, exercise your self-denial, bring up your family on next to nothing, pay your rent as regularly as the clock strikes, be punctual in your dealings (I set you a good example; you will find Mr. Fish, my confidential secretary, with a cash-box before him at all times); and you may trust to me to be your Friend and Father."&lt;br /&gt;&lt;br /&gt;“Nice children, indeed, Sir Joseph!” said the lady, with a shudder. “Rheumatisms, and fevers, and crooked legs, and asthmas, and all kinds of horrors!”&lt;br /&gt;&lt;br /&gt;“My lady,” returned Sir Joseph, with solemnity, “not the less am I the Poor Man’s Friend and Father. Not the less shall he receive encouragement at my hands. Every quarter-day he will be put in communication with Mr. Fish. Every New-Year’s Day, myself and friends will drink his health. Once every year, myself and friends will address him with the deepest feeling. Once in his life, he may even perhaps receive; in public, in the presence of the gentry; a Trifle from a Friend. And when, upheld no more by these stimulants, and the Dignity of Labor, he sinks into his comfortable grave, then my lady”—here Sir Joseph blew his nose—"I will be a Friend and a Father—on the same terms—to his children.”&lt;br /&gt;&lt;br /&gt;Toby was greatly moved.&lt;br /&gt;&lt;br /&gt;“Oh! You have a thankful family, Sir Joseph!” cried his wife.&lt;br /&gt;&lt;br /&gt;“My lady,” said Sir Joseph, quite majestically, “Ingratitude is known to be the sin of that class. I expect no other return.”&lt;br /&gt;&lt;br /&gt;“Ah! Born bad!” thought Toby. “Nothing melts us.”&lt;br /&gt;&lt;br /&gt;“What man can do, &lt;em&gt;I&lt;/em&gt; do,” pursued Sir Joseph. “I do my duty as the Poor Man’s Friend and Father; and I endeavour to educate his mind, by inculcating on all occasions the one great moral lesson which that class requires. That is, entire Dependence on myself. They have no business whatever with—with themselves. If wicked and designing persons tell them otherwise, and they become impatient and discontented, and are guilty of insubordinate conduct and black-hearted ingratitude; which is undoubtedly the case; I am their Friend and Father still. It is so Ordained. It is in the nature of things.”&lt;br /&gt;&lt;br /&gt;With that great sentiment, he opened the Alderman’s letter; and read it.&lt;br /&gt;&lt;br /&gt;“Very polite and attentive, I am sure!” exclaimed Sir Joseph.&lt;br /&gt;&lt;br /&gt;“My lady, the Alderman is so obliging as to remind me that he has had ‘the distinguished honour’—he is very good—of meeting me at the house of our mutual friend Deedles, the banker; and he does me the favour to inquire whether it will be agreeable to me to have Will Fern put down.”&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“Most&lt;/em&gt; agreeable!” replied my Lady Bowley. “The worst man among them! He has been committing a robbery, I hope?”&lt;br /&gt;&lt;br /&gt;“Why no,” said Sir Joseph, referring to the letter. “Not quite. Very near. Not quite. He came up to London, it seems, to look for employment (trying to better himself—that’s his story), and being found at night asleep in a shed, was taken into custody, and carried next morning before the Alderman. The Alderman observes (very properly) that he is determined to put this sort of thing down; and that if it will be agreeable to me to have Will Fern put down, he will be happy to begin with him.”&lt;br /&gt;&lt;br /&gt;“Let him be made an example of, by all means,” returned the lady. “Last winter, when I introduced pinking and eyelet-holing among the men and boys in the village, as a nice evening employment, and had the lines,&lt;br /&gt;&lt;br /&gt;O let us love our occupations,&lt;br /&gt;Bless the squire and his relations,&lt;br /&gt;Live upon our daily rations,&lt;br /&gt;And always know our proper stations,&lt;br /&gt;&lt;br /&gt;set to music on the new system, for them to sing the while; this very Fern—I see him now—touched that hat of his, and said, ‘I humbly ask your pardon, my lady, but &lt;em&gt;an’t&lt;/em&gt; I something different from a great girl?’ I expected it, of course; who can expect anything but insolence and ingratitude from that class of people! That is not to the purpose, however. Sir Joseph! Make an example of him!”&lt;br /&gt;&lt;br /&gt;“Hem!” coughed Sir Joseph. “Mr. Fish, if you’ll have the goodness to attend”—&lt;br /&gt;&lt;br /&gt;Mr. Fish immediately seized his pen, and wrote from Sir Joseph’s dictation.&lt;br /&gt;&lt;br /&gt;“Private. My dear Sir. I am very much indebted to you for your courtesy in the matter of the man William Fern, of whom, I regret to add, I can say nothing favourable. I have uniformly considered myself in the light of his Friend and Father, but have been repaid (a common case, I grieve to say) with ingratitude, and constant opposition to my plans. He is a turbulent and rebellious spirit. His character will not bear investigation. Nothing will persuade him to be happy when he might. Under these circumstances, it appears to me, I own, that when he comes before you again (as you informed me he promised to do to-morrow, pending your inquiries, and I think he may be so far relied upon), his committal for some short term as a Vagabond, would be a service to society, and would be a salutary example in a country where—for the sake of those who are, through good and evil report, the Friends and Fathers of the Poor, as well as with a view to that, generally speaking, misguided class themselves—examples are greatly needed. And I am,” and so forth.&lt;br /&gt;&lt;br /&gt;“It appears,” remarked Sir Joseph when he had signed this letter, and Mr. Fish was sealing it, “as if this were Ordained: really. At the close of the year, I wind up my account and strike my balance, even with William Fern!”&lt;br /&gt;&lt;br /&gt;Trotty, who had long ago relapsed, and was very low-spirited, stepped forward with a rueful face to take the letter.&lt;br /&gt;&lt;br /&gt;“With my compliments and thanks,” said Sir Joseph. “Stop!”&lt;br /&gt;&lt;br /&gt;“Stop!” echoed Mr. Fish.&lt;br /&gt;&lt;br /&gt;“You have heard, perhaps,” said Sir Joseph, oracularly, “certain remarks into which I have been led respecting the solemn period of time at which we have arrived, and the duty imposed upon us of settling our affairs, and being prepared. You have observed that I don’t shelter myself behind my superior standing in society, but that Mr. Fish—that gentleman—has a cheque-book at his elbow, and is in fact here, to enable me to turn over a perfectly new leaf, and enter on the epoch before us with a clean account. Now, my friend, can you lay your hand upon your heart, and say, that you also have made preparations for a New Year?”&lt;br /&gt;&lt;br /&gt;“I am afraid, Sir,” stammered Trotty, looking meekly at him, “that I am a—a—little behind-hand with the world.”&lt;br /&gt;&lt;br /&gt;“Behind-hand with the world!” repeated Sir Joseph Bowley, in a tone of terrible distinctness.&lt;br /&gt;&lt;br /&gt;“I am afraid, Sir,” faltered Trotty, “that there’s a matter of ten or twelve shillings owing to Mrs. Chickenstalker.”&lt;br /&gt;&lt;br /&gt;“To Mrs. Chickenstalker!” repeated Sir Joseph, in the same tone as before.&lt;br /&gt;&lt;br /&gt;“A shop Sir,” exclaimed Toby, “in the general line. Also a—a little money on account of rent. A very little, sir. It oughtn’t to be owing, I know, but we have been hard put to it, indeed!”&lt;br /&gt;&lt;br /&gt;Sir Joseph looked at his lady, and at Mr. Fish, and at Trotty, one after another, twice all round. He then made a despondent gesture with both hands at once, as if he gave the thing up altogether.&lt;br /&gt;&lt;br /&gt;“How a man, even among this improvident and impracticable race; an old man; a man grown grey; can look a New Year in the face, with his affairs in this condition; how he can lie down on his bed at night, and get up again in the morning, and—There!” he said, turning his back on Trotty. “Take the letter. Take the letter!”&lt;br /&gt;&lt;br /&gt;“I heartily wish it was otherwise, sir,” said Trotty, anxious to excuse himself. “We have been tried very hard.”&lt;br /&gt;&lt;br /&gt;Sir Joseph still repeating “Take the letter, take the letter!” and Mr. Fish not only saying the same thing, but giving additional force to the request by motioning the bearer to the door, he had nothing for it but to make his bow and leave the house. And in the street, poor Trotty pulled his worn old hat down on his head, to hide the grief he felt at getting no hold on the New Year, anywhere.&lt;br /&gt;&lt;br /&gt;He didn’t even lift his hat to look up at the Bell tower when he came to the old church on his return. He halted there a moment, from habit: and knew that it was growing dark, and that the steeple rose above him, indistinct and faint, in the murky air. He knew, too, that the Chimes would ring immediately; and that they sounded to his fancy, at such a time, like voices in the clouds. But he only made the more haste to deliver the Alderman’s letter, and get out of the way before they began; for he dreaded to hear them tagging “Friends and Fathers, Friends and Fathers,” to the burden they had rung out last.&lt;br /&gt;&lt;br /&gt;Toby discharged himself of his commission, therefore, with all possible speed, and set off trotting homeward. But what with his pace, which was at best an awkward one in the street; and what with his hat, which didn’t improve it; he trotted against somebody in less than no time, and was sent staggering out into the road.&lt;br /&gt;&lt;br /&gt;“I beg your pardon, I’m sure!” said Trotty, pulling up his hat in great confusion, and between the hat and the torn lining, fixing his head into a kind of bee-hive. “I hope I haven’t hurt you.”&lt;br /&gt;&lt;br /&gt;As to hurting anybody, Toby was not such an absolute Samson, but that he was much more likely to be hurt himself: and indeed, he had flown out into the road, like a shuttlecock. He had such an opinion of his own strength, however, that he was in real concern for the other party: and said again,&lt;br /&gt;&lt;br /&gt;“I hope I haven’t hurt you?”&lt;br /&gt;&lt;br /&gt;The man against whom he had run; a sun-browned, sinewy, country-looking man, with grizzled hair, and a rough chin; stared at him for a moment, as if he suspected him to be in jest. But, satisfied of his good faith, he answered:&lt;br /&gt;&lt;br /&gt;“No, friend. You have not hurt me.”&lt;br /&gt;&lt;br /&gt;“Nor the child, I hope?” said Trotty.&lt;br /&gt;&lt;br /&gt;“Nor the child,” returned the man. “I thank you kindly.”&lt;br /&gt;&lt;br /&gt;As he said so, he glanced at a little girl he carried in his arms, asleep: and shading her face with the long end of the poor handkerchief he wore about his throat, went slowly on.&lt;br /&gt;&lt;br /&gt;The tone in which he said “I thank you kindly,” penetrated Trotty’s heart. He was so jaded and foot-sore, and so soiled with travel, and looked about him so forlorn and strange, that it was a comfort to him to be able to thank any one: no matter for how little. Toby stood gazing after him as he plodded wearily away; with the child’s arm clinging round his neck.&lt;br /&gt;&lt;br /&gt;At the figure in the worn shoes—now the very shade and ghost of shoes—rough leather leggings, common frock, and broad slouched hat, Trotty stood gazing, blind to the whole street. And at the child’s arm, clinging round its neck.&lt;br /&gt;&lt;br /&gt;Before he merged into the darkness the traveller stopped; and looking round, and seeing Trotty standing there yet, seemed undecided whether to return or go on. After doing first the one and then the other, he came back, and Trotty went half way to meet him.&lt;br /&gt;&lt;br /&gt;“You can tell me, perhaps,” said the man with a faint smile, “and if you can I am sure you will, and I’d rather ask you than another—where Alderman Cute lives.”&lt;br /&gt;&lt;br /&gt;“Close at hand,” replied Toby. “I’ll show you his house with pleasure.”&lt;br /&gt;&lt;br /&gt;“I was to have gone to him elsewhere to-morrow,” said the man, accompanying Toby, “but I’m uneasy under suspicion, and want to clear myself, and to be free to go and seek my bread—I don’t know where. So, maybe he’ll forgive my going to his house to-night.”&lt;br /&gt;&lt;br /&gt;“It’s impossible,” cried Toby with a start, “that your name’s Fern!”&lt;br /&gt;&lt;br /&gt;“Eh!” cried the other, turning on him in astonishment.&lt;br /&gt;&lt;br /&gt;“Fern! Will Fern!” said Trotty.&lt;br /&gt;&lt;br /&gt;“That’s my name,” replied the other.&lt;br /&gt;&lt;br /&gt;“Why then,” said Trotty, seizing him by the arm, and looking cautiously round, “for Heaven’s sake don’t go to him! Don’t go to him! He’ll put you down as sure as ever you were born. Here! come up this alley, and I’ll tell you what I mean. Don’t go to &lt;em&gt;him.”&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;His new acquaintance looked as if he thought him mad; but he bore him company nevertheless. When they were shrouded from observation, Trotty told him what he knew, and what character he had received, and all about it.&lt;br /&gt;&lt;br /&gt;The subject of his history listened to it with a calmness that surprised him. He did not contradict or interrupt it, once. He nodded his head now and then—more in corroboration of an old and worn-out story, it appeared, than in refutation of it; and once or twice threw back his hat, and passed his freckled hand over a brow, where every furrow he had ploughed seemed to have set its image in little. But he did no more.&lt;br /&gt;&lt;br /&gt;“It’s true enough in the main,” he said, “master, I could sift grain from husk here and there, but let it be as ’tis. What odds? I have gone against his plans; to my misfortun’. I can’t help it; I should do the like to-morrow. As to character, them gentlefolks will search and search, and pry and pry, and have it as free from spot or speck in us, afore they’ll help us to a dry good word! Well! I hope they don’t lose good opinion as easy as we do, or their lives is strict indeed, and hardly worth the keeping. For myself, master, I never took with that hand”—holding it before him—"what wasn’t my own; and never held it back from work, however hard, or poorly paid. Whoever can deny it, let him chop it off! But when work won’t maintain me like a human creetur; when my living is so bad, that I am Hungry, out of doors and in; when I see a whole working life begin that way, go on that way, and end that way, without a chance or change; then I say to the gentlefolks ‘Keep away from me! Let my cottage be. My doors is dark enough without your darkening of ’em more. Don’t look for me to come up into the Park to help the show when there’s a Birthday, or a fine Speechmaking, or what not. Act your Plays and Games without me, and be welcome to ’em, and enjoy ’em. We’ve nought to do with one another. I’m best let alone!’”&lt;br /&gt;&lt;br /&gt;Seeing that the child in his arms had opened her eyes, and was looking about her in wonder, he checked himself to say a word or two of foolish prattle in her ear, and stand her on the ground beside him. Then slowly winding one of her long tresses round and round his rough forefinger like a ring, while she hung about his dusty leg, he said to Trotty:&lt;br /&gt;&lt;br /&gt;“I’m not a cross-grained man by natu’, I believe; and easy satisfied, I’m sure. I bear no ill-will against none of ’em: I only want to live like one of the Almighty’s creeturs. I can’t; I don’t; and so there’s a pit dug between me and them that can and do. There’s others like me. You might tell ’em off by hundreds and by thousands, sooner than by ones.”&lt;br /&gt;&lt;br /&gt;Trotty knew he spoke the Truth in this, and shook his head to signify as much.&lt;br /&gt;&lt;br /&gt;“I’ve got a bad name this way,” said Fern; “and I’m not likely, I’m afeared, to get a better. ’Tan’t lawful to be out of sorts, and I AM out of sorts, though God knows I’d sooner bear a cheerful spirit if I could. Well! I don’t know as this Alderman could hurt me much by sending me to jail; but without a friend to speak a word for me, he might do it; and you see—!” pointing downward with his finger, at the child.&lt;br /&gt;&lt;br /&gt;“She has a beautiful face,” said Trotty.&lt;br /&gt;&lt;br /&gt;“Why yes!” replied the other in a low voice, as he gently turned it up with both his hands towards his own, and looked upon it steadfastly. “I’ve thought so, many times. I’ve thought so, when my hearth was very cold, and cupboard very bare. I thought so t’other night, when we were taken like two thieves. But they—they shouldn’t try the little face too often, should they, Lilian? That’s hardly fair upon a man!”&lt;br /&gt;&lt;br /&gt;He sunk his voice so low, and gazed upon her with an air so stern and strange, that Toby, to divert the current of his thoughts, inquired if his wife were living.&lt;br /&gt;&lt;br /&gt;“I never had one,” he returned, shaking his head. “She’s my brother’s child: a orphan. Nine year old, though you’d hardly think it; but she’s tired and worn out now. They’d have taken care on her, the Union—eight and twenty mile away from where we live; between four walls (as they took care of my old father when he couldn’t work no more, though he didn’t trouble ’em long); but I took her instead, and she’s lived with me ever since. Her mother had a friend once, in London here. We are trying to find her, and to find work too; but it’s a large place. Never mind. More room for us to walk about in, Lilly!”&lt;br /&gt;&lt;br /&gt;Meeting the child’s eyes with a smile which melted Toby more than tears, he shook him by the hand.&lt;br /&gt;&lt;br /&gt;“I don’t so much as know your name,” he said, “but I’ve opened my heart free to you, for I’m thankful to you; with good reason. I’ll take your advice, and keep clear of this—"&lt;br /&gt;&lt;br /&gt;“Justice,” suggested Toby.&lt;br /&gt;&lt;br /&gt;“Ah!” he said. “If that’s the name they give him. This Justice. And to-morrow will try whether there’s better fortun’ to be met with, somewheres near London. Good night. A Happy New Year!”&lt;br /&gt;&lt;br /&gt;“Stay!” cried Trotty, catching at his hand, as he relaxed his grip. “Stay! The New Year never can be happy to me, if we part like this. The New Year never can be happy to me, if I see the child and you, go wandering away you don’t know where, without a shelter for your heads. Come home with me! I’m a poor man, living in a poor place; but I can give you lodging for one night and never miss it. Come home with me! Here! I’ll take her!” cried Trotty, lifting up the child. “A pretty one! I’d carry twenty times her weight, and never know I’d got it. Tell me if I go too quick for you. I’m very fast. I always was!” Trotty said this, taking about six of his trotting paces to one stride of his fatigued companion; and with his thin legs quivering again, beneath the load he bore.&lt;br /&gt;&lt;br /&gt;“Why, she’s as light,” said Trotty, trotting in his speech as well as in his gait; for he couldn’t bear to be thanked, and dreaded a moment’s pause; “as light as a feather. Lighter than a Peacock’s feather—a great deal lighter. Here we are and here we go! Round this first turning to the right, Uncle Will, and past the pump, and sharp off up the passage to the left, right opposite the public-house. Here we are and here we go! Cross over, Uncle Will, and mind the kidney pieman at the corner! Here we are and here we go! Down the Mews here, Uncle Will, and stop at the black door, with ‘T. Veck, Ticket Porter,’ wrote upon a board; and here we are and here we go, and here we are indeed, my precious Meg, surprising you!”&lt;br /&gt;&lt;br /&gt;With which words Trotty, in a breathless state, set the child down before his daughter in the middle of the floor. The little visitor looked once at Meg; and doubting nothing in that face, but trusting everything she saw there; ran into her arms.&lt;br /&gt;&lt;br /&gt;“Here we are and here we go!” cried Trotty, running round the room, and choking audibly. “Here, Uncle Will, here’s a fire you know! Why don’t you come to the fire? Oh here we are and here we go! Meg, my precious darling, where’s the kettle? Here it is and here it goes, and it’ll bile in no time!”&lt;br /&gt;&lt;br /&gt;Trotty really had picked up the kettle somewhere or other in the course of his wild career, and now put it on the fire: while Meg, seating the child in a warm corner, knelt down on the ground before her, and pulled off her shoes, and dried her wet feet on a cloth. Ay, and she laughed at Trotty too—so pleasantly, so cheerfully, that Trotty could have blessed her where she kneeled: for he had seen that, when they entered, she was sitting by the fire in tears.&lt;br /&gt;&lt;br /&gt;“Why, father!” said Meg. “You’re crazy to-night, I think. I don’t know what the Bells would say to that. Poor little feet. How cold they are!”&lt;br /&gt;&lt;br /&gt;“Oh, they’re warmer now!” exclaimed the child. “They’re quite warm now!”&lt;br /&gt;&lt;br /&gt;“No, no, no,” said Meg. “We haven’t rubbed ’em half enough. We’re so busy. So busy! And when they’re done, we’ll brush out the damp hair; and when that’s done, we’ll bring some colour to the poor pale face with fresh water; and when that’s done, we’ll be so gay, and brisk, and happy—!”&lt;br /&gt;&lt;br /&gt;The child, in a burst of sobbing, clasped her round the neck; caressed her fair cheek with its hand; and said, “Oh Meg! oh dear Meg!”&lt;br /&gt;&lt;br /&gt;Toby’s blessing could have done no more. Who could do more!&lt;br /&gt;&lt;br /&gt;“Why, father!” cried Meg, after a pause.&lt;br /&gt;&lt;br /&gt;“Here I am and here I go, my dear!” said Trotty.&lt;br /&gt;&lt;br /&gt;“Good Gracious me!” cried Meg. “He’s crazy! He’s put the dear child’s bonnet on the kettle, and hung the lid behind the door!”&lt;br /&gt;&lt;br /&gt;“I didn’t go for to do it, my love,” said Trotty, hastily repairing this mistake. “Meg, my dear?”&lt;br /&gt;&lt;br /&gt;Meg looked towards him and saw that he had elaborately stationed himself behind the chair of their male visitor, where with many mysterious gestures he was holding up the sixpence he had earned.&lt;br /&gt;&lt;br /&gt;“I see, my dear,” said Trotty, “as I was coming in, half an ounce of tea lying somewhere on the stairs; and I’m pretty sure there was a bit of bacon too. As I don’t remember where it was exactly, I’ll go myself and try to find ’em.”&lt;br /&gt;&lt;br /&gt;With this inscrutable artifice, Toby withdrew to purchase the viands he had spoken of, for ready money, at Mrs. Chickenstalker’s; and presently came back, pretending he had not been able to find them, at first, in the dark.&lt;br /&gt;&lt;br /&gt;“But here they are at last,” said Trotty, setting out the tea-things, “all correct! I was pretty sure it was tea, and a rasher. So it is. Meg, my Pet, if you’ll just make the tea, while your unworthy father toasts the bacon, we shall be ready, immediate. It’s a curious circumstance,” said Trotty, proceeding in his cookery, with the assistance of the toasting-fork, “curious, but well known to my friends, that I never care, myself, for rashers, nor for tea. I like to see other people enjoy ’em,” said Trotty, speaking very loud, to impress the fact upon his guest, “but to me, as food, they’re disagreeable.”&lt;br /&gt;&lt;br /&gt;Yet Trotty sniffed the savour of the hissing bacon—ah!—as if he liked it; and when he poured the boiling water in the tea-pot, looked lovingly down into the depths of that snug cauldron, and suffered the fragrant steam to curl about his nose, and wreathe his head and face in a thick cloud. However, for all this, he neither ate nor drank, except at the very beginning, a mere morsel for form’s sake, which he appeared to eat with infinite relish, but declared was perfectly uninteresting to him.&lt;br /&gt;&lt;br /&gt;No. Trotty’s occupation was, to see Will Fern and Lilian eat and drink; and so was Meg’s. And never did spectators at a city dinner or court banquet find such high delight in seeing others feast: although it were a monarch or a pope: as those two did, in looking on that night. Meg smiled at Trotty, Trotty laughed at Meg. Meg shook her head, and made belief to clap her hands, applauding Trotty; Trotty conveyed, in dumb-show, unintelligible narratives of how and when and where he had found their visitors, to Meg; and they were happy. Very happy.&lt;br /&gt;&lt;br /&gt;“Although,” thought Trotty, sorrowfully, as he watched Meg’s face; “that match is broken off, I see!”&lt;br /&gt;&lt;br /&gt;“Now, I’ll tell you what,” said Trotty after tea. “The little one, she sleeps with Meg, I know.”&lt;br /&gt;&lt;br /&gt;“With good Meg!” cried the child, caressing her. “With Meg.”&lt;br /&gt;&lt;br /&gt;“That’s right,” said Trotty. “And I shouldn’t wonder if she kiss Meg’s father, won’t she? I’m Meg’s father.”&lt;br /&gt;&lt;br /&gt;Mightily delighted Trotty was, when the child went timidly towards him, and having kissed him, fell back upon Meg again.&lt;br /&gt;&lt;br /&gt;“She’s as sensible as Solomon,” said Trotty. “Here we come and here we—no, we don’t—I don’t mean that—I—what was I saying, Meg, my precious?”&lt;br /&gt;&lt;br /&gt;Meg looked towards their guest, who leaned upon her chair, and with his face turned from her, fondled the child’s head, half hidden in her lap.&lt;br /&gt;&lt;br /&gt;“To be sure,” said Toby. “To be sure! I don’t know what I’m rambling on about, to-night. My wits are wool-gathering, I think. Will Fern, you come along with me. You’re tired to death, and broken down for want of rest. You come along with me.” &lt;br /&gt;&lt;br /&gt;The man still played with the child’s curls, still leaned upon Meg’s chair, still turned away his face. He didn’t speak, but in his rough coarse fingers, clenching and expanding in the fair hair of the child, there was an eloquence that said enough.&lt;br /&gt;&lt;br /&gt;“Yes, yes,” said Trotty, answering unconsciously what he saw expressed in his daughter’s face. “Take her with you, Meg. Get her to-bed. There! Now, Will, I’ll show you where you lie. It’s not much of a place: only a loft; but having a loft, I always say, is one of the great conveniences of living in a mews; and till this coach-house and stable gets a better let, we live here cheap. There’s plenty of sweet hay up there, belonging to a neighbour; and it’s as clean, as hands and Meg can make it. Cheer up! Don’t give way. A new heart for a New Year, always!”&lt;br /&gt;&lt;br /&gt;The hand released from the child’s hair, had fallen, trembling, into Trotty’s hand. So Trotty, talking without intermission, led him out as tenderly and easily as if he had been a child himself. &lt;br /&gt;&lt;br /&gt;Returning before Meg, he listened for an instant at the door of her little chamber; an adjoining room. The child was murmuring a simple Prayer before lying down to sleep; and when she had remembered Meg’s name, “Dearly, Dearly”—so her words ran—Trotty heard her stop and ask for his.&lt;br /&gt;&lt;br /&gt;It was some short time before the foolish little old fellow could compose himself to mend the fire, and draw his chair to the warm hearth. But, when he had done so, and had trimmed the light, he took his newspaper from his pocket, and began to read. Carelessly at first, and skimming up and down the columns; but with an earnest and a sad attention, very soon.&lt;br /&gt;&lt;br /&gt;For this same dreaded paper re-directed Trotty’s thoughts into the channel they had taken all that day, and which the day’s events had so marked out and shaped. His interest in the two wanderers had set him on another course of thinking, and a happier one, for the time; but being alone again, and reading of the crimes and violences of the people, he relapsed into his former train.&lt;br /&gt;&lt;br /&gt;In this mood, he came to an account (and it was not the first he had ever read) of a woman who had laid her desperate hands not only on her own life but on that of her young child. A crime so terrible, and so revolting to his soul, dilated with the love of Meg, that he let the journal drop, and fell back in his chair, appalled.&lt;br /&gt;&lt;br /&gt;“Unnatural and cruel!” Toby cried. “Unnatural and cruel! None but people who were bad at heart: born bad: who had no business on the earth: could do such deeds. It’s too true, all I’ve heard to-day; too just, too full of proof. We’re Bad!”&lt;br /&gt;&lt;br /&gt;The Chimes took up the words so suddenly—burst out so loud, and clear, and sonorous—that the Bells seemed to strike him in his chair.&lt;br /&gt;&lt;br /&gt;And what was that, they said?&lt;br /&gt;&lt;br /&gt;"Toby Veck, Toby Veck, waiting for you Toby! Toby Veck, Toby Veck, waiting for you Toby! Come and see us, come and see us, Drag him to us, drag him to us, Haunt and hunt him, haunt and hunt him, Break his slumbers, break his slumbers! Toby Veck Toby Veck, door open wide Toby, Toby Veck Toby Veck, door open wide Toby—" then fiercely back to their impetuous strain again, and ringing in the very bricks and plaster on the walls.&lt;br /&gt;&lt;br /&gt;Toby listened. Fancy, fancy! His remorse for having run away from them that afternoon! No, no. Nothing of the kind. Again, again, and yet a dozen times again. "Haunt and hunt him, haunt and hunt him, Drag him to us, drag him to us!" Deafening the whole town!&lt;br /&gt;&lt;br /&gt;"Meg," said Trotty softly: tapping at her door. "Do you hear anything?"&lt;br /&gt;&lt;br /&gt;"I hear the Bells, father. Surely they’re very loud to-night."&lt;br /&gt;&lt;br /&gt;"Is she asleep," said Toby, making an excuse for peeping in.&lt;br /&gt;&lt;br /&gt;"So peacefully and happily! I can’t leave her yet though, father. Look how she holds my hand!"&lt;br /&gt;&lt;br /&gt;"Meg," whispered Trotty. "Listen to the Bells!"&lt;br /&gt;&lt;br /&gt;She listened, with her face towards him all the time. But it underwent no change. She didn’t understand them.&lt;br /&gt;&lt;br /&gt;Trotty withdrew, resumed his seat by the fire, and once more listened by himself. He remained here a little time.&lt;br /&gt;&lt;br /&gt;It was impossible to bear it; their energy was dreadful.&lt;br /&gt;&lt;br /&gt;"If the tower-door is really open,' said Toby, hastily laying aside his apron, but never thinking of his hat, "what’s to hinder me from going up into the steeple and satisfying myself? If it’s shut, I don’t want any other satisfaction. That’s enough."&lt;br /&gt;&lt;br /&gt;He was pretty certain as he slipped out quietly into the street that he should find it shut and locked, for he knew the door well, and had so rarely seen it open, that he couldn’t reckon above three times in all. It was a low arched portal, outside the church, in a dark nook behind a column; and had such great iron hinges and such a monstrous lock, that there was more hinge and lock than door.&lt;br /&gt;&lt;br /&gt;But what was his astonishment when, coming bare-headed to the church; and putting his hand into this dark nook, with a certain misgiving that it might be unexpectedly seized, and a shivering propensity to draw it back again; he found that the door, which opened outwards, actually stood ajar!&lt;br /&gt;&lt;br /&gt;He thought, on the first surprise, of going back; or of getting a light, or a companion; but his courage aided him immediately; and he determined to ascend alone.&lt;br /&gt;&lt;br /&gt;"What have I to fear?" said Trotty. "It’s a church! Besides, the ringers may be there, and have forgotten to shut the door."&lt;br /&gt;&lt;br /&gt;So he went in; feeling his way as he went, like a blind man; for it was very dark. And very quiet, for the Chimes were silent.&lt;br /&gt;&lt;br /&gt;The dust from the street had blown into the recess; and lying there, heaped up, made it so soft and velvet-like to the foot, that there was something startling even in that. The narrow stair was so close to the door, too, that he stumbled at the very first; and shutting the door upon himself, by striking it with his foot, and causing it to rebound back heavily, he couldn’t open it again.&lt;br /&gt;&lt;br /&gt;This was another reason, however, for going on. Trotty groped his way, and went on. Up, up, up, and round and round; and up, up, up; higher, higher, higher up!&lt;br /&gt;&lt;br /&gt;It was a disagreeable staircase for that groping work; so low and narrow, that his groping hand was always touching something; and it often felt so like a man or ghostly figure standing up erect and making room for him to pass without discovery, that he would rub the smooth wall upward searching for its face, and downward searching for its feet, while a chill tingling crept all over him. Twice or thrice a door or niche broke the monotonous surface; and then it seemed a gap as wide as the whole church; and he felt on the brink of an abyss, and going to tumble headlong down; until he found the wall again.&lt;br /&gt;&lt;br /&gt;Still up, up, up; and round and round; and up, up, up; higher, higher, higher up!&lt;br /&gt;&lt;br /&gt;At length, the dull and stifling atmosphere began to freshen: presently to feel quite windy: presently it blew so strong, that he could hardly keep his legs. But he got to an arched window in the tower, breast high, and holding tight, looked down upon the house-tops, on the smoking chimneys, on the blur and blotch of lights (towards the place where Meg was wondering where he was and calling to him perhaps), all kneaded up together in a leaven of mist and darkness.&lt;br /&gt;&lt;br /&gt;This was the belfry, where the ringers came. He had caught hold of one of the frayed ropes which hung down through apertures in the oaken roof. At first he started; thinking it was hair; then trembled at the very thought of waking the deep Bell. The Bells themselves were higher. Higher, Trotty, in his fascination, or in working out the spell upon him, groped his way. By ladders now, and toilsomely, for it was steep, and not too certain holding for the feet.&lt;br /&gt;&lt;br /&gt;Up, up, up; and climb and clamber; up, up, up; higher, higher, higher up!&lt;br /&gt;&lt;br /&gt;Until, ascending through the floor, and pausing with his head just raised above its beams, he came among the Bells. It was barely possible to make out their great shapes in the gloom; but there they were. Shadowy, and dark, and dumb.&lt;br /&gt;&lt;br /&gt;A heavy sense of dread and loneliness fell instantly upon him, as he climbed into this airy nest of stone and metal. His head went round and round. He listened, and then raised a wild "Halloa!"&lt;br /&gt;&lt;br /&gt;Halloa! was mournfully protracted by the echoes.&lt;br /&gt;&lt;br /&gt;Giddy, confused, and out of breath, and frightened, Toby looked about him vacantly, and sunk down in a swoon.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Third Quarter.&lt;br /&gt;&lt;br /&gt;Black are the brooding clouds and troubled the deep waters, when the Sea of Thought, first heaving from a calm, gives up its Dead. Monsters uncouth and wild, arise in premature, imperfect resurrection; the several parts and shapes of different things are joined and mixed by chance; and when, and how, and by what wonderful degrees, each separates from each, and every sense and object of the mind resumes its usual form and lives again, no man—though every man is every day the casket of this type of the Great Mystery—can tell.&lt;br /&gt;&lt;br /&gt;So, when and how the darkness of the night-black steeple changed to shining light; when and how the solitary tower was peopled with a myriad figures; when and how the whispered "Haunt and hunt him," breathing monotonously through his sleep or swoon, became a voice exclaiming in the waking ears of Trotty, "Break his slumbers;" when and how he ceased to have a sluggish and confused idea that such things were, companioning a host of others that were not; there are no dates or means to tell. But: awake, and standing on his feet upon the boards where he had lately lain: he saw this Goblin Sight.&lt;br /&gt;&lt;br /&gt;He saw the tower, whither his charmed footsteps had brought him, swarming with dwarf phantoms, spirits, elfin creatures of the Bells. He saw them leaping, flying, dropping, pouring from the Bells without a pause. He saw them, round him on the ground; above him, in the air; clambering from him, by the ropes below; looking down upon him, from the massive iron-girded beams; peeping in upon him, through the chinks and loopholes in the walls; spreading away and away from him in enlarging circles, as the water ripples give way to a huge stone that suddenly comes plashing in among them. He saw them, of all aspects and all shapes. He saw them ugly, handsome, crippled, exquisitely formed. He saw them young, he saw them old, he saw them kind, he saw them cruel, he saw them merry, he saw them grim; he saw them dance, and heard them sing; he saw them tear their hair, and heard them howl. He saw the air thick with them. He saw them come and go, incessantly. He saw them riding downward, soaring upward, sailing off afar, perching near at hand, all restless and all violently active. Stone, and brick, and slate, and tile, became transparent to him as to them. He saw them in the houses, busy at the sleepers’ beds. He saw them soothing people in their dreams; he saw them beating them with knotted whips; he saw them yelling in their ears; he saw them playing softest music on their pillows; he saw them cheering some with the songs of birds and the perfume of flowers; he saw them flashing awful faces on the troubled rest of others, from enchanted mirrors which they carried in their hands.&lt;br /&gt;&lt;br /&gt;He saw these creatures, not only among sleeping men but waking also, active in pursuits irreconcilable with one another, and possessing or assuming natures the most opposite. He saw one buckling on innumerable wings to increase his speed; another loading himself with chains and weights, to retard his. He saw some putting the hands of clocks forward, some putting the hands of clocks backward, some endeavouring to stop the clock entirely. He saw them representing, here a marriage ceremony, there a funeral; in this chamber an election, and in that a ball; everywhere, restless and untiring motion.&lt;br /&gt;&lt;br /&gt;Bewildered by the host of shifting and extraordinary figures, as well as by the uproar of the Bells, which all this while were ringing, Trotty clung to a wooden pillar for support, and turned his white face here and there, in mute and stunned astonishment.&lt;br /&gt;&lt;br /&gt;As he gazed, the Chimes stopped. Instantaneous change! The whole swarm fainted! their forms collapsed, their speed deserted them; they sought to fly, but in the act of falling died and melted into air. No fresh supply succeeded them. One straggler leaped down pretty briskly from the surface of the Great Bell, and alighted on his feet, but he was dead and gone before he could turn round. Some few of the late company who had gambolled in the tower, remained there, spinning over and over a little longer; but these became at every turn more faint, and few, and feeble, and soon went the way of the rest. The last of all was one small hunchback, who had got into an echoing corner, where he twirled and twirled, and floated by himself a long time; showing such perseverance, that at last he dwindled to a leg and even to a foot, before he finally retired; but he vanished in the end, and then the tower was silent.&lt;br /&gt;&lt;br /&gt;Then and not before, did Trotty see in every Bell a bearded figure of the bulk and stature of the Bell—incomprehensibly, a figure and the Bell itself. Gigantic, grave, and darkly watchful of him, as he stood rooted to the ground.&lt;br /&gt;&lt;br /&gt;Mysterious and awful figures! Resting on nothing; poised in the night air of the tower, with their draped and hooded heads merged in the dim roof; motionless and shadowy. Shadowy and dark, although he saw them by some light belonging to themselves—none else was there—each with its muffled hand upon its goblin mouth.&lt;br /&gt;&lt;br /&gt;He could not plunge down wildly through the opening in the floor; for all power of motion had deserted him. Otherwise he would have done so—aye, would have thrown himself, headforemost, from the steeple-top, rather than have seen them watching him with eyes that would have waked and watched although the pupils had been taken out.&lt;br /&gt;&lt;br /&gt;Again, again, the dread and terror of the lonely place, and of the wild and fearful night that reigned there, touched him like a spectral hand. His distance from all help; the long, dark, winding, ghost-beleaguered way that lay between him and the earth on which men lived; his being high, high, high, up there, where it had made him dizzy to see the birds fly in the day; cut off from all good people, who at such an hour were safe at home and sleeping in their beds; all this struck coldly through him, not as a reflection but a bodily sensation. Meantime his eyes and thoughts and fears, were fixed upon the watchful figures; which, rendered unlike any figures of this world by the deep gloom and shade enwrapping and enfolding them, as well as by their looks and forms and supernatural hovering above the floor, were nevertheless as plainly to be seen as were the stalwart oaken frames, cross-pieces, bars and beams, set up there to support the Bells. These hemmed them, in a very forest of hewn timber; from the entanglements, intricacies, and depths of which, as from among the boughs of a dead wood blighted for their phantom use, they kept their darksome and unwinking watch.&lt;br /&gt;&lt;br /&gt;A blast of air—how cold and shrill!—came moaning through the tower. As it died away, the Great Bell, or the Goblin of the Great Bell, spoke.&lt;br /&gt;&lt;br /&gt;"What visitor is this!" it said. The voice was low and deep, and Trotty fancied that it sounded in the other figures as well.&lt;br /&gt;&lt;br /&gt;"I thought my name was called by the Chimes!" said Trotty, raising his hands in an attitude of supplication. "I hardly know why I am here, or how I came. I have listened to the Chimes these many years. They have cheered me often."&lt;br /&gt;&lt;br /&gt;"And you have thanked them?" said the Bell.&lt;br /&gt;&lt;br /&gt;"A thousand times!" cried Trotty.&lt;br /&gt;&lt;br /&gt;"How?"&lt;br /&gt;&lt;br /&gt;"I am a poor man," faltered Trotty, "and could only thank them in words."&lt;br /&gt;&lt;br /&gt;"And always so?" inquired the Goblin of the Bell. "Have you never done us wrong in words?"&lt;br /&gt;&lt;br /&gt;"No!" cried Trotty eagerly.&lt;br /&gt;&lt;br /&gt;"Never done us foul, and false, and wicked wrong, in words?" pursued the Goblin of the Bell.&lt;br /&gt;&lt;br /&gt;Trotty was about to answer, "Never!" But he stopped, and was confused.&lt;br /&gt;&lt;br /&gt;"The voice of Time," said the Phantom, "cries to man, Advance! Time is for his advancement and improvement; for his greater worth, his greater happiness, his better life; his progress onward to that goal within its knowledge and its view, and set there, in the period when Time and He began. Ages of darkness, wickedness, and violence, have come and gone; millions uncountable, have suffered, lived, and died; to point the way Before him. Who seeks to turn him back, or stay him on his course, arrests a mighty engine which will strike the meddler dead; and be the fiercer and the wilder, ever, for its momentary check!"&lt;br /&gt;&lt;br /&gt;"I never did so to my knowledge, Sir," said Trotty. "It was quite by accident if I did. I wouldn’t go to do it, I’m sure."&lt;br /&gt;&lt;br /&gt;"Who puts into the mouth of Time, or of its servants," said the Goblin of the Bell, "a cry of lamentation for days which have had their trial and their failure, and have left deep traces of it which the blind may see—a cry that only serves the Present Time, by showing men how much it needs their help when any ears can listen to regrets for such a Past—who does this, does a wrong. And you have done that wrong, to us, the Chimes."&lt;br /&gt;&lt;br /&gt;Trotty’s first excess of fear was gone. But he had felt tenderly and gratefully towards the Bells, as you have seen; and when he heard himself arraigned as one who had offended them so weightily, his heart was touched with penitence and grief.&lt;br /&gt;&lt;br /&gt;"If you knew," said Trotty, clasping his hands earnestly—"or perhaps you do know—if you know how often you have kept me company; how often you have cheered me up when I’ve been low; how you were quite the plaything of my little daughter Meg (almost the only one she ever had) when first her mother died, and she and me were left alone; you won’t bear malice for a hasty word!"&lt;br /&gt;&lt;br /&gt;"Who hears in us, the Chimes, one note bespeaking disregard, or stern regard, of any hope, or joy, or pain, or sorrow, of the many-sorrowed throng; who hears us make response to any creed that gauges human passions and affections, as it gauges the amount of miserable food on which humanity may pine and wither; does us wrong. That wrong you have done us!" said the Bell.&lt;br /&gt;&lt;br /&gt;"I have!" said Trotty. "Oh forgive me!"&lt;br /&gt;&lt;br /&gt;"Who hears us echo the dull vermin of the earth: the Putters Down of crushed and broken natures, formed to be raised up higher than such maggots of the time can crawl or can conceive," pursued the Goblin of the Bell; "who does so, does us wrong. And you have done us wrong!"&lt;br /&gt;&lt;br /&gt;"Not meaning it," said Trotty. "In my ignorance. Not meaning it!"&lt;br /&gt;&lt;br /&gt;"Lastly, and most of all," pursued the Bell. "Who turns his back upon the fallen and disfigured of his kind; abandons them as Vile; and does not trace and track with pitying eyes the unfenced precipice by which they fell from Good—grasping in their fall some tufts and shreds of that lost soil, and clinging to them still when bruised and dying in the gulf below; does wrong to Heaven and Man, to Time and to Eternity. And you have done that wrong!"&lt;br /&gt;&lt;br /&gt;"Spare me!" cried Trotty, falling on his knees; "for Mercy’s sake!"&lt;br /&gt;&lt;br /&gt;"Listen!" said the Shadow.&lt;br /&gt;&lt;br /&gt;"Listen!" cried the other Shadows.&lt;br /&gt;&lt;br /&gt;"Listen!" said a clear and child-like voice, which Trotty thought he recognised as having heard before.&lt;br /&gt;&lt;br /&gt;The organ sounded faintly in the church below. Swelling by degrees, the melody ascended to the roof, and filled the choir and nave. Expanding more and more, it rose up, up; up, up; higher, higher, higher up; awakening agitated hearts within the burly piles of oak: the hollow bells, the iron-bound doors, the stairs of solid stone; until the tower walls were insufficient to contain it, and it soared into the sky.&lt;br /&gt;&lt;br /&gt;No wonder that an old man’s breast could not contain a sound so vast and mighty. It broke from that weak prison in a rush of tears; and Trotty put his hands before his face.&lt;br /&gt;&lt;br /&gt;"Listen!" said the Shadow.&lt;br /&gt;&lt;br /&gt;"Listen!" said the other Shadows.&lt;br /&gt;&lt;br /&gt;"Listen!" said the child’s voice.&lt;br /&gt;&lt;br /&gt;A solemn strain of blended voices, rose into the tower.&lt;br /&gt;&lt;br /&gt;It was a very low and mournful strain: a Dirge: and as he listened, Trotty heard his child among the singers.&lt;br /&gt;&lt;br /&gt;"She is dead!" exclaimed the old man. "Meg is dead! Her Spirit calls to me. I hear it!"&lt;br /&gt;&lt;br /&gt;"The Spirit of your child bewails the dead, and mingles with the dead—dead hopes, dead fancies, dead imaginings of youth," returned the Bell, "but she is living. Learn from her life, a living truth. Learn from the creature dearest to your heart, how bad the Bad are born. See every bud and leaf plucked one by one from off the fairest stem, and know how bare and wretched it may be. Follow her! To Desperation!"&lt;br /&gt;&lt;br /&gt;Each of the shadowy figures stretched its right arm forth, and pointed downward.&lt;br /&gt;&lt;br /&gt;"The Spirit of the Chimes is your companion," said the figure.&lt;br /&gt;"Go! It stands behind you!"&lt;br /&gt;&lt;br /&gt;Trotty turned, and saw—the child? The child Will Fern had carried in the street; the child whom Meg had watched, but now, asleep!&lt;br /&gt;&lt;br /&gt;"I carried her myself, to-night," said Trotty. "In these arms!"&lt;br /&gt;&lt;br /&gt;"Show him what he calls himself," said the dark figures, one and all.&lt;br /&gt;&lt;br /&gt;The tower opened at his feet. He looked down, and beheld his own form, lying at the bottom, on the outside: crushed and motionless.&lt;br /&gt;&lt;br /&gt;"No more a living man!" cried Trotty. "Dead!"&lt;br /&gt;&lt;br /&gt;"Dead!" said the figures all together.&lt;br /&gt;&lt;br /&gt;"Gracious Heaven! And the New Year—"&lt;br /&gt;&lt;br /&gt;"Past," said the figures.&lt;br /&gt;&lt;br /&gt;"What!" he cried, shuddering. "I missed my way, and coming on the outside of this tower in the dark, fell down—a year ago?"&lt;br /&gt;&lt;br /&gt;"Nine years ago!" replied the figures.&lt;br /&gt;&lt;br /&gt;As they gave the answer, they recalled their outstretched hands; and where their figures had been, there the Bells were.&lt;br /&gt;&lt;br /&gt;And they rung; their time being come again. And once again, vast multitudes of phantoms sprung into existence; once again, were incoherently engaged, as they had been before; once again, faded on the stopping of the Chimes; and dwindled into nothing.&lt;br /&gt;&lt;br /&gt;"What are these?" he asked his guide. "If I am not mad, what are these?"&lt;br /&gt;&lt;br /&gt;"Spirits of the Bells. Their sound upon the air," returned the child. "They take such shapes and occupations as the hopes and thoughts of mortals, and the recollections they have stored up, give them."&lt;br /&gt;&lt;br /&gt;"And you," said Trotty wildly. "What are you?’&lt;br /&gt;&lt;br /&gt;"Hush, hush!" returned the child. "Look here!"&lt;br /&gt;&lt;br /&gt;In a poor, mean room; working at the same kind of embroidery which he had often, often seen before her; Meg, his own dear daughter, was presented to his view. He made no effort to imprint his kisses on her face; he did not strive to clasp her to his loving heart; he knew that such endearments were, for him, no more. But, he held his trembling breath; and brushed away the blinding tears, that he might look upon her; that he might only see her.&lt;br /&gt;&lt;br /&gt;Ah! Changed. Changed. The light of the clear eye, how dimmed. The bloom, how faded from the cheek. Beautiful she was, as she had ever been, but Hope, Hope, Hope, oh where was the fresh Hope that had spoken to him like a voice!&lt;br /&gt;&lt;br /&gt;She looked up from her work, at a companion. Following her eyes, the old man started back.&lt;br /&gt;&lt;br /&gt;In the woman grown, he recognised her at a glance. In the long silken hair, he saw the self-same curls; around the lips, the child’s expression lingering still. See! In the eyes, now turned inquiringly on Meg, there shone the very look that scanned those features when he brought her home!&lt;br /&gt;&lt;br /&gt;Then what was this, beside him!&lt;br /&gt;&lt;br /&gt;Looking with awe into its face, he saw a something reigning there: a lofty something, undefined and indistinct, which made it hardly more than a remembrance of that child—as yonder figure might be—yet it was the same: the same: and wore the dress.&lt;br /&gt;&lt;br /&gt;Hark. They were speaking!&lt;br /&gt;&lt;br /&gt;"Meg," said Lilian, hesitating. "How often you raise your head from your work to look at me!"&lt;br /&gt;&lt;br /&gt;"Are my looks so altered, that they frighten you?" asked Meg.&lt;br /&gt;&lt;br /&gt;"Nay, dear! But you smile at that, yourself! Why not smile, when you look at me, Meg?"&lt;br /&gt;&lt;br /&gt;"I do so. Do I not?" she answered: smiling on her.&lt;br /&gt;&lt;br /&gt;"Now you do," said Lilian, "but not usually. When you think I’m busy, and don’t see you, you look so anxious and so doubtful, that I hardly like to raise my eyes. There is little cause for smiling in this hard and toilsome life, but you were once so cheerful."&lt;br /&gt;&lt;br /&gt;"Am I not now!" cried Meg, speaking in a tone of strange alarm, and rising to embrace her. "Do &lt;em&gt;I&lt;/em&gt; make our weary life more weary to you, Lilian!"&lt;br /&gt;&lt;br /&gt;"You have been the only thing that made it life," said Lilian, fervently kissing her; "sometimes the only thing that made me care to live so, Meg. Such work, such work! So many hours, so many days, so many long, long nights of hopeless, cheerless, never-ending work—not to heap up riches, not to live grandly or gaily, not to live upon enough, however coarse; but to earn bare bread; to scrape together just enough to toil upon, and want upon, and keep alive in us the consciousness of our hard fate! Oh Meg, Meg!' she raised her voice and twined her arms about her as she spoke, like one in pain. "How can the cruel world go round, and bear to look upon such lives!"&lt;br /&gt;&lt;br /&gt;"Lilly!" said Meg, soothing her, and putting back her hair from her wet face. "Why, Lilly! You! So pretty and so young!"&lt;br /&gt;&lt;br /&gt;"Oh Meg!" she interrupted, holding her at arm’s-length, and looking in her face imploringly. "The worst of all, the worst of all! Strike me old, Meg! Wither me, and shrivel me, and free me from the dreadful thoughts that tempt me in my youth!"&lt;br /&gt;&lt;br /&gt;Trotty turned to look upon his guide. But the Spirit of the child had taken flight. Was gone.&lt;br /&gt;&lt;br /&gt;Neither did he himself remain in the same place; for, Sir Joseph Bowley, Friend and Father of the Poor, held a great festivity at Bowley Hall, in honour of the natal day of Lady Bowley; and as Lady Bowley had been born on New Year’s day (which the local newspapers considered an especial pointing of the finger of Providence to number One, as Lady Bowley’s destined figure in Creation), it was on a New Year’s Day that this festivity took place.&lt;br /&gt;&lt;br /&gt;Bowley Hall was full of visitors. The red-faced gentleman was there, Mr. Filer was there, the great Alderman Cute was there—Alderman Cute had a sympathetic feeling with great people, and had considerably improved his acquaintance with Sir Joseph Bowley on the strength of his attentive letter: indeed had become quite a friend of the family since then—and many guests were there. Trotty’s ghost was there, wandering about, poor phantom, drearily; and looking for its guide.&lt;br /&gt;&lt;br /&gt;There was to be a great dinner in the Great Hall. At which Sir Joseph Bowley, in his celebrated character of Friend and Father of the Poor, was to make his great speech. Certain plum-puddings were to be eaten by his Friends and Children in another Hall first; and, at a given signal, Friends and Children flocking in among their Friends and Fathers, were to form a family assemblage, with not one manly eye therein unmoistened by emotion.&lt;br /&gt;&lt;br /&gt;But, there was more than this to happen. Even more than this. Sir Joseph Bowley, Baronet and Member of Parliament, was to play a match at skittles—real skittles—with his tenants.&lt;br /&gt;&lt;br /&gt;"Which quite reminds me," said Alderman Cute, "of the days of old King Hal, stout King Hal, bluff King Hal. Ah! Fine character!"&lt;br /&gt;&lt;br /&gt;"Very," said Mr. Filer, dryly. "For marrying women and murdering ’em. Considerably more than the average number of wives by the bye."&lt;br /&gt;&lt;br /&gt;"You’ll marry the beautiful ladies, and not murder ’em, eh?"&lt;br /&gt;said Alderman Cute to the heir of Bowley, aged twelve. "Sweet boy! We shall have this little gentleman in Parliament now," said the Alderman, holding him by the shoulders, and looking as reflective as he could, "before we know where we are. We shall hear of his successes at the poll; his speeches in the House; his overtures from Governments; his brilliant achievements of all kinds; ah! we shall make our little orations about him in the common council, I’ll be bound; before we have time to look about us!"&lt;br /&gt;&lt;br /&gt;"Oh, the difference of shoes and stockings!" Trotty thought. But his heart yearned towards the child, for the love of those same shoeless and stockingless boys, predestined (by the Alderman) to turn out bad, who might have been the children of poor Meg.&lt;br /&gt;&lt;br /&gt;"Richard," moaned Trotty, roaming among the company, to and fro; "where is he? I can’t find Richard! Where is Richard?"&lt;br /&gt;&lt;br /&gt;Not likely to be there, if still alive! But Trotty’s grief and solitude confused him; and he still went wandering among the gallant company, looking for his guide, and saying, "Where is Richard? Show me Richard!"&lt;br /&gt;&lt;br /&gt;He was wandering thus, when he encountered Mr. Fish, the confidential Secretary: in great agitation.&lt;br /&gt;&lt;br /&gt;"Bless my heart and soul!" cried Mr. Fish. "Where’s Alderman Cute? Has anybody seen the Alderman?"&lt;br /&gt;&lt;br /&gt;Seen the Alderman? Oh dear! Who could ever help seeing the Alderman? He was so considerate, so affable; he bore so much in mind the natural desire of folks to see him, that if he had a fault, it was the being constantly On View. And wherever the great people were, there, to be sure, attracted by the kindred sympathy between great souls, was Cute.&lt;br /&gt;&lt;br /&gt;Several voices cried that he was in the circle round Sir Joseph. Mr. Fish made way there; found him; and took him secretly into a window near at hand. Trotty joined them. Not of his own accord. He felt that his steps were led in that direction.&lt;br /&gt;&lt;br /&gt;"My dear Alderman Cute," said Mr. Fish. "A little more this way. The most dreadful circumstance has occurred. I have this moment received the intelligence. I think it will be best not to acquaint Sir Joseph with it till the day is over. You understand Sir Joseph, and will give me your opinion. The most frightful and deplorable event!"&lt;br /&gt;&lt;br /&gt;"Fish!" returned the Alderman. "Fish! My good fellow, what is the matter? Nothing revolutionary, I hope! No—no attempted interference with the magistrates?"&lt;br /&gt;&lt;br /&gt;"Deedles, the banker," gasped the Secretary. "Deedles Brothers—who was to have been here to-day—high in office in the Goldsmiths’ Company—"&lt;br /&gt;&lt;br /&gt;"Not stopped!" exclaimed the Alderman, "It can’t be!"&lt;br /&gt;&lt;br /&gt;"Shot himself."&lt;br /&gt;&lt;br /&gt;"Good God!"&lt;br /&gt;&lt;br /&gt;"Put a double-barrelled pistol to his mouth, in his own counting house," said Mr. Fish, "and blew his brains out. No motive. Princely circumstances!"&lt;br /&gt;&lt;br /&gt;"Circumstances!" exclaimed the Alderman. "A man of noble fortune. One of the most respectable of men. Suicide, Mr. Fish! By his own hand!"&lt;br /&gt;&lt;br /&gt;"This very morning," returned Mr. Fish.&lt;br /&gt;&lt;br /&gt;"Oh the brain, the brain!" exclaimed the pious Alderman, lifting up his hands. "Oh the nerves, the nerves; the mysteries of this machine called Man! Oh the little that unhinges it: poor creatures that we are! Perhaps a dinner, Mr. Fish. Perhaps the conduct of his son, who, I have heard, ran very wild, and was in the habit of drawing bills upon him without the least authority! A most respectable man. One of the most respectable men I ever knew! A lamentable instance, Mr. Fish. A public calamity! I shall make a point of wearing the deepest mourning. A most respectable man! But there is One above. We must submit, Mr. Fish. We must submit!"&lt;br /&gt;&lt;br /&gt;What, Alderman! No word of Putting Down? Remember, Justice, your high moral boast and pride. Come, Alderman! Balance those scales. Throw me into this, the empty one, No Dinner, and Nature’s founts in some poor woman, dried by starving misery and rendered obdurate to claims for which her offspring &lt;em&gt;has&lt;/em&gt; authority in holy mother Eve. Weigh me the two, you Daniel going to judgment, when your day shall come! Weigh them, in the eyes of suffering thousands, audience (not unmindful) of the grim farce you play! Or supposing that you strayed from your five wits—it’s not so far to go, but that it might be—and laid hands upon that throat of yours, warning your fellows (if you have a fellow) how they croak their comfortable wickedness to raving heads and stricken hearts. What then?&lt;br /&gt;&lt;br /&gt;The words rose up in Trotty’s breast, as if they had been spoken by some other voice within him. Alderman Cute pledged himself to Mr. Fish that he would assist him in breaking the melancholy catastrophe to Sir Joseph when the day was over. Then, before they parted, wringing Mr. Fish’s hand in bitterness of soul, he said, "The most respectable of men!" And added that he hardly knew; not even he; why such afflictions were allowed on earth.&lt;br /&gt;&lt;br /&gt;"It’s almost enough to make one think, if one didn’t know better," said Alderman Cute, "that at times some motion of a capsizing nature was going on in things, which affected the general economy of the social fabric. Deedles Brothers!"&lt;br /&gt;&lt;br /&gt;The skittle-playing came off with immense success. Sir Joseph knocked the pins about quite skilfully; Master Bowley took an innings at a shorter distance also; and everybody said that now, when a Baronet and the Son of a Baronet played at skittles, the country was coming round again, as fast as it could come.&lt;br /&gt;&lt;br /&gt;At its proper time, the Banquet was served up. Trotty involuntarily repaired to the Hall with the rest, for he felt himself conducted thither by some stronger impulse than his own free will. The sight was gay in the extreme; the ladies were very handsome; the visitors delighted, cheerful, and good-tempered. When the lower doors were opened, and the people flocked in, in their rustic dresses, the beauty of the spectacle was at its height; but Trotty only murmured more and more, "Where is Richard! He should help and comfort her! I can’t see Richard!"&lt;br /&gt;&lt;br /&gt;There had been some speeches made; and Lady Bowley’s health had been proposed; and Sir Joseph Bowley had returned thanks, and had made his great speech, showing by various pieces of evidence that he was the born Friend and Father, and so forth; and had given as a Toast, his Friends and Children, and the Dignity of Labor; when a slight disturbance at the bottom of the hall attracted Toby’s notice. After some confusion, noise, and opposition, one man broke through the rest, and stood forward by himself.&lt;br /&gt;&lt;br /&gt;Not Richard. No. But one whom he had thought of, and had looked for, many times. In a scantier supply of light, he might have doubted the identity of that worn man, so old, and grey, and bent; but with a blaze of lamps upon his gnarled and knotted head, he knew Will Fern as soon as he stepped forth.&lt;br /&gt;&lt;br /&gt;"What is this!" exclaimed Sir Joseph, rising. "Who gave this man admittance? This is a criminal from prison! Mr. Fish, Sir, &lt;em&gt;will&lt;/em&gt; you have the goodness—"&lt;br /&gt;&lt;br /&gt;"A minute!" said Will Fern. "A minute! My Lady, you was born on this day along with a New Year. Get me a minute’s leave to speak."&lt;br /&gt;&lt;br /&gt;She made some intercession for him. Sir Joseph took his seat again, with native dignity.&lt;br /&gt;&lt;br /&gt;The ragged visitor—for he was miserably dressed—looked round upon the company, and made his homage to them with a humble bow.&lt;br /&gt;&lt;br /&gt;"Gentlefolks!" he said. "You’ve drunk the Labourer. Look at me!"&lt;br /&gt;&lt;br /&gt;"Just come from jail," said Mr. Fish.&lt;br /&gt;&lt;br /&gt;"Just come from jail," said Will. "And neither for the first time, nor the second, nor the third, nor yet the fourth."&lt;br /&gt;&lt;br /&gt;Mr. Filer was heard to remark testily, that four times was over the average; and he ought to be ashamed of himself.&lt;br /&gt;&lt;br /&gt;"Gentlefolks!" repeated Will Fern. "Look at me! You see I’m at the worst. Beyond all hurt or harm; beyond your help; for the time when your kind words or kind actions could have done ME good,"—he struck his hand upon his breast, and shook his head, "is gone, with the scent of last year’s beans or clover on the air. Let me say a word for these," pointing to the labouring people in the Hall; "and when you’re met together, hear the real Truth spoke out for once."&lt;br /&gt;&lt;br /&gt;"There’s not a man here," said the host, "who would have him for a spokesman."&lt;br /&gt;&lt;br /&gt;"Like enough, Sir Joseph. I believe it. Not the less true, perhaps, is what I say. Perhaps that’s a proof on it.&lt;br /&gt;Gentlefolks, I’ve lived many a year in this place. You may see the cottage from the sunk fence over yonder. I’ve seen the ladies draw it in their books a hundred times. It looks well in a picter, I’ve heerd say; but there an’t weather in picters, and maybe ’tis fitter for that, than for a place to live in. Well! I lived there. How hard—how bitter hard, I lived there, I won’t say. Any day in the year, and every day, you can judge for your own selves."&lt;br /&gt;&lt;br /&gt;He spoke as he had spoken on the night when Trotty found him in the street. His voice was deeper and more husky, and had a trembling in it now and then; but he never raised it passionately, and seldom lifted it above the firm stern level of the homely facts he stated.&lt;br /&gt;&lt;br /&gt;"’Tis harder than you think for, gentlefolks, to grow up decent, commonly decent, in such a place. That I growed up a man and not a brute, says something for me—as I was then. As I am now, there’s nothing can be said for me or done for me. I’m past it."&lt;br /&gt;&lt;br /&gt;"I am glad this man has entered," observed Sir Joseph, looking round serenely. "Don’t disturb him. It appears to be Ordained. He is an Example: a living example. I hope and trust, and confidently expect, that it will not be lost upon my Friends here."&lt;br /&gt;&lt;br /&gt;"I dragged on," said Fern, after a moment’s silence, "Somehow. Neither me nor any other man knows how; but so heavy, that I couldn’t put a cheerful face upon it, or make believe that I was anything but what I was. Now, gentlemen—you gentlemen that sits at Sessions—when you see a man with discontent writ on his face, you says to one another, 'he’s suspicious. I has my doubts,' says you, 'about Will Fern. Watch that fellow!' I don’t say, gentlemen, it ain’t quite nat’ral, but I say ’tis so; and from that hour, whatever Will Fern does, or lets alone—all one—it goes against him."&lt;br /&gt;&lt;br /&gt;Alderman Cute stuck his thumbs in his waistcoat-pockets, and leaning back in his chair, and smiling, winked at a neighbouring chandelier. As much as to say, "Of course! I told you so. The common cry! Lord bless you, we are up to all this sort of thing—myself and human nature."&lt;br /&gt;&lt;br /&gt;"Now, gentlemen," said Will Fern, holding out his hands, and flushing for an instant in his haggard face, "See how your laws are made to trap and hunt us when we’re brought to this. I tries to live elsewhere. And I’m a vagabond. To jail with him! I comes back here. I goes a-nutting in your woods, and breaks—who don’t?—a limber branch or two. To jail with him! One of your keepers sees me in the broad day, near my own patch of garden, with a gun. To jail with him! I has a nat’ral angry word with that man, when I’m free again. To jail with him! I cuts a stick. To jail with him! I eats a rotten apple or a turnip. To jail with him! It’s twenty mile away; and coming back I begs a trifle on the road. To jail with him! At last, the constable, the keeper—anybody—finds me anywhere, a-doing anything. To jail with him, for he’s a vagrant, and a jail-bird known; and jail’s the only home he’s got."&lt;br /&gt;&lt;br /&gt;The Alderman nodded sagaciously, as who should say, "A very good home too!"&lt;br /&gt;&lt;br /&gt;"Do I say this to serve MY cause!" cried Fern. "Who can give me back my liberty, who can give me back my good name, who can give me back my innocent niece? Not all the Lords and Ladies in wide England. But, gentlemen, gentlemen, dealing with other men like me, begin at the right end. Give us, in mercy, better homes when we’re a-lying in our cradles; give us better food when we’re a-working for our lives; give us kinder laws to bring us back when we're a-going wrong; and don’t set Jail, Jail, Jail, afore us, everywhere we turn. There an’t a condescension you can show the Labourer then, that he won’t take, as ready and as grateful as a man can be; for he has a patient, peaceful, willing heart. But you must put his rightful spirit in him first; for whether he’s a wreck and ruin such as me, or is like one of them that stand here now, his spirit is divided from you at this time. Bring it back, gentlefolks, bring it back! Bring it back, afore the day comes when even his Bible changes in his altered mind, and the words seem to him to read, as they have sometimes read in my own eyes—in Jail: 'Whither thou goest, I can Not go; where thou lodgest, I do Not lodge; thy people are Not my people; Nor thy God my God!'"&lt;br /&gt;&lt;br /&gt;A sudden stir and agitation took place in Hall. Trotty thought at first, that several had risen to eject the man; and hence this change in its appearance. But, another moment showed him that the room and all the company had vanished from his sight, and that his daughter was again before him, seated at her work. But in a poorer, meaner garret than before; and with no Lilian by her side.&lt;br /&gt;&lt;br /&gt;The frame at which she had worked, was put away upon a shelf and covered up. The chair in which she had sat, was turned against the wall. A history was written in these little things, and in Meg’s grief-worn face. Oh! who could fail to read it!&lt;br /&gt;&lt;br /&gt;Meg strained her eyes upon her work until it was too dark to see the threads; and when the night closed in, she lighted her feeble candle and worked on. Still her old father was invisible about her; looking down upon her; loving her—how dearly loving her!—and talking to her in a tender voice about the old times, and the Bells. Though he knew, poor Trotty, though he knew she could not hear him.&lt;br /&gt;&lt;br /&gt;A great part of the evening had worn away, when a knock came at her door. She opened it. A man was on the threshold. A slouching, moody, drunken sloven: wasted by intemperance and vice, and with his matted hair and unshorn beard in wild disorder: but with some traces on him, too, of having been a man of good proportion and good features in his youth.&lt;br /&gt;&lt;br /&gt;He stopped until he had her leave to enter; and she, retiring a pace or two from the open door, silently and sorrowfully looked upon him. Trotty had his wish. He saw Richard.&lt;br /&gt;&lt;br /&gt;"May I come in, Margaret?"&lt;br /&gt;&lt;br /&gt;"Yes! Come in. Come in!"&lt;br /&gt;&lt;br /&gt;It was well that Trotty knew him before he spoke; for with any doubt remaining on his mind, the harsh discordant voice would have persuaded him that it was not Richard but some other man.&lt;br /&gt;&lt;br /&gt;There were but two chairs in the room. She gave him hers, and stood at some short distance from him, waiting to hear what he had to say.&lt;br /&gt;&lt;br /&gt;He sat, however, staring vacantly at the floor; with a lustreless and stupid smile. A spectacle of such deep degradation, of such abject hopelessness, of such a miserable downfall, that she put her hands before her face and turned away, lest he should see how much it moved her.&lt;br /&gt;&lt;br /&gt;Roused by the rustling of her dress, or some such trifling sound, he lifted his head, and began to speak as if there had been no pause since he entered.&lt;br /&gt;&lt;br /&gt;"Still at work, Margaret? You work late."&lt;br /&gt;&lt;br /&gt;"I generally do."&lt;br /&gt;&lt;br /&gt;"And early?"&lt;br /&gt;&lt;br /&gt;"And early."&lt;br /&gt;&lt;br /&gt;"So she said. She said you never tired; or never owned that you tired. Not all the time you lived together. Not even when you fainted, between work and fasting. But I told you that, the last time I came."&lt;br /&gt;&lt;br /&gt;"You did," she answered. "And I implored you to tell me nothing more; and you made me a solemn promise, Richard, that you never would."&lt;br /&gt;&lt;br /&gt;"A solemn promise," he repeated, with a drivelling laugh and vacant stare. "A solemn promise. To be sure. A solemn promise!" Awakening, as it were, after a time; in the same manner as before; he said with sudden animation:&lt;br /&gt;&lt;br /&gt;"How can I help it, Margaret? What am I to do? She has been to me again!"&lt;br /&gt;&lt;br /&gt;"Again!" cried Meg, clasping her hands. "Oh, does she think of me so often! Has she been again!"&lt;br /&gt;&lt;br /&gt;"Twenty times again," said Richard. "Margaret, she haunts me. She comes behind me in the street, and thrusts it in my hand. I hear her foot upon the ashes when I’m at my work (ha, ha! that an’t often), and before I can turn my head, her voice is in my ear, saying, 'Richard, don’t look round. For Heaven’s love, give her this!' She brings it where I live: she sends it in letters; she taps at the window and lays it on the sill. What &lt;em&gt;can&lt;/em&gt; I do? Look at it!"&lt;br /&gt;&lt;br /&gt;He held out in his hand a little purse, and chinked the money it enclosed.&lt;br /&gt;&lt;br /&gt;"Hide it," said Meg. "Hide it! When she comes again, tell her, Richard, that I love her in my soul. That I never lie down to sleep, but I bless her, and pray for her. That in my solitary work, I never cease to have her in my thoughts. That she is with me, night and day. That if I died to-morrow, I would remember her with my last breath. But that I cannot look upon it!"&lt;br /&gt;&lt;br /&gt;He slowly recalled his hand, and crushing the purse together, said with a kind of drowsy thoughtfulness:&lt;br /&gt;&lt;br /&gt;"I told her so. I told her so, as plain as words could speak. I’ve taken this gift back and left it at her door, a dozen times since then. But when she came at last, and stood before me, face to face, what could I do?"&lt;br /&gt;&lt;br /&gt;"You saw her!" exclaimed Meg. "You saw her! O, Lilian, my sweet girl! O, Lilian, Lilian!"&lt;br /&gt;&lt;br /&gt;"I saw her," he went on to say, not answering, but engaged in the same slow pursuit of his own thoughts. "There she stood: trembling! 'How does she look, Richard? Does she ever speak of me? Is she thinner? My old place at the table: what’s in my old place? And the frame she taught me our old work on—has she burnt it, Richard!'" There she was. I heard her say it.’&lt;br /&gt;&lt;br /&gt;Meg checked her sobs, and with the tears streaming from her eyes, bent over him to listen. Not to lose a breath.&lt;br /&gt;&lt;br /&gt;With his arms resting on his knees; and stooping forward in his chair, as if what he said were written on the ground in some half legible character, which it was his occupation to decipher and connect; he went on.&lt;br /&gt;&lt;br /&gt;"'Richard, I have fallen very low; and you may guess how much I have suffered in having this sent back, when I can bear to bring it in my hand to you. But you loved her once, even in my memory, dearly. Others stepped in between you; fears, and jealousies, and doubts, and vanities, estranged you from her; but you did love her, even in my memory!' I suppose I did," he said, interrupting himself for a moment. "I did! That’s neither here nor there. 'O Richard, if you ever did; if you have any memory for what is gone and lost, take it to her once more. Once more! Tell her how I begged and prayed. Tell her how I laid my head upon your shoulder, where her own head might have lain, and was so humble to you, Richard. Tell her that you looked into my face, and saw the beauty which she used to praise, all gone: all gone: and in its place, a poor, wan, hollow cheek, that she would weep to see. Tell her everything, and take it back, and she will not refuse again. She will not have the heart!'"&lt;br /&gt;&lt;br /&gt;So he sat musing, and repeating the last words, until he woke again, and rose.&lt;br /&gt;&lt;br /&gt;"You won’t take it, Margaret?"&lt;br /&gt;&lt;br /&gt;She shook her head, and motioned an entreaty to him to leave her.&lt;br /&gt;&lt;br /&gt;"Good night, Margaret."&lt;br /&gt;&lt;br /&gt;"Good night!"&lt;br /&gt;&lt;br /&gt;He turned to look upon her; struck by her sorrow, and perhaps by the pity for himself which trembled in her voice. It was a quick and rapid action; and for the moment some flash of his old bearing kindled in his form. In the next he went as he had come. Nor did this glimmer of a quenched fire seem to light him to a quicker sense of his debasement.&lt;br /&gt;&lt;br /&gt;In any mood, in any grief, in any torture of the mind or body, Meg’s work must be done. She sat down to her task, and plied it. Night, midnight. Still she worked.&lt;br /&gt;&lt;br /&gt;She had a meagre fire, the night being very cold; and rose at intervals to mend it. The Chimes rang half-past twelve while she was thus engaged; and when they ceased she heard a gentle knocking at the door. Before she could so much as wonder who was there, at that unusual hour, it opened.&lt;br /&gt;&lt;br /&gt;O Youth and Beauty, happy as ye should be, look at this. O Youth and Beauty, blest and blessing all within your reach, and working out the ends of your Beneficent Creator, look at this!&lt;br /&gt;&lt;br /&gt;She saw the entering figure; screamed its name; cried&lt;br /&gt;"Lilian!"&lt;br /&gt;&lt;br /&gt;It was swift, and fell upon its knees before her: clinging to her dress.&lt;br /&gt;&lt;br /&gt;"Up, dear! Up! Lilian! My own dearest!"&lt;br /&gt;&lt;br /&gt;"Never more, Meg; never more! Here! Here! Close to you, holding to you, feeling your dear breath upon my face!"&lt;br /&gt;&lt;br /&gt;"Sweet Lilian! Darling Lilian! Child of my heart—no mother’s love can be more tender—lay your head upon my breast!"&lt;br /&gt;&lt;br /&gt;"Never more, Meg; never more! When I first looked into your face, you knelt before me. On my knees before you, let me die. Let it be here!"&lt;br /&gt;&lt;br /&gt;"You have come back. My Treasure! We will live together, work together, hope together, die together!"&lt;br /&gt;&lt;br /&gt;"Ah! Kiss my lips, Meg; fold your arms about me; press me to your bosom; look kindly on me; but don’t raise me. Let it be here. Let me see the last of your dear face upon my knees!"&lt;br /&gt;&lt;br /&gt;O Youth and Beauty, happy as ye should be, look at this! O Youth and Beauty, working out the ends of your Beneficent Creator, look at this!&lt;br /&gt;&lt;br /&gt;"Forgive me, Meg! So dear, so dear! Forgive me! I know you do, I see you do, but say so, Meg!"&lt;br /&gt;&lt;br /&gt;She said so, with her lips on Lilian’s cheek. And with her arms twined round—she knew it now—a broken heart.&lt;br /&gt;&lt;br /&gt;"His blessing on you, dearest love. Kiss me once more! He suffered her to sit beside His feet, and dry them with her hair. O Meg, what Mercy and Compassion!"&lt;br /&gt;&lt;br /&gt;As she died, the Spirit of the child returning, innocent and radiant, touched the old man with its hand, and beckoned him away.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Fourth Quarter.&lt;br /&gt;&lt;br /&gt;Some new remembrance of the ghostly figures in the Bells; some faint impression of the ringing of the Chimes; some giddy consciousness of having seen the swarm of phantoms reproduced and reproduced until the recollection of them lost itself in the confusion of their numbers; some hurried knowledge, how conveyed to him he knew not, that more years had passed; and Trotty, with the Spirit of the child attending him, stood looking on at mortal company.&lt;br /&gt;&lt;br /&gt;Fat company, rosy-cheeked company, comfortable company. They were but two, but they were red enough for ten. They sat before a bright fire, with a small low table between them; and unless the fragrance of hot tea and muffins lingered longer in that room than in most others, the table had seen service very lately. But all the cups and saucers being clean, and in their proper places in the corner-cupboard; and the brass toasting-fork hanging in its usual nook and spreading its four idle fingers out as if it wanted to be measured for a glove; there remained no other visible tokens of the meal just finished, than such as purred and washed their whiskers in the person of the basking cat, and glistened in the gracious, not to say the greasy, faces of her patrons.&lt;br /&gt;&lt;br /&gt;This cosy couple (married, evidently) had made a fair division of the fire between them, and sat looking at the glowing sparks that dropped into the grate; now nodding off into a doze; now waking up again when some hot fragment, larger than the rest, came rattling down, as if the fire were coming with it.&lt;br /&gt;&lt;br /&gt;It was in no danger of sudden extinction, however; for it gleamed not only in the little room, and on the panes of window-glass in the door, and on the curtain half drawn across them, but in the little shop beyond. A little shop, quite crammed and choked with the abundance of its stock; a perfectly voracious little shop, with a maw as accommodating and full as any shark’s. Cheese, butter, firewood, soap, pickles, matches, bacon, table-beer, peg-tops, sweetmeats, boys’ kites, bird-seed, cold ham, birch brooms, hearth-stones, salt, vinegar, blacking, red-herrings, stationery, lard, mushroom-ketchup, staylaces, loaves of bread, shuttlecocks, eggs, and slate pencil; everything was fish that came to the net of this greedy little shop, and all articles were in its net. How many other kinds of petty merchandise were there, it would be difficult to say; but balls of packthread, ropes of onions, pounds of candles, cabbage-nets, and brushes, hung in bunches from the ceiling, like extraordinary fruit; while various odd canisters emitting aromatic smells, established the veracity of the inscription over the outer door, which informed the public that the keeper of this little shop was a licensed dealer in tea, coffee, tobacco, pepper, and snuff.&lt;br /&gt;&lt;br /&gt;Glancing at such of these articles as were visible in the shining of the blaze, and the less cheerful radiance of two smoky lamps which burnt but dimly in the shop itself, as though its plethora sat heavy on their lungs; and glancing, then, at one of the two faces by the parlour-fire; Trotty had small difficulty in recognising in the stout old lady, Mrs. Chickenstalker: always inclined to corpulency, even in the days when he had known her as established in the general line, and having a small balance against him in her books.&lt;br /&gt;&lt;br /&gt;The features of her companion were less easy to him. The great broad chin, with creases in it large enough to hide a finger in; the astonished eyes, that seemed to expostulate with themselves for sinking deeper and deeper into the yielding fat of the soft face; the nose afflicted with that disordered action of its functions which is generally termed The Snuffles; the short thick throat and labouring chest, with other beauties of the like description; though calculated to impress the memory, Trotty could at first allot to nobody he had ever known: and yet he had some recollection of them too. At length, in Mrs. Chickenstalker’s partner in the general line, and in the crooked and eccentric line of life, he recognised the former porter of Sir Joseph Bowley; an apoplectic innocent, who had connected himself in Trotty’s mind with Mrs. Chickenstalker years ago, by giving him admission to the mansion where he had confessed his obligations to that lady, and drawn on his unlucky head such grave reproach.&lt;br /&gt;&lt;br /&gt;Trotty had little interest in a change like this, after the changes he had seen; but association is very strong sometimes; and he looked involuntarily behind the parlour-door, where the accounts of credit customers were usually kept in chalk. There was no record of his name. Some names were there, but they were strange to him, and infinitely fewer than of old; from which he argued that the porter was an advocate of ready-money transactions, and on coming into the business had looked pretty sharp after the Chickenstalker defaulters.&lt;br /&gt;&lt;br /&gt;So desolate was Trotty, and so mournful for the youth and promise of his blighted child, that it was a sorrow to him, even to have no place in Mrs. Chickenstalker’s ledger.&lt;br /&gt;&lt;br /&gt;"What sort of a night is it, Anne?" inquired the former porter of Sir Joseph Bowley, stretching out his legs before the fire, and rubbing as much of them as his short arms could reach; with an air that added, "Here I am if it’s bad, and I don’t want to go out if it’s good."&lt;br /&gt;&lt;br /&gt;"Blowing and sleeting hard," returned his wife; "and threatening snow. Dark. And very cold."&lt;br /&gt;&lt;br /&gt;"I’m glad to think we had muffins," said the former porter, in the tone of one who had set his conscience at rest. "It’s a sort of night that’s meant for muffins. Likewise crumpets. Also Sally Lunns."&lt;br /&gt;&lt;br /&gt;The former porter mentioned each successive kind of eatable, as if he were musingly summing up his good actions. After which he rubbed his fat legs as before, and jerking them at the knees to get the fire upon the yet unroasted parts, laughed as if somebody had tickled him.&lt;br /&gt;&lt;br /&gt;"You’re in spirits, Tugby, my dear," observed his wife.&lt;br /&gt;&lt;br /&gt;The firm was Tugby, late Chickenstalker.&lt;br /&gt;&lt;br /&gt;"No," said Tugby. "No. Not particular. I’m a little elewated. The muffins came so pat!"&lt;br /&gt;&lt;br /&gt;With that he chuckled until he was black in the face; and had so much ado to become any other colour, that his fat legs took the strangest excursions into the air. Nor were they reduced to anything like decorum until Mrs. Tugby had thumped him violently on the back, and shaken him as if he were a great bottle.&lt;br /&gt;&lt;br /&gt;"Good gracious, goodness, lord-a-mercy bless and save the man!" cried Mrs. Tugby, in great terror. "What’s he doing?"&lt;br /&gt;&lt;br /&gt;Mr. Tugby wiped his eyes, and faintly repeated that he found himself a little elewated.&lt;br /&gt;&lt;br /&gt;"Then don’t be so again, that’s a dear good soul," said Mrs. Tugby, "if you don’t want to frighten me to death, with your struggling and fighting!"&lt;br /&gt;&lt;br /&gt;Mr. Tugby said he wouldn’t; but, his whole existence was a fight, in which, if any judgment might be founded on the constantly-increasing shortness of his breath, and the deepening purple of his face, he was always getting the worst of it.&lt;br /&gt;&lt;br /&gt;"So it’s blowing, and sleeting, and threatening snow; and it’s dark, and very cold, is it, my dear?" said Mr. Tugby, looking at the fire, and reverting to the cream and marrow of his temporary elevation.&lt;br /&gt;&lt;br /&gt;"Hard weather indeed," returned his wife, shaking her head.&lt;br /&gt;&lt;br /&gt;"Aye, aye! Years," said Mr. Tugby, "are like christians in that respect. Some of ’em die hard; some of ’em die easy. This one hasn’t many days to run, and is making a fight for it. I like him all the better. There’s a customer, my love!"&lt;br /&gt;&lt;br /&gt;Attentive to the rattling door, Mrs. Tugby had already risen.&lt;br /&gt;&lt;br /&gt;"Now then!’ said that lady, passing out into the little shop. ‘What’s wanted? Oh! I beg your pardon, Sir, I’m sure. I didn’t think it was you."&lt;br /&gt;&lt;br /&gt;She made this apology to a gentleman in black, who, with his wristbands tucked up, and his hat cocked loungingly on one side, and his hands in his pockets, sat down astride on the table-beer barrel, and nodded in return.&lt;br /&gt;&lt;br /&gt;"This is a bad business up-stairs, Mrs. Tugby," said the gentleman. "The man can’t live."&lt;br /&gt;&lt;br /&gt;"Not the back-attic can’t!" cried Tugby, coming out into the shop to join the conference.&lt;br /&gt;&lt;br /&gt;"The back-attic, Mr. Tugby," said the gentleman, "is coming down-stairs fast, and will be below the basement very soon."&lt;br /&gt;&lt;br /&gt;Looking by turns at Tugby and his wife, he sounded the barrel with his knuckles for the depth of beer, and having found it, played a tune upon the empty part.&lt;br /&gt;&lt;br /&gt;"The back-attic, Mr. Tugby," said the gentleman: Tugby having stood in silent consternation for some time: "is Going."&lt;br /&gt;&lt;br /&gt;"Then," said Tugby, turning to his wife, "he must Go, you know, before he’s Gone."&lt;br /&gt;&lt;br /&gt;"I don’t think you can move him," said the gentleman, shaking his head. "I wouldn’t take the responsibility of saying it could be done, myself. You had better leave him where he is. He can’t live long."&lt;br /&gt;&lt;br /&gt;"It’s the only subject," said Tugby, bringing the butter-scale down upon the counter with a crash, by weighing his fist on it, "that we’ve ever had a word upon; she and me; and look what it comes to! He’s going to die here, after all. Going to die upon the premises. Going to die in our house!"&lt;br /&gt;&lt;br /&gt;"And where should he have died, Tugby?" cried his wife.&lt;br /&gt;&lt;br /&gt;"In the workhouse," he returned. "What are workhouses made for?"&lt;br /&gt;&lt;br /&gt;"Not for that," said Mrs. Tugby, with great energy. "Not for that! Neither did I marry you for that. Don’t think it, Tugby. I won’t have it. I won’t allow it. I’d be separated first, and never see your face again. When my widow’s name stood over that door, as it did for many years: this house being known as Mrs. Chickenstalker’s far and wide, and never known but to its honest credit and its good report: when my widow’s name stood over that door, Tugby, I knew him as a handsome, steady, manly, independent youth; I knew her as the sweetest-looking, sweetest-tempered girl, eyes ever saw; I knew her father (poor old creetur, he fell down from the steeple walking in his sleep, and killed himself), for the simplest, hardest-working, childest-hearted man, that ever drew the breath of life; and when I turn them out of house and home, may angels turn me out of Heaven. As they would! And serve me right!"&lt;br /&gt;&lt;br /&gt;Her old face, which had been a plump and dimpled one before the changes which had come to pass, seemed to shine out of her as she said these words; and when she dried her eyes, and shook her head and her handkerchief at Tugby, with an expression of firmness which it was quite clear was not to be easily resisted, Trotty said, "Bless her! Bless her!"&lt;br /&gt;&lt;br /&gt;Then he listened, with a panting heart, for what should follow. Knowing nothing yet, but that they spoke of Meg.&lt;br /&gt;&lt;br /&gt;If Tugby had been a little elevated in the parlour, he more than balanced that account by being not a little depressed in the shop, where he now stood staring at his wife, without attempting a reply; secretly conveying, however—either in a fit of abstraction or as a precautionary measure—all the money from the till into his own pockets, as he looked at her.&lt;br /&gt;&lt;br /&gt;The gentleman upon the table-beer cask, who appeared to be some authorised medical attendant upon the poor, was far too well accustomed, evidently, to little differences of opinion between man and wife, to interpose any remark in this instance. He sat softly whistling, and turning little drops of beer out of the tap upon the ground, until there was a perfect calm: when he raised his head, and said to Mrs. Tugby, late Chickenstalker:&lt;br /&gt;&lt;br /&gt;"There’s something interesting about the woman, even now. How did she come to marry him?"&lt;br /&gt;&lt;br /&gt;"Why that," said Mrs. Tugby, taking a seat near him, "is not the least cruel part of her story, sir. You see they kept company, she and Richard, many years ago. When they were a young and beautiful couple, everything was settled, and they were to have been married on a New Year’s Day. But, somehow, Richard got it into his head, through what the gentlemen told him, that he might do better, and that he’d soon repent it, and that she wasn’t good enough for him, and that a young man of spirit had no business to be married. And the gentlemen frightened her, and made her melancholy, and timid of his deserting her, and of her children coming to the gallows, and of its being wicked to be man and wife, and a good deal more of it. And in short, they lingered and lingered, and their trust in one another was broken, and so at last was the match. But the fault was his. She would have married him, Sir, joyfully. I’ve seen her heart swell many times afterwards, when he passed her in a proud and careless way; and never did a woman grieve more truly for a man, than she for Richard when he first went wrong."&lt;br /&gt;&lt;br /&gt;"Oh! he went wrong, did he?" said the gentleman, pulling out the vent-peg of the table-beer, and trying to peep down into the barrel through the hole.&lt;br /&gt;&lt;br /&gt;"Well, Sir, I don’t know that he rightly understood himself, you see. I think his mind was troubled by their having broke with one another; and that but for being ashamed before the gentlemen, and perhaps for being uncertain too, how she might take it, he’d have gone through any suffering or trial to have had Meg’s promise and Meg’s hand again. That’s my belief. He never said so; more’s the pity! He took to drinking, idling, bad companions: all the fine resources that were to be so much better for him than the Home he might have had. He lost his looks, his character, his health, his strength, his friends, his work: everything!"&lt;br /&gt;&lt;br /&gt;"He didn’t lose everything, Mrs. Tugby," returned the gentleman, "because he gained a wife; and I want to know how he gained her."&lt;br /&gt;&lt;br /&gt;"I’m coming to it, Sir, in a moment. This went on for years and years; he sinking lower and lower; she enduring, poor thing, miseries enough to wear her life away. At last, he was so cast down, and cast out, that no one would employ or notice him; and doors were shut upon him, go where he would. Applying from place to place, and door to door; and coming for the hundredth time to one gentleman who had often and often tried him (he was a good workman to the very end); that gentleman, who knew his history, said, 'I believe you are incorrigible; there is only one person in the world who has a chance of reclaiming you; ask me to trust you no more, until she tries to do it.' Something like that, in his anger and vexation."&lt;br /&gt;&lt;br /&gt;"Ah!" said the gentleman. "Well?"&lt;br /&gt;&lt;br /&gt;"Well, sir, he went to her, and kneeled to her; said it was so; said it ever had been so; and made a prayer to her to save him."&lt;br /&gt;&lt;br /&gt;"And she?—Don’t distress yourself, Mrs. Tugby."&lt;br /&gt;&lt;br /&gt;"She came to me that night to ask me about living here. 'What he was once to me,' she said, 'is buried in a grave, side by side with what I was to him. But I have thought of this; and I will make the trial. In the hope of saving him; for the love of the light-hearted girl (you remember her) who was to have been married on a New Year’s Day; and for the love of her Richard.' And she said he had come to her from Lilian, and Lilian had trusted to him, and she never could forget that. So they were married; and when they came home here, and I saw them, I hoped that such prophecies as parted them when they were young, may not often fulfil themselves as they did in this case, or I wouldn’t be the makers of them for a Mine of Gold."&lt;br /&gt;&lt;br /&gt;The gentleman got off the cask, and stretched himself, observing:&lt;br /&gt;&lt;br /&gt;"I suppose he used her ill, as soon as they were married?"&lt;br /&gt;&lt;br /&gt;"I don’t think he ever did that," said Mrs. Tugby, shaking her head, and wiping her eyes. "He went on better for a short time; but his habits were too old and strong to be got rid of; he soon fell back a little; and was falling fast back, when his illness came so strong upon him. I think he has always felt for her. I am sure he has. I have seen him, in his crying fits and tremblings, try to kiss her hand; and I have heard him call her 'Meg,' and say it was her nineteenth birthday. There he has been lying, now, these weeks and months. Between him and her baby, she has not been able to do her old work; and by not being able to be regular, she has lost it, even if she could have done it. How they have lived, I hardly know!"&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;I&lt;/em&gt; know," muttered Mr. Tugby; looking at the till, and round the shop, and at his wife; and rolling his head with immense intelligence. "Like Fighting Cocks!"&lt;br /&gt;&lt;br /&gt;He was interrupted by a cry—a sound of lamentation—from the upper story of the house. The gentleman moved hurriedly to the door.&lt;br /&gt;&lt;br /&gt;"My friend," he said, looking back, "you needn’t discuss whether he shall be removed or not. He has spared you that trouble, I believe."&lt;br /&gt;&lt;br /&gt;Saying so, he ran up-stairs, followed by Mrs. Tugby; while Mr. Tugby panted and grumbled after them at leisure: being rendered more than commonly short-winded by the weight of the till, in which there had been an inconvenient quantity of copper. Trotty, with the child beside him, floated up the staircase like mere air.&lt;br /&gt;&lt;br /&gt;"Follow her! Follow her! Follow her!" He heard the ghostly voices in the Bells repeat their words as he ascended. "Learn it, from the creature dearest to your heart!"&lt;br /&gt;&lt;br /&gt;It was over. It was over. And this was she, her father’s pride and joy! This haggard, wretched woman, weeping by the bed, if it deserved that name, and pressing to her breast, and hanging down her head upon, an infant. Who can tell how spare, how sickly, and how poor an infant! Who can tell how dear!&lt;br /&gt;&lt;br /&gt;"Thank God!" cried Trotty, holding up his folded hands. "Oh, God be thanked! She loves her child!"&lt;br /&gt;&lt;br /&gt;The gentleman, not otherwise hard-hearted or indifferent to such scenes, than that he saw them every day, and knew that they were figures of no moment in the Filer sums—mere scratches in the working of these calculations—laid his hand upon the heart that beat no more, and listened for the breath, and said, "His pain is over. It’s better as it is!" Mrs. Tugby tried to comfort her with kindness. Mr. Tugby tried philosophy.&lt;br /&gt;&lt;br /&gt;"Come, come!" he said, with his hands in his pockets, "you mustn’t give way, you know. That won’t do. You must fight up. What would have become of me if &lt;em&gt;I&lt;/em&gt; had given way when I was porter; and we had as many as six runaway carriage-doubles at our door in one night! But I fell back upon my strength of mind, and didn’t open it!"&lt;br /&gt;&lt;br /&gt;Again Trotty heard the voices saying, "Follow her!" He turned towards his guide, and saw it rising from him, passing through the air. "Follow her!" it said. And vanished.&lt;br /&gt;&lt;br /&gt;He hovered round her; sat down at her feet; looked up into her face for one trace of her old self; listened for one note of her old pleasant voice. He flitted round the child: so wan, so prematurely old, so dreadful in its gravity, so plaintive in its feeble, mournful, miserable wail. He almost worshipped it. He clung to it as her only safeguard; as the last unbroken link that bound her to endurance. He set his father’s hope and trust on the frail baby; watched her every look upon it as she held it in her arms; and cried a thousand times, "She loves it! God be thanked, she loves it!"&lt;br /&gt;&lt;br /&gt;He saw the woman tend her in the night; return to her when her grudging husband was asleep, and all was still; encourage her, shed tears with her, set nourishment before her. He saw the day come, and the night again; the day, the night; the time go by; the house of death relieved of death; the room left to herself and to the child; he heard it moan and cry; he saw it harass her, and tire her out, and when she slumbered in exhaustion, drag her back to consciousness, and hold her with its little hands upon the rack; but she was constant to it, gentle with it, patient with it. Patient! Was its loving mother in her inmost heart and soul, and had its Being knitted up with hers as when she carried it unborn.&lt;br /&gt;&lt;br /&gt;All this time, she was in want: languishing away, in dire and pining want. With the baby in her arms, she wandered here and there, in quest of occupation; and with its thin face lying in her lap, and looking up in hers, did any work for any wretched sum; a day and night of labour for as many farthings as there were figures on the dial. If she had quarrelled with it; if she had neglected it; if she had looked upon it with a moment’s hate; if, in the frenzy of an instant, she had struck it! No. His comfort was, She loved it always.&lt;br /&gt;&lt;br /&gt;She told no one of her extremity, and wandered abroad in the day lest she should be questioned by her only friend: for any help she received from her hands, occasioned fresh disputes between the good woman and her husband; and it was new bitterness to be the daily cause of strife and discord, where she owed so much.&lt;br /&gt;&lt;br /&gt;She loved it still. She loved it more and more. But a change fell on the aspect of her love. One night.&lt;br /&gt;&lt;br /&gt;She was singing faintly to it in its sleep, and walking to and fro to hush it, when her door was softly opened, and a man looked in.&lt;br /&gt;&lt;br /&gt;"For the last time," he said.&lt;br /&gt;&lt;br /&gt;"William Fern!"&lt;br /&gt;&lt;br /&gt;"For the last time."&lt;br /&gt;&lt;br /&gt;He listened like a man pursued: and spoke in whispers.&lt;br /&gt;&lt;br /&gt;"Margaret, my race is nearly run. I couldn’t finish it, without a parting word with you. Without one grateful word."&lt;br /&gt;&lt;br /&gt;"What have you done?" she asked: regarding him with terror.&lt;br /&gt;&lt;br /&gt;He looked at her, but gave no answer.&lt;br /&gt;&lt;br /&gt;After a short silence, he made a gesture with his hand, as if he set her question by; as if he brushed it aside; and said:&lt;br /&gt;&lt;br /&gt;"It’s long ago, Margaret, now: but that night is as fresh in my memory as ever ’twas. We little thought, then," he added, looking round, "that we should ever meet like this. Your child, Margaret? Let me have it in my arms. Let me hold your child."&lt;br /&gt;&lt;br /&gt;He put his hat upon the floor, and took it. And he trembled as he took it, from head to foot.&lt;br /&gt;&lt;br /&gt;"Is it a girl?"&lt;br /&gt;&lt;br /&gt;"Yes."&lt;br /&gt;&lt;br /&gt;He put his hand before its little face.&lt;br /&gt;&lt;br /&gt;"See how weak I’m grown, Margaret, when I want the courage to look at it! Let her be, a moment. I won’t hurt her. It’s long ago, but—What’s her name?"&lt;br /&gt;&lt;br /&gt;"Margaret," she answered, quickly.&lt;br /&gt;&lt;br /&gt;"I’m glad of that," he said. "I’m glad of that!" &lt;br /&gt;&lt;br /&gt;He seemed to breathe more freely; and after pausing for an instant, took away his hand, and looked upon the infant’s face. But covered it again, immediately.&lt;br /&gt;&lt;br /&gt;"Margaret!" he said; and gave her back the child. "It’s Lilian’s."&lt;br /&gt;&lt;br /&gt;"Lilian’s!"&lt;br /&gt;&lt;br /&gt;"I held the same face in my arms when Lilian’s mother died and left her."&lt;br /&gt;&lt;br /&gt;"When Lilian’s mother died and left her!" she repeated, wildly.&lt;br /&gt;&lt;br /&gt;"How shrill you speak! Why do you fix your eyes upon me so? Margaret!"&lt;br /&gt;&lt;br /&gt;She sunk down in a chair, and pressed the infant to her breast, and wept over it. Sometimes, she released it from her embrace, to look anxiously in its face: then strained it to her bosom again. At those times, when she gazed upon it, then it was that something fierce and terrible began to mingle with her love. Then it was that her old father quailed.&lt;br /&gt;&lt;br /&gt;"Follow her!" was sounded through the house. "Learn it, from the creature dearest to your heart!"&lt;br /&gt;&lt;br /&gt;"Margaret," said Fern, bending over her, and kissing her upon the brow: "I thank you for the last time. Good night. Good bye. Put your hand in mine, and tell me you’ll forget me from this hour, and try to think the end of me was here."&lt;br /&gt;&lt;br /&gt;"What have you done?" she asked again.&lt;br /&gt;&lt;br /&gt;"There’ll be a Fire to-night," he said, removing from her. "There’ll be Fires this winter-time, to light the dark nights, East, West, North, and South. When you see the distant sky red, they’ll be blazing. When you see the distant sky red, think of me no more; or, if you do, remember what a Hell was lighted up inside of me, and think you see its Flames reflected in the clouds. Good night. Good bye!"&lt;br /&gt;&lt;br /&gt;She called to him; but he was gone. She sat down stupefied, until her infant roused her to a sense of hunger, cold, and darkness. She paced the room with it the livelong night, hushing it and soothing it. She said at intervals, "Like Lilian, when her mother died and left her!" Why was her step so quick, her eye so wild, her love so fierce and terrible, whenever she repeated those words?&lt;br /&gt;&lt;br /&gt;"But, it is Love," said Trotty. "It is Love. She’ll never cease to love it. My poor Meg!"&lt;br /&gt;&lt;br /&gt;She dressed the child next morning with unusual care—ah, vain expenditure of care upon such squalid robes!—and once more tried to find some means of life. It was the last day of the Old Year. She tried till night, and never broke her fast. She tried in vain.&lt;br /&gt;&lt;br /&gt;She mingled with an abject crowd, who tarried in the snow, until it pleased some officer appointed to dispense the public charity (the lawful charity; not that once preached upon a Mount), to call them in, and question them, and say to this one, "go to such a place," to that one, "come next week;" to make a foot-ball of another wretch, and pass him here and there, from hand to hand, from house to house, until he wearied and lay down to die; or started up and robbed, and so became a higher sort of criminal, whose claims allowed of no delay. Here, too, she failed. She loved her child, and wished to have it lying on her breast. And that was quite enough.&lt;br /&gt;&lt;br /&gt;It was night: a bleak, dark, cutting night: when, pressing the child close to her for warmth, she arrived outside the house she called her home. She was so faint and giddy, that she saw no one standing in the doorway until she was close upon it, and about to enter. Then, she recognised the master of the house, who had so disposed himself—with his person it was not difficult—as to fill up the whole entry.&lt;br /&gt;&lt;br /&gt;"Oh!" he said softly. "You have come back?"&lt;br /&gt;&lt;br /&gt;She looked at the child, and shook her head.&lt;br /&gt;&lt;br /&gt;"Don’t you think you have lived here long enough without paying any rent? Don’t you think that, without any money, you’ve been a pretty constant customer at this shop, now?" said Mr. Tugby.&lt;br /&gt;&lt;br /&gt;She repeated the same mute appeal.&lt;br /&gt;&lt;br /&gt;"Suppose you try and deal somewhere else," he said. "And suppose you provide yourself with another lodging. Come! Don’t you think you could manage it?"&lt;br /&gt;&lt;br /&gt;She said in a low voice, that it was very late. To-morrow.&lt;br /&gt;&lt;br /&gt;"Now I see what you want," said Tugby; "and what you mean. You know there are two parties in this house about you, and you delight in setting ’em by the ears. I don’t want any quarrels; I’m speaking softly to avoid a quarrel; but if you don’t go away, I’ll speak out loud, and you shall cause words high enough to please you. But you shan’t come in. That I am determined."&lt;br /&gt;&lt;br /&gt;She put her hair back with her hand, and looked in a sudden manner at the sky, and the dark lowering distance.&lt;br /&gt;&lt;br /&gt;"This is the last night of an Old Year, and I won’t carry ill-blood and quarrellings and disturbances into a New One, to please you nor anybody else," said Tugby, who was quite a retail Friend and Father. "I wonder you an’t ashamed of yourself, to carry such practices into a New Year. If you haven’t any business in the world, but to be always giving way, and always making disturbances between man and wife, you’d be better out of it. Go along with you."&lt;br /&gt;&lt;br /&gt;"Follow her! To desperation!"&lt;br /&gt;&lt;br /&gt;Again the old man heard the voices. Looking up, he saw the figures hovering in the air, and pointing where she went, down the dark street.&lt;br /&gt;&lt;br /&gt;"She loves it!" he exclaimed, in agonised entreaty for her. "Chimes! she loves it still!"&lt;br /&gt;&lt;br /&gt;"Follow her!" The shadow swept upon the track she had taken, like a cloud.&lt;br /&gt;&lt;br /&gt;He joined in the pursuit; he kept close to her; he looked into her face. He saw the same fierce and terrible expression mingling with her love, and kindling in her eyes. He heard her say, "Like Lilian! To be changed like Lilian!" and her speed redoubled.&lt;br /&gt;&lt;br /&gt;Oh, for something to awaken her! For any sight, or sound, or scent, to call up tender recollections in a brain on fire! For any gentle image of the Past, to rise before her!&lt;br /&gt;&lt;br /&gt;"I was her father! I was her father!" cried the old man, stretching out his hands to the dark shadows flying on above. "Have mercy on her, and on me! Where does she go? Turn her back! I was her father!"&lt;br /&gt;&lt;br /&gt;But they only pointed to her, as she hurried on; and said, "To desperation! Learn it from the creature dearest to your heart!" &lt;br /&gt;&lt;br /&gt;A hundred voices echoed it. The air was made of breath expended in those words. He seemed to take them in, at every gasp he drew. They were everywhere, and not to be escaped. And still she hurried on; the same light in her eyes, the same words in her mouth, "Like Lilian! To be changed like Lilian!" &lt;br /&gt;&lt;br /&gt;All at once she stopped.&lt;br /&gt;&lt;br /&gt;"Now, turn her back!" exclaimed the old man, tearing his white hair. "My child! Meg! Turn her back! Great Father, turn her back!"&lt;br /&gt;&lt;br /&gt;In her own scanty shawl, she wrapped the baby warm. With her fevered hands, she smoothed its limbs, composed its face, arranged its mean attire. In her wasted arms she folded it, as though she never would resign it more. And with her dry lips, kissed it in a final pang, and last long agony of Love.&lt;br /&gt;&lt;br /&gt;Putting its tiny hand up to her neck, and holding it there, within her dress: next to her distracted heart: she set its sleeping face against her: closely, steadily, against her: and sped onward to the river.&lt;br /&gt;&lt;br /&gt;To the rolling River, swift and dim, where Winter Night sat brooding like the last dark thoughts of many who had sought a refuge there before her. Where scattered lights upon the banks gleamed sullen, red, and dull, as torches that were burning there, to show the way to Death. Where no abode of living people cast its shadow, on the deep, impenetrable, melancholy shade.&lt;br /&gt;&lt;br /&gt;To the River! To that portal of Eternity, her desperate footsteps tended with the swiftness of its rapid waters running to the sea. He tried to touch her as she passed him, going down to its dark level; but the wild distempered form, the fierce and terrible love, the desperation that had left all human check or hold behind, swept by him like the wind.&lt;br /&gt;&lt;br /&gt;He followed her. She paused a moment on the brink, before the dreadful plunge. He fell down on his knees, and in a shriek addressed the figures in the Bells now hovering above them.&lt;br /&gt;&lt;br /&gt;"I have learnt it!" cried the old man. "From the creature dearest to my heart! Oh, save her, save her!"&lt;br /&gt;&lt;br /&gt;He could wind his fingers in her dress; could hold it! As the words escaped his lips he felt his sense of touch return, and knew that he detained her.&lt;br /&gt;&lt;br /&gt;The figures looked down steadfastly upon him.&lt;br /&gt;&lt;br /&gt;"I have learnt it!" cried the old man. "Oh, have mercy on me in this hour, if, in my love for her, so young and good, I slandered Nature in the breasts of mothers rendered desperate! Pity my presumption, wickedness, and ignorance, and save her."&lt;br /&gt;&lt;br /&gt;He felt his hold relaxing. They were silent still.&lt;br /&gt;&lt;br /&gt;"Have mercy on her!" he exclaimed, "as one in whom this dreadful crime has sprung from Love perverted; from the strongest, deepest Love we fallen creatures know! Think what her misery must have been, when such seed bears such fruit! Heaven meant her to be Good. There is no loving mother on the earth who might not come to this, if such a life had gone before. Oh, have mercy on my child, who, even at this pass, means mercy to her own, and dies herself, and perils her Immortal Soul, to save it!"&lt;br /&gt;&lt;br /&gt;She was in his arms. He held her now. His strength was like a giant’s.&lt;br /&gt;&lt;br /&gt;"I see the Spirit of the Chimes among you!" cried the old man, singling out the child, and speaking in some inspiration, which their looks conveyed to him. "I know that our Inheritance is held in store for us by Time. I know there is a Sea of Time to rise one day, before which all who wrong us or oppress us will be swept away like leaves. I see it, on the flow! I know that we must trust and hope, and neither doubt ourselves, nor doubt the Good in one another. I have learnt it from the creature dearest to my heart. I clasp her in my arms again. O Spirits, merciful and good, I take your lesson to my breast along with her! O Spirits, merciful and good, I am grateful!"&lt;br /&gt;&lt;br /&gt;He might have said more, but the Bells; the old familiar Bells; his own dear, constant, steady friends, the Chimes; began to ring the joy-peals for a New Year: so lustily, so merrily, so happily, so gaily, that he leapt upon his feet, and broke the spell that bound him.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"And whatever you do, father," said Meg, "don’t eat tripe again, without asking some doctor whether it’s likely to agree with you; for how you &lt;em&gt;have&lt;/em&gt; been going on, Good gracious!"&lt;br /&gt;&lt;br /&gt;She was working with her needle, at the little table by the fire; dressing her simple gown with ribbons for her wedding. So quietly happy, so blooming and youthful, so full of beautiful promise, that he uttered a great cry as if it were An Angel in his house; then flew to clasp her in his arms.&lt;br /&gt;&lt;br /&gt;But he caught his feet in the newspaper, which had fallen on the hearth; and somebody came rushing in between them.&lt;br /&gt;&lt;br /&gt;"No!" cried the voice of this same somebody; a generous and jolly voice it was! "Not even you. Not even you. The first kiss of Meg in the New Year is mine. Mine! I have been waiting outside the house, this hour, to hear the Bells and claim it. Meg, my precious prize, a happy year! A life of happy years, my darling wife!"&lt;br /&gt;&lt;br /&gt;And Richard smothered her with kisses.&lt;br /&gt;&lt;br /&gt;You never in all your life saw anything like Trotty after this. I don’t care where you have lived or what you have seen; you never in all your life saw anything at all approaching him! He sat down in his chair and beat his knees and cried; he sat down in his chair and beat his knees and laughed; he sat down in his chair and beat his knees and laughed and cried together; he got out of his chair and hugged Meg; he got out of his chair and hugged Richard; he got out of his chair and hugged them both at once; he kept running up to Meg, and squeezing her fresh face between his hands and kissing it, going from her backwards not to lose sight of it, and running up again like a figure in a magic lantern; and whatever he did, he was constantly sitting himself down in his chair, and never stopping in it for one single moment; being—that’s the truth—beside himself with joy.&lt;br /&gt;&lt;br /&gt;"And to-morrow’s your wedding-day, my pet!" cried Trotty. "Your real, happy wedding-day!"&lt;br /&gt;&lt;br /&gt;"To-day!" cried Richard, shaking hands with him. "To-day. The Chimes are ringing in the New Year. Hear them!"&lt;br /&gt;&lt;br /&gt;They WERE ringing! Bless their sturdy hearts, they WERE ringing! Great Bells as they were; melodious, deep-mouthed, noble Bells; cast in no common metal; made by no common founder; when had they ever chimed like that, before!&lt;br /&gt;&lt;br /&gt;"But, to-day, my Pet," said Trotty. "You and Richard had some words to-day."&lt;br /&gt;&lt;br /&gt;"Because he’s such a bad fellow, father," said Meg. "An’t you, Richard? Such a headstrong, violent man! He’d have made no more of speaking his mind to that great Alderman, and putting &lt;em&gt;him&lt;/em&gt; down I don’t know where, than he would of—"&lt;br /&gt;&lt;br /&gt;"—Kissing Meg," suggested Richard. Doing it too!&lt;br /&gt;&lt;br /&gt;"No. Not a bit more," said Meg. "But I wouldn’t let him, father. Where would have been the use!"&lt;br /&gt;&lt;br /&gt;"Richard my boy!" cried Trotty. "You was turned up Trumps originally; and Trumps you must be, till you die! But, you were crying by the fire to-night, my Pet, when I came home! Why did you cry by the fire?"&lt;br /&gt;&lt;br /&gt;"I was thinking of the years we’ve passed together, father. Only that. And thinking that you might miss me, and be lonely."&lt;br /&gt;&lt;br /&gt;Trotty was backing off to that extraordinary chair again, when the child, who had been awakened by the noise, came running in half-dressed.&lt;br /&gt;&lt;br /&gt;"Why, here she is!" cried Trotty, catching her up. 'Here’s little Lilian! Ha ha ha! Here we are and here we go! O here we are and here we go again! And here we are and here we go! and Uncle Will too!" Stopping in his trot to greet him heartily. "Oh, Uncle Will, the Vision that I’ve had to-night, through lodging you! Oh, Uncle Will, the obligations that you’ve laid me under, by your coming, my good friend!"&lt;br /&gt;&lt;br /&gt;Before Will Fern could make the least reply, a Band of Music burst into the room, attended by a lot of neighbours, screaming "A Happy New Year, Meg!" "A Happy Wedding!" "Many of ’em!" and other fragmentary good wishes of that sort. The Drum (who was a private friend of Trotty’s) then stepped forward, and said:&lt;br /&gt;&lt;br /&gt;"Trotty Veck, my boy! It’s got about, that your daughter is going to be married to-morrow. There an’t a soul that knows you that don’t wish you well, or that knows her and don’t wish her well. Or that knows you both, and don’t wish you both all the happiness the New Year can bring. And here we are, to play it in and dance it in, accordingly."&lt;br /&gt;&lt;br /&gt;Which was received with a general shout. The Drum was rather drunk, by-the-bye; but, never mind.&lt;br /&gt;&lt;br /&gt;"What a happiness it is, I’m sure," said Trotty, "to be so esteemed! How kind and neighbourly you are! It’s all along of my dear daughter. She deserves it!"&lt;br /&gt;&lt;br /&gt;They were ready for a dance in half a second (Meg and Richard at the top); and the Drum was on the very brink of feathering away with all his power; when a combination of prodigious sounds was heard outside, and a good-humoured comely woman of some fifty years of age, or thereabouts, came running in, attended by a man bearing a stone pitcher of terrific size, and closely followed by the marrow-bones and cleavers, and the bells; not &lt;em&gt;the&lt;/em&gt; Bells, but a portable collection on a frame.&lt;br /&gt;&lt;br /&gt;Trotty said, "It’s Mrs. Chickenstalker!" And sat down and beat his knees again.&lt;br /&gt;&lt;br /&gt;"Married, and not tell me, Meg!" cried the good woman. "Never! I couldn’t rest on the last night of the Old Year without coming to wish you joy. I couldn’t have done it, Meg. Not if I had been bed-ridden. So here I am; and as it’s New Year’s Eve, and the Eve of your wedding too, my dear, I had a little flip made, and brought it with me."&lt;br /&gt;&lt;br /&gt;Mrs. Chickenstalker’s notion of a little flip did honour to her character. The pitcher steamed and smoked and reeked like a volcano; and the man who had carried it, was faint.&lt;br /&gt;&lt;br /&gt;"Mrs. Tugby!" said Trotty, who had been going round and round her, in an ecstasy.—"I &lt;em&gt;should&lt;/em&gt; say, Chickenstalker—Bless your heart and soul! A Happy New Year, and many of ’em! Mrs. Tugby," said Trotty when he had saluted her;—"I &lt;em&gt;should&lt;/em&gt; say, Chickenstalker—This is William Fern and Lilian."&lt;br /&gt;&lt;br /&gt;The worthy dame, to his surprise, turned very pale and very red.&lt;br /&gt;&lt;br /&gt;"Not Lilian Fern whose mother died in Dorsetshire!" said she.&lt;br /&gt;&lt;br /&gt;Her uncle answered "Yes," and meeting hastily, they exchanged some hurried words together; of which the upshot was, that Mrs. Chickenstalker shook him by both hands; saluted Trotty on his cheek again of her own free will; and took the child to her capacious breast.&lt;br /&gt;&lt;br /&gt;"Will Fern!" said Trotty, pulling on his right-hand muffler. "Not the friend you was hoping to find?"&lt;br /&gt;&lt;br /&gt;"Aye!" returned Will, putting a hand on each of Trotty’s shoulders. "And like to prove a’most as good a friend, if that can be, as one I found."&lt;br /&gt;&lt;br /&gt;"Oh!" said Trotty. "Please to play up there. Will you have the goodness!"&lt;br /&gt;&lt;br /&gt;To the music of the band, and, the bells, the marrow-bones and cleavers, all at once; and while The Chimes were yet in lusty operation out of doors; Trotty, making Meg and Richard, second couple, led off Mrs. Chickenstalker down the dance, and danced it in a step unknown before or since; founded on his own peculiar trot.&lt;br /&gt;&lt;br /&gt;Had Trotty dreamed? Or, are his joys and sorrows, and the actors in them, but a dream; himself a dream; the teller of this tale a dreamer, waking but now? If it be so, oh Listener, dear to him in all his visions, try to bear in mind the stern realities from which these shadows come; and in your sphere—none is too wide, and none too limited for such an end—endeavour to correct, improve, and soften them. So may the New Year be a happy one to You, Happy to many more whose Happiness depends on You! So may each Year be happier than the last, and not the meanest of our brethren or sisterhood debarred their rightful share, in what our Great Creator formed them to enjoy.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="217" public="1" featured="0">
    <fileContainer>
      <file fileId="283">
        <src>https://www.dickenssearch.com/files/original/3/Lady_Bowley_s_Song_for_the_Villagers/1844-12-Lady_Bowleys_Song_for_the_Villagers.pdf</src>
        <authentication>02aba32569827f76b0166c5078d486c7</authentication>
      </file>
    </fileContainer>
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="417">
                  <text>&lt;h4&gt;This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.&lt;/h4&gt;&#13;
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Song"&gt;written to be set to music&lt;/a&gt; indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, &lt;a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green"&gt;'The Ivy Green'&lt;/a&gt; from &lt;em&gt;Pickwick Papers&lt;/em&gt; (1837), a story of time’s inexorable passing, was frequently republished in newspapers.&lt;br /&gt;&lt;br /&gt;Several poems written to young ladies of Dickens’s acquaintance are released on &lt;em&gt;Dickens Search&lt;/em&gt; as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Autograph+Album&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;autograph albums&lt;/a&gt; was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.&lt;br /&gt;&lt;br /&gt;When writing &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Letter&amp;amp;collection=3&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;letters&lt;/a&gt; to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included.&amp;nbsp;Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Epitaph"&gt;Epitaphs&lt;/a&gt; Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Play"&gt;verse from Dickens's plays&lt;/a&gt;, including songs removed from&amp;nbsp;&lt;em&gt;The Strange Gentleman&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;Is She His Wife? Or, Something Singular!&amp;nbsp;&lt;/em&gt;before performance.&lt;br /&gt;&lt;br /&gt;Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.&lt;br /&gt;&lt;br /&gt;An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of &lt;em&gt;The Old Curiosity Shop&lt;/em&gt;. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection &lt;em&gt;Echoes of Infant Voices&lt;/em&gt;. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of &lt;em&gt;Dickens Search&lt;/em&gt;. &lt;a href="https://dickenssearch.com/poetry-dickens-didnt-write"&gt;Read our blog post for more on poetry Dickens &lt;em&gt;didn't &lt;/em&gt;write.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Occasionally, Dickens will quote a poem by another author, as in his burlesque &lt;em&gt;Is She his Wife? Or, Something Singular!&lt;/em&gt;&amp;nbsp;(1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.&lt;br /&gt;&lt;br /&gt;Previous notable collections of some of Dickens's poetry include &lt;em&gt;The Plays and Poems of Charles Dickens&lt;/em&gt; (1882) edited by Richard Herne Shepherd and &lt;em&gt;The Poems and Verses of Charles Dickens&lt;/em&gt; (1903) edited by Frederic G. Kitton. In 2025, we published &lt;em&gt;&lt;a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener"&gt;The Verse of Charles Dickens&lt;/a&gt; &lt;/em&gt;(Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Caution has been taken when ascertaining that each poem is indeed by Dickens. Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or other poems written by Dickens.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;The Verse of Charles Dickens.&lt;/em&gt; Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' &lt;em&gt;The Dickensian&lt;/em&gt; 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' &lt;em&gt;Dickens Quarterly&lt;/em&gt; 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 40 (2009): pp. 231-364.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="599">
                  <text>verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3163">
                  <text>Lydia Craig; Emily Middleton</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="16">
      <name>Poem</name>
      <description/>
      <elementContainer>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3269">
              <text>Oh let us love our occupations, Bless the squire and his relations, Live upon our daily rations, And always know our proper stations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3604">
              <text>18441201</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3261">
                <text>'Lady Bowley's Song for the Villagers'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3262">
                <text>Published in &lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In&lt;/em&gt; (Chapman and Hall, 1844), p. 63.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3263">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3264">
                <text>&lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;a href="https://catalog.hathitrust.org/Record/002606872"&gt;https://catalog.hathitrust.org/Record/002606872&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3265">
                <text>1844-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3266">
                <text>Poem</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3267">
                <text>1844-12-Lady_Bowleys_Song_for_the_Villagers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3268">
                <text>Dickens, Charles. 'Lady Bowley's Song for the Villagers' (December 1844).&amp;nbsp;&lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. &lt;a href="https://www.dickenssearch.com/verse/1844-12-Lady_Bowleys_Song_for_the_Villagers"&gt;https://www.dickenssearch.com/verse/1844-12-Lady_Bowleys_Song_for_the_Villagers&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="3270">
                <text>Oh let us love our occupations,&lt;br /&gt;Bless the squire and his relations,&lt;br /&gt;Live upon our daily rations,&lt;br /&gt;And always know our proper stations.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="362" public="1" featured="0">
    <fileContainer>
      <file fileId="449">
        <src>https://www.dickenssearch.com/files/original/Theatre_Royal_Manchester_[founded_1845]/theatre-royal.jpg</src>
        <authentication>fad1f998414a79ad05ebb7f8a8ff8290</authentication>
      </file>
    </fileContainer>
    <itemType itemTypeId="22">
      <name>Place</name>
      <description/>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="5040">
              <text>Manchester</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="5041">
              <text>Theatre Royal</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5038">
                <text>Theatre Royal, Manchester (founded 1845)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="5039">
                <text>place-theatre-royal-manchester</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5042">
                <text>1845</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>manchester</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="215" public="1" featured="0">
    <fileContainer>
      <file fileId="281">
        <src>https://www.dickenssearch.com/files/original/7/The_Cricket_on_the_Hearth._A_Fairy_Tale_of_Home/1845-12-The_Cricket_on_the_Hearth.pdf</src>
        <authentication>6eadf210c7cdea624578aee03f169ba0</authentication>
      </file>
    </fileContainer>
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2170">
                  <text>Christmas Books</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3362">
                  <text>Lydia Craig</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>christmas-books</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
        <elementSet elementSetId="4">
          <name>Scripto</name>
          <description/>
          <elementContainer>
            <element elementId="92">
              <name>Transcription</name>
              <description>A written representation of a document.</description>
              <elementTextContainer>
                <elementText elementTextId="3361">
                  <text>&lt;strong&gt;This collection (still in development) unites the five Christmas books that Dickens wrote between 1843 and 1848 and published firstly with Chapman and Hall and secondly with Bradbury and Evans.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Charles Dickens wrote the first of five Christmas books in 1843. &lt;em&gt;A Christmas Carol, &lt;/em&gt;the story of a miser's slow repentance and decision to make amends, under the influence of the Ghosts of his old law partner Jacob Marley, Christmas Past, Christmas Present, and Christmas Future, would prove to be a timeless classic. In Scrooge's realization of his own selfishness, mortality, and responsibility towards both his impoverished employee and the faceless London poor, readers are compelled to reassess their own social actions evidenced over the course of a lifetime. Consequently, this Christmas book's cultural and academic legacy has overshadowed the other four subsequently penned by Dickens in response to public interest. Due to Dickens's use of various passages for public readings, it instantly commenced a theatrical life as well, and continues to be the most adapted of his works for film and stage.&lt;br /&gt;&lt;br /&gt;Though the financial success of &lt;em&gt;A Christmas Carol&lt;/em&gt; did not benefit Dickens to the degree he had hoped, its immediate attraction to Victorians and enduring legacy opened up a seasonal niche that author and publishers were eager to exploit annually, for multiple reasons. The Christmas books provided Dickens with a way to morally encourage and exhort his readers to better themselves and society under the influence of holiday sentiment. They also offered the chance to acquire some much-needed revenue.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, he wrote &lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In &lt;/em&gt;(Chapman and Hall, 1844). Continuing to point out socioeconomic discrepancies between Victorian strata, Dickens induces sympathy for the straitened porter Toby Veck, and the endangered future life of his beloved daughter, Meg, who is headed for catastrophe unless she can marry her sweetheart despite the ill-intentioned advice of politicians and the barrier of her own poverty.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt; (Bradbury and Evans, 1845) dealt with the spectre of adultery in an age-gap marriage, later to be explored with a similar resolution in Dickens's novel &lt;em&gt;David Copperfield&lt;/em&gt; (1850). Due to the evil Mr. Tackleton, a sinister toy-merchant, John Peerybingle comes to doubt the fidelity of his beloved young wife, Dot. The cricket, a chirping guardian spirit of the home, plays a significant part in the action that ensues. In this story, Dickens also features a blind girl, Bertha Plummer, one of his most extensive explorations of disability.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1846, &lt;em&gt;The Battle of Life. A Love Story&lt;/em&gt; was published by Bradbury and Evans, a romantic tale set in the eighteenth century on the site of an ancient battle-field. Interestingly, it centres around the relationship between two sisters, Grace and Marion Jeddler, and the latter's engagement to a childhood friend, Alfred Heathfield. Several characters in this tale elicit interest, such as the intimate partners-in-law Mr. Snitchey and Mr. Craggs and the semi-literate maid Clemency. What might be the reader's philosophy of life is brought into question under the influence of the dramatic events that so greatly unsettle the rural village.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The last of these Christmas books, &lt;em&gt;The Haunted Man and the Ghost's Bargain&lt;/em&gt; (Bradbury and Evans, 1848) represents a more sinister view of Christmas, with the full powers of a menacing double of the brooding Chemist Mr. Redlaw spiritually contending with the cheerful good-will of Milly Swidger. Like another of Dickens's domestic paragons, Esther Summerson, Milly endeavours to brighten the lives of those around her while the double seeks to provoke their regrets.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Ultimately, Dickens would never pen another Christmas book, though he wrote the short reflective pieces "A Christmas Tree" (1850) and "What Christmas is, as we Grow Older" (1851) for &lt;em&gt;Household Words. &lt;/em&gt;However, between 1852 and 1867, he annually orchestrated and significantly contributed to a Christmas number, either published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; or &lt;em&gt;All the Year Round&lt;/em&gt;. In most cases, a scan of each full number - and Dickens's specific contributions, transcribed - can be accessed in the &lt;em&gt;Dickens Search&lt;/em&gt; collection &lt;a href="http://dickenssearch.com/admin/collections/show/8"&gt;Christmas Stories&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Before citing the five texts in this collection of the Christmas books, please consult the metadata and pdf scan. In most cases, the edition is not the first, but the earliest that can be found freely digitised on the internet. Eventually, these will hopefully be replaced by scans of first editions, with the transcriptions updated, when necessary.&lt;br /&gt;&lt;br /&gt;While building this collection, we have consulted, and transcribed scans found on databases such as &lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;em&gt;Internet Archive,&lt;/em&gt; and &lt;em&gt;Google Books&lt;/em&gt;; all items are linked to their original location on the internet.&lt;br /&gt;&lt;br /&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Christine Schintgen. 'Dickens and the Specter of Materialism: The Spiritual Significance of Ghosts in the Christmas Books and Ghost Stories'. In &lt;em&gt;The Theological Dickens.&lt;/em&gt; Routledge, 2021; Emily Moody. '"Implausible and inappropriate"?: A Defense of Dickens's &lt;em&gt;A Christmas Carol&lt;/em&gt;. &lt;em&gt;Dickens Quarterly&lt;/em&gt; 37.4 (2020): pp. 393-408; Aubrey Plourde. '"Another Man from What I Was": Enchanted Reading and Ethical Selfhood in &lt;em&gt;A Christmas Carol&lt;/em&gt;'. &lt;em&gt;Victorian Review: An Interdisciplinary Journal of Victorian Studies&lt;/em&gt; 43.2 (Fall 2017): 271-286; Brandon Chitwood. 'Eternal Returns: &lt;em&gt;A Christmas Carol's&lt;/em&gt; Ghosts of Repetition'. &lt;em&gt;Victorian Literature and Culture &lt;/em&gt;43.4 (2015): pp. 675-687; Phillip V. Allingham. 'Charles "Carlo" Dickens In and Out of Italy in 1844: &lt;em&gt;The Chimes&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 41 (2010): pp. 127-149; Michael Slater. 'Carlyle and Jerrold Into Dickens: A Study of &lt;em&gt;The Chimes'. Nineteenth-Century Fiction &lt;/em&gt;24.4 (Mar 1970): pp. 506-52; David Raybin. 'Chaucer on the Hearth'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 49.1 (2018): pp. 1-25; Heather Anne Tilley. 'Sentiment and Vision in Charles Dickens’s &lt;em&gt;A Christmas Carol &lt;/em&gt;and &lt;em&gt;The Cricket on the Hearth&lt;/em&gt;'. &lt;em&gt;19: Interdisciplinary Studies in the Long Nineteenth Century&lt;/em&gt;&amp;nbsp;4 (2007): 1-22; Elisabeth G. Gitter. 'The Blind Daughter in Charles Dickens's &lt;em&gt;Cricket on the Hearth'. Studies in English Literature, 1500-1900&lt;/em&gt; 39.4 (Autumn 1999): pp. 675-689; Goldie Morgentaler. 'The Doppelganger Effect: Dickens, Heredity, and the Double in &lt;em&gt;The Battle of Life&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual: Essays on Victorian Fiction&lt;/em&gt; 42 (2011): 159-175; Phillip V. Allingham. 'The Illustrations in Dickens's &lt;em&gt;The Haunted Man&lt;/em&gt; &lt;em&gt;and The Ghost's Bargain&lt;/em&gt;: Public and Private Spheres and Spaces'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 36 (2005): pp. 75-123.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="17">
      <name>Short Story</name>
      <description/>
      <elementContainer>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3246">
              <text>18451201</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3272">
              <text>Chirp the First The Kettle began it! Don’t tell me what Mrs. Peerybingle said. I know better. Mrs. Peerybingle may leave it on record to the end of time that she couldn’t say which of them began it; but, I say the Kettle did. I ought to know, I hope? The Kettle began it, full five minutes by the little waxy-faced Dutch clock in the corner before the Cricket uttered a chirp. As if the clock hadn’t finished striking, and the convulsive little Haymaker at the top of it, jerking away right and left with a scythe in front of a Moorish Palace, hadn’t mowed down half an acre of imaginary grass before the Cricket joined in at all! Why, I am not naturally positive. Every one knows that. I wouldn’t set my own opinion against the opinion of Mrs. Peerybingle, unless I were quite sure, on any account whatever. Nothing should induce me. But this is a question of fact. And the fact is, that the Kettle began it, at least five minutes before the Cricket gave any sign of being in existence. Contradict me: and I’ll say ten. Let me narrate exactly how it happened. I should have proceeded to do so in my very first word, but for this plain consideration—if I am to tell a story I must begin at the beginning; and how is it possible to begin at the beginning, without beginning at the Kettle? It appeared as if there were a sort of match, or trial of skill, you must understand, between the Kettle and the Cricket. And this is what led to it, and how it came about. Mrs. Peerybingle going out into the raw twilight, and clicking over the wet stones in a pair of pattens that worked innumerable rough impressions of the first proposition in Euclid all about the yard—Mrs. Peerybingle filled the Kettle at the water butt. Presently returning, less the pattens: and a good deal less, for they were tall and Mrs. Peerybingle was but short: she set the Kettle on the fire. In doing which she lost her temper, or mislaid it for an instant; for the water being uncomfortably cold, and in that slippy, slushy, sleety sort of state wherein it seems to penetrate through every kind of substance, patten rings included—had laid hold of Mrs. Peerybingle’s toes, and even splashed her legs. And when we rather plume ourselves (with reason too) upon our legs, and keep ourselves particularly neat in point of stockings, we find this, for the moment, hard to bear. Besides, the Kettle was aggravating and obstinate. It wouldn’t allow itself to be adjusted on the top bar; it wouldn’t hear of accommodating itself kindly to the knobs of coal; it would lean forward with a drunken air, and dribble, a very Idiot of a Kettle, on the hearth. It was quarrelsome; and hissed and spluttered morosely at the fire. To sum up all, the lid, resisting Mrs. Peerybingle’s fingers, first of all turned topsy-turvy, and then, with an ingenious pertinacity deserving of a better cause, dived sideways in—down to the very bottom of the Kettle. And the hull of the Royal George has never made half the monstrous resistance to coming out of the water, which the lid of that Kettle employed against Mrs. Peerybingle, before she got it up again. It looked sullen and pig-headed enough, even then; carrying its handle with an air of defiance, and cocking its spout pertly and mockingly at Mrs. Peerybingle, as if it said, "I won’t boil. Nothing shall induce me!" But Mrs. Peerybingle, with restored good humour, dusted her chubby little hands against each other, and sat down before the Kettle: laughing. Meantime, the jolly blaze uprose and fell, flashing and gleaming on the little Haymaker at the top of the Dutch clock, until one might have thought he stood stock still before the Moorish Palace, and nothing was in motion but the flame. He was on the move, however; and had his spasms, two to the second, all right and regular. But, his sufferings when the clock was going to strike, were frightful to behold; and, when a Cuckoo looked out of a trap-door in the Palace, and gave note six times, it shook him, each time, like a spectral voice—or like a something wiry, plucking at his legs. It was not until a violent commotion and a whirring noise among the weights and ropes below him had quite subsided, that this terrified Haymaker became himself again. Nor was he startled without reason; for these rattling, bony skeletons of clocks are very disconcerting in their operation, and I wonder very much how any set of men, but most of all how Dutchmen, can have had a liking to invent them. There is a popular belief that Dutchmen love broad cases and much clothing for their own lower selves; and they might know better than to leave their clocks so very lank and unprotected, surely. Now it was, you observe, that the Kettle began to spend the evening. Now it was, that the Kettle, growing mellow and musical, began to have irrepressible gurglings in its throat, and to indulge in short vocal snorts, which it checked in the bud, as if it hadn’t quite made up its mind yet, to be good company. Now it was, that after two or three such vain attempts to stifle its convivial sentiments, it threw off all moroseness, all reserve, and burst into a stream of song so cosy and hilarious, as never maudlin nightingale yet formed the least idea of. So plain too! Bless you, you might have understood it like a book—better than some books you and I could name, perhaps. With its warm breath gushing forth in a light cloud which merrily and gracefully ascended a few feet, then hung about the chimney-corner as its own domestic Heaven, it trolled its song with that strong energy of cheerfulness, that its iron body hummed and stirred upon the fire; and the lid itself, the recently rebellious lid—such is the influence of a bright example—performed a sort of jig, and clattered like a deaf and dumb young cymbal that had never known the use of its twin brother. That this song of the Kettle’s, was a song of invitation and welcome to somebody out of doors; to somebody at that moment coming on, towards the snug small home and the crisp fire; there is no doubt whatever. Mrs. Peerybingle knew it, perfectly, as she sat musing before the hearth. It’s a dark night, sang the Kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare, of deep and angry crimson, where the sun and wind together, set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar-frost on the finger-post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!— And here, if you like, the Cricket DID chime in! with a Chirrup, Chirrup, Chirrup of such magnitude, by way of chorus; with a voice so astoundingly disproportionate to its size, as compared with the Kettle; (size! you couldn’t See it!) that if it had then and there burst itself like an overcharged gun: if it had fallen a victim on the spot, and chirruped its little body into fifty pieces: it would have seemed a natural and inevitable consequence, for which it had expressly laboured. The Kettle had had the last of its solo performance. It persevered with undiminished ardour; but the Cricket took first fiddle and kept it. Good Heaven, how it chirped! Its shrill, sharp, piercing voice resounded through the house, and seemed to twinkle in the outer darkness like a Star. There was an indescribable little trill and tremble in it, at its loudest, which suggested its being carried off its legs, and made to leap again, by its own intense enthusiasm. Yet they went very well together, the Cricket and the Kettle. The burden of the song was still the same; and louder, louder, louder still, they sang it in their emulation. The fair little listener; for fair she was, and young—though something of what is called the dumpling shape; but I don’t myself object to that—lighted a candle; glanced at the Haymaker on the top of the clock, who was getting in a pretty average crop of minutes; and looked out of the window, where she saw nothing, owing to the darkness, but her own face imaged in the glass. And my opinion is (and so would your's have been), that she might have looked a long way, and seen nothing half so agreeable. When she came back, and sat down in her former seat, the Cricket and the Kettle were still keeping it up, with a perfect fury of competition. The Kettle’s weak side clearly being that he didn’t know when he was beat. There was all the excitement of a race about it. Chirp, chirp, chirp! Cricket a mile ahead. Hum, hum, hum—m—m! Kettle making play in the distance, like a great top. Chirp, chirp, chirp! Cricket round the corner. Hum, hum, hum—m—m! Kettle sticking to him in his own way; no idea of giving in. Chirp, chirp, chirp! Cricket fresher than ever. Hum, hum, hum—m—m! Kettle slow and steady. Chirp, chirp, chirp! Cricket going in to finish him. Hum, hum, hum—m—m! Kettle not to be finished. Until at last, they got so jumbled together, in the hurry-skurry, helter-skelter, of the match, that whether the Kettle chirped and the Cricket hummed, or the Cricket chirped and the Kettle hummed, or they both chirped and both hummed, it would have taken a clearer head than your's or mine to have decided with anything like certainty. But of this, there is no doubt: that the Kettle and the Cricket, at one and the same moment, and by some power of amalgamation best known to themselves, sent, each, his fireside song of comfort streaming into a ray of the candle that shone out through the window; and a long way down the lane. And this light, bursting on a certain person who, on the instant, approached towards it through the gloom, expressed the whole thing to him, literally in a twinkling, and cried, "Welcome home, old fellow! Welcome home, my Boy!" This end attained, the Kettle, being dead beat, boiled over, and was taken off the fire. Mrs. Peerybingle then went running to the door, where, what with the wheels of a cart, the tramp of a horse, the voice of a man, the tearing in and out of an excited dog, and the surprising and mysterious appearance of a Baby, there was soon the very What’s-his-name to pay. Where the Baby came from, or how Mrs. Peerybingle got hold of it in that flash of time, I don’t know. But a live Baby there was, in Mrs. Peerybingle’s arms; and a pretty tolerable amount of pride she seemed to have in it, when she was drawn gently to the fire, by a sturdy figure of a man, much taller and much older than herself; who had to stoop a long way down, to kiss her. But she was worth the trouble. Six foot six, with the lumbago, might have done it. "Oh goodness, John!" said Mrs. P. "What a state you are in with the weather!" He was something the worse for it, undeniably. The thick mist hung in clots upon his eyelashes like candied thaw; and between the fog and fire together, there were rainbows in his very whiskers. "Why, you see, Dot," John made answer, slowly, as he unrolled a shawl from about his throat; and warmed his hands; "it—it an’t exactly summer weather. So, no wonder." "I wish you wouldn’t call me Dot, John. I don’t like it," said Mrs. Peerybingle: pouting in a way that clearly showed she did like it, very much. "Why what else are you?" returned John, looking down upon her with a smile, and giving her waist as light a squeeze as his huge hand and arm could give. "A dot and"—here he glanced at the Baby—"a dot and carry—I won’t say it, for fear I should spoil it; but I was very near a joke. I don’t know as ever I was nearer." He was often near to something or other very clever, by his own account: this lumbering, slow, honest John; this John so heavy but so light of spirit; so rough upon the surface, but so gentle at the core; so dull without, so quick within; so stolid, but so good! Oh Mother Nature, give thy children the true Poetry of Heart that hid itself in this poor Carrier’s breast—he was but a Carrier by the way—and we can bear to have them talking Prose, and leading lives of Prose; and bear to bless Thee for their company! It was pleasant to see Dot, with her little figure and her Baby in her arms: a very doll of a Baby: glancing with a coquettish thoughtfulness at the fire, and inclining her delicate little head just enough on one side to let it rest in an odd, half-natural, half-affected, wholly nestling and agreeable manner, on the great rugged figure of the Carrier. It was pleasant to see him, with his tender awkwardness, endeavouring to adapt his rude support to her slight need, and make his burly middle-age a leaning-staff not inappropriate to her blooming youth. It was pleasant to observe how Tilly Slowboy, waiting in the background for the Baby, took special cognizance (though in her earliest teens) of this grouping; and stood with her mouth and eyes wide open, and her head thrust forward, taking it in as if it were air. Nor was it less agreeable to observe how John the Carrier, reference being made by Dot to the aforesaid Baby, checked his hand when on the point of touching the infant, as if he thought he might crack it; and bending down, surveyed it from a safe distance, with a kind of puzzled pride: such as an amiable mastiff might be supposed to show, if he found himself, one day, the father of a young canary. "An’t he beautiful, John? Don’t he look precious in his sleep?" "Very precious," said John. "Very much so. He generally is asleep, an’t he?" "Lor, John! Good gracious no!" "Oh," said John, pondering. "I thought his eyes was generally shut. Halloa!" "Goodness, John, how you startle one!" "It an’t right for him to turn ’em up in that way!" said the astonished Carrier, "is it? See how he’s winking with both of ’em at once! and look at his mouth! why he’s gasping like a gold and silver fish!" "You don’t deserve to be a father, you don’t," said Dot, with all the dignity of an experienced matron. "But how should you know what little complaints children are troubled with, John! You wouldn’t so much as know their names, you stupid fellow." And when she had turned the Baby over on her left arm, and had slapped its back as a restorative, she pinched her husband’s ear, laughing. "No," said John, pulling off his outer coat. "It’s very true, Dot. I don’t know much about it. I only know that I’ve been fighting pretty stiffly with the Wind to-night. It’s been blowing north-east, straight into the cart, the whole way home." "Poor old man, so it has!" cried Mrs. Peerybingle, instantly becoming very active. "Here! Take the precious darling, Tilly, while I make myself of some use. Bless it, I could smother it with kissing it; I could! Hie then, good dog! Hie Boxer, boy! Only let me make the tea first, John; and then I’ll help you with the parcels, like a busy bee. 'How doth the little'—and all the rest of it, you know John. Did you ever learn 'how doth the little,' when you went to school, John?" "Not to quite know it," John returned. "I was very near it once. But I should only have spoilt it, I dare say." "Ha ha!" laughed Dot. She had the blithest little laugh you ever heard. "What a dear old darling of a dunce you are, John, to be sure!" Not at all disputing this position, John went out to see that the boy with the lantern, which had been dancing to and fro before the door and window, like a Will of the Wisp, took due care of the horse; who was fatter than you would quite believe, if I gave you his measure, and so old that his birthday was lost in the mists of antiquity. Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy: now, describing a circle of short barks round the horse, where he was being rubbed down at the stable-door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now exhibiting an obtrusive interest in the Baby; now going round and round upon the hearth, and lying down as if he had established himself for the night; now getting up again, and taking that nothing of a fag-end of a tail of his, out into the weather, as if he had just remembered an appointment, and was off, at a round trot, to keep it. "There! There’s the teapot, ready on the hob!" said Dot; as briskly busy as a child at play at keeping house. "And there’s the old knuckle of ham; and there’s the butter; and there’s the crusty loaf, and all! Here’s the clothes-basket for the small parcels, John, if you’ve got any there—where are you, John? Don’t let the dear child fall under the grate, Tilly, whatever you do!" It may be noted of Miss Slowboy, in spite of her rejecting the caution with some vivacity, that she had a rare and surprising talent for getting this Baby into difficulties: and had several times imperilled its short life, in a quiet way peculiarly her own. She was of a spare and straight shape, this young lady, insomuch that her garments appeared to be in constant danger of sliding off those sharp pegs, her shoulders, on which they were loosely hung. Her costume was remarkable for the partial development, on all possible occasions, of some flannel vestment of a singular structure; also for affording glimpses, in the region of the back, of a corset, or pair of stays, in colour a dead-green. Being always in a state of gaping admiration at everything, and absorbed, besides, in the perpetual contemplation of her mistress’s perfections and the Baby’s, Miss Slowboy, in her little errors of judgment, may be said to have done equal honour to her head and to her heart; and though these did less honour to the Baby’s head, which they were the occasional means of bringing into contact with deal doors, dressers, stair-rails, bedposts, and other foreign substances, still they were the honest results of Tilly Slowboy’s constant astonishment at finding herself so kindly treated, and installed in such a comfortable home. For, the maternal and paternal Slowboy were alike unknown to Fame, and Tilly had been bred by public charity, a Foundling; which word, though only differing from Fondling by one vowel’s length, is very different in meaning, and expresses quite another thing. To have seen little Mrs. Peerybingle come back with her husband; tugging at the clothes-basket, and making the most strenuous exertions to do nothing at all (for he carried it); would have amused you almost as much as it amused him. It may have entertained the Cricket too, for anything I know; but, certainly, it now began to chirp again, vehemently. "Heyday!" said John, in his slow way. "It’s merrier than ever, to-night, I think." "And it’s sure to bring us good fortune, John! It always has done so. To have a Cricket on the Hearth, is the luckiest thing in all the world!" John looked at her as if he had very nearly got the thought into his head, that she was his Cricket in chief, and he quite agreed with her. But, it was probably one of his narrow escapes, for he said nothing. "The first time I heard its cheerful little note, John, was on that night when you brought me home—when you brought me to my new home here; its little mistress. Nearly a year ago. You recollect, John?" O yes. John remembered. I should think so! "Its chirp was such a welcome to me! It seemed so full of promise and encouragement. It seemed to say, you would be kind and gentle with me, and would not expect (I had a fear of that, John, then) to find an old head on the shoulders of your foolish little wife." John thoughtfully patted one of the shoulders, and then the head, as though he would have said No, No; he had had no such expectation; he had been quite content to take them as they were. And really he had reason. They were very comely. "It spoke the truth, John, when it seemed to say so: for you have ever been, I am sure, the best, the most considerate, the most affectionate of husbands to me. This has been a happy home, John; and I love the Cricket for its sake!" "Why so do I then," said the Carrier. "So do I, Dot." "I love it for the many times I have heard it, and the many thoughts its harmless music has given me. Sometimes, in the twilight, when I have felt a little solitary and down-hearted, John—before Baby was here to keep me company and make the house gay; when I have thought how lonely you would be if I should die; how lonely I should be if I could know that you had lost me, dear; its Chirp, Chirp, Chirp upon the hearth, has seemed to tell me of another little voice, so sweet, so very dear to me, before whose coming sound, my trouble vanished like a dream. And when I used to fear—I did fear once, John; I was very young you know—that ours might prove to be an ill-assorted marriage: I being such a child, and you more like my guardian than my husband: and that you might not, however hard you tried, be able to learn to love me, as you hoped and prayed you might; its Chirp, Chirp, Chirp, has cheered me up again, and filled me with new trust and confidence. I was thinking of these things to-night, dear, when I sat expecting you; and I love the Cricket for their sake!" "And so do I," repeated John. "But, Dot? I hope and pray that I might learn to love you? How you talk! I had learnt that, long before I brought you here, to be the Cricket’s little mistress, Dot!" She laid her hand, an instant, on his arm, and looked up at him with an agitated face, as if she would have told him something. Next moment, she was down upon her knees before the basket; speaking in a sprightly voice, and busy with the parcels. "There are not many of them to-night, John, but I saw some goods behind the cart, just now; and though they give more trouble, perhaps, still they pay as well; so we have no reason to grumble, have we? Besides, you have been delivering, I dare say, as you came along?" Oh yes, John said. A good many. "Why what’s this round box? Heart alive, John, it’s a wedding-cake!" "Leave a woman alone to find out that," said John, admiringly. "Now a man would never have thought of it! whereas, it’s my belief that if you was to pack a wedding-cake up in a tea-chest, or a turn-up bedstead, or a pickled salmon keg, or any unlikely thing, a woman would be sure to find it out directly. Yes; I called for it at the pastry-cook’s." "And it weighs I don’t know what—whole hundredweights!" cried Dot, making a great demonstration of trying to lift it. "Whose is it, John? Where is it going?" "Read the writing on the other side," said John. "Why, John! My Goodness, John!" "Ah! who’d have thought it!" John returned. "You never mean to say," pursued Dot, sitting on the floor and shaking her head at him, "that it’s Gruff and Tackleton the toymaker!" John nodded. Mrs. Peerybingle nodded also, fifty times at least. Not in assent: in dumb and pitying amazement; screwing up her lips, the while, with all their little force (they were never made for screwing up; I am clear of that), and looking the good Carrier through and through, in her abstraction. Miss Slowboy, in the mean time, who had a mechanical power of reproducing scraps of current conversation for the delectation of the Baby, with all the sense struck out of them, and all the Nouns changed into the Plural number, inquired aloud of that young creature, Was it Gruffs and Tackletons the toymakers then, and Would it call at Pastry-cooks for wedding-cakes, and Did its mothers know the boxes when its fathers brought them homes; and so on. "And that is really to come about!" said Dot. "Why, she and I were girls at school together, John." He might have been thinking of her: or nearly thinking of her, perhaps: as she was in that same school time. He looked upon her with a thoughtful pleasure, but he made no answer. "And he’s as old! As unlike her!—Why, how many years older than you, is Gruff and Tackleton, John?" "How many more cups of tea shall I drink to-night at one sitting, than Gruff and Tackleton ever took in four, I wonder!" replied John, good-humouredly, as he drew a chair to the round table, and began at the cold Ham. "As to eating, I eat but little; but that little I enjoy, Dot." Even this; his usual sentiment at meal times; one of his innocent delusions (for his appetite was always obstinate, and flatly contradicted him); awoke no smile in the face of his little wife, who stood among the parcels, pushing the cake-box slowly from her with her foot, and never once looked, though her eyes were cast down too, upon the dainty shoe she generally was so mindful of. Absorbed in thought, she stood there, heedless alike of the tea and John (although he called to her, and rapped the table with his knife to startle her), until he rose and touched her on the arm; when she looked at him for a moment, and hurried to her place behind the teaboard, laughing at her negligence. But not as she had laughed before. The manner, and the music, were quite changed. The Cricket, too, had stopped. Somehow the room was not so cheerful as it had been. Nothing like it. "So, these are all the parcels, are they, John?" she said: breaking a long silence, which the honest Carrier had devoted to the practical illustration of one part of his favourite sentiment—certainly enjoying what he ate, if it couldn’t be admitted that he ate but little. "So these are all the parcels; are they, John?" "That’s all," said John. "Why—no—I—" laying down his knife and fork, and taking a long breath. "I declare—I’ve clean forgotten the old gentleman!" "The old gentleman?" "In the cart," said John. "He was asleep, among the straw, the last time I saw him. I’ve very nearly remembered him, twice, since I came in; but he went out of my head again. Halloa! Yahip there! rouse up! That’s my hearty!" John said these latter words, outside the door, whither he had hurried with the candle in his hand. Miss Slowboy, conscious of some mysterious reference to The Old Gentleman, and connecting in her mystified imagination certain associations of a religious nature with the phrase, was so disturbed, that hastily rising from the low chair by the fire to seek protection near the skirts of her mistress, and coming into contact as she crossed the doorway with an ancient Stranger, she instinctively made a charge or butt at him with the only offensive instrument within her reach. This instrument happening to be the Baby, great commotion and alarm ensued, which the sagacity of Boxer rather tended to increase; for, that good dog, more thoughtful than its master, had, it seemed, been watching the old gentleman in his sleep lest he should walk off with a few young Poplar trees that were tied up behind the cart; and he still attended on him very closely; worrying his gaiters in fact, and making dead sets at the buttons. "You’re such an undeniable good sleeper, Sir," said John when tranquillity was restored; in the mean time the old gentleman had stood, bare-headed and motionless, in the centre of the room; "that I have half a mind to ask you where the other six are: only that would be a joke, and I know I should spoil it. Very near though," murmured the Carrier, with a chuckle; "very near!" The Stranger, who had long white hair; good features, singularly bold and well defined for an old man, and dark, bright, penetrating eyes, looked round with a smile, and saluted the Carrier’s wife by gravely inclining his head. His garb was very quaint and odd—a long, long way behind the time. Its hue was brown, all over. In his hand he held a great brown club or walking-stick; and striking this upon the floor, it fell asunder, and became a chair. On which he sat down, quite composedly. "There!" said the Carrier, turning to his wife. "That’s the way I found him, sitting by the roadside! upright as a milestone. And almost as deaf." "Sitting in the open air, John!" "In the open air," replied the Carrier, "just at dusk. 'Carriage Paid,' he said; and gave me eighteenpence. Then he got in. And there he is." "He’s going, John, I think!" Not at all. He was only going to speak. "If you please, I was to be left till called for," said the Stranger, mildly. "Don’t mind me." With that, he took a pair of spectacles from one of his large pockets, and a book from another; and leisurely began to read. Making no more of Boxer than if he had been a house lamb! The Carrier and his wife exchanged a look of perplexity. The Stranger raised his head; and glancing from the latter to the former, said: "Your daughter, my good friend?" "Wife," returned John. "Niece?" said the Stranger. "Wife," roared John. "Indeed?" observed the Stranger. "Surely? Very young!" He quietly turned over, and resumed his reading. But, before he could have read two lines, he again interrupted himself to say: "Baby, yours?" John gave him a gigantic nod; equivalent to an answer in the affirmative, delivered through a speaking trumpet. "Girl?" "Bo-o-oy!' roared John. "Also very young, eh?" Mrs. Peerybingle instantly struck in. "Two months and three da-ays! Vaccinated just six weeks ago-o! Took very fine-ly! Considered, by the doctor, a remarkably beautiful chi-ild! Equal to the general run of children at five months o-old! Takes notice, in a way quite won-der-ful! May seem impossible to you, but feels his legs al-ready!" Here the breathless little mother, who had been shrieking these short sentences into the old man’s ear, until her pretty face was crimsoned, held up the Baby before him as a stubborn and triumphant fact; while Tilly Slowboy, with a melodious cry of Ketcher, Ketcher—which sounded like some unknown words, adapted to a popular Sneeze—performed some cow-like gambols round that all unconscious Innocent. "Hark! He’s called for, sure enough," said John. "There’s somebody at the door. Open it, Tilly." Before she could reach it, however, it was opened from without; being a primitive sort of door, with a latch, that any one could lift if he chose—and a good many people did choose, I can tell you; for all kinds of neighbours liked to have a cheerful word or two with the Carrier, though he was no great talker for the matter of that. Being opened, it gave admission to a little, meagre, thoughtful, dingy-faced man, who seemed to have made himself a great-coat from the sack-cloth covering of some old box; for when he turned to shut the door, and keep the weather out, he disclosed upon the back of that garment, the inscription G &amp;amp; T in large black capitals. Also the word GLASS in bold characters. "Good evening John!" said the little man. "Good evening Mum. Good evening Tilly. Good evening Unbeknown! How’s Baby Mum? Boxer’s pretty well I hope?" "All thriving, Caleb," replied Dot. "I am sure you need only look at the dear child, for one, to know that." "And I’m sure I need only look at you for another," said Caleb. He didn’t look at her though; he had a wandering and thoughtful eye which seemed to be always projecting itself into some other time and place, no matter what he said; a description which will equally apply to his voice. "Or at John for another," said Caleb. "Or at Tilly, as far as that goes. Or certainly at Boxer." "Busy just now, Caleb?" asked the Carrier. "Why, pretty well, John," he returned, with the distraught air of a man who was casting about for the Philosopher’s stone, at least. "Pretty much so. There’s rather a run on Noah’s Arks at present. I could have wished to improve upon the Family, but I don’t see how it’s to be done at the price. It would be a satisfaction to one’s mind, to make it clearer which was Shems and Hams, and which was Wives. Flies an’t on that scale neither, as compared with elephants you know! Ah! well! Have you got anything in the parcel line for me, John?" The Carrier put his hand into a pocket of the coat he had taken off; and brought out, carefully preserved in moss and paper, a tiny flower-pot. "There it is!" he said, adjusting it with great care. "Not so much as a leaf damaged. Full of buds!" Caleb’s dull eye brightened, as he took it, and thanked him. "Dear, Caleb," said the Carrier. "Very dear at this season." "Never mind that. It would be cheap to me, whatever it cost," returned the little man. "Anything else, John?" "A small box," replied the Carrier. "Here you are!" "'For Caleb Plummer,'" said the little man, spelling out the direction. "'With Cash.' With Cash, John? I don’t think it’s for me." "With Care," returned the Carrier, looking over his shoulder. "Where do you make out cash?" "Oh! To be sure!" said Caleb. "It’s all right. With care! Yes, yes; that’s mine. It might have been with cash, indeed, if my dear Boy in the Golden South Americas had lived, John. You loved him like a son; didn’t you? You needn’t say you did. I know, of course. 'Caleb Plummer. With care.' Yes, yes, it’s all right. It’s a box of dolls’ eyes for my daughter’s work. I wish it was her own sight in a box, John." "I wish it was, or could be!" cried the Carrier. "Thank’ee," said the little man. "You speak very hearty. To think that she should never see the Dolls; and them a-staring at her, so bold, all day long! That’s where it cuts. What’s the damage, John?" "I’ll damage you," said John, "if you inquire. Dot! Very near?" "Well! it’s like you to say so," observed the little man. "It’s your kind way. Let me see. I think that’s all." "I think not," said the Carrier. "Try again." "Something for our Governor, eh?" said Caleb, after pondering a little while. "To be sure. That’s what I came for; but my head’s so running on them Arks and things! He hasn’t been here, has he?" "Not he," returned the Carrier. "He’s too busy, courting." "He’s coming round though," said Caleb; "for he told me to keep on the near side of the road going home, and it was ten to one he’d take me up. I had better go, by the bye.—You couldn’t have the goodness to let me pinch Boxer’s tail, Mum, for half a moment, could you?" "Why, Caleb! what a question!" "Oh never mind, Mum," said the little man. "He mightn’t like it perhaps. There’s a small order just come in, for barking dogs; and I should wish to go as close to Natur’ as I could, for sixpence. That’s all. Never mind, Mum." It happened opportunely, that Boxer, without receiving the proposed stimulus, began to bark with great zeal. But, as this implied the approach of some new visitor, Caleb, postponing his study from the life to a more convenient season, shouldered the round box, and took a hurried leave. He might have spared himself the trouble, for he met the visitor upon the threshold. "Oh! You are here, are you? Wait a bit. I’ll take you home. John Peerybingle, my service to you. More of my service to your pretty wife. Handsomer every day! Better too, if possible! And younger," mused the speaker, in a low voice; "that’s the Devil of it!" "I should be astonished at your paying compliments, Mr. Tackleton," said Dot, not with the best grace in the world; "but for your condition." "You know all about it then?" "I have got myself to believe it, somehow," said Dot. "After a hard struggle, I suppose?" "Very." Tackleton the Toy-merchant, pretty generally known as Gruff and Tackleton—for that was the firm, though Gruff had been bought out long ago; only leaving his name, and as some said his nature, according to its Dictionary meaning, in the business—Tackleton the Toy merchant, was a man whose vocation had been quite misunderstood by his Parents and Guardians. If they had made him a Money Lender, or a sharp Attorney, or a Sheriff’s Officer, or a Broker, he might have sown his discontented oats in his youth, and, after having had the full-run of himself in ill-natured transactions, might have turned out amiable, at last, for the sake of a little freshness and novelty. But, cramped and chafing in the peaceable pursuit of toy-making, he was a domestic Ogre, who had been living on chiidren all his life, and was their implacable enemy. He despised all toys; wouldn’t have bought one for the world; delighted, in his malice, to insinuate grim expressions into the faces of brown-paper farmers who drove pigs to market, bellmen who advertised lost lawyers’ consciences, movable old ladies who darned stockings or carved pies; and other like samples of his stock in trade. In appalling masks; hideous, hairy, red-eyed Jacks in Boxes; Vampire Kites; demoniacal Tumblers who wouldn’t lie down, and were perpetually flying forward, to stare infants out of countenance; his soul perfectly revelled. They were his only relief, and safety-valve. He was great in such inventions. Anything suggestive of a Pony-nightmare, was delicious to him. He had even lost money (and he took to that toy very kindly) by getting up Goblin slides for magic lanterns, whereon the Powers of Darkness were depicted as a sort of supernatural shell-fish, with human faces. In intensifying the portraiture of Giants, he had sunk quite a little capital; and, though no painter himself, he could indicate, for the instruction of his artists, with a piece of chalk, a certain furtive leer for the countenances of those monsters, which was safe to destroy the peace of mind of any young gentleman between the ages of six and eleven, for the whole Christmas or Midsummer Vacation. What he was in toys, he was (as most men are) in all other things. You may easily suppose, therefore, that within the great green cape, which reached down to the calves of his legs, there was buttoned up to the chin an uncommonly pleasant fellow; and that he was about as choice a spirit and as agreeable a companion, as ever stood in a pair of bull-headed-looking boots with mahogany-colored tops. Still, Tackleton, the Toy-merchant, was going to be married. In spite of all this, he was going to be married. And to a young wife too; a beautiful young wife. He didn’t look much like a Bridegroom, as he stood in the Carrier’s kitchen, with a twist in his dry face, and a screw in his body, and his hat jerked over the bridge of his nose, and his hands tucked down into the bottoms of his pockets, and his whole sarcastic ill-conditioned self peering out of one little corner of one little eye, like the concentrated essence of any number of ravens. But, a Bridegroom he designed to be. "In three days’ time. Next Thursday. The last day of the first month in the year. That’s my wedding-day," said Tackleton. Did I mention that he had always one eye wide open, and one eye nearly shut; and that the one eye nearly shut, was always the expressive eye? I don’t think I did. "That’s my wedding-day!" said Tackleton, rattling his money. "Why, it’s our wedding-day too," exclaimed the Carrier. "Ha ha!" laughed Tackleton. "Odd! You’re just such another couple. Just!" The indignation of Dot at this presumptuous assertion is not to be described. What next? His imagination would compass the possibility of just such another Baby, perhaps. The man was mad. "I say! A word with you," murmured Tackleton, nudging the Carrier with his elbow, and taking him a little apart. "You’ll come to the wedding? We’re in the same boat, you know." "How in the same boat?" inquired the Carrier. "A little disparity, you know;" said Tackleton, with another nudge. "Come and spend an evening with us, beforehand." "Why?" demanded John, astonished at this pressing hospitality. "Why?" returned the other. "That’s a new way of receiving an invitation. Why, for pleasure—sociability, you know, and all that!" "I thought you were never sociable," said John, in his plain way. "Tchah! It’s of no use to be anything but free with you I see," said Tackleton. "Why, then, the truth is you have a—what tea-drinking people call a sort of a comfortable appearance together, you and your wife. We know better, you know, but—" "No, we don’t know better," interposed John. "What are you talking about?" "Well! We don’t know better, then," said Tackleton. "We’ll agree that we don’t. As you like; what does it matter? I was going to say, as you have that sort of appearance, your company will produce a favourable effect on Mrs. Tackleton that will be. And, though I don’t think your good lady’s very friendly to me, in this matter, still she can’t help herself from falling into my views, for there’s a compactness and cosiness of appearance about her that always tells, even in an indifferent case. You’ll say you’ll come?" "We have arranged to keep our Wedding-Day (as far as that goes) at home," said John. "We have made the promise to ourselves these six months. We think, you see, that home—" "Bah! what’s home?" cried Tackleton. "Four walls and a ceiling! (why don’t you kill that Cricket? I would! I always do. I hate their noise.) There are four walls and a ceiling at my house. Come to me!" "You kill your Crickets, eh?" said John. "Scrunch ’em, sir," returned the other, setting his heel heavily on the floor. "You’ll say you’ll come? It’s as much your interest as mine, you know, that the women should persuade each other that they’re quiet and contented, and couldn’t be better off. I know their way. Whatever one woman says, another woman is determined to clinch, always. There’s that spirit of emulation among ’em, Sir, that if your wife says to my wife, 'I’m the happiest woman in the world, and mine’s the best husband in the world, and I dote on him,' my wife will say the same to yours, or more, and half believe it." "Do you mean to say she don’t, then?" asked the Carrier. "Don’t!" cried Tackleton, with a short, sharp laugh. "Don’t what?" The Carrier had some faint idea of adding, "dote upon you." But, happening to meet the half-closed eye, as it twinkled upon him over the turned-up collar of the cape, which was within an ace of poking it out, he felt it such an unlikely part and parcel of anything to be doted on, that he substituted, "that she don’t believe it?" "Ah you dog! you’re joking," said Tackleton. But the Carrier, though slow to understand the full drift of his meaning, eyed him in such a serious manner, that he was obliged to be a little more explanatory. "I have the humour," said Tackleton: holding up the fingers of his left hand, and tapping the forefinger, to imply 'there I am, Tackleton to wit:’ ‘I have the humour, Sir, to marry a young wife, and a pretty wife:" here he rapped his little finger, to express the Bride; not sparingly, but sharply; with a sense of power. "I’m able to gratify that humour and I do. It’s my whim. But—now look there." He pointed to where Dot was sitting, thoughtfully, before the fire; leaning her dimpled chin upon her hand, and watching the bright blaze. The Carrier looked at her, and then at him, and then at her, and then at him again. "She honours and obeys, no doubt, you know," said Tackleton; "and that, as I am not a man of sentiment, is quite enough for me. But do you think there’s anything more in it?" "I think," observed the Carrier, "that I should chuck any man out of window, who said there wasn’t." "Exactly so," returned the other with an unusual alacrity of assent. "To be sure! Doubtless you would. Of course. I’m certain of it. Good night. Pleasant dreams!" The Carrier was puzzled, and made uncomfortable and uncertain, in spite of himself. He couldn’t help showing it, in his manner. "Good night, my dear friend!" said Tackleton, compassionately. "I’m off. We’re exactly alike, in reality, I see. You won’t give us to-morrow evening? Well! Next day you go out visiting, I know. I’ll meet you there, and bring my wife that is to be. It’ll do her good. You’re agreeable? Thankee. What’s that!" It was a loud cry from the Carrier’s wife; a loud, sharp, sudden cry, that made the room ring, like a glass vessel. She had risen from her seat, and stood like one transfixed by terror and surprise. The Stranger had advanced towards the fire, to warm himself, and stood within a short stride of her chair. But quite still. "Dot!" cried the Carrier. "Mary! Darling! What’s the matter?" They were all about her in a moment. Caleb, who had been dozing on the cake-box, in the first imperfect recovery of his suspended presence of mind seized Miss Slowboy by the hair of her head, but immediately apologised. "Mary!" exclaimed the Carrier, supporting her in his arms. "Are you ill! what is it? Tell me dear!" She only answered by beating her hands together, and falling into a wild fit of laughter. Then, sinking from his grasp upon the ground, she covered her face with her apron, and wept bitterly. And then she laughed again; and then she cried again; and then she said how cold it was, and suffered him to lead her to the fire, where she sat down as before. The old man standing, as before; quite still. "I’m better, John," she said. "I’m quite well now—I—" John! But John was on the other side of her. Why turn her face towards the strange old gentleman, as if addressing him! Was her brain wandering? "Only a fancy, John dear—a kind of shock—a something coming suddenly before my eyes—I don’t know what it was. It’s quite gone; quite gone." "I’m glad it’s gone," muttered Tackleton, turning the expressive eye all round the room. "I wonder where it’s gone, and what it was. Humph! Caleb, come here! Who’s that with the grey hair?" "I don’t know Sir," returned Caleb in a whisper. "Never see him before, in all my life. A beautiful figure for a nut-cracker; quite a new model. With a screw-jaw opening down into his waistcoat, he’d be lovely." "Not ugly enough," said Tackleton. "Or for a firebox, either," observed Caleb, in deep contemplation, "what a model! Unscrew his head to put the matches in; turn him heels up’ards for the light; and what a firebox for a gentleman’s mantel-shelf, just as he stands!" "Not half ugly enough," said Tackleton. "Nothing in him at all! Come! Bring that box! All right now, I hope?" "Oh quite gone! Quite gone!" said the little woman, waving him hurriedly away. "Good night!" "Good night," said Tackleton. "Good night, John Peerybingle! Take care how you carry that box, Caleb. Let it fall, and I’ll murder you! Dark as pitch, and weather worse than ever, eh? Good night!" So, with another sharp look round the room, he went out at the door; followed by Caleb with the wedding-cake on his head. The Carrier had been so much astounded by his little wife, and so busily engaged in soothing and tending her, that he had scarcely been conscious of the Stranger’s presence, until now, when he again stood there, their only guest. "He don’t belong to them, you see," said John. "I must give him a hint to go." "I beg your pardon, friend," said the old gentleman, advancing to him; "the more so, as I fear your wife has not been well; but the Attendant whom my infirmity," he touched his ears and shook his head, "renders almost indispensable, not having arrived, I fear there must be some mistake. The bad night which made the shelter of your comfortable cart (may I never have a worse!) so acceptable, is still as bad as ever. Would you, in your kindness, suffer me to rent a bed here?" "Yes, yes," cried Dot. "Yes! Certainly!" "Oh!" said the Carrier, surprised by the rapidity of this consent. "Well! I don’t object; but, still I’m not quite sure that—" "Hush!" she interrupted. "Dear John!" "Why, he’s stone deaf," urged John. "I know he is, but—Yes, Sir, certainly. Yes! certainly! I’ll make him up a bed, directly, John." As she hurried off to do it, the flutter of her spirits, and the agitation of her manner, were so strange, that the Carrier stood looking after her, quite confounded. "Did its mothers make it up a Beds then!" cried Miss Slowboy to the Baby; "and did its hair grow brown and curly, when its caps was lifted off, and frighten it, a precious Pets, a sitting by the fires!" With that unaccountable attraction of the mind to trifles, which is often incidental to a state of doubt and confusion, the Carrier, as he walked slowly to and fro, found himself mentally repeating even these absurd words, many times. So many times that he got them by heart, and was still conning them over and over, like a lesson, when Tilly, after administering as much friction to the little bald head with her hand as she thought wholesome (according to the practice of nurses), had once more tied the Baby’s cap on. "And frighten it, a Precious Pets, a sitting by the fires. What frightened Dot, I wonder!" mused the Carrier, pacing to and fro. He scouted, from his heart, the insinuations of the Toy merchant, and yet they filled him with a vague, indefinite uneasiness; for Tackleton was quick and sly; and he had that painful sense, himself, of being a man of slow perception, that a broken hint was always worrying to him. He certainly had no intention in his mind of linking anything that Tackleton had said, with the unusual conduct of his wife; but the two subjects of reflection came into his mind together, and he could not keep them asunder. The bed was soon made ready; and the visitor, declining all refreshment but a cup of tea, retired. Then, Dot: quite well again, she said, quite well again: arranged the great chair in the chimney corner for her husband; filled his pipe and gave it him; and took her usual little stool beside him on the hearth. She always would sit on that little stool; I think she must have had a kind of notion that it was a coaxing, wheedling, little stool. She was, out and out, the very best filler of a pipe, I should say, in the four quarters of the globe. To see her put that chubby little finger in the bowl, and then blow down the pipe to clear the tube; and when she had done so, affect to think that there was really something in the tube, and blow a dozen times, and hold it to her eye like a telescope, with a most provoking twist in her capital little face, as she looked down it; was quite a brilliant thing. As to the tobacco, she was perfect mistress of the subject; and her lighting of the pipe, with a wisp of paper, when the Carrier had it in his mouth—going so very near his nose, and yet not scorching it—was Art: high Art, Sir. And the Cricket and the Kettle, turning up again, acknowledged it! The bright fire, blazing up again, acknowledged it! The little Mower on the clock, in his unheeded work, acknowledged it! The Carrier, in his smoothing forehead and expanding face, acknowledged it, the readiest of all. And as he soberly and thoughtfully puffed at his old pipe; and as the Dutch clock ticked; and as the red fire gleamed; and as the Cricket chirped; that Genius of his Hearth and Home (for such the Cricket was) came out, in fairy shape, into the room, and summoned many forms of Home about him. Dots of all ages, and all sizes, filled the chamber. Dots who were merry children, running on before him, gathering flowers, in the fields; coy Dots, half shrinking from, half yielding to, the pleading of his own rough image; newly-married Dots, alighting at the door, and taking wondering possession of the household keys; motherly little Dots, attended by fictitious Slowboys, bearing babies to be christened; matronly Dots, still young and blooming, watching Dots of daughters, as they danced at rustic balls; fat Dots, encircled and beset by troops of rosy grand-children; withered Dots, who leaned on sticks, and tottered as they crept along. Old Carriers too, appeared, with blind old Boxers lying at their feet; and newer carts with younger drivers ("Peerybingle Brothers" on the tilt); and sick old Carriers, tended by the gentlest hands; and graves of dead and gone old Carriers, green in the churchyard. And as the Cricket showed him all these things—he saw them plainly, though his eyes were fixed upon the fire—the Carrier’s heart grew light and happy, and he thanked his Household Gods with all his might, and cared no more for Gruff and Tackleton than you do. But, what was that young figure of a man, which the same Fairy Cricket set so near Her stool, and which remained there, singly and alone? Why did it linger still, so near her, with its arm upon the chimney-piece, ever repeating "Married! and not to me!" O Dot! O failing Dot! There is no place for it in all your husband’s visions; why has its shadow fallen on his hearth! Chirp the Second Caleb Plummer and his Blind Daughter lived all alone by themselves, as the Story-books say—and my blessing, with yours to back it I hope, on the Story-books, for saying anything in this workaday world!—Caleb Plummer and his Blind Daughter lived all alone by themselves, in a little cracked nutshell of a wooden house, which was, in truth, no better than a pimple on the prominent red-brick nose of Gruff and Tackleton. The premises of Gruff and Tackleton were the great feature of the street; but you might have knocked down Caleb Plummer’s dwelling with a hammer or two, and carried off the pieces in a cart. If any one had done the dwelling-house of Caleb Plummer the honour to miss it after such an inroad, it would have been, no doubt, to commend its demolition as a vast improvement. It stuck to the premises of Gruff and Tackleton, like a barnacle to a ship’s keel, or a snail to a door, or a little bunch of toadstools to the stem of a tree. But it was the germ from which the full-grown trunk of Gruff and Tackleton had sprung; and under its crazy roof, the Gruff before last, had, in a small way, made toys for a generation of old boys and girls, who had played with them, and found them out, and broken them, and gone to sleep. I have said that Caleb and his poor Blind Daughter lived here; but I should have said that Caleb lived here, and his poor Blind Daughter somewhere else; in an enchanted home of Caleb’s furnishing, where scarcity and shabbiness were not, and trouble never entered. Caleb was no Sorcerer, but in the only magic art that still remains to us: the magic of devoted, deathless love: Nature had been the mistress of his study; and from her teaching, all the wonder came. The Blind Girl never knew that ceilings were discoloured; walls blotched, and bare of plaster here and there; high crevices unstopped, and widening every day; beams mouldering and tending downward. The Blind Girl never knew that iron was rusting, wood rotting, paper peeling off; the very size, and shape, and true proportion of the dwelling, withering away. The Blind Girl never knew that ugly shapes of delf and earthenware were on the board; that sorrow and faint-heartedness were in the house; that Caleb’s scanty hairs were turning greyer and more grey before her sightless face. The Blind Girl never knew they had a master, cold, exacting, and uninterested: never knew that Tackleton was Tackleton in short; but lived in the belief of an eccentric humourist who loved to have his jest with them; and while he was the Guardian Angel of their lives, disdained to hear one word of thankfulness. And all was Caleb’s doing; all the doing of her simple father! But he too had a Cricket on his Hearth; and listening sadly to its music when the motherless Blind Child was very young, that Spirit had inspired him with the thought that even her great deprivation might be almost changed into a blessing, and the girl made happy by these little means. For all the Cricket Tribe are potent Spirits, even though the people who hold converse with them do not know it (which is frequently the case); and there are not in the Unseen World, Voices more gentle and more true; that may be so implicitly relied on, or that are so certain to give none but tenderest counsel; as the Voices in which the Spirits of the Fireside and the Hearth, address themselves to human kind. Caleb and his daughter were at work together in their usual working-room, which served them for their ordinary living-room as well; and a strange place it was. There were houses in it, finished and unfinished, for Dolls of all stations in life. Suburban tenements for Dolls of moderate means; kitchens and single apartments for Dolls of the lower classes; capital town residences for Dolls of high estate. Some of these establishments were already furnished according to estimate, with a view to the convenience of Dolls of limited income; others could be fitted on the most expensive scale, at a moment’s notice, from whole shelves of chairs and tables, sofas, bedsteads, and upholstery. The nobility and gentry and public in general, for whose accommodation these tenements were designed, lay, here and there, in baskets, staring straight up at the ceiling; but in denoting their degrees in society, and confining them to their respective stations (which experience shows to be lamentably difficult in real life), the makers of these Dolls had far improved on Nature, who is often froward and perverse; for, they, not resting on such arbitrary marks as satin, cotton-print, and bits of rag, had superadded striking personal differences which allowed of no mistake. Thus, the Doll-lady of distinction had wax limbs of perfect symmetry; but only she and her compeers; the next grade in the social scale being made of leather; and the next of coarse linen stuff. As to the common-people, they had just so many matches out of tinder-boxes for their arms and legs, and there they were—established in their sphere at once, beyond the possibility of getting out of it. There were various other samples of his handicraft, besides Dolls, in Caleb Plummer’s room. There were Noah’s Arks, in which the Birds and Beasts were an uncommonly tight fit, I assure you; though they could be crammed in, anyhow, at the roof, and rattled and shaken into the smallest compass. By a bold poetical licence, most of these Noah’s Arks had knockers on the doors; inconsistent appendages, perhaps, as suggestive of morning callers and a Postman, yet a pleasant finish to the outside of the building. There were scores of melancholy little carts which, when the wheels went round, performed most doleful music. Many small fiddles, drums, and other instruments of torture; no end of cannon, shields, swords, spears, and guns. There were little tumblers in red breeches, incessantly swarming up high obstacles of red-tape, and coming down, head first, upon the other side; and there were innumerable old gentlemen of respectable, not to say venerable appearance, insanely flying over horizontal pegs, inserted, for the purpose, in their own street doors. There were beasts of all sorts; horses, in particular, of every breed; from the spotted barrel on four pegs, with a small tippet for a mane, to the thoroughbred rocker on his highest mettle. As it would have been hard to count the dozens upon dozens of grotesque figures that were ever ready to commit all sorts of absurdities, on the turning of a handle; so it would have been no easy task to mention any human folly, vice, or weakness, that had not its type, immediate or remote, in Caleb Plummer’s room. And not in an exaggerated form; for very little handles will move men and women to as strange performances, as any Toy was ever made to undertake. In the midst of all these objects, Caleb and his daughter sat at work. The Blind Girl busy as a Doll’s dressmaker; and Caleb painting and glazing the four-pair front of a desirable family mansion. The care imprinted in the lines of Caleb’s face, and his absorbed and dreamy manner, which would have sat well on some alchemist or abstruse student, were at first sight an odd contrast to his occupation, and the trivialities about him. But trivial things, invented and pursued for bread, become very serious matters of fact; and, apart from this consideration, I am not at all prepared to say, myself, that if Caleb had been a Lord Chamberlain, or a Member of Parliament, or a lawyer, or even a great speculator, he would have dealt in toys one whit less whimsical; while I have a very great doubt whether they would have been as harmless. "So you were out in the rain last night, father, in your beautiful, new, great-coat," said Caleb’s daughter. "In my beautiful new great-coat," answered Caleb, glancing towards a clothes-line in the room, on which the sack-cloth garment previously described, was carefully hung up to dry. "How glad I am you bought it, father!" "And of such a tailor, too," said Caleb. "Quite a fashionable tailor. It’s too good for me." The Blind Girl rested from her work, and laughed with delight. "Too good, father! What can be too good for you?" "I’m half-ashamed to wear it though," said Caleb, watching the effect of what he said, upon her brightening face; "upon my word! When I hear the boys and people say behind me, 'Hal-loa! Here’s a swell!' I don’t know which way to look. And when the beggar wouldn’t go away last night; and when I said I was a very common man, said 'No, your Honour! Bless your Honour don’t say that!' I was quite ashamed. I really felt as if I hadn’t a right to wear it." Happy Blind Girl! How merry she was, in her exultation! "I see you, father," she said, clasping her hands, "as plainly, as if I had the eyes I never want when you are with me. A blue coat—" "Bright blue," said Caleb. "Yes, yes! Bright blue!" exclaimed the girl, turning up her radiant face; "the colour I can just remember in the blessed sky! You told me it was blue before! A bright blue coat—" "Made loose to the figure," suggested Caleb. "Made loose to the figure!" cried the Blind Girl, laughing heartily; "and in it, you, dear father, with your merry eye, your smiling face, your free step, and your dark hair: looking so young and handsome!" "Halloa! Halloa!" said Caleb. "I shall be vain, presently!" "I think you are, already," cried the Blind Girl, pointing at him, in her glee. "I know you, father! Ha ha ha! I’ve found you out, you see!" How different the picture in her mind, from Caleb, as he sat observing her! She had spoken of his free step. She was right in that. For years and years, he had never once crossed that threshold at his own slow pace, but with a footfall counterfeited for her ear; and never had he, when his heart was heaviest, forgotten the light tread that was to render hers so cheerful and courageous! Heaven knows! But I think Caleb’s vague bewilderment of manner may have half originated in his having confused himself about himself and everything around him, for the love of his Blind Daughter. How could the little man be otherwise than bewildered, after labouring for so many years to destroy his own identity, and that of all the objects that had any bearing on it! "There we are," said Caleb, falling back a pace or two to form the better judgment of his work; "as near the real thing as sixpenn’orth of halfpence is to sixpence. What a pity that the whole front of the house opens at once! If there was only a staircase in it now, and regular doors to the rooms to go in at! But that’s the worst of my calling, I’m always deluding myself, and swindling myself." "You are speaking quite softly. You are not tired, father?" "Tired!" echoed Caleb, with a great burst of animation, "what should tire me, Bertha? I was never tired. What does it mean?" To give the greater force to his words, he checked himself in an involuntary imitation of two half-length stretching and yawning figures on the mantel-shelf, who were represented as in one eternal state of weariness from the waist upwards; and hummed a fragment of a song. It was a Bacchanalian song, something about a Sparkling Bowl; and he sang it with an assumption of a Devil-may-care voice, that made his face a thousand times more meagre and more thoughtful than ever. "What! You’re singing, are you?" said Tackleton, putting his head in at the door. "Go it! I can’t sing." Nobody would have suspected him of it. He hadn’t what is generally termed a singing face, by any means. "I can’t afford to sing," said Tackleton. "I’m glad you can. I hope you can afford to work too. Hardly time for both, I should think?" "If you could only see him, Bertha, how he’s winking at me!" whispered Caleb. "Such a man to joke! you’d think, if you didn’t know him, he was in earnest—wouldn’t you now?" The Blind Girl smiled and nodded. "The bird that can sing and won’t sing, must be made to sing, they say," grumbled Tackleton. "What about the owl that can’t sing, and oughtn’t to sing, and will sing; is there anything that he should be made to do?" "The extent to which he’s winking at this moment!" whispered Caleb to his daughter. "Oh, my gracious!" "Always merry and light-hearted with us!" cried the smiling Bertha. "Oh, you’re there, are you?" answered Tackleton. "Poor Idiot!" He really did believe she was an Idiot; and he founded the belief, I can’t say whether consciously or not, upon her being fond of him. "Well! and being there,—how are you?" said Tackleton, in his grudging way. "Oh! well; quite well. And as happy as even you can wish me to be. As happy as you would make the whole world, if you could!" "Poor Idiot!" muttered Tackleton. "No gleam of reason. Not a gleam!" The Blind Girl took his hand and kissed it; held it for a moment in her own two hands; and laid her cheek against it tenderly, before releasing it. There was such unspeakable affection and such fervent gratitude in the act, that Tackleton himself was moved to say, in a milder growl than usual: "What’s the matter now?" "I stood it close beside my pillow when I went to sleep last night, and remembered it in my dreams. And when the day broke, and the glorious red sun—the red sun, father?" "Red in the mornings and the evenings, Bertha," said poor Caleb, with a woeful glance at his employer. "When it rose, and the bright light I almost fear to strike myself against in walking, came into the room, I turned the little tree towards it, and blessed Heaven for making things so precious, and blessed you for sending them to cheer me!" "Bedlam broke loose!" said Tackleton under his breath. "We shall arrive at the strait-waistcoat and mufflers soon. We’re getting on!" Caleb, with his hands hooked loosely in each other, stared vacantly before him while his daughter spoke, as if he really were uncertain (I believe he was) whether Tackleton had done anything to deserve her thanks, or not. If he could have been a perfectly free agent, at that moment, required, on pain of death, to kick the Toy-merchant, or fall at his feet, according to his merits, I believe it would have been an even chance which course he would have taken. Yet, Caleb knew that with his own hands he had brought the little rose tree home for her, so carefully; and that with his own lips he had forged the innocent deception which should help to keep her from suspecting how much, how very much, he every day denied himself, that she might be the happier. "Bertha!" said Tackleton, assuming, for the nonce, a little cordiality. "Come here." "Oh! I can come straight to you! You needn’t guide me!" she rejoined. "Shall I tell you a secret, Bertha?" "If you will!" she answered, eagerly. How bright the darkened face! How adorned with light, the listening head! "This is the day on which little what’s-her-name; the spoilt child; Peerybingle’s wife; pays her regular visit to you—makes her fantastic Pic-Nic here; an’t it?" said Tackleton, with a strong expression of distaste for the whole concern. "Yes," replied Bertha. "This is the day." "I thought so," said Tackleton. "I should like to join the party." "Do you hear that, father!" cried the Blind Girl in an ecstasy. "Yes, yes, I hear it," murmured Caleb, with the fixed look of a sleep-walker; "but I don’t believe it. It’s one of my lies, I’ve no doubt." "You see I—I want to bring the Peerybingles a little more into company with May Fielding," said Tackleton. "I am going to be married to May." "Married!" cried the Blind Girl, starting from him. "She’s such a con-founded Idiot," muttered Tackleton, "that I was afraid she’d never comprehend me. Ah, Bertha! Married! Church, parson, clerk, beadle, glass-coach, bells, breakfast, bride-cake, favours, marrow-bones, cleavers, and all the rest of the tom-foolery. A wedding, you know; a wedding. Don’t you know what a wedding is?" "I know," replied the Blind Girl, in a gentle tone. "I understand!" "Do you?" muttered Tackleton. "It’s more than I expected. Well! on that account I want to join the party, and to bring May and her mother. I’ll send in a little something or other, before the afternoon. A cold leg of mutton, or some comfortable trifle of that sort. You’ll expect me?" "Yes," she answered. She had drooped her head, and turned away; and so stood, with her hands crossed, musing. "I don’t think you will," muttered Tackleton, looking at her; "for you seem to have forgotten all about it, already. Caleb!" "I may venture to say I’m here, I suppose," thought Caleb. "Sir!" "Take care she don’t forget what I’ve been saying to her." "She never forgets," returned Caleb. "It’s one of the few things she an’t clever in." "Every man thinks his own geese swans," observed the Toy merchant, with a shrug. "Poor devil!" Having delivered himself of which remark, with infinite contempt, old Gruff and Tackleton withdrew. Bertha remained where he had left her, lost in meditation. The gaiety had vanished from her downcast face, and it was very sad. Three or four times, she shook her head, as if bewailing some remembrance or some loss; but her sorrowful reflections found no vent in words. It was not until Caleb had been occupied, some time, in yoking a team of horses to a waggon by the summary process of nailing the harness to the vital parts of their bodies, that she drew near to his working-stool, and sitting down beside him, said: "Father, I am lonely in the dark. I want my eyes: my patient, willing eyes." "Here they are," said Caleb. "Always ready. They are more your's than mine, Bertha, any hour in the four and twenty. What shall your eyes do for you, dear?" "Look round the room, father." "All right," said Caleb. "No sooner said than done, Bertha." "Tell me about it." "It’s much the same as usual," said Caleb. "Homely, but very snug. The gay colors on the walls; the bright flowers on the plates and dishes; the shining wood, where there are beams or panels; the general cheerfulness and neatness of the building; make it very pretty." Cheerful and neat it was wherever Bertha’s hands could busy themselves. But nowhere else, were cheerfulness and neatness possible, in the old crazy shed which Caleb’s fancy so transformed. "You have your working dress on, and are not so gallant as when you wear the handsome coat?" said Bertha, touching him. "Not quite so gallant," answered Caleb. "Pretty brisk though." "Father," said the Blind Girl, drawing close to his side, and stealing one arm round his neck "Tell me something about May. She is very fair?" "She is indeed," said Caleb. And she was indeed. It was quite a rare thing to Caleb, not to have to draw on his invention. "Her hair is dark," said Bertha, pensively, "darker than mine. Her voice is sweet and musical, I know. I have often loved to hear it. Her shape—" "There’s not a Doll’s in all the room to equal it," said Caleb. "And her eyes!—" He stopped; for Bertha had drawn closer round his neck; and, from the arm that clung about him, came a warning pressure which he understood too well. He coughed a moment, hammered for a moment, and then fell back upon the song about the Sparkling Bowl; his infallible resource in all such difficulties. "Our friend, father; our benefactor. I am never tired you know of hearing about him.—Now was I, ever?" she said, hastily. "Of course not," answered Caleb. "And with reason." "Ah! With how much reason!" cried the Blind Girl. With such fervency, that Caleb, though his motives were so pure, could not endure to meet her face; but dropped his eyes, as if she could have read in them his innocent deceit. "Then, tell me again about him, dear father," said Bertha. "Many times again! His face is benevolent, kind, and tender. Honest and true, I am sure it is. The manly heart that tries to cloak all favours with a show of roughness and unwillingness, beats in its every look and glance." "And makes it noble!" added Caleb, in his quiet desperation. "And makes it noble!" cried the Blind Girl. "He is older than May, father." "Ye-es," said Caleb, reluctantly. "He’s a little older than May. But that don’t signify." "Oh father, yes! To be his patient companion in infirmity and age; to be his gentle nurse in sickness, and his constant friend in suffering and sorrow; to know no weariness in working for his sake; to watch him, tend him, sit beside his bed and talk to him awake; and pray for him asleep; what privileges these would be! What opportunities for proving all her truth and devotion to him! Would she do all this, dear father?" "No doubt of it," said Caleb. "I love her, father; I can love her from my soul!" exclaimed the Blind Girl. And saying so, she laid her poor blind face on Caleb’s shoulder, and so wept and wept, that he was almost sorry to have brought that tearful happiness upon her. In the mean time, there had been a pretty sharp commotion at John Peerybingle’s; for little Mrs. Peerybingle naturally couldn’t think of going anywhere without the Baby; and to get the Baby under weigh, took time. Not that there was much of the Baby: speaking of it as a thing of weight and measure: but there was a vast deal to do about and about it, and it all had to be done by easy stages. For instance, when the Baby was got, by hook and by crook, to a certain point of dressing, and you might have rationally supposed that another touch or two would finish him off, and turn him out a tip-top Baby, challenging the world, he was unexpectedly extinguished in a flannel cap, and hustled off to bed; where he simmered (so to speak) between two blankets for the best part of an hour. From this state of inaction he was then recalled, shining very much and roaring violently, to partake of—well! I would rather say, if you’ll permit me to speak generally—of a slight repast. After which, he went to sleep again. Mrs. Peerybingle took advantage of this interval, to make herself as smart in a small way as ever you saw anybody in all your life; and, during the same short truce, Miss Slowboy insinuated herself into a spencer of a fashion so surprising and ingenious, that it had no connection with herself or anything else in the universe, but was a shrunken, dog’s-eared, independent fact, pursuing its lonely course without the least regard to anybody. By this time, the Baby, being all alive again, was invested, by the united efforts of Mrs. Peerybingle and Miss Slowboy, with a cream-coloured mantle for its body, and a sort of nankeen raised-pie for its head; and so in course of time they all three got down to the door, where the old horse had already taken more than the full value of his day’s toll out of the Turnpike Trust, by tearing up the road with his impatient autographs—and whence Boxer might be dimly seen in the remote perspective, standing looking back, and tempting him to come on without orders. As to a chair, or anything of that kind for helping Mrs. Peerybingle into the cart, you know very little of John, I flatter myself, if you think that was necessary. Before you could have seen him lift her from the ground, there she was in her place, fresh and rosy, saying, "John! How can you! Think of Tilly!" If I might be allowed to mention a young lady’s legs, on any terms, I would observe of Miss Slowboy’s that there was a fatality about them which rendered them singularly liable to be grazed; and that she never effected the smallest ascent or descent, without recording the circumstance upon them with a notch, as Robinson Crusoe marked the days upon his wooden calendar. But as this might be considered ungenteel, I’ll think of it. "John? You’ve got the Basket with the Veal and Ham-Pie and things, and the bottles of Beer?’ said Dot. ‘If you haven’t, you must turn round again, this very minute." "You’re a nice little article," returned the Carrier, "to be talking about turning round, after keeping me a full quarter of an hour behind my time." "I am sorry for it, John," said Dot in a great bustle, "but I really could not think of going to Bertha’s—I would not do it, John, on any account—without the Veal and Ham-Pie and things, and the bottles of Beer. Way!" This monosyllable was addressed to the horse, who didn’t mind it at all. "Oh do way, John!" said Mrs. Peerybingle. "Please!" "It’ll be time enough to do that," returned John, "when I begin to leave things behind me. The basket’s here, safe enough." "What a hard-hearted monster you must be, John, not to have said so, at once, and saved me such a turn! I declare I wouldn’t go to Bertha’s without the Veal and Ham-Pie and things, and the bottles of Beer, for any money. Regularly once a fortnight ever since we have been married, John, have we made our little Pic-Nic there. If anything was to go wrong with it, I should almost think we were never to be lucky again." "It was a kind thought in the first instance," said the Carrier: "and I honour you for it, little woman." "My dear John," replied Dot, turning very red. "Don’t talk about honouring me. Good Gracious!’ "By the bye—" observed the Carrier. "That old gentleman,—" Again so visibly, and instantly embarrassed! "He’s an odd fish," said the Carrier, looking straight along the road before them. "I can’t make him out. I don’t believe there’s any harm in him." "None at all. I’m—I’m sure there’s none at all." "Yes," said the Carrier, with his eyes attracted to her face by the great earnestness of her manner. "I am glad you feel so certain of it, because it’s a confirmation to me. It’s curious that he should have taken it into his head to ask leave to go on lodging with us; an’t it? Things come about so strangely." "So very strangely," she rejoined in a low voice: scarcely audible. "However, he’s a good-natured old gentleman," said John, "and pays as a gentleman, and I think his word is to be relied upon, like a gentleman’s. I had quite a long talk with him this morning: he can hear me better already, he says, as he gets more used to my voice. He told me a great deal about himself, and I told him a great deal about myself, and a rare lot of questions he asked me. I gave him information about my having two beats, you know, in my business; one day to the right from our house and back again; another day to the left from our house and back again (for he’s a stranger and don’t know the names of places about here); and he seemed quite pleased. 'Why, then I shall be returning home to-night your way,' he says, 'when I thought you’d be coming in an exactly opposite direction. That’s capital! I may trouble you for another lift perhaps, but I’ll engage not to fall so sound asleep again.' He was sound asleep, sure-ly!—Dot! what are you thinking of?" "Thinking of, John? I—I was listening to you." "Oh! That’s all right!" said the honest Carrier. "I was afraid, from the look of your face, that I had gone rambling on so long, as to set you thinking about something else. I was very near it, I’ll be bound." Dot making no reply, they jogged on, for some little time, in silence. But, it was not easy to remain silent very long in John Peerybingle’s cart, for everybody on the road had something to say. Though it might only be "How are you!" and indeed it was very often nothing else, still, to give that back again in the right spirit of cordiality, required, not merely a nod and a smile, but as wholesome an action of the lungs withal, as a long-winded Parliamentary speech. Sometimes, passengers on foot, or horseback, plodded on a little way beside the cart, for the express purpose of having a chat; and then there was a great deal to be said, on both sides. Then, Boxer gave occasion to more good-natured recognitions of and by the Carrier, than half a dozen Christians could have done! Everybody knew him, all along the road, especially the fowls and pigs, who when they saw him approaching, with his body all on one side, and his ears pricked up inquisitively, and that knob of a tail making the most of itself in the air, immediately withdrew into remote back settlements, without waiting for the honour of a nearer acquaintance. He had business everywhere; going down all the turnings, looking into all the wells, bolting in and out of all the cottages, dashing into the midst of all the Dame-Schools, fluttering all the pigeons, magnifying the tails of all the cats, and trotting into the public-houses like a regular customer. Wherever he went, somebody or other might have been heard to cry, "Halloa! Here’s Boxer!" and out came that somebody forthwith, accompanied by at least two or three other somebodies, to give John Peerybingle and his pretty wife, Good Day. The packages and parcels for the errand cart, were numerous; and there were many stoppages to take them in and give them out; which were not by any means the worst parts of the journey. Some people were so full of expectation about their parcels, and other people were so full of wonder about their parcels, and other people were so full of inexhaustible directions about their parcels, and John had such a lively interest in all the parcels, that it was as good as a play. Likewise, there were articles to carry, which required to be considered and discussed, and in reference to the adjustment and disposition of which, councils had to be holden by the Carrier and the senders: at which Boxer usually assisted, in short fits of the closest attention, and long fits of tearing round and round the assembled sages and barking himself hoarse. Of all these little incidents, Dot was the amused and open-eyed spectatress from her chair in the cart; and as she sat there, looking on: a charming little portrait framed to admiration by the tilt: there was no lack of nudgings and glancings and whisperings and envyings among the younger men, I promise you. And this delighted John the Carrier, beyond measure; for he was proud to have his little wife admired, knowing that she didn’t mind it—that, if anything, she rather liked it perhaps. The trip was a little foggy, to be sure, in the January weather; and was raw and cold. But who cared for such trifles? Not Dot, decidedly. Not Tilly Slowboy, for she deemed sitting in a cart, on any terms, to be the highest point of human joys; the crowning circumstance of earthly hopes. Not the Baby, I’ll be sworn; for it’s not in Baby nature to be warmer or more sound asleep, though its capacity is great in both respects, than that blessed young Peerybingle was, all the way. You couldn’t see very far in the fog, of course; but you could see a great deal, oh a great deal! It’s astonishing how much you may see, in a thicker fog than that, if you will only take the trouble to look for it. Why, even to sit watching for the Fairy-rings in the fields, and for the patches of hoar-frost still lingering in the shade, near hedges and by trees, was a pleasant occupation: to make no mention of the unexpected shapes in which the trees themselves came starting out of the mist, and glided into it again. The hedges were tangled and bare, and waved a multitude of blighted garlands in the wind; but there was no discouragement in this. It was agreeable to contemplate; for it made the fireside warmer in possession, and the summer greener in expectancy. The river looked chilly; but it was in motion, and moving at a good pace; which was a great point. The canal was rather slow and torpid; that must be admitted. Never mind. It would freeze the sooner when the frost set fairly in, and then there would be skating, and sliding; and the heavy old barges, frozen up somewhere, near a wharf, would smoke their rusty iron chimney-pipes all day, and have a lazy time of it. In one place, there was a great mound of weeds or stubble burning; and they watched the fire, so white in the day time, flaring through the fog, with only here and there a dash of red in it, until, in consequence as she observed, of the smoke "getting up her nose," Miss Slowboy choked—she could do anything of that sort, on the smallest provocation—and woke the Baby, who wouldn’t go to sleep again. But Boxer, who was in advance some quarter of a mile or so, had already passed the outposts of the town, and gained the corner of the street where Caleb and his daughter lived; and long before they had reached the door, he and the Blind Girl were on the pavement waiting to receive them. Boxer, by the way, made certain delicate distinctions of his own, in his communication with Bertha, which persuade me fully that he knew her to be blind. He never sought to attract her attention by looking at her, as he often did with other people, but touched her, invariably. What experience he could ever have had of blind people or blind dogs, I don’t know. He had never lived with a blind master; nor had Mr. Boxer the elder, nor Mrs. Boxer, nor any of his respectable family on either side, ever been visited with blindness, that I am aware of. He may have found it out for himself, perhaps, but he had got hold of it somehow; and therefore he had hold of Bertha too, by the skirt, and kept hold, until Mrs. Peerybingle and the Baby, and Miss Slowboy, and the basket, were all got safely within doors. May Fielding was already come; and so was her mother—a little querulous chip of an old lady with a peevish face, who, in right of having preserved a waist like a bedpost, was supposed to be a most transcendent figure; and who, in consequence of having once been better off, or of labouring under an impression that she might have been, if something had happened which never did happen, and seemed to have never been particularly likely to come to pass—but it’s all the same—was very genteel and patronising indeed. Gruff and Tackleton was also there, doing the agreeable; with the evident sensation of being as perfectly at home, and as unquestionably in his own element, as a fresh young salmon on the top of the Great Pyramid. "May! My dear old friend!" cried Dot, running up to meet her. "What a happiness to see you." Her old friend was, to the full, as hearty and as glad as she; and it really was, if you’ll believe me, quite a pleasant sight to see them embrace. Tackleton was a man of taste, beyond all question. May was very pretty. You know sometimes, when you are used to a pretty face, how, when it comes into contact and comparison with another pretty face, it seems for the moment to be homely and faded, and hardly to deserve the high opinion you have had of it. Now, this was not at all the case, either with Dot or May; for May’s face set off Dot’s, and Dot’s face set off May’s, so naturally and agreeably, that, as John Peerybingle was very near saying when he came into the room, they ought to have been born sisters: which was the only improvement you could have suggested. Tackleton had brought his leg of mutton, and, wonderful to relate, a tart besides—but we don’t mind a little dissipation when our brides are in the case; we don’t get married every day—and in addition to these dainties, there were the Veal and Ham-Pie, and "things," as Mrs. Peerybingle called them; which were chiefly nuts and oranges, and cakes, and such small deer. When the repast was set forth on the board, flanked by Caleb’s contribution, which was a great wooden bowl of smoking potatoes (he was prohibited, by solemn compact, from producing any other viands), Tackleton led his intended mother-in-law to the post of honour. For the better gracing of this place at the high Festival, the majestic old Soul had adorned herself with a cap, calculated to inspire the thoughtless with sentiments of awe. She also wore her gloves. But let us be genteel, or die! Caleb sat next his daughter; Dot and her old schoolfellow were side by side; the good Carrier took care of the bottom of the table. Miss Slowboy was isolated, for the time being, from every article of furniture but the chair she sat on, that she might have nothing else to knock the Baby’s head against. As Tilly stared about her at the Dolls and Toys, they stared at her and at the company. The venerable old gentlemen at the street doors (who were all in full action) showed especial interest in the party: pausing occasionally before leaping, as if they were listening to the conversation: and then plunging wildly over and over, a great many times, without halting for breath—as in a frantic state of delight with the whole proceedings. Certainly, if these old gentlemen were inclined to have a fiendish joy in the contemplation of Tackleton’s discomfiture, they had good reason to be satisfied. Tackleton couldn’t get on at all; and the more cheerful his intended Bride became in Dot’s society, the less he liked it, though he had brought them together for that purpose. For he was a regular Dog in the Manger, was Tackleton; and when they laughed, and he couldn’t, he took it into his head, immediately, that they must be laughing at him. "Ah, May!" said Dot. "Dear dear, what changes! To talk of those merry school-days makes one young again." "Why, you an’t particularly old, at any time; are you?" said Tackleton. "Look at my sober plodding husband there," returned Dot. "He adds Twenty years to my age at least. Don’t you John?" "Forty," John replied. "How many you’ll add to May’s, I am sure I don’t know," said Dot, laughing. "But she can’t be much less than a hundred years of age on her next birthday." "Ha ha!" laughed Tackleton. Hollow as a drum, that laugh though. And he looked as if he could have twisted Dot’s neck: comfortably. "Dear dear!" said Dot. "Only to remember how we used to talk, at school, about the husbands we would choose. I don’t know how young, and how handsome, and how gay, and how lively, mine was not to be! and as to May’s!—Ah dear! I don’t know whether to laugh or cry, when I think what silly girls we were." May seemed to know which to do; for the colour flushed into her face, and tears stood in her eyes. "Even the very persons themselves—real live young men—were fixed on sometimes," said Dot. "We little thought how things would come about. I never fixed on John I’m sure; I never so much as thought of him. And if I had told you, you were ever to be married to Mr. Tackleton, why you’d have slapped me. Wouldn’t you, May?" Though May didn’t say yes, she certainly didn’t say no, or express no, by any means. Tackleton laughed—quite shouted, he laughed so loud. John Peerybingle laughed too, in his ordinary good-natured and contented manner; but his was a mere whisper of a laugh, to Tackleton’s. "You couldn’t help yourselves, for all that. You couldn’t resist us, you see," said Tackleton. "Here we are! Here we are!" "Where are your gay young bridegrooms now!" "Some of them are dead," said Dot; "and some of them forgotten. Some of them, if they could stand among us at this moment, would not believe we were the same creatures; would not believe that what they saw and heard was real, and we could forget them so. No! they would not believe one word of it!" "Why, Dot!" exclaimed the Carrier. "Little woman!" She had spoken with such earnestness and fire, that she stood in need of some recalling to herself, without doubt. Her husband’s check was very gentle, for he merely interfered, as he supposed, to shield old Tackleton; but it proved effectual, for she stopped, and said no more. There was an uncommon agitation, even in her silence, which the wary Tackleton, who had brought his half-shut eye to bear upon her, noted closely; and remembered to some purpose too, as you will see. May uttered no word, good or bad, but sat quite still, with her eyes cast down; and made no sign of interest in what had passed. The good lady her mother now interposed: observing, in the first instance, that girls were girls, and byegones byegones, and that so long as young people were young and thoughtless, they would probably conduct themselves like young and thoughtless persons: with two or three other positions of a no less sound and incontrovertible character. She then remarked, in a devout spirit, that she thanked Heaven she had always found in her daughter May, a dutiful and obedient child; for which she took no credit to herself, though she had every reason to believe it was entirely owing to herself. With regard to Mr. Tackleton she said, That he was in a moral point of view an undeniable individual; and That he was in an eligible point of view a son-in-law to be desired, no one in their senses could doubt. (She was very emphatic here). With regard to the family into which he was so soon about, after some solicitation, to be admitted, she believed Mr. Tackleton knew that, although reduced in purse, it had some pretensions to gentility; and if certain circumstances, not wholly unconnected, she would go so far as to say, with the Indigo Trade, but to which she would not more particularly refer, had happened differently, it might perhaps have been in possession of Wealth. She then remarked that she would not allude to the past, and would not mention that her daughter had for some time rejected the suit of Mr. Tackleton; and that she would not say a great many other things which she did say, at great length. Finally, she delivered it as the general result of her observation and experience, that those marriages in which there was least of what was romantically and sillily called love, were always the happiest; and that she anticipated the greatest possible amount of bliss—not rapturous bliss; but the solid, steady-going article—from the approaching nuptials. She concluded by informing the company that to-morrow was the day she had lived for, expressly; and that when it was over, she would desire nothing better than to be packed up and disposed of, in any genteel place of burial. As these remarks were quite unanswerable: which is the happy property of all remarks that are sufficiently wide of the purpose: they changed the current of the conversation, and diverted the general attention to the Veal and Ham-Pie, the cold mutton, the potatoes, and the tart. In order that the bottled beer might not be slighted, John Peerybingle proposed To-morrow: the Wedding-Day: and called upon them to drink a bumper to it, before he proceeded on his journey. For you ought to know that he only rested there, and gave the old horse a bait. He had to go some four or five miles farther on; and when he returned in the evening, he called for Dot, and took another rest on his way home. This was the order of the day on all the Pic-Nic occasions, had been, ever since their institution. There were two persons present, besides the bride and bridegroom elect, who did but indifferent honour to the toast. One of these was Dot, too flushed and discomposed to adapt herself to any small occurrence of the moment; the other Bertha, who rose up hurriedly, before the rest, and left the table. "Good bye!" said stout John Peerybingle, pulling on his dreadnought coat. "I shall be back at the old time. Good bye all!" "Good bye John," returned Caleb. He seemed to say it by rote, and to wave his hand in the same unconscious manner; for he stood observing Bertha with an anxious wondering face, that never altered its expression. "Good bye young shaver!" said the jolly Carrier, bending down to kiss the child; which Tilly Slowboy, now intent upon her knife and fork, had deposited asleep (and strange to say, without damage) in a little cot of Bertha’s furnishing; "good bye! Time will come, I suppose, when you’ll turn out into the cold, my little friend, and leave your old father to enjoy his pipe and his rheumatics in the chimney-corner; eh? Where’s Dot?" "I’m here, John!" she said, starting. "Come, come!’ returned the Carrier, clapping his sounding hands. "Where’s the pipe?" "I quite forgot the pipe, John." Forgot the pipe! Was such a wonder ever heard of! She! Forgot the pipe! "I’ll—I’ll fill it directly. It’s soon done." But it was not so soon done, either. It lay in the usual place; the Carrier’s dreadnought pocket; with the little pouch, her own work, from which she was used to fill it, but her hand shook so, that she entangled it (and yet her hand was small enough to have come out easily, I am sure), and bungled terribly. The filling of the pipe and lighting it; those little offices in which I have commended her discretion, if you recollect; were vilely done, from first to last. During the whole process, Tackleton stood looking on maliciously with the half-closed eye; which, whenever it met her's—or caught it, for it can hardly be said to have ever met another eye: rather being a kind of trap to snatch it up—augmented her confusion in a most remarkable degree. "Why, what a clumsy Dot you are, this afternoon!" said John. "I could have done it better myself, I verily believe!" With these good-natured words, he strode away; and presently was heard, in company with Boxer, and the old horse, and the cart, making lively music down the road. What time the dreamy Caleb still stood, watching his Blind Daughter, with the same expression on his face. "Bertha!" said Caleb, softly. "What has happened? How changed you are, my Darling, in a few hours—since this morning. You silent and dull all day! What is it? Tell me!" "Oh father, father!" cried the Blind Girl, bursting into tears. "Oh my hard, hard Fate!" Caleb drew his hand across his eyes before he answered her. "But think how cheerful and how happy you have been, Bertha! How good, and how much loved, by many people." "That strikes me to the heart, dear father! Always so mindful of me! Always so kind to me!" Caleb was very much perplexed to understand her. "To be—to be blind, Bertha, my poor dear," he faultered, "is a great affliction; but—" "I have never felt it!" cried the Blind Girl. "I have never felt it, in its fulness. Never! I have sometimes wished that I could see you, or could see him; only once, dear father; only for one little minute; that I might know what it is I treasure up," she laid her hands upon her breast, "and hold here! That I might be sure and have it right! And sometimes (but then I was a child) I have wept in my prayers at night, to think that when your images ascended from my heart to Heaven, they might not be the true resemblance of yourselves. But I have never had these feelings long. They have passed away and left me tranquil and contented." "And they will again," said Caleb. "But, father! Oh my good, gentle father, bear with me, if I am wicked!" said the Blind Girl. "This is not the sorrow that so weighs me down!" Her father could not choose but let his moist eyes overflow; she was so earnest and pathetic, but he did not understand her, yet. "Bring her to me," said Bertha. "I cannot hold it closed and shut within myself. Bring her to me, father!" She knew he hesitated, and said, "May. Bring May!" May heard the mention of her name, and coming quietly towards her, touched her on the arm. The Blind Girl turned immediately, and held her by both hands. "Look into my face, Dear heart, Sweet heart!" said Bertha. "Read it with your beautiful eyes, and tell me if the truth is written on it." "Dear Bertha, Yes!" The Blind Girl still, upturning the blank sightless face, down which the tears were coursing fast, addressed her in these words: "There is not, in my Soul, a wish or thought that is not for your good, bright May! There is not, in my Soul, a grateful recollection stronger than the deep remembrance which is stored there, of the many many times when, in the full pride of Sight and Beauty, you have had consideration for Blind Bertha, even when we two were children, or when Bertha was as much a child as ever blindness can be! Every blessing on your head! Light upon your happy course! Not the less, my dear May;" and she drew towards her, in a closer grasp; "not the less, my Bird, because, to-day, the knowledge that you are to be His wife has wrung my heart almost to breaking! Father, May, Mary! oh forgive me that it is so, for the sake of all he has done to relieve the weariness of my dark life: and for the sake of the belief you have in me, when I call Heaven to witness that I could not wish him married to a wife more worthy of his Goodness!" While speaking, she had released May Fielding’s hands, and clasped her garments in an attitude of mingled supplication and love. Sinking lower and lower down, as she proceeded in her strange confession, she dropped at last at the feet of her friend, and hid her blind face in the folds of her dress. "Great Power!" exclaimed her father, smitten at one blow with the truth, "have I deceived her from her cradle, but to break her heart at last!" It was well for all of them that Dot, that beaming, useful, busy little Dot—for such she was, whatever faults she had; and however you may learn to hate her, in good time—it was well for all of them, I say, that she was there: or where this would have ended, it were hard to tell. But Dot, recovering her self-possession, interposed, before May could reply, or Caleb say another word. "Come, come, dear Bertha! come away with me! Give her your arm, May. So! How composed she is, you see, already; and how good it is of her to mind us," said the cheery little woman, kissing her upon the forehead. "Come away, dear Bertha. Come! and here’s her good father will come with her; won’t you, Caleb? To—be—sure!" Well, well! she was a noble little Dot in such things, and it must have been an obdurate nature that could have withstood her influence. When she had got poor Caleb and his Bertha away, that they might comfort and console each other, as she knew they only could, she presently came bouncing back,—the saying is, as fresh as any daisy; I say fresher—to mount guard over that bridling little piece of consequence in the cap and gloves, and prevent the dear old creature from making discoveries. "So bring me the precious Baby, Tilly," said she, drawing a chair to the fire; "and while I have it in my lap, here’s Mrs. Fielding, Tilly, will tell me all about the management of Babies, and put me right in twenty points where I’m as wrong as can be. Won’t you, Mrs. Fielding?" Not even the Welsh Giant, who, according to the popular expression, was so "slow" as to perform a fatal surgical operation upon himself, in emulation of a juggling-trick achieved by his arch-enemy at breakfast-time; not even he fell half so readily into the Snare prepared for him, as the old lady did into this artful Pitfall. The fact of Tackleton having walked out; and furthermore, of two or three people having been talking together at a distance, for two minutes, leaving her to her own resources; was quite enough to have put her on her dignity, and the bewailment of that mysterious convulsion in the Indigo trade, for four-and-twenty hours. But this becoming deference to her experience, on the part of the young mother, was so irresistible, that after a short affectation of humility, she began to enlighten her with the best grace in the world; and sitting bolt upright before the wicked Dot, she did, in half an hour, deliver more infallible domestic recipes and precepts, than would (if acted on) have utterly destroyed and done up that Young Peerybingle, though he had been an Infant Samson. To change the theme, Dot did a little needlework—she carried the contents of a whole workbox in her pocket; how ever she contrived it, I don’t know—then did a little nursing; then a little more needlework; then had a little whispering chat with May, while the old lady dozed; and so in little bits of bustle, which was quite her manner always, found it a very short afternoon. Then, as it grew dark, and as it was a solemn part of this Institution of the Pic-Nic that she should perform all Bertha’s household tasks, she trimmed the fire, and swept the hearth, and set the tea-board out, and drew the curtain, and lighted a candle. Then she played an air or two on a rude kind of harp, which Caleb had contrived for Bertha, and played them very well; for Nature had made her delicate little ear as choice a one for music as it would have been for jewels, if she had had any to wear. By this time it was the established hour for having tea; and Tackleton came back again, to share the meal, and spend the evening. Caleb and Bertha had returned some time before, and Caleb had sat down to his afternoon’s work. But he couldn’t settle to it, poor fellow, being anxious and remorseful for his daughter. It was touching to see him sitting idle on his working-stool, regarding her so wistfully; and always saying in his face, "have I deceived her from her cradle, but to break her heart!" When it was night, and tea was done, and Dot had nothing more to do in washing up the cups and saucers; in a word—for I must come to it, and there is no use in putting it off—when the time drew nigh for expecting the Carrier’s return in every sound of distant wheels; her manner changed again; her colour came and went, and she was very restless. Not as good wives are, when listening for their husbands. No, no, no. It was another sort of restlessness from that. Wheels heard. A horse’s feet. The barking of a dog. The gradual approach of all the sounds. The scratching paw of Boxer at the door! "Whose step is that!" cried Bertha, starting up. "Whose step?" returned the Carrier, standing in the portal, with his brown face ruddy as a winter berry from the keen night air. "Why, mine." "The other step," said Bertha. "The man’s tread behind you!" "She is not to be deceived," observed the Carrier, laughing. "Come along, Sir. You’ll be welcome, never fear!" He spoke in a loud tone; and as he spoke, the deaf old gentleman entered. "He’s not so much a stranger, that you haven’t seen him once, Caleb," said the Carrier. "You’ll give him house-room till we go?" "Oh surely, John; and take it as an honour." "He’s the best company on earth, to talk secrets in," said John. "I have reasonable good lungs, but he tries ’em, I can tell you. Sit down, Sir. All friends here, and glad to see you!" When he had imparted this assurance, in a voice that amply corroborated what he had said about his lungs, he added in his natural tone, "A chair in the chimney-corner, and leave to sit quite silent and look pleasantly about him, is all he cares for. He’s easily pleased." Bertha had been listening intently. She called Caleb to her side, when he had set the chair, and asked him, in a low voice, to describe their visitor. When he had done so (truly now; with scrupulous fidelity), she moved, for the first time since he had come in; and sighed; and seemed to have no further interest concerning him. The Carrier was in high spirits, good fellow that he was; and fonder of his little wife than ever. "A clumsy Dot she was, this afternoon!" he said, encircling her with his rough arm, as she stood, removed from the rest; "and yet I like her somehow. See yonder, Dot!" He pointed to the old man. She looked down. I think she trembled. "He’s—ha ha ha!—he’s full of admiration for you!" said the Carrier. "Talked of nothing else, the whole way here. Why, he’s a brave old boy. I like him for it!" "I wish he had had a better subject, John;" she said, with an uneasy glance about the room. At Tackleton especially. "A better subject!" cried the jovial John. "There’s no such thing. Come, off with the great-coat, off with the thick shawl, off with the heavy wrappers! and a cosy half-hour by the fire! My humble service, Mistress. A game at cribbage, you and I? That’s hearty. The cards and board, Dot. And a glass of beer here, if there’s any left, small wife!" His challenge was addressed to the old lady, who accepting it with gracious readiness, they were soon engaged upon the game. At first, the Carrier looked about him sometimes, with a smile, or now and then called Dot to peep over his shoulder at his hand, and advise him on some knotty point. But his adversary being a rigid disciplinarian, and subject to an occasional weakness in respect of pegging more than she was entitled to, required such vigilance on his part, as left him neither eyes nor ears to spare. Thus, his whole attention gradually became absorbed upon the cards; and he thought of nothing else, until a hand upon his shoulder restored him to a consciousness of Tackleton. "I am sorry to disturb you—but a word, directly." "I’m going to deal," returned the Carrier. "It’s a crisis." "It is," said Tackleton. "Come here, man!" There was that in his pale face which made the other rise immediately, and ask him, in a hurry, what the matter was. "Hush! John Peerybingle," said Tackleton. "I am sorry for this. I am indeed. I have been afraid of it. I have suspected it from the first." "What is it?" asked the Carrier, with a frightened aspect. "Hush! I’ll show you, if you’ll come with me." The Carrier accompanied him, without another word. They went across a yard, where the stars were shining; and by a little side-door, into Tackleton’s own counting-house, where there was a glass window, commanding the ware-room: which was closed for the night. There was no light in the counting-house itself, but there were lamps in the long narrow ware-room; and consequently the window was bright. "A moment!" said Tackleton. "Can you bear to look through that window, do you think?" "Why not?" returned the Carrier. "A moment more," said Tackleton. "Don’t commit any violence. It’s of no use. It’s dangerous too. You’re a strong-made man; and you might do Murder before you know it." The Carrier looked him in the face, and recoiled a step as if he had been struck. In one stride he was at the window, and he saw— Oh Shadow on the Hearth! Oh truthful Cricket! Oh perfidious Wife! He saw her, with the old man; old no longer, but erect and gallant: bearing in his hand the false white hair that had won his way into their desolate and miserable home. He saw her listening to him, as he bent his head to whisper in her ear; and suffering him to clasp her round the waist, as they moved slowly down the dim wooden gallery towards the door by which they had entered it. He saw them stop, and saw her turn—to have the face, the face he loved so, so presented to his view!—and saw her, with her own hands, adjust the Lie upon his head, laughing, as she did it, at his unsuspicious nature! He clenched his strong right hand at first, as if it would have beaten down a lion. But opening it immediately again, he spread it out before the eyes of Tackleton (for he was tender of her, even then), and so, as they passed out, fell down upon a desk, and was as weak as any infant. He was wrapped up to the chin, and busy with his horse and parcels, when she came into the room, prepared for going home. "Now, John, dear! Good night, May! Good night, Bertha!" Could she kiss them? Could she be blithe and cheerful in her parting? Could she venture to reveal her face to them without a blush? Yes. Tackleton observed her closely, and she did all this. Tilly was hushing the Baby; and she crossed and re-crossed Tackleton, a dozen times, repeating drowsily: "Did the knowledge that it was to be its wifes, then, wring its hearts almost to breaking; and did its fathers deceive it from its cradles but to break its hearts at last!" "Now, Tilly, give me the Baby! Good night, Mr. Tackleton. Where’s John, for Goodness’ sake?" "He’s going to walk beside the horse’s head," said Tackleton; who helped her to her seat. "My dear John. Walk? To-night?" The muffled figure of her husband made a hasty sign in the affirmative; and the false Stranger and the little nurse being in their places, the old horse moved off. Boxer, the unconscious Boxer, running on before, running back, running round and round the cart, and barking as triumphantly and merrily as ever. When Tackleton had gone off likewise, escorting May and her mother home, poor Caleb sat down by the fire beside his daughter; anxious and remorseful at the core; and still saying in his wistful contemplation of her, "have I deceived her from her cradle, but to break her heart at last!" The toys that had been set in motion for the Baby, had all stopped, and run down, long ago. In the faint light and silence, the imperturbably calm dolls; the agitated rocking-horses with distended eyes and nostrils; the old gentlemen at the street-doors, standing half doubled up upon their failing knees and ankles; the wry-faced nut-crackers; the very Beasts upon their way into the Ark, in twos, like a Boarding School out walking; might have been imagined to be stricken motionless with fantastic wonder, at Dot being false, or Tackleton beloved, under any combination of circumstances. Chirp the Third The Dutch clock in the corner struck Ten, when the Carrier sat down by his fireside. So troubled and grief-worn, that he seemed to scare the Cuckoo, who, having cut his ten melodious announcements as short as possible, plunged back into the Moorish Palace again, and clapped his little door behind him, as if the unwonted spectacle were too much for his feelings. If the little Haymaker had been armed with the sharpest of scythes, and had cut at every stroke into the Carrier’s heart, he never could have gashed and wounded it, as Dot had done. It was a heart so full of love for her; so bound up and held together by innumerable threads of winning remembrance, spun from the daily working of her many qualities of endearment; it was a heart in which she had enshrined herself so gently and so closely; a heart so single and so earnest in its Truth: so strong in right, so weak in wrong: that it could cherish neither passion nor revenge at first, and had only room to hold the broken image of its Idol. But, slowly, slowly; as the Carrier sat brooding on his hearth, now cold and dark; other and fiercer thoughts began to rise within him, as an angry wind comes rising in the night. The Stranger was beneath his outraged roof. Three steps would take him to his chamber door. One blow would beat it in. "You might do Murder before you know it," Tackleton had said. How could it be Murder, if he gave the Villain time to grapple with him hand to hand! He was the younger man. It was an ill-timed thought, bad for the dark mood of his mind. It was an angry thought, goading him to some avenging act, that should change the cheerful house into a haunted place which lonely travellers would dread to pass by night; and where the timid would see shadows struggling in the ruined windows when the moon was dim, and hear wild noises in the stormy weather. He was the younger man! Yes, yes; some lover who had won the heart that he had never touched. Some lover of her early choice: of whom she had thought and dreamed: for whom she had pined and pined: when he had fancied her so happy by his side. Oh agony to think of it! She had been above-stairs with the Baby, getting it to bed. As he sat brooding on the hearth, she came close beside him, without his knowledge—in the turning of the rack of his great misery, he lost all other sounds—and put her little stool at his feet. He only knew it, when he felt her hand upon his own, and saw her looking up into his face. With wonder? No. It was his first impression, and he was fain to look at her again, to set it right. No, not with wonder. With an eager and enquiring look; but not with wonder. At first it was alarmed and serious; then, it changed into a strange, wild, dreadful smile of recognition of his thoughts; then, there was nothing but her clasped hands on her brow, and her bent head, and falling hair. Though the power of Omnipotence had been his to wield at that moment, he had too much of its Diviner property of Mercy in his breast, to have turned one feather’s weight of it against her. But he could not bear to see her crouching down upon the little seat where he had often looked on her, with love and pride, so innocent and gay; and, when she rose and left him, sobbing as she went, he felt it a relief to have the vacant place beside him rather than her so long-cherished presence. This in itself was anguish keener than all: reminding him how desolate he was become, and how the great bond of his life was rent asunder. The more he felt this, and the more he knew he could have better borne to see her lying prematurely dead before him with their little child upon her breast, the higher and the stronger rose his wrath against his enemy. He looked about him for a weapon. There was a Gun, hanging on the wall. He took it down, and moved a pace or two towards the door of the perfidious Stranger’s room. He knew the Gun was loaded. Some shadowy idea that it was just to shoot this man like a Wild Beast, seized him; and dilated in his mind until it grew into a monstrous demon in complete possession of him, casting out all milder thoughts and setting up its undivided empire. That phrase is wrong. Not casting out his milder thoughts, but artfully transforming them. Changing them into scourges to drive him on. Turning water into blood, Love into hate, Gentleness into blind ferocity. Her image, sorrowing, humbled, but still pleading to his tenderness and mercy with resistless power, never left his mind; but staying there, it urged him to the door; raised the weapon to his shoulder; fitted and nerved his finger to the trigger; and cried "Kill him! In his Bed!" He reversed the Gun to beat the stock upon the door; he already held it lifted in the air; some indistinct design was in his thoughts of calling out to him to fly, for God’s sake, by the window— When, suddenly, the struggling fire illumined the whole chimney with a glow of light; and the Cricket on the Hearth began to chirp! No sound he could have heard; no human voice, not even her's; could so have moved and softened him. The artless words in which she had told him of her love for this same Cricket, were once more freshly spoken; her trembling, earnest manner at the moment, was again before him; her pleasant voice—oh what a voice it was, for making household music at the fireside of an honest man!—thrilled through and through his better nature, and awoke it into life and action. He recoiled from the door, like a man walking in his sleep, awakened from a frightful dream; and put the Gun aside. Clasping his hands before his face, he then sat down again beside the fire, and found relief in tears. The Cricket on the Hearth came out into the room, and stood in Fairy shape before him. "'I love it,'" said the Fairy Voice, repeating what he well remembered, "'for the many times I have heard it, and the many thoughts its harmless music has given me.'" "She said so!" cried the Carrier. "True!" "'This has been a happy Home, John; and I love the Cricket for its sake!'" "It has been, Heaven knows," returned the Carrier. "She made it happy, always,—until now." "So gracefully sweet-tempered; so domestic, joyful, busy, and light-hearted!" said the Voice. "Otherwise I never could have loved her as I did," returned the Carrier. The Voice, correcting him, said "do." The Carrier repeated "as I did." But not firmly. His faltering tongue resisted his controul, and would speak in its own way, for itself and him. The Figure, in an attitude of invocation, raised its hand and said: "Upon your own hearth"— "The hearth she has blighted," interposed the Carrier. "The hearth she has—how often!—blessed and brightened," said the Cricket: "the hearth which, but for her, were only a few stones and bricks and rusty bars, but which has been, through her, the Altar of your Home; on which you have nightly sacrificed some petty passion, selfishness, or care, and offered up the homage of a tranquil mind, a trusting nature, and an overflowing heart; so that the smoke from this poor chimney has gone upward with a better fragrance than the richest incense that is burnt before the richest shrines in all the gaudy Temples of this World!—Upon your own hearth; in its quiet sanctuary; surrounded by its gentle influences and associations; hear her! Hear me! Hear everything that speaks the language of your hearth and home!" "And pleads for her?" inquired the Carrier. "All things that speak the language of your hearth and home, must plead for her!" returned the Cricket. "For they speak the Truth." And while the Carrier, with his head upon his hands, continued to sit meditating in his chair, the Presence stood beside him; suggesting his reflections by its power, and presenting them before him, as in a Glass or Picture. It was not a solitary Presence. From the hearthstone, from the chimney; from the clock, the pipe, the kettle, and the cradle; from the floor, the walls, the ceiling, and the stairs; from the cart without, and the cupboard within, and the household implements; from every thing and every place with which she had ever been familiar, and with which she had ever entwined one recollection of herself in her unhappy husband’s mind; Fairies came trooping forth. Not to stand beside him as the Cricket did, but to busy and bestir themselves. To do all honor to her image. To pull him by the skirts, and point to it when it appeared. To cluster round it, and embrace it, and strew flowers for it to tread on. To try to crown its fair head with their tiny hands. To show that they were fond of it and loved it; and that there was not one ugly, wicked or accusatory creature to claim knowledge of it—none but their playful and approving selves. His thoughts were constant to her Image. It was always there. She sat plying her needle, before the fire, and singing to herself. Such a blithe, thriving, steady little Dot! The fairy figures turned upon him all at once, by one consent, with one prodigious concentrated stare; and seemed to say, "Is this the light wife you are mourning for!" There were sounds of gaiety outside: musical instruments, and noisy tongues, and laughter. A crowd of young merry-makers came pouring in; among whom were May Fielding and a score of pretty girls. Dot was the fairest of them all; as young as any of them too. They came to summon her to join their party. It was a dance. If ever little foot were made for dancing, hers was, surely. But she laughed, and shook her head, and pointed to her cookery on the fire, and her table ready spread: with an exulting defiance that rendered her more charming than she was before. And so she merrily dismissed them: nodding to her would-be partners, one by one, as they passed, but with a comical indifference, enough to make them go and drown themselves immediately if they were her admirers—and they must have been so, more or less; they couldn’t help it. And yet indifference was not her character. O no! For presently, there came a certain Carrier to the door; and bless her what a welcome she bestowed upon him! Again the staring figures turned upon him all at once, and seemed to say, "Is this the wife who has forsaken you!" A shadow fell upon the mirror or the picture: call it what you will. A great shadow of the Stranger, as he first stood underneath their roof; covering its surface, and blotting out all other objects. But the nimble Fairies worked like Bees to clear it off again; and Dot again was there. Still bright and beautiful. Rocking her little Baby in its cradle; singing to it softly; and resting her head upon a shoulder which had its counterpart in the musing figure by which the Fairy Cricket stood. The night—I mean the real night: not going by Fairy clocks—was wearing now; and in this stage of the Carrier’s thoughts, the moon burst out, and shone brightly in the sky. Perhaps some calm and quiet light had risen also, in his mind; and he could think more soberly of what had happened. Although the shadow of the Stranger fell at intervals upon the glass—always distinct, and big, and thoroughly defined—it never fell so darkly as at first. Whenever it appeared, the Fairies uttered a general cry of consternation, and plied their little arms and legs, with inconceivable activity, to rub it out. And whenever they got at Dot again, and showed her to him once more, bright and beautiful, they cheered in the most inspiring manner. They never showed her, otherwise than beautiful and bright, for they were Household Spirits to whom falsehood is annihilation; and being so, what Dot was there for them, but the one active, beaming, pleasant little creature who had been the light and sun of the Carrier’s Home! The Fairies were prodigiously excited when they showed her, with the Baby, gossiping among a knot of sage old matrons, and affecting to be wondrous old and matronly herself, and leaning in a staid, demure old way upon her husband’s arm, attempting—she! such a bud of a little woman—to convey the idea of having abjured the vanities of the world in general, and of being the sort of person to whom it was no novelty at all to be a mother; yet in the same breath, they showed her, laughing at the Carrier for being awkward, and pulling up his shirt-collar to make him smart, and mincing merrily about that very room to teach him how to dance! They turned, and stared immensely at him when they showed her with the Blind Girl; for, though she carried cheerfulness and animation with her wheresoever she went, she bore those influences into Caleb Plummer’s home, heaped up and running over. The Blind Girl’s love for her, and trust in her, and gratitude to her; her own good busy way of setting Bertha’s thanks aside; her dexterous little arts for filling up each moment of the visit in doing something useful to the house, and really working hard while feigning to make holiday; her bountiful provision of those standing delicacies, the Veal and Ham-Pie and the bottles of Beer; her radiant little face arriving at the door, and taking leave; the wonderful expression in her whole self, from her neat foot to the crown of her head, of being a part of the establishment—a something necessary to it, which it couldn’t be without; all this the Fairies revelled in, and loved her for. And once again they looked upon him all at once, appealingly; and seemed to say, while some among them nestled in her dress and fondled her, "Is this the Wife who has betrayed your confidence!" More than once, or twice, or thrice, in the long thoughtful night, they showed her to him sitting on her favourite seat, with her bent head, her hands clasped on her brow, her falling hair. As he had seen her last. And when they found her thus, they neither turned nor looked upon him, but gathered close round her, and comforted and kissed her: and pressed on one another to show sympathy and kindness to her: and forgot him altogether. Thus the night passed. The moon went down; the stars grew pale; the cold day broke; the sun rose. The Carrier still sat, musing, in the chimney corner. He had sat there, with his head upon his hands, all night. All night the faithful Cricket had been Chirp, Chirp, Chirping on the Hearth. All night he had listened to its voice. All night the household Fairies had been busy with him. All night she had been amiable and blameless in the Glass, except when that one shadow fell upon it. He rose up when it was broad day, and washed and dressed himself. He couldn’t go about his customary cheerful avocations; he wanted spirit for them; but it mattered the less, that it was Tackleton’s wedding-day, and he had arranged to make his rounds by proxy. He thought to have gone merrily to church with Dot. But such plans were at an end. It was their own wedding-day too. Ah! how little he had looked for such a close to such a year! The Carrier had expected that Tackleton would pay him an early visit; and he was right. He had not walked to and fro before his own door, many minutes, when he saw the Toy Merchant coming in his chaise along the road. As the chaise drew nearer, he perceived that Tackleton was dressed out sprucely for his marriage: and that he had decorated his horse’s head with flowers and favors. The horse looked much more like a Bridegroom than Tackleton, whose half-closed eye was more disagreeably expressive than ever. But the Carrier took little heed of this. His thoughts had other occupation. "John Peerybingle!" said Tackleton, with an air of condolence. "My good fellow, how do you find yourself this morning?" "I have had but a poor night, Master Tackleton," returned the Carrier, shaking his head: "for I have been a good deal disturbed in my mind. But it’s over now! Can you spare me half an hour or so, for some private talk?" "I came on purpose," returned Tackleton, alighting. "Never mind the horse. He’ll stand quiet enough, with the reins over this post, if you’ll give him a mouthful of hay." The Carrier having brought it from his stable and set it before him, they turned into the house. "You are not married before noon," he said, "I think?" "No," answered Tackleton. "Plenty of time. Plenty of time." When they entered the kitchen, Tilly Slowboy was rapping at the Stranger’s door; which was only removed from it by a few steps. One of her very red eyes (for Tilly had been crying all night long, because her mistress cried) was at the keyhole; and she was knocking very loud; and seemed frightened. "If you please I can’t make nobody hear," said Tilly, looking round. "I hope nobody an’t gone and been and died if you please!" This philanthropic wish, Miss Slowboy emphasised with various new raps and kicks at the door; which led to no result whatever. "Shall I go?" said Tackleton. "It’s curious." The Carrier who had turned his face from the door, signed to him to go if he would. So Tackleton went to Tilly Slowboy’s relief; and he too kicked and knocked; and he too failed to get the least reply. But he thought of trying the handle of the door; and as it opened easily, he peeped in, looked in, went in; and soon came running out again. "John Peerybingle," said Tackleton, in his ear. "I hope there has been nothing—nothing rash in the night?" The Carrier turned upon him quickly. "Because he’s gone!" said Tackleton; "and the window’s open. I don’t see any marks—to be sure it’s almost on a level with the garden: but I was afraid there might have been some—some scuffle. Eh?" He nearly shut up the expressive eye altogether; he looked at him so hard. And he gave his eye, and his face, and his whole person, a sharp twist. As if he would have screwed the truth out of him. "Make yourself easy," said the Carrier. "He went into that room last night, without harm in word or deed from me, and no one has entered it since. He is away of his own free will. I’d go out gladly at that door, and beg my bread from house to house, for life, if I could so change the past that he had never come. But he has come and gone. And I have done with him!" "Oh!—Well, I think he has got off pretty easy," said Tackleton, taking a chair. The sneer was lost upon the Carrier, who sat down too: and shaded his face with his hand, for some little time, before proceeding. "You showed me last night," he said at length, "my wife; my wife that I love; secretly—" "And tenderly," insinuated Tackleton. "Conniving at that man’s disguise, and giving him opportunities of meeting her alone. I think there’s no sight I wouldn’t have rather seen than that. I think there’s no man in the world I wouldn’t have rather had to show it me." "I confess to having had my suspicions always," said Tackleton. "And that has made me objectionable here, I know." "But as you did show it me," pursued the Carrier, not minding him; "and as you saw her; my wife; my wife that I love"—his voice, and eye, and hand, grew steadier and firmer as he repeated these words: evidently in pursuance of a stedfast purpose—"as you saw her at this disadvantage, it is right and just that you should also see with my eyes, and look into my breast, and know what my mind is, upon the subject. For it’s settled," said the Carrier, regarding him attentively. "And nothing can shake it now." Tackleton muttered a few general words of assent, about its being necessary to vindicate something or other; but he was overawed by the manner of his companion. Plain and unpolished as it was, it had a something dignified and noble in it, which nothing but the soul of generous Honor dwelling in the man could have imparted. "I am a plain, rough man," pursued the Carrier, "with very little to recommend me. I am not a clever man, as you very well know. I am not a young man. I loved my little Dot, because I had seen her grow up, from a child, in her father’s house; because I knew how precious she was; because she had been my Life, for years and years. There’s many men I can’t compare with, who never could have loved my little Dot like me, I think!" He paused, and softly beat the ground a short time with his foot, before resuming: "I often thought that though I wasn’t good enough for her, I should make her a kind husband, and perhaps know her value better than another; and in this way I reconciled it to myself, and came to think it might be possible that we should be married. And in the end it came about, and we were married." "Hah!" said Tackleton, with a significant shake of the head. "I had studied myself; I had had experience of myself; I knew how much I loved her, and how happy I should be," pursued the Carrier. "But I had not—I feel it now—sufficiently considered her." "To be sure," said Tackleton. "Giddiness, frivolity, fickleness, love of admiration! Not considered! All left out of sight! Hah!" "You had best not interrupt me," said the Carrier, with some sternness, "till you understand me; and you’re wide of doing so. If, yesterday, I’d have struck that man down at a blow, who dared to breathe a word against her, to-day I’d set my foot upon his face, if he was my brother!" The Toy Merchant gazed at him in astonishment. He went on in a softer tone: "Did I consider," said the Carrier, "that I took her; at her age, and with her beauty; from her young companions, and the many scenes of which she was the ornament; in which she was the brightest little star that ever shone; to shut her up from day to day in my dull house, and keep my tedious company? Did I consider how little suited I was to her sprightly humour, and how wearisome a plodding man like me must be, to one of her quick spirit? Did I consider that it was no merit in me, or claim in me, that I loved her, when everybody must, who knew her? Never. I took advantage of her hopeful nature and her cheerful disposition; and I married her. I wish I never had! For her sake; not for mine!" The Toy Merchant gazed at him, without winking. Even the half-shut eye was open now. "Heaven bless her!" said the Carrier, "for the cheerful constancy with which she tried to keep the knowledge of this from me! And Heaven help me, that, in my slow mind, I have not found it out before! Poor child! Poor Dot! I not to find it out, who have seen her eyes fill with tears, when such a marriage as our own was spoken of! I, who have seen the secret trembling on her lips a hundred times, and never suspected it till last night! Poor girl! That I could ever hope she would be fond of me! That I could ever believe she was!" "She made a show of it," said Tackleton. "She made such a show of it, that to tell you the truth it was the origin of my misgivings." And here he asserted the superiority of May Fielding, who certainly made no sort of show of being fond of him. "She has tried," said the poor Carrier, with greater emotion than he had exhibited yet; "I only now begin to know how hard she has tried, to be my dutiful and zealous wife. How good she has been; how much she has done; how brave and strong a heart she has; let the happiness I have known under this roof bear witness! It will be some help and comfort to me, when I am here alone." "Here alone?" said Tackleton. "Oh! Then you do mean to take some notice of this?" "I mean," returned the Carrier, "to do her the greatest kindness, and make her the best reparation, in my power. I can release her from the daily pain of an unequal marriage, and the struggle to conceal it. She shall be as free as I can render her." "Make her reparation!" exclaimed Tackleton, twisting and turning his great ears with his hands. "There must be something wrong here. You didn’t say that, of course." The Carrier set his grip upon the collar of the Toy Merchant, and shook him like a reed. "Listen to me!" he said. "And take care that you hear me right. Listen to me. Do I speak plainly?" "Very plainly indeed," answered Tackleton. "As if I meant it?" "Very much as if you meant it." "I sat upon that hearth, last night, all night," exclaimed the Carrier. "On the spot where she has often sat beside me, with her sweet face looking into mine. I called up her whole life, day by day; I had her dear self, in its every passage, in review before me. And upon my soul she is innocent, if there is One to judge the innocent and guilty!" Staunch Cricket on the Hearth! Loyal household Fairies! "Passion and distrust have left me!" said the Carrier; "and nothing but my grief remains. In an unhappy moment some old lover, better suited to her tastes and years than I; forsaken, perhaps, for me, against her will; returned. In an unhappy moment: taken by surprise, and wanting time to think of what she did: she made herself a party to his treachery, by concealing it. Last night she saw him, in the interview we witnessed. It was wrong. But otherwise than this, she is innocent if there is Truth on earth!" "If that is your opinion"—Tackleton began. "So, let her go!" pursued the Carrier. "Go, with my blessing for the many happy hours she has given me, and my forgiveness for any pang she has caused me. Let her go, and have the peace of mind I wish her! She’ll never hate me. She’ll learn to like me better, when I’m not a drag upon her, and she wears the chain I have rivetted, more lightly. This is the day on which I took her, with so little thought for her enjoyment, from her home. To-day she shall return to it; and I will trouble her no more. Her father and mother will be here to-day—we had made a little plan for keeping it together—and they shall take her home. I can trust her, there, or anywhere. She leaves me without blame, and she will live so I am sure. If I should die—I may perhaps while she is still young; I have lost some courage in a few hours—she’ll find that I remembered her, and loved her to the last! This is the end of what you showed me. Now, it’s over!" "Oh no, John, not over. Do not say it’s over yet! Not quite yet. I have heard your noble words. I could not steal away, pretending to be ignorant of what has affected me with such deep gratitude. Do not say it’s over, ‘till the clock has struck again!" She had entered shortly after Tackleton; and had remained there. She never looked at Tackleton, but fixed her eyes upon her husband. But she kept away from him, setting as wide a space as possible between them; and though she spoke with most impassioned earnestness, she went no nearer to him even then. How different in this from her old self! "No hand can make the clock which will strike again for me the hours that are gone," replied the Carrier, with a faint smile. "But let it be so, if you will, my dear. It will strike soon. It’s of little matter what we say. I’d try to please you in a harder case than that." "Well!" muttered Tackleton. "I must be off: for when the clock strikes again, it’ll be necessary for me to be upon my way to church. Good morning, John Peerybingle. I’m sorry to be deprived of the pleasure of your company. Sorry for the loss, and the occasion of it too!" "I have spoken plainly?" said the Carrier, accompanying him to the door. "Oh quite!" "And you’ll remember what I have said?" "Why, if you compel me to make the observation," said Tackleton; previously taking the precaution of getting into his chaise; "I must say that it was so very unexpected, that I’m far from being likely to forget it." "The better for us both," returned the Carrier. "Good bye. I give you joy!" "I wish I could give it to you," said Tackleton. "As I can’t; thank’ee. Between ourselves, (as I told you before, eh?) I don’t much think I shall have the less joy in my married life, because May hasn’t been too officious about me, and too demonstrative. Good bye! Take care of yourself." The Carrier stood looking after him until he was smaller in the distance than his horse’s flowers and favours near at hand; and then, with a deep sigh, went strolling like a restless, broken man, among some neighbouring elms; unwilling to return until the clock was on the eve of striking. His little wife, being left alone, sobbed piteously; but often dried her eyes and checked herself, to say how good he was, how excellent he was! and once or twice she laughed; so heartily, triumphantly, and incoherently (still crying all the time), that Tilly was quite horrified. "Ow if you please don’t!" said Tilly. "It’s enough to dead and bury the Baby, so it is if you please." "Will you bring him sometimes, to see his father, Tilly," inquired her mistress, drying her eyes; "when I can’t live here, and have gone to my old home?" "Ow if you please don’t!" cried Tilly, throwing back her head, and bursting out into a howl; she looked at the moment uncommonly like Boxer. "Ow if you please don’t! Ow, what has everybody gone and been and done with everybody, making everybody else so wretched! Ow-w-w-w!" The soft-hearted Slowboy trailed off at this juncture, into such a deplorable howl: the more tremendous from its long suppression: that she must infallibly have awakened the Baby, and frightened him into something serious (probably convulsions), if her eyes had not encountered Caleb Plummer, leading in his daughter. This spectacle restoring her to a sense of the proprieties, she stood for some few moments silent, with her mouth wide open: and then, posting off to the bed on which the Baby lay asleep, danced in a Weird, Saint Vitus manner on the floor, and at the same time rummaged with her face and head among the bedclothes: apparently deriving much relief from those extraordinary operations. "Mary!" said Bertha. "Not at the marriage!" "I told her you would not be there Mum," whispered Caleb. "I heard as much last night. But bless you," said the little man, taking her tenderly by both hands, "I don’t care for what they say. I don’t believe them. There an’t much of me, but that little should be torn to pieces sooner than I’d trust a word against you!" He put his arms about her and hugged her, as a child might have hugged one of his own dolls. "Bertha couldn’t stay at home this morning," said Caleb. "She was afraid, I know, to hear the Bells ring: and couldn’t trust herself to be so near them on their wedding-day. So we started in good time, and came here. I have been thinking of what I have done," said Caleb, after a moment’s pause; "I have been blaming myself till I hardly knew what to do or where to turn, for the distress of mind I have caused her; and I’ve come to the conclusion that I’d better, if you’ll stay with me, Mum, the while, tell her the truth. You’ll stay with me the while?" he enquired, trembling from head to foot. "I don’t know what effect it may have upon her; I don’t know what she’ll think of me; I don’t know that she’ll ever care for her poor father afterwards. But it’s best for her that she should be undeceived, and I must bear the consequences as I deserve!" "Mary," said Bertha, "where is your hand! Ah! Here it is here it is!" pressing it to her lips, with a smile, and drawing it through her arm. "I heard them speaking softly among themselves, last night, of some blame against you. They were wrong." The Carrier’s Wife was silent. Caleb answered for her. "They were wrong," he said. "I knew it!" cried Bertha, proudly. "I told them so. I scorned to hear a word! Blame her with justice!" she pressed the hand between her own, and the soft cheek against her face. "No! I am not so blind as that." Her father went on one side of her, while Dot remained upon the other: holding her hand. "I know you all," said Bertha, "better than you think. But none so well as her. Not even you, father. There is nothing half so real and so true about me, as she is. If I could be restored to sight this instant, and not a word were spoken, I could choose her from a crowd! My Sister!" "Bertha, my dear!" said Caleb, "I have something on my mind I want to tell you, while we three are alone. Hear me kindly! I have a confession to make to you, my Darling." "A confession, father?" "I have wandered from the Truth and lost myself, my child," said Caleb, with a pitiable expression in his bewildered face. "I have wandered from the truth, intending to be kind to you; and have been cruel." She turned her wonder-stricken face towards him, and repeated "Cruel!" "He accuses himself too strongly, Bertha," said Dot. "You’ll say so, presently. You’ll be the first to tell him so." "He cruel to me!" cried Bertha, with a smile of incredulity. "Not meaning it, my child," said Caleb. "But I have been; though I never suspected it, till yesterday. My dear Blind Daughter, hear me and forgive me! The world you live in, heart of mine, doesn’t exist as I have represented it. The eyes you have trusted in, have been false to you." She turned her wonder-stricken face towards him still; but drew back, and clung closer to her friend. "Your road in life was rough, my poor one," said Caleb, "and I meant to smooth it for you. I have altered objects, changed the characters of people, invented many things that never have been, to make you happier. I have had concealments from you, put deceptions on you, God forgive me! and surrounded you with fancies." "But living people are not fancies!" she said hurriedly, and turning very pale, and still retiring from him. "You can’t change them." "I have done so, Bertha," pleaded Caleb. "There is one person that you know, my Dove—" "Oh father! why do you say, I know?" she answered, in a term of keen reproach. "What and whom do I know! I who have no leader! I so miserably blind." In the anguish of her heart, she stretched out her hands, as if she were groping her way; then spread them, in a manner most forlorn and sad, upon her face. "The marriage that takes place to-day," said Caleb, "is with a stern, sordid, grinding man. A hard master to you and me, my dear, for many years. Ugly in his looks, and in his nature. Cold and callous always. Unlike what I have painted him to you in everything, my child. In everything." "Oh why," cried the Blind Girl, tortured, as it seemed, almost beyond endurance, "why did you ever do this! Why did you ever fill my heart so full, and then come in like Death, and tear away the objects of my love! O Heaven, how blind I am! How helpless and alone!" Her afflicted father hung his head, and offered no reply but in his penitence and sorrow. She had been but a short time in this passion of regret, when the Cricket on the Hearth, unheard by all but her, began to chirp. Not merrily, but in a low, faint, sorrowing way. It was so mournful that her tears began to flow; and when the Presence which had been beside the Carrier all night, appeared behind her, pointing to her father, they fell down like rain. She heard the Cricket-voice more plainly soon; and was conscious, through her blindness, of the Presence hovering about her father. "Mary," said the Blind Girl, "tell me what my Home is. What it truly is." "It is a poor place, Bertha; very poor and bare indeed. The house will scarcely keep out wind and rain another winter. It is as roughly shielded from the weather, Bertha," Dot continued in a low, clear voice, "as your poor father in his sackcloth coat." The Blind Girl, greatly agitated, rose, and led the Carrier’s little wife aside. "Those presents that I took such care of; that came almost at my wish, and were so dearly welcome to me"’ she said, trembling; "where did they come from? Did you send them?" "No." "Who then?" Dot saw she knew, already; and was silent. The Blind Girl spread her hands before her face again. But in quite another manner now. "Dear Mary, a moment. One moment! More this way. Speak softly to me. You are true, I know. You’d not deceive me now; would you?" "No, Bertha, indeed!" "No, I am sure you would not. You have too much pity for me. Mary, look across the room to where we were just now; to where my father is—my father, so compassionate and loving to me—and tell me what you see." "I see," said Dot, who understood her well, "an old man sitting in a chair, and leaning sorrowfully on the back, with his face resting on his hand. As if his child should comfort him, Bertha." "Yes, yes. She will. Go on." "He is an old man, worn with care and work. He is a spare, dejected, thoughtful, grey-haired man. I see him now, despondent and bowed down, and striving against nothing. But, Bertha, I have seen him many times before; and striving hard in many ways for one great sacred object. And I honor his grey head, and bless him!" The Blind Girl broke away from her; and throwing herself upon her knees before him, took the grey head to her breast. "It is my sight restored. It is my sight!" she cried. "I have been blind, and now my eyes are open. I never knew him! To think I might have died, and never truly seen the father who has been so loving to me!" There were no words for Caleb’s emotion. "There is not a gallant figure on this earth," exclaimed the Blind Girl, holding him in her embrace, "that I would love so dearly, and would cherish so devotedly, as this! The greyer, and more worn, the dearer, father! Never let them say I am blind again. There’s not a furrow in his face, there’s not a hair upon his head, that shall be forgotten in my prayers and thanks to Heaven!" Caleb managed to articulate "My Bertha!" "And in my Blindness, I believed him," said the girl, caressing him with tears of exquisite affection, "to be so different! And having him beside me, day by day, so mindful of me always, never dreamed of this!" "The fresh smart father in the blue coat, Bertha," said poor Caleb. "He’s gone!" "Nothing is gone," she answered. "Dearest father, no! Everything is here—in you. The father that I loved so well; the father that I never loved enough, and never knew; the Benefactor whom I first began to reverence and love, because he had such sympathy for me; All are here in you. Nothing is dead to me. The Soul of all that was most dear to me is here—here, with the worn face, and the grey head. And I am NOT blind, father, any longer!" Dot’s whole attention had been concentrated, during this discourse, upon the father and daughter; but looking, now, towards the little Haymaker in the Moorish meadow, she saw that the clock was within a few minutes of striking, and fell, immediately, into a nervous and excited state. "Father," said Bertha, hesitating. "Mary." "Yes, my dear," returned Caleb. "Here she is." "There is no change in her. You never told me anything of her that was not true?’ "I should have done it, my dear, I am afraid," returned Caleb, "if I could have made her better than she was. But I must have changed her for the worse, if I had changed her at all. Nothing could improve her, Bertha." Confident as the Blind Girl had been when she asked the question, her delight and pride in the reply, and her renewed embrace of Dot, were charming to behold. "More changes than you think for, may happen though, my dear," said Dot. "Changes for the better, I mean; changes for great joy to some of us. You mustn’t let them startle you too much, if any such should ever happen, and affect you? Are those wheels upon the road? You’ve a quick ear, Bertha. Are they wheels?" "Yes. Coming very fast." "I—I—I know you have a quick ear," said Dot, placing her hand upon her heart, and evidently talking on, as fast as she could, to hide its palpitating state, "because I have noticed it often, and because you were so quick to find out that strange step last night. Though why you should have said, as I very well recollect you did say, Bertha, 'whose step is that!' and why you should have taken any greater observation of it than of any other step, I don’t know. Though as I said just now, there are great changes in the world: great changes: and we can’t do better than prepare ourselves to be surprised at hardly anything." Caleb wondered what this meant; perceiving that she spoke to him, no less than to his daughter. He saw her, with astonishment, so fluttered and distressed that she could scarcely breathe; and holding to a chair, to save herself from falling. "They are wheels indeed!" she panted. "Coming nearer! Nearer! Very close! And now you hear them stopping at the garden gate! And now you hear a step outside the door—the same step, Bertha, is it not!—and now!"— She uttered a wild cry of uncontrollable delight; and running up to Caleb put her hands upon his eyes, as a young man rushed into the room, and flinging away his hat into the air, came sweeping down upon them. "Is it over?" cried Dot. "Yes!" "Happily over?" "Yes!" "Do you recollect the voice, dear Caleb? Did you ever hear the like of it before?" cried Dot. "If my boy in the Golden South Americas was alive"—said Caleb, trembling. "He is alive!" shrieked Dot, removing her hands from his eyes, and clapping them in ecstasy; "look at him! See where he stands before you, healthy and strong! Your own dear son! Your own dear living, loving brother, Bertha!" All honor to the little creature for her transports! All honor to her tears and laughter, when the three were locked in one another’s arms! All honour to the heartiness with which she met the sunburnt Sailor-fellow, with his dark streaming hair, half way, and never turned her rosy little mouth aside, but suffered him to kiss it, freely, and to press her to his bounding heart! And honour to the Cuckoo too—why not!—for bursting out of the trap-door in the Moorish Palace like a housebreaker, and hiccoughing twelve times on the assembled company, as if he had got drunk for joy! The Carrier, entering, started back: and well he might: to find himself in such good company. "Look, John!" said Caleb, exultingly, "look here! My own boy from the Golden South Americas! My own son! Him that you fitted out, and sent away yourself; Him that you were always such a friend to!" The Carrier advanced to seize him by the hand; but, recoiling, as some feature in his face awakened a remembrance of the Deaf Man in the Cart, said: "Edward! Was it you?" "Now tell him all!" cried Dot. "Tell him all, Edward; and don’t spare me, for nothing shall make me spare myself in his eyes, ever again." "I was the man," said Edward. "And could you steal, disguised, into the house of your old friend?" rejoined the Carrier. "There was a frank boy once—how many years is it, Caleb, since we heard that he was dead, and had it proved, we thought?—who never would have done that." "There was a generous friend of mine, once; more a father to me than a friend;" said Edward, "who never would have judged me, or any other man, unheard. You were he. So I am certain you will hear me now." The Carrier, with a troubled glance at Dot, who still kept far away from him, replied, "Well! that’s but fair. I will." "You must know that when I left here, a boy," said Edward, "I was in love, and my love was returned. She was a very young girl, who perhaps (you may tell me) didn’t know her own mind. But I knew mine, and I had a passion for her." "You had!" exclaimed the Carrier. "You!" "Indeed I had," returned the other. "And she returned it. I have ever since believed she did; and now I am sure she did." "Heaven help me!" said the Carrier. "This is worse than all." "Constant to her," said Edward, "and returning, full of hope, after many hardships and perils, to redeem my part of our old contract, I heard, twenty miles away, that she was false to me; that she had forgotten me; and had bestowed herself upon another and a richer man. I had no mind to reproach her; but I wished to see her, and to prove beyond dispute that this was true. I hoped she might have been forced into it, against her own desire and recollection. It would be small comfort, but it would be some, I thought: and on I came. That I might have the truth, the real truth; observing freely for myself, and judging for myself, without obstruction on the one hand, or presenting my own influence (if I had any) before her, on the other; I dressed myself unlike myself—you know how; and waited on the road—you know where. You had no suspicion of me; neither had—had she," pointing to Dot, "until I whispered in her ear at that fireside, and she so nearly betrayed me." "But when she knew that Edward was alive, and had come back," sobbed Dot, now speaking for herself, as she had burned to do, all through this narrative; "and when she knew his purpose, she advised him by all means to keep his secret close; for his old friend John Peerybingle was much too open in his nature, and too clumsy in all artifice—being a clumsy man in general," said Dot, half laughing and half crying—"to keep it for him. And when she—that’s me, John," sobbed the little woman—"told him all, and how his sweetheart had believed him to be dead; and how she had at last been over-persuaded by her mother into a marriage which the silly, dear old thing called advantageous; and when she—that’s me again, John—told him they were not yet married (though close upon it), and that it would be nothing but a sacrifice if it went on, for there was no love on her side; and when he went nearly mad with joy to hear it; then she—that’s me again—said she would go between them, as she had often done before in old times, John, and would sound his sweetheart and be sure that what she—me again, John—said and thought was right. And it WAS right, John! And they were brought together, John! And they were married, John, an hour ago! And here’s the Bride! And Gruff and Tackleton may die a bachelor! And I’m a happy little woman, May, God bless you!" She was an irresistible little woman, if that be anything to the purpose; and never so completely irresistible as in her present transports. There never were congratulations so endearing and delicious, as those she lavished on herself and on the Bride. Amid the tumult of emotions in his breast, the honest Carrier had stood, confounded. Flying, now, towards her, Dot stretched out her hand to stop him, and retreated as before. "No, John, no! Hear all! Don’t love me any more, John, 'till you’ve heard every word I have to say. It was wrong to have a secret from you, John. I’m very sorry. I didn’t think it any harm, till I came and sat down by you on the little stool last night. But when I knew by what was written in your face, that you had seen me walking in the gallery with Edward; and knew what you thought; I felt how giddy and how wrong it was. But oh, dear John, how could you, could you, think so!" Little woman, how she sobbed again! John Peerybingle would have caught her in his arms. But no; she wouldn’t let him. "Don’t love me yet, please, John! Not for a long time yet! When I was sad about this intended marriage, dear, it was because I remembered May and Edward such young lovers; and knew that her heart was far away from Tackleton. You believe that, now. Don’t you John?" John was going to make another rush at this appeal; but she stopped him again. "No; keep there, please, John! When I laugh at you, as I sometimes do, John; and call you clumsy, and a dear old goose, and names of that sort, it’s because I love you, John, so well; and take such pleasure in your ways, and wouldn’t see you altered in the least respect to have you made a King to-morrow." "Hooroar!" said Caleb with unusual vigour. "My opinion!" "And when I speak of people being middle-aged, and steady, John, and pretend that we are a humdrum couple, going on in a jog-trot sort of way, it’s only because I’m such a silly little thing, John, that I like, sometimes, to act a kind of Play with Baby, and all that: and make believe." She saw that he was coming; and stopped him again. But she was very nearly too late. "No, don’t love me for another minute or two, if you please, John! What I want most to tell you, I have kept to the last. My dear, good, generous John; when we were talking the other night about the Cricket, I had it on my lips to say, that at first I did not love you quite so dearly as I do now; that when I first came home here, I was half afraid I mightn’t learn to love you every bit as well as I hoped and prayed I might—being so very young, John! But, dear John, every day and hour, I loved you more and more. And if I could have loved you better than I do, the noble words I heard you say this morning, would have made me. But I can’t. All the affection that I had (it was a great deal John) I gave you, as you well deserve, long, long ago, and I have no more left to give. Now, my dear Husband, take me to your heart again! That’s my home, John; and never, never think of sending me to any other!" You never will derive so much delight from seeing a glorious little woman in the arms of a third party, as you would have felt if you had seen Dot run into the Carrier’s embrace. It was the most complete, unmitigated, soul-fraught little piece of earnestness that ever you beheld in all your days. You may be sure the Carrier was in a state of perfect rapture; and you may be sure Dot was likewise; and you may be sure they all were, inclusive of Miss Slowboy, who cried copiously for joy, and, wishing to include her young charge in the general interchange of congratulations, handed round the Baby to everybody in succession, as if it were something to drink. But now the sound of wheels was heard again outside the door; and somebody exclaimed that Gruff and Tackleton was coming back. Speedily that worthy gentleman appeared: looking warm and flustered. "Why, what the Devil’s this, John Peerybingle!" said Tackleton. "There’s some mistake. I appointed Mrs. Tackleton to meet me at the church; and I’ll swear I passed her on the road, on her way here. Oh! here she is! I beg your pardon Sir; I haven’t the pleasure of knowing you; but if you can do me the favour to spare this young lady, she has rather a particular engagement this morning." "But I can’t spare her," returned Edward. "I couldn’t think of it." "What do you mean, you vagabond?" said Tackleton. "I mean, that as I can make allowance for your being vexed," returned the other, with a smile, "I am as deaf to harsh discourse this morning, as I was to all discourse last night." The look that Tackleton bestowed upon him, and the start he gave! "I am sorry Sir," said Edward, holding out May’s left hand, and especially the third finger; "that the young lady can’t accompany you to church; but as she has been there once, this morning, perhaps you’ll excuse her." Tackleton looked hard at the third finger: and took a little piece of silver-paper, apparently containing a ring, from his waistcoat-pocket. "Miss Slowboy," said Tackleton. "Will you have the kindness to throw that in the fire? Thank’ee." "It was a previous engagement; quite an old engagement: that prevented my wife from keeping her appointment with you, I assure you," said Edward. "Mr. Tackleton will do me the justice to acknowledge that I revealed it to him faithfully; and that I told him, many times, I never could forget it," said May, blushing. "Oh certainly!" said Tackleton. "Oh to be sure. Oh it’s all right. It’s quite correct. Mrs. Edward Plummer, I infer?" "That’s the name," returned the bridegroom. "Ah, I shouldn’t have known you Sir," said Tackleton, scrutinising his face narrowly, and making a low bow. "I give you joy Sir!" "Thank’ee." "Mrs. Peerybingle," said Tackleton, turning suddenly to where she stood with her husband; "I am sorry. You haven’t done me a very great kindness, but, upon my life I am sorry. You are better than I thought you. John Peerybingle, I am sorry. You understand me; that’s enough. It’s quite correct, ladies and gentlemen all, and perfectly satisfactory. Good morning!" With these words he carried it off, and carried himself off too: merely stopping at the door, to take the flowers and favours from his horse’s head, and to kick that animal once, in the ribs, as a means of informing him that there was a screw loose in his arrangements. Of course it became a serious duty now, to make such a day of it, as should mark these events for a high Feast and Festival in the Peerybingle Calendar for evermore. Accordingly, Dot went to work to produce such an entertainment, as should reflect undying honour on the house and on every one concerned; and in a very short space of time, she was up to her dimpled elbows in flour, and whitening the Carrier’s coat, every time he came near her, by stopping him to give him a kiss. That good fellow washed the greens, and peeled the turnips, and broke the plates, and upset iron pots full of cold water on the fire, and made himself useful in all sorts of ways: while a couple of professional assistants, hastily called in from somewhere in the neighbourhood, as on a point of life or death, ran against each other in all the doorways and round all the corners; and everybody tumbled over Tilly Slowboy and the Baby, everywhere. Tilly never came out in such force before. Her ubiquity was the theme of general admiration. She was a stumbling-block in the passage at five-and-twenty minutes past two; a man-trap in the kitchen at half-past two precisely; and a pitfall in the garret at five-and-twenty minutes to three. The Baby’s head was, as it were, a test and touchstone for every description of matter, animal, vegetable, and mineral. Nothing was in use that day that didn’t come, at some time or other, into close acquaintance with it. Then, there was a great Expedition set on foot to go and find out Mrs. Fielding; and to be dismally penitent to that excellent gentlewoman; and to bring her back, by force, if needful, to be happy and forgiving. And when the Expedition first discovered her, she would listen to no terms at all, but said, an unspeakable number of times, that ever she should have lived to see the day! and couldn’t be got to say anything else, except, "Now carry me to the grave;" which seemed absurd, on account of her not being dead, or anything at all like it. After a time, she lapsed into a state of dreadful calmness, and observed, that when that unfortunate train of circumstances had occurred in the Indigo Trade, she had foreseen that she would be exposed, during her whole life, to every species of insult and contumely; and that she was glad to find it was the case; and begged they wouldn’t trouble themselves about her,—for what was she? oh, dear! a nobody!—but would forget that such a being lived, and would take their course in life without her. From this bitterly sarcastic mood, she passed into an angry one, in which she gave vent to the remarkable expression that the worm would turn if trodden on; and, after that, she yielded to a soft regret, and said, if they had only given her their confidence, what might she not have had it in her power to suggest! Taking advantage of this crisis in her feelings, the Expedition embraced her; and she very soon had her gloves on, and was on her way to John Peerybingle’s in a state of unimpeachable gentility; with a paper parcel at her side containing a cap of state, almost as tall, and quite as stiff, as a Mitre. Then, there were Dot’s father and mother to come, in another little chaise; and they were behind their time; and fears were entertained; and there was much looking out for them down the road; and Mrs. Fielding always would look in the wrong and morally impossible direction; and being apprised thereof, hoped she might take the liberty of looking where she pleased. At last they came: a chubby little couple, jogging along in a snug and comfortable little way that quite belonged to the Dot family: and Dot and her mother, side by side, were wonderful to see. They were so like each other. Then, Dot’s mother had to renew her acquaintance with May’s mother; and May’s mother always stood on her gentility; and Dot’s mother never stood on anything but her active little feet. And old Dot—so to call Dot’s father; I forgot it wasn’t his right name, but never mind: took liberties, and shook hands at first sight, and seemed to think a cap but so much starch and muslin, and didn’t defer himself at all to the Indigo trade, but said there was no help for it now; and, in Mrs. Fielding’s summing up, was a good-natured kind of man—but coarse, my dear. I wouldn’t have missed Dot, doing the honors in her wedding-gown, my benison on her bright face! for any money. No! nor the good Carrier, so jovial and so ruddy, at the bottom of the table. Nor the brown, fresh sailor-fellow, and his handsome wife. Nor any one among them. To have missed the dinner would have been to miss as jolly and as stout a meal as man need eat; and to have missed the overflowing cups in which they drank The Wedding Day, would have been the greatest miss of all. After dinner, Caleb sang the song about the Sparkling Bowl! As I’m a living man: hoping to keep so, for a year or two, he sang it through. And, by-the-by, a most unlooked-for incident occurred, just as he finished the last verse. There was a tap at the door; and a man came staggering in, without saying with your leave, or by your leave, with something heavy on his head. Setting this down in the middle of the table, symmetrically in the centre of the nuts and apples, he said: "Mr. Tackleton’s compliments, and as he hasn’t got no use for the cake himself, p’raps you’ll eat it." And with those words, he walked off. There was some surprise among the company, as you may imagine. Mrs. Fielding, being a lady of infinite discernment, suggested that the cake was poisoned; and related a narrative of a cake, which, within her knowledge, had turned a seminary for young ladies, blue. But she was overruled by acclamation; and the cake was cut by May, with much ceremony and rejoicing. I don’t think any one had tasted it, when there came another tap at the door; and the same man appeared again, having under his arm a vast brown-paper parcel. "Mr. Tackleton’s compliments, and he’s sent a few toys for the Babby. They ain’t ugly." After the delivery of which expressions, he retired again. The whole party would have experienced great difficulty in finding words for their astonishment, even if they had had ample time to seek them. But they had none at all; for the messenger had scarcely shut the door behind him, when there came another tap, and Tackleton himself walked in. "Mrs. Peerybingle!" said the Toy-merchant, hat in hand. "I’m sorry. I’m more sorry than I was this morning. I have had time to think of it. John Peerybingle! I’m sour by disposition; but I can’t help being sweetened, more or less, by coming face to face with such a man as you. Caleb! This unconscious little nurse gave me a broken hint last night, of which I have found the thread. I blush to think how easily I might have bound you and your daughter to me; and what a miserable idiot I was, when I took her for one! Friends, one and all, my house is very lonely to-night. I have not so much as a Cricket on my Hearth. I have scared them all away. Be gracious to me; let me join this happy party!" He was at home in five minutes. You never saw such a fellow. What had he been doing with himself all his life, never to have known, before, his great capacity of being jovial! Or what had the Fairies been doing with him, to have effected such a change! "John! you won’t send me home this evening; will you?" whispered Dot. He had been very near it though! There wanted but one living creature to make the party complete; and, in the twinkling of an eye, there he was: very thirsty with hard running, and engaged in hopeless endeavours to squeeze his head into a narrow pitcher. He had gone with the cart to its journey’s-end, very much disgusted with the absence of his master, and stupendously rebellious to the Deputy. After lingering about the stable for some little time, vainly attempting to incite the old horse to the mutinous act of returning on his own account, he had walked into the tap-room and laid himself down before the fire. But suddenly yielding to the conviction that the Deputy was a humbug, and must be abandoned, he had got up again, turned tail and come home. There was a dance in the evening. With which general mention of that recreation, I should have left it alone, if I had not some reason to suppose that it was quite an original dance, and one of a most uncommon figure. It was formed in an odd way; in this way. Edward, that sailor-fellow—a good free dashing sort of a fellow he was—had been telling them various marvels concerning parrots, and mines, and Mexicans, and gold dust, when all at once he took it in his head to jump up from his seat and propose a dance; for Bertha’s harp was there, and she had such a hand upon it as you seldom hear. Dot (sly little piece of affectation when she chose) said her dancing days were over; I think because the Carrier was smoking his pipe, and she liked sitting by him, best. Mrs. Fielding had no choice, of course, but to say her dancing days were over, after that; and everybody said the same, except May; May was ready. So, May and Edward get up, amid great applause, to dance alone; and Bertha plays her liveliest tune. Well! if you’ll believe me, they have not been dancing five minutes, when suddenly the Carrier flings his pipe away, takes Dot round the waist, dashes out into the room, and starts off with her, toe and heel, quite wonderfully. Tackleton no sooner sees this, than he skims across to Mrs. Fielding, takes her round the waist, and follows suit. Old Dot no sooner sees this, than up he is, all alive, whisks off Mrs. Dot in the middle of the dance, and is the foremost there. Caleb no sooner sees this, than he clutches Tilly Slowboy by both hands and goes off at score; Miss Slowboy, firm in the belief that diving hotly in among the other couples, and effecting any number of concussions with them, is your only principle of footing it. Hark! how the Cricket joins the music with its Chirp, Chirp, Chirp; and how the kettle hums! * * * * * But what is this! Even as I listen to them, blithely, and turn towards Dot, for one last glimpse of a little figure very pleasant to me, she and the rest have vanished into air, and I am left alone. A Cricket sings upon the Hearth; a broken child’s-toy lies upon the ground; and nothing else remains.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3237">
                <text>&lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3238">
                <text>Published by Bradbury and Evans, 1845 (Eleventh Edition)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3239">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3240">
                <text>&lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;a href="https://catalog.hathitrust.org/Record/102287704"&gt;https://catalog.hathitrust.org/Record/102287704&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3241">
                <text>1845-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3242">
                <text>Illustrated by Daniel Maclise, John Leech, Richard Doyle, Clarkson Stanfield, and Edwin Henry Landseer</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3243">
                <text>Christmas Book</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3244">
                <text>1845-12-The_Cricket_on_the_Hearth</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3245">
                <text>Dickens, Charles. &lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt; (1845). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-books/1845-12-The_Cricket_on_the_Hearth"&gt;https://www.dickenssearch.com/christmas-books/1845-12-The_Cricket_on_the_Hearth&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="3271">
                <text>&lt;p&gt;Chirp the First&lt;br /&gt;&lt;br /&gt;The Kettle began it! Don’t tell me what Mrs. Peerybingle said. I know better. Mrs. Peerybingle may leave it on record to the end of time that she couldn’t say which of them began it; but, I say the Kettle did. I ought to know, I hope? The Kettle began it, full five minutes by the little waxy-faced Dutch clock in the corner before the Cricket uttered a chirp.&lt;br /&gt;&lt;br /&gt;As if the clock hadn’t finished striking, and the convulsive little Haymaker at the top of it, jerking away right and left with a scythe in front of a Moorish Palace, hadn’t mowed down half an acre of imaginary grass before the Cricket joined in at all!&lt;br /&gt;&lt;br /&gt;Why, I am not naturally positive. Every one knows that. I wouldn’t set my own opinion against the opinion of Mrs. Peerybingle, unless I were quite sure, on any account whatever. Nothing should induce me. But this is a question of fact. And the fact is, that the Kettle began it, at least five minutes before the Cricket gave any sign of being in existence. Contradict me: and I’ll say ten.&lt;br /&gt;&lt;br /&gt;Let me narrate exactly how it happened. I should have proceeded to do so in my very first word, but for this plain consideration—if I am to tell a story I must begin at the beginning; and how is it possible to begin at the beginning, without beginning at the Kettle?&lt;br /&gt;&lt;br /&gt;It appeared as if there were a sort of match, or trial of skill, you must understand, between the Kettle and the Cricket. And this is what led to it, and how it came about.&lt;br /&gt;&lt;br /&gt;Mrs. Peerybingle going out into the raw twilight, and clicking over the wet stones in a pair of pattens that worked innumerable rough impressions of the first proposition in Euclid all about the yard—Mrs. Peerybingle filled the Kettle at the water butt. Presently returning, less the pattens: and a good deal less, for they were tall and Mrs. Peerybingle was but short: she set the Kettle on the fire. In doing which she lost her temper, or mislaid it for an instant; for the water being uncomfortably cold, and in that slippy, slushy, sleety sort of state wherein it seems to penetrate through every kind of substance, patten rings included—had laid hold of Mrs. Peerybingle’s toes, and even splashed her legs. And when we rather plume ourselves (with reason too) upon our legs, and keep ourselves particularly neat in point of stockings, we find this, for the moment, hard to bear.&lt;br /&gt;&lt;br /&gt;Besides, the Kettle was aggravating and obstinate. It wouldn’t allow itself to be adjusted on the top bar; it wouldn’t hear of accommodating itself kindly to the knobs of coal; it would lean forward with a drunken air, and dribble, a very Idiot of a Kettle, on the hearth. It was quarrelsome; and hissed and spluttered morosely at the fire. To sum up all, the lid, resisting Mrs. Peerybingle’s fingers, first of all turned topsy-turvy, and then, with an ingenious pertinacity deserving of a better cause, dived sideways in—down to the very bottom of the Kettle. And the hull of the Royal George has never made half the monstrous resistance to coming out of the water, which the lid of that Kettle employed against Mrs. Peerybingle, before she got it up again.&lt;br /&gt;&lt;br /&gt;It looked sullen and pig-headed enough, even then; carrying its handle with an air of defiance, and cocking its spout pertly and mockingly at Mrs. Peerybingle, as if it said, "I won’t boil. Nothing shall induce me!"&lt;br /&gt;&lt;br /&gt;But Mrs. Peerybingle, with restored good humour, dusted her chubby little hands against each other, and sat down before the Kettle: laughing. Meantime, the jolly blaze uprose and fell, flashing and gleaming on the little Haymaker at the top of the Dutch clock, until one might have thought he stood stock still before the Moorish Palace, and nothing was in motion but the flame.&lt;br /&gt;&lt;br /&gt;He was on the move, however; and had his spasms, two to the second, all right and regular. But, his sufferings when the clock was going to strike, were frightful to behold; and, when a Cuckoo looked out of a trap-door in the Palace, and gave note six times, it shook him, each time, like a spectral voice—or like a something wiry, plucking at his legs.&lt;br /&gt;&lt;br /&gt;It was not until a violent commotion and a whirring noise among the weights and ropes below him had quite subsided, that this terrified Haymaker became himself again. Nor was he startled without reason; for these rattling, bony skeletons of clocks are very disconcerting in their operation, and I wonder very much how any set of men, but most of all how Dutchmen, can have had a liking to invent them. There is a popular belief that Dutchmen love broad cases and much clothing for their own lower selves; and they might know better than to leave their clocks so very lank and unprotected, surely.&lt;br /&gt;&lt;br /&gt;Now it was, you observe, that the Kettle began to spend the evening. Now it was, that the Kettle, growing mellow and musical, began to have irrepressible gurglings in its throat, and to indulge in short vocal snorts, which it checked in the bud, as if it hadn’t quite made up its mind yet, to be good company. Now it was, that after two or three such vain attempts to stifle its convivial sentiments, it threw off all moroseness, all reserve, and burst into a stream of song so cosy and hilarious, as never maudlin nightingale yet formed the least idea of.&lt;br /&gt;&lt;br /&gt;So plain too! Bless you, you might have understood it like a book—better than some books you and I could name, perhaps. With its warm breath gushing forth in a light cloud which merrily and gracefully ascended a few feet, then hung about the chimney-corner as its own domestic Heaven, it trolled its song with that strong energy of cheerfulness, that its iron body hummed and stirred upon the fire; and the lid itself, the recently rebellious lid—such is the influence of a bright example—performed a sort of jig, and clattered like a deaf and dumb young cymbal that had never known the use of its twin brother.&lt;br /&gt;&lt;br /&gt;That this song of the Kettle’s, was a song of invitation and welcome to somebody out of doors; to somebody at that moment coming on, towards the snug small home and the crisp fire; there is no doubt whatever. Mrs. Peerybingle knew it, perfectly, as she sat musing before the hearth. It’s a dark night, sang the Kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare, of deep and angry crimson, where the sun and wind together, set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar-frost on the finger-post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!—&lt;br /&gt;&lt;br /&gt;And here, if you like, the Cricket DID chime in! with a Chirrup, Chirrup, Chirrup of such magnitude, by way of chorus; with a voice so astoundingly disproportionate to its size, as compared with the Kettle; (size! you couldn’t See it!) that if it had then and there burst itself like an overcharged gun: if it had fallen a victim on the spot, and chirruped its little body into fifty pieces: it would have seemed a natural and inevitable consequence, for which it had expressly laboured.&lt;br /&gt;&lt;br /&gt;The Kettle had had the last of its solo performance. It persevered with undiminished ardour; but the Cricket took first fiddle and kept it. Good Heaven, how it chirped! Its shrill, sharp, piercing voice resounded through the house, and seemed to twinkle in the outer darkness like a Star. There was an indescribable little trill and tremble in it, at its loudest, which suggested its being carried off its legs, and made to leap again, by its own intense enthusiasm. Yet they went very well together, the Cricket and the Kettle. The burden of the song was still the same; and louder, louder, louder still, they sang it in their emulation.&lt;br /&gt;&lt;br /&gt;The fair little listener; for fair she was, and young—though something of what is called the dumpling shape; but I don’t myself object to that—lighted a candle; glanced at the Haymaker on the top of the clock, who was getting in a pretty average crop of minutes; and looked out of the window, where she saw nothing, owing to the darkness, but her own face imaged in the glass. And my opinion is (and so would your's have been), that she might have looked a long way, and seen nothing half so agreeable. When she came back, and sat down in her former seat, the Cricket and the Kettle were still keeping it up, with a perfect fury of competition. The Kettle’s weak side clearly being that he didn’t know when he was beat.&lt;br /&gt;&lt;br /&gt;There was all the excitement of a race about it. Chirp, chirp, chirp! Cricket a mile ahead. Hum, hum, hum—m—m! Kettle making play in the distance, like a great top. Chirp, chirp, chirp! Cricket round the corner. Hum, hum, hum—m—m! Kettle sticking to him in his own way; no idea of giving in. Chirp, chirp, chirp! Cricket fresher than ever. Hum, hum, hum—m—m! Kettle slow and steady. Chirp, chirp, chirp! Cricket going in to finish him. Hum, hum, hum—m—m! Kettle not to be finished. Until at last, they got so jumbled together, in the hurry-skurry, helter-skelter, of the match, that whether the Kettle chirped and the Cricket hummed, or the Cricket chirped and the Kettle hummed, or they both chirped and both hummed, it would have taken a clearer head than your's or mine to have decided with anything like certainty. But of this, there is no doubt: that the Kettle and the Cricket, at one and the same moment, and by some power of amalgamation best known to themselves, sent, each, his fireside song of comfort streaming into a ray of the candle that shone out through the window; and a long way down the lane. And this light, bursting on a certain person who, on the instant, approached towards it through the gloom, expressed the whole thing to him, literally in a twinkling, and cried, "Welcome home, old fellow! Welcome home, my Boy!"&lt;br /&gt;&lt;br /&gt;This end attained, the Kettle, being dead beat, boiled over, and was taken off the fire. Mrs. Peerybingle then went running to the door, where, what with the wheels of a cart, the tramp of a horse, the voice of a man, the tearing in and out of an excited dog, and the surprising and mysterious appearance of a Baby, there was soon the very What’s-his-name to pay.&lt;br /&gt;&lt;br /&gt;Where the Baby came from, or how Mrs. Peerybingle got hold of it in that flash of time, &lt;em&gt;I&lt;/em&gt; don’t know. But a live Baby there was, in Mrs. Peerybingle’s arms; and a pretty tolerable amount of pride she seemed to have in it, when she was drawn gently to the fire, by a sturdy figure of a man, much taller and much older than herself; who had to stoop a long way down, to kiss her. But she was worth the trouble. Six foot six, with the lumbago, might have done it.&lt;br /&gt;&lt;br /&gt;"Oh goodness, John!" said Mrs. P. "What a state you are in with the weather!"&lt;br /&gt;&lt;br /&gt;He was something the worse for it, undeniably. The thick mist hung in clots upon his eyelashes like candied thaw; and between the fog and fire together, there were rainbows in his very whiskers.&lt;br /&gt;&lt;br /&gt;"Why, you see, Dot," John made answer, slowly, as he unrolled a shawl from about his throat; and warmed his hands; "it—it an’t exactly summer weather. So, no wonder."&lt;br /&gt;&lt;br /&gt;"I wish you wouldn’t call me Dot, John. I don’t like it," said Mrs. Peerybingle: pouting in a way that clearly showed she &lt;em&gt;did&lt;/em&gt; like it, very much.&lt;br /&gt;&lt;br /&gt;"Why what else are you?" returned John, looking down upon her with a smile, and giving her waist as light a squeeze as his huge hand and arm could give. "A dot and"—here he glanced at the Baby—"a dot and carry—I won’t say it, for fear I should spoil it; but I was very near a joke. I don’t know as ever I was nearer."&lt;br /&gt;&lt;br /&gt;He was often near to something or other very clever, by his own account: this lumbering, slow, honest John; this John so heavy but so light of spirit; so rough upon the surface, but so gentle at the core; so dull without, so quick within; so stolid, but so good! Oh Mother Nature, give thy children the true Poetry of Heart that hid itself in this poor Carrier’s breast—he was but a Carrier by the way—and we can bear to have them talking Prose, and leading lives of Prose; and bear to bless Thee for their company!&lt;br /&gt;&lt;br /&gt;It was pleasant to see Dot, with her little figure and her Baby in her arms: a very doll of a Baby: glancing with a coquettish thoughtfulness at the fire, and inclining her delicate little head just enough on one side to let it rest in an odd, half-natural, half-affected, wholly nestling and agreeable manner, on the great rugged figure of the Carrier. It was pleasant to see him, with his tender awkwardness, endeavouring to adapt his rude support to her slight need, and make his burly middle-age a leaning-staff not inappropriate to her blooming youth. It was pleasant to observe how Tilly Slowboy, waiting in the background for the Baby, took special cognizance (though in her earliest teens) of this grouping; and stood with her mouth and eyes wide open, and her head thrust forward, taking it in as if it were air. Nor was it less agreeable to observe how John the Carrier, reference being made by Dot to the aforesaid Baby, checked his hand when on the point of touching the infant, as if he thought he might crack it; and bending down, surveyed it from a safe distance, with a kind of puzzled pride: such as an amiable mastiff might be supposed to show, if he found himself, one day, the father of a young canary.&lt;br /&gt;&lt;br /&gt;"An’t he beautiful, John? Don’t he look precious in his sleep?"&lt;br /&gt;&lt;br /&gt;"Very precious," said John. "Very much so. He generally&lt;em&gt; is&lt;/em&gt; asleep, an’t he?"&lt;br /&gt;&lt;br /&gt;"Lor, John! Good gracious no!"&lt;br /&gt;&lt;br /&gt;"Oh," said John, pondering. "I thought his eyes was generally shut. Halloa!"&lt;br /&gt;&lt;br /&gt;"Goodness, John, how you startle one!"&lt;br /&gt;&lt;br /&gt;"It an’t right for him to turn ’em up in that way!" said the astonished Carrier, "is it? See how he’s winking with both of ’em at once! and look at his mouth! why he’s gasping like a gold and silver fish!"&lt;br /&gt;&lt;br /&gt;"You don’t deserve to be a father, you don’t," said Dot, with all the dignity of an experienced matron. "But how should you know what little complaints children are troubled with, John! You wouldn’t so much as know their names, you stupid fellow." And when she had turned the Baby over on her left arm, and had slapped its back as a restorative, she pinched her husband’s ear, laughing.&lt;br /&gt;&lt;br /&gt;"No," said John, pulling off his outer coat. "It’s very true, Dot. I don’t know much about it. I only know that I’ve been fighting pretty stiffly with the Wind to-night. It’s been blowing north-east, straight into the cart, the whole way home."&lt;br /&gt;&lt;br /&gt;"Poor old man, so it has!" cried Mrs. Peerybingle, instantly becoming very active. "Here! Take the precious darling, Tilly, while I make myself of some use. Bless it, I could smother it with kissing it; I could! Hie then, good dog! Hie Boxer, boy! Only let me make the tea first, John; and then I’ll help you with the parcels, like a busy bee. 'How doth the little'—and all the rest of it, you know John. Did you ever learn 'how doth the little,' when you went to school, John?"&lt;br /&gt;&lt;br /&gt;"Not to quite know it," John returned. "I was very near it once. But I should only have spoilt it, I dare say."&lt;br /&gt;&lt;br /&gt;"Ha ha!" laughed Dot. She had the blithest little laugh you ever heard. "What a dear old darling of a dunce you are, John, to be sure!"&lt;br /&gt;&lt;br /&gt;Not at all disputing this position, John went out to see that the boy with the lantern, which had been dancing to and fro before the door and window, like a Will of the Wisp, took due care of the horse; who was fatter than you would quite believe, if I gave you his measure, and so old that his birthday was lost in the mists of antiquity. Boxer, feeling that his attentions were due to the family in general, and must be impartially distributed, dashed in and out with bewildering inconstancy: now, describing a circle of short barks round the horse, where he was being rubbed down at the stable-door; now feigning to make savage rushes at his mistress, and facetiously bringing himself to sudden stops; now eliciting a shriek from Tilly Slowboy, in the low nursing-chair near the fire, by the unexpected application of his moist nose to her countenance; now exhibiting an obtrusive interest in the Baby; now going round and round upon the hearth, and lying down as if he had established himself for the night; now getting up again, and taking that nothing of a fag-end of a tail of his, out into the weather, as if he had just remembered an appointment, and was off, at a round trot, to keep it.&lt;br /&gt;&lt;br /&gt;"There! There’s the teapot, ready on the hob!" said Dot; as briskly busy as a child at play at keeping house. "And there’s the old knuckle of ham; and there’s the butter; and there’s the crusty loaf, and all! Here’s the clothes-basket for the small parcels, John, if you’ve got any there—where are you, John? Don’t let the dear child fall under the grate, Tilly, whatever you do!"&lt;br /&gt;&lt;br /&gt;It may be noted of Miss Slowboy, in spite of her rejecting the caution with some vivacity, that she had a rare and surprising talent for getting this Baby into difficulties: and had several times imperilled its short life, in a quiet way peculiarly her own. She was of a spare and straight shape, this young lady, insomuch that her garments appeared to be in constant danger of sliding off those sharp pegs, her shoulders, on which they were loosely hung. Her costume was remarkable for the partial development, on all possible occasions, of some flannel vestment of a singular structure; also for affording glimpses, in the region of the back, of a corset, or pair of stays, in colour a dead-green. Being always in a state of gaping admiration at everything, and absorbed, besides, in the perpetual contemplation of her mistress’s perfections and the Baby’s, Miss Slowboy, in her little errors of judgment, may be said to have done equal honour to her head and to her heart; and though these did less honour to the Baby’s head, which they were the occasional means of bringing into contact with deal doors, dressers, stair-rails, bedposts, and other foreign substances, still they were the honest results of Tilly Slowboy’s constant astonishment at finding herself so kindly treated, and installed in such a comfortable home. For, the maternal and paternal Slowboy were alike unknown to Fame, and Tilly had been bred by public charity, a Foundling; which word, though only differing from Fondling by one vowel’s length, is very different in meaning, and expresses quite another thing.&lt;br /&gt;&lt;br /&gt;To have seen little Mrs. Peerybingle come back with her husband; tugging at the clothes-basket, and making the most strenuous exertions to do nothing at all (for he carried it); would have amused you almost as much as it amused him. It may have entertained the Cricket too, for anything I know; but, certainly, it now began to chirp again, vehemently.&lt;br /&gt;&lt;br /&gt;"Heyday!" said John, in his slow way. "It’s merrier than ever, to-night, I think."&lt;br /&gt;&lt;br /&gt;"And it’s sure to bring us good fortune, John! It always has done so. To have a Cricket on the Hearth, is the luckiest thing in all the world!"&lt;br /&gt;&lt;br /&gt;John looked at her as if he had very nearly got the thought into his head, that she was his Cricket in chief, and he quite agreed with her. But, it was probably one of his narrow escapes, for he said nothing.&lt;br /&gt;&lt;br /&gt;"The first time I heard its cheerful little note, John, was on that night when you brought me home—when you brought me to my new home here; its little mistress. Nearly a year ago. You recollect, John?"&lt;br /&gt;&lt;br /&gt;O yes. John remembered. I should think so!&lt;br /&gt;&lt;br /&gt;"Its chirp was such a welcome to me! It seemed so full of promise and encouragement. It seemed to say, you would be kind and gentle with me, and would not expect (I had a fear of that, John, then) to find an old head on the shoulders of your foolish little wife."&lt;br /&gt;&lt;br /&gt;John thoughtfully patted one of the shoulders, and then the head, as though he would have said No, No; he had had no such expectation; he had been quite content to take them as they were. And really he had reason. They were very comely.&lt;br /&gt;&lt;br /&gt;"It spoke the truth, John, when it seemed to say so: for you have ever been, I am sure, the best, the most considerate, the most affectionate of husbands to me. This has been a happy home, John; and I love the Cricket for its sake!"&lt;br /&gt;&lt;br /&gt;"Why so do I then," said the Carrier. "So do I, Dot."&lt;br /&gt;&lt;br /&gt;"I love it for the many times I have heard it, and the many thoughts its harmless music has given me. Sometimes, in the twilight, when I have felt a little solitary and down-hearted, John—before Baby was here to keep me company and make the house gay; when I have thought how lonely you would be if I should die; how lonely I should be if I could know that you had lost me, dear; its Chirp, Chirp, Chirp upon the hearth, has seemed to tell me of another little voice, so sweet, so very dear to me, before whose coming sound, my trouble vanished like a dream. And when I used to fear—I did fear once, John; I was very young you know—that ours might prove to be an ill-assorted marriage: I being such a child, and you more like my guardian than my husband: and that you might not, however hard you tried, be able to learn to love me, as you hoped and prayed you might; its Chirp, Chirp, Chirp, has cheered me up again, and filled me with new trust and confidence. I was thinking of these things to-night, dear, when I sat expecting you; and I love the Cricket for their sake!"&lt;br /&gt;&lt;br /&gt;"And so do I," repeated John. "But, Dot? &lt;em&gt;I&lt;/em&gt; hope and pray that I might learn to love you? How you talk! I had learnt that, long before I brought you here, to be the Cricket’s little mistress, Dot!"&lt;br /&gt;&lt;br /&gt;She laid her hand, an instant, on his arm, and looked up at him with an agitated face, as if she would have told him something. Next moment, she was down upon her knees before the basket; speaking in a sprightly voice, and busy with the parcels.&lt;br /&gt;&lt;br /&gt;"There are not many of them to-night, John, but I saw some goods behind the cart, just now; and though they give more trouble, perhaps, still they pay as well; so we have no reason to grumble, have we? Besides, you have been delivering, I dare say, as you came along?"&lt;br /&gt;&lt;br /&gt;Oh yes, John said. A good many.&lt;br /&gt;&lt;br /&gt;"Why what’s this round box? Heart alive, John, it’s a wedding-cake!"&lt;br /&gt;&lt;br /&gt;"Leave a woman alone to find out that," said John, admiringly. "Now a man would never have thought of it! whereas, it’s my belief that if you was to pack a wedding-cake up in a tea-chest, or a turn-up bedstead, or a pickled salmon keg, or any unlikely thing, a woman would be sure to find it out directly. Yes; I called for it at the pastry-cook’s."&lt;br /&gt;&lt;br /&gt;"And it weighs I don’t know what—whole hundredweights!" cried Dot, making a great demonstration of trying to lift it.&lt;br /&gt;"Whose is it, John? Where is it going?"&lt;br /&gt;&lt;br /&gt;"Read the writing on the other side," said John.&lt;br /&gt;&lt;br /&gt;"Why, John! My Goodness, John!"&lt;br /&gt;&lt;br /&gt;"Ah! who’d have thought it!" John returned.&lt;br /&gt;&lt;br /&gt;"You never mean to say," pursued Dot, sitting on the floor and shaking her head at him, "that it’s Gruff and Tackleton the toymaker!"&lt;br /&gt;&lt;br /&gt;John nodded.&lt;br /&gt;&lt;br /&gt;Mrs. Peerybingle nodded also, fifty times at least. Not in assent: in dumb and pitying amazement; screwing up her lips, the while, with all their little force (they were never made for screwing up; I am clear of that), and looking the good Carrier through and through, in her abstraction. Miss Slowboy, in the mean time, who had a mechanical power of reproducing scraps of current conversation for the delectation of the Baby, with all the sense struck out of them, and all the Nouns changed into the Plural number, inquired aloud of that young creature, Was it Gruffs and Tackletons the toymakers then, and Would it call at Pastry-cooks for wedding-cakes, and Did its mothers know the boxes when its fathers brought them homes; and so on.&lt;br /&gt;&lt;br /&gt;"And that is really to come about!" said Dot. "Why, she and I were girls at school together, John."&lt;br /&gt;&lt;br /&gt;He might have been thinking of her: or nearly thinking of her, perhaps: as she was in that same school time. He looked upon her with a thoughtful pleasure, but he made no answer.&lt;br /&gt;&lt;br /&gt;"And he’s as old! As unlike her!—Why, how many years older than you, is Gruff and Tackleton, John?"&lt;br /&gt;&lt;br /&gt;"How many more cups of tea shall I drink to-night at one sitting, than Gruff and Tackleton ever took in four, I wonder!" replied John, good-humouredly, as he drew a chair to the round table, and began at the cold Ham. "As to eating, I eat but little; but that little I enjoy, Dot."&lt;br /&gt;&lt;br /&gt;Even this; his usual sentiment at meal times; one of his innocent delusions (for his appetite was always obstinate, and flatly contradicted him); awoke no smile in the face of his little wife, who stood among the parcels, pushing the cake-box slowly from her with her foot, and never once looked, though her eyes were cast down too, upon the dainty shoe she generally was so mindful of. Absorbed in thought, she stood there, heedless alike of the tea and John (although he called to her, and rapped the table with his knife to startle her), until he rose and touched her on the arm; when she looked at him for a moment, and hurried to her place behind the teaboard, laughing at her negligence. But not as she had laughed before. The manner, and the music, were quite changed.&lt;br /&gt;&lt;br /&gt;The Cricket, too, had stopped. Somehow the room was not so cheerful as it had been. Nothing like it.&lt;br /&gt;&lt;br /&gt;"So, these are all the parcels, are they, John?" she said: breaking a long silence, which the honest Carrier had devoted to the practical illustration of one part of his favourite sentiment—certainly enjoying what he ate, if it couldn’t be admitted that he ate but little. "So these are all the parcels; are they, John?"&lt;br /&gt;&lt;br /&gt;"That’s all," said John. "Why—no—I—" laying down his knife and fork, and taking a long breath. "I declare—I’ve clean forgotten the old gentleman!"&lt;br /&gt;&lt;br /&gt;"The old gentleman?"&lt;br /&gt;&lt;br /&gt;"In the cart," said John. "He was asleep, among the straw, the last time I saw him. I’ve very nearly remembered him, twice, since I came in; but he went out of my head again. Halloa! Yahip there! rouse up! That’s my hearty!"&lt;br /&gt;&lt;br /&gt;John said these latter words, outside the door, whither he had hurried with the candle in his hand.&lt;br /&gt;&lt;br /&gt;Miss Slowboy, conscious of some mysterious reference to The Old Gentleman, and connecting in her mystified imagination certain associations of a religious nature with the phrase, was so disturbed, that hastily rising from the low chair by the fire to seek protection near the skirts of her mistress, and coming into contact as she crossed the doorway with an ancient Stranger, she instinctively made a charge or butt at him with the only offensive instrument within her reach. This instrument happening to be the Baby, great commotion and alarm ensued, which the sagacity of Boxer rather tended to increase; for, that good dog, more thoughtful than its master, had, it seemed, been watching the old gentleman in his sleep lest he should walk off with a few young Poplar trees that were tied up behind the cart; and he still attended on him very closely; worrying his gaiters in fact, and making dead sets at the buttons.&lt;br /&gt;&lt;br /&gt;"You’re such an undeniable good sleeper, Sir," said John when tranquillity was restored; in the mean time the old gentleman had stood, bare-headed and motionless, in the centre of the room; "that I have half a mind to ask you where the other six are: only that would be a joke, and I know I should spoil it. Very near though," murmured the Carrier, with a chuckle; "very near!"&lt;br /&gt;&lt;br /&gt;The Stranger, who had long white hair; good features, singularly bold and well defined for an old man, and dark, bright, penetrating eyes, looked round with a smile, and saluted the Carrier’s wife by gravely inclining his head.&lt;br /&gt;&lt;br /&gt;His garb was very quaint and odd—a long, long way behind the time. Its hue was brown, all over. In his hand he held a great brown club or walking-stick; and striking this upon the floor, it fell asunder, and became a chair. On which he sat down, quite composedly.&lt;br /&gt;&lt;br /&gt;"There!" said the Carrier, turning to his wife. "That’s the way I found him, sitting by the roadside! upright as a milestone. And almost as deaf."&lt;br /&gt;&lt;br /&gt;"Sitting in the open air, John!"&lt;br /&gt;&lt;br /&gt;"In the open air," replied the Carrier, "just at dusk. 'Carriage Paid,' he said; and gave me eighteenpence. Then he got in. And there he is."&lt;br /&gt;&lt;br /&gt;"He’s going, John, I think!"&lt;br /&gt;&lt;br /&gt;Not at all. He was only going to speak.&lt;br /&gt;&lt;br /&gt;"If you please, I was to be left till called for," said the Stranger, mildly. "Don’t mind me."&lt;br /&gt;&lt;br /&gt;With that, he took a pair of spectacles from one of his large pockets, and a book from another; and leisurely began to read. Making no more of Boxer than if he had been a house lamb!&lt;br /&gt;&lt;br /&gt;The Carrier and his wife exchanged a look of perplexity. The Stranger raised his head; and glancing from the latter to the former, said:&lt;br /&gt;&lt;br /&gt;"Your daughter, my good friend?"&lt;br /&gt;&lt;br /&gt;"Wife," returned John.&lt;br /&gt;&lt;br /&gt;"Niece?" said the Stranger.&lt;br /&gt;&lt;br /&gt;"Wife," roared John.&lt;br /&gt;&lt;br /&gt;"Indeed?" observed the Stranger. "Surely? Very young!"&lt;br /&gt;&lt;br /&gt;He quietly turned over, and resumed his reading. But, before he could have read two lines, he again interrupted himself to say:&lt;br /&gt;&lt;br /&gt;"Baby, yours?"&lt;br /&gt;&lt;br /&gt;John gave him a gigantic nod; equivalent to an answer in the affirmative, delivered through a speaking trumpet.&lt;br /&gt;&lt;br /&gt;"Girl?"&lt;br /&gt;&lt;br /&gt;"Bo-o-oy!' roared John.&lt;br /&gt;&lt;br /&gt;"Also very young, eh?"&lt;br /&gt;&lt;br /&gt;Mrs. Peerybingle instantly struck in. "Two months and three da-ays! Vaccinated just six weeks ago-o! Took very fine-ly! Considered, by the doctor, a remarkably beautiful chi-ild! Equal to the general run of children at five months o-old! Takes notice, in a way quite won-der-ful! May seem impossible to you, but feels his legs al-ready!"&lt;br /&gt;&lt;br /&gt;Here the breathless little mother, who had been shrieking these short sentences into the old man’s ear, until her pretty face was crimsoned, held up the Baby before him as a stubborn and triumphant fact; while Tilly Slowboy, with a melodious cry of Ketcher, Ketcher—which sounded like some unknown words, adapted to a popular Sneeze—performed some cow-like gambols round that all unconscious Innocent.&lt;br /&gt;&lt;br /&gt;"Hark! He’s called for, sure enough," said John. "There’s somebody at the door. Open it, Tilly."&lt;br /&gt;&lt;br /&gt;Before she could reach it, however, it was opened from without; being a primitive sort of door, with a latch, that any one could lift if he chose—and a good many people did choose, I can tell you; for all kinds of neighbours liked to have a cheerful word or two with the Carrier, though he was no great talker for the matter of that. Being opened, it gave admission to a little, meagre, thoughtful, dingy-faced man, who seemed to have made himself a great-coat from the sack-cloth covering of some old box; for when he turned to shut the door, and keep the weather out, he disclosed upon the back of that garment, the inscription G &amp;amp; T in large black capitals. Also the word GLASS in bold characters.&lt;br /&gt;&lt;br /&gt;"Good evening John!" said the little man. "Good evening Mum. Good evening Tilly. Good evening Unbeknown! How’s Baby Mum? Boxer’s pretty well I hope?"&lt;br /&gt;&lt;br /&gt;"All thriving, Caleb," replied Dot. "I am sure you need only look at the dear child, for one, to know that."&lt;br /&gt;&lt;br /&gt;"And I’m sure I need only look at you for another," said Caleb.&lt;br /&gt;&lt;br /&gt;He didn’t look at her though; he had a wandering and thoughtful eye which seemed to be always projecting itself into some other time and place, no matter what he said; a description which will equally apply to his voice.&lt;br /&gt;&lt;br /&gt;"Or at John for another," said Caleb. "Or at Tilly, as far as that goes. Or certainly at Boxer."&lt;br /&gt;&lt;br /&gt;"Busy just now, Caleb?" asked the Carrier.&lt;br /&gt;&lt;br /&gt;"Why, pretty well, John," he returned, with the distraught air of a man who was casting about for the Philosopher’s stone, at least. "Pretty much so. There’s rather a run on Noah’s Arks at present. I could have wished to improve upon the Family, but I don’t see how it’s to be done at the price. It would be a satisfaction to one’s mind, to make it clearer which was Shems and Hams, and which was Wives. Flies an’t on that scale neither, as compared with elephants you know! Ah! well! Have you got anything in the parcel line for me, John?"&lt;br /&gt;&lt;br /&gt;The Carrier put his hand into a pocket of the coat he had taken off; and brought out, carefully preserved in moss and paper, a tiny flower-pot.&lt;br /&gt;&lt;br /&gt;"There it is!" he said, adjusting it with great care. "Not so much as a leaf damaged. Full of buds!"&lt;br /&gt;&lt;br /&gt;Caleb’s dull eye brightened, as he took it, and thanked him.&lt;br /&gt;&lt;br /&gt;"Dear, Caleb," said the Carrier. "Very dear at this season."&lt;br /&gt;&lt;br /&gt;"Never mind that. It would be cheap to me, whatever it cost," returned the little man. "Anything else, John?"&lt;br /&gt;&lt;br /&gt;"A small box," replied the Carrier. "Here you are!"&lt;br /&gt;&lt;br /&gt;"'For Caleb Plummer,'" said the little man, spelling out the direction. "'With Cash.' With Cash, John? I don’t think it’s for me."&lt;br /&gt;&lt;br /&gt;"With Care," returned the Carrier, looking over his shoulder. "Where do you make out cash?"&lt;br /&gt;&lt;br /&gt;"Oh! To be sure!" said Caleb. "It’s all right. With care! Yes, yes; that’s mine. It might have been with cash, indeed, if my dear Boy in the Golden South Americas had lived, John. You loved him like a son; didn’t you? You needn’t say you did. &lt;em&gt;I&lt;/em&gt; know, of course. 'Caleb Plummer. With care.' Yes, yes, it’s all right. It’s a box of dolls’ eyes for my daughter’s work. I wish it was her own sight in a box, John."&lt;br /&gt;&lt;br /&gt;"I wish it was, or could be!" cried the Carrier.&lt;br /&gt;&lt;br /&gt;"Thank’ee," said the little man. "You speak very hearty. To think that she should never see the Dolls; and them a-staring at her, so bold, all day long! That’s where it cuts. What’s the damage, John?"&lt;br /&gt;&lt;br /&gt;"I’ll damage you," said John, "if you inquire. Dot! Very near?"&lt;br /&gt;&lt;br /&gt;"Well! it’s like you to say so," observed the little man. "It’s your kind way. Let me see. I think that’s all."&lt;br /&gt;&lt;br /&gt;"I think not," said the Carrier. "Try again."&lt;br /&gt;&lt;br /&gt;"Something for our Governor, eh?" said Caleb, after pondering a little while. "To be sure. That’s what I came for; but my head’s so running on them Arks and things! He hasn’t been here, has he?"&lt;br /&gt;&lt;br /&gt;"Not he," returned the Carrier. "He’s too busy, courting."&lt;br /&gt;&lt;br /&gt;"He’s coming round though," said Caleb; "for he told me to keep on the near side of the road going home, and it was ten to one he’d take me up. I had better go, by the bye.—You couldn’t have the goodness to let me pinch Boxer’s tail, Mum, for half a moment, could you?"&lt;br /&gt;&lt;br /&gt;"Why, Caleb! what a question!"&lt;br /&gt;&lt;br /&gt;"Oh never mind, Mum," said the little man. "He mightn’t like it perhaps. There’s a small order just come in, for barking dogs; and I should wish to go as close to Natur’ as I could, for sixpence. That’s all. Never mind, Mum."&lt;br /&gt;&lt;br /&gt;It happened opportunely, that Boxer, without receiving the proposed stimulus, began to bark with great zeal. But, as this implied the approach of some new visitor, Caleb, postponing his study from the life to a more convenient season, shouldered the round box, and took a hurried leave. He might have spared himself the trouble, for he met the visitor upon the threshold.&lt;br /&gt;&lt;br /&gt;"Oh! You are here, are you? Wait a bit. I’ll take you home. John Peerybingle, my service to you. More of my service to your pretty wife. Handsomer every day! Better too, if possible! And younger," mused the speaker, in a low voice; "that’s the Devil of it!"&lt;br /&gt;&lt;br /&gt;"I should be astonished at your paying compliments, Mr. Tackleton," said Dot, not with the best grace in the world; "but for your condition."&lt;br /&gt;&lt;br /&gt;"You know all about it then?"&lt;br /&gt;&lt;br /&gt;"I have got myself to believe it, somehow," said Dot.&lt;br /&gt;&lt;br /&gt;"After a hard struggle, I suppose?"&lt;br /&gt;&lt;br /&gt;"Very."&lt;br /&gt;&lt;br /&gt;Tackleton the Toy-merchant, pretty generally known as Gruff and Tackleton—for that was the firm, though Gruff had been bought out long ago; only leaving his name, and as some said his nature, according to its Dictionary meaning, in the business—Tackleton the Toy merchant, was a man whose vocation had been quite misunderstood by his Parents and Guardians. If they had made him a Money Lender, or a sharp Attorney, or a Sheriff’s Officer, or a Broker, he might have sown his discontented oats in his youth, and, after having had the full-run of himself in ill-natured transactions, might have turned out amiable, at last, for the sake of a little freshness and novelty. But, cramped and chafing in the peaceable pursuit of toy-making, he was a domestic Ogre, who had been living on chiidren all his life, and was their implacable enemy. He despised all toys; wouldn’t have bought one for the world; delighted, in his malice, to insinuate grim expressions into the faces of brown-paper farmers who drove pigs to market, bellmen who advertised lost lawyers’ consciences, movable old ladies who darned stockings or carved pies; and other like samples of his stock in trade. In appalling masks; hideous, hairy, red-eyed Jacks in Boxes; Vampire Kites; demoniacal Tumblers who wouldn’t lie down, and were perpetually flying forward, to stare infants out of countenance; his soul perfectly revelled. They were his only relief, and safety-valve. He was great in such inventions. Anything suggestive of a Pony-nightmare, was delicious to him. He had even lost money (and he took to that toy very kindly) by getting up Goblin slides for magic lanterns, whereon the Powers of Darkness were depicted as a sort of supernatural shell-fish, with human faces. In intensifying the portraiture of Giants, he had sunk quite a little capital; and, though no painter himself, he could indicate, for the instruction of his artists, with a piece of chalk, a certain furtive leer for the countenances of those monsters, which was safe to destroy the peace of mind of any young gentleman between the ages of six and eleven, for the whole Christmas or Midsummer Vacation.&lt;br /&gt;&lt;br /&gt;What he was in toys, he was (as most men are) in all other things. You may easily suppose, therefore, that within the great green cape, which reached down to the calves of his legs, there was buttoned up to the chin an uncommonly pleasant fellow; and that he was about as choice a spirit and as agreeable a companion, as ever stood in a pair of bull-headed-looking boots with mahogany-colored tops.&lt;br /&gt;&lt;br /&gt;Still, Tackleton, the Toy-merchant, was going to be married. In spite of all this, he was going to be married. And to a young wife too; a beautiful young wife.&lt;br /&gt;&lt;br /&gt;He didn’t look much like a Bridegroom, as he stood in the Carrier’s kitchen, with a twist in his dry face, and a screw in his body, and his hat jerked over the bridge of his nose, and his hands tucked down into the bottoms of his pockets, and his whole sarcastic ill-conditioned self peering out of one little corner of one little eye, like the concentrated essence of any number of ravens. But, a Bridegroom he designed to be.&lt;br /&gt;&lt;br /&gt;"In three days’ time. Next Thursday. The last day of the first month in the year. That’s my wedding-day," said Tackleton.&lt;br /&gt;&lt;br /&gt;Did I mention that he had always one eye wide open, and one eye nearly shut; and that the one eye nearly shut, was always the expressive eye? I don’t think I did.&lt;br /&gt;&lt;br /&gt;"That’s my wedding-day!" said Tackleton, rattling his money.&lt;br /&gt;&lt;br /&gt;"Why, it’s our wedding-day too," exclaimed the Carrier.&lt;br /&gt;&lt;br /&gt;"Ha ha!" laughed Tackleton. "Odd! You’re just such another couple. Just!"&lt;br /&gt;&lt;br /&gt;The indignation of Dot at this presumptuous assertion is not to be described. What next? His imagination would compass the possibility of just such another Baby, perhaps. The man was mad.&lt;br /&gt;&lt;br /&gt;"I say! A word with you," murmured Tackleton, nudging the Carrier with his elbow, and taking him a little apart. "You’ll come to the wedding? We’re in the same boat, you know."&lt;br /&gt;&lt;br /&gt;"How in the same boat?" inquired the Carrier.&lt;br /&gt;&lt;br /&gt;"A little disparity, you know;" said Tackleton, with another nudge. "Come and spend an evening with us, beforehand."&lt;br /&gt;&lt;br /&gt;"Why?" demanded John, astonished at this pressing hospitality.&lt;br /&gt;&lt;br /&gt;"Why?" returned the other. "That’s a new way of receiving an invitation. Why, for pleasure—sociability, you know, and all that!"&lt;br /&gt;&lt;br /&gt;"I thought you were never sociable," said John, in his plain way.&lt;br /&gt;&lt;br /&gt;"Tchah! It’s of no use to be anything but free with you I see," said Tackleton. "Why, then, the truth is you have a—what tea-drinking people call a sort of a comfortable appearance together, you and your wife. We know better, you know, but—"&lt;br /&gt;&lt;br /&gt;"No, we don’t know better," interposed John. "What are you talking about?"&lt;br /&gt;&lt;br /&gt;"Well! We &lt;em&gt;don’t&lt;/em&gt; know better, then," said Tackleton. "We’ll agree that we don’t. As you like; what does it matter? I was going to say, as you have that sort of appearance, your company will produce a favourable effect on Mrs. Tackleton that will be. And, though I don’t think your good lady’s very friendly to me, in this matter, still she can’t help herself from falling into my views, for there’s a compactness and cosiness of appearance about her that always tells, even in an indifferent case. You’ll say you’ll come?"&lt;br /&gt;&lt;br /&gt;"We have arranged to keep our Wedding-Day (as far as that goes) at home," said John. "We have made the promise to ourselves these six months. We think, you see, that home—"&lt;br /&gt;&lt;br /&gt;"Bah! what’s home?" cried Tackleton. "Four walls and a ceiling! (why don’t you kill that Cricket? &lt;em&gt;I&lt;/em&gt; would! I always do. I hate their noise.) There are four walls and a ceiling at my house. Come to me!"&lt;br /&gt;&lt;br /&gt;"You kill your Crickets, eh?" said John.&lt;br /&gt;&lt;br /&gt;"Scrunch ’em, sir," returned the other, setting his heel heavily on the floor. "You’ll say you’ll come? It’s as much your interest as mine, you know, that the women should persuade each other that they’re quiet and contented, and couldn’t be better off. I know their way. Whatever one woman says, another woman is determined to clinch, always. There’s that spirit of emulation among ’em, Sir, that if your wife says to my wife, 'I’m the happiest woman in the world, and mine’s the best husband in the world, and I dote on him,' my wife will say the same to yours, or more, and half believe it."&lt;br /&gt;&lt;br /&gt;"Do you mean to say she don’t, then?" asked the Carrier.&lt;br /&gt;&lt;br /&gt;"Don’t!" cried Tackleton, with a short, sharp laugh. "Don’t what?"&lt;br /&gt;&lt;br /&gt;The Carrier had some faint idea of adding, "dote upon you." But, happening to meet the half-closed eye, as it twinkled upon him over the turned-up collar of the cape, which was within an ace of poking it out, he felt it such an unlikely part and parcel of anything to be doted on, that he substituted, "that she don’t believe it?"&lt;br /&gt;&lt;br /&gt;"Ah you dog! you’re joking," said Tackleton.&lt;br /&gt;&lt;br /&gt;But the Carrier, though slow to understand the full drift of his meaning, eyed him in such a serious manner, that he was obliged to be a little more explanatory.&lt;br /&gt;&lt;br /&gt;"I have the humour," said Tackleton: holding up the fingers of his left hand, and tapping the forefinger, to imply 'there I am, Tackleton to wit:’ ‘I have the humour, Sir, to marry a young wife, and a pretty wife:" here he rapped his little finger, to express the Bride; not sparingly, but sharply; with a sense of power. "I’m able to gratify that humour and I do. It’s my whim. But—now look there."&lt;br /&gt;&lt;br /&gt;He pointed to where Dot was sitting, thoughtfully, before the fire; leaning her dimpled chin upon her hand, and watching the bright blaze. The Carrier looked at her, and then at him, and then at her, and then at him again.&lt;br /&gt;&lt;br /&gt;"She honours and obeys, no doubt, you know," said Tackleton; "and that, as I am not a man of sentiment, is quite enough for &lt;em&gt;me.&lt;/em&gt; But do you think there’s anything more in it?"&lt;br /&gt;&lt;br /&gt;"I think," observed the Carrier, "that I should chuck any man out of window, who said there wasn’t."&lt;br /&gt;&lt;br /&gt;"Exactly so," returned the other with an unusual alacrity of assent. "To be sure! Doubtless you would. Of course. I’m certain of it. Good night. Pleasant dreams!"&lt;br /&gt;&lt;br /&gt;The Carrier was puzzled, and made uncomfortable and uncertain, in spite of himself. He couldn’t help showing it, in his manner.&lt;br /&gt;&lt;br /&gt;"Good night, my dear friend!" said Tackleton, compassionately. "I’m off. We’re exactly alike, in reality, I see. You won’t give us to-morrow evening? Well! Next day you go out visiting, I know. I’ll meet you there, and bring my wife that is to be. It’ll do her good. You’re agreeable? Thankee. What’s that!"&lt;br /&gt;&lt;br /&gt;It was a loud cry from the Carrier’s wife; a loud, sharp, sudden cry, that made the room ring, like a glass vessel. She had risen from her seat, and stood like one transfixed by terror and surprise. The Stranger had advanced towards the fire, to warm himself, and stood within a short stride of her chair. But quite still.&lt;br /&gt;&lt;br /&gt;"Dot!" cried the Carrier. "Mary! Darling! What’s the matter?"&lt;br /&gt;&lt;br /&gt;They were all about her in a moment. Caleb, who had been dozing on the cake-box, in the first imperfect recovery of his suspended presence of mind seized Miss Slowboy by the hair of her head, but immediately apologised.&lt;br /&gt;&lt;br /&gt;"Mary!" exclaimed the Carrier, supporting her in his arms. "Are you ill! what is it? Tell me dear!"&lt;br /&gt;&lt;br /&gt;She only answered by beating her hands together, and falling into a wild fit of laughter. Then, sinking from his grasp upon the ground, she covered her face with her apron, and wept bitterly. And then she laughed again; and then she cried again; and then she said how cold it was, and suffered him to lead her to the fire, where she sat down as before. The old man standing, as before; quite still.&lt;br /&gt;&lt;br /&gt;"I’m better, John," she said. "I’m quite well now—I—"&lt;br /&gt;&lt;br /&gt;John! But John was on the other side of her. Why turn her face towards the strange old gentleman, as if addressing him! Was her brain wandering?&lt;br /&gt;&lt;br /&gt;"Only a fancy, John dear—a kind of shock—a something coming suddenly before my eyes—I don’t know what it was. It’s quite gone; quite gone."&lt;br /&gt;&lt;br /&gt;"I’m glad it’s gone," muttered Tackleton, turning the expressive eye all round the room. "I wonder where it’s gone, and what it was. Humph! Caleb, come here! Who’s that with the grey hair?"&lt;br /&gt;&lt;br /&gt;"I don’t know Sir," returned Caleb in a whisper. "Never see him before, in all my life. A beautiful figure for a nut-cracker; quite a new model. With a screw-jaw opening down into his waistcoat, he’d be lovely."&lt;br /&gt;&lt;br /&gt;"Not ugly enough," said Tackleton.&lt;br /&gt;&lt;br /&gt;"Or for a firebox, either," observed Caleb, in deep contemplation, "what a model! Unscrew his head to put the matches in; turn him heels up’ards for the light; and what a firebox for a gentleman’s mantel-shelf, just as he stands!"&lt;br /&gt;&lt;br /&gt;"Not half ugly enough," said Tackleton. "Nothing in him at all! Come! Bring that box! All right now, I hope?"&lt;br /&gt;&lt;br /&gt;"Oh quite gone! Quite gone!" said the little woman, waving him hurriedly away. "Good night!"&lt;br /&gt;&lt;br /&gt;"Good night," said Tackleton. "Good night, John Peerybingle! Take care how you carry that box, Caleb. Let it fall, and I’ll murder you! Dark as pitch, and weather worse than ever, eh? Good night!"&lt;br /&gt;&lt;br /&gt;So, with another sharp look round the room, he went out at the door; followed by Caleb with the wedding-cake on his head.&lt;br /&gt;&lt;br /&gt;The Carrier had been so much astounded by his little wife, and so busily engaged in soothing and tending her, that he had scarcely been conscious of the Stranger’s presence, until now, when he again stood there, their only guest.&lt;br /&gt;&lt;br /&gt;"He don’t belong to them, you see," said John. "I must give him a hint to go."&lt;br /&gt;&lt;br /&gt;"I beg your pardon, friend," said the old gentleman, advancing to him; "the more so, as I fear your wife has not been well; but the Attendant whom my infirmity," he touched his ears and shook his head, "renders almost indispensable, not having arrived, I fear there must be some mistake. The bad night which made the shelter of your comfortable cart (may I never have a worse!) so acceptable, is still as bad as ever. Would you, in your kindness, suffer me to rent a bed here?"&lt;br /&gt;&lt;br /&gt;"Yes, yes," cried Dot. "Yes! Certainly!"&lt;br /&gt;&lt;br /&gt;"Oh!" said the Carrier, surprised by the rapidity of this consent. "Well! I don’t object; but, still I’m not quite sure that—"&lt;br /&gt;&lt;br /&gt;"Hush!" she interrupted. "Dear John!"&lt;br /&gt;&lt;br /&gt;"Why, he’s stone deaf," urged John.&lt;br /&gt;&lt;br /&gt;"I know he is, but—Yes, Sir, certainly. Yes! certainly! I’ll make him up a bed, directly, John."&lt;br /&gt;&lt;br /&gt;As she hurried off to do it, the flutter of her spirits, and the agitation of her manner, were so strange, that the Carrier stood looking after her, quite confounded.&lt;br /&gt;&lt;br /&gt;"Did its mothers make it up a Beds then!" cried Miss Slowboy to the Baby; "and did its hair grow brown and curly, when its caps was lifted off, and frighten it, a precious Pets, a sitting by the fires!"&lt;br /&gt;&lt;br /&gt;With that unaccountable attraction of the mind to trifles, which is often incidental to a state of doubt and confusion, the Carrier, as he walked slowly to and fro, found himself mentally repeating even these absurd words, many times. So many times that he got them by heart, and was still conning them over and over, like a lesson, when Tilly, after administering as much friction to the little bald head with her hand as she thought wholesome (according to the practice of nurses), had once more tied the Baby’s cap on.&lt;br /&gt;&lt;br /&gt;"And frighten it, a Precious Pets, a sitting by the fires. What frightened Dot, I wonder!" mused the Carrier, pacing to and fro.&lt;br /&gt;&lt;br /&gt;He scouted, from his heart, the insinuations of the Toy merchant, and yet they filled him with a vague, indefinite uneasiness; for Tackleton was quick and sly; and he had that painful sense, himself, of being a man of slow perception, that a broken hint was always worrying to him. He certainly had no intention in his mind of linking anything that Tackleton had said, with the unusual conduct of his wife; but the two subjects of reflection came into his mind together, and he could not keep them asunder.&lt;br /&gt;&lt;br /&gt;The bed was soon made ready; and the visitor, declining all refreshment but a cup of tea, retired. Then, Dot: quite well again, she said, quite well again: arranged the great chair in the chimney corner for her husband; filled his pipe and gave it him; and took her usual little stool beside him on the hearth.&lt;br /&gt;&lt;br /&gt;She always &lt;em&gt;would&lt;/em&gt; sit on that little stool; I think she must have had a kind of notion that it was a coaxing, wheedling, little stool.&lt;br /&gt;&lt;br /&gt;She was, out and out, the very best filler of a pipe, I should say, in the four quarters of the globe. To see her put that chubby little finger in the bowl, and then blow down the pipe to clear the tube; and when she had done so, affect to think that there was really something in the tube, and blow a dozen times, and hold it to her eye like a telescope, with a most provoking twist in her capital little face, as she looked down it; was quite a brilliant thing. As to the tobacco, she was perfect mistress of the subject; and her lighting of the pipe, with a wisp of paper, when the Carrier had it in his mouth—going so very near his nose, and yet not scorching it—was Art: high Art, Sir.&lt;br /&gt;&lt;br /&gt;And the Cricket and the Kettle, turning up again, acknowledged it! The bright fire, blazing up again, acknowledged it! The little Mower on the clock, in his unheeded work, acknowledged it! The Carrier, in his smoothing forehead and expanding face, acknowledged it, the readiest of all.&lt;br /&gt;&lt;br /&gt;And as he soberly and thoughtfully puffed at his old pipe; and as the Dutch clock ticked; and as the red fire gleamed; and as the Cricket chirped; that Genius of his Hearth and Home (for such the Cricket was) came out, in fairy shape, into the room, and summoned many forms of Home about him. Dots of all ages, and all sizes, filled the chamber. Dots who were merry children, running on before him, gathering flowers, in the fields; coy Dots, half shrinking from, half yielding to, the pleading of his own rough image; newly-married Dots, alighting at the door, and taking wondering possession of the household keys; motherly little Dots, attended by fictitious Slowboys, bearing babies to be christened; matronly Dots, still young and blooming, watching Dots of daughters, as they danced at rustic balls; fat Dots, encircled and beset by troops of rosy grand-children; withered Dots, who leaned on sticks, and tottered as they crept along. Old Carriers too, appeared, with blind old Boxers lying at their feet; and newer carts with younger drivers ("Peerybingle Brothers" on the tilt); and sick old Carriers, tended by the gentlest hands; and graves of dead and gone old Carriers, green in the churchyard. And as the Cricket showed him all these things—he saw them plainly, though his eyes were fixed upon the fire—the Carrier’s heart grew light and happy, and he thanked his Household Gods with all his might, and cared no more for Gruff and Tackleton than you do.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;But, what was that young figure of a man, which the same Fairy Cricket set so near Her stool, and which remained there, singly and alone? Why did it linger still, so near her, with its arm upon the chimney-piece, ever repeating "Married! and not to me!"&lt;br /&gt;&lt;br /&gt;O Dot! O failing Dot! There is no place for it in all your husband’s visions; why has its shadow fallen on his hearth!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Chirp the Second&lt;br /&gt;&lt;br /&gt;Caleb Plummer and his Blind Daughter lived all alone by themselves, as the Story-books say—and my blessing, with yours to back it I hope, on the Story-books, for saying anything in this workaday world!—Caleb Plummer and his Blind Daughter lived all alone by themselves, in a little cracked nutshell of a wooden house, which was, in truth, no better than a pimple on the prominent red-brick nose of Gruff and Tackleton. The premises of Gruff and Tackleton were the great feature of the street; but you might have knocked down Caleb Plummer’s dwelling with a hammer or two, and carried off the pieces in a cart.&lt;br /&gt;&lt;br /&gt;If any one had done the dwelling-house of Caleb Plummer the honour to miss it after such an inroad, it would have been, no doubt, to commend its demolition as a vast improvement. It stuck to the premises of Gruff and Tackleton, like a barnacle to a ship’s keel, or a snail to a door, or a little bunch of toadstools to the stem of a tree. But it was the germ from which the full-grown trunk of Gruff and Tackleton had sprung; and under its crazy roof, the Gruff before last, had, in a small way, made toys for a generation of old boys and girls, who had played with them, and found them out, and broken them, and gone to sleep.&lt;br /&gt;&lt;br /&gt;I have said that Caleb and his poor Blind Daughter lived here; but I should have said that Caleb lived here, and his poor Blind Daughter somewhere else; in an enchanted home of Caleb’s furnishing, where scarcity and shabbiness were not, and trouble never entered. Caleb was no Sorcerer, but in the only magic art that still remains to us: the magic of devoted, deathless love: Nature had been the mistress of his study; and from her teaching, all the wonder came.&lt;br /&gt;&lt;br /&gt;The Blind Girl never knew that ceilings were discoloured; walls blotched, and bare of plaster here and there; high crevices unstopped, and widening every day; beams mouldering and tending downward. The Blind Girl never knew that iron was rusting, wood rotting, paper peeling off; the very size, and shape, and true proportion of the dwelling, withering away. The Blind Girl never knew that ugly shapes of delf and earthenware were on the board; that sorrow and faint-heartedness were in the house; that Caleb’s scanty hairs were turning greyer and more grey before her sightless face. The Blind Girl never knew they had a master, cold, exacting, and uninterested: never knew that Tackleton was Tackleton in short; but lived in the belief of an eccentric humourist who loved to have his jest with them; and while he was the Guardian Angel of their lives, disdained to hear one word of thankfulness.&lt;br /&gt;&lt;br /&gt;And all was Caleb’s doing; all the doing of her simple father! But he too had a Cricket on his Hearth; and listening sadly to its music when the motherless Blind Child was very young, that Spirit had inspired him with the thought that even her great deprivation might be almost changed into a blessing, and the girl made happy by these little means. For all the Cricket Tribe are potent Spirits, even though the people who hold converse with them do not know it (which is frequently the case); and there are not in the Unseen World, Voices more gentle and more true; that may be so implicitly relied on, or that are so certain to give none but tenderest counsel; as the Voices in which the Spirits of the Fireside and the Hearth, address themselves to human kind.&lt;br /&gt;&lt;br /&gt;Caleb and his daughter were at work together in their usual working-room, which served them for their ordinary living-room as well; and a strange place it was. There were houses in it, finished and unfinished, for Dolls of all stations in life. Suburban tenements for Dolls of moderate means; kitchens and single apartments for Dolls of the lower classes; capital town residences for Dolls of high estate. Some of these establishments were already furnished according to estimate, with a view to the convenience of Dolls of limited income; others could be fitted on the most expensive scale, at a moment’s notice, from whole shelves of chairs and tables, sofas, bedsteads, and upholstery. The nobility and gentry and public in general, for whose accommodation these tenements were designed, lay, here and there, in baskets, staring straight up at the ceiling; but in denoting their degrees in society, and confining them to their respective stations (which experience shows to be lamentably difficult in real life), the makers of these Dolls had far improved on Nature, who is often froward and perverse; for, they, not resting on such arbitrary marks as satin, cotton-print, and bits of rag, had superadded striking personal differences which allowed of no mistake. Thus, the Doll-lady of distinction had wax limbs of perfect symmetry; but only she and her compeers; the next grade in the social scale being made of leather; and the next of coarse linen stuff. As to the common-people, they had just so many matches out of tinder-boxes for their arms and legs, and there they were—established in their sphere at once, beyond the possibility of getting out of it.&lt;br /&gt;&lt;br /&gt;There were various other samples of his handicraft, besides Dolls, in Caleb Plummer’s room. There were Noah’s Arks, in which the Birds and Beasts were an uncommonly tight fit, I assure you; though they could be crammed in, anyhow, at the roof, and rattled and shaken into the smallest compass. By a bold poetical licence, most of these Noah’s Arks had knockers on the doors; inconsistent appendages, perhaps, as suggestive of morning callers and a Postman, yet a pleasant finish to the outside of the building. There were scores of melancholy little carts which, when the wheels went round, performed most doleful music. Many small fiddles, drums, and other instruments of torture; no end of cannon, shields, swords, spears, and guns. There were little tumblers in red breeches, incessantly swarming up high obstacles of red-tape, and coming down, head first, upon the other side; and there were innumerable old gentlemen of respectable, not to say venerable appearance, insanely flying over horizontal pegs, inserted, for the purpose, in their own street doors. There were beasts of all sorts; horses, in particular, of every breed; from the spotted barrel on four pegs, with a small tippet for a mane, to the thoroughbred rocker on his highest mettle. As it would have been hard to count the dozens upon dozens of grotesque figures that were ever ready to commit all sorts of absurdities, on the turning of a handle; so it would have been no easy task to mention any human folly, vice, or weakness, that had not its type, immediate or remote, in Caleb Plummer’s room. And not in an exaggerated form; for very little handles will move men and women to as strange performances, as any Toy was ever made to undertake.&lt;br /&gt;&lt;br /&gt;In the midst of all these objects, Caleb and his daughter sat at work. The Blind Girl busy as a Doll’s dressmaker; and Caleb painting and glazing the four-pair front of a desirable family mansion.&lt;br /&gt;&lt;br /&gt;The care imprinted in the lines of Caleb’s face, and his absorbed and dreamy manner, which would have sat well on some alchemist or abstruse student, were at first sight an odd contrast to his occupation, and the trivialities about him. But trivial things, invented and pursued for bread, become very serious matters of fact; and, apart from this consideration, I am not at all prepared to say, myself, that if Caleb had been a Lord Chamberlain, or a Member of Parliament, or a lawyer, or even a great speculator, he would have dealt in toys one whit less whimsical; while I have a very great doubt whether they would have been as harmless.&lt;br /&gt;&lt;br /&gt;"So you were out in the rain last night, father, in your beautiful, new, great-coat," said Caleb’s daughter.&lt;br /&gt;&lt;br /&gt;"In my beautiful new great-coat," answered Caleb, glancing towards a clothes-line in the room, on which the sack-cloth garment previously described, was carefully hung up to dry.&lt;br /&gt;&lt;br /&gt;"How glad I am you bought it, father!"&lt;br /&gt;&lt;br /&gt;"And of such a tailor, too," said Caleb. "Quite a fashionable tailor. It’s too good for me."&lt;br /&gt;&lt;br /&gt;The Blind Girl rested from her work, and laughed with delight.&lt;br /&gt;&lt;br /&gt;"Too good, father! What can be too good for you?"&lt;br /&gt;&lt;br /&gt;"I’m half-ashamed to wear it though," said Caleb, watching the effect of what he said, upon her brightening face; "upon my word! When I hear the boys and people say behind me, 'Hal-loa! Here’s a swell!' I don’t know which way to look. And when the beggar wouldn’t go away last night; and when I said I was a very common man, said 'No, your Honour! Bless your Honour don’t say that!' I was quite ashamed. I really felt as if I hadn’t a right to wear it."&lt;br /&gt;&lt;br /&gt;Happy Blind Girl! How merry she was, in her exultation!&lt;br /&gt;&lt;br /&gt;"I see you, father," she said, clasping her hands, "as plainly, as if I had the eyes I never want when you are with me. A blue coat—"&lt;br /&gt;&lt;br /&gt;"Bright blue," said Caleb.&lt;br /&gt;&lt;br /&gt;"Yes, yes! Bright blue!" exclaimed the girl, turning up her radiant face; "the colour I can just remember in the blessed sky! You told me it was blue before! A bright blue coat—"&lt;br /&gt;&lt;br /&gt;"Made loose to the figure," suggested Caleb.&lt;br /&gt;&lt;br /&gt;"Made loose to the figure!" cried the Blind Girl, laughing heartily; "and in it, you, dear father, with your merry eye, your smiling face, your free step, and your dark hair: looking so young and handsome!"&lt;br /&gt;&lt;br /&gt;"Halloa! Halloa!" said Caleb. "I shall be vain, presently!"&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;I&lt;/em&gt; think you are, already," cried the Blind Girl, pointing at him, in her glee. "I know you, father! Ha ha ha! I’ve found you out, you see!"&lt;br /&gt;&lt;br /&gt;How different the picture in her mind, from Caleb, as he sat observing her! She had spoken of his free step. She was right in that. For years and years, he had never once crossed that threshold at his own slow pace, but with a footfall counterfeited for her ear; and never had he, when his heart was heaviest, forgotten the light tread that was to render hers so cheerful and courageous!&lt;br /&gt;&lt;br /&gt;Heaven knows! But I think Caleb’s vague bewilderment of manner may have half originated in his having confused himself about himself and everything around him, for the love of his Blind Daughter. How could the little man be otherwise than bewildered, after labouring for so many years to destroy his own identity, and that of all the objects that had any bearing on it!&lt;br /&gt;&lt;br /&gt;"There we are," said Caleb, falling back a pace or two to form the better judgment of his work; "as near the real thing as sixpenn’orth of halfpence is to sixpence. What a pity that the whole front of the house opens at once! If there was only a staircase in it now, and regular doors to the rooms to go in at! But that’s the worst of my calling, I’m always deluding myself, and swindling myself."&lt;br /&gt;&lt;br /&gt;"You are speaking quite softly. You are not tired, father?"&lt;br /&gt;&lt;br /&gt;"Tired!" echoed Caleb, with a great burst of animation, "what should tire me, Bertha? &lt;em&gt;I&lt;/em&gt; was never tired. What does it mean?"&lt;br /&gt;&lt;br /&gt;To give the greater force to his words, he checked himself in an involuntary imitation of two half-length stretching and yawning figures on the mantel-shelf, who were represented as in one eternal state of weariness from the waist upwards; and hummed a fragment of a song. It was a Bacchanalian song, something about a Sparkling Bowl; and he sang it with an assumption of a Devil-may-care voice, that made his face a thousand times more meagre and more thoughtful than ever.&lt;br /&gt;&lt;br /&gt;"What! You’re singing, are you?" said Tackleton, putting his head in at the door. "Go it! &lt;em&gt;I&lt;/em&gt; can’t sing."&lt;br /&gt;&lt;br /&gt;Nobody would have suspected him of it. He hadn’t what is generally termed a singing face, by any means.&lt;br /&gt;&lt;br /&gt;"I can’t afford to sing," said Tackleton. "I’m glad you can. I hope you can afford to work too. Hardly time for both, I should think?"&lt;br /&gt;&lt;br /&gt;"If you could only see him, Bertha, how he’s winking at me!" whispered Caleb. "Such a man to joke! you’d think, if you didn’t know him, he was in earnest—wouldn’t you now?"&lt;br /&gt;&lt;br /&gt;The Blind Girl smiled and nodded.&lt;br /&gt;&lt;br /&gt;"The bird that can sing and won’t sing, must be made to sing, they say," grumbled Tackleton. "What about the owl that can’t sing, and oughtn’t to sing, and will sing; is there anything that &lt;em&gt;he&lt;/em&gt; should be made to do?"&lt;br /&gt;&lt;br /&gt;"The extent to which he’s winking at this moment!" whispered Caleb to his daughter. "Oh, my gracious!"&lt;br /&gt;&lt;br /&gt;"Always merry and light-hearted with us!" cried the smiling Bertha.&lt;br /&gt;&lt;br /&gt;"Oh, you’re there, are you?" answered Tackleton. "Poor Idiot!"&lt;br /&gt;&lt;br /&gt;He really did believe she was an Idiot; and he founded the belief, I can’t say whether consciously or not, upon her being fond of him.&lt;br /&gt;&lt;br /&gt;"Well! and being there,—how are you?" said Tackleton, in his grudging way.&lt;br /&gt;&lt;br /&gt;"Oh! well; quite well. And as happy as even you can wish me to be. As happy as you would make the whole world, if you could!"&lt;br /&gt;&lt;br /&gt;"Poor Idiot!" muttered Tackleton. "No gleam of reason. Not a gleam!"&lt;br /&gt;&lt;br /&gt;The Blind Girl took his hand and kissed it; held it for a moment in her own two hands; and laid her cheek against it tenderly, before releasing it. There was such unspeakable affection and such fervent gratitude in the act, that Tackleton himself was moved to say, in a milder growl than usual:&lt;br /&gt;&lt;br /&gt;"What’s the matter now?"&lt;br /&gt;&lt;br /&gt;"I stood it close beside my pillow when I went to sleep last night, and remembered it in my dreams. And when the day broke, and the glorious red sun—the &lt;em&gt;red&lt;/em&gt; sun, father?"&lt;br /&gt;&lt;br /&gt;"Red in the mornings and the evenings, Bertha," said poor Caleb, with a woeful glance at his employer.&lt;br /&gt;&lt;br /&gt;"When it rose, and the bright light I almost fear to strike myself against in walking, came into the room, I turned the little tree towards it, and blessed Heaven for making things so precious, and blessed you for sending them to cheer me!"&lt;br /&gt;&lt;br /&gt;"Bedlam broke loose!" said Tackleton under his breath. "We shall arrive at the strait-waistcoat and mufflers soon. We’re getting on!"&lt;br /&gt;&lt;br /&gt;Caleb, with his hands hooked loosely in each other, stared vacantly before him while his daughter spoke, as if he really were uncertain (I believe he was) whether Tackleton had done anything to deserve her thanks, or not. If he could have been a perfectly free agent, at that moment, required, on pain of death, to kick the Toy-merchant, or fall at his feet, according to his merits, I believe it would have been an even chance which course he would have taken. Yet, Caleb knew that with his own hands he had brought the little rose tree home for her, so carefully; and that with his own lips he had forged the innocent deception which should help to keep her from suspecting how much, how very much, he every day denied himself, that she might be the happier.&lt;br /&gt;&lt;br /&gt;"Bertha!" said Tackleton, assuming, for the nonce, a little cordiality. "Come here."&lt;br /&gt;&lt;br /&gt;"Oh! I can come straight to you! You needn’t guide me!" she rejoined.&lt;br /&gt;&lt;br /&gt;"Shall I tell you a secret, Bertha?"&lt;br /&gt;&lt;br /&gt;"If you will!" she answered, eagerly.&lt;br /&gt;&lt;br /&gt;How bright the darkened face! How adorned with light, the listening head!&lt;br /&gt;&lt;br /&gt;"This is the day on which little what’s-her-name; the spoilt child; Peerybingle’s wife; pays her regular visit to you—makes her fantastic Pic-Nic here; an’t it?" said Tackleton, with a strong expression of distaste for the whole concern.&lt;br /&gt;&lt;br /&gt;"Yes," replied Bertha. "This is the day."&lt;br /&gt;&lt;br /&gt;"I thought so," said Tackleton. "I should like to join the party."&lt;br /&gt;&lt;br /&gt;"Do you hear that, father!" cried the Blind Girl in an ecstasy.&lt;br /&gt;&lt;br /&gt;"Yes, yes, I hear it," murmured Caleb, with the fixed look of a sleep-walker; "but I don’t believe it. It’s one of my lies, I’ve no doubt."&lt;br /&gt;&lt;br /&gt;"You see I—I want to bring the Peerybingles a little more into company with May Fielding," said Tackleton. "I am going to be married to May."&lt;br /&gt;&lt;br /&gt;"Married!" cried the Blind Girl, starting from him.&lt;br /&gt;&lt;br /&gt;"She’s such a con-founded Idiot," muttered Tackleton, "that I was afraid she’d never comprehend me. Ah, Bertha! Married! Church, parson, clerk, beadle, glass-coach, bells, breakfast, bride-cake, favours, marrow-bones, cleavers, and all the rest of the tom-foolery. A wedding, you know; a wedding. Don’t you know what a wedding is?"&lt;br /&gt;&lt;br /&gt;"I know," replied the Blind Girl, in a gentle tone. "I understand!"&lt;br /&gt;&lt;br /&gt;"Do you?" muttered Tackleton. "It’s more than I expected. Well! on that account I want to join the party, and to bring May and her mother. I’ll send in a little something or other, before the afternoon. A cold leg of mutton, or some comfortable trifle of that sort. You’ll expect me?"&lt;br /&gt;&lt;br /&gt;"Yes," she answered.&lt;br /&gt;&lt;br /&gt;She had drooped her head, and turned away; and so stood, with her hands crossed, musing.&lt;br /&gt;&lt;br /&gt;"I don’t think you will," muttered Tackleton, looking at her; "for you seem to have forgotten all about it, already. Caleb!"&lt;br /&gt;&lt;br /&gt;"I may venture to say I’m here, I suppose," thought Caleb. "Sir!"&lt;br /&gt;&lt;br /&gt;"Take care she don’t forget what I’ve been saying to her."&lt;br /&gt;&lt;br /&gt;&lt;em&gt;"She&lt;/em&gt; never forgets," returned Caleb. "It’s one of the few things she an’t clever in."&lt;br /&gt;&lt;br /&gt;"Every man thinks his own geese swans," observed the Toy merchant, with a shrug. "Poor devil!"&lt;br /&gt;&lt;br /&gt;Having delivered himself of which remark, with infinite contempt, old Gruff and Tackleton withdrew.&lt;br /&gt;&lt;br /&gt;Bertha remained where he had left her, lost in meditation. The gaiety had vanished from her downcast face, and it was very sad. Three or four times, she shook her head, as if bewailing some remembrance or some loss; but her sorrowful reflections found no vent in words.&lt;br /&gt;&lt;br /&gt;It was not until Caleb had been occupied, some time, in yoking a team of horses to a waggon by the summary process of nailing the harness to the vital parts of their bodies, that she drew near to his working-stool, and sitting down beside him, said:&lt;br /&gt;&lt;br /&gt;"Father, I am lonely in the dark. I want my eyes: my patient, willing eyes."&lt;br /&gt;&lt;br /&gt;"Here they are," said Caleb. "Always ready. They are more your's than mine, Bertha, any hour in the four and twenty. What shall your eyes do for you, dear?"&lt;br /&gt;&lt;br /&gt;"Look round the room, father."&lt;br /&gt;&lt;br /&gt;"All right," said Caleb. "No sooner said than done, Bertha."&lt;br /&gt;&lt;br /&gt;"Tell me about it."&lt;br /&gt;&lt;br /&gt;"It’s much the same as usual," said Caleb. "Homely, but very snug. The gay colors on the walls; the bright flowers on the plates and dishes; the shining wood, where there are beams or panels; the general cheerfulness and neatness of the building; make it very pretty."&lt;br /&gt;&lt;br /&gt;Cheerful and neat it was wherever Bertha’s hands could busy themselves. But nowhere else, were cheerfulness and neatness possible, in the old crazy shed which Caleb’s fancy so transformed.&lt;br /&gt;&lt;br /&gt;"You have your working dress on, and are not so gallant as when you wear the handsome coat?" said Bertha, touching him.&lt;br /&gt;&lt;br /&gt;"Not quite so gallant," answered Caleb. "Pretty brisk though."&lt;br /&gt;&lt;br /&gt;"Father," said the Blind Girl, drawing close to his side, and stealing one arm round his neck "Tell me something about May. She is very fair?"&lt;br /&gt;&lt;br /&gt;"She is indeed," said Caleb. And she was indeed. It was quite a rare thing to Caleb, not to have to draw on his invention.&lt;br /&gt;&lt;br /&gt;"Her hair is dark," said Bertha, pensively, "darker than mine. Her voice is sweet and musical, I know. I have often loved to hear it. Her shape—"&lt;br /&gt;&lt;br /&gt;"There’s not a Doll’s in all the room to equal it," said Caleb. "And her eyes!—"&lt;br /&gt;&lt;br /&gt;He stopped; for Bertha had drawn closer round his neck; and, from the arm that clung about him, came a warning pressure which he understood too well.&lt;br /&gt;&lt;br /&gt;He coughed a moment, hammered for a moment, and then fell back upon the song about the Sparkling Bowl; his infallible resource in all such difficulties.&lt;br /&gt;&lt;br /&gt;"Our friend, father; our benefactor. I am never tired you know of hearing about him.—Now was I, ever?" she said, hastily.&lt;br /&gt;&lt;br /&gt;"Of course not," answered Caleb. "And with reason."&lt;br /&gt;&lt;br /&gt;"Ah! With how much reason!" cried the Blind Girl. With such fervency, that Caleb, though his motives were so pure, could not endure to meet her face; but dropped his eyes, as if she could have read in them his innocent deceit.&lt;br /&gt;&lt;br /&gt;"Then, tell me again about him, dear father," said Bertha. "Many times again! His face is benevolent, kind, and tender. Honest and true, I am sure it is. The manly heart that tries to cloak all favours with a show of roughness and unwillingness, beats in its every look and glance."&lt;br /&gt;&lt;br /&gt;"And makes it noble!" added Caleb, in his quiet desperation.&lt;br /&gt;&lt;br /&gt;"And makes it noble!" cried the Blind Girl. "He is older than May, father."&lt;br /&gt;&lt;br /&gt;"Ye-es," said Caleb, reluctantly. "He’s a little older than May. But that don’t signify."&lt;br /&gt;&lt;br /&gt;"Oh father, yes! To be his patient companion in infirmity and age; to be his gentle nurse in sickness, and his constant friend in suffering and sorrow; to know no weariness in working for his sake; to watch him, tend him, sit beside his bed and talk to him awake; and pray for him asleep; what privileges these would be! What opportunities for proving all her truth and devotion to him! Would she do all this, dear father?"&lt;br /&gt;&lt;br /&gt;"No doubt of it," said Caleb.&lt;br /&gt;&lt;br /&gt;"I love her, father; I can love her from my soul!" exclaimed the Blind Girl. And saying so, she laid her poor blind face on Caleb’s shoulder, and so wept and wept, that he was almost sorry to have brought that tearful happiness upon her.&lt;br /&gt;&lt;br /&gt;In the mean time, there had been a pretty sharp commotion at John Peerybingle’s; for little Mrs. Peerybingle naturally couldn’t think of going anywhere without the Baby; and to get the Baby under weigh, took time. Not that there was much of the Baby: speaking of it as a thing of weight and measure: but there was a vast deal to do about and about it, and it all had to be done by easy stages. For instance, when the Baby was got, by hook and by crook, to a certain point of dressing, and you might have rationally supposed that another touch or two would finish him off, and turn him out a tip-top Baby, challenging the world, he was unexpectedly extinguished in a flannel cap, and hustled off to bed; where he simmered (so to speak) between two blankets for the best part of an hour. From this state of inaction he was then recalled, shining very much and roaring violently, to partake of—well! I would rather say, if you’ll permit me to speak generally—of a slight repast. After which, he went to sleep again. Mrs. Peerybingle took advantage of this interval, to make herself as smart in a small way as ever you saw anybody in all your life; and, during the same short truce, Miss Slowboy insinuated herself into a spencer of a fashion so surprising and ingenious, that it had no connection with herself or anything else in the universe, but was a shrunken, dog’s-eared, independent fact, pursuing its lonely course without the least regard to anybody. By this time, the Baby, being all alive again, was invested, by the united efforts of Mrs. Peerybingle and Miss Slowboy, with a cream-coloured mantle for its body, and a sort of nankeen raised-pie for its head; and so in course of time they all three got down to the door, where the old horse had already taken more than the full value of his day’s toll out of the Turnpike Trust, by tearing up the road with his impatient autographs—and whence Boxer might be dimly seen in the remote perspective, standing looking back, and tempting him to come on without orders.&lt;br /&gt;&lt;br /&gt;As to a chair, or anything of that kind for helping Mrs. Peerybingle into the cart, you know very little of John, I flatter myself, if you think &lt;em&gt;that&lt;/em&gt; was necessary. Before you could have seen him lift her from the ground, there she was in her place, fresh and rosy, saying, "John! How can you! Think of Tilly!"&lt;br /&gt;&lt;br /&gt;If I might be allowed to mention a young lady’s legs, on any terms, I would observe of Miss Slowboy’s that there was a fatality about them which rendered them singularly liable to be grazed; and that she never effected the smallest ascent or descent, without recording the circumstance upon them with a notch, as Robinson Crusoe marked the days upon his wooden calendar. But as this might be considered ungenteel, I’ll think of it.&lt;br /&gt;&lt;br /&gt;"John? You’ve got the Basket with the Veal and Ham-Pie and things, and the bottles of Beer?’ said Dot. ‘If you haven’t, you must turn round again, this very minute."&lt;br /&gt;&lt;br /&gt;"You’re a nice little article," returned the Carrier, "to be talking about turning round, after keeping me a full quarter of an hour behind my time."&lt;br /&gt;&lt;br /&gt;"I am sorry for it, John," said Dot in a great bustle, "but I really could not think of going to Bertha’s—I would not do it, John, on any account—without the Veal and Ham-Pie and things, and the bottles of Beer. Way!"&lt;br /&gt;&lt;br /&gt;This monosyllable was addressed to the horse, who didn’t mind it at all.&lt;br /&gt;&lt;br /&gt;"Oh &lt;em&gt;do&lt;/em&gt; way, John!" said Mrs. Peerybingle. "Please!"&lt;br /&gt;&lt;br /&gt;"It’ll be time enough to do that," returned John, "when I begin to leave things behind me. The basket’s here, safe enough."&lt;br /&gt;&lt;br /&gt;"What a hard-hearted monster you must be, John, not to have said so, at once, and saved me such a turn! I declare I wouldn’t go to Bertha’s without the Veal and Ham-Pie and things, and the bottles of Beer, for any money. Regularly once a fortnight ever since we have been married, John, have we made our little Pic-Nic there. If anything was to go wrong with it, I should almost think we were never to be lucky again."&lt;br /&gt;&lt;br /&gt;"It was a kind thought in the first instance," said the Carrier: "and I honour you for it, little woman."&lt;br /&gt;&lt;br /&gt;"My dear John," replied Dot, turning very red. "Don’t talk about honouring &lt;em&gt;me.&lt;/em&gt; Good Gracious!’&lt;br /&gt;&lt;br /&gt;"By the bye—" observed the Carrier. "That old gentleman,—"&lt;br /&gt;&lt;br /&gt;Again so visibly, and instantly embarrassed!&lt;br /&gt;&lt;br /&gt;"He’s an odd fish," said the Carrier, looking straight along the road before them. "I can’t make him out. I don’t believe there’s any harm in him."&lt;br /&gt;&lt;br /&gt;"None at all. I’m—I’m sure there’s none at all."&lt;br /&gt;&lt;br /&gt;"Yes," said the Carrier, with his eyes attracted to her face by the great earnestness of her manner. "I am glad you feel so certain of it, because it’s a confirmation to me. It’s curious that he should have taken it into his head to ask leave to go on lodging with us; an’t it? Things come about so strangely."&lt;br /&gt;&lt;br /&gt;"So very strangely," she rejoined in a low voice: scarcely audible.&lt;br /&gt;&lt;br /&gt;"However, he’s a good-natured old gentleman," said John, "and pays as a gentleman, and I think his word is to be relied upon, like a gentleman’s. I had quite a long talk with him this morning: he can hear me better already, he says, as he gets more used to my voice. He told me a great deal about himself, and I told him a great deal about myself, and a rare lot of questions he asked me. I gave him information about my having two beats, you know, in my business; one day to the right from our house and back again; another day to the left from our house and back again (for he’s a stranger and don’t know the names of places about here); and he seemed quite pleased. 'Why, then I shall be returning home to-night your way,' he says, 'when I thought you’d be coming in an exactly opposite direction. That’s capital! I may trouble you for another lift perhaps, but I’ll engage not to fall so sound asleep again.' He was sound asleep, sure-ly!—Dot! what are you thinking of?"&lt;br /&gt;&lt;br /&gt;"Thinking of, John? I—I was listening to you."&lt;br /&gt;&lt;br /&gt;"Oh! That’s all right!" said the honest Carrier. "I was afraid, from the look of your face, that I had gone rambling on so long, as to set you thinking about something else. I was very near it, I’ll be bound."&lt;br /&gt;&lt;br /&gt;Dot making no reply, they jogged on, for some little time, in silence. But, it was not easy to remain silent very long in John Peerybingle’s cart, for everybody on the road had something to say. Though it might only be "How are you!" and indeed it was very often nothing else, still, to give that back again in the right spirit of cordiality, required, not merely a nod and a smile, but as wholesome an action of the lungs withal, as a long-winded Parliamentary speech. Sometimes, passengers on foot, or horseback, plodded on a little way beside the cart, for the express purpose of having a chat; and then there was a great deal to be said, on both sides.&lt;br /&gt;&lt;br /&gt;Then, Boxer gave occasion to more good-natured recognitions of and by the Carrier, than half a dozen Christians could have done! Everybody knew him, all along the road, especially the fowls and pigs, who when they saw him approaching, with his body all on one side, and his ears pricked up inquisitively, and that knob of a tail making the most of itself in the air, immediately withdrew into remote back settlements, without waiting for the honour of a nearer acquaintance. He had business everywhere; going down all the turnings, looking into all the wells, bolting in and out of all the cottages, dashing into the midst of all the Dame-Schools, fluttering all the pigeons, magnifying the tails of all the cats, and trotting into the public-houses like a regular customer. Wherever he went, somebody or other might have been heard to cry, "Halloa! Here’s Boxer!" and out came that somebody forthwith, accompanied by at least two or three other somebodies, to give John Peerybingle and his pretty wife, Good Day.&lt;br /&gt;&lt;br /&gt;The packages and parcels for the errand cart, were numerous; and there were many stoppages to take them in and give them out; which were not by any means the worst parts of the journey. Some people were so full of expectation about their parcels, and other people were so full of wonder about their parcels, and other people were so full of inexhaustible directions about their parcels, and John had such a lively interest in all the parcels, that it was as good as a play. Likewise, there were articles to carry, which required to be considered and discussed, and in reference to the adjustment and disposition of which, councils had to be holden by the Carrier and the senders: at which Boxer usually assisted, in short fits of the closest attention, and long fits of tearing round and round the assembled sages and barking himself hoarse. Of all these little incidents, Dot was the amused and open-eyed spectatress from her chair in the cart; and as she sat there, looking on: a charming little portrait framed to admiration by the tilt: there was no lack of nudgings and glancings and whisperings and envyings among the younger men, I promise you. And this delighted John the Carrier, beyond measure; for he was proud to have his little wife admired, knowing that she didn’t mind it—that, if anything, she rather liked it perhaps.&lt;br /&gt;&lt;br /&gt;The trip was a little foggy, to be sure, in the January weather; and was raw and cold. But who cared for such trifles? Not Dot, decidedly. Not Tilly Slowboy, for she deemed sitting in a cart, on any terms, to be the highest point of human joys; the crowning circumstance of earthly hopes. Not the Baby, I’ll be sworn; for it’s not in Baby nature to be warmer or more sound asleep, though its capacity is great in both respects, than that blessed young Peerybingle was, all the way.&lt;br /&gt;&lt;br /&gt;You couldn’t see very far in the fog, of course; but you could see a great deal, oh a great deal! It’s astonishing how much you may see, in a thicker fog than that, if you will only take the trouble to look for it. Why, even to sit watching for the Fairy-rings in the fields, and for the patches of hoar-frost still lingering in the shade, near hedges and by trees, was a pleasant occupation: to make no mention of the unexpected shapes in which the trees themselves came starting out of the mist, and glided into it again. The hedges were tangled and bare, and waved a multitude of blighted garlands in the wind; but there was no discouragement in this. It was agreeable to contemplate; for it made the fireside warmer in possession, and the summer greener in expectancy. The river looked chilly; but it was in motion, and moving at a good pace; which was a great point. The canal was rather slow and torpid; that must be admitted. Never mind. It would freeze the sooner when the frost set fairly in, and then there would be skating, and sliding; and the heavy old barges, frozen up somewhere, near a wharf, would smoke their rusty iron chimney-pipes all day, and have a lazy time of it.&lt;br /&gt;&lt;br /&gt;In one place, there was a great mound of weeds or stubble burning; and they watched the fire, so white in the day time, flaring through the fog, with only here and there a dash of red in it, until, in consequence as she observed, of the smoke "getting up her nose," Miss Slowboy choked—she could do anything of that sort, on the smallest provocation—and woke the Baby, who wouldn’t go to sleep again. But Boxer, who was in advance some quarter of a mile or so, had already passed the outposts of the town, and gained the corner of the street where Caleb and his daughter lived; and long before they had reached the door, he and the Blind Girl were on the pavement waiting to receive them.&lt;br /&gt;&lt;br /&gt;Boxer, by the way, made certain delicate distinctions of his own, in his communication with Bertha, which persuade me fully that he knew her to be blind. He never sought to attract her attention by looking at her, as he often did with other people, but touched her, invariably. What experience he could ever have had of blind people or blind dogs, I don’t know. He had never lived with a blind master; nor had Mr. Boxer the elder, nor Mrs. Boxer, nor any of his respectable family on either side, ever been visited with blindness, that I am aware of. He may have found it out for himself, perhaps, but he had got hold of it somehow; and therefore he had hold of Bertha too, by the skirt, and kept hold, until Mrs. Peerybingle and the Baby, and Miss Slowboy, and the basket, were all got safely within doors.&lt;br /&gt;&lt;br /&gt;May Fielding was already come; and so was her mother—a little querulous chip of an old lady with a peevish face, who, in right of having preserved a waist like a bedpost, was supposed to be a most transcendent figure; and who, in consequence of having once been better off, or of labouring under an impression that she might have been, if something had happened which never did happen, and seemed to have never been particularly likely to come to pass—but it’s all the same—was very genteel and patronising indeed. Gruff and Tackleton was also there, doing the agreeable; with the evident sensation of being as perfectly at home, and as unquestionably in his own element, as a fresh young salmon on the top of the Great Pyramid.&lt;br /&gt;&lt;br /&gt;"May! My dear old friend!" cried Dot, running up to meet her. "What a happiness to see you."&lt;br /&gt;&lt;br /&gt;Her old friend was, to the full, as hearty and as glad as she; and it really was, if you’ll believe me, quite a pleasant sight to see them embrace. Tackleton was a man of taste, beyond all question. May was very pretty.&lt;br /&gt;&lt;br /&gt;You know sometimes, when you are used to a pretty face, how, when it comes into contact and comparison with another pretty face, it seems for the moment to be homely and faded, and hardly to deserve the high opinion you have had of it. Now, this was not at all the case, either with Dot or May; for May’s face set off Dot’s, and Dot’s face set off May’s, so naturally and agreeably, that, as John Peerybingle was very near saying when he came into the room, they ought to have been born sisters: which was the only improvement you could have suggested.&lt;br /&gt;&lt;br /&gt;Tackleton had brought his leg of mutton, and, wonderful to relate, a tart besides—but we don’t mind a little dissipation when our brides are in the case; we don’t get married every day—and in addition to these dainties, there were the Veal and Ham-Pie, and "things," as Mrs. Peerybingle called them; which were chiefly nuts and oranges, and cakes, and such small deer. When the repast was set forth on the board, flanked by Caleb’s contribution, which was a great wooden bowl of smoking potatoes (he was prohibited, by solemn compact, from producing any other viands), Tackleton led his intended mother-in-law to the post of honour. For the better gracing of this place at the high Festival, the majestic old Soul had adorned herself with a cap, calculated to inspire the thoughtless with sentiments of awe. She also wore her gloves. But let us be genteel, or die!&lt;br /&gt;&lt;br /&gt;Caleb sat next his daughter; Dot and her old schoolfellow were side by side; the good Carrier took care of the bottom of the table. Miss Slowboy was isolated, for the time being, from every article of furniture but the chair she sat on, that she might have nothing else to knock the Baby’s head against.&lt;br /&gt;&lt;br /&gt;As Tilly stared about her at the Dolls and Toys, they stared at her and at the company. The venerable old gentlemen at the street doors (who were all in full action) showed especial interest in the party: pausing occasionally before leaping, as if they were listening to the conversation: and then plunging wildly over and over, a great many times, without halting for breath—as in a frantic state of delight with the whole proceedings.&lt;br /&gt;&lt;br /&gt;Certainly, if these old gentlemen were inclined to have a fiendish joy in the contemplation of Tackleton’s discomfiture, they had good reason to be satisfied. Tackleton couldn’t get on at all; and the more cheerful his intended Bride became in Dot’s society, the less he liked it, though he had brought them together for that purpose. For he was a regular Dog in the Manger, was Tackleton; and when they laughed, and he couldn’t, he took it into his head, immediately, that they must be laughing at him.&lt;br /&gt;&lt;br /&gt;"Ah, May!" said Dot. "Dear dear, what changes! To talk of those merry school-days makes one young again."&lt;br /&gt;&lt;br /&gt;"Why, you an’t particularly old, at any time; are you?" said Tackleton.&lt;br /&gt;&lt;br /&gt;"Look at my sober plodding husband there," returned Dot. "He adds Twenty years to my age at least. Don’t you John?"&lt;br /&gt;&lt;br /&gt;"Forty," John replied.&lt;br /&gt;&lt;br /&gt;"How many &lt;em&gt;you&lt;/em&gt;’ll add to May’s, I am sure I don’t know," said Dot, laughing. "But she can’t be much less than a hundred years of age on her next birthday."&lt;br /&gt;&lt;br /&gt;"Ha ha!" laughed Tackleton. Hollow as a drum, that laugh though. And he looked as if he could have twisted Dot’s neck: comfortably.&lt;br /&gt;&lt;br /&gt;"Dear dear!" said Dot. "Only to remember how we used to talk, at school, about the husbands we would choose. I don’t know how young, and how handsome, and how gay, and how lively, mine was not to be! and as to May’s!—Ah dear! I don’t know whether to laugh or cry, when I think what silly girls we were."&lt;br /&gt;&lt;br /&gt;May seemed to know which to do; for the colour flushed into her face, and tears stood in her eyes.&lt;br /&gt;&lt;br /&gt;"Even the very persons themselves—real live young men—were fixed on sometimes," said Dot. "We little thought how things would come about. I never fixed on John I’m sure; I never so much as thought of him. And if I had told you, you were ever to be married to Mr. Tackleton, why you’d have slapped me. Wouldn’t you, May?"&lt;br /&gt;&lt;br /&gt;Though May didn’t say yes, she certainly didn’t say no, or express no, by any means.&lt;br /&gt;&lt;br /&gt;Tackleton laughed—quite shouted, he laughed so loud. John Peerybingle laughed too, in his ordinary good-natured and contented manner; but his was a mere whisper of a laugh, to Tackleton’s.&lt;br /&gt;&lt;br /&gt;"You couldn’t help yourselves, for all that. You couldn’t resist us, you see," said Tackleton. "Here we are! Here we are!"&lt;br /&gt;&lt;br /&gt;"Where are your gay young bridegrooms now!"&lt;br /&gt;&lt;br /&gt;"Some of them are dead," said Dot; "and some of them forgotten. Some of them, if they could stand among us at this moment, would not believe we were the same creatures; would not believe that what they saw and heard was real, and we &lt;em&gt;could&lt;/em&gt; forget them so. No! they would not believe one word of it!"&lt;br /&gt;&lt;br /&gt;"Why, Dot!" exclaimed the Carrier. "Little woman!"&lt;br /&gt;&lt;br /&gt;She had spoken with such earnestness and fire, that she stood in need of some recalling to herself, without doubt. Her husband’s check was very gentle, for he merely interfered, as he supposed, to shield old Tackleton; but it proved effectual, for she stopped, and said no more. There was an uncommon agitation, even in her silence, which the wary Tackleton, who had brought his half-shut eye to bear upon her, noted closely; and remembered to some purpose too, as you will see.&lt;br /&gt;&lt;br /&gt;May uttered no word, good or bad, but sat quite still, with her eyes cast down; and made no sign of interest in what had passed. The good lady her mother now interposed: observing, in the first instance, that girls were girls, and byegones byegones, and that so long as young people were young and thoughtless, they would probably conduct themselves like young and thoughtless persons: with two or three other positions of a no less sound and incontrovertible character. She then remarked, in a devout spirit, that she thanked Heaven she had always found in her daughter May, a dutiful and obedient child; for which she took no credit to herself, though she had every reason to believe it was entirely owing to herself. With regard to Mr. Tackleton she said, That he was in a moral point of view an undeniable individual; and That he was in an eligible point of view a son-in-law to be desired, no one in their senses could doubt. (She was very emphatic here). With regard to the family into which he was so soon about, after some solicitation, to be admitted, she believed Mr. Tackleton knew that, although reduced in purse, it had some pretensions to gentility; and if certain circumstances, not wholly unconnected, she would go so far as to say, with the Indigo Trade, but to which she would not more particularly refer, had happened differently, it might perhaps have been in possession of Wealth. She then remarked that she would not allude to the past, and would not mention that her daughter had for some time rejected the suit of Mr. Tackleton; and that she would not say a great many other things which she did say, at great length. Finally, she delivered it as the general result of her observation and experience, that those marriages in which there was least of what was romantically and sillily called love, were always the happiest; and that she anticipated the greatest possible amount of bliss—not rapturous bliss; but the solid, steady-going article—from the approaching nuptials. She concluded by informing the company that to-morrow was the day she had lived for, expressly; and that when it was over, she would desire nothing better than to be packed up and disposed of, in any genteel place of burial.&lt;br /&gt;&lt;br /&gt;As these remarks were quite unanswerable: which is the happy property of all remarks that are sufficiently wide of the purpose: they changed the current of the conversation, and diverted the general attention to the Veal and Ham-Pie, the cold mutton, the potatoes, and the tart. In order that the bottled beer might not be slighted, John Peerybingle proposed To-morrow: the Wedding-Day: and called upon them to drink a bumper to it, before he proceeded on his journey.&lt;br /&gt;&lt;br /&gt;For you ought to know that he only rested there, and gave the old horse a bait. He had to go some four or five miles farther on; and when he returned in the evening, he called for Dot, and took another rest on his way home. This was the order of the day on all the Pic-Nic occasions, had been, ever since their institution.&lt;br /&gt;&lt;br /&gt;There were two persons present, besides the bride and bridegroom elect, who did but indifferent honour to the toast. One of these was Dot, too flushed and discomposed to adapt herself to any small occurrence of the moment; the other Bertha, who rose up hurriedly, before the rest, and left the table.&lt;br /&gt;&lt;br /&gt;"Good bye!" said stout John Peerybingle, pulling on his dreadnought coat. "I shall be back at the old time. Good bye all!"&lt;br /&gt;&lt;br /&gt;"Good bye John," returned Caleb.&lt;br /&gt;&lt;br /&gt;He seemed to say it by rote, and to wave his hand in the same unconscious manner; for he stood observing Bertha with an anxious wondering face, that never altered its expression.&lt;br /&gt;&lt;br /&gt;"Good bye young shaver!" said the jolly Carrier, bending down to kiss the child; which Tilly Slowboy, now intent upon her knife and fork, had deposited asleep (and strange to say, without damage) in a little cot of Bertha’s furnishing; "good bye! Time will come, I suppose, when &lt;em&gt;you&lt;/em&gt;’ll turn out into the cold, my little friend, and leave your old father to enjoy his pipe and his rheumatics in the chimney-corner; eh? Where’s Dot?"&lt;br /&gt;&lt;br /&gt;"I’m here, John!" she said, starting.&lt;br /&gt;&lt;br /&gt;"Come, come!’ returned the Carrier, clapping his sounding hands. "Where’s the pipe?"&lt;br /&gt;&lt;br /&gt;"I quite forgot the pipe, John."&lt;br /&gt;&lt;br /&gt;Forgot the pipe! Was such a wonder ever heard of! She! Forgot the pipe!&lt;br /&gt;&lt;br /&gt;"I’ll—I’ll fill it directly. It’s soon done."&lt;br /&gt;&lt;br /&gt;But it was not so soon done, either. It lay in the usual place; the Carrier’s dreadnought pocket; with the little pouch, her own work, from which she was used to fill it, but her hand shook so, that she entangled it (and yet her hand was small enough to have come out easily, I am sure), and bungled terribly. The filling of the pipe and lighting it; those little offices in which I have commended her discretion, if you recollect; were vilely done, from first to last. During the whole process, Tackleton stood looking on maliciously with the half-closed eye; which, whenever it met her's—or caught it, for it can hardly be said to have ever met another eye: rather being a kind of trap to snatch it up—augmented her confusion in a most remarkable degree.&lt;br /&gt;&lt;br /&gt;"Why, what a clumsy Dot you are, this afternoon!" said John. "I could have done it better myself, I verily believe!"&lt;br /&gt;&lt;br /&gt;With these good-natured words, he strode away; and presently was heard, in company with Boxer, and the old horse, and the cart, making lively music down the road. What time the dreamy Caleb still stood, watching his Blind Daughter, with the same expression on his face.&lt;br /&gt;&lt;br /&gt;"Bertha!" said Caleb, softly. "What has happened? How changed you are, my Darling, in a few hours—since this morning. &lt;em&gt;You&lt;/em&gt; silent and dull all day! What is it? Tell me!"&lt;br /&gt;&lt;br /&gt;"Oh father, father!" cried the Blind Girl, bursting into tears. "Oh my hard, hard Fate!"&lt;br /&gt;&lt;br /&gt;Caleb drew his hand across his eyes before he answered her.&lt;br /&gt;&lt;br /&gt;"But think how cheerful and how happy you have been, Bertha! How good, and how much loved, by many people."&lt;br /&gt;&lt;br /&gt;"That strikes me to the heart, dear father! Always so mindful of me! Always so kind to me!"&lt;br /&gt;&lt;br /&gt;Caleb was very much perplexed to understand her.&lt;br /&gt;&lt;br /&gt;"To be—to be blind, Bertha, my poor dear," he faultered, "is a great affliction; but—"&lt;br /&gt;&lt;br /&gt;"I have never felt it!" cried the Blind Girl. "I have never felt it, in its fulness. Never! I have sometimes wished that I could see you, or could see him; only once, dear father; only for one little minute; that I might know what it is I treasure up," she laid her hands upon her breast, "and hold here! That I might be sure and have it right! And sometimes (but then I was a child) I have wept in my prayers at night, to think that when your images ascended from my heart to Heaven, they might not be the true resemblance of yourselves. But I have never had these feelings long. They have passed away and left me tranquil and contented."&lt;br /&gt;&lt;br /&gt;"And they will again," said Caleb.&lt;br /&gt;&lt;br /&gt;"But, father! Oh my good, gentle father, bear with me, if I am wicked!" said the Blind Girl. "This is not the sorrow that so weighs me down!"&lt;br /&gt;&lt;br /&gt;Her father could not choose but let his moist eyes overflow; she was so earnest and pathetic, but he did not understand her, yet.&lt;br /&gt;&lt;br /&gt;"Bring her to me," said Bertha. "I cannot hold it closed and shut within myself. Bring her to me, father!"&lt;br /&gt;&lt;br /&gt;She knew he hesitated, and said, "May. Bring May!"&lt;br /&gt;&lt;br /&gt;May heard the mention of her name, and coming quietly towards her, touched her on the arm. The Blind Girl turned immediately, and held her by both hands.&lt;br /&gt;&lt;br /&gt;"Look into my face, Dear heart, Sweet heart!" said Bertha. "Read it with your beautiful eyes, and tell me if the truth is written on it."&lt;br /&gt;&lt;br /&gt;"Dear Bertha, Yes!"&lt;br /&gt;&lt;br /&gt;The Blind Girl still, upturning the blank sightless face, down which the tears were coursing fast, addressed her in these words:&lt;br /&gt;&lt;br /&gt;"There is not, in my Soul, a wish or thought that is not for your good, bright May! There is not, in my Soul, a grateful recollection stronger than the deep remembrance which is stored there, of the many many times when, in the full pride of Sight and Beauty, you have had consideration for Blind Bertha, even when we two were children, or when Bertha was as much a child as ever blindness can be! Every blessing on your head! Light upon your happy course! Not the less, my dear May;" and she drew towards her, in a closer grasp; "not the less, my Bird, because, to-day, the knowledge that you are to be His wife has wrung my heart almost to breaking! Father, May, Mary! oh forgive me that it is so, for the sake of all he has done to relieve the weariness of my dark life: and for the sake of the belief you have in me, when I call Heaven to witness that I could not wish him married to a wife more worthy of his Goodness!"&lt;br /&gt;&lt;br /&gt;While speaking, she had released May Fielding’s hands, and clasped her garments in an attitude of mingled supplication and love. Sinking lower and lower down, as she proceeded in her strange confession, she dropped at last at the feet of her friend, and hid her blind face in the folds of her dress.&lt;br /&gt;&lt;br /&gt;"Great Power!" exclaimed her father, smitten at one blow with the truth, "have I deceived her from her cradle, but to break her heart at last!"&lt;br /&gt;&lt;br /&gt;It was well for all of them that Dot, that beaming, useful, busy little Dot—for such she was, whatever faults she had; and however you may learn to hate her, in good time—it was well for all of them, I say, that she was there: or where this would have ended, it were hard to tell. But Dot, recovering her self-possession, interposed, before May could reply, or Caleb say another word.&lt;br /&gt;&lt;br /&gt;"Come, come, dear Bertha! come away with me! Give her your arm, May. So! How composed she is, you see, already; and how good it is of her to mind us," said the cheery little woman, kissing her upon the forehead. "Come away, dear Bertha. Come! and here’s her good father will come with her; won’t you, Caleb? To—be—sure!"&lt;br /&gt;&lt;br /&gt;Well, well! she was a noble little Dot in such things, and it must have been an obdurate nature that could have withstood her influence. When she had got poor Caleb and his Bertha away, that they might comfort and console each other, as she knew they only could, she presently came bouncing back,—the saying is, as fresh as any daisy; &lt;em&gt;I&lt;/em&gt; say fresher—to mount guard over that bridling little piece of consequence in the cap and gloves, and prevent the dear old creature from making discoveries.&lt;br /&gt;&lt;br /&gt;"So bring me the precious Baby, Tilly," said she, drawing a chair to the fire; "and while I have it in my lap, here’s Mrs. Fielding, Tilly, will tell me all about the management of Babies, and put me right in twenty points where I’m as wrong as can be. Won’t you, Mrs. Fielding?"&lt;br /&gt;&lt;br /&gt;Not even the Welsh Giant, who, according to the popular expression, was so "slow" as to perform a fatal surgical operation upon himself, in emulation of a juggling-trick achieved by his arch-enemy at breakfast-time; not even he fell half so readily into the Snare prepared for him, as the old lady did into this artful Pitfall. The fact of Tackleton having walked out; and furthermore, of two or three people having been talking together at a distance, for two minutes, leaving her to her own resources; was quite enough to have put her on her dignity, and the bewailment of that mysterious convulsion in the Indigo trade, for four-and-twenty hours. But this becoming deference to her experience, on the part of the young mother, was so irresistible, that after a short affectation of humility, she began to enlighten her with the best grace in the world; and sitting bolt upright before the wicked Dot, she did, in half an hour, deliver more infallible domestic recipes and precepts, than would (if acted on) have utterly destroyed and done up that Young Peerybingle, though he had been an Infant Samson.&lt;br /&gt;&lt;br /&gt;To change the theme, Dot did a little needlework—she carried the contents of a whole workbox in her pocket; how ever she contrived it, &lt;em&gt;I&lt;/em&gt; don’t know—then did a little nursing; then a little more needlework; then had a little whispering chat with May, while the old lady dozed; and so in little bits of bustle, which was quite her manner always, found it a very short afternoon. Then, as it grew dark, and as it was a solemn part of this Institution of the Pic-Nic that she should perform all Bertha’s household tasks, she trimmed the fire, and swept the hearth, and set the tea-board out, and drew the curtain, and lighted a candle. Then she played an air or two on a rude kind of harp, which Caleb had contrived for Bertha, and played them very well; for Nature had made her delicate little ear as choice a one for music as it would have been for jewels, if she had had any to wear. By this time it was the established hour for having tea; and Tackleton came back again, to share the meal, and spend the evening.&lt;br /&gt;&lt;br /&gt;Caleb and Bertha had returned some time before, and Caleb had sat down to his afternoon’s work. But he couldn’t settle to it, poor fellow, being anxious and remorseful for his daughter. It was touching to see him sitting idle on his working-stool, regarding her so wistfully; and always saying in his face, "have I deceived her from her cradle, but to break her heart!"&lt;br /&gt;&lt;br /&gt;When it was night, and tea was done, and Dot had nothing more to do in washing up the cups and saucers; in a word—for I must come to it, and there is no use in putting it off—when the time drew nigh for expecting the Carrier’s return in every sound of distant wheels; her manner changed again; her colour came and went, and she was very restless. Not as good wives are, when listening for their husbands. No, no, no. It was another sort of restlessness from that.&lt;br /&gt;&lt;br /&gt;Wheels heard. A horse’s feet. The barking of a dog. The gradual approach of all the sounds. The scratching paw of Boxer at the door!&lt;br /&gt;&lt;br /&gt;"Whose step is that!" cried Bertha, starting up.&lt;br /&gt;&lt;br /&gt;"Whose step?" returned the Carrier, standing in the portal, with his brown face ruddy as a winter berry from the keen night air. "Why, mine."&lt;br /&gt;&lt;br /&gt;"The other step," said Bertha. "The man’s tread behind you!"&lt;br /&gt;&lt;br /&gt;"She is not to be deceived," observed the Carrier, laughing. "Come along, Sir. You’ll be welcome, never fear!"&lt;br /&gt;&lt;br /&gt;He spoke in a loud tone; and as he spoke, the deaf old gentleman entered.&lt;br /&gt;&lt;br /&gt;"He’s not so much a stranger, that you haven’t seen him once, Caleb," said the Carrier. "You’ll give him house-room till we go?"&lt;br /&gt;&lt;br /&gt;"Oh surely, John; and take it as an honour."&lt;br /&gt;&lt;br /&gt;"He’s the best company on earth, to talk secrets in," said John. "I have reasonable good lungs, but he tries ’em, I can tell you. Sit down, Sir. All friends here, and glad to see you!"&lt;br /&gt;&lt;br /&gt;When he had imparted this assurance, in a voice that amply corroborated what he had said about his lungs, he added in his natural tone, "A chair in the chimney-corner, and leave to sit quite silent and look pleasantly about him, is all he cares for. He’s easily pleased."&lt;br /&gt;&lt;br /&gt;Bertha had been listening intently. She called Caleb to her side, when he had set the chair, and asked him, in a low voice, to describe their visitor. When he had done so (truly now; with scrupulous fidelity), she moved, for the first time since he had come in; and sighed; and seemed to have no further interest concerning him.&lt;br /&gt;&lt;br /&gt;The Carrier was in high spirits, good fellow that he was; and fonder of his little wife than ever.&lt;br /&gt;&lt;br /&gt;"A clumsy Dot she was, this afternoon!" he said, encircling her with his rough arm, as she stood, removed from the rest; "and yet I like her somehow. See yonder, Dot!"&lt;br /&gt;&lt;br /&gt;He pointed to the old man. She looked down. I think she trembled.&lt;br /&gt;&lt;br /&gt;"He’s—ha ha ha!—he’s full of admiration for you!" said the Carrier. "Talked of nothing else, the whole way here. Why, he’s a brave old boy. I like him for it!"&lt;br /&gt;&lt;br /&gt;"I wish he had had a better subject, John;" she said, with an uneasy glance about the room. At Tackleton especially.&lt;br /&gt;&lt;br /&gt;"A better subject!" cried the jovial John. "There’s no such thing. Come, off with the great-coat, off with the thick shawl, off with the heavy wrappers! and a cosy half-hour by the fire! My humble service, Mistress. A game at cribbage, you and I? That’s hearty. The cards and board, Dot. And a glass of beer here, if there’s any left, small wife!"&lt;br /&gt;&lt;br /&gt;His challenge was addressed to the old lady, who accepting it with gracious readiness, they were soon engaged upon the game. At first, the Carrier looked about him sometimes, with a smile, or now and then called Dot to peep over his shoulder at his hand, and advise him on some knotty point. But his adversary being a rigid disciplinarian, and subject to an occasional weakness in respect of pegging more than she was entitled to, required such vigilance on his part, as left him neither eyes nor ears to spare. Thus, his whole attention gradually became absorbed upon the cards; and he thought of nothing else, until a hand upon his shoulder restored him to a consciousness of Tackleton.&lt;br /&gt;&lt;br /&gt;"I am sorry to disturb you—but a word, directly."&lt;br /&gt;&lt;br /&gt;"I’m going to deal," returned the Carrier. "It’s a crisis."&lt;br /&gt;&lt;br /&gt;"It is," said Tackleton. "Come here, man!"&lt;br /&gt;&lt;br /&gt;There was that in his pale face which made the other rise immediately, and ask him, in a hurry, what the matter was.&lt;br /&gt;&lt;br /&gt;"Hush! John Peerybingle," said Tackleton. "I am sorry for this. I am indeed. I have been afraid of it. I have suspected it from the first."&lt;br /&gt;&lt;br /&gt;"What is it?" asked the Carrier, with a frightened aspect.&lt;br /&gt;&lt;br /&gt;"Hush! I’ll show you, if you’ll come with me."&lt;br /&gt;&lt;br /&gt;The Carrier accompanied him, without another word. They went across a yard, where the stars were shining; and by a little side-door, into Tackleton’s own counting-house, where there was a glass window, commanding the ware-room: which was closed for the night. There was no light in the counting-house itself, but there were lamps in the long narrow ware-room; and consequently the window was bright.&lt;br /&gt;&lt;br /&gt;"A moment!" said Tackleton. "Can you bear to look through that window, do you think?"&lt;br /&gt;&lt;br /&gt;"Why not?" returned the Carrier.&lt;br /&gt;&lt;br /&gt;"A moment more," said Tackleton. "Don’t commit any violence. It’s of no use. It’s dangerous too. You’re a strong-made man; and you might do Murder before you know it."&lt;br /&gt;&lt;br /&gt;The Carrier looked him in the face, and recoiled a step as if he had been struck. In one stride he was at the window, and he saw—&lt;br /&gt;&lt;br /&gt;Oh Shadow on the Hearth! Oh truthful Cricket! Oh perfidious Wife!&lt;br /&gt;&lt;br /&gt;He saw her, with the old man; old no longer, but erect and gallant: bearing in his hand the false white hair that had won his way into their desolate and miserable home. He saw her listening to him, as he bent his head to whisper in her ear; and suffering him to clasp her round the waist, as they moved slowly down the dim wooden gallery towards the door by which they had entered it. He saw them stop, and saw her turn—to have the face, the face he loved so, so presented to his view!—and saw her, with her own hands, adjust the Lie upon his head, laughing, as she did it, at his unsuspicious nature!&lt;br /&gt;&lt;br /&gt;He clenched his strong right hand at first, as if it would have beaten down a lion. But opening it immediately again, he spread it out before the eyes of Tackleton (for he was tender of her, even then), and so, as they passed out, fell down upon a desk, and was as weak as any infant.&lt;br /&gt;&lt;br /&gt;He was wrapped up to the chin, and busy with his horse and parcels, when she came into the room, prepared for going home.&lt;br /&gt;&lt;br /&gt;"Now, John, dear! Good night, May! Good night, Bertha!"&lt;br /&gt;&lt;br /&gt;Could she kiss them? Could she be blithe and cheerful in her parting? Could she venture to reveal her face to them without a blush? Yes. Tackleton observed her closely, and she did all this.&lt;br /&gt;&lt;br /&gt;Tilly was hushing the Baby; and she crossed and re-crossed Tackleton, a dozen times, repeating drowsily:&lt;br /&gt;&lt;br /&gt;"Did the knowledge that it was to be its wifes, then, wring its hearts almost to breaking; and did its fathers deceive it from its cradles but to break its hearts at last!"&lt;br /&gt;&lt;br /&gt;"Now, Tilly, give me the Baby! Good night, Mr. Tackleton. Where’s John, for Goodness’ sake?"&lt;br /&gt;&lt;br /&gt;"He’s going to walk beside the horse’s head," said Tackleton; who helped her to her seat.&lt;br /&gt;&lt;br /&gt;"My dear John. Walk? To-night?"&lt;br /&gt;&lt;br /&gt;The muffled figure of her husband made a hasty sign in the affirmative; and the false Stranger and the little nurse being in their places, the old horse moved off. Boxer, the unconscious Boxer, running on before, running back, running round and round the cart, and barking as triumphantly and merrily as ever.&lt;br /&gt;&lt;br /&gt;When Tackleton had gone off likewise, escorting May and her mother home, poor Caleb sat down by the fire beside his daughter; anxious and remorseful at the core; and still saying in his wistful contemplation of her, "have I deceived her from her cradle, but to break her heart at last!"&lt;br /&gt;&lt;br /&gt;The toys that had been set in motion for the Baby, had all stopped, and run down, long ago. In the faint light and silence, the imperturbably calm dolls; the agitated rocking-horses with distended eyes and nostrils; the old gentlemen at the street-doors, standing half doubled up upon their failing knees and ankles; the wry-faced nut-crackers; the very Beasts upon their way into the Ark, in twos, like a Boarding School out walking; might have been imagined to be stricken motionless with fantastic wonder, at Dot being false, or Tackleton beloved, under any combination of circumstances.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Chirp the Third&lt;br /&gt;&lt;br /&gt;The Dutch clock in the corner struck Ten, when the Carrier sat down by his fireside. So troubled and grief-worn, that he seemed to scare the Cuckoo, who, having cut his ten melodious announcements as short as possible, plunged back into the Moorish Palace again, and clapped his little door behind him, as if the unwonted spectacle were too much for his feelings.&lt;br /&gt;&lt;br /&gt;If the little Haymaker had been armed with the sharpest of scythes, and had cut at every stroke into the Carrier’s heart, he never could have gashed and wounded it, as Dot had done.&lt;br /&gt;&lt;br /&gt;It was a heart so full of love for her; so bound up and held together by innumerable threads of winning remembrance, spun from the daily working of her many qualities of endearment; it was a heart in which she had enshrined herself so gently and so closely; a heart so single and so earnest in its Truth: so strong in right, so weak in wrong: that it could cherish neither passion nor revenge at first, and had only room to hold the broken image of its Idol.&lt;br /&gt;&lt;br /&gt;But, slowly, slowly; as the Carrier sat brooding on his hearth, now cold and dark; other and fiercer thoughts began to rise within him, as an angry wind comes rising in the night. The Stranger was beneath his outraged roof. Three steps would take him to his chamber door. One blow would beat it in. "You might do Murder before you know it," Tackleton had said. How could it be Murder, if he gave the Villain time to grapple with him hand to hand! He was the younger man.&lt;br /&gt;&lt;br /&gt;It was an ill-timed thought, bad for the dark mood of his mind. It was an angry thought, goading him to some avenging act, that should change the cheerful house into a haunted place which lonely travellers would dread to pass by night; and where the timid would see shadows struggling in the ruined windows when the moon was dim, and hear wild noises in the stormy weather.&lt;br /&gt;&lt;br /&gt;He was the younger man! Yes, yes; some lover who had won the heart that &lt;em&gt;he&lt;/em&gt; had never touched. Some lover of her early choice: of whom she had thought and dreamed: for whom she had pined and pined: when he had fancied her so happy by his side. Oh agony to think of it!&lt;br /&gt;&lt;br /&gt;She had been above-stairs with the Baby, getting it to bed. As he sat brooding on the hearth, she came close beside him, without his knowledge—in the turning of the rack of his great misery, he lost all other sounds—and put her little stool at his feet. He only knew it, when he felt her hand upon his own, and saw her looking up into his face.&lt;br /&gt;&lt;br /&gt;With wonder? No. It was his first impression, and he was fain to look at her again, to set it right. No, not with wonder. With an eager and enquiring look; but not with wonder. At first it was alarmed and serious; then, it changed into a strange, wild, dreadful smile of recognition of his thoughts; then, there was nothing but her clasped hands on her brow, and her bent head, and falling hair.&lt;br /&gt;&lt;br /&gt;Though the power of Omnipotence had been his to wield at that moment, he had too much of its Diviner property of Mercy in his breast, to have turned one feather’s weight of it against her. But he could not bear to see her crouching down upon the little seat where he had often looked on her, with love and pride, so innocent and gay; and, when she rose and left him, sobbing as she went, he felt it a relief to have the vacant place beside him rather than her so long-cherished presence. This in itself was anguish keener than all: reminding him how desolate he was become, and how the great bond of his life was rent asunder.&lt;br /&gt;&lt;br /&gt;The more he felt this, and the more he knew he could have better borne to see her lying prematurely dead before him with their little child upon her breast, the higher and the stronger rose his wrath against his enemy. He looked about him for a weapon.&lt;br /&gt;&lt;br /&gt;There was a Gun, hanging on the wall. He took it down, and moved a pace or two towards the door of the perfidious Stranger’s room. He knew the Gun was loaded. Some shadowy idea that it was just to shoot this man like a Wild Beast, seized him; and dilated in his mind until it grew into a monstrous demon in complete possession of him, casting out all milder thoughts and setting up its undivided empire.&lt;br /&gt;&lt;br /&gt;That phrase is wrong. Not casting out his milder thoughts, but artfully transforming them. Changing them into scourges to drive him on. Turning water into blood, Love into hate, Gentleness into blind ferocity. Her image, sorrowing, humbled, but still pleading to his tenderness and mercy with resistless power, never left his mind; but staying there, it urged him to the door; raised the weapon to his shoulder; fitted and nerved his finger to the trigger; and cried "Kill him! In his Bed!"&lt;br /&gt;&lt;br /&gt;He reversed the Gun to beat the stock upon the door; he already held it lifted in the air; some indistinct design was in his thoughts of calling out to him to fly, for God’s sake, by the window—&lt;br /&gt;&lt;br /&gt;When, suddenly, the struggling fire illumined the whole chimney with a glow of light; and the Cricket on the Hearth began to chirp!&lt;br /&gt;&lt;br /&gt;No sound he could have heard; no human voice, not even her's; could so have moved and softened him. The artless words in which she had told him of her love for this same Cricket, were once more freshly spoken; her trembling, earnest manner at the moment, was again before him; her pleasant voice—oh what a voice it was, for making household music at the fireside of an honest man!—thrilled through and through his better nature, and awoke it into life and action.&lt;br /&gt;&lt;br /&gt;He recoiled from the door, like a man walking in his sleep, awakened from a frightful dream; and put the Gun aside. Clasping his hands before his face, he then sat down again beside the fire, and found relief in tears.&lt;br /&gt;&lt;br /&gt;The Cricket on the Hearth came out into the room, and stood in Fairy shape before him.&lt;br /&gt;&lt;br /&gt;"'I love it,'" said the Fairy Voice, repeating what he well remembered, "'for the many times I have heard it, and the many thoughts its harmless music has given me.'"&lt;br /&gt;&lt;br /&gt;"She said so!" cried the Carrier. "True!"&lt;br /&gt;&lt;br /&gt;"'This has been a happy Home, John; and I love the Cricket for its sake!'"&lt;br /&gt;&lt;br /&gt;"It has been, Heaven knows," returned the Carrier. "She made it happy, always,—until now."&lt;br /&gt;&lt;br /&gt;"So gracefully sweet-tempered; so domestic, joyful, busy, and light-hearted!" said the Voice.&lt;br /&gt;&lt;br /&gt;"Otherwise I never could have loved her as I did," returned the Carrier.&lt;br /&gt;&lt;br /&gt;The Voice, correcting him, said "do."&lt;br /&gt;&lt;br /&gt;The Carrier repeated "as I did." But not firmly. His faltering tongue resisted his controul, and would speak in its own way, for itself and him.&lt;br /&gt;&lt;br /&gt;The Figure, in an attitude of invocation, raised its hand and said:&lt;br /&gt;&lt;br /&gt;"Upon your own hearth"—&lt;br /&gt;&lt;br /&gt;"The hearth she has blighted," interposed the Carrier.&lt;br /&gt;&lt;br /&gt;"The hearth she has—how often!—blessed and brightened," said the Cricket: "the hearth which, but for her, were only a few stones and bricks and rusty bars, but which has been, through her, the Altar of your Home; on which you have nightly sacrificed some petty passion, selfishness, or care, and offered up the homage of a tranquil mind, a trusting nature, and an overflowing heart; so that the smoke from this poor chimney has gone upward with a better fragrance than the richest incense that is burnt before the richest shrines in all the gaudy Temples of this World!—Upon your own hearth; in its quiet sanctuary; surrounded by its gentle influences and associations; hear her! Hear me! Hear everything that speaks the language of your hearth and home!"&lt;br /&gt;&lt;br /&gt;"And pleads for her?" inquired the Carrier.&lt;br /&gt;&lt;br /&gt;"All things that speak the language of your hearth and home, &lt;em&gt;must&lt;/em&gt; plead for her!" returned the Cricket. "For they speak the Truth."&lt;br /&gt;&lt;br /&gt;And while the Carrier, with his head upon his hands, continued to sit meditating in his chair, the Presence stood beside him; suggesting his reflections by its power, and presenting them before him, as in a Glass or Picture. It was not a solitary Presence. From the hearthstone, from the chimney; from the clock, the pipe, the kettle, and the cradle; from the floor, the walls, the ceiling, and the stairs; from the cart without, and the cupboard within, and the household implements; from every thing and every place with which she had ever been familiar, and with which she had ever entwined one recollection of herself in her unhappy husband’s mind; Fairies came trooping forth. Not to stand beside him as the Cricket did, but to busy and bestir themselves. To do all honor to her image. To pull him by the skirts, and point to it when it appeared. To cluster round it, and embrace it, and strew flowers for it to tread on. To try to crown its fair head with their tiny hands. To show that they were fond of it and loved it; and that there was not one ugly, wicked or accusatory creature to claim knowledge of it—none but their playful and approving selves.&lt;br /&gt;&lt;br /&gt;His thoughts were constant to her Image. It was always there.&lt;br /&gt;&lt;br /&gt;She sat plying her needle, before the fire, and singing to herself. Such a blithe, thriving, steady little Dot! The fairy figures turned upon him all at once, by one consent, with one prodigious concentrated stare; and seemed to say, "Is this the light wife you are mourning for!"&lt;br /&gt;&lt;br /&gt;There were sounds of gaiety outside: musical instruments, and noisy tongues, and laughter. A crowd of young merry-makers came pouring in; among whom were May Fielding and a score of pretty girls. Dot was the fairest of them all; as young as any of them too. They came to summon her to join their party. It was a dance. If ever little foot were made for dancing, hers was, surely. But she laughed, and shook her head, and pointed to her cookery on the fire, and her table ready spread: with an exulting defiance that rendered her more charming than she was before. And so she merrily dismissed them: nodding to her would-be partners, one by one, as they passed, but with a comical indifference, enough to make them go and drown themselves immediately if they were her admirers—and they must have been so, more or less; they couldn’t help it. And yet indifference was not her character. O no! For presently, there came a certain Carrier to the door; and bless her what a welcome she bestowed upon him!&lt;br /&gt;&lt;br /&gt;Again the staring figures turned upon him all at once, and seemed to say, "Is this the wife who has forsaken you!"&lt;br /&gt;&lt;br /&gt;A shadow fell upon the mirror or the picture: call it what you will. A great shadow of the Stranger, as he first stood underneath their roof; covering its surface, and blotting out all other objects. But the nimble Fairies worked like Bees to clear it off again; and Dot again was there. Still bright and beautiful.&lt;br /&gt;&lt;br /&gt;Rocking her little Baby in its cradle; singing to it softly; and resting her head upon a shoulder which had its counterpart in the musing figure by which the Fairy Cricket stood.&lt;br /&gt;&lt;br /&gt;The night—I mean the real night: not going by Fairy clocks—was wearing now; and in this stage of the Carrier’s thoughts, the moon burst out, and shone brightly in the sky. Perhaps some calm and quiet light had risen also, in his mind; and he could think more soberly of what had happened.&lt;br /&gt;&lt;br /&gt;Although the shadow of the Stranger fell at intervals upon the glass—always distinct, and big, and thoroughly defined—it never fell so darkly as at first. Whenever it appeared, the Fairies uttered a general cry of consternation, and plied their little arms and legs, with inconceivable activity, to rub it out. And whenever they got at Dot again, and showed her to him once more, bright and beautiful, they cheered in the most inspiring manner.&lt;br /&gt;&lt;br /&gt;They never showed her, otherwise than beautiful and bright, for they were Household Spirits to whom falsehood is annihilation; and being so, what Dot was there for them, but the one active, beaming, pleasant little creature who had been the light and sun of the Carrier’s Home!&lt;br /&gt;&lt;br /&gt;The Fairies were prodigiously excited when they showed her, with the Baby, gossiping among a knot of sage old matrons, and affecting to be wondrous old and matronly herself, and leaning in a staid, demure old way upon her husband’s arm, attempting—she! such a bud of a little woman—to convey the idea of having abjured the vanities of the world in general, and of being the sort of person to whom it was no novelty at all to be a mother; yet in the same breath, they showed her, laughing at the Carrier for being awkward, and pulling up his shirt-collar to make him smart, and mincing merrily about that very room to teach him how to dance!&lt;br /&gt;&lt;br /&gt;They turned, and stared immensely at him when they showed her with the Blind Girl; for, though she carried cheerfulness and animation with her wheresoever she went, she bore those influences into Caleb Plummer’s home, heaped up and running over. The Blind Girl’s love for her, and trust in her, and gratitude to her; her own good busy way of setting Bertha’s thanks aside; her dexterous little arts for filling up each moment of the visit in doing something useful to the house, and really working hard while feigning to make holiday; her bountiful provision of those standing delicacies, the Veal and Ham-Pie and the bottles of Beer; her radiant little face arriving at the door, and taking leave; the wonderful expression in her whole self, from her neat foot to the crown of her head, of being a part of the establishment—a something necessary to it, which it couldn’t be without; all this the Fairies revelled in, and loved her for. And once again they looked upon him all at once, appealingly; and seemed to say, while some among them nestled in her dress and fondled her, "Is this the Wife who has betrayed your confidence!"&lt;br /&gt;&lt;br /&gt;More than once, or twice, or thrice, in the long thoughtful night, they showed her to him sitting on her favourite seat, with her bent head, her hands clasped on her brow, her falling hair. As he had seen her last. And when they found her thus, they neither turned nor looked upon him, but gathered close round her, and comforted and kissed her: and pressed on one another to show sympathy and kindness to her: and forgot him altogether.&lt;br /&gt;&lt;br /&gt;Thus the night passed. The moon went down; the stars grew pale; the cold day broke; the sun rose. The Carrier still sat, musing, in the chimney corner. He had sat there, with his head upon his hands, all night. All night the faithful Cricket had been Chirp, Chirp, Chirping on the Hearth. All night he had listened to its voice. All night the household Fairies had been busy with him. All night she had been amiable and blameless in the Glass, except when that one shadow fell upon it.&lt;br /&gt;&lt;br /&gt;He rose up when it was broad day, and washed and dressed himself. He couldn’t go about his customary cheerful avocations; he wanted spirit for them; but it mattered the less, that it was Tackleton’s wedding-day, and he had arranged to make his rounds by proxy. He thought to have gone merrily to church with Dot. But such plans were at an end. It was their own wedding-day too. Ah! how little he had looked for such a close to such a year!&lt;br /&gt;&lt;br /&gt;The Carrier had expected that Tackleton would pay him an early visit; and he was right. He had not walked to and fro before his own door, many minutes, when he saw the Toy Merchant coming in his chaise along the road. As the chaise drew nearer, he perceived that Tackleton was dressed out sprucely for his marriage: and that he had decorated his horse’s head with flowers and favors.&lt;br /&gt;&lt;br /&gt;The horse looked much more like a Bridegroom than Tackleton, whose half-closed eye was more disagreeably expressive than ever. But the Carrier took little heed of this. His thoughts had other occupation.&lt;br /&gt;&lt;br /&gt;"John Peerybingle!" said Tackleton, with an air of condolence. "My good fellow, how do you find yourself this morning?"&lt;br /&gt;&lt;br /&gt;"I have had but a poor night, Master Tackleton," returned the Carrier, shaking his head: "for I have been a good deal disturbed in my mind. But it’s over now! Can you spare me half an hour or so, for some private talk?"&lt;br /&gt;&lt;br /&gt;"I came on purpose," returned Tackleton, alighting. "Never mind the horse. He’ll stand quiet enough, with the reins over this post, if you’ll give him a mouthful of hay."&lt;br /&gt;&lt;br /&gt;The Carrier having brought it from his stable and set it before him, they turned into the house.&lt;br /&gt;&lt;br /&gt;"You are not married before noon," he said, "I think?"&lt;br /&gt;&lt;br /&gt;"No," answered Tackleton. "Plenty of time. Plenty of time."&lt;br /&gt;&lt;br /&gt;When they entered the kitchen, Tilly Slowboy was rapping at the Stranger’s door; which was only removed from it by a few steps. One of her very red eyes (for Tilly had been crying all night long, because her mistress cried) was at the keyhole; and she was knocking very loud; and seemed frightened.&lt;br /&gt;&lt;br /&gt;"If you please I can’t make nobody hear," said Tilly, looking round. "I hope nobody an’t gone and been and died if you please!"&lt;br /&gt;&lt;br /&gt;This philanthropic wish, Miss Slowboy emphasised with various new raps and kicks at the door; which led to no result whatever.&lt;br /&gt;&lt;br /&gt;"Shall I go?" said Tackleton. "It’s curious."&lt;br /&gt;&lt;br /&gt;The Carrier who had turned his face from the door, signed to him to go if he would.&lt;br /&gt;&lt;br /&gt;So Tackleton went to Tilly Slowboy’s relief; and he too kicked and knocked; and he too failed to get the least reply. But he thought of trying the handle of the door; and as it opened easily, he peeped in, looked in, went in; and soon came running out again.&lt;br /&gt;&lt;br /&gt;"John Peerybingle," said Tackleton, in his ear. "I hope there has been nothing—nothing rash in the night?"&lt;br /&gt;&lt;br /&gt;The Carrier turned upon him quickly.&lt;br /&gt;&lt;br /&gt;"Because he’s gone!" said Tackleton; "and the window’s open. I don’t see any marks—to be sure it’s almost on a level with the garden: but I was afraid there might have been some—some scuffle. Eh?"&lt;br /&gt;&lt;br /&gt;He nearly shut up the expressive eye altogether; he looked at him so hard. And he gave his eye, and his face, and his whole person, a sharp twist. As if he would have screwed the truth out of him.&lt;br /&gt;&lt;br /&gt;"Make yourself easy," said the Carrier. "He went into that room last night, without harm in word or deed from me, and no one has entered it since. He is away of his own free will. I’d go out gladly at that door, and beg my bread from house to house, for life, if I could so change the past that he had never come. But he has come and gone. And I have done with him!"&lt;br /&gt;&lt;br /&gt;"Oh!—Well, I think he has got off pretty easy," said Tackleton, taking a chair.&lt;br /&gt;&lt;br /&gt;The sneer was lost upon the Carrier, who sat down too: and shaded his face with his hand, for some little time, before proceeding.&lt;br /&gt;&lt;br /&gt;"You showed me last night," he said at length, "my wife; my wife that I love; secretly—"&lt;br /&gt;&lt;br /&gt;"And tenderly," insinuated Tackleton.&lt;br /&gt;&lt;br /&gt;"Conniving at that man’s disguise, and giving him opportunities of meeting her alone. I think there’s no sight I wouldn’t have rather seen than that. I think there’s no man in the world I wouldn’t have rather had to show it me."&lt;br /&gt;&lt;br /&gt;"I confess to having had my suspicions always," said Tackleton. "And that has made me objectionable here, I know."&lt;br /&gt;&lt;br /&gt;"But as you did show it me," pursued the Carrier, not minding him; "and as you saw her; my wife; my wife that I love"—his voice, and eye, and hand, grew steadier and firmer as he repeated these words: evidently in pursuance of a stedfast purpose—"as you saw her at this disadvantage, it is right and just that you should also see with my eyes, and look into my breast, and know what my mind is, upon the subject. For it’s settled," said the Carrier, regarding him attentively. "And nothing can shake it now."&lt;br /&gt;&lt;br /&gt;Tackleton muttered a few general words of assent, about its being necessary to vindicate something or other; but he was overawed by the manner of his companion. Plain and unpolished as it was, it had a something dignified and noble in it, which nothing but the soul of generous Honor dwelling in the man could have imparted.&lt;br /&gt;&lt;br /&gt;"I am a plain, rough man," pursued the Carrier, "with very little to recommend me. I am not a clever man, as you very well know. I am not a young man. I loved my little Dot, because I had seen her grow up, from a child, in her father’s house; because I knew how precious she was; because she had been my Life, for years and years. There’s many men I can’t compare with, who never could have loved my little Dot like me, I think!"&lt;br /&gt;&lt;br /&gt;He paused, and softly beat the ground a short time with his foot, before resuming:&lt;br /&gt;&lt;br /&gt;"I often thought that though I wasn’t good enough for her, I should make her a kind husband, and perhaps know her value better than another; and in this way I reconciled it to myself, and came to think it might be possible that we should be married. And in the end it came about, and we &lt;em&gt;were&lt;/em&gt; married."&lt;br /&gt;&lt;br /&gt;"Hah!" said Tackleton, with a significant shake of the head.&lt;br /&gt;&lt;br /&gt;"I had studied myself; I had had experience of myself; I knew how much I loved her, and how happy I should be," pursued the Carrier. "But I had not—I feel it now—sufficiently considered her."&lt;br /&gt;&lt;br /&gt;"To be sure," said Tackleton. "Giddiness, frivolity, fickleness, love of admiration! Not considered! All left out of sight! Hah!"&lt;br /&gt;&lt;br /&gt;"You had best not interrupt me," said the Carrier, with some sternness, "till you understand me; and you’re wide of doing so. If, yesterday, I’d have struck that man down at a blow, who dared to breathe a word against her, to-day I’d set my foot upon his face, if he was my brother!"&lt;br /&gt;&lt;br /&gt;The Toy Merchant gazed at him in astonishment. He went on in a softer tone:&lt;br /&gt;&lt;br /&gt;"Did I consider," said the Carrier, "that I took her; at her age, and with her beauty; from her young companions, and the many scenes of which she was the ornament; in which she was the brightest little star that ever shone; to shut her up from day to day in my dull house, and keep my tedious company? Did I consider how little suited I was to her sprightly humour, and how wearisome a plodding man like me must be, to one of her quick spirit? Did I consider that it was no merit in me, or claim in me, that I loved her, when everybody must, who knew her? Never. I took advantage of her hopeful nature and her cheerful disposition; and I married her. I wish I never had! For her sake; not for mine!"&lt;br /&gt;&lt;br /&gt;The Toy Merchant gazed at him, without winking. Even the half-shut eye was open now.&lt;br /&gt;&lt;br /&gt;"Heaven bless her!" said the Carrier, "for the cheerful constancy with which she tried to keep the knowledge of this from me! And Heaven help me, that, in my slow mind, I have not found it out before! Poor child! Poor Dot! &lt;em&gt;I&lt;/em&gt; not to find it out, who have seen her eyes fill with tears, when such a marriage as our own was spoken of! I, who have seen the secret trembling on her lips a hundred times, and never suspected it till last night! Poor girl! That I could ever hope she would be fond of me! That I could ever believe she was!"&lt;br /&gt;&lt;br /&gt;"She made a show of it," said Tackleton. "She made such a show of it, that to tell you the truth it was the origin of my misgivings."&lt;br /&gt;&lt;br /&gt;And here he asserted the superiority of May Fielding, who certainly made no sort of show of being fond of &lt;em&gt;him.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;"She has tried," said the poor Carrier, with greater emotion than he had exhibited yet; "I only now begin to know how hard she has tried, to be my dutiful and zealous wife. How good she has been; how much she has done; how brave and strong a heart she has; let the happiness I have known under this roof bear witness! It will be some help and comfort to me, when I am here alone."&lt;br /&gt;&lt;br /&gt;"Here alone?" said Tackleton. "Oh! Then you do mean to take some notice of this?"&lt;br /&gt;&lt;br /&gt;"I mean," returned the Carrier, "to do her the greatest kindness, and make her the best reparation, in my power. I can release her from the daily pain of an unequal marriage, and the struggle to conceal it. She shall be as free as I can render her."&lt;br /&gt;&lt;br /&gt;"Make &lt;em&gt;her&lt;/em&gt; reparation!" exclaimed Tackleton, twisting and turning his great ears with his hands. "There must be something wrong here. You didn’t say that, of course."&lt;br /&gt;&lt;br /&gt;The Carrier set his grip upon the collar of the Toy Merchant, and shook him like a reed.&lt;br /&gt;&lt;br /&gt;"Listen to me!" he said. "And take care that you hear me right. Listen to me. Do I speak plainly?"&lt;br /&gt;&lt;br /&gt;"Very plainly indeed," answered Tackleton.&lt;br /&gt;&lt;br /&gt;"As if I meant it?"&lt;br /&gt;&lt;br /&gt;"Very much as if you meant it."&lt;br /&gt;&lt;br /&gt;"I sat upon that hearth, last night, all night," exclaimed the Carrier. "On the spot where she has often sat beside me, with her sweet face looking into mine. I called up her whole life, day by day; I had her dear self, in its every passage, in review before me. And upon my soul she is innocent, if there is One to judge the innocent and guilty!"&lt;br /&gt;&lt;br /&gt;Staunch Cricket on the Hearth! Loyal household Fairies!&lt;br /&gt;&lt;br /&gt;"Passion and distrust have left me!" said the Carrier; "and nothing but my grief remains. In an unhappy moment some old lover, better suited to her tastes and years than I; forsaken, perhaps, for me, against her will; returned. In an unhappy moment: taken by surprise, and wanting time to think of what she did: she made herself a party to his treachery, by concealing it. Last night she saw him, in the interview we witnessed. It was wrong. But otherwise than this, she is innocent if there is Truth on earth!"&lt;br /&gt;&lt;br /&gt;"If that is your opinion"—Tackleton began.&lt;br /&gt;&lt;br /&gt;"So, let her go!" pursued the Carrier. "Go, with my blessing for the many happy hours she has given me, and my forgiveness for any pang she has caused me. Let her go, and have the peace of mind I wish her! She’ll never hate me. She’ll learn to like me better, when I’m not a drag upon her, and she wears the chain I have rivetted, more lightly. This is the day on which I took her, with so little thought for her enjoyment, from her home. To-day she shall return to it; and I will trouble her no more. Her father and mother will be here to-day—we had made a little plan for keeping it together—and they shall take her home. I can trust her, there, or anywhere. She leaves me without blame, and she will live so I am sure. If I should die—I may perhaps while she is still young; I have lost some courage in a few hours—she’ll find that I remembered her, and loved her to the last! This is the end of what you showed me. Now, it’s over!"&lt;br /&gt;&lt;br /&gt;"Oh no, John, not over. Do not say it’s over yet! Not quite yet. I have heard your noble words. I could not steal away, pretending to be ignorant of what has affected me with such deep gratitude. Do not say it’s over, ‘till the clock has struck again!"&lt;br /&gt;&lt;br /&gt;She had entered shortly after Tackleton; and had remained there. She never looked at Tackleton, but fixed her eyes upon her husband. But she kept away from him, setting as wide a space as possible between them; and though she spoke with most impassioned earnestness, she went no nearer to him even then. How different in this from her old self!&lt;br /&gt;&lt;br /&gt;"No hand can make the clock which will strike again for me the hours that are gone," replied the Carrier, with a faint smile. "But let it be so, if you will, my dear. It will strike soon. It’s of little matter what we say. I’d try to please you in a harder case than that."&lt;br /&gt;&lt;br /&gt;"Well!" muttered Tackleton. "I must be off: for when the clock strikes again, it’ll be necessary for me to be upon my way to church. Good morning, John Peerybingle. I’m sorry to be deprived of the pleasure of your company. Sorry for the loss, and the occasion of it too!"&lt;br /&gt;&lt;br /&gt;"I have spoken plainly?" said the Carrier, accompanying him to the door.&lt;br /&gt;&lt;br /&gt;"Oh quite!"&lt;br /&gt;&lt;br /&gt;"And you’ll remember what I have said?"&lt;br /&gt;&lt;br /&gt;"Why, if you compel me to make the observation," said Tackleton; previously taking the precaution of getting into his chaise; "I must say that it was so very unexpected, that I’m far from being likely to forget it."&lt;br /&gt;&lt;br /&gt;"The better for us both," returned the Carrier. "Good bye. I give you joy!"&lt;br /&gt;&lt;br /&gt;"I wish I could give it to &lt;em&gt;you&lt;/em&gt;," said Tackleton. "As I can’t; thank’ee. Between ourselves, (as I told you before, eh?) I don’t much think I shall have the less joy in my married life, because May hasn’t been too officious about me, and too demonstrative. Good bye! Take care of yourself."&lt;br /&gt;&lt;br /&gt;The Carrier stood looking after him until he was smaller in the distance than his horse’s flowers and favours near at hand; and then, with a deep sigh, went strolling like a restless, broken man, among some neighbouring elms; unwilling to return until the clock was on the eve of striking.&lt;br /&gt;&lt;br /&gt;His little wife, being left alone, sobbed piteously; but often dried her eyes and checked herself, to say how good he was, how excellent he was! and once or twice she laughed; so heartily, triumphantly, and incoherently (still crying all the time), that Tilly was quite horrified.&lt;br /&gt;&lt;br /&gt;"Ow if you please don’t!" said Tilly. "It’s enough to dead and bury the Baby, so it is if you please."&lt;br /&gt;&lt;br /&gt;"Will you bring him sometimes, to see his father, Tilly," inquired her mistress, drying her eyes; "when I can’t live here, and have gone to my old home?"&lt;br /&gt;&lt;br /&gt;"Ow if you please don’t!" cried Tilly, throwing back her head, and bursting out into a howl; she looked at the moment uncommonly like Boxer. "Ow if you please don’t! Ow, what has everybody gone and been and done with everybody, making everybody else so wretched! Ow-w-w-w!"&lt;br /&gt;&lt;br /&gt;The soft-hearted Slowboy trailed off at this juncture, into such a deplorable howl: the more tremendous from its long suppression: that she must infallibly have awakened the Baby, and frightened him into something serious (probably convulsions), if her eyes had not encountered Caleb Plummer, leading in his daughter. This spectacle restoring her to a sense of the proprieties, she stood for some few moments silent, with her mouth wide open: and then, posting off to the bed on which the Baby lay asleep, danced in a Weird, Saint Vitus manner on the floor, and at the same time rummaged with her face and head among the bedclothes: apparently deriving much relief from those extraordinary operations.&lt;br /&gt;&lt;br /&gt;"Mary!" said Bertha. "Not at the marriage!"&lt;br /&gt;&lt;br /&gt;"I told her you would not be there Mum," whispered Caleb. "I heard as much last night. But bless you," said the little man, taking her tenderly by both hands, "&lt;em&gt;I&lt;/em&gt; don’t care for what they say. &lt;em&gt;I&lt;/em&gt; don’t believe them. There an’t much of me, but that little should be torn to pieces sooner than I’d trust a word against you!"&lt;br /&gt;&lt;br /&gt;He put his arms about her and hugged her, as a child might have hugged one of his own dolls.&lt;br /&gt;&lt;br /&gt;"Bertha couldn’t stay at home this morning," said Caleb. "She was afraid, I know, to hear the Bells ring: and couldn’t trust herself to be so near them on their wedding-day. So we started in good time, and came here. I have been thinking of what I have done," said Caleb, after a moment’s pause; "I have been blaming myself till I hardly knew what to do or where to turn, for the distress of mind I have caused her; and I’ve come to the conclusion that I’d better, if you’ll stay with me, Mum, the while, tell her the truth. You’ll stay with me the while?" he enquired, trembling from head to foot. "I don’t know what effect it may have upon her; I don’t know what she’ll think of me; I don’t know that she’ll ever care for her poor father afterwards. But it’s best for her that she should be undeceived, and I must bear the consequences as I deserve!"&lt;br /&gt;&lt;br /&gt;"Mary," said Bertha, "where is your hand! Ah! Here it is here it is!" pressing it to her lips, with a smile, and drawing it through her arm. "I heard them speaking softly among themselves, last night, of some blame against you. They were wrong."&lt;br /&gt;&lt;br /&gt;The Carrier’s Wife was silent. Caleb answered for her.&lt;br /&gt;&lt;br /&gt;"They were wrong," he said.&lt;br /&gt;&lt;br /&gt;"I knew it!" cried Bertha, proudly. "I told them so. I scorned to hear a word! Blame &lt;em&gt;her&lt;/em&gt; with justice!" she pressed the hand between her own, and the soft cheek against her face. "No! I am not so blind as that."&lt;br /&gt;&lt;br /&gt;Her father went on one side of her, while Dot remained upon the other: holding her hand.&lt;br /&gt;&lt;br /&gt;"I know you all," said Bertha, "better than you think. But none so well as her. Not even you, father. There is nothing half so real and so true about me, as she is. If I could be restored to sight this instant, and not a word were spoken, I could choose her from a crowd! My Sister!"&lt;br /&gt;&lt;br /&gt;"Bertha, my dear!" said Caleb, "I have something on my mind I want to tell you, while we three are alone. Hear me kindly! I have a confession to make to you, my Darling."&lt;br /&gt;&lt;br /&gt;"A confession, father?"&lt;br /&gt;&lt;br /&gt;"I have wandered from the Truth and lost myself, my child," said Caleb, with a pitiable expression in his bewildered face. "I have wandered from the truth, intending to be kind to you; and have been cruel."&lt;br /&gt;&lt;br /&gt;She turned her wonder-stricken face towards him, and repeated "Cruel!"&lt;br /&gt;&lt;br /&gt;"He accuses himself too strongly, Bertha," said Dot. "You’ll say so, presently. You’ll be the first to tell him so."&lt;br /&gt;&lt;br /&gt;"He cruel to me!" cried Bertha, with a smile of incredulity.&lt;br /&gt;&lt;br /&gt;"Not meaning it, my child," said Caleb. "But I have been; though I never suspected it, till yesterday. My dear Blind Daughter, hear me and forgive me! The world you live in, heart of mine, doesn’t exist as I have represented it. The eyes you have trusted in, have been false to you."&lt;br /&gt;&lt;br /&gt;She turned her wonder-stricken face towards him still; but drew back, and clung closer to her friend.&lt;br /&gt;&lt;br /&gt;"Your road in life was rough, my poor one," said Caleb, "and I meant to smooth it for you. I have altered objects, changed the characters of people, invented many things that never have been, to make you happier. I have had concealments from you, put deceptions on you, God forgive me! and surrounded you with fancies."&lt;br /&gt;&lt;br /&gt;"But living people are not fancies!" she said hurriedly, and turning very pale, and still retiring from him. "You can’t change them."&lt;br /&gt;&lt;br /&gt;"I have done so, Bertha," pleaded Caleb. "There is one person that you know, my Dove—"&lt;br /&gt;&lt;br /&gt;"Oh father! why do you say, I know?" she answered, in a term of keen reproach. "What and whom do &lt;em&gt;I&lt;/em&gt; know! I who have no leader! I so miserably blind."&lt;br /&gt;&lt;br /&gt;In the anguish of her heart, she stretched out her hands, as if she were groping her way; then spread them, in a manner most forlorn and sad, upon her face.&lt;br /&gt;&lt;br /&gt;"The marriage that takes place to-day," said Caleb, "is with a stern, sordid, grinding man. A hard master to you and me, my dear, for many years. Ugly in his looks, and in his nature. Cold and callous always. Unlike what I have painted him to you in everything, my child. In everything."&lt;br /&gt;&lt;br /&gt;"Oh why," cried the Blind Girl, tortured, as it seemed, almost beyond endurance, "why did you ever do this! Why did you ever fill my heart so full, and then come in like Death, and tear away the objects of my love! O Heaven, how blind I am! How helpless and alone!"&lt;br /&gt;&lt;br /&gt;Her afflicted father hung his head, and offered no reply but in his penitence and sorrow.&lt;br /&gt;&lt;br /&gt;She had been but a short time in this passion of regret, when the Cricket on the Hearth, unheard by all but her, began to chirp. Not merrily, but in a low, faint, sorrowing way. It was so mournful that her tears began to flow; and when the Presence which had been beside the Carrier all night, appeared behind her, pointing to her father, they fell down like rain.&lt;br /&gt;&lt;br /&gt;She heard the Cricket-voice more plainly soon; and was conscious, through her blindness, of the Presence hovering about her father.&lt;br /&gt;&lt;br /&gt;"Mary," said the Blind Girl, "tell me what my Home is. What it truly is."&lt;br /&gt;&lt;br /&gt;"It is a poor place, Bertha; very poor and bare indeed. The house will scarcely keep out wind and rain another winter. It is as roughly shielded from the weather, Bertha," Dot continued in a low, clear voice, "as your poor father in his sackcloth coat."&lt;br /&gt;&lt;br /&gt;The Blind Girl, greatly agitated, rose, and led the Carrier’s little wife aside.&lt;br /&gt;&lt;br /&gt;"Those presents that I took such care of; that came almost at my wish, and were so dearly welcome to me"’ she said, trembling; "where did they come from? Did you send them?"&lt;br /&gt;&lt;br /&gt;"No."&lt;br /&gt;&lt;br /&gt;"Who then?"&lt;br /&gt;&lt;br /&gt;Dot saw she knew, already; and was silent. The Blind Girl spread her hands before her face again. But in quite another manner now.&lt;br /&gt;&lt;br /&gt;"Dear Mary, a moment. One moment! More this way. Speak softly to me. You are true, I know. You’d not deceive me now; would you?"&lt;br /&gt;&lt;br /&gt;"No, Bertha, indeed!"&lt;br /&gt;&lt;br /&gt;"No, I am sure you would not. You have too much pity for me. Mary, look across the room to where we were just now; to where my father is—my father, so compassionate and loving to me—and tell me what you see."&lt;br /&gt;&lt;br /&gt;"I see," said Dot, who understood her well, "an old man sitting in a chair, and leaning sorrowfully on the back, with his face resting on his hand. As if his child should comfort him, Bertha."&lt;br /&gt;&lt;br /&gt;"Yes, yes. She will. Go on."&lt;br /&gt;&lt;br /&gt;"He is an old man, worn with care and work. He is a spare, dejected, thoughtful, grey-haired man. I see him now, despondent and bowed down, and striving against nothing. But, Bertha, I have seen him many times before; and striving hard in many ways for one great sacred object. And I honor his grey head, and bless him!"&lt;br /&gt;&lt;br /&gt;The Blind Girl broke away from her; and throwing herself upon her knees before him, took the grey head to her breast.&lt;br /&gt;&lt;br /&gt;"It is my sight restored. It is my sight!" she cried. "I have been blind, and now my eyes are open. I never knew him! To think I might have died, and never truly seen the father who has been so loving to me!"&lt;br /&gt;&lt;br /&gt;There were no words for Caleb’s emotion.&lt;br /&gt;&lt;br /&gt;"There is not a gallant figure on this earth," exclaimed the Blind Girl, holding him in her embrace, "that I would love so dearly, and would cherish so devotedly, as this! The greyer, and more worn, the dearer, father! Never let them say I am blind again. There’s not a furrow in his face, there’s not a hair upon his head, that shall be forgotten in my prayers and thanks to Heaven!"&lt;br /&gt;&lt;br /&gt;Caleb managed to articulate "My Bertha!"&lt;br /&gt;&lt;br /&gt;"And in my Blindness, I believed him," said the girl, caressing him with tears of exquisite affection, "to be so different! And having him beside me, day by day, so mindful of me always, never dreamed of this!"&lt;br /&gt;&lt;br /&gt;"The fresh smart father in the blue coat, Bertha," said poor Caleb. "He’s gone!"&lt;br /&gt;&lt;br /&gt;"Nothing is gone," she answered. "Dearest father, no! Everything is here—in you. The father that I loved so well; the father that I never loved enough, and never knew; the Benefactor whom I first began to reverence and love, because he had such sympathy for me; All are here in you. Nothing is dead to me. The Soul of all that was most dear to me is here—here, with the worn face, and the grey head. And I am NOT blind, father, any longer!"&lt;br /&gt;&lt;br /&gt;Dot’s whole attention had been concentrated, during this discourse, upon the father and daughter; but looking, now, towards the little Haymaker in the Moorish meadow, she saw that the clock was within a few minutes of striking, and fell, immediately, into a nervous and excited state.&lt;br /&gt;&lt;br /&gt;"Father," said Bertha, hesitating. "Mary."&lt;br /&gt;&lt;br /&gt;"Yes, my dear," returned Caleb. "Here she is."&lt;br /&gt;&lt;br /&gt;"There is no change in &lt;em&gt;her.&lt;/em&gt; You never told me anything of &lt;em&gt;her&lt;/em&gt; that was not true?’&lt;br /&gt;&lt;br /&gt;"I should have done it, my dear, I am afraid," returned Caleb, "if I could have made her better than she was. But I must have changed her for the worse, if I had changed her at all. Nothing could improve her, Bertha."&lt;br /&gt;&lt;br /&gt;Confident as the Blind Girl had been when she asked the question, her delight and pride in the reply, and her renewed embrace of Dot, were charming to behold.&lt;br /&gt;&lt;br /&gt;"More changes than you think for, may happen though, my dear," said Dot. "Changes for the better, I mean; changes for great joy to some of us. You mustn’t let them startle you too much, if any such should ever happen, and affect you? Are those wheels upon the road? You’ve a quick ear, Bertha. Are they wheels?"&lt;br /&gt;&lt;br /&gt;"Yes. Coming very fast."&lt;br /&gt;&lt;br /&gt;"I—I—I know you have a quick ear," said Dot, placing her hand upon her heart, and evidently talking on, as fast as she could, to hide its palpitating state, "because I have noticed it often, and because you were so quick to find out that strange step last night. Though why you should have said, as I very well recollect you did say, Bertha, 'whose step is that!' and why you should have taken any greater observation of it than of any other step, I don’t know. Though as I said just now, there are great changes in the world: great changes: and we can’t do better than prepare ourselves to be surprised at hardly anything."&lt;br /&gt;&lt;br /&gt;Caleb wondered what this meant; perceiving that she spoke to him, no less than to his daughter. He saw her, with astonishment, so fluttered and distressed that she could scarcely breathe; and holding to a chair, to save herself from falling.&lt;br /&gt;&lt;br /&gt;"They are wheels indeed!" she panted. "Coming nearer! Nearer! Very close! And now you hear them stopping at the garden gate! And now you hear a step outside the door—the same step, Bertha, is it not!—and now!"—&lt;br /&gt;&lt;br /&gt;She uttered a wild cry of uncontrollable delight; and running up to Caleb put her hands upon his eyes, as a young man rushed into the room, and flinging away his hat into the air, came sweeping down upon them.&lt;br /&gt;&lt;br /&gt;"Is it over?" cried Dot.&lt;br /&gt;&lt;br /&gt;"Yes!"&lt;br /&gt;&lt;br /&gt;"Happily over?"&lt;br /&gt;&lt;br /&gt;"Yes!"&lt;br /&gt;&lt;br /&gt;"Do you recollect the voice, dear Caleb? Did you ever hear the like of it before?" cried Dot.&lt;br /&gt;&lt;br /&gt;"If my boy in the Golden South Americas was alive"—said Caleb, trembling.&lt;br /&gt;&lt;br /&gt;"He is alive!" shrieked Dot, removing her hands from his eyes, and clapping them in ecstasy; "look at him! See where he stands before you, healthy and strong! Your own dear son! Your own dear living, loving brother, Bertha!"&lt;br /&gt;&lt;br /&gt;All honor to the little creature for her transports! All honor to her tears and laughter, when the three were locked in one another’s arms! All honour to the heartiness with which she met the sunburnt Sailor-fellow, with his dark streaming hair, half way, and never turned her rosy little mouth aside, but suffered him to kiss it, freely, and to press her to his bounding heart!&lt;br /&gt;&lt;br /&gt;And honour to the Cuckoo too—why not!—for bursting out of the trap-door in the Moorish Palace like a housebreaker, and hiccoughing twelve times on the assembled company, as if he had got drunk for joy!&lt;br /&gt;&lt;br /&gt;The Carrier, entering, started back: and well he might: to find himself in such good company.&lt;br /&gt;&lt;br /&gt;"Look, John!" said Caleb, exultingly, "look here! My own boy from the Golden South Americas! My own son! Him that you fitted out, and sent away yourself; Him that you were always such a friend to!"&lt;br /&gt;&lt;br /&gt;The Carrier advanced to seize him by the hand; but, recoiling, as some feature in his face awakened a remembrance of the Deaf Man in the Cart, said:&lt;br /&gt;&lt;br /&gt;"Edward! Was it you?"&lt;br /&gt;&lt;br /&gt;"Now tell him all!" cried Dot. "Tell him all, Edward; and don’t spare me, for nothing shall make me spare myself in his eyes, ever again."&lt;br /&gt;&lt;br /&gt;"I was the man," said Edward.&lt;br /&gt;&lt;br /&gt;"And could you steal, disguised, into the house of your old friend?" rejoined the Carrier. "There was a frank boy once—how many years is it, Caleb, since we heard that he was dead, and had it proved, we thought?—who never would have done that."&lt;br /&gt;&lt;br /&gt;"There was a generous friend of mine, once; more a father to me than a friend;" said Edward, "who never would have judged me, or any other man, unheard. You were he. So I am certain you will hear me now."&lt;br /&gt;&lt;br /&gt;The Carrier, with a troubled glance at Dot, who still kept far away from him, replied, "Well! that’s but fair. I will."&lt;br /&gt;&lt;br /&gt;"You must know that when I left here, a boy," said Edward, "I was in love, and my love was returned. She was a very young girl, who perhaps (you may tell me) didn’t know her own mind. But I knew mine, and I had a passion for her."&lt;br /&gt;&lt;br /&gt;"You had!" exclaimed the Carrier. "You!"&lt;br /&gt;&lt;br /&gt;"Indeed I had," returned the other. "And she returned it. I have ever since believed she did; and now I am sure she did."&lt;br /&gt;&lt;br /&gt;"Heaven help me!" said the Carrier. "This is worse than all."&lt;br /&gt;&lt;br /&gt;"Constant to her," said Edward, "and returning, full of hope, after many hardships and perils, to redeem my part of our old contract, I heard, twenty miles away, that she was false to me; that she had forgotten me; and had bestowed herself upon another and a richer man. I had no mind to reproach her; but I wished to see her, and to prove beyond dispute that this was true. I hoped she might have been forced into it, against her own desire and recollection. It would be small comfort, but it would be some, I thought: and on I came. That I might have the truth, the real truth; observing freely for myself, and judging for myself, without obstruction on the one hand, or presenting my own influence (if I had any) before her, on the other; I dressed myself unlike myself—you know how; and waited on the road—you know where. You had no suspicion of me; neither had—had she," pointing to Dot, "until I whispered in her ear at that fireside, and she so nearly betrayed me."&lt;br /&gt;&lt;br /&gt;"But when she knew that Edward was alive, and had come back," sobbed Dot, now speaking for herself, as she had burned to do, all through this narrative; "and when she knew his purpose, she advised him by all means to keep his secret close; for his old friend John Peerybingle was much too open in his nature, and too clumsy in all artifice—being a clumsy man in general," said Dot, half laughing and half crying—"to keep it for him. And when she—that’s me, John," sobbed the little woman—"told him all, and how his sweetheart had believed him to be dead; and how she had at last been over-persuaded by her mother into a marriage which the silly, dear old thing called advantageous; and when she—that’s me again, John—told him they were not yet married (though close upon it), and that it would be nothing but a sacrifice if it went on, for there was no love on her side; and when he went nearly mad with joy to hear it; then she—that’s me again—said she would go between them, as she had often done before in old times, John, and would sound his sweetheart and be sure that what she—me again, John—said and thought was right. And it WAS right, John! And they were brought together, John! And they were married, John, an hour ago! And here’s the Bride! And Gruff and Tackleton may die a bachelor! And I’m a happy little woman, May, God bless you!"&lt;br /&gt;&lt;br /&gt;She was an irresistible little woman, if that be anything to the purpose; and never so completely irresistible as in her present transports. There never were congratulations so endearing and delicious, as those she lavished on herself and on the Bride.&lt;br /&gt;&lt;br /&gt;Amid the tumult of emotions in his breast, the honest Carrier had stood, confounded. Flying, now, towards her, Dot stretched out her hand to stop him, and retreated as before.&lt;br /&gt;&lt;br /&gt;"No, John, no! Hear all! Don’t love me any more, John, 'till you’ve heard every word I have to say. It was wrong to have a secret from you, John. I’m very sorry. I didn’t think it any harm, till I came and sat down by you on the little stool last night. But when I knew by what was written in your face, that you had seen me walking in the gallery with Edward; and knew what you thought; I felt how giddy and how wrong it was. But oh, dear John, how could you, could you, think so!"&lt;br /&gt;&lt;br /&gt;Little woman, how she sobbed again! John Peerybingle would have caught her in his arms. But no; she wouldn’t let him.&lt;br /&gt;&lt;br /&gt;"Don’t love me yet, please, John! Not for a long time yet! When I was sad about this intended marriage, dear, it was because I remembered May and Edward such young lovers; and knew that her heart was far away from Tackleton. You believe that, now. Don’t you John?"&lt;br /&gt;&lt;br /&gt;John was going to make another rush at this appeal; but she stopped him again.&lt;br /&gt;&lt;br /&gt;"No; keep there, please, John! When I laugh at you, as I sometimes do, John; and call you clumsy, and a dear old goose, and names of that sort, it’s because I love you, John, so well; and take such pleasure in your ways, and wouldn’t see you altered in the least respect to have you made a King to-morrow."&lt;br /&gt;&lt;br /&gt;"Hooroar!" said Caleb with unusual vigour. "My opinion!"&lt;br /&gt;&lt;br /&gt;"And when I speak of people being middle-aged, and steady, John, and pretend that we are a humdrum couple, going on in a jog-trot sort of way, it’s only because I’m such a silly little thing, John, that I like, sometimes, to act a kind of Play with Baby, and all that: and make believe."&lt;br /&gt;&lt;br /&gt;She saw that he was coming; and stopped him again. But she was very nearly too late.&lt;br /&gt;&lt;br /&gt;"No, don’t love me for another minute or two, if you please, John! What I want most to tell you, I have kept to the last. My dear, good, generous John; when we were talking the other night about the Cricket, I had it on my lips to say, that at first I did not love you quite so dearly as I do now; that when I first came home here, I was half afraid I mightn’t learn to love you every bit as well as I hoped and prayed I might—being so very young, John! But, dear John, every day and hour, I loved you more and more. And if I could have loved you better than I do, the noble words I heard you say this morning, would have made me. But I can’t. All the affection that I had (it was a great deal John) I gave you, as you well deserve, long, long ago, and I have no more left to give. Now, my dear Husband, take me to your heart again! That’s my home, John; and never, never think of sending me to any other!"&lt;br /&gt;&lt;br /&gt;You never will derive so much delight from seeing a glorious little woman in the arms of a third party, as you would have felt if you had seen Dot run into the Carrier’s embrace. It was the most complete, unmitigated, soul-fraught little piece of earnestness that ever you beheld in all your days.&lt;br /&gt;&lt;br /&gt;You may be sure the Carrier was in a state of perfect rapture; and you may be sure Dot was likewise; and you may be sure they all were, inclusive of Miss Slowboy, who cried copiously for joy, and, wishing to include her young charge in the general interchange of congratulations, handed round the Baby to everybody in succession, as if it were something to drink.&lt;br /&gt;&lt;br /&gt;But now the sound of wheels was heard again outside the door; and somebody exclaimed that Gruff and Tackleton was coming back. Speedily that worthy gentleman appeared: looking warm and flustered.&lt;br /&gt;&lt;br /&gt;"Why, what the Devil’s this, John Peerybingle!" said Tackleton. "There’s some mistake. I appointed Mrs. Tackleton to meet me at the church; and I’ll swear I passed her on the road, on her way here. Oh! here she is! I beg your pardon Sir; I haven’t the pleasure of knowing you; but if you can do me the favour to spare this young lady, she has rather a particular engagement this morning."&lt;br /&gt;&lt;br /&gt;"But I can’t spare her," returned Edward. "I couldn’t think of it."&lt;br /&gt;&lt;br /&gt;"What do you mean, you vagabond?" said Tackleton.&lt;br /&gt;&lt;br /&gt;"I mean, that as I can make allowance for your being vexed," returned the other, with a smile, "I am as deaf to harsh discourse this morning, as I was to all discourse last night."&lt;br /&gt;&lt;br /&gt;The look that Tackleton bestowed upon him, and the start he gave!&lt;br /&gt;&lt;br /&gt;"I am sorry Sir," said Edward, holding out May’s left hand, and especially the third finger; "that the young lady can’t accompany you to church; but as she has been there once, this morning, perhaps you’ll excuse her."&lt;br /&gt;&lt;br /&gt;Tackleton looked hard at the third finger: and took a little piece of silver-paper, apparently containing a ring, from his waistcoat-pocket.&lt;br /&gt;&lt;br /&gt;"Miss Slowboy," said Tackleton. "Will you have the kindness to throw that in the fire? Thank’ee."&lt;br /&gt;&lt;br /&gt;"It was a previous engagement; quite an old engagement: that prevented my wife from keeping her appointment with you, I assure you," said Edward.&lt;br /&gt;&lt;br /&gt;"Mr. Tackleton will do me the justice to acknowledge that I revealed it to him faithfully; and that I told him, many times, I never could forget it," said May, blushing.&lt;br /&gt;&lt;br /&gt;"Oh certainly!" said Tackleton. "Oh to be sure. Oh it’s all right. It’s quite correct. Mrs. Edward Plummer, I infer?"&lt;br /&gt;&lt;br /&gt;"That’s the name," returned the bridegroom.&lt;br /&gt;&lt;br /&gt;"Ah, I shouldn’t have known you Sir," said Tackleton, scrutinising his face narrowly, and making a low bow. "I give you joy Sir!"&lt;br /&gt;&lt;br /&gt;"Thank’ee."&lt;br /&gt;&lt;br /&gt;"Mrs. Peerybingle," said Tackleton, turning suddenly to where she stood with her husband; "I am sorry. You haven’t done me a very great kindness, but, upon my life I am sorry. You are better than I thought you. John Peerybingle, I am sorry. You understand me; that’s enough. It’s quite correct, ladies and gentlemen all, and perfectly satisfactory. Good morning!"&lt;br /&gt;&lt;br /&gt;With these words he carried it off, and carried himself off too: merely stopping at the door, to take the flowers and favours from his horse’s head, and to kick that animal once, in the ribs, as a means of informing him that there was a screw loose in his arrangements.&lt;br /&gt;&lt;br /&gt;Of course it became a serious duty now, to make such a day of it, as should mark these events for a high Feast and Festival in the Peerybingle Calendar for evermore. Accordingly, Dot went to work to produce such an entertainment, as should reflect undying honour on the house and on every one concerned; and in a very short space of time, she was up to her dimpled elbows in flour, and whitening the Carrier’s coat, every time he came near her, by stopping him to give him a kiss. That good fellow washed the greens, and peeled the turnips, and broke the plates, and upset iron pots full of cold water on the fire, and made himself useful in all sorts of ways: while a couple of professional assistants, hastily called in from somewhere in the neighbourhood, as on a point of life or death, ran against each other in all the doorways and round all the corners; and everybody tumbled over Tilly Slowboy and the Baby, everywhere. Tilly never came out in such force before. Her ubiquity was the theme of general admiration. She was a stumbling-block in the passage at five-and-twenty minutes past two; a man-trap in the kitchen at half-past two precisely; and a pitfall in the garret at five-and-twenty minutes to three. The Baby’s head was, as it were, a test and touchstone for every description of matter, animal, vegetable, and mineral. Nothing was in use that day that didn’t come, at some time or other, into close acquaintance with it.&lt;br /&gt;&lt;br /&gt;Then, there was a great Expedition set on foot to go and find out Mrs. Fielding; and to be dismally penitent to that excellent gentlewoman; and to bring her back, by force, if needful, to be happy and forgiving. And when the Expedition first discovered her, she would listen to no terms at all, but said, an unspeakable number of times, that ever she should have lived to see the day! and couldn’t be got to say anything else, except, "Now carry me to the grave;" which seemed absurd, on account of her not being dead, or anything at all like it. After a time, she lapsed into a state of dreadful calmness, and observed, that when that unfortunate train of circumstances had occurred in the Indigo Trade, she had foreseen that she would be exposed, during her whole life, to every species of insult and contumely; and that she was glad to find it was the case; and begged they wouldn’t trouble themselves about her,—for what was she? oh, dear! a nobody!—but would forget that such a being lived, and would take their course in life without her. From this bitterly sarcastic mood, she passed into an angry one, in which she gave vent to the remarkable expression that the worm would turn if trodden on; and, after that, she yielded to a soft regret, and said, if they had only given her their confidence, what might she not have had it in her power to suggest! Taking advantage of this crisis in her feelings, the Expedition embraced her; and she very soon had her gloves on, and was on her way to John Peerybingle’s in a state of unimpeachable gentility; with a paper parcel at her side containing a cap of state, almost as tall, and quite as stiff, as a Mitre.&lt;br /&gt;&lt;br /&gt;Then, there were Dot’s father and mother to come, in another little chaise; and they were behind their time; and fears were entertained; and there was much looking out for them down the road; and Mrs. Fielding always would look in the wrong and morally impossible direction; and being apprised thereof, hoped she might take the liberty of looking where she pleased. At last they came: a chubby little couple, jogging along in a snug and comfortable little way that quite belonged to the Dot family: and Dot and her mother, side by side, were wonderful to see. They were so like each other.&lt;br /&gt;&lt;br /&gt;Then, Dot’s mother had to renew her acquaintance with May’s mother; and May’s mother always stood on her gentility; and Dot’s mother never stood on anything but her active little feet. And old Dot—so to call Dot’s father; I forgot it wasn’t his right name, but never mind: took liberties, and shook hands at first sight, and seemed to think a cap but so much starch and muslin, and didn’t defer himself at all to the Indigo trade, but said there was no help for it now; and, in Mrs. Fielding’s summing up, was a good-natured kind of man—but coarse, my dear.&lt;br /&gt;&lt;br /&gt;I wouldn’t have missed Dot, doing the honors in her wedding-gown, my benison on her bright face! for any money. No! nor the good Carrier, so jovial and so ruddy, at the bottom of the table. Nor the brown, fresh sailor-fellow, and his handsome wife. Nor any one among them. To have missed the dinner would have been to miss as jolly and as stout a meal as man need eat; and to have missed the overflowing cups in which they drank The Wedding Day, would have been the greatest miss of all.&lt;br /&gt;&lt;br /&gt;After dinner, Caleb sang the song about the Sparkling Bowl! As I’m a living man: hoping to keep so, for a year or two, he sang it through.&lt;br /&gt;&lt;br /&gt;And, by-the-by, a most unlooked-for incident occurred, just as he finished the last verse.&lt;br /&gt;&lt;br /&gt;There was a tap at the door; and a man came staggering in, without saying with your leave, or by your leave, with something heavy on his head. Setting this down in the middle of the table, symmetrically in the centre of the nuts and apples, he said:&lt;br /&gt;&lt;br /&gt;"Mr. Tackleton’s compliments, and as he hasn’t got no use for the cake himself, p’raps you’ll eat it."&lt;br /&gt;&lt;br /&gt;And with those words, he walked off.&lt;br /&gt;&lt;br /&gt;There was some surprise among the company, as you may imagine. Mrs. Fielding, being a lady of infinite discernment, suggested that the cake was poisoned; and related a narrative of a cake, which, within her knowledge, had turned a seminary for young ladies, blue. But she was overruled by acclamation; and the cake was cut by May, with much ceremony and rejoicing.&lt;br /&gt;&lt;br /&gt;I don’t think any one had tasted it, when there came another tap at the door; and the same man appeared again, having under his arm a vast brown-paper parcel.&lt;br /&gt;&lt;br /&gt;"Mr. Tackleton’s compliments, and he’s sent a few toys for the Babby. They ain’t ugly."&lt;br /&gt;&lt;br /&gt;After the delivery of which expressions, he retired again.&lt;br /&gt;&lt;br /&gt;The whole party would have experienced great difficulty in finding words for their astonishment, even if they had had ample time to seek them. But they had none at all; for the messenger had scarcely shut the door behind him, when there came another tap, and Tackleton himself walked in.&lt;br /&gt;&lt;br /&gt;"Mrs. Peerybingle!" said the Toy-merchant, hat in hand. "I’m sorry. I’m more sorry than I was this morning. I have had time to think of it. John Peerybingle! I’m sour by disposition; but I can’t help being sweetened, more or less, by coming face to face with such a man as you. Caleb! This unconscious little nurse gave me a broken hint last night, of which I have found the thread. I blush to think how easily I might have bound you and your daughter to me; and what a miserable idiot I was, when I took her for one! Friends, one and all, my house is very lonely to-night. I have not so much as a Cricket on my Hearth. I have scared them all away. Be gracious to me; let me join this happy party!"&lt;br /&gt;&lt;br /&gt;He was at home in five minutes. You never saw such a fellow. What &lt;em&gt;had&lt;/em&gt; he been doing with himself all his life, never to have known, before, his great capacity of being jovial! Or what had the Fairies been doing with him, to have effected such a change!&lt;br /&gt;&lt;br /&gt;"John! you won’t send me home this evening; will you?" whispered Dot.&lt;br /&gt;&lt;br /&gt;He had been very near it though!&lt;br /&gt;&lt;br /&gt;There wanted but one living creature to make the party complete; and, in the twinkling of an eye, there he was: very thirsty with hard running, and engaged in hopeless endeavours to squeeze his head into a narrow pitcher. He had gone with the cart to its journey’s-end, very much disgusted with the absence of his master, and stupendously rebellious to the Deputy. After lingering about the stable for some little time, vainly attempting to incite the old horse to the mutinous act of returning on his own account, he had walked into the tap-room and laid himself down before the fire. But suddenly yielding to the conviction that the Deputy was a humbug, and must be abandoned, he had got up again, turned tail and come home.&lt;br /&gt;&lt;br /&gt;There was a dance in the evening. With which general mention of that recreation, I should have left it alone, if I had not some reason to suppose that it was quite an original dance, and one of a most uncommon figure. It was formed in an odd way; in this way.&lt;br /&gt;&lt;br /&gt;Edward, that sailor-fellow—a good free dashing sort of a fellow he was—had been telling them various marvels concerning parrots, and mines, and Mexicans, and gold dust, when all at once he took it in his head to jump up from his seat and propose a dance; for Bertha’s harp was there, and she had such a hand upon it as you seldom hear. Dot (sly little piece of affectation when she chose) said her dancing days were over; &lt;em&gt;I&lt;/em&gt; think because the Carrier was smoking his pipe, and she liked sitting by him, best. Mrs. Fielding had no choice, of course, but to say her dancing days were over, after that; and everybody said the same, except May; May was ready.&lt;br /&gt;&lt;br /&gt;So, May and Edward get up, amid great applause, to dance alone; and Bertha plays her liveliest tune.&lt;br /&gt;&lt;br /&gt;Well! if you’ll believe me, they have not been dancing five minutes, when suddenly the Carrier flings his pipe away, takes Dot round the waist, dashes out into the room, and starts off with her, toe and heel, quite wonderfully. Tackleton no sooner sees this, than he skims across to Mrs. Fielding, takes her round the waist, and follows suit. Old Dot no sooner sees this, than up he is, all alive, whisks off Mrs. Dot in the middle of the dance, and is the foremost there. Caleb no sooner sees this, than he clutches Tilly Slowboy by both hands and goes off at score; Miss Slowboy, firm in the belief that diving hotly in among the other couples, and effecting any number of concussions with them, is your only principle of footing it.&lt;br /&gt;&lt;br /&gt;Hark! how the Cricket joins the music with its Chirp, Chirp, Chirp; and how the kettle hums!&lt;br /&gt;&lt;br /&gt;* * * * *&lt;br /&gt;&lt;br /&gt;But what is this! Even as I listen to them, blithely, and turn towards Dot, for one last glimpse of a little figure very pleasant to me, she and the rest have vanished into air, and I am left alone. A Cricket sings upon the Hearth; a broken child’s-toy lies upon the ground; and nothing else remains.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="218" public="1" featured="0">
    <fileContainer>
      <file fileId="284">
        <src>https://www.dickenssearch.com/files/original/3/Song_of_the_Kettle/1845-12-Song_of__the_Kettle.pdf</src>
        <authentication>cfbffdb47ff55847ead8c0313f5b49f6</authentication>
      </file>
    </fileContainer>
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="417">
                  <text>&lt;h4&gt;This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.&lt;/h4&gt;&#13;
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Song"&gt;written to be set to music&lt;/a&gt; indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, &lt;a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green"&gt;'The Ivy Green'&lt;/a&gt; from &lt;em&gt;Pickwick Papers&lt;/em&gt; (1837), a story of time’s inexorable passing, was frequently republished in newspapers.&lt;br /&gt;&lt;br /&gt;Several poems written to young ladies of Dickens’s acquaintance are released on &lt;em&gt;Dickens Search&lt;/em&gt; as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Autograph+Album&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;autograph albums&lt;/a&gt; was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.&lt;br /&gt;&lt;br /&gt;When writing &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Letter&amp;amp;collection=3&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;letters&lt;/a&gt; to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included.&amp;nbsp;Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Epitaph"&gt;Epitaphs&lt;/a&gt; Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Play"&gt;verse from Dickens's plays&lt;/a&gt;, including songs removed from&amp;nbsp;&lt;em&gt;The Strange Gentleman&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;Is She His Wife? Or, Something Singular!&amp;nbsp;&lt;/em&gt;before performance.&lt;br /&gt;&lt;br /&gt;Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.&lt;br /&gt;&lt;br /&gt;An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of &lt;em&gt;The Old Curiosity Shop&lt;/em&gt;. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection &lt;em&gt;Echoes of Infant Voices&lt;/em&gt;. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of &lt;em&gt;Dickens Search&lt;/em&gt;. &lt;a href="https://dickenssearch.com/poetry-dickens-didnt-write"&gt;Read our blog post for more on poetry Dickens &lt;em&gt;didn't &lt;/em&gt;write.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Occasionally, Dickens will quote a poem by another author, as in his burlesque &lt;em&gt;Is She his Wife? Or, Something Singular!&lt;/em&gt;&amp;nbsp;(1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.&lt;br /&gt;&lt;br /&gt;Previous notable collections of some of Dickens's poetry include &lt;em&gt;The Plays and Poems of Charles Dickens&lt;/em&gt; (1882) edited by Richard Herne Shepherd and &lt;em&gt;The Poems and Verses of Charles Dickens&lt;/em&gt; (1903) edited by Frederic G. Kitton. In 2025, we published &lt;em&gt;&lt;a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener"&gt;The Verse of Charles Dickens&lt;/a&gt; &lt;/em&gt;(Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Caution has been taken when ascertaining that each poem is indeed by Dickens. Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or other poems written by Dickens.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;The Verse of Charles Dickens.&lt;/em&gt; Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' &lt;em&gt;The Dickensian&lt;/em&gt; 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' &lt;em&gt;Dickens Quarterly&lt;/em&gt; 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 40 (2009): pp. 231-364.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="599">
                  <text>verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3163">
                  <text>Lydia Craig; Emily Middleton</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="16">
      <name>Poem</name>
      <description/>
      <elementContainer>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3280">
              <text>18451201</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3605">
              <text>It’s a dark night, sang the Kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare, of deep and angry crimson, where the sun and wind together, set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar-frost on the finger-post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!—</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3273">
                <text>'Song of the Kettle'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3274">
                <text>Published in &lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt; (Bradbury and Evans, December 1845), p.7.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3275">
                <text>&lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;a href="https://catalog.hathitrust.org/Record/102287704"&gt;https://catalog.hathitrust.org/Record/102287704&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3276">
                <text>1845-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3277">
                <text>Poem</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3278">
                <text>1845-12-Song_of_the_Kettle</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3279">
                <text>Dickens, Charles. 'Song of the Kettle' (1845). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/verse/1846-12-Song_of_the_Kettle"&gt;https://www.dickenssearch.com/verse/1846-12-Song_of_the_Kettle&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4564">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="3281">
                <text>It’s a dark night, sang the Kettle, and the rotten leaves are lying by the way; and, above, all is mist and darkness, and below, all is mire and clay; and there’s only one relief in all the sad and murky air; and I don’t know that it is one, for it’s nothing but a glare, of deep and angry crimson, where the sun and wind together, set a brand upon the clouds for being guilty of such weather; and the widest open country is a long dull streak of black; and there’s hoar-frost on the finger-post, and thaw upon the track; and the ice it isn’t water, and the water isn’t free; and you couldn’t say that anything is what it ought to be; but he’s coming, coming, coming!—</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="4" public="1" featured="0">
    <fileContainer>
      <file fileId="381">
        <src>https://www.dickenssearch.com/files/original/3/The_British_Lion/1846-01-24-Daily_News_The_British_Lion.pdf</src>
        <authentication>b46447fd0db4d6de12133ffc18293d41</authentication>
      </file>
    </fileContainer>
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="417">
                  <text>&lt;h4&gt;This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.&lt;/h4&gt;&#13;
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Song"&gt;written to be set to music&lt;/a&gt; indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, &lt;a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green"&gt;'The Ivy Green'&lt;/a&gt; from &lt;em&gt;Pickwick Papers&lt;/em&gt; (1837), a story of time’s inexorable passing, was frequently republished in newspapers.&lt;br /&gt;&lt;br /&gt;Several poems written to young ladies of Dickens’s acquaintance are released on &lt;em&gt;Dickens Search&lt;/em&gt; as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Autograph+Album&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;autograph albums&lt;/a&gt; was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.&lt;br /&gt;&lt;br /&gt;When writing &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Letter&amp;amp;collection=3&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;letters&lt;/a&gt; to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included.&amp;nbsp;Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Epitaph"&gt;Epitaphs&lt;/a&gt; Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Play"&gt;verse from Dickens's plays&lt;/a&gt;, including songs removed from&amp;nbsp;&lt;em&gt;The Strange Gentleman&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;Is She His Wife? Or, Something Singular!&amp;nbsp;&lt;/em&gt;before performance.&lt;br /&gt;&lt;br /&gt;Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.&lt;br /&gt;&lt;br /&gt;An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of &lt;em&gt;The Old Curiosity Shop&lt;/em&gt;. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection &lt;em&gt;Echoes of Infant Voices&lt;/em&gt;. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of &lt;em&gt;Dickens Search&lt;/em&gt;. &lt;a href="https://dickenssearch.com/poetry-dickens-didnt-write"&gt;Read our blog post for more on poetry Dickens &lt;em&gt;didn't &lt;/em&gt;write.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Occasionally, Dickens will quote a poem by another author, as in his burlesque &lt;em&gt;Is She his Wife? Or, Something Singular!&lt;/em&gt;&amp;nbsp;(1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.&lt;br /&gt;&lt;br /&gt;Previous notable collections of some of Dickens's poetry include &lt;em&gt;The Plays and Poems of Charles Dickens&lt;/em&gt; (1882) edited by Richard Herne Shepherd and &lt;em&gt;The Poems and Verses of Charles Dickens&lt;/em&gt; (1903) edited by Frederic G. Kitton. In 2025, we published &lt;em&gt;&lt;a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener"&gt;The Verse of Charles Dickens&lt;/a&gt; &lt;/em&gt;(Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Caution has been taken when ascertaining that each poem is indeed by Dickens. Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or other poems written by Dickens.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;The Verse of Charles Dickens.&lt;/em&gt; Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' &lt;em&gt;The Dickensian&lt;/em&gt; 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' &lt;em&gt;Dickens Quarterly&lt;/em&gt; 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 40 (2009): pp. 231-364.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="599">
                  <text>verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3163">
                  <text>Lydia Craig; Emily Middleton</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="16">
      <name>Poem</name>
      <description/>
      <elementContainer>
        <element elementId="95">
          <name>Pseudonym</name>
          <description>The name under which the item was published</description>
          <elementTextContainer>
            <elementText elementTextId="50">
              <text>CATNACH</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="488">
              <text>18460124</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="489">
              <text>A NEW SONG, BUT AN OLD STORY TUNE. - The Great Sea-Snake. Oh, p’raps you may heard, and if not, I’ll sing, Of the British Lion free, That was constantly a-going for to make a spring Upon his en-e-me; But who, being rather groggy at the knees, Broke down, always before; And generally gave a feeble wheeze Instead of a loud roar. Right toor rol, loor rol, fee faw fum, The British Lion bold! That was always a-going for to do great things, And was always being “sold”! He was carried about, in a caravan, And was show'd in country parts, And they said “Walk-up! Be in time! He can Eat Corn-Law-Leagues like tarts!” And his showmen, shouting there and then, To puff him didn’t fail; And they said, as they peep'd into his den, “Oh, Don’t he wag his tail!” Now, the principal keeper of this poor old beast, WAN HUMBUG was his name, Would once ev’ry day stir him up - at least - And wasn’t that a Game! For he hadn’t a tooth, and he hadn’t a claw, In that “Struggle” so “Sublime;” And, however sharp they touch’d him on the raw, He couldn’t come up to time. And this, you will observe, was the reason why WAN HUMBUG, on weak grounds, Was forced to make believe that he heard his cry In all unlikely sounds. So there wasn’t a bleat from an Essex Calf, Or a Duke, or a Lordling slim; But he said, with a very triumphant laugh, “I’m blest if that ain’t him.” At length, wery bald in his mane and tail, This British Lion growed: He pined, and declined, and he satisfied The last debt which he owed. And when they came to examine the skin, It was a wonder sore, To find that the an-i-mal within Was nothing but a BOAR! Right toor rol, loor rol, fee faw fum, The British Lion bold! That was always a-going for to do great things, And was always being "sold"!</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Publication Type</name>
          <description>E.g.  newspaper/serial</description>
          <elementTextContainer>
            <elementText elementTextId="964">
              <text>Newspaper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Publication</name>
          <description>The title of the newspaper/serial (if applicable)</description>
          <elementTextContainer>
            <elementText elementTextId="965">
              <text>Daily News</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="96">
          <name>TEI File</name>
          <description>Link to TEI file</description>
          <elementTextContainer>
            <elementText elementTextId="1025">
              <text>&lt;a href="https://dickenssearch.com/teibp/dist/content/1846-01-24_Daily_News_The_British_Lion.xml" target="_blank" rel="noopener"&gt;'The British Lion.'&amp;nbsp;&lt;em&gt;The Daily News &lt;/em&gt;(24 January 1846): p. 5.&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="44">
                <text>'The British Lion'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="46">
                <text>&lt;em&gt;British Newspapers Archive&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="47">
                <text>&lt;em&gt;British Newspapers Archive, &lt;/em&gt;&lt;a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000051/18460124/061/0005"&gt;https://www.britishnewspaperarchive.co.uk/viewer/bl/0000051/18460124/061/0005&lt;/a&gt;.&amp;nbsp;&lt;br /&gt;Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="48">
                <text>1846-01-24-Daily_News_The_British_Lion</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="49">
                <text>Dickens, Charles. 'The British Lion.' &lt;em&gt;Daily News&lt;/em&gt; (21 January 1841): p. 5. &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/verse/1846-01-24-Daily_News_The_British_Lion"&gt;https://dickenssearch.com/verse/1846-01-24-Daily_News_The_British_Lion&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="67">
                <text>Poem</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="416">
                <text>1846-01-24</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="538">
                <text>Published in the &lt;em&gt;Daily News&lt;/em&gt; (24 January 1846).</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="51">
                <text>&lt;p&gt;A NEW SONG, BUT AN OLD STORY&lt;/p&gt;&#13;
&lt;p&gt;TUNE. - &lt;em&gt;The Great Sea-Snake.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;Oh, p’raps you may heard, and if not, I’ll sing,&lt;/p&gt;&#13;
&lt;p&gt;Of the British Lion free,&lt;/p&gt;&#13;
&lt;p&gt;That was constantly a-going for to make a spring&lt;/p&gt;&#13;
&lt;p&gt;Upon his en-e-me;&lt;/p&gt;&#13;
&lt;p&gt;But who, being rather groggy at the knees,&lt;/p&gt;&#13;
&lt;p&gt;Broke down, always before;&lt;/p&gt;&#13;
&lt;p&gt;And generally gave a feeble wheeze&lt;/p&gt;&#13;
&lt;p&gt;Instead of a loud roar.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Right toor rol, loor rol, fee faw fum,&lt;/p&gt;&#13;
&lt;p&gt;The British Lion bold!&lt;/p&gt;&#13;
&lt;p&gt;That was always a-going for to do great things,&lt;/p&gt;&#13;
&lt;p&gt;And was always being “sold”!&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;He was carried about, in a caravan,&lt;/p&gt;&#13;
&lt;p&gt;And was show'd in country parts,&lt;/p&gt;&#13;
&lt;p&gt;And they said “Walk-up! Be in time! He can&lt;/p&gt;&#13;
&lt;p&gt;Eat Corn-Law-Leagues like tarts!”&lt;/p&gt;&#13;
&lt;p&gt;And his showmen, shouting there and then,&lt;/p&gt;&#13;
&lt;p&gt;To puff him didn’t fail;&lt;/p&gt;&#13;
&lt;p&gt;And they said, as they peep'd into his den,&lt;/p&gt;&#13;
&lt;p&gt;“Oh, Don’t he wag his tail!”&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Now, the principal keeper of this poor old beast,&lt;/p&gt;&#13;
&lt;p&gt;WAN HUMBUG was his name,&lt;/p&gt;&#13;
&lt;p&gt;Would once ev’ry day stir him up - at least -&lt;/p&gt;&#13;
&lt;p&gt;And wasn’t that a Game!&lt;/p&gt;&#13;
&lt;p&gt;For he hadn’t a tooth, and he hadn’t a claw,&lt;/p&gt;&#13;
&lt;p&gt;In that “Struggle” so “Sublime;”&lt;/p&gt;&#13;
&lt;p&gt;And, however sharp they touch’d him on the raw,&lt;/p&gt;&#13;
&lt;p&gt;He couldn’t come up to time.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;And this, you will observe, was the reason why&lt;/p&gt;&#13;
&lt;p&gt;WAN HUMBUG, on weak grounds,&lt;/p&gt;&#13;
&lt;p&gt;Was forced to make believe that he heard his cry&lt;/p&gt;&#13;
&lt;p&gt;In all unlikely sounds.&lt;/p&gt;&#13;
&lt;p&gt;So there wasn’t a bleat from an Essex Calf,&lt;/p&gt;&#13;
&lt;p&gt;Or a Duke, or a Lordling slim;&lt;/p&gt;&#13;
&lt;p&gt;But he said, with a very triumphant laugh,&lt;/p&gt;&#13;
&lt;p&gt;“I’m blest if that ain’t him.”&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;At length, wery bald in his mane and tail,&lt;/p&gt;&#13;
&lt;p&gt;This British Lion growed:&lt;/p&gt;&#13;
&lt;p&gt;He pined, and declined, and he satisfied&lt;/p&gt;&#13;
&lt;p&gt;The last debt which he owed.&lt;/p&gt;&#13;
&lt;p&gt;And when they came to examine the skin,&lt;/p&gt;&#13;
&lt;p&gt;It was a wonder sore,&lt;/p&gt;&#13;
&lt;p&gt;To find that the an-i-mal within&lt;/p&gt;&#13;
&lt;p&gt;Was nothing but a BOAR!&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Right toor rol, loor rol, fee faw fum,&lt;/p&gt;&#13;
&lt;p&gt;The British Lion bold!&lt;/p&gt;&#13;
&lt;p&gt;That was always a-going for to do great things,&lt;/p&gt;&#13;
&lt;p&gt;And was always being "sold"!&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="9" public="1" featured="0">
    <fileContainer>
      <file fileId="15">
        <src>https://www.dickenssearch.com/files/original/3/The_Hymn_of_the_Wiltshire_Labourers/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers.jpeg</src>
        <authentication>922e52225d90210ddad4a0c2a00e7c56</authentication>
      </file>
    </fileContainer>
    <collection collectionId="3">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="7">
                  <text>Verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="417">
                  <text>&lt;h4&gt;This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.&lt;/h4&gt;&#13;
Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Song"&gt;written to be set to music&lt;/a&gt; indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, &lt;a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green"&gt;'The Ivy Green'&lt;/a&gt; from &lt;em&gt;Pickwick Papers&lt;/em&gt; (1837), a story of time’s inexorable passing, was frequently republished in newspapers.&lt;br /&gt;&lt;br /&gt;Several poems written to young ladies of Dickens’s acquaintance are released on &lt;em&gt;Dickens Search&lt;/em&gt; as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Autograph+Album&amp;amp;collection=&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;autograph albums&lt;/a&gt; was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections.&lt;br /&gt;&lt;br /&gt;When writing &lt;a href="https://dickenssearch.com/items/browse?search=&amp;amp;advanced%5B0%5D%5Bjoiner%5D=and&amp;amp;advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Letter&amp;amp;collection=3&amp;amp;type=&amp;amp;tags=&amp;amp;date_search_term=&amp;amp;submit_search=Search+For+Items"&gt;letters&lt;/a&gt; to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included.&amp;nbsp;Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Epitaph"&gt;Epitaphs&lt;/a&gt; Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse &lt;a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&amp;amp;advanced%5B0%5D%5Btype%5D=is+exactly&amp;amp;advanced%5B0%5D%5Bterms%5D=Play"&gt;verse from Dickens's plays&lt;/a&gt;, including songs removed from&amp;nbsp;&lt;em&gt;The Strange Gentleman&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;Is She His Wife? Or, Something Singular!&amp;nbsp;&lt;/em&gt;before performance.&lt;br /&gt;&lt;br /&gt;Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship.&lt;br /&gt;&lt;br /&gt;An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of &lt;em&gt;The Old Curiosity Shop&lt;/em&gt;. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection &lt;em&gt;Echoes of Infant Voices&lt;/em&gt;. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of &lt;em&gt;Dickens Search&lt;/em&gt;. &lt;a href="https://dickenssearch.com/poetry-dickens-didnt-write"&gt;Read our blog post for more on poetry Dickens &lt;em&gt;didn't &lt;/em&gt;write.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Occasionally, Dickens will quote a poem by another author, as in his burlesque &lt;em&gt;Is She his Wife? Or, Something Singular!&lt;/em&gt;&amp;nbsp;(1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding.&lt;br /&gt;&lt;br /&gt;Previous notable collections of some of Dickens's poetry include &lt;em&gt;The Plays and Poems of Charles Dickens&lt;/em&gt; (1882) edited by Richard Herne Shepherd and &lt;em&gt;The Poems and Verses of Charles Dickens&lt;/em&gt; (1903) edited by Frederic G. Kitton. In 2025, we published &lt;em&gt;&lt;a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener"&gt;The Verse of Charles Dickens&lt;/a&gt; &lt;/em&gt;(Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Caution has been taken when ascertaining that each poem is indeed by Dickens. Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or other poems written by Dickens.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;The Verse of Charles Dickens.&lt;/em&gt; Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' &lt;em&gt;The Dickensian&lt;/em&gt; 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' &lt;em&gt;Dickens Quarterly&lt;/em&gt; 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 40 (2009): pp. 231-364.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="599">
                  <text>verse</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3163">
                  <text>Lydia Craig; Emily Middleton</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="16">
      <name>Poem</name>
      <description/>
      <elementContainer>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="477">
              <text>18460214</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="478">
              <text>"Don't you all think that we have a great need to Cry to our God to put it in the hearst of our greacious Queen and her Members of Parlerment to grant us free bread." - LUCY SIMPKINS, AT BREMHILL. “Oh GOD, who by thy Prophet’s hand Didst smite the rocky brake, Whence water came, at thy command, They people’s thirst to slake; Strike, now, upon this granite wall, Stern, obdurate, and high; And let some drops of pity fall For us who starve and die! The GOD, who took a little child, And set him in the midst, And promised him His mercy mild, As, by Thy Son, Thou didst: Look down upon our children dear, So gaunt, so cold, so spare, And let their images appear, Where Lords and Genry are! Oh GOD, teach them to feel how we, When our poor infants droop, Are weakened in our trust in Thee, And how our spirits stoop; For, in thy rest, so bright and fair, All tears and sorrows sleep: And their young looks, so full of care, Would make Thine Angels weep! The GOD, who with His finger drew The Judgment coming on, Write, for these men, what must ensure, Ere many years be gone! Oh GOD whose bow is in the sky, Let them not brave and dare, Until they look (too late) on high, And see An Arrow there! Oh GOD remind them! In the bread They break upon the knee, Those sacred words may yet be read, “In memory of Me”! Oh GOD remind them! of His sweet Compassion for the poor, And how He gave them Bread to eat, And went from door to door! CHARLES DICKENS</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Publication Type</name>
          <description>E.g.  newspaper/serial</description>
          <elementTextContainer>
            <elementText elementTextId="954">
              <text>Newspaper</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Publication</name>
          <description>The title of the newspaper/serial (if applicable)</description>
          <elementTextContainer>
            <elementText elementTextId="955">
              <text>Daily News</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="96">
          <name>TEI File</name>
          <description>Link to TEI file</description>
          <elementTextContainer>
            <elementText elementTextId="1030">
              <text>&lt;a href="https://dickenssearch.com/teibp/dist/content/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers.xml" target="_blank" rel="noopener"&gt;'The Hymn of the Wiltshire Labourers.' &lt;em&gt;Daily News&lt;/em&gt; (14 February 1846): p. 5.&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87">
                <text>'The Hymn of the Wiltshire Labourers'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="88">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="89">
                <text>1846-02-14</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90">
                <text>&lt;em&gt;British Library Newspapers,&lt;/em&gt; &lt;a href="https://link.gale.com/apps/doc/BA3202823099/BNCN?u=loughuni&amp;amp;sid=BNCN&amp;amp;xid=c30600e4" target="_blank" rel="noopener"&gt;https://link.gale.com/apps/doc/BA3202823099/BNCN?u=loughuni&amp;amp;sid=BNCN&amp;amp;xid=c30600e4&lt;/a&gt;. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="91">
                <text>Poem</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="92">
                <text>1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="93">
                <text>Dickens, Charles. 'The Hymn of the Wiltshire Labourers.' &lt;em&gt;Daily News&lt;/em&gt; (14 February 1846): p. 5. &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/verse/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers"&gt;https://dickenssearch.com/verse/1846-02-14_Daily_News_The_Hymn_of_the_Wiltshire_Labourers&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="104">
                <text>&lt;em&gt;British Library Newspapers&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="533">
                <text>Published in the &lt;em&gt;Daily News &lt;/em&gt;(14 February 1846).</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="94">
                <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;"Don't you all think that we have a great need to Cry to our God to put it in the hearst of our greacious Queen and her Members of Parlerment to grant us free bread." - LUCY SIMPKINS, AT BREMHILL.&lt;br /&gt;&lt;br /&gt;“Oh GOD, who by thy Prophet’s hand&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Didst smite the rocky brake,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Whence water came, at thy command,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;They people’s thirst to slake;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Strike, now, upon this granite wall,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Stern, obdurate, and high;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And let some drops of pity fall&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;For us who starve and die!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The GOD, who took a little child,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And set him in the midst,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And promised him His mercy mild,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;As, by Thy Son, Thou didst:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Look down upon our children dear,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;So gaunt, so cold, so spare,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And let their images appear,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Where Lords and Genry are!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Oh GOD, teach them to feel how we,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;When our poor infants droop,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Are weakened in our trust in Thee,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And how our spirits stoop;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;For, in thy rest, so bright and fair,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;All tears and sorrows sleep:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And their young looks, so full of care,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Would make Thine Angels weep!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The GOD, who with His finger drew&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The Judgment coming on,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Write, for these men, what must ensure,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ere many years be gone!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Oh GOD whose bow is in the sky,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Let them not brave and dare,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Until they look (too late) on high,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And see An Arrow there!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;br /&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Oh GOD remind them! In the bread&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;They break upon the knee,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Those sacred words may yet be read,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;“In memory of Me”!&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Oh GOD remind them! of His sweet&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Compassion for the poor,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And how He gave them Bread to eat,&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;And went from door to door!&lt;br /&gt;&lt;br /&gt;CHARLES DICKENS&lt;/span&gt;&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="210" public="1" featured="0">
    <fileContainer>
      <file fileId="262">
        <src>https://www.dickenssearch.com/files/original/7/The_Battle_of_Life._A_Love_Story/1846-12-The_Battle_of_Life.pdf</src>
        <authentication>80bc6d16dd9bc5c39c40454e709a4e58</authentication>
      </file>
    </fileContainer>
    <collection collectionId="7">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2170">
                  <text>Christmas Books</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3362">
                  <text>Lydia Craig</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="3603">
                  <text>christmas-books</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
        <elementSet elementSetId="4">
          <name>Scripto</name>
          <description/>
          <elementContainer>
            <element elementId="92">
              <name>Transcription</name>
              <description>A written representation of a document.</description>
              <elementTextContainer>
                <elementText elementTextId="3361">
                  <text>&lt;strong&gt;This collection (still in development) unites the five Christmas books that Dickens wrote between 1843 and 1848 and published firstly with Chapman and Hall and secondly with Bradbury and Evans.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Charles Dickens wrote the first of five Christmas books in 1843. &lt;em&gt;A Christmas Carol, &lt;/em&gt;the story of a miser's slow repentance and decision to make amends, under the influence of the Ghosts of his old law partner Jacob Marley, Christmas Past, Christmas Present, and Christmas Future, would prove to be a timeless classic. In Scrooge's realization of his own selfishness, mortality, and responsibility towards both his impoverished employee and the faceless London poor, readers are compelled to reassess their own social actions evidenced over the course of a lifetime. Consequently, this Christmas book's cultural and academic legacy has overshadowed the other four subsequently penned by Dickens in response to public interest. Due to Dickens's use of various passages for public readings, it instantly commenced a theatrical life as well, and continues to be the most adapted of his works for film and stage.&lt;br /&gt;&lt;br /&gt;Though the financial success of &lt;em&gt;A Christmas Carol&lt;/em&gt; did not benefit Dickens to the degree he had hoped, its immediate attraction to Victorians and enduring legacy opened up a seasonal niche that author and publishers were eager to exploit annually, for multiple reasons. The Christmas books provided Dickens with a way to morally encourage and exhort his readers to better themselves and society under the influence of holiday sentiment. They also offered the chance to acquire some much-needed revenue.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, he wrote &lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In &lt;/em&gt;(Chapman and Hall, 1844). Continuing to point out socioeconomic discrepancies between Victorian strata, Dickens induces sympathy for the straitened porter Toby Veck, and the endangered future life of his beloved daughter, Meg, who is headed for catastrophe unless she can marry her sweetheart despite the ill-intentioned advice of politicians and the barrier of her own poverty.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt; (Bradbury and Evans, 1845) dealt with the spectre of adultery in an age-gap marriage, later to be explored with a similar resolution in Dickens's novel &lt;em&gt;David Copperfield&lt;/em&gt; (1850). Due to the evil Mr. Tackleton, a sinister toy-merchant, John Peerybingle comes to doubt the fidelity of his beloved young wife, Dot. The cricket, a chirping guardian spirit of the home, plays a significant part in the action that ensues. In this story, Dickens also features a blind girl, Bertha Plummer, one of his most extensive explorations of disability.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1846, &lt;em&gt;The Battle of Life. A Love Story&lt;/em&gt; was published by Bradbury and Evans, a romantic tale set in the eighteenth century on the site of an ancient battle-field. Interestingly, it centres around the relationship between two sisters, Grace and Marion Jeddler, and the latter's engagement to a childhood friend, Alfred Heathfield. Several characters in this tale elicit interest, such as the intimate partners-in-law Mr. Snitchey and Mr. Craggs and the semi-literate maid Clemency. What might be the reader's philosophy of life is brought into question under the influence of the dramatic events that so greatly unsettle the rural village.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The last of these Christmas books, &lt;em&gt;The Haunted Man and the Ghost's Bargain&lt;/em&gt; (Bradbury and Evans, 1848) represents a more sinister view of Christmas, with the full powers of a menacing double of the brooding Chemist Mr. Redlaw spiritually contending with the cheerful good-will of Milly Swidger. Like another of Dickens's domestic paragons, Esther Summerson, Milly endeavours to brighten the lives of those around her while the double seeks to provoke their regrets.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Ultimately, Dickens would never pen another Christmas book, though he wrote the short reflective pieces "A Christmas Tree" (1850) and "What Christmas is, as we Grow Older" (1851) for &lt;em&gt;Household Words. &lt;/em&gt;However, between 1852 and 1867, he annually orchestrated and significantly contributed to a Christmas number, either published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; or &lt;em&gt;All the Year Round&lt;/em&gt;. In most cases, a scan of each full number - and Dickens's specific contributions, transcribed - can be accessed in the &lt;em&gt;Dickens Search&lt;/em&gt; collection &lt;a href="http://dickenssearch.com/admin/collections/show/8"&gt;Christmas Stories&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Before citing the five texts in this collection of the Christmas books, please consult the metadata and pdf scan. In most cases, the edition is not the first, but the earliest that can be found freely digitised on the internet. Eventually, these will hopefully be replaced by scans of first editions, with the transcriptions updated, when necessary.&lt;br /&gt;&lt;br /&gt;While building this collection, we have consulted, and transcribed scans found on databases such as &lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;em&gt;Internet Archive,&lt;/em&gt; and &lt;em&gt;Google Books&lt;/em&gt;; all items are linked to their original location on the internet.&lt;br /&gt;&lt;br /&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Christine Schintgen. 'Dickens and the Specter of Materialism: The Spiritual Significance of Ghosts in the Christmas Books and Ghost Stories'. In &lt;em&gt;The Theological Dickens.&lt;/em&gt; Routledge, 2021; Emily Moody. '"Implausible and inappropriate"?: A Defense of Dickens's &lt;em&gt;A Christmas Carol&lt;/em&gt;. &lt;em&gt;Dickens Quarterly&lt;/em&gt; 37.4 (2020): pp. 393-408; Aubrey Plourde. '"Another Man from What I Was": Enchanted Reading and Ethical Selfhood in &lt;em&gt;A Christmas Carol&lt;/em&gt;'. &lt;em&gt;Victorian Review: An Interdisciplinary Journal of Victorian Studies&lt;/em&gt; 43.2 (Fall 2017): 271-286; Brandon Chitwood. 'Eternal Returns: &lt;em&gt;A Christmas Carol's&lt;/em&gt; Ghosts of Repetition'. &lt;em&gt;Victorian Literature and Culture &lt;/em&gt;43.4 (2015): pp. 675-687; Phillip V. Allingham. 'Charles "Carlo" Dickens In and Out of Italy in 1844: &lt;em&gt;The Chimes&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 41 (2010): pp. 127-149; Michael Slater. 'Carlyle and Jerrold Into Dickens: A Study of &lt;em&gt;The Chimes'. Nineteenth-Century Fiction &lt;/em&gt;24.4 (Mar 1970): pp. 506-52; David Raybin. 'Chaucer on the Hearth'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 49.1 (2018): pp. 1-25; Heather Anne Tilley. 'Sentiment and Vision in Charles Dickens’s &lt;em&gt;A Christmas Carol &lt;/em&gt;and &lt;em&gt;The Cricket on the Hearth&lt;/em&gt;'. &lt;em&gt;19: Interdisciplinary Studies in the Long Nineteenth Century&lt;/em&gt;&amp;nbsp;4 (2007): 1-22; Elisabeth G. Gitter. 'The Blind Daughter in Charles Dickens's &lt;em&gt;Cricket on the Hearth'. Studies in English Literature, 1500-1900&lt;/em&gt; 39.4 (Autumn 1999): pp. 675-689; Goldie Morgentaler. 'The Doppelganger Effect: Dickens, Heredity, and the Double in &lt;em&gt;The Battle of Life&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual: Essays on Victorian Fiction&lt;/em&gt; 42 (2011): 159-175; Phillip V. Allingham. 'The Illustrations in Dickens's &lt;em&gt;The Haunted Man&lt;/em&gt; &lt;em&gt;and The Ghost's Bargain&lt;/em&gt;: Public and Private Spheres and Spaces'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 36 (2005): pp. 75-123.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="17">
      <name>Short Story</name>
      <description/>
      <elementContainer>
        <element elementId="94">
          <name>Publication Type</name>
          <description>E.g.  newspaper/serial</description>
          <elementTextContainer>
            <elementText elementTextId="3175">
              <text>Periodical</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="93">
          <name>Publication</name>
          <description>The title of the newspaper/serial (if applicable)</description>
          <elementTextContainer>
            <elementText elementTextId="3176">
              <text>&lt;em&gt;All the Year Round&lt;/em&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3177">
              <text>18461201</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3226">
              <text>Part the First. Once upon a time, it matters little when, and in stalwart England, it matters little where, a fierce battle was fought. It was fought upon a long summer day when the waving grass was green. Many a wild flower formed by the Almighty Hand to be a perfumed goblet for the dew, felt its enamelled cup filled high with blood that day, and shrinking dropped. Many an insect deriving its delicate colour from harmless leaves and herbs, was stained anew that day by dying men, and marked its frightened way with an unnatural track. The painted butterfly took blood into the air upon the edges of its wings. The stream ran red. The trodden ground became a quagmire, whence, from sullen pools collected in the prints of human feet and horses’ hoofs, the one prevailing hue still lowered and glimmered at the sun. Heaven keep us from a knowledge of the sights the moon beheld upon that field, when, coming up above the black line of distant rising-ground, softened and blurred at the edge by trees, she rose into the sky and looked upon the plain, strewn with upturned faces that had once at mothers’ breasts sought mothers’ eyes, or slumbered happily. Heaven keep us from a knowledge of the secrets whispered afterwards upon the tainted wind that blew across the scene of that day’s work and that night’s death and suffering! Many a lonely moon was bright upon the battle-ground, and many a star kept mournful watch upon it, and many a wind from every quarter of the earth blew over it, before the traces of the fight were worn away. They lurked and lingered for a long time, but survived in little things; for, Nature, far above the evil passions of men, soon recovered Her serenity, and smiled upon the guilty battle-ground as she had done before, when it was innocent. The larks sang high above it; the swallows skimmed and dipped and flitted to and fro; the shadows of the flying clouds pursued each other swiftly, over grass and corn and turnip-field and wood, and over roof and church-spire in the nestling town among the trees, away into the bright distance on the borders of the sky and earth, where the red sunsets faded. Crops were sown, and grew up, and were gathered in; the stream that had been crimsoned, turned a watermill; men whistled at the plough; gleaners and haymakers were seen in quiet groups at work; sheep and oxen pastured; boys whooped and called, in fields, to scare away the birds; smoke rose from cottage chimneys; sabbath bells rang peacefully; old people lived and died; the timid creatures of the field, the simple flowers of the bush and garden, grew and withered in their destined terms: and all upon the fierce and bloody battle-ground, where thousands upon thousands had been killed in the great fight. But, there were deep green patches in the growing corn at first, that people looked at awfully. Year after year they re-appeared; and it was known that underneath those fertile spots, heaps of men and horses lay buried, indiscriminately, enriching the ground. The husbandmen who ploughed those places, shrunk from the great worms abounding there; and the sheaves they yielded, were, for many a long year, called the Battle Sheaves, and set apart; and no one ever knew a Battle Sheaf to be among the last load at a Harvest Home. For a long time, every furrow that was turned, revealed some fragments of the fight. For a long time, there were wounded trees upon the battle-ground; and scraps of hacked and broken fence and wall, where deadly struggles had been made; and trampled parts where not a leaf or blade would grow. For a long time, no village girl would dress her hair or bosom with the sweetest flower from that field of death: and after many a year had come and gone, the berries growing there, were still believed to leave too deep a stain upon the hand that plucked them. The Seasons in their course, however, though they passed as lightly as the summer clouds themselves, obliterated, in the lapse of time, even these remains of the old conflict; and wore away such legendary traces of it as the neighbouring people carried in their minds, until they dwindled into old wives’ tales, dimly remembered round the winter fire, and waning every year. Where the wild flowers and berries had so long remained upon the stem untouched, gardens arose, and houses were built, and children played at battles on the turf. The wounded trees had long ago made Christmas logs, and blazed and roared away. The deep green patches were no greener now than the memory of those who lay in dust below. The ploughshare still turned up from time to time some rusty bits of metal, but it was hard to say what use they had ever served, and those who found them wondered and disputed. An old dinted corselet, and a helmet, had been hanging in the church so long, that the same weak half-blind old man who tried in vain to make them out above the whitewashed arch, had marvelled at them as a baby. If the host slain upon the field, could have been for a moment reanimated in the forms in which they fell, each upon the spot that was the bed of his untimely death, gashed and ghastly soldiers would have stared in, hundreds deep, at household door and window; and would have risen on the hearths of quiet homes; and would have been the garnered store of barns and granaries; and would have started up between the cradled infant and its nurse; and would have floated with the stream, and whirled round on the mill, and crowded the orchard, and burdened the meadow, and piled the rickyard high with dying men. So altered was the battle-ground, where thousands upon thousands had been killed in the great fight. Nowhere more altered, perhaps, about a hundred years ago, than in one little orchard attached to an old stone house with a honeysuckle porch; where, on a bright autumn morning, there were sounds of music and laughter, and where two girls danced merrily together on the grass, while some half-dozen peasant women standing on ladders, gathering the apples from the trees, stopped in their work to look down, and share their enjoyment. It was a pleasant, lively, natural scene; a beautiful day, a retired spot; and the two girls, quite unconstrained and careless, danced in the freedom and gaiety of their hearts. If there were no such thing as display in the world, my private opinion is, and I hope you agree with me, that we might get on a great deal better than we do, and might be infinitely more agreeable company than we are. It was charming to see how these girls danced. They had no spectators but the apple-pickers on the ladders. They were very glad to please them, but they danced to please themselves (or at least you would have supposed so); and you could no more help admiring, than they could help dancing. How they did dance! Not like opera dancers. Not at all. And not like Madame Anybody’s finished pupils. Not the least. It was not quadrille dancing, nor minuet dancing, nor even country-dance dancing. It was neither in the old style, nor the new style, nor the French style, nor the English style: though it may have been, by accident, a trifle in the Spanish style, which is a free and joyous one, I am told, deriving a delightful air of off-hand inspiration, from the chirping little castanets. As they danced among the orchard trees, and down the groves of stems and back again, and twirled each other lightly round and round, the influence of their airy motion seemed to spread and spread, in the sun-lighted scene, like an expanding circle in the water. Their streaming hair and fluttering skirts, the elastic grass beneath their feet, the boughs that rustled in the morning air—the flashing leaves, the speckled shadows on the soft green ground—the balmy wind that swept along the landscape, glad to turn the distant windmill, cheerily—everything between the two girls, and the man and team at plough upon the ridge of land, where they showed against the sky as if they were the last things in the world—seemed dancing too. At last, the younger of the dancing sisters, out of breath, and laughing gaily, threw herself upon a bench to rest. The other leaned against a tree hard by. The music, a wandering harp and fiddle, left off with a flourish, as if it boasted of its freshness; though the truth is, it had gone at such a pace, and worked itself to such a pitch of competition with the dancing, that it never could have held on, half a minute longer. The apple-pickers on the ladders raised a hum and murmur of applause, and then, in keeping with the sound, bestirred themselves to work again like bees. The more actively, perhaps, because an elderly gentleman, who was no other than Doctor Jeddler himself—it was Doctor Jeddler’s house and orchard, you should know, and these were Doctor Jeddler’s daughters—came bustling out to see what was the matter, and who the deuce played music on his property, before breakfast. For he was a great philosopher, Doctor Jeddler, and not very musical. "Music and dancing to-day!" said the Doctor, stopping short, and speaking to himself. "I thought they dreaded to-day. But it’s a world of contradictions. Why, Grace; why, Marion!" he added, aloud, "is the world more mad than usual this morning?" "Make some allowance for it, father, if it be," replied his younger daughter, Marion, going close to him, and looking into his face, "for it’s somebody’s birth-day." "Somebody’s birth-day, Puss," replied the Doctor. "Don’t you know it’s always somebody’s birth-day? Did you never hear how many new performers enter on this—ha! ha! ha!—it’s impossible to speak gravely of it—on this preposterous and ridiculous business called Life, every minute?" "No, father!" "No, not you, of course; you’re a woman—almost," said the Doctor. "By-the-by," and he looked into the pretty face, still close to his, "I suppose it’s your birth-day." "No! Do you really, father?" cried his pet daughter, pursing up her red lips to be kissed. "There! Take my love with it," said the Doctor, imprinting his upon them; "and many happy returns of the—the idea!—of the day. The notion of wishing happy returns in such a farce as this," said the Doctor to himself, "is good! Ha! ha! ha!" Doctor Jeddler was, as I have said, a great philosopher, and the heart and mystery of his philosophy was, to look upon the world as a gigantic practical joke; as something too absurd to be considered seriously, by any rational man. His system of belief had been, in the beginning, part and parcel of the battle-ground on which he lived, as you shall presently understand. "Well! But how did you get the music?" asked the Doctor. "Poultry-stealers, of course. Where did the minstrels come from?" "Alfred sent the music," said his daughter Grace, adjusting a few simple flowers in her sister’s hair, with which, in her admiration of that youthful beauty, she had herself adorned it half-an-hour before, and which the dancing had disarranged. "Oh! Alfred sent the music, did he?" returned the Doctor. "Yes. He met it coming out of the town as he was entering early. The men are travelling on foot, and rested there last night; and as it was Marion’s birth-day, and he thought it would please her, he sent them on, with a pencilled note to me, saying that if I thought so too, they had come to serenade her." "Ay, ay," said the Doctor, carelessly, "he always takes your opinion." "And my opinion being favourable," said Grace, good-humouredly; and pausing for a moment to admire the pretty head she decorated, with her own thrown back; "and Marion being in high spirits, and beginning to dance, I joined her: and so we danced to Alfred’s music till we were out of breath. And we thought the music all the gayer for being sent by Alfred. Didn’t we, dear Marion?" "Oh, I don’t know, Grace. How you teaze me about Alfred." "Teaze you by mentioning your lover!" said her sister. "I am sure I don’t much care to have him mentioned," said the wilful beauty, stripping the petals from some flowers she held, and scattering them on the ground. "I am almost tired of hearing of him; and as to his being my lover"— "Hush! Don’t speak lightly of a true heart, which is all your own, Marion," cried her sister, "even in jest. There is not a truer heart than Alfred’s in the world!" "No-no," said Marion, raising her eyebrows with a pleasant air of careless consideration, "perhaps not. But I don’t know that there’s any great merit in that. I—I don’t want him to be so very true. I never asked him. If he expects that I— But, dear Grace, why need we talk of him at all, just now!" It was agreeable to see the graceful figures of the blooming sisters, twined together, lingering among the trees, conversing thus, with earnestness opposed to lightness, yet, with love responding tenderly to love. And it was very curious indeed to see the younger sister’s eyes suffused with tears; and something fervently and deeply felt, breaking through the wilfulness of what she said, and striving with it painfully. The difference between them, in respect of age, could not exceed four years at most: but Grace, as often happens in such cases, when no mother watches over both (the Doctor’s wife was dead), seemed, in her gentle care of her young sister, and in the steadiness of her devotion to her, older than she was; and more removed, in course of nature, from all competition with her, or participation, otherwise than through her sympathy and true affection, in her wayward fancies, than their ages seemed to warrant. Great character of mother, that, even in this shadow and faint reflection of it, purifies the heart, and raises the exalted nature nearer to the angels! The Doctor’s reflections, as he looked after them, and heard the purport of their discourse, were limited, at first, to certain merry meditations on the folly of all loves and likings, and the idle imposition practised on themselves by young people, who believed, for a moment, that there could be anything serious in such bubbles, and were always undeceived—always! But, the home-adorning, self-denying qualities of Grace, and her sweet temper, so gentle and retiring, yet including so much constancy and bravery of spirit, seemed all expressed to him in the contrast between her quiet household figure and that of his younger and more beautiful child; and he was sorry for her sake—sorry for them both—that life should be such a very ridiculous business as it was. The Doctor never dreamed of inquiring whether his children, or either of them, helped in any way to make the scheme a serious one. But then he was a Philosopher. A kind and generous man by nature, he had stumbled, by chance, over that common Philosopher’s stone (much more easily discovered than the object of the alchemist’s researches), which sometimes trips up kind and generous men, and has the fatal property of turning gold to dross and every precious thing to poor account. "Britain!" cried the Doctor. "Britain! Holloa!" A small man, with an uncommonly sour and discontented face, emerged from the house, and returned to this call the unceremonious acknowledgment of "Now then!" "Where’s the breakfast table?" said the Doctor. "In the house," returned Britain. "Are you going to spread it out here, as you were told last night?" said the Doctor. "Don’t you know that there are gentlemen coming? That there’s business to be done this morning, before the coach comes by? That this is a very particular occasion?" "I couldn’t do anything, Dr. Jeddler, till the women had done getting in the apples, could I?" said Britain, his voice rising with his reasoning, so that it was very loud at last. "Well, have they done now?" replied the Doctor, looking at his watch, and clapping his hands. "Come! make haste! where’s Clemency?" "Here am I, Mister," said a voice from one of the ladders, which a pair of clumsy feet descended briskly. "It’s all done now. Clear away, gals. Everything shall be ready for you in half a minute, Mister." With that she began to bustle about most vigorously; presenting, as she did so, an appearance sufficiently peculiar to justify a word of introduction. She was about thirty years old; and had a sufficiently plump and cheerful face, though it was twisted up into an odd expression of tightness that made it comical. But the extraordinary homeliness of her gait and manner, would have superseded any face in the world. To say that she had two left legs, and somebody else’s arms; and that all four limbs seemed to be out of joint, and to start from perfectly wrong places when they were set in motion; is to offer the mildest outline of the reality. To say that she was perfectly content and satisfied with these arrangements, and regarded them as being no business of hers, and that she took her arms and legs as they came, and allowed them to dispose of themselves just as it happened, is to render faint justice to her equanimity. Her dress was a prodigious pair of self-willed shoes, that never wanted to go where her feet went; blue stockings; a printed gown of many colours, and the most hideous pattern procurable for money; and a white apron. She always wore short sleeves, and always had, by some accident, grazed elbows, in which she took so lively an interest that she was continually trying to turn them round and get impossible views of them. In general, a little cap placed somewhere on her head; though it was rarely to be met with in the place usually occupied in other subjects, by that article of dress; but from head to foot she was scrupulously clean, and maintained a kind of dislocated tidiness. Indeed her laudable anxiety to be tidy and compact in her own conscience as well as in the public eye, gave rise to one of her most startling evolutions, which was to grasp herself sometimes by a sort of wooden handle (part of her clothing, and familiarly called a busk), and wrestle as it were with her garments, until they fell into a symmetrical arrangement. Such, in outward form and garb, was Clemency Newcome; who was supposed to have unconsciously originated a corruption of her own christian name, from Clementina (but nobody knew, for the deaf old mother, a very phenomenon of age, whom she had supported almost from a child, was dead, and she had no other relation); who now busied herself in preparing the table; and who stood, at intervals, with her bare red arms crossed, rubbing her grazed elbows with opposite hands, and staring at it very composedly, until she suddenly remembered something else it wanted, and jogged off to fetch it. "Here are them two lawyers a-coming, Mister!" said Clemency, in a tone of no very great good-will. "Aha!" cried the Doctor, advancing to the gate to meet them. "Good morning, good morning! Grace, my dear! Marion! Here are Messrs. Snitchey and Craggs. Where’s Alfred?" "He’ll be back directly, father, no doubt," said Grace. "He had so much to do this morning in his preparations for departure, that he was up and out by daybreak. Good morning, gentlemen." "Ladies!" said Mr. Snitchey, "For Self and Craggs," who bowed, "good morning. Miss," to Marion, "I kiss your hand." Which he did. "And I wish you"—which he might or might not, for he didn’t look, at first sight, like a gentleman troubled with many warm outpourings of soul, in behalf of other people, "a hundred happy returns of this auspicious day." "Ha ha ha!" laughed the Doctor thoughtfully, with his hands in his pockets. "The great farce in a hundred acts!" "You wouldn’t, I am sure," said Mr. Snitchey, standing a small professional blue bag against one leg of the table, "cut the great farce short for this actress, at all events, Doctor Jeddler." "No," returned the Doctor. "God forbid! May she live to laugh at it, as long as she can laugh, and then say, with the French wit, 'The farce is ended; draw the curtain.'" "The French wit," said Mr. Snitchey, peeping sharply into his blue bag, "was wrong, Doctor Jeddler, and your philosophy is altogether wrong, depend upon it, as I have often told you. Nothing serious in life! What do you call law?" "A joke," replied the Doctor. "Did you ever go to law?" asked Mr. Snitchey, looking out of the blue bag. "Never," returned the Doctor. "If you ever do," said Mr. Snitchey, "perhaps you’ll alter that opinion." Craggs, who seemed to be represented by Snitchey, and to be conscious of little or no separate existence or personal individuality, offered a remark of his own in this place. It involved the only idea of which he did not stand seized and possessed in equal moieties with Snitchey; but, he had some partners in it among the wise men of the world. "It’s made a great deal too easy," said Mr. Craggs. "Law is?" asked the Doctor. "Yes," said Mr. Craggs, "everything is. Everything appears to me to be made too easy, now-a-days. It’s the vice of these times. If the world is a joke (I am not prepared to say it isn’t), it ought to be made a very difficult joke to crack. It ought to be as hard a struggle, Sir, as possible. That’s the intention. But, it’s being made far too easy. We are oiling the gates of life. They ought to be rusty. We shall have them beginning to turn, soon, with a smooth sound. Whereas they ought to grate upon their hinges, Sir." Mr. Craggs seemed positively to grate upon his own hinges, as he delivered this opinion; to which he communicated immense effect—being a cold, hard, dry, man, dressed in grey and white, like a flint; with small twinkles in his eyes, as if something struck sparks out of them. The three natural kingdoms, indeed, had each a fanciful representative among this brotherhood of disputants; for Snitchey was like a magpie or raven (only not so sleek), and the Doctor had a streaked face like a winter-pippin, with here and there a dimple to express the peckings of the birds, and a very little bit of pigtail behind, that stood for the stalk. As the active figure of a handsome young man, dressed for a journey, and followed by a porter bearing several packages and baskets, entered the orchard at a brisk pace, and with an air of gaiety and hope that accorded well with the morning,— these three drew together, like the brothers of the sister Fates, or like the Graces most effectually disguised, or like the three weird prophets on the heath, and greeted him. "Happy returns, Alf," said the Doctor, lightly. "A hundred happy returns of this auspicious day, Mr. Heathfield," said Snitchey, bowing low. "Returns!" Craggs murmured in a deep voice, all alone. "Why, what a battery!" exclaimed Alfred, stopping short, "and one—two—three—all foreboders of no good, in the great sea before me. I am glad you are not the first I have met this morning: I should have taken it for a bad omen. But, Grace was the first—sweet, pleasant Grace—so I defy you all!" "If you please, Mister, I was the first you know," said Clemency Newcome. "She was walking out here, before sunrise, you remember. I was in the house." "That’s true! Clemency was the first," said Alfred. "So I defy you with Clemency." "Ha, ha, ha!—for Self and Craggs," said Snitchey. "What a defiance!" "Not so bad a one as it appears, may be," said Alfred, shaking hands heartily with the Doctor, and also with Snitchey and Craggs, and then looking round. "Where are the—Good Heavens!" With a start, productive for the moment of a closer partnership between Jonathan Snitchey and Thomas Craggs than the subsisting articles of agreement in that wise contemplated, he hastily betook himself to where the sisters stood together, and—however, I needn’t more particularly explain his manner of saluting Marion first, and Grace afterwards, than by hinting that Mr. Craggs may possibly have considered it "too easy." Perhaps to change the subject, Dr. Jeddler made a hasty move towards the breakfast, and they all sat down at table. Grace presided; but so discreetly stationed herself, as to cut off her sister and Alfred from the rest of the company. Snitchey and Craggs sat at opposite corners, with the blue bag between them for safety; the Doctor took his usual position, opposite to Grace. Clemency hovered galvanically about the table, as waitress; and the melancholy Britain, at another and a smaller board, acted as Grand Carver of a round of beef, and a ham. "Meat?" said Britain, approaching Mr. Snitchey, with the carving knife and fork in his hands, and throwing the question at him like a missile. "Certainly," returned the lawyer. "Do you want any?" to Craggs. "Lean and well done," replied that gentleman. Having executed these orders, and moderately supplied the Doctor (he seemed to know that nobody else wanted anything to eat), he lingered as near the Firm as he decently could, watching with an austere eye their disposition of the viands, and but once relaxing the severe expression of his face. This was on the occasion of Mr. Craggs, whose teeth were not of the best, partially choking, when he cried out with great animation, "I thought he was gone!" "Now, Alfred," said the Doctor, "for a word or two of business, while we are yet at breakfast." "While we are yet at breakfast," said Snitchey and Craggs, who seemed to have no present idea of leaving off. Although Alfred had not been breakfasting, and seemed to have quite enough business on his hands as it was, he respectfully answered: "If you please, Sir." "If anything could be serious," the Doctor began, "in such a—" "Farce as this, Sir," hinted Alfred. "In such a farce as this," observed the Doctor, "it might be this recurrence, on the eve of separation, of a double birth-day, which is connected with many associations pleasant to us four, and with the recollection of a long and amicable intercourse. That’s not to the purpose." "Ah! yes, yes, Dr. Jeddler," said the young man. "It is to the purpose. Much to the purpose, as my heart bears witness this morning; and as yours does too, I know, if you would let it speak. I leave your house to-day; I cease to be your ward to-day; we part with tender relations stretching far behind us, that never can be exactly renewed, and with others dawning—yet before us," he looked down at Marion beside him, "fraught with such considerations as I must not trust myself to speak of now. Come, come!" he added, rallying his spirits and the Doctor at once, "there’s a serious grain in this large foolish dust-heap, Doctor. Let us allow to-day, that there is One." "To-day!" cried the Doctor. "Hear him! Ha, ha, ha! Of all days in the foolish year. Why, on this day, the great battle was fought on this ground. On this ground where we now sit, where I saw my two girls dance this morning, where the fruit has just been gathered for our eating from these trees, the roots of which are struck in Men, not earth,—so many lives were lost, that within my recollection, generations afterwards, a churchyard full of bones, and dust of bones, and chips of cloven skulls, has been dug up from underneath our feet here. Yet not a hundred people in that battle knew for what they fought, or why; not a hundred of the inconsiderate rejoicers in the victory, why they rejoiced. Not half a hundred people were the better for the gain or loss. Not half-a-dozen men agree to this hour on the cause or merits; and nobody, in short, ever knew anything distinct about it, but the mourners of the slain. Serious, too!" said the Doctor, laughing. "Such a system!" "But, all this seems to me," said Alfred, "to be very serious." "Serious!" cried the Doctor. "If you allowed such things to be serious, you must go mad, or die, or climb up to the top of a mountain, and turn hermit." "Besides—so long ago," said Alfred. "Long ago!" returned the Doctor. "Do you know what the world has been doing, ever since? Do you know what else it has been doing? I don’t!" "It has gone to law a little," observed Mr. Snitchey, stirring his tea. "Although the way out has been always made too easy," said his partner. "And you’ll excuse my saying, Doctor," pursued Mr. Snitchey, "having been already put a thousand times in possession of my opinion, in the course of our discussions, that, in its having gone to law, and in its legal system altogether, I do observe a serious side—now, really, a something tangible, and with a purpose and intention in it—" Clemency Newcome made an angular tumble against the table, occasioning a sounding clatter among the cups and saucers. "Heyday! what’s the matter there?" exclaimed the Doctor. "It’s this evil-inclined blue bag," said Clemency, "always tripping up somebody!" "With a purpose and intention in it, I was saying," resumed Snitchey, "that commands respect. Life a farce, Dr. Jeddler? With law in it?" The Doctor laughed, and looked at Alfred. "Granted, if you please, that war is foolish," said Snitchey. "There we agree. For example. Here’s a smiling country," pointing it out with his fork, "once overrun by soldiers—trespassers every man of ’em—and laid waste by fire and sword. He, he, he! The idea of any man exposing himself, voluntarily, to fire and sword! Stupid, wasteful, positively ridiculous; you laugh at your fellow-creatures, you know, when you think of it! But take this smiling country as it stands. Think of the laws appertaining to real property; to the bequest and devise of real property; to the mortgage and redemption of real property; to leasehold, freehold, and copyhold estate; think," said Mr. Snitchey, with such great emotion that he actually smacked his lips, "of the complicated laws relating to title and proof of title, with all the contradictory precedents and numerous acts of parliament connected with them; think of the infinite number of ingenious and interminable chancery suits, to which this pleasant prospect may give rise; —and acknowledge, Doctor Jeddler, that there is a green spot in the scheme about us! I believe," said Mr. Snitchey, looking at his partner, "that I speak for Self and Craggs?" Mr. Craggs having signified assent, Mr. Snitchey, somewhat freshened by his recent eloquence, observed that he would take a little more beef, and another cup of tea. "I don’t stand up for life in general," he added, rubbing his hands and chuckling, "it’s full of folly; full of something worse. Professions of trust, and confidence, and unselfishness, and all that! Bah, bah, bah! We see what they’re worth. But, you mustn’t laugh at life; you’ve got a game to play; a very serious game indeed! Everybody’s playing against you, you know, and you’re playing against them. Oh! it’s a very interesting thing. There are deep moves upon the board. You must only laugh, Doctor Jeddler, when you win; and then not much. He, he, he! And then not much," repeated Snitchey, rolling his head and winking his eye, as if he would have added, 'you may do this instead!’ "Well, Alfred!" cried the Doctor, "what do you say now?" "I say, Sir," replied Alfred, "that the greatest favour you could do me, and yourself too, I am inclined to think, would be to try sometimes to forget this battle-field, and others like it, in that broader battle-field of Life, on which the sun looks every day." "Really, I’m afraid that wouldn’t soften his opinions, Mr. Alfred," said Snitchey. "The combatants are very eager and very bitter in that same battle of Life. There’s a great deal of cutting and slashing, and firing into people’s heads from behind; terrible treading down, and trampling on; it's rather a bad business." "I believe, Mr. Snitchey," said Alfred, "there are quiet victories and struggles, great sacrifices of self, and noble acts of heroism, in it—even in many of its apparent lightnesses and contradictions—not the less difficult to achieve, because they have no earthly chronicle or audience; done every day in nooks and corners, and in little households, and in men’s and women’s hearts—any one of which might reconcile the sternest man to such a world, and fill him with belief and hope in it, though two-fourths of its people were at war, and another fourth at law; and that’s a bold word." Both the sisters listened keenly. "Well, well!" said the Doctor, "I am too old to be converted, even by my friend Snitchey here, or my good spinster sister, Martha Jeddler; who had what she calls her domestic trials ages ago, and has led a sympathising life with all sorts of people ever since; and who is so much of your opinion (only she’s less reasonable and more obstinate, being a woman), that we can’t agree, and seldom meet. I was born upon this battle-field. I began, as a boy, to have my thoughts directed to the real history of a battle-field. Sixty years have gone over my head; and I have never seen the Christian world, including Heaven knows how many loving mothers and good enough girls, like mine here, anything but mad for a battle-field. The same contradictions prevail in everything. One must either laugh or cry at such stupendous inconsistencies; and I prefer to laugh." Britain, who had been paying the profoundest and most melancholy attention to each speaker in his turn, seemed suddenly to decide in favour of the same preference, if a deep sepulchral sound that escaped him might be construed into a demonstration of risibility. His face, however, was so perfectly unaffected by it, both before and afterwards, that although one or two of the breakfast party looked round as being startled by a mysterious noise, nobody connected the offender with it. Except his partner in attendance, Clemency Newcome; who rousing him with one of those favourite joints, her elbows, inquired, in a reproachful whisper, what he laughed at. "Not you!" said Britain. "Who then?" "Humanity," said Britain. "That’s the joke." "What between master and them lawyers, he’s getting more and more addle-headed every day!" cried Clemency, giving him a lunge with the other elbow, as a mental stimulant. "Do you know where you are? Do you want to get warning?" "I don’t know anything," said Britain, with a leaden eye and an immovable visage. "I don’t care for anything. I don’t make out anything. I don’t believe anything. And I don’t want anything." Although this forlorn summary of his general condition may have been overcharged in an access of despondency, Benjamin Britain—sometimes called Little Britain, to distinguish him from Great; as we might say Young England, to express Old England with a decided difference—had defined his real state more accurately than might be supposed. For, serving as a sort of man Miles, to the Doctor’s Friar Bacon, and listening day after day to innumerable orations addressed by the Doctor to various people, all tending to show that his very existence was at best a mistake and an absurdity; this unfortunate servitor had fallen, by degrees, into such an abyss of confused and contradictory suggestions from within and without, that Truth at the bottom of her well, was on the level surface as compared with Britain in the depths of his mystification. The only point he clearly comprehended, was, that the new element usually brought into these discussions by Snitchey and Craggs, never served to make them clearer, and always seemed to give the Doctor a species of advantage and confirmation. Therefore, he looked upon the Firm as one of the proximate causes of his state of mind, and held them in abhorrence accordingly. "But, this is not our business, Alfred," said the Doctor. "Ceasing to be my ward (as you have said) to-day; and leaving us full to the brim of such learning as the Grammar School down here was able to give you, and your studies in London could add to that, and such practical knowledge as a dull old country Doctor like myself could graft upon both; you are away, now, into the world. The first term of probation appointed by your poor father, being over, away you go now, your own master, to fulfil his second desire: and long before your three years’ tour among the foreign schools of medicine is finished, you’ll have forgotten us. Lord, you’ll forget us easily in six months!" "If I do—But you know better; why should I speak to you!" said Alfred, laughing. "I don’t know anything of the sort," returned the Doctor. "What do you say, Marion?" Marion, trifling with her teacup, seemed to say—but she didn’t say it—that he was welcome to forget them, if he could. Grace pressed the blooming face against her cheek, and smiled. "I haven’t been, I hope, a very unjust steward in the execution of my trust," pursued the Doctor; "but I am to be, at any rate, formally discharged, and released, and what not this morning; and here are our good friends Snitchey and Craggs, with a bagful of papers, and accounts, and documents, for the transfer of the balance of the trust fund to you (I wish it was a more difficult one to dispose of, Alfred, but you must get to be a great man and make it so), and other drolleries of that sort, which are to be signed, sealed, and delivered." "And duly witnessed, as by law required," said Snitchey, pushing away his plate, and taking out the papers, which his partner proceeded to spread upon the table; "and Self and Craggs having been co-trustees with you, Doctor, in so far as the fund was concerned, we shall want your two servants to attest the signatures—can you read, Mrs. Newcome?" "I an’t married, Mister," said Clemency. "Oh! I beg your pardon. I should think not," chuckled Snitchey, casting his eyes over her extraordinary figure. "You can read?" "A little," answered Clemency. "The marriage service, night and morning, eh?" observed the lawyer, jocosely. "No," said Clemency. "Too hard. I only reads a thimble." "Read a thimble!" echoed Snitchey. "What are you talking about, young woman?" Clemency nodded. "And a nutmeg-grater." "Why, this is a lunatic! a subject for the Lord High Chancellor!" said Snitchey, staring at her. —"If possessed of any property," stipulated Craggs. Grace, however, interposing, explained that each of the articles in question bore an engraved motto, and so formed the pocket library of Clemency Newcome, who was not much given to the study of books. "Oh, that’s it, is it, Miss Grace!" said Snitchey. "Yes, yes. Ha, ha, ha! I thought our friend was an idiot. She looks uncommonly like it," he muttered, with a supercilious glance. "And what does the thimble say, Mrs. Newcome?" "I an’t married, Mister," observed Clemency. "Well, Newcome. Will that do?" said the lawyer. "What does the thimble say, Newcome?" How Clemency, before replying to this question, held one pocket open, and looked down into its yawning depths for the thimble which wasn’t there,—and how she then held an opposite pocket open, and seeming to descry it, like a pearl of great price, at the bottom, cleared away such intervening obstacles as a handkerchief, an end of wax candle, a flushed apple, an orange, a lucky penny, a cramp bone, a padlock, a pair of scissors in a sheath, more expressively describable as promising young shears, a handful or so of loose beads, several balls of cotton, a needle-case, a cabinet collection of curl-papers, and a biscuit, all of which articles she entrusted individually and separately to Britain to hold,—is of no consequence. Nor how, in her determination to grasp this pocket by the throat and keep it prisoner (for it had a tendency to swing, and twist itself round the nearest corner), she assumed, and calmly maintained, an attitude apparently inconsistent with the human anatomy and the laws of gravity. It is enough that at last she triumphantly produced the thimble on her finger, and rattled the nutmeg-grater; the literature of both those trinkets being obviously in course of wearing out and wasting away, through excessive friction. "That’s the thimble, is it, young woman?" said Mr. Snitchey, diverting himself at her expense. "And what does the thimble say?" "It says," replied Clemency, reading slowly round as if it were a tower, "For-get and For-give." Snitchey and Craggs laughed heartily. "So new!" said Snitchey. "So easy!" said Craggs. "Such a knowledge of human nature in it," said Snitchey. "So applicable to the affairs of life," said Craggs. "And the nutmeg-grater?" inquired the head of the Firm. "The grater says," returned Clemency, "Do as you—wold—be—done by." "'Do, or you’ll be done brown,' you mean," said Mr. Snitchey. "I don’t understand," retorted Clemency, shaking her head vaguely. "I a'n’t no lawyer." "I am afraid that if she was, Doctor," said Mr. Snitchey, turning to him suddenly, as if to anticipate any effect that might otherwise be consequent on this retort, "she’d find it to be the golden rule of half her clients. They are serious enough in that—whimsical as your world is—and lay the blame on us afterwards. We, in our profession, are little else than mirrors after all, Mr. Alfred; but, we are generally consulted by angry and quarrelsome people, who are not in their best looks; and it’s rather hard to quarrel with us if we reflect unpleasant aspects. I think," said Mr. Snitchey, "that I speak for Self and Craggs?" "Decidedly," said Craggs. "And so, if Mr. Britain will oblige us with a mouthful of ink," said Mr. Snitchey, returning to the papers, "we’ll sign, seal, and deliver as soon as possible, or the coach will be coming past before we know where we are." If one might judge from his appearance, there was every probability of the coach coming past before Mr. Britain knew where he was; for he stood in a state of abstraction, mentally balancing the Doctor against the lawyers, and the lawyers against the Doctor, and their clients against both; and engaged in feeble attempts to make the thimble and nutmeg-grater (a new idea to him) square with anybody’s system of philosophy; and, in short, bewildering himself as much as ever his great namesake has done with theories and schools. But Clemency, who was his good Genius—though he had the meanest possible opinion of her understanding, by reason of her seldom troubling herself with abstract speculations, and being always at hand to do the right thing at the right time—having produced the ink in a twinkling, tendered him the further service of recalling him to himself by the application of her elbows; with which gentle flappers she so jogged his memory, in a more literal construction of that phrase than usual, that he soon became quite fresh and brisk. How he laboured under an apprehension not uncommon to persons in his degree, to whom the use of pen and ink is an event, that he couldn’t append his name to a document, not of his own writing, without committing himself in some shadowy manner, or somehow signing away vague and enormous sums of money; and how he approached the deeds under protest, and by dint of the Doctor’s coercion, and insisted on pausing to look at them before writing (the cramped hand, to say nothing of the phraseology, being so much Chinese to him), and also on turning them round to see whether there was anything fraudulent, underneath; and how, having signed his name, he became desolate as one who had parted with his property and rights; I want the time to tell. Also, how the blue bag containing his signature, afterwards had a mysterious interest for him, and he couldn’t leave it; also, how Clemency Newcome, in an ecstasy of laughter at the idea of her own importance and dignity, brooded over the whole table with her two elbows, like a spread eagle, and reposed her head upon her left arm as a preliminary to the formation of certain cabalistic characters, which required a deal of ink, and imaginary counterparts whereof she executed at the same time with her tongue. Also how, having once tasted ink, she became thirsty in that regard, as tame tigers are said to be after tasting another sort of fluid, and wanted to sign everything, and put her name in all kinds of places. In brief, the Doctor was discharged of his trust and all its responsibilities; and Alfred, taking it on himself, was fairly started on the journey of life. "Britain!" said the Doctor. "Run to the gate, and watch for the coach. Time flies, Alfred!" "Yes, Sir, yes," returned the young man, hurriedly. "Dear Grace! a moment! Marion—so young and beautiful, so winning and so much admired, dear to my heart as nothing else in life is—remember! I leave Marion to you!" "She has always been a sacred charge to me, Alfred. She is doubly so, now. I will be faithful to my trust, believe me." "I do believe it, Grace. I know it well. Who could look upon your face, and hear your voice, and not know it! Ah, Grace! If I had your well-governed heart, and tranquil mind, how bravely I would leave this place to-day!" "Would you?" she answered with a quiet smile. "And yet, Grace—Sister, seems the natural word." "Use it!" she said quickly. "I am glad to hear it, call me nothing else." "And yet, Sister, then," said Alfred, "Marion and I had better have your true and stedfast qualities serving us here, and making us both happier and better. I wouldn’t carry them away, to sustain myself, if I could!" "Coach upon the hill-top!" exclaimed Britain. "Time flies, Alfred," said the Doctor. Marion had stood apart, with her eyes fixed upon the ground; but, this warning being given, her young lover brought her tenderly to where her sister stood, and gave her into her embrace. "I have been telling Grace, dear Marion," he said, "that you are her charge; my precious trust at parting. And when I come back and reclaim you, dearest, and the bright prospect of our married life lies stretched before us, it shall be one of our chief pleasures to consult how we can make Grace happy; how we can anticipate her wishes; how we can show our gratitude and love to her; how we can return her something of the debt she will have heaped upon us." The younger sister had one hand in his; the other rested on her sister’s neck. She looked into that sister’s eyes, so calm, serene, and cheerful, with a gaze in which affection, admiration, sorrow, wonder, almost veneration, were blended. She looked into that sister’s face, as if it were the face of some bright angel. Calm, serene, and cheerful, the face looked back on her and on her lover. "And when the time comes, as it must one day," said Alfred,—"I wonder it has never come yet: but Grace knows best, for Grace is always right—when she will want a friend to open her whole heart to, and to be to her something of what she has been to us,—then, Marion, how faithful we will prove, and what delight to us to know that she, our dear good sister, loves and is loved again, as we would have her!" Still the younger sister looked into her eyes, and turned not—even towards him. And still those honest eyes looked back, so calm, serene, and cheerful, on herself and on her lover. "And when all that is past, and we are old, and living (as we must!) together—close together; talking often of old times,’ said Alfred—"these shall be our favourite times among them—this day most of all; and, telling each other what we thought and felt, and hoped and feared, at parting; and how we couldn’t bear to say good bye"— "Coach coming through the wood," cried Britain. "Yes! I am ready—and how we met again, so happily in spite of all; we’ll make this day the happiest in all the year, and keep it as a treble birth-day. Shall we, dear?" "Yes!" interposed the elder sister, eagerly, and with a radiant smile. "Yes! Alfred, don’t linger. There’s no time. Say good bye to Marion. And Heaven be with you!" He pressed the younger sister to his heart. Released from his embrace, she again clung to her sister; and her eyes, with the same blended look, again sought those so calm, serene, and cheerful. "Farewell, my boy!" said the Doctor. "To talk about any serious correspondence or serious affections, and engagements and so forth, in such a—ha ha ha!—you know what I mean—why that, of course, would be sheer nonsense. All I can say is, that if you and Marion should continue in the same foolish minds, I shall not object to have you for a son-in-law one of these days." "Over the bridge!" cried Britain. "Let it come!" said Alfred, wringing the Doctor’s hand stoutly. "Think of me sometimes, my old friend and guardian, as seriously as you can! Adieu, Mr. Snitchey! Farewell, Mr. Craggs!" "Coming down the road!" cried Britain. "A kiss of Clemency Newcome for long acquaintance’ sake—shake hands, Britain—Marion, dearest heart, good bye! Sister Grace! remember!" The quiet household figure, and the face so beautiful in its serenity, were turned towards him in reply; but Marion’s look and attitude remained unchanged. The coach was at the gate. There was a bustle with the luggage. The coach drove away. Marion never moved. "He waves his hat to you, my love," said Grace."Your chosen husband, darling. Look!" The younger sister raised her head, and, for a moment, turned it. Then, turning back again, and fully meeting, for the first time, those calm eyes, fell sobbing on her neck. "Oh, Grace. God bless you! But I cannot bear to see it, Grace! It breaks my heart." Part the Second. Snitchey and Craggs had a snug little office on the old Battle Ground, where they drove a snug little business, and fought a great many small pitched battles for a great many contending parties. Though it could hardly be said of these conflicts that they were running fights—for in truth they generally proceeded at a snail’s pace—the part the Firm had in them came so far within the general denomination, that now they took a shot at this Plaintiff, and now aimed a chop at that Defendant, now made a heavy charge at an estate in Chancery, and now had some light skirmishing among an irregular body of small debtors, just as the occasion served, and the enemy happened to present himself. The Gazette was an important and profitable feature in some of their fields, as in fields of greater renown; and in most of the Actions wherein they showed their generalship, it was afterwards observed by the combatants that they had had great difficulty in making each other out, or in knowing with any degree of distinctness what they were about, in consequence of the vast amount of smoke by which they were surrounded. The offices of Messrs. Snitchey and Craggs stood convenient with an open door, down two smooth steps in the market-place: so that any angry farmer inclining towards hot water, might tumble into it at once. Their special council-chamber and hall of conference was an old back room up stairs, with a low dark ceiling, which seemed to be knitting its brows gloomily in the consideration of tangled points of law. It was furnished with some high-backed leathern chairs, garnished with great goggle-eyed brass nails, of which, every here and there, two or three had fallen out; or had been picked out, perhaps, by the wandering thumbs and forefingers of bewildered clients. There was a framed print of a great judge in it, every curl in whose dreadful wig had made a man’s hair stand on end. Bales of papers filled the dusty closets, shelves, and tables; and round the wainscot there were tiers of boxes, padlocked and fireproof, with people’s names painted outside, which anxious visitors felt themselves, by a cruel enchantment, obliged to spell backwards and forwards, and to make anagrams of, while they sat, seeming to listen to Snitchey and Craggs, without comprehending one word of what they said. Snitchey and Craggs had each, in private life as in professional existence, a partner of his own. Snitchey and Craggs were the best friends in the world, and had a real confidence in one another; but Mrs. Snitchey, by a dispensation not uncommon in the affairs of life, was, on principle, suspicious of Mr. Craggs; and Mrs. Craggs was, on principle, suspicious of Mr. Snitchey. "Your Snitcheys indeed," the latter lady would observe, sometimes, to Mr. Craggs; using that imaginative plural as if in disparagement of an objectionable pair of pantaloons, or other articles not possessed of a singular number; "I don’t see what you want with your Snitcheys, for my part. You trust a great deal too much to your Snitcheys, I think, and I hope you may never find my words come true." While Mrs. Snitchey would observe to Mr. Snitchey, of Craggs, "that if ever he was led away by man he was led away by that man; and that if ever she read a double purpose in a mortal eye, she read that purpose in Craggs’s eye." Notwithstanding this, however, they were all very good friends in general: and Mrs. Snitchey and Mrs. Craggs maintained a close bond of alliance against "the office," which they both considered a Blue chamber, and common enemy, full of dangerous (because unknown) machinations. In this office, nevertheless, Snitchey and Craggs made honey for their several hives. Here sometimes they would linger, of a fine evening, at the window of their council-chamber, overlooking the old battle-ground, and wonder (but that was generally at assize time, when much business had made them sentimental) at the folly of mankind, who couldn’t always be at peace with one another, and go to law comfortably. Here days, and weeks, and months, and years, passed over them; their calendar, the gradually diminishing number of brass nails in the leathern chairs, and the increasing bulk of papers on the tables. Here, nearly three years’ flight had thinned the one and swelled the other, since the breakfast in the orchard; when they sat together in consultation, at night. Not alone; but with a man of thirty, or about that time of life, negligently dressed, and somewhat haggard in the face, but well-made, well-attired, and well-looking, who sat in the arm-chair of state, with one hand in his breast, and the other in his dishevelled hair, pondering moodily. Messrs. Snitchey and Craggs sat opposite each other at a neighbouring desk. One of the fire-proof boxes, unpadlocked and opened, was upon it; a part of its contents lay strewn upon the table, and the rest was then in course of passing through the hands of Mr. Snitchey, who brought it to the candle, document by document; looked at every paper singly, as he produced it, shook his head, and handed it to Mr. Craggs, who looked it over also, shook his head, and laid it down. Sometimes they would stop, and shaking their heads in concert, look towards the abstracted client; and the name on the box being Michael Warden, Esquire, we may conclude from these premises that the name and the box were both his, and that the affairs of Michael Warden, Esquire, were in a bad way. "That’s all," said Mr. Snitchey, turning up the last paper. "Really there’s no other resource. No other resource." "All lost, spent, wasted, pawned, borrowed, and sold, eh?" said the client, looking up. "All," returned Mr. Snitchey. "Nothing else to be done, you say?" "Nothing at all." The client bit his nails, and pondered again. "And I am not even personally safe in England? You hold to that, do you?" "In no part of the United Kingdom of Great Britain and Ireland," replied Mr. Snitchey. "A mere prodigal son with no father to go back to, no swine to keep, and no husks to share with them? Eh?" pursued the client, rocking one leg over the other, and searching the ground with his eyes. Mr. Snitchey coughed, as if to deprecate the being supposed to participate in any figurative illustration of a legal position. Mr. Craggs, as if to express that it was a partnership view of the subject, also coughed. "Ruined at thirty!" said the client. "Humph!" "Not ruined, Mr. Warden," returned Snitchey. "Not so bad as that. You have done a good deal towards it, I must say, but you are not ruined. A little nursing—" "A little Devil," said the client. "Mr. Craggs," said Snitchey, "will you oblige me with a pinch of snuff? Thank you, Sir." As the imperturbable lawyer applied it to his nose, with great apparent relish and a perfect absorption of his attention in the proceeding, the client gradually broke into a smile, and, looking up, said: "You talk of nursing. How long nursing?" "How long nursing?" repeated Snitchey, dusting the snuff from his fingers, and making a slow calculation in his mind. "For your involved estate, Sir? In good hands? S. and C.’s, say? Six or seven years." "To starve for six or seven years!" said the client with a fretful laugh, and an impatient change of his position. "To starve for six or seven years, Mr. Warden," said Snitchey, "would be very uncommon indeed. You might get another estate by shewing yourself, the while. But, we don’t think you could do it—speaking for Self and Craggs—and consequently don’t advise it." "What do you advise?" "Nursing, I say," repeated Snitchey. "Some few years of nursing by Self and Craggs would bring it round. But to enable us to make terms, and hold terms, and you to keep terms, you must go away; you must live abroad. As to starvation, we could ensure you some hundreds a-year to starve upon, even in the beginning—I dare say, Mr. Warden." "Hundreds," said the client. "And I have spent thousands!" "That," retorted Mr. Snitchey, putting the papers slowly back into the cast-iron box, "there is no doubt about. No doubt a—bout," he repeated to himself, as he thoughtfully pursued his occupation. The lawyer very likely knew his man; at any rate his dry, shrewd, whimsical manner, had a favourable influence on the client’s moody state, and disposed him to be more free and unreserved. Or, perhaps the client knew his man, and had elicited such encouragement as he had received, to render some purpose he was about to disclose the more defensible in appearance. Gradually raising his head, he sat looking at his immovable adviser with a smile, which presently broke into a laugh. "After all," he said, "my iron-headed friend—" Mr. Snitchey pointed out his partner. "Self and—excuse me—Craggs." "I beg Mr. Craggs’s pardon," said the client. "After all, my iron-headed friends," he leaned forward in his chair, and dropped his voice a little, "you don’t know half my ruin yet." Mr. Snitchey stopped and stared at him. Mr. Craggs also stared. "I am not only deep in debt," said the client, "but I am deep in—" "Not in love!" cried Snitchey. "Yes!" said the client, falling back in his chair, and surveying the Firm with his hands in his pockets. "Deep in love." "And not with an heiress, Sir?" said Snitchey. "Not with an heiress." "Nor a rich lady?" "Nor a rich lady that I know of—except in beauty and merit." "A single lady, I trust?" said Mr. Snitchey, with great expression. "Certainly." ‘It’s not one of Doctor Jeddler’s daughters?’ said Snitchey, suddenly squaring his elbows on his knees, and advancing his face at least a yard. ‘Yes!’ returned the client. "Not his younger daughter?" said Snitchey. "Yes!" returned the client. "Mr. Craggs," said Snitchey, much relieved, "will you oblige me with another pinch of snuff? Thank you. I am happy to say it don’t signify, Mr. Warden; she’s engaged, sir, she’s bespoke. My partner can corroborate me. We know the fact." "We know the fact," repeated Craggs. "Why, so do I perhaps," returned the client quietly. "What of that? Are you men of the world, and did you never hear of a woman changing her mind?" "There certainly have been actions for breach," said Mr. Snitchey, "brought against both spinsters and widows, but in the majority of cases—" "Cases!" interposed the client, impatiently. "Don’t talk to me of cases. The general precedent is in a much larger volume than any of your law books. Besides, do you think I have lived six weeks in the Doctor’s house for nothing?" "I think, sir," observed Mr. Snitchey, gravely addressing himself to his partner, "that of all the scrapes Mr. Warden’s horses have brought him into at one time and another—and they have been pretty numerous, and pretty expensive, as none know better than himself and you and I—the worst scrape may turn out to be, if he talks in this way, this having ever been left by one of them at the Doctor’s garden wall, with three broken ribs, a snapped collar-bone, and the Lord knows how many bruises. We didn’t think so much of it, at the time when we knew he was going on well under the Doctor’s hands and roof; but it looks bad now, Sir. Bad! It looks very bad. Doctor Jeddler too—our client, Mr. Craggs." "Mr. Alfred Heathfield too—a sort of client, Mr. Snitchey," said Craggs. "Mr. Michael Warden too, a kind of client," said the careless visitor, "and no bad one either: having played the fool for ten or twelve years. However Mr. Michael Warden has sown his wild oats now—there’s their crop, in that box; and he means to repent and be wise. And in proof of it, Mr. Michael Warden means, if he can, to marry Marion, the Doctor’s lovely daughter, and to carry her away with him." "Really, Mr. Craggs," Snitchey began. "Really, Mr. Snitchey, and Mr. Craggs, partners both," said the client, interrupting him; "you know your duty to your clients, and you know well enough, I am sure, that it is no part of it to interfere in a mere love affair, which I am obliged to confide to you. I am not going to carry the young lady off, without her own consent. There’s nothing illegal in it. I never was Mr. Heathfield’s bosom friend. I violate no confidence of his. I love where he loves, and I mean to win where he would win, if I can." "He can’t, Mr. Craggs," said Snitchey, evidently anxious and discomfited. "He can’t do it, Sir. She dotes on Mr. Alfred." "Does she?" returned the client. "Mr. Craggs, she dotes on him, Sir," persisted Snitchey. "I didn’t live six weeks, some few months ago, in the Doctor’s house for nothing; and I doubted that soon," observed the client. "She would have doted on him, if her sister could have brought it about; but I watched them. Marion avoided his name, avoided the subject: shrunk from the least allusion to it, with evident distress." "Why should she, Mr. Craggs, you know? Why should she, Sir?" inquired Snitchey. "I don’t know why she should, though there are many likely reasons," said the client, smiling at the attention and perplexity expressed in Mr. Snitchey’s shining eye, and at his cautious way of carrying on the conversation, and making himself informed upon the subject; "but I know she does. She was very young when she made the engagement—if it may be called one, I am not even sure of that—and has repented of it, perhaps. Perhaps—it seems a foppish thing to say, but upon my soul I don’t mean it in that light—she may have fallen in love with me, as I have fallen in love with her." "He, he! Mr. Alfred, her old playfellow too, you remember, Mr. Craggs," said Snitchey, with a disconcerted laugh; "knew her almost from a baby!" "Which makes it the more probable that she may be tired of his idea," calmly pursued the client, "and not indisposed to exchange it for the newer one of another lover, who presents himself (or is presented by his horse) under romantic circumstances; has the not unfavourable reputation—with a country girl—of having lived thoughtlessly and gaily, without doing much harm to anybody; and who, for his youth and figure, and so forth—this may seem foppish again, but upon my soul I don’t mean it in that light—might perhaps pass muster in a crowd with Mr. Alfred himself." There was no gainsaying the last clause, certainly; and Mr. Snitchey, glancing at him, thought so. There was something naturally graceful and pleasant in the very carelessness of his air. It seemed to suggest, of his comely face and well-knit figure, that they might be greatly better if he chose: and that, once roused and made earnest (but he never had been earnest yet), he could be full of fire and purpose. "A dangerous sort of libertine," thought the shrewd lawyer, "to seem to catch the spark he wants from a young lady’s eyes." "Now, observe, Snitchey," he continued, rising and taking him by the button, "and Craggs," taking him by the button also, and placing one partner on either side of him, so that neither might evade him. "I don’t ask you for any advice. You are right to keep quite aloof from all parties in such a matter, which is not one in which grave men like you could interfere, on any side. I am briefly going to review in half-a-dozen words, my position and intention, and then I shall leave it to you to do the best for me, in money matters, that you can: seeing, that, if I run away with the Doctor’s beautiful daughter (as I hope to do, and to become another man under her bright influence), it will be, for the moment, more chargeable than running away alone. But I shall soon make all that up in an altered life." "I think it will be better not to hear this, Mr. Craggs?" said Snitchey, looking at him across the client. "I think not," said Craggs.—Both listening attentively. "Well! You needn’t hear it," replied their client. "I’ll mention it, however. I don’t mean to ask the Doctor’s consent, because he wouldn’t give it me. But I mean to do the Doctor no wrong or harm, because (besides there being nothing serious in such trifles, as he says) I hope to rescue his child, my Marion, from what I see—I know—she dreads, and contemplates with misery: that is, the return of this old lover. If anything in the world is true, it is true that she dreads his return. Nobody is injured so far. I am so harried and worried here just now, that I lead the life of a flying-fish; skulk about in the dark, I am shut out of my own house, and warned off my own grounds: but that house, and those grounds, and many an acre besides, will come back to me one day, as you know and say; and Marion will probably be richer—on your showing, who are never sanguine—ten years hence as my wife, than as the wife of Alfred Heathfield, whose return she dreads (remember that), and in whom or in any man, my passion is not surpassed. Who is injured yet? It is a fair case throughout. My right is as good as his, if she decide in my favor; and I will try my right by her alone. You will like to know no more after this, and I will tell you no more. Now you know my purpose, and wants. When must I leave here?" "In a week," said Snitchey. "Mr. Craggs?"— "In something less, I should say," responded Craggs. "In a month," said the client, after attentively watching the two faces. "This day month. To-day is Thursday. Succeed or fail, on this day month I go." "It’s too long a delay," said Snitchey; "much too long. But let it be so. I thought he’d have stipulated for three," he murmured to himself. "Are you going? Good night, Sir!" "Good night!" returned the client, shaking hands with the Firm. "You’ll live to see me making a good use of riches yet. Henceforth the star of my destiny is, Marion!" "Take care of the stairs, Sir," replied Snitchey; "for she don’t shine there. Good night!" "Good night!" So they both stood at the stair-head with a pair of office-candles, watching him down; and when he had gone away, stood looking at each other. "What do you think of all this, Mr. Craggs?" said Snitchey. Mr. Craggs shook his head. "It was our opinion, on the day when that release was executed, that there was something curious in the parting of that pair, I recollect," said Snitchey. "It was," said Mr. Craggs. "Perhaps he deceives himself altogether," pursued Mr. Snitchey, locking up the fireproof box, and putting it away; "or, if he don’t, a little bit of fickleness and perfidy is not a miracle, Mr. Craggs. And yet I thought that pretty face was very true. I thought," said Mr. Snitchey, putting on his great-coat (for the weather was very cold), drawing on his gloves, and snuffing out one candle, "that I had even seen her character becoming stronger and more resolved of late. More like her sister’s." "Mrs. Craggs was of the same opinion," returned Craggs. "I’d really give a trifle to-night," observed Mr. Snitchey, who was a good-natured man, "if I could believe that Mr. Warden was reckoning without his host; but light-headed, capricious, and unballasted as he is, he knows something of the world and its people (he ought to, for he has bought what he does know, dear enough); and I can’t quite think that. We had better not interfere: we can do nothing, Mr. Craggs, but keep quiet." "Nothing," returned Craggs. "Our friend the Doctor makes light of such things," said Mr. Snitchey, shaking his head. "I hope he mayn’t stand in need of his philosophy. Our friend Alfred talks of the battle of life," he shook his head again, "I hope he mayn’t be cut down early in the day. Have you got your hat, Mr. Craggs? I am going to put the other candle out." Mr. Craggs replying in the affirmative, Mr. Snitchey suited the action to the word, and they groped their way out of the council-chamber: now dark as the subject, or the law in general. My story passes to a quiet little study, where, on that same night, the sisters and the hale old Doctor sat by a cheerful fire-side. Grace was working at her needle. Marion read aloud from a book before her. The Doctor, in his dressing-gown and slippers, with his feet spread out upon the warm rug, leaned back in his easy chair, and listened to the book, and looked upon his daughters. They were very beautiful to look upon. Two better faces for a fireside, never made a fireside bright and sacred. Something of the difference between them had been softened down in three years’ time; and enthroned upon the clear brow of the younger sister, looking through her eyes, and thrilling in her voice, was the same earnest nature that her own motherless youth had ripened in the elder sister long ago. But she still appeared at once the lovelier and weaker of the two; still seemed to rest her head upon her sister’s breast, and put her trust in her, and look into her eyes for counsel and reliance. Those loving eyes, so calm, serene, and cheerful, as of old. " 'And being in her own home,'" read Marion, from the book; " 'her home made exquisitely dear by these remembrances, she now began to know that the great trial of her heart must soon come on, and could not be delayed. O Home, our comforter and friend when others fall away, to part with whom, at any step between the cradle and the grave—'" "Marion, my love!" said Grace. "Why, Puss!" exclaimed her father, "what’s the matter?" She put her hand upon the hand her sister stretched towards her, and read on; her voice still faltering and trembling, though she made an effort to command it when thus interrupted. " 'To part with whom, at any step between the cradle and the grave, is always sorrowful. Oh Home, so true to us, so often slighted in return, be lenient to them that turn away from thee, and do not haunt their erring footsteps too reproachfully! Let no kind looks, no well-remembered smiles, be seen upon thy phantom face. Let no ray of affection, welcome, gentleness, forbearance, cordiality, shine from thy white head. Let no old loving word, or tone, rise up in judgment against thy deserter; but if thou canst look harshly and severely, do, in mercy to the Penitent!'" "Dear Marion, read no more to-night," said Grace —for she was weeping. "I cannot," she replied, and closed the book. "The words seem all on fire!" The Doctor was amused at this; and laughed as he patted her on the head. "What! overcome by a story-book!" said Doctor Jeddler. "Print and paper! Well, well, it’s all one. It’s as rational to make a serious matter of print and paper as of anything else. But dry your eyes, love, dry your eyes. I dare say the heroine has got home again long ago, and made it up all round—and if she hasn’t, a real home is only four walls; and a fictitious one, mere rags and ink. What’s the matter now?" "It’s only me, Mister," said Clemency, putting in her head at the door. "And what’s the matter with you?" said the Doctor. "Oh, bless you, nothing an’t the matter with me," returned Clemency—and truly too, to judge from her well-soaped face, in which there gleamed as usual the very soul of good humour, which, ungainly as she was, made her quite engaging. Abrasions on the elbows are not generally understood, it is true, to range within that class of personal charms called beauty-spots. But, it is better, going through the world, to have the arms chafed in that narrow passage, than the temper: and Clemency’s was sound and whole as any beauty’s in the land. "Nothing an’t the matter with me," said Clemency, entering, "but—come a little closer, Mister." The Doctor, in some astonishment, complied with this invitation. "You said I wasn’t to give you one before them, you know," said Clemency. A novice in the family might have supposed, from her extraordinary ogling as she said it, as well as from a singular rapture or ecstasy which pervaded her elbows, as if she were embracing herself, that ‘one,’ in its most favorable interpretation, meant a chaste salute. Indeed the Doctor himself seemed alarmed, for the moment; but quickly regained his composure, as Clemency, having had recourse to both her pockets—beginning with the right one, going away to the wrong one, and afterwards coming back to the right one again—produced a letter from the Post-office. "Britain was riding by on a errand," she chuckled, handing it to the Doctor, "and see the mail come in, and waited for it. There’s A. H. in the corner. Mr. Alfred’s on his journey home, I bet. We shall have a wedding in the house—there was two spoons in my saucer this morning. Oh Luck, how slow he opens it!" All this she delivered, by way of soliloquy, gradually rising higher and higher on tiptoe, in her impatience to hear the news, and making a corkscrew of her apron, and a bottle of her mouth. At last, arriving at a climax of suspense, and seeing the Doctor still engaged in the perusal of the letter, she came down flat upon the soles of her feet again, and cast her apron, as a veil, over her head, in a mute despair, and inability to bear it any longer. "Here! Girls!" cried the Doctor. "I can’t help it: I never could keep a secret in my life. There are not many secrets, indeed, worth being kept in such a—well! never mind that. Alfred’s coming home, my dears, directly." "Directly!" exclaimed Marion. "What! The story-book is soon forgotten!" said the Doctor, pinching her cheek. "I thought the news would dry those tears. Yes. 'Let it be a surprise,' he says, here. But I can’t let it be a surprise. He must have a welcome." "Directly!" repeated Marion. "Why, perhaps not what your impatience calls 'directly,’" returned the Doctor; "but pretty soon too. Let us see. Let us see. To-day is Thursday, is it not? Then he promises to be here, this day month." "This day month!" repeated Marion, softly. "A gay day and a holiday for us," said the cheerful voice of her sister Grace, kissing her in congratulation. "Long looked forward to, dearest, and come at last." She answered with a smile; a mournful smile, but full of sisterly affection. As she looked in her sister’s face, and listened to the quiet music of her voice, picturing the happiness of this return, her own face glowed with hope and joy. And with a something else: a something shining more and more through all the rest of its expression: for which I have no name. It was not exultation, triumph, proud enthusiasm. They are not so calmly shown. It was not love and gratitude alone, though love and gratitude were part of it. It emanated from no sordid thought, for sordid thoughts do not light up the brow, and hover on the lips, and move the spirit like a fluttered light, until the sympathetic figure trembles. Dr. Jeddler, in spite of his system of philosophy—which he was continually contradicting and denying in practice, but more famous philosophers have done that—could not help having as much interest in the return of his old ward and pupil, as if it had been a serious event. So he sat himself down in his easy chair again, stretched out his slippered feet once more upon the rug, read the letter over and over a great many times, and talked it over more times still. "Ah! The day was," said the Doctor, looking at the fire, "when you and he, Grace, used to trot about arm-in-arm, in his holiday time, like a couple of walking dolls. You remember?" "I remember," she answered, with her pleasant laugh, and plying her needle busily. "This day month, indeed!" mused the Doctor. "That hardly seems a twelve-month ago. And where was my little Marion then!" "Never far from her sister," said Marion, cheerily, "however little. Grace was everything to me, even when she was a young child herself." "True, Puss, true," returned the Doctor. "She was a staid little woman, was Grace, and a wise housekeeper, and a busy, quiet, pleasant body; bearing with our humours and anticipating our wishes, and always ready to forget her own, even in those times. I never knew you positive or obstinate, Grace, my darling, even then, on any subject but one." "I am afraid I have changed sadly for the worse, since," laughed Grace, still busy at her work. "What was that one, father?" "Alfred, of course," said the Doctor. "Nothing would serve you but you must be called Alfred’s wife; so we called you Alfred’s wife; and you liked it better, I believe (odd as it seems now), than being called a Duchess, if we could have made you one." "Indeed?" said Grace, placidly. "Why, don’t you remember?" inquired the Doctor. "I think I remember something of it," she returned, "but not much. It’s so long ago." And as she sat at work, she hummed the burden of an old song, which the Doctor liked. "Alfred will find a real wife soon," she said, breaking off; "and that will be a happy time indeed for all of us. My three years’ trust is nearly at an end, Marion. It has been a very easy one. I shall tell Alfred, when I give you back to him, that you have loved him dearly all the time, and that he has never once needed my good services. May I tell him so, love?" "Tell him, dear Grace," replied Marion, "that there never was a trust so generously, nobly, steadfastly discharged; and that I have loved you, all the time, dearer and dearer every day; and oh! how dearly now!" "Nay," said her cheerful sister, returning her embrace, "I can scarcely tell him that; we will leave my deserts to Alfred’s imagination. It will be liberal enough, dear Marion; like your own." With that, she resumed the work she had for a moment laid down, when her sister spoke so fervently: and with it the old song the Doctor liked to hear. And the Doctor, still reposing in his easy chair, with his slippered feet stretched out before him on the rug, listened to the tune, and beat time on his knee with Alfred’s letter, and looked at his two daughters, and thought that among the many trifles of the trifling world, these trifles were agreeable enough. Clemency Newcome, in the mean time, having accomplished her mission and lingered in the room until she had made herself a party to the news, descended to the kitchen, where her coadjutor, Mr. Britain, was regaling after supper, surrounded by such a plentiful collection of bright pot-lids, well-scoured saucepans, burnished dinner-covers, gleaming kettles, and other tokens of her industrious habits, arranged upon the walls and shelves, that he sat as in the centre of a hall of mirrors. The majority did not give forth very flattering portraits of him, certainly; nor were they by any means unanimous in their reflections; as some made him very long-faced, others very broad-faced, some tolerably well-looking, others vastly ill-looking, according to their several manners of reflecting: which were as various, in respect of one fact, as those of so many kinds of men. But they all agreed that in the midst of them sat, quite at his ease, an individual with a pipe in his mouth, and a jug of beer at his elbow, who nodded condescendingly to Clemency, when she stationed herself at the same table. "Well, Clemmy," said Britain, "how are you by this time, and what’s the news?" Clemency told him the news, which he received very graciously. A gracious change had come over Benjamin from head to foot. He was much broader, much redder, much more cheerful, and much jollier in all respects. It seemed as if his face had been tied up in a knot before, and was now untwisted and smoothed out. "There’ll be another job for Snitchey and Craggs, I suppose," he observed, puffing slowly at his pipe. "More witnessing for you and me, perhaps, Clemmy!" "Lor!" replied his fair companion, with her favorite twist of her favorite joints. "I wish it was me, Britain!" "Wish what was you?" "A going to be married," said Clemency. Benjamin took his pipe out of his mouth and laughed heartily. "Yes! you’re a likely subject for that!" he said. "Poor Clem!" Clemency for her part laughed as heartily as he, and seemed as much amused by the idea. "Yes," she assented, "I’m a likely subject for that; an’t I?" "You’ll never be married, you know," said Mr. Britain, resuming his pipe. "Don’t you think I ever shall though?" said Clemency, in perfect good faith. Mr. Britain shook his head. "Not a chance of it!" "Only think!" said Clemency. "Well!—I suppose you mean to, Britain, one of these days; don’t you?" A question so abrupt, upon a subject so momentous, required consideration. After blowing out a great cloud of smoke, and looking at it with his head now on this side and now on that, as if it were actually the question, and he were surveying it in various aspects, Mr. Britain replied that he wasn’t altogether clear about it, but—ye-es—he thought he might come to that at last. "I wish her joy, whoever she may be!" cried Clemency. "Oh she’ll have that," said Benjamin, "safe enough." "But she wouldn’t have led quite such a joyful life as she will lead, and wouldn’t have had quite such a sociable sort of husband as she will have," said Clemency, spreading herself half over the table, and staring retrospectively at the candle, "if it hadn’t been for—not that I went to do it, for it was accidental, I am sure—if it hadn’t been for me; now would she, Britain?" "Certainly not," returned Mr. Britain, by this time in that high state of appreciation of his pipe, when a man can open his mouth but a very little way for speaking purposes; and sitting luxuriously immovable in his chair, can afford to turn only his eyes towards a companion, and that very passively and gravely. "Oh! I’m greatly beholden to you, you know, Clem." "Lor, how nice that is to think of!" said Clemency. At the same time, bringing her thoughts as well as her sight to bear upon the candle-grease, and becoming abruptly reminiscent of its healing qualities as a balsam, she anointed her left elbow with a plentiful application of that remedy. "You see I’ve made a good many investigations of one sort and another in my time," pursued Mr. Britain, with the profundity of a sage, "having been always of an inquiring turn of mind; and I’ve read a good many books about the general Rights of things and Wrongs of things, for I went into the literary line myself, when I began life." "Did you though!" cried the admiring Clemency. "Yes," said Mr. Britain: "I was hid for the best part of two years behind a bookstall, ready to fly out if anybody pocketed a volume; and after that, I was light porter to a stay and mantua maker, in which capacity I was employed to carry about, in oilskin baskets, nothing but deceptions—which soured my spirits and disturbed my confidence in human nature; and after that, I heard a world of discussions in this house, which soured my spirits fresh; and my opinion after all is, that, as a safe and comfortable sweetener of the same, and as a pleasant guide through life, there’s nothing like a nutmeg-grater." Clemency was about to offer a suggestion, but he stopped her by anticipating it. "Com-bined," he added gravely, "with a thimble." "Do as you wold, you know, and cetrer, eh!" observed Clemency, folding her arms comfortably in her delight at this avowal, and patting her elbows. "Such a short cut, an’t it?" "I’m not sure," said Mr. Britain, "that it’s what would be considered good philosophy. I’ve my doubts about that: but it wears well, and saves a quantity of snarling, which the genuine article don’t always." "See how you used to go on once, yourself, you know!" said Clemency. "Ah!" said Mr. Britain. "But the most extraordinary thing, Clemmy, is that I should live to be brought round, through you. That’s the strange part of it. Through you! Why, I suppose you haven’t so much as half an idea in your head." Clemency, without taking the least offence, shook it, and laughed and hugged herself, and said, "No, she didn’t suppose she had." "I’m pretty sure of it," said Mr. Britain. "Oh! I dare say you’re right," said Clemency. "I don’t pretend to none. I don’t want any." Benjamin took his pipe from his lips, and laughed till the tears ran down his face. "What a natural you are, Clemmy!" he said, shaking his head, with an infinite relish of the joke, and wiping his eyes. Clemency, without the smallest inclination to dispute it, did the like, and laughed as heartily as he. "I can’t help liking you," said Mr. Britain; "you’re a regular good creature in your way, so shake hands, Clem. Whatever happens, I’ll always take notice of you, and be a friend to you." "Will you?" returned Clemency. "Well! that’s very good of you." "Yes, yes," said Mr. Britain, giving her his pipe to knock the ashes out of it; "I’ll stand by you. Hark! That’s a curious noise!" "Noise!" repeated Clemency. "A footstep outside. Somebody dropping from the wall, it sounded like," said Britain. "Are they all abed up-stairs?" "Yes, all abed by this time," she replied. "Didn’t you hear anything?" "No." They both listened, but heard nothing. "I tell you what," said Benjamin, taking down a lantern. "I’ll have a look round, before I go to bed myself, for satisfaction’s sake. Undo the door while I light this, Clemmy." Clemency complied briskly; but observed as she did so, that he would only have his walk for his pains, that it was all his fancy, and so forth. Mr. Britain said 'very likely;' but sallied out, nevertheless, armed with the poker, and casting the light of the lantern far and near in all directions. "It’s as quiet as a churchyard," said Clemency, looking after him; "and almost as ghostly too!" Glancing back into the kitchen, she cried fearfully, as a light figure stole into her view, "What’s that!" "Hush!" said Marion in an agitated whisper. "You have always loved me, have you not!" "Loved you, child! You may be sure I have." "I am sure. And I may trust you, may I not? There is no one else just now, in whom I can trust." "Yes," said Clemency, with all her heart. "There is some one out there," pointing to the door, "whom I must see, and speak with, to-night. Michael Warden, for God’s sake retire! Not now!" Clemency started with surprise and trouble as, following the direction of the speaker’s eyes, she saw a dark figure standing in the doorway. "In another moment you may be discovered," said Marion. "Not now! Wait, if you can, in some concealment. I will come presently." He waved his hand to her, and was gone. "Don’t go to bed. Wait here for me!" said Marion, hurriedly. "I have been seeking to speak to you for an hour past. Oh, be true to me!" Eagerly seizing her bewildered hand, and pressing it with both her own to her breast—an action more expressive, in its passion of entreaty, than the most eloquent appeal in words,—Marion withdrew; as the light of the returning lantern flashed into the room. "All still and peaceable. Nobody there. Fancy, I suppose," said Mr. Britain, as he locked and barred the door. "One of the effects of having a lively imagination. Halloa! Why, what’s the matter?" Clemency, who could not conceal the effects of her surprise and concern, was sitting in a chair: pale, and trembling from head to foot. "Matter!" she repeated, chafing her hands and elbows, nervously, and looking anywhere but at him. "That’s good in you, Britain, that is! After going and frightening one out of one’s life with noises and lanterns, and I don’t know what all. Matter! Oh, yes!" "If you’re frightened out of your life by a lantern, Clemmy," said Mr. Britain, composedly blowing it out and hanging it up again, "that apparition’s very soon got rid of. But you’re as bold as brass in general," he said, stopping to observe her; "and were, after the noise and the lantern too. What have you taken into your head? Not an idea, eh?" But as Clemency bade him good night very much after her usual fashion, and began to bustle about with a show of going to bed herself immediately, Little Britain, after giving utterance to the original remark that it was impossible to account for a woman’s whims, bade her good night in return, and taking up his candle strolled drowsily away to bed. When all was quiet, Marion returned. "Open the door," she said; "and stand there close beside me, while I speak to him, outside." Timid as her manner was, it still evinced a resolute and settled purpose, such as Clemency could not resist. She softly unbarred the door: but before turning the key, looked round on the young creature waiting to issue forth when she should open it. The face was not averted or cast down, but looking full upon her, in its pride of youth and beauty. Some simple sense of the slightness of the barrier that interposed itself between the happy home and honoured love of the fair girl, and what might be the desolation of that home, and shipwreck of its dearest treasure, smote so keenly on the tender heart of Clemency, and so filled it to overflowing with sorrow and compassion, that, bursting into tears, she threw her arms round Marion’s neck. "It’s little that I know, my dear," cried Clemency, "very little; but I know that this should not be. Think of what you do!" "I have thought of it many times," said Marion, gently. "Once more," urged Clemency. "Till to-morrow." Marion shook her head. "For Mr. Alfred’s sake," said Clemency, with homely earnestness. "Him that you used to love so dearly, once!" She hid her face, upon the instant, in her hands, repeating "Once!" as if it rent her heart. "Let me go out," said Clemency, soothing her. "I’ll tell him what you like. Don’t cross the door-step to-night. I’m sure no good will come of it. Oh, it was an unhappy day when Mr. Warden was ever brought here! Think of your good father, darling: of your sister." "I have," said Marion, hastily raising her head. "You don’t know what I do. You don't know what I do. I must speak to him. You are the best and truest friend in all the world for what you have said to me, but I must take this step. Will you go with me, Clemency," she kissed her on her friendly face, "or shall I go alone?" Sorrowing and wondering, Clemency turned the key, and opened the door. Into the dark and doubtful night that lay beyond the threshold, Marion passed quickly, holding by her hand. In the dark night he joined her, and they spoke together earnestly and long: and the hand that held so fast by Clemency’s, now trembled, now turned deadly cold, now clasped and closed on hers, in the strong feeling of the speech it emphasized unconsciously. When they returned, he followed to the door; and pausing there a moment, seized the other hand, and pressed it to his lips. Then stealthily withdrew. The door was barred and locked again, and once again she stood beneath her father’s roof. Not bowed down by the secret that she brought there, though so young; but with that same expression on her face for which I had no name before, and shining through her tears. Again she thanked and thanked her humble friend, and trusted to her, as she said, with confidence, implicitly. Her chamber safely reached, she fell upon her knees; and with her secret weighing on her heart, could pray! Could rise up from her prayers, so tranquil and serene, and bending over her fond sister in her slumber, look upon her face and smile: though sadly: murmuring as she kissed her forehead, how that Grace had been a mother to her, ever, and she loved her as a child! Could draw the passive arm about her neck when lying down to rest—it seemed to cling there, of its own will, protectingly and tenderly even in sleep—and breathe upon the parted lips, God bless her! Could sink into a peaceful sleep, herself; but for one dream, in which she cried out, in her innocent and touching voice, that she was quite alone, and they had all forgotten her. A month soon passes, even at its tardiest pace. The month appointed to elapse between that night and the return, was quick of foot, and went by, like a vapour. The day arrived. A raging winter day, that shook the old house, sometimes, as if it shivered in the blast. A day to make home doubly home. To give the chimney corner new delights. To shed a ruddier glow upon the faces gathered round the hearth; and draw each fireside group into a closer and more social league, against the roaring elements without. Such a wild winter day as best prepares the way for shut-out night; for curtained rooms, and cheerful looks; for music, laughter, dancing, light, and jovial entertainment! All these the Doctor had in store to welcome Alfred back. They knew that he could not arrive till night; and they would make the night air ring, he said, as he approached. All his old friends should congregate about him. He should not miss a face that he had known and liked. No! They should every one be there! So, guests were bidden, and musicians were engaged, and tables spread, and floors prepared for active feet, and bountiful provision made, of every hospitable kind. Because it was the Christmas season, and his eyes were all unused to English holly, and its sturdy green, the dancing room was garlanded and hung with it; and the red berries gleamed an English welcome to him, peeping from among the leaves. It was a busy day for all of them: a busier day for none of them than Grace, who noiselessly presided everywhere, and was the cheerful mind of all the preparations. Many a time that day (as well as many a time within the fleeting month preceding it), did Clemency glance anxiously, and almost fearfully, at Marion. She saw her paler, perhaps, than usual; but there was a sweet composure on her face that made it lovelier than ever. At night when she was dressed, and wore upon her head a wreath that Grace had proudly twined about it—its mimic flowers were Alfred’s favourites, as Grace remembered when she chose them—that old expression, pensive, almost sorrowful, and yet so spiritual, high, and stirring, sat again upon her brow, enhanced a hundred fold. "The next wreath I adjust on this fair head, will be a marriage wreath," said Grace; "or I am no true prophet, dear." Her sister smiled, and held her in her arms. "A moment, Grace. Don’t leave me yet. Are you sure that I want nothing more?" Her care was not for that. It was her sister’s face she thought of, and her eyes were fixed upon it, tenderly. "My art," said Grace, "can go no farther, dear girl; nor your beauty. I never saw you look so beautiful as now." "I never was so happy," she returned. "Ay, but there is a greater happiness in store. In such another home, as cheerful and as bright as this looks now," said Grace, "Alfred and his young wife will soon be living." She smiled again. "It is a happy home, Grace, in your fancy. I can see it in your eyes. I know it will be happy, dear. How glad I am to know it." "Well," cried the Doctor, bustling in. "Here we are, all ready for Alfred, eh? He can’t be here until pretty late—an hour or so before midnight—so there’ll be plenty of time for making merry before he comes. He’ll not find us with the ice unbroken. Pile up the fire here, Britain! Let it shine upon the holly till it winks again. It’s a world of nonsense, Puss; true lovers and all the rest of it—all nonsense; but we’ll be nonsensical with the rest of ’em, and give our true lover a mad welcome. Upon my word!" said the old Doctor, looking at his daughters proudly, "I’m not clear to-night, among other absurdities, but that I’m the father of two handsome girls." "All that one of them has ever done, or may do—may do, dearest father—to cause you pain or grief, forgive her," said Marion, "forgive her now, when her heart is full. Say that you forgive her. That you will forgive her. That she shall always share your love, and—," and the rest was not said, for her face was hidden on the old man’s shoulder. "Tut, tut, tut," said the Doctor gently. "Forgive! What have I to forgive? Heyday, if our true lovers come back to flurry us like this, we must hold ’em at a distance; we must send expresses out to stop ’em short upon the road, and bring ’em on a mile or two a day, until we’re properly prepared to meet ’em. Kiss me, Puss. Forgive! Why, what a silly child you are! If you had vexed and crossed me fifty times a day, instead of not at all, I’d forgive you everything, but such a supplication. Kiss me again, Puss. There! Prospective and retrospective—a clear score between us. Pile up the fire here! Would you freeze the people on this bleak December night! Let us be light, and warm, and merry, or I’ll not forgive some of you!" So gaily the old Doctor carried it! And the fire was piled up, and the lights were bright, and company arrived, and a murmuring of lively tongues began, and already there was a pleasant air of cheerful excitement stirring through all the house. More and more company came flocking in. Bright eyes sparkled upon Marion; smiling lips gave her joy of his return; sage mothers fanned themselves, and hoped she mightn’t be too youthful and inconstant for the quiet round of home; impetuous fathers fell into disgrace for too much exaltation of her beauty; daughters envied her; sons envied him; innumerable pairs of lovers profited by the occasion; all were interested, animated, and expectant. Mr. and Mrs. Craggs came arm in arm, but Mrs. Snitchey came alone. "Why, what’s become of him?" inquired the Doctor. The feather of a Bird of Paradise in Mrs. Snitchey’s turban, trembled as if the Bird of Paradise were alive again, when she said that doubtless Mr. Craggs knew. She was never told. "That nasty office," said Mrs. Craggs. "I wish it was burnt down," said Mrs. Snitchey. "He’s—he’s—there’s a little matter of business that keeps my partner rather late," said Mr. Craggs, looking uneasily about him. "Oh-h! Business. Don’t tell me!" said Mrs. Snitchey. "We know what business means," said Mrs. Craggs. But their not knowing what it meant, was perhaps the reason why Mrs. Snitchey’s Bird of Paradise feather quivered so portentously, and why all the pendant bits on Mrs. Craggs’s ear-rings shook like little bells. "I wonder you could come away, Mr. Craggs," said his wife. "Mr. Craggs is fortunate, I’m sure!" said Mrs. Snitchey. "That office so engrosses ’em," said Mrs. Craggs. "A person with an office has no business to be married at all," said Mrs. Snitchey. Then, Mrs. Snitchey said, within herself, that that look of hers had pierced to Craggs’s soul, and he knew it; and Mrs. Craggs observed to Craggs, that 'is Snitcheys’ were deceiving him behind his back, and he would find it out when it was too late. Still, Mr. Craggs, without much heeding these remarks, looked uneasily about until his eye rested on Grace, to whom he immediately presented himself. "Good evening, ma’am," said Craggs. "You look charmingly. Your—Miss—your sister, Miss Marion, is she—" "Oh, she’s quite well, Mr. Craggs." "Yes—I—is she here?" asked Craggs. "Here! Don’t you see her yonder? Going to dance?" said Grace. Mr. Craggs put on his spectacles to see the better; looked at her through them, for some time; coughed; and put them, with an air of satisfaction, in their sheath again, and in his pocket. Now the music struck up, and the dance commenced. The bright fire crackled and sparkled, rose and fell, as though it joined the dance itself, in right good fellowship. Sometimes it roared as if it would make music too. Sometimes it flashed and beamed as if it were the eye of the old room: it winked too, sometimes, like a knowing patriarch, upon the youthful whisperers in corners. Sometimes, it sported with the holly-boughs; and, shining on the leaves by fits and starts, made them look as if they were in the cold winter night again, and fluttering in the wind. Sometimes its genial humour grew obstreperous, and passed all bounds; and then it cast into the room, among the twinkling feet, with a loud burst, a shower of harmless little sparks, and in its exultation leaped and bounded, like a mad thing, up the broad old chimney. Another dance was near its close, when Mr. Snitchey touched his partner, who was looking on, upon the arm. Mr. Craggs started, as if his familiar had been a spectre. "Is he gone?" he asked. "Hush! He has been with me," said Snitchey, "for three hours and more. He went over everything. He looked into all our arrangements for him, and was very particular indeed. He—Humph!" The dance was finished. Marion passed close before him, as he spoke. She did not observe him, or his partner; but looked over her shoulder towards her sister in the distance, as she slowly made her way into the crowd, and passed out of their view. "You see! All safe and well," said Mr. Craggs. "He didn’t recur to that subject, I suppose?" "Not a word." "And is he really gone? Is he safe away?" "He keeps to his word. He drops down the river with the tide in that shell of a boat of his, and so goes out to sea on this dark night—a dare-devil he is—before the wind. There’s no such lonely road anywhere else. That’s one thing. The tide flows, he says, an hour before midnight about this time. I’m glad it’s over." Mr. Snitchey wiped his forehead, which looked hot and anxious. "What do you think," said Mr. Craggs, "about—" "Hush!" replied his cautious partner, looking straight before him. "I understand you. Don’t mention names, and don’t let us seem to be talking secrets. I don’t know what to think; and to tell you the truth, I don’t care now. It’s a great relief. His self-love deceived him, I suppose. Perhaps the young lady coquetted a little. The evidence would seem to point that way. Alfred not arrived?" "Not yet," said Mr. Craggs. "Expected every minute." "Good." Mr. Snitchey wiped his forehead again. "It’s a great relief. I haven’t been so nervous since we’ve been in partnership. I intend to spend the evening now, Mr. Craggs." Mrs. Craggs and Mrs. Snitchey joined them as he announced this intention. The Bird of Paradise was in a state of extreme vibration, and the little bells were ringing quite audibly. "It has been the theme of general comment, Mr. Snitchey," said Mrs. Snitchey. "I hope the office is satisfied." "Satisfied with what, my dear?" asked Mr. Snitchey. "With the exposure of a defenceless woman to ridicule and remark," returned his wife. "That is quite in the way of the office, that is." "I really, myself," said Mrs. Craggs, "have been so long accustomed to connect the office with everything opposed to domesticity, that I am glad to know it as the avowed enemy of my peace. There is something honest in that, at all events." "My dear," urged Mr. Craggs, "your good opinion is invaluable, but I never avowed that the office was the enemy of your peace." "No," said Mrs. Craggs, ringing a perfect peal upon the little bells. "Not you, indeed. You wouldn’t be worthy of the office, if you had the candor to." "As to my having been away to-night, my dear," said Mr. Snitchey, giving her his arm, "the deprivation has been mine, I’m sure; but, as Mr. Craggs knows—" Mrs. Snitchey cut this reference very short by hitching her husband to a distance, and asking him to look at that man. To do her the favour to look at him! "At which man, my dear?" said Mr. Snitchey. "Your chosen companion; I’m no companion to you, Mr. Snitchey." "Yes, yes, you are, my dear," he interposed. "No, no, I’m not," said Mrs. Snitchey with a majestic smile. "I know my station. Will you look at your chosen companion, Mr. Snitchey; at your referee, at the keeper of your secrets, at the man you trust; at your other self, in short?" The habitual association of Self with Craggs, occasioned Mr. Snitchey to look in that direction. "If you can look that man in the eye this night," said Mrs. Snitchey, "and not know that you are deluded, practised upon: made the victim of his arts, and bent down prostrate to his will by some unaccountable fascination which it is impossible to explain, and against which no warning of mine is of the least avail: all I can say is—I pity you!" At the very same moment Mrs. Craggs was oracular on the cross subject. Was it possible she said, that Craggs could so blind himself to his Snitcheys, as not to feel his true position? Did he mean to say that he had seen his Snitcheys come into that room, and didn’t plainly see that there was reservation, cunning, treachery, in the man? Would he tell her that his very action, when he wiped his forehead and looked so stealthily about him, didn’t show that there was something weighing on the conscience of his precious Snitcheys (if he had a conscience), that wouldn’t bear the light? Did anybody but his Snitcheys come to festive entertainments like a burglar?—which, by the way, was hardly a clear illustration of the case, as he had walked in very mildly at the door. And would he still assert to her at noon-day (it being nearly midnight), that his Snitcheys were to be justified through thick and thin, against all facts, and reason, and experience? Neither Snitchey nor Craggs openly attempted to stem the current which had thus set in, but, both were content to be carried gently along it, until its force abated; which happened at about the same time as a general movement for a country dance; when Mr. Snitchey proposed himself as a partner to Mrs. Craggs, and Mr. Craggs gallantly offered himself to Mrs. Snitchey; and after some such slight evasions as "why don’t you ask somebody else?" and "you’ll be glad, I know, if I decline," and "I wonder you can dance out of the office" (but this jocosely now), each lady graciously accepted, and took her place. It was an old custom among them, indeed, to do so, and to pair off, in like manner, at dinners and suppers; for they were excellent friends, and on a footing of easy familiarity. Perhaps the false Craggs and the wicked Snitchey were a recognised fiction with the two wives, as Doe and Roe, incessantly running up and down bailiwicks, were with the two husbands: or, perhaps the ladies had instituted, and taken upon themselves, these two shares in the business, rather than be left out of it altogether. But, certain it is, that each wife went as gravely and steadily to work in her vocation as her husband did in his: and would have considered it almost impossible for the Firm to maintain a successful and respectable existence, without her laudable exertions. But now the Bird of Paradise was seen to flutter down the middle; and the little bells began to bounce and jingle in poussette; and the Doctor’s rosy face spun round and round, like an expressive pegtop highly varnished; and breathless Mr. Craggs began to doubt already, whether country dancing had been made "too easy," like the rest of life; and Mr. Snitchey, with his nimble cuts and capers, footed it for Self and Craggs, and half a dozen more. Now, too, the fire took fresh courage, favored by the lively wind the dance awakened, and burnt clear and high. It was the Genius of the room, and present everywhere. It shone in people’s eyes, it sparkled in the jewels on the snowy necks of girls, it twinkled at their ears as if it whispered to them slyly, it flashed about their waists, it flickered on the ground and made it rosy for their feet, it bloomed upon the ceiling that its glow might set off their bright faces, and it kindled up a general illumination in Mrs. Craggs’s little belfry. Now, too, the lively air that fanned it, grew less gentle as the music quickened and the dance proceeded with new spirit; and a breeze arose that made the leaves and berries dance upon the wall, as they had often done upon the trees; and rustled in the room as if an invisible company of fairies, treading in the foot-steps of the good substantial revellers, were whirling after them. Now, too, no feature of the Doctor’s face could be distinguished as he spun and spun; and now there seemed a dozen Birds of Paradise in fitful flight; and now there were a thousand little bells at work; and now a fleet of flying skirts was ruffled by a little tempest; when the music gave in, and the dance was over. Hot and breathless as the Doctor was, it only made him the more impatient for Alfred’s coming. "Anything been seen, Britain? Anything been heard?" "Too dark to see far, Sir. Too much noise inside the house to hear." "That’s right! The gayer welcome for him. How goes the time?" "Just twelve, sir. He can’t be long, Sir." "Stir up the fire, and throw another log upon it," said the Doctor. "Let him see his welcome blazing out upon the night—good boy!—as he comes along!" He saw it—Yes! From the chaise he caught the light, as he turned the corner by the old church. He knew the room from which it shone. He saw the wintry branches of the old trees between the light and him. He knew that one of those trees rustled musically in the summer time at the window of Marion’s chamber. The tears were in his eyes. His heart throbbed so violently that he could hardly bear his happiness. How often he had thought of this time—pictured it under all circumstances—feared that it might never come—yearned, and wearied for it—far away! Again the light! Distinct and ruddy; kindled, he knew, to give him welcome, and to speed him home. He beckoned with his hand, and waved his hat, and cheered out, loud, as if the light were they, and they could see and hear him, as he dashed towards them through the mud and mire, triumphantly. Stop! He knew the Doctor, and understood what he had done. He would not let it be a surprise to them. But he could make it one, yet, by going forward on foot. If the orchard-gate were open, he could enter there; if not, the wall was easily climbed, as he knew of old; and he would be among them in an instant. He dismounted from the chaise, and telling the driver—even that was not easy in his agitation—to remain behind for a few minutes, and then to follow slowly, ran on with exceeding swiftness, tried the gate, scaled the wall, jumped down on the other side, and stood panting in the old orchard. There was a frosty rime upon the trees, which, in the faint light of the clouded moon, hung upon the smaller branches like dead garlands. Withered leaves crackled and snapped beneath his feet, as he crept softly on towards the house. The desolation of a winter night sat brooding on the earth, and in the sky. But the red light came cheerily towards him from the windows; figures passed and repassed there; and the hum and murmur of voices greeted his ear sweetly. Listening for hers: attempting, as he crept on, to detach it from the rest, and half believing that he heard it: he had nearly reached the door, when it was abruptly opened, and a figure coming out encountered his. It instantly recoiled with a half-suppressed cry. "Clemency," he said, "don’t you know me?" "Don’t come in!" she answered, pushing him back. "Go away. Don’t ask me why. Don’t come in." "What is the matter?" he exclaimed. "I don’t know. I—I am afraid to think. Go back. Hark!" There was a sudden tumult in the house. She put her hands upon her ears. A wild scream, such as no hands could shut out, was heard; and Grace—distraction in her looks and manner—rushed out at the door. "Grace!" He caught her in his arms. "What is it! Is she dead!" She disengaged herself, as if to recognise his face, and fell down at his feet. A crowd of figures came about them from the house. Among them was her father, with a paper in his hand. "What is it!" cried Alfred, grasping his hair with his hands, and looking in an agony from face to face, as he bent upon his knee beside the insensible girl. "Will no one look at me? Will no one speak to me? Does no one know me? Is there no voice among you all, to tell me what it is!" There was a murmur among them. "She is gone." "Gone!" he echoed. "Fled, my dear Alfred!" said the Doctor, in a broken voice, and with his hands before his face. "Gone from her home and us. To-night! She writes that she has made her innocent and blameless choice—entreats that we will forgive her—prays that we will not forget her—and is gone." "With whom? Where?" He started up, as if to follow in pursuit; but, when they gave way to let him pass, looked wildly round upon them, staggered back, and sunk down in his former attitude, clasping one of Grace’s cold hands in his own. There was a hurried running to and fro, confusion, noise, disorder, and no purpose. Some proceeded to disperse themselves about the roads, and some took horse, and some got lights, and some conversed together, urging that there was no trace or track to follow. Some approached him kindly, with the view of offering consolation; some admonished him that Grace must be removed into the house, and that he prevented it. He never heard them, and he never moved. The snow fell fast and thick. He looked up for a moment in the air, and thought that those white ashes strewn upon his hopes and misery, were suited to them well. He looked round on the whitening ground, and thought how Marion’s foot-prints would be hushed and covered up, as soon as made, and even that remembrance of her blotted out. But he never felt the weather and he never stirred. Part the Third. The world had grown six years older since that night of the return. It was a warm autumn afternoon, and there had been heavy rain. The sun burst suddenly from among the clouds; and the old battle-ground, sparkling brilliantly and cheerfully at sight of it in one green place, flashed a responsive welcome there, which spread along the country side as if a joyful beacon had been lighted up, and answered from a thousand stations. How beautiful the landscape kindling in the light, and that luxuriant influence passing on like a celestial presence, brightening everything! The wood, a sombre mass before, revealed its varied tints of yellow, green, brown, red; its different forms of trees, with raindrops glittering on their leaves and twinkling as they fell. The verdant meadow-land, bright and glowing, seemed as if it had been blind a minute since, and now had found a sense of sight wherewith to look up at the shining sky. Corn-fields, hedge-rows, fences, homesteads, the clustered roofs, the steeple of the church, the stream, the watermill, all sprang out of the gloomy darkness, smiling. Birds sang sweetly, flowers raised their drooping heads, fresh scents arose from the invigorated ground; the blue expanse above, extended and diffused itself; already the sun’s slanting rays pierced mortally the sullen bank of cloud that lingered in its flight; and a rainbow, spirit of all the colors that adorned the earth and sky, spanned the whole arch with its triumphant glory. At such a time, one little roadside Inn, snugly sheltered behind a great elm-tree with a rare seat for idlers encircling its capacious bole, addressed a cheerful front towards the traveller, as a house of entertainment ought, and tempted him with many mute but significant assurances of a comfortable welcome. The ruddy sign-board perched up in the tree, with its golden letters winking in the sun, ogled the passer-by, from among the green leaves, like a jolly face, and promised good cheer. The horse-trough, full of clear fresh water, and the ground below it, sprinkled with droppings of fragrant hay, made every horse that passed prick up his ears. The crimson curtains in the lower rooms, and the pure white hangings in the little bed-chambers above, beckoned, Come in! with every breath of air. Upon the bright green shutters, there were golden legends about beer and ale, and neat wines, and good beds; and an affecting picture of a brown jug frothing over at the top. Upon the window-sills were flowering plants in bright red pots, which made a lively show against the white front of the house; and in the darkness of the doorway there were streaks of light, which glanced off from the surfaces of bottles and tankards. On the door-step, appeared a proper figure of a landlord, too; for though he was a short man, he was round and broad; and stood with his hands in his pockets, and his legs just wide enough apart to express a mind at rest upon the subject of the cellar, and an easy confidence—too calm and virtuous to become a swagger—in the general resources of the Inn. The superabundant moisture, trickling from everything after the late rain, set him off well. Nothing near him was thirsty. Certain top-heavy dahlias, looking over the palings of his neat well-ordered garden, had swilled as much as they could carry—perhaps a trifle more—and may have been the worse for liquor; but the sweetbriar, roses, wall-flowers, the plants at the windows, and the leaves on the old tree, were in the beaming state of moderate company that had taken no more than was wholesome for them, and had served to develope their best qualities. Sprinkling dewy drops about them on the ground, they seemed profuse of innocent and sparkling mirth, that did good where it lighted, softening neglected corners which the steady rain could seldom reach, and hurting nothing. This village Inn had assumed, on being established, an uncommon sign. It was called The Nutmeg-Grater. And underneath that household word, was inscribed, up in the tree, on the same flaming board, and in the like golden characters, By Benjamin Britain. At a second glance, and on a more minute examination of his face, you might have known that it was no other than Benjamin Britain himself who stood in the doorway—reasonably changed by time, but for the better; a very comfortable host indeed. "Mrs. B.," said Mr. Britain, looking down the road, "is rather late. It’s tea time." As there was no Mrs. Britain coming, he strolled leisurely out into the road and looked up at the house, very much to his satisfaction. "It’s just the sort of house," said Benjamin, "I should wish to stop at, if I didn’t keep it." Then he strolled towards the garden paling, and took a look at the dahlias. They looked over at him, with a helpless, drowsy hanging of their heads: which bobbed again, as the heavy drops of wet dripped off them. "You must be looked after," said Benjamin. "Memorandum, not to forget to tell her so. She’s a long time coming!" Mr. Britain’s better half seemed to be by so very much his better half, that his own moiety of himself was utterly cast away and helpless without her. "She hadn’t much to do, I think," said Ben. "There were a few little matters of business after market, but not many. Oh! here we are at last!" A chaise-cart, driven by a boy, came clattering along the road: and seated in it, in a chair, with a large well-saturated umbrella spread out to dry behind her, was the plump figure of a matronly woman, with her bare arms folded across a basket which she carried on her knee, several other baskets and parcels lying crowded around her, and a certain bright good-nature in her face and contented awkwardness in her manner, as she jogged to and fro with the motion of her carriage, which smacked of old times, even in the distance. Upon her nearer approach, this relish of bygone days was not diminished; and when the cart stopped at the Nutmeg Grater door, a pair of shoes, alighting from it, slipped nimbly through Mr. Britain’s open arms, and came down with a substantial weight upon the pathway, which shoes could hardly have belonged to any one but Clemency Newcome. In fact they did belong to her, and she stood in them, and a rosy comfortable-looking soul she was: with as much soap on her glossy face as in times of yore, but with whole elbows now, that had grown quite dimpled in her improved condition. "You’re late, Clemmy!" said Mr. Britain. "Why, you see, Ben, I’ve had a deal to do!" she replied, looking busily after the safe removal into the house of all the packages and baskets: "eight, nine, ten—where’s eleven? Oh! my basket’s eleven! It’s all right. Put the horse up, Harry, and if he coughs again give him a warm mash to-night. Eight, nine, ten. Why, where’s eleven? Oh I forgot, it’s all right. How’s the children, Ben?" "Hearty, Clemmy, hearty." "Bless their precious faces!" said Mrs. Britain, unbonneting her own round countenance (for she and her husband were by this time in the bar), and smoothing her hair with her open hands. "Give us a kiss, old man." Mr. Britain promptly complied. "I think," said Mrs. Britain, applying herself to her pockets and drawing forth an immense bulk of thin books and crumpled papers, a very kennel of dogs’ ears: "I’ve done everything. Bills all settled—turnips sold—brewer’s account looked into and paid—’bacco pipes ordered—seventeen pound four paid into the Bank—Doctor Heathfield’s charge for little Clem—you’ll guess what that is—Doctor Heathfield won’t take nothing again, Ben." "I thought he wouldn’t," returned Ben. "No. He says whatever family you was to have, Ben, he’d never put you to the cost of a halfpenny. Not if you was to have twenty." Mr. Britain’s face assumed a serious expression, and he looked hard at the wall. "An’t it kind of him?" said Clemency. "Very," returned Mr. Britain. "It’s the sort of kindness that I wouldn’t presume upon, on any account." "No," retorted Clemency. "Of course not. Then there’s the pony—he fetched eight pound two; and that an’t bad, is it?" "It’s very good," said Ben. "I’m glad you’re pleased!" exclaimed his wife. "I thought you would be; and I think that’s all, and so no more at present from yours and cetrer, C. Britain. Ha ha ha! There! Take all the papers, and lock ’em. Oh! Wait a minute. Here’s a printed bill to stick on the wall. Wet from the printer’s. How nice it smells!" "What’s this?" said Ben, looking over the document. "I don’t know," replied his wife. "I haven’t read a word of it." "'To be sold by Auction,'" read the host of the Nutmeg-Grater, "'unless previously disposed of by private contract.'" "They always put that," said Clemency. "Yes, but they don’t always put this," he returned. "Look here, 'Mansion,' &amp;c.—'offices,' &amp;c., 'shrubberies,' &amp;c., 'ring fence,' &amp;c. 'Messrs. Snitchey and Craggs,' &amp;c. 'ornamental portion of the unencumbered freehold property of Michael Warden, Esquire, intending to continue to reside abroad'!" "Intending to continue to reside abroad!" repeated Clemency. "Here it is," said Britain. "Look!" "And it was only this very day that I heard it whispered at the old house, that better and plainer news had been half promised of her, soon!" said Clemency, shaking her head sorrowfully, and patting her elbows as if the recollection of old times unconsciously awakened her old habits. "Dear, dear, dear! There’ll be heavy hearts, Ben, yonder." Mr. Britain heaved a sigh, and shook his head, and said he couldn’t make it out: he had left off trying long ago. With that remark, he applied himself to putting up the bill just inside the bar window: and Clemency, after meditating in silence for a few moments, roused herself, cleared her thoughtful brow, and bustled off to look after the children. Though the host of the Nutmeg Grater had a lively regard for his good-wife, it was of the old patronising kind; and she amused him mightily. Nothing would have astonished him so much, as to have known for certain from any third party, that it was she who managed the whole house, and made him, by her plain straightforward thrift, good-humour, honesty, and industry, a thriving man. So easy it is, in any degree of life (as the world very often finds it,) to take those cheerful natures that never assert their merit, at their own modest valuation; and to conceive a flippant liking of people for their outward oddities and eccentricities, whose innate worth, if we would look so far, might make us blush in the comparison! It was comfortable to Mr. Britain, to think of his own condescension in having married Clemency. She was a perpetual testimony to him of the goodness of his heart, and the kindness of his disposition; and he felt that her being an excellent wife was an illustration of the old precept that virtue is its own reward. He had finished wafering up the bill, and had locked the vouchers for her day’s proceedings in the cupboard—chuckling all the time, over her capacity for business—when, returning with the news that the two Master Britains were playing in the coach-house under the superintendence of one Betsey, and that little Clem was sleeping "like a picture," she sat down to tea, which had awaited her arrival, on a little table. It was a very neat little bar, with the usual display of bottles and glasses; a sedate clock, right to the minute (it was half-past five); everything in its place, and everything furbished and polished up to the very utmost. "It’s the first time I’ve sat down quietly to-day, I declare," said Mrs. Britain, taking a long breath, as if she had sat down for the night; but getting up again immediately to hand her husband his tea, and cut him his bread-and-butter; "how that bill does set me thinking of old times!" "Ah!" said Mr. Britain, handling his saucer like an oyster, and disposing of its contents on the same principle. "That same Mr. Michael Warden," said Clemency, shaking her head at the notice of sale, "lost me my old place." "And got you your husband," said Mr. Britain. "Well! So he did," retorted Clemency, "and many thanks to him." "Man’s the creature of habit," said Mr. Britain, surveying her, over his saucer. "I had somehow got used to you, Clem; and I found I shouldn’t be able to get on without you. So we went and got made man and wife. Ha! ha! We! Who’d have thought it!" "Who indeed!" cried Clemency. "It was very good of you, Ben." "No, no, no," replied Mr. Britain, with an air of self-denial. "Nothing worth mentioning." "Oh yes it was, Ben," said his wife, with great simplicity; "I’m sure I think so, and am very much obliged to you. Ah!" looking again at the bill; "when she was known to be gone, and out of reach, dear girl, I couldn’t help telling—for her sake quite as much as theirs—what I knew, could I?" "You told it, anyhow," observed her husband. "And Doctor Jeddler," pursued Clemency, putting down her tea-cup, and looking thoughtfully at the bill, "in his grief and passion, turned me out of house and home! I never have been so glad of anything in all my life, as that I didn’t say an angry word to him, and hadn’t any angry feeling towards him, even then; for he repented that truly, afterwards. How often he has sat in this room, and told me over and over again he was sorry for it!—the last time, only yesterday, when you were out. How often he has sat in this room, and talked to me, hour after hour, about one thing and another, in which he made believe to be interested!—but only for the sake of the days that are gone by, and because he knows she used to like me, Ben!" "Why, how did you ever come to catch a glimpse of that, Clem?" asked her husband: astonished that she should have a distinct perception of a truth which had only dimly suggested itself to his inquiring mind. "I don’t know, I’m sure," said Clemency, blowing her tea, to cool it. "Bless you, I couldn’t tell you, if you was to offer me a reward of a hundred pound." He might have pursued this metaphysical subject but for her catching a glimpse of a substantial fact behind him, in the shape of a gentleman attired in mourning, and cloaked and booted like a rider on horseback, who stood at the bar-door. He seemed attentive to their conversation, and not at all impatient to interrupt it. Clemency hastily rose at this sight. Mr. Britain also rose and saluted the guest. "Will you please to walk up-stairs, Sir? There’s a very nice room up-stairs, sir." "Thank you," said the stranger, looking earnestly at Mr. Britain’s wife. "May I come in here?" "Oh, surely, if you like, Sir," returned Clemency, admitting him. "What would you please to want, Sir?" The bill had caught his eye, and he was reading it. "Excellent property that, Sir," observed Mr. Britain. He made no answer; but turning round, when he had finished reading, looked at Clemency with the same observant curiosity as before. "You were asking me," he said, still looking at her,— "What you would please to take, Sir," answered Clemency, stealing a glance at him in return. "If you will let me have a draught of ale," he said, moving to a table by the window, "and will let me have it here, without being any interruption to your meal, I shall be much obliged to you." He sat down as he spoke, without any further parley, and looked out at the prospect. He was an easy, well-knit figure of a man in the prime of life. His face, much browned by the sun, was shaded by a quantity of dark hair; and he wore a moustache. His beer being set before him, he filled out a glass, and drank, good-humouredly, to the house; adding, as he put the tumbler down again: "It’s a new house, is it not?" "Not particularly new, Sir," replied Mr. Britain. "Between five and six years old," said Clemency; speaking very distinctly. "I think I heard you mention Doctor Jeddler’s name, as I came in," inquired the stranger. "That bill reminds me of him; for I happen to know something of that story, by hearsay, and through certain connexions of mine.—Is the old man living?" "Yes, he’s living, Sir," said Clemency. "Much changed?" "Since when, Sir?" returned Clemency, with remarkable emphasis and expression. "Since his daughter—went away." "Yes! he’s greatly changed since then," said Clemency. "He’s grey and old, and hasn’t the same way with him at all; but I think he’s happy now. He has taken on with his sister since then, and goes to see her very often. That did him good, directly. At first, he was sadly broken down; and it was enough to make one’s heart bleed, to see him wandering about, railing at the world; but a great change for the better came over him after a year or two, and then he began to like to talk about his lost daughter, and to praise her, ay and the world too! and was never tired of saying, with the tears in his poor eyes, how beautiful and good she was. He had forgiven her then. That was about the same time as Miss Grace’s marriage. Britain, you remember?" Mr. Britain remembered very well. "The sister is married then," returned the stranger. He paused for some time before he asked, "To whom?" Clemency narrowly escaped oversetting the tea-board, in her emotion at this question. "Did you never hear?" she said. "I should like to hear," he replied, as he filled his glass again, and raised it to his lips. "Ah! It would be a long story, if it was properly told," said Clemency, resting her chin on the palm of her left hand, and supporting that elbow on her right hand, as she shook her head, and looked back through the intervening years, as if she were looking at a fire. "It would be a long story, I am sure." "But told as a short one," suggested the stranger. "Told as a short one," repeated Clemency in the same thoughtful tone, and without any apparent reference to him, or consciousness of having auditors, "what would there be to tell? That they grieved together, and remembered her together, like a person dead; that they were so tender of her, never would reproach her, called her back to one another as she used to be, and found excuses for her? Every one knows that. I’m sure I do. No one better," added Clemency, wiping her eyes with her hand. "And so," suggested the stranger. "And so," said Clemency, taking him up mechanically, and without any change in her attitude or manner, "they at last were married. They were married on her birth-day—it comes round again to-morrow—very quiet, very humble like, but very happy. Mr. Alfred said, one night when they were walking in the orchard, 'Grace, shall our wedding-day be Marion’s birth-day?' And it was." "And they have lived happily together?" said the stranger. "Ay," said Clemency. "No two people ever more so. They have had no sorrow but this." She raised her head as with a sudden attention to the circumstances under which she was recalling these events, and looked quickly at the stranger. Seeing that his face was turned toward the window, and that he seemed intent upon the prospect, she made some eager signs to her husband, and pointed to the bill, and moved her mouth as if she were repeating with great energy, one word or phrase to him over and over again. As she uttered no sound, and as her dumb motions like most of her gestures were of a very extraordinary kind, this unintelligible conduct reduced Mr. Britain to the confines of despair. He stared at the table, at the stranger, at the spoons, at his wife—followed her pantomime with looks of deep amazement and perplexity—asked in the same language, was it property in danger, was it he in danger, was it she—answered her signals with other signals expressive of the deepest distress and confusion—followed the motions of her lips—guessed half aloud "milk and water," "monthly warning," "mice and walnuts"—and couldn’t approach her meaning. Clemency gave it up at last, as a hopeless attempt; and moving her chair by very slow degrees a little nearer to the stranger, sat with her eyes apparently cast down but glancing sharply at him now and then, waiting until he should ask some other question. She had not to wait long; for he said, presently: "And what is the after history of the young lady who went away? They know it, I suppose?" Clemency shook her head. "I’ve heard," she said, "that Doctor Jeddler is thought to know more of it than he tells. Miss Grace has had letters from her sister, saying that she was well and happy, and made much happier by her being married to Mr. Alfred: and has written letters back. But there’s a mystery about her life and fortunes, altogether, which nothing has cleared up to this hour, and which—" She faultered here, and stopped. "And which"—repeated the stranger. "Which only one other person, I believe, could explain," said Clemency, drawing her breath quickly. "Who may that be?" asked the stranger. "Mr. Michael Warden!" answered Clemency, almost in a shriek: at once conveying to her husband what she would have had him understand before, and letting Michael Warden know that he was recognised. "You remember me, sir?" said Clemency, trembling with emotion; "I saw just now you did! You remember me, that night in the garden. I was with her!" "Yes. You were," he said. "Yes, sir," returned Clemency. "Yes, to be sure. This is my husband, if you please. Ben, my dear Ben, run to Miss Grace—run to Mr. Alfred—run somewhere, Ben! Bring somebody here, directly!" "Stay!" said Michael Warden, quietly interposing himself between the door and Britain. "What would you do?" "Let them know that you are here, Sir," answered Clemency, clapping her hands in sheer agitation. "Let them know that they may hear of her, from your own lips; let them know that she is not quite lost to them, but that she will come home again yet, to bless her father and her loving sister—even her old servant, even me," she struck herself upon the breast with both hands, "with a sight of her sweet face. Run, Ben, run!" And still she pressed him on towards the door, and still Mr. Warden stood before it, with his hand stretched out, not angrily, but sorrowfully. "Or perhaps," said Clemency, running past her husband, and catching in her emotion at Mr. Warden’s cloak, "perhaps she’s here now; perhaps she’s close by. I think from your manner she is. Let me see her, Sir, if you please. I waited on her when she was a little child. I saw her grow to be the pride of all this place. I knew her when she was Mr. Alfred’s promised wife. I tried to warn her when you tempted her away. I know what her old home was when she was like the soul of it, and how it changed when she was gone and lost. Let me speak to her, if you please!" He gazed at her with compassion, not unmixed with wonder: but he made no gesture of assent. "I don’t think she can know," pursued Clemency, "how truly they forgive her; how they love her; what joy it would be to them, to see her once more. She may be timorous of going home. Perhaps if she sees me, it may give her new heart. Only tell me truly, Mr. Warden, is she with you?" "She is not," he answered, shaking his head. This answer, and his manner, and his black dress, and his coming back so quietly, and his announced intention of continuing to live abroad, explained it all. Marion was dead. He didn’t contradict her; yes, she was dead! Clemency sat down, hid her face upon the table, and cried. At that moment, a grey-headed old gentleman came running in: quite out of breath, and panting so much that his voice was scarcely to be recognised as the voice of Mr. Snitchey. "Good Heaven, Mr. Warden!" said the lawyer, taking him aside, "what wind has blown—" He was so blown himself, that he couldn’t get on any further until after a pause, when he added, feebly, "you here?" "An ill-wind, I am afraid," he answered. "If you could have heard what has just passed—how I have been besought and entreated to perform impossibilities—what confusion and affliction I carry with me!" "I can guess it all. But why did you ever come here, my good Sir?" retorted Snitchey. "Come! How should I know who kept the house? When I sent my servant on to you, I strolled in here because the place was new to me; and I had a natural curiosity in everything new and old, in these old scenes; and it was outside the town. I wanted to communicate with you first, before appearing there. I wanted to know what people would say to me. I see by your manner that you can tell me. If it were not for your confounded caution, I should have been possessed of everything long ago." "Our caution!" returned the lawyer, "speaking for Self and Craggs—deceased," here Mr. Snitchey, glancing at his hat-band, shook his head, "how can you reasonably blame us, Mr. Warden? It was understood between us that the subject was never to be renewed, and that it wasn’t a subject on which grave and sober men like us (I made a note of your observations at the time) could interfere. Our caution too! When Mr. Craggs, Sir, went down to his respected grave in the full belief—" "I had given a solemn promise of silence until I should return, whenever that might be," interrupted Mr. Warden; "and I have kept it." "Well, Sir, and I repeat it," returned Mr. Snitchey, "we were bound to silence too. We were bound to silence in our duty towards ourselves, and in our duty towards a variety of clients, you among them, who were as close as wax. It was not our place to make inquiries of you on such a delicate subject. I had my suspicions, Sir; but, it is not six months since I have known the truth, and been assured that you lost her." "By whom?" inquired his client. "By Doctor Jeddler himself, sir, who at last reposed that confidence in me voluntarily. He, and only he, has known the whole truth, years and years." "And you know it?" said his client. "I do, Sir!" replied Snitchey; "and I have also reason to know that it will be broken to her sister to-morrow evening. They have given her that promise. In the meantime, perhaps you’ll give me the honor of your company at my house; being unexpected at your own. But, not to run the chance of any more such difficulties as you have had here, in case you should be recognised—though you’re a good deal changed—I think I might have passed you myself, Mr. Warden—we had better dine here, and walk on in the evening. It’s a very good place to dine at, Mr. Warden: your own property, by the bye. Self and Craggs (deceased) took a chop here sometimes, and had it very comfortably served. Mr. Craggs, Sir," said Snitchey, shutting his eyes tight for an instant, and opening them again, "was struck off the roll of life too soon." "Heaven forgive me for not condoling with you," returned Michael Warden, passing his hand across his forehead, "but I’m like a man in a dream at present. I seem to want my wits. Mr. Craggs—yes—I am very sorry we have lost Mr. Craggs." But he looked at Clemency as he said it, and seemed to sympathise with Ben, consoling her. "Mr. Craggs, Sir," observed Snitchey, "didn’t find life, I regret to say, as easy to have and to hold as his theory made it out, or he would have been among us now. It’s a great loss to me. He was my right arm, my right leg, my right ear, my right eye, was Mr. Craggs. I am paralytic without him. He bequeathed his share of the business to Mrs. Craggs, her executors, administrators, and assigns. His name remains in the Firm to this hour. I try, in a childish sort of a way, to make believe, sometimes, that he’s alive. You may observe that I speak for Self and Craggs—deceased Sir—deceased," said the tender-hearted attorney, waving his pocket-handkerchief. Michael Warden, who had still been observant of Clemency, turned to Mr. Snitchey when he ceased to speak, and whispered in his ear. "Ah, poor thing!" said Snitchey, shaking his head. "Yes. She was always very faithful to Marion. She was always very fond of her. Pretty Marion! Poor Marion! Cheer up, Mistress—you are married now, you know, Clemency." Clemency only sighed, and shook her head. "Well, well! Wait till to-morrow," said the lawyer, kindly. "To-morrow can’t bring back the dead to life, Mister," said Clemency, sobbing. "No. It can’t do that, or it would bring back Mr. Craggs, deceased," returned the lawyer. "But it may bring some soothing circumstances; it may bring some comfort. Wait till to-morrow!" So Clemency, shaking his proffered hand, said she would; and Britain, who had been terribly cast down at sight of his despondent wife (which was like the business hanging its head), said that was right; and Mr. Snitchey and Michael Warden went up stairs; and there they were soon engaged in a conversation so cautiously conducted, that no murmur of it was audible above the clatter of plates and dishes, the hissing of the frying-pan, the bubbling of saucepans, the low monotonous waltzing of the Jack—with a dreadful click every now and then as if it had met with some mortal accident to its head, in a fit of giddiness—and all the other preparations in the kitchen, for their dinner. To-morrow was a bright and peaceful day; and nowhere were the autumn tints more beautifully seen, than from the quiet orchard of the Doctor’s house. The snows of many winter nights had melted from that ground, the withered leaves of many summer times had rustled there, since she had fled. The honey-suckle porch was green again, the trees cast bountiful and changing shadows on the grass, the landscape was as tranquil and serene as it had ever been; but where was she! Not there. Not there. She would have been a stranger sight in her old home now, even than that home had been at first, without her. But a lady sat in the familiar place, from whose heart she had never passed away; in whose true memory she lived, unchanging, youthful, radiant with all promise and all hope; in whose affection—and it was a mother’s now: there was a cherished little daughter playing by her side—she had no rival, no successor; upon whose gentle lips her name was trembling then. The spirit of the lost girl looked out of those eyes. Those eyes of Grace, her sister, sitting with her husband in the orchard, on their wedding-day, and his and Marion’s birth-day. He had not become a great man; he had not grown rich; he had not forgotten the scenes and friends of his youth; he had not fulfilled any one of the Doctor’s old predictions. But in his useful, patient, unknown visiting of poor men’s homes; and in his watching of sick beds; and in his daily knowledge of the gentleness and goodness flowering the bye-paths of the world, not to be trodden down beneath the heavy foot of poverty, but springing up, elastic, in its track, and making its way beautiful; he had better learned and proved, in each succeeding year, the truth of his old faith. The manner of his life, though quiet and remote, had shown him how often men still entertained angels, unawares, as in the olden time; and how the most unlikely forms—even some that were mean and ugly to the view, and poorly clad—became irradiated by the couch of sorrow, want, and pain, and changed to ministering spirits with a glory round their heads. He lived to better purpose on the altered battle-ground perhaps, than if he had contended restlessly in more ambitious lists; and he was happy with his wife, dear Grace. And Marion. Had he forgotten her? "The time has flown, dear Grace," he said, "since then;" they had been talking of that night; "and yet it seems a long long while ago. We count by changes and events within us. Not by years." "Yet we have years to count by, too, since Marion was with us," returned Grace. "Six times, dear husband, counting to-night as one, we have sat here on her birth-day, and spoken together of that happy return, so eagerly expected and so long deferred. Ah when will it be! When will it be!" Her husband attentively observed her, as the tears collected in her eyes; and drawing nearer, said: "But, Marion told you, in that farewell letter which she left for you upon your table, love, and which you read so often, that years must pass away before it could be. Did she not?" She took a letter from her breast, and kissed it, and said "Yes." "That through these intervening years, however happy she might be, she would look forward to the time when you would meet again, and all would be made clear: and prayed you, trustfully and hopefully to do the same. The letter runs so, does it not, my dear?" "Yes, Alfred." "And every other letter she has written since?" "Except the last—some months ago—in which she spoke of you, and what you then knew, and what I was to learn to-night." He looked towards the sun, then fast declining, and said that the appointed time was sunset. "Alfred!" said Grace, laying her hand upon his shoulder earnestly, "there is something in this letter—this old letter, which you say I read so often—that I have never told you. But to-night, dear husband, with that sunset drawing near, and all our life seeming to soften and become hushed with the departing day, I cannot keep it secret." "What is it, love?" "When Marion went away, she wrote me, here, that you had once left her a sacred trust to me, and that now she left you, Alfred, such a trust in my hands: praying and beseeching me, as I loved her, and as I loved you, not to reject the affection she believed (she knew, she said) you would transfer to me when the new wound was healed, but to encourage and return it.’ "—And make me a proud, and happy man again, Grace. Did she say so?" "She meant, to make myself so blest and honored in your love," was his wife’s answer, as he held her in his arms. "Hear me, my dear!" he said.—"No. Hear me so!"—and as he spoke, he gently laid the head she had raised, again upon his shoulder. "I know why I have never heard this passage in the letter, until now. I know why no trace of it ever showed itself in any word or look of yours at that time. I know why Grace, although so true a friend to me, was hard to win to be my wife. And knowing it, my own! I know the priceless value of the heart I gird within my arms, and thank GOD for the rich possession!" She wept, but not for sorrow, as he pressed her to his heart. After a brief space, he looked down at the child, who was sitting at their feet, playing with a little basket of flowers, and bade her look how golden and how red the sun was. "Alfred," said Grace, raising her head quickly at these words. "The sun is going down. You have not forgotten what I am to know before it sets." "You are to know the truth of Marion’s history, my love," he answered. "All the truth," she said, imploringly. "Nothing veiled from me, any more. That was the promise. Was it not?" "It was," he answered. "Before the sun went down on Marion’s birth-day. And you see it, Alfred? It is sinking fast." He put his arm about her waist; and, looking steadily into her eyes, rejoined: "That truth is not reserved so long for me to tell, dear Grace. It is to come from other lips." "From other lips!" she faintly echoed. "Yes. I know your constant heart, I know how brave you are, I know that to you a word of preparation is enough. You have said, truly, that the time is come. It is. Tell me that you have present fortitude to bear a trial—a surprise—a shock: and the messenger is waiting at the gate." "What messenger?" she said. "And what intelligence does he bring?" "I am pledged," he answered her, preserving his steady look, "to say no more. Do you think you understand me?" "I am afraid to think," she said. There was that emotion in his face, despite its steady gaze, which frightened her. Again she hid her own face on his shoulder, trembling, and entreated him to pause—a moment. "Courage, my wife! When you have firmness to receive the messenger, the messenger is waiting at the gate. The sun is setting on Marion’s birth-day. Courage, courage, Grace!" She raised her head, and, looking at him, told him she was ready. As she stood, and looked upon him going away, her face was so like Marion’s as it had been in her later days at home, that it was wonderful to see. He took the child with him. She called her back—she bore the lost girl’s name—and pressed her to her bosom. The little creature, being released again, sped after him, and Grace was left alone. She knew not what she dreaded, or what hoped; but remained there, motionless, looking at the porch by which they had disappeared. Ah! what was that, emerging from its shadow; standing on its threshold! That figure, with its white garments rustling in the evening air; its head laid down upon her father’s breast, and pressed against it to his loving heart! O God! was it a vision that came bursting from the old man’s arms, and with a cry, and with a waving of its hands, and with a wild precipitation of itself upon her in its boundless love, sank down in her embrace! "Oh, Marion, Marion! Oh, my sister! Oh, my heart’s dear love! Oh, joy and happiness unutterable, so to meet again!" It was no dream, no phantom conjured up by hope and fear, but Marion, sweet Marion! So beautiful, so happy, so unalloyed by care and trial, so elevated and exalted in her loveliness, that as the setting sun shone brightly on her upturned face, she might have been a spirit visiting the earth upon some healing mission. Clinging to her sister, who had dropped upon a seat and bent down over her: and smiling through her tears, and kneeling close before her, with both arms twining round her, and never turning for an instant from her face: and with the glory of the setting sun upon her brow, and with the soft tranquillity of evening gathering around them: Marion at length broke silence; her voice, so calm, low, clear, and pleasant, well-tuned to the time. "When this was my dear home, Grace, as it will be now again—" "Stay, my sweet love! A moment! O Marion, to hear you speak again." She could not bear the voice she loved so well, at first. "When this was my dear home, Grace, as it will be now again, I loved him from my soul. I loved him most devotedly. I would have died for him, though I was so young. I never slighted his affection in my secret breast for one brief instant. It was far beyond all price to me. Although it is so long ago, and past, and gone, and everything is wholly changed, I could not bear to think that you, who love so well, should think I did not truly love him once. I never loved him better, Grace, than when he left this very scene upon this very day. I never loved him better, dear one, than I did that night when I left here." Her sister, bending over her, could look into her face, and hold her fast. "But he had gained, unconsciously," said Marion, with a gentle smile, "another heart, before I knew that I had one to give him. That heart—yours, my sister—was so yielded up, in all its other tenderness, to me; was so devoted, and so noble; that it plucked its love away, and kept its secret from all eyes but mine—Ah! what other eyes were quickened by such tenderness and gratitude!—and was content to sacrifice itself to me. But I knew something of its depths. I knew the struggle it had made. I knew its high, inestimable worth to him, and his appreciation of it, let him love me as he would. I knew the debt I owed it. I had its great example every day before me. What you had done for me, I knew that I could do, Grace, if I would, for you. I never laid my head down on my pillow, but I prayed with tears to do it. I never laid my head down on my pillow, but I thought of Alfred’s own words on the day of his departure, and how truly he had said (for I knew that, by you) that there were victories gained every day, in struggling hearts, to which these fields of battle were nothing. Thinking more and more upon the great endurance cheerfully sustained, and never known or cared for, that there must be, every day and hour, in that great strife of which he spoke, my trial seemed to grow light and easy: and He who knows our hearts, my dearest, at this moment, and who knows there is no drop of bitterness or grief—of anything but unmixed happiness—in mine, enabled me to make the resolution that I never would be Alfred’s wife. That he should be my brother, and your husband, if the course I took could bring that happy end to pass; but that I never would (Grace, I then loved him dearly, dearly!) be his wife!" "Oh, Marion! oh, Marion!" "I had tried to seem indifferent to him;" and she pressed her sister’s face against her own; "but that was hard, and you were always his true advocate. I had tried to tell you of my resolution, but you would never hear me; you would never understand me. The time was drawing near for his return. I felt that I must act, before the daily intercourse between us was renewed. I knew that one great pang, undergone at that time, would save a lengthened agony to all of us. I knew that if I went away then, that end must follow which has followed, and which has made us both so happy, Grace! I wrote to good Aunt Martha, for a refuge in her house: I did not then tell her all, but something of my story, and she freely promised it. While I was contesting that step with myself, and with my love of you, and home, Mr. Warden, brought here by an accident, became, for some time, our companion." "I have sometimes feared of late years, that this might have been," exclaimed her sister; and her countenance was ashy-pale. "You never loved him—and you married him in your self-sacrifice to me!" "He was then," said Marion, drawing her sister closer to her, "on the eve of going secretly away for a long time. He wrote to me, after leaving here; told me what his condition and prospects really were; and offered me his hand. He told me he had seen I was not happy in the prospect of Alfred’s return. I believe he thought my heart had no part in that contract; perhaps thought I might have loved him once, and did not then; perhaps thought that when I tried to seem indifferent, I tried to hide indifference—I cannot tell. But I wished that you should feel me wholly lost to Alfred—hopeless to him—dead. Do you understand me, love?" Her sister looked into her face, attentively. She seemed in doubt. "I saw Mr. Warden, and confided in his honour; charged him with my secret, on the eve of his and my departure. He kept it. Do you understand me, dear?" Grace looked confusedly upon her. She scarcely seemed to hear. "My love, my sister!" said Marion, "recall your thoughts a moment; listen to me. Do not look so strangely on me. There are countries, dearest, where those who would abjure a misplaced passion, or would strive, against some cherished feeling of their hearts and conquer it, retire into a hopeless solitude, and close the world against themselves and worldly loves and hopes for ever. When women do so, they assume that name which is so dear to you and me, and call each other Sisters. But, there may be sisters, Grace, who, in the broad world out of doors, and underneath its free sky, and in its crowded places and among its busy life, and trying to assist and cheer it and to do some good,—learn the same lesson; and, with hearts still fresh and young, and open to all happiness and means of happiness, can say the battle is long past, the victory long won. And such a one am I! You understand me now?" Still she looked fixedly upon her, and made no reply. "Oh Grace, dear Grace," said Marion, clinging yet more tenderly and fondly to that breast from which she had been so long exiled, "if you were not a happy wife and mother—if I had no little namesake here—if Alfred, my kind brother, were not your own fond husband—from whence could I derive the ecstasy I feel to-night! But, as I left here, so I have returned. My heart has known no other love, my hand has never been bestowed apart from it. I am still your maiden sister: unmarried, unbetrothed: your own loving old Marion, in whose affection you exist alone, and have no partner, Grace!" She understood her now. Her face relaxed: sobs came to her relief; and falling on her neck, she wept and wept, and fondled her as if she were a child again. When they were more composed, they found that the Doctor, and his sister good Aunt Martha, were standing near at hand, with Alfred. "This is a weary day for me," said good Aunt Martha, smiling through her tears, as she embraced her nieces; "for I lose my dear companion in making you all happy; and what can you give me, in return for my Marion?" "A converted brother," said the Doctor. "That’s something, to be sure," retorted Aunt Martha, "in such a farce as—" "No, pray don’t," said the doctor penitently. "Well, I won’t," replied Aunt Martha. "But, I consider myself ill used. I don’t know what’s to become of me without my Marion, after we have lived together half-a-dozen years." "You must come and live here, I suppose," replied the Doctor. "We shan’t quarrel now, Martha." "Or you must get married, Aunt," said Alfred. "Indeed," returned the old lady, "I think it might be a good speculation if I were to set my cap at Michael Warden, who, I hear, is come home much the better for his absence in all respects. But as I knew him when he was a boy, and I was not a very young woman then, perhaps he mightn’t respond. So I’ll make up my mind to go and live with Marion, when she marries, and until then (it will not be very long, I dare say) to live alone. What do you say, Brother?" "I’ve a great mind to say it’s a ridiculous world altogether, and there’s nothing serious in it," observed the poor old Doctor. "You might take twenty affidavits of it if you chose, Anthony," said his sister; "but nobody would believe you with such eyes as those." "It’s a world full of hearts," said the Doctor, hugging his youngest daughter, and bending across her to hug Grace—for he couldn’t separate the sisters; "and a serious world, with all its folly—even with mine, which was enough to have swamped the whole globe; and it is a world on which the sun never rises, but it looks upon a thousand bloodless battles that are some set-off against the miseries and wickedness of Battle-Fields; and it is a world we need be careful how we libel, Heaven forgive us, for it is a world of sacred mysteries, and its Creator only knows what lies beneath the surface of His lightest image!" You would not be the better pleased with my rude pen, if it dissected and laid open to your view the transports of this family, long severed and now reunited. Therefore, I will not follow the poor Doctor through his humbled recollection of the sorrow he had had, when Marion was lost to him; nor will I tell how serious he had found that world to be, in which some love, deep-anchored, is the portion of all human creatures; nor, how such a trifle as the absence of one little unit in the great absurd account, had stricken him to the ground. Nor, how, in compassion for his distress, his sister had, long ago, revealed the truth to him by slow degrees, and brought him to the knowledge of the heart of his self-banished daughter, and to that daughter’s side. Nor, how Alfred Heathfield had been told the truth, too, in the course of that then current year; and Marion had seen him, and had promised him, as her brother, that on her birth-day, in the evening, Grace should know it from her lips at last. "I beg your pardon, Doctor," said Mr. Snitchey, looking into the orchard, "but have I liberty to come in?" Without waiting for permission, he came straight to Marion, and kissed her hand, quite joyfully. "If Mr. Craggs had been alive, my dear Miss Marion," said Mr. Snitchey, "he would have had great interest in this occasion. It might have suggested to him, Mr. Alfred, that our life is not too easy perhaps; that, taken altogether, it will bear any little smoothing we can give it; but Mr. Craggs was a man who could endure to be convinced, Sir. He was always open to conviction. If he were open to conviction, now, I—this is weakness. Mrs. Snitchey, my dear,"—at his summons that lady appeared from behind the door, "you are among old friends." Mrs. Snitchey having delivered her congratulations, took her husband aside. "One moment, Mr. Snitchey," said that lady. "It is not in my nature to rake up the ashes of the departed." "No, my dear," returned her husband. "Mr. Craggs is—" "Yes, my dear, he is deceased," said Snitchey. "But I ask you if you recollect," pursued his wife, "that evening of the ball? I only ask you that. If you do; and if your memory has not entirely failed you, Mr. Snitchey; and if you are not absolutely in your dotage; I ask you to connect this time with that—to remember how I begged and prayed you, on my knees—" "Upon your knees, my dear?" said Mr. Snitchey. "Yes," said Mrs. Snitchey, confidently, "and you know it—to beware of that man—to observe his eye—and now to tell me whether I was right, and whether at that moment he knew secrets which he didn’t choose to tell." "Mrs. Snitchey," returned her husband, in her ear, "Madam. Did you ever observe anything in my eye?" "No," said Mrs. Snitchey, sharply. "Don’t flatter yourself." "Because, Madam, that night," he continued, twitching her by the sleeve, "it happens that we both knew secrets which we didn’t choose to tell, and both knew just the same, professionally. And so the less you say about such things the better, Mrs. Snitchey; and take this as a warning to have wiser and more charitable eyes another time. Miss Marion, I brought a friend of yours along with me. Here! Mistress!" Poor Clemency, with her apron to her eyes, came slowly in, escorted by her husband; the latter doleful with the presentiment, that if she abandoned herself to grief, the Nutmeg Grater was done for. "Now, Mistress," said the lawyer, checking Marion as she ran towards her, and interposing himself between them, "what’s the matter with you?" "The matter!" cried poor Clemency. When, looking up in wonder, and in indignant remonstrance, and in the added emotion of a great roar from Mr. Britain, and seeing that sweet face so well-remembered close before her, she stared, sobbed, laughed, cried, screamed, embraced her, held her fast, released her, fell on Mr. Snitchey and embraced him (much to Mrs. Snitchey’s indignation), fell on the Doctor and embraced him, fell on Mr. Britain and embraced him, and concluded by embracing herself, throwing her apron over her head, and going into hysterics behind it. A stranger had come into the orchard, after Mr. Snitchey, and had remained apart, near the gate, without being observed by any of the group; for they had little spare attention to bestow, and that had been monopolised by the ecstasies of Clemency. He did not appear to wish to be observed, but stood alone, with downcast eyes; and there was an air of dejection about him (though he was a gentleman of a gallant appearance) which the general happiness rendered more remarkable. None but the quick eyes of Aunt Martha, however, remarked him at all; but almost as soon as she espied him, she was in conversation with him. Presently, going to where Marion stood with Grace and her little namesake, she whispered something in Marion’s ear, at which she started, and appeared surprised; but soon recovering from her confusion, she timidly approached the stranger, in Aunt Martha’s company, and engaged in conversation with him too. "Mr. Britain," said the lawyer, putting his hand in his pocket, and bringing out a legal-looking document, while this was going on, "I congratulate you. You are now the whole and sole proprietor of that freehold tenement, at present occupied and held by yourself as a licensed tavern, or house of public entertainment, and commonly called or known by the sign of the Nutmeg Grater. Your wife lost one house, through my client Mr. Michael Warden; and now gains another. I shall have the pleasure of canvassing you for the county, one of these fine mornings." "Would it make any difference in the vote if the sign was altered, Sir?" asked Britain. "Not in the least," replied the lawyer. "Then," said Mr. Britain, handing him back the conveyance, "just clap in the words, 'and Thimble,' will you be so good; and I’ll have the two mottoes painted up in the parlour instead of my wife’s portrait." "And let me," said a voice behind them; it was the stranger’s—Michael Warden’s; "let me claim the benefit of those inscriptions. Mr. Heathfield and Dr. Jeddler, I might have deeply wronged you both. That I did not, is no virtue of my own. I will not say that I am six years wiser than I was, or better. But I have known, at any rate, that term of selfreproach. I can urge no reason why you should deal gently with me. I abused the hospitality of this house; and learnt by my own demerits, with a shame I never have forgotten, yet with some profit too, I would fain hope, from one," he glanced at Marion, "to whom I made my humble supplication for forgiveness, when I knew her merit and my deep unworthiness. In a few days I shall quit this place for ever. I entreat your pardon. Do as you would be done by! Forget, and forgive!" TIME—from whom I had the latter portion of this story, and with whom I have the pleasure of a personal acquaintance of some five-and-thirty years’ duration—informed me, leaning easily upon his scythe, that Michael Warden never went away again, and never sold his house, but opened it afresh, maintained a golden means of hospitality, and had a wife, the pride and honor of that countryside, whose name was Marion. But as I have observed that Time confuses facts occasionally, I hardly know what weight to give to his authority.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3167">
                <text>&lt;em&gt;The Battle of Life. A Love Story&lt;/em&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3168">
                <text>Published by Bradbury and Evans, 1846</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3169">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3170">
                <text>&lt;em&gt;Google Books, &lt;/em&gt;&lt;a href="https://www.google.com/books/edition/The_Battle_of_Life/mSkEAAAAQAAJ"&gt;https://www.google.com/books/edition/The_Battle_of_Life/mSkEAAAAQAAJ&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3171">
                <text>1846-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3172">
                <text>Christmas Book</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3173">
                <text>1846-12-The_Battle_of_Life</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3174">
                <text>Dickens, Charles. &lt;em&gt;The Battle of Life. A Love Story&lt;/em&gt; (December 1846). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date].&amp;nbsp; &lt;a href="https://www.dickenssearch.com/christmas-books/1846-12-The_Battle_of_Life"&gt;https://www.dickenssearch.com/christmas-books/1846-12-The_Battle_of_Life&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="3225">
                <text>&lt;p&gt;Part the First.&lt;br /&gt;&lt;br /&gt;Once upon a time, it matters little when, and in stalwart England, it matters little where, a fierce battle was fought. It was fought upon a long summer day when the waving grass was green. Many a wild flower formed by the Almighty Hand to be a perfumed goblet for the dew, felt its enamelled cup filled high with blood that day, and shrinking dropped. Many an insect deriving its delicate colour from harmless leaves and herbs, was stained anew that day by dying men, and marked its frightened way with an unnatural track. The painted butterfly took blood into the air upon the edges of its wings. The stream ran red. The trodden ground became a quagmire, whence, from sullen pools collected in the prints of human feet and horses’ hoofs, the one prevailing hue still lowered and glimmered at the sun.&lt;br /&gt;&lt;br /&gt;Heaven keep us from a knowledge of the sights the moon beheld upon that field, when, coming up above the black line of distant rising-ground, softened and blurred at the edge by trees, she rose into the sky and looked upon the plain, strewn with upturned faces that had once at mothers’ breasts sought mothers’ eyes, or slumbered happily. Heaven keep us from a knowledge of the secrets whispered afterwards upon the tainted wind that blew across the scene of that day’s work and that night’s death and suffering! Many a lonely moon was bright upon the battle-ground, and many a star kept mournful watch upon it, and many a wind from every quarter of the earth blew over it, before the traces of the fight were worn away.&lt;br /&gt;&lt;br /&gt;They lurked and lingered for a long time, but survived in little things; for, Nature, far above the evil passions of men, soon recovered Her serenity, and smiled upon the guilty battle-ground as she had done before, when it was innocent. The larks sang high above it; the swallows skimmed and dipped and flitted to and fro; the shadows of the flying clouds pursued each other swiftly, over grass and corn and turnip-field and wood, and over roof and church-spire in the nestling town among the trees, away into the bright distance on the borders of the sky and earth, where the red sunsets faded. Crops were sown, and grew up, and were gathered in; the stream that had been crimsoned, turned a watermill; men whistled at the plough; gleaners and haymakers were seen in quiet groups at work; sheep and oxen pastured; boys whooped and called, in fields, to scare away the birds; smoke rose from cottage chimneys; sabbath bells rang peacefully; old people lived and died; the timid creatures of the field, the simple flowers of the bush and garden, grew and withered in their destined terms: and all upon the fierce and bloody battle-ground, where thousands upon thousands had been killed in the great fight. But, there were deep green patches in the growing corn at first, that people looked at awfully. Year after year they re-appeared; and it was known that underneath those fertile spots, heaps of men and horses lay buried, indiscriminately, enriching the ground. The husbandmen who ploughed those places, shrunk from the great worms abounding there; and the sheaves they yielded, were, for many a long year, called the Battle Sheaves, and set apart; and no one ever knew a Battle Sheaf to be among the last load at a Harvest Home. For a long time, every furrow that was turned, revealed some fragments of the fight. For a long time, there were wounded trees upon the battle-ground; and scraps of hacked and broken fence and wall, where deadly struggles had been made; and trampled parts where not a leaf or blade would grow. For a long time, no village girl would dress her hair or bosom with the sweetest flower from that field of death: and after many a year had come and gone, the berries growing there, were still believed to leave too deep a stain upon the hand that plucked them.&lt;br /&gt;&lt;br /&gt;The Seasons in their course, however, though they passed as lightly as the summer clouds themselves, obliterated, in the lapse of time, even these remains of the old conflict; and wore away such legendary traces of it as the neighbouring people carried in their minds, until they dwindled into old wives’ tales, dimly remembered round the winter fire, and waning every year. Where the wild flowers and berries had so long remained upon the stem untouched, gardens arose, and houses were built, and children played at battles on the turf. The wounded trees had long ago made Christmas logs, and blazed and roared away. The deep green patches were no greener now than the memory of those who lay in dust below. The ploughshare still turned up from time to time some rusty bits of metal, but it was hard to say what use they had ever served, and those who found them wondered and disputed. An old dinted corselet, and a helmet, had been hanging in the church so long, that the same weak half-blind old man who tried in vain to make them out above the whitewashed arch, had marvelled at them as a baby. If the host slain upon the field, could have been for a moment reanimated in the forms in which they fell, each upon the spot that was the bed of his untimely death, gashed and ghastly soldiers would have stared in, hundreds deep, at household door and window; and would have risen on the hearths of quiet homes; and would have been the garnered store of barns and granaries; and would have started up between the cradled infant and its nurse; and would have floated with the stream, and whirled round on the mill, and crowded the orchard, and burdened the meadow, and piled the rickyard high with dying men. So altered was the battle-ground, where thousands upon thousands had been killed in the great fight.&lt;br /&gt;&lt;br /&gt;Nowhere more altered, perhaps, about a hundred years ago, than in one little orchard attached to an old stone house with a honeysuckle porch; where, on a bright autumn morning, there were sounds of music and laughter, and where two girls danced merrily together on the grass, while some half-dozen peasant women standing on ladders, gathering the apples from the trees, stopped in their work to look down, and share their enjoyment. It was a pleasant, lively, natural scene; a beautiful day, a retired spot; and the two girls, quite unconstrained and careless, danced in the freedom and gaiety of their hearts.&lt;br /&gt;&lt;br /&gt;If there were no such thing as display in the world, my private opinion is, and I hope you agree with me, that we might get on a great deal better than we do, and might be infinitely more agreeable company than we are. It was charming to see how these girls danced. They had no spectators but the apple-pickers on the ladders. They were very glad to please them, but they danced to please themselves (or at least you would have supposed so); and you could no more help admiring, than they could help dancing. How they did dance!&lt;br /&gt;&lt;br /&gt;Not like opera dancers. Not at all. And not like Madame Anybody’s finished pupils. Not the least. It was not quadrille dancing, nor minuet dancing, nor even country-dance dancing. It was neither in the old style, nor the new style, nor the French style, nor the English style: though it may have been, by accident, a trifle in the Spanish style, which is a free and joyous one, I am told, deriving a delightful air of off-hand inspiration, from the chirping little castanets. As they danced among the orchard trees, and down the groves of stems and back again, and twirled each other lightly round and round, the influence of their airy motion seemed to spread and spread, in the sun-lighted scene, like an expanding circle in the water. Their streaming hair and fluttering skirts, the elastic grass beneath their feet, the boughs that rustled in the morning air—the flashing leaves, the speckled shadows on the soft green ground—the balmy wind that swept along the landscape, glad to turn the distant windmill, cheerily—everything between the two girls, and the man and team at plough upon the ridge of land, where they showed against the sky as if they were the last things in the world—seemed dancing too.&lt;br /&gt;&lt;br /&gt;At last, the younger of the dancing sisters, out of breath, and laughing gaily, threw herself upon a bench to rest. The other leaned against a tree hard by. The music, a wandering harp and fiddle, left off with a flourish, as if it boasted of its freshness; though the truth is, it had gone at such a pace, and worked itself to such a pitch of competition with the dancing, that it never could have held on, half a minute longer. The apple-pickers on the ladders raised a hum and murmur of applause, and then, in keeping with the sound, bestirred themselves to work again like bees.&lt;br /&gt;&lt;br /&gt;The more actively, perhaps, because an elderly gentleman, who was no other than Doctor Jeddler himself—it was Doctor Jeddler’s house and orchard, you should know, and these were Doctor Jeddler’s daughters—came bustling out to see what was the matter, and who the deuce played music on his property, before breakfast. For he was a great philosopher, Doctor Jeddler, and not very musical.&lt;br /&gt;&lt;br /&gt;"Music and dancing &lt;em&gt;to-day!&lt;/em&gt;" said the Doctor, stopping short, and speaking to himself. "I thought they dreaded to-day. But it’s a world of contradictions. Why, Grace; why, Marion!" he added, aloud, "is the world more mad than usual this morning?"&lt;br /&gt;&lt;br /&gt;"Make some allowance for it, father, if it be," replied his younger daughter, Marion, going close to him, and looking into his face, "for it’s somebody’s birth-day."&lt;br /&gt;&lt;br /&gt;"Somebody’s birth-day, Puss," replied the Doctor. "Don’t you know it’s always somebody’s birth-day? Did you never hear how many new performers enter on this—ha! ha! ha!—it’s impossible to speak gravely of it—on this preposterous and ridiculous business called Life, every minute?"&lt;br /&gt;&lt;br /&gt;"No, father!"&lt;br /&gt;&lt;br /&gt;"No, not you, of course; you’re a woman—almost," said the Doctor. "By-the-by," and he looked into the pretty face, still close to his, "I suppose it’s &lt;em&gt;your&lt;/em&gt; birth-day."&lt;br /&gt;&lt;br /&gt;"No! Do you really, father?" cried his pet daughter, pursing up her red lips to be kissed.&lt;br /&gt;&lt;br /&gt;"There! Take my love with it," said the Doctor, imprinting his upon them; "and many happy returns of the—the idea!—of the day. The notion of wishing happy returns in such a farce as this," said the Doctor to himself, "is good! Ha! ha! ha!"&lt;br /&gt;&lt;br /&gt;Doctor Jeddler was, as I have said, a great philosopher, and the heart and mystery of his philosophy was, to look upon the world as a gigantic practical joke; as something too absurd to be considered seriously, by any rational man. His system of belief had been, in the beginning, part and parcel of the battle-ground on which he lived, as you shall presently understand.&lt;br /&gt;&lt;br /&gt;"Well! But how did you get the music?" asked the Doctor. "Poultry-stealers, of course. Where did the minstrels come from?"&lt;br /&gt;&lt;br /&gt;"Alfred sent the music," said his daughter Grace, adjusting a few simple flowers in her sister’s hair, with which, in her admiration of that youthful beauty, she had herself adorned it half-an-hour before, and which the dancing had disarranged.&lt;br /&gt;&lt;br /&gt;"Oh! Alfred sent the music, did he?" returned the Doctor.&lt;br /&gt;&lt;br /&gt;"Yes. He met it coming out of the town as he was entering early. The men are travelling on foot, and rested there last night; and as it was Marion’s birth-day, and he thought it would please her, he sent them on, with a pencilled note to me, saying that if I thought so too, they had come to serenade her."&lt;br /&gt;&lt;br /&gt;"Ay, ay," said the Doctor, carelessly, "he always takes your opinion."&lt;br /&gt;&lt;br /&gt;"And my opinion being favourable," said Grace, good-humouredly; and pausing for a moment to admire the pretty head she decorated, with her own thrown back; "and Marion being in high spirits, and beginning to dance, I joined her: and so we danced to Alfred’s music till we were out of breath. And we thought the music all the gayer for being sent by Alfred. Didn’t we, dear Marion?"&lt;br /&gt;&lt;br /&gt;"Oh, I don’t know, Grace. How you teaze me about Alfred."&lt;br /&gt;&lt;br /&gt;"Teaze you by mentioning your lover!" said her sister.&lt;br /&gt;&lt;br /&gt;"I am sure I don’t much care to have him mentioned," said the wilful beauty, stripping the petals from some flowers she held, and scattering them on the ground. "I am almost tired of hearing of him; and as to his being my lover"—&lt;br /&gt;&lt;br /&gt;"Hush! Don’t speak lightly of a true heart, which is all your own, Marion," cried her sister, "even in jest. There is not a truer heart than Alfred’s in the world!"&lt;br /&gt;&lt;br /&gt;"No-no," said Marion, raising her eyebrows with a pleasant air of careless consideration, "perhaps not. But I don’t know that there’s any great merit in that. I—I don’t want him to be so very true. I never asked him. If he expects that I— But, dear Grace, why need we talk of him at all, just now!"&lt;br /&gt;&lt;br /&gt;It was agreeable to see the graceful figures of the blooming sisters, twined together, lingering among the trees, conversing thus, with earnestness opposed to lightness, yet, with love responding tenderly to love. And it was very curious indeed to see the younger sister’s eyes suffused with tears; and something fervently and deeply felt, breaking through the wilfulness of what she said, and striving with it painfully.&lt;br /&gt;&lt;br /&gt;The difference between them, in respect of age, could not exceed four years at most: but Grace, as often happens in such cases, when no mother watches over both (the Doctor’s wife was dead), seemed, in her gentle care of her young sister, and in the steadiness of her devotion to her, older than she was; and more removed, in course of nature, from all competition with her, or participation, otherwise than through her sympathy and true affection, in her wayward fancies, than their ages seemed to warrant. Great character of mother, that, even in this shadow and faint reflection of it, purifies the heart, and raises the exalted nature nearer to the angels!&lt;br /&gt;&lt;br /&gt;The Doctor’s reflections, as he looked after them, and heard the purport of their discourse, were limited, at first, to certain merry meditations on the folly of all loves and likings, and the idle imposition practised on themselves by young people, who believed, for a moment, that there could be anything serious in such bubbles, and were always undeceived—always!&lt;br /&gt;&lt;br /&gt;But, the home-adorning, self-denying qualities of Grace, and her sweet temper, so gentle and retiring, yet including so much constancy and bravery of spirit, seemed all expressed to him in the contrast between her quiet household figure and that of his younger and more beautiful child; and he was sorry for her sake—sorry for them both—that life should be such a very ridiculous business as it was.&lt;br /&gt;&lt;br /&gt;The Doctor never dreamed of inquiring whether his children, or either of them, helped in any way to make the scheme a serious one. But then he was a Philosopher.&lt;br /&gt;&lt;br /&gt;A kind and generous man by nature, he had stumbled, by chance, over that common Philosopher’s stone (much more easily discovered than the object of the alchemist’s researches), which sometimes trips up kind and generous men, and has the fatal property of turning gold to dross and every precious thing to poor account.&lt;br /&gt;&lt;br /&gt;"Britain!" cried the Doctor. "Britain! Holloa!"&lt;br /&gt;&lt;br /&gt;A small man, with an uncommonly sour and discontented face, emerged from the house, and returned to this call the unceremonious acknowledgment of "Now then!"&lt;br /&gt;&lt;br /&gt;"Where’s the breakfast table?" said the Doctor.&lt;br /&gt;&lt;br /&gt;"In the house," returned Britain.&lt;br /&gt;&lt;br /&gt;"Are you going to spread it out here, as you were told last night?" said the Doctor. "Don’t you know that there are gentlemen coming? That there’s business to be done this morning, before the coach comes by? That this is a very particular occasion?"&lt;br /&gt;&lt;br /&gt;"I couldn’t do anything, Dr. Jeddler, till the women had done getting in the apples, could I?" said Britain, his voice rising with his reasoning, so that it was very loud at last.&lt;br /&gt;&lt;br /&gt;"Well, have they done now?" replied the Doctor, looking at his watch, and clapping his hands. "Come! make haste! where’s Clemency?"&lt;br /&gt;&lt;br /&gt;"Here am I, Mister," said a voice from one of the ladders, which a pair of clumsy feet descended briskly. "It’s all done now. Clear away, gals. Everything shall be ready for you in half a minute, Mister."&lt;br /&gt;&lt;br /&gt;With that she began to bustle about most vigorously; presenting, as she did so, an appearance sufficiently peculiar to justify a word of introduction.&lt;br /&gt;&lt;br /&gt;She was about thirty years old; and had a sufficiently plump and cheerful face, though it was twisted up into an odd expression of tightness that made it comical. But the extraordinary homeliness of her gait and manner, would have superseded any face in the world. To say that she had two left legs, and somebody else’s arms; and that all four limbs seemed to be out of joint, and to start from perfectly wrong places when they were set in motion; is to offer the mildest outline of the reality. To say that she was perfectly content and satisfied with these arrangements, and regarded them as being no business of hers, and that she took her arms and legs as they came, and allowed them to dispose of themselves just as it happened, is to render faint justice to her equanimity. Her dress was a prodigious pair of self-willed shoes, that never wanted to go where her feet went; blue stockings; a printed gown of many colours, and the most hideous pattern procurable for money; and a white apron. She always wore short sleeves, and always had, by some accident, grazed elbows, in which she took so lively an interest that she was continually trying to turn them round and get impossible views of them. In general, a little cap placed somewhere on her head; though it was rarely to be met with in the place usually occupied in other subjects, by that article of dress; but from head to foot she was scrupulously clean, and maintained a kind of dislocated tidiness. Indeed her laudable anxiety to be tidy and compact in her own conscience as well as in the public eye, gave rise to one of her most startling evolutions, which was to grasp herself sometimes by a sort of wooden handle (part of her clothing, and familiarly called a busk), and wrestle as it were with her garments, until they fell into a symmetrical arrangement.&lt;br /&gt;&lt;br /&gt;Such, in outward form and garb, was Clemency Newcome; who was supposed to have unconsciously originated a corruption of her own christian name, from Clementina (but nobody knew, for the deaf old mother, a very phenomenon of age, whom she had supported almost from a child, was dead, and she had no other relation); who now busied herself in preparing the table; and who stood, at intervals, with her bare red arms crossed, rubbing her grazed elbows with opposite hands, and staring at it very composedly, until she suddenly remembered something else it wanted, and jogged off to fetch it.&lt;br /&gt;&lt;br /&gt;"Here are them two lawyers a-coming, Mister!" said Clemency, in a tone of no very great good-will.&lt;br /&gt;&lt;br /&gt;"Aha!" cried the Doctor, advancing to the gate to meet them. "Good morning, good morning! Grace, my dear! Marion! Here are Messrs. Snitchey and Craggs. Where’s Alfred?"&lt;br /&gt;&lt;br /&gt;"He’ll be back directly, father, no doubt," said Grace. "He had so much to do this morning in his preparations for departure, that he was up and out by daybreak. Good morning, gentlemen."&lt;br /&gt;&lt;br /&gt;"Ladies!" said Mr. Snitchey, "For Self and Craggs," who bowed, "good morning. Miss," to Marion, "I kiss your hand." Which he did. "And I wish you"—which he might or might not, for he didn’t look, at first sight, like a gentleman troubled with many warm outpourings of soul, in behalf of other people, "a hundred happy returns of this auspicious day."&lt;br /&gt;&lt;br /&gt;"Ha ha ha!" laughed the Doctor thoughtfully, with his hands in his pockets. "The great farce in a hundred acts!"&lt;br /&gt;&lt;br /&gt;"You wouldn’t, I am sure," said Mr. Snitchey, standing a small professional blue bag against one leg of the table, "cut the great farce short for this actress, at all events, Doctor Jeddler."&lt;br /&gt;&lt;br /&gt;"No," returned the Doctor. "God forbid! May she live to laugh at it, as long as she &lt;em&gt;can&lt;/em&gt; laugh, and then say, with the French wit, 'The farce is ended; draw the curtain.'"&lt;br /&gt;&lt;br /&gt;"The French wit," said Mr. Snitchey, peeping sharply into his blue bag, "was wrong, Doctor Jeddler, and your philosophy is altogether wrong, depend upon it, as I have often told you. Nothing serious in life! What do you call law?"&lt;br /&gt;&lt;br /&gt;"A joke," replied the Doctor.&lt;br /&gt;&lt;br /&gt;"Did you ever go to law?" asked Mr. Snitchey, looking out of the blue bag.&lt;br /&gt;&lt;br /&gt;"Never," returned the Doctor.&lt;br /&gt;&lt;br /&gt;"If you ever do," said Mr. Snitchey, "perhaps you’ll alter that opinion."&lt;br /&gt;&lt;br /&gt;Craggs, who seemed to be represented by Snitchey, and to be conscious of little or no separate existence or personal individuality, offered a remark of his own in this place. It involved the only idea of which he did not stand seized and possessed in equal moieties with Snitchey; but, he had some partners in it among the wise men of the world.&lt;br /&gt;&lt;br /&gt;"It’s made a great deal too easy," said Mr. Craggs.&lt;br /&gt;&lt;br /&gt;"Law is?" asked the Doctor.&lt;br /&gt;&lt;br /&gt;"Yes," said Mr. Craggs, "everything is. Everything appears to me to be made too easy, now-a-days. It’s the vice of these times. If the world is a joke (I am not prepared to say it isn’t), it ought to be made a very difficult joke to crack. It ought to be as hard a struggle, Sir, as possible. That’s the intention. But, it’s being made far too easy. We are oiling the gates of life. They ought to be rusty. We shall have them beginning to turn, soon, with a smooth sound. Whereas they ought to grate upon their hinges, Sir."&lt;br /&gt;&lt;br /&gt;Mr. Craggs seemed positively to grate upon his own hinges, as he delivered this opinion; to which he communicated immense effect—being a cold, hard, dry, man, dressed in grey and white, like a flint; with small twinkles in his eyes, as if something struck sparks out of them. The three natural kingdoms, indeed, had each a fanciful representative among this brotherhood of disputants; for Snitchey was like a magpie or raven (only not so sleek), and the Doctor had a streaked face like a winter-pippin, with here and there a dimple to express the peckings of the birds, and a very little bit of pigtail behind, that stood for the stalk.&lt;br /&gt;&lt;br /&gt;As the active figure of a handsome young man, dressed for a journey, and followed by a porter bearing several packages and baskets, entered the orchard at a brisk pace, and with an air of gaiety and hope that accorded well with the morning,— these three drew together, like the brothers of the sister Fates, or like the Graces most effectually disguised, or like the three weird prophets on the heath, and greeted him.&lt;br /&gt;&lt;br /&gt;"Happy returns, Alf," said the Doctor, lightly.&lt;br /&gt;&lt;br /&gt;"A hundred happy returns of this auspicious day, Mr. Heathfield," said Snitchey, bowing low.&lt;br /&gt;&lt;br /&gt;"Returns!" Craggs murmured in a deep voice, all alone.&lt;br /&gt;&lt;br /&gt;"Why, what a battery!" exclaimed Alfred, stopping short, "and one—two—three—all foreboders of no good, in the great sea before me. I am glad you are not the first I have met this morning: I should have taken it for a bad omen. But, Grace was the first—sweet, pleasant Grace—so I defy you all!"&lt;br /&gt;&lt;br /&gt;"If you please, Mister, &lt;em&gt;I&lt;/em&gt; was the first you know," said Clemency Newcome. "She was walking out here, before sunrise, you remember. I was in the house."&lt;br /&gt;&lt;br /&gt;"That’s true! Clemency was the first," said Alfred. "So I defy you with Clemency."&lt;br /&gt;&lt;br /&gt;"Ha, ha, ha!—for Self and Craggs," said Snitchey. "What a defiance!"&lt;br /&gt;&lt;br /&gt;"Not so bad a one as it appears, may be," said Alfred, shaking hands heartily with the Doctor, and also with Snitchey and Craggs, and then looking round. "Where are the—Good Heavens!"&lt;br /&gt;&lt;br /&gt;With a start, productive for the moment of a closer partnership between Jonathan Snitchey and Thomas Craggs than the subsisting articles of agreement in that wise contemplated, he hastily betook himself to where the sisters stood together, and—however, I needn’t more particularly explain his manner of saluting Marion first, and Grace afterwards, than by hinting that Mr. Craggs may possibly have considered it "too easy."&lt;br /&gt;&lt;br /&gt;Perhaps to change the subject, Dr. Jeddler made a hasty move towards the breakfast, and they all sat down at table. Grace presided; but so discreetly stationed herself, as to cut off her sister and Alfred from the rest of the company. Snitchey and Craggs sat at opposite corners, with the blue bag between them for safety; the Doctor took his usual position, opposite to Grace. Clemency hovered galvanically about the table, as waitress; and the melancholy Britain, at another and a smaller board, acted as Grand Carver of a round of beef, and a ham.&lt;br /&gt;&lt;br /&gt;"Meat?" said Britain, approaching Mr. Snitchey, with the carving knife and fork in his hands, and throwing the question at him like a missile.&lt;br /&gt;&lt;br /&gt;"Certainly," returned the lawyer.&lt;br /&gt;&lt;br /&gt;"Do &lt;em&gt;you&lt;/em&gt; want any?" to Craggs.&lt;br /&gt;&lt;br /&gt;"Lean and well done," replied that gentleman.&lt;br /&gt;&lt;br /&gt;Having executed these orders, and moderately supplied the Doctor (he seemed to know that nobody else wanted anything to eat), he lingered as near the Firm as he decently could, watching with an austere eye their disposition of the viands, and but once relaxing the severe expression of his face. This was on the occasion of Mr. Craggs, whose teeth were not of the best, partially choking, when he cried out with great animation, "I thought he was gone!"&lt;br /&gt;&lt;br /&gt;"Now, Alfred," said the Doctor, "for a word or two of business, while we are yet at breakfast."&lt;br /&gt;&lt;br /&gt;"While we are yet at breakfast," said Snitchey and Craggs, who seemed to have no present idea of leaving off.&lt;br /&gt;&lt;br /&gt;Although Alfred had not been breakfasting, and seemed to have quite enough business on his hands as it was, he respectfully answered:&lt;br /&gt;&lt;br /&gt;"If you please, Sir."&lt;br /&gt;&lt;br /&gt;"If anything could be serious," the Doctor began, "in such a—"&lt;br /&gt;&lt;br /&gt;"Farce as this, Sir," hinted Alfred.&lt;br /&gt;&lt;br /&gt;"In such a farce as this," observed the Doctor, "it might be this recurrence, on the eve of separation, of a double birth-day, which is connected with many associations pleasant to us four, and with the recollection of a long and amicable intercourse. That’s not to the purpose."&lt;br /&gt;&lt;br /&gt;"Ah! yes, yes, Dr. Jeddler," said the young man. "It is to the purpose. Much to the purpose, as my heart bears witness this morning; and as yours does too, I know, if you would let it speak. I leave your house to-day; I cease to be your ward to-day; we part with tender relations stretching far behind us, that never can be exactly renewed, and with others dawning—yet before us," he looked down at Marion beside him, "fraught with such considerations as I must not trust myself to speak of now. Come, come!" he added, rallying his spirits and the Doctor at once, "there’s a serious grain in this large foolish dust-heap, Doctor. Let us allow to-day, that there is One."&lt;br /&gt;&lt;br /&gt;"To-day!" cried the Doctor. "Hear him! Ha, ha, ha! Of all days in the foolish year. Why, on this day, the great battle was fought on this ground. On this ground where we now sit, where I saw my two girls dance this morning, where the fruit has just been gathered for our eating from these trees, the roots of which are struck in Men, not earth,—so many lives were lost, that within my recollection, generations afterwards, a churchyard full of bones, and dust of bones, and chips of cloven skulls, has been dug up from underneath our feet here. Yet not a hundred people in that battle knew for what they fought, or why; not a hundred of the inconsiderate rejoicers in the victory, why they rejoiced. Not half a hundred people were the better for the gain or loss. Not half-a-dozen men agree to this hour on the cause or merits; and nobody, in short, ever knew anything distinct about it, but the mourners of the slain. Serious, too!" said the Doctor, laughing. "Such a system!"&lt;br /&gt;&lt;br /&gt;"But, all this seems to me," said Alfred, "to be very serious."&lt;br /&gt;&lt;br /&gt;"Serious!" cried the Doctor. "If you allowed such things to be serious, you must go mad, or die, or climb up to the top of a mountain, and turn hermit."&lt;br /&gt;&lt;br /&gt;"Besides—so long ago," said Alfred.&lt;br /&gt;&lt;br /&gt;"Long ago!" returned the Doctor. "Do you know what the world has been doing, ever since? Do you know what else it has been doing? &lt;em&gt;I&lt;/em&gt; don’t!"&lt;br /&gt;&lt;br /&gt;"It has gone to law a little," observed Mr. Snitchey, stirring his tea.&lt;br /&gt;&lt;br /&gt;"Although the way out has been always made too easy," said his partner.&lt;br /&gt;&lt;br /&gt;"And you’ll excuse my saying, Doctor," pursued Mr. Snitchey, "having been already put a thousand times in possession of my opinion, in the course of our discussions, that, in its having gone to law, and in its legal system altogether, I do observe a serious side—now, really, a something tangible, and with a purpose and intention in it—"&lt;br /&gt;&lt;br /&gt;Clemency Newcome made an angular tumble against the table, occasioning a sounding clatter among the cups and saucers.&lt;br /&gt;&lt;br /&gt;"Heyday! what’s the matter there?" exclaimed the Doctor.&lt;br /&gt;&lt;br /&gt;"It’s this evil-inclined blue bag," said Clemency, "always tripping up somebody!"&lt;br /&gt;&lt;br /&gt;"With a purpose and intention in it, I was saying," resumed Snitchey, "that commands respect. Life a farce, Dr. Jeddler? With law in it?"&lt;br /&gt;&lt;br /&gt;The Doctor laughed, and looked at Alfred.&lt;br /&gt;&lt;br /&gt;"Granted, if you please, that war is foolish," said Snitchey. "There we agree. For example. Here’s a smiling country," pointing it out with his fork, "once overrun by soldiers—trespassers every man of ’em—and laid waste by fire and sword. He, he, he! The idea of any man exposing himself, voluntarily, to fire and sword! Stupid, wasteful, positively ridiculous; you laugh at your fellow-creatures, you know, when you think of it! But take this smiling country as it stands. Think of the laws appertaining to real property; to the bequest and devise of real property; to the mortgage and redemption of real property; to leasehold, freehold, and copyhold estate; think," said Mr. Snitchey, with such great emotion that he actually smacked his lips, "of the complicated laws relating to title and proof of title, with all the contradictory precedents and numerous acts of parliament connected with them; think of the infinite number of ingenious and interminable chancery suits, to which this pleasant prospect may give rise; —and acknowledge, Doctor Jeddler, that there is a green spot in the scheme about us! I believe," said Mr. Snitchey, looking at his partner, "that I speak for Self and Craggs?"&lt;br /&gt;&lt;br /&gt;Mr. Craggs having signified assent, Mr. Snitchey, somewhat freshened by his recent eloquence, observed that he would take a little more beef, and another cup of tea.&lt;br /&gt;&lt;br /&gt;"I don’t stand up for life in general," he added, rubbing his hands and chuckling, "it’s full of folly; full of something worse. Professions of trust, and confidence, and unselfishness, and all that! Bah, bah, bah! We see what they’re worth. But, you mustn’t laugh at life; you’ve got a game to play; a very serious game indeed! Everybody’s playing against you, you know, and you’re playing against them. Oh! it’s a very interesting thing. There are deep moves upon the board. You must only laugh, Doctor Jeddler, when you win; and then not much. He, he, he! And then not much," repeated Snitchey, rolling his head and winking his eye, as if he would have added, 'you may do this instead!’&lt;br /&gt;&lt;br /&gt;"Well, Alfred!" cried the Doctor, "what do you say now?"&lt;br /&gt;&lt;br /&gt;"I say, Sir," replied Alfred, "that the greatest favour you could do me, and yourself too, I am inclined to think, would be to try sometimes to forget this battle-field, and others like it, in that broader battle-field of Life, on which the sun looks every day."&lt;br /&gt;&lt;br /&gt;"Really, I’m afraid that wouldn’t soften his opinions, Mr. Alfred," said Snitchey. "The combatants are very eager and very bitter in that same battle of Life. There’s a great deal of cutting and slashing, and firing into people’s heads from behind; terrible treading down, and trampling on; it's rather a bad business."&lt;br /&gt;&lt;br /&gt;"I believe, Mr. Snitchey," said Alfred, "there are quiet victories and struggles, great sacrifices of self, and noble acts of heroism, in it—even in many of its apparent lightnesses and contradictions—not the less difficult to achieve, because they have no earthly chronicle or audience; done every day in nooks and corners, and in little households, and in men’s and women’s hearts—any one of which might reconcile the sternest man to such a world, and fill him with belief and hope in it, though two-fourths of its people were at war, and another fourth at law; and that’s a bold word."&lt;br /&gt;&lt;br /&gt;Both the sisters listened keenly.&lt;br /&gt;&lt;br /&gt;"Well, well!" said the Doctor, "I am too old to be converted, even by my friend Snitchey here, or my good spinster sister, Martha Jeddler; who had what she calls her domestic trials ages ago, and has led a sympathising life with all sorts of people ever since; and who is so much of your opinion (only she’s less reasonable and more obstinate, being a woman), that we can’t agree, and seldom meet. I was born upon this battle-field. I began, as a boy, to have my thoughts directed to the real history of a battle-field. Sixty years have gone over my head; and I have never seen the Christian world, including Heaven knows how many loving mothers and good enough girls, like mine here, anything but mad for a battle-field. The same contradictions prevail in everything. One must either laugh or cry at such stupendous inconsistencies; and I prefer to laugh."&lt;br /&gt;&lt;br /&gt;Britain, who had been paying the profoundest and most melancholy attention to each speaker in his turn, seemed suddenly to decide in favour of the same preference, if a deep sepulchral sound that escaped him might be construed into a demonstration of risibility. His face, however, was so perfectly unaffected by it, both before and afterwards, that although one or two of the breakfast party looked round as being startled by a mysterious noise, nobody connected the offender with it.&lt;br /&gt;&lt;br /&gt;Except his partner in attendance, Clemency Newcome; who rousing him with one of those favourite joints, her elbows, inquired, in a reproachful whisper, what he laughed at.&lt;br /&gt;&lt;br /&gt;"Not you!" said Britain.&lt;br /&gt;&lt;br /&gt;"Who then?"&lt;br /&gt;&lt;br /&gt;"Humanity," said Britain. "That’s the joke."&lt;br /&gt;&lt;br /&gt;"What between master and them lawyers, he’s getting more and more addle-headed every day!" cried Clemency, giving him a lunge with the other elbow, as a mental stimulant. "Do you know where you are? Do you want to get warning?"&lt;br /&gt;&lt;br /&gt;"I don’t know anything," said Britain, with a leaden eye and an immovable visage. "I don’t care for anything. I don’t make out anything. I don’t believe anything. And I don’t want anything."&lt;br /&gt;&lt;br /&gt;Although this forlorn summary of his general condition may have been overcharged in an access of despondency, Benjamin Britain—sometimes called Little Britain, to distinguish him from Great; as we might say Young England, to express Old England with a decided difference—had defined his real state more accurately than might be supposed. For, serving as a sort of man Miles, to the Doctor’s Friar Bacon, and listening day after day to innumerable orations addressed by the Doctor to various people, all tending to show that his very existence was at best a mistake and an absurdity; this unfortunate servitor had fallen, by degrees, into such an abyss of confused and contradictory suggestions from within and without, that Truth at the bottom of her well, was on the level surface as compared with Britain in the depths of his mystification. The only point he clearly comprehended, was, that the new element usually brought into these discussions by Snitchey and Craggs, never served to make them clearer, and always seemed to give the Doctor a species of advantage and confirmation. Therefore, he looked upon the Firm as one of the proximate causes of his state of mind, and held them in abhorrence accordingly.&lt;br /&gt;&lt;br /&gt;"But, this is not our business, Alfred," said the Doctor. "Ceasing to be my ward (as you have said) to-day; and leaving us full to the brim of such learning as the Grammar School down here was able to give you, and your studies in London could add to that, and such practical knowledge as a dull old country Doctor like myself could graft upon both; you are away, now, into the world. The first term of probation appointed by your poor father, being over, away you go now, your own master, to fulfil his second desire: and long before your three years’ tour among the foreign schools of medicine is finished, you’ll have forgotten us. Lord, you’ll forget us easily in six months!"&lt;br /&gt;&lt;br /&gt;"If I do—But you know better; why should I speak to you!" said Alfred, laughing.&lt;br /&gt;&lt;br /&gt;"I don’t know anything of the sort," returned the Doctor. "What do you say, Marion?"&lt;br /&gt;&lt;br /&gt;Marion, trifling with her teacup, seemed to say—but she didn’t say it—that he was welcome to forget them, if he could. Grace pressed the blooming face against her cheek, and smiled.&lt;br /&gt;&lt;br /&gt;"I haven’t been, I hope, a very unjust steward in the execution of my trust," pursued the Doctor; "but I am to be, at any rate, formally discharged, and released, and what not this morning; and here are our good friends Snitchey and Craggs, with a bagful of papers, and accounts, and documents, for the transfer of the balance of the trust fund to you (I wish it was a more difficult one to dispose of, Alfred, but you must get to be a great man and make it so), and other drolleries of that sort, which are to be signed, sealed, and delivered."&lt;br /&gt;&lt;br /&gt;"And duly witnessed, as by law required," said Snitchey, pushing away his plate, and taking out the papers, which his partner proceeded to spread upon the table; "and Self and Craggs having been co-trustees with you, Doctor, in so far as the fund was concerned, we shall want your two servants to attest the signatures—can you read, Mrs. Newcome?"&lt;br /&gt;&lt;br /&gt;"I an’t married, Mister," said Clemency.&lt;br /&gt;&lt;br /&gt;"Oh! I beg your pardon. I should think not," chuckled Snitchey, casting his eyes over her extraordinary figure. "You &lt;em&gt;can&lt;/em&gt; read?"&lt;br /&gt;&lt;br /&gt;"A little," answered Clemency.&lt;br /&gt;&lt;br /&gt;"The marriage service, night and morning, eh?" observed the lawyer, jocosely.&lt;br /&gt;&lt;br /&gt;"No," said Clemency. "Too hard. I only reads a thimble."&lt;br /&gt;&lt;br /&gt;"Read a thimble!" echoed Snitchey. "What are you talking about, young woman?"&lt;br /&gt;&lt;br /&gt;Clemency nodded. "And a nutmeg-grater."&lt;br /&gt;&lt;br /&gt;"Why, this is a lunatic! a subject for the Lord High Chancellor!" said Snitchey, staring at her.&lt;br /&gt;&lt;br /&gt;—"If possessed of any property," stipulated Craggs.&lt;br /&gt;&lt;br /&gt;Grace, however, interposing, explained that each of the articles in question bore an engraved motto, and so formed the pocket library of Clemency Newcome, who was not much given to the study of books.&lt;br /&gt;&lt;br /&gt;"Oh, that’s it, is it, Miss Grace!" said Snitchey.&lt;br /&gt;&lt;br /&gt;"Yes, yes. Ha, ha, ha! I thought our friend was an idiot. She looks uncommonly like it," he muttered, with a supercilious glance. "And what does the thimble say, Mrs. Newcome?"&lt;br /&gt;&lt;br /&gt;"I an’t married, Mister," observed Clemency.&lt;br /&gt;&lt;br /&gt;"Well, Newcome. Will that do?" said the lawyer. "What does the thimble say, Newcome?"&lt;br /&gt;&lt;br /&gt;How Clemency, before replying to this question, held one pocket open, and looked down into its yawning depths for the thimble which wasn’t there,—and how she then held an opposite pocket open, and seeming to descry it, like a pearl of great price, at the bottom, cleared away such intervening obstacles as a handkerchief, an end of wax candle, a flushed apple, an orange, a lucky penny, a cramp bone, a padlock, a pair of scissors in a sheath, more expressively describable as promising young shears, a handful or so of loose beads, several balls of cotton, a needle-case, a cabinet collection of curl-papers, and a biscuit, all of which articles she entrusted individually and separately to Britain to hold,—is of no consequence. Nor how, in her determination to grasp this pocket by the throat and keep it prisoner (for it had a tendency to swing, and twist itself round the nearest corner), she assumed, and calmly maintained, an attitude apparently inconsistent with the human anatomy and the laws of gravity. It is enough that at last she triumphantly produced the thimble on her finger, and rattled the nutmeg-grater; the literature of both those trinkets being obviously in course of wearing out and wasting away, through excessive friction.&lt;br /&gt;&lt;br /&gt;"That’s the thimble, is it, young woman?" said Mr. Snitchey, diverting himself at her expense. "And what does the thimble say?"&lt;br /&gt;&lt;br /&gt;"It says," replied Clemency, reading slowly round as if it were a tower, "For-get and For-give."&lt;br /&gt;&lt;br /&gt;Snitchey and Craggs laughed heartily. "So new!" said Snitchey. "So easy!" said Craggs. "Such a knowledge of human nature in it," said Snitchey. "So applicable to the affairs of life," said Craggs.&lt;br /&gt;&lt;br /&gt;"And the nutmeg-grater?" inquired the head of the Firm.&lt;br /&gt;&lt;br /&gt;"The grater says," returned Clemency, "Do as you—wold—be—done by."&lt;br /&gt;&lt;br /&gt;"'Do, or you’ll be done brown,' you mean," said Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"I don’t understand," retorted Clemency, shaking her head vaguely. "I a'n’t no lawyer."&lt;br /&gt;&lt;br /&gt;"I am afraid that if she was, Doctor," said Mr. Snitchey, turning to him suddenly, as if to anticipate any effect that might otherwise be consequent on this retort, "she’d find it to be the golden rule of half her clients. They are serious enough in that—whimsical as your world is—and lay the blame on us afterwards. We, in our profession, are little else than mirrors after all, Mr. Alfred; but, we are generally consulted by angry and quarrelsome people, who are not in their best looks; and it’s rather hard to quarrel with us if we reflect unpleasant aspects. I think," said Mr. Snitchey, "that I speak for Self and Craggs?"&lt;br /&gt;&lt;br /&gt;"Decidedly," said Craggs.&lt;br /&gt;&lt;br /&gt;"And so, if Mr. Britain will oblige us with a mouthful of ink," said Mr. Snitchey, returning to the papers, "we’ll sign, seal, and deliver as soon as possible, or the coach will be coming past before we know where we are."&lt;br /&gt;&lt;br /&gt;If one might judge from his appearance, there was every probability of the coach coming past before Mr. Britain knew where &lt;em&gt;he&lt;/em&gt; was; for he stood in a state of abstraction, mentally balancing the Doctor against the lawyers, and the lawyers against the Doctor, and their clients against both; and engaged in feeble attempts to make the thimble and nutmeg-grater (a new idea to him) square with anybody’s system of philosophy; and, in short, bewildering himself as much as ever his great namesake has done with theories and schools. But Clemency, who was his good Genius—though he had the meanest possible opinion of her understanding, by reason of her seldom troubling herself with abstract speculations, and being always at hand to do the right thing at the right time—having produced the ink in a twinkling, tendered him the further service of recalling him to himself by the application of her elbows; with which gentle flappers she so jogged his memory, in a more literal construction of that phrase than usual, that he soon became quite fresh and brisk.&lt;br /&gt;&lt;br /&gt;How he laboured under an apprehension not uncommon to persons in his degree, to whom the use of pen and ink is an event, that he couldn’t append his name to a document, not of his own writing, without committing himself in some shadowy manner, or somehow signing away vague and enormous sums of money; and how he approached the deeds under protest, and by dint of the Doctor’s coercion, and insisted on pausing to look at them before writing (the cramped hand, to say nothing of the phraseology, being so much Chinese to him), and also on turning them round to see whether there was anything fraudulent, underneath; and how, having signed his name, he became desolate as one who had parted with his property and rights; I want the time to tell. Also, how the blue bag containing his signature, afterwards had a mysterious interest for him, and he couldn’t leave it; also, how Clemency Newcome, in an ecstasy of laughter at the idea of her own importance and dignity, brooded over the whole table with her two elbows, like a spread eagle, and reposed her head upon her left arm as a preliminary to the formation of certain cabalistic characters, which required a deal of ink, and imaginary counterparts whereof she executed at the same time with her tongue. Also how, having once tasted ink, she became thirsty in that regard, as tame tigers are said to be after tasting another sort of fluid, and wanted to sign everything, and put her name in all kinds of places. In brief, the Doctor was discharged of his trust and all its responsibilities; and Alfred, taking it on himself, was fairly started on the journey of life.&lt;br /&gt;&lt;br /&gt;"Britain!" said the Doctor. "Run to the gate, and watch for the coach. Time flies, Alfred!"&lt;br /&gt;&lt;br /&gt;"Yes, Sir, yes," returned the young man, hurriedly. "Dear Grace! a moment! Marion—so young and beautiful, so winning and so much admired, dear to my heart as nothing else in life is—remember! I leave Marion to you!"&lt;br /&gt;&lt;br /&gt;"She has always been a sacred charge to me, Alfred. She is doubly so, now. I will be faithful to my trust, believe me."&lt;br /&gt;&lt;br /&gt;"I do believe it, Grace. I know it well. Who could look upon your face, and hear your voice, and not know it! Ah, Grace! If I had your well-governed heart, and tranquil mind, how bravely I would leave this place to-day!"&lt;br /&gt;&lt;br /&gt;"Would you?" she answered with a quiet smile.&lt;br /&gt;&lt;br /&gt;"And yet, Grace—Sister, seems the natural word."&lt;br /&gt;&lt;br /&gt;"Use it!" she said quickly. "I am glad to hear it, call me nothing else."&lt;br /&gt;&lt;br /&gt;"And yet, Sister, then," said Alfred, "Marion and I had better have your true and stedfast qualities serving us here, and making us both happier and better. I wouldn’t carry them away, to sustain myself, if I could!"&lt;br /&gt;&lt;br /&gt;"Coach upon the hill-top!" exclaimed Britain.&lt;br /&gt;&lt;br /&gt;"Time flies, Alfred," said the Doctor.&lt;br /&gt;&lt;br /&gt;Marion had stood apart, with her eyes fixed upon the ground; but, this warning being given, her young lover brought her tenderly to where her sister stood, and gave her into her embrace.&lt;br /&gt;&lt;br /&gt;"I have been telling Grace, dear Marion," he said, "that you are her charge; my precious trust at parting. And when I come back and reclaim you, dearest, and the bright prospect of our married life lies stretched before us, it shall be one of our chief pleasures to consult how we can make Grace happy; how we can anticipate her wishes; how we can show our gratitude and love to her; how we can return her something of the debt she will have heaped upon us."&lt;br /&gt;&lt;br /&gt;The younger sister had one hand in his; the other rested on her sister’s neck. She looked into that sister’s eyes, so calm, serene, and cheerful, with a gaze in which affection, admiration, sorrow, wonder, almost veneration, were blended. She looked into that sister’s face, as if it were the face of some bright angel. Calm, serene, and cheerful, the face looked back on her and on her lover.&lt;br /&gt;&lt;br /&gt;"And when the time comes, as it must one day," said Alfred,—"I wonder it has never come yet: but Grace knows best, for Grace is always right—when &lt;em&gt;she&lt;/em&gt; will want a friend to open her whole heart to, and to be to her something of what she has been to us,—then, Marion, how faithful we will prove, and what delight to us to know that she, our dear good sister, loves and is loved again, as we would have her!"&lt;br /&gt;&lt;br /&gt;Still the younger sister looked into her eyes, and turned not—even towards him. And still those honest eyes looked back, so calm, serene, and cheerful, on herself and on her lover.&lt;br /&gt;&lt;br /&gt;"And when all that is past, and we are old, and living (as we must!) together—close together; talking often of old times,’ said Alfred—"these shall be our favourite times among them—this day most of all; and, telling each other what we thought and felt, and hoped and feared, at parting; and how we couldn’t bear to say good bye"—&lt;br /&gt;&lt;br /&gt;"Coach coming through the wood," cried Britain.&lt;br /&gt;&lt;br /&gt;"Yes! I am ready—and how we met again, so happily in spite of all; we’ll make this day the happiest in all the year, and keep it as a treble birth-day. Shall we, dear?"&lt;br /&gt;&lt;br /&gt;"Yes!" interposed the elder sister, eagerly, and with a radiant smile. "Yes! Alfred, don’t linger. There’s no time. Say good bye to Marion. And Heaven be with you!"&lt;br /&gt;&lt;br /&gt;He pressed the younger sister to his heart. Released from his embrace, she again clung to her sister; and her eyes, with the same blended look, again sought those so calm, serene, and cheerful.&lt;br /&gt;&lt;br /&gt;"Farewell, my boy!" said the Doctor. "To talk about any serious correspondence or serious affections, and engagements and so forth, in such a—ha ha ha!—you know what I mean—why that, of course, would be sheer nonsense. All I can say is, that if you and Marion should continue in the same foolish minds, I shall not object to have you for a son-in-law one of these days."&lt;br /&gt;&lt;br /&gt;"Over the bridge!" cried Britain.&lt;br /&gt;&lt;br /&gt;"Let it come!" said Alfred, wringing the Doctor’s hand stoutly. "Think of me sometimes, my old friend and guardian, as seriously as you can! Adieu, Mr. Snitchey! Farewell, Mr. Craggs!"&lt;br /&gt;&lt;br /&gt;"Coming down the road!" cried Britain.&lt;br /&gt;&lt;br /&gt;"A kiss of Clemency Newcome for long acquaintance’ sake—shake hands, Britain—Marion, dearest heart, good bye! Sister Grace! remember!"&lt;br /&gt;&lt;br /&gt;The quiet household figure, and the face so beautiful in its serenity, were turned towards him in reply; but Marion’s look and attitude remained unchanged.&lt;br /&gt;&lt;br /&gt;The coach was at the gate. There was a bustle with the luggage. The coach drove away. Marion never moved.&lt;br /&gt;&lt;br /&gt;"He waves his hat to you, my love," said Grace."Your chosen husband, darling. Look!"&lt;br /&gt;&lt;br /&gt;The younger sister raised her head, and, for a moment, turned it. Then, turning back again, and fully meeting, for the first time, those calm eyes, fell sobbing on her neck.&lt;br /&gt;&lt;br /&gt;"Oh, Grace. God bless you! But I cannot bear to see it, Grace! It breaks my heart."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Part the Second.&lt;br /&gt;&lt;br /&gt;Snitchey and Craggs had a snug little office on the old Battle Ground, where they drove a snug little business, and fought a great many small pitched battles for a great many contending parties. Though it could hardly be said of these conflicts that they were running fights—for in truth they generally proceeded at a snail’s pace—the part the Firm had in them came so far within the general denomination, that now they took a shot at this Plaintiff, and now aimed a chop at that Defendant, now made a heavy charge at an estate in Chancery, and now had some light skirmishing among an irregular body of small debtors, just as the occasion served, and the enemy happened to present himself. The Gazette was an important and profitable feature in some of their fields, as in fields of greater renown; and in most of the Actions wherein they showed their generalship, it was afterwards observed by the combatants that they had had great difficulty in making each other out, or in knowing with any degree of distinctness what they were about, in consequence of the vast amount of smoke by which they were surrounded.&lt;br /&gt;&lt;br /&gt;The offices of Messrs. Snitchey and Craggs stood convenient with an open door, down two smooth steps in the market-place: so that any angry farmer inclining towards hot water, might tumble into it at once. Their special council-chamber and hall of conference was an old back room up stairs, with a low dark ceiling, which seemed to be knitting its brows gloomily in the consideration of tangled points of law. It was furnished with some high-backed leathern chairs, garnished with great goggle-eyed brass nails, of which, every here and there, two or three had fallen out; or had been picked out, perhaps, by the wandering thumbs and forefingers of bewildered clients. There was a framed print of a great judge in it, every curl in whose dreadful wig had made a man’s hair stand on end. Bales of papers filled the dusty closets, shelves, and tables; and round the wainscot there were tiers of boxes, padlocked and fireproof, with people’s names painted outside, which anxious visitors felt themselves, by a cruel enchantment, obliged to spell backwards and forwards, and to make anagrams of, while they sat, seeming to listen to Snitchey and Craggs, without comprehending one word of what they said.&lt;br /&gt;&lt;br /&gt;Snitchey and Craggs had each, in private life as in professional existence, a partner of his own. Snitchey and Craggs were the best friends in the world, and had a real confidence in one another; but Mrs. Snitchey, by a dispensation not uncommon in the affairs of life, was, on principle, suspicious of Mr. Craggs; and Mrs. Craggs was, on principle, suspicious of Mr. Snitchey. "Your Snitcheys indeed," the latter lady would observe, sometimes, to Mr. Craggs; using that imaginative plural as if in disparagement of an objectionable pair of pantaloons, or other articles not possessed of a singular number; "I don’t see what you want with your Snitcheys, for my part. You trust a great deal too much to your Snitcheys, &lt;em&gt;I&lt;/em&gt; think, and I hope you may never find my words come true." While Mrs. Snitchey would observe to Mr. Snitchey, of Craggs, "that if ever he was led away by man he was led away by that man; and that if ever she read a double purpose in a mortal eye, she read that purpose in Craggs’s eye." Notwithstanding this, however, they were all very good friends in general: and Mrs. Snitchey and Mrs. Craggs maintained a close bond of alliance against "the office," which they both considered a Blue chamber, and common enemy, full of dangerous (because unknown) machinations.&lt;br /&gt;&lt;br /&gt;In this office, nevertheless, Snitchey and Craggs made honey for their several hives. Here sometimes they would linger, of a fine evening, at the window of their council-chamber, overlooking the old battle-ground, and wonder (but that was generally at assize time, when much business had made them sentimental) at the folly of mankind, who couldn’t always be at peace with one another, and go to law comfortably. Here days, and weeks, and months, and years, passed over them; their calendar, the gradually diminishing number of brass nails in the leathern chairs, and the increasing bulk of papers on the tables. Here, nearly three years’ flight had thinned the one and swelled the other, since the breakfast in the orchard; when they sat together in consultation, at night.&lt;br /&gt;&lt;br /&gt;Not alone; but with a man of thirty, or about that time of life, negligently dressed, and somewhat haggard in the face, but well-made, well-attired, and well-looking, who sat in the arm-chair of state, with one hand in his breast, and the other in his dishevelled hair, pondering moodily. Messrs. Snitchey and Craggs sat opposite each other at a neighbouring desk. One of the fire-proof boxes, unpadlocked and opened, was upon it; a part of its contents lay strewn upon the table, and the rest was then in course of passing through the hands of Mr. Snitchey, who brought it to the candle, document by document; looked at every paper singly, as he produced it, shook his head, and handed it to Mr. Craggs, who looked it over also, shook his head, and laid it down. Sometimes they would stop, and shaking their heads in concert, look towards the abstracted client; and the name on the box being Michael Warden, Esquire, we may conclude from these premises that the name and the box were both his, and that the affairs of Michael Warden, Esquire, were in a bad way.&lt;br /&gt;&lt;br /&gt;"That’s all," said Mr. Snitchey, turning up the last paper. "Really there’s no other resource. No other resource."&lt;br /&gt;&lt;br /&gt;"All lost, spent, wasted, pawned, borrowed, and sold, eh?" said the client, looking up.&lt;br /&gt;&lt;br /&gt;"All," returned Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"Nothing else to be done, you say?"&lt;br /&gt;&lt;br /&gt;"Nothing at all."&lt;br /&gt;&lt;br /&gt;The client bit his nails, and pondered again.&lt;br /&gt;&lt;br /&gt;"And I am not even personally safe in England? You hold to that, do you?"&lt;br /&gt;&lt;br /&gt;"In no part of the United Kingdom of Great Britain and Ireland," replied Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"A mere prodigal son with no father to go back to, no swine to keep, and no husks to share with them? Eh?" pursued the client, rocking one leg over the other, and searching the ground with his eyes.&lt;br /&gt;&lt;br /&gt;Mr. Snitchey coughed, as if to deprecate the being supposed to participate in any figurative illustration of a legal position. Mr. Craggs, as if to express that it was a partnership view of the subject, also coughed.&lt;br /&gt;&lt;br /&gt;"Ruined at thirty!" said the client. "Humph!"&lt;br /&gt;&lt;br /&gt;"Not ruined, Mr. Warden," returned Snitchey. "Not so bad as that. You have done a good deal towards it, I must say, but you are not ruined. A little nursing—"&lt;br /&gt;&lt;br /&gt;"A little Devil," said the client.&lt;br /&gt;&lt;br /&gt;"Mr. Craggs," said Snitchey, "will you oblige me with a pinch of snuff? Thank you, Sir."&lt;br /&gt;&lt;br /&gt;As the imperturbable lawyer applied it to his nose, with great apparent relish and a perfect absorption of his attention in the proceeding, the client gradually broke into a smile, and, looking up, said:&lt;br /&gt;&lt;br /&gt;"You talk of nursing. How long nursing?"&lt;br /&gt;&lt;br /&gt;"How long nursing?" repeated Snitchey, dusting the snuff from his fingers, and making a slow calculation in his mind. "For your involved estate, Sir? In good hands? S. and C.’s, say? Six or seven years."&lt;br /&gt;&lt;br /&gt;"To starve for six or seven years!" said the client with a fretful laugh, and an impatient change of his position.&lt;br /&gt;&lt;br /&gt;"To starve for six or seven years, Mr. Warden," said Snitchey, "would be very uncommon indeed. You might get another estate by shewing yourself, the while. But, we don’t think you could do it—speaking for Self and Craggs—and consequently don’t advise it."&lt;br /&gt;&lt;br /&gt;"What &lt;em&gt;do&lt;/em&gt; you advise?"&lt;br /&gt;&lt;br /&gt;"Nursing, I say," repeated Snitchey. "Some few years of nursing by Self and Craggs would bring it round. But to enable us to make terms, and hold terms, and you to keep terms, you must go away; you must live abroad. As to starvation, we could ensure you some hundreds a-year to starve upon, even in the beginning—I dare say, Mr. Warden."&lt;br /&gt;&lt;br /&gt;"Hundreds," said the client. "And I have spent thousands!"&lt;br /&gt;&lt;br /&gt;"That," retorted Mr. Snitchey, putting the papers slowly back into the cast-iron box, "there is no doubt about. No doubt a—bout," he repeated to himself, as he thoughtfully pursued his occupation.&lt;br /&gt;&lt;br /&gt;The lawyer very likely knew his man; at any rate his dry, shrewd, whimsical manner, had a favourable influence on the client’s moody state, and disposed him to be more free and unreserved. Or, perhaps the client knew &lt;em&gt;his&lt;/em&gt; man, and had elicited such encouragement as he had received, to render some purpose he was about to disclose the more defensible in appearance. Gradually raising his head, he sat looking at his immovable adviser with a smile, which presently broke into a laugh.&lt;br /&gt;&lt;br /&gt;"After all," he said, "my iron-headed friend—"&lt;br /&gt;&lt;br /&gt;Mr. Snitchey pointed out his partner. "Self and—excuse me—Craggs."&lt;br /&gt;&lt;br /&gt;"I beg Mr. Craggs’s pardon," said the client. "After all, my iron-headed friends," he leaned forward in his chair, and dropped his voice a little, "you don’t know half my ruin yet."&lt;br /&gt;&lt;br /&gt;Mr. Snitchey stopped and stared at him. Mr. Craggs also stared.&lt;br /&gt;&lt;br /&gt;"I am not only deep in debt," said the client, "but I am deep in—"&lt;br /&gt;&lt;br /&gt;"Not in love!" cried Snitchey.&lt;br /&gt;&lt;br /&gt;"Yes!" said the client, falling back in his chair, and surveying the Firm with his hands in his pockets. "Deep in love."&lt;br /&gt;&lt;br /&gt;"And not with an heiress, Sir?" said Snitchey.&lt;br /&gt;&lt;br /&gt;"Not with an heiress."&lt;br /&gt;&lt;br /&gt;"Nor a rich lady?"&lt;br /&gt;&lt;br /&gt;"Nor a rich lady that I know of—except in beauty and merit."&lt;br /&gt;&lt;br /&gt;"A single lady, I trust?" said Mr. Snitchey, with great expression.&lt;br /&gt;&lt;br /&gt;"Certainly."&lt;br /&gt;&lt;br /&gt;‘It’s not one of Doctor Jeddler’s daughters?’ said Snitchey, suddenly squaring his elbows on his knees, and advancing his face at least a yard.&lt;br /&gt;&lt;br /&gt;‘Yes!’ returned the client.&lt;br /&gt;&lt;br /&gt;"Not his younger daughter?" said Snitchey.&lt;br /&gt;&lt;br /&gt;"Yes!" returned the client.&lt;br /&gt;&lt;br /&gt;"Mr. Craggs," said Snitchey, much relieved, "will you oblige me with another pinch of snuff? Thank you. I am happy to say it don’t signify, Mr. Warden; she’s engaged, sir, she’s bespoke. My partner can corroborate me. We know the fact."&lt;br /&gt;&lt;br /&gt;"We know the fact," repeated Craggs.&lt;br /&gt;&lt;br /&gt;"Why, so do I perhaps," returned the client quietly. "What of that? Are you men of the world, and did you never hear of a woman changing her mind?"&lt;br /&gt;&lt;br /&gt;"There certainly have been actions for breach," said Mr. Snitchey, "brought against both spinsters and widows, but in the majority of cases—"&lt;br /&gt;&lt;br /&gt;"Cases!" interposed the client, impatiently. "Don’t talk to me of cases. The general precedent is in a much larger volume than any of your law books. Besides, do you think I have lived six weeks in the Doctor’s house for nothing?"&lt;br /&gt;&lt;br /&gt;"I think, sir," observed Mr. Snitchey, gravely addressing himself to his partner, "that of all the scrapes Mr. Warden’s horses have brought him into at one time and another—and they have been pretty numerous, and pretty expensive, as none know better than himself and you and I—the worst scrape may turn out to be, if he talks in this way, this having ever been left by one of them at the Doctor’s garden wall, with three broken ribs, a snapped collar-bone, and the Lord knows how many bruises. We didn’t think so much of it, at the time when we knew he was going on well under the Doctor’s hands and roof; but it looks bad now, Sir. Bad! It looks very bad. Doctor Jeddler too—our client, Mr. Craggs."&lt;br /&gt;&lt;br /&gt;"Mr. Alfred Heathfield too—a sort of client, Mr. Snitchey," said Craggs.&lt;br /&gt;&lt;br /&gt;"Mr. Michael Warden too, a kind of client," said the careless visitor, "and no bad one either: having played the fool for ten or twelve years. However Mr. Michael Warden has sown his wild oats now—there’s their crop, in that box; and he means to repent and be wise. And in proof of it, Mr. Michael Warden means, if he can, to marry Marion, the Doctor’s lovely daughter, and to carry her away with him."&lt;br /&gt;&lt;br /&gt;"Really, Mr. Craggs," Snitchey began.&lt;br /&gt;&lt;br /&gt;"Really, Mr. Snitchey, and Mr. Craggs, partners both," said the client, interrupting him; "you know your duty to your clients, and you know well enough, I am sure, that it is no part of it to interfere in a mere love affair, which I am obliged to confide to you. I am not going to carry the young lady off, without her own consent. There’s nothing illegal in it. I never was Mr. Heathfield’s bosom friend. I violate no confidence of his. I love where he loves, and I mean to win where he would win, if I can."&lt;br /&gt;&lt;br /&gt;"He can’t, Mr. Craggs," said Snitchey, evidently anxious and discomfited. "He can’t do it, Sir. She dotes on Mr. Alfred."&lt;br /&gt;&lt;br /&gt;"Does she?" returned the client.&lt;br /&gt;&lt;br /&gt;"Mr. Craggs, she dotes on him, Sir," persisted Snitchey.&lt;br /&gt;&lt;br /&gt;"I didn’t live six weeks, some few months ago, in the Doctor’s house for nothing; and I doubted that soon," observed the client. "She would have doted on him, if her sister could have brought it about; but I watched them. Marion avoided his name, avoided the subject: shrunk from the least allusion to it, with evident distress."&lt;br /&gt;&lt;br /&gt;"Why should she, Mr. Craggs, you know? Why should she, Sir?" inquired Snitchey.&lt;br /&gt;&lt;br /&gt;"I don’t know why she should, though there are many likely reasons," said the client, smiling at the attention and perplexity expressed in Mr. Snitchey’s shining eye, and at his cautious way of carrying on the conversation, and making himself informed upon the subject; "but I know she does. She was very young when she made the engagement—if it may be called one, I am not even sure of that—and has repented of it, perhaps. Perhaps—it seems a foppish thing to say, but upon my soul I don’t mean it in that light—she may have fallen in love with me, as I have fallen in love with her."&lt;br /&gt;&lt;br /&gt;"He, he! Mr. Alfred, her old playfellow too, you remember, Mr. Craggs," said Snitchey, with a disconcerted laugh; "knew her almost from a baby!"&lt;br /&gt;&lt;br /&gt;"Which makes it the more probable that she may be tired of his idea," calmly pursued the client, "and not indisposed to exchange it for the newer one of another lover, who presents himself (or is presented by his horse) under romantic circumstances; has the not unfavourable reputation—with a country girl—of having lived thoughtlessly and gaily, without doing much harm to anybody; and who, for his youth and figure, and so forth—this may seem foppish again, but upon my soul I don’t mean it in that light—might perhaps pass muster in a crowd with Mr. Alfred himself."&lt;br /&gt;&lt;br /&gt;There was no gainsaying the last clause, certainly; and Mr. Snitchey, glancing at him, thought so. There was something naturally graceful and pleasant in the very carelessness of his air. It seemed to suggest, of his comely face and well-knit figure, that they might be greatly better if he chose: and that, once roused and made earnest (but he never had been earnest yet), he could be full of fire and purpose. "A dangerous sort of libertine," thought the shrewd lawyer, "to seem to catch the spark he wants from a young lady’s eyes."&lt;br /&gt;&lt;br /&gt;"Now, observe, Snitchey," he continued, rising and taking him by the button, "and Craggs," taking him by the button also, and placing one partner on either side of him, so that neither might evade him. "I don’t ask you for any advice. You are right to keep quite aloof from all parties in such a matter, which is not one in which grave men like you could interfere, on any side. I am briefly going to review in half-a-dozen words, my position and intention, and then I shall leave it to you to do the best for me, in money matters, that you can: seeing, that, if I run away with the Doctor’s beautiful daughter (as I hope to do, and to become another man under her bright influence), it will be, for the moment, more chargeable than running away alone. But I shall soon make all that up in an altered life."&lt;br /&gt;&lt;br /&gt;"I think it will be better not to hear this, Mr. Craggs?" said Snitchey, looking at him across the client.&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;I&lt;/em&gt; think not," said Craggs.—Both listening attentively.&lt;br /&gt;&lt;br /&gt;"Well! You needn’t hear it," replied their client. "I’ll mention it, however. I don’t mean to ask the Doctor’s consent, because he wouldn’t give it me. But I mean to do the Doctor no wrong or harm, because (besides there being nothing serious in such trifles, as he says) I hope to rescue his child, my Marion, from what I see—I &lt;em&gt;know&lt;/em&gt;—she dreads, and contemplates with misery: that is, the return of this old lover. If anything in the world is true, it is true that she dreads his return. Nobody is injured so far. I am so harried and worried here just now, that I lead the life of a flying-fish; skulk about in the dark, I am shut out of my own house, and warned off my own grounds: but that house, and those grounds, and many an acre besides, will come back to me one day, as you know and say; and Marion will probably be richer—on your showing, who are never sanguine—ten years hence as my wife, than as the wife of Alfred Heathfield, whose return she dreads (remember that), and in whom or in any man, my passion is not surpassed. Who is injured yet? It is a fair case throughout. My right is as good as his, if she decide in my favor; and I will try my right by her alone. You will like to know no more after this, and I will tell you no more. Now you know my purpose, and wants. When must I leave here?"&lt;br /&gt;&lt;br /&gt;"In a week," said Snitchey. "Mr. Craggs?"—&lt;br /&gt;&lt;br /&gt;"In something less, I should say," responded Craggs.&lt;br /&gt;&lt;br /&gt;"In a month," said the client, after attentively watching the two faces. "This day month. To-day is Thursday. Succeed or fail, on this day month I go."&lt;br /&gt;&lt;br /&gt;"It’s too long a delay," said Snitchey; "much too long. But let it be so. I thought he’d have stipulated for three," he murmured to himself. "Are you going? Good night, Sir!"&lt;br /&gt;&lt;br /&gt;"Good night!" returned the client, shaking hands with the Firm. "You’ll live to see me making a good use of riches yet. Henceforth the star of my destiny is, Marion!"&lt;br /&gt;&lt;br /&gt;"Take care of the stairs, Sir," replied Snitchey; "for she don’t shine there. Good night!"&lt;br /&gt;&lt;br /&gt;"Good night!"&lt;br /&gt;&lt;br /&gt;So they both stood at the stair-head with a pair of office-candles, watching him down; and when he had gone away, stood looking at each other.&lt;br /&gt;&lt;br /&gt;"What do you think of all this, Mr. Craggs?" said Snitchey.&lt;br /&gt;&lt;br /&gt;Mr. Craggs shook his head.&lt;br /&gt;&lt;br /&gt;"It was our opinion, on the day when that release was executed, that there was something curious in the parting of that pair, I recollect," said Snitchey.&lt;br /&gt;&lt;br /&gt;"It was," said Mr. Craggs.&lt;br /&gt;&lt;br /&gt;"Perhaps he deceives himself altogether," pursued Mr. Snitchey, locking up the fireproof box, and putting it away; "or, if he don’t, a little bit of fickleness and perfidy is not a miracle, Mr. Craggs. And yet I thought that pretty face was very true. I thought," said Mr. Snitchey, putting on his great-coat (for the weather was very cold), drawing on his gloves, and snuffing out one candle, "that I had even seen her character becoming stronger and more resolved of late. More like her sister’s."&lt;br /&gt;&lt;br /&gt;"Mrs. Craggs was of the same opinion," returned Craggs.&lt;br /&gt;&lt;br /&gt;"I’d really give a trifle to-night," observed Mr. Snitchey, who was a good-natured man, "if I could believe that Mr. Warden was reckoning without his host; but light-headed, capricious, and unballasted as he is, he knows something of the world and its people (he ought to, for he has bought what he does know, dear enough); and I can’t quite think that. We had better not interfere: we can do nothing, Mr. Craggs, but keep quiet."&lt;br /&gt;&lt;br /&gt;"Nothing," returned Craggs.&lt;br /&gt;&lt;br /&gt;"Our friend the Doctor makes light of such things," said Mr. Snitchey, shaking his head. "I hope he mayn’t stand in need of his philosophy. Our friend Alfred talks of the battle of life," he shook his head again, "I hope he mayn’t be cut down early in the day. Have you got your hat, Mr. Craggs? I am going to put the other candle out." &lt;br /&gt;&lt;br /&gt;Mr. Craggs replying in the affirmative, Mr. Snitchey suited the action to the word, and they groped their way out of the council-chamber: now dark as the subject, or the law in general.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;My story passes to a quiet little study, where, on that same night, the sisters and the hale old Doctor sat by a cheerful fire-side. Grace was working at her needle. Marion read aloud from a book before her. The Doctor, in his dressing-gown and slippers, with his feet spread out upon the warm rug, leaned back in his easy chair, and listened to the book, and looked upon his daughters.&lt;br /&gt;&lt;br /&gt;They were very beautiful to look upon. Two better faces for a fireside, never made a fireside bright and sacred. Something of the difference between them had been softened down in three years’ time; and enthroned upon the clear brow of the younger sister, looking through her eyes, and thrilling in her voice, was the same earnest nature that her own motherless youth had ripened in the elder sister long ago. But she still appeared at once the lovelier and weaker of the two; still seemed to rest her head upon her sister’s breast, and put her trust in her, and look into her eyes for counsel and reliance. Those loving eyes, so calm, serene, and cheerful, as of old.&lt;br /&gt;&lt;br /&gt;" 'And being in her own home,'" read Marion, from the book; " 'her home made exquisitely dear by these remembrances, she now began to know that the great trial of her heart must soon come on, and could not be delayed. O Home, our comforter and friend when others fall away, to part with whom, at any step between the cradle and the grave—'"&lt;br /&gt;&lt;br /&gt;"Marion, my love!" said Grace.&lt;br /&gt;&lt;br /&gt;"Why, Puss!" exclaimed her father, "what’s the matter?"&lt;br /&gt;&lt;br /&gt;She put her hand upon the hand her sister stretched towards her, and read on; her voice still faltering and trembling, though she made an effort to command it when thus interrupted.&lt;br /&gt;&lt;br /&gt;" 'To part with whom, at any step between the cradle and the grave, is always sorrowful. Oh Home, so true to us, so often slighted in return, be lenient to them that turn away from thee, and do not haunt their erring footsteps too reproachfully! Let no kind looks, no well-remembered smiles, be seen upon thy phantom face. Let no ray of affection, welcome, gentleness, forbearance, cordiality, shine from thy white head. Let no old loving word, or tone, rise up in judgment against thy deserter; but if thou canst look harshly and severely, do, in mercy to the Penitent!'"&lt;br /&gt;&lt;br /&gt;"Dear Marion, read no more to-night," said Grace —for she was weeping.&lt;br /&gt;&lt;br /&gt;"I cannot," she replied, and closed the book. "The words seem all on fire!"&lt;br /&gt;&lt;br /&gt;The Doctor was amused at this; and laughed as he patted her on the head.&lt;br /&gt;&lt;br /&gt;"What! overcome by a story-book!" said Doctor Jeddler. "Print and paper! Well, well, it’s all one. It’s as rational to make a serious matter of print and paper as of anything else. But dry your eyes, love, dry your eyes. I dare say the heroine has got home again long ago, and made it up all round—and if she hasn’t, a real home is only four walls; and a fictitious one, mere rags and ink. What’s the matter now?"&lt;br /&gt;&lt;br /&gt;"It’s only me, Mister," said Clemency, putting in her head at the door.&lt;br /&gt;&lt;br /&gt;"And what’s the matter with &lt;em&gt;you&lt;/em&gt;?" said the Doctor.&lt;br /&gt;&lt;br /&gt;"Oh, bless you, nothing an’t the matter with me," returned Clemency—and truly too, to judge from her well-soaped face, in which there gleamed as usual the very soul of good humour, which, ungainly as she was, made her quite engaging. Abrasions on the elbows are not generally understood, it is true, to range within that class of personal charms called beauty-spots. But, it is better, going through the world, to have the arms chafed in that narrow passage, than the temper: and Clemency’s was sound and whole as any beauty’s in the land.&lt;br /&gt;&lt;br /&gt;"Nothing an’t the matter with me," said Clemency, entering, "but—come a little closer, Mister."&lt;br /&gt;&lt;br /&gt;The Doctor, in some astonishment, complied with this invitation.&lt;br /&gt;&lt;br /&gt;"You said I wasn’t to give you one before them, you know," said Clemency.&lt;br /&gt;&lt;br /&gt;A novice in the family might have supposed, from her extraordinary ogling as she said it, as well as from a singular rapture or ecstasy which pervaded her elbows, as if she were embracing herself, that ‘one,’ in its most favorable interpretation, meant a chaste salute. Indeed the Doctor himself seemed alarmed, for the moment; but quickly regained his composure, as Clemency, having had recourse to both her pockets—beginning with the right one, going away to the wrong one, and afterwards coming back to the right one again—produced a letter from the Post-office.&lt;br /&gt;&lt;br /&gt;"Britain was riding by on a errand," she chuckled, handing it to the Doctor, "and see the mail come in, and waited for it. There’s A. H. in the corner. Mr. Alfred’s on his journey home, I bet. We shall have a wedding in the house—there was two spoons in my saucer this morning. Oh Luck, how slow he opens it!"&lt;br /&gt;&lt;br /&gt;All this she delivered, by way of soliloquy, gradually rising higher and higher on tiptoe, in her impatience to hear the news, and making a corkscrew of her apron, and a bottle of her mouth. At last, arriving at a climax of suspense, and seeing the Doctor still engaged in the perusal of the letter, she came down flat upon the soles of her feet again, and cast her apron, as a veil, over her head, in a mute despair, and inability to bear it any longer.&lt;br /&gt;&lt;br /&gt;"Here! Girls!" cried the Doctor. "I can’t help it: I never could keep a secret in my life. There are not many secrets, indeed, worth being kept in such a—well! never mind that. Alfred’s coming home, my dears, directly."&lt;br /&gt;&lt;br /&gt;"Directly!" exclaimed Marion.&lt;br /&gt;&lt;br /&gt;"What! The story-book is soon forgotten!" said the Doctor, pinching her cheek. "I thought the news would dry those tears. Yes. 'Let it be a surprise,' he says, here. But I can’t let it be a surprise. He must have a welcome."&lt;br /&gt;&lt;br /&gt;"Directly!" repeated Marion.&lt;br /&gt;&lt;br /&gt;"Why, perhaps not what your impatience calls 'directly,’" returned the Doctor; "but pretty soon too. Let us see. Let us see. To-day is Thursday, is it not? Then he promises to be here, this day month."&lt;br /&gt;&lt;br /&gt;"This day month!" repeated Marion, softly.&lt;br /&gt;&lt;br /&gt;"A gay day and a holiday for us," said the cheerful voice of her sister Grace, kissing her in congratulation. "Long looked forward to, dearest, and come at last."&lt;br /&gt;&lt;br /&gt;She answered with a smile; a mournful smile, but full of sisterly affection. As she looked in her sister’s face, and listened to the quiet music of her voice, picturing the happiness of this return, her own face glowed with hope and joy.&lt;br /&gt;&lt;br /&gt;And with a something else: a something shining more and more through all the rest of its expression: for which I have no name. It was not exultation, triumph, proud enthusiasm. They are not so calmly shown. It was not love and gratitude alone, though love and gratitude were part of it. It emanated from no sordid thought, for sordid thoughts do not light up the brow, and hover on the lips, and move the spirit like a fluttered light, until the sympathetic figure trembles.&lt;br /&gt;&lt;br /&gt;Dr. Jeddler, in spite of his system of philosophy—which he was continually contradicting and denying in practice, but more famous philosophers have done that—could not help having as much interest in the return of his old ward and pupil, as if it had been a serious event. So he sat himself down in his easy chair again, stretched out his slippered feet once more upon the rug, read the letter over and over a great many times, and talked it over more times still.&lt;br /&gt;&lt;br /&gt;"Ah! The day was," said the Doctor, looking at the fire, "when you and he, Grace, used to trot about arm-in-arm, in his holiday time, like a couple of walking dolls. You remember?"&lt;br /&gt;&lt;br /&gt;"I remember," she answered, with her pleasant laugh, and plying her needle busily.&lt;br /&gt;&lt;br /&gt;"This day month, indeed!" mused the Doctor. "That hardly seems a twelve-month ago. And where was my little Marion then!"&lt;br /&gt;&lt;br /&gt;"Never far from her sister," said Marion, cheerily, "however little. Grace was everything to me, even when she was a young child herself."&lt;br /&gt;&lt;br /&gt;"True, Puss, true," returned the Doctor. "She was a staid little woman, was Grace, and a wise housekeeper, and a busy, quiet, pleasant body; bearing with our humours and anticipating our wishes, and always ready to forget her own, even in those times. I never knew you positive or obstinate, Grace, my darling, even then, on any subject but one."&lt;br /&gt;&lt;br /&gt;"I am afraid I have changed sadly for the worse, since," laughed Grace, still busy at her work. "What was that one, father?"&lt;br /&gt;&lt;br /&gt;"Alfred, of course," said the Doctor. "Nothing would serve you but you must be called Alfred’s wife; so we called you Alfred’s wife; and you liked it better, I believe (odd as it seems now), than being called a Duchess, if we could have made you one."&lt;br /&gt;&lt;br /&gt;"Indeed?" said Grace, placidly.&lt;br /&gt;&lt;br /&gt;"Why, don’t you remember?" inquired the Doctor.&lt;br /&gt;&lt;br /&gt;"I think I remember something of it," she returned, "but not much. It’s so long ago." And as she sat at work, she hummed the burden of an old song, which the Doctor liked.&lt;br /&gt;&lt;br /&gt;"Alfred will find a real wife soon," she said, breaking off; "and that will be a happy time indeed for all of us. My three years’ trust is nearly at an end, Marion. It has been a very easy one. I shall tell Alfred, when I give you back to him, that you have loved him dearly all the time, and that he has never once needed my good services. May I tell him so, love?"&lt;br /&gt;&lt;br /&gt;"Tell him, dear Grace," replied Marion, "that there never was a trust so generously, nobly, steadfastly discharged; and that I have loved &lt;em&gt;you&lt;/em&gt;, all the time, dearer and dearer every day; and oh! how dearly now!"&lt;br /&gt;&lt;br /&gt;"Nay," said her cheerful sister, returning her embrace, "I can scarcely tell him that; we will leave my deserts to Alfred’s imagination. It will be liberal enough, dear Marion; like your own."&lt;br /&gt;&lt;br /&gt;With that, she resumed the work she had for a moment laid down, when her sister spoke so fervently: and with it the old song the Doctor liked to hear. And the Doctor, still reposing in his easy chair, with his slippered feet stretched out before him on the rug, listened to the tune, and beat time on his knee with Alfred’s letter, and looked at his two daughters, and thought that among the many trifles of the trifling world, these trifles were agreeable enough.&lt;br /&gt;&lt;br /&gt;Clemency Newcome, in the mean time, having accomplished her mission and lingered in the room until she had made herself a party to the news, descended to the kitchen, where her coadjutor, Mr. Britain, was regaling after supper, surrounded by such a plentiful collection of bright pot-lids, well-scoured saucepans, burnished dinner-covers, gleaming kettles, and other tokens of her industrious habits, arranged upon the walls and shelves, that he sat as in the centre of a hall of mirrors. The majority did not give forth very flattering portraits of him, certainly; nor were they by any means unanimous in their reflections; as some made him very long-faced, others very broad-faced, some tolerably well-looking, others vastly ill-looking, according to their several manners of reflecting: which were as various, in respect of one fact, as those of so many kinds of men. But they all agreed that in the midst of them sat, quite at his ease, an individual with a pipe in his mouth, and a jug of beer at his elbow, who nodded condescendingly to Clemency, when she stationed herself at the same table.&lt;br /&gt;&lt;br /&gt;"Well, Clemmy," said Britain, "how are you by this time, and what’s the news?"&lt;br /&gt;&lt;br /&gt;Clemency told him the news, which he received very graciously. A gracious change had come over Benjamin from head to foot. He was much broader, much redder, much more cheerful, and much jollier in all respects. It seemed as if his face had been tied up in a knot before, and was now untwisted and smoothed out.&lt;br /&gt;&lt;br /&gt;"There’ll be another job for Snitchey and Craggs, I suppose," he observed, puffing slowly at his pipe. "More witnessing for you and me, perhaps, Clemmy!"&lt;br /&gt;&lt;br /&gt;"Lor!" replied his fair companion, with her favorite twist of her favorite joints. "I wish it was me, Britain!"&lt;br /&gt;&lt;br /&gt;"Wish what was you?"&lt;br /&gt;&lt;br /&gt;"A going to be married," said Clemency.&lt;br /&gt;&lt;br /&gt;Benjamin took his pipe out of his mouth and laughed heartily. "Yes! you’re a likely subject for that!" he said. "Poor Clem!" Clemency for her part laughed as heartily as he, and seemed as much amused by the idea. "Yes," she assented, "I’m a likely subject for that; an’t I?"&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;You&lt;/em&gt;’ll never be married, you know," said Mr. Britain, resuming his pipe.&lt;br /&gt;&lt;br /&gt;"Don’t you think I ever shall though?" said Clemency, in perfect good faith.&lt;br /&gt;&lt;br /&gt;Mr. Britain shook his head. "Not a chance of it!"&lt;br /&gt;&lt;br /&gt;"Only think!" said Clemency. "Well!—I suppose you mean to, Britain, one of these days; don’t you?"&lt;br /&gt;&lt;br /&gt;A question so abrupt, upon a subject so momentous, required consideration. After blowing out a great cloud of smoke, and looking at it with his head now on this side and now on that, as if it were actually the question, and he were surveying it in various aspects, Mr. Britain replied that he wasn’t altogether clear about it, but—ye-es—he thought he might come to that at last.&lt;br /&gt;&lt;br /&gt;"I wish her joy, whoever she may be!" cried Clemency.&lt;br /&gt;&lt;br /&gt;"Oh she’ll have that," said Benjamin, "safe enough."&lt;br /&gt;&lt;br /&gt;"But she wouldn’t have led quite such a joyful life as she will lead, and wouldn’t have had quite such a sociable sort of husband as she will have," said Clemency, spreading herself half over the table, and staring retrospectively at the candle, "if it hadn’t been for—not that I went to do it, for it was accidental, I am sure—if it hadn’t been for me; now would she, Britain?"&lt;br /&gt;&lt;br /&gt;"Certainly not," returned Mr. Britain, by this time in that high state of appreciation of his pipe, when a man can open his mouth but a very little way for speaking purposes; and sitting luxuriously immovable in his chair, can afford to turn only his eyes towards a companion, and that very passively and gravely. "Oh! I’m greatly beholden to you, you know, Clem."&lt;br /&gt;&lt;br /&gt;"Lor, how nice that is to think of!" said Clemency.&lt;br /&gt;&lt;br /&gt;At the same time, bringing her thoughts as well as her sight to bear upon the candle-grease, and becoming abruptly reminiscent of its healing qualities as a balsam, she anointed her left elbow with a plentiful application of that remedy.&lt;br /&gt;&lt;br /&gt;"You see I’ve made a good many investigations of one sort and another in my time," pursued Mr. Britain, with the profundity of a sage, "having been always of an inquiring turn of mind; and I’ve read a good many books about the general Rights of things and Wrongs of things, for I went into the literary line myself, when I began life."&lt;br /&gt;&lt;br /&gt;"Did you though!" cried the admiring Clemency.&lt;br /&gt;&lt;br /&gt;"Yes," said Mr. Britain: "I was hid for the best part of two years behind a bookstall, ready to fly out if anybody pocketed a volume; and after that, I was light porter to a stay and mantua maker, in which capacity I was employed to carry about, in oilskin baskets, nothing but deceptions—which soured my spirits and disturbed my confidence in human nature; and after that, I heard a world of discussions in this house, which soured my spirits fresh; and my opinion after all is, that, as a safe and comfortable sweetener of the same, and as a pleasant guide through life, there’s nothing like a nutmeg-grater."&lt;br /&gt;&lt;br /&gt;Clemency was about to offer a suggestion, but he stopped her by anticipating it.&lt;br /&gt;&lt;br /&gt;"Com-bined," he added gravely, "with a thimble."&lt;br /&gt;&lt;br /&gt;"Do as you wold, you know, and cetrer, eh!" observed Clemency, folding her arms comfortably in her delight at this avowal, and patting her elbows. "Such a short cut, an’t it?"&lt;br /&gt;&lt;br /&gt;"I’m not sure," said Mr. Britain, "that it’s what would be considered good philosophy. I’ve my doubts about that: but it wears well, and saves a quantity of snarling, which the genuine article don’t always."&lt;br /&gt;&lt;br /&gt;"See how you used to go on once, yourself, you know!" said Clemency.&lt;br /&gt;&lt;br /&gt;"Ah!" said Mr. Britain. "But the most extraordinary thing, Clemmy, is that I should live to be brought round, through you. That’s the strange part of it. Through you! Why, I suppose you haven’t so much as half an idea in your head."&lt;br /&gt;&lt;br /&gt;Clemency, without taking the least offence, shook it, and laughed and hugged herself, and said, "No, she didn’t suppose she had."&lt;br /&gt;&lt;br /&gt;"I’m pretty sure of it," said Mr. Britain.&lt;br /&gt;&lt;br /&gt;"Oh! I dare say you’re right," said Clemency. "I don’t pretend to none. I don’t want any."&lt;br /&gt;&lt;br /&gt;Benjamin took his pipe from his lips, and laughed till the tears ran down his face. "What a natural you are, Clemmy!" he said, shaking his head, with an infinite relish of the joke, and wiping his eyes. Clemency, without the smallest inclination to dispute it, did the like, and laughed as heartily as he.&lt;br /&gt;&lt;br /&gt;"I can’t help liking you," said Mr. Britain; "you’re a regular good creature in your way, so shake hands, Clem. Whatever happens, I’ll always take notice of you, and be a friend to you."&lt;br /&gt;&lt;br /&gt;"Will you?" returned Clemency. "Well! that’s very good of you."&lt;br /&gt;&lt;br /&gt;"Yes, yes," said Mr. Britain, giving her his pipe to knock the ashes out of it; "I’ll stand by you. Hark! That’s a curious noise!"&lt;br /&gt;&lt;br /&gt;"Noise!" repeated Clemency.&lt;br /&gt;&lt;br /&gt;"A footstep outside. Somebody dropping from the wall, it sounded like," said Britain. "Are they all abed up-stairs?"&lt;br /&gt;&lt;br /&gt;"Yes, all abed by this time," she replied.&lt;br /&gt;&lt;br /&gt;"Didn’t you hear anything?"&lt;br /&gt;&lt;br /&gt;"No."&lt;br /&gt;&lt;br /&gt;They both listened, but heard nothing.&lt;br /&gt;&lt;br /&gt;"I tell you what," said Benjamin, taking down a lantern. "I’ll have a look round, before I go to bed myself, for satisfaction’s sake. Undo the door while I light this, Clemmy."&lt;br /&gt;&lt;br /&gt;Clemency complied briskly; but observed as she did so, that he would only have his walk for his pains, that it was all his fancy, and so forth. Mr. Britain said 'very likely;' but sallied out, nevertheless, armed with the poker, and casting the light of the lantern far and near in all directions.&lt;br /&gt;&lt;br /&gt;"It’s as quiet as a churchyard," said Clemency, looking after him; "and almost as ghostly too!"&lt;br /&gt;&lt;br /&gt;Glancing back into the kitchen, she cried fearfully, as a light figure stole into her view, "What’s that!"&lt;br /&gt;&lt;br /&gt;"Hush!" said Marion in an agitated whisper. "You have always loved me, have you not!"&lt;br /&gt;&lt;br /&gt;"Loved you, child! You may be sure I have."&lt;br /&gt;&lt;br /&gt;"I am sure. And I may trust you, may I not? There is no one else just now, in whom I &lt;em&gt;can&lt;/em&gt; trust."&lt;br /&gt;&lt;br /&gt;"Yes," said Clemency, with all her heart.&lt;br /&gt;&lt;br /&gt;"There is some one out there," pointing to the door, "whom I must see, and speak with, to-night. Michael Warden, for God’s sake retire! Not now!"&lt;br /&gt;&lt;br /&gt;Clemency started with surprise and trouble as, following the direction of the speaker’s eyes, she saw a dark figure standing in the doorway.&lt;br /&gt;&lt;br /&gt;"In another moment you may be discovered," said Marion. "Not now! Wait, if you can, in some concealment. I will come presently."&lt;br /&gt;&lt;br /&gt;He waved his hand to her, and was gone. "Don’t go to bed. Wait here for me!" said Marion, hurriedly. "I have been seeking to speak to you for an hour past. Oh, be true to me!"&lt;br /&gt;&lt;br /&gt;Eagerly seizing her bewildered hand, and pressing it with both her own to her breast—an action more expressive, in its passion of entreaty, than the most eloquent appeal in words,—Marion withdrew; as the light of the returning lantern flashed into the room.&lt;br /&gt;&lt;br /&gt;"All still and peaceable. Nobody there. Fancy, I suppose," said Mr. Britain, as he locked and barred the door. "One of the effects of having a lively imagination. Halloa! Why, what’s the matter?"&lt;br /&gt;&lt;br /&gt;Clemency, who could not conceal the effects of her surprise and concern, was sitting in a chair: pale, and trembling from head to foot.&lt;br /&gt;&lt;br /&gt;"Matter!" she repeated, chafing her hands and elbows, nervously, and looking anywhere but at him. "That’s good in you, Britain, that is! After going and frightening one out of one’s life with noises and lanterns, and I don’t know what all. Matter! Oh, yes!"&lt;br /&gt;&lt;br /&gt;"If you’re frightened out of your life by a lantern, Clemmy," said Mr. Britain, composedly blowing it out and hanging it up again, "that apparition’s very soon got rid of. But you’re as bold as brass in general," he said, stopping to observe her; "and were, after the noise and the lantern too. What have you taken into your head? Not an idea, eh?"&lt;br /&gt;&lt;br /&gt;But as Clemency bade him good night very much after her usual fashion, and began to bustle about with a show of going to bed herself immediately, Little Britain, after giving utterance to the original remark that it was impossible to account for a woman’s whims, bade her good night in return, and taking up his candle strolled drowsily away to bed.&lt;br /&gt;&lt;br /&gt;When all was quiet, Marion returned.&lt;br /&gt;&lt;br /&gt;"Open the door," she said; "and stand there close beside me, while I speak to him, outside."&lt;br /&gt;&lt;br /&gt;Timid as her manner was, it still evinced a resolute and settled purpose, such as Clemency could not resist. She softly unbarred the door: but before turning the key, looked round on the young creature waiting to issue forth when she should open it.&lt;br /&gt;&lt;br /&gt;The face was not averted or cast down, but looking full upon her, in its pride of youth and beauty. Some simple sense of the slightness of the barrier that interposed itself between the happy home and honoured love of the fair girl, and what might be the desolation of that home, and shipwreck of its dearest treasure, smote so keenly on the tender heart of Clemency, and so filled it to overflowing with sorrow and compassion, that, bursting into tears, she threw her arms round Marion’s neck.&lt;br /&gt;&lt;br /&gt;"It’s little that I know, my dear," cried Clemency, "very little; but I know that this should not be. Think of what you do!"&lt;br /&gt;&lt;br /&gt;"I have thought of it many times," said Marion, gently.&lt;br /&gt;&lt;br /&gt;"Once more," urged Clemency. "Till to-morrow." Marion shook her head.&lt;br /&gt;&lt;br /&gt;"For Mr. Alfred’s sake," said Clemency, with homely earnestness. "Him that you used to love so dearly, once!"&lt;br /&gt;&lt;br /&gt;She hid her face, upon the instant, in her hands, repeating "Once!" as if it rent her heart.&lt;br /&gt;&lt;br /&gt;"Let me go out," said Clemency, soothing her. "I’ll tell him what you like. Don’t cross the door-step to-night. I’m sure no good will come of it. Oh, it was an unhappy day when Mr. Warden was ever brought here! Think of your good father, darling: of your sister."&lt;br /&gt;&lt;br /&gt;"I have," said Marion, hastily raising her head. "You don’t know what I do. You don't know what I do. I &lt;em&gt;must&lt;/em&gt; speak to him. You are the best and truest friend in all the world for what you have said to me, but I must take this step. Will you go with me, Clemency," she kissed her on her friendly face, "or shall I go alone?"&lt;br /&gt;&lt;br /&gt;Sorrowing and wondering, Clemency turned the key, and opened the door. Into the dark and doubtful night that lay beyond the threshold, Marion passed quickly, holding by her hand.&lt;br /&gt;&lt;br /&gt;In the dark night he joined her, and they spoke together earnestly and long: and the hand that held so fast by Clemency’s, now trembled, now turned deadly cold, now clasped and closed on hers, in the strong feeling of the speech it emphasized unconsciously. When they returned, he followed to the door; and pausing there a moment, seized the other hand, and pressed it to his lips. Then stealthily withdrew.&lt;br /&gt;&lt;br /&gt;The door was barred and locked again, and once again she stood beneath her father’s roof. Not bowed down by the secret that she brought there, though so young; but with that same expression on her face for which I had no name before, and shining through her tears.&lt;br /&gt;&lt;br /&gt;Again she thanked and thanked her humble friend, and trusted to her, as she said, with confidence, implicitly. Her chamber safely reached, she fell upon her knees; and with her secret weighing on her heart, could pray!&lt;br /&gt;&lt;br /&gt;Could rise up from her prayers, so tranquil and serene, and bending over her fond sister in her slumber, look upon her face and smile: though sadly: murmuring as she kissed her forehead, how that Grace had been a mother to her, ever, and she loved her as a child!&lt;br /&gt;&lt;br /&gt;Could draw the passive arm about her neck when lying down to rest—it seemed to cling there, of its own will, protectingly and tenderly even in sleep—and breathe upon the parted lips, God bless her!&lt;br /&gt;&lt;br /&gt;Could sink into a peaceful sleep, herself; but for one dream, in which she cried out, in her innocent and touching voice, that she was quite alone, and they had all forgotten her.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A month soon passes, even at its tardiest pace. The month appointed to elapse between that night and the return, was quick of foot, and went by, like a vapour.&lt;br /&gt;&lt;br /&gt;The day arrived. A raging winter day, that shook the old house, sometimes, as if it shivered in the blast. A day to make home doubly home. To give the chimney corner new delights. To shed a ruddier glow upon the faces gathered round the hearth; and draw each fireside group into a closer and more social league, against the roaring elements without. Such a wild winter day as best prepares the way for shut-out night; for curtained rooms, and cheerful looks; for music, laughter, dancing, light, and jovial entertainment!&lt;br /&gt;&lt;br /&gt;All these the Doctor had in store to welcome Alfred back. They knew that he could not arrive till night; and they would make the night air ring, he said, as he approached. All his old friends should congregate about him. He should not miss a face that he had known and liked. No! They should every one be there!&lt;br /&gt;&lt;br /&gt;So, guests were bidden, and musicians were engaged, and tables spread, and floors prepared for active feet, and bountiful provision made, of every hospitable kind. Because it was the Christmas season, and his eyes were all unused to English holly, and its sturdy green, the dancing room was garlanded and hung with it; and the red berries gleamed an English welcome to him, peeping from among the leaves.&lt;br /&gt;&lt;br /&gt;It was a busy day for all of them: a busier day for none of them than Grace, who noiselessly presided everywhere, and was the cheerful mind of all the preparations. Many a time that day (as well as many a time within the fleeting month preceding it), did Clemency glance anxiously, and almost fearfully, at Marion. She saw her paler, perhaps, than usual; but there was a sweet composure on her face that made it lovelier than ever.&lt;br /&gt;&lt;br /&gt;At night when she was dressed, and wore upon her head a wreath that Grace had proudly twined about it—its mimic flowers were Alfred’s favourites, as Grace remembered when she chose them—that old expression, pensive, almost sorrowful, and yet so spiritual, high, and stirring, sat again upon her brow, enhanced a hundred fold.&lt;br /&gt;&lt;br /&gt;"The next wreath I adjust on this fair head, will be a marriage wreath," said Grace; "or I am no true prophet, dear."&lt;br /&gt;&lt;br /&gt;Her sister smiled, and held her in her arms.&lt;br /&gt;&lt;br /&gt;"A moment, Grace. Don’t leave me yet. Are you sure that I want nothing more?"&lt;br /&gt;&lt;br /&gt;Her care was not for that. It was her sister’s face she thought of, and her eyes were fixed upon it, tenderly.&lt;br /&gt;&lt;br /&gt;"My art," said Grace, "can go no farther, dear girl; nor your beauty. I never saw you look so beautiful as now."&lt;br /&gt;&lt;br /&gt;"I never was so happy," she returned.&lt;br /&gt;&lt;br /&gt;"Ay, but there is a greater happiness in store. In such another home, as cheerful and as bright as this looks now," said Grace, "Alfred and his young wife will soon be living."&lt;br /&gt;&lt;br /&gt;She smiled again. "It is a happy home, Grace, in your fancy. I can see it in your eyes. I know it &lt;em&gt;will&lt;/em&gt; be happy, dear. How glad I am to know it."&lt;br /&gt;&lt;br /&gt;"Well," cried the Doctor, bustling in. "Here we are, all ready for Alfred, eh? He can’t be here until pretty late—an hour or so before midnight—so there’ll be plenty of time for making merry before he comes. He’ll not find us with the ice unbroken. Pile up the fire here, Britain! Let it shine upon the holly till it winks again. It’s a world of nonsense, Puss; true lovers and all the rest of it—all nonsense; but we’ll be nonsensical with the rest of ’em, and give our true lover a mad welcome. Upon my word!" said the old Doctor, looking at his daughters proudly, "I’m not clear to-night, among other absurdities, but that I’m the father of two handsome girls."&lt;br /&gt;&lt;br /&gt;"All that one of them has ever done, or may do—may do, dearest father—to cause you pain or grief, forgive her," said Marion, "forgive her now, when her heart is full. Say that you forgive her. That you will forgive her. That she shall always share your love, and—," and the rest was not said, for her face was hidden on the old man’s shoulder.&lt;br /&gt;&lt;br /&gt;"Tut, tut, tut," said the Doctor gently. "Forgive! What have I to forgive? Heyday, if our true lovers come back to flurry us like this, we must hold ’em at a distance; we must send expresses out to stop ’em short upon the road, and bring ’em on a mile or two a day, until we’re properly prepared to meet ’em. Kiss me, Puss. Forgive! Why, what a silly child you are! If you had vexed and crossed me fifty times a day, instead of not at all, I’d forgive you everything, but such a supplication. Kiss me again, Puss. There! Prospective and retrospective—a clear score between us. Pile up the fire here! Would you freeze the people on this bleak December night! Let us be light, and warm, and merry, or I’ll not forgive some of you!"&lt;br /&gt;&lt;br /&gt;So gaily the old Doctor carried it! And the fire was piled up, and the lights were bright, and company arrived, and a murmuring of lively tongues began, and already there was a pleasant air of cheerful excitement stirring through all the house.&lt;br /&gt;&lt;br /&gt;More and more company came flocking in. Bright eyes sparkled upon Marion; smiling lips gave her joy of his return; sage mothers fanned themselves, and hoped she mightn’t be too youthful and inconstant for the quiet round of home; impetuous fathers fell into disgrace for too much exaltation of her beauty; daughters envied her; sons envied him; innumerable pairs of lovers profited by the occasion; all were interested, animated, and expectant.&lt;br /&gt;&lt;br /&gt;Mr. and Mrs. Craggs came arm in arm, but Mrs. Snitchey came alone. "Why, what’s become of &lt;em&gt;him?&lt;/em&gt;" inquired the Doctor.&lt;br /&gt;&lt;br /&gt;The feather of a Bird of Paradise in Mrs. Snitchey’s turban, trembled as if the Bird of Paradise were alive again, when she said that doubtless Mr. Craggs knew. &lt;em&gt;She&lt;/em&gt; was never told.&lt;br /&gt;&lt;br /&gt;"That nasty office," said Mrs. Craggs.&lt;br /&gt;&lt;br /&gt;"I wish it was burnt down," said Mrs. Snitchey.&lt;br /&gt;&lt;br /&gt;"He’s—he’s—there’s a little matter of business that keeps my partner rather late," said Mr. Craggs, looking uneasily about him.&lt;br /&gt;&lt;br /&gt;"Oh-h! Business. Don’t tell me!" said Mrs. Snitchey.&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;We&lt;/em&gt; know what business means," said Mrs. Craggs.&lt;br /&gt;&lt;br /&gt;But their not knowing what it meant, was perhaps the reason why Mrs. Snitchey’s Bird of Paradise feather quivered so portentously, and why all the pendant bits on Mrs. Craggs’s ear-rings shook like little bells.&lt;br /&gt;&lt;br /&gt;"I wonder &lt;em&gt;you&lt;/em&gt; could come away, Mr. Craggs," said his wife.&lt;br /&gt;&lt;br /&gt;"Mr. Craggs is fortunate, I’m sure!" said Mrs. Snitchey.&lt;br /&gt;&lt;br /&gt;"That office so engrosses ’em," said Mrs. Craggs.&lt;br /&gt;&lt;br /&gt;"A person with an office has no business to be married at all," said Mrs. Snitchey.&lt;br /&gt;&lt;br /&gt;Then, Mrs. Snitchey said, within herself, that that look of hers had pierced to Craggs’s soul, and he knew it; and Mrs. Craggs observed to Craggs, that 'is Snitcheys’ were deceiving him behind his back, and he would find it out when it was too late.&lt;br /&gt;&lt;br /&gt;Still, Mr. Craggs, without much heeding these remarks, looked uneasily about until his eye rested on Grace, to whom he immediately presented himself.&lt;br /&gt;&lt;br /&gt;"Good evening, ma’am," said Craggs. "You look charmingly. Your—Miss—your sister, Miss Marion, is she—"&lt;br /&gt;&lt;br /&gt;"Oh, she’s quite well, Mr. Craggs."&lt;br /&gt;&lt;br /&gt;"Yes—I—is she here?" asked Craggs.&lt;br /&gt;&lt;br /&gt;"Here! Don’t you see her yonder? Going to dance?" said Grace.&lt;br /&gt;&lt;br /&gt;Mr. Craggs put on his spectacles to see the better; looked at her through them, for some time; coughed; and put them, with an air of satisfaction, in their sheath again, and in his pocket.&lt;br /&gt;&lt;br /&gt;Now the music struck up, and the dance commenced. The bright fire crackled and sparkled, rose and fell, as though it joined the dance itself, in right good fellowship. Sometimes it roared as if it would make music too. Sometimes it flashed and beamed as if it were the eye of the old room: it winked too, sometimes, like a knowing patriarch, upon the youthful whisperers in corners. Sometimes, it sported with the holly-boughs; and, shining on the leaves by fits and starts, made them look as if they were in the cold winter night again, and fluttering in the wind. Sometimes its genial humour grew obstreperous, and passed all bounds; and then it cast into the room, among the twinkling feet, with a loud burst, a shower of harmless little sparks, and in its exultation leaped and bounded, like a mad thing, up the broad old chimney.&lt;br /&gt;&lt;br /&gt;Another dance was near its close, when Mr. Snitchey touched his partner, who was looking on, upon the arm.&lt;br /&gt;&lt;br /&gt;Mr. Craggs started, as if his familiar had been a spectre.&lt;br /&gt;&lt;br /&gt;"Is he gone?" he asked.&lt;br /&gt;&lt;br /&gt;"Hush! He has been with me," said Snitchey, "for three hours and more. He went over everything. He looked into all our arrangements for him, and was very particular indeed. He—Humph!"&lt;br /&gt;&lt;br /&gt;The dance was finished. Marion passed close before him, as he spoke. She did not observe him, or his partner; but looked over her shoulder towards her sister in the distance, as she slowly made her way into the crowd, and passed out of their view.&lt;br /&gt;&lt;br /&gt;"You see! All safe and well," said Mr. Craggs. "He didn’t recur to that subject, I suppose?"&lt;br /&gt;&lt;br /&gt;"Not a word."&lt;br /&gt;&lt;br /&gt;"And is he really gone? Is he safe away?"&lt;br /&gt;&lt;br /&gt;"He keeps to his word. He drops down the river with the tide in that shell of a boat of his, and so goes out to sea on this dark night—a dare-devil he is—before the wind. There’s no such lonely road anywhere else. That’s one thing. The tide flows, he says, an hour before midnight about this time. I’m glad it’s over." Mr. Snitchey wiped his forehead, which looked hot and anxious.&lt;br /&gt;&lt;br /&gt;"What do you think," said Mr. Craggs, "about—"&lt;br /&gt;&lt;br /&gt;"Hush!" replied his cautious partner, looking straight before him. "I understand you. Don’t mention names, and don’t let us seem to be talking secrets. I don’t know what to think; and to tell you the truth, I don’t care now. It’s a great relief. His self-love deceived him, I suppose. Perhaps the young lady coquetted a little. The evidence would seem to point that way. Alfred not arrived?"&lt;br /&gt;&lt;br /&gt;"Not yet," said Mr. Craggs. "Expected every minute."&lt;br /&gt;&lt;br /&gt;"Good." Mr. Snitchey wiped his forehead again. "It’s a great relief. I haven’t been so nervous since we’ve been in partnership. I intend to spend the evening now, Mr. Craggs."&lt;br /&gt;&lt;br /&gt;Mrs. Craggs and Mrs. Snitchey joined them as he announced this intention. The Bird of Paradise was in a state of extreme vibration, and the little bells were ringing quite audibly.&lt;br /&gt;&lt;br /&gt;"It has been the theme of general comment, Mr. Snitchey," said Mrs. Snitchey. "I hope the office is satisfied."&lt;br /&gt;&lt;br /&gt;"Satisfied with what, my dear?" asked Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"With the exposure of a defenceless woman to ridicule and remark," returned his wife. "That is quite in the way of the office, &lt;em&gt;that&lt;/em&gt; is."&lt;br /&gt;&lt;br /&gt;"I really, myself," said Mrs. Craggs, "have been so long accustomed to connect the office with everything opposed to domesticity, that I am glad to know it as the avowed enemy of my peace. There is something honest in that, at all events."&lt;br /&gt;&lt;br /&gt;"My dear," urged Mr. Craggs, "your good opinion is invaluable, but &lt;em&gt;I&lt;/em&gt; never avowed that the office was the enemy of your peace."&lt;br /&gt;&lt;br /&gt;"No," said Mrs. Craggs, ringing a perfect peal upon the little bells. "Not you, indeed. You wouldn’t be worthy of the office, if you had the candor to."&lt;br /&gt;&lt;br /&gt;"As to my having been away to-night, my dear," said Mr. Snitchey, giving her his arm, "the deprivation has been mine, I’m sure; but, as Mr. Craggs knows—"&lt;br /&gt;&lt;br /&gt;Mrs. Snitchey cut this reference very short by hitching her husband to a distance, and asking him to look at that man. To do her the favour to look at him!&lt;br /&gt;&lt;br /&gt;"At which man, my dear?" said Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"Your chosen companion; &lt;em&gt;I&lt;/em&gt;’m no companion to you, Mr. Snitchey."&lt;br /&gt;&lt;br /&gt;"Yes, yes, you are, my dear," he interposed.&lt;br /&gt;&lt;br /&gt;"No, no, I’m not," said Mrs. Snitchey with a majestic smile. "I know my station. Will you look at your chosen companion, Mr. Snitchey; at your referee, at the keeper of your secrets, at the man you trust; at your other self, in short?"&lt;br /&gt;&lt;br /&gt;The habitual association of Self with Craggs, occasioned Mr. Snitchey to look in that direction.&lt;br /&gt;&lt;br /&gt;"If you can look that man in the eye this night," said Mrs. Snitchey, "and not know that you are deluded, practised upon: made the victim of his arts, and bent down prostrate to his will by some unaccountable fascination which it is impossible to explain, and against which no warning of mine is of the least avail: all I can say is—I pity you!"&lt;br /&gt;&lt;br /&gt;At the very same moment Mrs. Craggs was oracular on the cross subject. Was it possible she said, that Craggs could so blind himself to his Snitcheys, as not to feel his true position? Did he mean to say that he had seen his Snitcheys come into that room, and didn’t plainly see that there was reservation, cunning, treachery, in the man? Would he tell her that his very action, when he wiped his forehead and looked so stealthily about him, didn’t show that there was something weighing on the conscience of his precious Snitcheys (if he had a conscience), that wouldn’t bear the light? Did anybody but his Snitcheys come to festive entertainments like a burglar?—which, by the way, was hardly a clear illustration of the case, as he had walked in very mildly at the door. And would he still assert to her at noon-day (it being nearly midnight), that his Snitcheys were to be justified through thick and thin, against all facts, and reason, and experience?&lt;br /&gt;&lt;br /&gt;Neither Snitchey nor Craggs openly attempted to stem the current which had thus set in, but, both were content to be carried gently along it, until its force abated; which happened at about the same time as a general movement for a country dance; when Mr. Snitchey proposed himself as a partner to Mrs. Craggs, and Mr. Craggs gallantly offered himself to Mrs. Snitchey; and after some such slight evasions as "why don’t you ask somebody else?" and "you’ll be glad, I know, if I decline," and "I wonder you can dance out of the office" (but this jocosely now), each lady graciously accepted, and took her place.&lt;br /&gt;&lt;br /&gt;It was an old custom among them, indeed, to do so, and to pair off, in like manner, at dinners and suppers; for they were excellent friends, and on a footing of easy familiarity. Perhaps the false Craggs and the wicked Snitchey were a recognised fiction with the two wives, as Doe and Roe, incessantly running up and down bailiwicks, were with the two husbands: or, perhaps the ladies had instituted, and taken upon themselves, these two shares in the business, rather than be left out of it altogether. But, certain it is, that each wife went as gravely and steadily to work in her vocation as her husband did in his: and would have considered it almost impossible for the Firm to maintain a successful and respectable existence, without her laudable exertions.&lt;br /&gt;&lt;br /&gt;But now the Bird of Paradise was seen to flutter down the middle; and the little bells began to bounce and jingle in poussette; and the Doctor’s rosy face spun round and round, like an expressive pegtop highly varnished; and breathless Mr. Craggs began to doubt already, whether country dancing had been made "too easy," like the rest of life; and Mr. Snitchey, with his nimble cuts and capers, footed it for Self and Craggs, and half a dozen more.&lt;br /&gt;&lt;br /&gt;Now, too, the fire took fresh courage, favored by the lively wind the dance awakened, and burnt clear and high. It was the Genius of the room, and present everywhere. It shone in people’s eyes, it sparkled in the jewels on the snowy necks of girls, it twinkled at their ears as if it whispered to them slyly, it flashed about their waists, it flickered on the ground and made it rosy for their feet, it bloomed upon the ceiling that its glow might set off their bright faces, and it kindled up a general illumination in Mrs. Craggs’s little belfry.&lt;br /&gt;&lt;br /&gt;Now, too, the lively air that fanned it, grew less gentle as the music quickened and the dance proceeded with new spirit; and a breeze arose that made the leaves and berries dance upon the wall, as they had often done upon the trees; and rustled in the room as if an invisible company of fairies, treading in the foot-steps of the good substantial revellers, were whirling after them. Now, too, no feature of the Doctor’s face could be distinguished as he spun and spun; and now there seemed a dozen Birds of Paradise in fitful flight; and now there were a thousand little bells at work; and now a fleet of flying skirts was ruffled by a little tempest; when the music gave in, and the dance was over.&lt;br /&gt;&lt;br /&gt;Hot and breathless as the Doctor was, it only made him the more impatient for Alfred’s coming.&lt;br /&gt;&lt;br /&gt;"Anything been seen, Britain? Anything been heard?"&lt;br /&gt;&lt;br /&gt;"Too dark to see far, Sir. Too much noise inside the house to hear."&lt;br /&gt;&lt;br /&gt;"That’s right! The gayer welcome for him. How goes the time?"&lt;br /&gt;&lt;br /&gt;"Just twelve, sir. He can’t be long, Sir."&lt;br /&gt;&lt;br /&gt;"Stir up the fire, and throw another log upon it," said the Doctor. "Let him see his welcome blazing out upon the night—good boy!—as he comes along!"&lt;br /&gt;&lt;br /&gt;He saw it—Yes! From the chaise he caught the light, as he turned the corner by the old church. He knew the room from which it shone. He saw the wintry branches of the old trees between the light and him. He knew that one of those trees rustled musically in the summer time at the window of Marion’s chamber.&lt;br /&gt;&lt;br /&gt;The tears were in his eyes. His heart throbbed so violently that he could hardly bear his happiness. How often he had thought of this time—pictured it under all circumstances—feared that it might never come—yearned, and wearied for it—far away!&lt;br /&gt;&lt;br /&gt;Again the light! Distinct and ruddy; kindled, he knew, to give him welcome, and to speed him home. He beckoned with his hand, and waved his hat, and cheered out, loud, as if the light were they, and they could see and hear him, as he dashed towards them through the mud and mire, triumphantly.&lt;br /&gt;&lt;br /&gt;Stop! He knew the Doctor, and understood what he had done. He would not let it be a surprise to them. But he could make it one, yet, by going forward on foot. If the orchard-gate were open, he could enter there; if not, the wall was easily climbed, as he knew of old; and he would be among them in an instant.&lt;br /&gt;&lt;br /&gt;He dismounted from the chaise, and telling the driver—even that was not easy in his agitation—to remain behind for a few minutes, and then to follow slowly, ran on with exceeding swiftness, tried the gate, scaled the wall, jumped down on the other side, and stood panting in the old orchard.&lt;br /&gt;&lt;br /&gt;There was a frosty rime upon the trees, which, in the faint light of the clouded moon, hung upon the smaller branches like dead garlands. Withered leaves crackled and snapped beneath his feet, as he crept softly on towards the house. The desolation of a winter night sat brooding on the earth, and in the sky. But the red light came cheerily towards him from the windows; figures passed and repassed there; and the hum and murmur of voices greeted his ear sweetly.&lt;br /&gt;&lt;br /&gt;Listening for hers: attempting, as he crept on, to detach it from the rest, and half believing that he heard it: he had nearly reached the door, when it was abruptly opened, and a figure coming out encountered his. It instantly recoiled with a half-suppressed cry.&lt;br /&gt;&lt;br /&gt;"Clemency," he said, "don’t you know me?"&lt;br /&gt;&lt;br /&gt;"Don’t come in!" she answered, pushing him back. "Go away. Don’t ask me why. Don’t come in."&lt;br /&gt;&lt;br /&gt;"What is the matter?" he exclaimed.&lt;br /&gt;&lt;br /&gt;"I don’t know. I—I am afraid to think. Go back. Hark!"&lt;br /&gt;&lt;br /&gt;There was a sudden tumult in the house. She put her hands upon her ears. A wild scream, such as no hands could shut out, was heard; and Grace—distraction in her looks and manner—rushed out at the door.&lt;br /&gt;&lt;br /&gt;"Grace!" He caught her in his arms. "What is it! Is she dead!"&lt;br /&gt;&lt;br /&gt;She disengaged herself, as if to recognise his face, and fell down at his feet.&lt;br /&gt;&lt;br /&gt;A crowd of figures came about them from the house. Among them was her father, with a paper in his hand.&lt;br /&gt;&lt;br /&gt;"What is it!" cried Alfred, grasping his hair with his hands, and looking in an agony from face to face, as he bent upon his knee beside the insensible girl. "Will no one look at me? Will no one speak to me? Does no one know me? Is there no voice among you all, to tell me what it is!"&lt;br /&gt;&lt;br /&gt;There was a murmur among them. "She is gone."&lt;br /&gt;&lt;br /&gt;"Gone!" he echoed.&lt;br /&gt;&lt;br /&gt;"Fled, my dear Alfred!" said the Doctor, in a broken voice, and with his hands before his face. "Gone from her home and us. To-night! She writes that she has made her innocent and blameless choice—entreats that we will forgive her—prays that we will not forget her—and is gone."&lt;br /&gt;&lt;br /&gt;"With whom? Where?"&lt;br /&gt;&lt;br /&gt;He started up, as if to follow in pursuit; but, when they gave way to let him pass, looked wildly round upon them, staggered back, and sunk down in his former attitude, clasping one of Grace’s cold hands in his own.&lt;br /&gt;&lt;br /&gt;There was a hurried running to and fro, confusion, noise, disorder, and no purpose. Some proceeded to disperse themselves about the roads, and some took horse, and some got lights, and some conversed together, urging that there was no trace or track to follow. Some approached him kindly, with the view of offering consolation; some admonished him that Grace must be removed into the house, and that he prevented it. He never heard them, and he never moved.&lt;br /&gt;&lt;br /&gt;The snow fell fast and thick. He looked up for a moment in the air, and thought that those white ashes strewn upon his hopes and misery, were suited to them well. He looked round on the whitening ground, and thought how Marion’s foot-prints would be hushed and covered up, as soon as made, and even that remembrance of her blotted out. But he never felt the weather and he never stirred.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Part the Third.&lt;br /&gt;&lt;br /&gt;The world had grown six years older since that night of the return. It was a warm autumn afternoon, and there had been heavy rain. The sun burst suddenly from among the clouds; and the old battle-ground, sparkling brilliantly and cheerfully at sight of it in one green place, flashed a responsive welcome there, which spread along the country side as if a joyful beacon had been lighted up, and answered from a thousand stations.&lt;br /&gt;&lt;br /&gt;How beautiful the landscape kindling in the light, and that luxuriant influence passing on like a celestial presence, brightening everything! The wood, a sombre mass before, revealed its varied tints of yellow, green, brown, red; its different forms of trees, with raindrops glittering on their leaves and twinkling as they fell. The verdant meadow-land, bright and glowing, seemed as if it had been blind a minute since, and now had found a sense of sight wherewith to look up at the shining sky. Corn-fields, hedge-rows, fences, homesteads, the clustered roofs, the steeple of the church, the stream, the watermill, all sprang out of the gloomy darkness, smiling. Birds sang sweetly, flowers raised their drooping heads, fresh scents arose from the invigorated ground; the blue expanse above, extended and diffused itself; already the sun’s slanting rays pierced mortally the sullen bank of cloud that lingered in its flight; and a rainbow, spirit of all the colors that adorned the earth and sky, spanned the whole arch with its triumphant glory.&lt;br /&gt;&lt;br /&gt;At such a time, one little roadside Inn, snugly sheltered behind a great elm-tree with a rare seat for idlers encircling its capacious bole, addressed a cheerful front towards the traveller, as a house of entertainment ought, and tempted him with many mute but significant assurances of a comfortable welcome. The ruddy sign-board perched up in the tree, with its golden letters winking in the sun, ogled the passer-by, from among the green leaves, like a jolly face, and promised good cheer. The horse-trough, full of clear fresh water, and the ground below it, sprinkled with droppings of fragrant hay, made every horse that passed prick up his ears. The crimson curtains in the lower rooms, and the pure white hangings in the little bed-chambers above, beckoned, Come in! with every breath of air. Upon the bright green shutters, there were golden legends about beer and ale, and neat wines, and good beds; and an affecting picture of a brown jug frothing over at the top. Upon the window-sills were flowering plants in bright red pots, which made a lively show against the white front of the house; and in the darkness of the doorway there were streaks of light, which glanced off from the surfaces of bottles and tankards.&lt;br /&gt;&lt;br /&gt;On the door-step, appeared a proper figure of a landlord, too; for though he was a short man, he was round and broad; and stood with his hands in his pockets, and his legs just wide enough apart to express a mind at rest upon the subject of the cellar, and an easy confidence—too calm and virtuous to become a swagger—in the general resources of the Inn. The superabundant moisture, trickling from everything after the late rain, set him off well. Nothing near him was thirsty. Certain top-heavy dahlias, looking over the palings of his neat well-ordered garden, had swilled as much as they could carry—perhaps a trifle more—and may have been the worse for liquor; but the sweetbriar, roses, wall-flowers, the plants at the windows, and the leaves on the old tree, were in the beaming state of moderate company that had taken no more than was wholesome for them, and had served to develope their best qualities. Sprinkling dewy drops about them on the ground, they seemed profuse of innocent and sparkling mirth, that did good where it lighted, softening neglected corners which the steady rain could seldom reach, and hurting nothing.&lt;br /&gt;&lt;br /&gt;This village Inn had assumed, on being established, an uncommon sign. It was called The Nutmeg-Grater. And underneath that household word, was inscribed, up in the tree, on the same flaming board, and in the like golden characters, By Benjamin Britain.&lt;br /&gt;&lt;br /&gt;At a second glance, and on a more minute examination of his face, you might have known that it was no other than Benjamin Britain himself who stood in the doorway—reasonably changed by time, but for the better; a very comfortable host indeed.&lt;br /&gt;&lt;br /&gt;"Mrs. B.," said Mr. Britain, looking down the road, "is rather late. It’s tea time."&lt;br /&gt;&lt;br /&gt;As there was no Mrs. Britain coming, he strolled leisurely out into the road and looked up at the house, very much to his satisfaction. "It’s just the sort of house," said Benjamin, "I should wish to stop at, if I didn’t keep it."&lt;br /&gt;&lt;br /&gt;Then he strolled towards the garden paling, and took a look at the dahlias. They looked over at him, with a helpless, drowsy hanging of their heads: which bobbed again, as the heavy drops of wet dripped off them.&lt;br /&gt;&lt;br /&gt;"You must be looked after," said Benjamin. "Memorandum, not to forget to tell her so. She’s a long time coming!"&lt;br /&gt;&lt;br /&gt;Mr. Britain’s better half seemed to be by so very much his better half, that his own moiety of himself was utterly cast away and helpless without her.&lt;br /&gt;&lt;br /&gt;"She hadn’t much to do, I think," said Ben. "There were a few little matters of business after market, but not many. Oh! here we are at last!"&lt;br /&gt;&lt;br /&gt;A chaise-cart, driven by a boy, came clattering along the road: and seated in it, in a chair, with a large well-saturated umbrella spread out to dry behind her, was the plump figure of a matronly woman, with her bare arms folded across a basket which she carried on her knee, several other baskets and parcels lying crowded around her, and a certain bright good-nature in her face and contented awkwardness in her manner, as she jogged to and fro with the motion of her carriage, which smacked of old times, even in the distance. Upon her nearer approach, this relish of bygone days was not diminished; and when the cart stopped at the Nutmeg Grater door, a pair of shoes, alighting from it, slipped nimbly through Mr. Britain’s open arms, and came down with a substantial weight upon the pathway, which shoes could hardly have belonged to any one but Clemency Newcome.&lt;br /&gt;&lt;br /&gt;In fact they did belong to her, and she stood in them, and a rosy comfortable-looking soul she was: with as much soap on her glossy face as in times of yore, but with whole elbows now, that had grown quite dimpled in her improved condition.&lt;br /&gt;&lt;br /&gt;"You’re late, Clemmy!" said Mr. Britain.&lt;br /&gt;&lt;br /&gt;"Why, you see, Ben, I’ve had a deal to do!" she replied, looking busily after the safe removal into the house of all the packages and baskets: "eight, nine, ten—where’s eleven? Oh! my basket’s eleven! It’s all right. Put the horse up, Harry, and if he coughs again give him a warm mash to-night. Eight, nine, ten. Why, where’s eleven? Oh I forgot, it’s all right. How’s the children, Ben?"&lt;br /&gt;&lt;br /&gt;"Hearty, Clemmy, hearty."&lt;br /&gt;&lt;br /&gt;"Bless their precious faces!" said Mrs. Britain, unbonneting her own round countenance (for she and her husband were by this time in the bar), and smoothing her hair with her open hands. "Give us a kiss, old man."&lt;br /&gt;&lt;br /&gt;Mr. Britain promptly complied.&lt;br /&gt;&lt;br /&gt;"I think," said Mrs. Britain, applying herself to her pockets and drawing forth an immense bulk of thin books and crumpled papers, a very kennel of dogs’ ears: "I’ve done everything. Bills all settled—turnips sold—brewer’s account looked into and paid—’bacco pipes ordered—seventeen pound four paid into the Bank—Doctor Heathfield’s charge for little Clem—you’ll guess what that is—Doctor Heathfield won’t take nothing again, Ben."&lt;br /&gt;&lt;br /&gt;"I thought he wouldn’t," returned Ben.&lt;br /&gt;&lt;br /&gt;"No. He says whatever family you was to have, Ben, he’d never put you to the cost of a halfpenny. Not if you was to have twenty."&lt;br /&gt;&lt;br /&gt;Mr. Britain’s face assumed a serious expression, and he looked hard at the wall.&lt;br /&gt;&lt;br /&gt;"An’t it kind of him?" said Clemency.&lt;br /&gt;&lt;br /&gt;"Very," returned Mr. Britain. "It’s the sort of kindness that I wouldn’t presume upon, on any account."&lt;br /&gt;&lt;br /&gt;"No," retorted Clemency. "Of course not. Then there’s the pony—he fetched eight pound two; and that an’t bad, is it?"&lt;br /&gt;&lt;br /&gt;"It’s very good," said Ben.&lt;br /&gt;&lt;br /&gt;"I’m glad you’re pleased!" exclaimed his wife. "I thought you would be; and I think that’s all, and so no more at present from yours and cetrer, C. Britain. Ha ha ha! There! Take all the papers, and lock ’em. Oh! Wait a minute. Here’s a printed bill to stick on the wall. Wet from the printer’s. How nice it smells!"&lt;br /&gt;&lt;br /&gt;"What’s this?" said Ben, looking over the document.&lt;br /&gt;&lt;br /&gt;"I don’t know," replied his wife. "I haven’t read a word of it."&lt;br /&gt;&lt;br /&gt;"'To be sold by Auction,'" read the host of the Nutmeg-Grater, "'unless previously disposed of by private contract.'"&lt;br /&gt;&lt;br /&gt;"They always put that," said Clemency.&lt;br /&gt;&lt;br /&gt;"Yes, but they don’t always put this," he returned. "Look here, 'Mansion,' &amp;amp;c.—'offices,' &amp;amp;c., 'shrubberies,' &amp;amp;c., 'ring fence,' &amp;amp;c. 'Messrs. Snitchey and Craggs,' &amp;amp;c. 'ornamental portion of the unencumbered freehold property of Michael Warden, Esquire, intending to continue to reside abroad'!"&lt;br /&gt;&lt;br /&gt;"Intending to continue to reside abroad!" repeated Clemency.&lt;br /&gt;&lt;br /&gt;"Here it is," said Britain. "Look!"&lt;br /&gt;&lt;br /&gt;"And it was only this very day that I heard it whispered at the old house, that better and plainer news had been half promised of her, soon!" said Clemency, shaking her head sorrowfully, and patting her elbows as if the recollection of old times unconsciously awakened her old habits. "Dear, dear, dear! There’ll be heavy hearts, Ben, yonder."&lt;br /&gt;&lt;br /&gt;Mr. Britain heaved a sigh, and shook his head, and said he couldn’t make it out: he had left off trying long ago. With that remark, he applied himself to putting up the bill just inside the bar window: and Clemency, after meditating in silence for a few moments, roused herself, cleared her thoughtful brow, and bustled off to look after the children.&lt;br /&gt;&lt;br /&gt;Though the host of the Nutmeg Grater had a lively regard for his good-wife, it was of the old patronising kind; and she amused him mightily. Nothing would have astonished him so much, as to have known for certain from any third party, that it was she who managed the whole house, and made him, by her plain straightforward thrift, good-humour, honesty, and industry, a thriving man. So easy it is, in any degree of life (as the world very often finds it,) to take those cheerful natures that never assert their merit, at their own modest valuation; and to conceive a flippant liking of people for their outward oddities and eccentricities, whose innate worth, if we would look so far, might make us blush in the comparison!&lt;br /&gt;&lt;br /&gt;It was comfortable to Mr. Britain, to think of his own condescension in having married Clemency. She was a perpetual testimony to him of the goodness of his heart, and the kindness of his disposition; and he felt that her being an excellent wife was an illustration of the old precept that virtue is its own reward.&lt;br /&gt;&lt;br /&gt;He had finished wafering up the bill, and had locked the vouchers for her day’s proceedings in the cupboard—chuckling all the time, over her capacity for business—when, returning with the news that the two Master Britains were playing in the coach-house under the superintendence of one Betsey, and that little Clem was sleeping "like a picture," she sat down to tea, which had awaited her arrival, on a little table. It was a very neat little bar, with the usual display of bottles and glasses; a sedate clock, right to the minute (it was half-past five); everything in its place, and everything furbished and polished up to the very utmost.&lt;br /&gt;&lt;br /&gt;"It’s the first time I’ve sat down quietly to-day, I declare," said Mrs. Britain, taking a long breath, as if she had sat down for the night; but getting up again immediately to hand her husband his tea, and cut him his bread-and-butter; "how that bill does set me thinking of old times!"&lt;br /&gt;&lt;br /&gt;"Ah!" said Mr. Britain, handling his saucer like an oyster, and disposing of its contents on the same principle.&lt;br /&gt;&lt;br /&gt;"That same Mr. Michael Warden," said Clemency, shaking her head at the notice of sale, "lost me my old place."&lt;br /&gt;&lt;br /&gt;"And got you your husband," said Mr. Britain.&lt;br /&gt;&lt;br /&gt;"Well! So he did," retorted Clemency, "and many thanks to him."&lt;br /&gt;&lt;br /&gt;"Man’s the creature of habit," said Mr. Britain, surveying her, over his saucer. "I had somehow got used to you, Clem; and I found I shouldn’t be able to get on without you. So we went and got made man and wife. Ha! ha! We! Who’d have thought it!"&lt;br /&gt;&lt;br /&gt;"Who indeed!" cried Clemency. "It was very good of you, Ben."&lt;br /&gt;&lt;br /&gt;"No, no, no," replied Mr. Britain, with an air of self-denial. "Nothing worth mentioning."&lt;br /&gt;&lt;br /&gt;"Oh yes it was, Ben," said his wife, with great simplicity; "I’m sure I think so, and am very much obliged to you. Ah!" looking again at the bill; "when she was known to be gone, and out of reach, dear girl, I couldn’t help telling—for her sake quite as much as theirs—what I knew, could I?"&lt;br /&gt;&lt;br /&gt;"You told it, anyhow," observed her husband.&lt;br /&gt;&lt;br /&gt;"And Doctor Jeddler," pursued Clemency, putting down her tea-cup, and looking thoughtfully at the bill, "in his grief and passion, turned me out of house and home! I never have been so glad of anything in all my life, as that I didn’t say an angry word to him, and hadn’t any angry feeling towards him, even then; for he repented that truly, afterwards. How often he has sat in this room, and told me over and over again he was sorry for it!—the last time, only yesterday, when you were out. How often he has sat in this room, and talked to me, hour after hour, about one thing and another, in which he made believe to be interested!—but only for the sake of the days that are gone by, and because he knows she used to like me, Ben!"&lt;br /&gt;&lt;br /&gt;"Why, how did you ever come to catch a glimpse of that, Clem?" asked her husband: astonished that she should have a distinct perception of a truth which had only dimly suggested itself to his inquiring mind.&lt;br /&gt;&lt;br /&gt;"I don’t know, I’m sure," said Clemency, blowing her tea, to cool it. "Bless you, I couldn’t tell you, if you was to offer me a reward of a hundred pound."&lt;br /&gt;&lt;br /&gt;He might have pursued this metaphysical subject but for her catching a glimpse of a substantial fact behind him, in the shape of a gentleman attired in mourning, and cloaked and booted like a rider on horseback, who stood at the bar-door. He seemed attentive to their conversation, and not at all impatient to interrupt it.&lt;br /&gt;&lt;br /&gt;Clemency hastily rose at this sight. Mr. Britain also rose and saluted the guest. "Will you please to walk up-stairs, Sir? There’s a very nice room up-stairs, sir."&lt;br /&gt;&lt;br /&gt;"Thank you," said the stranger, looking earnestly at Mr. Britain’s wife. "May I come in here?"&lt;br /&gt;&lt;br /&gt;"Oh, surely, if you like, Sir," returned Clemency, admitting him. "What would you please to want, Sir?"&lt;br /&gt;&lt;br /&gt;The bill had caught his eye, and he was reading it.&lt;br /&gt;&lt;br /&gt;"Excellent property that, Sir," observed Mr. Britain.&lt;br /&gt;&lt;br /&gt;He made no answer; but turning round, when he had finished reading, looked at Clemency with the same observant curiosity as before. "You were asking me," he said, still looking at her,—&lt;br /&gt;&lt;br /&gt;"What you would please to take, Sir," answered Clemency, stealing a glance at him in return.&lt;br /&gt;&lt;br /&gt;"If you will let me have a draught of ale," he said, moving to a table by the window, "and will let me have it here, without being any interruption to your meal, I shall be much obliged to you." &lt;br /&gt;&lt;br /&gt;He sat down as he spoke, without any further parley, and looked out at the prospect. He was an easy, well-knit figure of a man in the prime of life. His face, much browned by the sun, was shaded by a quantity of dark hair; and he wore a moustache. His beer being set before him, he filled out a glass, and drank, good-humouredly, to the house; adding, as he put the tumbler down again:&lt;br /&gt;&lt;br /&gt;"It’s a new house, is it not?"&lt;br /&gt;&lt;br /&gt;"Not particularly new, Sir," replied Mr. Britain.&lt;br /&gt;&lt;br /&gt;"Between five and six years old," said Clemency; speaking very distinctly.&lt;br /&gt;&lt;br /&gt;"I think I heard you mention Doctor Jeddler’s name, as I came in," inquired the stranger. "That bill reminds me of him; for I happen to know something of that story, by hearsay, and through certain connexions of mine.—Is the old man living?"&lt;br /&gt;&lt;br /&gt;"Yes, he’s living, Sir," said Clemency.&lt;br /&gt;&lt;br /&gt;"Much changed?"&lt;br /&gt;&lt;br /&gt;"Since when, Sir?" returned Clemency, with remarkable emphasis and expression.&lt;br /&gt;&lt;br /&gt;"Since his daughter—went away."&lt;br /&gt;&lt;br /&gt;"Yes! he’s greatly changed since then," said Clemency. "He’s grey and old, and hasn’t the same way with him at all; but I think he’s happy now. He has taken on with his sister since then, and goes to see her very often. That did him good, directly. At first, he was sadly broken down; and it was enough to make one’s heart bleed, to see him wandering about, railing at the world; but a great change for the better came over him after a year or two, and then he began to like to talk about his lost daughter, and to praise her, ay and the world too! and was never tired of saying, with the tears in his poor eyes, how beautiful and good she was. He had forgiven her then. That was about the same time as Miss Grace’s marriage. Britain, you remember?"&lt;br /&gt;&lt;br /&gt;Mr. Britain remembered very well.&lt;br /&gt;&lt;br /&gt;"The sister &lt;em&gt;is&lt;/em&gt; married then," returned the stranger. He paused for some time before he asked, "To whom?"&lt;br /&gt;&lt;br /&gt;Clemency narrowly escaped oversetting the tea-board, in her emotion at this question.&lt;br /&gt;&lt;br /&gt;"Did &lt;em&gt;you&lt;/em&gt; never hear?" she said.&lt;br /&gt;&lt;br /&gt;"I should like to hear," he replied, as he filled his glass again, and raised it to his lips.&lt;br /&gt;&lt;br /&gt;"Ah! It would be a long story, if it was properly told," said Clemency, resting her chin on the palm of her left hand, and supporting that elbow on her right hand, as she shook her head, and looked back through the intervening years, as if she were looking at a fire. "It would be a long story, I am sure."&lt;br /&gt;&lt;br /&gt;"But told as a short one," suggested the stranger.&lt;br /&gt;&lt;br /&gt;"Told as a short one," repeated Clemency in the same thoughtful tone, and without any apparent reference to him, or consciousness of having auditors, "what would there be to tell? That they grieved together, and remembered her together, like a person dead; that they were so tender of her, never would reproach her, called her back to one another as she used to be, and found excuses for her? Every one knows that. I’m sure &lt;em&gt;I&lt;/em&gt; do. No one better," added Clemency, wiping her eyes with her hand.&lt;/p&gt;&#13;
&lt;p&gt;"And so," suggested the stranger.&lt;br /&gt;&lt;br /&gt;"And so," said Clemency, taking him up mechanically, and without any change in her attitude or manner, "they at last were married. They were married on her birth-day—it comes round again to-morrow—very quiet, very humble like, but very happy. Mr. Alfred said, one night when they were walking in the orchard, 'Grace, shall our wedding-day be Marion’s birth-day?' And it was."&lt;br /&gt;&lt;br /&gt;"And they have lived happily together?" said the stranger.&lt;br /&gt;&lt;br /&gt;"Ay," said Clemency. "No two people ever more so. They have had no sorrow but this."&lt;br /&gt;&lt;br /&gt;She raised her head as with a sudden attention to the circumstances under which she was recalling these events, and looked quickly at the stranger. Seeing that his face was turned toward the window, and that he seemed intent upon the prospect, she made some eager signs to her husband, and pointed to the bill, and moved her mouth as if she were repeating with great energy, one word or phrase to him over and over again. As she uttered no sound, and as her dumb motions like most of her gestures were of a very extraordinary kind, this unintelligible conduct reduced Mr. Britain to the confines of despair. He stared at the table, at the stranger, at the spoons, at his wife—followed her pantomime with looks of deep amazement and perplexity—asked in the same language, was it property in danger, was it he in danger, was it she—answered her signals with other signals expressive of the deepest distress and confusion—followed the motions of her lips—guessed half aloud "milk and water," "monthly warning," "mice and walnuts"—and couldn’t approach her meaning.&lt;br /&gt;&lt;br /&gt;Clemency gave it up at last, as a hopeless attempt; and moving her chair by very slow degrees a little nearer to the stranger, sat with her eyes apparently cast down but glancing sharply at him now and then, waiting until he should ask some other question. She had not to wait long; for he said, presently:&lt;br /&gt;&lt;br /&gt;"And what is the after history of the young lady who went away? They know it, I suppose?"&lt;br /&gt;&lt;br /&gt;Clemency shook her head. "I’ve heard," she said, "that Doctor Jeddler is thought to know more of it than he tells. Miss Grace has had letters from her sister, saying that she was well and happy, and made much happier by her being married to Mr. Alfred: and has written letters back. But there’s a mystery about her life and fortunes, altogether, which nothing has cleared up to this hour, and which—"&lt;br /&gt;&lt;br /&gt;She faultered here, and stopped.&lt;br /&gt;&lt;br /&gt;"And which"—repeated the stranger.&lt;br /&gt;&lt;br /&gt;"Which only one other person, I believe, could explain," said Clemency, drawing her breath quickly.&lt;br /&gt;&lt;br /&gt;"Who may that be?" asked the stranger.&lt;br /&gt;&lt;br /&gt;"Mr. Michael Warden!" answered Clemency, almost in a shriek: at once conveying to her husband what she would have had him understand before, and letting Michael Warden know that he was recognised.&lt;br /&gt;&lt;br /&gt;"You remember me, sir?" said Clemency, trembling with emotion; "I saw just now you did! You remember me, that night in the garden. I was with her!"&lt;br /&gt;&lt;br /&gt;"Yes. You were," he said.&lt;br /&gt;&lt;br /&gt;"Yes, sir," returned Clemency. "Yes, to be sure. This is my husband, if you please. Ben, my dear Ben, run to Miss Grace—run to Mr. Alfred—run somewhere, Ben! Bring somebody here, directly!"&lt;br /&gt;&lt;br /&gt;"Stay!" said Michael Warden, quietly interposing himself between the door and Britain. "What would you do?"&lt;br /&gt;&lt;br /&gt;"Let them know that you are here, Sir," answered Clemency, clapping her hands in sheer agitation. "Let them know that they may hear of her, from your own lips; let them know that she is not quite lost to them, but that she will come home again yet, to bless her father and her loving sister—even her old servant, even me," she struck herself upon the breast with both hands, "with a sight of her sweet face. Run, Ben, run!" And still she pressed him on towards the door, and still Mr. Warden stood before it, with his hand stretched out, not angrily, but sorrowfully.&lt;br /&gt;&lt;br /&gt;"Or perhaps," said Clemency, running past her husband, and catching in her emotion at Mr. Warden’s cloak, "perhaps she’s here now; perhaps she’s close by. I think from your manner she is. Let me see her, Sir, if you please. I waited on her when she was a little child. I saw her grow to be the pride of all this place. I knew her when she was Mr. Alfred’s promised wife. I tried to warn her when you tempted her away. I know what her old home was when she was like the soul of it, and how it changed when she was gone and lost. Let me speak to her, if you please!"&lt;br /&gt;&lt;br /&gt;He gazed at her with compassion, not unmixed with wonder: but he made no gesture of assent.&lt;br /&gt;&lt;br /&gt;"I don’t think she &lt;em&gt;can&lt;/em&gt; know," pursued Clemency, "how truly they forgive her; how they love her; what joy it would be to them, to see her once more. She may be timorous of going home. Perhaps if she sees me, it may give her new heart. Only tell me truly, Mr. Warden, is she with you?"&lt;br /&gt;&lt;br /&gt;"She is not," he answered, shaking his head.&lt;br /&gt;&lt;br /&gt;This answer, and his manner, and his black dress, and his coming back so quietly, and his announced intention of continuing to live abroad, explained it all. Marion was dead.&lt;br /&gt;&lt;br /&gt;He didn’t contradict her; yes, she was dead! Clemency sat down, hid her face upon the table, and cried.&lt;br /&gt;&lt;br /&gt;At that moment, a grey-headed old gentleman came running in: quite out of breath, and panting so much that his voice was scarcely to be recognised as the voice of Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"Good Heaven, Mr. Warden!" said the lawyer, taking him aside, "what wind has blown—" He was so blown himself, that he couldn’t get on any further until after a pause, when he added, feebly, "you here?"&lt;br /&gt;&lt;br /&gt;"An ill-wind, I am afraid," he answered. "If you could have heard what has just passed—how I have been besought and entreated to perform impossibilities—what confusion and affliction I carry with me!"&lt;br /&gt;&lt;br /&gt;"I can guess it all. But why did you ever come here, my good Sir?" retorted Snitchey.&lt;br /&gt;&lt;br /&gt;"Come! How should I know who kept the house? When I sent my servant on to you, I strolled in here because the place was new to me; and I had a natural curiosity in everything new and old, in these old scenes; and it was outside the town. I wanted to communicate with you first, before appearing there. I wanted to know what people would say to me. I see by your manner that you can tell me. If it were not for your confounded caution, I should have been possessed of everything long ago."&lt;br /&gt;&lt;br /&gt;"Our caution!" returned the lawyer, "speaking for Self and Craggs—deceased," here Mr. Snitchey, glancing at his hat-band, shook his head, "how can you reasonably blame us, Mr. Warden? It was understood between us that the subject was never to be renewed, and that it wasn’t a subject on which grave and sober men like us (I made a note of your observations at the time) could interfere. Our caution too! When Mr. Craggs, Sir, went down to his respected grave in the full belief—"&lt;br /&gt;&lt;br /&gt;"I had given a solemn promise of silence until I should return, whenever that might be," interrupted Mr. Warden; "and I have kept it."&lt;br /&gt;&lt;br /&gt;"Well, Sir, and I repeat it," returned Mr. Snitchey, "we were bound to silence too. We were bound to silence in our duty towards ourselves, and in our duty towards a variety of clients, you among them, who were as close as wax. It was not our place to make inquiries of you on such a delicate subject. I had my suspicions, Sir; but, it is not six months since I have known the truth, and been assured that you lost her."&lt;br /&gt;&lt;br /&gt;"By whom?" inquired his client.&lt;br /&gt;&lt;br /&gt;"By Doctor Jeddler himself, sir, who at last reposed that confidence in me voluntarily. He, and only he, has known the whole truth, years and years."&lt;br /&gt;&lt;br /&gt;"And you know it?" said his client.&lt;br /&gt;&lt;br /&gt;"I do, Sir!" replied Snitchey; "and I have also reason to know that it will be broken to her sister to-morrow evening. They have given her that promise. In the meantime, perhaps you’ll give me the honor of your company at my house; being unexpected at your own. But, not to run the chance of any more such difficulties as you have had here, in case you should be recognised—though you’re a good deal changed—I think I might have passed you myself, Mr. Warden—we had better dine here, and walk on in the evening. It’s a very good place to dine at, Mr. Warden: your own property, by the bye. Self and Craggs (deceased) took a chop here sometimes, and had it very comfortably served. Mr. Craggs, Sir," said Snitchey, shutting his eyes tight for an instant, and opening them again, "was struck off the roll of life too soon."&lt;br /&gt;&lt;br /&gt;"Heaven forgive me for not condoling with you," returned Michael Warden, passing his hand across his forehead, "but I’m like a man in a dream at present. I seem to want my wits. Mr. Craggs—yes—I am very sorry we have lost Mr. Craggs." But he looked at Clemency as he said it, and seemed to sympathise with Ben, consoling her.&lt;br /&gt;&lt;br /&gt;"Mr. Craggs, Sir," observed Snitchey, "didn’t find life, I regret to say, as easy to have and to hold as his theory made it out, or he would have been among us now. It’s a great loss to me. He was my right arm, my right leg, my right ear, my right eye, was Mr. Craggs. I am paralytic without him. He bequeathed his share of the business to Mrs. Craggs, her executors, administrators, and assigns. His name remains in the Firm to this hour. I try, in a childish sort of a way, to make believe, sometimes, that he’s alive. You may observe that I speak for Self and Craggs—deceased Sir—deceased," said the tender-hearted attorney, waving his pocket-handkerchief.&lt;br /&gt;&lt;br /&gt;Michael Warden, who had still been observant of Clemency, turned to Mr. Snitchey when he ceased to speak, and whispered in his ear.&lt;br /&gt;&lt;br /&gt;"Ah, poor thing!" said Snitchey, shaking his head. "Yes. She was always very faithful to Marion. She was always very fond of her. Pretty Marion! Poor Marion! Cheer up, Mistress—you &lt;em&gt;are&lt;/em&gt; married now, you know, Clemency."&lt;br /&gt;&lt;br /&gt;Clemency only sighed, and shook her head.&lt;br /&gt;&lt;br /&gt;"Well, well! Wait till to-morrow," said the lawyer, kindly.&lt;br /&gt;&lt;br /&gt;"To-morrow can’t bring back the dead to life, Mister," said Clemency, sobbing.&lt;br /&gt;&lt;br /&gt;"No. It can’t do that, or it would bring back Mr. Craggs, deceased," returned the lawyer. "But it may bring some soothing circumstances; it may bring some comfort. Wait till to-morrow!"&lt;br /&gt;&lt;br /&gt;So Clemency, shaking his proffered hand, said she would; and Britain, who had been terribly cast down at sight of his despondent wife (which was like the business hanging its head), said that was right; and Mr. Snitchey and Michael Warden went up stairs; and there they were soon engaged in a conversation so cautiously conducted, that no murmur of it was audible above the clatter of plates and dishes, the hissing of the frying-pan, the bubbling of saucepans, the low monotonous waltzing of the Jack—with a dreadful click every now and then as if it had met with some mortal accident to its head, in a fit of giddiness—and all the other preparations in the kitchen, for their dinner.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;To-morrow was a bright and peaceful day; and nowhere were the autumn tints more beautifully seen, than from the quiet orchard of the Doctor’s house. The snows of many winter nights had melted from that ground, the withered leaves of many summer times had rustled there, since she had fled. The honey-suckle porch was green again, the trees cast bountiful and changing shadows on the grass, the landscape was as tranquil and serene as it had ever been; but where was she!&lt;br /&gt;&lt;br /&gt;Not there. Not there. She would have been a stranger sight in her old home now, even than that home had been at first, without her. But a lady sat in the familiar place, from whose heart she had never passed away; in whose true memory she lived, unchanging, youthful, radiant with all promise and all hope; in whose affection—and it was a mother’s now: there was a cherished little daughter playing by her side—she had no rival, no successor; upon whose gentle lips her name was trembling then.&lt;br /&gt;&lt;br /&gt;The spirit of the lost girl looked out of those eyes. Those eyes of Grace, her sister, sitting with her husband in the orchard, on their wedding-day, and his and Marion’s birth-day.&lt;br /&gt;&lt;br /&gt;He had not become a great man; he had not grown rich; he had not forgotten the scenes and friends of his youth; he had not fulfilled any one of the Doctor’s old predictions. But in his useful, patient, unknown visiting of poor men’s homes; and in his watching of sick beds; and in his daily knowledge of the gentleness and goodness flowering the bye-paths of the world, not to be trodden down beneath the heavy foot of poverty, but springing up, elastic, in its track, and making its way beautiful; he had better learned and proved, in each succeeding year, the truth of his old faith. The manner of his life, though quiet and remote, had shown him how often men still entertained angels, unawares, as in the olden time; and how the most unlikely forms—even some that were mean and ugly to the view, and poorly clad—became irradiated by the couch of sorrow, want, and pain, and changed to ministering spirits with a glory round their heads.&lt;br /&gt;&lt;br /&gt;He lived to better purpose on the altered battle-ground perhaps, than if he had contended restlessly in more ambitious lists; and he was happy with his wife, dear Grace.&lt;br /&gt;&lt;br /&gt;And Marion. Had &lt;em&gt;he&lt;/em&gt; forgotten her?&lt;br /&gt;&lt;br /&gt;"The time has flown, dear Grace," he said, "since then;" they had been talking of that night; "and yet it seems a long long while ago. We count by changes and events within us. Not by years."&lt;br /&gt;&lt;br /&gt;"Yet we have years to count by, too, since Marion was with us," returned Grace. "Six times, dear husband, counting to-night as one, we have sat here on her birth-day, and spoken together of that happy return, so eagerly expected and so long deferred. Ah when will it be! When will it be!"&lt;br /&gt;&lt;br /&gt;Her husband attentively observed her, as the tears collected in her eyes; and drawing nearer, said:&lt;br /&gt;&lt;br /&gt;"But, Marion told you, in that farewell letter which she left for you upon your table, love, and which you read so often, that years must pass away before it &lt;em&gt;could&lt;/em&gt; be. Did she not?"&lt;br /&gt;&lt;br /&gt;She took a letter from her breast, and kissed it, and said "Yes."&lt;br /&gt;&lt;br /&gt;"That through these intervening years, however happy she might be, she would look forward to the time when you would meet again, and all would be made clear: and prayed you, trustfully and hopefully to do the same. The letter runs so, does it not, my dear?"&lt;br /&gt;&lt;br /&gt;"Yes, Alfred."&lt;br /&gt;&lt;br /&gt;"And every other letter she has written since?"&lt;br /&gt;&lt;br /&gt;"Except the last—some months ago—in which she spoke of you, and what you then knew, and what I was to learn to-night."&lt;br /&gt;&lt;br /&gt;He looked towards the sun, then fast declining, and said that the appointed time was sunset.&lt;br /&gt;&lt;br /&gt;"Alfred!" said Grace, laying her hand upon his shoulder earnestly, "there is something in this letter—this old letter, which you say I read so often—that I have never told you. But to-night, dear husband, with that sunset drawing near, and all our life seeming to soften and become hushed with the departing day, I cannot keep it secret."&lt;br /&gt;&lt;br /&gt;"What is it, love?"&lt;br /&gt;&lt;br /&gt;"When Marion went away, she wrote me, here, that you had once left her a sacred trust to me, and that now she left you, Alfred, such a trust in my hands: praying and beseeching me, as I loved her, and as I loved you, not to reject the affection she believed (she knew, she said) you would transfer to me when the new wound was healed, but to encourage and return it.’&lt;br /&gt;&lt;br /&gt;"—And make me a proud, and happy man again, Grace. Did she say so?"&lt;br /&gt;&lt;br /&gt;"She meant, to make myself so blest and honored in your love," was his wife’s answer, as he held her in his arms.&lt;br /&gt;&lt;br /&gt;"Hear me, my dear!" he said.—"No. Hear me so!"—and as he spoke, he gently laid the head she had raised, again upon his shoulder. "I know why I have never heard this passage in the letter, until now. I know why no trace of it ever showed itself in any word or look of yours at that time. I know why Grace, although so true a friend to me, was hard to win to be my wife. And knowing it, my own! I know the priceless value of the heart I gird within my arms, and thank GOD for the rich possession!"&lt;br /&gt;&lt;br /&gt;She wept, but not for sorrow, as he pressed her to his heart. After a brief space, he looked down at the child, who was sitting at their feet, playing with a little basket of flowers, and bade her look how golden and how red the sun was.&lt;br /&gt;&lt;br /&gt;"Alfred," said Grace, raising her head quickly at these words. "The sun is going down. You have not forgotten what I am to know before it sets."&lt;br /&gt;&lt;br /&gt;"You are to know the truth of Marion’s history, my love," he answered.&lt;br /&gt;&lt;br /&gt;"All the truth," she said, imploringly. "Nothing veiled from me, any more. That was the promise. Was it not?"&lt;br /&gt;&lt;br /&gt;"It was," he answered.&lt;br /&gt;&lt;br /&gt;"Before the sun went down on Marion’s birth-day. And you see it, Alfred? It is sinking fast."&lt;br /&gt;&lt;br /&gt;He put his arm about her waist; and, looking steadily into her eyes, rejoined:&lt;br /&gt;&lt;br /&gt;"That truth is not reserved so long for me to tell, dear Grace. It is to come from other lips."&lt;br /&gt;&lt;br /&gt;"From other lips!" she faintly echoed.&lt;br /&gt;&lt;br /&gt;"Yes. I know your constant heart, I know how brave you are, I know that to you a word of preparation is enough. You have said, truly, that the time is come. It is. Tell me that you have present fortitude to bear a trial—a surprise—a shock: and the messenger is waiting at the gate."&lt;br /&gt;&lt;br /&gt;"What messenger?" she said. "And what intelligence does he bring?"&lt;br /&gt;&lt;br /&gt;"I am pledged," he answered her, preserving his steady look, "to say no more. Do you think you understand me?"&lt;br /&gt;&lt;br /&gt;"I am afraid to think," she said.&lt;br /&gt;&lt;br /&gt;There was that emotion in his face, despite its steady gaze, which frightened her. Again she hid her own face on his shoulder, trembling, and entreated him to pause—a moment.&lt;br /&gt;&lt;br /&gt;"Courage, my wife! When you have firmness to receive the messenger, the messenger is waiting at the gate. The sun is setting on Marion’s birth-day. Courage, courage, Grace!"&lt;br /&gt;&lt;br /&gt;She raised her head, and, looking at him, told him she was ready. As she stood, and looked upon him going away, her face was so like Marion’s as it had been in her later days at home, that it was wonderful to see. He took the child with him. She called her back—she bore the lost girl’s name—and pressed her to her bosom. The little creature, being released again, sped after him, and Grace was left alone.&lt;br /&gt;&lt;br /&gt;She knew not what she dreaded, or what hoped; but remained there, motionless, looking at the porch by which they had disappeared.&lt;br /&gt;&lt;br /&gt;Ah! what was that, emerging from its shadow; standing on its threshold! That figure, with its white garments rustling in the evening air; its head laid down upon her father’s breast, and pressed against it to his loving heart! O God! was it a vision that came bursting from the old man’s arms, and with a cry, and with a waving of its hands, and with a wild precipitation of itself upon her in its boundless love, sank down in her embrace!&lt;br /&gt;&lt;br /&gt;"Oh, Marion, Marion! Oh, my sister! Oh, my heart’s dear love! Oh, joy and happiness unutterable, so to meet again!"&lt;br /&gt;&lt;br /&gt;It was no dream, no phantom conjured up by hope and fear, but Marion, sweet Marion! So beautiful, so happy, so unalloyed by care and trial, so elevated and exalted in her loveliness, that as the setting sun shone brightly on her upturned face, she might have been a spirit visiting the earth upon some healing mission.&lt;br /&gt;&lt;br /&gt;Clinging to her sister, who had dropped upon a seat and bent down over her: and smiling through her tears, and kneeling close before her, with both arms twining round her, and never turning for an instant from her face: and with the glory of the setting sun upon her brow, and with the soft tranquillity of evening gathering around them: Marion at length broke silence; her voice, so calm, low, clear, and pleasant, well-tuned to the time.&lt;br /&gt;&lt;br /&gt;"When this was my dear home, Grace, as it will be now again—"&lt;br /&gt;&lt;br /&gt;"Stay, my sweet love! A moment! O Marion, to hear you speak again."&lt;br /&gt;&lt;br /&gt;She could not bear the voice she loved so well, at first.&lt;br /&gt;&lt;br /&gt;"When this was my dear home, Grace, as it will be now again, I loved him from my soul. I loved him most devotedly. I would have died for him, though I was so young. I never slighted his affection in my secret breast for one brief instant. It was far beyond all price to me. Although it is so long ago, and past, and gone, and everything is wholly changed, I could not bear to think that you, who love so well, should think I did not truly love him once. I never loved him better, Grace, than when he left this very scene upon this very day. I never loved him better, dear one, than I did that night when &lt;em&gt;I&lt;/em&gt; left here."&lt;br /&gt;&lt;br /&gt;Her sister, bending over her, could look into her face, and hold her fast.&lt;br /&gt;&lt;br /&gt;"But he had gained, unconsciously," said Marion, with a gentle smile, "another heart, before I knew that I had one to give him. That heart—yours, my sister—was so yielded up, in all its other tenderness, to me; was so devoted, and so noble; that it plucked its love away, and kept its secret from all eyes but mine—Ah! what other eyes were quickened by such tenderness and gratitude!—and was content to sacrifice itself to me. But I knew something of its depths. I knew the struggle it had made. I knew its high, inestimable worth to him, and his appreciation of it, let him love me as he would. I knew the debt I owed it. I had its great example every day before me. What you had done for me, I knew that I could do, Grace, if I would, for you. I never laid my head down on my pillow, but I prayed with tears to do it. I never laid my head down on my pillow, but I thought of Alfred’s own words on the day of his departure, and how truly he had said (for I knew that, by you) that there were victories gained every day, in struggling hearts, to which these fields of battle were nothing. Thinking more and more upon the great endurance cheerfully sustained, and never known or cared for, that there must be, every day and hour, in that great strife of which he spoke, my trial seemed to grow light and easy: and He who knows our hearts, my dearest, at this moment, and who knows there is no drop of bitterness or grief—of anything but unmixed happiness—in mine, enabled me to make the resolution that I never would be Alfred’s wife. That he should be my brother, and your husband, if the course I took could bring that happy end to pass; but that I never would (Grace, I then loved him dearly, dearly!) be his wife!"&lt;br /&gt;&lt;br /&gt;"Oh, Marion! oh, Marion!"&lt;br /&gt;&lt;br /&gt;"I had tried to seem indifferent to him;" and she pressed her sister’s face against her own; "but that was hard, and you were always his true advocate. I had tried to tell you of my resolution, but you would never hear me; you would never understand me. The time was drawing near for his return. I felt that I must act, before the daily intercourse between us was renewed. I knew that one great pang, undergone at that time, would save a lengthened agony to all of us. I knew that if I went away then, that end must follow which &lt;em&gt;has&lt;/em&gt; followed, and which has made us both so happy, Grace! I wrote to good Aunt Martha, for a refuge in her house: I did not then tell her all, but something of my story, and she freely promised it. While I was contesting that step with myself, and with my love of you, and home, Mr. Warden, brought here by an accident, became, for some time, our companion."&lt;br /&gt;&lt;br /&gt;"I have sometimes feared of late years, that this might have been," exclaimed her sister; and her countenance was ashy-pale. "You never loved him—and you married him in your self-sacrifice to me!"&lt;br /&gt;&lt;br /&gt;"He was then," said Marion, drawing her sister closer to her, "on the eve of going secretly away for a long time. He wrote to me, after leaving here; told me what his condition and prospects really were; and offered me his hand. He told me he had seen I was not happy in the prospect of Alfred’s return. I believe he thought my heart had no part in that contract; perhaps thought I might have loved him once, and did not then; perhaps thought that when I tried to seem indifferent, I tried to hide indifference—I cannot tell. But I wished that you should feel me wholly lost to Alfred—hopeless to him—dead. Do you understand me, love?"&lt;br /&gt;&lt;br /&gt;Her sister looked into her face, attentively. She seemed in doubt.&lt;br /&gt;&lt;br /&gt;"I saw Mr. Warden, and confided in his honour; charged him with my secret, on the eve of his and my departure. He kept it. Do you understand me, dear?"&lt;br /&gt;&lt;br /&gt;Grace looked confusedly upon her. She scarcely seemed to hear.&lt;br /&gt;&lt;br /&gt;"My love, my sister!" said Marion, "recall your thoughts a moment; listen to me. Do not look so strangely on me. There are countries, dearest, where those who would abjure a misplaced passion, or would strive, against some cherished feeling of their hearts and conquer it, retire into a hopeless solitude, and close the world against themselves and worldly loves and hopes for ever. When women do so, they assume that name which is so dear to you and me, and call each other Sisters. But, there may be sisters, Grace, who, in the broad world out of doors, and underneath its free sky, and in its crowded places and among its busy life, and trying to assist and cheer it and to do some good,—learn the same lesson; and, with hearts still fresh and young, and open to all happiness and means of happiness, can say the battle is long past, the victory long won. And such a one am I! You understand me now?"&lt;br /&gt;&lt;br /&gt;Still she looked fixedly upon her, and made no reply.&lt;br /&gt;&lt;br /&gt;"Oh Grace, dear Grace," said Marion, clinging yet more tenderly and fondly to that breast from which she had been so long exiled, "if you were not a happy wife and mother—if I had no little namesake here—if Alfred, my kind brother, were not your own fond husband—from whence could I derive the ecstasy I feel to-night! But, as I left here, so I have returned. My heart has known no other love, my hand has never been bestowed apart from it. I am still your maiden sister: unmarried, unbetrothed: your own loving old Marion, in whose affection you exist alone, and have no partner, Grace!"&lt;br /&gt;&lt;br /&gt;She understood her now. Her face relaxed: sobs came to her relief; and falling on her neck, she wept and wept, and fondled her as if she were a child again.&lt;br /&gt;&lt;br /&gt;When they were more composed, they found that the Doctor, and his sister good Aunt Martha, were standing near at hand, with Alfred.&lt;br /&gt;&lt;br /&gt;"This is a weary day for me," said good Aunt Martha, smiling through her tears, as she embraced her nieces; "for I lose my dear companion in making you all happy; and what can you give me, in return for my Marion?"&lt;br /&gt;&lt;br /&gt;"A converted brother," said the Doctor.&lt;br /&gt;&lt;br /&gt;"That’s something, to be sure," retorted Aunt Martha, "in such a farce as—"&lt;br /&gt;&lt;br /&gt;"No, pray don’t," said the doctor penitently.&lt;br /&gt;&lt;br /&gt;"Well, I won’t," replied Aunt Martha. "But, I consider myself ill used. I don’t know what’s to become of me without my Marion, after we have lived together half-a-dozen years."&lt;br /&gt;&lt;br /&gt;"You must come and live here, I suppose," replied the Doctor. "We shan’t quarrel now, Martha."&lt;br /&gt;&lt;br /&gt;"Or you must get married, Aunt," said Alfred.&lt;br /&gt;&lt;br /&gt;"Indeed," returned the old lady, "I think it might be a good speculation if I were to set my cap at Michael Warden, who, I hear, is come home much the better for his absence in all respects. But as I knew him when he was a boy, and I was not a very young woman then, perhaps he mightn’t respond. So I’ll make up my mind to go and live with Marion, when she marries, and until then (it will not be very long, I dare say) to live alone. What do &lt;em&gt;you&lt;/em&gt; say, Brother?"&lt;br /&gt;&lt;br /&gt;"I’ve a great mind to say it’s a ridiculous world altogether, and there’s nothing serious in it," observed the poor old Doctor.&lt;br /&gt;&lt;br /&gt;"You might take twenty affidavits of it if you chose, Anthony," said his sister; "but nobody would believe you with such eyes as those."&lt;br /&gt;&lt;br /&gt;"It’s a world full of hearts," said the Doctor, hugging his youngest daughter, and bending across her to hug Grace—for he couldn’t separate the sisters; "and a serious world, with all its folly—even with mine, which was enough to have swamped the whole globe; and it is a world on which the sun never rises, but it looks upon a thousand bloodless battles that are some set-off against the miseries and wickedness of Battle-Fields; and it is a world we need be careful how we libel, Heaven forgive us, for it is a world of sacred mysteries, and its Creator only knows what lies beneath the surface of His lightest image!"&lt;br /&gt;&lt;br /&gt;You would not be the better pleased with my rude pen, if it dissected and laid open to your view the transports of this family, long severed and now reunited. Therefore, I will not follow the poor Doctor through his humbled recollection of the sorrow he had had, when Marion was lost to him; nor will I tell how serious he had found that world to be, in which some love, deep-anchored, is the portion of all human creatures; nor, how such a trifle as the absence of one little unit in the great absurd account, had stricken him to the ground. Nor, how, in compassion for his distress, his sister had, long ago, revealed the truth to him by slow degrees, and brought him to the knowledge of the heart of his self-banished daughter, and to that daughter’s side.&lt;br /&gt;&lt;br /&gt;Nor, how Alfred Heathfield had been told the truth, too, in the course of that then current year; and Marion had seen him, and had promised him, as her brother, that on her birth-day, in the evening, Grace should know it from her lips at last.&lt;br /&gt;&lt;br /&gt;"I beg your pardon, Doctor," said Mr. Snitchey, looking into the orchard, "but have I liberty to come in?"&lt;br /&gt;&lt;br /&gt;Without waiting for permission, he came straight to Marion, and kissed her hand, quite joyfully.&lt;br /&gt;&lt;br /&gt;"If Mr. Craggs had been alive, my dear Miss Marion," said Mr. Snitchey, "he would have had great interest in this occasion. It might have suggested to him, Mr. Alfred, that our life is not too easy perhaps; that, taken altogether, it will bear any little smoothing we can give it; but Mr. Craggs was a man who could endure to be convinced, Sir. He was always open to conviction. If he were open to conviction, now, I—this is weakness. Mrs. Snitchey, my dear,"—at his summons that lady appeared from behind the door, "you are among old friends."&lt;br /&gt;&lt;br /&gt;Mrs. Snitchey having delivered her congratulations, took her husband aside.&lt;br /&gt;&lt;br /&gt;"One moment, Mr. Snitchey," said that lady. "It is not in my nature to rake up the ashes of the departed."&lt;br /&gt;&lt;br /&gt;"No, my dear," returned her husband.&lt;br /&gt;&lt;br /&gt;"Mr. Craggs is—"&lt;br /&gt;&lt;br /&gt;"Yes, my dear, he is deceased," said Snitchey.&lt;br /&gt;&lt;br /&gt;"But I ask you if you recollect," pursued his wife, "that evening of the ball? I only ask you that. If you do; and if your memory has not entirely failed you, Mr. Snitchey; and if you are not absolutely in your dotage; I ask you to connect this time with that—to remember how I begged and prayed you, on my knees—"&lt;br /&gt;&lt;br /&gt;"Upon your knees, my dear?" said Mr. Snitchey.&lt;br /&gt;&lt;br /&gt;"Yes," said Mrs. Snitchey, confidently, "and you know it—to beware of that man—to observe his eye—and now to tell me whether I was right, and whether at that moment he knew secrets which he didn’t choose to tell."&lt;br /&gt;&lt;br /&gt;"Mrs. Snitchey," returned her husband, in her ear, "Madam. Did you ever observe anything in &lt;em&gt;my&lt;/em&gt; eye?"&lt;br /&gt;&lt;br /&gt;"No," said Mrs. Snitchey, sharply. "Don’t flatter yourself."&lt;br /&gt;&lt;br /&gt;"Because, Madam, that night," he continued, twitching her by the sleeve, "it happens that we both knew secrets which we didn’t choose to tell, and both knew just the same, professionally. And so the less you say about such things the better, Mrs. Snitchey; and take this as a warning to have wiser and more charitable eyes another time. Miss Marion, I brought a friend of yours along with me. Here! Mistress!"&lt;br /&gt;&lt;br /&gt;Poor Clemency, with her apron to her eyes, came slowly in, escorted by her husband; the latter doleful with the presentiment, that if she abandoned herself to grief, the Nutmeg Grater was done for.&lt;br /&gt;&lt;br /&gt;"Now, Mistress," said the lawyer, checking Marion as she ran towards her, and interposing himself between them, "what’s the matter with &lt;em&gt;you?&lt;/em&gt;"&lt;br /&gt;&lt;br /&gt;"The matter!" cried poor Clemency.&lt;br /&gt;&lt;br /&gt;When, looking up in wonder, and in indignant remonstrance, and in the added emotion of a great roar from Mr. Britain, and seeing that sweet face so well-remembered close before her, she stared, sobbed, laughed, cried, screamed, embraced her, held her fast, released her, fell on Mr. Snitchey and embraced him (much to Mrs. Snitchey’s indignation), fell on the Doctor and embraced him, fell on Mr. Britain and embraced him, and concluded by embracing herself, throwing her apron over her head, and going into hysterics behind it.&lt;br /&gt;&lt;br /&gt;A stranger had come into the orchard, after Mr. Snitchey, and had remained apart, near the gate, without being observed by any of the group; for they had little spare attention to bestow, and that had been monopolised by the ecstasies of Clemency. He did not appear to wish to be observed, but stood alone, with downcast eyes; and there was an air of dejection about him (though he was a gentleman of a gallant appearance) which the general happiness rendered more remarkable.&lt;br /&gt;&lt;br /&gt;None but the quick eyes of Aunt Martha, however, remarked him at all; but almost as soon as she espied him, she was in conversation with him. Presently, going to where Marion stood with Grace and her little namesake, she whispered something in Marion’s ear, at which she started, and appeared surprised; but soon recovering from her confusion, she timidly approached the stranger, in Aunt Martha’s company, and engaged in conversation with him too.&lt;br /&gt;&lt;br /&gt;"Mr. Britain," said the lawyer, putting his hand in his pocket, and bringing out a legal-looking document, while this was going on, "I congratulate you. You are now the whole and sole proprietor of that freehold tenement, at present occupied and held by yourself as a licensed tavern, or house of public entertainment, and commonly called or known by the sign of the Nutmeg Grater. Your wife lost one house, through my client Mr. Michael Warden; and now gains another. I shall have the pleasure of canvassing you for the county, one of these fine mornings."&lt;br /&gt;&lt;br /&gt;"Would it make any difference in the vote if the sign was altered, Sir?" asked Britain.&lt;br /&gt;&lt;br /&gt;"Not in the least," replied the lawyer.&lt;br /&gt;&lt;br /&gt;"Then," said Mr. Britain, handing him back the conveyance, "just clap in the words, 'and Thimble,' will you be so good; and I’ll have the two mottoes painted up in the parlour instead of my wife’s portrait."&lt;br /&gt;&lt;br /&gt;"And let me," said a voice behind them; it was the stranger’s—Michael Warden’s; "let me claim the benefit of those inscriptions. Mr. Heathfield and Dr. Jeddler, I might have deeply wronged you both. That I did not, is no virtue of my own. I will not say that I am six years wiser than I was, or better. But I have known, at any rate, that term of selfreproach. I can urge no reason why you should deal gently with me. I abused the hospitality of this house; and learnt by my own demerits, with a shame I never have forgotten, yet with some profit too, I would fain hope, from one," he glanced at Marion, "to whom I made my humble supplication for forgiveness, when I knew her merit and my deep unworthiness. In a few days I shall quit this place for ever. I entreat your pardon. Do as you would be done by! Forget, and forgive!"&lt;br /&gt;&lt;br /&gt;TIME—from whom I had the latter portion of this story, and with whom I have the pleasure of a personal acquaintance of some five-and-thirty years’ duration—informed me, leaning easily upon his scythe, that Michael Warden never went away again, and never sold his house, but opened it afresh, maintained a golden means of hospitality, and had a wife, the pride and honor of that countryside, whose name was Marion. But as I have observed that Time confuses facts occasionally, I hardly know what weight to give to his authority.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
