22 10 361 https://www.dickenssearch.com/files/original/5/To_Be_Read_at_Dusk/1852-To_Be_Read_at_Dusk.pdf d69c781e8360e6907679511e2f6d2dfc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) The Keepsake Pseudonym The name under which the item was published Charles Dickens Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520101 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. One, two, three, four, five. There were five of them. Five couriers, sitting on a bench outside the convent on the summit of the Great St. Bernard in Switzerland, looking at the remote heights, stained by the setting sun, as if a mighty quantity of red wine had been broached upon the mountain top, and had not yet had time to sink into the snow. This is not my simile. It was made for the occasion by the stoutest courier, who was a German. None of the others took any more notice of it than they took of me, sitting on another bench on the other side of the convent door, smoking my cigar, like them, and—also like them—looking at the reddened snow, and at the lonely shed hard by, where the bodies of belated travellers, dug out of it, slowly wither away, knowing no corruption in that cold region. The wine upon the mountain top soaked in as we looked; the mountain became white; the sky, a very dark blue; the wind rose; and the air turned piercing cold. The five couriers buttoned their rough coats. There being no safer man to imitate in all such proceedings than a courier, I buttoned mine. The mountain in the sunset had stopped the five couriers in a conversation. It is a sublime sight, likely to stop conversation. The mountain being now out of the sunset, they resumed. Not that I had heard any part of their previous discourse; for indeed, I had not then broken away from the American gentleman, in the travellers’ parlour of the convent, who, sitting with his face to the fire, had undertaken to realise to me the whole progress of events which had led to the accumulation by the Honourable Ananias Dodger of one of the largest acquisitions of dollars ever made in our country. "My God!" said the Swiss courier, speaking in French, which I do not hold (as some authors appear to do) to be such an all-sufficient excuse for a naughty word, that I have only to write it in that language to make it innocent; "if you talk of ghosts—" "But I don’t talk of ghosts," said the German. "Of what then?" asked the Swiss. "If I knew of what then," said the German, "I should probably know a great deal more." It was a good answer, I thought, and it made me curious. So, I moved my position to that corner of my bench which was nearest to them, and leaning my back against the convent-wall, heard perfectly, without appearing to attend. "Thunder and lightning!" said the German, warming, "when a certain man is coming to see you, unexpectedly; and, without his own knowledge, sends some invisible messenger, to put the idea of him in your head all day, what do you call that? When you walk along a crowded street—at Frankfort, Milan, London, Paris—and think that a passing stranger is like your friend Heinrich, and then that another passing stranger is like your friend Heinrich, and so begin to have a strange foreknowledge that presently you’ll meet your friend Heinrich—which you do, though you believed him at Trieste—what do you call that?" "It’s not uncommon, either," murmured the Swiss and the other three. "Uncommon!" said the German. "It’s as common as cherries in the Black Forest. It’s as common as maccaroni at Naples. And Naples reminds me! When the old Marchesa Senzanima shrieks at a card-party on the Chiaja—as I heard and saw her, for it happened in a Bavarian family of mine, and I was overlooking the service that evening—I say, when the old Marchesa starts up at the card-table, white through her rouge, and cries, 'My sister in Spain is dead! I felt her cold touch on my back!'—and when that sister is dead at the moment—what do you call that?" "Or when the blood of San Gennaro liquefies at the request of the clergy—as all the world knows that it does regularly once a-year, in my native city," said the Neapolitan courier after a pause, with a comical look, "what do you call that?" "That!" cried the German. "Well! I think I know a name for that." "Miracle?" said the Neapolitan, with the same sly face. The German merely smoked and laughed; and they all smoked and laughed. "Bah!" said the German, presently. "I speak of things that really do happen. When I want to see the conjurer, I pay to see a professed one, and have my money’s worth. Very strange things do happen without ghosts. Ghosts! Giovanni Baptista, tell your story of the English bride. There’s no ghost in that, but something full as strange. Will any man tell me what?" As there was a silence among them, I glanced around. He whom I took to be Baptista was lighting a fresh cigar. He presently went on to speak. He was a Genoese, as I judged. "The story of the English bride?" said he. "Basta! one ought not to call so slight a thing a story. Well, it’s all one. But it’s true. Observe me well, gentlemen, it’s true. That which glitters is not always gold; but what I am going to tell, is true." He repeated this more than once. Ten years ago, I took my credentials to an English gentleman at Long’s Hotel, in Bond Street, London, who was about to travel—it might be for one year, it might be for two. He approved of them; likewise of me. He was pleased to make inquiry. The testimony that he received was favourable. He engaged me by the six months, and my entertainment was generous. He was young, handsome, very happy. He was enamoured of a fair young English lady, with a sufficient fortune, and they were going to be married. It was the wedding-trip, in short, that we were going to take. For three months’ rest in the hot weather (it was early summer then) he had hired an old place on the Riviera, at an easy distance from my city, Genoa, on the road to Nice. Did I know that place? Yes; I told him I knew it well. It was an old palace, with great gardens. It was a little bare, and it was a little dark and gloomy, being close surrounded by trees; but it was spacious, ancient, grand, and on the sea shore. He said it had been so described to him exactly, and he was well pleased that I knew it. For its being a little bare of furniture, all such places were. For its being a little gloomy, he had hired it principally for the gardens, and he and my mistress would pass the summer weather in their shade. "So all goes well, Baptista?" said he. "Indubitably, signor; very well." We had a travelling chariot for our journey, newly built for us, and in all respects complete. All we had was complete; we wanted for nothing. The marriage took place. They were happy. I was happy, seeing all so bright, being so well situated, going to my own city, teaching my language in the rumble to the maid, la bella Carolina, whose heart was gay with laughter: who was young and rosy. The time flew. But I observed—listen to this, I pray! (and here the courier dropped his voice)—I observed my mistress sometimes brooding in a manner very strange; in a frightened manner; in an unhappy manner; with a cloudy, uncertain alarm upon her. I think that I began to notice this when I was walking up hills by the carriage side, and master had gone on in front. At any rate, I remember that it impressed itself upon my mind one evening in the South of France, when she called to me to call master back; and when he came back, and walked for a long way, talking encouragingly and affectionately to her, with his hand upon the open window, and hers in it. Now and then, he laughed in a merry way, as if he were bantering her out of something. By and by, she laughed, and then all went well again. It was curious. I asked la bella Carolina, the pretty little one, Was mistress unwell?—No. Out of spirits?—No. Fearful of bad roads, or brigands?—No. And what made it more mysterious was, the pretty little one would not look at me in giving answer, but would look at the view. But, one day she told me the secret. "If you must know," said Carolina, "I find, from what I have overheard, that mistress is haunted." "How haunted?" "By a dream." "What dream?" "By a dream of a face. For three nights before her marriage, she saw a face in a dream—always the same face, and only One." "A terrible face?" "No. The face of a dark, remarkable-looking man, in black, with black hair and a grey moustache—a handsome man except for a reserved and secret air. Not a face she ever saw, or at all like a face she ever saw. Doing nothing in the dream but looking at her fixedly, out of darkness." "Does the dream come back?" "Never. The recollection of it is all her trouble." "And why does it trouble her?" Carolina shook her head. "That’s master’s question," said la bella. "She don’t know. She wonders why, herself. But I heard her tell him, only last night, that if she was to find a picture of that face in our Italian house (which she is afraid she will) she did not know how she could ever bear it." Upon my word I was fearful after this (said the Genoese courier) of our coming to the old palazzo, lest some such ill-starred picture should happen to be there. I knew there were many there; and, as we got nearer and nearer to the place, I wished the whole gallery in the crater of Vesuvius. To mend the matter, it was a stormy dismal evening when we, at last, approached that part of the Riviera. It thundered; and the thunder of my city and its environs, rolling among the high hills, is very loud. The lizards ran in and out of the chinks in the broken stone wall of the garden, as if they were frightened; the frogs bubbled and croaked their loudest; the sea-wind moaned, and the wet trees dripped; and the lightning—body of San Lorenzo, how it lightened! We all know what an old palace in or near Genoa is—how time and the sea air have blotted it—how the drapery painted on the outer walls has peeled off in great flakes of plaster—how the lower windows are darkened with rusty bars of iron—how the courtyard is overgrown with grass—how the outer buildings are dilapidated—how the whole pile seems devoted to ruin. Our palazzo was one of the true kind. It had been shut up close for months. Months?—years! It had an earthy smell, like a tomb. The scent of the orange-trees on the broad back terrace, and of the lemons ripening on the wall, and of some shrubs that grew around a broken fountain, had got into the house somehow, and had never been able to get out again. There it was, in every room, an aged smell, grown faint with confinement. It pined in all the cupboards and drawers. In the little rooms of communication between great rooms, it was stifling. If you turned a picture—to come back to the pictures—there it still was, clinging to the wall behind the frame, like a sort of bat. The lattice-blinds were close shut, all over the house. There were two ugly grey old women in the house, to take care of it; one of them with a spindle, who stood winding and mumbling in the doorway, and who would as soon have let in the devil as the air. Master, mistress, la bella Carolina, and I, went all through the palazzo. I went first, though I have named myself last, opening the windows and the lattice-blinds, and shaking down on myself splashes of rain, and scraps of mortar, and now and then a dozing mosquito, or a monstrous, fat, blotchy, Genoese spider. When I had let the evening light into a room, master, mistress, and la bella Carolina, entered. Then, we looked round at all the pictures, and I went forward again into another room. Mistress secretly had great fear of meeting with the likeness of that face—we all had; but there was no such thing. The Madonna and Bambino, San Francisco, San Sebastiano, Venus, Santa Caterina, Angels, Brigands, Friars, Temples at Sunset, Battles, White Horses, Forests, Apostles, Doges, all my old acquaintances many times repeated?—yes. Dark handsome man in black, reserved and secret, with black hair and grey moustache, looking fixedly at mistress out of darkness?—no. At last we got through all the rooms and all the pictures, and came out into the gardens. They were pretty well kept, being rented by a gardener, and were large and shady. In one place there was a rustic theatre, open to the sky; the stage a green slope; the coulisses, three entrances upon a side, sweet-smelling leafy screens. Mistress moved her bright eyes, even there, as if she looked to see the face come in upon the scene: but all was well. "Now, Clara," master said, in a low voice, "you see that it is nothing? You are happy." Mistress was much encouraged. She soon accustomed herself to that grim palazzo, and would sing, and play the harp, and copy the old pictures, and stroll with master under the green trees and vines, all day. She was beautiful. He was happy. He would laugh and say to me, mounting his horse for his morning ride before the heat: "All goes well, Baptista!" "Yes, signore, thank God, very well." We kept no company. I took la bella to the Duomo and Annunciata, to the Café, to the Opera, to the village Festa, to the Public Garden, to the Day Theatre, to the Marionetti. The pretty little one was charmed with all she saw. She learnt Italian—heavens! miraculously! Was mistress quite forgetful of that dream? I asked Carolina sometimes. Nearly, said la bella—almost. It was wearing out. One day master received a letter, and called me. "Baptista!" "Signore." "A gentleman who is presented to me will dine here to day. He is called the Signor Dellombra. Let me dine like a prince.’ It was an odd name. I did not know that name. But, there had been many noblemen and gentlemen pursued by Austria on political suspicions, lately, and some names had changed. Perhaps this was one. Altro! Dellombra was as good a name to me as another. When the Signor Dellombra came to dinner (said the Genoese courier in the low voice, into which he had subsided once before), I showed him into the reception-room, the great sala of the old palazzo. Master received him with cordiality, and presented him to mistress. As she rose, her face changed, she gave a cry, and fell upon the marble floor. Then, I turned my head to the Signor Dellombra, and saw that he was dressed in black, and had a reserved and secret air, and was a dark, remarkable-looking man, with black hair and a grey moustache. Master raised mistress in his arms, and carried her to her own room, where I sent la bella Carolina straight. La bella told me afterwards that mistress was nearly terrified to death, and that she wandered in her mind about her dream, all night. Master was vexed and anxious—almost angry, and yet full of solicitude. The Signor Dellombra was a courtly gentleman, and spoke with great respect and sympathy of mistress’s being so ill. The African wind had been blowing for some days (they had told him at his hôtel of the Maltese Cross), and he knew that it was often hurtful. He hoped the beautiful lady would recover soon. He begged permission to retire, and to renew his visit when he should have the happiness of hearing that she was better. Master would not allow of this, and they dined alone. He withdrew early. Next day he called at the gate, on horseback, to inquire for mistress. He did so two or three times in that week. What I observed myself, and what la bella Carolina told me, united to explain to me that master had now set his mind on curing mistress of her fanciful terror. He was all kindness, but he was sensible and firm. He reasoned with her, that to encourage such fancies was to invite melancholy, if not madness. That it rested with herself to be herself. That if she once resisted her strange weakness, so successfully as to receive the Signor Dellombra as an English lady would receive any other guest, it was for ever conquered. To make an end, the Signor came again, and mistress received him without marked distress (though with constraint and apprehension still), and the evening passed serenely. Master was so delighted with this change, and so anxious to confirm it, that the Signor Dellombra became a constant guest. He was accomplished in pictures, books, and music; and his society, in any grim palazzo, would have been welcome. I used to notice, many times, that mistress was not quite recovered. She would cast down her eyes and droop her head, before the Signor Dellombra, or would look at him with a terrified and fascinated glance, as if his presence had some evil influence or power upon her. Turning from her to him, I used to see him in the shaded gardens, or the large half-lighted sala, looking, as I might say, "fixedly upon her out of darkness." But, truly, I had not forgotten la bella Carolina’s words describing the face in the dream. After his second visit I heard master say: "Now, see, my dear Clara, it’s over! Dellombra has come and gone, and your apprehension is broken like glass." "Will he—will he ever come again?" asked mistress. "Again? Why, surely, over and over again! Are you cold?" (she shivered.) "No, dear—but—he terrifies me: are you sure that he need come again?" "The surer for the question, Clara!" replied master, cheerfully. But, he was very hopeful of her complete recovery now, and grew more and more so every day. She was beautiful. He was happy. "All goes well, Baptista?" he would say to me again. "Yes, signore, thank God; very well." We were all (said the Genoese courier, constraining himself to speak a little louder), we were all at Rome for the Carnival. I had been out, all day, with a Sicilian, a friend of mine, and a courier, who was there with an English family. As I returned at night to our hotel, I met the little Carolina, who never stirred from home alone, running distractedly along the Corso. "Carolina! What’s the matter?" "O Baptista! O, for the Lord’s sake! where is my mistress?" "Mistress, Carolina?" "Gone since morning—told me, when master went out on his day’s journey, not to call her, for she was tired with not resting in the night (having been in pain), and would lie in bed until the evening; then get up refreshed. She is gone!—she is gone! Master has come back, broken down the door, and she is gone! My beautiful, my good, my innocent mistress!" The pretty little one so cried, and raved, and tore herself that I could not have held her, but for her swooning on my arm as if she had been shot. Master came up—in manner, face, or voice, no more the master that I knew, than I was he. He took me (I laid the little one upon her bed in the hôtel, and left her with the chamber-women), in a carriage, furiously through the darkness, across the desolate Campagna. When it was day, and we stopped at a miserable posthouse, all the horses had been hired twelve hours ago, and sent away in different directions. Mark me!—iby the Signor Dellombra, who had passed there in a carriage, with a frightened English lady crouching in one corner. I never heard (said the Genoese courier, drawing a long breath) that she was ever traced beyond that spot. All I know is, that she vanished into infamous oblivion, with the dreaded face beside her that she had seen in her dream. "What do you call that?" said the German courier, triumphantly: "Ghosts! There are no ghosts there! What do you call this, that I am going to tell you? Ghosts! There are no ghosts here!" I took an engagement once (pursued the German courier) with an English gentleman, elderly and a bachelor, to travel through my country, my Fatherland. He was a merchant who traded with my country and knew the language, but who had never been there since he was a boy—as I judge, some sixty years before. His name was James, and he had a twin-brother John, also a bachelor. Between these brothers there was a great affection. They were in business together, at Goodman’s Fields, but they did not live together. Mr. James dwelt in Poland Street, turning out of Oxford Street, London. Mr. John resided by Epping Forest. Mr. James and I were to start for Germany in about a week. The exact day depended on business. Mr. John came to Poland Street (where I was staying in the house), to pass that week with Mr. James. But, he said to his brother on the second day, "I don’t feel very well, James. There’s not much the matter with me; but I think I am a little gouty. I’ll go home and put myself under the care of my old housekeeper, who understands my ways. If I get quite better, I’ll come back and see you before you go. If I don’t feel well enough to resume my visit where I leave it off, why you will come and see me before you go." Mr. James, of course, said he would, and they shook hands—both hands, as they always did—and Mr. John ordered out his old-fashioned chariot and rumbled home. It was on the second night after that—that is to say, the fourth in the week—when I was awoke out of my sound sleep by Mr. James coming into my bedroom in his flannel-gown, with a lighted candle. He sat upon the side of my bed, and looking at me, said: "Wilhelm, I have reason to think I have got some strange illness upon me." I then perceived that there was a very unusual expression in his face. "Wilhelm," said he, "I am not afraid or ashamed to tell you what I might be afraid or ashamed to tell another man. You come from a sensible country, where mysterious things are inquired into and are not settled to have been weighed and measured—or to have been unweighable and unmeasurable—or in either case to have been completely disposed of, for all time—ever so many years ago. I have just now seen the phantom of my brother." I confess (said the German courier) that it gave me a little tingling of the blood to hear it. "I have just now seen," Mr. James repeated, looking full at me, that I might see how collected he was, "the phantom of my brother John. I was sitting up in bed, unable to sleep, when it came into my room, in a white dress, and regarding me earnestly, passed up to the end of the room, glanced at some papers on my writing-desk, turned, and, still looking earnestly at me as it passed the bed, went out at the door. Now, I am not in the least mad, and am not in the least disposed to invest that phantom with any external existence out of myself. I think it is a warning to me that I am ill; and I think I had better be bled." I got out of bed directly (said the German courier) and began to get on my clothes, begging him not to be alarmed, and telling him that I would go myself to the doctor. I was just ready, when we heard a loud knocking and ringing at the street door. My room being an attic at the back, and Mr. James’s being the second-floor room in the front, we went down to his room, and put up the window, to see what was the matter. "Is that Mr. James?" said a man below, falling back to the opposite side of the way to look up. "It is," said Mr. James, "and you are my brother’s man, Robert." "Yes, sir. I am sorry to say, sir, that Mr. John is ill. He is very bad, sir. It is even feared that he may be lying at the point of death. He wants to see you, sir. I have a chaise here. Pray come to him. Pray lose no time." Mr. James and I looked at one another. "Wilhelm," said he, "this is strange. I wish you to come with me!" I helped him to dress, partly there and partly in the chaise; and no grass grew under the horses’ iron shoes between Poland Street and the Forest. Now, mind! (said the German courier) I went with Mr. James into his brother’s room, and I saw and heard myself what follows. His brother lay upon his bed, at the upper end of a long bed-chamber. His old housekeeper was there, and others were there: I think three others were there, if not four, and they had been with him since early in the afternoon. He was in white, like the figure—necessarily so, because he had his night-dress on. He looked like the figure—necessarily so, because he looked earnestly at his brother when he saw him come into the room. But, when his brother reached the bed-side, he slowly raised himself in bed, and looking full upon him, said these words: "JAMES, YOU HAVE SEEN ME BEFORE, TO-NIGHT—AND YOU KNOW IT!" And so died! I waited, when the German courier ceased, to hear something said of this strange story. The silence was unbroken. I looked round, and the five couriers were gone: so noiselessly that the ghostly mountain might have absorbed them into its eternal snows. By this time, I was by no means in a mood to sit alone in that awful scene, with the chill air coming solemnly upon me—or, if I may tell the truth, to sit alone anywhere. So I went back into the convent-parlour, and, finding the American gentleman still disposed to relate the biography of the Honourable Ananias Dodger, heard it all out. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'To Be Read at Dusk' Description An account of the resource Published in The Keepsake, Edited by Marguerite Power. Engraved by Frederick A. Heath. London: David Bogue, 1852, pp. 117-131. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Google Books, <a href="https://www.google.com/books/edition/The_Keepsake_1852_Edited_by_Miss_Power_w/icKeHrEqFxEC?hl=en&gbpv=1&bsq=read%20at%20dusk">https://www.google.com/books/edition/The_Keepsake_1852_Edited_by_Miss_Power_w/icKeHrEqFxEC?hl=en&gbpv=1&bsq=read%20at%20dusk</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1852 Rights Information about rights held in and over the resource Digitised materials on Google Books published before 1922 are in the public domain. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1852_To_Be_Read_at_Dusk Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles 'To Be Read at Dusk' (1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1852_To_Be_Read_at_Dusk">https://www.dickenssearch.com/short-stories/1852_To_Be_Read_at_Dusk</a>. Scripto Transcription A written representation of a document. One, two, three, four, five.  There were five of them. Five couriers, sitting on a bench outside the convent on the summit of the Great St. Bernard in Switzerland, looking at the remote heights, stained by the setting sun, as if a mighty quantity of red wine had been broached upon the mountain top, and had not yet had time to sink into the snow. This is not my simile. It was made for the occasion by the stoutest courier, who was a German. None of the others took any more notice of it than they took of me, sitting on another bench on the other side of the convent door, smoking my cigar, like them, and—also like them—looking at the reddened snow, and at the lonely shed hard by, where the bodies of belated travellers, dug out of it, slowly wither away, knowing no corruption in that cold region. The wine upon the mountain top soaked in as we looked; the mountain became white; the sky, a very dark blue; the wind rose; and the air turned piercing cold. The five couriers buttoned their rough coats. There being no safer man to imitate in all such proceedings than a courier, I buttoned mine. The mountain in the sunset had stopped the five couriers in a conversation. It is a sublime sight, likely to stop conversation. The mountain being now out of the sunset, they resumed. Not that I had heard any part of their previous discourse; for indeed, I had not then broken away from the American gentleman, in the travellers’ parlour of the convent, who, sitting with his face to the fire, had undertaken to realise to me the whole progress of events which had led to the accumulation by the Honourable Ananias Dodger of one of the largest acquisitions of dollars ever made in our country. "My God!" said the Swiss courier, speaking in French, which I do not hold (as some authors appear to do) to be such an all-sufficient excuse for a naughty word, that I have only to write it in that language to make it innocent; "if you talk of ghosts—" "But I don’t talk of ghosts," said the German. "Of what then?" asked the Swiss. "If I knew of what then," said the German, "I should probably know a great deal more." It was a good answer, I thought, and it made me curious. So, I moved my position to that corner of my bench which was nearest to them, and leaning my back against the convent-wall, heard perfectly, without appearing to attend. "Thunder and lightning!" said the German, warming, "when a certain man is coming to see you, unexpectedly; and, without his own knowledge, sends some invisible messenger, to put the idea of him in your head all day, what do you call that? When you walk along a crowded street—at Frankfort, Milan, London, Paris—and think that a passing stranger is like your friend Heinrich, and then that another passing stranger is like your friend Heinrich, and so begin to have a strange foreknowledge that presently you’ll meet your friend Heinrich—which you do, though you believed him at Trieste—what do you call that?" "It’s not uncommon, either," murmured the Swiss and the other three. "Uncommon!" said the German. "It’s as common as cherries in the Black Forest. It’s as common as maccaroni at Naples. And Naples reminds me! When the old Marchesa Senzanima shrieks at a card-party on the Chiaja—as I heard and saw her, for it happened in a Bavarian family of mine, and I was overlooking the service that evening—I say, when the old Marchesa starts up at the card-table, white through her rouge, and cries, 'My sister in Spain is dead! I felt her cold touch on my back!'—and when that sister is dead at the moment—what do you call that?" "Or when the blood of San Gennaro liquefies at the request of the clergy—as all the world knows that it does regularly once a-year, in my native city," said the Neapolitan courier after a pause, with a comical look, "what do you call that?" "That!" cried the German. "Well! I think I know a name for that." "Miracle?" said the Neapolitan, with the same sly face. The German merely smoked and laughed; and they all smoked and laughed. "Bah!" said the German, presently. "I speak of things that really do happen. When I want to see the conjurer, I pay to see a professed one, and have my money’s worth. Very strange things do happen without ghosts. Ghosts! Giovanni Baptista, tell your story of the English bride. There’s no ghost in that, but something full as strange. Will any man tell me what?" As there was a silence among them, I glanced around. He whom I took to be Baptista was lighting a fresh cigar. He presently went on to speak. He was a Genoese, as I judged. "The story of the English bride?" said he. "Basta! one ought not to call so slight a thing a story. Well, it’s all one. But it’s true. Observe me well, gentlemen, it’s true. That which glitters is not always gold; but what I am going to tell, is true." He repeated this more than once. <div class="gapspace"> Ten years ago, I took my credentials to an English gentleman at Long’s Hotel, in Bond Street, London, who was about to travel—it might be for one year, it might be for two. He approved of them; likewise of me. He was pleased to make inquiry. The testimony that he received was favourable. He engaged me by the six months, and my entertainment was generous.</div> He was young, handsome, very happy. He was enamoured of a fair young English lady, with a sufficient fortune, and they were going to be married. It was the wedding-trip, in short, that we were going to take. For three months’ rest in the hot weather (it was early summer then) he had hired an old place on the Riviera, at an easy distance from my city, Genoa, on the road to Nice. Did I know that place? Yes; I told him I knew it well. It was an old palace, with great gardens. It was a little bare, and it was a little dark and gloomy, being close surrounded by trees; but it was spacious, ancient, grand, and on the sea shore. He said it had been so described to him exactly, and he was well pleased that I knew it. For its being a little bare of furniture, all such places were. For its being a little gloomy, he had hired it principally for the gardens, and he and my mistress would pass the summer weather in their shade. "So all goes well, Baptista?" said he. "Indubitably, signor; very well." We had a travelling chariot for our journey, newly built for us, and in all respects complete. All we had was complete; we wanted for nothing. The marriage took place. They were happy. I was happy, seeing all so bright, being so well situated, going to my own city, teaching my language in the rumble to the maid, la bella Carolina, whose heart was gay with laughter: who was young and rosy. The time flew. But I observed—listen to this, I pray! (and here the courier dropped his voice)—I observed my mistress sometimes brooding in a manner very strange; in a frightened manner; in an unhappy manner; with a cloudy, uncertain alarm upon her. I think that I began to notice this when I was walking up hills by the carriage side, and master had gone on in front. At any rate, I remember that it impressed itself upon my mind one evening in the South of France, when she called to me to call master back; and when he came back, and walked for a long way, talking encouragingly and affectionately to her, with his hand upon the open window, and hers in it. Now and then, he laughed in a merry way, as if he were bantering her out of something. By and by, she laughed, and then all went well again. It was curious. I asked la bella Carolina, the pretty little one, Was mistress unwell?—No. Out of spirits?—No. Fearful of bad roads, or brigands?—No. And what made it more mysterious was, the pretty little one would not look at me in giving answer, but would look at the view. But, one day she told me the secret. "If you must know," said Carolina, "I find, from what I have overheard, that mistress is haunted." "How haunted?" "By a dream." "What dream?" "By a dream of a face. For three nights before her marriage, she saw a face in a dream—always the same face, and only One." "A terrible face?" "No. The face of a dark, remarkable-looking man, in black, with black hair and a grey moustache—a handsome man except for a reserved and secret air. Not a face she ever saw, or at all like a face she ever saw. Doing nothing in the dream but looking at her fixedly, out of darkness." "Does the dream come back?" "Never. The recollection of it is all her trouble." "And why does it trouble her?" Carolina shook her head. "That’s master’s question," said la bella. "She don’t know. She wonders why, herself. But I heard her tell him, only last night, that if she was to find a picture of that face in our Italian house (which she is afraid she will) she did not know how she could ever bear it." Upon my word I was fearful after this (said the Genoese courier) of our coming to the old palazzo, lest some such ill-starred picture should happen to be there. I knew there were many there; and, as we got nearer and nearer to the place, I wished the whole gallery in the crater of Vesuvius. To mend the matter, it was a stormy dismal evening when we, at last, approached that part of the Riviera. It thundered; and the thunder of my city and its environs, rolling among the high hills, is very loud. The lizards ran in and out of the chinks in the broken stone wall of the garden, as if they were frightened; the frogs bubbled and croaked their loudest; the sea-wind moaned, and the wet trees dripped; and the lightning—body of San Lorenzo, how it lightened! We all know what an old palace in or near Genoa is—how time and the sea air have blotted it—how the drapery painted on the outer walls has peeled off in great flakes of plaster—how the lower windows are darkened with rusty bars of iron—how the courtyard is overgrown with grass—how the outer buildings are dilapidated—how the whole pile seems devoted to ruin. Our palazzo was one of the true kind. It had been shut up close for months. Months?—years! It had an earthy smell, like a tomb. The scent of the orange-trees on the broad back terrace, and of the lemons ripening on the wall, and of some shrubs that grew around a broken fountain, had got into the house somehow, and had never been able to get out again. There it was, in every room, an aged smell, grown faint with confinement. It pined in all the cupboards and drawers. In the little rooms of communication between great rooms, it was stifling. If you turned a picture—to come back to the pictures—there it still was, clinging to the wall behind the frame, like a sort of bat. The lattice-blinds were close shut, all over the house. There were two ugly grey old women in the house, to take care of it; one of them with a spindle, who stood winding and mumbling in the doorway, and who would as soon have let in the devil as the air. Master, mistress, la bella Carolina, and I, went all through the palazzo. I went first, though I have named myself last, opening the windows and the lattice-blinds, and shaking down on myself splashes of rain, and scraps of mortar, and now and then a dozing mosquito, or a monstrous, fat, blotchy, Genoese spider. When I had let the evening light into a room, master, mistress, and la bella Carolina, entered. Then, we looked round at all the pictures, and I went forward again into another room. Mistress secretly had great fear of meeting with the likeness of that face—we all had; but there was no such thing. The Madonna and Bambino, San Francisco, San Sebastiano, Venus, Santa Caterina, Angels, Brigands, Friars, Temples at Sunset, Battles, White Horses, Forests, Apostles, Doges, all my old acquaintances many times repeated?—yes. Dark handsome man in black, reserved and secret, with black hair and grey moustache, looking fixedly at mistress out of darkness?—no. At last we got through all the rooms and all the pictures, and came out into the gardens. They were pretty well kept, being rented by a gardener, and were large and shady. In one place there was a rustic theatre, open to the sky; the stage a green slope; the coulisses, three entrances upon a side, sweet-smelling leafy screens. Mistress moved her bright eyes, even there, as if she looked to see the face come in upon the scene: but all was well. "Now, Clara," master said, in a low voice, "you see that it is nothing? You are happy." Mistress was much encouraged. She soon accustomed herself to that grim palazzo, and would sing, and play the harp, and copy the old pictures, and stroll with master under the green trees and vines, all day. She was beautiful. He was happy. He would laugh and say to me, mounting his horse for his morning ride before the heat: "All goes well, Baptista!" "Yes, signore, thank God, very well." We kept no company. I took la bella to the Duomo and Annunciata, to the Café, to the Opera, to the village Festa, to the Public Garden, to the Day Theatre, to the Marionetti. The pretty little one was charmed with all she saw. She learnt Italian—heavens! miraculously! Was mistress quite forgetful of that dream? I asked Carolina sometimes. Nearly, said la bella—almost. It was wearing out. One day master received a letter, and called me. "Baptista!" "Signore." "A gentleman who is presented to me will dine here to day. He is called the Signor Dellombra. Let me dine like a prince.’ It was an odd name. I did not know that name. But, there had been many noblemen and gentlemen pursued by Austria on political suspicions, lately, and some names had changed.  Perhaps this was one. Altro! Dellombra was as good a name to me as another. When the Signor Dellombra came to dinner (said the Genoese courier in the low voice, into which he had subsided once before), I showed him into the reception-room, the great sala of the old palazzo. Master received him with cordiality, and presented him to mistress. As she rose, her face changed, she gave a cry, and fell upon the marble floor. Then, I turned my head to the Signor Dellombra, and saw that he was dressed in black, and had a reserved and secret air, and was a dark, remarkable-looking man, with black hair and a grey moustache. Master raised mistress in his arms, and carried her to her own room, where I sent la bella Carolina straight. La bella told me afterwards that mistress was nearly terrified to death, and that she wandered in her mind about her dream, all night. Master was vexed and anxious—almost angry, and yet full of solicitude. The Signor Dellombra was a courtly gentleman, and spoke with great respect and sympathy of mistress’s being so ill. The African wind had been blowing for some days (they had told him at his hôtel of the Maltese Cross), and he knew that it was often hurtful. He hoped the beautiful lady would recover soon. He begged permission to retire, and to renew his visit when he should have the happiness of hearing that she was better. Master would not allow of this, and they dined alone. He withdrew early. Next day he called at the gate, on horseback, to inquire for mistress. He did so two or three times in that week. What I observed myself, and what la bella Carolina told me, united to explain to me that master had now set his mind on curing mistress of her fanciful terror. He was all kindness, but he was sensible and firm. He reasoned with her, that to encourage such fancies was to invite melancholy, if not madness. That it rested with herself to be herself. That if she once resisted her strange weakness, so successfully as to receive the Signor Dellombra as an English lady would receive any other guest, it was for ever conquered. To make an end, the Signor came again, and mistress received him without marked distress (though with constraint and apprehension still), and the evening passed serenely. Master was so delighted with this change, and so anxious to confirm it, that the Signor Dellombra became a constant guest. He was accomplished in pictures, books, and music; and his society, in any grim palazzo, would have been welcome. I used to notice, many times, that mistress was not quite recovered. She would cast down her eyes and droop her head, before the Signor Dellombra, or would look at him with a terrified and fascinated glance, as if his presence had some evil influence or power upon her. Turning from her to him, I used to see him in the shaded gardens, or the large half-lighted sala, looking, as I might say, "fixedly upon her out of darkness." But, truly, I had not forgotten la bella Carolina’s words describing the face in the dream. After his second visit I heard master say: "Now, see, my dear Clara, it’s over! Dellombra has come and gone, and your apprehension is broken like glass." "Will he—will he ever come again?" asked mistress. "Again? Why, surely, over and over again! Are you cold?" (she shivered.) "No, dear—but—he terrifies me: are you sure that he need come again?" "The surer for the question, Clara!" replied master, cheerfully. But, he was very hopeful of her complete recovery now, and grew more and more so every day. She was beautiful. He was happy. "All goes well, Baptista?" he would say to me again. "Yes, signore, thank God; very well." We were all (said the Genoese courier, constraining himself to speak a little louder), we were all at Rome for the Carnival. I had been out, all day, with a Sicilian, a friend of mine, and a courier, who was there with an English family. As I returned at night to our hotel, I met the little Carolina, who never stirred from home alone, running distractedly along the Corso. "Carolina! What’s the matter?" "O Baptista! O, for the Lord’s sake! where is my mistress?" "Mistress, Carolina?" "Gone since morning—told me, when master went out on his day’s journey, not to call her, for she was tired with not resting in the night (having been in pain), and would lie in bed until the evening; then get up refreshed. She is gone!—she is gone! Master has come back, broken down the door, and she is gone! My beautiful, my good, my innocent mistress!" The pretty little one so cried, and raved, and tore herself that I could not have held her, but for her swooning on my arm as if she had been shot. Master came up—in manner, face, or voice, no more the master that I knew, than I was he. He took me (I laid the little one upon her bed in the hôtel, and left her with the chamber-women), in a carriage, furiously through the darkness, across the desolate Campagna. When it was day, and we stopped at a miserable posthouse, all the horses had been hired twelve hours ago, and sent away in different directions. Mark me!—iby the Signor Dellombra, who had passed there in a carriage, with a frightened English lady crouching in one corner. I never heard (said the Genoese courier, drawing a long breath) that she was ever traced beyond that spot. All I know is, that she vanished into infamous oblivion, with the dreaded face beside her that she had seen in her dream. <div class="gapspace"> "What do you call that?" said the German courier, triumphantly:  "Ghosts! There are no ghosts there! What do you call this, that I am going to tell you? Ghosts! There are no ghosts here!" I took an engagement once (pursued the German courier) with an English gentleman, elderly and a bachelor, to travel through my country, my Fatherland. He was a merchant who traded with my country and knew the language, but who had never been there since he was a boy—as I judge, some sixty years before.</div> His name was James, and he had a twin-brother John, also a bachelor. Between these brothers there was a great affection. They were in business together, at Goodman’s Fields, but they did not live together. Mr. James dwelt in Poland Street, turning out of Oxford Street, London. Mr. John resided by Epping Forest. Mr. James and I were to start for Germany in about a week. The exact day depended on business. Mr. John came to Poland Street (where I was staying in the house), to pass that week with Mr. James. But, he said to his brother on the second day, "I don’t feel very well, James. There’s not much the matter with me; but I think I am a little gouty. I’ll go home and put myself under the care of my old housekeeper, who understands my ways. If I get quite better, I’ll come back and see you before you go. If I don’t feel well enough to resume my visit where I leave it off, why you will come and see me before you go." Mr. James, of course, said he would, and they shook hands—both hands, as they always did—and Mr. John ordered out his old-fashioned chariot and rumbled home. It was on the second night after that—that is to say, the fourth in the week—when I was awoke out of my sound sleep by Mr. James coming into my bedroom in his flannel-gown, with a lighted candle. He sat upon the side of my bed, and looking at me, said: "Wilhelm, I have reason to think I have got some strange illness upon me." I then perceived that there was a very unusual expression in his face. "Wilhelm," said he, "I am not afraid or ashamed to tell you what I might be afraid or ashamed to tell another man. You come from a sensible country, where mysterious things are inquired into and are not settled to have been weighed and measured—or to have been unweighable and unmeasurable—or in either case to have been completely disposed of, for all time—ever so many years ago. I have just now seen the phantom of my brother." I confess (said the German courier) that it gave me a little tingling of the blood to hear it. "I have just now seen," Mr. James repeated, looking full at me, that I might see how collected he was, "the phantom of my brother John. I was sitting up in bed, unable to sleep, when it came into my room, in a white dress, and regarding me earnestly, passed up to the end of the room, glanced at some papers on my writing-desk, turned, and, still looking earnestly at me as it passed the bed, went out at the door. Now, I am not in the least mad, and am not in the least disposed to invest that phantom with any external existence out of myself. I think it is a warning to me that I am ill; and I think I had better be bled." I got out of bed directly (said the German courier) and began to get on my clothes, begging him not to be alarmed, and telling him that I would go myself to the doctor. I was just ready, when we heard a loud knocking and ringing at the street door. My room being an attic at the back, and Mr. James’s being the second-floor room in the front, we went down to his room, and put up the window, to see what was the matter. "Is that Mr. James?" said a man below, falling back to the opposite side of the way to look up. "It is," said Mr. James, "and you are my brother’s man, Robert." "Yes, sir. I am sorry to say, sir, that Mr. John is ill.  He is very bad, sir. It is even feared that he may be lying at the point of death. He wants to see you, sir. I have a chaise here. Pray come to him. Pray lose no time." Mr. James and I looked at one another. "Wilhelm," said he, "this is strange.  I wish you to come with me!" I helped him to dress, partly there and partly in the chaise; and no grass grew under the horses’ iron shoes between Poland Street and the Forest. Now, mind! (said the German courier) I went with Mr. James into his brother’s room, and I saw and heard myself what follows. His brother lay upon his bed, at the upper end of a long bed-chamber. His old housekeeper was there, and others were there: I think three others were there, if not four, and they had been with him since early in the afternoon. He was in white, like the figure—necessarily so, because he had his night-dress on. He looked like the figure—necessarily so, because he looked earnestly at his brother when he saw him come into the room. But, when his brother reached the bed-side, he slowly raised himself in bed, and looking full upon him, said these words: "JAMES, YOU HAVE SEEN ME BEFORE, TO-NIGHT—AND YOU KNOW IT!" And so died! <div class="gapspace">I waited, when the German courier ceased, to hear something said of this strange story. The silence was unbroken. I looked round, and the five couriers were gone: so noiselessly that the ghostly mountain might have absorbed them into its eternal snows. By this time, I was by no means in a mood to sit alone in that awful scene, with the chill air coming solemnly upon me—or, if I may tell the truth, to sit alone anywhere. So I went back into the convent-parlour, and, finding the American gentleman still disposed to relate the biography of the Honourable Ananias Dodger, heard it all out.</div> https://www.dickenssearch.com/files/original/Manchester_Free_Library_[founded_1852]/m51802.jpg 716e56cc19ca6a53caf41c7e4bcc7583 Place Location The location Manchester Venue Where the speech was given Manchester Free Library Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manchester Free Library (founded 1852) Identifier An unambiguous reference to the resource within a given context place-manchester-free-library Date A point or period of time associated with an event in the lifecycle of the resource 1852 manchester Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He approached the next task, he said, with much the same feelings as an ex-Lord Mayor contemplated a Lord Mayor in full glory, as he could not but remember that he had once occupied the exceedingly dignified, but, if his memory served him, somewhat uncomfortable post of honour, the Chair. He might be allowed, however, to congratulate the newsvendors present on the happy accident of their pursuing their avocations in the capital of a country which gave its name to the house in which they were then assembled rather than in the capital of a neighbouring country which should be nameless. He had been told, that in the very improbable event of any one of the tightly muzzled newspapers opening its lips by any extraordinary effort, it was the intention of the paternal Government there immediately to hamstring all the newsmen. It was felt, as he had learnt on the best authority, that in having been every day the dispensers of free speech, they had rendered themselves obnoxious to the ‘cause of order’, and that ‘perfect liberty and freedom’ (by which was to be understood, of course, perfect liberty to destroy liberty) could not possibly exist as long as the newsvendors continued to run about. Not being so embarrassed themselves, however, he might perhaps be permitted to congratulate them on three grounds. In the first place, on the reappearance of their society in public. He thought it a very important thing that lights of this nature should not be hidden under bushels; but that they should sometimes shine in a cheerful atmosphere, like the present, to remind their friends that they were burning steadily. It was really important that the friends and patrons of the society should have such opportunities of meeting together, not only to encourage and stimulate one another, but to remind the public also of its modest existence, and of its very moderate appeal in behalf of a most trustworthy, useful, punctual, and reliable class of servants. In the second place he must say that, while sitting there, it had been particularly pleasant to him to observe that so small a company contained so many gentlemen who were distinguished at that fountain-head whose waters were, by the agency of the news-vendors, dispensed to all England. It was a good and right thing that the great popular artist of the time, whose humour was so delicate, so nice, and so discriminating, and whose peneil like his observation was so graceful and so informed with the sense of beauty that it was mere disparagement to call his works ‘caricatures’, should be there tonight in the person of Mr. Leech. Passing over some other friends, whom he saw both on his right hand and his left, and who very fitly and properly represented the graces of our periodical literature, it was good also that they have a separate representation of that weekly picture of the age, that weekly necessary of life with which Mr. Leech was inseparably connected – of course he meant Punch –  in the person of its editor, Mr. Lemon. It was equally gratifying and appropriate that they should have their antiquarian literature, curious research, and various knowledge, represented by Mr. Peter Cunningham; publishing enterprise, liberality, and a great deal more by Mr. Charles Knight; and printing enterprise and success on a great scale by Mr. Evans and Mr. Whiting. It was so fitting that those gentlemen should be there, and their presence seemed to be inclusive of so much, and to be such a good testimony to the worth and vigour of the institution, that he could scarcely have felt disposed to congratulate them more if they had had representatives among them from the whole public, beginning with the young gentleman at the head of the third column of The Times, who for some years past had been conjured to return to his disconsolate parents, but had never yet however had time to do so, and ending with the wonderful man who lived somewhere over at Kennington, who was still engaged in gauging the rain and measuring the wind: if they were represented, he could not congratulate them more.  Thirdly, and lastly, he congratulated them upon their chairman, of whom he would say in reference to his usefulness there that night, that no man could possibly descend from his station to be useful. However exalted his station he must ascend from it to be useful to mankind; and this was one of the greatest principles and greatest truths of the greatest history with which mankind was acquainted. On this occasion he proposed the health of their chairman with peculiar pleasure. He did so not only because of his admirable discharge of the duties of his office and his forcible exposition of the claims of their order and institution, but because he recognized in his being asked to fill the position of chairman, a peculiar significance which was most creditable to the society. It was a proof to him that they were resolved that their chairman on these occasions should mean something – that they were not disposed to look out for the commonplace aid of a mere title or a mere signpost; but that, remembering their calling, they desired to place in their Chair a worthy representative of the journals of England. Therefore it was that they had elected for their chairman a gentleman who was the editor of one of the most able, original, useful, upright, and honourable journals in the world. In doing this they had done wisely and well, and he would venture to predict that if they were always as true to themselves the public would certainly be true to them. Besides the paramount claim of the chairman on their respect, at which he had already glanced, he might add that in his earliest work Mr. Forster was the fearless historian of freedom, and the plain speaker of plain truths long industriously concealed in mere moonshine and mystification, while in his latest works he had been the gallant champion of the dignity of literature and its common cause with the people against sordid patrons, hard taskmasters, empty headed noodles, and every description of froth and foppery that could possibly surround them. He begged to propose the health of the chairman. Location The location London Venue Where the speech was given Albion Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520127 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Newsvendors' Benevolent Institution Second Anniversary Dinner Description An account of the resource Speech at the Newsvendors' Benevolent Institution Second Anniversary Dinner (27 January 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-01-27 Identifier An unambiguous reference to the resource within a given context 1852-01-27_Speech_Newsvendors-Benevolent-Institution-Second-Anniversary-Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Newsvendors' Benevolent Institution Second Anniversary Dinner' (27 January 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-01-27_Speech_Newsvendors-Benevolent-Institution-Second-Anniversary-Dinner">https://dickenssearch.com/speeches/1852-01-27_Speech_Newsvendors-Benevolent-Institution-Second-Anniversary-Dinner</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He could assure them, he said, that he really was not using a common form of words, but was honestly expressing the feeling at the moment when he avowed himself at some loss, both to think the company for their hearty greeting, and to thank his generous friend in the Chair for the terms in which he had referred to him. Sir Anthony Absolute was of the opinion that in love of affairs it was best to begin with a little aversion; and if he (Mr. Dickens) could only have started with a little coldness on the part of his friend in the Chair, or even a moderate warmth on the part of the audience, it was quite unknown into what an admirable speech he should have presently soared. But a tribute so noble, and a welcome so cordial, he found to be very bad preparations indeed for such an achievement. Before referring to the Fund, which is the main object of interest with all of them my evening, he would take leave to say that he was exceedingly glad that his friend, the chairman, it happened to allude to him, and that company, in his Stage-Managerial capacity; because he did particularly desire to express his conviction in such a company, of all others, that the dramatic profession was very ill served by some misjudging friends, when they supposed that it could possibly be injured by, or could possibly regard with anything like resentment or jealousy, Amateur Theatricals. He had, for a brief space, assumed the functions of an amateur manager and actor, in furtherance of a cause in which his warmest sympathies and aspirations were (like those of his friend in the Chair) enlisted; and to represent that the stage could possibly be injured, or could fairly claim any right to consider itself injured by such performances was to exclude it from the liberal position assumed in such wise by every other liberal art. And literature there were received, freely, and, without cavil, amateurs of all kinds: physicians, lawyers, officers of the army and navy, merchants’ clerks who travelled and saw strange countries, lords and ladies of various degrees, – anybody who had anything to say, and possibly, now, and then, somebody had nothing to say. Through the whole of the last season, a gallery was opened in Pall Mall for the exhibition of pictures of amateur artists; he never heard that the members of the Royal Academy were much aggrieved by the circumstance, or very desperately alarmed by its public patronage, and success. So, in music: he believed it was generally acknowledged that some excellent lessons have been given to the public and the profession by the knowledge and patience of amateurs in chorus singing, and that the production of some of the most admired works of the old masters were due to the exertions of amateurs, without the least injury to the regular professors of the art. The liberal and generous feeling which thus distinguished other kindred arts, surely was to be claimed for the stage, as its just characteristic too; and could not be better claimed for it than at the anniversary celebration of its most comprehensive and its least restricted institution. With reference to the General Theatrical Fund, he had been so often before them as one of the Trustees, that he found it very difficult to say anything relative to it which he had not said before, or which they did not know as well as himself. Independently of the fact that their Fund had been established seven years, and that their position was improving every time they met, the eloquence of their chairman in proposing the toast of the evening, and their Treasurer’s admirable acknowledgement of it, had completely exhausted the subject, and he now stood before them a bankrupt Trustee without a leg to stand upon. If he could only have found one good vice in the management, he would have been well set up in business for the evening, and might have remained in a perfectly self-satisfied condition until next year. If, for instance, he could only have complained that the institution was expensively managed, that there was nobody connected with the management, who had any sympathy with the unfortunate members of the Dramatic profession: that none of them had had any experience of the habits or struggles of poor actors; if hr could only have said that the Treasurer was a stern, austere man, altogether a hard-favoured person, severe of countenance and very difficult to approach; or if he could have said that the institution was exclusive in its nature, one that required candidates for admission to its benefits to have complied with some trifling condition – reasonable, but not easy, such as having held an engagement for two or three consecutive years in the moon, or having appeared in Sir Edward Lytton’s Money two or three hundred nights before the Esquimaux – if he could have found any such trifling ground of complaint, he would have been at no loss for a topic. But, whereas in the General Theatrical Fund, the local comedian was not expected to have fulfilled those consecutive engagements in the moon; the tragedian was not expected to have played Evelyn two or three hundred consecutive nights in the icy regions of the North; Fenella, the sister of Masaniello, was not refused relief because she was only a dancer, nor Masaniello himself because he was only a singer. He had nothing left to say in lieu of that great speech he might, and indisputably would, under these happiest circumstances have made, but that he wanted a grievance. Indeed, he was so utterly utter loss for a grievance that he had had serious thoughts of abandoning these festivals altogether, and taking to attending those banquets which he sometimes saw advertised to take place in the neighbourhood of Freemasons’ Hall, where he was informed that he could find all these causes of complaint ready made to his hand. Like his friend, Mr. Buckstone, however, he did not wish to indulge in any unkind expressions towards the other theatrical funds, some old and esteemed friends of his were connected with them, and as he would wish to make them also the friends of this institution. What he would suggest, afar off, was that these Funds should make some change in their constitutions adopted to the altered times, and he thought there was nothing so likely to reconcile all differences, and to do so much good to all parties, as a happy marriage. All he would say in his official position was that the General Theatrical Fund was progressing steadily, that they had not the slightest difficulty to state to that company, and that the institution was steadily and gallantly supported by the members of the profession. All who had the least theatrical experience must know how necessary it was to any play, in order to ensure success, that it should possess some female interest. No institution could succeed that was not backed by that influence; and, therefore, it was with great pleasure that he learned from their worthy Secretary that a large portion of the subscribers consisted of the gentler sex. Nor were they wanting there, to shed on the assembly a grace which nothing else could give to it; for whether he looked before or behind him (and here he might be allowed to say that he almost regretted, to occupy one of the posts of honour, and wished he was situated among some of his friends in a more private situation at the side of the room) –, he met with nothing but beaming faces, encouraging and gentle looks. On the part of his brother Trustees, and on his own behalf, he begged to acknowledge the toast with many thanks; and he begged to assure those present that they need not be in the least afraid, that evening, of troubling the Treasurer or the Trustees by swelling their contributions and support of the fund to any inconvenient amount; for they were perfectly ready to bear, with the utmost cheerfulness, the heaviest total with which they might think fit to burden them. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520405 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Theatrical Fund Anniversary Festival 1852 Description An account of the resource Speech at the General Theatrical Fund Anniversary Festival (5 April 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-04-05 Identifier An unambiguous reference to the resource within a given context 1852-05-04_Speech_General-Theatrical-Fund-Anniversary-Festival-1852 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the General Theatrical Fund Anniversary Festival' (5 April 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-05-04_Speech_General-Theatrical-Fund-Anniversary-Festival-1852">https://dickenssearch.com/speeches/1852-05-04_Speech_General-Theatrical-Fund-Anniversary-Festival-1852</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. On being requested to take the Chair, he said, he had in the first instance declined, on the ground that they had met to discuss what was a bookseller's question, and not an author's question. But further consideration suggested that he might, as being necessarily impartial in a contention between different classes of booksellers and publishers. He was, on principle, most strongly opposed to any system, in any commercial direction, of exclusion or restriction. He held that every man, whatever his calling, must be left to the fair and free exercise of his own honest thrift and enterprise. Holding that he was there tonight to make a protest against a particular system of restriction, and he trusted that a satisfactory result would be obtained. Location The location London Venue Where the speech was given 142 Strand Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520504 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meeting for the Removal of Trade Restrictions on the Commerce of Literature Description An account of the resource Speech at the Meeting for the Removal of Trade Restrictions on the Commerce of Literature (4 May 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-05-04 Identifier An unambiguous reference to the resource within a given context 1852-05-04_Speech_Meeting-for-the-Removal-of-Trade-Restrictions Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Meeting for the Removal of Trade Restrictions on the Commerce of Literature' (4 May 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-05-04_Speech_Meeting-for-the-Removal-of-Trade-Restrictions">https://dickenssearch.com/speeches/1852-05-04_Speech_Meeting-for-the-Removal-of-Trade-Restrictions</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He begged most unaffectedly and heartily to thank the company for the honour they had done him; but looking to the other toasts upon the list, he would at once proceed to say that it was important to all such charities to have the aid of efficient honorary officers who, not merely under the excitement of an occasional festival, but at all times, were prepared to do them service. Among such officers none were more important than the Vice-Presidents, and he had much pleasure in proposing their health.   His office, he said, had compelled him to burst into bloom so often that he could wish there were a closer parallel between himself and the American Aloe. It was particularly agreeable and appropriate to know that the parents of the institution were to be found in the seed and nursery trade. And the seed having yielded such good fruit, and the nursery having produced such a healthy child, I have the greatest pleasure in proposing the health of ‘The Nursery and Seed business – the Parents of the Institution’, and to couple with the toast the name of Mr. James Thompson.  His observation of the signboards of this country, he said, had taught him that its conventional gardeners were always jolly, and always three in number.  Whether that conventionality had any reference to the three Graces, or to those very significant letters £., s., d., he did not know. Those mystic letters were, how-ever, very important, and no society could have officers of more importance than its Treasurers, nor could it possibly give them too much to do.   Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520614 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The first toast which our duty and our inclination alike prompt us to give, is the health of Her Majesty the Queen. Her Majesty often breathes the morning air in gardens; and it is not hard to imagine that there may be occasions when the results of the plain wood and iron spade, without the palace, may afford her a more agreeable relief from the cares of state than the gold and silver within. That Her Majesty has an interest in gardens we may venture to assume; and that she has a special interest in gardeners we know, in the most acceptable manner, by her having presented this institution with the sum of fifty pounds. When my friend, the late Reverend Sydney Smith was taking leave of a friend going to New Zealand, he whimsically wished that he might disagree with any cannibal who might chance to eat him ; and although myself of a pacific disposition, I should like to disagree with any foreign gentlemen who would take away my personal liberty; and I should be disposed to differ with any foreign prince, potentate, or peasant who might venture to take any liberty with my liberty. Hence, gentlemen, I always hold in great respect our Army and Navy, and not least when it is by no means inappropriate to remember that no agriculture, no commerce, no art, could long be pursued if England were unable to defend herself, to repel invasion, and to make her name, as it ought to be, a name of fear to the tyrants of the world. I beg to give you 'The Army and Navy', and to couple with that toast the name of Captain Wrench. Gentlemen, I have to offer you a toast which expresses our interest in the institution in whose behalf we are met together. I feel in reference to the institution something like a counsel for the plaintiff with nobody on the other side; but even if it had existed instead of three times three, ninety times nine years, I should still feel it my duty to trouble you with a few facts from the very short brief which has been entrusted to me, for that desperate gardener, Old Time, does so transplant and remove, as to warrant the supposition that there are always some to whom it may be desirable to state the merits of the case. The institution was founded in the year 1838; and for the first few years of its existence seems not to have been particularly robust, and to have been placed in rather a shaded position, receiving somewhat more than its needful allowance of cold water. In 1848 it was removed into a more genial situation, and grafted on to a better managerial stock where it began to blossom; and it has now borne fruit and become such a vigorous tree that, at present, thirty-five old people daily sit within the shelter of its friendly branches. It is to be observed of this institution, unlike some older and more renowned, that what it is in name it is in effect. The class for whose benefit it purports to have been devised has its full and entire advantage. All the pensioners upon the list have been veritable gardeners, or the wives of gardeners. It is managed by gardeners, and besides having upon its books this excellent rule: ‘That gardeners who have contributed to the funds of the charity for fifteen years, and who from old age or misfortune become destitute, have claims upon this institution in preference to those who have never subscribed to it’, I observe that every subscriber may be placed upon the pension list, if he will, without election, without canvass, without solicitation and as his independent right. I lay great stress upon this, because I hold that the man principle of every society such as this should be, in the first place, to help those who have helped themselves and helped others; and, secondly, to merge all considerations of its own importance in the sacred duty of relieving such persons when they fall into affliction, with the utmost possible delicacy, and without the least chance of carrying a pang to their hearts, or bringing a blush to their cheeks. That the society's pensioners do not become such as long as they are reasonably able to toil is evinced by the significant fact that the average age of the present pensioners is 77. That they are not waste-fully relieved is shown by the fact that the whole sum expended for their relief does not exceed five hundred pounds a year; that no narrow confines of locality are favoured in the selection will be clear when I assure you that pensioners are to be found in every part of the country, east, west, north, and south. That the expenses of the society are not disproportionate to the society's income is proved by their being all defrayed out of the annual subscriptions, while the sum at present in hand is £2,700, and we mean to make it up to three thousand at least. Such is the institution which appeals to you through me as a most unworthy advocate for sympathy and support. That it has not addressed itself in vain to the employers is evident from its having for its President a nobleman whose whole possessions are remarkable for taste and beauty, and whose gardener's laurels are famous throughout the world. And I notice with great pleasure, on the list of Vice-Presidents, the names of many noblemen and gentlemen of great influence and station. I am particularly struck in glancing through the pages of this little book, with the number of nurserymen and seedsmen who have contributed, and the handsome sums written against their names. It is a very worthy example. The gardeners also muster very strong, and I do hope the day will come when no one will be left out, but every decent gardener in England will feel that this society is a part of his calling, and though he may never want its aid, that it is his duty to belong to it for the sake of others who may. The gardener particularly needs such help as this society affords. His gains are not great; he often knows gold and silver better as the colours of fruit and flowers, than by their presence in his pockets; and it is easy to see how his exposure to changes of weather may render him peculiarly liable to sickness and infirmity. A gardener, of all men, should particularly appreciate the worth of such a society as this, for his continual observance of the changing seasons and declining days may well suggest to him the decline of life, and that it is a dictate both of worldly prudence and Christian kindness to provide for it. Finally, to all here who are gardeners, and to all here who are not gardeners, except as we all trace our descent in a direct line from the first ‘gardener Adam and his wife’, this institution forcibly appeals. The universality of the gardener's calling is one of its greatest characteristics. If any improvement be made in Her Majesty's garden, or in that of his Grace or my Lord, it is very soon transferred even to the costermonger. In the culture of flowers there cannot, by their very nature, be anything solitary or exclusive. The wind that blows over the cottager's patch sweeps also over the grounds of the nobleman; and as the rain descends on the just and the unjust, so it communicates to all gardeners, both rich and poor, an interchange of pleasure and enjoyment; and the gardener of the rich man, in developing and enhancing a fruitful flower of a delightful scent is, in some part, the gardener of everybody else. Flowers are the best picture books I know; and whenever I see them lying open at the labourer's door, I can always read in them that he is a better and happier man. It is not too much to say that the gardener is essential to all of us. The love of gardening is associated with all countries and all periods of time. The scholar and the statesman, men of peace and men of war, have agreed in all ages to delight in gardens. The most ancient people of the earth had gardens where there are now nothing but solitary heaps of earth. The younger ancients had crowns of flowers. In China hundreds of acres were employed in gardens. When we travel by our railways we see the weaver striving for a scrap of garden, the poor man wrestling with smoke for a little bower of scarlet runners; and those who have no ground of their own will carry on their gardens in jugs and basins. In factories and workshops, people garden; and even the prisoner is found gardening, in his lonely cell, after years and years of solitary confinement. Of the exponents of a language so universal as this, surely it then is not too much to say that the gardener who produces shapes and objects so lovely and so comforting should have some hold upon the world's remembrance when he himself becomes in need of comfort? And so then, coming at last to three times three cheers for three times three years, I will call upon you to drink ‘Prosperity to the Gardeners' Benevolent Institution’, and I beg to couple with that toast the name of its President, the Duke of Devonshire, whose worth is written in all his deeds, and who has communicated to his title and his riches a lustre which no title and riches could confer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gardeners' Benevolent Institution Anniversary Festival 1852 Description An account of the resource Speech at the Gardeners' Benevolent Institution Anniversary Festival (14 June 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-06-14 Identifier An unambiguous reference to the resource within a given context 1852-06-14_Speech_Gardeners-Benevolent-Institution-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Gardeners' Benevolent Institution Anniversary Festival' (14 June 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-06-14_Speech_Gardeners-Benevolent-Institution-Anniversary-Festival">https://dickenssearch.com/speeches/1852-06-14_Speech_Gardeners-Benevolent-Institution-Anniversary-Festival</a>. Scripto Transcription A written representation of a document. The first toast which our duty and our inclination alike prompt us to give, is the health of Her Majesty the Queen. Her Majesty often breathes the morning air in gardens; and it is not hard to imagine that there may be occasions when the results of the plain wood and iron spade, without the palace, may afford her a more agreeable relief from the cares of state than the gold and silver within. That Her Majesty has an interest in gardens we may venture to assume; and that she has a special interest in gardeners we know, in the most acceptable manner, by her having presented this institution with the sum of fifty pounds. When my friend, the late Reverend Sydney Smith was taking leave of a friend going to New Zealand, he whimsically wished that he might disagree with any cannibal who might chance to eat him ; and although myself of a pacific disposition, I should like to disagree with any foreign gentlemen who would take away my personal liberty; and I should be disposed to differ with any foreign prince, potentate, or peasant who might venture to take any liberty with my liberty. Hence, gentlemen, I always hold in great respect our Army and Navy, and not least when it is by no means inappropriate to remember that no agriculture, no commerce, no art, could long be pursued if England were unable to defend herself, to repel invasion, and to make her name, as it ought to be, a name of fear to the tyrants of the world. I beg to give you 'The Army and Navy', and to couple with that toast the name of Captain Wrench. Gentlemen, I have to offer you a toast which expresses our interest in the institution in whose behalf we are met together. I feel in reference to the institution something like a counsel for the plaintiff with nobody on the other side; but even if it had existed instead of three times three, ninety times nine years, I should still feel it my duty to trouble you with a few facts from the very short brief which has been entrusted to me, for that desperate gardener, Old Time, does so transplant and remove, as to warrant the supposition that there are always some to whom it may be desirable to state the merits of the case. The institution was founded in the year 1838; and for the first few years of its existence seems not to have been particularly robust, and to have been placed in rather a shaded position, receiving somewhat more than its needful allowance of cold water. In 1848 it was removed into a more genial situation, and grafted on to a better managerial stock where it began to blossom; and it has now borne fruit and become such a vigorous tree that, at present, thirty-five old people daily sit within the shelter of its friendly branches. It is to be observed of this institution, unlike some older and more renowned, that what it is in name it is in effect. The class for whose benefit it purports to have been devised has its full and entire advantage. All the pensioners upon the list have been veritable gardeners, or the wives of gardeners. It is managed by gardeners, and besides having upon its books this excellent rule: ‘That gardeners who have contributed to the funds of the charity for fifteen years, and who from old age or misfortune become destitute, have claims upon this institution in preference to those who have never subscribed to it’, I observe that every subscriber may be placed upon the pension list, if he will, without election, without canvass, without solicitation and as his independent right. I lay great stress upon this, because I hold that the man principle of every society such as this should be, in the first place, to help those who have helped themselves and helped others; and, secondly, to merge all considerations of its own importance in the sacred duty of relieving such persons when they fall into affliction, with the utmost possible delicacy, and without the least chance of carrying a pang to their hearts, or bringing a blush to their cheeks. That the society's pensioners do not become such as long as they are reasonably able to toil is evinced by the significant fact that the average age of the present pensioners is 77. That they are not waste-fully relieved is shown by the fact that the whole sum expended for their relief does not exceed five hundred pounds a year; that no narrow confines of locality are favoured in the selection will be clear when I assure you that pensioners are to be found in every part of the country, east, west, north, and south. That the expenses of the society are not disproportionate to the society's income is proved by their being all defrayed out of the annual subscriptions, while the sum at present in hand is £2,700, and we mean to make it up to three thousand at least. Such is the institution which appeals to you through me as a most unworthy advocate for sympathy and support. That it has not addressed itself in vain to the employers is evident from its having for its President a nobleman whose whole possessions are remarkable for taste and beauty, and whose gardener's laurels are famous throughout the world. And I notice with great pleasure, on the list of Vice-Presidents, the names of many noblemen and gentlemen of great influence and station. I am particularly struck in glancing through the pages of this little book, with the number of nurserymen and seedsmen who have contributed, and the handsome sums written against their names. It is a very worthy example. The gardeners also muster very strong, and I do hope the day will come when no one will be left out, but every decent gardener in England will feel that this society is a part of his calling, and though he may never want its aid, that it is his duty to belong to it for the sake of others who may. The gardener particularly needs such help as this society affords. His gains are not great; he often knows gold and silver better as the colours of fruit and flowers, than by their presence in his pockets; and it is easy to see how his exposure to changes of weather may render him peculiarly liable to sickness and infirmity. A gardener, of all men, should particularly appreciate the worth of such a society as this, for his continual observance of the changing seasons and declining days may well suggest to him the decline of life, and that it is a dictate both of worldly prudence and Christian kindness to provide for it.  Finally, to all here who are gardeners, and to all here who are not gardeners, except as we all trace our descent in a direct line from the first ‘gardener Adam and his wife’, this institution forcibly appeals. The universality of the gardener's calling is one of its greatest characteristics. If any improvement be made in Her Majesty's garden, or in that of his Grace or my Lord, it is very soon transferred even to the costermonger. In the culture of flowers there cannot, by their very nature, be anything solitary or exclusive. The wind that blows over the cottager's patch sweeps also over the grounds of the nobleman; and as the rain descends on the just and the unjust, so it communicates to all gardeners, both rich and poor, an interchange of pleasure and enjoyment; and the gardener of the rich man, in developing and enhancing a fruitful flower of a delightful scent is, in some part, the gardener of everybody else.   Flowers are the best picture books I know; and whenever I see them lying open at the labourer's door, I can always read in them that he is a better and happier man. It is not too much to say that the gardener is essential to all of us. The love of gardening is associated with all countries and all periods of time. The scholar and the statesman, men of peace and men of war, have agreed in all ages to delight in gardens. The most ancient people of the earth had gardens where there are now nothing but solitary heaps of earth. The younger ancients had crowns of flowers. In China hundreds of acres were employed in gardens. When we travel by our railways we see the weaver striving for a scrap of garden, the poor man wrestling with smoke for a little bower of scarlet runners; and those who have no ground of their own will carry on their gardens in jugs and basins. In factories and workshops, people garden; and even the prisoner is found gardening, in his lonely cell, after years and years of solitary confinement. Of the exponents of a language so universal as this, surely it then is not too much to say that the gardener who produces shapes and objects so lovely and so comforting should have some hold upon the world's remembrance when he himself becomes in need of comfort? And so then, coming at last to three times three cheers for three times three years, I will call upon you to drink ‘Prosperity to the Gardeners' Benevolent Institution’, and I beg to couple with that toast the name of its President, the Duke of Devonshire, whose worth is written in all his deeds, and who has communicated to his title and his riches a lustre which no title and riches could confer.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Manchester Venue Where the speech was given Athenaeum Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520831 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. Mayor and Gentlemen, On behalf of the company of friends who act with me in more senses than one, and on my own part, who am their representative and mouthpiece here, I beg to tender you our best thanks for the splendid recognition with which you have honoured us tonight. I do so with a feeling of unusual earnestness, because I am, believe me, in common with one and all of those friends, deeply and truly sensible of the heartfelt cordiality with which we have ever been received in this noble town. Gentlemen, from our first assumption of the actor's craft here, on behalf of a worn-out man of letters– the author of many excellent pieces still constantly produced upon the stage, but with no kind of advantage to himself, and with no kind of remembrance of him that I ever heard of – down to this happy hour, our Manchester audience has been so true to us, so heartily with us, so affectionate towards us, that in playing to it we have always felt as if we were playing to one great-hearted friend. And, I do assure you, that when our little curtain shall fall tomorrow night, for the last time, probably, upon that beaming countenance and that encouraging voice that have now so often gladdened us, we shall feel a sorrow of no mimic kind, and a regret at parting that will outlive the fiction of the scene.  Gentlemen, after what you have heard so eloquently said by my friend, Sir Edward Bulwer Lytton, on the scheme to advance which this little body of friends have been associated together, I feel it would not be reasonable in me to trouble you with any observations respecting its general claims, or the immense service which has been rendered to it by Manchester. In taking the field to promote that object, we thoroughly and sincerely knew it to be a good one; we thoroughly and sincerely knew it to be a just reproach to letters and to art that it had been too long neglected; and were thoroughly and sincerely resolved to do all that in us lay to help the need which we knew to exist. Gentlemen, our little labours have indeed been labours of love. Careful business consideration of every detail of this project, and the most solicitous regard to the more pressing exigencies and weaknesses of our order, must now constitute the strength of this Guild, and must now be the foundation of its steady claim to general public support. What we have done is merely to set it going, and to give it, as we hope and believe, a steady onward impulse. If I wanted – speaking in my managerial capacity – if I wanted any assurance, which I never did, for I hope I have long known better, that men of imaginative pursuits could co-operate as steadily and staunchly as any other order of men, I should find it in the undeviating punctuality, regularity, order, forgetfulness of self, and consideration for others which, behind the scenes, off the stage, in the bare daylight when the lamps were out and there was no gilding on the gingerbread, have linked our little association together in most unusual ties. And, gentlemen, if I wanted any assurance to you that we were not likely to be very wrong-headed and mistaken in the objects we have at heart, I should find it in the fact that every one of the three eminent writers to whom we had the high gratification of rendering most timely assistance by our theatrical performances before the Guild was devised, has since been placed on the Pension List; and that, I know, with a delicate consideration for their feelings, most truly affecting to themselves and most truly honourable to Her Majesty and Lord John Russell. I have now the great gratification, with the chairman's leave, of proposing to you to drink, ‘Prosperity to the Manchester Athenaeum’. I cannot disguise from you that I feel a kind of radiant godfatherly satisfaction in proposing the toast, for I can never forget that I had the honour of presiding over the first of its great meetings. I can never forget that I am one of its honorary life members, and that my parchment of enrolment in that capacity occupies a proud position upon my study wall at home. In short, gentlemen. I belong to the family, and I contemplate the family greatness tonight with a glow of family pride. Long, therefore, gentlemen, I most sincerely pray, may the Manchester Athenaeum flourish, a pattern to the rising enterprise and energy of England, and a vigorous branch of that great social tree, which, under the name and form of such institutions, has happily for all sorts and conditions of men, struck its roots deep in this land. Long may all political divisions and party dissensions be forgotten here, and very long may my old friend Mr. Crossley, in the character of an allegorical lion, lie down with the radical in the form of an allegorical lamb, on this peaceful neutral ground. Long, very long, gentleman, may the Manchester Athenaeum increase and prosper, work and strive a noble emblem of the wonderful place in which it rears its head; and long may its young men be generously united to advance generous objects, and render such faithful public service as they have rendered to the Guild of Literature and Art. I beg to call upon you to drink ‘Prosperity to the Manchester Athenaeum.’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in Honour of the Guild of Literature and Art, Manchester Description An account of the resource Banquet in Honour of the Guild of Literature and Art, Manchester (31 August 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-08-31 Identifier An unambiguous reference to the resource within a given context 1852-08-31_Speech_Guild-of-Literature-and-Art-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Banquet in Honour of the Guild of Literature and Art, Manchester' (31 August 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-08-31_Speech_Guild-of-Literature-and-Art-Manchester">https://dickenssearch.com/speeches/1852-08-31_Speech_Guild-of-Literature-and-Art-Manchester</a>. Scripto Transcription A written representation of a document. Mr. Mayor and Gentlemen, On behalf of the company of friends who act with me in more senses than one, and on my own part, who am their representative and mouthpiece here, I beg to tender you our best thanks for the splendid recognition with which you have honoured us tonight. I do so with a feeling of unusual earnestness, because I am, believe me, in common with one and all of those friends, deeply and truly sensible of the heartfelt cordiality with which we have ever been received in this noble town. Gentlemen, from our first assumption of the actor's craft here, on behalf of a worn-out man of letters– the author of many excellent pieces still constantly produced upon the stage, but with no kind of advantage to himself, and with no kind of remembrance of him that I ever heard of – down to this happy hour, our Manchester audience has been so true to us, so heartily with us, so affectionate towards us, that in playing to it we have always felt as if we were playing to one great-hearted friend. And, I do assure you, that when our little curtain shall fall tomorrow night, for the last time, probably, upon that beaming countenance and that encouraging voice that have now so often gladdened us, we shall feel a sorrow of no mimic kind, and a regret at parting that will outlive the fiction of the scene. Gentlemen, after what you have heard so eloquently said by my friend, Sir Edward Bulwer Lytton, on the scheme to advance which this little body of friends have been associated together, I feel it would not be reasonable in me to trouble you with any observations respecting its general claims, or the immense service which has been rendered to it by Manchester. In taking the field to promote that object, we thoroughly and sincerely knew it to be a good one; we thoroughly and sincerely knew it to be a just reproach to letters and to art that it had been too long neglected; and were thoroughly and sincerely resolved to do all that in us lay to help the need which we knew to exist. Gentlemen, our little labours have indeed been labours of love. Careful business consideration of every detail of this project, and the most solicitous regard to the more pressing exigencies and weaknesses of our order, must now constitute the strength of this Guild, and must now be the foundation of its steady claim to general public support. What we have done is merely to set it going, and to give it, as we hope and believe, a steady onward impulse. If I wanted – speaking in my managerial capacity – if I wanted any assurance, which I never did, for I hope I have long known better, that men of imaginative pursuits could co-operate as steadily and staunchly as any other order of men, I should find it in the undeviating punctuality, regularity, order, forgetfulness of self, and consideration for others which, behind the scenes, off the stage, in the bare daylight when the lamps were out and there was no gilding on the gingerbread, have linked our little association together in most unusual ties. And, gentlemen, if I wanted any assurance to you that we were not likely to be very wrong-headed and mistaken in the objects we have at heart, I should find it in the fact that every one of the three eminent writers to whom we had the high gratification of rendering most timely assistance by our theatrical performances before the Guild was devised, has since been placed on the Pension List; and that, I know, with a delicate consideration for their feelings, most truly affecting to themselves and most truly honourable to Her Majesty and Lord John Russell. I have now the great gratification, with the chairman's leave, of proposing to you to drink, ‘Prosperity to the Manchester Athenaeum’.  I cannot disguise from you that I feel a kind of radiant godfatherly satisfaction in proposing the toast, for I can never forget that I had the honour of presiding over the first of its great meetings. I can never forget that I am one of its honorary life members, and that my parchment of enrolment in that capacity occupies a proud position upon my study wall at home.  In short, gentlemen. I belong to the family, and I contemplate the family greatness tonight with a glow of family pride. Long, therefore, gentlemen, I most sincerely pray, may the Manchester Athenaeum flourish, a pattern to the rising enterprise and energy of England, and a vigorous branch of that great social tree, which, under the name and form of such institutions, has happily for all sorts and conditions of men, struck its roots deep in this land. Long may all political divisions and party dissensions be forgotten here, and very long may my old friend Mr. Crossley, in the character of an allegorical lion, lie down with the radical in the form of an allegorical lamb, on this peaceful neutral ground. Long, very long, gentleman, may the Manchester Athenaeum increase and prosper, work and strive a noble emblem of the wonderful place in which it rears its head; and long may its young men be generously united to advance generous objects, and render such faithful public service as they have rendered to the Guild of Literature and Art. I beg to call upon you to drink ‘Prosperity to the Manchester Athenaeum.’  manchester Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Manchester Venue Where the speech was given Free Library Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520902 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Sir John Potter, my Lords, Ladies, and Gentlemen, I have been so much in the habit within the last fortnight of relying upon the words of other people, that I find it quite a novel sensation to be here dependent solely upon my own. I assure you that I feel at this moment in imminent danger of sliding into the language of my friend who addressed you last; and, from the mere force of habit, I rather miss the prompter. For this reason, and many others, I shall trouble you with a very short speech indeed in proposing the resolution with which I have the honour to be entrusted. It so fully expresses my feelings and hopes, and my convictions in association with this auspicious day, that I cannot do better than to read it to you at once: That as in this institution special provision has been made for the working classes, by means of a free lending library, this meeting cherishes the earnest hope that the books thus made available, will prove a source of pleasure and improvement in the cottages, the garrets, and the cellars of the poorest of our people. Ladies and gentlemen, limiting what I wish to say on this subject to two very brief heads, I would beg to observe, firstly, that I have been made happy since I have been sitting here by the solution of a problem which has long perplexed me. I have seen so many references made in the newspapers, in parliamentary debates, and elsewhere, to the ‘Manchester School’, that I have long had a considerable anxiety to know what that phrase might mean, and what the ‘Manchester School’ might be. My natural curiosity on this head has not been diminished by the very contradictory accounts I have received respecting that same school; some great authorities assuring me that it was a very good one, some that it was very bad one; some that it was very broad comprehensive, some that is very narrow and limited; some that was all cant, and some that it was all cotton. Now, ladies and gentlemen, I have solved this difficulty, by finding here today that the ‘Manchester School’ is a great free-school, bent on carrying instruction to the poorest hearths. It is this great free-school, inviting the humblest workman to come in and to be a student; this great free-school, most munificently endowed by voluntary subscriptions in an incredibly short space of time – starting upon its glorious career with twenty thousand volumes of books – knowing no sect, no party, no distinction – nothing but the public want and the public good. Henceforth, ladies and gentlemen, this building shall represent to me the ‘Manchester School’; and I pray to Heaven, moreover, that many great towns and cities, and many high authorities, may go to school a little in the Manchester seminary, and profit by the noble lesson that it teaches. In the second and last place, ladies and gentlemen, allow me to observe that like my friend, Sir Edward Lytton, I exceedingly regret my inability to attend that other interesting meeting of this evening. I should have rejoiced to have seen in this place, instead of myself, and to have heard in this place, instead of my own voice, the voice of a working man in Manchester, to tell the projectors of this spirited enterprise with what feelings he and his companions regard their just and generous recognition here. I should have rejoiced to hear from such a man, in the solid and nervous language in which I have often heard such men give utterance to the feelings of their breasts, how he knows that the book stored here for his behoof will cheer him through many of the struggles and toils of his life, will raise him in his self respect, will teach him that capital and labour are not opposed, but are mutually dependent and mutually supporting – will enable him to tread down blinding prejudice, corrupt misrepresentation, and everything but the truth, into the dust. Ladies and gentlemen, I have long been, in my sphere, a zealous advocate for the diffusion of knowledge among all classes and conditions of men; because I do believe, with all the strength of mind with which I am capable of believing anything, that the more a man knows, the more humbly, and with a more faithful spirit he comes back to the fountain of all knowledge, and takes his heart the great sacred precept, ‘On earth peace, good will toward men’. And well assured I am, that the great precept, and those other things I have hinted at as pleasant to have heard here today from a working man, will rise higher and higher above the beating of hammers, the roar of wheels, the rattle of machinery, and the rush of waters, and be the more and more clearly fell through every pulsation of this great heart, the better known and used this institution is. Ladies and gentlemen, I have great pleasure in moving the resolution which I have already read to you. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opening of the Free Library, Manchester Description An account of the resource Speech at the opening of the Free Library, Manchester (2 September 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-09-02 Identifier An unambiguous reference to the resource within a given context 1852-09-02_Speech_Opening-of-the-Free-Library-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the opening of the Free Library, Manchester' (2 September 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-09-02_Speech_Opening-of-the-Free-Library-Manchester">https://dickenssearch.com/speeches/1852-09-02_Speech_Opening-of-the-Free-Library-Manchester</a>. Scripto Transcription A written representation of a document. Sir John Potter, my Lords, Ladies, and Gentlemen, I have been so much in the habit within the last fortnight of relying upon the words of other people, that I find it quite a novel sensation to be here dependent solely upon my own. I assure you that I feel at this moment in imminent danger of sliding into the language of my friend who addressed you last; and, from the mere force of habit, I rather miss the prompter. For this reason, and many others, I shall trouble you with a very short speech indeed in proposing the resolution with which I have the honour to be entrusted. It so fully expresses my feelings and hopes, and my convictions in association with this auspicious day, that I cannot do better than to read it to you at once: That as in this institution special provision has been made for the working classes, by means of a free lending library, this meeting cherishes the earnest hope that the books thus made available, will prove a source of pleasure and improvement in the cottages, the garrets, and the cellars of the poorest of our people. Ladies and gentlemen, limiting what I wish to say on this subject to two very brief heads, I would beg to observe, firstly, that I have been made happy since I have been sitting here by the solution of a problem which has long perplexed me. I have seen so many references made in the newspapers, in parliamentary debates, and elsewhere, to the ‘Manchester School’, that I have long had a considerable anxiety to know what that phrase might mean, and what the ‘Manchester School’ might be. My natural curiosity on this head has not been diminished by the very contradictory accounts I have received respecting that same school; some great authorities assuring me that it was a very good one, some that it was very bad one; some that it was very broad comprehensive, some that is very narrow and limited; some that was all cant, and some that it was all cotton. Now, ladies and gentlemen, I have solved this difficulty, by finding here today that the ‘Manchester School’ is a great free-school, bent on carrying instruction to the poorest hearths. It is this great free-school, inviting the humblest workman to come in and to be a student; this great free-school, most munificently endowed by voluntary subscriptions in an incredibly short space of time – starting upon its glorious career with twenty thousand volumes of books – knowing no sect, no party, no distinction – nothing but the public want and the public good. Henceforth, ladies and gentlemen, this building shall represent to me the ‘Manchester School’; and I pray to Heaven, moreover, that many great towns and cities, and many high authorities, may go to school a little in the Manchester seminary, and profit by the noble lesson that it teaches. In the second and last place, ladies and gentlemen, allow me to observe that like my friend, Sir Edward Lytton, I exceedingly regret my inability to attend that other interesting meeting of this evening. I should have rejoiced to have seen in this place, instead of myself, and to have heard in this place, instead of my own voice, the voice of a working man in Manchester, to tell the projectors of this spirited enterprise with what feelings he and his companions regard their just and generous recognition here. I should have rejoiced to hear from such a man, in the solid and nervous language in which I have often heard such men give utterance to the feelings of their breasts, how he knows that the book stored here for his behoof will cheer him through many of the struggles and toils of his life, will raise him in his self respect, will teach him that capital and labour are not opposed, but are mutually dependent and mutually supporting – will enable him to tread down blinding prejudice, corrupt misrepresentation, and everything but the truth, into the dust. Ladies and gentlemen, I have long been, in my sphere, a zealous advocate for the diffusion of knowledge among all classes and conditions of men; because I do believe, with all the strength of mind with which I am capable of believing anything, that the more a man knows, the more humbly, and with a more faithful spirit he comes back to the fountain of all knowledge, and takes his heart the great sacred precept, ‘On earth peace, good will toward men’. And well assured I am, that the great precept, and those other things I have hinted at as pleasant to have heard here today from a working man, will rise higher and higher above the beating of hammers, the roar of wheels, the rattle of machinery, and the rush of waters, and be the more and more clearly fell through every pulsation of this great heart, the better known and used this institution is. Ladies and gentlemen, I have great pleasure in moving the resolution which I have already read to you. manchester https://www.dickenssearch.com/files/original/8/A_Round_of_Stories_by_the_Christmas_Fire_[1852_Christmas_Number]/1852-12-25-A_Round_of_Stories_by_the_Christmas_Fire.pdf 5f1a9183a69a5f22a955534f57c6d788 https://www.dickenssearch.com/files/original/8/A_Round_of_Stories_by_the_Christmas_Fire_[1852_Christmas_Number]/1852-12-25-The_Poor_Relations_Story.pdf a9f32cc26b00e8b805317838b72fe245 https://www.dickenssearch.com/files/original/8/A_Round_of_Stories_by_the_Christmas_Fire_[1852_Christmas_Number]/1852-12-25-The_Childs_Story.pdf eab013b59b765798b37fb40e5dc5a14b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Numbers Contributor An entity responsible for making contributions to the resource Lydia Craig Identifier An unambiguous reference to the resource within a given context christmas-numbers Scripto Transcription A written representation of a document. This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals Household Words and All the Year Round. After writing five Christmas books and multiple sketches on Yuletide cheer - notably 'Scenes and Characters, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in Sketches by Boz (1836) - not to mention the holiday merry-making described in Pickwick Papers (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in HW that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity. In 1852, Dickens decided to develop an extra Christmas number for HW which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in HW and nine in ATYR.  <div style="text-align: center;">Extra Christmas Numbers - Household Words</div> On 24 December 1852, Dickens published A Round of Stories by the Christmas Fire. Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as Another Round of Stories by the Christmas Fire. 25 December 1854 saw The Seven Poor Travellers, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.  Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of The Holly-Tree Inn (15 December 1855). The Wreck of the 'Golden Mary' followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for HW, A House to Let appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR. <div style="text-align: center;">Extra Christmas Numbers - All the Year Round</div> After Dickens launched his new journal ATYR on 30 April 1859, Christmas remained house-themed with the extra Christmas number The Haunted House (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for A Message from the Sea, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.  For Tom Tiddler's Ground, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of Somebody's Luggage (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as AYTR editor, to amusing effect. Two subsequent Christmas numbers, Mrs. Lirriper's Lodgings (25 December 1863) and Mrs. Lirriper's Legacy' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number. Doctor Marigold's Prescriptions appeared in 1865, with Mugby Junction following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, No Thoroughfare (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration. Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, The Mystery of Edwin Drood (1870), evidently sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels Bleak House (1853) (Inspector Bucket) and The Moonstone (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of No Thoroughfare, with its malevolent villain, though he did not live to see the plot through to its conclusion. While building this collection, we have consulted, and transcribed scans from Dickens Journals Online; all items are linked to their original location on the internet. With the exception of No Thoroughfare, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).  Please contact us with any errors, corrections, and suggestions. 1. See Melisa Klimaszewski. Collaborative Dickens: Authorship and Victorian Christmas Periodicals (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. Victorian Periodicals Review 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. Dickens Studies Annual 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In Dickens and the Short Story (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. Dickens Studies Annual 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. Nineteenth-Century Fiction 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of Household Words and All the Year Round, 1850-1867.' Part I. The Dickensian 70.372 (1973): pp. 163-72. and Part II. TD 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. SEL: Studies in English Literature 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) Dickens Quarterly 2.2 (June 1985): pp. 43-50 and (Part Two) DQ 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. Journal of Victorian Culture 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. Dickens Studies Annual 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's Doctor Marigold'. Victorian Review 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and Doctor Marigold'. Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits. Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's Mugby Junction'. Victorian Periodicals Review 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in No Thoroughfare'. Ed. Maxime Leroy. In Charles Dickens and Europe. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The Moonstone to Edwin Drood via No Thoroughfare'. Q/W/E/R/T/Y: Arts, Littératures & Civilisations du Monde Anglophone 5 (1995): 141-9.  Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18521225 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. He was very reluctant to take precedence of so many respected members of the family, by beginning the round of stories they were to relate as they sat in a goodly circle by the Christmas fire; and he modestly suggested that it would be more correct if "John our esteemed host" (whose health he begged to drink) would have the kindness to begin. For as to himself, he said, he was so little used to lead the way, that really— But as they all cried out here, that he must begin, and agreed with one voice that he might, could, would, and should begin, he left off rubbing his hands, and took his legs out from under his armchair, and did begin. I have no doubt (said the poor relation) that I shall surprise the assembled members of our family, and particularly John our esteemed host to whom we are so much indebted for the great hospitality with which he has this day entertained us, by the confession I am going to make. But, if you do me the honor to be surprised at anything that falls from a person so unimportant in the family as I am, I can only say that I shall be scrupulously accurate in all I relate. I am not what I am supposed to be. I am quite another thing. Perhaps before I go farther, I had better glance at what I am supposed to be. It is supposed, unless I mistake—the assembled members of our family will correct me if I do, which is very likely (here the poor relation looked mildly about him for contradiction); that I am nobody's enemy but my own. That I never met with any particular success in anything. That I failed in business because I was unbusiness-like and credulous—in not being prepared for the interested designs of my partner. That I failed in love, because I was ridiculously trustful—in thinking it impossible that Christiana could deceive me. That I failed in my expectations from my uncle Chill, on account of not being as sharp as he could have wished in worldly matters. That, through life, I have been rather put upon and disappointed, in a general way. That I am at present a bachelor of between fifty-nine and sixty years of age, living on a limited income in the form of a quarterly allowance, to which I see that John our esteemed host wishes me to make no further allusion. The supposition as to my present pursuits and habits is to the following effect. I live in a lodging in the Clapham Road—a very clean back room, in a very respectable house—where I am expected not to be at home in the day-time, unless poorly; and which I usually leave in the morning at nine o'clock, on pretence of going to business. I take my breakfast—my roll and butter, and my half-pint of coffee—at the old established coffee-shop near Westminster Bridge; and then I go into the City—I don't know why— and sit in Garraway's Coffee House, and on 'Change, and walk about, and look into a few offices and counting-houses where some of my relations or acquaintance are so good as to tolerate me, and where I stand by the fire if the weather happens to be cold. I get through the day in this way until five o'clock, and then I dine: at a cost, on the average, of one and threepence. Having still a little money to spend on my evening's entertainment, I look into the old-established coffee-shop as I go home, and take my cup of tea, and perhaps my bit of toast. So, as the large hand of the clock makes its way round to the morning hour again, I make my way round to the Clapham Road again, and go to bed when I get to my lodging—fire being expensive, and being objected to by the family on account of its giving trouble and making a dirt. Sometimes, one of my relations or acquaintances is so obliging as to ask me to dinner. Those are holiday occasions, and then I generally walk in the Park. I am a solitary man, and seldom walk with anybody. Not that I am avoided because I am shabby; for I am not at all shabby, having always a very good suit of black on (or rather Oxford mixture, which has the appearance of black and wears much better); but I have got into a habit of speaking low, and being rather silent, and my spirits are not high, and I am sensible that I am not an attractive companion. The only exception to this general rule is the child of my first cousin, Little Frank. I have a particular affection for that child, and he takes very kindly to me. He is a diffident boy by nature; and in a crowd he is soon run over, as I may say, and forgotten. He and I, however, get on exceedingly well. I have a fancy that the poor child will in time succeed to my peculiar position in the family. We talk but little; still, we understand each other. We walk about, hand in hand; and without much speaking he knows what I mean, and I know what he means. When he was very little indeed, I used to take him to the windows of the toy-shops, and show him the toys inside. It is surprising how soon he found out that I would have made him a great many presents if I had been in circumstances to do it. Little Frank and I go and look at the outside of the Monument— he is very fond of the Monument—and at the Bridges, and at all the sights that are free. On two of my birthdays we have dined on a-la-mode beef, and gone at half-price to the play, and been deeply interested. I was once walking with him in Lombard Street, which we often visit on account of my having mentioned to him that there are great riches there— he is very fond of Lombard Street— when a gentleman said to me as he passed by, "Sir, your little son has dropped his glove." I assure you, if you will excuse my remarking on so trivial a circumstance, this accidental mention of the child as mine, quite touched my heart and brought the foolish tears into my eyes. When little Frank is sent to school in the country, I shall be very much at a loss what to do with myself, but I have the intention of walking down there once a month and seeing him on a half holiday. I am told he will then be at play upon the Heath; and if my visits should be objected to, as unsettling the child, I can see him from a distance without his seeing me, and walk back again. His mother comes of a highly genteel family, and rather disapproves, I am aware, of our being too much together. I know that I am not calculated to improve his retiring disposition; but I think he would miss me beyond the feeling of the moment, if we were wholly separated. When I die in the Clapham Road, I shall not leave much more in this world than I shall take out of it ; but, I happen to have a miniature of a bright-faced boy, with a curling head, and an open shirt-frill waving down his bosom (my mother had it taken for me, but I can't believe that it was ever like), which will be worth nothing to sell, and which I shall beg may be given to Frank. I have written my dear boy a little letter with it, in which I have told him that I felt very sorry to part from him, though bound to confess that I knew no reason why I should remain here. I have given him some short advice, the best in my power, to take warning of the consequences of being nobody's enemy but his own; and I have endeavoured to comfort him for what I fear he will consider a bereavement, by pointing out to him that I was only a superfluous something to every one but him, and that having by some means failed to find a place in this great assembly, I am better out of it. Such (said the poor relation, clearing his throat and beginning to speak a little louder) is the general impression about me. Now, it is a remarkable circumstance which forms the aim and purpose of my story, that this is all wrong. This is not my life, and these are not my habits. I do not even live in the Clapham Road. Comparatively speaking, I am very seldom there. I reside, mostly, in a—I am almost ashamed to say the word, it sounds so full of pretension—in a Castle. I do not mean that it is an old baronial habitation, but still it is a building always known to every one by the name of a Castle. In it, I preserve the particulars of my history; they run thus: It was when I first took John Spatter (who had been my clerk) into partnership, and when I was still a young man of not more than five-and-twenty, residing in the house of my uncle Chill from whom I had considerable expectations, that I ventured to propose to Christiana. I had loved Christiana, a long time. She was very beautiful, and very winning in all respects. I rather mistrusted her widowed mother, who I feared was of a plotting and mercenary turn of mind; but, I thought as well of her as I could, for Christiana's sake. I never had loved any one but Christiana, and she had been all the world, and O far more than all the world, to me, from our childhood! Christiana accepted me with her mother's consent, and I was rendered very happy indeed. My life at my Uncle Chill's was of a spare dull kind, and my garret chamber was as dull, and bare, and cold, as an upper prison room in some stern northern fortress. But, having Christiana's love, I wanted nothing upon earth. I would not have changed my lot with any human being. Avarice was, unhappily, my Uncle Chill's master-vice. Though he was rich, he pinched, and scraped, and clutched, and lived miserably. As Christiana had no fortune, I was for some time a little fearful of confessing our engagement to him; but, at length I wrote him a letter, saying how it all truly was. I put it into his hand one night, on going to bed. As I came down stairs next morning, shivering in the cold December air; colder in my uncle's unwarmed house than in the street, where the winter sun did sometimes shine, and which was at all events enlivened by cheerful faces and voices passing along; I carried a heavy heart towards the long, low breakfast-room in which my uncle sat. It was a large room with a small fire, and there was a great bay window in it which the rain had marked in the night as if with the tears of houseless people. It stared upon a raw yard, with a cracked stone pavement, and some rusted iron railings half uprooted, whence an ugly out-building that had once been a dissecting-room (in the time of the great surgeon who had mortgaged the house to my uncle), stared at it. We rose so early always, that at that time of the year we breakfasted by candle-light. When I went into the room, my uncle was so contracted by the cold, and so huddled together in his chair behind the one dim candle, that I did not see him until I was close to the table. As I held out my hand to him, he caught up his stick (being infirm, he always walked about the house with a stick), and made a blow at me, and said, "You fool!" ''Uncle." I returned, "I didn't expect you to be so angry as this." Nor had I expected it, though he was a hard and angry old man. "You didn't expect!" said he; "when did you ever expect? When did you ever calculate, or look forward, you contemptible dog?" "These are hard words, uncle!" "Hard words? Feathers, to pelt such an idiot as you with," said he. "Here! Betsy Snap! Look at him!" Betsey Snap was a withered, hard-favored, yellow old woman— our only domestic—always employed, at this time of the morning, in rubbing my uncle's legs. As my uncle adjured her to look at me, he put his lean grip on the crown of her head, she kneeling beside him, and turned her face towards me. An involuntary thought connecting them both with the Dissecting Room, as it must often have been in the surgeon's time, passed across my mind in the midst of my anxiety. "Look at the snivelling milksop !" said my uncle. "Look at the baby! This is the gentleman who, people say, is nobody's enemy but his own. This is the gentleman who can't say no. This is the gentleman who was making such large profits in his business that he must needs take a partner, t'other day. This is the gentleman who is going to marry a wife without a penny, and who falls into the hands of Jezabels who are speculating on my death!" I knew, now, how great my uncle's rage was; for nothing short of his being almost beside himself would have induced him to utter that concluding word, which he held in such repugnance that it was never spoken or hinted at before him on any account. "On my death," he repeated, as if he were defying me by defying his own abhorrence of the word. "On my death— death— Death! But I'll spoil the speculation. Eat your last under this roof, you feeble wretch, and may it choke you!" You may suppose that I had not much appetite for the breakfast to which I was bidden in these terms; but, I took my accustomed seat. I saw that I was repudiated henceforth by my uncle; still I could bear that very well, possessing Christiana's heart. He emptied his basin of bread and milk as usual, only that he took it on his knees with his chair turned away from the table where I sat. When he had done, he carefully snuffed out the candle; and the cold, slate-coloured, miserable day looked in upon us. "Now, Mr. Michael," said he, "before we part, I should like to have a word with these ladies in your presence." "As you will, sir," I returned; "but you deceive yourself, and wrong us, cruelly, if you suppose that there is any feeling at stake in this contract but pure, disinterested, faithful love." To this, he only replied, "You lie!" and not one other word. We went, through half-thawed snow and half-frozen rain, to the house where Christiana and her mother lived. My uncle knew them very well. They were sitting at their breakfast and were surprised to see us at that hour. "Your servant, ma'am," said my uncle, to the mother. "You divine the purpose of my visit, I dare say, ma'am. I understand there is a world of pure, disinterested, faithful love cooped up here. I am happy to bring it all it wants, to make it complete. I bring you your son-in-law, ma'am— and you, your husband, miss. The gentleman is a perfect stranger to me, but I wish him joy of his wise bargain." He snarled at me as he went out, and I never saw him again. It is altogether a mistake (continued the poor relation) to suppose that my dear Christiana, over-persuaded and influenced by her mother, married a rich man, the dirt from whose carriage wheels is often, in these changed times, thrown upon me as she rides by. No, no. She married me. The way we came to be married rather sooner than we intended, was this. I took a frugal lodging and was saving and planning for her sake, when, one day, she spoke to me with great earnestness, and said: "My dear Michael, I have given you my heart. I have said that I loved you, and I have pledged myself to be your wife. I am as much yours through all changes of good and evil as if we had been married on the day when such words passed between us. I know you well, and know that if we should be separated and our union broken off, your whole life would be shadowed, and all that might, even now, be stronger in your character for the conflict with the world would then be weakened to the shadow of what it is!" "God help me, Christiana!" said I. "You speak the truth." "Michael!" said she, putting her hand in mine, in all maidenly devotion, "let us keep apart no longer. It is but for me to say that I can live contented upon such means as you have, and I well know you are happy. I say so from my heart. Strive no more alone; let us strive together. My dear Michael, it is not right that I should keep secret from you what you do not suspect, but what distresses my whole life. My mother: without considering that what you have lost, you have lost for me, and on the assurance of my faith: sets her heart on riches, and urges another suit upon me, to my misery. I cannot bear this, for to bear it is to be untrue to you. I would rather share your struggles than look on. I want no better home than you can give me. I know that you will aspire and labor with a higher courage if I am wholly yours, and let it be so when you will!" I was blest indeed, that day, and a new world opened to me. We were married in a very little while, and I took my wife to our happy home. That was the beginning of the residence I have spoken of; the Castle we have ever since inhabited together, dates from that time. All our children have been born in it. Our first child— now married— was a little girl, whom we called Christiana. Her son is so like Little Frank, that I hardly know which is which. The current impression as to my partner's dealings with me is also quite erroneous. He did not begin to treat me coldly, as a poor simpleton, when my uncle and I so fatally quarrelled; nor did he afterwards gradually possess himself of our business and edge me out. On the contrary, he behaved to me with the utmost good faith and honor. Matters between us, took this turn:— On the day of my separation from my uncle, and even before the arrival at our counting-house of my trunks (which he sent after me, not carriage paid), I went down to our room of business, on our little wharf, overlooking the river; and there I told John Spatter what had happened. John did not say, in reply, that rich old relatives were palpable facts, and that love and sentiment were moonshine and fiction. He addressed me thus: "Michael," said John. "We were at school together, and I generally had the knack of getting on better than you, and making a higher reputation." "You had, John," I returned. "Although," said John, "I borrowed your books, and lost them; borrowed your pocket- money, and never repaid it; got you to buy my damaged knives at a higher price than I had given for them new; and to own to the windows that I had broken." "All not worth mentioning, John Spatter," said I, "but certainly true." "When you were first established in this infant business, which promises to thrive so well," pursued John, "I came to you, in my search for almost any employment, and you made me your clerk." "Still not worth mentioning, my dear John Spatter," said I; "still, equally true." "And finding that I had a good head for business, and that I was really useful to the business, you did not like to retain me in that capacity, and thought it an act of justice soon to make me your partner." "Still less worth mentioning than any of those other little circumstances you have recalled, John Spatter," said I; "for I was, and am, sensible of your merits and my deficiencies." "Now my good friend," said John, drawing my arm through his, as he had had a habit of doing at school; while two vessels outside the windows of our counting-house—which were shaped like the stern windows of a ship—went lightly down the river with the tide, as John and I might then be sailing away in company, and in trust and confidence, on our voyage of life; "let there, under these friendly circumstances, be a right understanding between us. You are too easy, Michael. You are nobody's enemy but your own. If I were to give you that damaging character among our connexion, with a shrug, and a shake of the head, and a sigh; and if I were further to abuse the trust you place in me—" "But you never will abuse it at all, John," I observed. "Never!" said he, "but l am putting a case—I say, and if I were further to abuse that trust by keeping this piece of our common affairs in the dark, and this other piece in the light, and again this other piece in the twilight, and so on, I should strengthen my strength, and weaken your weakness, day by day, until at last I found myself on the high road to fortune, and you left behind on some bare common, a hopeless number of miles out of the way." "Exactly so," said I. "To prevent this, Michael," said John Spatter, "or the remotest chance of this, there must be perfect openness between us. Nothing must be concealed, and we must have but one interest." "My dear John Spatter," I assured him, "that is precisely what I mean." "And when you are too easy," pursued John, his face glowing with friendship, "you must allow me to prevent that imperfection in your nature from being taken advantage of, by any one; you must not expect me to humour it—" "My dear John Spatter," I interrupted, "I don't expect you to humour it. I want to correct it." "And I, too!" said John. "Exactly so!" cried I. "We both have the same end in view; and, honorably seeking it, and fully trusting one another, and having but one interest, ours will be a prosperous and happy partnership." "I am sure of it!" returned John Spatter. And we shook hands most affectionately. I took John home to my Castle, and we had a very happy day. Our partnership throve well. My friend and partner supplied what I wanted, as I had foreseen that he would; and by improving both the business and myself, amply acknowledged any little rise in life to which I had helped him. I am not (said the poor relation, looking at the fire as he slowly rubbed his hands), not very rich, for I never cared to be that; but I have enough, and am above all moderate wants and anxieties. My Castle is not a splendid place, but it is very comfortable, and it has a warm and cheerful air, and is quite a picture of Home. Our eldest girl, who is very like her mother, married John Spatter's eldest son. Our two families are closely united in other ties of attachment. It is very pleasant of an evening, when we are all assembled together—which frequently happens—and when John and I talk over old times, and the one interest there has always been between us. I really do not know, in my Castle, what loneliness is. Some of our children or grandchildren are always about it, and the young voices of my descendants are delightful—O, how delightful!—to me to hear. My dearest and most devoted wife, ever faithful, ever loving, ever helpful and sustaining and consoling, is the priceless blessing of my house; from whom all its other blessings spring. We are rather a musical family, and when Christiana sees me, at any time, a little weary or depressed, she steals to the piano and sings a gentle air she used to sing when we were first betrothed. So weak a man am I, that I cannot bear to hear it from any other source. They played it once, at the Theatre, when I was there with Little Frank; and the child said, wondering, "Cousin Michael, whose hot tears are these that have fallen on my hand!" Such is my Castle, and such are the real particulars of my life therein preserved. I often take Little Frank home there. He is very welcome to my grandchildren, and they play together. At this time of the year—the Christmas and New Year time—I am seldom out of my Castle. For, the associations of the season seem to hold me there, and the precepts of the season seem to teach me that it is well to be there. "And the Castle is —" observed a grave, kind voice among the company. "Yes. My Castle," said the poor relation, shaking his head as he still looked at the fire, "is in the Air. John our esteemed host suggests its situation accurately. My Castle is in the Air! I have done. Will you be so good as to pass the story." Once upon a time, a good many years ago, there was a traveller, and he set out upon a journey. It was a magic journey, and was to seem very long when he began it, and very short when he got half way through. He travelled along a rather dark path for some little time, without meeting anything, until at last he came to a beautiful child. So he said to the child, "What do you do here?" And the child said, "I am always at play. Come and play with me!" So, he played with that child, the whole day long, and they were very merry. The sky was so blue, the sun was so bright, the water was so sparkling, the leaves were so green, the flowers were so lovely, and they heard such singing-birds and saw so many butterflies, that everything was beautiful. This was in fine weather. When it rained, they loved to watch the falling drops, and to smell the fresh scents. When it blew, it was delightful to listen to the wind, and fancy what it said, as it came rushing from its home—where was that, they wondered!— whistling and howling, driving the clouds before it, bending the trees, rumbling in the chimnies, shaking the house, and making the sea roar in fury. But, when it snowed, that was best of all; for, they liked nothing so well as to look up at the white flakes falling fast and thick, like down from the breasts of millions of white birds; and to see how smooth and deep the drift was; and to listen to the hush upon the paths and roads. They had plenty of the finest toys in the world, and the most astonishing picture-books: all about scimitars and slippers and turbans, and dwarfs and giants and genii and fairies, and blue-beards and bean-stalks and riches and caverns and forests and Valentines and Orsons: and all new and all true. But, one day, of a sudden, the traveller lost the child. He called to him over and over again, but got no answer. So, he went upon his road, and went on for a little while without meeting anything, until at last he came to a handsome boy. So, he said to the boy, "What do you do here?" And the boy said, "I am always learning. Come and learn with me." So he learned with that boy about Jupiter and Juno, and the Greeks and the Romans, and I don't know what, and learned more than I could tell—or he either, for he soon forgot a great deal of it. But, they were not always learning; they had the merriest games that ever were played. They rowed upon the river in summer, and skated on the ice in winter; they were active afoot, and active on horseback; at cricket, and all games at ball; at prisoners' base, hare and hounds, follow my leader, and more sports than I can think of; nobody could beat them. They had holidays too, and Twelfth, cakes, and parties where they danced all night till midnight, and real Theatres where they saw palaces of real gold and silver rise out of the real earth, and saw all the wonders of the world at once. As to friends, they had such dear friends and so many of them, that I want the time to reckon them up. They were all young, like the handsome boy, and were never to be strange to one another all their lives through. Still, one day, in the midst of all these pleasures, the traveller lost the boy as he had lost the child, and, after calling to him in vain, went on upon his journey. So he went on for a little while without seeing anything, until at last he came to a young man. So, he said to the young man, "What do you do here?" And the young man said, "I am always in love. Come and love with me." So, he went away with that young man, and presently they came to one of the prettiest girls that ever was seen—just like Fanny in the corner there—and she had eyes like Fanny, and hair like Fanny, and dimples like Fanny's, and she laughed and coloured just as Fanny does while I am talking about her. So, the young man fell in love directly— just as Somebody I won't mention, the first time he came here, did with Fanny. Well! He was teazed sometimes—just as Somebody used to be by Fanny; and they quarrelled sometimes—just as Somebody and Fanny used to quarrel; and they made it up, and sat in the dark, and wrote letters every day, and never were happy asunder, and were always looking out for one another and pretending not to, and were engaged at Christmas time, and sat close to one another by the fire, and were going to be married very soon—all exactly like Somebody I won't mention, and Fanny! But, the traveller lost them one day, as he had lost the rest of his friends, and, after calling to them to come back, which they never did, went on upon his journey. So, he went on for a little while without seeing anything, until at last he came to a middle-aged gentleman. So, he said to the gentleman, "What are you doing here?" And his answer was, "I am always busy. Come and be busy with me!" So, he began to be very busy with that gentleman, and they went on through the wood together. The whole journey was through a wood, only it had been open and green at first, like a wood in spring; and now began to be thick and dark, like a wood in Summer; some of the little trees that had come out earliest, were even turning brown. The gentleman was not alone, but had a lady of about the same age with him, who was his Wife; and they had children, who were with them too. So, they all went on together through the wood, cutting down the trees, and making a path through the branches and the fallen leaves, and carrying burdens, and working hard. Sometimes, they came to a long green avenue that opened into deeper woods. Then they would hear a very little distant voice crying, "Father, father, I am another child! Stop for me!" And presently they would see a very little figure, growing larger as it came along, running to join them. When it came up, they all crowded round it, and kissed and welcomed it; and then they all went on together. Sometimes, they came to several avenues at once, and then they all stood still, and one of the children said, "Father, I am going to sea," and another said, "Father, I am going to India," and another, "Father, I am going to seek my fortune where I can," and another, "Father, I am going to Heaven!" So, with many tears at parting, they went, solitary, down those avenues, each child upon its way; and the child who went to Heaven, rose into the golden air and vanished. Whenever these partings happened, the traveller looked at the gentleman, and saw him glance up at the sky above the trees, where the day was beginning to decline, and the sunset to come on. He saw, too, that his hair was turning grey. But, they never could rest long, for they had their journey to perform, and it was necessary for them to be always busy. At last, there had been so many partings that there were no children left, and only the traveller, the gentleman, and the lady, went upon their way in company. And now the wood was yellow; and now brown; and the leaves, even of the forest trees, began to fall. So, they came to an avenue that was darker than the rest, and were pressing forward on their journey without looking down it when the lady stopped. "My husband," said the lady, "I am called." They listened, and they heard a voice, a long way down the avenue, say, "Mother, mother!" It was the voice of the first child who had said, "I am going to Heaven!" and the father said, "I pray not yet. The sunset is very near. I pray not yet!" But, the voice cried "Mother, mother!" without minding him, though his hair was now quite white, and tears were on his face. Then, the mother, who was already drawn into the shade of the dark avenue and moving away with her arms still round his neck, kissed him, and said "My dearest, I am summoned and I go!" And she was gone. And the traveller and he were left alone together. And they went on and on together, until they came to very near the end of the wood: so near, that they could see the sunset shining red before them, through the trees. Yet, once more, while he broke his way among the branches, the traveller lost his friend. He called and called, but there was no reply, and when he passed out of the wood, and saw the peaceful sun going down upon a wide purple prospect, he came to an old man sitting on a fallen tree. So, he said to the old man, "What do you do here?" And the old man said with a calm smile, "I am always remembering. Come and remember with me!" So, the traveller sat down by the side of that old man, face to face with the serene sunset; and all his friends came softly back and stood around him. The beautiful child, the handsome boy, the young man in love, the father, mother, and children: every one of them was there, and he had lost nothing. So, he loved them all, and was kind and forbearing with them all, and was always pleased to watch them all, and they all honored and loved him. And I think the traveller must be yourself, dear Grandfather, because this is what you do to us, and what we do to you. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Round of Stories by the Christmas Fire (1852 Christmas Number) Description An account of the resource Published in Household Words, Vol. VI, Extra Christmas Number, 25 December 1852, pp. 1-36. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-vi/page-573.html">https://www.djo.org.uk/household-words/volume-vi/page-573.html</a>. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-vi/page-577.html">https://www.djo.org.uk/household-words/volume-vi/page-577.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1852-12-25 Type The nature or genre of the resource Christmas Number Identifier An unambiguous reference to the resource within a given context 1852-12-25-A_Round_of_Stories_by_the_Christmas_Fire Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, <a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk">www.djo.org.uk</a>. Available under CC BY licence. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles et. al. A Round of Stories by the Christmas Fire (25 December 1852). Dickens Search. Edited by Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/christmas-numbers/1852-12-25-A_Round_of_Stories_by_the_Christmas_Fire">https://www.dickenssearch.com/christmas-numbers/1852-12-25-A_Round_of_Stories_by_the_Christmas_Fire</a>. Table Of Contents A list of subunits of the resource. <ul> <li>Charles Dickens. 'The Poor Relation's Story' (No.1), pp. 1-5.</li> <li>Charles Dickens. 'The Child's Story' (No.2), pp. 5-7.</li> <li>William Moy Thomas. 'Somebody's Story' (No.3), pp. 7-11.</li> <li>Elizabeth Gaskell. 'The Nurse's Story' (No.4), pp. 11-20.</li> <li>Edmund Ollier. 'The Host's Story' (No.5), pp. 20-21.</li> <li>Reverend James White. 'The Grandfather's Story' (No.6), pp. 21-25.</li> <li>Edmund Saul Dixon. 'The Charwoman's Story' (No.7), pp. 25-27.</li> <li>Harriet Martineau. 'The Deaf Playmate's Story' (No.8), pp. 27-30.</li> <li>Samuel Sidney. 'The Guest's Story' (No.9), pp. 30-33.</li> <li>Eliza Griffiths. 'The Mother's Story' (No.10), pp. 33-36.</li> </ul> Scripto Transcription A written representation of a document. He was very reluctant to take precedence of so many respected members of the family, by beginning the round of stories they were to relate as they sat in a goodly circle by the Christmas fire; and he modestly suggested that it would be more correct if "John our esteemed host" (whose health he begged to drink) would have the kindness to begin. For as to himself, he said, he was so little used to lead the way, that really— But as they all cried out here, that he must begin, and agreed with one voice that he might, could, would, and should begin, he left off rubbing his hands, and took his legs out from under his armchair, and did begin. I have no doubt (said the poor relation) that I shall surprise the assembled members of our family, and particularly John our esteemed host to whom we are so much indebted for the great hospitality with which he has this day entertained us, by the confession I am going to make. But, if you do me the honor to be surprised at anything that falls from a person so unimportant in the family as I am, I can only say that I shall be scrupulously accurate in all I relate. I am not what I am supposed to be. I am quite another thing. Perhaps before I go farther, I had better glance at what I am supposed to be. It is supposed, unless I mistake—the assembled members of our family will correct me if I do, which is very likely (here the poor relation looked mildly about him for contradiction); that I am nobody's enemy but my own. That I never met with any particular success in anything. That I failed in business because I was unbusiness-like and credulous—in not being prepared for the interested designs of my partner. That I failed in love, because I was ridiculously trustful—in thinking it impossible that Christiana could deceive me. That I failed in my expectations from my uncle Chill, on account of not being as sharp as he could have wished in worldly matters. That, through life, I have been rather put upon and disappointed, in a general way. That I am at present a bachelor of between fifty-nine and sixty years of age, living on a limited income in the form of a quarterly allowance, to which I see that John our esteemed host wishes me to make no further allusion. The supposition as to my present pursuits and habits is to the following effect. I live in a lodging in the Clapham Road—a very clean back room, in a very respectable house—where I am expected not to be at home in the day-time, unless poorly; and which I usually leave in the morning at nine o'clock, on pretence of going to business. I take my breakfast—my roll and butter, and my half-pint of coffee—at the old established coffee-shop near Westminster Bridge; and then I go into the City—I don't know why— and sit in Garraway's Coffee House, and on 'Change, and walk about, and look into a few offices and counting-houses where some of my relations or acquaintance are so good as to tolerate me, and where I stand by the fire if the weather happens to be cold. I get through the day in this way until five o'clock, and then I dine: at a cost, on the average, of one and threepence. Having still a little money to spend on my evening's entertainment, I look into the old-established coffee-shop as I go home, and take my cup of tea, and perhaps my bit of toast. So, as the large hand of the clock makes its way round to the morning hour again, I make my way round to the Clapham Road again, and go to bed when I get to my lodging—fire being expensive, and being objected to by the family on account of its giving trouble and making a dirt. Sometimes, one of my relations or acquaintances is so obliging as to ask me to dinner. Those are holiday occasions, and then I generally walk in the Park. I am a solitary man, and seldom walk with anybody. Not that I am avoided because I am shabby; for I am not at all shabby, having always a very good suit of black on (or rather Oxford mixture, which has the appearance of black and wears much better); but I have got into a habit of speaking low, and being rather silent, and my spirits are not high, and I am sensible that I am not an attractive companion. The only exception to this general rule is the child of my first cousin, Little Frank. I have a particular affection for that child, and he takes very kindly to me. He is a diffident boy by nature; and in a crowd he is soon run over, as I may say, and forgotten. He and I, however, get on exceedingly well. I have a fancy that the poor child will in time succeed to my peculiar position in the family. We talk but little; still, we understand each other. We walk about, hand in hand; and without much speaking he knows what I mean, and I know what he means. When he was very little indeed, I used to take him to the windows of the toy-shops, and show him the toys inside. It is surprising how soon he found out that I would have made him a great many presents if I had been in circumstances to do it. Little Frank and I go and look at the outside of the Monument— he is very fond of the Monument—and at the Bridges, and at all the sights that are free. On two of my birthdays we have dined on a-la-mode beef, and gone at half-price to the play, and been deeply interested. I was once walking with him in Lombard Street, which we often visit on account of my having mentioned to him that there are great riches there— he is very fond of Lombard Street— when a gentleman said to me as he passed by, "Sir, your little son has dropped his glove." I assure you, if you will excuse my remarking on so trivial a circumstance, this accidental mention of the child as mine, quite touched my heart and brought the foolish tears into my eyes. When little Frank is sent to school in the country, I shall be very much at a loss what to do with myself, but I have the intention of walking down there once a month and seeing him on a half holiday. I am told he will then be at play upon the Heath; and if my visits should be objected to, as unsettling the child, I can see him from a distance without his seeing me, and walk back again. His mother comes of a highly genteel family, and rather disapproves, I am aware, of our being too much together. I know that I am not calculated to improve his retiring disposition; but I think he would miss me beyond the feeling of the moment, if we were wholly separated. When I die in the Clapham Road, I shall not leave much more in this world than I shall take out of it ; but, I happen to have a miniature of a bright-faced boy, with a curling head, and an open shirt-frill waving down his bosom (my mother had it taken for me, but I can't believe that it was ever like), which will be worth nothing to sell, and which I shall beg may be given to Frank. I have written my dear boy a little letter with it, in which I have told him that I felt very sorry to part from him, though bound to confess that I knew no reason why I should remain here. I have given him some short advice, the best in my power, to take warning of the consequences of being nobody's enemy but his own; and I have endeavoured to comfort him for what I fear he will consider a bereavement, by pointing out to him that I was only a superfluous something to every one but him, and that having by some means failed to find a place in this great assembly, I am better out of it. Such (said the poor relation, clearing his throat and beginning to speak a little louder) is the general impression about me. Now, it is a remarkable circumstance which forms the aim and purpose of my story, that this is all wrong. This is not my life, and these are not my habits. I do not even live in the Clapham Road. Comparatively speaking, I am very seldom there. I reside, mostly, in a—I am almost ashamed to say the word, it sounds so full of pretension—in a Castle. I do not mean that it is an old baronial habitation, but still it is a building always known to every one by the name of a Castle. In it, I preserve the particulars of my history; they run thus: It was when I first took John Spatter (who had been my clerk) into partnership, and when I was still a young man of not more than five-and-twenty, residing in the house of my uncle Chill from whom I had considerable expectations, that I ventured to propose to Christiana. I had loved Christiana, a long time. She was very beautiful, and very winning in all respects. I rather mistrusted her widowed mother, who I feared was of a plotting and mercenary turn of mind; but, I thought as well of her as I could, for Christiana's sake. I never had loved any one but Christiana, and she had been all the world, and O far more than all the world, to me, from our childhood! Christiana accepted me with her mother's consent, and I was rendered very happy indeed. My life at my Uncle Chill's was of a spare dull kind, and my garret chamber was as dull, and bare, and cold, as an upper prison room in some stern northern fortress. But, having Christiana's love, I wanted nothing upon earth. I would not have changed my lot with any human being. Avarice was, unhappily, my Uncle Chill's master-vice. Though he was rich, he pinched, and scraped, and clutched, and lived miserably. As Christiana had no fortune, I was for some time a little fearful of confessing our engagement to him; but, at length I wrote him a letter, saying how it all truly was. I put it into his hand one night, on going to bed. As I came down stairs next morning, shivering in the cold December air; colder in my uncle's unwarmed house than in the street, where the winter sun did sometimes shine, and which was at all events enlivened by cheerful faces and voices passing along; I carried a heavy heart towards the long, low breakfast-room in which my uncle sat. It was a large room with a small fire, and there was a great bay window in it which the rain had marked in the night as if with the tears of houseless people. It stared upon a raw yard, with a cracked stone pavement, and some rusted iron railings half uprooted, whence an ugly out-building that had once been a dissecting-room (in the time of the great surgeon who had mortgaged the house to my uncle), stared at it. We rose so early always, that at that time of the year we breakfasted by candle-light. When I went into the room, my uncle was so contracted by the cold, and so huddled together in his chair behind the one dim candle, that I did not see him until I was close to the table. As I held out my hand to him, he caught up his stick (being infirm, he always walked about the house with a stick), and made a blow at me, and said, "You fool!" ''Uncle." I returned, "I didn't expect you to be so angry as this." Nor had I expected it, though he was a hard and angry old man. "You didn't expect!" said he; "when did you ever expect? When did you ever calculate, or look forward, you contemptible dog?" "These are hard words, uncle!" "Hard words? Feathers, to pelt such an idiot as you with," said he. "Here! Betsy Snap! Look at him!" Betsey Snap was a withered, hard-favored, yellow old woman— our only domestic—always employed, at this time of the morning, in rubbing my uncle's legs. As my uncle adjured her to look at me, he put his lean grip on the crown of her head, she kneeling beside him, and turned her face towards me. An involuntary thought connecting them both with the Dissecting Room, as it must often have been in the surgeon's time, passed across my mind in the midst of my anxiety. "Look at the snivelling milksop !" said my uncle. "Look at the baby! This is the gentleman who, people say, is nobody's enemy but his own. This is the gentleman who can't say no. This is the gentleman who was making such large profits in his business that he must needs take a partner, t'other day. This is the gentleman who is going to marry a wife without a penny, and who falls into the hands of Jezabels who are speculating on my death!" I knew, now, how great my uncle's rage was; for nothing short of his being almost beside himself would have induced him to utter that concluding word, which he held in such repugnance that it was never spoken or hinted at before him on any account. "On my death," he repeated, as if he were defying me by defying his own abhorrence of the word. "On my death— death— Death! But I'll spoil the speculation. Eat your last under this roof, you feeble wretch, and may it choke you!" You may suppose that I had not much appetite for the breakfast to which I was bidden in these terms; but, I took my accustomed seat. I saw that I was repudiated henceforth by my uncle; still I could bear that very well, possessing Christiana's heart. He emptied his basin of bread and milk as usual, only that he took it on his knees with his chair turned away from the table where I sat. When he had done, he carefully snuffed out the candle; and the cold, slate-coloured, miserable day looked in upon us. "Now, Mr. Michael," said he, "before we part, I should like to have a word with these ladies in your presence." "As you will, sir," I returned; "but you deceive yourself, and wrong us, cruelly, if you suppose that there is any feeling at stake in this contract but pure, disinterested, faithful love." To this, he only replied, "You lie!" and not one other word. We went, through half-thawed snow and half-frozen rain, to the house where Christiana and her mother lived. My uncle knew them very well. They were sitting at their breakfast and were surprised to see us at that hour. "Your servant, ma'am," said my uncle, to the mother. "You divine the purpose of my visit, I dare say, ma'am. I understand there is a world of pure, disinterested, faithful love cooped up here. I am happy to bring it all it wants, to make it complete. I bring you your son-in-law, ma'am— and you, your husband, miss. The gentleman is a perfect stranger to me, but I wish him joy of his wise bargain." He snarled at me as he went out, and I never saw him again. It is altogether a mistake (continued the poor relation) to suppose that my dear Christiana, over-persuaded and influenced by her mother, married a rich man, the dirt from whose carriage wheels is often, in these changed times, thrown upon me as she rides by. No, no. She married me. The way we came to be married rather sooner than we intended, was this. I took a frugal lodging and was saving and planning for her sake, when, one day, she spoke to me with great earnestness, and said: "My dear Michael, I have given you my heart. I have said that I loved you, and I have pledged myself to be your wife. I am as much yours through all changes of good and evil as if we had been married on the day when such words passed between us. I know you well, and know that if we should be separated and our union broken off, your whole life would be shadowed, and all that might, even now, be stronger in your character for the conflict with the world would then be weakened to the shadow of what it is!" "God help me, Christiana!" said I. "You speak the truth." "Michael!" said she, putting her hand in mine, in all maidenly devotion, "let us keep apart no longer. It is but for me to say that I can live contented upon such means as you have, and I well know you are happy. I say so from my heart. Strive no more alone; let us strive together. My dear Michael, it is not right that I should keep secret from you what you do not suspect, but what distresses my whole life. My mother: without considering that what you have lost, you have lost for me, and on the assurance of my faith: sets her heart on riches, and urges another suit upon me, to my misery. I cannot bear this, for to bear it is to be untrue to you. I would rather share your struggles than look on. I want no better home than you can give me. I know that you will aspire and labor with a higher courage if I am wholly yours, and let it be so when you will!" I was blest indeed, that day, and a new world opened to me. We were married in a very little while, and I took my wife to our happy home. That was the beginning of the residence I have spoken of; the Castle we have ever since inhabited together, dates from that time. All our children have been born in it. Our first child— now married— was a little girl, whom we called Christiana. Her son is so like Little Frank, that I hardly know which is which. The current impression as to my partner's dealings with me is also quite erroneous. He did not begin to treat me coldly, as a poor simpleton, when my uncle and I so fatally quarrelled; nor did he afterwards gradually possess himself of our business and edge me out. On the contrary, he behaved to me with the utmost good faith and honor. Matters between us, took this turn:— On the day of my separation from my uncle, and even before the arrival at our counting-house of my trunks (which he sent after me, not carriage paid), I went down to our room of business, on our little wharf, overlooking the river; and there I told John Spatter what had happened. John did not say, in reply, that rich old relatives were palpable facts, and that love and sentiment were moonshine and fiction. He addressed me thus: "Michael," said John. "We were at school together, and I generally had the knack of getting on better than you, and making a higher reputation." "You had, John," I returned. "Although," said John, "I borrowed your books, and lost them; borrowed your pocket- money, and never repaid it; got you to buy my damaged knives at a higher price than I had given for them new; and to own to the windows that I had broken." "All not worth mentioning, John Spatter," said I, "but certainly true." "When you were first established in this infant business, which promises to thrive so well," pursued John, "I came to you, in my search for almost any employment, and you made me your clerk." "Still not worth mentioning, my dear John Spatter," said I; "still, equally true." "And finding that I had a good head for business, and that I was really useful to the business, you did not like to retain me in that capacity, and thought it an act of justice soon to make me your partner." "Still less worth mentioning than any of those other little circumstances you have recalled, John Spatter," said I; "for I was, and am, sensible of your merits and my deficiencies." "Now my good friend," said John, drawing my arm through his, as he had had a habit of doing at school; while two vessels outside the windows of our counting-house—which were shaped like the stern windows of a ship—went lightly down the river with the tide, as John and I might then be sailing away in company, and in trust and confidence, on our voyage of life; "let there, under these friendly circumstances, be a right understanding between us. You are too easy, Michael. You are nobody's enemy but your own. If I were to give you that damaging character among our connexion, with a shrug, and a shake of the head, and a sigh; and if I were further to abuse the trust you place in me—" "But you never will abuse it at all, John," I observed. "Never!" said he, "but l am putting a case—I say, and if I were further to abuse that trust by keeping this piece of our common affairs in the dark, and this other piece in the light, and again this other piece in the twilight, and so on, I should strengthen my strength, and weaken your weakness, day by day, until at last I found myself on the high road to fortune, and you left behind on some bare common, a hopeless number of miles out of the way." "Exactly so," said I. "To prevent this, Michael," said John Spatter, "or the remotest chance of this, there must be perfect openness between us. Nothing must be concealed, and we must have but one interest." "My dear John Spatter," I assured him, "that is precisely what I mean." "And when you are too easy," pursued John, his face glowing with friendship, "you must allow me to prevent that imperfection in your nature from being taken advantage of, by any one; you must not expect me to humour it—" "My dear John Spatter," I interrupted, "I don't expect you to humour it. I want to correct it." "And I, too!" said John. "Exactly so!" cried I. "We both have the same end in view; and, honorably seeking it, and fully trusting one another, and having but one interest, ours will be a prosperous and happy partnership." "I am sure of it!" returned John Spatter. And we shook hands most affectionately. I took John home to my Castle, and we had a very happy day. Our partnership throve well. My friend and partner supplied what I wanted, as I had foreseen that he would; and by improving both the business and myself, amply acknowledged any little rise in life to which I had helped him. I am not (said the poor relation, looking at the fire as he slowly rubbed his hands), not very rich, for I never cared to be that; but I have enough, and am above all moderate wants and anxieties. My Castle is not a splendid place, but it is very comfortable, and it has a warm and cheerful air, and is quite a picture of Home. Our eldest girl, who is very like her mother, married John Spatter's eldest son. Our two families are closely united in other ties of attachment. It is very pleasant of an evening, when we are all assembled together—which frequently happens—and when John and I talk over old times, and the one interest there has always been between us. I really do not know, in my Castle, what loneliness is. Some of our children or grandchildren are always about it, and the young voices of my descendants are delightful—O, how delightful!—to me to hear. My dearest and most devoted wife, ever faithful, ever loving, ever helpful and sustaining and consoling, is the priceless blessing of my house; from whom all its other blessings spring. We are rather a musical family, and when Christiana sees me, at any time, a little weary or depressed, she steals to the piano and sings a gentle air she used to sing when we were first betrothed. So weak a man am I, that I cannot bear to hear it from any other source. They played it once, at the Theatre, when I was there with Little Frank; and the child said, wondering, "Cousin Michael, whose hot tears are these that have fallen on my hand!" Such is my Castle, and such are the real particulars of my life therein preserved. I often take Little Frank home there. He is very welcome to my grandchildren, and they play together. At this time of the year—the Christmas and New Year time—I am seldom out of my Castle. For, the associations of the season seem to hold me there, and the precepts of the season seem to teach me that it is well to be there. "And the Castle is —" observed a grave, kind voice among the company. "Yes. My Castle," said the poor relation, shaking his head as he still looked at the fire, "is in the Air. John our esteemed host suggests its situation accurately. My Castle is in the Air! I have done. Will you be so good as to pass the story." Once upon a time, a good many years ago, there was a traveller, and he set out upon a journey. It was a magic journey, and was to seem very long when he began it, and very short when he got half way through. He travelled along a rather dark path for some little time, without meeting anything, until at last he came to a beautiful child. So he said to the child, "What do you do here?" And the child said, "I am always at play. Come and play with me!" So, he played with that child, the whole day long, and they were very merry. The sky was so blue, the sun was so bright, the water was so sparkling, the leaves were so green, the flowers were so lovely, and they heard such singing-birds and saw so many butterflies, that everything was beautiful. This was in fine weather. When it rained, they loved to watch the falling drops, and to smell the fresh scents. When it blew, it was delightful to listen to the wind, and fancy what it said, as it came rushing from its home—where was that, they wondered!— whistling and howling, driving the clouds before it, bending the trees, rumbling in the chimnies, shaking the house, and making the sea roar in fury. But, when it snowed, that was best of all; for, they liked nothing so well as to look up at the white flakes falling fast and thick, like down from the breasts of millions of white birds; and to see how smooth and deep the drift was; and to listen to the hush upon the paths and roads. They had plenty of the finest toys in the world, and the most astonishing picture-books: all about scimitars and slippers and turbans, and dwarfs and giants and genii and fairies, and blue-beards and bean-stalks and riches and caverns and forests and Valentines and Orsons: and all new and all true. But, one day, of a sudden, the traveller lost the child. He called to him over and over again, but got no answer. So, he went upon his road, and went on for a little while without meeting anything, until at last he came to a handsome boy. So, he said to the boy, "What do you do here?" And the boy said, "I am always learning. Come and learn with me." So he learned with that boy about Jupiter and Juno, and the Greeks and the Romans, and I don't know what, and learned more than I could tell—or he either, for he soon forgot a great deal of it. But, they were not always learning; they had the merriest games that ever were played. They rowed upon the river in summer, and skated on the ice in winter; they were active afoot, and active on horseback; at cricket, and all games at ball; at prisoners' base, hare and hounds, follow my leader, and more sports than I can think of; nobody could beat them. They had holidays too, and Twelfth, cakes, and parties where they danced all night till midnight, and real Theatres where they saw palaces of real gold and silver rise out of the real earth, and saw all the wonders of the world at once. As to friends, they had such dear friends and so many of them, that I want the time to reckon them up. They were all young, like the handsome boy, and were never to be strange to one another all their lives through. Still, one day, in the midst of all these pleasures, the traveller lost the boy as he had lost the child, and, after calling to him in vain, went on upon his journey. So he went on for a little while without seeing anything, until at last he came to a young man. So, he said to the young man, "What do you do here?" And the young man said, "I am always in love. Come and love with me." So, he went away with that young man, and presently they came to one of the prettiest girls that ever was seen—just like Fanny in the corner there—and she had eyes like Fanny, and hair like Fanny, and dimples like Fanny's, and she laughed and coloured just as Fanny does while I am talking about her. So, the young man fell in love directly— just as Somebody I won't mention, the first time he came here, did with Fanny. Well! He was teazed sometimes—just as Somebody used to be by Fanny; and they quarrelled sometimes—just as Somebody and Fanny used to quarrel; and they made it up, and sat in the dark, and wrote letters every day, and never were happy asunder, and were always looking out for one another and pretending not to, and were engaged at Christmas time, and sat close to one another by the fire, and were going to be married very soon—all exactly like Somebody I won't mention, and Fanny! But, the traveller lost them one day, as he had lost the rest of his friends, and, after calling to them to come back, which they never did, went on upon his journey. So, he went on for a little while without seeing anything, until at last he came to a middle-aged gentleman. So, he said to the gentleman, "What are you doing here?" And his answer was, "I am always busy. Come and be busy with me!" So, he began to be very busy with that gentleman, and they went on through the wood together. The whole journey was through a wood, only it had been open and green at first, like a wood in spring; and now began to be thick and dark, like a wood in Summer; some of the little trees that had come out earliest, were even turning brown. The gentleman was not alone, but had a lady of about the same age with him, who was his Wife; and they had children, who were with them too. So, they all went on together through the wood, cutting down the trees, and making a path through the branches and the fallen leaves, and carrying burdens, and working hard. Sometimes, they came to a long green avenue that opened into deeper woods. Then they would hear a very little distant voice crying, "Father, father, I am another child! Stop for me!" And presently they would see a very little figure, growing larger as it came along, running to join them. When it came up, they all crowded round it, and kissed and welcomed it; and then they all went on together. Sometimes, they came to several avenues at once, and then they all stood still, and one of the children said, "Father, I am going to sea," and another said, "Father, I am going to India," and another, "Father, I am going to seek my fortune where I can," and another, "Father, I am going to Heaven!" So, with many tears at parting, they went, solitary, down those avenues, each child upon its way; and the child who went to Heaven, rose into the golden air and vanished. Whenever these partings happened, the traveller looked at the gentleman, and saw him glance up at the sky above the trees, where the day was beginning to decline, and the sunset to come on. He saw, too, that his hair was turning grey. But, they never could rest long, for they had their journey to perform, and it was necessary for them to be always busy. At last, there had been so many partings that there were no children left, and only the traveller, the gentleman, and the lady, went upon their way in company. And now the wood was yellow; and now brown; and the leaves, even of the forest trees, began to fall. So, they came to an avenue that was darker than the rest, and were pressing forward on their journey without looking down it when the lady stopped. "My husband," said the lady, "I am called." They listened, and they heard a voice, a long way down the avenue, say, "Mother, mother!" It was the voice of the first child who had said, "I am going to Heaven!" and the father said, "I pray not yet. The sunset is very near. I pray not yet!" But, the voice cried "Mother, mother!" without minding him, though his hair was now quite white, and tears were on his face. Then, the mother, who was already drawn into the shade of the dark avenue and moving away with her arms still round his neck, kissed him, and said "My dearest, I am summoned and I go!" And she was gone. And the traveller and he were left alone together. And they went on and on together, until they came to very near the end of the wood: so near, that they could see the sunset shining red before them, through the trees. Yet, once more, while he broke his way among the branches, the traveller lost his friend. He called and called, but there was no reply, and when he passed out of the wood, and saw the peaceful sun going down upon a wide purple prospect, he came to an old man sitting on a fallen tree. So, he said to the old man, "What do you do here?" And the old man said with a calm smile, "I am always remembering. Come and remember with me!" So, the traveller sat down by the side of that old man, face to face with the serene sunset; and all his friends came softly back and stood around him. The beautiful child, the handsome boy, the young man in love, the father, mother, and children: every one of them was there, and he had lost nothing. So, he loved them all, and was kind and forbearing with them all, and was always pleased to watch them all, and they all honored and loved him. And I think the traveller must be yourself, dear Grandfather, because this is what you do to us, and what we do to you. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Birmingham Venue Where the speech was given Temple Row Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18530106 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Gentlemen, I find it very difficult, I assure you, to tender my acknowledgments to you, and through you to those many friends of mine whom you represent, for this honour and distinction which you have thus conferred upon me. I can most honestly assure you, that it is in the power of no great representative of numbers of people to awaken such happiness in me as is inspired by this token of good will and remembrance, coming to me direct and fresh from the numbers themselves. I am truly sensible, gentlemen, that my friends who have united in this address are partial in their kindness, and regard what I have done with too great favour. But I may say, with reference to one class – some members of which, I presume, are included there – that I should in my own eyes be very unworthy both of the generous gift and the generous feeling which has been evinced, and this occasion, instead of pleasure, would give me nothing but pain, if I was unable to assure them, and those who are in front of this assembly, that what the working people have found me towards them in my books, I am throughout my life. Gentlemen, whenever I have tried to hold up to admiration their fortitude, patience, gentleness, the reasonableness of their nature, so accessible to persuasion, and their extraordinary goodness one towards another, I have done so because I have first genuinely felt that admiration myself, and have been thoroughly imbued with the sentiment which I sought to communicate to others. Gentlemen, I accept this salver and this ring, so far above all price to me, and so very valuable in themselves, as beautiful specimens of the workmanship of this great town, with much emotion I assure you, and with the liveliest gratitude. You remember something, I dare say, of the old romantic stories of those charmed rings which would lose their brilliance when the wearer was in danger, or would press his finger reproachfully when he was going to do wrong.  In the very improbable event of my being in the least danger of deserting the principles which have won me these tokens, I am sure that diamond would assume a clouded aspect to my faithless eye, and would, I know, squeeze a throb of pain out of my treacherous heart. But I have not the least misgiving on that point; and, in this confident expectation, I shall remove my old diamond ring from my left hand, and in future wear the Birmingham ring on my right, where its grasp will keep me in mind of the good friends I have here, and in vivid remembrance of this happy hour. Gentlemen, in conclusion, allow me to thank you and the society to whom these rooms belong, that the presentation has taken place in an atmosphere so congenial to me, and in an apartment decorated with so many beautiful works of art, among which I recognize before me the productions of friends of mine, whose labours and triumphs will never be subjects of indifference to me. I thank those gentlemen for giving me the opportunity of meeting them here on an occasion which has some connection with their own proceedings; and, though last not least, I tender my acknowledgments to that charming presence which is here, without which nothing beautiful can be complete, and which is endearingly associated with rings of a plainer description, – and which, I must confess, awakens in my mind at the present moment a feeling of regret that 1 am not in a condition to make an offer of those testimonials. I beg you, gentlemen, to commend me very earnestly and gratefully to our absent friends, and to assure them of my affectionate and heartfelt respect.  Mr. Mayor and Gentlemen, I am happy on behalf of many labourers in that great field of literature to which you have pledged the toast, to thank you for the tribute you have paid to it. Such an honour, rendered by acclamation, in such a place as this, seems to me, if I may follow on the same side as the venerable Archdeacon who has lately addressed you and who has inspired me with a gratification I can never forget, such an honour, gentlemen, rendered here, seems to me a two-sided illustration of the position that Literature holds in these latter, and of course ‘degenerate’ days. To the great compact phalanx of the people, by whose industry, perseverance, and intelligence, and their result in money-wealth such places as Birmingham, and many others like it, have arisen – to that great centre of support, that comprehensive experience, and that beating heart – Literature has turned happily from individual patrons, sometimes munificent, often sordid, always few, and has found there at once its highest purpose, its natural range of action, and its best reward. Therefore it is right also, as it seems to me, not only that Literature should receive honour here, but that it should render honour too, remembering that if it has undoubtedly done good to Birmingham, Birmingham has undoubtedly done good to it. From the shame of the purchased dedication, from the scurrilous and dirty work of Grub Street, from the dependent seat on sufferance at my Lord Duke's table today, and from the sponging-house and Marshalsea tomorrow, from that venality which, by a fine moral retribution, has degraded statesmen even to a greater extent than authors, because the statesman entertained a low belief in the universality of corruption, while the author yielded only to the dire necessity of his calling, – from all such evils the people have set Literature free. And my creed in the exercise of that profession is, that Literature cannot be too faithful to the people in return – cannot too ardently advocate the cause of their advancement, happiness, and prosperity. Gentlemen, I have heard it sometimes said – and what is worse, as expressing something more cold-blooded, I have sometimes seen it written – that Literature has suffered by this change, that it has degenerated by being made cheaper. I have not found that to be the case. Nor do I believe that you have made that discovery either. But let a good book in these ‘bad times’ be made accessible, – even upon an abstruse and difficult subject – and my life upon it, it shall be extensively bought, read, and well considered. Why do I say this? Because I believe there are in Birmingham at this moment many working men infinitely better versed in Shakespeare and in Milton than the average of fine gentlemen in the days of bought-and-sold dedications and dear books. I ask anyone to consider for himself who, at this time, gives the greatest relative encouragement to the dissemination of such useful publications as Macaulay's History, Layard's Nineveh Researches, Tennyson's Poems, the Duke of Wellington's published Dispatches, or the minutest truths (if any truth can be called minute) discovered by the genius of a Herschel or a Faraday. It is with all these things, as with the great music of Mendelssohn, or a lecture upon art – delivered tomorrow by my distinguished friend the President of the Royal Academy – and how happy we should be if such were the case! – however small the audience, however contracted the circle in the water in the first instance, the people are now the wider range outside; and the Sister Arts, while they instruct them, derive a wholesome advantage and improvement from their ready sympathy and cordial response. I may instance the case of my friend Mr. Ward’s magnificent picture; and the reception of that picture here is an example that it is not now the province of art in painting to hold itself in monastic seclusion, that it cannot hope to rest on a single foundation for its great temple – or the mere classic pose of a figure, or the folds of a drapery – but that it must be imbued with human passions and action, informed with human right and wrong, and, being so informed, it may fearlessly put itself upon trial, like the criminal of old, to be judged by God and its country. Gentlemen, to return and conclude, as I shall have occasion to trouble you again, for this time, I have only once again to repeat what I have already said. As I begun with Literature I shall end with it. I would simply say that I believe no true man, with anything to tell, need have the least misgiving, either for himself or for his message, before a large number of hearers – always supposing that he be not afflicted with the coxcombical idea of writing down to the popular intelligence, instead of writing the popular intelligence up to himself, if, perchance, he be above it; and provided always that he deliver himself plainly of what is in him, which seems to be no unreasonable stipulation, it being supposed that he has some dim design of making himself understood. On behalf of that Literature to which you have done so much honour, I beg to thank you most cordially, and on my own behalf, for the most flattering reception you have given to one whose claim is, that he has the distinction of making it his profession. I am requested to propose – or according to the hypothesis of my friend Mr. Owen, I am, in the temporary character of a walking advertisement, to advertise to you – the educational institutions of Birmingham, an advertisement to which I have the greatest pleasure in calling your attention. Gentlemen, it is right that I should, in so many words, mention the more prominent of these institutions, not because your local memories require any prompting, but because the enumeration implies what has been done here, what you are doing, and what you will yet do. I believe the first is the King Edward’s Grammar School, with its various branches; and prominent among them is that most admirable means of training the wives of working men to be good wives and working wives, the prime ornament of their homes, and the cause of happiness to others – I mean those excellent girls' schools in various parts of the town, which, under the excellent superintendence of the Principal, I should most sincerely desire to see in every town in England. Next, I believe, is the Spring Hill College, a learned institution belonging to the body of Independents, foremost among whose professors Literature is proud to hail Mr. Henry Rogers, one of the soundest and ablest contributors to the Edinburgh Review. The next is the Queen’s College, which, I may say, is only a new-born child; but in the hands of such an admirable Doctor, we hope to see it arrive at a vigorous maturity. The next is the School of Design, which as has been well observed by my friend Sir Charles Eastlake, is invaluable to such a place as this; and, lastly, there is the Polytechnic Institution, with regard to which I had long ago an occasion to express my profound conviction that it was of unspeakable importance to such a community as this, when I had the honour to be present under the auspices of your excellent representative, Mr. Scholefield. They are all admirable in their kind; but I am glad to find that more is yet doing. A few days ago I received a Birmingham newspaper containing a most interesting account of a preliminary meeting for the formation of a Reformatory School for juvenile delinquents. You are not exempt here from the honour of saving these poor, neglected, and wretched outcasts. I read of one infant, six years old, who has been twice as many times in the hands of the police as years have passed over his devoted head. These are the eggs from which jail birds are hatched; if you wish to check that dreadful brood, you must take the young and innocent and have them reared by Christian hands. Lastly, I am rejoiced to find that there is on foot a scheme for a new Literary and Scientific Institution, which would be worthy even of this place, if there was nothing of the kind in it: an institution, as I understand it, where the words ‘exclusion’ and ‘exclusiveness’ shall be quite unknown; where all classes may assemble in common trust, respect and confidence; where there shall be a great gallery of painting and statuary open to the inspection and admiration of all comers; where there shall be a museum of models in which Industry may observe its various sources of manufacture, and the mechanic may work out new combinations and arrive at new results; where the very mines under the earth and under the sea shall not be forgotten, but presented in little to the inquiring eye; an institution, in short, where many and many of the obstacles which now inevitably stand in the way of the poor inventor shall be smoothed away, and where, if he have anything good in him, he will find encouragement and hope. I observe with unusual interest and gratification, that a body of gentlemen are going for a time to lay aside their individual pre-possessions on other subjects, and as good citizens, are to be engaged in a design as patriotic as may well can be. They have the intention of meeting in a few days to advance this great object, and I call upon you, in drinking this toast, to drink success to their endeavours, and to make it the pledge by all good means to promote it. If I strictly followed out the list of educational institutions in Birmingham I should not have done here; but I intend to stop, merely observing that I have seen within a short walk of this place one of the most interesting and practical institutions for the Deaf and Dumb that has ever come under my observation. I have seen in the factories and workshops of Birmingham such beautiful order and regularity, and such great consideration for the work people provided, that they might justly be entitled to be considered educational too. I have seen in your splendid Town Hall, when the cheap concerts are going on there, also an admirable educational institution. I have seen the results in the demeanour of your working people, excellently balanced by a nice instinct, as free from servility on the one hand, as from self-conceit on the other. It is a perfect delight to have need to ask a question, if only from the manner of the reply – a manner I never knew to have passed unnoticed by an observant stranger. Gather up those threads, and a great many more I have not touched upon, and weaving all into one good fabric, remember how much is included under the general head of the Educational Institutions of your town. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Presentation and Banquet to Literature and Art, Birmingham Description An account of the resource Speech at the Presentation and Banquet to Literature and Art, Birmingham (6 January 1853). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1853-01-06 Identifier An unambiguous reference to the resource within a given context 1853-01-06_Speech_Presentation-and-Banquet-to-Literature-and-Art-Birmingham Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Presentation and Banquet to Literature and Art, Birmingham' (6 January 1853). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1853-01-06_Speech_Presentation-and-Banquet-to-Literature-and-Art-Birmingham">https://dickenssearch.com/speeches/1853-01-06_Speech_Presentation-and-Banquet-to-Literature-and-Art-Birmingham</a>. Scripto Transcription A written representation of a document. Gentlemen, I find it very difficult, I assure you, to tender my acknowledgments to you, and through you to those many friends of mine whom you represent, for this honour and distinction which you have thus conferred upon me. I can most honestly assure you, that it is in the power of no great representative of numbers of people to awaken such happiness in me as is inspired by this token of good will and remembrance, coming to me direct and fresh from the numbers themselves. I am truly sensible, gentlemen, that my friends who have united in this address are partial in their kindness, and regard what I have done with too great favour. But I may say, with reference to one class – some members of which, I presume, are included there – that I should in my own eyes be very unworthy both of the generous gift and the generous feeling which has been evinced, and this occasion, instead of pleasure, would give me nothing but pain, if I was unable to assure them, and those who are in front of this assembly, that what the working people have found me towards them in my books, I am throughout my life. Gentlemen, whenever I have tried to hold up to admiration their fortitude, patience, gentleness, the reasonableness of their nature, so accessible to persuasion, and their extraordinary goodness one towards another, I have done so because I have first genuinely felt that admiration myself, and have been thoroughly imbued with the sentiment which I sought to communicate to others.  Gentlemen, I accept this salver and this ring, so far above all price to me, and so very valuable in themselves, as beautiful specimens of the workmanship of this great town, with much emotion I assure you, and with the liveliest gratitude. You remember something, I dare say, of the old romantic stories of those charmed rings which would lose their brilliance when the wearer was in danger, or would press his finger reproachfully when he was going to do wrong.   In the very improbable event of my being in the least danger of deserting the principles which have won me these tokens, I am sure that diamond would assume a clouded aspect to my faithless eye, and would, I know, squeeze a throb of pain out of my treacherous heart. But I have not the least misgiving on that point; and, in this confident expectation, I shall remove my old diamond ring from my left hand, and in future wear the Birmingham ring on my right, where its grasp will keep me in mind of the good friends I have here, and in vivid remembrance of this happy hour. Gentlemen, in conclusion, allow me to thank you and the society to whom these rooms belong, that the presentation has taken place in an atmosphere so congenial to me, and in an apartment decorated with so many beautiful works of art, among which I recognize before me the productions of friends of mine, whose labours and triumphs will never be subjects of indifference to me. I thank those gentlemen for giving me the opportunity of meeting them here on an occasion which has some connection with their own proceedings; and, though last not least, I tender my acknowledgments to that charming presence which is here, without which nothing beautiful can be complete, and which is endearingly associated with rings of a plainer description, – and which, I must confess, awakens in my mind at the present moment a feeling of regret that 1 am not in a condition to make an offer of those testimonials. I beg you, gentlemen, to commend me very earnestly and gratefully to our absent friends, and to assure them of my affectionate and heartfelt respect.   Mr. Mayor and Gentlemen, I am happy on behalf of many labourers in that great field of literature to which you have pledged the toast, to thank you for the tribute you have paid to it. Such an honour, rendered by acclamation, in such a place as this, seems to me, if I may follow on the same side as the venerable Archdeacon who has lately addressed you and who has inspired me with a gratification I can never forget, such an honour, gentlemen, rendered here, seems to me a two-sided illustration of the position that Literature holds in these latter, and of course ‘degenerate’ days. To the great compact phalanx of the people, by whose industry, perseverance, and intelligence, and their result in money-wealth such places as Birmingham, and many others like it, have arisen – to that great centre of support, that comprehensive experience, and that beating heart – Literature has turned happily from individual patrons, sometimes munificent, often sordid, always few, and has found there at once its highest purpose, its natural range of action, and its best reward.   Therefore it is right also, as it seems to me, not only that Literature should receive honour here, but that it should render honour too, remembering that if it has undoubtedly done good to Birmingham, Birmingham has undoubtedly done good to it. From the shame of the purchased dedication, from the scurrilous and dirty work of Grub Street, from the dependent seat on sufferance at my Lord Duke's table today, and from the sponging-house and Marshalsea tomorrow, from that venality which, by a fine moral retribution, has degraded statesmen even to a greater extent than authors, because the statesman entertained a low belief in the universality of corruption, while the author yielded only to the dire necessity of his calling, – from all such evils the people have set Literature free. And my creed in the exercise of that profession is, that Literature cannot be too faithful to the people in return – cannot too ardently advocate the cause of their advancement, happiness, and prosperity. Gentlemen, I have heard it sometimes said – and what is worse, as expressing something more cold-blooded, I have sometimes seen it written – that Literature has suffered by this change, that it has degenerated by being made cheaper. I have not found that to be the case. Nor do I believe that you have made that discovery either. But let a good book in these ‘bad times’ be made accessible, – even upon an abstruse and difficult subject – and my life upon it, it shall be extensively bought, read, and well considered. Why do I say this? Because I believe there are in Birmingham at this moment many working men infinitely better versed in Shakespeare and in Milton than the average of fine gentlemen in the days of bought-and-sold dedications and dear books. I ask anyone to consider for himself who, at this time, gives the greatest relative encouragement to the dissemination of such useful publications as Macaulay's History, Layard's Nineveh Researches, Tennyson's Poems, the Duke of Wellington's published Dispatches, or the minutest truths (if any truth can be called minute) discovered by the genius of a Herschel or a Faraday. It is with all these things, as with the great music of Mendelssohn, or a lecture upon art – delivered tomorrow by my distinguished friend the President of the Royal Academy – and how happy we should be if such were the case! – however small the audience, however contracted the circle in the water in the first instance, the people are now the wider range outside; and the Sister Arts, while they instruct them, derive a wholesome advantage and improvement from their ready sympathy and cordial response. I may instance the case of my friend Mr. Ward’s magnificent picture; and the reception of that picture here is an example that it is not now the province of art in painting to hold itself in monastic seclusion, that it cannot hope to rest on a single foundation for its great temple – or the mere classic pose of a figure, or the folds of a drapery – but that it must be imbued with human passions and action, informed with human right and wrong, and, being so informed, it may fearlessly put itself upon trial, like the criminal of old, to be judged by God and its country. Gentlemen, to return and conclude, as I shall have occasion to trouble you again, for this time, I have only once again to repeat what I have already said. As I begun with Literature I shall end with it. I would simply say that I believe no true man, with anything to tell, need have the least misgiving, either for himself or for his message, before a large number of hearers – always supposing that he be not afflicted with the coxcombical idea of writing down to the popular intelligence, instead of writing the popular intelligence up to himself, if, perchance, he be above it; and provided always that he deliver himself plainly of what is in him, which seems to be no unreasonable stipulation, it being supposed that he has some dim design of making himself understood. On behalf of that Literature to which you have done so much honour, I beg to thank you most cordially, and on my own behalf, for the most flattering reception you have given to one whose claim is, that he has the distinction of making it his profession. I am requested to propose – or according to the hypothesis of my friend Mr. Owen, I am, in the temporary character of a walking advertisement, to advertise to you – the educational institutions of Birmingham, an advertisement to which I have the greatest pleasure in calling your attention. Gentlemen, it is right that I should, in so many words, mention the more prominent of these institutions, not because your local memories require any prompting, but because the enumeration implies what has been done here, what you are doing, and what you will yet do. I believe the first is the King Edward’s Grammar School, with its various branches; and prominent among them is that most admirable means of training the wives of working men to be good wives and working wives, the prime ornament of their homes, and the cause of happiness to others – I mean those excellent girls' schools in various parts of the town, which, under the excellent superintendence of the Principal, I should most sincerely desire to see in every town in England. Next, I believe, is the Spring Hill College, a learned institution belonging to the body of Independents, foremost among whose professors Literature is proud to hail Mr. Henry Rogers, one of the soundest and ablest contributors to the Edinburgh Review. The next is the Queen’s College, which, I may say, is only a new-born child; but in the hands of such an admirable Doctor, we hope to see it arrive at a vigorous maturity. The next is the School of Design, which as has been well observed by my friend Sir Charles Eastlake, is invaluable to such a place as this; and, lastly, there is the Polytechnic Institution, with regard to which I had long ago an occasion to express my profound conviction that it was of unspeakable importance to such a community as this, when I had the honour to be present under the auspices of your excellent representative, Mr. Scholefield. They are all admirable in their kind; but I am glad to find that more is yet doing. A few days ago I received a Birmingham newspaper containing a most interesting account of a preliminary meeting for the formation of a Reformatory School for juvenile delinquents. You are not exempt here from the honour of saving these poor, neglected, and wretched outcasts. I read of one infant, six years old, who has been twice as many times in the hands of the police as years have passed over his devoted head. These are the eggs from which jail birds are hatched; if you wish to check that dreadful brood, you must take the young and innocent and have them reared by Christian hands.  Lastly, I am rejoiced to find that there is on foot a scheme for a new Literary and Scientific Institution, which would be worthy even of this place, if there was nothing of the kind in it: an institution, as I understand it, where the words ‘exclusion’ and ‘exclusiveness’ shall be quite unknown; where all classes may assemble in common trust, respect and confidence; where there shall be a great gallery of painting and statuary open to the inspection and admiration of all comers; where there shall be a museum of models in which Industry may observe its various sources of manufacture, and the mechanic may work out new combinations and arrive at new results; where the very mines under the earth and under the sea shall not be forgotten, but presented in little to the inquiring eye; an institution, in short, where many and many of the obstacles which now inevitably stand in the way of the poor inventor shall be smoothed away, and where, if he have anything good in him, he will find encouragement and hope. I observe with unusual interest and gratification, that a body of gentlemen are going for a time to lay aside their individual pre-possessions on other subjects, and as good citizens, are to be engaged in a design as patriotic as may well can be. They have the intention of meeting in a few days to advance this great object, and I call upon you, in drinking this toast, to drink success to their endeavours, and to make it the pledge by all good means to promote it. If I strictly followed out the list of educational institutions in Birmingham I should not have done here; but I intend to stop, merely observing that I have seen within a short walk of this place one of the most interesting and practical institutions for the Deaf and Dumb that has ever come under my observation. I have seen in the factories and workshops of Birmingham such beautiful order and regularity, and such great consideration for the work people provided, that they might justly be entitled to be considered educational too. I have seen in your splendid Town Hall, when the cheap concerts are going on there, also an admirable educational institution. I have seen the results in the demeanour of your working people, excellently balanced by a nice instinct, as free from servility on the one hand, as from self-conceit on the other. It is a perfect delight to have need to ask a question, if only from the manner of the reply – a manner I never knew to have passed unnoticed by an observant stranger. Gather up those threads, and a great many more I have not touched upon, and weaving all into one good fabric, remember how much is included under the general head of the Educational Institutions of your town.