22 10 361 https://www.dickenssearch.com/files/original/6/Artists_General_Benevolent_Institution_Charity_Dinner/1839-03-24_Speech_Artists-General-Benevolent-Institution.pdf 5a95b6a95c6dbcb7988e36579f3440b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Mr. Charles Dickens said that, if he could consider the compliment as one paid to himself, unexpected as it was, he should have had great difficulty in returning thanks; but he was relieved from any such consideration, because he only recognised in it the connection which existed between the pencil and the pen, and therefore in the name of the sewards, of whom he had the honour to be one, he begged to return their sincere acknowledgments for the mark of distinction which had been paid to them. It would be bad taste in him if he were to detain them at any length, but he must at the same time say, that it gave him sincerely gratification to see around him, on an occasion of this kind, those distinguished artists, who cast lustre by their genius on the lowest subjects, and raised them by the power of their graphic pencils to the level of their own fanciful imaginations. He hoped he would be permitted to say, that it gave him pleasure and delight to be connected even for a moment with an institution which partook of the grace and beauty of the pencil, and shed its soft light upon poverty and distress, into the house of sickness and sorrow.' Location The location London Venue Where the speech was given Freemasons' Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18390324 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Artists' General Benevolent Institution Charity Dinner Description An account of the resource Toast given at the Artists' General Benevolent Institution Charity Dinner, Freemasons' Hall (24 March 1839). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Morning Chronicle (25 March 1839). Date A point or period of time associated with an event in the lifecycle of the resource 1839-03-24 Identifier An unambiguous reference to the resource within a given context 1839-03-24_Speech_Artists-General-Benevolent-Institution Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Toast at the Artists' General Benevolent Institution Charity Dinner (24 March 1839). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1839-03-24_Speech_Artists-General-Benevolent-Institution">https://dickenssearch.com/speeches/1839-03-24_Speech_Artists-General-Benevolent-Institution</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Boston Venue Where the speech was given Tremont Theatre Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420129 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and gentlemen, I am assured by your presence here this morning that you have become acquainted with the nature of the welcome duty which I have to discharge, and which is most pleasantly commended to me in a double sense: firstly because it cannot fail to be gratifying to a worthy man who has established a strong claim upon my interest and esteem; and, secondly, because it affords me an opportunity of meeting you, whom I have a thousand reasons for longing to see, here, or anywhere. It may be known to you, perhaps, that passengers on board the Britannia Steamship which bore me and some four score others to these happy shores, held a meeting together the day before our arrival, the object of which to do honour to Captain Hewett, the able commander under whose guidance we had crossed the wide Atlantic. I, and two other gentlemen, (one of whom stands near me, and the other of whom is prevented by business from attending here today) had the honour to be deputed by that meeting to carry its intention into effect. In the execution of the trust reposed in us by our fellow passengers, we are most desirous to impress you with the fact that this is very far from being an ordinary or matter of course proceeding: that it is not a matter of form, but of good sound substance; that in presenting Captain Hewett with these slight and frail memorials, we are not following out a hollow custom, but are imperfectly expressing the warmest and most earnest feelings, being well assured that with God’s blessing we owe our safety and preservation under circumstances of unusual peril, to his ability, courage, and skill. You will please to understand that these tokens on the table are an acknowledgement, not in themselves, but in the feeling which dictates their presentation, of many long and weary nights of watching and fatigue, of great exertion of body, and much anxiety of mind, and of the prompt and efficient discharge of arduous duties such as do not often present themselves. In a word, this is anything but an extraordinary return for really extraordinary services; and we wish you to regard it in that light that our present may have the value which it was intended to bear, and which is far enough removed, Heaven knows, from its intrinsic worth or beauty. Captain Hewett, I am very proud and happy to have been selected as the instrument of conveying to you the heartfelt thanks of my fellow passengers on board the ship entrusted to your charge, and of entreating your acceptance of this trifling present. The ingenious artists who work in silver do not always, I find, keep their promises even in Boston. I regret that instead of two goblets, which there should be here, there is at present only one. This deficiency, however, will soon be supplied; and when it is, our little testimonial will be, so far, complete. You are a sailor, Captain Hewett, in the truest sense of the word; and the devoted admiration of the ladies, God bless them, is a sailor’s first boast. I need not enlarge upon the honour they have done you, I am sure, by their presence here. Judging of you by myself, I am certain that the recollection of their beautiful faces will cheer your lonely vigils upon the ocean for a long time to come. In all time to come, and in all your voyages upon the sea, I hope you will have a thought for those who wish to live in your memory by the help of these trifles. As they will often connect you with the pleasures of those homes and firesides from which they once wandered, and which, but for you, they might never have regained, so they that trust that you will sometimes associate them with your hours of festive enjoyment: and that when you drink from these cups, you will feel that the draught is commended to your lips by friends whose best wishes you have, and who earnestly and truly hope for your success, happiness, and prosperity in all the undertakings of your life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Presentation to Captain Hewett Description An account of the resource A speech given at the presentation to Captain Hewett, Boston (29 January 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-01-29 Identifier An unambiguous reference to the resource within a given context 1842-01-29_Speech_Presentation-to-Captain-Hewett Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Presentation to Captain Hewett (29 January 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-01-29_Speech_Presentation-to-Captain-Hewett">https://dickenssearch.com/speeches/1842-01-29_Speech_Presentation-to-Captain-Hewett</a>. Scripto Transcription A written representation of a document. Ladies and gentlemen, I am assured by your presence here this morning that you have become acquainted with the nature of the welcome duty which I have to discharge, and which is most pleasantly commended to me in a double sense: firstly because it cannot fail to be gratifying to a worthy man who has established a strong claim upon my interest and esteem; and, secondly, because it affords me an opportunity of meeting you, whom I have a thousand reasons for longing to see, here, or anywhere.  It may be known to you, perhaps, that passengers on board the Britannia Steamship which bore me and some four score others to these happy shores, held a meeting together the day before our arrival, the object of which to do honour to Captain Hewett, the able commander under whose guidance we had crossed the wide Atlantic. I, and two other gentlemen, (one of whom stands near me, and the other of whom is prevented by business from attending here today) had the honour to be deputed by that meeting to carry its intention into effect. In the execution of the trust reposed in us by our fellow passengers, we are most desirous to impress you with the fact that this is very far from being an ordinary or matter of course proceeding: that it is not a matter of form, but of good sound substance; that in presenting Captain Hewett with these slight and frail memorials, we are not following out a hollow custom, but are imperfectly expressing the warmest and most earnest feelings, being well assured that with God’s blessing we owe our safety and preservation under circumstances of unusual peril, to his ability, courage, and skill. You will please to understand that these tokens on the table are an acknowledgement, not in themselves, but in the feeling which dictates their presentation, of many long and weary nights of watching and fatigue, of great exertion of body, and much anxiety of mind, and of the prompt and efficient discharge of arduous duties such as do not often present themselves. In a word, this is anything but an extraordinary return for really extraordinary services; and we wish you to regard it in that light that our present may have the value which it was intended to bear, and which is far enough removed, Heaven knows, from its intrinsic worth or beauty. Captain Hewett, I am very proud and happy to have been selected as the instrument of conveying to you the heartfelt thanks of my fellow passengers on board the ship entrusted to your charge, and of entreating your acceptance of this trifling present. The ingenious artists who work in silver do not always, I find, keep their promises even in Boston. I regret that instead of two goblets, which there should be here, there is at present only one. This deficiency, however, will soon be supplied; and when it is, our little testimonial will be, so far, complete. You are a sailor, Captain Hewett, in the truest sense of the word; and the devoted admiration of the ladies, God bless them, is a sailor’s first boast. I need not enlarge upon the honour they have done you, I am sure, by their presence here. Judging of you by myself, I am certain that the recollection of their beautiful faces will cheer your lonely vigils upon the ocean for a long time to come. In all time to come, and in all your voyages upon the sea, I hope you will have a thought for those who wish to live in your memory by the help of these trifles. As they will often connect you with the pleasures of those homes and firesides from which they once wandered, and which, but for you, they might never have regained, so they that trust that you will sometimes associate them with your hours of festive enjoyment: and that when you drink from these cups, you will feel that the draught is commended to your lips by friends whose best wishes you have, and who earnestly and truly hope for your success, happiness, and prosperity in all the undertakings of your life. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. The institution, he said, although at this time but a very young plant almost in the bud, had struck a deep root and taken a strong hold in the bosoms of tens of thousands of our fellow creatures. Little more than six months, according to the report just read, had passed since the hospital was open for the reception of patients, and within that short time no fewer than sixty or seventy patients had occupied its beds, while the number of out-patients – many whom they had been delighted to learn had, by the skill and timely aid they had received, been enabled to resume their accustomed occupations – amounted to no fewer than 750. If this charity had not existed, the doors of no sick house within London’s wide bounds would have been open to these poor persons. Before the hospital was founded they would have suffered, lingered, pined, and died in their poor homes, without a hand stretched out to help them in their slow decay. Remembering that the classes of suffering which the charity purposed to alleviate were of all others peculiarly the growth and produce of the country; that they were often the inheritance of the youngest, fairest, best amongst us, that they deprived fair England of those whom it could least afford to lose, struck down the objects of our dearest hopes when in their youthful prime, and when it was hardest to lose them – remembering these things who could doubt that such a charity must be munificently endowed? He now called upon them to drink ‘Prosperity’ to the institution, not as an unmeaning toast, but as a pledge that nothing on their parts should be wanting to aid and urge it onward in its prosperous course. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430506 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At the Annual Dinner of the Hospital for Consumption and Diseases of the Chest Description An account of the resource Toast at the Annual Dinner of the Hospital for Consumption and Diseases of the Chest (6 May 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-05-06 Identifier An unambiguous reference to the resource within a given context 1843-05-06_Speech_Hospital-for-Consumption Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'At the Annual Dinner of the Hospital for Consumption and Diseases of the Chest' (6 May 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-05-06_Speech_Hospital-for-Consumption">https://dickenssearch.com/speeches/1843-05-06_Speech_Hospital-for-Consumption</a>. https://www.dickenssearch.com/files/original/6/At_a_Reading_in_Manchester_1857/1857-07-31_Speech_Before-Reading-Carol .pdf 043d9699bd3de298ba08a669d2922e90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Mr. Dickens introduced his reading by saying that on the occasions when he had the honour of repeating his "Carol" before audience he was accustomed to commence with two observations. The first was, that he should pause for five minutes half way through the story; and the second, that whenever as they proceeded the audience felt disposed to give utterance to any emotions, he frankly begged they would do so in the most natural manner possible, and without the least apprehension of disturbing him.' Location The location Manchester Venue Where the speech was given Free Trade Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Manchester Courier and Lancashire General Advertiser Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18570731 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Manchester 1857 Description An account of the resource Speech before a reading of A Christmas Carol, Manchester (31 July 1857). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Manchester Courier and Lancashire General Advertiser (1 August 1857). Date A point or period of time associated with an event in the lifecycle of the resource 1857-07-31 Identifier An unambiguous reference to the resource within a given context 1857-07-31_Speech_Reading-in-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Before a Reading of the Carol' (31 July 1857). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester">https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester</a>. Scripto Transcription A written representation of a document. I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained. manchester Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location New York Venue Where the speech was given City Hotel Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420218 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. President and Gentlemen, I don’t know how to thank you – I really don’t know how. You might, perhaps, suppose that by the dint of custom and from the experience your kindness has heaped upon me since my arrival in this country, that the difficult would have been somewhat diminished or dwindled into nothing but I do assure you the fact is exactly the reverse. Unlike that rolling stone which gathers no moss, I have, in my progress to your city, collected around me such a heap of obligation and weight of acknowledgement, that in my power of expressing it I have grown more and more unwieldy every hour! I picked up such a quantity of fresh moss – so to speak – at a certain brilliant scene on Monday night, that I thought I never could, by any possibility, grow any bigger. But crowded upon that, there comes again tonight a new accumulation of such extent and magnitude, that I am fairly at a standstill and can roll no more! Gentlemen, we know from all the authorities, that whenever a fairy stone, or ball, or reel of thread, stopped of its own accord–which I do not–some catastrophe was sure to be at hand. Its precedent, however, holds good in my case. For, remembering the short time I have before me in this land of mighty interest, and the poor opportunities I can have at best of acquiring a knowledge of, and making myself acquainted with it, I have felt it almost a duty to decline the honours which my generous friends elsewhere would heap upon me, and henceforth to pass through the country more quietly. Argus himself, though he had but one mouth for his hundred eyes, would have found the reception of a public entertainment once a week somewhat relaxing to his vigilance and activity. And as I would lose no scrap or jot from the rich mines of gratification and instruction which await me, I know, on every hand–and of which I have already derived no small instalment from your hospitals and common jails–I have resolved to take up my staff, and go upon my way rejoicing, and for the future to shake hands with Americans not at parties, but at home. And therefore, gentlemen, I say tonight, with a full heart and an honest purpose and grateful feelings, that I bear with me, and shall ever bear with me, a deeper sense of your kind, affectionate and noble greeting, than it is possible to convey in words; that no European sky without, and no cheerful home or well-warmed room within shall every shut out this land from my vision; that I shall often hear your words of welcome in my quiet room, oftenest when it is most quiet, and shall see your aces in the winter evening fire; that if I should live to grow old, the light of this hall and others like it will shine as brightly to my dull eyes fifty years hence as it does tonight and that when my course is run the sympathy you have shown to me shall be well remembered and paid back, so please God, in my undying love and honest endeavours for the good of my race. Gentlemen, one other word with reference to this tiresome first person, and I close that theme. I came here in an open, honest, and confiding spirit, if ever man did, and because I heartily inclined toward you; had I felt otherwise I should have kept away. As I came here, and am here, without the least admixture of the hundredth portion of a grain of base alloy, without the faintest unworthy reference to self in any word I have ever addressed to you, or in any sentiment I have ever interchanged with you, I assert my right tonight, in regard to the past for the last time, my right in reason, truth, and justice, to appeal to you, as I have done on two former occasions, on a question of universal literary interest in both countries. And, gentlemen, I claim this justice: that I have made the appeal as one who has a most righteous claim to speak and to be heard; and that I have done so in a frank, and courteous, and good-humoured spirit of deference to those who frankly, courteously, and good humouredly differed from me in any or every respect. For myself, gentlemen, I have only to add that I will ever be as true to you as you have been to me. I recognise in your enthusiastic approval of the creations of my fancy, as in a glass, your enlightened care for the happiness of the many, your tender and gentle regard for the afflicted and helpless, your sympathy for the downcast, your plans for the correction and improvement of the bad, and the encouragement and solace of the good–the education and advancement of every member of society. My constant and increasing devotion to the end of my life to these ends, and to every other object to the extent of my humble capacity, having the common good in view, shall prove to you that in this you do not mistake me, and that the light you have shed around my path was not unworthily bestowed. And now that I have said this much in reference to myself, let me have the gratification I have long expected of saying a few words in reference to somebody else. There is in this city a gentleman who, at the conclusion of one of my books–I well remember it was the Old Curiosity Shop – wrote to me in England a letter so generous, so affectionate, and so manly, that if I had written the book under every circumstance of disadvantage, discouragement, and difficult, instead of with everything to cheer and urge me on, I should have found in the receipt of that letter my best and happiest reward. I answered him, and he answered me, and so we kept shaking hands autobiographically, as if no ocean rolled between us, until I came here on Saturday night, longing and eager to see him. And here he sits! And I I need not tell you that it is the crowning circumstance to me of the night, that he is here in this capacity. Why, gentlemen, I don’t go upstairs to bed two nights out of seven, as I have a credible witness very near at hand to testify,–I say, gentlemen, I do not go to bed two nights out of seven without taking Washington Irving under my arm upstairs to bed with me; and when I don’t take him I take his next of kin – his own brother – Oliver Goldsmith. Washington Irving! Why, who but he was in my thoughts the other day as I approached your city in the steamboat from New Haven, when I was looking out for the Hog’s Back, the Frying Pan, and Hell Gate and all those horrible places of renown that were a terror to the Dutch navigators? Washington Irving! Why, when I visited Shakespeare’s birthplace not long ago, and went beneath the roof where he first saw light, whose name but his was the first that was pointed out with pride upon the wall?– Washington Irving! – Diedrich Knickerbocker, Geoffrey Crayon! Why, where can we go that they have not been before us? In the English farmhouse, in the crowded city, along the beautiful lanes, across the pleasant fields of England, and amidst her blessed, happy homes, his name above every name rises up with hallowed recollections of his virtues and talents, and like his memory will continue to be hallowed in those bright and innocent sanctuaries, until the last tick of the clock of Time! If we go into the country are there no Bracebridge Halls in existence? If we visit the crowded city, has Little Britain never had a chronicler? Is there no Boar’s Head in Eastcheap? Why, gentlemen, when Mr. Crayon left England he left sitting in the small back parlour of a certain public house near that same Boar’s Head, a man of infinite wisdom, with a red nose and an oilskin hat, who was sitting there when I came away. Yes, gentlemen, it was the same man – not a man that was very like him, but the self-same man–his nose in an immortal redness, and his hat in an undying glaze. Why, Mr. Crayon was also on terms of intimacy, in a certain village near that same Bracebridge Hall, with a certain radical fellow, who used to go about very much out at elbow, with his hat full of old newspapers. Gentlemen, I knew the man. He’s there to this very hour, with the newspapers in his hat, very much to the dissatisfaction of Mr. Tibbets the elder. And he has not changed a hair; and when I came away he charged me to give his best respects to Washington Irving! Gentlemen, leaving the town and ‘Rural Life in England,’ and forgetting for a moment, if anybody can, ‘The Pride of the Village,’ and ‘The Broken Heart’, let us cross the water again and ask who has associated himself most closely with the Italian Post-House, and the Bandits of the Pyrenees? When the traveller beyond the Alps is lighted to his little chamber, along dark, echoing, and spacious corridors, damp, gloomy, and cold; when he has sat down by the fire to watch the gradual change of his room from misery to comfort; when he has drawn his curtains, such as they are, moth-eaten and mouldy, and hearts the tempest beating with fury against his window; and when all the ghost stories that ever were told crowd around and I upon him – amid all his thick-coming fancies – who is it he thinks of at such a time? Why, Washington Irving! Go further away still, to the Moorish fountain, sparkling full in the moonlight, with a few water carriers and village gossips lingering about it still, as in days of old, for its refreshing coolness, and the voices of others going to the village dying away in the distance, like bees. Who, at such an hour, takes his silent stand beside the traveller, and points with his magic wand to the walls of Alhambra? Who awakens in every cave the echoing music, the tread of many twinkling feet, the sound of cymbals, the rattling clang of armour, the tramp of mailed men, and bids legions which for centuries have slept a dreamless sleep within the earth, or watched unwinkingly for buried treasure – who bids them start up and pass in grim array before your eyes? Or, leaving this, who embarked with Colombus in his gallant ship, traversed with him the dark and mighty ocean, leaped into the main, upon the land, and planted there the flag of Spain? Who but this same man now sitting by my side. And who, to come to your coast, is a more fit companion for the buccaneers, and monder-diggers, or who more fit to accompany Rip Van Winkle in his fearful journey to the mountains, where the uncouth crew did play at ninepins on that thundery afternoon? [Roars of laughter.] What pen but his could call such spirits from the vasty deep – make them come, too, at his call – peopling those Catskill mountains until they seem as much a part of them as any crag that ever frowned, or torrent that ever darted headlong from their heights. But, gentlemen, this is a most dangerous theme for me, for I have been enchanted with these people from my boyhood, and my glass slipper is on me still. Lest I should be tempted now to talk too long about them I will, in conclusion, give you a sentiment, most appropriate in the presence of Bryant, Halleck, and – but I suppose I must not mention the ladies here – I will give you ‘The Literature of America – She well knows how to honour her own literature, and to do honour to that of other lands, when she chooses Washington Irving for her representative in the country of Cervantes!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in his Honour, New York Creator An entity primarily responsible for making the resource Dickens, Charles Identifier An unambiguous reference to the resource within a given context 1842-02-18_Speech_Banquet-New-York Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at Hartford' (7 February 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-02-18_Speech_Banquet-New-York">https://dickenssearch.com/speeches/1842-02-18_Speech_Banquet-New-York</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1842-02-18 Description An account of the resource Speech at a banquet in his honour in New York (18 February 1842). Scripto Transcription A written representation of a document. Mr. President and Gentlemen, I don’t know how to thank you – I really don’t know how. You might, perhaps, suppose that by the dint of custom and from the experience your kindness has heaped upon me since my arrival in this country, that the difficult would have been somewhat diminished or dwindled into nothing but I do assure you the fact is exactly the reverse. Unlike that rolling stone which gathers no moss, I have, in my progress to your city, collected around me such a heap of obligation and weight of acknowledgement, that in my power of expressing it I have grown more and more unwieldy every hour! I picked up such a quantity of fresh moss – so to speak – at a certain brilliant scene on Monday night, that I thought I never could, by any possibility, grow any bigger. But crowded upon that, there comes again tonight a new accumulation of such extent and magnitude, that I am fairly at a standstill and can roll no more! Gentlemen, we know from all the authorities, that whenever a fairy stone, or ball, or reel of thread, stopped of its own accord–which I do not–some catastrophe was sure to be at hand. Its precedent, however, holds good in my case. For, remembering the short time I have before me in this land of mighty interest, and the poor opportunities I can have at best of acquiring a knowledge of, and making myself acquainted with it, I have felt it almost a duty to decline the honours which my generous friends elsewhere would heap upon me, and henceforth to pass through the country more quietly. Argus himself, though he had but one mouth for his hundred eyes, would have found the reception of a public entertainment once a week somewhat relaxing to his vigilance and activity. And as I would lose no scrap or jot from the rich mines of gratification and instruction which await me, I know, on every hand–and of which I have already derived no small instalment from your hospitals and common jails–I have resolved to take up my staff, and go upon my way rejoicing, and for the future to shake hands with Americans not at parties, but at home. And therefore, gentlemen, I say tonight, with a full heart and an honest purpose and grateful feelings, that I bear with me, and shall ever bear with me, a deeper sense of your kind, affectionate and noble greeting, than it is possible to convey in words; that no European sky without, and no cheerful home or well-warmed room within shall every shut out this land from my vision; that I shall often hear your words of welcome in my quiet room, oftenest when it is most quiet, and shall see your aces in the winter evening fire; that if I should live to grow old, the light of this hall and others like it will shine as brightly to my dull eyes fifty years hence as it does tonight and that when my course is run the sympathy you have shown to me shall be well remembered and paid back, so please God, in my undying love and honest endeavours for the good of my race. Gentlemen, one other word with reference to this tiresome first person, and I close that theme. I came here in an open, honest, and confiding spirit, if ever man did, and because I heartily inclined toward you; had I felt otherwise I should have kept away. As I came here, and am here, without the least admixture of the hundredth portion of a grain of base alloy, without the faintest unworthy reference to self in any word I have ever addressed to you, or in any sentiment I have ever interchanged with you, I assert my right tonight, in regard to the past for the last time, my right in reason, truth, and justice, to appeal to you, as I have done on two former occasions, on a question of universal literary interest in both countries. And, gentlemen, I claim this justice: that I have made the appeal as one who has a most righteous claim to speak and to be heard; and that I have done so in a frank, and courteous, and good-humoured spirit of deference to those who frankly, courteously, and good humouredly differed from me in any or every respect. For myself, gentlemen, I have only to add that I will ever be as true to you as you have been to me. I recognise in your enthusiastic approval of the creations of my fancy, as in a glass, your enlightened care for the happiness of the many, your tender and gentle regard for the afflicted and helpless, your sympathy for the downcast, your plans for the correction and improvement of the bad, and the encouragement and solace of the good–the education and advancement of every member of society. My constant and increasing devotion to the end of my life to these ends, and to every other object to the extent of my humble capacity, having the common good in view, shall prove to you that in this you do not mistake me, and that the light you have shed around my path was not unworthily bestowed. And now that I have said this much in reference to myself, let me have the gratification I have long expected of saying a few words in reference to somebody else. There is in this city a gentleman who, at the conclusion of one of my books–I well remember it was the Old Curiosity Shop – wrote to me in England a letter so generous, so affectionate, and so manly, that if I had written the book under every circumstance of disadvantage, discouragement, and difficult, instead of with everything to cheer and urge me on, I should have found in the receipt of that letter my best and happiest reward. I answered him, and he answered me, and so we kept shaking hands autobiographically, as if no ocean rolled between us, until I came here on Saturday night, longing and eager to see him. And here he sits! And I I need not tell you that it is the crowning circumstance to me of the night, that he is here in this capacity. Why, gentlemen, I don’t go upstairs to bed two nights out of seven, as I have a credible witness very near at hand to testify,–I say, gentlemen, I do not go to bed two nights out of seven without taking Washington Irving under my arm upstairs to bed with me; and when I don’t take him I take his next of kin – his own brother – Oliver Goldsmith. Washington Irving! Why, who but he was in my thoughts the other day as I approached your city in the steamboat from New Haven, when I was looking out for the Hog’s Back, the Frying Pan, and Hell Gate and all those horrible places of renown that were a terror to the Dutch navigators? Washington Irving! Why, when I visited Shakespeare’s birthplace not long ago, and went beneath the roof where he first saw light, whose name but his was the first that was pointed out with pride upon the wall?– Washington Irving! – Diedrich Knickerbocker, Geoffrey Crayon! Why, where can we go that they have not been before us? In the English farmhouse, in the crowded city, along the beautiful lanes, across the pleasant fields of England, and amidst her blessed, happy homes, his name above every name rises up with hallowed recollections of his virtues and talents, and like his memory will continue to be hallowed in those bright and innocent sanctuaries, until the last tick of the clock of Time! If we go into the country are there no Bracebridge Halls in existence? If we visit the crowded city, has Little Britain never had a chronicler? Is there no Boar’s Head in Eastcheap? Why, gentlemen, when Mr. Crayon left England he left sitting in the small back parlour of a certain public house near that same Boar’s Head, a man of infinite wisdom, with a red nose and an oilskin hat, who was sitting there when I came away. Yes, gentlemen, it was the same man – not a man that was very like him, but the self-same man–his nose in an immortal redness, and his hat in an undying glaze. Why, Mr. Crayon was also on terms of intimacy, in a certain village near that same Bracebridge Hall, with a certain radical fellow, who used to go about very much out at elbow, with his hat full of old newspapers. Gentlemen, I knew the man. He’s there to this very hour, with the newspapers in his hat, very much to the dissatisfaction of Mr. Tibbets the elder. And he has not changed a hair; and when I came away he charged me to give his best respects to Washington Irving! Gentlemen, leaving the town and ‘Rural Life in England,’ and forgetting for a moment, if anybody can, ‘The Pride of the Village,’ and ‘The Broken Heart’, let us cross the water again and ask who has associated himself most closely with the Italian Post-House, and the Bandits of the Pyrenees? When the traveller beyond the Alps is lighted to his little chamber, along dark, echoing, and spacious corridors, damp, gloomy, and cold; when he has sat down by the fire to watch the gradual change of his room from misery to comfort; when he has drawn his curtains, such as they are, moth-eaten and mouldy, and hearts the tempest beating with fury against his window; and when all the ghost stories that ever were told crowd around and I upon him – amid all his thick-coming fancies – who is it he thinks of at such a time? Why, Washington Irving! Go further away still, to the Moorish fountain, sparkling full in the moonlight, with a few water carriers and village gossips lingering about it still, as in days of old, for its refreshing coolness, and the voices of others going to the village dying away in the distance, like bees. Who, at such an hour, takes his silent stand beside the traveller, and points with his magic wand to the walls of Alhambra? Who awakens in every cave the echoing music, the tread of many twinkling feet, the sound of cymbals, the rattling clang of armour, the tramp of mailed men, and bids legions which for centuries have slept a dreamless sleep within the earth, or watched unwinkingly for buried treasure – who bids them start up and pass in grim array before your eyes? Or, leaving this, who embarked with Colombus in his gallant ship, traversed with him the dark and mighty ocean, leaped into the main, upon the land, and planted there the flag of Spain? Who but this same man now sitting by my side. And who, to come to your coast, is a more fit companion for the buccaneers, and monder-diggers, or who more fit to accompany Rip Van Winkle in his fearful journey to the mountains, where the uncouth crew did play at ninepins on that thundery afternoon? [Roars of laughter.] What pen but his could call such spirits from the vasty deep – make them come, too, at his call – peopling those Catskill mountains until they seem as much a part of them as any crag that ever frowned, or torrent that ever darted headlong from their heights. But, gentlemen, this is a most dangerous theme for me, for I have been enchanted with these people from my boyhood, and my glass slipper is on me still. Lest I should be tempted now to talk too long about them I will, in conclusion, give you a sentiment, most appropriate in the presence of Bryant, Halleck, and – but I suppose I must not mention the ladies here – I will give you ‘The Literature of America – She well knows how to honour her own literature, and to do honour to that of other lands, when she chooses Washington Irving for her representative in the country of Cervantes!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Washington, D. C. Venue Where the speech was given Boulanger's Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420314 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I rise to propose to you one more sentiment; it must be my last; it consists of two words – ‘Good Night!’ Since I have been seated at this table I have received the welcome intelligence that the news from the dear ones has come at last – that the long-expected letters have arrived. Among them are certain scrawls from little beings across the ocean, of great interest to me, and I thought of them for many days past, in connexion with drowned men and a noble shop, broken up and lying in fragments upon the bottom of the ocean. But they are here, and you will appreciate the anxiety I feel to read them. Permit me, in allusion to some remarks made by a gentleman near me, to say that every effort of my pen has been intended to elevate the masses of society; to give them the station they deserve among mankind. With that intention I commenced writing, and I assure you that as long as I write at all, that shall be the principal motive of my efforts. Gentlemen, since I arrived on your hospitable shore, and in my flight over your land, you have given me everything I can ask but time–that you cannot give me, and you are aware that I must devote some of it to myself. Therefore, with the assurance that this has been the most pleasant evening I have passed in the United States, I must bid you farewell, and once more repeat the words, Good Night! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Private Dinner, Washington Description An account of the resource A speech at a private dinner, Washington (14 March 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-03-14 Identifier An unambiguous reference to the resource within a given context 1842-03-14_Speech_Private-Dinner-Washington Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at a Private Dinner, Washington' (14 March 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-03-14_Speech_Private-Dinner-Washington">https://dickenssearch.com/speeches/1842-03-14_Speech_Private-Dinner-Washington</a>. Scripto Transcription A written representation of a document. I rise to propose to you one more sentiment; it must be my last; it consists of two words – ‘Good Night!’ Since I have been seated at this table I have received the welcome intelligence that the news from the dear ones has come at last – that the long-expected letters have arrived. Among them are certain scrawls from little beings across the ocean, of great interest to me, and I thought of them for many days past, in connexion with drowned men and a noble shop, broken up and lying in fragments upon the bottom of the ocean. But they are here, and you will appreciate the anxiety I feel to read them. Permit me, in allusion to some remarks made by a gentleman near me, to say that every effort of my pen has been intended to elevate the masses of society; to give them the station they deserve among mankind. With that intention I commenced writing, and I assure you that as long as I write at all, that shall be the principal motive of my efforts. Gentlemen, since I arrived on your hospitable shore, and in my flight over your land, you have given me everything I can ask but time–that you cannot give me, and you are aware that I must devote some of it to myself. Therefore, with the assurance that this has been the most pleasant evening I have passed in the United States, I must bid you farewell, and once more repeat the words, Good Night! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Richmond Venue Where the speech was given Exchange Hotel Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18420318 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. President and Gentlemen, I am most truly grateful and obliged to you for the kind welcome which you have given me. I receive and acknowledge with gratitude this testimonial of your kindly feelings towards me. If it were possible to convey to you my sense and appreciation of your favours, I would indeed acknowledge, as I receive, your good wishes an hundred fold. But, as I said at a social party a few nights since at Washington – a party somewhat similar to this – it is my misfortune to be passing through this country with almost as rapid a flight as that of any bird of the air–the American Eagle excepted. I find, in my career amongst you, no little resemblance to that far-famed Sultan of the thousand-and-one nights, who was in the habit of acquiring a new friend every night and cutting his head off in the morning. I find another resemblance to what we read in the history of that Sultan. He was diverted from his bad habit by listening to the tales of one who proved a favourite above all the rest; so I am stopped in my original intention by the hospitalities of the Americans. I say that the best flag of truce between two nations having the same common origin, and speaking the same language, is a fair sheet of white paper inscribed with the literature of each. If, hereafter, I think of this night, if I remember the welcome which you have assured me, believe me, my small corner, my humble portion of that fair sheet shall be inscribed with the hospitalities I have received from the friends I have seen and made here. It has been said, gentlemen, that an after-dinner speech may be too long. If so, it may be said with more truth, that an after-supper speech cannot be too short, and especially to those with whom to listen to a speech is no novelty, and mong whom a man of few words is a rare and almost literal ‘phenomenon’. I therefore deem it only necessary to say to you that I am most deeply and sincerely obliged to you for your kindness. In reference to the admonition tendered to me by my worthy friend, your President, I will say that it has long been a thing near my heart. But I hope I shall never need the monitor of which he reminds us. My situation forbids all paralysis of my pen – as I hope you will discover from November next, when I shall resume my literary labours. The hospitalities of America can never be forgotten among them: your kindness, certainly never. Imagine me thinking of you tomorrow; imagine me on the road to Fredericksberg – on that Virginia road from Fredericksburg to the Potomac. In fact throughout all my travels in these parts I shall think of the pleasure I have enjoyed in the bosom of your society. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dinner in His Honour, Richmond Description An account of the resource A speech at a social dinner in his honour, Richmond (18 March 1842). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1842-03-18 Identifier An unambiguous reference to the resource within a given context 1842-03-18_Speech_Dinner-Richmond Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Dinner in His Honour, Richmond' (18 March 1842). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1842-03-18_Speech_Dinner-Richmond">https://dickenssearch.com/speeches/1842-03-18_Speech_Dinner-Richmond</a>. Scripto Transcription A written representation of a document. Mr. President and Gentlemen, I am most truly grateful and obliged to you for the kind welcome which you have given me. I receive and acknowledge with gratitude this testimonial of your kindly feelings towards me. If it were possible to convey to you my sense and appreciation of your favours, I would indeed acknowledge, as I receive, your good wishes an hundred fold. But, as I said at a social party a few nights since at Washington – a party somewhat similar to this – it is my misfortune to be passing through this country with almost as rapid a flight as that of any bird of the air–the American Eagle excepted. I find, in my career amongst you, no little resemblance to that far-famed Sultan of the thousand-and-one nights, who was in the habit of acquiring a new friend every night and cutting his head off in the morning. I find another resemblance to what we read in the history of that Sultan. He was diverted from his bad habit by listening to the tales of one who proved a favourite above all the rest; so I am stopped in my original intention by the hospitalities of the Americans. I say that the best flag of truce between two nations having the same common origin, and speaking the same language, is a fair sheet of white paper inscribed with the literature of each. If, hereafter, I think of this night, if I remember the welcome which you have assured me, believe me, my small corner, my humble portion of that fair sheet shall be inscribed with the hospitalities I have received from the friends I have seen and made here. It has been said, gentlemen, that an after-dinner speech may be too long. If so, it may be said with more truth, that an after-supper speech cannot be too short, and especially to those with whom to listen to a speech is no novelty, and mong whom a man of few words is a rare and almost literal ‘phenomenon’. I therefore deem it only necessary to say to you that I am most deeply and sincerely obliged to you for your kindness. In reference to the admonition tendered to me by my worthy friend, your President, I will say that it has long been a thing near my heart. But I hope I shall never need the monitor of which he reminds us. My situation forbids all paralysis of my pen – as I hope you will discover from November next, when I shall resume my literary labours. The hospitalities of America can never be forgotten among them: your kindness, certainly never. Imagine me thinking of you tomorrow; imagine me on the road to Fredericksberg – on that Virginia road from Fredericksburg to the Potomac. In fact throughout all my travels in these parts I shall think of the pleasure I have enjoyed in the bosom of your society. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18470329 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Gentlemen, it is well for me, and better for you, that the admirable exposition we have heard from my friend on my left of the claims and merits of the General Theatrical Fund, and its immense superiority in its freedom from exclusive restrictions to any other institution having any similar but narrower object, leaves nothing to be added on that head: though the case is so clear and so strong, and has always in its common sense and justice interested me so earnestly, that I could hold forth on this theme ‘until my eyelids could no longer wag’, and am happy to be relieved of the danger of producing any influence on your eyelids by dealing with it at all. As it has been written of Vice, that she is A monster of such hideous mien, As to be hated needs but to be seen. so, I am sure, it might be written of the General Theatrical Fund, that its objects are: so worthy and so much its own As to be favoured, need but to be known. And better known they never can be, than from the lips which have proclaimed them to the room this night. There is, however, gentlemen, one point that seems to me to arise naturally out of the observations of our distinguished President, and at which I cannot help just glancing as I go along. Hope lingered at the bottom of a box in ancient days, as we are told: I cannot help fancying that I descry her lingering yet, at the bottom of those two strong-boxes of the Covent Garden and Drury Lane Theatrical Funds, to offer solid consolation to the General Theatrical Fund in time to come. For as the natural recipients of that treasure pass away in natural course, and no one among them bears in his hand ‘a glass that shows me many more’ – or any more – I cannot help fancying that some portion of the garnered wealth must come our way at last, and float into our roomy coffers. Gentlemen, I hardly think it possible that two such large golden camels can entirely pass through the eyes of two such little needles; and when an institution has arisen, so broad and free as this is, which extends its advantages, not to the pale shades of two dead and buried companies of actors, but to the whole theatrical profession throughout England, I hold it would be a faint-hearted blinking of the question not to avow what most of us here must surely feel – a confident belief that to such resources it may justly, and of right, look for valuable endowment in the days to come. It is ill ‘waiting for dead men’s shoes’, I know; but it is quite another matter waiting for shoes that have been made for people who can never be born to try them on. I come now, gentlemen, to propose to you a toast which is uppermost, I dare say, in the thoughts of everybody present, which is ‘the very head and front’ of the occasion, and the cause which brings us together; which is, and ever must be, inseparably associated with the honour, dignity, and glory of the English stage; with its revival in splendour and magnificence from ruin and rubbish, with its claims to be respected as an art and as a noble means of general instruction and improvement. To whom could such a toast apply, if not to our chairman, Mr. Macready? Of whom, gentlemen – so graceful and appropriate is the position he now occupies among us – I would say, if I may paraphrase what he knows well, that nothing in the Chair became him like the taking of it. It is as generous and true in him – at the head of his profession, and at the zenith of a proud and prosperous career, to take part with this Fund, and to be heard in this pace urging its claims with a manly earnestness, because it is not restrictive, and because it does not favour a few, and because it addresses itself to the great body of actors, and most of all to those who most need it, – as it must be of enduring service to the institution to receive such high and valuable testimony. Gentlemen, it would be difficult for me to find terms in which to discharge the duty of proposing our chairman’s health, in the difficulty I always feel as to the separation of his name from sentiments of strong personal affection and attachment, if I were not happily relieved by the knowledge that, in your breasts as well as mine, the mere mention of Mr. Macready’s name awakens a host of eloquent associations, – Hamlet, Macbeth, Othello, grey-haired Lear, Virginius, Werner, and a host of others, speak for him within us, like spirits. We once again forget the encircling walls of his Covent Garden Theatre, or of Drury Lane – theatres then with nothing infamous to mock the lesson that the poet taught or shame the woman-student of it – and look upon old Rome, its senate and its army, or the Forest of Arden with its gnarled and melancholy boughs, or Swinstead Abbey Gardens with the cruel king upon his death-bed, or Prospero’s enchanted island, or any of those scenes of airy nothings that he made plain and palpable. Oh! if one touch of nature makes the whole world kin, think, gentlemen, for how much of the kindred feeling that is amongst us tonight, or at any time, we are indebted to such an art, and such a man! May we be more and more indebted to him, year by year, for very many years to come! May we yet behold the English drama – this is a hope to which I always cling – in some theatre of his own, rising proudly from its ashes, into new and vigorous existence. And may we, in the reception we now give his name, express all this, and twenty times as much; including the past, the present, and the future; and give him reason years hence to remember this occasion, with something of the pleasure and delight that we have through him derived from it ourselves! I beg to propose to you to drink the health of our chairman, Mr. Macready. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource General Theatrical Fund Anniversary Festival 1847 Description An account of the resource Toast at the General Theatrical Fund Anniversary Festival (29 March 1847). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1847-03-29 Identifier An unambiguous reference to the resource within a given context 1847-03-29_Speech_General-Theatrical-Fund-Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'General Theatrical Anniversary Festival' (29 March 1847). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1847-03-29_Speech_General-Theatrical-Fund-Dinner">https://dickenssearch.com/speeches/1847-03-29_Speech_General-Theatrical-Fund-Dinner</a>. Scripto Transcription A written representation of a document. Gentlemen, it is well for me, and better for you, that the admirable exposition we have heard from my friend on my left of the claims and merits of the General Theatrical Fund, and its immense superiority in its freedom from exclusive restrictions to any other institution having any similar but narrower object, leaves nothing to be added on that head: though the case is so clear and so strong, and has always in its common sense and justice interested me so earnestly, that I could hold forth on this theme ‘until my eyelids could no longer wag’, and am happy to be relieved of the danger of producing any influence on your eyelids by dealing with it at all. As it has been written of Vice, that she is A monster of such hideous mien, As to be hated needs but to be seen.  so, I am sure, it might be written of the General Theatrical Fund, that its objects are: <div style="text-align: center;">so worthy and so much its own</div> <div style="text-align: center;">As to be favoured, need but to be known.</div> And better known they never can be, than from the lips which have proclaimed them to the room this night. There is, however, gentlemen, one point that seems to me to arise naturally out of the observations of our distinguished President, and at which I cannot help just glancing as I go along. Hope lingered at the bottom of a box in ancient days, as we are told: I cannot help fancying that I descry her lingering yet, at the bottom of those two strong-boxes of the Covent Garden and Drury Lane Theatrical Funds, to offer solid consolation to the General Theatrical Fund in time to come. For as the natural recipients of that treasure pass away in natural course, and no one among them bears in his hand ‘a glass that shows me many more’ – or any more – I cannot help fancying that some portion of the garnered wealth must come our way at last, and float into our roomy coffers. Gentlemen, I hardly think it possible that two such large golden camels can entirely pass through the eyes of two such little needles; and when an institution has arisen, so broad and free as this is, which extends its advantages, not to the pale shades of two dead and buried companies of actors, but to the whole theatrical profession throughout England, I hold it would be a faint-hearted blinking of the question not to avow what most of us here must surely feel – a confident belief that to such resources it may justly, and of right, look for valuable endowment in the days to come. It is ill ‘waiting for dead men’s shoes’, I know; but it is quite another matter waiting for shoes that have been made for people who can never be born to try them on. I come now, gentlemen, to propose to you a toast which is uppermost, I dare say, in the thoughts of everybody present, which is ‘the very head and front’ of the occasion, and the cause which brings us together; which is, and ever must be, inseparably associated with the honour, dignity, and glory of the English stage; with its revival in splendour and magnificence from ruin and rubbish, with its claims to be respected as an art and as a noble means of general instruction and improvement. To whom could such a toast apply, if not to our chairman, Mr. Macready? Of whom, gentlemen – so graceful and appropriate is the position he now occupies among us – I would say, if I may paraphrase what he knows well, that nothing in the Chair became him like the taking of it. It is as generous and true in him – at the head of his profession, and at the zenith of a proud and prosperous career, to take part with this Fund, and to be heard in this pace urging its claims with a manly earnestness, because it is not restrictive, and because it does not favour a few, and because it addresses itself to the great body of actors, and most of all to those who most need it, – as it must be of enduring service to the institution to receive such high and valuable testimony. Gentlemen, it would be difficult for me to find terms in which to discharge the duty of proposing our chairman’s health, in the difficulty I always feel as to the separation of his name from sentiments of strong personal affection and attachment, if I were not happily relieved by the knowledge that, in your breasts as well as mine, the mere mention of Mr. Macready’s name awakens a host of eloquent associations, – Hamlet, Macbeth, Othello, grey-haired Lear, Virginius, Werner, and a host of others, speak for him within us, like spirits. We once again forget the encircling walls of his Covent Garden Theatre, or of Drury Lane – theatres then with nothing infamous to mock the lesson that the poet taught or shame the woman-student of it – and look upon old Rome, its senate and its army, or the Forest of Arden with its gnarled and melancholy boughs, or Swinstead Abbey Gardens with the cruel king upon his death-bed, or Prospero’s enchanted island, or any of those scenes of airy nothings that he made plain and palpable. Oh! if one touch of nature makes the whole world kin, think, gentlemen, for how much of the kindred feeling that is amongst us tonight, or at any time, we are indebted to such an art, and such a man! May we be more and more indebted to him, year by year, for very many years to come! May we yet behold the English drama – this is a hope to which I always cling – in some theatre of his own, rising proudly from its ashes, into new and vigorous existence. And may we, in the reception we now give his name, express all this, and twenty times as much; including the past, the present, and the future; and give him reason years hence to remember this occasion, with something of the pleasure and delight that we have through him derived from it ourselves! I beg to propose to you to drink the health of our chairman, Mr. Macready. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. It had, he observed, a more immediate reference to the object for which they were that day assembled. The Printers’ Pension Society had existed, as most them no doubt knew, about sixteen years, and was founded for the purpose of maintaining the widows of deceased printers, or decayed printers themselves. The amounts awarded in the estimation of some might be said to be small, – the good that was done was great. It afforded to many, and the most deserving persons, relief in the hour of distress, – that distress which sooner or later comes to most of us. But the printers were peculiarly liable to premature decay, to injury in their faculties when many others were still able to earn their daily bread (which was a fact known to most of them) from the character of their occupation – the late and arduous hours during which they were obliged to tax powers that were often of the most delicate nature. That peculiar liability to decay gave printers powerful claims to their sympathy and support. But that claim was largely enhanced when they recollected that by the printers’ means they were enabled to scatter throughout the world the loftiest efforts of intellect – the ‘thoughts that breathe, the words that burn’ – to send to every part of the universe the great imaginings of the most accomplished minds, to instruct and regenerate mankind. When they reflected thus – and who could avoid it? – the claims of the printers became irresistible. He felt quite assured from what took place at the last election for pensioners, and from what he saw now in that room, that everyone would promptly put his hand into whatever pocket he had, and thereby enable their Treasure to make a most favourable report. He was sure it was unnecessary to add more to arouse their sympathies; but he could assure them that the knockings at the door of the institution were very numerous. Be it borne in mind that this institution gave no encouragement to thoughtlessness and extravagance; for every claimant must have contributed to the funds for some years before he was qualified should necessity arise to appeal for aid. Many had belonged to it from its foundation. He knew many who were so circumstanced. The institution was further valuable as generating good feeling among the workmen themselves. On every account they deserved the respect and consideration of every honest man, to the truth of which he could bear ample testimony from considerable intercourse with that valuable body of men. There was an asylum for warriors who had fought the battles of their country, and most justly and properly; but, in God’s name, let them sustain an asylum for those who suffered in struggles, in the bloodless contests, of promoting knowledge, of civilizing or of improving mankind, and of advancing the peaceful superiority of human beings. He gave them 'The Printers’ Pension Society, and prosperity to it'. He felt deeply obliged, he said, for the kindness thus shown, and the enthusiastic manner in which it had been evinced. There were few proceedings which went so home to his heart, as such testimonies of kind regards. He then continued: He had, he said, to propose another toast, and he would introduce it with a remark or two, not because they were requisite, but because such a toast on such an occasion ought not to be named without some observation. He had next to propose, he said, ‘The Stationers’ Company’. He believed that notwithstanding what had been declared by a Noble and learned Lord, ‘a friend of ours elsewhere’, the Stationers’ Company were alive and doing well, and that Stationers’ Hall still stood where it did. He gave, with great pleasure, ‘The Stationers’ Company, the steady supporters of the Printers’ Pension Society’. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430404 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The Printers’ Pension Society, and prosperity to it. I now give ‘The Press’, that wonderful lever Archimedes wished for, and which has moved the world! which has impelled it onward in the path of knowledge, of mercy, and of human improvement so far that nothing in the world can ever roll it back! The mass of the people, said Dr. Johnson very truly, in any country where printing is unknown, must be barbarous; and Sir Thomas More, the best, and wisest, and the greatest of men, who, before the press was established, died what was almost the natural death of the good, and the wise and the great – Sir Thomas More so clearly saw into futurity, and descried from afar off the stupendous influence of the press, that he went out of his way to set up a printing-press in Utopia, knowing that without it even the people of that fancied land would not bear competition in the course of years with the real nations of the earth. If they looked back only for two hundred years, to that time when the Dutch citizen carved letters on the bark of the beechen tree, and took off impressions of them on paper as toys to please his grand-children – he little knew the wonderful agent which, in scarcely a century, was about to burst on mankind; what a strong engine in the course of time it must become, even in the land where the ruthless vices and crimes of the anointed ruffian who spread More’s bloody pillow were to acquire him an immortality of infamy. I thank God that it has been so; from that hour no good has been devised, no wonderful invention has been broached, no barbarism has been struck down, but that same press has had its iron grip upon it, and never once has it let it till it was done. If we look at our social and daily life, we shall see how constantly present the press is, and how essential an element it has become of civilized existence. In great houses, and even in lowly huts, in crowds, and in solitudes, in town and country, in the nursery of the children and by the old man’s elbow chair – still, in some shape or other, there it is! Now it is an alphabet, with its fat black capital letters; now in the form of whole words; now in the story of Puss in Boots; now as Robinson Crusoe; now as a tale of the Caliph Haroun al-Raschid; now as a Lindley Murray; now as a Tutor’s Assistant; then as a Virgil, a Homer, or a Milton; now in the form of the labours of the editor of a popular newspaper: in some shape or other the press is constantly present and associated with our lives, from the baptismal service to the burial of the dead. I know that to some its power is obnoxious. There are some gentlemen of a patriotism so unselfish that they would put the newspaper press of their native country on an equality of efficiency with that of another nation, which, as long ago as Benjamin Franklin wrote, was an unique, a distinct and a singular thing. But as we have means of judging for ourselves every morning and evening of the newspaper literature, it is satisfactory to know that there never was a righteous cause but the same men have hated it; and there never was a disappointed man or a discontented patriot, anxious to pass upon a people determined not to recognize him as such, but he has bemoaned the privileges of the press in the same crocodile’s tears. With regard to the influence of the press on public men, I only leave you to judge from what public men often are even with this engine in full operation, what sort of characters they would be without it. I give you then, – ‘The fountain of Knowledge and the bulwark of Freedom, the founder of free states and their preserver – the Press!’ The Stationers’ Company, the steady supporters of the Printers’ Pension Society. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Printers' Pension Society Anniversary Festival 1843 Description An account of the resource Toast at the Printers' Pension Society Anniversary Festival (4 April 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-04-04 Identifier An unambiguous reference to the resource within a given context 1843-04-04_Speech_Printers-Pension-Society Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Printers' Pension Society Annual Dinner' (4 April 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-04-04_Speech_Printers-Pension-Society">https://dickenssearch.com/speeches/1843-04-04_Speech_Printers-Pension-Society</a>. Scripto Transcription A written representation of a document. I now give ‘The Press’, that wonderful lever Archimedes wished for, and which has moved the world! which has impelled it onward in the path of knowledge, of mercy, and of human improvement so far that nothing in the world can ever roll it back! The mass of the people, said Dr. Johnson very truly, in any country where printing is unknown, must be barbarous; and Sir Thomas More, the best, and wisest, and the greatest of men, who, before the press was established, died what was almost the natural death of the good, and the wise and the great – Sir Thomas More so clearly saw into futurity, and descried from afar off the stupendous influence of the press, that he went out of his way to set up a printing-press in Utopia, knowing that without it even the people of that fancied land would not bear competition in the course of years with the real nations of the earth. If they looked back only for two hundred years, to that time when the Dutch citizen carved letters on the bark of the beechen tree, and took off impressions of them on paper as toys to please his grand-children – he little knew the wonderful agent which, in scarcely a century, was about to burst on mankind; what a strong engine in the course of time it must become, even in the land where the ruthless vices and crimes of the anointed ruffian who spread More’s bloody pillow were to acquire him an immortality of infamy. I thank God that it has been so; from that hour no good has been devised, no wonderful invention has been broached, no barbarism has been struck down, but that same press has had its iron grip upon it, and never once has it let it till it was done. If we look at our social and daily life, we shall see how constantly present the press is, and how essential an element it has become of civilized existence. In great houses, and even in lowly huts, in crowds, and in solitudes, in town and country, in the nursery of the children and by the old man’s elbow chair – still, in some shape or other, there it is! Now it is an alphabet, with its fat black capital letters; now in the form of whole words; now in the story of Puss in Boots; now as Robinson Crusoe; now as a tale of the Caliph Haroun al-Raschid; now as a Lindley Murray; now as a Tutor’s Assistant; then as a Virgil, a Homer, or a Milton; now in the form of the labours of the editor of a popular newspaper: in some shape or other the press is constantly present and associated with our lives, from the baptismal service to the burial of the dead. I know that to some its power is obnoxious. There are some gentlemen of a patriotism so unselfish that they would put the newspaper press of their native country on an equality of efficiency with that of another nation, which, as long ago as Benjamin Franklin wrote, was an unique, a distinct and a singular thing. But as we have means of judging for ourselves every morning and evening of the newspaper literature, it is satisfactory to know that there never was a righteous cause but the same men have hated it; and there never was a disappointed man or a discontented patriot, anxious to pass upon a people determined not to recognize him as such, but he has bemoaned the privileges of the press in the same crocodile’s tears. With regard to the influence of the press on public men, I only leave you to judge from what public men often are even with this engine in full operation, what sort of characters they would be without it. I give you then, – ‘The fountain of Knowledge and the bulwark of Freedom, the founder of free states and their preserver – the Press!’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He spoke unaffectedly, he said, when he declared that his feelings were overpowered by receiving such an honour from such a company. He felt peculiarly embarrassed in acknowledging the toast, from the language in which it was couched. Wherever he looked around him he saw many more distinguished for ability than he could ever hope to be, to whom that honour might with far more justice have been awarded. He was proud to receive so friendly a shake of the hand from the old stagers, who sought to raise him up to their own level. The great discrepancy in the toast that had been drunk would have been in coupling them with ‘the rising authors of the day’. Now, the difference was that they had risen, while he at the most was only rising. He hoped that the rising authors would all feel it an honour to be connected with that institution, and that should he ever leave any literary work that should carry his name to posterity (a circumstance the least likely to happen) that it would also be known that the flattering encouragement he had that night received from his literary brethren had nerved him to future exertions, smoothed his path to the station he had gained, and animated his endeavour not to do other than justice to their kind praise. Location The location London Venue Where the speech was given Freemasons' Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18370503 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Literary Fund Anniversary Festival 1837 Description An account of the resource Speech at the Literary Fund Anniversary Festival (3 May 1837). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1837-05-03 Identifier An unambiguous reference to the resource within a given context 1837-05-03_Speech_Literary-Fund-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'The Literary Fund Anniversary Festival' (3 May 1837). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1837-05-03_Speech_Literary-Fund-Anniversary-Festival">https://dickenssearch.com/speeches/1837-05-03_Speech_Literary-Fund-Anniversary-Festival</a>.