23 10 361 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Dublin Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Saunders' News-Letter TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1858-08-24_Speech_Reading_in_Dublin.xml" target="_blank" rel="noopener">Reading in Dublin (24 August 1858).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18580824 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I have been accustomed to remark in England, when reading the parts of this fancy, that it was written about a dozen years ago, at a time when I was living in Italy, and when some circumstances recorded in the home newspapers – all within the compass of a single week – appeared to me to render the utterance of a few earnest words very necessary. If there be in our United Kingdom, as I hope and believe, less direct need of such utterance now than there was then, so much the better for us all: we have only to assume to-night that a few hints for compassionate and merciful remembrance are never out of date in the Christian calendar. Venue Where the speech was given Rotunda Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Dublin Description An account of the resource Speech given before a reading of The Chimes (24 August 1858). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Saunders’ News-Letter (25 August 1858). Date A point or period of time associated with an event in the lifecycle of the resource 1858-08-24 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1858-08-24_Speech_Reading_in_Dublin Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Reading in Dublin' (24 August 1858). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-08-24_Speech_Reading_in_Dublin">https://dickenssearch.com/speeches/1858-08-24_Speech_Reading_in_Dublin</a>. Scripto Transcription A written representation of a document. I have been accustomed to remark in England, when reading the parts of this fancy, that it was written about a dozen years ago, at a time when I was living in Italy, and when some circumstances recorded in the home newspapers – all within the compass of a single week – appeared to me to render the utterance of a few earnest words very necessary. If there be in our United Kingdom, as I hope and believe, less direct need of such utterance now than there was then, so much the better for us all: we have only to assume to-night that a few hints for compassionate and merciful remembrance are never out of date in the Christian calendar. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He began by saying that on the occasions when he had the honour of reading this little book to a public audience, he was accustomed to begin with two remarks: the first, that he would pause for a few minutes about half-way through; and second, that if as he proceeded they should feel disposed to give expression to any little emotion awakened by the story, he begged they would do so in the most natural way possible, and without the least apprehension of disturbing him.  Nothing could be more agreeable to him than to receive any assurance that they were interested, and nothing could be more in accordance with his wishes than that they should make themselves as like as possible to a small group of friends assembled to hear a tale told, and that they should at once forget everything ceremonious or formal in the manner of their coming together. Location The location Edinburgh Venue Where the speech was given Music Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18580326 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. My Lord Provost, Ladies and Gentlemen, I beg to assure you that I am deeply sensible of your kind welcome and of this beautiful and great surprise, and I thank you for it cordially with all my heart. I have never forgotten, and I never can forget, that I have the honour to be a burgess and Guild brother of the Corporation of Edinburgh. So long as sixteen or seventeen years ago, the first public recognition and encouragement I ever received was bestowed upon me in this generous and magnificent city – in this city so distinguished in letters and so distinguished in the arts. You will readily believe that I have carried to the various countries I have since traversed, and through all my subsequent career, the proud and affectionate remembrance of that eventful epoch of my life; and that coming back to Edinburgh is to me like coming back home. Ladies and gentlemen, you have heard so much of my voice tonight, that I will not inflict upon you the additional task of hearing any more from me. But I am the better reconciled to limiting myself to these very few words, because I know and feel full well that no amount of speech to which I could give utterance could formally express my sense of the honour and distinction you have conferred upon me, or the heartfelt gratification I have in its reception. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Edinburgh March 1858 Description An account of the resource Speech at a Reading in Edinburgh (26 March 1858). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1858-03-26 Identifier An unambiguous reference to the resource within a given context 1858-03-26_Speech_At-a-Reading-in-Edinburgh Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at a Reading in Edinburgh' (26 March1858). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-03-26_Speech_At-a-Reading-in-Edinburgh">https://dickenssearch.com/speeches/1858-03-26_Speech_At-a-Reading-in-Edinburgh</a>. Scripto Transcription A written representation of a document. My Lord Provost, Ladies and Gentlemen, I beg to assure you that I am deeply sensible of your kind welcome and of this beautiful and great surprise, and I thank you for it cordially with all my heart. I have never forgotten, and I never can forget, that I have the honour to be a burgess and Guild brother of the Corporation of Edinburgh. So long as sixteen or seventeen years ago, the first public recognition and encouragement I ever received was bestowed upon me in this generous and magnificent city – in this city so distinguished in letters and so distinguished in the arts. You will readily believe that I have carried to the various countries I have since traversed, and through all my subsequent career, the proud and affectionate remembrance of that eventful epoch of my life; and that coming back to Edinburgh is to me like coming back home. Ladies and gentlemen, you have heard so much of my voice tonight, that I will not inflict upon you the additional task of hearing any more from me. But I am the better reconciled to limiting myself to these very few words, because I know and feel full well that no amount of speech to which I could give utterance could formally express my sense of the honour and distinction you have conferred upon me, or the heartfelt gratification I have in its reception. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. ‘Mr. Dickens, who, on entering, was welcomed by prolonged and cordial applause, premised his reading by informing us that the little story he was to read was written by him in Italy about twelve years ago, and for the purpose of expressing his views on certain subjects then before the public mind. With the season the story passed away, leaving with us, however, some visionary remembrances of the ghosts of the Chimes, as well as some lingering recollections of less aerial groups hovering round the destiny of poor Toby Veck.’ Location The location Edinburgh Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Edinburgh Courant Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18580927 Venue Where the speech was given Queen Street Hall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Edinburgh September 1858 Description An account of the resource Speech given before a reading of The Chimes (27 September 1858). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Edinburgh Courant (28 September 1858). Date A point or period of time associated with an event in the lifecycle of the resource 1858-09-28 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1858-09-27_Speech_Reading_in_Edinburgh Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Reading in Edinburgh' (27 September 1858). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-09-27_Speech_Reading_in_Edinburgh">https://dickenssearch.com/speeches/1858-09-27_Speech_Reading_in_Edinburgh</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. The tale he had read, he explained, comprised all that part of his well-known novel Dombey and Son that related to the history of the short-lived junior partner of that house. He prayed the audience to be unreserved in their expressions, whether of mirth or sympathy, confessing that he too sometimes joined in the tears or laughter which the recital evoked. The little story he regarded as intimately associated with the city on account of a dear friend he had had there, now departed <span class="NormalTextRun SCXW83553113 BCX0" data-ccp-charstyle="normaltextrun" data-ccp-charstyle-defn="{"ObjectId":"460502c0-ef1b-42ec-a63b-2a7fddd9ab25|34","ClassId":1073872969,"Properties":[201342446,"1",201342447,"5",201342448,"1",201342449,"1",469777841,"Aptos",469777842,"",469777843,"Aptos",469777844,"Aptos",201341986,"1",469769226,"Aptos",268442635,"22",469775450,"normaltextrun",201340122,"1",134233614,"true",469778129,"normaltextrun",335572020,"1",469778324,"Default Paragraph Font"]}">– one who had often pondered and dwelt on those few chapters, and shown a tender interest in the tale, which he could never forget. Location The location Edinburgh Venue Where the speech was given Queen Street Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18580928 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Edinburgh September 1858 Description An account of the resource Speech at a Reading in Edinburgh (28 September 1858). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1858-09-28 Identifier An unambiguous reference to the resource within a given context 1858-09-28_Speech_At-a-Reading-in-Edinburgh Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at a Reading in Edinburgh' (28 September 1858). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-09-28_Speech_At-a-Reading-in-Edinburgh">https://dickenssearch.com/speeches/1858-09-28_Speech_At-a-Reading-in-Edinburgh</a>. https://www.dickenssearch.com/files/original/6/At_a_Reading_in_Manchester_1857/1857-07-31_Speech_Before-Reading-Carol .pdf 043d9699bd3de298ba08a669d2922e90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Mr. Dickens introduced his reading by saying that on the occasions when he had the honour of repeating his "Carol" before audience he was accustomed to commence with two observations. The first was, that he should pause for five minutes half way through the story; and the second, that whenever as they proceeded the audience felt disposed to give utterance to any emotions, he frankly begged they would do so in the most natural manner possible, and without the least apprehension of disturbing him.' Location The location Manchester Venue Where the speech was given Free Trade Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Manchester Courier and Lancashire General Advertiser Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18570731 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Manchester 1857 Description An account of the resource Speech before a reading of A Christmas Carol, Manchester (31 July 1857). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Manchester Courier and Lancashire General Advertiser (1 August 1857). Date A point or period of time associated with an event in the lifecycle of the resource 1857-07-31 Identifier An unambiguous reference to the resource within a given context 1857-07-31_Speech_Reading-in-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Before a Reading of the Carol' (31 July 1857). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester">https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester</a>. Scripto Transcription A written representation of a document. I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained. manchester Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. ‘The audience was large and gave Mr. Dickens their undivided attention. – His apology for the “inconvenience of which he asserted himself to have been the innocent cause” was very timely, and gave him the entire support of his audience.’ Location The location New Haven Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) New Haven Evening Register Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18680324 Venue Where the speech was given Music Hall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in New Haven Description An account of the resource Speech given before a reading of 'Doctor Marigold's Prescriptions' and 'Mr. Bob Sawyer’s Party' (24 March 1868). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived New Haven Evening Register (25 March 1868). Date A point or period of time associated with an event in the lifecycle of the resource 1868-03-24 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1868-03-24_Speech_Reading_in_New_Haven Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Reading in New Haven' (24 March 1868). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1868-03-24_Speech_Reading_in_New_Haven">https://dickenssearch.com/speeches/</a><a href="https://dickenssearch.com/speeches/1868-03-24_Speech_Reading_in_New_Haven">1868-03-24_Speech_Reading_in_New_Haven</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. ‘Mr. Dickens was warmly received, and before commencing the reading said, that some years ago he had given a reading in this place – rendered dear to him by a personal friend – for the benefit of a local institution, and it occurred to him that, as on that occasion he read the Christmas Carol, it might be the pleasure of the audience to hear The Story of Little Dombey instead of the Carol. The audience signified their approval of the proposition, and Mr. Dickens proceeded to read the work mentioned.’ Location The location Peterborough Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Peterborough Advertiser Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18591019 Venue Where the speech was given Corn Exchange Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Peterborough Description An account of the resource Speech given before a reading of 'Little Dombey' and 'The Pickwick Trial' (19 October 1859). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Peterborough Advertiser (22 October 1859). Date A point or period of time associated with an event in the lifecycle of the resource 1859-10-19 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1859-10-19_Speech_Reading_in_Peterborough Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Reading in Peterborough' (19 October 1859). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1859-10-19_Speech_Reading_in_Peterborough">https://dickenssearch.com/speeches/</a><a href="https://dickenssearch.com/speeches/1859-10-19_Speech_Reading_in_Peterborough">1859-10-19_Speech_Reading_in_Peterborough</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. The institution, he said, although at this time but a very young plant almost in the bud, had struck a deep root and taken a strong hold in the bosoms of tens of thousands of our fellow creatures. Little more than six months, according to the report just read, had passed since the hospital was open for the reception of patients, and within that short time no fewer than sixty or seventy patients had occupied its beds, while the number of out-patients – many whom they had been delighted to learn had, by the skill and timely aid they had received, been enabled to resume their accustomed occupations – amounted to no fewer than 750. If this charity had not existed, the doors of no sick house within London’s wide bounds would have been open to these poor persons. Before the hospital was founded they would have suffered, lingered, pined, and died in their poor homes, without a hand stretched out to help them in their slow decay. Remembering that the classes of suffering which the charity purposed to alleviate were of all others peculiarly the growth and produce of the country; that they were often the inheritance of the youngest, fairest, best amongst us, that they deprived fair England of those whom it could least afford to lose, struck down the objects of our dearest hopes when in their youthful prime, and when it was hardest to lose them – remembering these things who could doubt that such a charity must be munificently endowed? He now called upon them to drink ‘Prosperity’ to the institution, not as an unmeaning toast, but as a pledge that nothing on their parts should be wanting to aid and urge it onward in its prosperous course. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430506 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At the Annual Dinner of the Hospital for Consumption and Diseases of the Chest Description An account of the resource Toast at the Annual Dinner of the Hospital for Consumption and Diseases of the Chest (6 May 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-05-06 Identifier An unambiguous reference to the resource within a given context 1843-05-06_Speech_Hospital-for-Consumption Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'At the Annual Dinner of the Hospital for Consumption and Diseases of the Chest' (6 May 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-05-06_Speech_Hospital-for-Consumption">https://dickenssearch.com/speeches/1843-05-06_Speech_Hospital-for-Consumption</a>. https://www.dickenssearch.com/files/original/6/At_the_School_Ship_Boston/1867-12-01_Speech_At_the_School_Ship.pdf 4ed5bd9fc21936e73e2fe20f29367352 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. ‘He had not thought that he could speak, but the sight of the boys moved him to address them. His remarks were inspiring and he concluded with these words:’ Location The location Boston Publication Type E.g. newspaper/serial Book Newspaper Publication The title of the newspaper/serial (if applicable) Dickens Days in Boston Alexandria Gazette TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1867-12-01_Speech_At_the_School_Ship.xml" target="_blank" rel="noopener">At the School Ship, Boston (1 December 1867).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18671201 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Boys, if you have ever cause to remember me, think of me as a visitor who had sincere interest in your welfare and who told you above all to tell the truth as being the best way and the only way to earn God’s blessing. Boys, do all the good you can, and don't make any fuss about it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At the School Ship, Boston Description An account of the resource Speech at the School Ship, Boston (1 December 1867). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Payne, Edward F. Dickens Days in Boston. Boston and New York: Houghton Mifflin Company, 1927. p. 185. Alexandria Gazette (28 August 1868). Date A point or period of time associated with an event in the lifecycle of the resource 1867-12-01 Type The nature or genre of the resource Speech Identifier An unambiguous reference to the resource within a given context 1867-12-01_Speech_At_the_School_Ship Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'At the School Ship, Boston' (1 December 1867). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1867-12-01_Speech_At_the_School_Ship">https://dickenssearch.com/speeches/1867-12-01_Speech_At_the_School_Ship</a>. Scripto Transcription A written representation of a document. Boys, if you have ever cause to remember me, think of me as a visitor who had sincere interest in your welfare and who told you above all to tell the truth as being the best way and the only way to earn God’s blessing. Boys, do all the good you can, and don't make any fuss about it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Edinburgh Venue Where the speech was given Waterloo Rooms Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18510625 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. If I felt your warm and generous welcome less, I should be better able to thank you. If I could have listened, as you have listened, to the glowing language of your distinguished chairman, and if I could have heard, as you heard, the “thoughts that breathe and words that burn”, which he has uttered, it would have gone hard but I should have caught some portion of his enthusiasm, and kindled at his example. But every word which fell from his lips, and every demonstration of sympathy and approbation with which you received his eloquent expressions, renders me unable to respond to his kindness, and leaves me at last all heart and no lips. Yearning to respond as I would do to your cordial greeting – possessing, Heaven knows, the will, and desiring only to find the way. The way to your good opinion, favour, and support, has been to me very pleasant – a path strewn with flowers and cheered with sunshine. I feel as if I stood amongst old friends, whom I had intimately known and highly valued. I feel as if the deaths of the fictitious creatures, in which you have been kind enough to express an interest, had endeared us to each other as real afflictions deepen friendships in actual life; I feel as if they had been real persons, whose fortunes we had pursued together in inseparable connexion, and that I had never known them apart from you. It is a difficult thing for a man to speak of himself or of his works. But perhaps on this occasion I may, without impropriety, venture to say a word on the spirit in which mine were conceived. I felt an earnest and humble desire, and shall do till I die, to increase the stock of harmless cheerfulness. I felt that the world was not utterly to be despised; that it was worthy of living in for many reasons. I was anxious to find, as the Professor has said, if I could, in evil things, that soul of goodness which the Creator has put in them. I was anxious to show that virtue may be found in the by-ways of the world, that it is not incompatible with poverty and even with rags, and to keep steadily through life the motto, expressed in the burning words of your Northern poet The rank is but the guinea stamp, The Man’s the gowd for a’ that. And in following this track, where could I have better assurance that I was right, or where could I have stronger assurance to cheer me on than in your kindness on this, to me, memorable night? I am anxious and glad to have an opportunity of saying a word in reference to one incident in which I am happy to know you were interested and still more happy to know, though it may sound paradoxical, that you were disappointed: I mean the death of the little heroine. When I first conceived the idea of conducting that simple story to its termination, I determined rigidly to adhere to it, and never to forsake the end I had in view. Not untried in the school of affliction, in the death of those we love, I thought what a good thing it would be if in my little work of pleasant amusement I could substitute a garland of fresh flowers for the sculptured horrors which disgrace the tomb. If I have put into my book anything which can fill the young mind with better thoughts of death, or soften the grief of older hearts; if I have written one word which can afford pleasure or consolation to old or young in time of trial, I shall consider it as something achieved – something which I shall be glad to look back upon in after life. Therefore I kept to my purpose, notwithstanding that towards the conclusion of the story, I daily received letters of remonstrance, especially from the ladies. God bless them for their tender mercies! The Professor was quite right when he said that I had not reached to an adequate delineation of their virtues; and I fear that I must go on blotting their characters in endeavouring to reach the ideal in my mind. These letters were, however, combined with others from the sterner sex, and some of them were not altogether free from personal invective. But notwithstanding, I kept to my purpose, and I am happy to know that many of those who at first condemned me are now foremost in their approbation. If I have made a mistake in detaining you with this little incident, I do not regret having done so; for your kindness has given me such a confidence in you, that the fault is yours and not mine. I come once more to thank you, and here I am in a difficulty again. The distinction you have conferred upon me is one which I never hoped for, and of which I never dared to dream. That it is one which I shall never forget, and that while I live I shall be proud of its remembrance, you must well know. I believe I shall never hear the name of this capital of Scotland without a thrill of gratitude and pleasure. I shall love while I have life her people, her hills, and her houses, and even the very stones of her streets. And if, in the future works which may lie before me, you should discern – God grant you may – a brighter spirit and a clearer wit, I pray you to refer it back to this night, and point to that as a Scottish passage for evermore. I thank you again and again, with the energy of a thousand thanks in each one, and I drink to you with a heart as full as my glass, and far less easily emptied, I do assure you. I have the honour to be entrusted with a toast, the very mention of which will recommend itself to you I know, as one possessing no ordinary claims to your sympathy and approbation, and the proposing of which is as congenial to my wishes and feelings as its acceptance must be to yours. It is the health of our Chairman, and coupled with his name I have to propose the ‘Literature of Scotland’: a literature which he has done much to render famous through the world, and of which he has been for many years – as I hope and believe he will be for many more – a most brilliant and distinguished ornament. Who can revert to the literature of the land of Scott and of Burns without having directly in his mind, as inseparable from the subject and foremost in the picture, that old man of might, with his lion heart and sceptred crutch, Christopher North? I am glad to remember the time when I believed him to be a real, actual, veritable old gentleman, that might be seen any day hobbling along the High Street with the most brilliant eye – but that is no fiction – and the greyest hair in all the world, who wrote not because he cared to write, not because he cared for the wonder and admiration of his fellow-men, but who wrote because he could not help it, because there was always springing up in his mind a clear and sparkling stream of poetry which must have vent, and like the glittering fountain in the fairy tale, draw what you might, was ever at the full, and never languished even by a single drop or bubble. I had so figured him in my mind, and when I saw the Professor two days ago, striding along the Parliament House, I was disposed to take it as a personal offence – I was vexed to see him look so hearty, I drooped to see twenty Christophers in one. I began to think that Scottish life was all ‘light’ and no ‘shadows’, and I began to doubt that beautiful book to which I have turned again and again, always to find new beauties and fresh sources of interest. It had been the happy lot of Scotland that her great writers have loved to exhibit her in various forms, whether in scenes of solitary grandeur or her simple village ways. The mighty genius who lately departed from you was equally at home in the wild grandeur of Highland scenery or the burning sands of Syria, and in the low haunts of London life; while there is not a shepherd or peasant who has not his type immortalized in the verse of him whose hand was on the plough while his heart was with the muse. There is not a glen of a lonely haunt in the Highlands which has not been visited by Christopher North in his shooting jacket, with a heart as free and as wild as the winds that swept over him. His voice has been heard from the lonely heaths and the snow drifts of the mountains, in the highways of Edinburgh, and in the caves of the Covenanters. By his genius every foot of ground in Scotland has been pictured to dwellers afar off as a fairy land. It is difficult to follow the Professor through all the scenes which he has depicted with such exquisite beauty, from the varied stores of his rich and teeming fancy; so that the epitaph of Goldsmith may be applied to him, that there was no subject but he touched, and nothing which he touched that he did not adorn. But the literature of Scotland comprises other names which are familiar to you: poets, historians, critics, all of the foremost rank. The learned Lord who I am proud to call my friend, to whom, by his fine taste and just appreciation of the beauties of an author, literature owes so much, and to the generosity of whose nature those who are opposed to him have borne high testimony; the author of Matthew Wold and Adam Blair, who has lately depicted with vivid colouring the last days of the mighty genius who departed on the banks of the river he loved so well; the gentleman who is present amongst us, and who under the signature of ‘Delta’ has given the world assurance of a poet, who has raised in us all admiration which we would fain be at liberty to increase still further by meeting him oftener; these, and other great names, are all included in the toast, which we drink to do honour, not to them, but to ourselves. I am less fortunate than the two gentlemen who have preceded me in their toasts, for I have to mention a name known to all present, but which I cannot utter at this time without deep sorrow – a name in which Scotland had high and endearing pride, which England delighted to honour, and which was cherished in the breast of every reflecting man throughout the whole civilized world. From among the gifted spirits of our times a gentle, honest, generous and true one has passed away, as it were but yesterday. The life of one devoted to all that was true and beautiful, and elevating, in art and nature, hath come to an end. I will give you the memory of Wilkie. It is not as one whom many of us knew and loved; it is not as one whose simple nature his high fame and fortune never spoiled or changed; it is not as one who acted up to what he taught, and who made the domestic virtues and duties his daily practice, that I think of him tonight. I think of him as one – and you should do so too – who has left behind him unwonted fire, who has left an undying and imperishable name, who made the cottage hearth his grave theme, and who surrounded the lives, and cares, and daily toils, and occupations of the poor, with dignity and beauty: who indeed found ‘books in the running brooks, sermons in stones, and good in everything’, and who has left behind in all his works the same breathing of health, as of the air wafted from the heather of his native land. However desirous one may be on an occasion like the present to separate his memory from these mournful associations which gather around it, it is impossible, they are peculiarly inseparable from him: the painter’s study with the empty easel, the brush and palette which he was wont to use, now lie idly by, his unfinished pictures turn their faces to the wall, and that bereaved and affectionate mourner whom he loved in his days to honour, will look upon him no more. He is gone, and has left behind him, particularly to his countrymen and all who knew him, a name and fame as pure and unsullied as the bright sky which shines over the painter’s grave. He has filled our minds and memories with what is mournful, yet as soothing as the roll of the blue waters over his honoured head. Mindful of his only sister, I cannot help expressing the hope that the time will shortly come when she, like us, will feel a solemn pleasure in speaking of his goodness and greatness, and when she will have the grateful recollection that he died in the fulness of his powers, before age or sickness had dimmed his sight, or had bowed his head. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At the Waterloo Rooms, Edinburgh Description An account of the resource Speech given at a banquet in his honour in Edinburgh (25 June 1841). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1851-06-25 Identifier An unambiguous reference to the resource within a given context 1851-06-25_Speech_Waterloo_Rooms Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Shakespeare Club Dinner' (25 June 1841). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1851-06-25_Speech_Waterloo_Rooms">https://dickenssearch.com/speeches/1851-06-25_Speech_Waterloo_Rooms</a>. Scripto Transcription A written representation of a document. If I felt your warm and generous welcome less, I should be better able to thank you. If I could have listened, as you have listened, to the glowing language of your distinguished chairman, and if I could have heard, as you heard, the “thoughts that breathe and words that burn”, which he has uttered, it would have gone hard but I should have caught some portion of his enthusiasm, and kindled at his example. But every word which fell from his lips, and every demonstration of sympathy and approbation with which you received his eloquent expressions, renders me unable to respond to his kindness, and leaves me at last all heart and no lips. Yearning to respond as I would do to your cordial greeting – possessing, Heaven knows, the will, and desiring only to find the way. The way to your good opinion, favour, and support, has been to me very pleasant – a path strewn with flowers and cheered with sunshine. I feel as if I stood amongst old friends, whom I had intimately known and highly valued. I feel as if the deaths of the fictitious creatures, in which you have been kind enough to express an interest, had endeared us to each other as real afflictions deepen friendships in actual life; I feel as if they had been real persons, whose fortunes we had pursued together in inseparable connexion, and that I had never known them apart from you. It is a difficult thing for a man to speak of himself or of his works. But perhaps on this occasion I may, without impropriety, venture to say a word on the spirit in which mine were conceived. I felt an earnest and humble desire, and shall do till I die, to increase the stock of harmless cheerfulness. I felt that the world was not utterly to be despised; that it was worthy of living in for many reasons. I was anxious to find, as the Professor has said, if I could, in evil things, that soul of goodness which the Creator has put in them. I was anxious to show that virtue may be found in the by-ways of the world, that it is not incompatible with poverty and even with rags, and to keep steadily through life the motto, expressed in the burning words of your Northern poet The rank is but the guinea stamp, The Man’s the gowd for a’ that. And in following this track, where could I have better assurance that I was right, or where could I have stronger assurance to cheer me on than in your kindness on this, to me, memorable night? I am anxious and glad to have an opportunity of saying a word in reference to one incident in which I am happy to know you were interested and still more happy to know, though it may sound paradoxical, that you were disappointed: I mean the death of the little heroine. When I first conceived the idea of conducting that simple story to its termination, I determined rigidly to adhere to it, and never to forsake the end I had in view. Not untried in the school of affliction, in the death of those we love, I thought what a good thing it would be if in my little work of pleasant amusement I could substitute a garland of fresh flowers for the sculptured horrors which disgrace the tomb. If I have put into my book anything which can fill the young mind with better thoughts of death, or soften the grief of older hearts; if I have written one word which can afford pleasure or consolation to old or young in time of trial, I shall consider it as something achieved – something which I shall be glad to look back upon in after life. Therefore I kept to my purpose, notwithstanding that towards the conclusion of the story, I daily received letters of remonstrance, especially from the ladies. God bless them for their tender mercies! The Professor was quite right when he said that I had not reached to an adequate delineation of their virtues; and I fear that I must go on blotting their characters in endeavouring to reach the ideal in my mind. These letters were, however, combined with others from the sterner sex, and some of them were not altogether free from personal invective. But notwithstanding, I kept to my purpose, and I am happy to know that many of those who at first condemned me are now foremost in their approbation. If I have made a mistake in detaining you with this little incident, I do not regret having done so; for your kindness has given me such a confidence in you, that the fault is yours and not mine. I come once more to thank you, and here I am in a difficulty again. The distinction you have conferred upon me is one which I never hoped for, and of which I never dared to dream. That it is one which I shall never forget, and that while I live I shall be proud of its remembrance, you must well know. I believe I shall never hear the name of this capital of Scotland without a thrill of gratitude and pleasure. I shall love while I have life her people, her hills, and her houses, and even the very stones of her streets. And if, in the future works which may lie before me, you should discern – God grant you may – a brighter spirit and a clearer wit, I pray you to refer it back to this night, and point to that as a Scottish passage for evermore. I thank you again and again, with the energy of a thousand thanks in each one, and I drink to you with a heart as full as my glass, and far less easily emptied, I do assure you. I have the honour to be entrusted with a toast, the very mention of which will recommend itself to you I know, as one possessing no ordinary claims to your sympathy and approbation, and the proposing of which is as congenial to my wishes and feelings as its acceptance must be to yours. It is the health of our Chairman, and coupled with his name I have to propose the ‘Literature of Scotland’: a literature which he has done much to render famous through the world, and of which he has been for many years – as I hope and believe he will be for many more – a most brilliant and distinguished ornament. Who can revert to the literature of the land of Scott and of Burns without having directly in his mind, as inseparable from the subject and foremost in the picture, that old man of might, with his lion heart and sceptred crutch, Christopher North? I am glad to remember the time when I believed him to be a real, actual, veritable old gentleman, that might be seen any day hobbling along the High Street with the most brilliant eye – but that is no fiction – and the greyest hair in all the world, who wrote not because he cared to write, not because he cared for the wonder and admiration of his fellow-men, but who wrote because he could not help it, because there was always springing up in his mind a clear and sparkling stream of poetry which must have vent, and like the glittering fountain in the fairy tale, draw what you might, was ever at the full, and never languished even by a single drop or bubble. I had so figured him in my mind, and when I saw the Professor two days ago, striding along the Parliament House, I was disposed to take it as a personal offence – I was vexed to see him look so hearty, I drooped to see twenty Christophers in one. I began to think that Scottish life was all ‘light’ and no ‘shadows’, and I began to doubt that beautiful book to which I have turned again and again, always to find new beauties and fresh sources of interest. It had been the happy lot of Scotland that her great writers have loved to exhibit her in various forms, whether in scenes of solitary grandeur or her simple village ways. The mighty genius who lately departed from you was equally at home in the wild grandeur of Highland scenery or the burning sands of Syria, and in the low haunts of London life; while there is not a shepherd or peasant who has not his type immortalized in the verse of him whose hand was on the plough while his heart was with the muse. There is not a glen of a lonely haunt in the Highlands which has not been visited by Christopher North in his shooting jacket, with a heart as free and as wild as the winds that swept over him. His voice has been heard from the lonely heaths and the snow drifts of the mountains, in the highways of Edinburgh, and in the caves of the Covenanters. By his genius every foot of ground in Scotland has been pictured to dwellers afar off as a fairy land. It is difficult to follow the Professor through all the scenes which he has depicted with such exquisite beauty, from the varied stores of his rich and teeming fancy; so that the epitaph of Goldsmith may be applied to him, that there was no subject but he touched, and nothing which he touched that he did not adorn. But the literature of Scotland comprises other names which are familiar to you: poets, historians, critics, all of the foremost rank. The learned Lord who I am proud to call my friend, to whom, by his fine taste and just appreciation of the beauties of an author, literature owes so much, and to the generosity of whose nature those who are opposed to him have borne high testimony; the author of Matthew Wold and Adam Blair, who has lately depicted with vivid colouring the last days of the mighty genius who departed on the banks of the river he loved so well; the gentleman who is present amongst us, and who under the signature of ‘Delta’ has given the world assurance of a poet, who has raised in us all admiration which we would fain be at liberty to increase still further by meeting him oftener; these, and other great names, are all included in the toast, which we drink to do honour, not to them, but to ourselves. I am less fortunate than the two gentlemen who have preceded me in their toasts, for I have to mention a name known to all present, but which I cannot utter at this time without deep sorrow – a name in which Scotland had high and endearing pride, which England delighted to honour, and which was cherished in the breast of every reflecting man throughout the whole civilized world. From among the gifted spirits of our times a gentle, honest, generous and true one has passed away, as it were but yesterday. The life of one devoted to all that was true and beautiful, and elevating, in art and nature, hath come to an end. I will give you the memory of Wilkie. It is not as one whom many of us knew and loved; it is not as one whose simple nature his high fame and fortune never spoiled or changed; it is not as one who acted up to what he taught, and who made the domestic virtues and duties his daily practice, that I think of him tonight. I think of him as one – and you should do so too – who has left behind him unwonted fire, who has left an undying and imperishable name, who made the cottage hearth his grave theme, and who surrounded the lives, and cares, and daily toils, and occupations of the poor, with dignity and beauty: who indeed found ‘books in the running brooks, sermons in stones, and good in everything’, and who has left behind in all his works the same breathing of health, as of the air wafted from the heather of his native land. However desirous one may be on an occasion like the present to separate his memory from these mournful associations which gather around it, it is impossible, they are peculiarly inseparable from him: the painter’s study with the empty easel, the brush and palette which he was wont to use, now lie idly by, his unfinished pictures turn their faces to the wall, and that bereaved and affectionate mourner whom he loved in his days to honour, will look upon him no more. He is gone, and has left behind him, particularly to his countrymen and all who knew him, a name and fame as pure and unsullied as the bright sky which shines over the painter’s grave. He has filled our minds and memories with what is mournful, yet as soothing as the roll of the blue waters over his honoured head. Mindful of his only sister, I cannot help expressing the hope that the time will shortly come when she, like us, will feel a solemn pleasure in speaking of his goodness and greatness, and when she will have the grateful recollection that he died in the fulness of his powers, before age or sickness had dimmed his sight, or had bowed his head.