27 10 361 https://www.dickenssearch.com/files/original/6/At_a_Reading_in_Manchester_1857/1857-07-31_Speech_Before-Reading-Carol .pdf 043d9699bd3de298ba08a669d2922e90 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. 'Mr. Dickens introduced his reading by saying that on the occasions when he had the honour of repeating his "Carol" before audience he was accustomed to commence with two observations. The first was, that he should pause for five minutes half way through the story; and the second, that whenever as they proceeded the audience felt disposed to give utterance to any emotions, he frankly begged they would do so in the most natural manner possible, and without the least apprehension of disturbing him.' Location The location Manchester Venue Where the speech was given Free Trade Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Manchester Courier and Lancashire General Advertiser Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18570731 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Manchester 1857 Description An account of the resource Speech before a reading of A Christmas Carol, Manchester (31 July 1857). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Manchester Courier and Lancashire General Advertiser (1 August 1857). Date A point or period of time associated with an event in the lifecycle of the resource 1857-07-31 Identifier An unambiguous reference to the resource within a given context 1857-07-31_Speech_Reading-in-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Before a Reading of the Carol' (31 July 1857). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester">https://dickenssearch.com/speeches/1857-07-31_Speech_Reading-in-Manchester</a>. Scripto Transcription A written representation of a document. I need hardly say to you that nothing can be more delightful to me than to know that you are interested, and nothing can be more agreeable to me than that the short personal relations between us may be perfectly friendly, easy, unaffected and unconstrained. manchester Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Manchester Venue Where the speech was given Free Trade Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18570824 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and Gentlemen, Will you allow me to say that on these three occasions you have added three very bright flowers to the garland of our happy and grateful recollections of this most hospitable and generous city? Permit me, in the name in remembrance of which we have been banded together, and on behalf of my companions in the company, and of the author, and of myself, to tender you a most affectionate farewell. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource After a Performance of The Frozen Deep, Manchester Description An account of the resource Speech after a Performance of The Frozen Deep, Manchester (24 August 1857). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1857-08-24 Identifier An unambiguous reference to the resource within a given context 1857-08-24_Speech_After-a-Performance-of-The-Frozen-Deep-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech after a Performance of The Frozen Deep, Manchester' (24 August 1857). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1857-08-24_Speech_After-a-Performance-of-The-Frozen-Deep-Manchester">https://dickenssearch.com/speeches/1857-08-24_Speech_After-a-Performance-of-The-Frozen-Deep-Manchester</a>. Scripto Transcription A written representation of a document. Ladies and Gentlemen, Will you allow me to say that on these three occasions you have added three very bright flowers to the garland of our happy and grateful recollections of this most hospitable and generous city? Permit me, in the name in remembrance of which we have been banded together, and on behalf of my companions in the company, and of the author, and of myself, to tender you a most affectionate farewell. manchester https://www.dickenssearch.com/files/original/5/No._I_The_Lazy_Tour_of_Two_Idle_Apprentices/1857-10-03-The_Lazy_Tour_of_Two_Idle_Apprentices_No1.pdf 26ef935a5fcc46d2fc04aa9b0ac0a75e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571003 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. In the autumn month of September, eighteen hundred and fifty-seven, wherein these presents bear date, two idle apprentices, exhausted by the long hot summer and the long hot work it had brought with it, ran away from their employer. They were bound to a highly meritorious lady (named Literature), of fair credit and repute, though, it must be acknowledged, not quite so highly esteemed in the City as she might be. This is the more remarkable, as there is nothing against the respectable lady in that quarter, but quite the contrary; her family having rendered eminent service to many famous citizens of London. It may be sufficient to name Sir William Walworth, Lord Mayor under King Richard the Second, at the time of Wat Tyler's insurrection, and Sir Richard Whittington: which latter distinguished man and magistrate was doubtless indebted to the lady's family for the gift of his celebrated cat. There is also strong reason to suppose that they rang the Highgate bells for him with their own hands. The misguided young men who thus shirked their duty to the mistress from whom they had received many favors, were actuated by the low idea of making a perfectly idle trip, in any direction. They had no intention of going anywhere, in particular; they wanted to see nothing, they wanted to know nothing, they wanted to learn nothing, they wanted to do nothing. They wanted only to be idle. They took to themselves (after HOGARTH), the names of Mr. Thomas Idle and Mr. Francis Goodchild; but, there was not a moral pin to choose between them, and they were both idle in the last degree. Between Francis and Thomas, however, there was this difference of character: Goodchild was laboriously idle, and would take upon himself any amount of pains and labour to assure himself that he was idle; in short, had no better idea of idleness than that it was useless industry. Thomas Idle, on the other hand, was an idler of the unmixed Irish or Neapolitan type; a passive idler, a born-and-bred idler, a consistent idler, who practised what he would have preached if he had not been too idle to preach; a one entire and perfect chrysolite of idleness. The two idle apprentices found themselves, within a few hours of their escape, walking down into the North of England. That is to say, Thomas was lying in a meadow, looking at the railway trains as they passed over a distant viaduct—which was his idea of walking down into the North; while Francis was walking a mile due South against time—which was his idea of walking down into the North. In the meantime the day waned, and the milestones remained unconquered. "Tom," said Goodchild, "The sun is getting low. Up, and let us go forward!" "Nay," quoth Thomas Idle, "I have not done with Annie Laurie yet." And he proceeded with that idle but popular ballad, to the effect that for the bonnie young person of that name he would "lay him doon and dee,"— equivalent, in prose, to lay him down and die. "What an ass that fellow was!" cried Goodchild, with the bitter emphasis of contempt. "Which fellow? " asked Thomas Idle. "The fellow in your song. Lay him doon and dee! Finely he'd show off before the girl by doing that. A Sniveller! Why couldn't he get up, and punch somebody's head!" "Whose?" asked Thomas Idle. "Anybody's. Everybody's would be better than nobody's! If I fell into that state of mind about a girl, do you think I'd lay me doon and dee? No, sir," proceeded Goodchild, with a disparaging assumption of the Scottish accent, "I'd get me oop and peetch into somebody. Wouldn't you ?" "I wouldn't have anything to do with her," yawned Thomas Idle. "Why should I take the trouble?" "It's no trouble Tom, to fall in love," said Goodchild, shaking his head. "It's trouble enough to fall out of it, once you're in it," retorted Tom. "So I keep out of it altogether. It would be better for you, if you did the same." Mr. Goodchild, who is always in love with somebody, and not unfrequently with several objects at once, made no reply. He heaved a sigh of the kind which is termed by the lower orders "a bellowser," and then, heaving Mr. Idle on his feet (who was not half so heavy as the sigh), urged him northward. These two had sent their personal baggage on by train: only retaining, each a knapsack. Idle now applied himself to constantly regretting the train, to tracking it through the intricacies of Bradshaw's Guide, and finding out where it was now—and where now—and where now—and to asking what was the use of walking, when you could ride at such a pace as that. Was it to see the country? If that was the object, look at it out of carriage-windows. There was a great deal more of it to be seen there, than here. Besides, who wanted to see the country? Nobody. And, again, who ever did walk? Nobody. Fellows set off to walk, but they never did it. They came back and said they did, but they didn't. Then why should he walk? He wouldn't walk. He swore it by this milestone! It was the fifth from London, so far had they penetrated into the North. Submitting to the powerful chain of argument, Goodchild proposed a return to the Metropolis, and a falling back upon Euston Square Terminus. Thomas assented with alacrity, and so they walked down into the North by the next morning's express, and carried their knapsacks in the luggage-van. It was like all other expresses, as every express is and must be. It bore through the harvested country, a smell like a large washing-day, and a sharp issue of steam as from a huge brazen tea-urn. The greatest power in nature and art combined, it yet glided over dangerous heights in the sight of people looking up from fields and roads, as smoothly and unreally as a light miniature plaything. Now, the engine shrieked in hysterics of such intensity, that it seemed desirable that the men who had her in charge should hold her feet, slap her hands, and bring her to; now, burrowed into tunnels with a stubborn and undemonstrative energy so confusing that the train seemed to be flying back into leagues of darkness. Here, were station after station, swallowed up by the press without stopping; here, stations where it fired itself in like a volley of cannon-balls, swooped away four country-people with nosegays and three men of business with portmanteaus, and fired itself off again, bang, bang, bang! At long intervals were uncomfortable refreshment rooms, made more uncomfortable by the scorn of Beauty towards Beast, the public (but to whom she never relented, as Beauty did in the story, towards the other Beast), and where sensitive stomachs were fed, with a contemptuous sharpness occasioning indigestion. Here, again, were stations with nothing going but a bell, and wonderful wooden razors set aloft on great posts, shaving the air. In these fields, the horses, sheep, and cattle were well used to the thundering meteor, and didn't mind; in those, they were all set scampering together, and a herd of pigs scoured after them. The pastoral country darkened, became coaly, became smoky, became infernal, got better, got worse, improved again, grew rugged, turned romantic; was a wood, a stream, a chain of hills, a gorge, a moor, a cathedral town, a fortified place, a waste. Now, miserable black dwellings, a black canal, and sick black towers of chimneys; now, a trim garden, where the flowers were bright and fair; now, a wilderness of hideous altars all a-blaze; now, the water meadows with their fairy rings; now, the mangy patch of unlet building ground outside the stagnant town, with the larger ring where the Circus was last week. The temperature changed, the dialect changed, the people changed, faces got sharper, manner got shorter, eyes got shrewder and harder; yet all so quickly, that the spruce guard in the London uniform and silver lace, had not yet rumpled his shirt-collar, delivered half the dispatches in his shining little pouch, or read his newspaper. Carlisle! Idle and Goodchild had got to Carlisle. It looked congenially and delightfully idle. Something in the way of public amusement had happened last month, and something else was going to happen before Christmas; and, in the meantime there was a lecture on India for those who liked it—which Idle and Goodchild did not. Likewise, by those who liked them, there were impressions to be bought of all the vapid prints, going and gone, and of nearly all the vapid books. For those who wanted to put anything in missionary boxes, here were the boxes. For those who wanted the Reverend Mr. Podgers (artist's proofs, thirty shillings), here was Mr. Podgers to any amount. Not less gracious and abundant, Mr. Codgers, also of the vineyard, but opposed to Mr. Podgers, brotherly tooth and nail. Here, were guide-books to the neighbouring antiquities, and eke the Lake country, in several dry and husky sorts; here, many physically and morally impossible heads of both sexes, for young ladies to copy, in the exercise of the art of drawing; here, further, a large impression of Mr. SPURGEON, solid as to the flesh, not to say even something gross. The working young men of Carlisle were drawn up, with their hands in their pockets, across the pavements, four and six abreast, and appeared (much to the satisfaction of Mr. Idle) to have nothing else to do. The working and growing young women of Carlisle, from the age of twelve upwards, promenaded the streets in the cool of the evening, and rallied the said young men. Sometimes the young men rallied the young women, as in the case of a group gathered round an accordion-player, from among whom a young man advanced behind a young woman for whom he appeared to have a tenderness, and hinted to her that he was there and playful, by giving her (he wore clogs) a kick. On market morning, Carlisle woke up amazingly, and became (to the two Idle Apprentices) disagreeably and reproachfully busy. There were its cattle market, its sheep market, and its pig market down by the river, with raw-boned and shock-headed Rob Roys hiding their Lowland dresses beneath heavy plaids, prowling in and out among the animals, and flavouring the air with fumes of whiskey. There was its corn market down the main street, with hum of chaffering over open sacks. There was its general market in the street too, with heather brooms on which the purple flower still flourished, and heather baskets primitive and fresh to behold. With women trying on clogs and caps at open stalls, and "Bible stalls" adjoining. With "Doctor Mantle's Dispensary for the cure of all Human Maladies and no charge for advice," and with Doctor Mantle's "Laboratory of Medical, Chemical, and Botanical Science"—both healing institutions established on one pair of trestles, one board, and one sun-blind. With the renowned phrenologist from London, begging to be favoured (at sixpence each) with the company of clients of both sexes, to whom, on examination of their heads, he would make revelations "enabling him or her to know themselves." Through all these bargains and blessings, the recruiting serjeant watchfully elbowed his way, a thread of War in the peaceful skein. Likewise on the walls were printed hints that the Oxford Blues might not be indisposed to hear of a few fine active young men; and that whereas the standard of that distinguished corps is full six feet, "growing lads of five feet eleven" need not absolutely despair of being accepted. Scenting the morning air more pleasantly than the buried majesty of Denmark did, Messrs. Idle and Goodchild rode away from Carlisle at eight o'clock one forenoon, bound for the village of Heske, Newmarket, some fourteen miles distant. Goodchild (who had already begun to doubt whether he was idle: as his way always is when he has nothing to do), had read of a certain black old Cumberland hill or mountain, called Carrock, or Carrock Fell; and had arrived at the conclusion that it would be the culminating triumph of Idleness to ascend the same. Thomas Idle, dwelling on the pains inseparable from that achievement, had expressed the strongest doubts of the expediency, and even of the sanity, of the enterprise; but Goodchild had carried his point, and they rode away. Up hill and down hill, and twisting to the right, and twisting to the left, and with old Skiddaw (who has vaunted himself a great deal more than his merits deserve; but that is rather the way of the Lake country), dodging the apprentices in a picturesque and pleasant manner. Good, weather-proof, warm, peasant houses, well white-limed, scantily dotting the road. Clean children coming out to look, carrying other clean children as big as themselves. Harvest still lying out and much rained upon; here and there, harvest still unreaped. Well cultivated gardens attached to the cottages, with plenty of produce forced out of their hard soil. Lonely nooks, and wild; but people can be born, and married, and buried in such nooks, and can live and love, and be loved, there as elsewhere, thank God! (Mr. Goodchild's remark.) By-and-by, the village. Black, coarse-stoned, rough-windowed houses; some with outer staircases, like Swiss houses; a sinuous and stony gutter winding up hill and round the corner, by way of street. All the children running out directly. Women pausing in washing, to peep from doorways and very little windows. Such were the observations of Messrs. Idle and Goodchild, as their conveyance stopped at the village shoemaker's. Old Carrock gloomed down upon it all in a very ill-tempered state; and rain was beginning. The village shoemaker declined to have anything to do with Carrock. No visitors went up Carrock. No visitors came there at all. Aa' the world ganged awa' yon. The driver appealed to the Innkeeper. The Inn-keeper had two men working in the fields, and one of them should be called in, to go up Carrock as guide. Messrs. Idle and Goodchild, highly approving, entered the Innkeeper's house, to drink whiskey and eat oakcake. The Innkeeper was not idle enough—was not idle at all, which was a great fault in him—but was a fine specimen of a north- country man, or any kind of man. He had a ruddy cheek, a bright eye, a well-knit frame, an immense hand, a cheery outspeaking voice, and a straight, bright, broad look. He had a drawing-room, too, up-stairs, which was worth a visit to the Cumberland Fells. (This was Mr. Francis Goodchild's opinion, in which Mr. Thomas Idle did not concur.) The ceiling of this drawing-room was so crossed and re-crossed by beams of unequal lengths, radiating from a centre in a corner, that it looked like a broken star-fish. The room was comfortably and solidly furnished with good mahogany and horsehair. It had a snug fire-side, and a couple of well-curtained windows, looking out upon the wild country behind the house. What it most developed was, an unexpected taste for little ornaments and nick-nacks, of which it contained a most surprising number. They were not very various, consisting in great part of waxen babies with their limbs more or less mutilated, appealing on one leg to the parental affections from under little cupping-glasses; but, Uncle Tom was there, in crockery, receiving theological instructions from Miss Eva, who grew out of his side like a wen, in an exceedingly rough state of profile propagandism. Engravings of Mr. Hunt's country-boy, before and after his pie were on the wall, divided by a highly coloured nautical piece, the subject of which had all her colors (and more) flying, and was making great way through a sea of a regular pattern, like a lady's collar. A benevolent elderly gentleman of the last century, with a powdered head, kept guard, in oil and varnish, over a most perplexing piece of furniture on a table; in appearance between a driving seat and an angular knife-box, but, when opened, a musical instrument of tinkling wires, exactly like David's harp packed for travelling. Everything became a nick-nack in this curious room. The copper tea-kettle, burnished up to the highest point of glory, took his station on a stand of his own at the greatest possible distance from the fire-place, and said, "By your leave, not a kittle, but a bijou." The Staffordshire-ware butter-dish with the cover on, got upon a little round occasional table in a window, with a worked top, and announced itself to the two chairs accidentally placed there, as an aid to polite conversation, a graceful trifle in china to be chatted over by callers, as they airily trifled away the visiting moments of a butterfly existence, in that rugged old village on the Cumberland Fells. The very footstool could not keep the floor, but got upon the sofa, and therefrom proclaimed itself, in high relief of white and liver-colored wool, a favourite spaniel coiled up for repose. Though, truly, in spite of its bright glass eyes, the spaniel was the least successful assumption in the collection: being perfectly flat, and dismally suggestive of a recent mistake in sitting down, on the part of some corpulent member of the family. There were books, too, in this room; books on the table, books on the chimney-piece, books in an open press in the corner. Fielding was there, and Smollett was there, and Steele and Addison were there, in dispersed volumes; and there were tales of those who go down to the sea in ships, for windy nights; and there was really a choice of good books for rainy days or fine. It was so very pleasant to see these things in such a lonesome by-place—so very agreeable to find these evidences of a taste, however homely, that went beyond the beautiful cleanliness and trimness of the house—so fanciful to imagine what a wonder the room must be to the little children born in the gloomy village—what grand impressions of it those of them who became wanderers over the earth would carry away; and how, at distant ends of the world, some old voyagers would die, cherishing the belief that the finest apartment known to men was once in the Hesket-Newmarket Inn, in rare old Cumberland—it was such a charmingly lazy pursuit to entertain these rambling thoughts over the choice oat-cake and the genial whiskey, that Mr. Idle and Mr. Goodchild never asked themselves how it came to pass that the men in the fields were never heard of more, how the stalwart landlord replaced them without explanation, how his dog-cart came to be waiting at the door, and how everything was arranged without the least arrangement, for climbing to old Carrock's shoulders, and standing on his head. Without a word of inquiry, therefore, The Two Idle Apprentices drifted out resignedly into a fine, soft, close, drowsy, penetrating rain; got into the landlord's light dog-cart, and rattled off, through the village, for the foot of Carrock. The journey at the outset was not remarkable. The Cumberland road went up and down like other roads; the Cumberland curs burst out from backs of cottages and barked like other curs, and the Cumberland peasantry stared after the dog-cart amazedly, as long as it was in sight, like the rest of their race. The approach to the foot of the mountain resembled the approaches to the feet of most other mountains all over the world. The cultivation gradually ceased, the trees grew gradually rare, the road became gradually rougher, and the sides of the mountain looked gradually more and more lofty, and more and more difficult to get up. The dog-cart was left at a lonely farm-house. The landlord borrowed a large umbrella, and, assuming in an instant the character of the most cheerful and adventurous of guides, led the way to the ascent. Mr. Goodchild looked eagerly at the top of the mountain, and, feeling apparently that he was now going to be very lazy indeed, shone all over wonderfully to the eye, under the influence of the contentment within and the moisture without. Only in the bosom of Mr. Thomas Idle did Despondency now hold her gloomy state. He kept it a secret; but he would have given a very handsome sum, when the ascent began, to have been back again at the inn. The sides of Carrock looked fearfully steep, and the top of Carrock was hidden in mist. The rain was falling faster and faster. The knees of Mr. Idle—always weak on walking excursions—shivered and shook with fear and damp. The wet was already penetrating through the young man's outer coat to a bran new shooting-jacket, for which he had reluctantly paid the large sum of two guineas on leaving town; he had no stimulating refreshment about him but a small packet of clammy gingerbread nuts; he had nobody to give him an arm, nobody to push him gently behind, nobody to pull him up tenderly in front, nobody to speak to who really felt the difficulties of the ascent, the dampness of the rain, the denseness of the mist, and the unutterable folly of climbing, undriven, up any steep place in the world, when there is level ground within reach to walk on instead. Was it for this that Thomas had left London? London, where there are nice short walks in level public gardens,with benches of repose set up at convenient distances for weary travellers—London, where rugged stone is humanely pounded into little lumps for the road, and intelligently shaped into smooth slabs for the pavement! No! it was not for the laborious ascent of the crags of Carrock that Idle had left his native city and travelled to Cumberland. Never did he feel more disastrously convinced that he had committed a very grave error in judgment than when he found himself standing in the rain at the bottom of a steep mountain, and knew that the responsibility rested on his weak shoulders of actually getting to the top of it. The honest landlord went first, the beaming Goodchild followed, the mournful Idle brought up the rear. From time to time, the two foremost members of the expedition changed places in the order of march; but the rearguard never altered his position. Up the mountain or down the mountain, in the water or out of it, over the rocks, through the bogs, skirting the heather, Mr. Thomas Idle was always the last, and was always the man who had to be looked after and waited for. At first the ascent was delusively easy: the sides of the mountain sloped gradually, and the material of which they were composed was a soft spongy turf, very tender and pleasant to walk upon. After a hundred yards or so, however, the verdant scene and the easy slope disappeared, and the rocks began. Not noble, massive rocks, standing upright, keeping a certain regularity in their positions, and possessing, now and then, flat tops to sit upon, but little, irritating, comfortless rocks, littered about anyhow by Nature; treacherous, disheartening rocks of all sorts of small shapes and small sizes, bruisers of tender toes and trippers-up of wavering feet. When these impediments were passed, heather and slough followed. Here the steepness of the ascent was slightly mitigated; and here the exploring party of three turned round to look at the view below them. The scene of the moorland and the fields was like a feeble water-colour drawing half sponged out. The mist was darkening, the rain was thickening, the trees were dotted about like spots of faint shadow, the division-lines which mapped out the fields were all getting blurred together, and the lonely farm- house where the dog-cart had been left, loomed spectral in the grey light like the last human dwelling at the end of the habitable world. Was this a sight worth climbing to see? Surely—surely not! Up again—for the top of Carrock is not reached yet. The landlord, just as good-tempered and obliging as he was at the bottom of the mountain. Mr. Goodchild brighter in the eyes and rosier in the face than ever; full of cheerful remarks and apt quotations; and walking with a springiness of step wonderful to behold. Mr. Idle, farther and farther in the rear, with the water squeaking in the toes of his boots, with his two-guinea shooting-jacket clinging damply to his aching sides, with his over-coat so full of rain, and standing out so pyramidically stiff, in consequence, from his shoulders downwards, that he felt as if he was walking in a gigantic extinguisher—the despairing spirit within him representing but too aptly the candle that had just been put out. Up and up and up again, till a ridge is reached, and the outer edge of the mist on the summit of Carrock is darkly and drizzlingly near. Is this the top ? No, nothing like the top. It is an aggravating peculiarity of all mountains, that, although they have only one top when they are seen (as they ought always to be seen) from below, they turn out to have a perfect eruption of false tops whenever the traveller is sufficiently ill-advised to go out of his way for the purpose of ascending them. Carrock is but a trumpery little mountain of fifteen hundred feet, and it presumes to have false tops, and even precipices, as if it was Mont Blanc. No matter; Goodchild enjoys it, and will go on; and Idle, who is afraid of being left behind by himself, must follow. On entering the edge of the mist, the landlord stops, and says he hopes that it will not get any thicker. It is twenty years since he last ascended Carrock, and it is barely possible, if the mist increases, that the party may be lost on the mountain. Goodchild hears this dreadful intimation, and is not in the least impressed by it. He marches for the top that is never to be found, as if he was them Wandering Jew, bound to go on for ever, in defiance of everything. The landlord faithfully accompanies him. The two, to the dim eye of Idle, far below,look in the exaggerative mist, like a pair of friendly giants, mounting the steps of some invisible castle together. Up and up, and then down a little, and then up, and then along a strip of level ground, and then up again. The wind, a wind unknown in the happy valley, blows keen and strong; the rain-mist gets impenetrable; a dreary little cairn of stones appears. The landlord adds one to the heap, first walking all round the cairn as if he were about to perform an incantation, then dropping the stone on to the top of the heap with the gesture of a magician adding an ingredient to a cauldron in full bubble. Goodchild sits down by the cairn as if it was his study-table at home; Idle, drenched and panting, stands up with his back to the wind, ascertains distinctly that this is the top at last, looks round with all the little curiosity that is left in him, and gets, in return, a magnificent view of—Nothing! The effect of this sublime spectacle on the minds of the exploring party is a little injured by the nature of the direct conclusion to which the sight of it points—the said conclusion being that the mountain mist has actually gathered round them, as the landlord feared it would. It now becomes imperatively necessary to settle the exact situation of the farm-house in the valley at which the dog-cart has been left, before the travellers attempt to descend. While the landlord is endeavouring to make this discovery in his own way, Mr. Goodchild plunges his hand under his wet coat, draws out a little red morocco-case, opens it, and displays to the view of his companions a neat pocket-compass. The north is found, the point at which the farm-house is situated is settled, and the descent begins. After a little downward walking, Idle (behind as usual) sees his fellow-travellers turn aside sharply—tries to follow them—loses them in the mist—is shouted after, waited for, recovered—and then finds that a halt has been ordered, partly on his account, partly for the purpose of again consulting the compass. The point in debate is settled as before between Goodchild and the landlord, and the expedition moves on, not down the mountain, but marching straight forward round the slope of it. The difficulty of following this new route is acutely felt by Thomas Idle. He finds the hardship of walking at all, greatly increased by the fatigue of moving his feet straight forward along the side of a slope, when their natural tendency, at every step, is to turn off at a right angle, and go straight down the declivity. Let the reader imagine himself to be walking along the roof of a barn, instead of up or down it, and he will have an exact idea of the pedestrian difficulty in which the travellers had now involved themselves. In ten minutes more Idle was lost in the distance again, was shouted for, recovered as before; found Goodchild repeating his observation of the compass, and remonstrated warmly against the sideway route that his companions persisted in following. It appeared to the uninstructed mind of Thomas that when three men want to get to the bottom of a mountain, their business is to walk down it; and he put this view of the case, not only with emphasis, but even with some irritability. He was answered from the scientific eminence of the compass on which his companions were mounted, that there was a frightful chasm somewhere near the foot of Carrock, called The Black Arches, into which the travellers were sure to march in the mist, if they risked continuing the descent from the place where they had now halted. Idle received this answer with the silent respect which was due to the commanders of the expedition, and followed along the roof of the barn, or rather the side of the mountain, reflecting upon the assurance which he received on starting again, that the object of the party was only to gain "a certain point," and, this haven attained, to continue the descent afterwards until the foot of Carrock was reached. Though quite unexceptionable as an abstract form of expression, the phrase "a certain point" has the disadvantage of sounding rather vaguely when it is pronounced on unknown ground, under a canopy of mist much thicker than a London fog. Nevertheless, after the compass, this phrase was all the clue the party had to hold by, and Idle clung to the extreme end of it as hopefully as he could. More sideway walking, thicker and thicker mist, all sorts of points reached except the "certain point;" third loss of Idle, third shouts for him, third recovery of him, third consultation of compass. Mr. Goodchild draws it tenderly from his pocket, and prepares to adjust it on a stone. Something falls on the turf—it is the glass. Something else drops immediately after—it is the needle. The compass is broken, and the exploring party is lost! It is the practice of the English portion of the human race to receive all great disasters in dead silence. Mr. Goodchild restored the useless compass to his pocket without saying a word, Mr. Idle looked at the landlord, and the landlord looked at Mr. Idle. There was nothing for it now but to go on blindfold, and trust to the chapter of chances. Accordingly, the lost travellers moved forward, still walking round the slope of the mountain, still desperately resolved to avoid the Black Arches, and to succeed in reaching the "certain point." A quarter of an hour brought them to the brink of a ravine, at the bottom of which there flowed a muddy little stream. Here another halt was called, and another consultation took place. The landlord, still clinging pertinaciously to the idea of reaching the "point," voted for crossing the ravine and going on round the slope of the mountain. Mr. Goodchild, to the great relief of his fellow-traveller, took another view of the case, and backed Mr. Idle's proposal to descend Carrock at once, at any hazard—the rather as the running stream was a sure guide to follow from the mountain to the valley. Accordingly, the party descended to the rugged and stony banks of the stream; and here again Thomas lost ground sadly, and fell far behind his travelling companions. Not much more than six weeks had elapsed since he had sprained one of his ancles, and he began to feel this same ancle getting rather weak when he found himself among the stones that were strewn about the running water. Goodchild and the landlord were getting farther and farther ahead of him. He saw them cross the stream and disappear round a projection on its banks. He heard them shout the moment after as a signal that they had halted and were waiting for him. Answering the shout, he mended his pace, crossed the stream where they had crossed it, and was within one step of the opposite bank, when his foot slipped on a wet stone, his weak ankle gave a twist outwards, a hot, rending, tearing pain ran through it at the same moment, and down fell the idlest of the Two Idle Apprentices, crippled in an instant. The situation was now, in plain terms, one of absolute danger. There lay Mr. Idle writhing with pain, there was the mist as thick as ever, there was the landlord as completely lost as the strangers whom he was conducting, and there was the compass broken in Goodchild's pocket. To leave the wretched Thomas on unknown ground was plainly impossible; and to get him to walk with a badly sprained ankle seemed equally out of the question. However, Goodchild (brought back by his cry for help) bandaged the ankle with a pocket-handkerchief, and assisted by the landlord, raised the crippled Apprentice to his legs, offered him a shoulder to lean on, and exhorted him for the sake of the whole party to try if he could walk. Thomas, assisted by the shoulder on one side, and a stick on the other, did try, with what pain and difficulty those only can imagine who have sprained an ankle and have had to tread on it afterwards. At a pace adapted to the feeble hobbling of a newly-lamed man, the lost party moved on, perfectly ignorant whether they were on the right side of the mountain or the wrong, and equally uncertain how long Idle would be able to contend with the pain in his ancle, before he gave in altogether and fell down again, unable to stir another step. Slowly and more slowly, as the clog of crippled Thomas weighed heavily and more heavily on the march of the expedition, the lost travellers followed the windings of the stream, till they came to a faintly-marked cart-track, branching off nearly at right angles, to the left. After a little consultation it was resolved to follow this dim vestige of a road in the hope that it might lead to some farm or cottage, at which Idle could be left in safety. It was now getting on towards the afternoon, and it was fast becoming more than doubtful whether the party, delayed in their progress as they now were, might not be overtaken by the darkness before the right route was found, and be condemned to pass the night on the mountain, without bit or drop to comfort them, in their wet clothes. The cart-track grew fainter and fainter, until it was washed out altogether by another little stream, dark, turbulent, and rapid. The landlord suggested, judging by the colour of the water, that it must be flowing from one of the lead mines in the neighbourhood of Carrock; and the travellers accordingly kept by the stream for a little while, in the hope of possibly wandering towards help in that way. After walking forward about two hundred yards, they came upon a mine indeed, but a mine, exhausted and abandoned; a dismal, ruinous place, with nothing but the wreck of its works and buildings left to speak for it. Here, there were a few sheep feeding. The landlord looked at them earnestly, thought he recognised the marks on them—then thought he did not—finally gave up the sheep in despair—and walked on, just as ignorant of the whereabouts of the party as ever. The march in the dark, literally as well as metaphorically in the dark, had now been continued for three-quarters of an hour from the time when the crippled Apprentice had met with his accident. Mr. Idle, with all the will to conquer the pain in his ankle, and to hobble on, found the power rapidly failing him, and felt that another ten minutes at most would find him at the end of his last physical resources. He had just made up his mind on this point, and was about to communicate the dismal result of his reflections to his companions, when the mist suddenly brightened, and began to lift straight ahead. In another minute, the landlord, who was in advance, proclaimed that he saw a tree. Before long, other trees appeared—then a cottage—then a house beyond the cottage, and a familiar line of road rising behind it. Last of all, Carrock itself loomed darkly into view, far away to the right hand. The party had not only got down the mountain without knowing how, but had wandered away from it in the mist, without knowing why—away, far down on the very moor by which they had approached the base of Carrock that morning. The happy lifting of the mist, and the still happier discovery that the travellers had groped their way, though by a very round-about direction, to within a mile or so of the part of the valley in which the farm-house was situated, restored Mr. Idle's sinking spirits and reanimated his failing strength. While the landlord ran off to get the dog-cart, Thomas was assisted by Goodchild to the cottage which had been the first building seen when the darkness brightened, and was propped up against the garden-wall, like an artist's lay-figure waiting to be forwarded, until the dog-cart should arrive from the farm-house below. In due time—and a very long time it seemed to Mr. Idle—the rattle of wheels was heard, and the crippled Apprentice was lifted into his seat. As the dog-cart was driven back to the inn, the landlord related an anecdote which he had just heard at the farm-house, of an unhappy man who had been lost, like his two guests and himself, on Carrock; who had passed the night there alone; who had been found the next morning, "scared and starved;" and who never went out afterwards, except on his way to the grave. Mr. Idle heard this sad story, and derived at least one useful impression from it. Bad as the pain in his ankle was, he contrived to bear it patiently, for he felt grateful that a worse accident had not befallen him in the wilds of Carrock. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No. I, 'The Lazy Tour of Two Idle Apprentices' Description An account of the resource Published in Household Words, Vol. XVI, No. 393, 3 October 1857, pp. 313-319. Creator An entity primarily responsible for making the resource Dickens, Charles and Wilkie Collins Source A related resource from which the described resource is derived Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-xvi/page-313.html">https://www.djo.org.uk/household-words/volume-xvi/page-313.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1857-10-03 Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, <a href="http://www.djo.org.uk/" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk">www.djo.org.uk</a>. Available under CC BY licence. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1857-10-03-The_Lazy_Tour_of_Two_Idle_Apprentices_No1 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles and Wilkie Collins. No.I 'The Lazy Tour of Two Idle Apprentices'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1857-10-03-The_Lazy_Tour_of_Two_Idle_Apprentices_No1">https://www.dickenssearch.com/short-stories/1857-10-03-The_Lazy_Tour_of_Two_Idle_Apprentices_No1</a>. Scripto Transcription A written representation of a document. In the autumn month of September, eighteen hundred and fifty-seven, wherein these presents bear date, two idle apprentices, exhausted by the long hot summer and the long hot work it had brought with it, ran away from their employer. They were bound to a highly meritorious lady (named Literature), of fair credit and repute, though, it must be acknowledged, not quite so highly esteemed in the City as she might be. This is the more remarkable, as there is nothing against the respectable lady in that quarter, but quite the contrary; her family having rendered eminent service to many famous citizens of London. It may be sufficient to name Sir William Walworth, Lord Mayor under King Richard the Second, at the time of Wat Tyler's insurrection, and Sir Richard Whittington: which latter distinguished man and magistrate was doubtless indebted to the lady's family for the gift of his celebrated cat. There is also strong reason to suppose that they rang the Highgate bells for him with their own hands. The misguided young men who thus shirked their duty to the mistress from whom they had received many favors, were actuated by the low idea of making a perfectly idle trip, in any direction. They had no intention of going anywhere, in particular; they wanted to see nothing, they wanted to know nothing, they wanted to learn nothing, they wanted to do nothing. They wanted only to be idle. They took to themselves (after HOGARTH), the names of Mr. Thomas Idle and Mr. Francis Goodchild; but, there was not a moral pin to choose between them, and they were both idle in the last degree. Between Francis and Thomas, however, there was this difference of character: Goodchild was laboriously idle, and would take upon himself any amount of pains and labour to assure himself that he was idle; in short, had no better idea of idleness than that it was useless industry. Thomas Idle, on the other hand, was an idler of the unmixed Irish or Neapolitan type; a passive idler, a born-and-bred idler, a consistent idler, who practised what he would have preached if he had not been too idle to preach; a one entire and perfect chrysolite of idleness. The two idle apprentices found themselves, within a few hours of their escape, walking down into the North of England. That is to say, Thomas was lying in a meadow, looking at the railway trains as they passed over a distant viaduct—which was his idea of walking down into the North; while Francis was walking a mile due South against time—which was his idea of walking down into the North. In the meantime the day waned, and the milestones remained unconquered. "Tom," said Goodchild, "The sun is getting low. Up, and let us go forward!" "Nay," quoth Thomas Idle, "I have not done with Annie Laurie yet." And he proceeded with that idle but popular ballad, to the effect that for the bonnie young person of that name he would "lay him doon and dee,"— equivalent, in prose, to lay him down and die. "What an ass that fellow was!" cried Goodchild, with the bitter emphasis of contempt. "Which fellow? " asked Thomas Idle. "The fellow in your song. Lay him doon and dee! Finely he'd show off before the girl by doing that. A Sniveller! Why couldn't he get up, and punch somebody's head!" "Whose?" asked Thomas Idle. "Anybody's. Everybody's would be better than nobody's! If I fell into that state of mind about a girl, do you think I'd lay me doon and dee? No, sir," proceeded Goodchild, with a disparaging assumption of the Scottish accent, "I'd get me oop and peetch into somebody. Wouldn't you ?" "I wouldn't have anything to do with her," yawned Thomas Idle. "Why should I take the trouble?" "It's no trouble Tom, to fall in love," said Goodchild, shaking his head. "It's trouble enough to fall out of it, once you're in it," retorted Tom. "So I keep out of it altogether. It would be better for you, if you did the same." Mr. Goodchild, who is always in love with somebody, and not unfrequently with several objects at once, made no reply. He heaved a sigh of the kind which is termed by the lower orders "a bellowser," and then, heaving Mr. Idle on his feet (who was not half so heavy as the sigh), urged him northward. These two had sent their personal baggage on by train: only retaining, each a knapsack. Idle now applied himself to constantly regretting the train, to tracking it through the intricacies of Bradshaw's Guide, and finding out where it was now—and where now—and where now—and to asking what was the use of walking, when you could ride at such a pace as that. Was it to see the country? If that was the object, look at it out of carriage-windows. There was a great deal more of it to be seen there, than here. Besides, who wanted to see the country? Nobody. And, again, who ever did walk? Nobody. Fellows set off to walk, but they never did it. They came back and said they did, but they didn't. Then why should he walk? He wouldn't walk. He swore it by this milestone! It was the fifth from London, so far had they penetrated into the North. Submitting to the powerful chain of argument, Goodchild proposed a return to the Metropolis, and a falling back upon Euston Square Terminus. Thomas assented with alacrity, and so they walked down into the North by the next morning's express, and carried their knapsacks in the luggage-van. It was like all other expresses, as every express is and must be. It bore through the harvested country, a smell like a large washing-day, and a sharp issue of steam as from a huge brazen tea-urn. The greatest power in nature and art combined, it yet glided over dangerous heights in the sight of people looking up from fields and roads, as smoothly and unreally as a light miniature plaything. Now, the engine shrieked in hysterics of such intensity, that it seemed desirable that the men who had her in charge should hold her feet, slap her hands, and bring her to; now, burrowed into tunnels with a stubborn and undemonstrative energy so confusing that the train seemed to be flying back into leagues of darkness. Here, were station after station, swallowed up by the press without stopping; here, stations where it fired itself in like a volley of cannon-balls, swooped away four country-people with nosegays and three men of business with portmanteaus, and fired itself off again, bang, bang, bang! At long intervals were uncomfortable refreshment rooms, made more uncomfortable by the scorn of Beauty towards Beast, the public (but to whom she never relented, as Beauty did in the story, towards the other Beast), and where sensitive stomachs were fed, with a contemptuous sharpness occasioning indigestion. Here, again, were stations with nothing going but a bell, and wonderful wooden razors set aloft on great posts, shaving the air. In these fields, the horses, sheep, and cattle were well used to the thundering meteor, and didn't mind; in those, they were all set scampering together, and a herd of pigs scoured after them. The pastoral country darkened, became coaly, became smoky, became infernal, got better, got worse, improved again, grew rugged, turned romantic; was a wood, a stream, a chain of hills, a gorge, a moor, a cathedral town, a fortified place, a waste. Now, miserable black dwellings, a black canal, and sick black towers of chimneys; now, a trim garden, where the flowers were bright and fair; now, a wilderness of hideous altars all a-blaze; now, the water meadows with their fairy rings; now, the mangy patch of unlet building ground outside the stagnant town, with the larger ring where the Circus was last week. The temperature changed, the dialect changed, the people changed, faces got sharper, manner got shorter, eyes got shrewder and harder; yet all so quickly, that the spruce guard in the London uniform and silver lace, had not yet rumpled his shirt-collar, delivered half the dispatches in his shining little pouch, or read his newspaper. Carlisle! Idle and Goodchild had got to Carlisle. It looked congenially and delightfully idle. Something in the way of public amusement had happened last month, and something else was going to happen before Christmas; and, in the meantime there was a lecture on India for those who liked it—which Idle and Goodchild did not. Likewise, by those who liked them, there were impressions to be bought of all the vapid prints, going and gone, and of nearly all the vapid books. For those who wanted to put anything in missionary boxes, here were the boxes. For those who wanted the Reverend Mr. Podgers (artist's proofs, thirty shillings), here was Mr. Podgers to any amount. Not less gracious and abundant, Mr. Codgers, also of the vineyard, but opposed to Mr. Podgers, brotherly tooth and nail. Here, were guide-books to the neighbouring antiquities, and eke the Lake country, in several dry and husky sorts; here, many physically and morally impossible heads of both sexes, for young ladies to copy, in the exercise of the art of drawing; here, further, a large impression of Mr. SPURGEON, solid as to the flesh, not to say even something gross. The working young men of Carlisle were drawn up, with their hands in their pockets, across the pavements, four and six abreast, and appeared (much to the satisfaction of Mr. Idle) to have nothing else to do. The working and growing young women of Carlisle, from the age of twelve upwards, promenaded the streets in the cool of the evening, and rallied the said young men. Sometimes the young men rallied the young women, as in the case of a group gathered round an accordion-player, from among whom a young man advanced behind a young woman for whom he appeared to have a tenderness, and hinted to her that he was there and playful, by giving her (he wore clogs) a kick. On market morning, Carlisle woke up amazingly, and became (to the two Idle Apprentices) disagreeably and reproachfully busy. There were its cattle market, its sheep market, and its pig market down by the river, with raw-boned and shock-headed Rob Roys hiding their Lowland dresses beneath heavy plaids, prowling in and out among the animals, and flavouring the air with fumes of whiskey. There was its corn market down the main street, with hum of chaffering over open sacks. There was its general market in the street too, with heather brooms on which the purple flower still flourished, and heather baskets primitive and fresh to behold. With women trying on clogs and caps at open stalls, and "Bible stalls" adjoining. With "Doctor Mantle's Dispensary for the cure of all Human Maladies and no charge for advice," and with Doctor Mantle's "Laboratory of Medical, Chemical, and Botanical Science"—both healing institutions established on one pair of trestles, one board, and one sun-blind. With the renowned phrenologist from London, begging to be favoured (at sixpence each) with the company of clients of both sexes, to whom, on examination of their heads, he would make revelations "enabling him or her to know themselves." Through all these bargains and blessings, the recruiting serjeant watchfully elbowed his way, a thread of War in the peaceful skein. Likewise on the walls were printed hints that the Oxford Blues might not be indisposed to hear of a few fine active young men; and that whereas the standard of that distinguished corps is full six feet, "growing lads of five feet eleven" need not absolutely despair of being accepted. Scenting the morning air more pleasantly than the buried majesty of Denmark did, Messrs. Idle and Goodchild rode away from Carlisle at eight o'clock one forenoon, bound for the village of Heske, Newmarket, some fourteen miles distant. Goodchild (who had already begun to doubt whether he was idle: as his way always is when he has nothing to do), had read of a certain black old Cumberland hill or mountain, called Carrock, or Carrock Fell; and had arrived at the conclusion that it would be the culminating triumph of Idleness to ascend the same. Thomas Idle, dwelling on the pains inseparable from that achievement, had expressed the strongest doubts of the expediency, and even of the sanity, of the enterprise; but Goodchild had carried his point, and they rode away. Up hill and down hill, and twisting to the right, and twisting to the left, and with old Skiddaw (who has vaunted himself a great deal more than his merits deserve; but that is rather the way of the Lake country), dodging the apprentices in a picturesque and pleasant manner. Good, weather-proof, warm, peasant houses, well white-limed, scantily dotting the road. Clean children coming out to look, carrying other clean children as big as themselves. Harvest still lying out and much rained upon; here and there, harvest still unreaped. Well cultivated gardens attached to the cottages, with plenty of produce forced out of their hard soil. Lonely nooks, and wild; but people can be born, and married, and buried in such nooks, and can live and love, and be loved, there as elsewhere, thank God! (Mr. Goodchild's remark.) By-and-by, the village. Black, coarse-stoned, rough-windowed houses; some with outer staircases, like Swiss houses; a sinuous and stony gutter winding up hill and round the corner, by way of street. All the children running out directly. Women pausing in washing, to peep from doorways and very little windows. Such were the observations of Messrs. Idle and Goodchild, as their conveyance stopped at the village shoemaker's. Old Carrock gloomed down upon it all in a very ill-tempered state; and rain was beginning. The village shoemaker declined to have anything to do with Carrock. No visitors went up Carrock. No visitors came there at all. Aa' the world ganged awa' yon. The driver appealed to the Innkeeper. The Inn-keeper had two men working in the fields, and one of them should be called in, to go up Carrock as guide. Messrs. Idle and Goodchild, highly approving, entered the Innkeeper's house, to drink whiskey and eat oakcake. The Innkeeper was not idle enough—was not idle at all, which was a great fault in him—but was a fine specimen of a north- country man, or any kind of man. He had a ruddy cheek, a bright eye, a well-knit frame, an immense hand, a cheery outspeaking voice, and a straight, bright, broad look. He had a drawing-room, too, up-stairs, which was worth a visit to the Cumberland Fells. (This was Mr. Francis Goodchild's opinion, in which Mr. Thomas Idle did not concur.) The ceiling of this drawing-room was so crossed and re-crossed by beams of unequal lengths, radiating from a centre in a corner, that it looked like a broken star-fish. The room was comfortably and solidly furnished with good mahogany and horsehair. It had a snug fire-side, and a couple of well-curtained windows, looking out upon the wild country behind the house. What it most developed was, an unexpected taste for little ornaments and nick-nacks, of which it contained a most surprising number. They were not very various, consisting in great part of waxen babies with their limbs more or less mutilated, appealing on one leg to the parental affections from under little cupping-glasses; but, Uncle Tom was there, in crockery, receiving theological instructions from Miss Eva, who grew out of his side like a wen, in an exceedingly rough state of profile propagandism. Engravings of Mr. Hunt's country-boy, before and after his pie were on the wall, divided by a highly coloured nautical piece, the subject of which had all her colors (and more) flying, and was making great way through a sea of a regular pattern, like a lady's collar. A benevolent elderly gentleman of the last century, with a powdered head, kept guard, in oil and varnish, over a most perplexing piece of furniture on a table; in appearance between a driving seat and an angular knife-box, but, when opened, a musical instrument of tinkling wires, exactly like David's harp packed for travelling. Everything became a nick-nack in this curious room. The copper tea-kettle, burnished up to the highest point of glory, took his station on a stand of his own at the greatest possible distance from the fire-place, and said, "By your leave, not a kittle, but a bijou." The Staffordshire-ware butter-dish with the cover on, got upon a little round occasional table in a window, with a worked top, and announced itself to the two chairs accidentally placed there, as an aid to polite conversation, a graceful trifle in china to be chatted over by callers, as they airily trifled away the visiting moments of a butterfly existence, in that rugged old village on the Cumberland Fells. The very footstool could not keep the floor, but got upon the sofa, and therefrom proclaimed itself, in high relief of white and liver-colored wool, a favourite spaniel coiled up for repose. Though, truly, in spite of its bright glass eyes, the spaniel was the least successful assumption in the collection: being perfectly flat, and dismally suggestive of a recent mistake in sitting down, on the part of some corpulent member of the family. There were books, too, in this room; books on the table, books on the chimney-piece, books in an open press in the corner. Fielding was there, and Smollett was there, and Steele and Addison were there, in dispersed volumes; and there were tales of those who go down to the sea in ships, for windy nights; and there was really a choice of good books for rainy days or fine. It was so very pleasant to see these things in such a lonesome by-place—so very agreeable to find these evidences of a taste, however homely, that went beyond the beautiful cleanliness and trimness of the house—so fanciful to imagine what a wonder the room must be to the little children born in the gloomy village—what grand impressions of it those of them who became wanderers over the earth would carry away; and how, at distant ends of the world, some old voyagers would die, cherishing the belief that the finest apartment known to men was once in the Hesket-Newmarket Inn, in rare old Cumberland—it was such a charmingly lazy pursuit to entertain these rambling thoughts over the choice oat-cake and the genial whiskey, that Mr. Idle and Mr. Goodchild never asked themselves how it came to pass that the men in the fields were never heard of more, how the stalwart landlord replaced them without explanation, how his dog-cart came to be waiting at the door, and how everything was arranged without the least arrangement, for climbing to old Carrock's shoulders, and standing on his head. Without a word of inquiry, therefore, The Two Idle Apprentices drifted out resignedly into a fine, soft, close, drowsy, penetrating rain; got into the landlord's light dog-cart, and rattled off, through the village, for the foot of Carrock. The journey at the outset was not remarkable. The Cumberland road went up and down like other roads; the Cumberland curs burst out from backs of cottages and barked like other curs, and the Cumberland peasantry stared after the dog-cart amazedly, as long as it was in sight, like the rest of their race. The approach to the foot of the mountain resembled the approaches to the feet of most other mountains all over the world. The cultivation gradually ceased, the trees grew gradually rare, the road became gradually rougher, and the sides of the mountain looked gradually more and more lofty, and more and more difficult to get up. The dog-cart was left at a lonely farm-house. The landlord borrowed a large umbrella, and, assuming in an instant the character of the most cheerful and adventurous of guides, led the way to the ascent. Mr. Goodchild looked eagerly at the top of the mountain, and, feeling apparently that he was now going to be very lazy indeed, shone all over wonderfully to the eye, under the influence of the contentment within and the moisture without. Only in the bosom of Mr. Thomas Idle did Despondency now hold her gloomy state. He kept it a secret; but he would have given a very handsome sum, when the ascent began, to have been back again at the inn. The sides of Carrock looked fearfully steep, and the top of Carrock was hidden in mist. The rain was falling faster and faster. The knees of Mr. Idle—always weak on walking excursions—shivered and shook with fear and damp. The wet was already penetrating through the young man's outer coat to a bran new shooting-jacket, for which he had reluctantly paid the large sum of two guineas on leaving town; he had no stimulating refreshment about him but a small packet of clammy gingerbread nuts; he had nobody to give him an arm, nobody to push him gently behind, nobody to pull him up tenderly in front, nobody to speak to who really felt the difficulties of the ascent, the dampness of the rain, the denseness of the mist, and the unutterable folly of climbing, undriven, up any steep place in the world, when there is level ground within reach to walk on instead. Was it for this that Thomas had left London? London, where there are nice short walks in level public gardens,with benches of repose set up at convenient distances for weary travellers—London, where rugged stone is humanely pounded into little lumps for the road, and intelligently shaped into smooth slabs for the pavement! No! it was not for the laborious ascent of the crags of Carrock that Idle had left his native city and travelled to Cumberland. Never did he feel more disastrously convinced that he had committed a very grave error in judgment than when he found himself standing in the rain at the bottom of a steep mountain, and knew that the responsibility rested on his weak shoulders of actually getting to the top of it. The honest landlord went first, the beaming Goodchild followed, the mournful Idle brought up the rear. From time to time, the two foremost members of the expedition changed places in the order of march; but the rearguard never altered his position. Up the mountain or down the mountain, in the water or out of it, over the rocks, through the bogs, skirting the heather, Mr. Thomas Idle was always the last, and was always the man who had to be looked after and waited for. At first the ascent was delusively easy: the sides of the mountain sloped gradually, and the material of which they were composed was a soft spongy turf, very tender and pleasant to walk upon. After a hundred yards or so, however, the verdant scene and the easy slope disappeared, and the rocks began. Not noble, massive rocks, standing upright, keeping a certain regularity in their positions, and possessing, now and then, flat tops to sit upon, but little, irritating, comfortless rocks, littered about anyhow by Nature; treacherous, disheartening rocks of all sorts of small shapes and small sizes, bruisers of tender toes and trippers-up of wavering feet. When these impediments were passed, heather and slough followed. Here the steepness of the ascent was slightly mitigated; and here the exploring party of three turned round to look at the view below them. The scene of the moorland and the fields was like a feeble water-colour drawing half sponged out. The mist was darkening, the rain was thickening, the trees were dotted about like spots of faint shadow, the division-lines which mapped out the fields were all getting blurred together, and the lonely farm-house where the dog-cart had been left, loomed spectral in the grey light like the last human dwelling at the end of the habitable world. Was this a sight worth climbing to see? Surely—surely not! Up again—for the top of Carrock is not reached yet. The landlord, just as good-tempered and obliging as he was at the bottom of the mountain. Mr. Goodchild brighter in the eyes and rosier in the face than ever; full of cheerful remarks and apt quotations; and walking with a springiness of step wonderful to behold. Mr. Idle, farther and farther in the rear, with the water squeaking in the toes of his boots, with his two-guinea shooting-jacket clinging damply to his aching sides, with his over-coat so full of rain, and standing out so pyramidically stiff, in consequence, from his shoulders downwards, that he felt as if he was walking in a gigantic extinguisher—the despairing spirit within him representing but too aptly the candle that had just been put out. Up and up and up again, till a ridge is reached, and the outer edge of the mist on the summit of Carrock is darkly and drizzlingly near. Is this the top ? No, nothing like the top. It is an aggravating peculiarity of all mountains, that, although they have only one top when they are seen (as they ought always to be seen) from below, they turn out to have a perfect eruption of false tops whenever the traveller is sufficiently ill-advised to go out of his way for the purpose of ascending them. Carrock is but a trumpery little mountain of fifteen hundred feet, and it presumes to have false tops, and even precipices, as if it was Mont Blanc. No matter; Goodchild enjoys it, and will go on; and Idle, who is afraid of being left behind by himself, must follow. On entering the edge of the mist, the landlord stops, and says he hopes that it will not get any thicker. It is twenty years since he last ascended Carrock, and it is barely possible, if the mist increases, that the party may be lost on the mountain. Goodchild hears this dreadful intimation, and is not in the least impressed by it. He marches for the top that is never to be found, as if he was them Wandering Jew, bound to go on for ever, in defiance of everything. The landlord faithfully accompanies him. The two, to the dim eye of Idle, far below,look in the exaggerative mist, like a pair of friendly giants, mounting the steps of some invisible castle together. Up and up, and then down a little, and then up, and then along a strip of level ground, and then up again. The wind, a wind unknown in the happy valley, blows keen and strong; the rain-mist gets impenetrable; a dreary little cairn of stones appears. The landlord adds one to the heap, first walking all round the cairn as if he were about to perform an incantation, then dropping the stone on to the top of the heap with the gesture of a magician adding an ingredient to a cauldron in full bubble. Goodchild sits down by the cairn as if it was his study-table at home; Idle, drenched and panting, stands up with his back to the wind, ascertains distinctly that this is the top at last, looks round with all the little curiosity that is left in him, and gets, in return, a magnificent view of—Nothing! The effect of this sublime spectacle on the minds of the exploring party is a little injured by the nature of the direct conclusion to which the sight of it points—the said conclusion being that the mountain mist has actually gathered round them, as the landlord feared it would. It now becomes imperatively necessary to settle the exact situation of the farm-house in the valley at which the dog-cart has been left, before the travellers attempt to descend. While the landlord is endeavouring to make this discovery in his own way, Mr. Goodchild plunges his hand under his wet coat, draws out a little red morocco-case, opens it, and displays to the view of his companions a neat pocket-compass. The north is found, the point at which the farm-house is situated is settled, and the descent begins. After a little downward walking, Idle (behind as usual) sees his fellow-travellers turn aside sharply—tries to follow them—loses them in the mist—is shouted after, waited for, recovered—and then finds that a halt has been ordered, partly on his account, partly for the purpose of again consulting the compass. The point in debate is settled as before between Goodchild and the landlord, and the expedition moves on, not down the mountain, but marching straight forward round the slope of it. The difficulty of following this new route is acutely felt by Thomas Idle. He finds the hardship of walking at all, greatly increased by the fatigue of moving his feet straight forward along the side of a slope, when their natural tendency, at every step, is to turn off at a right angle, and go straight down the declivity. Let the reader imagine himself to be walking along the roof of a barn, instead of up or down it, and he will have an exact idea of the pedestrian difficulty in which the travellers had now involved themselves. In ten minutes more Idle was lost in the distance again, was shouted for, recovered as before; found Goodchild repeating his observation of the compass, and remonstrated warmly against the sideway route that his companions persisted in following. It appeared to the uninstructed mind of Thomas that when three men want to get to the bottom of a mountain, their business is to walk down it; and he put this view of the case, not only with emphasis, but even with some irritability. He was answered from the scientific eminence of the compass on which his companions were mounted, that there was a frightful chasm somewhere near the foot of Carrock, called The Black Arches, into which the travellers were sure to march in the mist, if they risked continuing the descent from the place where they had now halted. Idle received this answer with the silent respect which was due to the commanders of the expedition, and followed along the roof of the barn, or rather the side of the mountain, reflecting upon the assurance which he received on starting again, that the object of the party was only to gain "a certain point," and, this haven attained, to continue the descent afterwards until the foot of Carrock was reached. Though quite unexceptionable as an abstract form of expression, the phrase "a certain point" has the disadvantage of sounding rather vaguely when it is pronounced on unknown ground, under a canopy of mist much thicker than a London fog. Nevertheless, after the compass, this phrase was all the clue the party had to hold by, and Idle clung to the extreme end of it as hopefully as he could. More sideway walking, thicker and thicker mist, all sorts of points reached except the "certain point;" third loss of Idle, third shouts for him, third recovery of him, third consultation of compass. Mr. Goodchild draws it tenderly from his pocket, and prepares to adjust it on a stone. Something falls on the turf—it is the glass. Something else drops immediately after—it is the needle. The compass is broken, and the exploring party is lost! It is the practice of the English portion of the human race to receive all great disasters in dead silence. Mr. Goodchild restored the useless compass to his pocket without saying a word, Mr. Idle looked at the landlord, and the landlord looked at Mr. Idle. There was nothing for it now but to go on blindfold, and trust to the chapter of chances. Accordingly, the lost travellers moved forward, still walking round the slope of the mountain, still desperately resolved to avoid the Black Arches, and to succeed in reaching the "certain point." A quarter of an hour brought them to the brink of a ravine, at the bottom of which there flowed a muddy little stream. Here another halt was called, and another consultation took place. The landlord, still clinging pertinaciously to the idea of reaching the "point," voted for crossing the ravine and going on round the slope of the mountain. Mr. Goodchild, to the great relief of his fellow-traveller, took another view of the case, and backed Mr. Idle's proposal to descend Carrock at once, at any hazard—the rather as the running stream was a sure guide to follow from the mountain to the valley. Accordingly, the party descended to the rugged and stony banks of the stream; and here again Thomas lost ground sadly, and fell far behind his travelling companions. Not much more than six weeks had elapsed since he had sprained one of his ancles, and he began to feel this same ancle getting rather weak when he found himself among the stones that were strewn about the running water. Goodchild and the landlord were getting farther and farther ahead of him. He saw them cross the stream and disappear round a projection on its banks. He heard them shout the moment after as a signal that they had halted and were waiting for him. Answering the shout, he mended his pace, crossed the stream where they had crossed it, and was within one step of the opposite bank, when his foot slipped on a wet stone, his weak ankle gave a twist outwards, a hot, rending, tearing pain ran through it at the same moment, and down fell the idlest of the Two Idle Apprentices, crippled in an instant. The situation was now, in plain terms, one of absolute danger. There lay Mr. Idle writhing with pain, there was the mist as thick as ever, there was the landlord as completely lost as the strangers whom he was conducting, and there was the compass broken in Goodchild's pocket. To leave the wretched Thomas on unknown ground was plainly impossible; and to get him to walk with a badly sprained ankle seemed equally out of the question. However, Goodchild (brought back by his cry for help) bandaged the ankle with a pocket-handkerchief, and assisted by the landlord, raised the crippled Apprentice to his legs, offered him a shoulder to lean on, and exhorted him for the sake of the whole party to try if he could walk. Thomas, assisted by the shoulder on one side, and a stick on the other, did try, with what pain and difficulty those only can imagine who have sprained an ankle and have had to tread on it afterwards. At a pace adapted to the feeble hobbling of a newly-lamed man, the lost party moved on, perfectly ignorant whether they were on the right side of the mountain or the wrong, and equally uncertain how long Idle would be able to contend with the pain in his ancle, before he gave in altogether and fell down again, unable to stir another step. Slowly and more slowly, as the clog of crippled Thomas weighed heavily and more heavily on the march of the expedition, the lost travellers followed the windings of the stream, till they came to a faintly-marked cart-track, branching off nearly at right angles, to the left. After a little consultation it was resolved to follow this dim vestige of a road in the hope that it might lead to some farm or cottage, at which Idle could be left in safety. It was now getting on towards the afternoon, and it was fast becoming more than doubtful whether the party, delayed in their progress as they now were, might not be overtaken by the darkness before the right route was found, and be condemned to pass the night on the mountain, without bit or drop to comfort them, in their wet clothes. The cart-track grew fainter and fainter, until it was washed out altogether by another little stream, dark, turbulent, and rapid. The landlord suggested, judging by the colour of the water, that it must be flowing from one of the lead mines in the neighbourhood of Carrock; and the travellers accordingly kept by the stream for a little while, in the hope of possibly wandering towards help in that way. After walking forward about two hundred yards, they came upon a mine indeed, but a mine, exhausted and abandoned; a dismal, ruinous place, with nothing but the wreck of its works and buildings left to speak for it. Here, there were a few sheep feeding. The landlord looked at them earnestly, thought he recognised the marks on them—then thought he did not—finally gave up the sheep in despair—and walked on, just as ignorant of the whereabouts of the party as ever. The march in the dark, literally as well as metaphorically in the dark, had now been continued for three-quarters of an hour from the time when the crippled Apprentice had met with his accident. Mr. Idle, with all the will to conquer the pain in his ankle, and to hobble on, found the power rapidly failing him, and felt that another ten minutes at most would find him at the end of his last physical resources. He had just made up his mind on this point, and was about to communicate the dismal result of his reflections to his companions, when the mist suddenly brightened, and began to lift straight ahead. In another minute, the landlord, who was in advance, proclaimed that he saw a tree. Before long, other trees appeared—then a cottage—then a house beyond the cottage, and a familiar line of road rising behind it. Last of all, Carrock itself loomed darkly into view, far away to the right hand. The party had not only got down the mountain without knowing how, but had wandered away from it in the mist, without knowing why—away, far down on the very moor by which they had approached the base of Carrock that morning. The happy lifting of the mist, and the still happier discovery that the travellers had groped their way, though by a very round-about direction, to within a mile or so of the part of the valley in which the farm-house was situated, restored Mr. Idle's sinking spirits and reanimated his failing strength. While the landlord ran off to get the dog-cart, Thomas was assisted by Goodchild to the cottage which had been the first building seen when the darkness brightened, and was propped up against the garden-wall, like an artist's lay-figure waiting to be forwarded, until the dog-cart should arrive from the farm-house below. In due time—and a very long time it seemed to Mr. Idle—the rattle of wheels was heard, and the crippled Apprentice was lifted into his seat. As the dog-cart was driven back to the inn, the landlord related an anecdote which he had just heard at the farm-house, of an unhappy man who had been lost, like his two guests and himself, on Carrock; who had passed the night there alone; who had been found the next morning, "scared and starved;" and who never went out afterwards, except on his way to the grave. Mr. Idle heard this sad story, and derived at least one useful impression from it. Bad as the pain in his ankle was, he contrived to bear it patiently, for he felt grateful that a worse accident had not befallen him in the wilds of Carrock. https://www.dickenssearch.com/files/original/5/No.II_The_Lazy_Tour_of_Two_Idle_Apprentices/1857-10-10-The_Lazy_Tour_of_Two_Idle_Apprentices_No2.pdf 9e3cdc00f5b84df32e76faa68d0d1992 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571010 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The dog-cart, with Mr. Thomas Idle and his ankle on the hanging seat behind, Mr. Francis Goodchild and the Innkeeper in front, and the rain in spouts and splashes everywhere, made the best of its way back to the little Inn; the broken moor country looking like miles upon miles of Pre-Adamite sop, or the ruins of some enormous jorum of antediluvian toast-and-water. The trees dripped;the eaves of the scattered cottages dripped; the barren stone-walls dividing the land, dripped; the yelping dogs dripped; carts and waggons under ill-roofed penthouses, dripped; melancholy cocks and hens perching on their shafts, or seeking shelter underneath them, dripped; Mr. Goodchild dripped; Francis Idle dripped; the Innkeeper dripped; the mare dripped; the vast curtains of mist and cloud that passed before the shadowy forms of the hills, streamed water as they were drawn across the landscape. Down such steep pitches that the mare seemed to be trotting on her head, and up such steep pitches that she seemed to have a supplementary leg in her tail, the dog-cart jolted and tilted back to the village. It was too wet for the women to look out, it was too wet even for the children to look out; all the doors and windows were closed, and the only sign of life or motion was in the rain-punctured puddles. Whisky and oil to Thomas Idle's ankle, and whisky without oil to Francis Goodchild's stomach, produced an agreeable change in the systems of both: soothing Mr. Idle's pain, which was sharp before, and sweetening Mr. Goodchild's temper, which was sweet before. Portmanteaus being then opened and clothes changed, Mr. Goodchild, through having no change of outer garments but broadcloth and velvet, suddenly became a magnificent portent in the Innkeeper's house, a shining frontispiece to the Fashions for the month, and a frightful anomaly in the Cumberland village. Greatly ashamed of his splendid appearance, the conscious Goodchild quenched it as much as possible, in the shadow of Thomas Idle's ankle, and in a corner of the little covered carriage that started with them for Wigton- a most desirable carriage for any country, except for its having a flat roof and no sides; which caused the plumps of rain accumulating on the roof to play vigorous games of bagatelle into the interior all the way, and to score immensely. It was comfortable to see how the people coming back in open carts from Wigton market made no more of the rain than if it were sunshine; how the Wigton policeman taking a country walk of half-a-dozen miles (apparently for pleasure), in resplendent uniform, accepted saturation as his normal state; how clerks and schoolmasters in black, loitered along the road without umbrellas, getting varnished at every step; how the Cumberland girls, coming out to look after the Cumberland cows, shook the rain from their eyelashes and laughed it away; and how the rain continued to fall upon all, as it only does fall in hill countries. Wigton market was over, and its bare booths were smoking with rain all down the street. Mr. Thomas Idle, melo-dramatically carried to the Inn's first floor, and laid upon three chairs (he should have had the sofa, if there had been one), Mr. Goodchild went to the window to take an observation of Wigton, and report what he saw to his disabled companion. "Brother Francis, brother Francis," cried Thomas Idle. "What do you see from the turret?" "I see," said Brother Francis, "what I hope and believe to be one of the most dismal places ever seen by eyes. I see the houses with their roofs of dull black, their stained fronts, and their dark-rimmed windows, looking as if they were all in mourning. As every little puff of wind comes down the street, I see a perfect train of rain let off along the wooden stalls in the market-place and exploded against me. I see a very big gas-lamp in the centre which I know, by a secret instinct, will not be lighted to-night. I see a pump, with a trivet underneath its spout whereon to stand the vessels that are brought to be filled with water. I see a man come to pump, and he pumps very hard, but no water follows, and he strolls empty away." "Brother Francis, brother Francis," cried Thomas Idle, "what more do you see from the turret, besides the man and the pump, and the trivet and the houses all in mourning and the rain?" "I see," said Brother Francis, "one, two, three, four, five, linen-drapers' shops in front of me. I see a linen-draper's shop next door to the right—and there are five more linen- drapers' shops down the corner to the left. Eleven homicidal linen-drapers' shops within a short stone's throw, each with its hands at the throats of all the rest! Over the small first-floor of one of these linen-drapers' shops appears the wonderful inscription, BANK." "Brother Francis, brother Francis," cried Thomas Idle, ''what more do you see from the turret, besides the eleven homicidal linen-drapers' shops, and the wonderful inscription 'Bank' on the small first floor, and the man and the pump and the trivet and the houses all in mourning and the rain?" "I see," said Brother Francis, "the depository for Christian Knowledge, and through the dark vapour I think I again make out Mr. Spurgeon looming heavily. Her Majesty the Queen, God bless her, printed in colours, I am sure I see. I see the Illustrated London News of several weeks ago, and I see a sweetmeat shop—which the proprietor calls a 'Salt Warehouse'—with one small female child in a cotton bonnet looking in on tip-toe, oblivious of rain. And I see a watchmaker's, with only three great pale watches of a dull metal hanging in his window, each in a separate pane." "Brother Francis, brother Francis," cried Thomas Idle, "what more do you see of Wigton, besides these objects, and the man and the pump and the trivet and the houses all in mourning and the rain?" "I see nothing more," said Brother Francis, "and there is nothing more to see, except the curlpaper bill of the theatre, which was opened and shut last week (the manager's family played all the parts), and the short, square, clunky omnibus that goes to the railway, and leads too rattling a life over the stones to hold together long. O yes! Now, I see two men with their hands in their pockets and their backs towards me." "Brother Francis, brother Francis," cried Thomas Idle, "what do you make out from the turret, of the expression of the two men with their hands in their pockets and their backs towards you?" "They are mysterious men," said brother Francis, "with inscrutable backs. They keep their backs towards me with persistency. If one turns an inch in any direction, the other turns an inch in the same direction, and no more. They turn very stiffly, on a very little pivot, in the middle of the market- place. Their appearance is partly of a mining, partly of a ploughing, partly of a stable, character. They are looking at nothing—very hard. Their backs are slouched, and their legs are curved with much standing about. Their pockets are loose and dog's-eared, on account of their hands being always in them. They stand to be rained upon, without any movement of impatience or dissatisfaction, and they keep so close together that an elbow of each jostles an elbow of the other, but they never speak. They spit at times, but speak not. I see it growing darker and darker, and still I see them, sole visible population of the place, standing to be rained upon with their backs towards me, and looking at nothing very hard." "Brother Francis, brother Francis," cried Thomas Idle, "before you draw down the blind of the turret and come in to have your head scorched by the hot gas, see if you can, and impart to me, something of the expression of those two amazing men." "The murky shadows," said Francis Goodchild, "are gathering fast; and the wings of evening, and the wings of coal, are folding over Wigton. Still, they look at nothing very hard, with their backs towards me. Ah! Now, they turn, and I see—" "Brother Francis, brother Francis," cried Thomas Idle, "tell me quickly what you see of the two men of Wigton!" "I see," said Francis Goodchild, "that they have no expression at all. And now the town goes to sleep, undazzled by the large unlighted lamp in the market-place; and let no man wake it." At the close of the next day's journey, Thomas Idle's ankle became much swollen and inflamed. There are reasons which will presently explain themselves for not publicly indicating the exact direction in which that journey lay, or the place in which it ended. It was a long day's shaking of Thomas Idle over the rough roads, and a long day's getting out and going on before the horses, and fagging up hills, and scouring down hills, on the part of Mr. Goodchild, who in the fatigues of such labours congratulated himself on attaining a high point of idleness. It was at a little town, still in Cumberland, that they halted for the night—a very little town, with the purple and brown moor close upon its one street; a curious little ancient market-cross set up in the midst of it; and the town itself looking, much as if it were a collection of great stones piled on end by the Druids long ago, which a few recluse people had since hollowed out for habitations. "Is there a doctor here?" asked Mr. Goodchild, on his knee, of the motherly landlady of the little Inn: stopping in his examination of Mr. Idle's ankle, with the aid of a candle. "Ey, my word!" said the landlady, glancing doubtfully at the ankle for herself; "there's Doctor Speddie." "Is he a good Doctor?" "Ey!" said the landlady, "I ca' him so. A' cooms efther nae doctor that I ken. Mair nor which, a's just THE doctor heer." "Do you think he is at home?" Her reply was, "Gang awa', Jock, and bring him." Jock, a white-headed boy, who, under pretence of stirring up some bay salt in a basin of water for the laving of this unfortunate ankle, had greatly enjoyed himself for the last ten minutes in splashing the carpet, set off promptly. A very few minutes had elapsed when he showed the Doctor in, by tumbling against the door before him and bursting it open with his head. "Gently, Jock, gently," said the doctor as he advanced with a quiet step. "Gentlemen, a good evening. I am sorry that my presence is required here. A slight accident, I hope? A slip and a fall? Yes, yes, yes. Carrock, indeed? Hah! Does that pain you, sir? No doubt, it does. It is the great connecting ligament here, you see, that has been badly strained. Time and rest, sir! They are often the recipe in greater cases," with a slight sigh, "and often the recipe in small. I can send a lotion to relieve you, but we must leave the cure to time and rest." This he said, holding Idle's foot on his knee between his two hands, as he sat over against him. He had touched it tenderly and skilfully in explanation of what he said, and, when his careful examination was completed, softly returned it to its former horizontal position on a chair. He spoke with a little irresolution whenever he began, but afterwards fluently. He was a tall, thin, large-boned, old gentleman, with an appearance at first sight of being hard- featured; but, at a second glance, the mild expression of his face and some particular touches of sweetness and patience about his mouth, corrected this impression and assigned his long professional rides, by day and night, in the bleak hill-weather, as the true cause of that appearance. He stooped very little, though past seventy and very grey. His dress was more like that of a clergyman than a country doctor, being a plain black suit, and a plain white neck-kerchief tied behind like a band. His black was the worse for wear, and there were darns in his coat, and his linen was a little frayed at the hems and edges. He might have been poor—it was likely enough in that out-of-the-way spot-or he might have been a little self-forgetful and eccentric. Anyone could have seen directly, that he had neither wife nor child at home. He had a scholarly air with him, and that kind of considerate humanity towards others which claimed a gentle consideration for himself. Mr. Goodchild made this study of him while he was examining the limb, and as he laid it down, Mr. Goodchild wishes to add that he considers it a very good likeness. It came out in the course of a little conversation, that Doctor Speddie was acquainted with some friends of Thomas Idle's and had, when a young man, passed some years in Thomas Idle's birthplace on the other side of England. Certain idle labours, the fruit of Mr. Goodchild's apprenticeship, also happened to be well known to him. The lazy travellers were thus placed on a more intimate footing with the Doctor than the casual circumstances of the meeting would of themselves have established; and when Doctor Speddie rose to go home, remarking that he would send his assistant with the lotion, Francis Goodchild said that was unnecessary, for, by the Doctor's leave, he would accompany him, and bring it back. (Having done nothing to fatigue himself for a full quarter of an hour, Francis began to fear that he was not in a state of idleness.) Doctor Speddie politely assented to the proposition of Francis Goodchild, "as it would give him the pleasure of enjoying a few more minutes of Mr. Goodchild's society than he could otherwise have hoped for," and they went out together into the village street. The rain had nearly ceased, the clouds had broken before a cool wind from the north-east, and stars were shining from the peaceful heights beyond them. Doctor Speddie's house was the last house in the place. Beyond it, lay the moor, all dark and lonesome. The wind moaned in a low, dull, shivering manner round the little garden, like a houseless creature that knew the winter was coming. It was exceedingly wild and solitary. "Roses," said the Doctor, when Goodchild touched some wet leaves overhanging the stone porch; "but they get cut to pieces." The Doctor opened the door with a key he carried, and led the way into a low but pretty ample hall with rooms on either side. The door of one of these stood open, and the Doctor entered it, with a word of welcome to his guest. It, too, was a low room, half surgery and half parlor, with shelves of books and bottles against the walls, which were of a very dark hue. There was a fire in the grate, the night being damp and chill. Leaning against the chimney-piece looking down into it, stood the Doctor's Assistant. A man of a most remarkable appearance. Much older than Mr. Goodchild had expected, for he was at least two-and-fifty; but, that was nothing. What was startling in him was his remarkable paleness. His large black eyes, his sunken cheeks, his long and heavy iron-grey hair, his wasted hands, and even, the attenuation of his figure, were at first forgotten in his extraordinary pallor. There was no vestige of color in the man. When he turned his face, Francis Goodchild started as if a stone figure had looked round at him. "Mr. Lorn," said the Doctor. "Mr. Goodchild." The Assistant, in a distraught way—as if he had forgotten something—as if he had forgotten everything, even to his own name and himself—acknowledged the visitor's presence, and stepped further back into the shadow of the wall behind him. But, he was so pale that his face stood out in relief against the dark wall, and really could not be hidden so. "Mr. Goodchild's friend has met with an accident, Lorn," said Doctor Speddie. "We want the lotion for a bad sprain." A pause. "My dear fellow, you are more than usually absent to-night. The lotion for a bad sprain." "Ah! yes! Directly." He was evidently relieved to turn away, and to take his white face and his wild eyes to a table in a recess among the bottles. But, though he stood there, compounding the lotion with his back towards them, Goodchild could not, for many moments, withdraw his gaze from the man. When he at length did so, he found the Doctor observing him, with some trouble in his face. "He is absent," explained the Doctor, in a low voice. "Always absent. Very absent." "Is he ill?" "No, not ill." "Unhappy?" "I have my suspicions that he was," assented the Doctor, "once." Francis Goodchild could not but observe that the Doctor accompanied these words with a benignant and protecting glance at their subject, in which there was much of the expression with which an attached father might have looked at a heavily afflicted son. Yet, that they were not father and son must have been plain to most eyes. The Assistant, on the other hand, turning presently to ask the Doctor some question, looked at him with a wan smile as if he were his whole reliance and sustainment in life. It was in vain for the Doctor in his easy chair, to try to lead the mind of Mr. Goodchild in the opposite easy chair, away from what was before him. Let Mr. Goodchild do what he would to follow the Doctor, his eyes and thoughts reverted to the Assistant. The Doctor soon perceived it, and, after falling silent, and musing in a little perplexity, said: "Lorn!" "My dear Doctor." "Would you go to the Inn, and apply that lotion? You will show the best way of applying it, far better than Mr. Goodchild can." "With pleasure." The Assistant took his hat, and passed like a shadow to the door. "Lorn!" said the Doctor, calling after him. He returned. "Mr. Goodchild will keep me company till you come home. Don't hurry. Excuse my calling you back." "It is not," said the Assistant, with his former smile, "the first time you have called me back, dear Doctor." With those words he went away. "Mr. Goodchild," said Doctor Speddie, in a low voice, and with his former troubled expression of face, "I have seen that your attention has been concentrated on my friend." "He fascinates me. I must apologise to you, but he has quite bewildered and mastered me." "I find that a lonely existence and a long secret," said the Doctor, drawing his chair a little nearer to Mr. Goodchild's, "become in the course of time very heavy. I will tell you something. You may make what use you will of it, under fictitious names. I know I may trust you. I am the more inclined to confidence to-night, through having been unexpectedly led back, by the current of our conversation at the Inn, to scenes in my early life. Will you please to draw a little nearer?" Mr. Goodchild drew a little nearer, and the Doctor went on thus: speaking, for the most part, in so cautious a voice, that the wind, though it was far from high, occasionally got the better of him. When this present nineteenth century was younger by a good many years than it is now, a certain friend of mine, named Arthur Holliday, happened to arrive in the town of Doncaster, exactly in the middle of the race-week, or, in other words, in the middle of the month of September. He was one of those reckless, rattle-pated, open-hearted, and open-mouthed young gentlemen, who possess the gift of familiarity in its highest perfection, and who scramble carelessly along the journey of life making friends, as the phrase is, wherever they go. His father was a rich manufacturer, and had bought landed property enough in one of the midland counties to make all the born squires in his neighbourhood thoroughly envious of him. Arthur was his only son, possessor in prospect of the great estate and the great business after his father's death; well supplied with money, and not too rigidly looked after, during his father's lifetime. Report, or scandal, whichever you please, said that the old gentleman had been rather wild in his youthful days, and that, unlike most parents, he was not disposed to be violently indignant when he found that his son took after him. This may be true or not. I myself only knew the elder Mr. Holliday when he was getting on in years; and then he was as quiet and as respectable a gentleman as ever I met with. Well, one September, as I told you, young Arthur comes to Doncaster, having decided all of a sudden, in his hare-brained way, that he would go to the races. He did not reach the town till towards the close of the evening, and he went at once to see about his dinner and bed at the principal hotel. Dinner they were ready enough to give him; but as for a bed, they laughed when he mentioned it. In the race-week at Doncaster, it is no uncommon thing for visitors who have not bespoken apartments, to pass the night in their carriages at the inn doors. As for the lower sort of strangers, I myself have often seen them, at that full time, sleeping out on the doorsteps for want of a covered place to creep under. Rich as he was, Arthur's chance of getting a night's lodging (seeing that he had not written beforehand to secure one) was more than doubtful. He tried the second hotel, and the third hotel, and two of the inferior inns after that; and was met everywhere by the same form of answer. No accommodation for the night of any sort was left. All the bright golden sovereigns in his pocket would not buy him a bed at Doncaster in the race-week. To a young fellow of Arthur's temperament, the novelty of being turned away into the street, like a penniless vagabond, at every house where he asked for a lodging, presented itself in the light of a new and highly amusing piece of experience. He went on, with his carpet-bag in his hand, applying for a bed at every place of entertainment for travellers that he could find in Doncaster, until he wandered into the outskirts of the town. By this time, the last glimmer of twilight had faded out, the moon was rising dimly in a mist, the wind was getting cold, the clouds were gathering heavily, and there was every prospect that it was soon going to rain. The look of the night had rather a lowering effect on young Holliday's good spirits. He began to contemplate the houseless situation in which he was placed, from the serious rather than the humorous point of view; and he looked about him, for another public-house to enquire at, with something very like downright anxiety in his mind on the subject of a lodging for the night. The suburban part of the town towards which he had now strayed was hardly lighted at all, and he could see nothing of the houses as he passed them, except that they got progressively smaller and dirtier, the farther he went. Down the winding road before him shone the dull gleam of an oil lamp, the one faint, lonely light that struggled ineffectually with the foggy darkness all round him. He resolved to go on as far as this lamp, and then, if it showed him nothing in the shape of an Inn, to return to the central part of the town and to try if he could not at least secure a chair to sit down on, through the night, at one of the principal Hotels. As he got near the lamp, he heard voices; and, walking close under it, found that it lighted the entrance to a narrow court, on the wall of which was painted a long hand in faded flesh-colour, pointing, with a lean forefinger, to this inscription:— THE TWO ROBINS. Arthur turned into the court without hesitation, to see what The Two Robins could do for him. Four or five men were standing together round the door of the house which was at the bottom of the court, facing the entrance from the street. The men were all listening to one other man, better dressed than the rest, who was telling his audience something, in a low voice, in which they were apparently very much interested. On entering the passage, Arthur was passed by a stranger with a knapsack in his hand, who was evidently leaving the house. "No," said the traveller with the knap-sack, turning round and addressing himself cheerfully to a fat, sly-looking, bald-headed man, with a dirty white apron on, who had followed him down the passage. "No, Mr. Landlord, I am not easily scared by trifles; but, I don't mind confessing that I can't quite stand that." It occurred to young Holliday, the moment he heard these words, that the stranger had been asked an exorbitant price for a bed at The Two Robins; and that he was unable or unwilling to pay it. The moment his back was turned, Arthur, comfortably conscious of his own well-filled pockets, addressed himself in a great hurry, for fear any other benighted traveller should slip in and forestall him, to the sly-looking landlord with the dirty apron and the bald head. "If you have got a bed to let," he said, "and if that gentleman who has just gone out won't pay you your price for it, I will." The sly landlord looked hard at Arthur. "Will you, sir?" he asked, in a meditative, doubtful way. "Name your price," said young Holliday, thinking that the landlord's hesitation sprang from some boorish distrust of him. "Name your price, and I'll give you the money at once, if you like?" "Are you game for five shillings?" enquired the landlord, rubbing his stubbly double chin, and looking up thoughtfully at the ceiling above him. Arthur nearly laughed in the man's face; but thinking it prudent to control himself, offered the five shillings as seriously as he could. The sly landlord held out his hand, then suddenly drew it back again. "You're acting all fair and above-board by me," he said: "and, before I take your money, I'll do the same by you. Look here, this is how it stands. You can have a bed all to yourself for five shillings; but you can't have more than a half-share of the room it stands in. Do you see what I mean, young gentleman?" "Of course I do," returned Arthur, a little irritably. "You mean that it is a double-bedded room, and that one of the beds is occupied?" The landlord nodded his head, and rubbed his double chin harder than ever. Arthur hesitated, and mechanically moved back a step or two towards the door. The idea of sleeping in the same room with a total stranger, did not present an attractive prospect to him. he felt more than half-inclined to drop his five shillings into his pocket, and to go out into the street once more. "Is it yes, or no?" asked the landlord. "Settle it us quick as you can, because there's lots of people wanting a bed at Doncaster tonight, besides you." Arthur looked towards the court, and heard the rain falling heavily in the street outside. He thought he would ask a question or two before he rashly decided on leaving the shelter of The Two Robins. "What sort of a man is it who has got the other bed?" he inquired. "Is he a gentleman? I mean, is he a quiet, well-behaved person?" "The quietest man I ever came across," said the landlord, rubbing his fat hands stealthily one over the other. "As sober as a judge, and as regular as clock-work in his habits. It hasn't struck nine, not ten minutes ago, and he's in his bed already. I don't know whether that comes up to your notion of a quiet man: it goes a long way ahead of mine, I can tell you." "Is he asleep, do you think?" asked Arthur. "I know he's asleep," returned the landlord. "And what's more, he's gone off so fast, that I'll warrant you don't wake him. This way, sir," said the landlord, speaking over young Holiday's shoulder, as if he was addressing some new guest who was approaching the house. "Here you are," said Arthur, determined to be beforehand with the stranger, whoever he might be. "I'll take the bed." And he handed the five shillings to the landlord, who nodded, dropped the money carelessly into his waistcoat-pocket, and lighted a candle. "Come up and see the room," said the host of The Two Robins, leading the way to the staircase quite briskly, considering how fat he was. They mounted to the second-floor of the house. The landlord half opened a door, fronting the landing, then stopped, and turned round to Arthur. "It's a fair bargain, mind, on my side as well as on yours," he said. "You give me five shillings, I give you in return a clean, comfortable bed; and I warrant, beforehand, that you won't be interfered with, or annoyed in any way, by the man who sleeps in the same room with you." Saying those words, he looked hard, for a moment, in young Holliday's face, and then led the way into the room. It was larger and cleaner than Arthur had expected it would be. The two beds stood parallel with each other—a space of about six feet intervening between them. They were both of the same medium size, and both had the same plain white curtains, made to draw, if necessary, all round them. The occupied bed was the bed nearest the window. The curtains were all drawn round this, except the half curtain at the bottom, on the side of the bed farthest from the window. Arthur saw the feet of the sleeping man raising the scanty clothes into a sharp little eminence, as if he was lying flat on his back. He took the candle, and advanced softly to draw the curtain—stopped half way, and listened for a moment—then turned to the landlord. "He is a very quiet sleeper," said Arthur. "Yes," said the landlord, "very quiet." Young Holliday advanced with the candle, and looked in at the man cautiously. "How pale he is!" said Arthur. "Yes," returned the landlord, "pale enough, isn't he?" Arthur looked closer at the man. The bed-clothes were drawn up to his chin, and they lay perfectly still over the region of his chest. Surprised and vaguely startled, as he noticed this, Arthur stooped down closer over the stranger; looked at his ashy, parted lips; listened breathlessly for an instant; looked again at the strangely still face, and the motionless lips and chest; and turned round suddenly on the landlord, with his own cheeks as pale for the moment as the hollow cheeks of the man on the bed. "Come here," he whispered, under his breath. "Come here, for God's sake! The man's not asleep—he is dead!" "You have found that out sooner than I thought you would," said the landlord composedly. "Yes, he's dead, sure enough. He died at five o'clock to-day." "How did he die? Who is he?" asked Arthur, staggered for the moment by the audacious coolness of the answer. "As to who is he," rejoined the landlord, "I know no more about him than you do. There are his books and letters and things, all sealed up in that brown paper parcel, for the Coroner's inquest to open tomorrow or next day. He's been here a week, paying his way fairly enough, and stopping indoors, for the most part, as if he was ailing. My girl brought him up his tea at five to-day; and as he was pouring of it out, he fell down in a faint, or a fit, or a compound of both, for anything I know. We could not bring him to- and I said he was dead. And the doctor couldn't bring him to- and the doctor said he was dead. And there he is. And the Coroner's inquest's coming as soon as it can. And that's as much as I know about it." Arthur held the candle close to the man's lips. The flame still burnt straight up, as steadily as ever. There was a moment of silence; and the rain pattered drearily through it against the panes of the window. "If you haven't got nothing more to say to me," continued the landlord, "I suppose I may go. You don't expect your five shillings back, do you? There's the bed I promised you, clean and comfortable. There's the man I warranted not to disturb you, quiet in this world for ever. If you're frightened to stop alone with him, that's not my look out. I've kept my part of the bargain, and I mean to keep the money. I'm not Yorkshire, myself, young gentleman; but I've lived long enough in these parts to have my wits sharpened; and I shouldn't wonder if you found out the way to brighten up yours, next time you come among us." With these words, the landlord turned towards the door, and laughed to himself softly, in high satisfaction at his own sharpness. Startled and shocked as he was, Arthur had by this time sufficiently recovered himself to feel indignant at the trick that had been played on him, and at the insolent manner in which the landlord exulted in it. "Don't laugh," he said sharply, "till you are quite sure you have got the laugh against me. You shan't have the five shillings for nothing, my man. I'll keep the bed." "Will you?" said the landlord. "Then I wish you a good night's rest." With that brief farewell, he went out, and shut the door after him. A good night's rest! The words had hardly been spoken, the door had hardly been closed, before Arthur half-repented the hasty words that had just escaped him. Though not naturally over-sensitive, and not wanting in courage of the moral as well as the physical sort, the presence of the dead man had an instantaneously chilling effect on his mind when he found himself alone in the room—alone, and bound by his own rash words to stay there till the next morning. An older man would have thought nothing of those words, and would have acted, without reference to them, as his calmer sense suggested. But Arthur was too young to treat the ridicule, even of his inferiors, with contempt—too young not to fear the momentary humiliation of falsifying his own foolish boast, more than he feared the trial of watching out the long night in the same chamber with the dead. "It is but a few hours," he thought to himself, "and I can get away the first thing in the morning." He was looking towards the occupied bed as that idea passed through his mind, and the sharp angular eminence made in the clothes by the dead man's upturned feet again caught his eye. He advanced and drew the curtains, purposely abstaining, as he did so, from looking at the face of the corpse, lest he might unnerve himself at the outset by fastening some ghastly impression of it on his mind. He drew the curtain very gently, and sighed involuntarily as he closed it. "Poor fellow," he said, almost as sadly as if he had known the man. "Ah, poor fellow!" He went next to the window. The night was black, and he could see nothing from it. The rain still pattered heavily against the glass. He inferred, from hearing it, that the window was at the back of the house; remembering that the front was sheltered from the weather by the court and the buildings over it. While he was still standing at the window—for even the dreary rain was a relief, because of the sound it made; a relief, also, because it moved, and had some faint suggestion, in consequence, of life and companionship in it—while he was standing at the window, and looking vacantly into the black darkness outside, he heard a distant church-clock strike ten. Only ten! How was he to pass the time till the house was astir the next morning? Under any other circumstances, he would have gone down to the public-house parlour, would have called for his grog, and would have laughed and talked with the company assembled as familiarly as if he had known them all his life. But the very thought of whiling away the time in this manner was now distasteful to him. The new situation in which he was placed seemed to have altered him to himself already. Thus far, his life had been the common, trifling, prosaic, surface-life of a prosperous young man, with no troubles to conquer, and no trials to face. He had lost no relation whom he loved, no friend whom he treasured. Till this night, what share he had of the immortal inheritance that is divided amongst us all, had lain dormant within him. Till this night, Death and he had not once met, even in thought. He took a few turns up and down the room—then stopped. The noise made by his boots on the poorly carpeted floor, jarred on his ear. He hesitated a little, and ended by taking the boots off, and walking backwards and forwards noiselessly. All desire to sleep or to rest had left him. The bare thought of lying down on the unoccupied bed instantly drew the picture on his mind of a dreadful mimicry of the position of the dead man. Who was he? What was the story of his past life? Poor he must have been, or he would not have stopped at such a place as The Two Robins Inn—and weakened, probably, by long illness, or he could hardly have died in the manner which the landlord had described. Poor, ill, lonely,—dead in a strange place; dead, with nobody but a stranger to pity him. A sad story: truly, on the mere face of it, a very sad story. While these thoughts were passing through his mind, he had stopped insensibly at the window, close to which stood the foot of the bed with the closed curtains. At first he looked at it absently; then he became conscious that his eyes were fixed on it; and then, a perverse desire took possession of him to do the very thing which he had resolved not to do, up to this time—to look at the dead man. He stretched out his hand towards the curtains; but checked himself in the very act of undrawing them, turned his back sharply on the bed, and walked towards the chimney-piece, to see what things were placed on it, and to try if he could keep the dead man out of his mind in that way. There was a pewter inkstand on the chimney-piece, with some mildewed remains of ink in the bottle. There were two coarse china ornaments of the commonest kind and there was a square of embossed card, dirty and fly-blown, with a collection of wretched riddles printed on it, in all sorts of zig-zag directions, and in variously coloured inks. He took the card, and went away, to read it, to the table on which the candle was placed; sitting down, with his back resolutely turned to the curtained bed. He read the first riddle, the second, the third, ail in one corner of the card—then turned it round impatiently to look at another. Before he could begin reading the riddles printed here, the sound of the church-clock stopped him. Eleven. He had got through an hour of the time, in the room with the dead man. Once more he looked at the card. It was not easy to make out the letters printed on it, in consequence of the dimness of the light which the landlord had left him—a common tallow candle, furnished with a pair of heavy old-fashioned steel snuffers. Up to this time, his mind had been too much occupied to think of the light. He had left the wick of the candle unsnuffed, till it had risen higher than the flame, and had burnt into an odd pent-house shape at the top, from which morsels of the charred cotton fell off, from time to time, in little flakes. He took up the snuffers now, and trimmed the wick. The light brightened directly, and the room became less dismal. Again he turned to the riddles; reading them doggedly and resolutely, now in one corner of the card, now in another. All his efforts, however, could not fix his attention on them. He pursued his occupation mechanically, deriving no sort of impression from what he was reading. It was as if a shadow from the curtained bed had got between his mind and the gaily printed letters—a shadow that nothing could dispel. At last, he gave up the struggle, and threw the card from him impatiently, and took to walking softly up and down the room again. The dead man, the dead man, the hidden dead man on the bed! There was the one persistent idea still haunting him. Hidden! Was it only the body being there, or was it the body being there, concealed, that was preying on his mind? He stopped at the window, with that doubt in him; once more listening to the pattering rain, once more looking out into the black darkness. Still the dead man! The darkness forced his mind back upon itself, and set his memory at work, reviving, with a painfully-vivid distinctness the momentary impression it had received from his first sight of the corpse. Before long the face seemed to be hovering out in the middle of the darkness, confronting him through the window, with the paleness whiter, with the dreadful dull line of light between the imperfectly-closed eyelids broader than he had seen it—with the parted lips slowly dropping farther and farther away from each other—with the features growing larger and moving closer, till they seemed to fill the window and to silence the ram, and to shut out the night. The sound of a voice, shouting below stairs, woke him suddenly from the dream of his own distempered fancy. He recognised it as the voice of the landlord. "Shut up at twelve, Ben," he heard it say. "I'm off to bed." He wiped away the damp that had gathered on his forehead, reasoned with himself for a little while, and resolved to shake his mind free of the ghastly counterfeit which still clung to it, by forcing himself to confront, if it was only for a moment, the solemn reality. Without allowing himself an instant to hesitate, he parted the curtains at the foot of the bed, and looked through. There was the sad, peaceful, white face, with the awful mystery of stillness on it, laid back upon the pillow. No stir, no change there! He only looked at it for a moment before he closed the curtains again—but that moment steadied him, calmed him, restored him—mind and body to himself. He returned to his old occupation of walking up and down the room; persevering in it, this time, till the clock struck again. Twelve. As the sound of the clock-bell died away, it was succeeded by the confused noise, down stairs, of the drinkers in the tap-room leaving the house. The next sound, after an interval of silence, was caused by the barring of the door, and the closing of the shutters, at the back of the Inn. Then the silence followed again, and was disturbed no more. He was alone now—absolutely, utterly, alone with the dead man, till the next morning. The wick of the candle wanted trimming again. He took up the snuffers—but paused suddenly on the very point of using them, and looked attentively at the candle—then back, over his shoulder, at the curtained bed—then again at the candle. It had been lighted, for the first time, to show him the way up stairs, and three parts of it, at least, were already consumed. In another hour it would be burnt out. In another hour—unless he called at once to the man who had shut up the Inn, for a fresh candle—he would be left in the dark. Strongly as his mind had been affected since he had entered the room, his unreasonable dread of encountering ridicule, and of exposing his courage to suspicion, had not altogether lost its influence over him, even yet. He lingered irresolutely by the table, waiting till he could prevail on himself to open the door, and call, from the landing, to the man who had shut up the Inn. In his present hesitating frame of mind, it was a kind of relief to gain a few moments only by engaging in the trifling occupation of snuffing the candle. His hand trembled a little, and the snuffers were heavy and awkward to use. When he closed them on the wick, he closed them a hair's breadth too low. In an instant the candle was out, and the room was plunged in pitch darkness. The one impression which the absence of light immediately produced on his mind, was distrust of the curtained bed—distrust which shaped itself into no distinct idea, but which was powerful enough, in its very vagueness, to bind him down to his chair, to make his heart beat fast, and to set him listening intently. No sound stirred in the room but the familiar sound of the rain against the window, louder and sharper now than he had heard it yet. Still the vague distrust, the inexpressible dread possessed him, and kept him in his chair. He had put his carpet-bag on the table, when he first entered the room; and he now took the key from his pocket, reached out his hand softly, opened the bag, and groped in it for his travelling writing-case, in which he knew that there was a small store of matches. When he had got one of the matches, he waited before he struck it on the coarse wooden table, and listened intently again, without knowing why. Still there was no sound in the room but the steady, ceaseless, rattling sound of the rain. He lighted the candle again, without another moment of delay; and, on the instant of its burning up, the first object in the room that his eyes sought for was the curtained bed. Just before the light had been put out, he had looked in that direction, and had seen no change, no disarrangement of any sort, in the folds of the closely-drawn curtains. When he looked at the bed, now, he saw, hanging over the side of it, a long white hand. It lay perfectly motionless, midway on the side of the bed, where the curtain at the head and the curtain at the foot met. Nothing more was visible. The clinging curtains hid everything but the long white hand. He stood looking at it unable to stir, unable to call out; feeling nothing, knowing nothing; every faculty he possessed gathered up and lost in the one seeing faculty. How long that first panic held him he never could tell afterwards. It might have been only for a moment; it might have been for many minutes together. How he got to the bed—whether he ran to it headlong, or whether he approached it slowly—how he wrought himself up to unclose the curtains and look in, he never has remembered, and never will remember to his dying day. It is enough that he did go to the bed, and that he did look inside the curtains. The man had moved. One of his arms was outside the clothes; his face was turned a little on the pillow; his eyelids were wide open. Changed as to position, and as to one of the features, the face was otherwise, fearfully and wonderfully unaltered. The dead paleness and the dead quiet were on it still. One glance showed Arthur this—one glance, before he flew breathlessly to the door, and alarmed the house. The man whom the landlord called "Ben," was the first to appear on the stairs. In three words, Arthur told him what had happened, and sent him for the nearest doctor. I, who tell you this story, was then staying with a medical friend of mine, in practice at Doncaster, taking care of his patients for him, during his absence in London; and I, for the time being, was the nearest doctor. They had sent for me from the Inn, when the stranger was taken ill in the afternoon; but I was not at home, and medical assistance was sought for elsewhere. When the man from The Two Robins rang the night-bell, I was just thinking of going to bed. Naturally enough, I did not believe a word of his story about "a dead man who had come to life again." However, I put on my hat, armed myself with one or two bottles of restorative medicine, and ran to the Inn, expecting to find nothing more remarkable, when I got there, than a patient in a fit. My surprise at finding that the man had spoken the literal truth was almost, if not quite, equalled by my astonishment at finding myself face to face with Arthur Holliday as soon as I entered the bedroom. It was no time then for giving or seeking explanations. We just shook hands amazedly; and then I ordered everybody but Arthur out of the room, and hurried to the man on the bed. The kitchen fire had not been long out. There was plenty of hot water in the boiler, and plenty of flannel to be had. With these, with my medicines, and with such help as Arthur could render under my direction, I dragged the man, literally, out of the jaws of death. In less than an hour from the time when I had been called in, he was alive and talking in the bed on which he had been laid out to wait for the Coroner's inquest. You will naturally ask me, what had been the matter with him; and I might treat you, in reply, to a long theory, plentifully sprinkled with, what the children call, hard words. I prefer telling you that, in this case, cause and effect could not be satisfactorily joined together by any theory whatever. There are mysteries in life, and the conditions of it, which human science has not fathomed yet; and I candidly confess to you, that, in bringing that man back to existence, I was, morally speaking, groping hap-hazard in the dark. I know (from the testimony of the doctor who attended him in the afternoon) that the vital machinery, so far as its action is appreciable by our senses, had, in this case, unquestionably stopped; and I am equally certain (seeing that I recovered him) that the vital principle was not extinct. When I add, that he had suffered from a long and complicated illness, and that his whole nervous system was utterly deranged, I have told you all I really know of the physical condition of my dead-alive patient at the Two Robins Inn. When he "came to," as the phrase goes, he was a startling object to look at, with his colourless face, his sunken cheeks, his wild black eyes, and his long black hair. The first question he asked me about himself, when he could speak, made me suspect that I had been called in to a man in my own profession. I mentioned to him my surmise; and he told me that I was right. He said he had come last from Paris, where he had been attached to a hospital. That he had lately returned to England, on his way to Edinburgh, to continue his studies; that he had been taken ill on the journey; and that he had stopped to rest and recover himself at Doncaster. He did not add a word about his name, or who he was: and, of course, I did not question him on the subject. All I inquired, when he ceased speaking, was what branch of the profession he intended to follow. "Any branch," he said bitterly, "which will put bread into the mouth of a poor man." At this, Arthur, who had been hitherto watching him in silent curiosity, burst out impetuously in his usual good-humoured way: "My dear fellow!" (everybody was "my dear fellow" with Arthur) "now you have come to life again, don't begin by being down-hearted about your prospects. I'll answer for it, I can help you to some capital thing in the medical line or, if I can't, I know my father can." The medical student looked at him steadily. "Thank you," he said coldly. Then added, "May I ask who your father is?" "He's well enough known all about this part of the country," replied Arthur. "He is a great manufacturer, and his name is Holliday." My hand was on the man's wrist during this brief conversation. The instant the name of Holliday was pronounced I felt the pulse under my fingers flutter, stop, go on suddenly with a bound, and beat afterwards, for a minute or two, at the fever rate. "How did you come here?" asked the stranger, quickly, excitably, passionately almost. Arthur related briefly what had happened from the time of his first taking the bed at the inn. "I am indebted to Mr. Holliday's son then for the help that has saved my life," said the medical student, speaking to himself, with a singular sarcasm in his voice. "Come here!" He held out, as he spoke, his long, white, bony right hand. "With all my heart," said Arthur, taking the hand cordially. "I may confess it now," he continued, laughing, "Upon my honour, you almost frightened me out of my wits." The stranger did not seem to listen. His wild black eyes were fixed with a look of eager interest on Arthur's face, and his long bony fingers kept tight hold of Arthur's hand. Young Holliday, on his side, returned the gaze, amazed and puzzled by the medical student's odd language and manners. The two faces were close together; I looked at them; and, to my amazement, I was suddenly impressed by the sense of a likeness between them—not in features, or complexion, but solely in expression. It must have been a strong likeness, or I should certainly not have found it out, for I am naturally slow at detecting resemblances between faces. "You have saved my life," said the strange man, still looking hard in Arthur's face, still holding tightly by his hand. "If you had been my own brother, you could not have done more for me than that." He laid a singularly strong emphasis on those three words "my own brother," and a change passed over his face as he pronounced them—a change that no language of mine is competent to describe. "I hope I have not done being of service to you yet," said Arthur. "I'll speak to my father, as soon as I get home." "You seem to be fond and proud of your father," said the medical student. "I suppose, in return, he is fond and proud of you?" "Of course, he is!" answered Arthur, laughing. "Is there anything wonderful in that? Isn't your father fond—" The stranger suddenly dropped young Holliday's hand, and turned his face away. "I beg your pardon," said Arthur. "I hope I have not unintentionally pained you. I hope you have not lost your father?" "I can't well lose what I have never had," retorted the medical student, with a harsh mocking laugh. "What you have never had!" The strange man suddenly caught Arthur'shand again, suddenly looked once more hard in his face. "Yes," he said, with a repetition of the bitter laugh. "You have brought a poor devil back into the world, who has no business there. Do I astonish you? Well! I have a fancy of my own for telling you what men in my situation generally keep a secret. I have no name and no father. The merciful law of Society tells me I am Nobody's Son! Ask your father if he will be my father too, and help me on in life with the family name." Arthur looked at me, more puzzled than ever. I signed to him to say nothing, and then laid my fingers again on the man's wrist. No! In spite of the extraordinary speech that he had just made, he was not, as I had been disposed to suspect, beginning to get light-headed. His pulse, by this time had fallen back to a quiet, slow beat, and his skin was moist and cool. Not a symptom of fever or agitation about him. Finding that neither of us answered him, he turned to me, and began talking of the extraordinary nature of his case, and asking my advice about the future course of medical treatment to which he ought to subject himself. I said the matter required careful thinking over, and suggested that I should submit certain prescriptions to him the next morning. He told me to write them at once, as he would, most likely, be leaving Doncaster, in the morning, before I was up. It was quite useless to represent to him the folly and danger of such a proceeding as this. He heard me politely and patiently, but held to his resolution, without offering any reasons or any explanations, and repeated to me, that if I wished to give him a chance of seeing my prescription, I must write it at once. Hearing this, Arthur volunteered the loan of a travelling writing-case, which, he said, he had with him; and, bringing it to the bed, shook the notepaper out of the pocket of the case forthwith in his usual careless way. With the paper, there fell out on the counterpane of the bed a small packet of sticking-plaster, and a little water-colour drawing of a landscape. The medical student took up the drawing and looked at it. His eye fell on some initials neatly written, in cypher, in one corner. He started, and trembled; his pale face grew whiter than ever; his wild black eyes turned on Arthur, and looked through and through him. "A pretty drawing," he said, in a remarkably quiet tone of voice. "Ah! and done by such a pretty girl," said Arthur. "Oh, such a pretty girl! I wish it was not a landscape—I wish it was a portrait of her!" "You admire her very much?" Arthur, half in jest, half in earnest, kissed his hand for answer. "Love at first sight!" he said, putting the drawing away again. "But the course of it doesn't run smooth. It's the old story. She's monopolised as usual. Trammelled by a rash engagement to some poor man who is never likely to get money enough to marry her. It was lucky I heard of it in time, or I should certainly have risked a declaration when she gave me that drawing. Here, doctor! Here is pen, ink, and paper all ready for you." "When she gave you that drawing? Gave it. Gave it." He repeated the words slowly to himself, and suddenly closed his eyes. A momentary distortion passed across his face, and I saw one of his hands clutch up the bedclothes and squeeze them hard. I thought he was going to be ill again, and begged that there might be no more talking. He opened his eyes when I spoke, fixed them once more searchingly on Arthur, and said, slowly and distinctly, "You like her, and she likes you. The poor man may die out of your way. Who can tell that she may not give you herself as well as her drawing, after all?" Before young Holliday could answer, he turned to me, and said in a whisper, "Now for the prescription." From that time, though he spoke to Arthur again, he never looked at him more. When I had written the prescription, he examined it, approved of it, and then us both by abruptly wishing us good night. I offered to sit up with him, and he shook his head. Arthur offered to sit up with him, and he said, shortly, with his face turned away, "No." I insisted on having somebody left to watch him. He gave way when he found I was determined, and said he would accept the services of the waiter at the inn. "Thank you, both," he said, as we rose to go. "I have one last favour to ask—not of you, doctor, for I leave you to exercise your professional discretion—but of Mr. Holliday." His eyes, while he spoke, still rested steadily on me, and never once turned towards Arthur. "I beg that Mr. Holliday will not mention to any one—least of all to his father —the events that have occurred, and the words that have passed, in this room. I entreat him to bury me in his memory, as, but for him, I might have been buried in my grave. I cannot give my reasons for making this strange request. I can only implore him to grant it." His voice faltered for the first time, and he hid his face on the pillow. Arthur, completely bewildered, gave the required pledge. I took young Holliday away with me, immediately afterwards, to the house of my friend; determining to go back to the inn, and to see the medical student again before he had left in the morning. I returned to the inn at eight o'clock, purposely abstaining from waking Arthur, who was sleeping off the past night's excitement on one of my friend's sofas. A suspicion had occurred to me, as soon as I was alone in my bedroom, which made me resolve that Holliday and the stranger whose life he had saved should not meet again, if I could prevent it. I have already alluded to certain reports, or scandals, which I knew of, relating to the early life of Arthur's father. While I was thinking, in my bed, of what had passed at the Inn—of the change in the student's pulse when he heard the name of Holliday; of the resemblance of expression that I had discovered between his face and Arthur's; of the emphasis he had laid on those three words, "my own brother;" and of his incomprehensible acknowledgment of his own illegitimacy—while I was thinking of these things, the reports I have mentioned suddenly flew into my mind, and linked themselves fast to the chain of my previous reflections. Something within me whispered, "It is best that those two young men should not meet again." I felt it before I slept; I felt it when I woke; and I went as I told you, alone to the Inn the next morning. I had missed my only opportunity of seeing my nameless patient again. He had been gone nearly an hour when I inquired for him. I have now told you everything that I know for certain, in relation to the man whom I brought back to life in the double-bedded room of the Inn at Doncaster. What I have next to add is matter for inference and surmise, and is not, strictly speaking, matter of fact. I have to tell you, first, that the medical student turned out to be strangely and unaccountably right in assuming it as more than probable that Arthur Holliday would marry the young lady who had given him the water-colour drawing of the landscape. That marriage took place a little more than a year after the events occurred which I have just been relating. The young couple came to live in the neighbourhood in which I was then established in practice. I was present at the wedding, and was rather surprised to find that Arthur was singularly reserved with me, both before and after his marriage on the subject of the young lady's prior engagement. He only referred to it once when we were alone, merely telling me, on that occasion, that his wife had done all that honour and duty required of her in the matter, and that the engagement had been broken off with the full approval of her parents. I never heard more from him than this. For three years he and his wife lived together happily. At the expiration of that time, the symptoms of a serious illness first declared themselves in Mrs. Arthur Holliday. It turned out to be a long, lingering, hopeless malady. I attended her throughout. We had been great friends when she was well, and we became more attached to each other than ever when she was ill. I had many long and interesting conversations with her in the intervals when she suffered least. The result of one of those conversations I may briefly relate, leaving you to draw any inferences from it that you please. The interview to which I refer, occurred shortly before her death. I called one evening, as usual, and found her alone, with a look in her eyes which told me that she had been crying. She only informed me at first, that she had been depressed in spirits; but, by little and little, she became more communicative, and confessed to me that she had been looking over some old letters, which had been addressed to her, before she had seen Arthur, by a man to whom she had been engaged to be married. I asked her how the engagement came to be broken off. She replied that it had not been broken off, but that it had died out in a very mysterious way. The person to whom she was engaged— her first love, she called him—was very poor, and there was no immediate prospect of their being married. He followed my profession, and went abroad to study. They had corresponded regularly, until the time when, as she believed, he had returned to England. From that period she heard no more of him. He was of a fretful, sensitive temperament; and she feared that she might have inadvertently done or said something that offended him. However that might be, he had never written to her again; and, after waiting a year, she had married Arthur. I asked when the first estrangement had begun, and found that the time at which she ceased to hear anything of her first lover exactly corresponded with the time at which I had been called in to my mysterious patient at The Two Robins Inn. A fortnight after that conversation, she died. In course of time, Arthur married again. Of late years, he has lived principally in London, and I have seen little or nothing of him. I have many years to pass over before I can approach to anything like a conclusion of this fragmentary narrative. And even when that later period is reached, the little that I have to say will not occupy your attention for more than a few minutes. Between six and seven years ago, the gentleman to whom I introduced you in this room, came to me, with good professional recommendations, to fill the position of my assistant. We met, not like strangers, but like friends—the only difference between us being, that I was very much surprised to see him, and that he did not appear to be at all surprised to see me. If he was my son, or my brother I believe he could not be fonder of me than he is; but he has never volunteered any confidences since he has been here, on the subject of his past life. I saw something that was familiar to me in his face when we first met; and yet it was also something that suggested the idea of change. I had a notion once that my patient at the Inn might be a natural son of Mr. Holliday's; I had another idea that he might also have been the man who was engaged to Arthur's first wife; and I have a third idea, still clinging to me, that Mr. Lorn is the only man in England who could really enlighten me, if he chose, on both those doubtful points. His hair is not black, now, and his eyes are dimmer than the piercing eyes that I remember, but, for all that, he is very like the nameless medical student of my young days—very like him. And, sometimes, when I come home late at night, and find him asleep, and wake him, he looks, in coming to, wonderfully like the stranger at Doncaster, as he raised himself in the bed on that memorable night! The doctor paused. Mr. Goodchild who had been following every word that fell from his lips, up to this time, leaned forward eagerly to ask a question. Before he could say a word, the latch of the door was raised, without any warning sound of footsteps in the passage outside. A long, white, bony hand appeared through the opening, gently pushing the door, which was prevented from working freely on its hinges by a fold in the carpet under it. "That hand! Look at that hand, Doctor!" said Mr. Goodchild, touching him. At the same moment, the doctor looked at Mr. Goodchild, and whispered to him, significantly: "Hush! he has come back." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No.II, 'The Lazy Tour of Two Idle Apprentices' Description An account of the resource Published in Household Words, Vol. XVI, No. 394, 10 October 1857, pp. 337-349. Creator An entity primarily responsible for making the resource Dickens, Charles and Wilkie Collins Source A related resource from which the described resource is derived Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-xvi/page-337.html">https://www.djo.org.uk/household-words/volume-xvi/page-337.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1857-10-10 Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, <a href="http://www.djo.org.uk/" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk">www.djo.org.uk</a>. Available under CC BY licence. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1857-10-10-The_Lazy_Tour_of_Two_Idle_Apprentices_No2 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles and Wilkie Collins. No.II 'The Lazy Tour of Two Idle Apprentices'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1857-10-10-The_Lazy_Tour_of_Two_Idle_Apprentices_No2">https://www.dickenssearch.com/short-stories/1857-10-10-The_Lazy_Tour_of_Two_Idle_Apprentices_No2</a>. Scripto Transcription A written representation of a document. The dog-cart, with Mr. Thomas Idle and his ankle on the hanging seat behind, Mr. Francis Goodchild and the Innkeeper in front, and the rain in spouts and splashes everywhere, made the best of its way back to the little Inn; the broken moor country looking like miles upon miles of Pre-Adamite sop, or the ruins of some enormous jorum of antediluvian toast-and-water. The trees dripped;the eaves of the scattered cottages dripped; the barren stone-walls dividing the land, dripped; the yelping dogs dripped; carts and waggons under ill-roofed penthouses, dripped; melancholy cocks and hens perching on their shafts, or seeking shelter underneath them, dripped; Mr. Goodchild dripped; Francis Idle dripped; the Innkeeper dripped; the mare dripped; the vast curtains of mist and cloud that passed before the shadowy forms of the hills, streamed water as they were drawn across the landscape. Down such steep pitches that the mare seemed to be trotting on her head, and up such steep pitches that she seemed to have a supplementary leg in her tail, the dog-cart jolted and tilted back to the village. It was too wet for the women to look out, it was too wet even for the children to look out; all the doors and windows were closed, and the only sign of life or motion was in the rain-punctured puddles. Whisky and oil to Thomas Idle's ankle, and whisky without oil to Francis Goodchild's stomach, produced an agreeable change in the systems of both: soothing Mr. Idle's pain, which was sharp before, and sweetening Mr. Goodchild's temper, which was sweet before. Portmanteaus being then opened and clothes changed, Mr. Goodchild, through having no change of outer garments but broadcloth and velvet, suddenly became a magnificent portent in the Innkeeper's house, a shining frontispiece to the Fashions for the month, and a frightful anomaly in the Cumberland village. Greatly ashamed of his splendid appearance, the conscious Goodchild quenched it as much as possible, in the shadow of Thomas Idle's ankle, and in a corner of the little covered carriage that started with them for Wigton- a most desirable carriage for any country, except for its having a flat roof and no sides; which caused the plumps of rain accumulating on the roof to play vigorous games of bagatelle into the interior all the way, and to score immensely. It was comfortable to see how the people coming back in open carts from Wigton market made no more of the rain than if it were sunshine; how the Wigton policeman taking a country walk of half-a-dozen miles (apparently for pleasure), in resplendent uniform, accepted saturation as his normal state; how clerks and schoolmasters in black, loitered along the road without umbrellas, getting varnished at every step; how the Cumberland girls, coming out to look after the Cumberland cows, shook the rain from their eyelashes and laughed it away; and how the rain continued to fall upon all, as it only does fall in hill countries. Wigton market was over, and its bare booths were smoking with rain all down the street. Mr. Thomas Idle, melo-dramatically carried to the Inn's first floor, and laid upon three chairs (he should have had the sofa, if there had been one), Mr. Goodchild went to the window to take an observation of Wigton, and report what he saw to his disabled companion. "Brother Francis, brother Francis," cried Thomas Idle. "What do you see from the turret?" "I see," said Brother Francis, "what I hope and believe to be one of the most dismal places ever seen by eyes. I see the houses with their roofs of dull black, their stained fronts, and their dark-rimmed windows, looking as if they were all in mourning. As every little puff of wind comes down the street, I see a perfect train of rain let off along the wooden stalls in the market-place and exploded against me. I see a very big gas-lamp in the centre which I know, by a secret instinct, will not be lighted to-night. I see a pump, with a trivet underneath its spout whereon to stand the vessels that are brought to be filled with water. I see a man come to pump, and he pumps very hard, but no water follows, and he strolls empty away." "Brother Francis, brother Francis," cried Thomas Idle, "what more do you see from the turret, besides the man and the pump, and the trivet and the houses all in mourning and the rain?" "I see," said Brother Francis, "one, two, three, four, five, linen-drapers' shops in front of me. I see a linen-draper's shop next door to the right—and there are five more linen-drapers' shops down the corner to the left. Eleven homicidal linen-drapers' shops within a short stone's throw, each with its hands at the throats of all the rest! Over the small first-floor of one of these linen-drapers' shops appears the wonderful inscription, BANK." "Brother Francis, brother Francis," cried Thomas Idle, ''what more do you see from the turret, besides the eleven homicidal linen-drapers' shops, and the wonderful inscription 'Bank' on the small first floor, and the man and the pump and the trivet and the houses all in mourning and the rain?" "I see," said Brother Francis, "the depository for Christian Knowledge, and through the dark vapour I think I again make out Mr. Spurgeon looming heavily. Her Majesty the Queen, God bless her, printed in colours, I am sure I see. I see the Illustrated London News of several weeks ago, and I see a sweetmeat shop—which the proprietor calls a 'Salt Warehouse'—with one small female child in a cotton bonnet looking in on tip-toe, oblivious of rain. And I see a watchmaker's, with only three great pale watches of a dull metal hanging in his window, each in a separate pane." "Brother Francis, brother Francis," cried Thomas Idle, "what more do you see of Wigton, besides these objects, and the man and the pump and the trivet and the houses all in mourning and the rain?" "I see nothing more," said Brother Francis, "and there is nothing more to see, except the curlpaper bill of the theatre, which was opened and shut last week (the manager's family played all the parts), and the short, square, clunky omnibus that goes to the railway, and leads too rattling a life over the stones to hold together long. O yes! Now, I see two men with their hands in their pockets and their backs towards me." "Brother Francis, brother Francis," cried Thomas Idle, "what do you make out from the turret, of the expression of the two men with their hands in their pockets and their backs towards you?" "They are mysterious men," said brother Francis, "with inscrutable backs. They keep their backs towards me with persistency. If one turns an inch in any direction, the other turns an inch in the same direction, and no more. They turn very stiffly, on a very little pivot, in the middle of the market- place. Their appearance is partly of a mining, partly of a ploughing, partly of a stable, character. They are looking at nothing—very hard. Their backs are slouched, and their legs are curved with much standing about. Their pockets are loose and dog's-eared, on account of their hands being always in them. They stand to be rained upon, without any movement of impatience or dissatisfaction, and they keep so close together that an elbow of each jostles an elbow of the other, but they never speak. They spit at times, but speak not. I see it growing darker and darker, and still I see them, sole visible population of the place, standing to be rained upon with their backs towards me, and looking at nothing very hard." "Brother Francis, brother Francis," cried Thomas Idle, "before you draw down the blind of the turret and come in to have your head scorched by the hot gas, see if you can, and impart to me, something of the expression of those two amazing men." "The murky shadows," said Francis Goodchild, "are gathering fast; and the wings of evening, and the wings of coal, are folding over Wigton. Still, they look at nothing very hard, with their backs towards me. Ah! Now, they turn, and I see—" "Brother Francis, brother Francis," cried Thomas Idle, "tell me quickly what you see of the two men of Wigton!" "I see," said Francis Goodchild, "that they have no expression at all. And now the town goes to sleep, undazzled by the large unlighted lamp in the market-place; and let no man wake it." At the close of the next day's journey, Thomas Idle's ankle became much swollen and inflamed. There are reasons which will presently explain themselves for not publicly indicating the exact direction in which that journey lay, or the place in which it ended. It was a long day's shaking of Thomas Idle over the rough roads, and a long day's getting out and going on before the horses, and fagging up hills, and scouring down hills, on the part of Mr. Goodchild, who in the fatigues of such labours congratulated himself on attaining a high point of idleness. It was at a little town, still in Cumberland, that they halted for the night—a very little town, with the purple and brown moor close upon its one street; a curious little ancient market-cross set up in the midst of it; and the town itself looking, much as if it were a collection of great stones piled on end by the Druids long ago, which a few recluse people had since hollowed out for habitations. "Is there a doctor here?" asked Mr. Goodchild, on his knee, of the motherly landlady of the little Inn: stopping in his examination of Mr. Idle's ankle, with the aid of a candle. "Ey, my word!" said the landlady, glancing doubtfully at the ankle for herself; "there's Doctor Speddie." "Is he a good Doctor?" "Ey!" said the landlady, "I ca' him so. A' cooms efther nae doctor that I ken. Mair nor which, a's just THE doctor heer." "Do you think he is at home?" Her reply was, "Gang awa', Jock, and bring him." Jock, a white-headed boy, who, under pretence of stirring up some bay salt in a basin of water for the laving of this unfortunate ankle, had greatly enjoyed himself for the last ten minutes in splashing the carpet, set off promptly. A very few minutes had elapsed when he showed the Doctor in, by tumbling against the door before him and bursting it open with his head. "Gently, Jock, gently," said the doctor as he advanced with a quiet step. "Gentlemen, a good evening. I am sorry that my presence is required here. A slight accident, I hope? A slip and a fall? Yes, yes, yes. Carrock, indeed? Hah! Does that pain you, sir? No doubt, it does. It is the great connecting ligament here, you see, that has been badly strained. Time and rest, sir! They are often the recipe in greater cases," with a slight sigh, "and often the recipe in small. I can send a lotion to relieve you, but we must leave the cure to time and rest." This he said, holding Idle's foot on his knee between his two hands, as he sat over against him. He had touched it tenderly and skilfully in explanation of what he said, and, when his careful examination was completed, softly returned it to its former horizontal position on a chair. He spoke with a little irresolution whenever he began, but afterwards fluently. He was a tall, thin, large-boned, old gentleman, with an appearance at first sight of being hard- featured; but, at a second glance, the mild expression of his face and some particular touches of sweetness and patience about his mouth, corrected this impression and assigned his long professional rides, by day and night, in the bleak hill-weather, as the true cause of that appearance. He stooped very little, though past seventy and very grey. His dress was more like that of a clergyman than a country doctor, being a plain black suit, and a plain white neck-kerchief tied behind like a band. His black was the worse for wear, and there were darns in his coat, and his linen was a little frayed at the hems and edges. He might have been poor—it was likely enough in that out-of-the-way spot-or he might have been a little self-forgetful and eccentric. Anyone could have seen directly, that he had neither wife nor child at home. He had a scholarly air with him, and that kind of considerate humanity towards others which claimed a gentle consideration for himself. Mr. Goodchild made this study of him while he was examining the limb, and as he laid it down, Mr. Goodchild wishes to add that he considers it a very good likeness. It came out in the course of a little conversation, that Doctor Speddie was acquainted with some friends of Thomas Idle's and had, when a young man, passed some years in Thomas Idle's birthplace on the other side of England. Certain idle labours, the fruit of Mr. Goodchild's apprenticeship, also happened to be well known to him. The lazy travellers were thus placed on a more intimate footing with the Doctor than the casual circumstances of the meeting would of themselves have established; and when Doctor Speddie rose to go home, remarking that he would send his assistant with the lotion, Francis Goodchild said that was unnecessary, for, by the Doctor's leave, he would accompany him, and bring it back. (Having done nothing to fatigue himself for a full quarter of an hour, Francis began to fear that he was not in a state of idleness.) Doctor Speddie politely assented to the proposition of Francis Goodchild, "as it would give him the pleasure of enjoying a few more minutes of Mr. Goodchild's society than he could otherwise have hoped for," and they went out together into the village street. The rain had nearly ceased, the clouds had broken before a cool wind from the north-east, and stars were shining from the peaceful heights beyond them. Doctor Speddie's house was the last house in the place. Beyond it, lay the moor, all dark and lonesome. The wind moaned in a low, dull, shivering manner round the little garden, like a houseless creature that knew the winter was coming. It was exceedingly wild and solitary. "Roses," said the Doctor, when Goodchild touched some wet leaves overhanging the stone porch; "but they get cut to pieces." The Doctor opened the door with a key he carried, and led the way into a low but pretty ample hall with rooms on either side. The door of one of these stood open, and the Doctor entered it, with a word of welcome to his guest. It, too, was a low room, half surgery and half parlor, with shelves of books and bottles against the walls, which were of a very dark hue. There was a fire in the grate, the night being damp and chill. Leaning against the chimney-piece looking down into it, stood the Doctor's Assistant. A man of a most remarkable appearance. Much older than Mr. Goodchild had expected, for he was at least two-and-fifty; but, that was nothing. What was startling in him was his remarkable paleness. His large black eyes, his sunken cheeks, his long and heavy iron-grey hair, his wasted hands, and even, the attenuation of his figure, were at first forgotten in his extraordinary pallor. There was no vestige of color in the man. When he turned his face, Francis Goodchild started as if a stone figure had looked round at him. "Mr. Lorn," said the Doctor. "Mr. Goodchild." The Assistant, in a distraught way—as if he had forgotten something—as if he had forgotten everything, even to his own name and himself—acknowledged the visitor's presence, and stepped further back into the shadow of the wall behind him. But, he was so pale that his face stood out in relief against the dark wall, and really could not be hidden so. "Mr. Goodchild's friend has met with an accident, Lorn," said Doctor Speddie. "We want the lotion for a bad sprain." A pause. "My dear fellow, you are more than usually absent to-night. The lotion for a bad sprain." "Ah! yes! Directly." He was evidently relieved to turn away, and to take his white face and his wild eyes to a table in a recess among the bottles. But, though he stood there, compounding the lotion with his back towards them, Goodchild could not, for many moments, withdraw his gaze from the man. When he at length did so, he found the Doctor observing him, with some trouble in his face. "He is absent," explained the Doctor, in a low voice. "Always absent. Very absent." "Is he ill?" "No, not ill." "Unhappy?" "I have my suspicions that he was," assented the Doctor, "once." Francis Goodchild could not but observe that the Doctor accompanied these words with a benignant and protecting glance at their subject, in which there was much of the expression with which an attached father might have looked at a heavily afflicted son. Yet, that they were not father and son must have been plain to most eyes. The Assistant, on the other hand, turning presently to ask the Doctor some question, looked at him with a wan smile as if he were his whole reliance and sustainment in life. It was in vain for the Doctor in his easy chair, to try to lead the mind of Mr. Goodchild in the opposite easy chair, away from what was before him. Let Mr. Goodchild do what he would to follow the Doctor, his eyes and thoughts reverted to the Assistant. The Doctor soon perceived it, and, after falling silent, and musing in a little perplexity, said: "Lorn!" "My dear Doctor." "Would you go to the Inn, and apply that lotion? You will show the best way of applying it, far better than Mr. Goodchild can." "With pleasure." The Assistant took his hat, and passed like a shadow to the door. "Lorn!" said the Doctor, calling after him. He returned. "Mr. Goodchild will keep me company till you come home. Don't hurry. Excuse my calling you back." "It is not," said the Assistant, with his former smile, "the first time you have called me back, dear Doctor." With those words he went away. "Mr. Goodchild," said Doctor Speddie, in a low voice, and with his former troubled expression of face, "I have seen that your attention has been concentrated on my friend." "He fascinates me. I must apologise to you, but he has quite bewildered and mastered me." "I find that a lonely existence and a long secret," said the Doctor, drawing his chair a little nearer to Mr. Goodchild's, "become in the course of time very heavy. I will tell you something. You may make what use you will of it, under fictitious names. I know I may trust you. I am the more inclined to confidence to-night, through having been unexpectedly led back, by the current of our conversation at the Inn, to scenes in my early life. Will you please to draw a little nearer?" Mr. Goodchild drew a little nearer, and the Doctor went on thus: speaking, for the most part, in so cautious a voice, that the wind, though it was far from high, occasionally got the better of him. When this present nineteenth century was younger by a good many years than it is now, a certain friend of mine, named Arthur Holliday, happened to arrive in the town of Doncaster, exactly in the middle of the race-week, or, in other words, in the middle of the month of September. He was one of those reckless, rattle-pated, open-hearted, and open-mouthed young gentlemen, who possess the gift of familiarity in its highest perfection, and who scramble carelessly along the journey of life making friends, as the phrase is, wherever they go. His father was a rich manufacturer, and had bought landed property enough in one of the midland counties to make all the born squires in his neighbourhood thoroughly envious of him. Arthur was his only son, possessor in prospect of the great estate and the great business after his father's death; well supplied with money, and not too rigidly looked after, during his father's lifetime. Report, or scandal, whichever you please, said that the old  gentleman had been rather wild in his youthful days, and that, unlike most parents, he was not disposed to be violently indignant when he found that his son took after him. This may be true or not. I myself only knew the elder Mr. Holliday when he was getting on in years; and then he was as quiet and as respectable a gentleman as ever I met with. Well, one September, as I told you, young Arthur comes to Doncaster, having decided all of a sudden, in his hare-brained way, that he would go to the races. He did not reach the town till towards the close of the evening, and he went at once to see about his dinner and bed at the principal hotel. Dinner they were ready enough to give him; but as for a bed, they laughed when he mentioned it. In the race-week at Doncaster, it is no uncommon thing for visitors who have not bespoken apartments, to pass the night in their carriages at the inn doors. As for the lower sort of strangers, I myself have often seen them, at that full time, sleeping out on the doorsteps for want of a covered place to creep under. Rich as he was, Arthur's chance of getting a night's lodging (seeing that he had not written beforehand to secure one) was more than doubtful. He tried the second hotel, and the third hotel, and two of the inferior inns after that; and was met everywhere by the same form of answer. No accommodation for the night of any sort was left. All the bright golden sovereigns in his pocket would not buy him a bed at Doncaster in the race-week. To a young fellow of Arthur's temperament, the novelty of being turned away into the street, like a penniless vagabond, at every house where he asked for a lodging, presented itself in the light of a new and highly amusing piece of experience. He went on, with his carpet-bag in his hand, applying for a bed at every place of entertainment for travellers that he could find in Doncaster, until he wandered into the outskirts of the town. By this time, the last glimmer of twilight had faded out, the moon was rising dimly in a mist, the wind was getting cold, the clouds were gathering heavily, and there was every prospect that it was soon going to rain. The look of the night had rather a lowering effect on young Holliday's good spirits. He began to contemplate the houseless situation in which he was placed, from the serious rather than the humorous point of view; and he looked about him, for another public-house to enquire at, with something very like downright anxiety in his mind on the subject of a lodging for the night. The suburban part of the town towards which he had now strayed was hardly lighted at all, and he could see nothing of the houses as he passed them, except that they got progressively smaller and dirtier, the farther he went. Down the winding road before him shone the dull gleam of an oil lamp, the one faint, lonely light that struggled ineffectually with the foggy darkness all round him. He resolved to go on as far as this lamp, and then, if it showed him nothing in the shape of an Inn, to return to the central part of the town and to try if he could not at least secure a chair to sit down on, through the night, at one of the principal Hotels. As he got near the lamp, he heard voices; and, walking close under it, found that it lighted the entrance to a narrow court, on the wall of which was painted a long hand in faded flesh-colour, pointing, with a lean forefinger, to this inscription:— THE TWO ROBINS. Arthur turned into the court without hesitation, to see what The Two Robins could do for him. Four or five men were standing together round the door of the house which was at the bottom of the court, facing the entrance from the street. The men were all listening to one other man, better dressed than the rest, who was telling his audience something, in a low voice, in which they were apparently very much interested. On entering the passage, Arthur was passed by a stranger with a knapsack in his hand, who was evidently leaving the house. "No," said the traveller with the knap-sack, turning round and addressing himself cheerfully to a fat, sly-looking, bald-headed man, with a dirty white apron on, who had followed him down the passage. "No, Mr. Landlord, I am not easily scared by trifles; but, I don't mind confessing that I can't quite stand that." It occurred to young Holliday, the moment he heard these words, that the stranger had been asked an exorbitant price for a bed at The Two Robins; and that he was unable or unwilling to pay it. The moment his back was turned, Arthur, comfortably conscious of his own well-filled pockets, addressed himself in a great hurry, for fear any other benighted traveller should slip in and forestall him, to the sly-looking landlord with the dirty apron and the bald head. "If you have got a bed to let," he said, "and if that gentleman who has just gone out won't pay you your price for it, I will." The sly landlord looked hard at Arthur. "Will you, sir?" he asked, in a meditative, doubtful way. "Name your price," said young Holliday, thinking that the landlord's hesitation sprang from some boorish distrust of him. "Name your price, and I'll give you the money at once, if you like?" "Are you game for five shillings?" enquired the landlord, rubbing his stubbly double chin, and looking up thoughtfully at the ceiling above him. Arthur nearly laughed in the man's face; but thinking it prudent to control himself, offered the five shillings as seriously as he could. The sly landlord held out his hand, then suddenly drew it back again. "You're acting all fair and above-board by me," he said: "and, before I take your money, I'll do the same by you. Look here, this is how it stands. You can have a bed all to yourself for five shillings; but you can't have more than a half-share of the room it stands in. Do you see what I mean, young gentleman?" "Of course I do," returned Arthur, a little irritably. "You mean that it is a double-bedded room, and that one of the beds is occupied?" The landlord nodded his head, and rubbed his double chin harder than ever. Arthur hesitated, and mechanically moved back a step or two towards the door. The idea of sleeping in the same room with a total stranger, did not present an attractive prospect to him. he felt more than half-inclined to drop his five shillings into his pocket, and to go out into the street once more. "Is it yes, or no?" asked the landlord. "Settle it us quick as you can, because there's lots of people wanting a bed at Doncaster tonight, besides you." Arthur looked towards the court, and heard the rain falling heavily in the street outside. He thought he would ask a question or two before he rashly decided on leaving the shelter of The Two Robins. "What sort of a man is it who has got the other bed?" he inquired. "Is he a gentleman? I mean, is he a quiet, well-behaved person?" "The quietest man I ever came across," said the landlord, rubbing his fat hands stealthily one over the other. "As sober as a judge, and as regular as clock-work in his habits. It hasn't struck nine, not ten minutes ago, and he's in his bed already. I don't know whether that comes up to your notion of a quiet man: it goes a long way ahead of mine, I can tell you." "Is he asleep, do you think?" asked Arthur. "I know he's asleep," returned the landlord. "And what's more, he's gone off so fast, that I'll warrant you don't wake him. This way, sir," said the landlord, speaking over young Holiday's shoulder, as if he was addressing some new guest who was approaching the house. "Here you are," said Arthur, determined to be beforehand with the stranger, whoever he might be. "I'll take the bed." And he handed the five shillings to the landlord, who nodded, dropped the money carelessly into his waistcoat-pocket, and lighted a candle. "Come up and see the room," said the host of The Two Robins, leading the way to the staircase quite briskly, considering how fat he was. They mounted to the second-floor of the house. The landlord half opened a door, fronting the landing, then stopped, and turned round to Arthur. "It's a fair bargain, mind, on my side as well as on yours," he said. "You give me five shillings, I give you in return a clean, comfortable bed; and I warrant, beforehand, that you won't be interfered with, or annoyed in any way, by the man who sleeps in the same room with you." Saying those words, he looked hard, for a moment, in young Holliday's face, and then led the way into the room. It was larger and cleaner than Arthur had expected it would be. The two beds stood parallel with each other—a space of about six feet intervening between them. They were both of the same medium size, and both had the same plain white curtains, made to draw, if necessary, all round them. The occupied bed was the bed nearest the window. The curtains were all drawn round this, except the half curtain at the bottom, on the side of the bed farthest from the window. Arthur saw the feet of the sleeping man raising the scanty clothes into a sharp little eminence, as if he was lying flat on his back. He took the candle, and advanced softly to draw the curtain—stopped half way, and listened for a moment—then turned to the landlord. "He is a very quiet sleeper," said Arthur. "Yes," said the landlord, "very quiet." Young Holliday advanced with the candle, and looked in at the man cautiously. "How pale he is!" said Arthur. "Yes," returned the landlord, "pale enough, isn't he?" Arthur looked closer at the man. The bed-clothes were drawn up to his chin, and they lay perfectly still over the region of his chest. Surprised and vaguely startled, as he noticed this, Arthur stooped down closer over the stranger; looked at his ashy, parted lips; listened breathlessly for an instant; looked again at the strangely still face, and the motionless lips and chest; and turned round suddenly on the landlord, with his own cheeks as pale for the moment as the hollow cheeks of the man on the bed. "Come here," he whispered, under his breath. "Come here, for God's sake! The man's not asleep—he is dead!" "You have found that out sooner than I thought you would," said the landlord composedly. "Yes, he's dead, sure enough. He died at five o'clock to-day." "How did he die? Who is he?" asked Arthur, staggered for the moment by the audacious coolness of the answer. "As to who is he," rejoined the landlord, "I know no more about him than you do. There are his books and letters and things, all sealed up in that brown paper parcel, for the Coroner's inquest to open tomorrow or next day. He's been here a week, paying his way fairly enough, and stopping indoors, for the most part, as if he was ailing. My girl brought him up his tea at five to-day; and as he was pouring of it out, he fell down in a faint, or a fit, or a compound of both, for anything I know. We could not bring him to- and I said he was dead. And the doctor couldn't bring him to- and the doctor said he was dead. And there he is. And the Coroner's inquest's coming as soon as it can. And that's as much as I know about it." Arthur held the candle close to the man's lips. The flame still burnt straight up, as steadily as ever. There was a moment of silence; and the rain pattered drearily through it against the panes of the window. "If you haven't got nothing more to say to me," continued the landlord, "I suppose I may go. You don't expect your five shillings back, do you? There's the bed I promised you, clean and comfortable. There's the man I warranted not to disturb you, quiet in this world for ever. If you're frightened to stop alone with him, that's not my look out. I've kept my part of the bargain, and I mean to keep the money. I'm not Yorkshire, myself, young gentleman; but I've lived long enough in these parts to have my wits sharpened; and I shouldn't wonder if you found out the way to brighten up yours, next time you come among us." With these words, the landlord turned towards the door, and laughed to himself softly, in high satisfaction at his own sharpness. Startled and shocked as he was, Arthur had by this time sufficiently recovered himself to feel indignant at the trick that had been played on him, and at the insolent manner in which the landlord exulted in it. "Don't laugh," he said sharply, "till you are quite sure you have got the laugh against me. You shan't have the five shillings for nothing, my man. I'll keep the bed." "Will you?" said the landlord. "Then I wish you a good night's rest." With that brief farewell, he went out, and shut the door after him. A good night's rest! The words had hardly been spoken, the door had hardly been closed, before Arthur half-repented the hasty words that had just escaped him. Though not naturally over-sensitive, and not wanting in courage of the moral as well as the physical sort, the presence of the dead man had an instantaneously chilling effect on his mind when he found himself alone in the room—alone, and bound by his own rash words to stay there till the next morning. An older man would have thought nothing of those words, and would have acted, without reference to them, as his calmer sense suggested. But Arthur was too young to treat the ridicule, even of his inferiors, with contempt—too young not to fear the momentary humiliation of falsifying his own foolish boast, more than he feared the trial of watching out the long night in the same chamber with the dead. "It is but a few hours," he thought to himself, "and I can get away the first thing in the morning." He was looking towards the occupied bed as that idea passed through his mind, and the sharp angular eminence made in the clothes by the dead man's upturned feet again caught his eye. He advanced and drew the curtains, purposely abstaining, as he did so, from looking at the face of the corpse, lest he might unnerve himself at the outset by fastening some ghastly impression of it on his mind. He drew the curtain very gently, and sighed involuntarily as he closed it. "Poor fellow," he said, almost as sadly as if he had known the man. "Ah, poor fellow!" He went next to the window. The night was black, and he could see nothing from it. The rain still pattered heavily against the glass. He inferred, from hearing it, that the window was at the back of the house; remembering that the front was sheltered from the weather by the court and the buildings over it. While he was still standing at the window—for even the dreary rain was a relief, because of the sound it made; a relief, also, because it moved, and had some faint suggestion, in consequence, of life and companionship in it—while he was standing at the window, and looking vacantly into the black darkness outside, he heard a distant church-clock strike ten. Only ten! How was he to pass the time till the house was astir the next morning? Under any other circumstances, he would have gone down to the public-house parlour, would have called for his grog, and would have laughed and talked with the company assembled as familiarly as if he had known them all his life. But the very thought of whiling away the time in this manner was now distasteful to him. The new situation in which he was placed seemed to have altered him to himself already. Thus far, his life had been the common, trifling, prosaic, surface-life of a prosperous young man, with no troubles to conquer, and no trials to face. He had lost no relation whom he loved, no friend whom he treasured. Till this night, what share he had of the immortal inheritance that is divided amongst us all, had lain dormant within him. Till this night, Death and he had not once met, even in thought. He took a few turns up and down the room—then stopped. The noise made by his boots on the poorly carpeted floor, jarred on his ear. He hesitated a little, and ended by taking the boots off, and walking backwards and forwards noiselessly. All desire to sleep or to rest had left him. The bare thought of lying down on the unoccupied bed instantly drew the picture on his mind of a dreadful mimicry of the position of the dead man. Who was he? What was the story of his past life? Poor he must have been, or he would not have stopped at such a place as The Two Robins Inn—and weakened, probably, by long illness, or he could hardly have died in the manner which the landlord had described. Poor, ill, lonely,—dead in a strange place; dead, with nobody but a stranger to pity him. A sad story: truly, on the mere face of it, a very sad story. While these thoughts were passing through his mind, he had stopped insensibly at the window, close to which stood the foot of the bed with the closed curtains. At first he looked at it absently; then he became conscious that his eyes were fixed on it; and then, a perverse desire took possession of him to do the very thing which he had resolved not to do, up to this time—to look at the dead man. He stretched out his hand towards the curtains; but checked himself in the very act of undrawing them, turned his back sharply on the bed, and walked towards the chimney-piece, to see what things were placed on it, and to try if he could keep the dead man out of his mind in that way. There was a pewter inkstand on the chimney-piece, with some mildewed remains of ink in the bottle. There were two coarse china ornaments of the commonest kind and there was a square of embossed card, dirty and fly-blown, with a collection of wretched riddles printed on it, in all sorts of zig-zag directions, and in variously coloured inks. He took the card, and went away, to read it, to the table on which the candle was placed; sitting down, with his back resolutely turned to the curtained bed. He read the first riddle, the second, the third, ail in one corner of the card—then turned it round impatiently to look at another. Before he could begin reading the riddles printed here, the sound of the church-clock stopped him. Eleven. He had got through an hour of the time, in the room with the dead man. Once more he looked at the card. It was not easy to make out the letters printed on it, in consequence of the dimness of the light which the landlord had left him—a common tallow candle, furnished with a pair of heavy old-fashioned steel snuffers. Up to this time, his mind had been too much occupied to think of the light. He had left the wick of the candle unsnuffed, till it had risen higher than the flame, and had burnt into an odd pent-house shape at the top, from which morsels of the charred cotton fell off, from time to time, in little flakes. He took up the snuffers now, and trimmed the wick. The light brightened directly, and the room became less dismal. Again he turned to the riddles; reading them doggedly and resolutely, now in one corner of the card, now in another. All his efforts, however, could not fix his attention on them. He pursued his occupation mechanically, deriving no sort of impression from what he was reading. It was as if a shadow from the curtained bed had got between his mind and the gaily printed letters—a shadow that nothing could dispel. At last, he gave up the struggle, and threw the card from him impatiently, and took to walking softly up and down the room again. The dead man, the dead man, the hidden dead man on the bed! There was the one persistent idea still haunting him. Hidden! Was it only the body being there, or was it the body being there, concealed, that was preying on his mind? He stopped at the window, with that doubt in him; once more listening to the pattering rain, once more looking out into the black darkness. Still the dead man! The darkness forced his mind back upon itself, and set his memory at work, reviving, with a painfully-vivid distinctness the momentary impression it had received from his first sight of the corpse. Before long the face seemed to be hovering out in the middle of the darkness, confronting him through the window, with the paleness whiter, with the dreadful dull line of light between the imperfectly-closed eyelids broader than he had seen it—with the parted lips slowly dropping farther and farther away from each other—with the features growing larger and moving closer, till they seemed to fill the window and to silence the ram, and to shut out the night. The sound of a voice, shouting below stairs, woke him suddenly from the dream of his own distempered fancy. He recognised it as the voice of the landlord. "Shut up at twelve, Ben," he heard it say. "I'm off to bed." He wiped away the damp that had gathered on his forehead, reasoned with himself for a little while, and resolved to shake his mind free of the ghastly counterfeit which still clung to it, by forcing himself to confront, if it was only for a moment, the solemn reality. Without allowing himself an instant to hesitate, he parted the curtains at the foot of the bed, and looked through. There was the sad, peaceful, white face, with the awful mystery of stillness on it, laid back upon the pillow. No stir, no change there! He only looked at it for a moment before he closed the curtains again—but that moment steadied him, calmed him, restored him—mind and body to himself. He returned to his old occupation of walking up and down the room; persevering in it, this time, till the clock struck again. Twelve. As the sound of the clock-bell died away, it was succeeded by the confused noise, down stairs, of the drinkers in the tap-room leaving the house. The next sound, after an interval of silence, was caused by the barring of the door, and the closing of the shutters, at the back of the Inn. Then the silence followed again, and was disturbed no more. He was alone now—absolutely, utterly, alone with the dead man, till the next morning. The wick of the candle wanted trimming again. He took up the snuffers—but paused suddenly on the very point of using them, and looked attentively at the candle—then back, over his shoulder, at the curtained bed—then again at the candle. It had been lighted, for the first time, to show him the way up stairs, and three parts of it, at least, were already consumed. In another hour it would be burnt out. In another hour—unless he called at once to the man who had shut up the Inn, for a fresh candle—he would be left in the dark. Strongly as his mind had been affected since he had entered the room, his unreasonable dread of encountering ridicule, and of exposing his courage to suspicion, had not altogether lost its influence over him, even yet. He lingered irresolutely by the table, waiting till he could prevail on himself to open the door, and call, from the landing, to the man who had shut up the Inn. In his present hesitating frame of mind, it was a kind of relief to gain a few moments only by engaging in the trifling occupation of snuffing the candle. His hand trembled a little, and the snuffers were heavy and awkward to use. When he closed them on the wick, he closed them a hair's breadth too low. In an instant the candle was out, and the room was plunged in pitch darkness. The one impression which the absence of light immediately produced on his mind, was distrust of the curtained bed—distrust which shaped itself into no distinct idea, but which was powerful enough, in its very vagueness, to bind him down to his chair, to make his heart beat fast, and to set him listening intently. No sound stirred in the room but the familiar sound of the rain against the window, louder and sharper now than he had heard it yet. Still the vague distrust, the inexpressible dread possessed him, and kept him in his chair. He had put his carpet-bag on the table, when he first entered the room; and he now took the key from his pocket, reached out his hand softly, opened the bag, and groped in it for his travelling writing-case, in which he knew that there was a small store of matches. When he had got one of the matches, he waited before he struck it on the coarse wooden table, and listened intently again, without knowing why. Still there was no sound in the room but the steady, ceaseless, rattling sound of the rain. He lighted the candle again, without another moment of delay; and, on the instant of its burning up, the first object in the room that his eyes sought for was the curtained bed. Just before the light had been put out, he had looked in that direction, and had seen no change, no disarrangement of any sort, in the folds of the closely-drawn curtains. When he looked at the bed, now, he saw, hanging over the side of it, a long white hand. It lay perfectly motionless, midway on the side of the bed, where the curtain at the head and the curtain at the foot met. Nothing more was visible. The clinging curtains hid everything but the long white hand. He stood looking at it unable to stir, unable to call out; feeling nothing, knowing nothing; every faculty he possessed gathered up and lost in the one seeing faculty. How long that first panic held him he never could tell afterwards. It might have been only for a moment; it might have been for many minutes together. How he got to the bed—whether he ran to it headlong, or whether he approached it slowly—how he wrought himself up to unclose the curtains and look in, he never has remembered, and never will remember to his dying day. It is enough that he did go to the bed, and that he did look inside the curtains. The man had moved. One of his arms was outside the clothes; his face was turned a little on the pillow; his eyelids were wide open. Changed as to position, and as to one of the features, the face was otherwise, fearfully and wonderfully unaltered. The dead paleness and the dead quiet were on it still. One glance showed Arthur this—one glance, before he flew breathlessly to the door, and alarmed the house. The man whom the landlord called "Ben," was the first to appear on the stairs. In three words, Arthur told him what had happened, and sent him for the nearest doctor. I, who tell you this story, was then staying with a medical friend of mine, in practice at Doncaster, taking care of his patients for him, during his absence in London; and I, for the time being, was the nearest doctor. They had sent for me from the Inn, when the stranger was taken ill in the afternoon; but I was not at home, and medical assistance was sought for elsewhere. When the man from The Two Robins rang the night-bell, I was just thinking of going to bed. Naturally enough, I did not believe a word of his story about "a dead man who had come to life again." However, I put on my hat, armed myself with one or two bottles of restorative medicine, and ran to the Inn, expecting to find nothing more remarkable, when I got there, than a patient in a fit. My surprise at finding that the man had spoken the literal truth was almost, if not quite, equalled by my astonishment at finding myself face to face with Arthur Holliday as soon as I entered the bedroom. It was no time then for giving or seeking explanations. We just shook hands amazedly; and then I ordered everybody but Arthur out of the room, and hurried to the man on the bed. The kitchen fire had not been long out. There was plenty of hot water in the boiler, and plenty of flannel to be had. With these, with my medicines, and with such help as Arthur could render under my direction, I dragged the man, literally, out of the jaws of death. In less than an hour from the time when I had been called in, he was alive and talking in the bed on which he had been laid out to wait for the Coroner's inquest. You will naturally ask me, what had been the matter with him; and I might treat you, in reply, to a long theory, plentifully sprinkled with, what the children call, hard words. I prefer telling you that, in this case, cause and effect could not be satisfactorily joined together by any theory whatever. There are mysteries in life, and the conditions of it, which human science has not fathomed yet; and I candidly confess to you, that, in bringing that man back to existence, I was, morally speaking, groping hap-hazard in the dark. I know (from the testimony of the doctor who attended him in the afternoon) that the vital machinery, so far as its action is appreciable by our senses, had, in this case, unquestionably stopped; and I am equally certain (seeing that I recovered him) that the vital principle was not extinct. When I add, that he had suffered from a long and complicated illness, and that his whole nervous system was utterly deranged, I have told you all I really know of the physical condition of my dead-alive patient at the Two Robins Inn. When he "came to," as the phrase goes, he was a startling object to look at, with his colourless face, his sunken cheeks, his wild black eyes, and his long black hair. The first question he asked me about himself, when he could speak, made me suspect that I had been called in to a man in my own profession. I mentioned to him my surmise; and he told me that I was right. He said he had come last from Paris, where he had been attached to a hospital. That he had lately returned to England, on his way to Edinburgh, to continue his studies; that he had been taken ill on the journey; and that he had stopped to rest and recover himself at Doncaster. He did not add a word about his name, or who he was: and, of course, I did not question him on the subject. All I inquired, when he ceased speaking, was what branch of the profession he intended to follow. "Any branch," he said bitterly, "which will put bread into the mouth of a poor man." At this, Arthur, who had been hitherto watching him in silent curiosity, burst out impetuously in his usual good-humoured way: "My dear fellow!" (everybody was "my dear fellow" with Arthur) "now you have come to life again, don't begin by being down-hearted about your prospects. I'll answer for it, I can help you to some capital thing in the medical line or, if I can't, I know my father can." The medical student looked at him steadily. "Thank you," he said coldly. Then added, "May I ask who your father is?" "He's well enough known all about this part of the country," replied Arthur. "He is a great manufacturer, and his name is Holliday." My hand was on the man's wrist during this brief conversation. The instant the name of Holliday was pronounced I felt the pulse under my fingers flutter, stop, go on suddenly with a bound, and beat afterwards, for a minute or two, at the fever rate. "How did you come here?" asked the stranger, quickly, excitably, passionately almost. Arthur related briefly what had happened from the time of his first taking the bed at the inn.  "I am indebted to Mr. Holliday's son then for the help that has saved my life," said the medical student, speaking to himself, with a singular sarcasm in his voice. "Come here!" He held out, as he spoke, his long, white, bony right hand. "With all my heart," said Arthur, taking the hand cordially. "I may confess it now," he continued, laughing, "Upon my honour, you almost frightened me out of my wits." The stranger did not seem to listen. His wild black eyes were fixed with a look of eager interest on Arthur's face, and his long bony fingers kept tight hold of Arthur's hand. Young Holliday, on his side, returned the gaze, amazed and puzzled by the medical student's odd language and manners. The two faces were close together; I looked at them; and, to my amazement, I was suddenly impressed by the sense of a likeness between them—not in features, or complexion, but solely in expression. It must have been a strong likeness, or I should certainly not have found it out, for I am naturally slow at detecting resemblances between faces. "You have saved my life," said the strange man, still looking hard in Arthur's face, still holding tightly by his hand. "If you had been my own brother, you could not have done more for me than that." He laid a singularly strong emphasis on those three words "my own brother," and a change passed over his face as he pronounced them—a change that no language of mine is competent to describe. "I hope I have not done being of service to you yet," said Arthur. "I'll speak to my father, as soon as I get home." "You seem to be fond and proud of your father," said the medical student. "I suppose, in return, he is fond and proud of you?" "Of course, he is!" answered Arthur, laughing. "Is there anything wonderful in that? Isn't your father fond—" The stranger suddenly dropped young Holliday's hand, and turned his face away. "I beg your pardon," said Arthur. "I hope I have not unintentionally pained you. I hope you have not lost your father?" "I can't well lose what I have never had," retorted the medical student, with a harsh mocking laugh. "What you have never had!" The strange man suddenly caught Arthur'shand again, suddenly looked once more hard in his face. "Yes," he said, with a repetition of the bitter laugh. "You have brought a poor devil back into the world, who has no business there. Do I astonish you? Well! I have a fancy of my own for telling you what men in my situation generally keep a secret. I have no name and no father. The merciful law of Society tells me I am Nobody's Son! Ask your father if he will be my father too, and help me on in life with the family name." Arthur looked at me, more puzzled than ever. I signed to him to say nothing, and then laid my fingers again on the man's wrist. No! In spite of the extraordinary speech that he had just made, he was not, as I had been disposed to suspect, beginning to get light-headed. His pulse, by this time had fallen back to a quiet, slow beat, and his skin was moist and cool. Not a symptom of fever or agitation about him. Finding that neither of us answered him, he turned to me, and began talking of the extraordinary nature of his case, and asking my advice about the future course of medical treatment to which he ought to subject himself. I said the matter required careful thinking over, and suggested that I should submit certain prescriptions to him the next morning. He told me to write them at once, as he would, most likely, be leaving Doncaster, in the morning, before I was up. It was quite useless to represent to him the folly and danger of such a proceeding as this. He heard me politely and patiently, but held to his resolution, without offering any reasons or any explanations, and repeated to me, that if I wished to give him a chance of seeing my prescription, I must write it at once. Hearing this, Arthur volunteered the loan of a travelling writing-case, which, he said, he had with him; and, bringing it to the bed, shook the notepaper out of the pocket of the case forthwith in his usual careless way. With the paper, there fell out on the counterpane of the bed a small packet of sticking-plaster, and a little water-colour drawing of a landscape. The medical student took up the drawing and looked at it. His eye fell on some initials neatly written, in cypher, in one corner. He started, and trembled; his pale face grew whiter than ever; his wild black eyes turned on Arthur, and looked through and through him. "A pretty drawing," he said, in a remarkably quiet tone of voice. "Ah! and done by such a pretty girl," said Arthur. "Oh, such a pretty girl! I wish it was not a landscape—I wish it was a portrait of her!" "You admire her very much?" Arthur, half in jest, half in earnest, kissed his hand for answer. "Love at first sight!" he said, putting the drawing away again. "But the course of it doesn't run smooth. It's the old story. She's monopolised as usual. Trammelled by a rash engagement to some poor man who is never likely to get money enough to marry her. It was lucky I heard of it in time, or I should certainly have risked a declaration when she gave me that drawing. Here, doctor! Here is pen, ink, and paper all ready for you." "When she gave you that drawing? Gave it. Gave it." He repeated the words slowly to himself, and suddenly closed his eyes. A momentary distortion passed across his face, and I saw one of his hands clutch up the bedclothes and squeeze them hard. I thought he was going to be ill again, and begged that there might be no more talking. He opened his eyes when I spoke, fixed them once more searchingly on Arthur, and said, slowly and distinctly, "You like her, and she likes you. The poor man may die out of your way. Who can tell that she may not give you herself as well as her drawing, after all?" Before young Holliday could answer, he turned to me, and said in a whisper, "Now for the prescription." From that time, though he spoke to Arthur again, he never looked at him more. When I had written the prescription, he examined it, approved of it, and then us both by abruptly wishing us good night. I offered to sit up with him, and he shook his head. Arthur offered to sit up with him, and he said, shortly, with his face turned away, "No." I insisted on having somebody left to watch him. He gave way when he found I was determined, and said he would accept the services of the waiter at the inn. "Thank you, both," he said, as we rose to go. "I have one last favour to ask—not of you, doctor, for I leave you to exercise your professional discretion—but of Mr. Holliday." His eyes, while he spoke, still rested steadily on me, and never once turned towards Arthur. "I beg that Mr. Holliday will not mention to any one—least of all to his father —the events that have occurred, and the words that have passed, in this room. I entreat him to bury me in his memory, as, but for him, I might have been buried in my grave. I cannot give my reasons for making this strange request. I can only implore him to grant it."  His voice faltered for the first time, and he hid his face on the pillow. Arthur, completely bewildered, gave the required pledge. I took young Holliday away with me, immediately afterwards, to the house of my friend; determining to go back to the inn, and to see the medical student again before he had left in the morning. I returned to the inn at eight o'clock, purposely abstaining from waking Arthur, who was sleeping off the past night's excitement on one of my friend's sofas. A suspicion had occurred to me, as soon as I was alone in my bedroom, which made me resolve that Holliday and the stranger whose life he had saved should not meet again, if I could prevent it. I have already alluded to certain reports, or scandals, which I knew of, relating to the early life of Arthur's father. While I was thinking, in my bed, of what had passed at the Inn—of the change in the student's pulse when he heard the name of Holliday; of the resemblance of expression that I had discovered between his face and Arthur's; of the emphasis he had laid on those three words, "my own brother;" and of his incomprehensible acknowledgment of his own illegitimacy—while I was thinking of these things, the reports I have mentioned suddenly flew into my mind, and linked themselves fast to the chain of my previous reflections. Something within me whispered, "It is best that those two young men should not meet again." I felt it before I slept; I felt it when I woke; and I went as I told you, alone to the Inn the next morning. I had missed my only opportunity of seeing my nameless patient again. He had been gone nearly an hour when I inquired for him. I have now told you everything that I know for certain, in relation to the man whom I brought back to life in the double-bedded room of the Inn at Doncaster. What I have next to add is matter for inference and surmise, and is not, strictly speaking, matter of fact. I have to tell you, first, that the medical student turned out to be strangely and unaccountably right in assuming it as more than probable that Arthur Holliday would marry the young lady who had given him the water-colour drawing of the landscape. That marriage took place a little more than a year after the events occurred which I have just been relating. The young couple came to live in the neighbourhood in which I was then established in practice. I was present at the wedding, and was rather surprised to find that Arthur was singularly reserved with me, both before and after his marriage on the subject of the young lady's prior engagement. He only referred to it once when we were alone, merely telling me, on that occasion, that his wife had done all that honour and duty required of her in the matter, and that the engagement had been broken off with the full approval of her parents. I never heard more from him than this. For three years he and his wife lived together happily. At the expiration of that time, the symptoms of a serious illness first declared themselves in Mrs. Arthur Holliday. It turned out to be a long, lingering, hopeless malady. I attended her throughout. We had been great friends when she was well, and we became more attached to each other than ever when she was ill. I had many long and interesting conversations with her in the intervals when she suffered least. The result of one of those conversations I may briefly relate, leaving you to draw any inferences from it that you please. The interview to which I refer, occurred shortly before her death. I called one evening, as usual, and found her alone, with a look in her eyes which told me that she had been crying. She only informed me at first, that she had been depressed in spirits; but, by little and little, she became more communicative, and confessed to me that she had been looking over some old letters, which had been addressed to her, before she had seen Arthur, by a man to whom she had been engaged to be married. I asked her how the engagement came to be broken off. She replied that it had not been broken off, but that it had died out in a very mysterious way. The person to whom she was engaged— her first love, she called him—was very poor, and there was no immediate prospect of their being married. He followed my profession, and went abroad to study. They had corresponded regularly, until the time when, as she believed, he had returned to England. From that period she heard no more of him. He was of a fretful, sensitive temperament; and she feared that she might have inadvertently done or said something that offended him. However that might be, he had never written to her again; and, after waiting a year, she had married Arthur. I asked when the first estrangement had begun, and found that the time at which she ceased to hear anything of her first lover exactly corresponded with the time at which I had been called in to my mysterious patient at The Two Robins Inn. A fortnight after that conversation, she died. In course of time, Arthur married again. Of late years, he has lived principally in London, and I have seen little or nothing of him. I have many years to pass over before I can approach to anything like a conclusion of this fragmentary narrative. And even when that later period is reached, the little that I have to say will not occupy your attention for more than a few minutes. Between six and seven years ago, the gentleman to whom I introduced you in this room, came to me, with good professional recommendations, to fill the position of my assistant. We met, not like strangers, but like friends—the only difference between us being, that I was very much surprised to see him, and that he did not appear to be at all surprised to see me. If he was my son, or my brother I believe he could not be fonder of me than he is; but he has never volunteered any confidences since he has been here, on the subject of his past life. I saw something that was familiar to me in his face when we first met; and yet it was also something that suggested the idea of change. I had a notion once that my patient at the Inn might be a natural son of Mr. Holliday's; I had another idea that he might also have been the man who was engaged to Arthur's first wife; and I have a third idea, still clinging to me, that Mr. Lorn is the only man in England who could really enlighten me, if he chose, on both those doubtful points. His hair is not black, now, and his eyes are dimmer than the piercing eyes that I remember, but, for all that, he is very like the nameless medical student of my young days—very like him. And, sometimes, when I come home late at night, and find him asleep, and wake him, he looks, in coming to, wonderfully like the stranger at Doncaster, as he raised himself in the bed on that memorable night! The doctor paused. Mr. Goodchild who had been following every word that fell from his lips, up to this time, leaned forward eagerly to ask a question. Before he could say a word, the latch of the door was raised, without any warning sound of footsteps in the passage outside. A long, white, bony hand appeared through the opening, gently pushing the door, which was prevented from working freely on its hinges by a fold in the carpet under it. "That hand! Look at that hand, Doctor!" said Mr. Goodchild, touching him. At the same moment, the doctor looked at Mr. Goodchild, and whispered to him, significantly: "Hush! he has come back." https://www.dickenssearch.com/files/original/5/No._IV_The_Lazy_Tour_of_Two_Idle_Apprentices/1857-10-24-The_Lazy_Tour_of_Two_Idle_Apprentices_No4.pdf ad25f318efaed38a994c326b1ee8cc1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571024 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. When Mr. Goodchild had looked out of the Lancaster Inn-window for two hours on end, with great perseverance, he began to entertain a misgiving that he was growing industrious. He therefore set himself next, to explore the country from the tops of all the steep hills in the neighbourhood. He came back at dinner-time, red and glowing, to tell Thomas Idle what he had seen. Thomas, on his back reading, listened with great composure, and asked him whether he really had gone up those hills, and bothered himself with those views, and walked all those miles? "Because I want to know," added Thomas, "what you would say of it, if you were obliged to do it?" "It would be different, then," said Francis. "It would be work, then; now, it's play." "Play!" repeated Thomas Idle, utterly repudiating the reply. "Play! Here is a man goes systematically tearing himself to pieces, and putting himself through an incessant course of training, as if he were always under articles to fight a match for the champion's belt, and he calls it Play! Play!" exclaimed Thomas Idle, scornfully contemplating his one boot in the air. "You can't play. You don't know what it is. You make work of everything." The bright Goodchild amiably smiled. "So you do," said Thomas." I mean it. To me you are an absolutely terrible fellow. You do nothing like another man. Where another fellow would fall into a footbath of action or emotion, you fall into a mine. Where any other fellow would be a painted butterfly, you are a fiery dragon. Where another man would stake a sixpence, you stake your existence. If you were to go up in a balloon, you would make for Heaven; and if you were to dive into the depths of the earth, nothing short of the other place would content you. What a fellow you are, Francis!" The cheerful Goodchild laughed. "It's all very well to laugh, but I wonder you don't feel it to be serious," said Idle. "A man who can do nothing by halves appears to me to be a fearful man." "Tom, Tom," returned Goodchild, "if I can do nothing by halves, and be nothing by halves, it's pretty clear that you must take me as a whole, and make the best of me." With this philosophical rejoinder, the airy Goodchild clapped Mr. Idle on the shoulder in a final manner, and they sat down to dinner. "By the bye," said Goodchild, "I have been over a lunatic asylum too, since I have been out." "He has been," exclaimed Thomas Idle, casting up his eyes, "over a lunatic asylum! Not content with being as great an Ass as Captain Barclay in the pedestrian way, he makes a Lunacy Commissioner of himself—for nothing!" "An immense place," said Goodchild, "admirable offices, very good arrangements, very good attendants; altogether a remarkable place." "And what did you see there?" asked Mr. Idle, adapting Hamlet's advice to the occasion, and assuming the virtue of interest, though he had it not. "The usual thing," said Francis Goodchild, with a sigh. "Long groves of blighted men-and-women-trees; interminable avenues of hopeless faces; numbers, without the slightest power of really combining for any earthly purpose; a society of human creatures who have nothing in common but that they have all lost the power of being humanly social with one another." "Take a glass of wine with me," said Thomas Idle, "and let us be social." "In one gallery, Tom," pursued Francis Goodchild, "which looked to me about the length of the Long Walk at Windsor, more or less—" "Probably less," observed Thomas Idle. "In one gallery, which was otherwise quite clear of patients (for they were all out), there was a poor little dark-chinned, meagre man, with a perplexed brow and a pensive face, stooping low over the matting on the floor, and picking out with his thumb and fore-finger the course of its fibres. The afternoon sun was slanting in at the large end-window, and there were cross patches of light and shade all down the vista, made by the unseen orders were so, in that excellent hotel), the door opened, and One old man stood there. He did not come in, but stood with the door in his hand. "One of the six, Tom, at last!" said Mr. Goodchild, in a surprised whisper.— "Sir, your pleasure?" "Sir, your pleasure?" said the One old man. "I didn't ring." "The Bell did," said the One old man. He said BELL, in a deep strong way, that would have expressed the church Bell. "I had the pleasure, I believe, of seeing you, yesterday?" said Goodchild. "I cannot undertake to say for certain," was the grim reply of the One old man. "I think you saw me? Did you not?" "Saw you?" said the old man. "O yes, I saw you. But, I see many who never see me." A chilled, slow, earthy, fixed old man. A cadaverous old man of measured speech. An old man who seemed as unable to wink, as if his eyelids had been nailed to his forehead. An old man whose eyes— two spots of fire—had no more motion than if they had been connected with the back of his skull by screws driven through it, and rivetted and bolted outside, among his grey hair. The night had turned so cold, to Mr. Goodchild's sensations, that he shivered. He remarked lightly, and half apologetically, "I think somebody is walking over my grave." "No," said the weird old man, "there is no one there." Mr. Goodchild looked at Idle, but Idle lay with his head enwreathed in smoke. "No one there?" said Goodchild. "There is no one at your grave, I assure you," said the old man. He had come in and shut the door, and he now sat down. He did not bend himself to sit, as other people do, but seemed to sink bolt upright, as if in water, until the chair stopped him. "My friend, Mr. Idle," said Goodchild, extremely anxious to introduce a third person into the conversation. "I am," said the old man, without looking at him," at Mr. Idle's service." "If you are an old inhabitant of this place," Francis Goodchild resumed: "Yes." —"Perhaps you can decide a point my friend and I were in doubt upon, this morning. They hang condemned criminals at the Castle, I believe?" "I believe so," said the old man. "Are their faces turned towards that noble prospect?" "Your face is turned," replied the old man, "to the Castle wall. When you are tied up, you see its stones expanding and contracting violently, and a similar expansion and contraction seem to take place in your own head and breast. Then, there is a rush of fire and an earthquake, and the Castle springs into the air, and you tumble down a precipice." His cravat appeared to trouble him. He put his hand to his throat, and moved his neck from side to side. He was an old man of a swollen character of face, and his nose was immoveably hitched up on one side, as if by a little hook inserted in that nostril. Mr. Goodchild felt exceedingly uncomfortable, and began to think the night was hot, and not cold. "A strong description, sir," he observed. "A strong sensation," the old man rejoined. Again, Mr. Goodchild looked to Mr. Thomas Idle; but, Thomas lay on his back with his face attentively turned towards the One old man, and made no sign. At this time Mr. Goodchild believed that he saw two threads of fire stretch from the old man's eyes to his own, and there attach themselves. (Mr. Goodchild writes the present account of his experience, and, with the utmost solemnity, protests that he had the strongest sensation upon him of being forced to look at the old man along those two fiery films, from that moment.) "I must tell it to you," said the old man, with a ghastly and a stony stare. "What?" asked Francis Goodchild. "You know where it took place. Yonder!" Whether he pointed to the room above, or to the room below, or to any room in that old house, or to a room in some other old house in that old town, Mr. Goodchild was not, nor is, nor ever can be, sure. He was confused by the circumstance that the right fore-finger of the One old man seemed to dip itself in one of the threads of fire, light itself, and make a fiery start in the air, as it pointed somewhere. Having pointed somewhere, it went out. "You know she was a Bride," said the old man. "I know they still send up Bride-cake," Mr. Goodchild faltered. "This is a very oppressive air." "She was a Bride," said the old man. "She was a fair, flaxen-haired, large-eyed girl, who had no character, no purpose. A weak, credulous, incapable, helpless nothing. Not like her mother. No, no. It was her father whose character she reflected. "Her mother had taken care to secure everything to herself, for her own life, when, the father of this girl (a child at that time) died—of sheer helplessness; no other disorder—and then He renewed the acquaintance that had once subsisted between the mother and Him. He had been put aside for the flaxen-haired, large-eyed man (or non-entity) with Money. He could overlook that for Money. He wanted compensation in Money. "So, he returned to the side of that woman the mother, made love to her again, danced attendance on her, and submitted himself to her whims. She wreaked upon him every whim she had, or could invent. He bore it. And the more he bore, the more he wanted compensation in Money, and the more he was resolved to have it. "But, lo! Before he got it, she cheated him. In one of her imperious states, she froze, and never thawed again. She put her hands to her head one night, uttered a cry, stiffened, lay in that attitude certain hours, and died. And he had got no compensation from her in Money, yet. Blight and Murrain on her! Not a penny. "He had hated her throughout that second pursuit, and had longed for retaliation on her. He now counterfeited her signature to an instrument, leaving all she had to leave, to her daughter—ten years old then—to whom the property passed absolutely, and appointing himself the daughter's Guardian. When He slid it under the pillow of the bed on which she lay, He bent down in the deaf ear of Death, and whispered: 'Mistress Pride, I have determined a long time that, dead or alive, you must make me compensation in Money.' "So, now there were only two left. Which two were, He, and the fair flaxen-haired, large-eyed foolish daughter, who afterwards became the Bride. "He put her to school. In a secret, dark, oppressive, ancient house, he put her to school with a watchful and unscrupulous woman. 'My worthy lady,' he said,' here is a mind to be formed; will you help me to form it?' She accepted the trust. For which she, too, wanted compensation in Money, and had it. "The girl was formed in the fear of him, and in the conviction, that there was no escape from him. She was taught, from the first, to regard him as her future husband—the man who must marry her— the destiny that overshadowed her—the appointed certainty that could never be evaded. The poor fool was soft white wax in their hands, and took the impression that they put upon her. It hardened with time. It became a part of herself. Inseparable from herself, and only to be torn away from her, by tearing life away from her. "Eleven years she lived in the dark house and its gloomy garden. He was jealous of the very light and air getting to her, and they kept her close. He stopped the wide chimneys, shaded the little windows, left the strong-stemmed ivy to wander where it would over the house-front, the moss to accumulate on the untrimmed fruit-trees in the red-walled garden, the weeds to over-run its green and yellow walks. He surrounded her with images of sorrow and desolation. He caused her to be filled with fears of the place and of the stories that were told of it, and then on pretext of correcting them, to be left in it in solitude, or made to shrink about it in the dark. When her mind was most depressed and fullest of terrors, then, he would come out of one of the hiding-places from which he overlooked her, and present himself as her sole resource. "Thus, by being from her childhood the one embodiment her life presented to her of power to coërce and power to relieve, power to bind and power to loose, the ascendency over her weakness was secured. She was twenty-one years and twenty-one days old, when he brought her home to the gloomy house, his half-witted, frightened, and submissive Bride of three weeks. "He had dismissed the governess by that time— what he had left to do, he could best do alone—and they came back, upon a rainy night, to the scene of her long preparation. 'She turned to him upon the threshhold, as the rain was dripping from the porch, and said: "'O sir, it is the Death-watch ticking for me!' "'Well!' he answered. 'And if it were?' "'O sir!' she returned to him, 'look kindly on me, and be merciful to me! I beg your pardon. I will do anything you wish, if you will only forgive me!' "That had become the poor fool's constant song: 'I beg your pardon,' and 'Forgive me!' "She was not worth hating; he felt nothing but contempt for her. But, she had long been in the way, and he had long been weary, and the work was near its end, and had to be worked out. "'You fool,' he said. 'Go up the stairs!' "She obeyed very quickly, murmuring, 'I will do anything you wish!' When he came into the Bride's Chamber, having been a little retarded by the heavy fastenings of the great door (for they were alone in the house, and he had arranged that the people who attended on them should come and go in the day), he found her withdrawn to the furthest corner, and there standing pressed against the paneling as if she would have shrunk through it: her flaxen hair all wild about her face, and her large eyes staring at him in vague terror. "'What are you afraid of? Come and sit down by me.' "'I will do anything you wish. I beg your pardon, sir. Forgive me!' Her monotonous tune as usual. "'Ellen, here is a writing that you must write out to-morrow, in your own hand. You may as well be seen by others, busily engaged upon it. When you have written it all fairly, and corrected all mistakes, call in any two people there may be about the house, and sign your name to it before them. Then, put it in your bosom to keep it safe, and when I sit here again to-morrow night, give it to me.' "'I will do it all, with the greatest care. I will do anything you wish.' "'Don't shake and tremble, then.' "'I will try my utmost not to do it—if you will only forgive me!' "Next day, she sat down at her desk, and did as she had been told. He often passed in and out of the room, to observe her, and always saw her slowly and laboriously writing: repeating to herself the words she copied, in appearance quite mechanically, and without caring or endeavouring to comprehend them, so that she did her task. He saw her follow the directions she had received, in all particulars; and at night, when they were alone again in the same Bride's Chamber, and he drew his chair to the hearth, she timidly approached him from her distant seat, took the paper from her bosom, and gave it into his hand. "It secured all her possessions to him, in the event of her death. He put her before him, face to face, that he might look at her steadily; and he asked her, in so many plain words, neither fewer nor more, did she know that? "There were spots of ink upon the bosom of her white dress, and they made her face look whiter and her eyes look larger as she nodded her head. There were spots of ink upon the hand with which she stood before him, nervously plaiting and folding her white skirts. "He took her by the arm, and looked her, yet more closely and steadily, in the face. 'Now, die! I have done with you.' "She shrunk, and uttered a low, suppressed cry. "'I am not going to kill you. I will not endanger my life for yours. Die!' "He sat before her in the gloomy Bride's Chamber, day after day, night after night, looking the word at her when he did not utter it. As often as her large unmeaning eyes were raised from the hands in which she rocked her head, to the stern figure, sitting with crossed arms and knitted forehead, in the chair, they read in it, 'Die!' When she dropped asleep in exhaustion, she was called back to shuddering consciousness, by the whisper, 'Die!' When she fell upon her old entreaty to be pardoned, she was answered, 'Die!' When she had out-watched and out-suffered the long night, and the rising sun flamed into the sombre room, she heard it hailed with, 'Another day and not dead?—Die!' "Shut up in the deserted mansion, aloof from all mankind, and engaged alone in such a struggle without any respite, it came to this—that either he must die, or she. He knew it very well, and concentrated his strength against her feebleness. Hours upon hours he held her by the arm when her arm was black where he held it, and bade her Die! "It was done, upon a windy morning, before sunrise. He computed the time to be half-past four; but, his forgotten watch had run down, and he could not be sure. She had broken away from him in the night, with loud and sudden cries—the first of that kind to which she had given vent—and he had had to put his hands over her mouth. Since then, she had been quiet in the corner of the paneling where she had sunk down; and he had left her, and had gone back with his folded arms and his knitted forehead to his chair. "Paler in the pale light, more colourless than ever in the leaden dawn, he saw her coming, trailing herself along the floor towards him—a white wreck of hair, and dress, and wild eyes, pushing itself on by an irresolute and bending hand. "'O, forgive me! I will do anything. O, sir, pray tell me I may live!' "'Die!' "'Are you so resolved? Is there no hope for me?' "'Die!' "Her large eyes strained themselves with wonder and fear; wonder and fear changed to reproach; reproach to blank nothing. It was done. He was not at first so sure it was done, but that the morning sun was hanging jewels in her hair—he saw the diamond, emerald, and ruby, glittering among it in little points, as he stood looking down at her—when he lifted her and laid her on her bed. "She was soon laid in the ground. And now they were all gone, and he had compensated himself well. "He had a mind to travel. Not that he meant to waste his Money, for he was a pinching man and liked his Money dearly (liked nothing else, indeed), but, that he had grown tired of the desolate house and wished to turn his back upon it and have done with it. But, the house was worth Money, and Money must not be thrown away. He determined to sell it before he went. That it might look the less wretched and bring a better price, he hired some labourers to work in the overgrown garden; to cut out the dead wood, trim the ivy that drooped in heavy masses over the windows and gables, and clear the walks in which the weeds were growing mid-leg high. "He worked, himself, along with them. He worked later than they did, and, one evening at dusk, was left working alone, with his bill-hook in his hand. One autumn evening, when the Bride was five weeks dead. "'It grows too dark to work longer,' he said to himself, 'I must give over for the night.' "He detested the house, and was loath to enter it. He looked at the dark porch waiting for him like a tomb, and felt that it was an accursed house. Near to the porch, and near to where he stood, was a tree whose branches waved before the old bay-window of the Bride's Chamber, where it had been done. The tree swung suddenly, and made him start. It swung again, although the night was still. Looking up into it, he saw a figure among the branches. "It was the figure of a young man. The face looked down, as his looked up; the branches cracked and swayed; the figure rapidly descended, and slid upon its feet before him. A slender youth of about her age, with long light brown hair. "'What thief are you?' he said, seizing the youth by the collar. "The young man, in shaking himself free, swung him a blow with his arm across the face and throat. They closed, but the young man got from him and stepped back, crying, with great eagerness and horror, 'Don't touch me! I would as lieve be touched by the Devil!' "He stood still, with his bill-hook in his hand, looking at the young man. For, the young man's look was the counterpart of her last look, and he had not expected ever to see that again. "'I am no thief. Even if I were, I would not have a coin of your wealth, if it would buy me the Indies. You murderer!' "'What!' "'I climbed it,' said the young man, pointing up into the tree, 'for the first time, nigh four years ago. I climbed it, to look at her. I saw her. I spoke to her. I have climbed it, many a time, to watch and listen for her. I was a boy, hidden among its leaves, when from that bay-window she gave me this!' "He showed a tress of flaxen hair, tied with a mourning ribbon. "'Her life,' said the young man, 'was a life of mourning. She gave me this, as a token of it, and a sign that she was dead to every one but you. If I had been older, if I had seen her sooner, I might have saved her from you. But, she was fast in the web when I first climbed the tree, and what could I do then to break it!' "In saying those words, he burst into a fit of sobbing and crying: weakly at first, then passionately. "'Murderer! I climbed the tree on the night when you brought her back. I heard her, from the tree, speak of the Death-watch at the door. I was three times in the tree while you were shut up with her, slowly killing her. I saw her, from the tree, lie dead upon her bed. I have watched you, from the tree, for proofs and traces of your guilt. The manner of it, is a mystery to me yet, but I will pursue you until you have rendered up your life to the hangman. You shall never, until then, be rid of me. I loved her! I can know no relenting towards you. Murderer, I loved her!' "The youth was bare-headed, his hat having fluttered away in his descent from the tree. He moved towards the gate. He had to pass—Him—to get to it. There was breadth for two old-fashioned carriages abreast; and the youth's abhorrence, openly expressed in every feature of his face and limb of his body, and very hard to bear, had verge enough to keep itself at a distance in. He (by which I mean the other) had not stirred hand or foot, since he had stood still to look at the boy. He faced round, now, to follow him with his eyes. As the back of the bare light-brown head was turned to him, he saw a red curve stretch from his hand to it. He knew, before he threw the bill-hook, where it had alighted—I say, had alighted, and not, would alight; for, to his clear perception the thing was done before he did it. It cleft the head, and it remained there, and the boy lay on his face. "He buried the body in the night, at the foot of the tree. As soon as it was light in the morning, he worked at turning up all the ground near the tree, and hacking and hewing at the neighbouring bushes and undergrowth. When the laborers came, there was nothing suspicious, and nothing was suspected. "But, he had, in a moment, defeated all his precautions, and destroyed the triumph of the scheme he had so long concerted, and so successfully worked out. He had got rid of the Bride, and had acquired her fortune without endangering his life; but now, for a death by which he had gained nothing, he had evermore to live with a rope around his neck. "Beyond this, he was chained to the house of gloom and horror, which he could not endure. Being afraid to sell it or to quit it, lest discovery should be made, he was forced to live in it. He hired two old people, man and wife, for his servants; and dwelt in it, and dreaded it. His great difficulty, for a long time, was the garden. Whether he should keep it trim, whether he should suffer it to fall into its former state of neglect, what would be the least likely way of attracting attention to it? "He took the middle course of gardening, himself, in his evening leisure, and of then calling the old serving-man to help him; but, of never letting him work there alone. And he made himself an arbour over against the tree, where he could sit and see that it was safe. "As the seasons changed, and the tree changed, his mind perceived dangers that were always changing. In the leafy time, he perceived that the upper boughs were growing into the form of the young man—that they made the shape of him exactly, sitting in a forked branch swinging in the wind. In the time of the falling leaves, he perceived that they came down from the tree, forming tell-tale letters on the path, or that they had a tendency to heap themselves into a church-yard-mound above the grave. In the winter, when the tree was bare, he perceived that the boughs swung at him the ghost of the blow the young man had given, and that they threatened him openly. In the spring, when thesap was mounting in the trunk, he asked himself, were the dried-up particles of blood mounting with it: to make out more obviously this year than last, the leaf-screened figure of the young man, swinging in the wind? "However, he turned his Money over and over, and still over. He was in the dark trade, the gold-dust trade, and most secret trades that yielded great returns. In ten years, he had turned his Money over, so many times, that the traders and shippers who had dealings with him, absolutely did not lie—for once—when they declared that he had increased his fortune, Twelve Hundred Per Cent. "He possessed his riches one hundred years ago, when people could be lost easily. He had heard who the youth was, from hearing of the search that was made after him; but, it died away, and the youth was forgotten. "The annual round of changes in the tree had been repeated ten times since the night of the burial at its foot, when there was a great thunder-storm over this place. It broke at midnight, and raged until morning. The first intelligence he heard from his old serving-man that morning, was, that the tree had been struck by Lightning. "It had been riven down the stem, in a very surprising manner, and the stem lay in two blighted shafts: one resting against the house, and one against a portion of the old red garden-wall in which its fall had made a gap. The fissure went down the tree to a little above the earth, and there stopped. There was great curiosity to see the tree, and, with most of his former fears revived, he sat in his arbour—grown quite an old man—watching the people who came to see it. "They quickly began to come, in such dangerous numbers, that he closed his garden-gate and refused to admit any more. But, there were certain men of science who travelled from a distance to examine the tree, and, in an evil hour, he let them in—Blight and Murrain on them, let them in! "They wanted to dig up the ruin by the roots, and closely examine it, and the earth about it. Never, while he lived! They offered money for it. They! Men of science, whom he could have bought by the gross, with a scratch of his pen! He showed them the garden-gate again, and locked and barred it. "But, they were bent on doing what they wanted to do, and they bribed the old serving-man—a thankless wretch who regularly complained when he received his wages, of being underpaid—and they stole into the garden by night with their lanterns, picks, and shovels, and fell to at the tree. He was lying in a turret-room on the other side of the house (the Bride's Chamber had been unoccupied ever since), but he soon dreamed of picks and shovels, and got up. "He came to an upper window on that side, whence he could see their lanterns, and them, and the loose earth in a heap which he had himself disturbed and put back, when it was last turned to the air. It was found! They had that minute lighted on it. They were all bending over it. One of them said, 'The skull is fractured;' and another,' See here the bones;' and another, 'See here the clothes;' and then the first struck in again, and said, 'A rusty bill-hook!' "He became sensible, next day, that he was already put under a strict watch, and that he could go nowhere without being followed. Before a week was out, he was taken and laid in hold. The circumstances were gradually pieced together against him, with a desperate malignity, and an appalling ingenuity. But, see the justice of men, and how it was extended to him! He was further accused of having poisoned that girl in the Bride's Chamber. He, who had carefully and expressly avoided imperilling a hair of his head for her, and who had seen her die of her own incapacity! "There was doubt for which of the two murders he should be first tried; but, the real one was chosen, and he was found Guilty, and cast for Death. Bloodthirsty wretches! They would have made him Guilty of anything, so set they were upon having his life. "His money could do nothing to save him, and he was hanged. I am He, and I was hanged at Lancaster Castle with my face to the wall, a hundred years ago!" At this terrific announcement, Mr. Goodchild tried to rise and cry out. But, the two fiery lines extending from the old man's eyes to his own, kept him down, and he could not utter a sound. His sense of hearing, however, was acute, and he could hear the clock strike Two. No sooner had he heard the clock strike Two, than he saw before him Two old men! Two. The eyes of each, connected with his eyes by two films of fire: each, exactly like the other: each, addressing him at precisely one and the same instant: each, gnashing the same teeth in the same head, with the same twitched nostril above them, and the same suffused expression around it. Two old men. Differing in nothing, equally distinct to the sight, the copy no fainter than the original, the second as real as the first. "At what time," said the Two old men, "did you arrive at the door below?" "At Six." "And there were Six old men upon the stairs!" Mr. Goodchild having wiped the perspiration from his brow, or tried to do it, the Two old men proceeded in one voice, and in the singular number: "I had been anatomised, but had not yet had my skeleton put together and re-hung on an iron hook, when it began to be whispered that the Bride's Chamber was haunted. It was haunted, and I was there. "We were there. She and I were there. I, in the chair upon the hearth; she, a white wreck again, trailing itself towards me on the floor. But, I was the speaker no more. She was the sole speaker now, and the one word that she said to me from midnight until dawn was, 'Live!' "The youth was there, likewise. In the tree outside the window. Coming and going in the moonlight, as the tree bent and gave. He has, ever since, been there; peeping in at me in my torment; revealing to me by snatches, in the pale lights and slatey shadows where he comes and goes, bare-headed—a bill-hook, standing edgewise in his hair. "In the Bride's Chamber, every night from midnight until dawn—one month in the year excepted, as I am going to tell you—he hides in the tree, and she comes towards me on the floor; always approaching; never coming nearer; always visible as if by moonlight, whether the moon shines or no; always saying, from midnight until dawn, her one word, 'Live!' "But, in the month wherein I was forced out of this life—this present month of thirty days—the Bride's Chamber is empty and quiet. Not so my old dungeon. Not so the rooms where I was restless and afraid, ten years. Both are fitfully haunted then. At One in the morning, I am what you saw me when the clock struck that hour—One old man. At Two in the morning, I am Two old men. At Three, I am Three. By Twelve at noon, I am Twelve old men, One for every hundred per cent of old gain. Every one of the Twelve, with Twelve times my old power of suffering and agony. From that hour until Twelve at night, I, Twelve old men in anguish and fearful foreboding, wait for the coming of the executioner. At Twelve at night, I, Twelve old men turned off, swing invisible outside Lancaster Castle, with Twelve faces to the wall! "When the Bride's Chamber was first haunted, it was known to me that this punishment would never cease, until I could make its nature, and my story, known to two living men together. I waited for the coming of two living men together into the Bride's Chamber, years upon years. It was infused into my knowledge (of the means I am ignorant) that if two living men, with their eyes open, could be in the Bride's Chamber at One in the morning, they would see me sitting in my chair. "At length, the whispers that the room was spiritually troubled, brought two men to try the adventure. I was scarcely struck upon the hearth at midnight (I come there as if the Lightning blasted me into being), when I heard them ascending the stairs. Next, I saw them enter. One of them was a bold, gay, active man, in the prime of life, some five and forty years of age; the other, a dozen years younger. They brought provisions with them in a basket, and bottles. A young woman accompanied them, with wood and coals for the lighting of the fire. When she had lighted it, the bold, gay, active man accompanied her along the gallery outside the room, to see her safely down the staircase, and came back laughing. "He locked the door, examined the chamber, put out the contents of the basket on the table before the fire—little recking of me, in my appointed station on the hearth, close to him—and filled the glasses, and ate and drank. His companion did the same, and was as cheerful and confident as be: though he was the leader. When they had supped, they laid pistols on the table, turned to the fire, and began to smoke their pipes of foreign make. "They had travelled together, and had been much together, and had an abundance of subjects in common. In the midst of their talking and laughing, the younger man made a reference to the leader's being always ready for any adventure; that one, or any other. He replied in these words: "'Not quite so, Dick; if I am afraid of nothing else, I am afraid of myself.' "His companion seeming to grow a little dull, asked him, in what sense? How? "'Why, thus,' he returned. 'Here is a Ghost to be disproved. Well! I cannot, answer for what my fancy might do if I were alone here, or what tricks my senses might play with me if they had me to themselves. But, in company with another man, and especially with you, Dick, I would consent to outface all the Ghosts that were ever told of in the universe.' "'I had not the vanity to suppose that I was of so much importance to-night,' said the other. "'Of so much,' rejoined the leader, more seriously than he had spoken yet, 'that I would, for the reason I have given, on no account have undertaken to pass the night here alone.' "It was within a few minutes of One. The head of the younger man had drooped when he made his last remark, and it drooped lower now. "'Keep awake, Dick!' said the leader, gaily. 'The small hours are the worst.' "He tried, but his head drooped again. "'Dick!' urged the leader. 'Keep awake!' "'I can't,' he indistinctly muttered. 'I don't know what strange influence is stealing over me. I can't.' "His companion looked at him with a sudden horror, and I, in my different way, felt a new horror also; for, it was on the stroke of One, and I felt that the secondwatcher was yielding to me, and that the curse was upon me that I must send him to sleep. "'Get up and walk, Dick!' cried the leader. Try!' "It was in vain to go behind the slumberer's chair and shake him. One o'clock sounded, and I was present to the elder man, and he stood transfixed before me. "To him alone, I was obliged to relate my story, without hope of benefit. To him alone, I was an awful phantom making a quite useless confession. I foresee it will ever be the same. The two living men together will never come to release me. When I appear, the senses of one of the two will be locked in sleep; he will neither see nor hear me; my communication will ever be made to a solitary listener, and will ever be unserviceable. Woe! Woe! Woe!" As the Two old men, with these words, wrung their hands, it shot into Mr. Goodchild's mind that he was in the terrible situation of being virtually alone with the spectre, and that Mr. Idle's immoveability was explained by his having been charmed asleep at One o'clock. In the terror of this sudden discovery which produced an indescribable dread, he struggled so hard to get free from the four fiery threads, that he snapped them, after he had pulled them out to a great width. Being then out of bonds, he caught up Mr. Idle from the sofa and rushed down stairs with him. "What are you about, Francis?" demanded Mr. Idle. "My bedroom is not down here. What the deuce are you carrying me at all for? I can walk with a stick now. I don't want to be carried. Put me down." Mr. Goodchild put him down in the old hall, and looked about him wildly. "What are you doing? Idiotically plunging at your own sex, and rescuing them or perishing in the attempt?" asked Mr. Idle, in a highly petulant state. "The One old man!" cried Mr. Goodchild, distractedly,—"and the Two old men!" Mr. Idle deigned no other reply than "The One old woman, I think you mean," as he began hobbling his way back up the staircase, with the assistance of its broad balustrade. "I assure you, Tom," began Mr. Goodchild, attending at his side, "that since you fell asleep—" "Come, I like that!" said Thomas Idle, "I haven't closed an eye!" With the peculiar sensitiveness on the subject of the disgraceful action of going to sleep out of bed, which is the lot of all mankind, Mr. Idle persisted in this declaration. The same peculiar sensitiveness impelled Mr. Goodchild, on being taxed with the same crime, to repudiate it with honourable resentment. The settlement of the question of The One old man and The Two old men was thus presently complicated, and soon made quite impracticable. Mr. Idle said it was all Bride-cake, and fragments, newly arranged, of things seen and thought about in the day. Mr. Goodchild said how could that be, when he hadn't been asleep, and what right could Mr. Idle have to say so, who had been asleep? Mr. Idle said he had never been asleep, and never did go to sleep, and that Mr. Goodchild, as a general rule, was always asleep. They consequently parted for the rest of the night, at their bedroom doors, a little ruffled. Mr. Goodchild's last words were, that he had had, in that real and tangible old sitting-room of that real and tangible old Inn (he supposed Mr. Idle denied its existence?), every sensation and experience, the present record of which is now within a line or two of completion; and that he would write it out and print it every word. Mr. Idle returned that he might if he liked—and he did like, and has now done it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No. IV, 'The Lazy Tour of Two Idle Apprentices' Description An account of the resource Published in Household Words, Vol. XVI, No. 394, 24 October 1857, pp. 385-393. Creator An entity primarily responsible for making the resource Dickens, Charles and Wilkie Collins Source A related resource from which the described resource is derived Dickens Journals Online,<a href="https://www.djo.org.uk/household-words/volume-xvi/page-385.html"></a> <a href="https://www.djo.org.uk/household-words/volume-xvi/page-385.html">https://www.djo.org.uk/household-words/volume-xvi/page-385.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1857-10-10 Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, <a href="http://www.djo.org.uk/" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk">www.djo.org.uk</a>. Available under CC-BY licence. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1857-10-24-The_Lazy_Tour_of_Two_Idle_Apprentices_No4 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles and Wilkie Collins. No.IV 'The Lazy Tour of Two Idle Apprentices'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1857-10-24-The_Lazy_Tour_of_Two_Idle_Apprentices_No4">https://www.dickenssearch.com/short-stories/1857-10-24-The_Lazy_Tour_of_Two_Idle_Apprentices_No4</a>. Scripto Transcription A written representation of a document. When Mr. Goodchild had looked out of the Lancaster Inn-window for two hours on end, with great perseverance, he began to entertain a misgiving that he was growing industrious. He therefore set himself next, to explore the country from the tops of all the steep hills in the neighbourhood. He came back at dinner-time, red and glowing, to tell Thomas Idle what he had seen. Thomas, on his back reading, listened with great composure, and asked him whether he really had gone up those hills, and bothered himself with those views, and walked all those miles? "Because I want to know," added Thomas, "what you would say of it, if you were obliged to do it?" "It would be different, then," said Francis. "It would be work, then; now, it's play." "Play!" repeated Thomas Idle, utterly repudiating the reply. "Play! Here is a man goes systematically tearing himself to pieces, and putting himself through an incessant course of training, as if he were always under articles to fight a match for the champion's belt, and he calls it Play! Play!" exclaimed Thomas Idle, scornfully contemplating his one boot in the air. "You can't play. You don't know what it is. You make work of everything." The bright Goodchild amiably smiled. "So you do," said Thomas." I mean it. To me you are an absolutely terrible fellow. You do nothing like another man. Where another fellow would fall into a footbath of action or emotion, you fall into a mine. Where any other fellow would be a painted butterfly, you are a fiery dragon. Where another man would stake a sixpence, you stake your existence. If you were to go up in a balloon, you would make for Heaven; and if you were to dive into the depths of the earth, nothing short of the other place would content you. What a fellow you are, Francis!" The cheerful Goodchild laughed. "It's all very well to laugh, but I wonder you don't feel it to be serious," said Idle. "A man who can do nothing by halves appears to me to be a fearful man." "Tom, Tom," returned Goodchild, "if I can do nothing by halves, and be nothing by halves, it's pretty clear that you must take me as a whole, and make the best of me." With this philosophical rejoinder, the airy Goodchild clapped Mr. Idle on the shoulder in a final manner, and they sat down to dinner. "By the bye," said Goodchild, "I have been over a lunatic asylum too, since I have been out." "He has been," exclaimed Thomas Idle, casting up his eyes, "over a lunatic asylum! Not content with being as great an Ass as Captain Barclay in the pedestrian way, he makes a Lunacy Commissioner of himself—for nothing!" "An immense place," said Goodchild, "admirable offices, very good arrangements, very good attendants; altogether a remarkable place." "And what did you see there?" asked Mr. Idle, adapting Hamlet's advice to the occasion, and assuming the virtue of interest, though he had it not. "The usual thing," said Francis Goodchild, with a sigh. "Long groves of blighted men-and-women-trees; interminable avenues of hopeless faces; numbers, without the slightest power of really combining for any earthly purpose; a society of human creatures who have nothing in common but that they have all lost the power of being humanly social with one another." "Take a glass of wine with me," said Thomas Idle, "and let us be social." "In one gallery, Tom," pursued Francis Goodchild, "which looked to me about the length of the Long Walk at Windsor, more or less—" "Probably less," observed Thomas Idle. "In one gallery, which was otherwise quite clear of patients (for they were all out), there was a poor little dark-chinned, meagre man, with a perplexed brow and a pensive face, stooping low over the matting on the floor, and picking out with his thumb and fore-finger the course of its fibres. The afternoon sun was slanting in at the large end-window, and there were cross patches of light and shade all down the vista, made by the unseen orders were so, in that excellent hotel), the door opened, and One old man stood there. He did not come in, but stood with the door in his hand. "One of the six, Tom, at last!" said Mr. Goodchild, in a surprised whisper.— "Sir, your pleasure?" "Sir, your pleasure?" said the One old man. "I didn't ring." "The Bell did," said the One old man. He said BELL, in a deep strong way, that would have expressed the church Bell. "I had the pleasure, I believe, of seeing you, yesterday?" said Goodchild. "I cannot undertake to say for certain," was the grim reply of the One old man. "I think you saw me? Did you not?" "Saw you?" said the old man. "O yes, I saw you. But, I see many who never see me." A chilled, slow, earthy, fixed old man. A cadaverous old man of measured speech. An old man who seemed as unable to wink, as if his eyelids had been nailed to his forehead. An old man whose eyes— two spots of fire—had no more motion than if they had been connected with the back of his skull by screws driven through it, and rivetted and bolted outside, among his grey hair. The night had turned so cold, to Mr. Goodchild's sensations, that he shivered. He remarked lightly, and half apologetically, "I think somebody is walking over my grave." "No," said the weird old man, "there is no one there." Mr. Goodchild looked at Idle, but Idle lay with his head enwreathed in smoke. "No one there?" said Goodchild. "There is no one at your grave, I assure you," said the old man. He had come in and shut the door, and he now sat down. He did not bend himself to sit, as other people do, but seemed to sink bolt upright, as if in water, until the chair stopped him. "My friend, Mr. Idle," said Goodchild, extremely anxious to introduce a third person into the conversation. "I am," said the old man, without looking at him," at Mr. Idle's service." "If you are an old inhabitant of this place," Francis Goodchild resumed: "Yes." —"Perhaps you can decide a point my friend and I were in doubt upon, this morning. They hang condemned criminals at the Castle, I believe?" "I believe so," said the old man. "Are their faces turned towards that noble prospect?" "Your face is turned," replied the old man, "to the Castle wall. When you are tied up, you see its stones expanding and contracting violently, and a similar expansion and contraction seem to take place in your own head and breast. Then, there is a rush of fire and an earthquake, and the Castle springs into the air, and you tumble down a precipice." His cravat appeared to trouble him. He put his hand to his throat, and moved his neck from side to side. He was an old man of a swollen character of face, and his nose was immoveably hitched up on one side, as if by a little hook inserted in that nostril. Mr. Goodchild felt exceedingly uncomfortable, and began to think the night was hot, and not cold. "A strong description, sir," he observed. "A strong sensation," the old man rejoined. Again, Mr. Goodchild looked to Mr. Thomas Idle; but, Thomas lay on his back with his face attentively turned towards the One old man, and made no sign. At this time Mr. Goodchild believed that he saw two threads of fire stretch from the old man's eyes to his own, and there attach themselves. (Mr. Goodchild writes the present account of his experience, and, with the utmost solemnity, protests that he had the strongest sensation upon him of being forced to look at the old man along those two fiery films, from that moment.) "I must tell it to you," said the old man, with a ghastly and a stony stare. "What?" asked Francis Goodchild. "You know where it took place. Yonder!" Whether he pointed to the room above, or to the room below, or to any room in that old house, or to a room in some other old house in that old town, Mr. Goodchild was not, nor is, nor ever can be, sure. He was confused by the circumstance that the right fore-finger of the One old man seemed to dip itself in one of the threads of fire, light itself, and make a fiery start in the air, as it pointed somewhere. Having pointed somewhere, it went out. "You know she was a Bride," said the old man. "I know they still send up Bride-cake," Mr. Goodchild faltered. "This is a very oppressive air." "She was a Bride," said the old man. "She was a fair, flaxen-haired, large-eyed girl, who had no character, no purpose. A weak, credulous, incapable, helpless nothing. Not like her mother. No, no. It was her father whose character she reflected. "Her mother had taken care to secure everything to herself, for her own life, when, the father of this girl (a child at that time) died—of sheer helplessness; no other disorder—and then He renewed the acquaintance that had once subsisted between the mother and Him. He had been put aside for the flaxen-haired, large-eyed man (or non-entity) with Money. He could overlook that for Money. He wanted compensation in Money. "So, he returned to the side of that woman the mother, made love to her again, danced attendance on her, and submitted himself to her whims. She wreaked upon him every whim she had, or could invent. He bore it. And the more he bore, the more he wanted compensation in Money, and the more he was resolved to have it. "But, lo! Before he got it, she cheated him. In one of her imperious states, she froze, and never thawed again. She put her hands to her head one night, uttered a cry, stiffened, lay in that attitude certain hours, and died. And he had got no compensation from her in Money, yet. Blight and Murrain on her! Not a penny. "He had hated her throughout that second pursuit, and had longed for retaliation on her. He now counterfeited her signature to an instrument, leaving all she had to leave, to her daughter—ten years old then—to whom the property passed absolutely, and appointing himself the daughter's Guardian. When He slid it under the pillow of the bed on which she lay, He bent down in the deaf ear of Death, and whispered: 'Mistress Pride, I have determined a long time that, dead or alive, you must make me compensation in Money.' "So, now there were only two left. Which two were, He, and the fair flaxen-haired, large-eyed foolish daughter, who afterwards became the Bride. "He put her to school. In a secret, dark, oppressive, ancient house, he put her to school with a watchful and unscrupulous woman. 'My worthy lady,' he said,' here is a mind to be formed; will you help me to form it?' She accepted the trust. For which she, too, wanted compensation in Money, and had it. "The girl was formed in the fear of him, and in the conviction, that there was no escape from him. She was taught, from the first, to regard him as her future husband—the man who must marry her— the destiny that overshadowed her—the appointed certainty that could never be evaded. The poor fool was soft white wax in their hands, and took the impression that they put upon her. It hardened with time. It became a part of herself. Inseparable from herself, and only to be torn away from her, by tearing life away from her. "Eleven years she lived in the dark house and its gloomy garden. He was jealous of the very light and air getting to her, and they kept her close. He stopped the wide chimneys, shaded the little windows, left the strong-stemmed ivy to wander where it would over the house-front, the moss to accumulate on the untrimmed fruit-trees in the red-walled garden, the weeds to over-run its green and yellow walks. He surrounded her with images of sorrow and desolation. He caused her to be filled with fears of the place and of the stories that were told of it, and then on pretext of correcting them, to be left in it in solitude, or made to shrink about it in the dark. When her mind was most depressed and fullest of terrors, then, he would come out of one of the hiding-places from which he overlooked her, and present himself as her sole resource. "Thus, by being from her childhood the one embodiment her life presented to her of power to coërce and power to relieve, power to bind and power to loose, the ascendency over her weakness was secured. She was twenty-one years and twenty-one days old, when he brought her home to the gloomy house, his half-witted, frightened, and submissive Bride of three weeks. "He had dismissed the governess by that time— what he had left to do, he could best do alone—and they came back, upon a rainy night, to the scene of her long preparation. 'She turned to him upon the threshhold, as the rain was dripping from the porch, and said: "'O sir, it is the Death-watch ticking for me!' "'Well!' he answered. 'And if it were?' "'O sir!' she returned to him, 'look kindly on me, and be merciful to me! I beg your pardon. I will do anything you wish, if you will only forgive me!' "That had become the poor fool's constant song: 'I beg your pardon,' and 'Forgive me!' "She was not worth hating; he felt nothing but contempt for her. But, she had long been in the way, and he had long been weary, and the work was near its end, and had to be worked out. "'You fool,' he said. 'Go up the stairs!' "She obeyed very quickly, murmuring, 'I will do anything you wish!' When he came into the Bride's Chamber, having been a little retarded by the heavy fastenings of the great door (for they were alone in the house, and he had arranged that the people who attended on them should come and go in the day), he found her withdrawn to the furthest corner, and there standing pressed against the paneling as if she would have shrunk through it: her flaxen hair all wild about her face, and her large eyes staring at him in vague terror. "'What are you afraid of? Come and sit down by me.' "'I will do anything you wish. I beg your pardon, sir. Forgive me!' Her monotonous tune as usual. "'Ellen, here is a writing that you must write out to-morrow, in your own hand. You may as well be seen by others, busily engaged upon it. When you have written it all fairly, and corrected all mistakes, call in any two people there may be about the house, and sign your name to it before them. Then, put it in your bosom to keep it safe, and when I sit here again to-morrow night, give it to me.' "'I will do it all, with the greatest care. I will do anything you wish.' "'Don't shake and tremble, then.' "'I will try my utmost not to do it—if you will only forgive me!' "Next day, she sat down at her desk, and did as she had been told. He often passed in and out of the room, to observe her, and always saw her slowly and laboriously writing: repeating to herself the words she copied, in appearance quite mechanically, and without caring or endeavouring to comprehend them, so that she did her task. He saw her follow the directions she had received, in all particulars; and at night, when they were alone again in the same Bride's Chamber, and he drew his chair to the hearth, she timidly approached him from her distant seat, took the paper from her bosom, and gave it into his hand. "It secured all her possessions to him, in the event of her death. He put her before him, face to face, that he might look at her steadily; and he asked her, in so many plain words, neither fewer nor more, did she know that? "There were spots of ink upon the bosom of her white dress, and they made her face look whiter and her eyes look larger as she nodded her head. There were spots of ink upon the hand with which she stood before him, nervously plaiting and folding her white skirts. "He took her by the arm, and looked her, yet more closely and steadily, in the face. 'Now, die! I have done with you.' "She shrunk, and uttered a low, suppressed cry. "'I am not going to kill you. I will not endanger my life for yours. Die!' "He sat before her in the gloomy Bride's Chamber, day after day, night after night, looking the word at her when he did not utter it. As often as her large unmeaning eyes were raised from the hands in which she rocked her head, to the stern figure, sitting with crossed arms and knitted forehead, in the chair, they read in it, 'Die!' When she dropped asleep in exhaustion, she was called back to shuddering consciousness, by the whisper, 'Die!' When she fell upon her old entreaty to be pardoned, she was answered, 'Die!' When she had out-watched and out-suffered the long night, and the rising sun flamed into the sombre room, she heard it hailed with, 'Another day and not dead?—Die!' "Shut up in the deserted mansion, aloof from all mankind, and engaged alone in such a struggle without any respite, it came to this—that either he must die, or she. He knew it very well, and concentrated his strength against her feebleness. Hours upon hours he held her by the arm when her arm was black where he held it, and bade her Die! "It was done, upon a windy morning, before sunrise. He computed the time to be half-past four; but, his forgotten watch had run down, and he could not be sure. She had broken away from him in the night, with loud and sudden cries—the first of that kind to which she had given vent—and he had had to put his hands over her mouth. Since then, she had been quiet in the corner of the paneling where she had sunk down; and he had left her, and had gone back with his folded arms and his knitted forehead to his chair. "Paler in the pale light, more colourless than ever in the leaden dawn, he saw her coming, trailing herself along the floor towards him—a white wreck of hair, and dress, and wild eyes, pushing itself on by an irresolute and bending hand. "'O, forgive me! I will do anything. O, sir, pray tell me I may live!' "'Die!' "'Are you so resolved? Is there no hope for me?' "'Die!' "Her large eyes strained themselves with wonder and fear; wonder and fear changed to reproach; reproach to blank nothing. It was done. He was not at first so sure it was done, but that the morning sun was hanging jewels in her hair—he saw the diamond, emerald, and ruby, glittering among it in little points, as he stood looking down at her—when he lifted her and laid her on her bed. "She was soon laid in the ground. And now they were all gone, and he had compensated himself well. "He had a mind to travel. Not that he meant to waste his Money, for he was a pinching man and liked his Money dearly (liked nothing else, indeed), but, that he had grown tired of the desolate house and wished to turn his back upon it and have done with it. But, the house was worth Money, and Money must not be thrown away. He determined to sell it before he went. That it might look the less wretched and bring a better price, he hired some labourers to work in the overgrown garden; to cut out the dead wood, trim the ivy that drooped in heavy masses over the windows and gables, and clear the walks in which the weeds were growing mid-leg high. "He worked, himself, along with them. He worked later than they did, and, one evening at dusk, was left working alone, with his bill-hook in his hand. One autumn evening, when the Bride was five weeks dead. "'It grows too dark to work longer,' he said to himself, 'I must give over for the night.' "He detested the house, and was loath to enter it. He looked at the dark porch waiting for him like a tomb, and felt that it was an accursed house. Near to the porch, and near to where he stood, was a tree whose branches waved before the old bay-window of the Bride's Chamber, where it had been done. The tree swung suddenly, and made him start. It swung again, although the night was still. Looking up into it, he saw a figure among the branches. "It was the figure of a young man. The face looked down, as his looked up; the branches cracked and swayed; the figure rapidly descended, and slid upon its feet before him. A slender youth of about her age, with long light brown hair. "'What thief are you?' he said, seizing the youth by the collar. "The young man, in shaking himself free, swung him a blow with his arm across the face and throat. They closed, but the young man got from him and stepped back, crying, with great eagerness and horror, 'Don't touch me! I would as lieve be touched by the Devil!' "He stood still, with his bill-hook in his hand, looking at the young man. For, the young man's look was the counterpart of her last look, and he had not expected ever to see that again. "'I am no thief. Even if I were, I would not have a coin of your wealth, if it would buy me the Indies. You murderer!' "'What!' "'I climbed it,' said the young man, pointing up into the tree, 'for the first time, nigh four years ago. I climbed it, to look at her. I saw her. I spoke to her. I have climbed it, many a time, to watch and listen for her. I was a boy, hidden among its leaves, when from that bay-window she gave me this!' "He showed a tress of flaxen hair, tied with a mourning ribbon. "'Her life,' said the young man, 'was a life of mourning. She gave me this, as a token of it, and a sign that she was dead to every one but you. If I had been older, if I had seen her sooner, I might have saved her from you. But, she was fast in the web when I first climbed the tree, and what could I do then to break it!' "In saying those words, he burst into a fit of sobbing and crying: weakly at first, then passionately. "'Murderer! I climbed the tree on the night when you brought her back. I heard her, from the tree, speak of the Death-watch at the door. I was three times in the tree while you were shut up with her, slowly killing her. I saw her, from the tree, lie dead upon her bed. I have watched you, from the tree, for proofs and traces of your guilt. The manner of it, is a mystery to me yet, but I will pursue you until you have rendered up your life to the hangman. You shall never, until then, be rid of me. I loved her! I can know no relenting towards you. Murderer, I loved her!' "The youth was bare-headed, his hat having fluttered away in his descent from the tree. He moved towards the gate. He had to pass—Him—to get to it. There was breadth for two old-fashioned carriages abreast; and the youth's abhorrence, openly expressed in every feature of his face and limb of his body, and very hard to bear, had verge enough to keep itself at a distance in. He (by which I mean the other) had not stirred hand or foot, since he had stood still to look at the boy. He faced round, now, to follow him with his eyes. As the back of the bare light-brown head was turned to him, he saw a red curve stretch from his hand to it. He knew, before he threw the bill-hook, where it had alighted—I say, had alighted, and not, would alight; for, to his clear perception the thing was done before he did it. It cleft the head, and it remained there, and the boy lay on his face. "He buried the body in the night, at the foot of the tree. As soon as it was light in the morning, he worked at turning up all the ground near the tree, and hacking and hewing at the neighbouring bushes and undergrowth. When the laborers came, there was nothing suspicious, and nothing was suspected. "But, he had, in a moment, defeated all his precautions, and destroyed the triumph of the scheme he had so long concerted, and so successfully worked out. He had got rid of the Bride, and had acquired her fortune without endangering his life; but now, for a death by which he had gained nothing, he had evermore to live with a rope around his neck. "Beyond this, he was chained to the house of gloom and horror, which he could not endure. Being afraid to sell it or to quit it, lest discovery should be made, he was forced to live in it. He hired two old people, man and wife, for his servants; and dwelt in it, and dreaded it. His great difficulty, for a long time, was the garden. Whether he should keep it trim, whether he should suffer it to fall into its former state of neglect, what would be the least likely way of attracting attention to it? "He took the middle course of gardening, himself, in his evening leisure, and of then calling the old serving-man to help him; but, of never letting him work there alone. And he made himself an arbour over against the tree, where he could sit and see that it was safe. "As the seasons changed, and the tree changed, his mind perceived dangers that were always changing. In the leafy time, he perceived that the upper boughs were growing into the form of the young man—that they made the shape of him exactly, sitting in a forked branch swinging in the wind. In the time of the falling leaves, he perceived that they came down from the tree, forming tell-tale letters on the path, or that they had a tendency to heap themselves into a church-yard-mound above the grave. In the winter, when the tree was bare, he perceived that the boughs swung at him the ghost of the blow the young man had given, and that they threatened him openly. In the spring, when thesap was mounting in the trunk, he asked himself, were the dried-up particles of blood mounting with it: to make out more obviously this year than last, the leaf-screened figure of the young man, swinging in the wind? "However, he turned his Money over and over, and still over. He was in the dark trade, the gold-dust trade, and most secret trades that yielded great returns. In ten years, he had turned his Money over, so many times, that the traders and shippers who had dealings with him, absolutely did not lie—for once—when they declared that he had increased his fortune, Twelve Hundred Per Cent. "He possessed his riches one hundred years ago, when people could be lost easily. He had heard who the youth was, from hearing of the search that was made after him; but, it died away, and the youth was forgotten. "The annual round of changes in the tree had been repeated ten times since the night of the burial at its foot, when there was a great thunder-storm over this place. It broke at midnight, and raged until morning. The first intelligence he heard from his old serving-man that morning, was, that the tree had been struck by Lightning. "It had been riven down the stem, in a very surprising manner, and the stem lay in two blighted shafts: one resting against the house, and one against a portion of the old red garden-wall in which its fall had made a gap. The fissure went down the tree to a little above the earth, and there stopped. There was great curiosity to see the tree, and, with most of his former fears revived, he sat in his arbour—grown quite an old man—watching the people who came to see it. "They quickly began to come, in such dangerous numbers, that he closed his garden-gate and refused to admit any more. But, there were certain men of science who travelled from a distance to examine the tree, and, in an evil hour, he let them in—Blight and Murrain on them, let them in! "They wanted to dig up the ruin by the roots, and closely examine it, and the earth about it. Never, while he lived! They offered money for it. They! Men of science, whom he could have bought by the gross, with a scratch of his pen! He showed them the garden-gate again, and locked and barred it. "But, they were bent on doing what they wanted to do, and they bribed the old serving-man—a thankless wretch who regularly complained when he received his wages, of being underpaid—and they stole into the garden by night with their lanterns, picks, and shovels, and fell to at the tree. He was lying in a turret-room on the other side of the house (the Bride's Chamber had been unoccupied ever since), but he soon dreamed of picks and shovels, and got up. "He came to an upper window on that side, whence he could see their lanterns, and them, and the loose earth in a heap which he had himself disturbed and put back, when it was last turned to the air. It was found! They had that minute lighted on it. They were all bending over it. One of them said, 'The skull is fractured;' and another,' See here the bones;' and another, 'See here the clothes;' and then the first struck in again, and said, 'A rusty bill-hook!' "He became sensible, next day, that he was already put under a strict watch, and that he could go nowhere without being followed. Before a week was out, he was taken and laid in hold. The circumstances were gradually pieced together against him, with a desperate malignity, and an appalling ingenuity. But, see the justice of men, and how it was extended to him! He was further accused of having poisoned that girl in the Bride's Chamber. He, who had carefully and expressly avoided imperilling a hair of his head for her, and who had seen her die of her own incapacity! "There was doubt for which of the two murders he should be first tried; but, the real one was chosen, and he was found Guilty, and cast for Death. Bloodthirsty wretches! They would have made him Guilty of anything, so set they were upon having his life. "His money could do nothing to save him, and he was hanged. I am He, and I was hanged at Lancaster Castle with my face to the wall, a hundred years ago!" At this terrific announcement, Mr. Goodchild tried to rise and cry out. But, the two fiery lines extending from the old man's eyes to his own, kept him down, and he could not utter a sound. His sense of hearing, however, was acute, and he could hear the clock strike Two. No sooner had he heard the clock strike Two, than he saw before him Two old men! Two. The eyes of each, connected with his eyes by two films of fire: each, exactly like the other: each, addressing him at precisely one and the same instant: each, gnashing the same teeth in the same head, with the same twitched nostril above them, and the same suffused expression around it. Two old men. Differing in nothing, equally distinct to the sight, the copy no fainter than the original, the second as real as the first. "At what time," said the Two old men, "did you arrive at the door below?" "At Six." "And there were Six old men upon the stairs!" Mr. Goodchild having wiped the perspiration from his brow, or tried to do it, the Two old men proceeded in one voice, and in the singular number: "I had been anatomised, but had not yet had my skeleton put together and re-hung on an iron hook, when it began to be whispered that the Bride's Chamber was haunted. It was haunted, and I was there. "We were there. She and I were there. I, in the chair upon the hearth; she, a white wreck again, trailing itself towards me on the floor. But, I was the speaker no more. She was the sole speaker now, and the one word that she said to me from midnight until dawn was, 'Live!' "The youth was there, likewise. In the tree outside the window. Coming and going in the moonlight, as the tree bent and gave. He has, ever since, been there; peeping in at me in my torment; revealing to me by snatches, in the pale lights and slatey shadows where he comes and goes, bare-headed—a bill-hook, standing edgewise in his hair. "In the Bride's Chamber, every night from midnight until dawn—one month in the year excepted, as I am going to tell you—he hides in the tree, and she comes towards me on the floor; always approaching; never coming nearer; always visible as if by moonlight, whether the moon shines or no; always saying, from midnight until dawn, her one word, 'Live!' "But, in the month wherein I was forced out of this life—this present month of thirty days—the Bride's Chamber is empty and quiet. Not so my old dungeon. Not so the rooms where I was restless and afraid, ten years. Both are fitfully haunted then. At One in the morning, I am what you saw me when the clock struck that hour—One old man. At Two in the morning, I am Two old men. At Three, I am Three. By Twelve at noon, I am Twelve old men, One for every hundred per cent of old gain. Every one of the Twelve, with Twelve times my old power of suffering and agony. From that hour until Twelve at night, I, Twelve old men in anguish and fearful foreboding, wait for the coming of the executioner. At Twelve at night, I, Twelve old men turned off, swing invisible outside Lancaster Castle, with Twelve faces to the wall! "When the Bride's Chamber was first haunted, it was known to me that this punishment would never cease, until I could make its nature, and my story, known to two living men together. I waited for the coming of two living men together into the Bride's Chamber, years upon years. It was infused into my knowledge (of the means I am ignorant) that if two living men, with their eyes open, could be in the Bride's Chamber at One in the morning, they would see me sitting in my chair. "At length, the whispers that the room was spiritually troubled, brought two men to try the adventure. I was scarcely struck upon the hearth at midnight (I come there as if the Lightning blasted me into being), when I heard them ascending the stairs. Next, I saw them enter. One of them was a bold, gay, active man, in the prime of life, some five and forty years of age; the other, a dozen years younger. They brought provisions with them in a basket, and bottles. A young woman accompanied them, with wood and coals for the lighting of the fire. When she had lighted it, the bold, gay, active man accompanied her along the gallery outside the room, to see her safely down the staircase, and came back laughing. "He locked the door, examined the chamber, put out the contents of the basket on the table before the fire—little recking of me, in my appointed station on the hearth, close to him—and filled the glasses, and ate and drank. His companion did the same, and was as cheerful and confident as be: though he was the leader. When they had supped, they laid pistols on the table, turned to the fire, and began to smoke their pipes of foreign make. "They had travelled together, and had been much together, and had an abundance of subjects in common. In the midst of their talking and laughing, the younger man made a reference to the leader's being always ready for any adventure; that one, or any other. He replied in these words: "'Not quite so, Dick; if I am afraid of nothing else, I am afraid of myself.' "His companion seeming to grow a little dull, asked him, in what sense? How? "'Why, thus,' he returned. 'Here is a Ghost to be disproved. Well! I cannot, answer for what my fancy might do if I were alone here, or what tricks my senses might play with me if they had me to themselves. But, in company with another man, and especially with you, Dick, I would consent to outface all the Ghosts that were ever told of in the universe.' "'I had not the vanity to suppose that I was of so much importance to-night,' said the other. "'Of so much,' rejoined the leader, more seriously than he had spoken yet, 'that I would, for the reason I have given, on no account have undertaken to pass the night here alone.' "It was within a few minutes of One. The head of the younger man had drooped when he made his last remark, and it drooped lower now. "'Keep awake, Dick!' said the leader, gaily. 'The small hours are the worst.' "He tried, but his head drooped again. "'Dick!' urged the leader. 'Keep awake!' "'I can't,' he indistinctly muttered. 'I don't know what strange influence is stealing over me. I can't.' "His companion looked at him with a sudden horror, and I, in my different way, felt a new horror also; for, it was on the stroke of One, and I felt that the secondwatcher was yielding to me, and that the curse was upon me that I must send him to sleep. "'Get up and walk, Dick!' cried the leader. Try!' "It was in vain to go behind the slumberer's chair and shake him. One o'clock sounded, and I was present to the elder man, and he stood transfixed before me. "To him alone, I was obliged to relate my story, without hope of benefit. To him alone, I was an awful phantom making a quite useless confession. I foresee it will ever be the same. The two living men together will never come to release me. When I appear, the senses of one of the two will be locked in sleep; he will neither see nor hear me; my communication will ever be made to a solitary listener, and will ever be unserviceable. Woe! Woe! Woe!" As the Two old men, with these words, wrung their hands, it shot into Mr. Goodchild's mind that he was in the terrible situation of being virtually alone with the spectre, and that Mr. Idle's immoveability was explained by his having been charmed asleep at One o'clock. In the terror of this sudden discovery which produced an indescribable dread, he struggled so hard to get free from the four fiery threads, that he snapped them, after he had pulled them out to a great width. Being then out of bonds, he caught up Mr. Idle from the sofa and rushed down stairs with him. "What are you about, Francis?" demanded Mr. Idle. "My bedroom is not down here. What the deuce are you carrying me at all for? I can walk with a stick now. I don't want to be carried. Put me down." Mr. Goodchild put him down in the old hall, and looked about him wildly. "What are you doing? Idiotically plunging at your own sex, and rescuing them or perishing in the attempt?" asked Mr. Idle, in a highly petulant state. "The One old man!" cried Mr. Goodchild, distractedly,—"and the Two old men!" Mr. Idle deigned no other reply than "The One old woman, I think you mean," as he began hobbling his way back up the staircase, with the assistance of its broad balustrade. "I assure you, Tom," began Mr. Goodchild, attending at his side, "that since you fell asleep—" "Come, I like that!" said Thomas Idle, "I haven't closed an eye!" With the peculiar sensitiveness on the subject of the disgraceful action of going to sleep out of bed, which is the lot of all mankind, Mr. Idle persisted in this declaration. The same peculiar sensitiveness impelled Mr. Goodchild, on being taxed with the same crime, to repudiate it with honourable resentment. The settlement of the question of The One old man and The Two old men was thus presently complicated, and soon made quite impracticable. Mr. Idle said it was all Bride-cake, and fragments, newly arranged, of things seen and thought about in the day. Mr. Goodchild said how could that be, when he hadn't been asleep, and what right could Mr. Idle have to say so, who had been asleep? Mr. Idle said he had never been asleep, and never did go to sleep, and that Mr. Goodchild, as a general rule, was always asleep. They consequently parted for the rest of the night, at their bedroom doors, a little ruffled. Mr. Goodchild's last words were, that he had had, in that real and tangible old sitting-room of that real and tangible old Inn (he supposed Mr. Idle denied its existence?), every sensation and experience, the present record of which is now within a line or two of completion; and that he would write it out and print it every word. Mr. Idle returned that he might if he liked—and he did like, and has now done it. https://www.dickenssearch.com/files/original/5/No.III_The_Lazy_Tour_of_Two_Idle_Apprentices/1857-10-17-The_Lazy_Tour_of_Two_Idle_Apprentices_No3.pdf afd768b7e98b0d3de3da9cb330a3b7e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571017 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The Cumberland Doctor's mention of Doncaster Races, inspired Mr. Francis Goodchild with the idea of going down to Doncaster to see the races. Doncaster being a good way off, and quite out of the way of the Idle Apprentices (if anything could be out of their way, who had no way), it necessarily followed that Francis perceived Doncaster in the race-week to be, of all possible idlenesses, the particular idleness that would completely satisfy him. Thomas, with an enforced idleness grafted on the natural and voluntary power of his disposition, was not of this mind ; objecting that a man compelled to lie on his back on a floor, a sofa, a table, a line of chairs, or anything he could get to lie upon, was not in racing condition, and that he desired nothing better than to lie where he was, enjoying himself in looking at the flies on the ceiling. But, Francis Goodchild, who had been walking round his companion in a circuit of twelve miles for two days, and had begun to doubt whether it was reserved for him ever to be idle in his life, not only overpowered this objection, but even converted Thomas Idle to a scheme he formed (another idle inspiration), of conveying the said Thomas to the sea-coast, and putting his injured leg under a stream of salt-water. Plunging into this happy conception head-foremost, Mr. Goodchild immediately referred to the county-map, and ardently discovered that the most delicious piece of sea- coast to be found within the limits of England, Ireland, Scotland, Wales, The Isle of Man, and the Channel Islands, all summed up together, was Allonby on the coast of Cumberland. There was the coast of Scotland opposite to Allonby, said Mr. Goodchild with enthusiasm; there was a fine Scottish mountain on that Scottish coast; there were Scottish lights to be seen shining across the glorious Channel, and at Allonby itself there was every idle luxury (no doubt), that a watering-place could offer to the heart of idle man. Moreover, said Mr. Goodchild, with his finger on the map, this exquisite retreat was approached by a coach-road, from a railway- station called Aspatria—a name, in a manner, suggestive of the departed glories of Greece, associated with one of the most engaging and most famous of Greek women. On this point, Mr. Goodchild continued at intervals to breathe a vein of classic fancy and eloquence exceedingly irksome to Mr. Idle, until it appeared that the honest English pronunciation of that Cumberland country shortened Aspatria into "Spatter." After this supplementary discovery, Mr. Goodchild said no more about it. By way of Spatter, the crippled Idle was carried, hoisted, pushed, poked, and packed, into and out of carriages, into and out of beds, into and out of tavern resting-places, until he was brought at length within sniff of the sea. And now, behold the apprentices gallantly riding into Allonby in a one-horse fly, bent upon staying in that peaceful marine valley until the turbulent Doncaster time shall come round upon the wheel, in its turn among what are in sporting registers called the "Fixtures" for the month. "Do you see Allonby ? " asked Thomas Idle. "I don't see it yet," said Francis, looking out of window. "It must be there," said Thomas Idle. "I don't see it," returned Francis. "It must be there," repeated Thomas Idle, fretfully. "Lord bless me!" exclaimed Francis, drawing in his head, "I suppose this is it!" "A watering-place," retorted Thomas Idle, with the pardonable sharpness of an invalid, "can't be five gentlemen in straw-hats, on a form on one side of a door, and four ladies in hats and falls, on a form on another side of a door, and three geese in a dirty little brook before them, and a boy's legs hanging over a bridge (with a boy's body I suppose on the other side of the parapet), and a donkey running away. What are you talking about?" "Allonby, gentlemen," said the most comfortable of landladies, as she opened one door of the carriage; "Allonby, gentlemen," said the most attentive of landlords, as he opened the other. Thomas Idle yielded his arm to the ready Goodchild, and descended from the vehicle. Thomas, now just able to grope his way along, in a doubled-up condition, with the aid of two thick sticks, was no bad embodiment of Commodore Trunnion, or of one of those many gallant Admirals of the stage, who have all ample fortunes, gout, thick-sticks, tempers, wards, and nephews. With this distinguished naval appearance upon him, Thomas made a crab-like progress up a clean little bulk-headed staircase, into a clean little bulk-headed room, where he slowly deposited himself on a sofa, with a stick on either hand of him, looking exceedingly grim. "Francis," said Thomas Idle, "what do you think of this place?" "I think," returned Mr. Goodchild, in a glowing way, "it is everything we expected." "Hah!" said Thomas Idle. "There is the sea," cried Mr. Goodchild, pointing out of window; "and here," pointing to the lunch on the table, "are shrimps. Let us— " here Mr. Goodchild looked out of window, as if in search of something, and looked in again,—"let us eat 'em." The shrimps eaten and the dinner ordered, Mr. Goodchild went out to survey the watering-place. As Chorus of the drama without whom Thomas could make nothing of the scenery, he by-and-bye returned, to have the following report screwed out of him. In brief, it was the most delightful place ever seen. "But," Thomas Idle asked, "where is it?" "It's what you may call generally up and down the beach, here and there," said Mr. Goodchild, with a twist of his hand. "Proceed," said Thomas Idle. It was, Mr. Goodchild went on to say, in cross-examination, what you might call a primitive place. Large? No, it was not large. Who ever expected it would be large? Shape? What a question to ask! No shape. What sort of a street? Why, no street. Shops? Yes, of course (quite indignant). How many? Who ever went into a place to count the shops? Ever so many. Six? Perhaps. A library? Why, of course! (indignant again). Good collection of books? Most likely couldn't say had seen nothing in it but a pair of scales. Any reading-room? Of course, there was a reading-room. Where? Where! why, over there. Where was over there? Why, there! Let Mr. Idle carry his eye to that bit of waste-ground above high water-mark, where the rank grass and loose stones were most in a litter; and he would see a sort of a long ruinous brick loft, next door to a ruinous brick outhouse, which loft had a ladder outside, to get up by. That was the reading-room, and if Mr. Idle didn't like the idea of a weaver's shuttle throbbing under a reading-room, that was his look out. He was not to dictate, Mr. Goodchild supposed (indignant again), to the company. "By-the-bye," Thomas Idle observed; "the company?" Well! (Mr. Goodchild went on to report) very nice company. Where were they? Why, there they were. Mr. Idle could see the tops of their hats, he supposed. What? Those nine straw hats again, five gentlemen's and four ladies'? Yes, to be sure. Mr. Goodchild hoped the company were not to be expected to wear helmets, to please Mr. Idle. Beginning to recover his temper at about this point, Mr. Goodchild voluntarily reported that if you wanted to be primitive, you could be primitive here, and that if you wanted to be idle, you could be idle here. In the course of some days, he added, that there were three fishing-boats, but no rigging, and that there were plenty of fishermen who never fished. That they got their living entirely by looking at the ocean. What nourishment they looked out of it to support their strength, he couldn't say; but, he supposed it was some sort of Iodine. The place was full of their children, who were always upside down on the public buildings (two small bridges over the brook), and always hurting themselves or one another, so that their wailings made more continual noise in the air than could have been got in a busy place. The houses people lodged in, were nowhere in particular, and were in capital accordance with the beach; being all more or less cracked and damaged as its shells were, and all empty—as its shells were. Among them, was an edifice of destitute appearance, with a number of wall-eyed windows in it, looking desperately out to Scotland as if for help, which said it was a Bazaar (and it ought to know), and where you might buy anything you wanted—supposing what you wanted, was a little camp-stool or a child's wheelbarrow. The brook crawled or stopped between the houses and the sea, and the donkey was always running away, and when he got into the brook he was pelted out with stones, which never hit him, and which always hit some of the children who were upside down on the public buildings, and made their lamentations louder. This donkey was the public excitement of Allonby, and was probably supported at the public expense. The foregoing descriptions, delivered in separate items, on separate days of adventurous discovery, Mr. Goodchild severally wound up, by looking out of window, looking in again, and saying, "But there is the sea, and here are the shrimps—let us eat 'em." There were fine sunsets at Allonby when the low flat beach, with its pools of water and its dry patches, changed into long bars of silver and gold in various states of burnishing, and there were fine viewsl—on fine days—of the Scottish coast. But, when it rained at Allonby, Allonby thrown back upon its ragged self, became a kind of place which the donkey seemed to have found out, and to have his highly sagacious reasons for wishing to bolt from. Thomas Idle observed, too, that Mr. Goodchild, with a noble show of disinterestedness, became every day more ready to walk to Maryport and back, for letters; and suspicions began to harbour in the mind of Thomas, that his friend deceived him, and that Maryport was a preferable place. Therefore, Thomas said to Francis on a day when they had looked at the sea and eaten the shrimps, "My mind misgives me, Goodchild, that you go to Maryport, like the boy in the story-book, to ask it to be idle with you." "Judge, then," returned Francis, adopting the style of the story-book, "with what success. I go to a region which is a bit of water-side Bristol, with a slice of Wapping, a seasoning of Wolverhampton, and a garnish of Portsmouth, and I say, 'Will you come and be idle with me?' And it answers, 'No; for I am a great deal too vaporous, and a great deal too rusty, and a great deal too muddy, and a great deal too dirty altogether; and I have ships to load, and pitch and tar to boil, and iron to hammer, and steam to get up, and smoke to make, and stone to quarry, and fifty other disagreeable things to do, and I can't be idle with you.' Then I go into jagged up-hill and down-hill streets, where l am in the pastrycook's shop at one moment, and next moment in savage fastnesses of moor and morass, beyond the confines of civilisation, and I say to those murky and black-dusky streets, 'Will you come and be idle with me?' To which they reply, 'No, we can't, indeed, for we haven't the spirits, and we are startled by the echo of your feet on the sharp pavement, and we have so many goods in our shop-windows which nobody wants, and we have so much to do for a limited public which never comes to us to be done for, that we are altogether out of sorts and can't enjoy ourselves with any one.' So I go to the Post-office, and knock at the shutter, and I say to the Post-master, 'Will you come and be idle with me?' To which he rejoins, 'No, I really can't, for I live, as you may see, in such a very little Post-office, and pass my life behind such a very little shutter, that my hand, when I put it out, is as the hand of a giant crammed through the window of a dwarf's house at a fair, and I am a mere Post-office anchorite in a cell much too small for him, and I can't get out, and I can't get in, and I have no space to be idle in, even if I would.' So, the boy," said Mr. Goodchild, concluding the tale, "comes back with the letters after all, and lives happy never afterwards." But it may, not unreasonably, be asked—while Francis Goodchild was wandering hither and thither, storing his mind with perpetual observation of men and things, and sincerely believing himself to be the laziest creature in existence all the time—how did Thomas Idle, crippled and confined to the house, contrive to get through the hours of the day? Prone on the sofa, Thomas made no attempt to get through the hours, but passively allowed the hours to get through him. Where other men in his situation would have read books and improved their minds, Thomas slept and rested his body. Where other men would have pondered anxiously over their future prospects, Thomas dreamed lazily of his past life. The one solitary thing he did, which most other people would have done in his place, was to resolve on making certain alterations and improvements in his mode of existence, as soon as the effects of the misfortune that had overtaken him had all passed away. Remembering that the current of his life had hitherto oozed along in one smooth stream of laziness, occasionally troubled on the surface by a slight passing ripple of industry, his present ideas on the subject of self-reform, inclined him—not as the reader may be disposed to imagine, to project schemes for a new existence of enterprise and exertion—but, on the contrary, to resolve that he would never, if he could possibly help it, be active or industrious again, throughout the whole of his future career. It is due to Mr. Idle to relate that his mind sauntered towards this peculiar conclusion on distinct and logically-producible grounds. After reviewing, quite at his ease, and with many needful intervals of repose, the generally-placid spectacle of his past existence, he arrived at the discovery that all the great disasters which had tried his patience and equanimity in early life, had been caused by his having allowed himself to be deluded into imitating some pernicious example of activity and industry that had been set him by others. The trials to which he here alludes were three in number, and may be thus reckoned up: First, the disaster of being an unpopular and a thrashed boy at school; secondly, the disaster of falling seriously ill; thirdly, the disaster of becoming acquainted with a great bore. The first disaster occurred after Thomas had been an idle and a popular boy at school, for some happy years. One Christmas-time, he was stimulated by the evil example of a companion, whom he had always trusted and liked, to be untrue to himself, and to try for a prize at the ensuing half-yearly examination. He did try, and he got a prize—how, he did not distinctly know at the moment, and cannot remember now. No sooner, however, had the book—Moral Hints to the Young on the Value of Time—been placed in his hands, than the first troubles of his life began. The idle boys deserted him, as a traitor to their cause. The industrious boys avoided him, as a dangerous interloper; one of their number, who had always won the prize on previous occasions, expressing just resentment at the invasion of his privileges by calling Thomas into the play-ground, and then and there administering to him the first sound and genuine thrashing that he had received in his life. Unpopular from that moment, as a beaten boy, who belonged to no side and was rejected by all parties, young Idle soon lost caste with his masters, as he had previously lost caste with his school-fellows. He had forfeited the comfortable reputation ot being the one lazy member of the youthful community whom it was quite hopeless to punish. Never again did he hear the head-master say reproachfully to an industrious boy who had committed a fault, "I might have expected this in Thomas Idle, but it is inexcusable, sir, in you, who know better." Never more, after winning that fatal prize, did he escape the retributive imposition, or the avenging birch. From that time, the masters made him work, and the boys would not let him play. From that time his social position steadily declined, and his life at school became a perpetual burden to him. So, again, with the second disaster. While Thomas was lazy, he was a model of health. His first attempt at active exertion and his first suffering from severe illness are connected together by the intimate relations of cause and effect. Shortly after leaving school, he accompanied a party of friends to a cricket-field, in his natural and appropriate character of spectator only. On the ground it was discovered that the players fell short of the required number, and facile Thomas was persuaded to assist in making up the complement. At a certain appointed time, he was roused from peaceful slumber in a dry ditch, and placed before three wickets with a bat in his hand. Opposite to him, behind three more wickets, stood one of his bosom friends, filling the situation (as he was informed) of bowler. No words can describe Mr. Idle's horror and amazement, when he saw this young man—on ordinary occasions, the meekest and mildest of human beings—suddenly contract his eyebrows, compress his lips, assume the aspect of an infuriated savage, run back a few steps, then run forward, and, without the slightest previous provocation, hurl a detestably hard ball with all his might straight at Thomas's legs. Stimulated to preternatural activity of body and sharpness of eye by the instinct of self preservation, Mr. Idle contrived, by jumping deftly aside at the right moment, and by using his bat (ridiculously narrow as it was for the purpose) as a shield, to preserve his life and limbs from the dastardly attack that had been made on both, to leave the full force of the deadly missile to strike his wicket instead of his leg; and to end the innings, so far as his side was concerned, by being immediately bowled out. Grateful for his escape he was about to return to the dry ditch, when he was peremptorily stopped, and told that the other side was "going in," and that he was expected to "field." His conception of the whole art and mystery of "fielding," may be summed up in the three words of serious advice which he privately administered to himself on that trying occasion—avoid the ball. Fortified by this sound and salutary principle, he took his own course, impervious alike to ridicule and abuse. Whenever the ball came near him, he thought of his shins, and got out of the way immediately. "Catch it!" "Stop it!" "Pitch it up!" were cries that passed by him like the idle wind that he regarded not. He ducked under it, he jumped over it, he whisked himself away from it on either side. Never once, throughout the whole innings did he and the ball come together on anything approaching to intimate terms. The unnatural activity of body which was necessarily called forth for the accomplishment of this result threw Thomas Idle, for the first time in his life, into a perspiration. The perspiration, in consequence of his want of practice in the management of that particular result of bodily activity, was suddenly checked; the inevitable chill succeeded; and that, in its turn, was followed by a fever. For the first time since his birth, Mr. Idle found himself confined to his bed for many weeks together, wasted and worn by a long illness, of which his own disastrous muscular exertion had been the sole first cause. The third occasion on which Thomas found reason to reproach himself bitterly for the mistake of having attempted to be industrious, was connected with his choice of a calling in life. Having no interest in the Church, he appropriately selected the next best profession for a lazy man in England—the Bar. Although the Benchers of the Inns of Court have lately abandoned their good old principles, and oblige their students to make some show of studying, in Mr. Idle's time no such innovation as this existed. Young men who aspired to the honourable title of barrister were, very properly, not asked to learn anything of the law, but were merely required to eat a certain number of dinners at the table of their Hall, and to pay a certain sum of money; and were called to the Bar as soon as they could prove that they had sufficiently complied with these extremely sensible regulations. Never did Thomas move more harmoniously in concert with his elders and betters than when he was qualifying himself for admission among the barristers of his native country. Never did he feel more deeply what real laziness was in all the serene majesty of its nature, than on the memorable day when he was called to the bar, after having carefully abstained from opening his law-books during his period of probation, except to fall asleep over them. How he could ever again have become industrious, even for the shortest period, after that great reward conferred upon his idleness, quite passes his comprehension. The kind benchers did everything they could to show him the folly of exerting himself. They wrote out his probationary exercise for him, and never expected him even to take the trouble of reading it through when it was written. They invited him, with seven other choice spirits as lazy as himself, to come and be called to the bar, while they were sitting over their wine and fruit after dinner. They put his oaths of allegiance, and his dreadful official denunciations of the Pope and the Pretender so gently into his mouth, that he hardly knew how the words got there. They wheeled all their chairs softly round from the table, and sat surveying the young barristers with their backs to their bottles, rather than stand up, or adjourn to hear the exercises read. And when Mr. Idle and the seven unlabouring neophytes, ranged in order, as a class, with their backs considerately placed against a screen, had begun, in rotation, to read the exercises which they had not written, even then, each Bencher, true to the great lazy principle of the whole proceeding, stopped each neophyte before he had stammered through his first line, and bowed to him, and told him politely that he was a barrister from that moment. This was all the ceremony. It was followed by a social supper, and by the presentation, in accordance with ancient custom, of a pound of sweetmeats and a bottle of Madeira, offered in the way of needful refreshment, by each grateful neophyte to each beneficent Bencher. It may seem inconceivable that Thomas should ever have forgotten the great do-nothing principle instilled by such a ceremony as this; but it is, nevertheless, true, that certain designing students of industrious habits found him out, took advantage of his easy humour, persuaded him that it was discreditable to be a barrister and to know nothing whatever about the law, and lured him, by the force of their own evil example, into a conveyancer's chambers, to make up for lost time, and to qualify himself for practice at the Bar. After a fortnight of self- delusion, the curtain fell from his eyes; heresumed his natural character, and shut up his books. But the retribution which had hitherto always followed his little casual errors of industry followed them still. He could get away from the conveyancer's chambers, but he could not get away from one of the pupils, who had taken a fancy to him,—a tall, serious, raw-boned, hard-working, disputatious pupil, with ideas of his own about reforming the Law of Real Property, who has been the scourge of Mr. Idle's existence ever since the fatal day when he fell into the mistake of attempting to study the law. Before that time his friends were all sociable idlers like himself. Since that time the burden of bearing with a hard-working young man has become part of his lot in life. Go where he will now, he can never feel certain that the raw-boned pupil is not affectionately waiting for him round a corner, to tell him a little more about the Law of Real Property, Suffer as he may under the infliction, he can never complain, for he must always remember, with unavailing regret, that he has his own thoughtless industry to thank for first exposing him to the great social calamity of knowing a bore. These events of his past life, with the significant results that they brought about, pass drowsily through Thomas Idle's memory, while he lies alone on the sofa at Allonby and elsewhere, dreaming away the time which his fellow-apprentice gets through so actively out of doors. Remembering the lesson of laziness which his past disasters teach, and bearing in mind also the fact that he is crippled in one leg because he exerted himself to go up a mountain, when he ought to have known that his proper course of conduct was to stop at the bottom of it, he holds now, and will for the future firmly continue to hold, by his new resolution never to be industrious again, on any pretence whatever, for the rest of his life. The physical results of his accident have been related in a previous chapter. The moral results now stand on record; and, with the enumeration of these, that part of the present narrative which is occupied by the Episode of The Sprained Ankle may now perhaps be considered, in all its aspects, as finished and complete. "How do you propose that we get through, this present afternoon and evening?" demanded Thomas Idle, after two or three hours of the foregoing reflections at Allonby. Mr. Goodchild faultered, looked out of window, looked in again, and said, as he had so often said before, "There is the sea, and here are the shrimps;—let us eat 'em!" But, the wise donkey was at that moment in the act of bolting: not with the irresolution of his previous efforts which had been wanting in sustained force of character, but with real vigor of purpose: shaking the dust off his mane and hind-feet at Allonby, and tearing away from it, as if he had nobly made up his mind that he never would be taken alive. At sight of this inspiring spectacle, which was visible from his sofa, Thomas Idle stretched his neck and dwelt upon it rapturously. "Francis Goodchild," he then said, turning to his companion with a solemn air, " this is a delightful little Inn, excellently kept by the most comfortable of landladies and the most attentive of landlords, but—the donkey's right!" "The words, "There is the sea, and here are the—," again trembled on the lips of Goodchild, unaccompanied however by any sound. "Let us instantly pack the portmanteaus," said Thomas Idle, " pay the bill, and order a fly out, with instructions to the driver to follow the donkey!" Mr. Goodchild, who had only wanted encouragement to disclose the real state of his feelings, and who had been pining beneath his weary secret, now burst into tears, and confessed that he thought another day in the place would be the death of him. So, the two idle apprentices followed the donkey until the night was far advanced. Whether he was recaptured by the town-council, or is bolting at this hour through the United Kingdom, they know not. They hope he may be still bolting; if so, their best wishes are with him. It entered Mr. Idle's head, on the borders of Cumberland, that there could be no idler place to stay at, except by snatches of a few minutes each, than a railway station. " An intermediate station on a line—a junction—anything of that sort," Thomas suggested. Mr. Goodchild approved of the idea as eccentric, and they journeyed on and on, until they came to such a station where there was an Inn. "Here," said Thomas, " we may be luxuriously lazy; other people will travel for us, as it were, and we shall laugh at their folly." It was a Junction-Station, where the wooden razors before mentioned shaved the air very often, and where the sharp electric-telegraph bell was in a very restless condition. All manner of cross-lines of rails came zig-zaging into it, like a Congress of iron vipers; and, a little way out of it, a pointsman in an elevated signal-box was constantly going through the motions of drawing immense quantities of beer at a public-house bar. In one direction, confused perspectives of embankments and arches were to be seen from the platform; in the other, the rails soon disentangled themselves into two tracks, and shot away under a bridge, and curved round a corner. Sidings were there, in which empty luggage- vans and cattle-boxes often butted against each other as if they couldn't agree; and warehouses were there, in which great quantities of goods seemed to have taken the veil (of the consistency of tarpaulin), and to have retired from the world without any hope of getting back to it. Refreshment-rooms were there; one, for the hungry and thirsty Iron Locomotives where their coke and water were ready, and of good quality, for they were dangerous to play tricks with; the other, for the hungry and thirsty human Locomotives, who might take what they could get, and whose chief consolation was provided in the form of three terrific urns or vases of white metal, containing nothing, each forming a breastwork for a defiant and apparently much-injured woman. Established at this Station, Mr. Thomas Idle and Mr. Francis Goodchild resolved to enjoy it. But, its contrasts were very violent, and there was also an infection in it. First, as to its contrasts. They were only two, but they were Lethargy and Madness. The Station was either totally unconscious, or wildly raving. By day, in its unconscious state, it looked as if no life could come to it,—as if it were all rust, dust, and ashes—as if the last train for ever, had gone without issuing any Return-Tickets—as if the last Engine had uttered its last shriek and burst. One awkward shave of the air from the wooden razor, and everything changed. Tight office-doors flew open, panels yielded, books, newspapers, travelling-caps and wrappers broke out of brick walls, money chinked, conveyances oppressed by nightmares of luggage came careering into the yard, porters started up from secret places, ditto the much-injured women, the shining bell, who lived in a little tray on stilts by himself, flew into a man's hand and clamoured violently. The pointsman aloft in the signal-box made the motions of drawing, with some difficulty, hogsheads of beer. Down Train! More beer. Up Train! More beer. Cross Junction Train! More beer. Cattle Train! More beer. Goods Train! Simmering, whistling, trembling, rumbling, thundering. Trains on the whole confusion of intersecting rails, crossing one another, bumping one another, hissing one another, backing to go forward, tearing into distance to come close. People frantic. Exiles seeking restoration to their native carriages, and banished to remoter climes. More beer and more bell. Then, in a minute, the Station relapsed into stupor as the stoker of the Cattle Train, the last to depart, went gliding out of it, wiping the long nose of his oil-can with a dirty pocket-handkerchief. By night, in its unconscious state, the station was not so much as visible. Something in the air, like an enterprising chemist's established in business on one of the boughs of Jack's beanstalk, was all that could be discerned of it under the stars. In a moment it would break out, a constellation of gas. In another moment, twenty rival chemists, on twenty rival beanstalks, carne into existence. Then, the Furies would be seen, waving their lurid torches up and down the confused perspectives of embankments and arches—would be heard, too, wailing and shrieking. Then, the Station would be full of palpitating trains, as in the day; with the heightening difference that they were not so clearly seen as in the day, whereas the station walls, starting forward under the gas, like a hippopotamus's eyes, dazzled the human locomotives with the sauce-bottle, the cheap music, the bedstead, the distorted range of buildings where the patent safes are made, the gentleman in the rain with the registered umbrella, the lady returning from the ball with the registered respirator, and all their other embellishments. And now, the human locomotives, creased as to their countenances and purblind as to their eyes, would swarm forth in a heap, addressing themselves to the mysterious urns and the much-injured women; while the iron locomotives, dripping fire and water, shed their steam about plentifully, making the dull oxen in their cages, with heads depressed, and foam hanging from their mouths as their red looks glanced fearfully at the surrounding terrors, seem as though they had been drinking at half-frozen waters and were hung with icicles. Through the same steam would be caught glimpses of their fellow-travellers, the sheep, getting their white kid faces together, away from the bars, and stuffing the interstices with trembling wool. Also, down among the wheels, of the man with the sledge-hammer, ringing the axles of the fast night-train; against whom the oxen have a misgiving that he is the man with the pole-axe who is to come by-and-bye, and so the nearest of them try to back, and get a purchase for a thrust at him through the bars. Suddenly, the bell would ring, the steam would stop with one hiss and a yell, the chemists on the beanstalks would be busy, the avenging Furies would bestir themselves, the fast night-train would melt from eye and ear, the other trains going their ways more slowly would be heard faintly rattling in the distance like old-fashioned watches running down, the sauce-bottle and cheap music retired from view, even the bedstead went to bed, and there was no such visible thing as the Station to vex the cool wind in its blowing, or perhaps the autumn lightning, as it found out the iron rails. The infection of the Station was this:—When it was in its raving state, the Apprentices found it impossible to be there, without labouring under the delusion that they were in a hurry. To Mr. Goodchild, whose ideas of idleness were so imperfect, this was no unpleasant hallucination, and accordingly that gentleman went through great exertions in yielding to it, and running up and down the platform, jostling everybody, under the impression that he had a highly important mission somewhere, and had not a moment to lose. But, to Thomas Idle, this contagion was so very unacceptable an incident of the situation, that he struck on the fourth day, and requested to be moved. "This place fills me with a dreadful sensation," said Thomas, "of having something to do. Remove me, Francis." "Where would you like to go next? " was the question of the ever-engaging Goodchild. "I have heard there is a good old Inn at Lancaster, established in a fine old house: an Inn where they give you Bride-cake every day after dinner," said Thomas Idle. " Let us eat Bride-cake without the trouble of being married, or of knowing anybody in that ridiculous dilemma." Mr. Goodchild, with a lover's sigh, assented. They departed from the Station in a violent hurry (for which, it is unnecessary to observe, there was not the least occasion), and were delivered at the fine old house at Lancaster, on the same night. It is Mr. Goodchild's opinion, that if a visitor on his arrival at Lancaster could be accommodated with a pole which would push the opposite side of the street some yards farther off, it would be better for all parties. Protesting against being required to live in a trench, and obliged to speculate all day upon what the people can possibly be doing within a mysterious opposite window, which is a shop-window to look at, but not a shop-window in respect of its offering nothing for sale and declining to give any account whatever of itself, Mr. Goodchild concedes Lancaster to be a pleasant place. A place dropped in the midst of a charming landscape, a place with a fine ancient fragment of castle, a place of lovely walks, a place possessing staid old houses richly fitted with old Honduras mahagony, which has grown so dark with time that it seems to have got something of a retrospective mirror-quality into itself, and to show the visitor, in the depths of its grain, through all its polish, the hue of the wretched slaves who groaned long ago under old Lancaster merchants. And Mr. Goodchild adds that the stones of Lancaster do sometimes whisper, even yet, of rich men passed away—upon whose great prosperity some of these old doorways frowned sullen in the brightest weather—that their slave-gain turned to curses, as the Arabian Wizard's money turned to leaves, and that no good ever came of it, even unto the third and fourth generations, until it was wasted and gone. It was a gallant sight to behold, the Sunday procession of the Lancaster elders to Church—all in black, and looking fearfully like a funeral without the Body—under the escort of Three Beadles. "Think," said Francis, as he stood at the Inn window, admiring, "of being taken to the sacred edifice by three Beadles! I have, in my early time, been taken out of it by one Beadle; but, to be taken into it by three, O Thomas, is a distinction I shall never enjoy!" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No.III, 'The Lazy Tour of Two Idle Apprentices' Description An account of the resource Published in Household Words, Vol. XVI, No. 394, 17 October 1857, pp. 361-367. Creator An entity primarily responsible for making the resource Dickens, Charles and Wilkie Collins Source A related resource from which the described resource is derived Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-xvi/page-361.html">https://www.djo.org.uk/household-words/volume-xvi/page-361.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1857-10-17 Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, www.djo.org.uk. Available under CC BY licence. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1857-10-17-The_Lazy_Tour_of_Two_Idle_Apprentices_No3 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles and Wilkie Collins. No.III 'The Lazy Tour of Two Idle Apprentices'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1857-10-10-The_Lazy_Tour_of_Two_Idle_Apprentices_No3">https://www.dickenssearch.com/short-stories/1857-10-10-The_Lazy_Tour_of_Two_Idle_Apprentices_No3</a>. Scripto Transcription A written representation of a document. The Cumberland Doctor's mention of Doncaster Races, inspired Mr. Francis Goodchild with the idea of going down to Doncaster to see the races. Doncaster being a good way off, and quite out of the way of the Idle Apprentices (if anything could be out of their way, who had no way), it necessarily followed that Francis perceived Doncaster in the race-week to be, of all possible idlenesses, the particular idleness that would completely satisfy him. Thomas, with an enforced idleness grafted on the natural and voluntary power of his disposition, was not of this mind ; objecting that a man compelled to lie on his back on a floor, a sofa, a table, a line of chairs, or anything he could get to lie upon, was not in racing condition, and that he desired nothing better than to lie where he was, enjoying himself in looking at the flies on the ceiling. But, Francis Goodchild, who had been walking round his companion in a circuit of twelve miles for two days, and had begun to doubt whether it was reserved for him ever to be idle in his life, not only overpowered this objection, but even converted Thomas Idle to a scheme he formed (another idle inspiration), of conveying the said Thomas to the sea-coast, and putting his injured leg under a stream of salt-water. Plunging into this happy conception head-foremost, Mr. Goodchild immediately referred to the county-map, and ardently discovered that the most delicious piece of sea- coast to be found within the limits of England, Ireland, Scotland, Wales, The Isle of Man, and the Channel Islands, all summed up together, was Allonby on the coast of Cumberland. There was the coast of Scotland opposite to Allonby, said Mr. Goodchild with enthusiasm; there was a fine Scottish mountain on that Scottish coast; there were Scottish lights to be seen shining across the glorious Channel, and at Allonby itself there was every idle luxury (no doubt), that a watering-place could offer to the heart of idle man. Moreover, said Mr. Goodchild, with his finger on the map, this exquisite retreat was approached by a coach-road, from a railway-station called Aspatria—a name, in a manner, suggestive of the departed glories of Greece, associated with one of the most engaging and most famous of Greek women. On this point, Mr. Goodchild continued at intervals to breathe a vein of classic fancy and eloquence exceedingly irksome to Mr. Idle, until it appeared that the honest English pronunciation of that Cumberland country shortened Aspatria into "Spatter." After this supplementary discovery, Mr. Goodchild said no more about it. By way of Spatter, the crippled Idle was carried, hoisted, pushed, poked, and packed, into and out of carriages, into and out of beds, into and out of tavern resting-places, until he was brought at length within sniff of the sea. And now, behold the apprentices gallantly riding into Allonby in a one-horse fly, bent upon staying in that peaceful marine valley until the turbulent Doncaster time shall come round upon the wheel, in its turn among what are in sporting registers called the "Fixtures" for the month. "Do you see Allonby?" asked Thomas Idle. "I don't see it yet," said Francis, looking out of window. "It must be there," said Thomas Idle. "I don't see it," returned Francis. "It must be there," repeated Thomas Idle, fretfully. "Lord bless me!" exclaimed Francis, drawing in his head, "I suppose this is it!" "A watering-place," retorted Thomas Idle, with the pardonable sharpness of an invalid, "can't be five gentlemen in straw-hats, on a form on one side of a door, and four ladies in hats and falls, on a form on another side of a door, and three geese in a dirty little brook before them, and a boy's legs hanging over a bridge (with a boy's body I suppose on the other side of the parapet), and a donkey running away. What are you talking about?" "Allonby, gentlemen," said the most comfortable of landladies, as she opened one door of the carriage; "Allonby, gentlemen," said the most attentive of landlords, as he opened the other. Thomas Idle yielded his arm to the ready Goodchild, and descended from the vehicle. Thomas, now just able to grope his way along, in a doubled-up condition, with the aid of two thick sticks, was no bad embodiment of Commodore Trunnion, or of one of those many gallant Admirals of the stage, who have all ample fortunes, gout, thick-sticks, tempers, wards, and nephews. With this distinguished naval appearance upon him, Thomas made a crab-like progress up a clean little bulk-headed staircase, into a clean little bulk-headed room, where he slowly deposited himself on a sofa, with a stick on either hand of him, looking exceedingly grim. "Francis," said Thomas Idle, "what do you think of this place?" "I think," returned Mr. Goodchild, in a glowing way, "it is everything we expected." "Hah!" said Thomas Idle. "There is the sea," cried Mr. Goodchild, pointing out of window; "and here," pointing to the lunch on the table, "are shrimps. Let us— " here Mr. Goodchild looked out of window, as if in search of something, and looked in again,—"let us eat 'em." The shrimps eaten and the dinner ordered, Mr. Goodchild went out to survey the watering-place. As Chorus of the drama without whom Thomas could make nothing of the scenery, he by-and-bye returned, to have the following report screwed out of him. In brief, it was the most delightful place ever seen. "But," Thomas Idle asked, "where is it?" "It's what you may call generally up and down the beach, here and there," said Mr. Goodchild, with a twist of his hand. "Proceed," said Thomas Idle. It was, Mr. Goodchild went on to say, in cross-examination, what you might call a primitive place. Large? No, it was not large. Who ever expected it would be large? Shape? What a question to ask! No shape. What sort of a street? Why, no street. Shops? Yes, of course (quite indignant). How many? Who ever went into a place to count the shops? Ever so many. Six? Perhaps. A library? Why, of course! (indignant again). Good collection of books? Most likely couldn't say had seen nothing in it but a pair of scales. Any reading-room? Of course, there was a reading-room. Where? Where! why, over there. Where was over there? Why, there! Let Mr. Idle carry his eye to that bit of waste-ground above high water-mark, where the rank grass and loose stones were most in a litter; and he would see a sort of a long ruinous brick loft, next door to a ruinous brick outhouse, which loft had a ladder outside, to get up by. That was the reading-room, and if Mr. Idle didn't like the idea of a weaver's shuttle throbbing under a reading-room, that was his look out. He was not to dictate, Mr. Goodchild supposed (indignant again), to the company. "By-the-bye," Thomas Idle observed; "the company?" Well! (Mr. Goodchild went on to report) very nice company. Where were they? Why, there they were. Mr. Idle could see the tops of their hats, he supposed. What? Those nine straw hats again, five gentlemen's and four ladies'? Yes, to be sure. Mr. Goodchild hoped the company were not to be expected to wear helmets, to please Mr. Idle. Beginning to recover his temper at about this point, Mr. Goodchild voluntarily reported that if you wanted to be primitive, you could be primitive here, and that if you wanted to be idle, you could be idle here. In the course of some days, he added, that there were three fishing-boats, but no rigging, and that there were plenty of fishermen who never fished. That they got their living entirely by looking at the ocean. What nourishment they looked out of it to support their strength, he couldn't say; but, he supposed it was some sort of Iodine. The place was full of their children, who were always upside down on the public buildings (two small bridges over the brook), and always hurting themselves or one another, so that their wailings made more continual noise in the air than could have been got in a busy place. The houses people lodged in, were nowhere in particular, and were in capital accordance with the beach; being all more or less cracked and damaged as its shells were, and all empty—as its shells were. Among them, was an edifice of destitute appearance, with a number of wall-eyed windows in it, looking desperately out to Scotland as if for help, which said it was a Bazaar (and it ought to know), and where you might buy anything you wanted—supposing what you wanted, was a little camp-stool or a child's wheelbarrow. The brook crawled or stopped between the houses and the sea, and the donkey was always running away, and when he got into the brook he was pelted out with stones, which never hit him, and which always hit some of the children who were upside down on the public buildings, and made their lamentations louder. This donkey was the public excitement of Allonby, and was probably supported at the public expense. The foregoing descriptions, delivered in separate items, on separate days of adventurous discovery, Mr. Goodchild severally wound up, by looking out of window, looking in again, and saying, "But there is the sea, and here are the shrimps—let us eat 'em." There were fine sunsets at Allonby when the low flat beach, with its pools of water and its dry patches, changed into long bars of silver and gold in various states of burnishing, and there were fine viewsl—on fine days—of the Scottish coast. But, when it rained at Allonby, Allonby thrown back upon its ragged self, became a kind of place which the donkey seemed to have found out, and to have his highly sagacious reasons for wishing to bolt from. Thomas Idle observed, too, that Mr. Goodchild, with a noble show of disinterestedness, became every day more ready to walk to Maryport and back, for letters; and suspicions began to harbour in the mind of Thomas, that his friend deceived him, and that Maryport was a preferable place.  Therefore, Thomas said to Francis on a day when they had looked at the sea and eaten the shrimps, "My mind misgives me, Goodchild, that you go to Maryport, like the boy in the story-book, to ask it to be idle with you." "Judge, then," returned Francis, adopting the style of the story-book, "with what success. I go to a region which is a bit of water-side Bristol, with a slice of Wapping, a seasoning of Wolverhampton, and a garnish of Portsmouth, and I say, 'Will you come and be idle with me?' And it answers, 'No; for I am a great deal too vaporous, and a great deal too rusty, and a great deal too muddy, and a great deal too dirty altogether; and I have ships to load, and pitch and tar to boil, and iron to hammer, and steam to get up, and smoke to make, and stone to quarry, and fifty other disagreeable things to do, and I can't be idle with you.' Then I go into jagged up-hill and down-hill streets, where l am in the pastrycook's shop at one moment, and next moment in savage fastnesses of moor and morass, beyond the confines of civilisation, and I say to those murky and black-dusky streets, 'Will you come and be idle with me?' To which they reply, 'No, we can't, indeed, for we haven't the spirits, and we are startled by the echo of your feet on the sharp pavement, and we have so many goods in our shop-windows which nobody wants, and we have so much to do for a limited public which never comes to us to be done for, that we are altogether out of sorts and can't enjoy ourselves with any one.' So I go to the Post-office, and knock at the shutter, and I say to the Post-master, 'Will you come and be idle with me?' To which he rejoins, 'No, I really can't, for I live, as you may see, in such a very little Post-office, and pass my life behind such a very little shutter, that my hand, when I put it out, is as the hand of a giant crammed through the window of a dwarf's house at a fair, and I am a mere Post-office anchorite in a cell much too small for him, and I can't get out, and I can't get in, and I have no space to be idle in, even if I would.' So, the boy," said Mr. Goodchild, concluding the tale, "comes back with the letters after all, and lives happy never afterwards." But it may, not unreasonably, be asked—while Francis Goodchild was wandering hither and thither, storing his mind with perpetual observation of men and things, and sincerely believing himself to be the laziest creature in existence all the time—how did Thomas Idle, crippled and confined to the house, contrive to get through the hours of the day? Prone on the sofa, Thomas made no attempt to get through the hours, but passively allowed the hours to get through him. Where other men in his situation would have read books and improved their minds, Thomas slept and rested his body. Where other men would have pondered anxiously over their future prospects, Thomas dreamed lazily of his past life. The one solitary thing he did, which most other people would have done in his place, was to resolve on making certain alterations and improvements in his mode of existence, as soon as the effects of the misfortune that had overtaken him had all passed away. Remembering that the current of his life had hitherto oozed along in one smooth stream of laziness, occasionally troubled on the surface by a slight passing ripple of industry, his present ideas on the subject of self-reform, inclined him—not as the reader may be disposed to imagine, to project schemes for a new existence of enterprise and exertion—but, on the contrary, to resolve that he would never, if he could possibly help it, be active or industrious again, throughout the whole of his future career. It is due to Mr. Idle to relate that his mind sauntered towards this peculiar conclusion on distinct and logically-producible grounds. After reviewing, quite at his ease, and with many needful intervals of repose, the generally-placid spectacle of his past existence, he arrived at the discovery that all the great disasters which had tried his patience and equanimity in early life, had been caused by his having allowed himself to be deluded into imitating some pernicious example of activity and industry that had been set him by others. The trials to which he here alludes were three in number, and may be thus reckoned up: First, the disaster of being an unpopular and a thrashed boy at school; secondly, the disaster of falling seriously ill; thirdly, the disaster of becoming acquainted with a great bore. The first disaster occurred after Thomas had been an idle and a popular boy at school, for some happy years. One Christmas-time, he was stimulated by the evil example of a companion, whom he had always trusted and liked, to be untrue to himself, and to try for a prize at the ensuing half-yearly examination. He did try, and he got a prize—how, he did not distinctly know at the moment, and cannot remember now. No sooner, however, had the book—Moral Hints to the Young on the Value of Time—been placed in his hands, than the first troubles of his life began. The idle boys deserted him, as a traitor to their cause. The industrious boys avoided him, as a dangerous interloper; one of their number, who had always won the prize on previous occasions, expressing just resentment at the invasion of his privileges by calling Thomas into the play-ground, and then and there administering to him the first sound and genuine thrashing that he had received in his life. Unpopular from that moment, as a beaten boy, who belonged to no side and was rejected by all parties, young Idle soon lost caste with his masters, as he had previously lost caste with his school-fellows. He had forfeited the comfortable reputation ot being the one lazy member of the youthful community whom it was quite hopeless to punish. Never again did he hear the head-master say reproachfully to an industrious boy who had committed a fault, "I might have expected this in Thomas Idle, but it is inexcusable, sir, in you, who know better." Never more, after winning that fatal prize, did he escape the retributive imposition, or the avenging birch. From that time, the masters made him work, and the boys would not let him play. From that time his social position steadily declined, and his life at school became a perpetual burden to him. So, again, with the second disaster. While Thomas was lazy, he was a model of health. His first attempt at active exertion and his first suffering from severe illness are connected together by the intimate relations of cause and effect. Shortly after leaving school, he accompanied a party of friends to a cricket-field, in his natural and appropriate character of spectator only. On the ground it was discovered that the players fell short of the required number, and facile Thomas was persuaded to assist in making up the complement. At a certain appointed time, he was roused from peaceful slumber in a dry ditch, and placed before three wickets with a bat in his hand. Opposite to him, behind three more wickets, stood one of his bosom friends, filling the situation (as he was informed) of bowler. No words can describe Mr. Idle's horror and amazement, when he saw this young man—on ordinary occasions, the meekest and mildest of human beings—suddenly contract his eyebrows, compress his lips, assume the aspect of an infuriated savage, run back a few steps, then run forward, and, without the slightest previous provocation, hurl a detestably hard ball with all his might straight at Thomas's legs. Stimulated to preternatural activity of body and sharpness of eye by the instinct of self preservation, Mr. Idle contrived, by jumping deftly aside at the right moment, and by using his bat (ridiculously narrow as it was for the purpose) as a shield, to preserve his life and limbs from the dastardly attack that had been made on both, to leave the full force of the deadly missile to strike his wicket instead of his leg; and to end the innings, so far as his side was concerned, by being immediately bowled out. Grateful for his escape he was about to return to the dry ditch, when he was peremptorily stopped, and told that the other side was "going in," and that he was expected to "field." His conception of the whole art and mystery of "fielding," may be summed up in the three words of serious advice which he privately administered to himself on that trying occasion—avoid the ball. Fortified by this sound and salutary principle, he took his own course, impervious alike to ridicule and abuse. Whenever the ball came near him, he thought of his shins, and got out of the way immediately. "Catch it!" "Stop it!" "Pitch it up!" were cries that passed by him like the idle wind that he regarded not. He ducked under it, he jumped over it, he whisked himself away from it on either side. Never once, throughout the whole innings did he and the ball come together on anything approaching to intimate terms. The unnatural activity of body which was necessarily called forth for the accomplishment of this result threw Thomas Idle, for the first time in his life, into a perspiration. The perspiration, in consequence of his want of practice in the management of that particular result of bodily activity, was suddenly checked; the inevitable chill succeeded; and that, in its turn, was followed by a fever. For the first time since his birth, Mr. Idle found himself confined to his bed for many weeks together, wasted and worn by a long illness, of which his own disastrous muscular exertion had been the sole first cause.  The third occasion on which Thomas found reason to reproach himself bitterly for the mistake of having attempted to be industrious, was connected with his choice of a calling in life. Having no interest in the Church, he appropriately selected the next best profession for a lazy man in England—the Bar. Although the Benchers of the Inns of Court have lately abandoned their good old principles, and oblige their students to make some show of studying, in Mr. Idle's time no such innovation as this existed. Young men who aspired to the honourable title of barrister were, very properly, not asked to learn anything of the law, but were merely required to eat a certain number of dinners at the table of their Hall, and to pay a certain sum of money; and were called to the Bar as soon as they could prove that they had sufficiently complied with these extremely sensible regulations. Never did Thomas move more harmoniously in concert with his elders and betters than when he was qualifying himself for admission among the barristers of his native country. Never did he feel more deeply what real laziness was in all the serene majesty of its nature, than on the memorable day when he was called to the bar, after having carefully abstained from opening his law-books during his period of probation, except to fall asleep over them. How he could ever again have become industrious, even for the shortest period, after that great reward conferred upon his idleness, quite passes his comprehension. The kind benchers did everything they could to show him the folly of exerting himself. They wrote out his probationary exercise for him, and never expected him even to take the trouble of reading it through when it was written. They invited him, with seven other choice spirits as lazy as himself, to come and be called to the bar, while they were sitting over their wine and fruit after dinner. They put his oaths of allegiance, and his dreadful official denunciations of the Pope and the Pretender so gently into his mouth, that he hardly knew how the words got there. They wheeled all their chairs softly round from the table, and sat surveying the young barristers with their backs to their bottles, rather than stand up, or adjourn to hear the exercises read. And when Mr. Idle and the seven unlabouring neophytes, ranged in order, as a class, with their backs considerately placed against a screen, had begun, in rotation, to read the exercises which they had not written, even then, each Bencher, true to the great lazy principle of the whole proceeding, stopped each neophyte before he had stammered through his first line, and bowed to him, and told him politely that he was a barrister from that moment. This was all the ceremony. It was followed by a social supper, and by the presentation, in accordance with ancient custom, of a pound of sweetmeats and a bottle of Madeira, offered in the way of needful refreshment, by each grateful neophyte to each beneficent Bencher. It may seem inconceivable that Thomas should ever have forgotten the great do-nothing principle instilled by such a ceremony as this; but it is, nevertheless, true, that certain designing students of industrious habits found him out, took advantage of his easy humour, persuaded him that it was discreditable to be a barrister and to know nothing whatever about the law, and lured him, by the force of their own evil example, into a conveyancer's chambers, to make up for lost time, and to qualify himself for practice at the Bar. After a fortnight of self-delusion, the curtain fell from his eyes; heresumed his natural character, and shut up his books. But the retribution which had hitherto always followed his little casual errors of industry followed them still. He could get away from the conveyancer's chambers, but he could not get away from one of the pupils, who had taken a fancy to him,—a tall, serious, raw-boned, hard-working, disputatious pupil, with ideas of his own about reforming the Law of Real Property, who has been the scourge of Mr. Idle's existence ever since the fatal day when he fell into the mistake of attempting to study the law. Before that time his friends were all sociable idlers like himself. Since that time the burden of bearing with a hard-working young man has become part of his lot in life. Go where he will now, he can never feel certain that the raw-boned pupil is not affectionately waiting for him round a corner, to tell him a little more about the Law of Real Property, Suffer as he may under the infliction, he can never complain, for he must always remember, with unavailing regret, that he has his own thoughtless industry to thank for first exposing him to the great social calamity of knowing a bore. These events of his past life, with the significant results that they brought about, pass drowsily through Thomas Idle's memory, while he lies alone on the sofa at Allonby and elsewhere, dreaming away the time which his fellow-apprentice gets through so actively out of doors. Remembering the lesson of laziness which his past disasters teach, and bearing in mind also the fact that he is crippled in one leg because he exerted himself to go up a mountain, when he ought to have known that his proper course of conduct was to stop at the bottom of it, he holds now, and will for the future firmly continue to hold, by his new resolution never to be industrious again, on any pretence whatever, for the rest of his life. The physical results of his accident have been related in a previous chapter. The moral results now stand on record; and, with the enumeration of these, that part of the present narrative which is occupied by the Episode of The Sprained Ankle may now perhaps be considered, in all its aspects, as finished and complete. "How do you propose that we get through, this present afternoon and evening?" demanded Thomas Idle, after two or three hours of the foregoing reflections at Allonby. Mr. Goodchild faultered, looked out of window, looked in again, and said, as he had so often said before, "There is the sea, and here are the shrimps;—let us eat 'em!" But, the wise donkey was at that moment in the act of bolting: not with the irresolution of his previous efforts which had been wanting in sustained force of character, but with real vigor of purpose: shaking the dust off his mane and hind-feet at Allonby, and tearing away from it, as if he had nobly made up his mind that he never would be taken alive. At sight of this inspiring spectacle, which was visible from his sofa, Thomas Idle stretched his neck and dwelt upon it rapturously. "Francis Goodchild," he then said, turning to his companion with a solemn air, " this is a delightful little Inn, excellently kept by the most comfortable of landladies and the most attentive of landlords, but—the donkey's right!" "The words, "There is the sea, and here are the—," again trembled on the lips of Goodchild, unaccompanied however by any sound. "Let us instantly pack the portmanteaus," said Thomas Idle, " pay the bill, and order a fly out, with instructions to the driver to follow the donkey!" Mr. Goodchild, who had only wanted encouragement to disclose the real state of his feelings, and who had been pining beneath his weary secret, now burst into tears, and confessed that he thought another day in the place would be the death of him. So, the two idle apprentices followed the donkey until the night was far advanced. Whether he was recaptured by the town-council, or is bolting at this hour through the United Kingdom, they know not. They hope he may be still bolting; if so, their best wishes are with him. It entered Mr. Idle's head, on the borders of Cumberland, that there could be no idler place to stay at, except by snatches of a few minutes each, than a railway station. " An intermediate station on a line—a junction—anything of that sort," Thomas suggested. Mr. Goodchild approved of the idea as eccentric, and they journeyed on and on, until they came to such a station where there was an Inn. "Here," said Thomas, " we may be luxuriously lazy; other people will travel for us, as it were, and we shall laugh at their folly." It was a Junction-Station, where the wooden razors before mentioned shaved the air very often, and where the sharp electric-telegraph bell was in a very restless condition. All manner of cross-lines of rails came zig-zaging into it, like a Congress of iron vipers; and, a little way out of it, a pointsman in an elevated signal-box was constantly going through the motions of drawing immense quantities of beer at a public-house bar. In one direction, confused perspectives of embankments and arches were to be seen from the platform; in the other, the rails soon disentangled themselves into two tracks, and shot away under a bridge, and curved round a corner. Sidings were there, in which empty luggage- vans and cattle-boxes often butted against each other as if they couldn't agree; and warehouses were there, in which great quantities of goods seemed to have taken the veil (of the consistency of tarpaulin), and to have retired from the world without any hope of getting back to it. Refreshment-rooms were there; one, for the hungry and thirsty Iron Locomotives where their coke and water were ready, and of good quality, for they were dangerous to play tricks with; the other, for the hungry and thirsty human Locomotives, who might take what they could get, and whose chief consolation was provided in the form of three terrific urns or vases of white metal, containing nothing, each forming a breastwork for a defiant and apparently much-injured woman. Established at this Station, Mr. Thomas Idle and Mr. Francis Goodchild resolved to enjoy it. But, its contrasts were very violent, and there was also an infection in it. First, as to its contrasts. They were only two, but they were Lethargy and Madness. The Station was either totally unconscious, or wildly raving. By day, in its unconscious state, it looked as if no life could come to it,—as if it were all rust, dust, and ashes—as if the last train for ever, had gone without issuing any Return-Tickets—as if the last Engine had uttered its last shriek and burst. One awkward shave of the air from the wooden razor, and everything changed. Tight office-doors flew open, panels yielded, books, newspapers, travelling-caps and wrappers broke out of brick walls, money chinked, conveyances oppressed by nightmares of luggage came careering into the yard, porters started up from secret places, ditto the much-injured women, the shining bell, who lived in a little tray on stilts by himself, flew into a man's hand and clamoured violently. The pointsman aloft in the signal-box made the motions of drawing, with some difficulty, hogsheads of beer. Down Train! More beer. Up Train! More beer. Cross Junction Train! More beer. Cattle Train! More beer. Goods Train! Simmering, whistling, trembling, rumbling, thundering. Trains on the whole confusion of intersecting rails, crossing one another, bumping one another, hissing one another, backing to go forward, tearing into distance to come close. People frantic. Exiles seeking restoration to their native carriages, and banished to remoter climes. More beer and more bell. Then, in a minute, the Station relapsed into stupor as the stoker of the Cattle Train, the last to depart, went gliding out of it, wiping the long nose of his oil-can with a dirty pocket-handkerchief. By night, in its unconscious state, the station was not so much as visible. Something in the air, like an enterprising chemist's established in business on one of the boughs of Jack's beanstalk, was all that could be discerned of it under the stars. In a moment it would break out, a constellation of gas. In another moment, twenty rival chemists, on twenty rival beanstalks, carne into existence. Then, the Furies would be seen, waving their lurid torches up and down the confused perspectives of embankments and arches—would be heard, too, wailing and shrieking. Then, the Station would be full of palpitating trains, as in the day; with the heightening difference that they were not so clearly seen as in the day, whereas the station walls, starting forward under the gas, like a hippopotamus's eyes, dazzled the human locomotives with the sauce-bottle, the cheap music, the bedstead, the distorted range of buildings where the patent safes are made, the gentleman in the rain with the registered umbrella, the lady returning from the ball with the registered respirator, and all their other embellishments. And now, the human locomotives, creased as to their countenances and purblind as to their eyes, would swarm forth in a heap, addressing themselves to the mysterious urns and the much-injured women; while the iron locomotives, dripping fire and water, shed their steam about plentifully, making the dull oxen in their cages, with heads depressed, and foam hanging from their mouths as their red looks glanced fearfully at the surrounding terrors, seem as though they had been drinking at half-frozen waters and were hung with icicles. Through the same steam would be caught glimpses of their fellow-travellers, the sheep, getting their white kid faces together, away from the bars, and stuffing the interstices with trembling wool. Also, down among the wheels, of the man with the sledge-hammer, ringing the axles of the fast night-train; against whom the oxen have a misgiving that he is the man with the pole-axe who is to come by-and-bye, and so the nearest of them try to back, and get a purchase for a thrust at him through the bars. Suddenly, the bell would ring, the steam would stop with one hiss and a yell, the chemists on the beanstalks would be busy, the avenging Furies would bestir themselves, the fast night-train would melt from eye and ear, the other trains going their ways more slowly would be heard faintly rattling in the distance like old-fashioned watches running down, the sauce-bottle and cheap music retired from view, even the bedstead went to bed, and there was no such visible thing as the Station to vex the cool wind in its blowing, or perhaps the autumn lightning, as it found out the iron rails. The infection of the Station was this:—When it was in its raving state, the Apprentices found it impossible to be there, without labouring under the delusion that they were in a hurry. To Mr. Goodchild, whose ideas of idleness were so imperfect, this was no unpleasant hallucination, and accordingly that gentleman went through great exertions in yielding to it, and running up and down the platform, jostling everybody, under the impression that he had a highly important mission somewhere, and had not a moment to lose. But, to Thomas Idle, this contagion was so very unacceptable an incident of the situation, that he struck on the fourth day, and requested to be moved. "This place fills me with a dreadful sensation," said Thomas, "of having something to do. Remove me, Francis." "Where would you like to go next? " was the question of the ever-engaging Goodchild. "I have heard there is a good old Inn at Lancaster, established in a fine old house: an Inn where they give you Bride-cake every day after dinner," said Thomas Idle. "Let us eat Bride-cake without the trouble of being married, or of knowing anybody in that ridiculous dilemma." Mr. Goodchild, with a lover's sigh, assented. They departed from the Station in a violent hurry (for which, it is unnecessary to observe, there was not the least occasion), and were delivered at the fine old house at Lancaster, on the same night. It is Mr. Goodchild's opinion, that if a visitor on his arrival at Lancaster could be accommodated with a pole which would push the opposite side of the street some yards farther off, it would be better for all parties. Protesting against being required to live in a trench, and obliged to speculate all day upon what the people can possibly be doing within a mysterious opposite window, which is a shop-window to look at, but not a shop-window in respect of its offering nothing for sale and declining to give any account whatever of itself, Mr. Goodchild concedes Lancaster to be a pleasant place. A place dropped in the midst of a charming landscape, a place with a fine ancient fragment of castle, a place of lovely walks, a place possessing staid old houses richly fitted with old Honduras mahagony, which has grown so dark with time that it seems to have got something of a retrospective mirror-quality into itself, and to show the visitor, in the depths of its grain, through all its polish, the hue of the wretched slaves who groaned long ago under old Lancaster merchants. And Mr. Goodchild adds that the stones of Lancaster do sometimes whisper, even yet, of rich men passed away—upon whose great prosperity some of these old doorways frowned sullen in the brightest weather—that their slave-gain turned to curses, as the Arabian Wizard's money turned to leaves, and that no good ever came of it, even unto the third and fourth generations, until it was wasted and gone. It was a gallant sight to behold, the Sunday procession of the Lancaster elders to Church—all in black, and looking fearfully like a funeral without the Body—under the escort of Three Beadles. "Think," said Francis, as he stood at the Inn window, admiring, "of being taken to the sacred edifice by three Beadles! I have, in my early time, been taken out of it by one Beadle; but, to be taken into it by three, O Thomas, is a distinction I shall never enjoy!" https://www.dickenssearch.com/files/original/5/No._V_The_Lazy_Tour_of_Two_Idle_Apprentices/1857-10-31-The_Lazy_Tour_of_Two_Idle_Apprentices_No5.pdf ec34a260f77621a0ddbc0d0b5b58b52a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571031 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Two of the many passengers by a certain late Sunday evening train, Mr. Thomas Idle and Mr. Francis Goodchild, yielded up their tickets at a little rotten platform (converted into artificial touch-wood by smoke and ashes), deep in the manufacturing bosom of Yorkshire. A mysterious bosom it appeared, upon a damp, dark, Sunday night, dashed through in the train to the music of the whirling wheels, the panting of the engine, and the part-singing of hundreds of third-class excursionists, whose vocal efforts "bobbed arayound" from sacred to profane, from hymns, to our transatlantic sisters the Yankee Gal and Mairy Anne, in a remarkable way. There seemed to have been some large vocal gathering near to every lonely station on the line. No town was visible, no village was visible, no light was visible; but, a multitude got out singing, and a multitude got in singing, and the second multitude took up the hymns, and adopted our transatlantic sisters, and sang of their own egregious wickedness, and of their bobbing arayound, and of how the ship it was ready and the wind it was fair, and they were bayound for the sea, Mairy Anne, until they in their turn became a getting-out multitude, and were replaced by another getting-in multitude, who did the same. And at every station, the getting-in multitude, with an artistic reference to the completeness of their chorus, incessantly cried, as with one voice while scuffling into the carriages, "We mun aa' gang toogither!" The singing and the multitudes had trailed off as the lonely places were left and the great towns were neared, and the way had lain as silently as a train's way ever can, over the vague black streets of the great gulfs of towns, and among their branchless woods of vague black chimneys. These towns looked, in the cinderous wet, as though they had one and all been on fire and were just put out—a dreary and quenched panorama, many miles long. Thus, Thomas and Francis got to Leeds; of which enterprising and important commercial centre it may be observed with delicacy, that you must either like it very much or not at all. Next day, the first of the Race-Week, they took train to Doncaster. And instantly the character, both of travellers and of luggage, entirely changed, and no other business than race-business any longer existed on the face of the earth. The talk was all of horses and "John Scott." Guards whispered behind their hands to station-masters, of horses and John Scott. Men in cut-away coats and speckled cravats fastened with peculiar pins, and with the large bones of their legs developed under tight trousers, so that they should look as much as possible like horses' legs, paced up and down by twos at junction-stations, speaking low and moodily of horses and John Scott. The young clergyman in the black strait-waistcoat, who occupied the middle seat of the carriage, expounded in his peculiar pulpit-accent to the young and lovely Reverend Mrs. Crinoline, who occupied the opposite middle-seat, a few passages of rumour relative to "Oartheth, my love, and Mithter John Eth-cott." A bandy vagabond, with a head like a Dutch cheese, in a fustian stable-suit, attending on a horse-box and going about the platforms with a halter hanging round his neck like a Calais burgher of the ancient period much degenerated, was courted by the best society, by reason of what he had to hint, when not engaged in eating straw, concerning "t'harses and Joon Scott." The engine-driver himself, as he applied one eye to his large stationary double-eye-glass on the engine, seemed to keep the other open, sideways, upon horses and John Scott. Breaks and barriers at Doncaster station to keep the crowd off; temporary wooden avenues of ingress and egress, to help the crowd on. Forty extra porters sent down for this present blessed Race-Week, and all of them making up their betting-books in the lamp-room or somewhere else, and none of them to come and touch the luggage. Travellers disgorged into an open space, a howling wilderness of idle men. All work but race-work at a stand-still; all men at a stand-still. "Ey my word! Deant ask noon o' us to help wi't' luggage. Bock your opinion loike a mon. Coom! Dang it, coom, t'harses and Joon Scott!" In the midst of the idle men, all the fly horses and omnibus horses of Doncaster and parts adjacent, rampant, rearing, backing, plunging, shying—apparently the result of their hearing of nothing but their own order and John Scott. Grand Dramatic Company from London for the Race-week. Poses Plastiques in the Grand Assembly Room up the Stable-Yard at seven and nine each evening, for the Race-Week. Grand Alliance Circus in the field beyond the bridge, for the Race-Week. Grand Exhibition of Aztec Lilliputians, important to all who want to be horrified cheap, for the Race-Week. Lodgings, grand and not grand, but all at grand prices, ranging from ten pounds to twenty, for the Grand Race-Week! Rendered giddy enough by these things, Messieurs Idle and Goodchild repaired to the quarters they had secured beforehand, and Mr. Goodchild looked down from the window into the surging street. "By heaven, Tom!" cried he, after contemplating it, "I am in the Lunatic Asylum again, and these are all mad people under the charge of a body of designing keepers!" All through the Race-Week, Mr. Goodchild never divested himself of this idea. Every day he looked out of window, with something of the dread of Lemuel Gulliver looking down at men after he returned home from the horse-country; and every day he saw the Lunatics, horse-mad, betting-mad, drunken-mad, vice-mad, and the designing Keepers always after them. The idea pervaded, like the second colour in shot-silk, the whole of Mr. Goodchild's impressions. They were much as follows: Monday, mid-day. Races not to begin until to-morrow, but all the mob-Lunatics out, crowding the pavements of the one main street of pretty and pleasant Doncaster, crowding the road, particularly crowding the outside of the Betting Rooms, whooping and shouting loudly after all passing vehicles. Frightened lunatic horses occasionally running away, with infinite clatter. All degrees of men, from peers to paupers, betting incessantly. Keepers very watchful, and taking all good chances. An awful family likeness among the Keepers, to Mr. Palmer and Mr. Thurtell. With some knowledge of expression and some acquaintance with heads (thus writes Mr. Goodchild), I never have seen anywhere, so many repetitions of one class of countenance and one character of head (both evil) as in this street at this time. Cunning, covetousness, secresy, cold calculation, hard callousness and dire insensibility, are the uniform Keeper characteristics. Mr. Palmer passes me five times in five minutes, and, as I go down the street, the back of Mr. Thurtell's skull is always going on before me. Monday evening. Town lighted up; more Lunatics out than ever; a complete choke and stoppage of the thoroughfare outside the Betting Rooms. Keepers, having dined, pervade the Betting Rooms, and sharply snap at the moneyed Lunatics. Some Keepers flushed with drink, and some not, but all close and calculating. A vague echoing roar of "t'harses " and "t'races" always rising in the air, until midnight, at about which period it dies away in occasional drunken songs and straggling yells. But, all night, some unmannerly drinking-house in the neighbourhood opens its mouth at intervals and spits out a man too drunk to be retained: who there-upon makes what uproarious protest may be left in him, and either falls asleep where he tumbles, or is carried off in custody. Tuesday morning, at daybreak. A sudden rising, as it were out of the earth, of all the obscene creatures, who sell "correct cards of the races." They may have been coiled in corners, or sleeping on door-steps, and, having all passed the night under the same set of circumstances, may all want to circulate their blood at the same time; but, however that may be, they spring into existence all at once and together, as though a new Cadmus had sown a race-horse's teeth. There is nobody up, to buy the cards; but, the cards are madly cried. There is no patronage to quarrel for; but, they madly quarrel and fight. Conspicuous among these hyænas, as breakfast-time discloses, is a fearful creature in the general semblance of a man: shaken off his next-to-no legs by drink and devilry, bare-headed and bare-footed, with a great shock of hair like a horrible broom, and nothing on him but a ragged pair of trousers and a pink glazed-calico coat—made on him—so very tight that it is as evident that he could never take it off, as that he never does. This hideous apparition, inconceivably drunk, has a terrible power of making a gong-like imitation of the braying of an ass: which feat requires that he should lay his right jaw in his begrimed right paw, double himself up, and shake his bray out of himself, with much staggering on his next-to-no legs, and much twirling of his horrible broom, as if it were a mop. From the present minute, when he comes in sight holding up his cards to the windows, and hoarsely proposing purchase to My Lord, Your Excellency, Colonel, the Noble Captain, and Your Honorable Worship—from the present minute until the Grand Race-Week is finished, at all hours of the morning, evening, day, and night, shall the town reverberate, at capricious intervals, to the brays of this frightful animal the Gong-Donkey. No very great racing to-day, so no very great amount of vehicles: though there is a good sprinkling, too: from farmers' carts and gigs, to carriages with post-horses and to fours-in-hand, mostly coming by the road from York, and passing on straight through the main street to the Course. A walk in the wrong direction may be a better thing for Mr. Goodchild to-day than the Course, so he walks in the wrong direction. Everybody gone to the races. Only children in the street. Grand Alliance Circus deserted; not one Star-Rider left; omnibus which forms the Pay-Place, having on separate panels Pay here for the Boxes, Pay here for the Pit, Pay here for the Gallery, hove down in a corner and locked up; nobody near the tent but the man on his knees on the grass, who is making the paper balloons for the Star young gentlemen to jump through to-night. A pleasant road, pleasantly wooded. No labourers working in the fields; all gone "t'races." The few late wenders of their way "t'races," who are yet left driving on the road, stare in amazement at the recluse who is not going "t'races." Roadside inn-keeper has gone "t'races." Turnpike-man has gone "t'races." His thrifty wife, washing clothes at the toll-house door, is going "t'races" to-morrow. Perhaps there may be no one left to take the toll to-morrow; who knows? Though assuredly that would be neither turnpike-like, nor Yorkshire-like. The very wind and dust seem to be hurrying "t'races," as they briskly pass the only wayfarer on the road. In the distance, the Railway Engine, waiting at the town-end, shrieks despairingly. Nothing but the difficulty of getting off the Line, restrains that Engine from going "t'races," too, it is very clear. At night, more Lunatics out than last night and more Keepers. The latter very active at the Betting Rooms, the street in front of which is now impassable. Mr. Palmer as before. Mr. Thurtell as before. Roar and uproar as before. Gradual subsidence as before. Unmannerly drinking house expectorates as before. Drunken negro-melodists, Gong-donkey, and correct cards, in the night. On Wednesday morning, the morning of the great St. Leger, it becomes apparent that there has been a great influx since yesterday, both of Lunatics and Keepers. The families of the tradesmen over the way are no longer within human ken; their places know them no more; ten, fifteen, and twenty guinea-lodgers fill them. At the pastry-cook's second-floor window, a Keeper is brushing Mr. Thurtell's hair—thinking it his own. In the wax-chandler's attic, another Keeper is putting on Mr. Palmer's braces. In the gunsmith's nursery, a Lunatic is shaving himself. In the serious stationer's best sitting-room, three Lunatics are taking a combination-breakfast, praising the (cook's) devil, and drinking neat brandy in an atmosphere of last midnight's cigars. No family sanctuary is free from our Angelic messengers—we put up at the Angel—who in the guise of extra waiters for the grand Race-Week, rattle in and out of the most secret chambers of everybody's house, with dishes and tin covers, decanters, soda-water bottles, and glasses. An hour later. Down the street and up the street, as far as eyes can see and a good deal farther, there is a dense crowd; outside the Betting Rooms it is like a great struggle at a theatre door—in the days of theatres; or at the vestibule of the Spurgeon temple—in the days of Spurgeon. An hour later. Fusing into this crowd, and somehow getting through it, are all kinds of conveyances, and all kinds of foot-passengers; carts, with brick-makers and brick-makeresses jolting up and down on planks; drags, with the needful grooms behind, sitting crossed-armed in the needful manner, and slanting themselves backward from the soles of their boots at the needful angle; postboys, in the shining hats and smart jackets of the olden time, when stokers were not; beautiful Yorkshire horses, gallantly driven by their own breeders and masters. Under every pole, and every shaft, and every horse, and every wheel as it would seem, the Gong-donkey—metallically braying, when not struggling for life, or whipped out of the way. By one o'clock, all this stir has gone out of the streets, and there is no one left in them but Francis Goodchild. Francis Goodchild will not be left in them long; for, he too is on his way "t'races." A most beautiful sight, Francis Goodchild finds "t'races" to be, when he has left fair Doncaster behind him, and comes out on the free course, with its agreeable prospect, its quaint Red House oddly changing and turning as Francis turns, its green grass, and fresh heath. A free course and an easy one, where Francis can roll smoothly where he will, and can choose between the start, or the coming-in, or the turn behind the brow of the hill, or any out-of-the-way point where he lists to see the throbbing horses straining every nerve, and making the sympathetic earth throb as they come by. Francis much delights to be, not in the Grand Stand, but where he can see it, rising against the sky with its vast tiers of little white dots of faces, and its last high rows and corners of people, looking like pins stuck into an enormous pin-cushion—not quite so symmetrically as his orderly eye could wish, when people change or go away. When the race is nearly run out, it is as good as the race to him to see the flutter among the pins, and the change in them from dark to light, as hats are taken off and waved. Not less full of interest, the loud anticipation of the winner's name, the swelling, and the final, roar; then, the quick dropping of all the pins out of their places, the revelation of the shape of the bare pin-cushion, and the closing-in of the whole host of Lunatics and Keepers, in the rear of the three horses with bright-coloured riders, who have not yet quite subdued their gallop though the contest is over. Mr. Goodchild would appear to have been by no means free from lunacy himself at "t'races," though not of the prevalent kind. He is suspected by Mr. Idle to have fallen into a dreadful state concerning a pair of little lilac gloves and a little bonnet that he saw there. Mr Idle asserts, that he did afterwards repeat at the Angel, with an appearance of being lunatically seized, some rhapsody to the following effect: "O little lilac gloves! And O winning little bonnet, making in conjunction with her golden hair quite a Glory in the sunlight round the pretty head, why anything in the world but you and me! Why may not this day's running—of horses, to all the rest: of precious sands of life to me—be prolonged through an everlasting autumn-sunshine, without a sunset! Slave of the Lamp, or Ring, strike me yonder gallant equestrian Clerk of the Course, in the scarlet coat, motionless on the green grass for ages! Friendly Devil on Two Sticks, for ten times ten thousand years, keep Blink-Bonny jibbing at the post, and let us have no start! Arab drums, powerful of old to summon Genii in the desert, sound of yourselves and raise a troop for me in the desert of my heart, which shall so enchant this dusty barouche (with a conspicuous excise-plate, resembling the Collector's door-plate at a turnpike), that I, within it, loving the little lilac gloves, the winning little bonnet, and the dear unknown-wearer with the golden hair, may wait by her side for ever, to see a Great St. Leger that shall never be run!" Thursday morning. After a tremendous night of crowding, shouting, drinking-house expectoration, Gong-donkey, and correct cards. Symptoms of yesterday's gains in the way of drink, and of yesterday's losses in the way of money, abundant. Money-losses very great. As usual, nobody seems to have won; but, large losses and many losers are unquestionable facts. Both Lunatics and Keepers, in general very low. Several of both kinds look in at the chemist's while Mr. Goodchild is making a purchase there, to be "picked up." One red-eyed Lunatic, flushed, faded, and disordered, enters hurriedly and cries savagely, "Hond us a gloss of sal volatile in wather, or soom dommed thing o'thot sart!" Faces at the Betting-Rooms very long, and a tendency to bite nails observable. Keepers likewise given this morning to standing about solitary, with their hands in their pockets, looking down at their boots as they fit them into cracks of the pavement, and then looking up whistling and walking away. Grand Alliance Circus out, in procession; buxom lady-member of Grand Alliance, in crimson riding-habit, fresher to look at, even in her paint under the day sky, than the cheeks of Lunatics or Keepers. Spanish Cavalier appears to have lost yesterday, and jingles his bossed bridle with disgust, as if he were paying. Re-action also apparent at the Guildhall opposite, whence certain pickpockets come out handcuffed together, with that peculiar walk which is never seen under any other circumstances—a walk expressive of going to jail, game, but still of jails being in bad taste and arbitrary, and how would you like it if it was you instead of me, as it ought to be! Mid-day. Town filled as yesterday, but not so full; and emptied as yesterday, but not so empty. In the evening, Angel ordinary where every Lunatic and Keeper has his modest daily meal of turtle, venison, and wine, not so crowded as yesterday, and not so noisy. At night, the theatre. More abstracted faces in it, than one ever sees at public assemblies; such faces wearing an expression which strongly reminds Mr. Goodchild of the boys at school who were "going up next," with their arithmetic or mathematics. These boys are, no doubt, going up to-morrow with their sums and figures. Mr. Palmer and Mr. Thurtell in the boxes O. P. Mr. Thurtell and Mr. Palmer in the boxes P. S. The firm of Thurtell, Palmer, and Thurtell, in the boxes Centre. A most odious tendency observable in these distinguished gentlemen to put vile constructions on sufficiently innocent phrases in the play, and then to applaud them in a Satyr-like manner. Behind Mr. Goodchild, with a party of other Lunatics and one Keeper, the express incarnation of the thing called a "gent." A gentleman born; a gent manufactured. A something with a scarf round its neck, and a slipshod speech issuing from behind the scarf; more depraved, more foolish, more ignorant, more unable to believe in any noble or good thing of any kind, than the stupidest Bosjesman. The thing is but a boy in years, and is addled with drink. To do its company justice, even its company is ashamed of it, as it drawls its slang criticisms on the representation, and inflames Mr. Goodchild with a burning ardour to fling it into the pit. Its remarks are so horrible, that Mr. Goodchild, for the moment, even doubts whether that is a wholesome Art, which sets women apart on a high floor before such a thing as this, though as good as its own sisters, or its own mother—whom Heaven forgive for bringing it into the world! But, the consideration that a low nature must make a low world of its own to live in, whatever the real materials, or it could no more exist than any of us could without the sense of touch, brings Mr. Goodchild to reason: the rather, because the thing soon drops its downy chin upon its scarf, and slobbers itself asleep. Friday Morning. Early fights. Gong-donkey, and correct cards. Again, a great set towards the races, though not so great a set as on Wednesday. Much packing going on too, upstairs at the gunsmith's, the wax-chandler's, and the serious stationer's; for there will be a heavy drift of Lunatics and Keepers to London by the afternoon train. The course as pretty as ever; the great pincushion as like a pincushion, but not nearly so full of pins; whole rows of pins wanting. On the great event of the day, both Lunatics and Keepers become inspired with rage; and there is a violent scuffling, and a rushing at the losing jockey, and an emergence of the said jockey from a swaying and menacing crowd, protected by friends, and looking the worse for wear; which is a rough proceeding, though animating to see from a pleasant distance. After the great event, rills begin to flow from the pincushion towards the railroad; the rills swell into rivers; the rivers soon unite into a lake. The lake floats Mr. Goodchild into Doncaster, past the Itinerant personage in black, by the way-side telling him from the vantage ground of a legibly printed placard on a pole that for all these things the Lord will bring him to judgment. No turtle and venison ordinary this evening; that is all over. No Betting at the rooms; nothing there but the plants in pots, which have, all the week, been stood about the entry to give it an innocent appearance, and which have sorely sickened by this time. Saturday. Mr. Idle wishes to know at breakfast, what were those dreadful groanings in his bedroom doorway in the night? Mr. Goodchild answers, Nightmare. Mr. Idle repels the calumny, and calls the waiter. The Angel is very sorry—had intended to explain; but you see, gentlemen, there was a gentleman dined down stairs with two more, and he had lost a deal of money, and he would drink a deal of wine, and in the night he "took the horrors," and got up; and as his friends could do nothing with him he laid himself down, and groaned at Mr. Idle's door. "And he DID groan there," Mr. Idle says; "and you will please to imagine me inside, 'taking the horrors' too!" So far, the picture of Doncaster on the occasion of its great sporting anniversary, offers probably a general representation of the social condition of the town, in the past as well as in the present time. The sole local phenomenon of the current year, which may be considered as entirely unprecedented in its way, and which certainly claims, on that account, some slight share of notice, consists in the actual existence of one remarkable individual, who is sojourning in Doncaster, and who, neither directly nor indirectly, has anything at all to do, in any capacity whatever, with the racing amusements of the week. Ranging throughout the entire crowd that fills the town, and including the inhabitants as well as the visitors, nobody is to be found altogether disconnected with the business of the day, excepting this one unparalleled man. He does not bet on the races, like the sporting men. He does not assist the races, like the jockeys, starters, judges, and grooms. He does not look on at the races, like Mr. Goodchild and his fellow-spectators. He does not profit by the races, like the hotel-keepers and the trades-people. He does not minister to the necessities of the races, like the booth-keepers, the postilions, the waiters, and the hawkers of Lists. He does not assist the attractions of the races, like the actors at the theatre, the riders at the circus, or the posturers at the Poses Plastiques. Absolutely and literally, he is the only individual in Doncaster who stands by the brink of the full-flowing race-stream, and is not swept away by it in common with all the rest of his species. Who is this modern hermit, this recluse of the St. Leger-week, this inscrutably ungregarious being, who lives apart from the amusements and activities of his fellow-creatures? Surely, there is little difficulty in guessing that clearest and easiest of all riddles. Who could he be, but Mr. Thomas Idle? Thomas had suffered himself to be taken to Doncaster, just as he would have suffered himself to be taken to any other place in the habitable globe which would guarantee him the temporary possession of a comfortable sofa to rest his ankle on. Once established at the hotel, with his leg on one cushion and his back against another, he formally declined taking the slightest interest in any circumstance whatever connected with the races, or with the people who were assembled to see them. Francis Goodchild, anxious that the hours should pass by his crippled travelling-to the personal appearance of the horse. I protest against the conventional idea of beauty, as attached to that animal. I think his nose too long, his forehead too low, and his legs (except in the case of the cart-horse) ridiculously thin by comparison with the size of his body. Again, considering how big an animal he is, I object to the contemptible delicacy of his constitution. Is he not the sickliest creature in creation? Does any child catch cold as easily as a horse? Does he not sprain his fetlock, for all his appearance of superior strength, as easily as I sprained my ankle? Furthermore, to take him from another point of view, what a helpless wretch he is! No fine lady requires more constant waiting-on than a horse. Other animals can make their own toilette: he must have a groom. You will tell me that this is because we want to make his coat artificially glossy. Glossy! Come home with me, and see my cat,—my clever cat, who can groom herself! Look at your own dog! See how the intelligent creature curry-combs himself with his own honest teeth! Then, again, what a fool the horse is, what a poor, nervous fool! He will start at a piece of white paper in the road as if it was a lion. His one idea, when he hears a noise that he is not accustomed to, is to run away from it. What do you say to those two common instances of the sense and courage of this absurdly overpraised animal? I might multiply them to two hundred, if I chose to exert my mind and waste my breath, which I never do. I prefer coming at once to my last charge against the horse, which is the most serious of all, because it affects his moral character. I accuse him boldly, in his capacity of servant to man, of slyness and treachery. I brand him publickly, no matter how mild he may look about the eyes, or how sleek he may be about the coat, as a systematic betrayer, whenever he can get the chance, of the confidence reposed in him. What do you mean by laughing and shaking your head at me?" "Oh, Thomas, Thomas! " said Goodchild. "You had better give me my hat; you had better let me get you that physic." "I will let you get anything you like, including a composing draught for yourself," said Thomas, irritably alluding to his fellow-apprentice's inexhaustible activity, "if you will only sit quiet for five minutes longer, and hear me out. I say again the horse is a betrayer of the confidence reposed in him; and that opinion, let me add, is drawn from my own personal experience, and is not based on any fanciful theory whatever. You shall have two instances, two overwhelming instances. Let me start the first of these by asking, what is the distinguishing quality which the Shetland Pony has arrogated to himself, and is still perpetually trumpeting through the world by means of popular report and books on Natural History? I see the answer in your face: it is the quality of being Sure-Footed. He professes to have other virtues, such as hardiness and strength, which you may discover on trial; but the one thing which he insists on your believing, when you get on his back, is that he may be safely depended on not to tumble down with you. Very good. Some years ago, I was in Shetland with a party of friends. They insisted on taking me with them to the top of a precipice that overhung the sea. It was a great distance off, but they all determined to walk to it except me. I was wiser then than I was with you at Carrock, and I determined to be carried to the precipice. There was no carriage road in the island, and nobody offered (in consequence, as I suppose, of the imperfectly-civilised state of the country) to bring me a sedan-chair, which is naturally what I should have liked best. A Shetland pony was produced instead. I remembered my Natural History, I recalled popular report, and I got on the little beast's back, as any other man would have done in my position, placing implicit confidence in the sureness of his feet. And how did he repay that confidence? Brother Francis, carry your mind on from morning to noon. Picture to yourself a howling wilderness of grass and bog, bounded by low stony hills. Pick out one particular spot in that imaginary scene, and sketch me in it, with outstretched arms, curved back, and heels in the air, plunging headforemost into a black patch of water and mud. Place just behind me the legs, the body, and the head of a sure-footed Shetland pony, all stretched flat on the ground, and you will have produced an accurate representation of a very lamentable fact. And the moral device, Francis, of this picture will be to testify that when gentlemen put confidence in the legs of Shetland ponies, they will find to their cost that they are leaning on nothing but broken reeds. There is my first instance—and what have you got to say to that?" "Nothing, but that I want my hat," answered Goodchild, starting up and walking restlessly about the room. "You shall have it in a minute," rejoined Thomas. "My second instance "— (Goodchild groaned, and sat down again)—"My second instance is more appropriate to the present time and place, for it refers to a race-horse. Two years ago an excellent friend of mine, who was desirous of prevailing on me to take regular exercise, and who was well enough acquainted with the weakness of my legs to expect no very active compliance with his wishes on their part, offered to make me a present of one of his horses. Hearing that the animal in question, had started in life on the turf, I declined accepting the gift with many thanks; adding, by way of explanation, that I looked on a race-horse as a kind of embodied hurricane, upon which no sane man of my character and companion as lightly as possible, suggested that his sofa should be moved to the window, and that he should amuse himself by looking out at the moving panorama of humanity, which the view from it of the principal street presented. Thomas, however, steadily declined profiting by the suggestion. "The farther I am from the window," he said, "the better, Brother Francis, I shall be pleased. I have nothing in common with the one prevalent idea of all those people who are passing in the street. Why should I care to look at them ?" "I hope I have nothing in common with the prevalent idea of a great many of them, either," answered Goodchild, thinking of the sporting gentlemen whom he had met in the course of his wanderings about Doncaster. "But, surely, among all the people who are walking by the house, at this very moment, you may find—" "Not one living creature," interposed Thomas, "who is not, in one way or another, interested in horses, and who is not, in a greater or less degree, an admirer of them. Now, I hold opinions in reference to these particular members of the quadruped creation, which may lay claim (as I believe) to the disastrous distinction of being unpartaken by any other human being, civilised or savage, over the whole surface of the earth. Taking the horse as an animal in the abstract, Francis, I cordially despise him from every point of view." "Thomas," said Goodchild, "confinement to the house has begun to affect your biliary secretions. I shall go to the chemist's and get you some physic." "I object," continued Thomas, quietly possessing himself of his friend's hat, which stood on a table near him,—"I object, first, habits could be expected to seat himself. My friend replied that, however appropriate my metaphor might be as applied to race-horses in general, it was singularly unsuitable as applied to the particular horse which he proposed to give me. From a foal upwards this remarkable animal had been the idlest and most sluggish of his race. Whatever capacities for speed he might possess he had kept so strictly to himself, that no amount of training had ever brought them out. He had been found hopelessly slow as a racer, and hopelessly lazy as a hunter, and was fit for nothing but a quiet, easy life of it with an old gentleman or an invalid. When I heard this account of the horse, I don't mind confessing that my heart warmed to him. Visions of Thomas Idle ambling serenely on the back of a steed as lazy as himself, presenting to a restless world the soothing and composite spectacle of a kind of sluggardly Centaur, too peaceable in his habits to alarm anybody, swam attractively before my eyes. I went to look at the horse in the stable. Nice fellow! he was fast asleep with a kitten on his back. I saw him taken out for an airing by the groom. If he had had trousers on his legs I should not have known them from my own, so deliberately were they lifted up, so gently were they put down, so slowly did they get over the ground. From that moment I gratefully accepted my friend's offer. I went home; the horse followed me—by a slow train. Oh, Francis, how devoutly I believed in that horse! how carefully I looked after all his little comforts! I had never gone the length of hiring a man-servant to wait on myself; but I went to the expense of hiring one to wait upon him. If I thought a little of myself when I bought the softest saddle that could be had for money, I thought also of my horse. When the man at the shop afterwards offered me spurs and a whip, I turned from him with horror. When I sallied out for my first ride, I went purposely unarmed with the means of hurrying my steed. He proceeded at his own pace every step of the way; and when he stopped, at last, and blew out both his sides with a heavy sigh, and turned his sleepy head and looked behind him, I took him home again, as I might take home an artless child who said to me, "If you please, sir, I am tired." For a week this complete harmony between me and my horse lasted undisturbed. At the end of that time, when he had made quite sure of my friendly confidence in his laziness, when he had thoroughly acquainted himself with all the little weaknesses of my seat (and their name is Legion), the smouldering treachery and ingratitude of the equine nature blazed out in an instant. Without the slightest provocation from me, with nothing passing him at the time but a pony-chaise driven by an old lady, he started in one instant from a state of sluggish depression to a state of frantic high spirits. He kicked, he plunged, he shied, he pranced, he capered fearfully. I sat on him as long as I could, and when I could sit no longer, I fell off. No, Francis! this is not a circumstance to be laughed at, but to be wept over. What would be said of a Man who had requited my kindness in that way? Range over all the rest of the animal creation, and where will you find me an instance of treachery so black as this? The cow that kicks down the milking-pail may have some reason for it; she may think herself taxed too heavily to contribute to the dilution of human tea and the greasing of human bread. The tiger who springs out on me unawares has the excuse of being hungry at the time, to say nothing of the further justification of being a total stranger to me. The very flea who surprises me in my sleep may defend his act of assassination on the ground that I, in my turn, am always ready to murder him when I am awake. I defy the whole body of Natural Historians to move me, logically, off the ground that I have taken in regard to the horse. Receive back your hat, Brother Francis, and go to the chemist's, if you please; for I have now done. Ask me to take anything you like, except an interest in the Doncaster races. Ask me to look at anything you like, except an assemblage of people all animated by feelings of a friendly and admiring nature towards the horse. You are a remarkably well-informed man, and you have heard of hermits. Look upon me as a member of that ancient fraternity, and you will sensibly add to the many obligations which Thomas Idle is proud to owe to Francis Goodchild." Here, fatigued by the effort of excessive talking, disputatious Thomas waved one hand languidly, laid his head back on the sofa-pillow, and calmly closed his eyes. At a later period, Mr. Goodchild assailed his travelling companion boldly from the impregnable fortress of common sense. But Thomas, though tamed in body by drastic discipline, was still as mentally unapproachable as ever on the subject of his favourite delusion. The view from the window after Saturday's breakfast is altogether changed. The tradesmen's families have all come back again. The serious stationer's young woman of all work is shaking a duster out of the window of the combination breakfast-room; a child is playing with a doll, where Mr. Thurtell's hair was brushed; a sanitary scrubbing is in progress on the spot where Mr. Palmer's braces were put on. No signs of the Races are in the streets, but the tramps and the tumble-down carts and trucks laden with drinking-forms and tables and remnants of booths, that are making their way out of the town as fast as they can. The Angel, which has been cleared for action all the week, already begins restoring every neat and comfortable article of furniture to its own neat and comfortable place. The Angel's daughters (pleasanter angels Mr. Idle and Mr. Goodchild never saw, nor more quietly expert in their business, nor more superior to the common vice of being above it), have a little time to rest, and to air their cheerful faces among the flowers in the yard. It is market-day. The market looks unusually natural, comfortable, and wholesome; the market-people too. The town seems quite restored, when, hark! a metallic bray—The Gong-donkey! The wretched animal has not cleared off with the rest, but is here, under the window. How much more inconceivably drunk now, how much more begrimed of paw, how much more tight of calico hide, how much more stained and daubed and dirty and dung-hilly, from his horrible broom to his tender toes, who shall say! He cannot even shake the bray out of himself now, without laying his cheek so near to the mud of the street, that he pitches over after delivering it. Now, prone in the mud, and now backing himself up against shop-windows, the owners of which come out in terror to remove him; now, in the drinking-shop, and now in the tobacconist's, where he goes to buy tobacco, and makes his way into the parlor, and where he gets a cigar, which in half-a-minute he forgets to smoke; now dancing, now dozing, now cursing, and now complimenting My Lord, the Colonel, the Noble Captain, and Your Honorable Worship, the Gong-donkey kicks up his heels, occasionally braying, until suddenly, he beholds the dearest friend he has in the world coming down the street. The dearest friend the Gong-donkey has in the world, is a sort of Jackall, in a dull mangy black hide, of such small pieces that it looks as if it were made of blacking bottles turned inside out and cobbled together. The dearest friend in the world (inconceivably drunk too) advances at the Gong-donkey, with a hand on each thigh, in a series of humorous springs and stops, wagging his head as he comes. The Gong-Donkey regarding him with attention and with the warmest affection, suddenly perceives that he is the greatest enemy he has in the world, and hits him hard in the countenance. The astonished Jackall closes with the Donkey, and they roll over and over in the mud, pummelling one another. A Police Inspector, supernaturally endowed with patience, who has long been looking on from the Guildhall-steps, says to a myrmidon, "Lock 'em up! Bring 'em in!" Appropriate finish to the Grand Race Week. The Gong-donkey, captive and last trace of it, conveyed into limbo, where they cannot do better than keep him until next Race Week. The Jackall is wanted too, and is much looked for, over the way and up and down. But, having had the good-fortune to be undermost at the time of the capture, he has vanished into air. On Saturday afternoon, Mr. Goodchild walks out and looks at the Course. It is quite deserted; heaps of broken crockery and bottles are raised to its memory; and correct cards and other fragments of paper are blowing about it, as the regulation little paper-books, carried by the French soldiers in their breasts, were seen, soon after the battle was fought, blowing idly about the plains of Waterloo. Where will these present idle leaves be blown by the idle winds, and where will the last of them be one day lost and forgotten? An idle question, and an idle thought; and with it Mr. Idle fitly makes his bow, and Mr. Goodchild his, and thus ends the Lazy Tour of Two Idle Apprentices. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource No. V, 'The Lazy Tour of Two Idle Apprentices' Description An account of the resource Published in Household Words, Vol. XVI, No. 397, 31 October 1857, pp. 409-416. Creator An entity primarily responsible for making the resource Dickens, Charles and Wilkie Collins Source A related resource from which the described resource is derived Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-xvi/page-409.html">https://www.djo.org.uk/household-words/volume-xvi/page-409.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1857-10-31 Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, <a href="http://www.djo.org.uk/" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk">www.djo.org.uk</a>. Available under CC BY licence. Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1857-10-31-The_Lazy_Tour_of_Two_Idle_Apprentices_No5 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles and Wilkie Collins. No.V 'The Lazy Tour of Two Idle Apprentices'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1857-10-31-The_Lazy_Tour_of_Two_Idle_Apprentices_No5">https://www.dickenssearch.com/short-stories/1857-10-31-The_Lazy_Tour_of_Two_Idle_Apprentices_No5</a>. Scripto Transcription A written representation of a document. Two of the many passengers by a certain late Sunday evening train, Mr. Thomas Idle and Mr. Francis Goodchild, yielded up their tickets at a little rotten platform (converted into artificial touch-wood by smoke and ashes), deep in the manufacturing bosom of Yorkshire. A mysterious bosom it appeared, upon a damp, dark, Sunday night, dashed through in the train to the music of the whirling wheels, the panting of the engine, and the part-singing of hundreds of third-class excursionists, whose vocal efforts "bobbed arayound" from sacred to profane, from hymns, to our transatlantic sisters the Yankee Gal and Mairy Anne, in a remarkable way. There seemed to have been some large vocal gathering near to every lonely station on the line. No town was visible, no village was visible, no light was visible; but, a multitude got out singing, and a multitude got in singing, and the second multitude took up the hymns, and adopted our transatlantic sisters, and sang of their own egregious wickedness, and of their bobbing arayound, and of how the ship it was ready and the wind it was fair, and they were bayound for the sea, Mairy Anne, until they in their turn became a getting-out multitude, and were replaced by another getting-in multitude, who did the same. And at every station, the getting-in multitude, with an artistic reference to the completeness of their chorus, incessantly cried, as with one voice while scuffling into the carriages, "We mun aa' gang toogither!" The singing and the multitudes had trailed off as the lonely places were left and the great towns were neared, and the way had lain as silently as a train's way ever can, over the vague black streets of the great gulfs of towns, and among their branchless woods of vague black chimneys. These towns looked, in the cinderous wet, as though they had one and all been on fire and were just put out—a dreary and quenched panorama, many miles long. Thus, Thomas and Francis got to Leeds; of which enterprising and important commercial centre it may be observed with delicacy, that you must either like it very much or not at all. Next day, the first of the Race-Week, they took train to Doncaster. And instantly the character, both of travellers and of luggage, entirely changed, and no other business than race-business any longer existed on the face of the earth. The talk was all of horses and "John Scott." Guards whispered behind their hands to station-masters, of horses and John Scott. Men in cut-away coats and speckled cravats fastened with peculiar pins, and with the large bones of their legs developed under tight trousers, so that they should look as much as possible like horses' legs, paced up and down by twos at junction-stations, speaking low and moodily of horses and John Scott. The young clergyman in the black strait-waistcoat, who occupied the middle seat of the carriage, expounded in his peculiar pulpit-accent to the young and lovely Reverend Mrs. Crinoline, who occupied the opposite middle-seat, a few passages of rumour relative to "Oartheth, my love, and Mithter John Eth-cott." A bandy vagabond, with a head like a Dutch cheese, in a fustian stable-suit, attending on a horse-box and going about the platforms with a halter hanging round his neck like a Calais burgher of the ancient period much degenerated, was courted by the best society, by reason of what he had to hint, when not engaged in eating straw, concerning "t'harses and Joon Scott." The engine-driver himself, as he applied one eye to his large stationary double-eye-glass on the engine, seemed to keep the other open, sideways, upon horses and John Scott. Breaks and barriers at Doncaster station to keep the crowd off; temporary wooden avenues of ingress and egress, to help the crowd on. Forty extra porters sent down for this present blessed Race-Week, and all of them making up their betting-books in the lamp-room or somewhere else, and none of them to come and touch the luggage. Travellers disgorged into an open space, a howling wilderness of idle men. All work but race-work at a stand-still; all men at a stand-still. "Ey my word! Deant ask noon o' us to help wi't' luggage. Bock your opinion loike a mon. Coom! Dang it, coom, t'harses and Joon Scott!" In the midst of the idle men, all the fly horses and omnibus horses of Doncaster and parts adjacent, rampant, rearing, backing, plunging, shying—apparently the result of their hearing of nothing but their own order and John Scott. Grand Dramatic Company from London for the Race-week. Poses Plastiques in the Grand Assembly Room up the Stable-Yard at seven and nine each evening, for the Race-Week. Grand Alliance Circus in the field beyond the bridge, for the Race-Week. Grand Exhibition of Aztec Lilliputians, important to all who want to be horrified cheap, for the Race-Week. Lodgings, grand and not grand, but all at grand prices, ranging from ten pounds to twenty, for the Grand Race-Week! Rendered giddy enough by these things, Messieurs Idle and Goodchild repaired to the quarters they had secured beforehand, and Mr. Goodchild looked down from the window into the surging street. "By heaven, Tom!" cried he, after contemplating it, "I am in the Lunatic Asylum again, and these are all mad people under the charge of a body of designing keepers!" All through the Race-Week, Mr. Goodchild never divested himself of this idea. Every day he looked out of window, with something of the dread of Lemuel Gulliver looking down at men after he returned home from the horse-country; and every day he saw the Lunatics, horse-mad, betting-mad, drunken-mad, vice-mad, and the designing Keepers always after them. The idea pervaded, like the second colour in shot-silk, the whole of Mr. Goodchild's impressions. They were much as follows: Monday, mid-day. Races not to begin until to-morrow, but all the mob-Lunatics out, crowding the pavements of the one main street of pretty and pleasant Doncaster, crowding the road, particularly crowding the outside of the Betting Rooms, whooping and shouting loudly after all passing vehicles. Frightened lunatic horses occasionally running away, with infinite clatter. All degrees of men, from peers to paupers, betting incessantly. Keepers very watchful, and taking all good chances. An awful family likeness among the Keepers, to Mr. Palmer and Mr. Thurtell. With some knowledge of expression and some acquaintance with heads (thus writes Mr. Goodchild), I never have seen anywhere, so many repetitions of one class of countenance and one character of head (both evil) as in this street at this time. Cunning, covetousness, secresy, cold calculation, hard callousness and dire insensibility, are the uniform Keeper characteristics. Mr. Palmer passes me five times in five minutes, and, as I go down the street, the back of Mr. Thurtell's skull is always going on before me. Monday evening. Town lighted up; more Lunatics out than ever; a complete choke and stoppage of the thoroughfare outside the Betting Rooms. Keepers, having dined, pervade the Betting Rooms, and sharply snap at the moneyed Lunatics. Some Keepers flushed with drink, and some not, but all close and calculating. A vague echoing roar of "t'harses " and "t'races" always rising in the air, until midnight, at about which period it dies away in occasional drunken songs and straggling yells. But, all night, some unmannerly drinking-house in the neighbourhood opens its mouth at intervals and spits out a man too drunk to be retained: who there-upon makes what uproarious protest may be left in him, and either falls asleep where he tumbles, or is carried off in custody. Tuesday morning, at daybreak. A sudden rising, as it were out of the earth, of all the obscene creatures, who sell "correct cards of the races." They may have been coiled in corners, or sleeping on door-steps, and, having all passed the night under the same set of circumstances, may all want to circulate their blood at the same time; but, however that may be, they spring into existence all at once and together, as though a new Cadmus had sown a race-horse's teeth. There is nobody up, to buy the cards; but, the cards are madly cried. There is no patronage to quarrel for; but, they madly quarrel and fight. Conspicuous among these hyænas, as breakfast-time discloses, is a fearful creature in the general semblance of a man: shaken off his next-to-no legs by drink and devilry, bare-headed and bare-footed, with a great shock of hair like a horrible broom, and nothing on him but a ragged pair of trousers and a pink glazed-calico coat—made on him—so very tight that it is as evident that he could never take it off, as that he never does. This hideous apparition, inconceivably drunk, has a terrible power of making a gong-like imitation of the braying of an ass: which feat requires that he should lay his right jaw in his begrimed right paw, double himself up, and shake his bray out of himself, with much staggering on his next-to-no legs, and much twirling of his horrible broom, as if it were a mop. From the present minute, when he comes in sight holding up his cards to the windows, and hoarsely proposing purchase to My Lord, Your Excellency, Colonel, the Noble Captain, and Your Honorable Worship—from the present minute until the Grand Race-Week is finished, at all hours of the morning, evening, day, and night, shall the town reverberate, at capricious intervals, to the brays of this frightful animal the Gong-Donkey. No very great racing to-day, so no very great amount of vehicles: though there is a good sprinkling, too: from farmers' carts and gigs, to carriages with post-horses and to fours-in-hand, mostly coming by the road from York, and passing on straight through the main street to the Course. A walk in the wrong direction may be a better thing for Mr. Goodchild to-day than the Course, so he walks in the wrong direction. Everybody gone to the races. Only children in the street. Grand Alliance Circus deserted; not one Star-Rider left; omnibus which forms the Pay-Place, having on separate panels Pay here for the Boxes, Pay here for the Pit, Pay here for the Gallery, hove down in a corner and locked up; nobody near the tent but the man on his knees on the grass, who is making the paper balloons for the Star young gentlemen to jump through to-night. A pleasant road, pleasantly wooded. No labourers working in the fields; all gone "t'races." The few late wenders of their way "t'races," who are yet left driving on the road, stare in amazement at the recluse who is not going "t'races." Roadside inn-keeper has gone "t'races." Turnpike-man has gone "t'races." His thrifty wife, washing clothes at the toll-house door, is going "t'races" to-morrow. Perhaps there may be no one left to take the toll to-morrow; who knows? Though assuredly that would be neither turnpike-like, nor Yorkshire-like. The very wind and dust seem to be hurrying "t'races," as they briskly pass the only wayfarer on the road. In the distance, the Railway Engine, waiting at the town-end, shrieks despairingly. Nothing but the difficulty of getting off the Line, restrains that Engine from going "t'races," too, it is very clear. At night, more Lunatics out than last night and more Keepers. The latter very active at the Betting Rooms, the street in front of which is now impassable. Mr. Palmer as before. Mr. Thurtell as before. Roar and uproar as before. Gradual subsidence as before. Unmannerly drinking house expectorates as before. Drunken negro-melodists, Gong-donkey, and correct cards, in the night. On Wednesday morning, the morning of the great St. Leger, it becomes apparent that there has been a great influx since yesterday, both of Lunatics and Keepers. The families of the tradesmen over the way are no longer within human ken; their places know them no more; ten, fifteen, and twenty guinea-lodgers fill them. At the pastry-cook's second-floor window, a Keeper is brushing Mr. Thurtell's hair—thinking it his own. In the wax-chandler's attic, another Keeper is putting on Mr. Palmer's braces. In the gunsmith's nursery, a Lunatic is shaving himself. In the serious stationer's best sitting-room, three Lunatics are taking a combination-breakfast, praising the (cook's) devil, and drinking neat brandy in an atmosphere of last midnight's cigars. No family sanctuary is free from our Angelic messengers—we put up at the Angel—who in the guise of extra waiters for the grand Race-Week, rattle in and out of the most secret chambers of everybody's house, with dishes and tin covers, decanters, soda-water bottles, and glasses. An hour later. Down the street and up the street, as far as eyes can see and a good deal farther, there is a dense crowd; outside the Betting Rooms it is like a great struggle at a theatre door—in the days of theatres; or at the vestibule of the Spurgeon temple—in the days of Spurgeon. An hour later. Fusing into this crowd, and somehow getting through it, are all kinds of conveyances, and all kinds of foot-passengers; carts, with brick-makers and brick-makeresses jolting up and down on planks; drags, with the needful grooms behind, sitting crossed-armed in the needful manner, and slanting themselves backward from the soles of their boots at the needful angle; postboys, in the shining hats and smart jackets of the olden time, when stokers were not; beautiful Yorkshire horses, gallantly driven by their own breeders and masters. Under every pole, and every shaft, and every horse, and every wheel as it would seem, the Gong-donkey—metallically braying, when not struggling for life, or whipped out of the way. By one o'clock, all this stir has gone out of the streets, and there is no one left in them but Francis Goodchild. Francis Goodchild will not be left in them long; for, he too is on his way "t'races." A most beautiful sight, Francis Goodchild finds "t'races" to be, when he has left fair Doncaster behind him, and comes out on the free course, with its agreeable prospect, its quaint Red House oddly changing and turning as Francis turns, its green grass, and fresh heath. A free course and an easy one, where Francis can roll smoothly where he will, and can choose between the start, or the coming-in, or the turn behind the brow of the hill, or any out-of-the-way point where he lists to see the throbbing horses straining every nerve, and making the sympathetic earth throb as they come by. Francis much delights to be, not in the Grand Stand, but where he can see it, rising against the sky with its vast tiers of little white dots of faces, and its last high rows and corners of people, looking like pins stuck into an enormous pin-cushion—not quite so symmetrically as his orderly eye could wish, when people change or go away. When the race is nearly run out, it is as good as the race to him to see the flutter among the pins, and the change in them from dark to light, as hats are taken off and waved. Not less full of interest, the loud anticipation of the winner's name, the swelling, and the final, roar; then, the quick dropping of all the pins out of their places, the revelation of the shape of the bare pin-cushion, and the closing-in of the whole host of Lunatics and Keepers, in the rear of the three horses with bright-coloured riders, who have not yet quite subdued their gallop though the contest is over. Mr. Goodchild would appear to have been by no means free from lunacy himself at "t'races," though not of the prevalent kind. He is suspected by Mr. Idle to have fallen into a dreadful state concerning a pair of little lilac gloves and a little bonnet that he saw there. Mr Idle asserts, that he did afterwards repeat at the Angel, with an appearance of being lunatically seized, some rhapsody to the following effect: "O little lilac gloves! And O winning little bonnet, making in conjunction with her golden hair quite a Glory in the sunlight round the pretty head, why anything in the world but you and me! Why may not this day's running—of horses, to all the rest: of precious sands of life to me—be prolonged through an everlasting autumn-sunshine, without a sunset! Slave of the Lamp, or Ring, strike me yonder gallant equestrian Clerk of the Course, in the scarlet coat, motionless on the green grass for ages! Friendly Devil on Two Sticks, for ten times ten thousand years, keep Blink-Bonny jibbing at the post, and let us have no start! Arab drums, powerful of old to summon Genii in the desert, sound of yourselves and raise a troop for me in the desert of my heart, which shall so enchant this dusty barouche (with a conspicuous excise-plate, resembling the Collector's door-plate at a turnpike), that I, within it, loving the little lilac gloves, the winning little bonnet, and the dear unknown-wearer with the golden hair, may wait by her side for ever, to see a Great St. Leger that shall never be run!" Thursday morning. After a tremendous night of crowding, shouting, drinking-house expectoration, Gong-donkey, and correct cards. Symptoms of yesterday's gains in the way of drink, and of yesterday's losses in the way of money, abundant. Money-losses very great. As usual, nobody seems to have won; but, large losses and many losers are unquestionable facts. Both Lunatics and Keepers, in general very low. Several of both kinds look in at the chemist's while Mr. Goodchild is making a purchase there, to be "picked up." One red-eyed Lunatic, flushed, faded, and disordered, enters hurriedly and cries savagely, "Hond us a gloss of sal volatile in wather, or soom dommed thing o'thot sart!" Faces at the Betting-Rooms very long, and a tendency to bite nails observable. Keepers likewise given this morning to standing about solitary, with their hands in their pockets, looking down at their boots as they fit them into cracks of the pavement, and then looking up whistling and walking away. Grand Alliance Circus out, in procession; buxom lady-member of Grand Alliance, in crimson riding-habit, fresher to look at, even in her paint under the day sky, than the cheeks of Lunatics or Keepers. Spanish Cavalier appears to have lost yesterday, and jingles his bossed bridle with disgust, as if he were paying. Re-action also apparent at the Guildhall opposite, whence certain pickpockets come out handcuffed together, with that peculiar walk which is never seen under any other circumstances—a walk expressive of going to jail, game, but still of jails being in bad taste and arbitrary, and how would you like it if it was you instead of me, as it ought to be! Mid-day. Town filled as yesterday, but not so full; and emptied as yesterday, but not so empty. In the evening, Angel ordinary where every Lunatic and Keeper has his modest daily meal of turtle, venison, and wine, not so crowded as yesterday, and not so noisy. At night, the theatre. More abstracted faces in it, than one ever sees at public assemblies; such faces wearing an expression which strongly reminds Mr. Goodchild of the boys at school who were "going up next," with their arithmetic or mathematics. These boys are, no doubt, going up to-morrow with their sums and figures. Mr. Palmer and Mr. Thurtell in the boxes O. P. Mr. Thurtell and Mr. Palmer in the boxes P. S. The firm of Thurtell, Palmer, and Thurtell, in the boxes Centre. A most odious tendency observable in these distinguished gentlemen to put vile constructions on sufficiently innocent phrases in the play, and then to applaud them in a Satyr-like manner. Behind Mr. Goodchild, with a party of other Lunatics and one Keeper, the express incarnation of the thing called a "gent." A gentleman born; a gent manufactured. A something with a scarf round its neck, and a slipshod speech issuing from behind the scarf; more depraved, more foolish, more ignorant, more unable to believe in any noble or good thing of any kind, than the stupidest Bosjesman. The thing is but a boy in years, and is addled with drink. To do its company justice, even its company is ashamed of it, as it drawls its slang criticisms on the representation, and inflames Mr. Goodchild with a burning ardour to fling it into the pit. Its remarks are so horrible, that Mr. Goodchild, for the moment, even doubts whether that is a wholesome Art, which sets women apart on a high floor before such a thing as this, though as good as its own sisters, or its own mother—whom Heaven forgive for bringing it into the world! But, the consideration that a low nature must make a low world of its own to live in, whatever the real materials, or it could no more exist than any of us could without the sense of touch, brings Mr. Goodchild to reason: the rather, because the thing soon drops its downy chin upon its scarf, and slobbers itself asleep. Friday Morning. Early fights. Gong-donkey, and correct cards. Again, a great set towards the races, though not so great a set as on Wednesday. Much packing going on too, upstairs at the gunsmith's, the wax-chandler's, and the serious stationer's; for there will be a heavy drift of Lunatics and Keepers to London by the afternoon train. The course as pretty as ever; the great pincushion as like a pincushion, but not nearly so full of pins; whole rows of pins wanting. On the great event of the day, both Lunatics and Keepers become inspired with rage; and there is a violent scuffling, and a rushing at the losing jockey, and an emergence of the said jockey from a swaying and menacing crowd, protected by friends, and looking the worse for wear; which is a rough proceeding, though animating to see from a pleasant distance. After the great event, rills begin to flow from the pincushion towards the railroad; the rills swell into rivers; the rivers soon unite into a lake. The lake floats Mr. Goodchild into Doncaster, past the Itinerant personage in black, by the way-side telling him from the vantage ground of a legibly printed placard on a pole that for all these things the Lord will bring him to judgment. No turtle and venison ordinary this evening; that is all over. No Betting at the rooms; nothing there but the plants in pots, which have, all the week, been stood about the entry to give it an innocent appearance, and which have sorely sickened by this time. Saturday. Mr. Idle wishes to know at breakfast, what were those dreadful groanings in his bedroom doorway in the night? Mr. Goodchild answers, Nightmare. Mr. Idle repels the calumny, and calls the waiter. The Angel is very sorry—had intended to explain; but you see, gentlemen, there was a gentleman dined down stairs with two more, and he had lost a deal of money, and he would drink a deal of wine, and in the night he "took the horrors," and got up; and as his friends could do nothing with him he laid himself down, and groaned at Mr. Idle's door. "And he DID groan there," Mr. Idle says; "and you will please to imagine me inside, 'taking the horrors' too!" So far, the picture of Doncaster on the occasion of its great sporting anniversary, offers probably a general representation of the social condition of the town, in the past as well as in the present time. The sole local phenomenon of the current year, which may be considered as entirely unprecedented in its way, and which certainly claims, on that account, some slight share of notice, consists in the actual existence of one remarkable individual, who is sojourning in Doncaster, and who, neither directly nor indirectly, has anything at all to do, in any capacity whatever, with the racing amusements of the week. Ranging throughout the entire crowd that fills the town, and including the inhabitants as well as the visitors, nobody is to be found altogether disconnected with the business of the day, excepting this one unparalleled man. He does not bet on the races, like the sporting men. He does not assist the races, like the jockeys, starters, judges, and grooms. He does not look on at the races, like Mr. Goodchild and his fellow-spectators. He does not profit by the races, like the hotel-keepers and the trades-people. He does not minister to the necessities of the races, like the booth-keepers, the postilions, the waiters, and the hawkers of Lists. He does not assist the attractions of the races, like the actors at the theatre, the riders at the circus, or the posturers at the Poses Plastiques. Absolutely and literally, he is the only individual in Doncaster who stands by the brink of the full-flowing race-stream, and is not swept away by it in common with all the rest of his species. Who is this modern hermit, this recluse of the St. Leger-week, this inscrutably ungregarious being, who lives apart from the amusements and activities of his fellow-creatures? Surely, there is little difficulty in guessing that clearest and easiest of all riddles. Who could he be, but Mr. Thomas Idle? Thomas had suffered himself to be taken to Doncaster, just as he would have suffered himself to be taken to any other place in the habitable globe which would guarantee him the temporary possession of a comfortable sofa to rest his ankle on. Once established at the hotel, with his leg on one cushion and his back against another, he formally declined taking the slightest interest in any circumstance whatever connected with the races, or with the people who were assembled to see them. Francis Goodchild, anxious that the hours should pass by his crippled travelling-to the personal appearance of the horse. I protest against the conventional idea of beauty, as attached to that animal. I think his nose too long, his forehead too low, and his legs (except in the case of the cart-horse) ridiculously thin by comparison with the size of his body. Again, considering how big an animal he is, I object to the contemptible delicacy of his constitution. Is he not the sickliest creature in creation? Does any child catch cold as easily as a horse? Does he not sprain his fetlock, for all his appearance of superior strength, as easily as I sprained my ankle? Furthermore, to take him from another point of view, what a helpless wretch he is! No fine lady requires more constant waiting-on than a horse. Other animals can make their own toilette: he must have a groom. You will tell me that this is because we want to make his coat artificially glossy. Glossy! Come home with me, and see my cat,—my clever cat, who can groom herself! Look at your own dog! See how the intelligent creature curry-combs himself with his own honest teeth! Then, again, what a fool the horse is, what a poor, nervous fool! He will start at a piece of white paper in the road as if it was a lion. His one idea, when he hears a noise that he is not accustomed to, is to run away from it. What do you say to those two common instances of the sense and courage of this absurdly overpraised animal? I might multiply them to two hundred, if I chose to exert my mind and waste my breath, which I never do. I prefer coming at once to my last charge against the horse, which is the most serious of all, because it affects his moral character. I accuse him boldly, in his capacity of servant to man, of slyness and treachery. I brand him publickly, no matter how mild he may look about the eyes, or how sleek he may be about the coat, as a systematic betrayer, whenever he can get the chance, of the confidence reposed in him. What do you mean by laughing and shaking your head at me?" "Oh, Thomas, Thomas! " said Goodchild. "You had better give me my hat; you had better let me get you that physic." "I will let you get anything you like, including a composing draught for yourself," said Thomas, irritably alluding to his fellow-apprentice's inexhaustible activity, "if you will only sit quiet for five minutes longer, and hear me out. I say again the horse is a betrayer of the confidence reposed in him; and that opinion, let me add, is drawn from my own personal experience, and is not based on any fanciful theory whatever. You shall have two instances, two overwhelming instances. Let me start the first of these by asking, what is the distinguishing quality which the Shetland Pony has arrogated to himself, and is still perpetually trumpeting through the world by means of popular report and books on Natural History? I see the answer in your face: it is the quality of being Sure-Footed. He professes to have other virtues, such as hardiness and strength, which you may discover on trial; but the one thing which he insists on your believing, when you get on his back, is that he may be safely depended on not to tumble down with you. Very good. Some years ago, I was in Shetland with a party of friends. They insisted on taking me with them to the top of a precipice that overhung the sea. It was a great distance off, but they all determined to walk to it except me. I was wiser then than I was with you at Carrock, and I determined to be carried to the precipice. There was no carriage road in the island, and nobody offered (in consequence, as I suppose, of the imperfectly-civilised state of the country) to bring me a sedan-chair, which is naturally what I should have liked best. A Shetland pony was produced instead. I remembered my Natural History, I recalled popular report, and I got on the little beast's back, as any other man would have done in my position, placing implicit confidence in the sureness of his feet. And how did he repay that confidence? Brother Francis, carry your mind on from morning to noon. Picture to yourself a howling wilderness of grass and bog, bounded by low stony hills. Pick out one particular spot in that imaginary scene, and sketch me in it, with outstretched arms, curved back, and heels in the air, plunging headforemost into a black patch of water and mud. Place just behind me the legs, the body, and the head of a sure-footed Shetland pony, all stretched flat on the ground, and you will have produced an accurate representation of a very lamentable fact. And the moral device, Francis, of this picture will be to testify that when gentlemen put confidence in the legs of Shetland ponies, they will find to their cost that they are leaning on nothing but broken reeds. There is my first instance—and what have you got to say to that?" "Nothing, but that I want my hat," answered Goodchild, starting up and walking restlessly about the room. "You shall have it in a minute," rejoined Thomas. "My second instance "— (Goodchild groaned, and sat down again)—"My second instance is more appropriate to the present time and place, for it refers to a race-horse. Two years ago an excellent friend of mine, who was desirous of prevailing on me to take regular exercise, and who was well enough acquainted with the weakness of my legs to expect no very active compliance with his wishes on their part, offered to make me a present of one of his horses. Hearing that the animal in question, had started in life on the turf, I declined accepting the gift with many thanks; adding, by way of explanation, that I looked on a race-horse as a kind of embodied hurricane, upon which no sane man of my character and companion as lightly as possible, suggested that his sofa should be moved to the window, and that he should amuse himself by looking out at the moving panorama of humanity, which the view from it of the principal street presented. Thomas, however, steadily declined profiting by the suggestion. "The farther I am from the window," he said, "the better, Brother Francis, I shall be pleased. I have nothing in common with the one prevalent idea of all those people who are passing in the street. Why should I care to look at them ?" "I hope I have nothing in common with the prevalent idea of a great many of them, either," answered Goodchild, thinking of the sporting gentlemen whom he had met in the course of his wanderings about Doncaster. "But, surely, among all the people who are walking by the house, at this very moment, you may find—" "Not one living creature," interposed Thomas, "who is not, in one way or another, interested in horses, and who is not, in a greater or less degree, an admirer of them. Now, I hold opinions in reference to these particular members of the quadruped creation, which may lay claim (as I believe) to the disastrous distinction of being unpartaken by any other human being, civilised or savage, over the whole surface of the earth. Taking the horse as an animal in the abstract, Francis, I cordially despise him from every point of view." "Thomas," said Goodchild, "confinement to the house has begun to affect your biliary secretions. I shall go to the chemist's and get you some physic." "I object," continued Thomas, quietly possessing himself of his friend's hat, which stood on a table near him,—"I object, first, habits could be expected to seat himself. My friend replied that, however appropriate my metaphor might be as applied to race-horses in general, it was singularly unsuitable as applied to the particular horse which he proposed to give me. From a foal upwards this remarkable animal had been the idlest and most sluggish of his race. Whatever capacities for speed he might possess he had kept so strictly to himself, that no amount of training had ever brought them out. He had been found hopelessly slow as a racer, and hopelessly lazy as a hunter, and was fit for nothing but a quiet, easy life of it with an old gentleman or an invalid. When I heard this account of the horse, I don't mind confessing that my heart warmed to him. Visions of Thomas Idle ambling serenely on the back of a steed as lazy as himself, presenting to a restless world the soothing and composite spectacle of a kind of sluggardly Centaur, too peaceable in his habits to alarm anybody, swam attractively before my eyes. I went to look at the horse in the stable. Nice fellow! he was fast asleep with a kitten on his back. I saw him taken out for an airing by the groom. If he had had trousers on his legs I should not have known them from my own, so deliberately were they lifted up, so gently were they put down, so slowly did they get over the ground. From that moment I gratefully accepted my friend's offer. I went home; the horse followed me—by a slow train. Oh, Francis, how devoutly I believed in that horse! how carefully I looked after all his little comforts! I had never gone the length of hiring a man-servant to wait on myself; but I went to the expense of hiring one to wait upon him. If I thought a little of myself when I bought the softest saddle that could be had for money, I thought also of my horse. When the man at the shop afterwards offered me spurs and a whip, I turned from him with horror. When I sallied out for my first ride, I went purposely unarmed with the means of hurrying my steed. He proceeded at his own pace every step of the way; and when he stopped, at last, and blew out both his sides with a heavy sigh, and turned his sleepy head and looked behind him, I took him home again, as I might take home an artless child who said to me, "If you please, sir, I am tired." For a week this complete harmony between me and my horse lasted undisturbed. At the end of that time, when he had made quite sure of my friendly confidence in his laziness, when he had thoroughly acquainted himself with all the little weaknesses of my seat (and their name is Legion), the smouldering treachery and ingratitude of the equine nature blazed out in an instant. Without the slightest provocation from me, with nothing passing him at the time but a pony-chaise driven by an old lady, he started in one instant from a state of sluggish depression to a state of frantic high spirits. He kicked, he plunged, he shied, he pranced, he capered fearfully. I sat on him as long as I could, and when I could sit no longer, I fell off. No, Francis! this is not a circumstance to be laughed at, but to be wept over. What would be said of a Man who had requited my kindness in that way? Range over all the rest of the animal creation, and where will you find me an instance of treachery so black as this? The cow that kicks down the milking-pail may have some reason for it; she may think herself taxed too heavily to contribute to the dilution of human tea and the greasing of human bread. The tiger who springs out on me unawares has the excuse of being hungry at the time, to say nothing of the further justification of being a total stranger to me. The very flea who surprises me in my sleep may defend his act of assassination on the ground that I, in my turn, am always ready to murder him when I am awake. I defy the whole body of Natural Historians to move me, logically, off the ground that I have taken in regard to the horse. Receive back your hat, Brother Francis, and go to the chemist's, if you please; for I have now done. Ask me to take anything you like, except an interest in the Doncaster races. Ask me to look at anything you like, except an assemblage of people all animated by feelings of a friendly and admiring nature towards the horse. You are a remarkably well-informed man, and you have heard of hermits. Look upon me as a member of that ancient fraternity, and you will sensibly add to the many obligations which Thomas Idle is proud to owe to Francis Goodchild." Here, fatigued by the effort of excessive talking, disputatious Thomas waved one hand languidly, laid his head back on the sofa-pillow, and calmly closed his eyes. At a later period, Mr. Goodchild assailed his travelling companion boldly from the impregnable fortress of common sense. But Thomas, though tamed in body by drastic discipline, was still as mentally unapproachable as ever on the subject of his favourite delusion. The view from the window after Saturday's breakfast is altogether changed. The tradesmen's families have all come back again. The serious stationer's young woman of all work is shaking a duster out of the window of the combination breakfast-room; a child is playing with a doll, where Mr. Thurtell's hair was brushed; a sanitary scrubbing is in progress on the spot where Mr. Palmer's braces were put on. No signs of the Races are in the streets, but the tramps and the tumble-down carts and trucks laden with drinking-forms and tables and remnants of booths, that are making their way out of the town as fast as they can. The Angel, which has been cleared for action all the week, already begins restoring every neat and comfortable article of furniture to its own neat and comfortable place. The Angel's daughters (pleasanter angels Mr. Idle and Mr. Goodchild never saw, nor more quietly expert in their business, nor more superior to the common vice of being above it), have a little time to rest, and to air their cheerful faces among the flowers in the yard. It is market-day. The market looks unusually natural, comfortable, and wholesome; the market-people too. The town seems quite restored, when, hark! a metallic bray—The Gong-donkey! The wretched animal has not cleared off with the rest, but is here, under the window. How much more inconceivably drunk now, how much more begrimed of paw, how much more tight of calico hide, how much more stained and daubed and dirty and dung-hilly, from his horrible broom to his tender toes, who shall say! He cannot even shake the bray out of himself now, without laying his cheek so near to the mud of the street, that he pitches over after delivering it. Now, prone in the mud, and now backing himself up against shop-windows, the owners of which come out in terror to remove him; now, in the drinking-shop, and now in the tobacconist's, where he goes to buy tobacco, and makes his way into the parlor, and where he gets a cigar, which in half-a-minute he forgets to smoke; now dancing, now dozing, now cursing, and now complimenting My Lord, the Colonel, the Noble Captain, and Your Honorable Worship, the Gong-donkey kicks up his heels, occasionally braying, until suddenly, he beholds the dearest friend he has in the world coming down the street. The dearest friend the Gong-donkey has in the world, is a sort of Jackall, in a dull mangy black hide, of such small pieces that it looks as if it were made of blacking bottles turned inside out and cobbled together. The dearest friend in the world (inconceivably drunk too) advances at the Gong-donkey, with a hand on each thigh, in a series of humorous springs and stops, wagging his head as he comes. The Gong-Donkey regarding him with attention and with the warmest affection, suddenly perceives that he is the greatest enemy he has in the world, and hits him hard in the countenance. The astonished Jackall closes with the Donkey, and they roll over and over in the mud, pummelling one another. A Police Inspector, supernaturally endowed with patience, who has long been looking on from the Guildhall-steps, says to a myrmidon, "Lock 'em up! Bring 'em in!" Appropriate finish to the Grand Race Week. The Gong-donkey, captive and last trace of it, conveyed into limbo, where they cannot do better than keep him until next Race Week. The Jackall is wanted too, and is much looked for, over the way and up and down. But, having had the good-fortune to be undermost at the time of the capture, he has vanished into air. On Saturday afternoon, Mr. Goodchild walks out and looks at the Course. It is quite deserted; heaps of broken crockery and bottles are raised to its memory; and correct cards and other fragments of paper are blowing about it, as the regulation little paper-books, carried by the French soldiers in their breasts, were seen, soon after the battle was fought, blowing idly about the plains of Waterloo. Where will these present idle leaves be blown by the idle winds, and where will the last of them be one day lost and forgotten? An idle question, and an idle thought; and with it Mr. Idle fitly makes his bow, and Mr. Goodchild his, and thus ends the Lazy Tour of Two Idle Apprentices. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He should, he said, do nothing so superfluous and so unnecessary as to descant upon his lordship’s many faithful, long, and great public services, upon the honour and integrity with which he had pursued his straightforward public course through every difficulty, or upon the manly, gallant, and courageous character which rendered him certain, in the eyes alike of friends and opponents, to rise with every rising occasion, and which, like the seal of Solomon in the old Arabian story, enclosed in a not very large casket the soul of a giant. – He felt perfectly certain that that would be the response; for in no English assembly that he had ever seen was it necessary to do more than mention the name of Lord John Russell to ensure a manifestation of personal respect and grateful remembrance. It being his pride and privilege to enroll the subject of the toast among his personal friends, he should take an early opportunity of telling him that he was not forgotten at the anniversary. He observed that under circumstances of the greatest difficulty, Mr. Russell had written descriptions of the Crimean campaign which rivalled in their brilliancy the greatest productions of the greatest novelists, and equalled in their fidelity and their regard for truth – as he had often heard testified by the best authorities – the most scholarly productions of the most deliberate historians. In giving them the toast of the Press, he said, it was very much the same thing as if he had asked them to drink to his own family. He was almost born and bred to the Press, his earliest working years having been passed in the House of Commons, and he must be base indeed, or have a very much shorter memory than he believed he possessed, if anything that concerned its honour or reputation could be indifferent to him, or if it were not one of the foremost efforts of his life to do anything he could to uphold its character. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571105 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. When I have the honour to fill this or any similar place, I never lend my poor aid to uphold the preposterous fiction that the brightest part of creation are not present, and that the starts of the firmament on my right, which shine upon our waking and sleeping dreams, are not distinctly visible in the sky. It seems to me the most inconsistent and ridiculous of all customs, when we are come to propose the first lady of the land, to forget that ladies are present; and I, therefore, setting an example, trust and hope that you will follow that example, when I address you as ladies and gentlemen. Ladies and gentlemen, allow me to offer you a toast which includes a great deal more than the two syllabic words in themselves; which, whilst they express our loyalty towards the lady who rules England, hardly expresses its loyalty to the ladies who rule us. We most happily associate the institutions under which we live with the domestic virtues and happiness of a lady who is at once the boast of the country and of our homes, ‘Her Majesty the Queen’. Ladies and Gentlemen, In this great commercial city, heaped up with riches on every side, to which hungry eyes are sometimes turned across the sea, those two great services the Army and Navy, even in times of profoundest peace, should never be forgotten. But I am sure you will agree with me that in these so different times they should in our ‘flowing cups’, be freshly remembered; remembered in connexion with the recent acts of gallantry that have won the admiration of the world; remembered in intimate connexion with a manly composure in the face of pestilence, and a Christian resignation under the shadow of death, only the be equalled by the modestly, gentleness, and the perfect and profound self-command always attendant upon their great bravery. I understand that there happens to be no officer of either service here to acknowledge my toast. It occurs to me, however, that this matters very little, for throughout the civilized world the members of both are at this moment practically thanking us. Wherever duty is to be done, they are thanking us; wherever fame and honour are to be gained, they are thanking us; wherever the sun shines they are thanking us; aye, even where the sun does not shine – in the long night of a polar winter – one of those services at least is now thanking us with a most eloquent speech. Ladies and gentlemen, I beg to propose ‘The Army and Navy’. I must now solicit your attention for a few minutes to the cause of your assembling together – the main and real object of the evening’s gathering; for I suppose we are all agreed that the motto of these tables is not ‘Let us eat and drink, for tomorrow we die’; but, ‘Let us eat and drink, for tomorrow we live’. It is because a great and good work is to live ‘tomorrow, and tomorrow, and tomorrow’, and to live a greater and better life with every succeeding tomorrow, that we eat and drink here at all. Conspicuous on the card of admission to this dinner, and on the title-page of this little book descriptive of the institution, is the word ‘Schools’. This set me thinking this morning, before I turned these pages about, what are the sorts of schools that I don’t like. I found them, on consideration, to be rather numerous. I don’t like to begin with – and to begin, as charity does, at home – I don’t like the sort of school to which I once went myself, the respected proprietor of which was by far the most ignorant man I have ever had the pleasure to know, who was one of the worst-tempered men perhaps that ever lived, whose business it was to make as much out of us and to put as little into us as possible, and who sold us at a figure which I remember we used to delight to estimate, as amounting to exactly £2. 4s. 6d. a head. I don’t like that sort of school, because I don’t see what business the master had to be at the top of it instead of the bottom, and because I never could understand the wholesomeness of the moral preached by the abject appearance and degraded condition of the teachers who plainly said to us by their looks every day of their lives, ‘Boys, never be learned; whatever you are, above all things, be warned from that in time by our sunken cheeks, by our poor pimply noses so cruelly eruptive in the frosty mornings, by our meagre diet, by our acid beer, and by our extraordinary suits of clothes, of which no human being can say whether they are snuff-coloured turned black, or black turned snuff-coloured, a point upon which we ourselves are perfectly unable to offer any ray of enlightenment, it is so very long since they were undarned and new’. I do not like that sort of school, because I have never yet lost my ancient suspicion touching that curious coincidence that the boy with four brothers to come always got the prizes. In fact, and in short, I do not like that sort of school, which is a pernicious and abominable humbug altogether. Again, ladies and gentlemen, I don’t like that sort of school – a ladies’ school – with which the other school used to dance on Wednesdays, where the young ladies, as I look back upon them now, seem to me always to have been in new stays and disgrace – the disgrace chiefly concerning a place of which I know nothing at this day, that bounds Timbuctoo on the north-east – and where memory always depicts the youthful enthraller of my first affection as for ever standing against a wall, in a curious machine of wood, which confined her innocent feet in the first dancing position, while those arms, which should have encircled my jacket, those precious arms, I say, were pinioned behind her by an instrument of torture called a backboard, fixed in the manner of a double direction post. Again, I don’t like that sort of school, of which we have a notable example in Kent, which was established ages ago by worthy scholars and good men long deceased, whose munificent endowments have been monstrously perverted from their original purpose, and which, in their distorted condition, are struggled for and fought over with the most indecent pertinacity. Again, I don’t like that sort of school – and I have seen a great many such in these latter times – where the bright childish imagination is utterly discouraged, and where those bright childish faces, which it is so very good for the wisest among us to remember in after life, when the world is too much with us early and late, are gloomily and grimly scared out of countenance; where I have never seen among the pupils, whether boys or girls, anything but little parrots and small calculating machines. Again, I don’t by any means like schools in leather breeches, and with mortified straw baskets for bonnets, which file along the streets in long melancholy rows under the escort of that surprising British monster, a beadle, whose system of instruction, I am afraid, but too often presents that happy union of sound with sense, of which a very remarkable instance is given in a grave report of a trustworthy school inspector, to the effect that a boy in great repute at school for his learning, presented on his slate, as one of the ten commandments, the perplexing prohibition, ‘Thou shalt not commit doldrum’. Ladies and gentlemen, I confess, also, that I don’t like those schools, even though the instruction given in them be gratuitous, where those sweet little voices which ought to be heard speaking in very different accents, anathematize by rote any human being who does not hold what is taught there. Lastly I do not like, and I did not like some years ago, cheap distant schools, where neglected children pine from year to year under an amount of neglect, want, and youthful misery far too sad even to be glanced at in this cheerful assembly. And now, ladies and gentlemen, perhaps you will permit me to sketch in a few words the sort of school that I do like. It is a school established by the members of an industrious and useful order, which supplies the comforts and graces of life at every familiar turning in the road of our existence; it is a school established by them for the Orphan and Necessitous Children of their own brethren and sisterhood; it is a place giving an education where, while the beautiful history of the Christian religion is daily taught, and while the life of that Divine Teacher who Himself took little children on His knees is daily studied, no sectarian ill will nor narrow human dogma is permitted to darken the face of the clear heaven which they disclose. It is a children’s school, which is at the same time no less a children’s home, a home not to be confided to the care of cold or ignorant strangers, nor, by the nature of its foundation, in the course of ages to pass into hands that have as much natural right to deal with it as with the peaks of the highest mountains or with the depths of the sea, but to be from generation to generation administered by men living in precisely such homes as those poor children have lost; by men always bent upon making that replacement, such a home as their own dear children might find a happy refuge in if they themselves were taken early away. And I fearlessly ask you, is this a design which has any claim to your sympathy? Is this a sort of school which is deserving of your support. This is the design, this is the school, whose strong and simple claim I have to lay before you tonight. I must particularly entreat you not to suppose that my fancy and unfortunate habit of fiction has anything to do with the picture I have just presented to you. It is a sober matter of fact. The Warehousemen and Clerks’ Schools, established for the maintaining, clothing, and educating of the Orphan and Necessitous Children of those employed in the wholesale trades and manufactures of the United Kingdom, are, in fact, what I have just described. These schools for both sexes were originated only four years ago. In the first six weeks of the undertaking the young men themselves and quite unaided, subscribed the large sum of £3,000. The schools have been opened only three years, they have now on their foundation thirty-nine children, and in a few days they will have six more, making a total of forty-five. They have been most munificently assisted by the heads of great mercantile houses, numerously represented, I am happy to say, around me, and they have a funded capital of almost £14,000. This is wonderful progress, but the aim must still be upwards, the motto always ‘Excelsior’. You do not need to be told that five-and-forty children can form but a very small proportion of the Orphan and Necessitous Children of those who have been entrusted with the wholesale trades and manufactures of the United Kingdom: you do not need to be informed that the house at New Cross, rented for a small term of years, in which the schools are at present established, can afford but most imperfect accommodation for such a breadth of design. To carry this good work through the two remaining degrees of better and best, there must be more work, more co-operation, more friends, more money. Then be the friends, and give the money. Before I conclude, there is one other feature in these schools which I would commend to your special attention and approval. Their benefits are reserved for the children of subscribers; that is to say, it is an essential principle of the institution that it must help those whose parents have helped them, and that the unfortunate children whose father has been so lax, or so criminal, as to withhold a subscription so exceedingly small that when divided by weeks it amounts to only threepence weekly, cannot, in justice, be allowed to jostle out and shoulder away the happier children, whose father has had that little forethought, or done that little kindness which was requisite to secure for them the benefits of the institution. I really cannot believe that there will long be any such defaulting parents. I cannot believe that any of the intelligent young men who are engaged in the wholesale houses will long neglect this obvious, this easy duty. If they suppose that the objects of their love, born or unborn, will never want the benefits of the charity, that may be a fatal and blind mistake – it can never be an excuse, for, supposing them to be right in their anticipation, they should do what is asked for the sake of their friends and comrades around them, assured that they will be the happier and the better for the deed. Ladies and gentlemen, this little ‘labour of love’ of mine is now done. I most heartily wish that I could charm you now not to see me, not to think of me, not to hear me – I most heartily wish that I could make you see in my stead the multitude of innocent and bereaved children who are looking towards these schools, and entreating with uplifted hands to be let in. A very famous advocate once said, in speaking of his fears of failure when he had first to speak in court, being very poor, that he felt his little children tugging at his skirts, and that recovered him. Will you think of the number of little children who are tugging at my skirts, when I ask you, in their names, on their behalf, and in their little persons, and in no strength of my own, to encourage and assist this work? This is the fifth day of November – this is a very notorious and inauspicious a day to be publicly exhibited in a chair. And I must confess that I have several times this evening felt upon me an irresistible impulse to look about me on the table for my lantern and matches. I am, however, at this moment reassured by the circumstance that I have no mask to fall off; that I am exactly what you see me, deeply penetrated by your great enthusiasm in my behalf; that I am heartily obliged to you for your great kindness, and that you are most cordially welcome to my small services. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Warehousemen and Clerks' Schools Fourth Anniversary Dinner Description An account of the resource Speech and toasts at the Warehousemen and Clerks' Schools Fourth Anniversary Dinner (5 November 1857). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1857-11-05 Identifier An unambiguous reference to the resource within a given context 1857-11-05_Speech_Warehousemen-and-Clerks-Schools-Fourth-Anniversary-Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech and toasts at the Warehousemen and Clerks' Schools Fourth Anniversary Dinner' (5 November 1857). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1857-11-05_Speech_Warehousemen-and-Clerks-Schools-Fourth-Anniversary-Dinner">https://dickenssearch.com/speeches/1857-11-05_Speech_Warehousemen-and-Clerks-Schools-Fourth-Anniversary-Dinner</a>. Scripto Transcription A written representation of a document. When I have the honour to fill this or any similar place, I never lend my poor aid to uphold the preposterous fiction that the brightest part of creation are not present, and that the starts of the firmament on my right, which shine upon our waking and sleeping dreams, are not distinctly visible in the sky. It seems to me the most inconsistent and ridiculous of all customs, when we are come to propose the first lady of the land, to forget that ladies are present; and I, therefore, setting an example, trust and hope that you will follow that example, when I address you as ladies and gentlemen. Ladies and gentlemen, allow me to offer you a toast which includes a great deal more than the two syllabic words in themselves; which, whilst they express our loyalty towards the lady who rules England, hardly expresses its loyalty to the ladies who rule us. We most happily associate the institutions under which we live with the domestic virtues and happiness of a lady who is at once the boast of the country and of our homes, ‘Her Majesty the Queen’. Ladies and Gentlemen, In this great commercial city, heaped up with riches on every side, to which hungry eyes are sometimes turned across the sea, those two great services the Army and Navy, even in times of profoundest peace, should never be forgotten. But I am sure you will agree with me that in these so different times they should in our ‘flowing cups’, be freshly remembered; remembered in connexion with the recent acts of gallantry that have won the admiration of the world; remembered in intimate connexion with a manly composure in the face of pestilence, and a Christian resignation under the shadow of death, only the be equalled by the modestly, gentleness, and the perfect and profound self-command always attendant upon their great bravery. I understand that there happens to be no officer of either service here to acknowledge my toast. It occurs to me, however, that this matters very little, for throughout the civilized world the members of both are at this moment practically thanking us. Wherever duty is to be done, they are thanking us; wherever fame and honour are to be gained, they are thanking us; wherever the sun shines they are thanking us; aye, even where the sun does not shine – in the long night of a polar winter – one of those services at least is now thanking us with a most eloquent speech. Ladies and gentlemen, I beg to propose ‘The Army and Navy’. I must now solicit your attention for a few minutes to the cause of your assembling together – the main and real object of the evening’s gathering; for I suppose we are all agreed that the motto of these tables is not ‘Let us eat and drink, for tomorrow we die’; but, ‘Let us eat and drink, for tomorrow we live’. It is because a great and good work is to live ‘tomorrow, and tomorrow, and tomorrow’, and to live a greater and better life with every succeeding tomorrow, that we eat and drink here at all. Conspicuous on the card of admission to this dinner, and on the title-page of this little book descriptive of the institution, is the word ‘Schools’. This set me thinking this morning, before I turned these pages about, what are the sorts of schools that I don’t like. I found them, on consideration, to be rather numerous. I don’t like to begin with – and to begin, as charity does, at home – I don’t like the sort of school to which I once went myself, the respected proprietor of which was by far the most ignorant man I have ever had the pleasure to know, who was one of the worst-tempered men perhaps that ever lived, whose business it was to make as much out of us and to put as little into us as possible, and who sold us at a figure which I remember we used to delight to estimate, as amounting to exactly £2. 4s. 6d. a head. I don’t like that sort of school, because I don’t see what business the master had to be at the top of it instead of the bottom, and because I never could understand the wholesomeness of the moral preached by the abject appearance and degraded condition of the teachers who plainly said to us by their looks every day of their lives, ‘Boys, never be learned; whatever you are, above all things, be warned from that in time by our sunken cheeks, by our poor pimply noses so cruelly eruptive in the frosty mornings, by our meagre diet, by our acid beer, and by our extraordinary suits of clothes, of which no human being can say whether they are snuff-coloured turned black, or black turned snuff-coloured, a point upon which we ourselves are perfectly unable to offer any ray of enlightenment, it is so very long since they were undarned and new’. I do not like that sort of school, because I have never yet lost my ancient suspicion touching that curious coincidence that the boy with four brothers to come always got the prizes. In fact, and in short, I do not like that sort of school, which is a pernicious and abominable humbug altogether. Again, ladies and gentlemen, I don’t like that sort of school – a ladies’ school – with which the other school used to dance on Wednesdays, where the young ladies, as I look back upon them now, seem to me always to have been in new stays and disgrace – the disgrace chiefly concerning a place of which I know nothing at this day, that bounds Timbuctoo on the north-east – and where memory always depicts the youthful enthraller of my first affection as for ever standing against a wall, in a curious machine of wood, which confined her innocent feet in the first dancing position, while those arms, which should have encircled my jacket, those precious arms, I say, were pinioned behind her by an instrument of torture called a backboard, fixed in the manner of a double direction post. Again, I don’t like that sort of school, of which we have a notable example in Kent, which was established ages ago by worthy scholars and good men long deceased, whose munificent endowments have been monstrously perverted from their original purpose, and which, in their distorted condition, are struggled for and fought over with the most indecent pertinacity. Again, I don’t like that sort of school – and I have seen a great many such in these latter times – where the bright childish imagination is utterly discouraged, and where those bright childish faces, which it is so very good for the wisest among us to remember in after life, when the world is too much with us early and late, are gloomily and grimly scared out of countenance; where I have never seen among the pupils, whether boys or girls, anything but little parrots and small calculating machines. Again, I don’t by any means like schools in leather breeches, and with mortified straw baskets for bonnets, which file along the streets in long melancholy rows under the escort of that surprising British monster, a beadle, whose system of instruction, I am afraid, but too often presents that happy union of sound with sense, of which a very remarkable instance is given in a grave report of a trustworthy school inspector, to the effect that a boy in great repute at school for his learning, presented on his slate, as one of the ten commandments, the perplexing prohibition, ‘Thou shalt not commit doldrum’. Ladies and gentlemen, I confess, also, that I don’t like those schools, even though the instruction given in them be gratuitous, where those sweet little voices which ought to be heard speaking in very different accents, anathematize by rote any human being who does not hold what is taught there. Lastly I do not like, and I did not like some years ago, cheap distant schools, where neglected children pine from year to year under an amount of neglect, want, and youthful misery far too sad even to be glanced at in this cheerful assembly. And now, ladies and gentlemen, perhaps you will permit me to sketch in a few words the sort of school that I do like. It is a school established by the members of an industrious and useful order, which supplies the comforts and graces of life at every familiar turning in the road of our existence; it is a school established by them for the Orphan and Necessitous Children of their own brethren and sisterhood; it is a place giving an education where, while the beautiful history of the Christian religion is daily taught, and while the life of that Divine Teacher who Himself took little children on His knees is daily studied, no sectarian ill will nor narrow human dogma is permitted to darken the face of the clear heaven which they disclose. It is a children’s school, which is at the same time no less a children’s home, a home not to be confided to the care of cold or ignorant strangers, nor, by the nature of its foundation, in the course of ages to pass into hands that have as much natural right to deal with it as with the peaks of the highest mountains or with the depths of the sea, but to be from generation to generation administered by men living in precisely such homes as those poor children have lost; by men always bent upon making that replacement, such a home as their own dear children might find a happy refuge in if they themselves were taken early away. And I fearlessly ask you, is this a design which has any claim to your sympathy? Is this a sort of school which is deserving of your support. This is the design, this is the school, whose strong and simple claim I have to lay before you tonight. I must particularly entreat you not to suppose that my fancy and unfortunate habit of fiction has anything to do with the picture I have just presented to you. It is a sober matter of fact. The Warehousemen and Clerks’ Schools, established for the maintaining, clothing, and educating of the Orphan and Necessitous Children of those employed in the wholesale trades and manufactures of the United Kingdom, are, in fact, what I have just described. These schools for both sexes were originated only four years ago. In the first six weeks of the undertaking the young men themselves and quite unaided, subscribed the large sum of £3,000. The schools have been opened only three years, they have now on their foundation thirty-nine children, and in a few days they will have six more, making a total of forty-five. They have been most munificently assisted by the heads of great mercantile houses, numerously represented, I am happy to say, around me, and they have a funded capital of almost £14,000. This is wonderful progress, but the aim must still be upwards, the motto always ‘Excelsior’. You do not need to be told that five-and-forty children can form but a very small proportion of the Orphan and Necessitous Children of those who have been entrusted with the wholesale trades and manufactures of the United Kingdom: you do not need to be informed that the house at New Cross, rented for a small term of years, in which the schools are at present established, can afford but most imperfect accommodation for such a breadth of design. To carry this good work through the two remaining degrees of better and best, there must be more work, more co-operation, more friends, more money. Then be the friends, and give the money. Before I conclude, there is one other feature in these schools which I would commend to your special attention and approval. Their benefits are reserved for the children of subscribers; that is to say, it is an essential principle of the institution that it must help those whose parents have helped them, and that the unfortunate children whose father has been so lax, or so criminal, as to withhold a subscription so exceedingly small that when divided by weeks it amounts to only threepence weekly, cannot, in justice, be allowed to jostle out and shoulder away the happier children, whose father has had that little forethought, or done that little kindness which was requisite to secure for them the benefits of the institution. I really cannot believe that there will long be any such defaulting parents. I cannot believe that any of the intelligent young men who are engaged in the wholesale houses will long neglect this obvious, this easy duty. If they suppose that the objects of their love, born or unborn, will never want the benefits of the charity, that may be a fatal and blind mistake – it can never be an excuse, for, supposing them to be right in their anticipation, they should do what is asked for the sake of their friends and comrades around them, assured that they will be the happier and the better for the deed. Ladies and gentlemen, this little ‘labour of love’ of mine is now done. I most heartily wish that I could charm you now not to see me, not to think of me, not to hear me – I most heartily wish that I could make you see in my stead the multitude of innocent and bereaved children who are looking towards these schools, and entreating with uplifted hands to be let in. A very famous advocate once said, in speaking of his fears of failure when he had first to speak in court, being very poor, that he felt his little children tugging at his skirts, and that recovered him. Will you think of the number of little children who are tugging at my skirts, when I ask you, in their names, on their behalf, and in their little persons, and in no strength of my own, to encourage and assist this work? This is the fifth day of November – this is a very notorious and inauspicious a day to be publicly exhibited in a chair. And I must confess that I have several times this evening felt upon me an irresistible impulse to look about me on the table for my lantern and matches. I am, however, at this moment reassured by the circumstance that I have no mask to fall off; that I am exactly what you see me, deeply penetrated by your great enthusiasm in my behalf; that I am heartily obliged to you for your great kindness, and that you are most cordially welcome to my small services. https://www.dickenssearch.com/files/original/8/The_Perils_of_Certain_English_Prisoners_and_Their_Treasure_in_Women_Children_Silver_and_Jewels_[1857_Christmas_Number]/1857-12-07-The_Perils_of_Certain_English_Prisoners.pdf d4337d15d4f5534d099f5a593a75cc07 https://www.dickenssearch.com/files/original/8/The_Perils_of_Certain_English_Prisoners_and_Their_Treasure_in_Women_Children_Silver_and_Jewels_[1857_Christmas_Number]/1857-12-07-The_Island_of_Silver-Store.pdf 2e25e8633cb73b39052b318334458d05 https://www.dickenssearch.com/files/original/8/The_Perils_of_Certain_English_Prisoners_and_Their_Treasure_in_Women_Children_Silver_and_Jewels_[1857_Christmas_Number]/1857-12-07-The_Rafts_on_the_River.pdf 2c3b15afa132e0b812ef02ad3049c9c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Numbers Contributor An entity responsible for making contributions to the resource Lydia Craig Identifier An unambiguous reference to the resource within a given context christmas-numbers Scripto Transcription A written representation of a document. This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals Household Words and All the Year Round. After writing five Christmas books and multiple sketches on Yuletide cheer - notably 'Scenes and Characters, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in Sketches by Boz (1836) - not to mention the holiday merry-making described in Pickwick Papers (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in HW that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity. In 1852, Dickens decided to develop an extra Christmas number for HW which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in HW and nine in ATYR.  <div style="text-align: center;">Extra Christmas Numbers - Household Words</div> On 24 December 1852, Dickens published A Round of Stories by the Christmas Fire. Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as Another Round of Stories by the Christmas Fire. 25 December 1854 saw The Seven Poor Travellers, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.  Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of The Holly-Tree Inn (15 December 1855). The Wreck of the 'Golden Mary' followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for HW, A House to Let appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR. <div style="text-align: center;">Extra Christmas Numbers - All the Year Round</div> After Dickens launched his new journal ATYR on 30 April 1859, Christmas remained house-themed with the extra Christmas number The Haunted House (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for A Message from the Sea, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.  For Tom Tiddler's Ground, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of Somebody's Luggage (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as AYTR editor, to amusing effect. Two subsequent Christmas numbers, Mrs. Lirriper's Lodgings (25 December 1863) and Mrs. Lirriper's Legacy' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number. Doctor Marigold's Prescriptions appeared in 1865, with Mugby Junction following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, No Thoroughfare (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration. Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, The Mystery of Edwin Drood (1870), evidently sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels Bleak House (1853) (Inspector Bucket) and The Moonstone (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of No Thoroughfare, with its malevolent villain, though he did not live to see the plot through to its conclusion. While building this collection, we have consulted, and transcribed scans from Dickens Journals Online; all items are linked to their original location on the internet. With the exception of No Thoroughfare, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).  Please contact us with any errors, corrections, and suggestions. 1. See Melisa Klimaszewski. Collaborative Dickens: Authorship and Victorian Christmas Periodicals (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. Victorian Periodicals Review 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. Dickens Studies Annual 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In Dickens and the Short Story (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. Dickens Studies Annual 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. Nineteenth-Century Fiction 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of Household Words and All the Year Round, 1850-1867.' Part I. The Dickensian 70.372 (1973): pp. 163-72. and Part II. TD 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. SEL: Studies in English Literature 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) Dickens Quarterly 2.2 (June 1985): pp. 43-50 and (Part Two) DQ 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. Journal of Victorian Culture 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. Dickens Studies Annual 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's Doctor Marigold'. Victorian Review 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and Doctor Marigold'. Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits. Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's Mugby Junction'. Victorian Periodicals Review 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in No Thoroughfare'. Ed. Maxime Leroy. In Charles Dickens and Europe. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The Moonstone to Edwin Drood via No Thoroughfare'. Q/W/E/R/T/Y: Arts, Littératures & Civilisations du Monde Anglophone 5 (1995): 141-9.  Short Story Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) Household Words Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18571207 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. It was in the year of our Lord one thousand seven hundred and forty-four, that I, Gill Davis to command, His Mark, having then the honor to be a private in the Royal Marines, stood a-leaning over the bulwarks of the armed sloop Christopher Columbus, in the South American waters off the Mosquito shore. My lady remarks to me, before I go any further, that there is no such christian-name as Gill, and that her confident opinion is, that the name given to me in the baptism wherein I was made, &c., was Gilbert. She is certain to be right, but I never heard of it. I was a foundling child, picked up somewhere or another, and I always understood my christian-name to be Gill. It is true that I was called Gills when employed at Snorridge Bottom betwixt Chatham and Maidstone, to frighten birds; but that had nothing to do with the Baptism wherein I was made, &c., and wherein a number of things were promised for me by somebody, who let me alone ever afterwards as to performing any of them, and who, I consider, must have been the Beadle. Such name of Gills was entirely owing to my cheeks, or gills, which at that time of my life were of a raspy description. My lady stops me again, before I go any further, by laughing exactly in her old way and waving the feather of her pen at me. That action on her part, calls to my mind as I look at her hand with the rings on it—Well! I won't! To be sure it will come in, in its own place. But it's always strange to me, noticing the quiet hand, and noticing it (as I have done, you know, so many times) a-fondling children and grandchildren asleep, to think that when blood and honor were up—there! I won't! not at present!—Scratch it out. She won't scratch it out, and quite honorable; because we have made an understanding that everything is to be taken down, and that nothing that is once taken down shall be scratched out. I have the great misfortune not to be able to read and write, and I am speaking my true and faithful account of those Adventures, and my lady is writing it, word for word. I say, there I was, a-leaning over the bulwarks of the sloop Christopher Columbus in the South American waters off the Mosquito shore: a subject of his Gracious Majesty King George of England, and a private in the Royal Marines. In those climates, you don't want to do much. I was doing nothing. I was thinking of the shepherd (my father, I wonder?) on the hill-sides by Snorridge Bottom, with a long staff, and with a rough white coat in all weathers all the year round, who used to let me lie in a corner of his hut by night, and who used to let me go about with him and his sheep by day when I could get nothing else to do, and who used to give me so little of his victuals and so much of his staff, that I ran away from him—which was what he wanted all along, I expect—to be knocked about the world in preference to Snorridge Bottom. I had been knocked about the world for nine-and-twenty years in all, when I stood looking along those bright blue South American waters. Looking after the shepherd, I may say. Watching him in a half-waking dream, with my eyes half-shut, as he, and his flock of sheep, and his two dogs, seemed to move away from the ship's side, far away over the blue water, and go right down into the sky. "It's rising out of the water, steady," a voice said close to me. I had been thinking on so, that it like woke me with a start, though it was no stranger voice than the voice of Harry Charker, my own comrade. "What's rising out of the water, steady?" I asked my comrade. "What?" says he. "The Island." "O! The Island!" says I, turning my eyes towards it. "True. I forgot the Island." "Forgot the port you're going to? That's odd, an't it?" "It is odd," says I. "And odd," he said, slowly considering with himself, "an't even. Is it, Gill?" He had always a remark just like that to make, and seldom another. As soon as he had brought a thing round to what it was not, he was satisfied. He was one of the best of men, and, in a certain sort of a way, one with the least to say for himself. I qualify it, because, besides being able to read and write like a Quarter-master, he had always one most excellent idea in his mind. That was, Duty. Upon my soul, I don't believe, though I admire learning beyond everything, that he could have got a better idea out of all the books in the world, if he had learnt them every word, and been the cleverest of scholars. My comrade and I had been quartered in Jamaica, and from there we had been drafted off to the British settlement of Belize, lying away West and North of the Mosquito coast. At Belize there had been great alarm of one cruel gang of pirates (there were always more pirates than enough in those Caribbean Seas), and as they got the better of our English cruisers by running into out-of-the-way creeks and shallows, and taking the land when they were hotly pressed, the governor of Belize had received orders from home to keep a sharp look-out for them along shore. Now, there was an armed sloop came once a-year from Port Royal, Jamaica, to the Island, laden with all manner of necessaries, to eat and to drink, and to wear, and to use in various ways; and it was aboard of that sloop which had touched at Belize, that I was a-standing, leaning over the bulwarks. The Island was occupied by a very small English colony. It had been given the name of Silver-Store. The reason of its being so called, was, that the English colony owned and worked a silver mine over on the mainland, in Honduras, and used this island as a safe and convenient place to store their silver in, until it was annually fetched away by the sloop. It was brought down from the mine to the coast on the backs of mules, attended by friendly Indians and guarded by white men; from thence, it was conveyed over to Silver-Store, when the weather was fair, in the canoes of that country; from Silver-Store, it was carried to Jamaica by the armed sloop once a-year, as I have already mentioned; from Jamaica it went, of course, all over the world. How I came to be aboard the armed sloop, is easily told. Four-and-twenty marines under command of a lieutenant—that officer's name was Linderwood—had been told off at Belize, to proceed to Silver-Store, in aid of boats and seamen stationed there for the chace of the Pirates. The island was considered a good post of observation against the pirates, both by land and sea; neither the pirate ship nor yet her boats had been seen by any of us, but they had been so much heard of, that the reinforcement was sent. Of that party, I was one. It included a corporal and a Serjeant. Charker was corporal, and the serjeant's name was Drooce. He was the most tyrannical non-commissioned officer in His Majesty's service. The night came on, soon after I had had the foregoing words with Charker. All the wonderful bright colors went out of the sea and sky, in a few minutes, and all the stars in the Heavens seemed to shine out together, and to look down at themselves in the sea, over one another's shoulders, millions deep. Next morning, we cast anchor off the Island. There was a snug harbor within a little reef; there was a sandy beach; there were cocoa-nut trees with high straight stems, quite bare, and foliage at the top like plumes of magnificent green feathers; there were all the objects that are usually seen in those parts, and I am not going to describe them, having something else to tell about. Great rejoicings, to be sure, were made on our arrival. All the flags in the place were hoisted, all the guns in the place were fired, and all the people in the place came down to look at us. One of those Sambo fellows—they call those natives Sambos, when they are half-negro and half-Indian—had come off outside the reef, to pilot us in, and remained on board after we had let go our anchor. He was called Christian George King, and was fonder of all hands than anybody else was. Now, I confess, for myself, that on that first day, if I had been captain of the Christopher Columbus, instead of private in the Royal Marines, I should have kicked Christian George King—who was no more a Christian, than he was a King, or a George—over the side, without exactly knowing why, except that it was the right thing to do. But, I must likewise confess, that I was not in a particularly pleasant humor, when I stood under arms that morning, aboard the Christopher Columbus in the harbor of the Island of Silver-Store. I had had a hard life, and the life of the English on the Island seemed too easy and too gay, to please me. "Here you are," I thought to myself, "good scholars and good livers; able to read what you like, able to write what you like, able to eat and drink what you like, and spend what you like, and do what you like; and much you care for a poor, ignorant Private in the Royal Marines! Yet it's hard, too, I think, that you should have all the halfpence, and I all the kicks; you all the smooth, and I all the rough; you all the oil, and I all the vinegar." It was as envious a thing to think as might be, let alone its being nonsensical; but, I thought it. I took it so much amiss, that, when a very beautiful young English lady came aboard, I grunted to myself, "Ah! you have got a lover, I'll be bound!" As if there was any new offence to me in that, if she had! She was sister to the captain of our sloop, who had been in a poor way for some time, and who was so ill then that he was obliged to be carried ashore. She was the child of a military officer, and had come out there with her sister, who was married to one of the owners of the silver-mine, and who had three children with her. It was easy to see that she was the light and spirit of the Island. After I had got a good look at her, I grunted to myself again, in an even worse state of mind than before, "I'll be damned, if I don't hate him, whoever he is!" My officer, Lieutenant Linderwood, was as ill as the captain of the sloop, and was carried ashore, too. They were both young men of about my age, who had been delicate in the West India climate. I even took that, in bad part. I thought I was much fitter for the work than they were, and that if all of us had our deserts, I should be both of them rolled into one. (It may be imagined what sort of an officer of marines I should have made, without the power of reading a written order. And as to any knowledge how to command the sloop—Lord! I should have sunk her in a quarter of an hour!) However, such were my reflections; and when we men were ashore and dismissed, I strolled about the place along with Charker, making my observations in a similar spirit. It was a pretty place: in all its arrangements partly South American and partly English, and very agreeable to look at on that account, being like a bit of home that had got chipped off and had floated away to that spot, accommodating itself to circumstances as it drifted along. The huts of the Sambos, to the number of five-and-twenty, perhaps, were down by the beach to the left of the anchorage. On the right was a sort of barrack, with a South American Flag and the Union Jack, flying from the same staff, where the little English colony could all come together, if they saw occasion. It was a walled square of building, with a sort of pleasure-ground inside, and inside that again, a sunken block like a powder magazine, with a little square trench round it, and steps down to the door. Charker and I were looking in at the gate, which was not guarded; and I had said to Charker, in reference to the bit like a powder magazine, "that's where they keep the silver, you see;" and Charker had said to me, after thinking it over, "And silver an't gold. Is it, Gill?" when the beautiful young English lady I had been so bilious about, looked out of a door, or a window—at all events looked out, from under a bright awning. She no sooner saw us two in uniform, than she came out so quickly that she was still putting on her broad Mexican hat of plaited straw when we saluted. "Would you like to come in," she said, "and see the place? It is rather a curious place." We thanked the young lady, and said we didn't wish to be troublesome; but, she said it could be no trouble to an English soldier's daughter, to show English soldiers how their countrymen and countrywomen fared, so far away from England; and consequently we saluted again, and went in. Then, as we stood in the shade, she showed us (being as affable as beautiful), how the different families lived in their separate houses, and how there was a general house for stores, and a general reading-room, and a general room for music and dancing, and a room for Church; and how there were other houses on the rising-ground called the Signal Hill, where they lived in the hotter weather. "Your officer has been carried up there," she said, "and my brother, too, for the better air. At present, our few residents are dispersed over both spots: deducting, that is to say, such of our number as are always going to, or coming from, or staying at, the Mine." ("He is among one of those parties," I thought, "and I wish somebody would knock his head off.") "Some of our married ladies live here," she said, "during at least half the year, as lonely as widows, with their children." "Many children here, ma'am?" "Seventeen. There are thirteen married ladies, and there are eight like me." There were not eight like her—there was not one like her—in the world. She meant, single. "Which, with about thirty Englishmen of various degrees," said the young lady, "form the little colony now on the Island. I don't count the sailors, for they don't belong to us. Nor the soldiers," she gave us a gracious smile when she spoke of the soldiers, "for the same reason." "Nor the Sambos, ma'am," said I. "No." "Under your favor, and with your leave, ma'am," said I, "are they trustworthy?" "Perfectly! We are all very kind to them, and they are very grateful to us." "Indeed, ma'am? Now—Christian George King?—" "Very much attached to us all. Would die for us." She was, as in my uneducated way I have observed very beautiful women almost always to be, so composed, that her composure gave great weight to what she said, and I believed it. Then, she pointed out to us the building like a powder magazine, and explained to us in what manner the silver was brought from the mine, and was brought over from the mainland, and was stored there. The Christopher Columbus would have a rich lading, she said, for there had been a great yield that year, a much richer yield than usual, and there was a chest of jewels besides the silver. When we had looked about us, and were getting sheepish, through fearing we were troublesome, she turned us over to a young woman, English born but West India bred, who served her as her maid. This young woman was the widow of a non-commissioned officer in a regiment of the line. She had got married and widowed at St. Vincent, with only a few months between the two events. She was a little saucy woman, with a bright pair of eyes, rather a neat little foot and figure, and rather a neat little turned-up nose. The sort of young woman, I considered at the time, who appeared to invite you to give her a kiss, and who would have slapped your face if you accepted the invitation. I couldn't make out her name at first; for, when she gave it in answer to my inquiry, it sounded like Beltot, which didn't sound right. But, when we became better acquainted—which was while Charker and I were drinking sugar-cane sangaree, which she made in a most excellent manner—I found that her Christian name was Isabella, which they shortened into Bell, and that the name of the deceased non-commissioned officer was Tott. Being the kind of neat little woman it was natural to make a toy of,—I never saw a woman so like a toy in my life—she had got the plaything name of Belltott. In short, she had no other name on the island. Even Mr. Commissioner Pordage (and he was a grave one!) formally addressed her as Mrs. Belltott. But, I shall come to Mr. Commissioner Pordage presently. The name of the captain of the sloop was Captain Maryon, and therefore it was no news to hear from Mrs. Belltott, that his sister, the beautiful unmarried young English lady, was Miss Maryon. The novelty was, that her Christian name was Marion too. Marion Maryon. Many a time I have run off those two names in my thoughts, like a bit of verse. O many, and many, and many, a time! We saw out all the drink that was produced, like good men and true, and then took our leaves, and went down to the beach. The weather was beautiful; the wind steady, low, and gentle; the island, a picture; the sea, a picture; the sky, a picture. In that country there are two rainy seasons in the year. One sets in at about our English Midsummer; the other, about a fortnight after our English Michaelmas. It was the beginning of August at that time; the first of these rainy seasons was well over; and everything was in its most beautiful growth, and had its loveliest look upon it. "They enjoy themselves here," I says to Charker, turning surly again. "This is better than private-soldiering." We had come down to the beach, to be friendly with the boat's-crew who were camped and hutted there; and we were approaching towards their quarters over the sand, when Christian George King comes up from the landing-place at a wolf's-trot, crying, "Yup, So-Jeer!"—which was that Sambo Pilot's barbarous way of saying, Hallo, Soldier! I have stated myself to be a man of no learning, and, if I entertain prejudices, I hope allowance may be made. I will now confess to one. It may be a right one or it may be a wrong one; but, I never did like Natives, except in the form of oysters. So, when Christian George King, who was individually unpleasant to me besides, comes a trotting along the sand, clucking "Yap, So-Jeer!" I had a thundering good mind to let fly at him with my right. I certainly should have done it, but that it would have exposed me to reprimand. "Yup, So-Jeer!" says he. "Bad job." "What do you mean?" says I. "Yup, So-Jeer!" says he, "Ship Leakee." "Ship leaky?" says I. "Iss," says he, with a nod that looked as if it was jerked out of him by a most violent hiccup—which is the way with those savages. I cast my eyes at Charker, and we both heard the pumps going aboard the sloop, and saw the signal run up, "Come on board; hands wanted from the shore." In no time some of the sloop's liberty-men were already running down to the water's edge, and the party of seamen, under orders against the Pirates, were putting off to the Columbus in two boats. "Oh Christian George King sar berry sorry!" says that Sambo vagabond, then. "Christian George King cry, English fashion!" His English fashion of crying was to screw his black knuckles into his eyes, howl like a dog, and roll himself on his back on the sand. It was trying not to kick him, but I gave Charker the word, "Double-quick, Harry!" and we got down to the water's edge, and got on board the sloop. By some means or other, she had sprung such a leak, that no pumping would keep her free; and what between the two fears that she would go down in the harbor, and that, even if she did not, all the supplies she had brought for the little colony would be destroyed by the sea-water as it rose in her, there was great confusion. In the midst of it, Captain Maryon was heard hailing from the beach. He had been carried down in his hammock, and looked very bad; but, he insisted on being stood there on his feet; and I saw him, myself, come off in the boat, sitting upright in the stern-sheets, as if nothing was wrong with him. A quick sort of council was held, and Captain Maryon soon resolved that we must all fall to work to get the cargo out, and, that when that was done, the guns and heavy matters must be got out, and that the sloop must be hauled ashore, and careened, and the leak stopped. We were all mustered (the Pirate-Chace party volunteering), and told off into parties, with so many hours of spell and so many hours of relief, and we all went at it with a will. Christian George King was entered one of the party in which I worked, at his own request, and he went at it with as good a will as any of the rest. He went at it with so much heartiness, to say the truth, that he rose in my good opinion, almost as fast as the water rose in the ship. Which was fast enough, and faster. Mr. Commissioner Pordage kept in a red and black japanned box, like a family lump-sugar box, some document or other which some Sambo chief or other had got drunk and spilt some ink over (as well as I could understand the matter), and by that means had given up lawful possession of the Island. Through having hold of this box, Mr. Pordage got his title of Commissioner. He was styled Consul, too, and spoke of himself as "Government.'" He was a stiff-jointed, high-nosed old gentleman, without an ounce of fat on him, of a very angry temper and a very yellow complexion. Mrs. Commissioner Pordage, making allowance for difference of sex, was much the same. Mr. Kitten, a small, youngish, bald, botanical and mineralogical gentleman, also connected with the mine—but everybody there was that, more or less—was sometimes called by Mr. Commissioner Pordage, his Vice-commissioner, and sometimes his Deputy-consul. Or sometimes he spoke of Mr. Kitten, merely as being "under Government." The beach was beginning to be a lively scene with the preparations for careening the sloop, and, with cargo, and spars, and rigging, and water-casks, dotted about it, and with temporary quarters for the men rising up there out of such sails and odds and ends as could be best set on one side to make them, when Mr. Commissioner Pordage comes down in a high fluster, and asks for Captain Maryon. The Captain, ill as he was, was slung in his hammock betwixt two trees, that he might direct; and he raised his head, and answered for himself. "Captain Maryon," cries Mr. Commissioner Pordage, "this is not official. This is not regular." "Sir," says the Captain, "it hath been arranged with the clerk and supercargo, that you should be communicated with, and requested to render any little assistance that may lie in your power. I am quite certain that hath been duly done." "Captain Maryon," replies Mr. Commissioner Pordage, "there hath been no written correspondence. No documents have passed, no memoranda have been made, no minutes have been made, no entries and counter-entries appear in the official muniments. This is indecent. I call upon you, sir, to desist, until all is regular, or Government will take this up." "Sir," says Captain Maryon, chafing a little, as he looked out of his hammock; "between the chances of Government taking this up, and my ship taking herself down, I much prefer to trust myself to the former." "You do, sir?" cries Mr. Commissioner Pordage. "I do, sir," says Captain Maryon, lying down again. "Then, Mr. Kitten," says the Commissioner, "send up instantly for my Diplomatic coat." He was dressed in a linen suit at that moment; but, Mr. Kitten started off himself and brought down the Diplomatic coat, which was a blue cloth one, gold-laced, and with a crown on the button. "Now, Mr. Kitten," says Pordage, "I instruct you, as Vice-commissioner, and Deputy-consul of this place, to demand of Captain Maryon, of the sloop Christopher Columbus, whether he drives me to the act of putting this coat on?" "Mr. Pordage," says Captain Maryon, looking out of his hammock again, "as I can hear what you say, I can answer it without troubling the gentleman. I should be sorry that you should be at the pains of putting on too hot a coat on my account; but, otherwise, you may put it on hind-side before, or inside-out, or with your legs in the sleeves, or your head in the skirts, for any objection that I have to offer to your thoroughly pleasing yourself." "Very good, Captain Maryon," says Pordage, in a tremendous passion. "Very good, sir. Be the consequences on your own head! Mr. Kitten, as it has come to this, help me on with it." When he had given that order, he walked off in the coat, and all our names were taken, and I was afterwards told that Mr. Kitten wrote from his dictation more than a bushel of large paper on the subject, which cost more before it was done with, than ever could be calculated, and which only got done with after all, by being lost. Our work went on merrily, nevertheless, and the Christopher Columbus, hauled up, lay helpless on her side like a great fish out of water. While she was in that state, there was a feast, or a ball, or an entertainment, or more properly all three together, given us in honor of the ship, and the ship's company, and the other visitors. At that assembly, I believe, I saw all the inhabitants then upon the Island, without any exception. I took no particular notice of more than a few, but I found it very agreeable in that little corner of the world to see the children, who were of all ages, and mostly very pretty—as they mostly are. There was one handsome elderly lady, with very dark eyes and grey hair, that I inquired about. I was told that her name was Mrs. Venning; and her married daughter, a fair slight thing, was pointed out to me by the name of Fanny Fisher. Quite a child she looked, with a little copy of herself holding to her dress; and her husband, just come back from the mine, exceeding proud of her. They were a good-looking set of people on the whole, but I didn't like them. I was out of sorts; in conversation with Charker, I found fault with all of them. I said of Mrs. Venning, she was proud; of Mrs. Fisher, she was a delicate little baby-fool. What did I think of this one? Why, he was a fine gentleman. What did I say to that one? Why, she was a fine lady. What could you expect them to be (I asked Charker), nursed in that climate, with the tropical night shining for them, musical instruments playing to them, great trees bending over them, soft lamps lighting them, fire-flies sparkling in among them, bright flowers and birds brought into existence to please their eyes, delicious drinks to be had for the pouring out, delicious fruits to be got for the picking, and every one dancing and murmuring happily in the scented air, with the sea breaking low on the reef for a pleasant chorus. "Fine gentlemen and fine ladies, Harry?" I says to Charker. "Yes, I think so! Dolls! Dolls! Not the sort of stuff for wear, that comes of poor private soldiering in the Royal Marines!" However, I could not gainsay that they were very hospitable people, and that they treated us uncommonly well. Every man of us was at the entertainment, and Mrs. Belltott had more partners than she could dance with: though she danced all night, too. As to Jack (whether of the Christopher Columbus, or of the Pirate pursuit party, it made no difference), he danced with his brother Jack, danced with himself, danced with the moon, the stars, the trees, the prospect, anything. I didn't greatly take to the chief-officer of that party, with his bright eyes, brown face, and easy figure. I didn't much like his way when he first happened to come where we were, with Miss Maryon on his arm. "Oh, Captain Carton," she says, "here are two friends of mine!" He says, "Indeed? These two Marines?"—meaning Charker and self. "Yes," says she, "I showed these two friends of mine when they first came, all the wonders of Silver-Store." He gave us a laughing look, and says he, "You are in luck, men. I would be disrated and go before the mast to-morrow, to be shown the way upward again by such a guide. You are in luck, men." When we had saluted, and he and the young lady had waltzed away, I said, "You are a pretty fellow, too, to talk of luck. You may go to the Devil!" Mr. Commissioner Pordage and Mrs. Commissioner, showed among the company on that occasion like the King and Queen of a much Greater Britain than Great Britain. Only two other circumstances in that jovial night made much separate impression on me. One was this. A man in our draft of marines, named Tom Packer, a wild unsteady young fellow, but the son of a respectable shipwright in Portsmouth Yard, and a good scholar who had been well brought up, comes to me after a spell of dancing, and takes me aside by the elbow, and says, swearing angrily: "Gill Davis, I hope I may not be the death of Serjeant Drooce one day!" Now, I knew Drooce always had borne particularly hard on this man, and I knew this man to be of a very hot temper: so, I said: "Tut, nonsense! don't talk so to me! If there's a man in the corps who scorns the name of an assassin, that man and Tom Packer are one." Tom wipes his head, being in a mortal sweat, and says he: "I hope so, but I can't answer for myself when he lords it over me, as he has just now done, before a woman. I tell you what, Gill! Mark my words! It will go hard with Serjeant Drooce, if ever we are in an engagement together, and he has to look to me to save him. Let him say a prayer then, if he knows one, for it's all over with him, and he is on his Death-bed. Mark my words!" I did mark his words, and very soon afterwards, too, as will shortly be taken down. The other circumstance that I noticed at that ball, was, the gaiety and attachment of Christian George King. The innocent spirits that Sambo Pilot was in, and the impossibility he found himself under of showing all the little colony, but especially the ladies and children, how fond he was of them, how devoted to them, and how faithful to them for life and death, for present, future, and everlasting, made a great impression on me. If ever a man, Sambo or no Sambo, was trustful and trusted, to what may be called quite an infantine and sweetly beautiful extent, surely, I thought that morning when I did at last lie down to rest, it was that Sambo Pilot, Christian George King. This may account for my dreaming of him. He stuck in my sleep, cornerwise, and I couldn't get him out. He was always flitting about me, dancing round me, and peeping in over my hammock, though I woke and dozed off again fifty times. At last, when I opened my eyes, there he really was, looking in at the open side of the little dark hut; which was made of leaves, and had Charker's hammock slung in it as well as mine. "So-Jeer!" says he, in a sort of a low croak. "Yup!" "Hallo!" says I, starting up. "What? You are there, are you?" "Iss," says he. "Christian George King got news." "What news has he got?" "Pirates out!" I was on my feet in a second. So was Charker. We were both aware that Captain Carton, in command of the boats, constantly watched the main land for a secret signal, though, of course, it was not known to such as us what the signal was. Christian George King had vanished before we touched the ground. But, the word was already passing from hut to hut to turn out quietly, and we knew that the nimble barbarian had got hold of the truth, or something near it. In a space among the trees behind the encampment of us visitors, naval and military, was a snugly-screened spot, where we kept the stores that were in use, and did our cookery. The word was passed to assemble here. It was very quickly given, and was given (so far as we were concerned) by Serjeant Drooce, who was as good in a soldier point of view, as he was bad in a tyrannical one. We were ordered to drop into this space, quietly, behind the trees, one by one. As we assembled here, the seamen assembled too. Within ten minutes, as I should estimate, we were all here, except the usual guard upon the beach. The beach (we could see it through the wood) looked as it always had done in the hottest time of the day. The guard were in the shadow of the sloop's hull, and nothing was moving but the sea, and that moved very faintly. Work had always been knocked off at that hour, until the sun grew less fierce, and the sea-breeze rose; so that its being holiday with us, made no difference, just then, in the look of the place. But, I may mention that it was a holiday, and the first we had had since our hard work began. Last night's ball had been given, on the leak's being repaired, and the careening done. The worst of the work was over, and to-morrow we were to begin to get the sloop afloat again. We marines were now drawn up here, under arms. The chace-party were drawn up separate. The men of the Columbus were drawn up separate. The officers stepped out into the midst of the three parties, and spoke so as all might hear. Captain Carton was the officer in command, and he had a spy-glass in his hand. His coxswain stood by him with another spyglass, and with a slate on which he seemed to have been taking down signals. "Now, men!" says Captain Carton; "I have to let you know, for your satisfaction: Firstly, that there are ten pirate-boats, strongly-manned and armed, lying hidden up a creek yonder on the coast, under the overhanging branches of the dense trees. Secondly, that they will certainly come out this night when the moon rises, on a pillaging and murdering expedition, of which some part of the main land is the object. Thirdly—don't cheer, men!—that we will give chace, and, if we can get at them, rid the world of them, please God!" Nobody spoke, that I heard, and nobody moved, that I saw. Yet there was a kind of ring, as if every man answered and approved with the best blood that was inside of him. "Sir," says Captain Maryon, "I beg to volunteer on this service, with my boats. My people volunteer, to the ship's boys." "In His Majesty's name and service," the other answers, touching his hat, "I accept your aid with pleasure. Lieutenant Linderwood, how will you divide your men?" I was ashamed—I give it out to be written down as large and plain as possible—I was heart and soul ashamed of my thoughts of those two sick officers, Captain Maryon and Lieutenant Linderwood, when I saw them, then and there. The spirit in those two gentlemen beat down their illness (and very ill I knew them to be) like Saint George beating down the Dragon. Pain and weakness, want of ease and want of rest, had no more place in their minds than fear itself. Meaning now to express for my lady to write down, exactly what I felt then and there, I felt this: "You two brave fellows that I have been so grudgeful of, I know that if you were dying you would put it off to get up and do your best, and then you would be so modest that in lying down again to die, you would hardly say, 'I did it!'" It did me good. It really did me good. But, to go back to where I broke off. Says Captain Carton to Lieutenant Linderwood, "Sir, how will you divide your men? There is not room for all; and a few men should, in any case, be left here." There was some debate about it. At last, it was resolved to leave eight Marines and four seamen on the Island, besides the sloop's two boys. And because it was considered that the friendly Sambos would only want to be commanded in case of any danger (though none at all was apprehended there), the officers were in favour of leaving the two non-commissioned officers, Drooce and Charker. It was a heavy disappointment to them, just as my being one of the left was a heavy disappointment to me—then, but not soon afterwards. We men drew lots for it, and I drew "Island." So did Tom Packer. So, of course, did four more of our rank and file. When this was settled, verbal instructions were given to all hands to keep the intended expedition secret, in order that the women and children might not be alarmed, or the expedition put in a difficulty by more volunteers. The assembly was to be on that same spot, at sunset. Every man was to keep up an appearance, meanwhile, of occupying himself in his usual way. That is to say, every man excepting four old trusty seamen, who were appointed, with an officer, to see to the arms and ammunition, and to muffle the rullocks of the boats, and to make everything as trim and swift and silent as it could be made. The Sambo Pilot had been present all the while, in case of his being wanted, and had said to the officer in command, five hundred times over if he had said it once, that Christian George King would stay with the So-Jeers, and take care of the booffer ladies and the booffer childs—booffer being that native's expression for beautiful. He was now asked a few questions concerning the putting off of the boats, and in particular whether there was any way of embarking at the back of the Island: which Captain Carton would have half liked to do, and then have dropped round in its shadow and slanted across to the main. But, "No," says Christian George King. "No, no, no! Told you so, ten time. No, no, no! All reef, all rock, all swim, all drown!" Striking out as he said it, like a swimmer gone mad, and turning over on his back on dry land, and spluttering himself to death, in a manner that made him quite an exhibition. The sun went down, after appearing to be a long time about it, and the assembly was called. Every man answered to his name, of course, and was at his post. It was not yet black dark, and the roll was only just gone through, when up comes Mr. Commissioner Pordage with his Diplomatic coat on. "Captain Carton," says he, "Sir, what is this?" "This, Mr. Commissioner," (he was very short with him) "is an expedition against the Pirates. It is a secret expedition, so please to keep it a secret." "Sir," says Commissioner Pordage, "I trust there is going to be no unnecessary cruelty committed?" "Sir," returns the officer, "I trust not." "That is not enough, sir," cries Commissioner Pordage, getting wroth. "Captain Carton, I give you notice. Government requires you to treat the enemy with great delicacy, consideration, clemency, and forbearance." "Sir," says Captain Carton, "I am an English Officer, commanding English Men, and I hope I am not likely to disappoint the Government's just expectations. But, I presume you know that these villains under their black flag have despoiled our countrymen of their property, burnt their homes, barbarously murdered them and their little children, and worse than murdered their wives and daughters?" "Perhaps I do, Captain Carton," answers Pordage, waving his hand, with dignity; "perhaps I do not. It is not customary, sir, for Government to commit itself." "It matters very little, Mr. Pordage, whether or no. Believing that I hold my commission by the allowance of God, and not that I have received it direct from the Devil, I shall certainly use it, with all avoidance of unnecessary suffering and with all merciful swiftness of execution, to exterminate these people from the face of the earth. Let me recommend you to go home, sir, and to keep out of the night-air." Never another syllable did that officer say to the Commissioner, but turned away to his men. The Commissioner buttoned his Diplomatic coat to the chin, said, "Mr. Kitten, attend me!" gasped, half choked himself, and took himself off. It now fell very dark, indeed. I have seldom, if ever, seen it darker, nor yet so dark. The moon was not due until one in the morning, and it was but a little after nine when our men lay down where they were mustered. It was pretended that they were to take a nap, but everybody knew that no nap was to be got under the circumstances. Though all were very quiet, there was a restlessness among the people; much what I have seen among the people on a race-course, when the bell has rung for the saddling for a great race with large stakes on it. At ten, they put off; only one boat putting off at a time; another following in five minutes; both then lying on their oars until another followed. Ahead of all, paddling his own outlandish little canoe without a sound, went the Sambo pilot, to take them safely outside the reef. No light was shown but once, and that was in the commanding officer's own hand. I lighted the dark lantern for him, and he took it from me when he embarked. They had blue lights and such like with them, but kept themselves as dark as Murder. The expedition got away with wonderful quietness, and Christian George King soon came back, dancing with joy. "Yup, So-Jeer," says he to myself in a very objectionable kind of convulsions, "Christian George King sar berry glad. Pirates all be blown a-pieces. Yup! Yup!" My reply to that cannibal was, "However glad you may be, hold your noise, and don't dance jigs and slap your knees about it, for I can't abear to see you do it." I was on duty then; we twelve who were left, being divided into four watches of three each, three hours' spell. I was relieved at twelve. A little before that time, I had challenged, and Miss Maryon and Mrs. Belltott had come in. "Good Davis," says Miss Maryou, "what is the matter? Where is my brother?" I told her what was the matter, and where her brother was. "O Heaven help him!" says she, clasping her hands and looking up—she was close in front of me, and she looked most lovely to be sure; "he is not sufficiently recovered, not strong enough, for such strife!" "If you had seen him, miss," I told her, "as I saw him when he volunteered, you would have known that his spirit is strong enough for any strife. It will bear his body, miss, to wherever duty calls him. It will always bear him to an honorable life, or a brave death." "Heaven bless you!" says she, touching my arm. "I know it. Heaven bless you!" Mrs. Belltott surprised me by trembling and saying nothing. They were still standing looking towards the sea and listening, after the relief had come round. It continuing very dark, I asked to be allowed to take them back. Miss Maryon thanked me, and she put her arm in mine, and I did take them back. I have now got to make a confession that will appear singular. After I had left them, I laid myself down on my face on the beach, and cried, for the first time since I had frightened birds as a boy at Snorridge Bottom, to think what a poor, ignorant, low-placed, private soldier I was. It was only for half a minute or so. A man can't at all times be quite master of himself, and it was only for half a minute or so. Then I up and went to my hut, and turned into my hammock, and fell asleep with wet eyelashes, and a sore, sore heart. Just as I had often done when I was a child, and had been worse used than usual. I slept (as a child under those circumstances might) very sound, and yet very sore at heart all through my sleep. I was awoke by the words, "He is a determined man." I had sprung out of my hammock, and had seized my firelock, and was standing on the ground, saying the words myself. "He is a determined man." But, the curiosity of my state was, that I seemed to be repeating them after somebody, and to have been wonderfully startled by hearing them. As soon as I came to myself, I went out of the hut, and away to where the guard was. Charker challenged: "Who goes there?" "A friend." "Not Gill?" says he, as he shouldered his piece. "Gill," says I. "Why, what the deuce do you do out of your hammock?" says he. "Too hot for sleep," says I; "is all right?" "Right!" says Charker, "yes, yes; all's right enough here; what should be wrong here? It's the boats that we want to know of. Except for fire-flies twinkling about, and the lonesome splashes of great creatures as they drop into the water, there's nothing going on here to ease a man's mind from the boats." The moon was above the sea, and had risen, I should say, some half-an-hour. As Charker spoke, with his face towards the sea, I, looking landward, suddenly laid my right hand on his breast, and said, "Don't move. Don't turn. Don't raise your voice! You never saw a Maltese face here?" "No. What do you mean?" he asks, staring at me. "Nor yet an English face, with one eye and a patch across the nose?" "No. What ails you? What do you mean?'' I had seen both, looking at us round the stem of a cocoa-nut tree, where the moon struck them. I had seen that Sambo Pilot, with one hand laid on the stem of the tree, drawing them back into the heavy shadow. I had seen their naked cutlasses twinkle and shine, like bits of the moonshine in the water that had got blown ashore among the trees by the light wind. I had seen it all, in a moment. And I saw in a moment (as any man would), that the signalled move of the pirates on the main-land was a plot and a feint; that the leak had been made to disable the sloop; that the boats had been tempted away, to leave the Island unprotected; that the pirates had landed by some secreted way at the back; and that Christian George King was a double-dyed traitor, and a most infernal villain. I considered, still all in one and the same moment, that Charker was a brave man, but not quick with his head; and that Serjeant Drooce, with a much better head, was close by. All I said to Charker was, "I am afraid we are betrayed. Turn your back full to the moonlight on the sea, and cover the stem of the cocoa-nut tree which will then be right before you, at the height of a man's heart. Are you right?" "I am right," says Charker, turning instantly, and falling into the position with a nerve of iron; "and right a'nt left. Is it Gill?" A few seconds brought me to Serjeant Drooce's hut. He was fast asleep, and being a heavy sleeper, I had to lay my hand upon him to rouse him. The instant I touched him he came rolling out of his hammock, and upon me like a tiger. And a tiger he was, except that he knew what he was up to, in his utmost heat, as well as any man. I had to struggle with him pretty hard to bring him to his senses, panting all the while (for he gave me a breather), "Serjeant, I am Gill Davis! Treachery! Pirates on the Island!" The last words brought him round, and he took his hands off. "I have seen two of them within this minute," said I. And so I told him what I had told Harry Charker. His soldierly, though tyrannical, head was clear in an instant. He didn't waste one word, even of surprise. "Order the guard," says he, "to draw off quietly into the Fort." (They called the enclosure I have before mentioned, the Fort, though it was not much of that.) "Then get you to the Fort as quick as you can, rouse up every soul there, and fasten the gate. I will bring in all those who are up at the Signal Hill. If we are surrounded before we can join you, you must make a sally and cut us out if you can. The word among our men is, 'Women and children!'" He burst away, like fire going before the wind over dry reeds. He roused up the seven men who were off duty, and had them bursting away with him, before they knew they were not asleep. I reported orders to Charker, and ran to the Fort, as I have never run at any other time in all my life: no, not even in a dream. The gate was not fast, and had no good fastening: only a double wooden bar, a poor chain, and a bad lock. Those, I secured as well as they could be secured in a few seconds by one pair of hands, and so ran to that part of the building where Miss Maryon lived. I called to her loudly by her name until she answered. I then called loudly all the names I knew—Mrs. Macey (Miss Maryon's married sister), Mr. Macey, Mrs. Venning, Mr. and Mrs. Fisher, even Mr. and Mrs. Pordage. Then I called out, "All you gentlemen here, get up and defend the place! We are caught in a trap. Pirates have landed. We are attacked!" At the terrible word "Pirates!"—for, those villains had done such deeds in those seas as never can be told in writing, and can scarcely be so much as thought of—cries and screams rose up from every part of the place. Quickly, lights moved about from window to window, and the cries moved about with them, and men, women and children came flying down into the square. I remarked to myself, even then, what a number of things I seemed to see at once. I noticed Mrs. Macey coming towards me, carrying all her three children together. I noticed Mr. Pordage, in the greatest terror, in vain trying to get on his Diplomatic coat; and Mr. Kitten respectfully tying his pocket-handkerchief over Mrs. Pordage's nightcap. I noticed Mrs. Belltott run out screaming, and shrink upon the ground near me, and cover her face in her hands, and lie, all of a bundle, shivering. But, what I noticed with the greatest pleasure was, the determined eyes with which those men of the Mine that I had thought fine gentlemen, came round me with what arms they had: to the full as cool and resolute as I could be, for my life—aye, and for my soul, too, into the bargain! The chief person being Mr. Macey, I told him how the three men of the guard would be at the gate directly, if they were not already there, and how Serjeant Drooce and the other seven were gone to bring in the outlying part of the people of Silver-store. I next urged him, for the love all who were dear to him, to trust no Sambo, and, above all, if he could get any good chance at Christian George King, not to lose it, but to put him out of the world. "I will follow your advice to the letter, Davis," says he; "what next?" My answer was, "I think, sir, I would recommend you next, to order down such heavy furniture and lumber as can be moved, and make a barricade within the gate." "That's good again," says he; "will you see it done?" "I'll willingly help to do it," says I, "unless or until my superior, Serjeant Drooce, gives me other orders." He shook me by the hand, and having told off some of his companions to help me, bestirred himself to look to the arms and ammunition. A proper quick, brave, steady, ready gentleman! One of their three little children was deaf and dumb. Miss Maryon had been from the first with all the children, soothing them, and dressing them (poor little things, they had been brought out of their beds), and making them believe that it was a game of play, so that some of them were now even laughing. I had been working hard with the others at the barricade, and had got up a pretty good breastwork within the gate. Drooce and the seven had come back, bringing in the people from the Signal Hill, and had worked along with us: but, I had not so much as spoken a word to Drooce, nor had Drooce so much as spoken a word to me, for we were both too busy. The breastwork was now finished, and I found Miss Maryon at my side, with a child in her arms. Her dark hair was fastened round her head with a band. She had a quantity of it, and it looked even richer and more precious, put up hastily out of her way, than I had seen it look when it was carefully arranged. She was very pale, but extraordinarily quiet and still. "Dear good Davis," said she, "I have been waiting to speak one word to you." I turned to her directly. If I had received a musket-ball in the heart, and she had stood there, I almost believe I should have turned to her before I dropped. "This pretty little creature," said she, kissing the child in her arms, who was playing with her hair and trying to pull it down, "cannot hear what we say—can hear nothing. I trust you so much, and have such great confidence in you, that I want you to make me a promise." "What is it, Miss?" "That if we are defeated, and you are absolutely sure of my being taken, you will kill me." "I shall not be alive to do it, Miss. I shall have died in your defence before it comes to that. They must step across my body, to lay a hand on you." "But, if you are alive, you brave soldier." How she looked at me! "And if you cannot save me from the Pirates, living, you will save me, dead. Tell me so." Well! I told her I would do that, at the last, if all else failed. She took my hand—my rough, coarse hand—and put it to her lips. She put it to the child's lips, and the child kissed it. I believe I had the strength of half a dozen men in me, from that moment, until the fight was over. All this time, Mr. Commissioner Pordage had been wanting to make a Proclamation to the Pirates, to lay down their arms and go away; and everybody had been hustling him about and tumbling over him, while he was calling for pen and ink to write it with. Mrs. Pordage, too, had some curious ideas about the British respectability of her nightcap (which had as many frills to it, growing in layers one inside another, as if it was a white vegetable of the artichoke sort), and she wouldn't take the nightcap off, and would be angry when it got crushed by the other ladies who were handing things about, and, in short, she gave as much trouble as her husband did. But, as we were now forming for the defence of the place, they were both poked out of the way with no ceremony. The children and ladies were got into the little trench which surrounded the silver-house (we were afraid of leaving them in any of the light buildings, lest they should be set on fire), and we made the best disposition we could. There was a pretty good store, in point of amount, of tolerable swords and cutlasses. Those were issued. There were, also, perhaps a score or so of spare muskets. Those were brought out. To my astonishment, little Mrs. Fisher that I had taken for a doll and a baby, was not only very active in that service, but volunteered to load the spare arms. "For, I understand it well," says she, cheerfully, without a shake in her voice. "I am a soldier's daughter and a sailor's sister, and I understand it too," says Miss Maryon, just in the same way. Steady and busy behind where I stood, those two beautiful and delicate young women fell to handling the guns, hammering the flints, looking to the locks, and quietly directing others to pass up powder and bullets from hand to hand, as unflinching as the best of tried soldiers. Serjeant Drooce had brought in word that the pirates were very strong in numbers— over a hundred, was his estimate—and that they were not, even then, all landed; for, he had seen them in a very good position on the further side of the Signal Hill, evidently waiting for the rest of their men to come up. In the present pause, the first we had had since the alarm, he was telling this over again to Mr. Macey, when Mr. Macey suddenly cried out: "The signal! Nobody has thought of the signal!" We knew of no signal, so we could not have thought of it. "What signal may you mean, sir?" says Serjeant Drooce, looking sharp at him. "There is a pile of wood upon the Signal Hill. If it could be lighted—which never has been done yet—it would be a signal of distress to the mainland." Charker cries, directly: "Serjeant Drooce, dispatch me on that duty. Give me the two men who were on guard with me to-night, and I'll light the fire, if it can be done." "And if it can't, Corporal—" Mr. Macey strikes in. "Look at these ladies and children, sir!" says Charker. "I'd sooner light myself, than not try any chance to save them." We gave him a Hurrah!—it burst from us, come of it what might—and he got his two men, and was let out at the gate, and crept away. I had no sooner come back to my place from being one of the party to handle the gate, than Miss Maryon said in a low voice behind me: "Davis, will you look at this powder. This is not right?" I turned my head. Christian George King again, and treachery again! Sea-water had been conveyed into the magazine, and every grain of powder was spoiled! "Stay a moment," said Serjeant Drooce, when I had told him, without causing a movement in a muscle of his face: "look to your pouch, my lad. You Tom Packer, look to your pouch, confound you! Look to your pouches, all you Marines." The same artful savage had got at them, somehow or another, and the cartridges were all unserviceable. "Hum!" says the Serjeant, "Look to your loading, men. You are right so far?" Yes; we were right so far. "Well, my lads, and gentlemen all," says the Serjeant, "this will be a hand-to-hand affair, and so much the better." He treated himself to a pinch of snuff, and stood up, square-shouldered and broad-chested, in the light of the moon—which was now very bright—as cool as if he was waiting for a play to begin. He stood quiet, and we all stood quiet, for a matter of something like half-an-hour. I took notice from such whispered talk as there was, how little we that the silver did not belong to, thought about it, and how much the people that it did belong to, thought about it. At the end of the half-hour, it was reported from the gate that Charker and the two were falling back on us, pursued by about a dozen. "Sally! Gate-party, under Gill Davis," says the Sergeant, "and bring 'em in! Like men, now!" We we're not long about it, and we brought them in. "Don't take me," says Charker, holding me round the neck, and stumbling down at my feet when the gate was fast, "don't take me near the ladies or the children, Gill. They had better not see Death, till it can't be helped. They'll see it soon enough." "Harry!" I answered, holding up his head. "Comrade!" He was cut to pieces. The signal had been secured by the first pirate party that lauded; his hair was all singed off, and his face was blackened with the running pitch from a torch. He made no complaint of pain, or of anything. "Good bye, old chap," was all he said, with a smile. "I've got my death. And Death a'nt life. Is it, Gill?" Having helped to lay his poor body on one side, I went back to my post. Serjeant Drooce looked at me, with his eyebrows a little lifted. I nodded. "Close up here, men, and gentlemen all!" said the Serjeant. "A place too many, in the line." The Pirates were so close upon us at this time, that the foremost of them were already before the gate. More and more came up with a great noise, and shouting loudly. When we believed from the sound that they were all there, we gave three English cheers. The poor little children joined, and were so fully convinced of our being at play, that they enjoyed the noise, and were heard clapping their hands in the silence that followed. Our disposition was this, beginning with the rear. Mrs. Venning, holding her daughter's child in her arms, sat on the steps of the little square trench surrounding the silver-house, encouraging and directing those women and children as she might have done in the happiest and easiest time of her life. Then, there was an armed line, under Mr. Macey, across the width of the enclosure, facing that way and having their backs towards the gate, in order that they might watch the walls and prevent our being taken by surprise. Then, there was a space of eight or ten feet deep, in which the spare arms were, and in which Miss Maryon and Mrs. Fisher, their hands and dresses blackened with the spoilt gunpowder, worked on their knees, tying such things as knives, old bayonets, and spear-heads, to the muzzles of the useless muskets. Then, there was a second armed line, under Serjeant Drooce, also across the width of the enclosure, but facing to the gate. Then, came the breastwork we had made, with a zig-zag way through it for me and my little party to hold good in retreating, as long as we could, when we were driven from the gate. We all knew that it was impossible to hold the place long, and that our only hope was in the timely discovery of the plot by the boats, and in their coming back. I and my men were now thrown forward to the gate. From a spy-hole, I could see the whole crowd of Pirates. There were Malays among them, Dutch, Maltese, Greeks, Sambos, Negroes, and Convict Englishmen from the West India Islands; among the last, him with the one eye and the patch across the nose. There were some Portuguese, too, and a few Spaniards. The captain was a Portuguese; a little man with very large ear-rings under a very broad hat, and a great bright shawl twisted about his shoulders. They were all strongly armed, but like a boarding party, with pikes, swords, cutlasses, and axes. I noticed a good many pistols, but not a gun of any kind among them. This gave me to understand that they had considered that a continued roll of musketry might perhaps have been heard on the mainland; also, that for the reason that fire would be seen from the mainland they would not set the Fort in flames and roast us alive; which was one of their favorite ways of carrying on. I looked about for Christian George King, and if I had seen him I am much mistaken if he would not have received my one round of ball-cartridge in his head. But, no Christian George King was visible. A sort of a wild Portuguese demon, who seemed either fierce-mad or fierce-drunk—but, they all seemed one or the other—came forward with the black flag, and gave it a wave or two. After that, the Portuguese captain called out in shrill English. "I say you! English fools! Open the gate! Surrender!" As we kept close and quiet, he said something to his men which I didn't understand, and when he had said it, the one-eyed English rascal with the patch (who had stepped out when he began), said it again in English. It was only this. "Boys of the black flag, this is to be quickly done. Take all the prisoners you can. If they don't yield, kill the children to make them. Forward!" Then, they all came on at the gate, and, in another half minute were smashing and splitting it in. We struck at them through the gaps and shivers, and we dropped many of them, too; but, their very weight would have carried such a gate, if they had been unarmed. I soon found Serjeant Drooce at my side, forming us six remaining marines in line—Tom Packer next to me—and ordering us to fall back three paces, and, as they broke in, to give them our one little volley at short distance. "Then," says he, "receive them behind your breastwork on the bayonet, and at least let every man of you pin one of the cursed cockchafers through the body." We checked them by our fire, slight as it was, and we checked them at the breastwork. However, they broke over it like swarms of devils—they were, really and truly, more devils than men—and then it was hand to hand, indeed. We clubbed our muskets and laid about us; even then, those two ladies—always behind me—were steady and ready with the arms. I had a lot of Maltese and Malays upon me, and, but for a broadsword that Miss Maryon's own hand put in mine, should have got my end from them. But, was that all? No. I saw a heap of banded dark hair and a white dress come thrice between me and them, under my own raised right arm, which each time might have destroyed the wearer of the white dress; and each time one of the lot went down, struck dead. Drooce was armed with a broad-sword, too, and did such things with it, that there was a cry, in half-a dozen languages, of "Kill that serjeant! "as I knew, by the cry being raised in English, and taken up in other tongues. I had received a severe cut across the left arm a few moments before, and should have known nothing of it, except supposing that somebody had struck me a smart blow, if I had not felt weak, and seen myself covered with spouting blood, and, at the same instant of time, seen Miss Maryon tearing her dress, and binding it with Mrs. Fisher's help round the wound. They called to Tom Packer, who was scouring by, to stop and guard me for one minute, while I was bound, or I should bleed to death in trying to defend myself. Tom stopped directly, with a good sabre in his hand. In that same moment all—things seem to happen in that same moment, at such a time—half-a-dozen had rushed howling at Serjeant Drooce. The Serjeant, stepping back against the wall, stopped one howl for ever with such a terrible blow, and waited for the rest to come on, with such a wonderfully unmoved face, that they stopped and looked at him. "See him now!" cried Tom Packer. "Now, when I could cut him out! Gill! Did I tell you to mark my words?" I implored Tom Packer in the Lord's name, as well as I could in my faintness, to go to the Serjeant's aid. "I hate and detest him," says Tom, moodily wavering. "Still, he is a brave man." Then he calls out, "Serjeant Drooce, Serjeant Drooce! Tell me you have driven me too hard, and are sorry for it." The Serjeant, without turning his eyes from his assailants, which would have been instant death to him, answers: "No. I won't." "Serjeant Drooce!" cries Tom, in a kind of an agony. "I have passed my word that I would never save you from Death, if I could, but would leave you to die. Tell me you have driven me too hard and are sorry for it, and that shall go for nothing." One of the group laid the Serjeant's bald bare head open. The Serjeant laid him dead. "I tell you," says the Serjeant, breathing a little short, and waiting for the next attack. "No. I won't. If you are not man enough to strike for a fellow-soldier because he wants help, and because of nothing else, I'll go into the other world and look for a better man." Tom swept upon them, and cut him out. Tom and he fought their way through another knot of them, and sent them flying, and came over to where I was beginning again to feel, with inexpressible joy, that I had got a sword in my hand. They had hardly come to us, when I heard, above all the other noises, a tremendous cry of women's voices. I also saw Miss Maryon, with quite a new face, suddenly clap her two hands over Mrs. Fisher's eyes. I looked towards the silver-house, and saw Mrs. Venning—standing upright on the top of the steps of the trench, with her grey hair and her dark eyes—hide her daughter's child behind her, among the folds of her dress, strike a pirate with her other hand, and fall, shot by his pistol. The cry arose again, and there was a terrible and confusing rush of the women into the midst of the struggle. In another moment, something came tumbling down upon me that I thought was the wall. It was a heap of Sambos who had come over the wall; and of four men who clung to my legs like serpents, one who clung to my right leg was Christian George King. "Yup, So-Jeer!" says he, "Christian George King sar berry glad So-Jeer a prisoner. Christian George King been waiting for So-Jeer sech long time. Yup, yup!" What could I do, with five-and-twenty of them on me, but be tied hand and foot? So, I was tied hand and foot. It was all over now—boats not come back—all lost! When I was fast bound and was put up against the wall, the one-eyed English convict came up with the Portuguese Captain, to have a look at me. "See!" says he, "Here's the determined man! If you had slept sounder, last night, you'd have slept your soundest last night, my determined man." The Portuguese Captain laughed in a cool way, and, with the flat of his cutlass, hit me crosswise, as if I was the bough of a tree that he played with: first on the face, and then across the chest and the wounded arm. I looked him steady in the face without tumbling while he looked at me, I am happy to say; but, when they went away, I fell, and lay there. The sun was up, when I was roused and told to come down to the beach and be embarked. I was full of aches and pains, and could not at first remember; but, I remembered quite soon enough. The killed were lying about all over the place, and the Pirates were burying their dead, and taking away their wounded on hastily-made litters, to the back of the Island. As for us prisoners, some of their boats had come round to the usual harbour, to carry us off. We looked a wretched few, I thought, when I got down there; still, it was another sign that we had fought well, and made the enemy suffer. The Portuguese Captain had all the women already embarked in the boat he himself commanded, which was just putting off when I got down. Miss Maryon sat on one side of him, and gave me a moment's look, as full of quiet courage, and pity, and confidence, as if it had been an hour long. On the other side of him was poor little Mrs. Fisher, weeping for her child and her mother. I was shoved into the same boat with Drooce and Packer, and the remainder of our party of marines: of whom we had lost two privates, besides Charker, my poor, brave comrade. We all made a melancholy passage, under the hot sun, over to the mainland. There, we landed in a solitary place, and were mustered on the sea sand. Mr. and Mrs. Macey and their children were amongst us, Mr. and Mrs. Pordage, Mr. Kitten, Mr. Fisher, and Mrs. Belltott. We mustered only fourteen men, fifteen women, and seven children. Those were all that remained of the English who had lain down to sleep last night, unsuspecting and happy, on the Island of Silver-Store. We contrived to keep afloat all that night, and, the stream running strong with us, to glide a long way down the river. But, we found the night to be a dangerous time for such navigation, on account of the eddies and rapids, and it was therefore settled next day that in future we would bring-to at sunset, and encamp on the shore. As we knew of no boats that the Pirates possessed, up at the Prison in the Woods, we settled always to encamp on the opposite side of the stream, so as to have the breadth of the river between our sleep and them. Our opinion was, that if they were acquainted with any near way by land to the mouth of this river, they would come up it in force, and re-take us or kill us, according as they could; but, that if that was not the case, and if the river ran by none of their secret stations, we might escape. When I say we settled this or that, I do not mean that we planned anything with any confidence as to what might happen an hour hence. So much had happened in one night, and such great changes had been violently and suddenly made in the fortunes of many among us, that we had got better used to uncertainty, in a little while, than I dare say most people do in the course of their lives. The difficulties we soon got into, through the off-settings and point-currents of the stream, made the likelihood of our being drowned, alone—to say nothing of our being retaken— as broad and plain as the sun at noon-day to all of us. But, we all worked hard at managing the rafts, under the direction of the seamen (of our own skill, I think we never could have prevented them from oversetting), and we also worked hard at making good the defects in their first hasty construction—which the water soon found out. While we humbly resigned ourselves to going down, if it was the will of Our Father that was in Heaven, we humbly made up our minds, that we would all do the best that was in us. And so we held on, gliding with the stream. It drove us to this bank, and it drove us to that bank, and it turned us, and whirled us; but yet it carried us on. Sometimes much too slowly, sometimes much too fast, but yet it carried us on. My little deaf and dumb boy slumbered a good deal now, and that was the case with all the children. They caused very little trouble to any one. They seemed, in my eyes, to get more like one another, not only in quiet manner, but in the face, too. The motion of the raft was usually so much the same, the scene was usually so much the same, the sound of the soft wash and ripple of the water was usually so much the same, that they were made drowsy, as they might have been by the constant playing of one tune. Even on the grown people, who worked hard and felt anxiety, the same things produced something of the same effect. Every day was so like the other, that I soon lost count of the days, myself, and had to ask Miss Maryon, for instance, whether this was the third or fourth? Miss Maryon had a pocketbook and pencil, and she kept the log; that is to say, she entered up a clear little journal of the time, and of the distances our seamen thought we had made, each night. So, as I say, we kept afloat and glided on. All day long, and every day, the water, and the woods, and sky; all day long, and every day, the constant watching of both sides of the river, and far a-head at every bold turn and sweep it made, for any signs of Pirate-boats, or Pirate-dwellings. So, as I say, we kept afloat and glided on. The days melting themselves together to that degree, that I could hardly believe my ears when I asked "How many, now, Miss?" and she answered, "Seven." To be sure, poor Mr. Pordage had, by about now, got his Diplomatic coat into such a state as never was seen. What with the mud of the river, what with the water of the river, what with the sun, and the dews, and the tearing boughs, and the thickets, it hung about him in discoloured shreds like a mop. The sun had touched him a bit. He had taken to always polishing one particular button, which just held on to his left wrist, and to always calling for stationery. I suppose that man called for pens, ink, and paper, tape, and sealing-wax, upwards of one thousand times in four and twenty hours. He had an idea that we should never get out of that river unless we were written out of it in a formal Memorandum; and the more we laboured at navigating the rafts, the more he ordered us not to touch them at our peril, and the more he sat and roared for stationery. Mrs. Pordage, similarly, persisted in wearing her nightcap. I doubt if any one but ourselves who had seen the progress of that article of dress, could by this time have told what it was meant for. It had got so limp and rugged that she couldn't see out of her eyes for it. It was so dirty, that whether it was vegetable matter out of a swamp, or weeds out of the river, or an old porter's-knot from England, I don't think any new spectator could have said. Yet, this unfortunate old woman had a notion that it was not only vastly genteel, but that it was the correct thing as to propriety. And she really did carry herself over the other ladies who had no night-caps, and who were forced to tie up their hair how they could, in a superior manner that was perfectly amazing. I don't know what she looked like, sitting in that blessed night-cap, on a log of wood, outside the hut or cabin upon our raft. She would have rather resembled a fortune-teller in one of the picture-books that used to be in the shop windows in my boyhood, except for her stateliness. But, Lord bless my heart, the dignity with which she sat and moped, with her head in that bundle of tatters, was like nothing else in the world! She was not on speaking terms with more than three of the ladies. Some of them had, what she called, "taken precedence" of her—in getting into, or out of, that miserable little shelter!—and others had not called to pay their respects, or something of that kind. So, there she sat, in her own state and ceremony, while her husband sat on the same log of wood, ordering us one and all to let the raft go to the bottom, and to bring him stationery. What with this noise on the part of Mr. Commissioner Pordage, and what with the cries of Serjeant Drooce on the raft astern (which were sometimes more than Tom Packer could silence), we often made our slow way down the river, anything but quietly. Yet, that it was of great importance that no ears should be able to hear us from the woods on the banks, could not be doubted. We were looked for, to a certainty, and we might be retaken at any moment. It was an anxious time; it was, indeed, indeed, an anxious time. On the seventh night of our voyage on the rafts, we made fast, as usual, on the opposite side of the river to that from which we had started, in as dark a place as we could pick out. Our little encampment was soon made, and supper was eaten, and the children fell asleep. The watch was set, and everything made orderly for the night. Such a starlight night, with such blue in the sky, and such black in the places of heavy shade on the banks of the great stream! Those two ladies, Miss Maryon and Mrs. Fisher, had always kept near me since the night of the attack. Mr. Fisher, who was untiring in the work of our raft, had said to me: "My dear little childless wife has grown so attached to you, Davis, and you are such a gentle fellow, as well as such a determined one;" our party had adopted that last expression from the one-eyed English pirate, and I repeat what Mr. Fisher said, only because he said it; "that it takes a load off my mind to leave her in your charge." I said to him: "Your lady is in far better charge than mine, sir, having Miss Maryon to take care of her; but, you may rely upon it, that I will guard them both—faithful and true." Says he: "I do rely upon it, Davis, and I heartily wish all the silver on our old Island was yours." That seventh starlight night, as I have said, we made our camp, and got our supper, and set our watch, and the children fell asleep. It was solemn and beautiful in those wild and solitary parts, to see them, every night before they lay down, kneeling under the bright sky, saying their little prayers at women's laps. At that time we men all uncovered, and mostly kept at a distance. When the innocent creatures rose up, we murmured "Amen!" all together. For, though we had not heard what they said, we knew it must be good for us. At that time, too, as was only natural, those poor mothers in our company whose children had been killed, shed many tears. I thought the sight seemed to console them while it made them cry; but, whether I was right or wrong in that, they wept very much. On this seventh night, Mrs. Fisher had cried for her lost darling until she cried herself asleep. She was lying on a little couch of leaves and such-like (I made the best little couch I could, for them every night), and Miss Maryon had covered her, and sat by her, holding her hand. The stars looked down upon them. As for me, I guarded them. "Davis!" says Miss Maryon. (I am not going to say what a voice she had. I couldn't if I tried.) "I am here, Miss." "The river sounds as if it were swollen to-night." "We all think, Miss, that we are coming near the sea." "Do you believe, now, we shall escape?" "I do now, Miss, really believe it." I had always said I did; but, I had in my own mind been doubtful." "How glad you will be, my good Davis, to see England again!" I have another confession to make that will appear singular. When she said these words, something rose in my throat; and the stars I looked away at, seemed to break into sparkles that fell down my face and burnt it. "England is not much to me, Miss, except as a name." "Oh! So true an Englishman should not say that!—Are you not well to-night, Davis?" Very kindly, and with a quick change. "Quite well, Miss." "Are you sure? Your voice sounds altered in my hearing." "No, Miss, I am a stronger man than ever. But, England is nothing to me." Miss Maryon sat silent for so long a while, that I believed she had done speaking to me for one time. However, she had not; for by and by she said in a distinct, clear tone: "No, good friend; you must not say, that England is nothing to you. It is to be much to you, yet—everything to you. You have to take back to England the good name you have earned here, and the gratitude and attachment and respect you have won here; and you have to make some good English girl very happy and proud, by marrying her; and I shall one day see her, I hope, and make her happier and prouder still, by telling her what noble services her husband's were in South America, and what a noble friend he was to me there." Though she spoke these kind words in a cheering manner, she spoke them compassionately. I said nothing. It will appear to be another strange confession, that I paced to and fro, within call, all that night, a most unhappy man reproaching myself all the night long. "You are as ignorant as any man alive; you are as obscure as any man alive; you are as poor as any man alive; you are no better than the mud under your foot." That was the way in which I went on against myself until the morning. With the day, came the day's labour. What I should have done without the labour, I don't know. We were afloat again at the usual hour, and were again making our way down the river. It was broader, and clearer of obstructions than it had been, and it seemed to flow faster. This was one of Drooce's quiet days; Mr. Pordage, besides being sulky, had almost lost his voice; and we made good way, and with little noise. There was always a seaman forward on the raft, keeping a bright look-out. Suddenly, in the full heat of the day, when the children were slumbering, and the very trees and reeds appeared to be slumbering, this man—it was Short—holds up his hand, and cries with great caution: "Avast! Voices ahead!" We held on against the stream as soon as we could bring her up, and the other raft followed suit. At first, Mr. Macey, Mr. Fisher, and myself, could hear nothing; though both the seamen aboard of us agreed that they could hear voices and oars. After a little pause, however, we united in thinking that we could hear the sound of voices, and the dip of oars. But, you can hear a long way in those countries, and there was a bend of the river before us, and nothing was to be seen except such waters and such banks as we were now in the eighth day (and might, for the matter of our feelings, have been in the eightieth), of having seen with anxious eyes. It was soon decided to put a man ashore who should creep through the wood, see what was coming, and warn the rafts. The rafts in the meantime to keep the middle of the stream. The man to be put ashore, and not to swim ashore, as the first thing could be more quickly done than the second. The raft conveying him, to get back into mid-stream, and to hold on along with the other, as well as it could, until signalled by the man. In case of danger, the man to shift, for himself until it should be safe to take him aboard again. I volunteered to be the man. We knew that the voices and oars must come up slowly against the stream; and our seamen knew, by the set of the stream, under which bank they would come. I was put ashore accordingly. The raft got off well, and I broke into the wood. Steaming hot it was, and a tearing place to get through. So much the better for me, since it was something to contend against and do. I cut off the bend in the river, at a great saving of space, came to the water's edge again, and hid myself, and waited. I could now hear the dip of the oars very distinctly; the voices had ceased. The sound came on in a regular tune, and as I lay hidden, I fancied the tune so played to be, "Chris'en—George—King!—Chris'en—George—King! Chris'en—George—King!" over and over again, always the same, with the pauses always at the same places. I had likewise time to make up my mind that if these were the Pirates, I could and would (barring my being shot), swim off to my raft, in spite of my wound, the moment I had given the alarm, and hold my old post by Miss Maryon. "Chris'en—George—King! Chris'en—George—King! Chris'en—George—King!" coming up, now, very near. I took a look at the branches about me, to see where a shower of bullets would be most likely to do me least hurt; and I took a look back at the track I had made in forcing my way in; and now I was wholly prepared and fully ready for them. "Chris'en—George—King! Chrise'n—George—King! Chris'en—George—King!" Here they were! Who were they? The barbarous Pirates, scum of all nations, headed by such men as the hideous little Portuguese monkey, and the one-eyed English convict with the gash across his face, that ought to have gashed his wicked head off? The worst men in the world picked out from the worst, to do the cruellest and most atrocious deeds that ever stained it? The howling, murdering, black-flag waving, mad, and drunken crowd of devils that had overcome us by numbers and by treachery? No. These were English men in English boats—good blue-jackets and red-coats—marines that I knew myself, and sailors that knew our seamen! At the helm of the first boat, Captain Carton, eager and steady. At the helm of the second boat, Captain Maryon, brave and bold. At the helm of the third boat, an old seaman, with determination carved into his watchful face, like the figure-head of a ship. Every man doubly and trebly armed from head to foot. Every man lying-to at his work, with a will that had all his heart and soul in it. Every man looking out for any trace of friend or enemy, and burning to be the first to do good, or avenge evil. Every man with his face on fire when he saw me, his countryman who had been taken prisoner, and hailed me with a cheer, as Captain Carton's boat ran in and took me on board. I reported, "All escaped, sir! All well, all safe, all here!" God bless me—and God bless them—what a cheer! It turned me weak, as I was passed on from hand to hand to the stern of the boat: every hand patting me or grasping me in some way or other, in the moment of my going by. "Hold up, my brave fellow," says Captain Carton, clapping me on the shoulder like a friend, and giving me a flask. "Put your lips to that, and they'll be red again. Now, boys, give way!" The banks flew by us, as if the mightiest stream that ever ran was with us; and so it was, I am sure, meaning the stream of those men's ardour and spirit. The banks flew by us, and we came in sight of the rafts—the banks flew by us, and we came alongside of the rafts—the banks stopped; and there was a tumult of laughing and crying and kissing and shaking of hands, and catching up of children and setting of them down again, and a wild hurry of thankfulness and joy that melted every one and softened all hearts. I had taken notice, in Captain Carton's boat, that there was a curious and quite new sort of fitting on board. It was a kind of a little bower made of flowers, and it was set up behind the captain, and betwixt him and the rudder. Not only was this arbor, so to call it, neatly made of flowers, but it was ornamented in a singular way. Some of the men had taken the ribbons and buckles off their hats, and hung them among the flowers; others, had made festoons and streamers of their handkerchiefs, and hung them there; others, had intermixed such trifles as bits of glass and shining fragments of lockets and tobacco-boxes, with the flowers; so that altogether it was a very bright and lively object in the sunshine. But, why there, or what for, I did not understand. Now, as soon as the first bewilderment was over, Captain Carton gave the order to land for the present. But, this boat of his, with two hands left in her, immediately put off again when the men were out of her, and kept off, some yards from the shore. As she floated there, with the two hands gently backing water to keep her from going down the stream, this pretty little arbor attracted many eyes. None of the boat's crew, however, had anything to say about it, except that it was the captain's fancy. The captain, with the women and children clustering round him, and the men of all ranks grouped outside them, and all listening, stood telling how the Expedition, deceived by its bad intelligence, had chased the light Pirate boats all that fatal night, and had still followed in their wake next day, and had never suspected until many hours too late that the great Pirate body had drawn off in the darkness when the chace began, and shot over to the Island. He stood telling how the Expedition, supposing the whole array of armed boats to be ahead of it, got tempted into shallows and went aground; but, not without having its revenge upon the two decoy-boats, both of which it had come up with, overland, and sent to the bottom with all on board. He stood telling how the Expedition, fearing then that the case stood as it did, got afloat again, by great exertion, after the loss of four more tides, and returned to the Island, where they found the sloop scuttled and the treasure gone. He stood telling how my officer, Lieutenant Linderwood, was left upon the Island, with as strong a force as could be got together hurriedly from the mainland, and how the three boats we saw before us were manned and armed and had come away, exploring the coast and inlets, in search of any tidings of us. He stood telling all this, with his face to the river; and, as he stood telling it, the little arbor of flowers floated in the sunshine before all the faces there. Leaning on Captain Carton's shoulder, between him and Miss Maryon, was Mrs. Fisher, her head drooping on her arm. She asked him, without raising it, when he had told so much, whether he had found her mother? "Be comforted! She lies," said the Captain, gently, "under the cocoa-nut trees on the beach." "And my child, Captain Carton, did you find my child, too? Does my darling rest with my mother?" "No. Your pretty child sleeps," said the Captain, "under a shade of flowers." His voice shook; but, there was something in it that struck all the hearers. At that moment, there sprung from the arbor in his boat, a little creature, clapping her hand and stretching out her arms, and crying, "Dear papa! Dear mamma! I am not killed. I am saved. I am coming to kiss you. Take me to them, take me to them, good, kind sailors!" Nobody who saw that scene has ever forgotten it, I am sure, or ever will forget it. The child had kept quite still, where her brave grandmama had put her (first whispering in her ear, "Whatever happens to me, do not stir, my dear!"), and had remained quiet until the fort was deserted; she had then crept out of the trench, and gone into her mother's house; and there, alone on the solitary Island, in her mother's room, and asleep on her mother's bed, the Captain had found her. Nothing could induce her to be parted from him after he took her up in his arms, and he had brought her away with him, and the men had made the bower for her. To see those men now, was a sight. The joy of the women was beautiful; the joy of those women who had lost their own children, was quite sacred and divine; but, the ecstasies of Captain Carton's boat's crew, when their pet was restored to her parents, were wonderful for the tenderness they showed in the midst of roughness. As the Captain stood with the child in his arms, and the child's own little arms now clinging round his neck, now round her father's, now round her mother's, now round some one who pressed up to kiss her, the boat's crew shook hands with one another, waved their hats over their heads, laughed, sang, cried, danced—and all among themselves, without wanting to interfere with anybody—in a manner never to be represented. At last, I saw the coxswain and another, two very hard-faced men with grizzled heads who had been the heartiest of the hearty all along, close with one another, get each of them the other's head under his arm, and pummel away at it with his fist as hard as he could, in his excess of joy. When we had well rested and refreshed ourselves—and very glad we were to have some of the heartening things to eat and drink that had come up in the boats—we recommenced our voyage down the river: rafts, and boats, and all. I said to myself, it was a very different kind of voyage now, from what it had been; and I fell into my proper place and station among my fellow-soldiers. But, when we halted for the night, I found that Miss Maryon had spoken to Captain Carton concerning me. For, the Captain came straight up to me, and says he, "My brave fellow, you have been Miss Maryon's body-guard all along, and you shall remain so. Nobody shall supersede you in the distinction and pleasure of protecting that young lady." I thanked his honor in the fittest words I could find, and that night I was placed on my old post of watching the place where she slept. More than once in the night, I saw Captain Carton come out into the air, and stroll about there, to see that all was well. I have now this other singular confession to make, that I saw him with a heavy heart. Yes; I saw him with a heavy, heavy heart. In the day-time, I had the like post in Captain Carton's boat. I had a special station of my own, behind Miss Maryon, and no hands but hers ever touched my wound. (It has been healed these many long years; but, no other hands have ever touched it.) Mr. Pordage was kept tolerably quiet now, with pen and ink, and began to pick up his senses a little. Seated in the second boat, he made documents with Mr. Kitten, pretty well all day; and he generally handed in a Protest about something whenever we stopped. The Captain, however, made so very light of these papers that it grew into a saying among the men, when one of them wanted a match for his pipe, "Hand us over a Protest, Jack!" As to Mrs. Pordage, she still wore the nightcap, and she now had cut all the ladies on account of her not having been formally and separately rescued by Captain Carton before anybody else. The end of Mr. Pordage, to bring to an end all I know about him, was, that he got great compliments at home for his conduct on these trying occasions, and that he died of yellow jaundice, a Governor and a K.C.B. Serjeant Drooce had fallen from a high fever into a low one, Tom Packer—the only man who could have pulled the Serjeant through it—kept hospital a-board the old raft, and Mrs. Belltott, as brisk as ever again (but the spirit of that little woman, when things tried it, was not equal to appearances), was head-nurse under his directions. Before we got down to the Mosquito coast, the joke had been made by one of our men, that we should see her gazetted Mrs. Tom Packer, vice Belltott exchanged. When we reached the coast, we got native boats as substitutes for the rafts; and we rowed along under the land; and in that beautiful climate, and upon that beautiful water, the blooming days were like enchantment. Ah! They were running away, faster than any sea or river, and there was no tide to bring them back. We were coming very near the settlement where the people of Silver-Store were to be left, and from which we Marines were under orders to return to Belize. Captain Carton had, in the boat by him, a curious long-barreled Spanish gun, and he had said to Miss Maryon one day that it was the best of guns, and had turned his head to me, and said: "Gill Davis, load her fresh with a couple of slugs, against a chance of showing how good she is." So, I had discharged the gun over the sea, and had loaded her, according to orders, and there it had lain at the Captain's feet, convenient to the Captain's hand. The last day but one of our journey was an uncommonly hot day. We started very early; but, there was no cool air on the sea as the day got on, and by noon the heat was really hard to bear, considering that there were women and children to bear it. Now, we happened to open, just at that time, a very pleasant little cove or bay, where there was a deep shade from a great growth of trees. Now, the Captain, therefore, made the signal to the other boats to follow him in and lie by a while. The men who were off duty went ashore, and lay down, but were ordered, for caution's sake, not to stray, and to keep within view. The others rested on their oars, and dozed. Awnings had been made of one thing and another, in all the boats, and the passengers found it cooler to be under them in the shade, when there was room enough, than to be in the thick woods. So, the passengers were all afloat, and mostly sleeping. I kept my post behind Miss Maryon, and she was on Captain Carton's right in the boat, and Mrs. Fisher sat on her right again. The Captain had Mrs. Fisher's daughter on his knee. He and the two ladies were talking about the Pirates, and were talking softly: partly, because people do talk softly under such indolent circumstances, and partly because the little girl had gone off asleep. I think I have before given it out for my Lady to write down, that Captain Carton had a fine bright eye of his own. All at once, he darted me a side look, as much as to say. "Steady—don't take on—I see something!"—and gave the child into her mother's arms. That eye of his was so easy to understand, that I obeyed it by not so much as looking either to the right or to the left out of a corner of my own, or changing my attitude the least trifle. The Captain went on talking in the same mild and easy way; but began—with his arms resting across his knees, and his head a little hanging forward, as if the heat were rather too much for him—began to play with the Spanish gun. "They had laid their plans, you see," says the Captain, taking up the Spanish gun across his knees, and looking, lazily, at the inlaying on the stock, "with a great deal of art; and the corrupt or blundering local authorities were so easily deceived;" he ran his left hand idly along the barrel, but I saw, with my breath held, that he covered the action of cocking the gun with his right—"so easily deceived, that they summoned us out to come into the trap. But my intention as to future operations——" In a flash the Spanish gun was at his bright eye, and he fired. All started up; innumerable echoes repeated the sound of the discharge; a cloud of bright-colored birds flew out of the woods screaming; a handful of leaves were scattered in the place where the shot had struck; a crackling of branches was heard; and some lithe but heavy creature sprang into the air, and fell forward, head down, over the muddy bank. "What is it?" cries Captain Maryon from his boat. All silent then, but the echoes rolling away. "It is a Traitor and a Spy," said Captain Carton, handing me the gun to load again. "And I think the other name of the animal is Christian George King!" Shot through the heart. Some of the people ran round to the spot, and drew him out, with the slime and wet trickling down his face; but, his face itself would never stir any more to the end of time. "Leave him hanging to that tree," cried Captain Carton; his boat's crew giving way, and he leaping ashore. "But first into this wood, every man in his place. And boats! Out of gunshot!" It was a quick change, well meant and well made, though it ended in disappointment. No Pirates were there; no one but the Spy was found. It was supposed that the Pirates, unable to retake us, and expecting a great attack upon them, to be the consequence of our escape, had made from the ruins in the Forest, taken to their ship along with the Treasure, and left the Spy to pick up what intelligence he could. In the evening we went away, and he was left hanging to the tree, all alone, with the red sun making a kind of a dead sunset on his black face. Next day, we gained the settlement on the Mosquito coast for which we were bound. Having stayed there to refresh, seven days, and having been much commended, and highly spoken of, and finely entertained, we Marines stood under orders to march from the Town-Gate (it was neither much of a town nor much of a gate), at five in the morning. My officer had joined us before then. When we turned out at the gate, all the people were there; in the front of them all those who had been our fellow-prisoners, and all the seamen. "Davis," says Lieutenant Linderwood. "Stand out, my friend!" I stood out from the ranks, and Miss Maryon and Captain Carton came up to me. "Dear Davis," says Miss Maryon, while the tears fell fast down her face, "your grateful friends, in most unwillingly taking leave of you, ask the favour that, while you bear away with you their affectionate remembrance which nothing can ever impair, you will also take this purse of money—far more valuable to you, we all know, for the deep attachment and thankfulness with which it is offered, than for its own contents, though we hope those may prove useful to you, too, in after life." I got out, in answer, that I thankfully accepted the attachment and affection, but not the money. Captain Carton looked at me very attentively, and stepped back, and moved away. I made him my bow as he stepped back, to thank him for being so delicate. "No, miss," said I, "I think it would break my heart to accept of money. But, if you could condescend to give to a man so ignorant and common as myself, any little thing you have worn—such as a bit of ribbon—" She took a ring from her finger, and put it in my hand. And she rested her hand in mine, while she said these words: "The brave gentlemen of old—but not one of them was braver, or had a nobler nature than you—took such gifts from ladies, and did all their good actions for the givers' sakes. If you will do yours for mine, I shall think with pride that I continue to have some share in the life of a gallant and generous man." For the second time in my life, she kissed my hand. I made so bold, for the first time, as to kiss hers; and I tied the ring at my breast, and I fell back to my place. Then, the horse-litter went out at the gate, with Serjeant Drooce in it; and the horse- litter went out at the gate with Mrs. Belltott in it; and Lieutenant Linderwood gave the word of command, "Quick march!" and, cheered and cried for, we went out of the gate too, marching along the level plain towards the serene blue sky as if we were marching straight to Heaven. When I have added here that the Pirate scheme was blown to shivers, by the Pirate-ship which had the Treasure on board being so vigorously attacked by one of His Majesty's cruisers, among the West India Keys, and being so swiftly boarded and carried, that nobody suspected anything about the scheme until three-fourths of the Pirates were killed, and the other fourth were in irons, and the Treasure was recovered; I come to the last singular confession I have got to make. It is this. I well knew what an immense and hopeless distance there was between me and Miss Maryon; I well knew that I was no fitter company for her than I was for the angels; I well knew that she was as high above my reach as the sky over my head; and yet I loved her. What put it in my low heart to be so daring, or whether such a thing ever happened before or since, as that a man so uninstructed and obscure as myself got his unhappy thoughts lifted up to such a height, while knowing very well how presumptuous and impossible to be realised they were, I am unable to say; still, the suffering to me was just as great as if I had been a gentleman. I suffered agony—agony. I suffered hard, and I suffered long. I thought of her last words to me, however, and I never disgraced them. If it had not been for those dear words, I think I should have lost myself in despair and recklessness. The ring will be found lying on my heart, of course, and will be laid with me wherever I am laid. I am getting on in years now, though I am able and hearty. I was recommended for promotion, and everything was done to reward me that could be done; but, my total want of all learning stood in my way, and I found myself so completely out of the road to it, that I could not conquer any learning, though I tried. I was long in the service, and I respected it, and was respected in it, and the service is dear to me at this present hour. At this present hour, when I give this out to my Lady to be written down, all my old pain has softened away, and I am as happy as a man can be, at this present fine old country-house of Admiral Sir George Carton, Baronet. It was my Lady Carton who herself sought me out, over a great many miles of the wide world, and found me in Hospital wounded, and brought me here. It is my Lady Carton who writes down my words. My Lady was Miss Maryon. And now, that I conclude what I had to tell, I see my Lady's honored grey hair droop over her face, as she leans a little lower at her desk; and I fervently thank her for being so tender as I see she is, towards the past pain and trouble of her poor, old, faithful, humble soldier. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Perils of Certain English Prisoners, and Their Treasure in Women, Children, Silver, and Jewels (1857 Christmas Number) Description An account of the resource Published in Household Words, Vol. XVI, Extra Christmas Number, 7 December 1857, pp. 1-36. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-xvi/page-573.html">https://www.djo.org.uk/household-words/volume-xvi/page-573.html</a>. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-xvi/page-602.html">https://www.djo.org.uk/household-words/volume-xvi/page-602.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1857-12-07 Type The nature or genre of the resource Christmas Number Identifier An unambiguous reference to the resource within a given context 1857-12-07-The_Perils_of_Certain_English_Prisoners Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles and Wilkie Collins. The Perils of Certain English Prisoners, and Their Treasure in Women, Children, Silver, and Jewels (7 December 1857). Dickens Search. Eds. Emily Middleton and Lydia Craig. <a href="https://www.dickenssearch.com/christmas-numbers/1857-12-07-The_Perils_of_Certain_English_Prisoners">https://www.dickenssearch.com/christmas-numbers/1857-12-07-The_Perils_of_Certain_English_Prisoners</a>. Rights Information about rights held in and over the resource Scanned material from Dickens Journals Online, <a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk">www.djo.org.uk</a>. Available under CC BY licence. Table Of Contents A list of subunits of the resource. <ul> <li>Charles Dickens. 'The Island of Silver-Store' (No.1), pp. 1-14.</li> <li>Wilkie Collins. 'The Prison in the Woods' (No.2), pp. 14-30.</li> <li>Charles Dickens. 'The Rafts on the River' (No.3), pp. 30-36.</li> </ul> Scripto Transcription A written representation of a document. It was in the year of our Lord one thousand seven hundred and forty-four, that I, Gill Davis to command, His Mark, having then the honor to be a private in the Royal Marines, stood a-leaning over the bulwarks of the armed sloop Christopher Columbus, in the South American waters off the Mosquito shore. My lady remarks to me, before I go any further, that there is no such christian-name as Gill, and that her confident opinion is, that the name given to me in the baptism wherein I was made, &c., was Gilbert. She is certain to be right, but I never heard of it. I was a foundling child, picked up somewhere or another, and I always understood my christian-name to be Gill. It is true that I was called Gills when employed at Snorridge Bottom betwixt Chatham and Maidstone, to frighten birds; but that had nothing to do with the Baptism wherein I was made, &c., and wherein a number of things were promised for me by somebody, who let me alone ever afterwards as to performing any of them, and who, I consider, must have been the Beadle. Such name of Gills was entirely owing to my cheeks, or gills, which at that time of my life were of a raspy description. My lady stops me again, before I go any further, by laughing exactly in her old way and waving the feather of her pen at me. That action on her part, calls to my mind as I look at her hand with the rings on it—Well! I won't! To be sure it will come in, in its own place. But it's always strange to me, noticing the quiet hand, and noticing it (as I have done, you know, so many times) a-fondling children and grandchildren asleep, to think that when blood and honor were up—there! I won't! not at present!—Scratch it out. She won't scratch it out, and quite honorable; because we have made an understanding that everything is to be taken down, and that nothing that is once taken down shall be scratched out. I have the great misfortune not to be able to read and write, and I am speaking my true and faithful account of those Adventures, and my lady is writing it, word for word. I say, there I was, a-leaning over the bulwarks of the sloop Christopher Columbus in the South American waters off the Mosquito shore: a subject of his Gracious Majesty King George of England, and a private in the Royal Marines. In those climates, you don't want to do much. I was doing nothing. I was thinking of the shepherd (my father, I wonder?) on the hill-sides by Snorridge Bottom, with a long staff, and with a rough white coat in all weathers all the year round, who used to let me lie in a corner of his hut by night, and who used to let me go about with him and his sheep by day when I could get nothing else to do, and who used to give me so little of his victuals and so much of his staff, that I ran away from him—which was what he wanted all along, I expect—to be knocked about the world in preference to Snorridge Bottom. I had been knocked about the world for nine-and-twenty years in all, when I stood looking along those bright blue South American waters. Looking after the shepherd, I may say. Watching him in a half-waking dream, with my eyes half-shut, as he, and his flock of sheep, and his two dogs, seemed to move away from the ship's side, far away over the blue water, and go right down into the sky. "It's rising out of the water, steady," a voice said close to me. I had been thinking on so, that it like woke me with a start, though it was no stranger voice than the voice of Harry Charker, my own comrade. "What's rising out of the water, steady?" I asked my comrade. "What?" says he. "The Island." "O! The Island!" says I, turning my eyes towards it. "True. I forgot the Island." "Forgot the port you're going to? That's odd, an't it?" "It is odd," says I. "And odd," he said, slowly considering with himself, "an't even. Is it, Gill?" He had always a remark just like that to make, and seldom another. As soon as he had brought a thing round to what it was not, he was satisfied. He was one of the best of men, and, in a certain sort of a way, one with the least to say for himself. I qualify it, because, besides being able to read and write like a Quarter-master, he had always one most excellent idea in his mind. That was, Duty. Upon my soul, I don't believe, though I admire learning beyond everything, that he could have got a better idea out of all the books in the world, if he had learnt them every word, and been the cleverest of scholars. My comrade and I had been quartered in Jamaica, and from there we had been drafted off to the British settlement of Belize, lying away West and North of the Mosquito coast. At Belize there had been great alarm of one cruel gang of pirates (there were always more pirates than enough in those Caribbean Seas), and as they got the better of our English cruisers by running into out-of-the-way creeks and shallows, and taking the land when they were hotly pressed, the governor of Belize had received orders from home to keep a sharp look-out for them along shore. Now, there was an armed sloop came once a-year from Port Royal, Jamaica, to the Island, laden with all manner of necessaries, to eat and to drink, and to wear, and to use in various ways; and it was aboard of that sloop which had touched at Belize, that I was a-standing, leaning over the bulwarks. The Island was occupied by a very small English colony. It had been given the name of Silver-Store. The reason of its being so called, was, that the English colony owned and worked a silver mine over on the mainland, in Honduras, and used this island as a safe and convenient place to store their silver in, until it was annually fetched away by the sloop. It was brought down from the mine to the coast on the backs of mules, attended by friendly Indians and guarded by white men; from thence, it was conveyed over to Silver-Store, when the weather was fair, in the canoes of that country; from Silver-Store, it was carried to Jamaica by the armed sloop once a-year, as I have already mentioned; from Jamaica it went, of course, all over the world. How I came to be aboard the armed sloop, is easily told. Four-and-twenty marines under command of a lieutenant—that officer's name was Linderwood—had been told off at Belize, to proceed to Silver-Store, in aid of boats and seamen stationed there for the chace of the Pirates. The island was considered a good post of observation against the pirates, both by land and sea; neither the pirate ship nor yet her boats had been seen by any of us, but they had been so much heard of, that the reinforcement was sent. Of that party, I was one. It included a corporal and a Serjeant. Charker was corporal, and the serjeant's name was Drooce. He was the most tyrannical non-commissioned officer in His Majesty's service. The night came on, soon after I had had the foregoing words with Charker. All the wonderful bright colors went out of the sea and sky, in a few minutes, and all the stars in the Heavens seemed to shine out together, and to look down at themselves in the sea, over one another's shoulders, millions deep. Next morning, we cast anchor off the Island. There was a snug harbor within a little reef; there was a sandy beach; there were cocoa-nut trees with high straight stems, quite bare, and foliage at the top like plumes of magnificent green feathers; there were all the objects that are usually seen in those parts, and I am not going to describe them, having something else to tell about. Great rejoicings, to be sure, were made on our arrival. All the flags in the place were hoisted, all the guns in the place were fired, and all the people in the place came down to look at us. One of those Sambo fellows—they call those natives Sambos, when they are half-negro and half-Indian—had come off outside the reef, to pilot us in, and remained on board after we had let go our anchor. He was called Christian George King, and was fonder of all hands than anybody else was. Now, I confess, for myself, that on that first day, if I had been captain of the Christopher Columbus, instead of private in the Royal Marines, I should have kicked Christian George King—who was no more a Christian, than he was a King, or a George—over the side, without exactly knowing why, except that it was the right thing to do. But, I must likewise confess, that I was not in a particularly pleasant humor, when I stood under arms that morning, aboard the Christopher Columbus in the harbor of the Island of Silver-Store. I had had a hard life, and the life of the English on the Island seemed too easy and too gay, to please me. "Here you are," I thought to myself, "good scholars and good livers; able to read what you like, able to write what you like, able to eat and drink what you like, and spend what you like, and do what you like; and much you care for a poor, ignorant Private in the Royal Marines! Yet it's hard, too, I think, that you should have all the halfpence, and I all the kicks; you all the smooth, and I all the rough; you all the oil, and I all the vinegar." It was as envious a thing to think as might be, let alone its being nonsensical; but, I thought it. I took it so much amiss, that, when a very beautiful young English lady came aboard, I grunted to myself, "Ah! you have got a lover, I'll be bound!" As if there was any new offence to me in that, if she had! She was sister to the captain of our sloop, who had been in a poor way for some time, and who was so ill then that he was obliged to be carried ashore. She was the child of a military officer, and had come out there with her sister, who was married to one of the owners of the silver-mine, and who had three children with her. It was easy to see that she was the light and spirit of the Island. After I had got a good look at her, I grunted to myself again, in an even worse state of mind than before, "I'll be damned, if I don't hate him, whoever he is!" My officer, Lieutenant Linderwood, was as ill as the captain of the sloop, and was carried ashore, too. They were both young men of about my age, who had been delicate in the West India climate. I even took that, in bad part. I thought I was much fitter for the work than they were, and that if all of us had our deserts, I should be both of them rolled into one. (It may be imagined what sort of an officer of marines I should have made, without the power of reading a written order. And as to any knowledge how to command the sloop—Lord! I should have sunk her in a quarter of an hour!) However, such were my reflections; and when we men were ashore and dismissed, I strolled about the place along with Charker, making my observations in a similar spirit. It was a pretty place: in all its arrangements partly South American and partly English, and very agreeable to look at on that account, being like a bit of home that had got chipped off and had floated away to that spot, accommodating itself to circumstances as it drifted along. The huts of the Sambos, to the number of five-and-twenty, perhaps, were down by the beach to the left of the anchorage. On the right was a sort of barrack, with a South American Flag and the Union Jack, flying from the same staff, where the little English colony could all come together, if they saw occasion. It was a walled square of building, with a sort of pleasure-ground inside, and inside that again, a sunken block like a powder magazine, with a little square trench round it, and steps down to the door. Charker and I were looking in at the gate, which was not guarded; and I had said to Charker, in reference to the bit like a powder magazine, "that's where they keep the silver, you see;" and Charker had said to me, after thinking it over, "And silver an't gold. Is it, Gill?" when the beautiful young English lady I had been so bilious about, looked out of a door, or a window—at all events looked out, from under a bright awning. She no sooner saw us two in uniform, than she came out so quickly that she was still putting on her broad Mexican hat of plaited straw when we saluted. "Would you like to come in," she said, "and see the place? It is rather a curious place." We thanked the young lady, and said we didn't wish to be troublesome; but, she said it could be no trouble to an English soldier's daughter, to show English soldiers how their countrymen and countrywomen fared, so far away from England; and consequently we saluted again, and went in. Then, as we stood in the shade, she showed us (being as affable as beautiful), how the different families lived in their separate houses, and how there was a general house for stores, and a general reading-room, and a general room for music and dancing, and a room for Church; and how there were other houses on the rising-ground called the Signal Hill, where they lived in the hotter weather. "Your officer has been carried up there," she said, "and my brother, too, for the better air. At present, our few residents are dispersed over both spots: deducting, that is to say, such of our number as are always going to, or coming from, or staying at, the Mine." ("He is among one of those parties," I thought, "and I wish somebody would knock his head off.") "Some of our married ladies live here," she said, "during at least half the year, as lonely as widows, with their children." "Many children here, ma'am?" "Seventeen. There are thirteen married ladies, and there are eight like me." There were not eight like her—there was not one like her—in the world. She meant, single. "Which, with about thirty Englishmen of various degrees," said the young lady, "form the little colony now on the Island. I don't count the sailors, for they don't belong to us. Nor the soldiers," she gave us a gracious smile when she spoke of the soldiers, "for the same reason." "Nor the Sambos, ma'am," said I. "No." "Under your favor, and with your leave, ma'am," said I, "are they trustworthy?" "Perfectly! We are all very kind to them, and they are very grateful to us." "Indeed, ma'am? Now—Christian George King?—" "Very much attached to us all. Would die for us." She was, as in my uneducated way I have observed very beautiful women almost always to be, so composed, that her composure gave great weight to what she said, and I believed it. Then, she pointed out to us the building like a powder magazine, and explained to us in what manner the silver was brought from the mine, and was brought over from the mainland, and was stored there. The Christopher Columbus would have a rich lading, she said, for there had been a great yield that year, a much richer yield than usual, and there was a chest of jewels besides the silver. When we had looked about us, and were getting sheepish, through fearing we were troublesome, she turned us over to a young woman, English born but West India bred, who served her as her maid. This young woman was the widow of a non-commissioned officer in a regiment of the line. She had got married and widowed at St. Vincent, with only a few months between the two events. She was a little saucy woman, with a bright pair of eyes, rather a neat little foot and figure, and rather a neat little turned-up nose. The sort of young woman, I considered at the time, who appeared to invite you to give her a kiss, and who would have slapped your face if you accepted the invitation. I couldn't make out her name at first; for, when she gave it in answer to my inquiry, it sounded like Beltot, which didn't sound right. But, when we became better acquainted—which was while Charker and I were drinking sugar-cane sangaree, which she made in a most excellent manner—I found that her Christian name was Isabella, which they shortened into Bell, and that the name of the deceased non-commissioned officer was Tott. Being the kind of neat little woman it was natural to make a toy of,—I never saw a woman so like a toy in my life—she had got the plaything name of Belltott. In short, she had no other name on the island. Even Mr. Commissioner Pordage (and he was a grave one!) formally addressed her as Mrs. Belltott. But, I shall come to Mr. Commissioner Pordage presently. The name of the captain of the sloop was Captain Maryon, and therefore it was no news to hear from Mrs. Belltott, that his sister, the beautiful unmarried young English lady, was Miss Maryon. The novelty was, that her Christian name was Marion too. Marion Maryon. Many a time I have run off those two names in my thoughts, like a bit of verse. O many, and many, and many, a time! We saw out all the drink that was produced, like good men and true, and then took our leaves, and went down to the beach. The weather was beautiful; the wind steady, low, and gentle; the island, a picture; the sea, a picture; the sky, a picture. In that country there are two rainy seasons in the year. One sets in at about our English Midsummer; the other, about a fortnight after our English Michaelmas. It was the beginning of August at that time; the first of these rainy seasons was well over; and everything was in its most beautiful growth, and had its loveliest look upon it. "They enjoy themselves here," I says to Charker, turning surly again. "This is better than private-soldiering." We had come down to the beach, to be friendly with the boat's-crew who were camped and hutted there; and we were approaching towards their quarters over the sand, when Christian George King comes up from the landing-place at a wolf's-trot, crying, "Yup, So-Jeer!"—which was that Sambo Pilot's barbarous way of saying, Hallo, Soldier! I have stated myself to be a man of no learning, and, if I entertain prejudices, I hope allowance may be made. I will now confess to one. It may be a right one or it may be a wrong one; but, I never did like Natives, except in the form of oysters. So, when Christian George King, who was individually unpleasant to me besides, comes a trotting along the sand, clucking "Yap, So-Jeer!" I had a thundering good mind to let fly at him with my right. I certainly should have done it, but that it would have exposed me to reprimand. "Yup, So-Jeer!" says he. "Bad job." "What do you mean?" says I. "Yup, So-Jeer!" says he, "Ship Leakee." "Ship leaky?" says I. "Iss," says he, with a nod that looked as if it was jerked out of him by a most violent hiccup—which is the way with those savages. I cast my eyes at Charker, and we both heard the pumps going aboard the sloop, and saw the signal run up, "Come on board; hands wanted from the shore." In no time some of the sloop's liberty-men were already running down to the water's edge, and the party of seamen, under orders against the Pirates, were putting off to the Columbus in two boats. "Oh Christian George King sar berry sorry!" says that Sambo vagabond, then. "Christian George King cry, English fashion!" His English fashion of crying was to screw his black knuckles into his eyes, howl like a dog, and roll himself on his back on the sand. It was trying not to kick him, but I gave Charker the word, "Double-quick, Harry!" and we got down to the water's edge, and got on board the sloop. By some means or other, she had sprung such a leak, that no pumping would keep her free; and what between the two fears that she would go down in the harbor, and that, even if she did not, all the supplies she had brought for the little colony would be destroyed by the sea-water as it rose in her, there was great confusion. In the midst of it, Captain Maryon was heard hailing from the beach. He had been carried down in his hammock, and looked very bad; but, he insisted on being stood there on his feet; and I saw him, myself, come off in the boat, sitting upright in the stern-sheets, as if nothing was wrong with him. A quick sort of council was held, and Captain Maryon soon resolved that we must all fall to work to get the cargo out, and, that when that was done, the guns and heavy matters must be got out, and that the sloop must be hauled ashore, and careened, and the leak stopped. We were all mustered (the Pirate-Chace party volunteering), and told off into parties, with so many hours of spell and so many hours of relief, and we all went at it with a will. Christian George King was entered one of the party in which I worked, at his own request, and he went at it with as good a will as any of the rest. He went at it with so much heartiness, to say the truth, that he rose in my good opinion, almost as fast as the water rose in the ship. Which was fast enough, and faster. Mr. Commissioner Pordage kept in a red and black japanned box, like a family lump-sugar box, some document or other which some Sambo chief or other had got drunk and spilt some ink over (as well as I could understand the matter), and by that means had given up lawful possession of the Island. Through having hold of this box, Mr. Pordage got his title of Commissioner. He was styled Consul, too, and spoke of himself as "Government.'" He was a stiff-jointed, high-nosed old gentleman, without an ounce of fat on him, of a very angry temper and a very yellow complexion. Mrs. Commissioner Pordage, making allowance for difference of sex, was much the same. Mr. Kitten, a small, youngish, bald, botanical and mineralogical gentleman, also connected with the mine—but everybody there was that, more or less—was sometimes called by Mr. Commissioner Pordage, his Vice-commissioner, and sometimes his Deputy-consul. Or sometimes he spoke of Mr. Kitten, merely as being "under Government." The beach was beginning to be a lively scene with the preparations for careening the sloop, and, with cargo, and spars, and rigging, and water-casks, dotted about it, and with temporary quarters for the men rising up there out of such sails and odds and ends as could be best set on one side to make them, when Mr. Commissioner Pordage comes down in a high fluster, and asks for Captain Maryon. The Captain, ill as he was, was slung in his hammock betwixt two trees, that he might direct; and he raised his head, and answered for himself. "Captain Maryon," cries Mr. Commissioner Pordage, "this is not official. This is not regular." "Sir," says the Captain, "it hath been arranged with the clerk and supercargo, that you should be communicated with, and requested to render any little assistance that may lie in your power. I am quite certain that hath been duly done." "Captain Maryon," replies Mr. Commissioner Pordage, "there hath been no written correspondence. No documents have passed, no memoranda have been made, no minutes have been made, no entries and counter-entries appear in the official muniments. This is indecent. I call upon you, sir, to desist, until all is regular, or Government will take this up." "Sir," says Captain Maryon, chafing a little, as he looked out of his hammock; "between the chances of Government taking this up, and my ship taking herself down, I much prefer to trust myself to the former." "You do, sir?" cries Mr. Commissioner Pordage. "I do, sir," says Captain Maryon, lying down again. "Then, Mr. Kitten," says the Commissioner, "send up instantly for my Diplomatic coat." He was dressed in a linen suit at that moment; but, Mr. Kitten started off himself and brought down the Diplomatic coat, which was a blue cloth one, gold-laced, and with a crown on the button. "Now, Mr. Kitten," says Pordage, "I instruct you, as Vice-commissioner, and Deputy-consul of this place, to demand of Captain Maryon, of the sloop Christopher Columbus, whether he drives me to the act of putting this coat on?" "Mr. Pordage," says Captain Maryon, looking out of his hammock again, "as I can hear what you say, I can answer it without troubling the gentleman. I should be sorry that you should be at the pains of putting on too hot a coat on my account; but, otherwise, you may put it on hind-side before, or inside-out, or with your legs in the sleeves, or your head in the skirts, for any objection that I have to offer to your thoroughly pleasing yourself." "Very good, Captain Maryon," says Pordage, in a tremendous passion. "Very good, sir. Be the consequences on your own head! Mr. Kitten, as it has come to this, help me on with it." When he had given that order, he walked off in the coat, and all our names were taken, and I was afterwards told that Mr. Kitten wrote from his dictation more than a bushel of large paper on the subject, which cost more before it was done with, than ever could be calculated, and which only got done with after all, by being lost. Our work went on merrily, nevertheless, and the Christopher Columbus, hauled up, lay helpless on her side like a great fish out of water. While she was in that state, there was a feast, or a ball, or an entertainment, or more properly all three together, given us in honor of the ship, and the ship's company, and the other visitors. At that assembly, I believe, I saw all the inhabitants then upon the Island, without any exception. I took no particular notice of more than a few, but I found it very agreeable in that little corner of the world to see the children, who were of all ages, and mostly very pretty—as they mostly are. There was one handsome elderly lady, with very dark eyes and grey hair, that I inquired about. I was told that her name was Mrs. Venning; and her married daughter, a fair slight thing, was pointed out to me by the name of Fanny Fisher. Quite a child she looked, with a little copy of herself holding to her dress; and her husband, just come back from the mine, exceeding proud of her. They were a good-looking set of people on the whole, but I didn't like them. I was out of sorts; in conversation with Charker, I found fault with all of them. I said of Mrs. Venning, she was proud; of Mrs. Fisher, she was a delicate little baby-fool. What did I think of this one? Why, he was a fine gentleman. What did I say to that one? Why, she was a fine lady. What could you expect them to be (I asked Charker), nursed in that climate, with the tropical night shining for them, musical instruments playing to them, great trees bending over them, soft lamps lighting them, fire-flies sparkling in among them, bright flowers and birds brought into existence to please their eyes, delicious drinks to be had for the pouring out, delicious fruits to be got for the picking, and every one dancing and murmuring happily in the scented air, with the sea breaking low on the reef for a pleasant chorus. "Fine gentlemen and fine ladies, Harry?" I says to Charker. "Yes, I think so! Dolls! Dolls! Not the sort of stuff for wear, that comes of poor private soldiering in the Royal Marines!" However, I could not gainsay that they were very hospitable people, and that they treated us uncommonly well. Every man of us was at the entertainment, and Mrs. Belltott had more partners than she could dance with: though she danced all night, too. As to Jack (whether of the Christopher Columbus, or of the Pirate pursuit party, it made no difference), he danced with his brother Jack, danced with himself, danced with the moon, the stars, the trees, the prospect, anything. I didn't greatly take to the chief-officer of that party, with his bright eyes, brown face, and easy figure. I didn't much like his way when he first happened to come where we were, with Miss Maryon on his arm. "Oh, Captain Carton," she says, "here are two friends of mine!" He says, "Indeed? These two Marines?"—meaning Charker and self. "Yes," says she, "I showed these two friends of mine when they first came, all the wonders of Silver-Store." He gave us a laughing look, and says he, "You are in luck, men. I would be disrated and go before the mast to-morrow, to be shown the way upward again by such a guide. You are in luck, men." When we had saluted, and he and the young lady had waltzed away, I said, "You are a pretty fellow, too, to talk of luck. You may go to the Devil!" Mr. Commissioner Pordage and Mrs. Commissioner, showed among the company on that occasion like the King and Queen of a much Greater Britain than Great Britain. Only two other circumstances in that jovial night made much separate impression on me. One was this. A man in our draft of marines, named Tom Packer, a wild unsteady young fellow, but the son of a respectable shipwright in Portsmouth Yard, and a good scholar who had been well brought up, comes to me after a spell of dancing, and takes me aside by the elbow, and says, swearing angrily: "Gill Davis, I hope I may not be the death of Serjeant Drooce one day!" Now, I knew Drooce always had borne particularly hard on this man, and I knew this man to be of a very hot temper: so, I said: "Tut, nonsense! don't talk so to me! If there's a man in the corps who scorns the name of an assassin, that man and Tom Packer are one." Tom wipes his head, being in a mortal sweat, and says he: "I hope so, but I can't answer for myself when he lords it over me, as he has just now done, before a woman. I tell you what, Gill! Mark my words! It will go hard with Serjeant Drooce, if ever we are in an engagement together, and he has to look to me to save him. Let him say a prayer then, if he knows one, for it's all over with him, and he is on his Death-bed. Mark my words!" I did mark his words, and very soon afterwards, too, as will shortly be taken down. The other circumstance that I noticed at that ball, was, the gaiety and attachment of Christian George King. The innocent spirits that Sambo Pilot was in, and the impossibility he found himself under of showing all the little colony, but especially the ladies and children, how fond he was of them, how devoted to them, and how faithful to them for life and death, for present, future, and everlasting, made a great impression on me. If ever a man, Sambo or no Sambo, was trustful and trusted, to what may be called quite an infantine and sweetly beautiful extent, surely, I thought that morning when I did at last lie down to rest, it was that Sambo Pilot, Christian George King. This may account for my dreaming of him. He stuck in my sleep, cornerwise, and I couldn't get him out. He was always flitting about me, dancing round me, and peeping in over my hammock, though I woke and dozed off again fifty times. At last, when I opened my eyes, there he really was, looking in at the open side of the little dark hut; which was made of leaves, and had Charker's hammock slung in it as well as mine. "So-Jeer!" says he, in a sort of a low croak. "Yup!" "Hallo!" says I, starting up. "What? You are there, are you?" "Iss," says he. "Christian George King got news." "What news has he got?" "Pirates out!" I was on my feet in a second. So was Charker. We were both aware that Captain Carton, in command of the boats, constantly watched the main land for a secret signal, though, of course, it was not known to such as us what the signal was. Christian George King had vanished before we touched the ground. But, the word was already passing from hut to hut to turn out quietly, and we knew that the nimble barbarian had got hold of the truth, or something near it. In a space among the trees behind the encampment of us visitors, naval and military, was a snugly-screened spot, where we kept the stores that were in use, and did our cookery. The word was passed to assemble here. It was very quickly given, and was given (so far as we were concerned) by Serjeant Drooce, who was as good in a soldier point of view, as he was bad in a tyrannical one. We were ordered to drop into this space, quietly, behind the trees, one by one. As we assembled here, the seamen assembled too. Within ten minutes, as I should estimate, we were all here, except the usual guard upon the beach. The beach (we could see it through the wood) looked as it always had done in the hottest time of the day. The guard were in the shadow of the sloop's hull, and nothing was moving but the sea, and that moved very faintly. Work had always been knocked off at that hour, until the sun grew less fierce, and the sea-breeze rose; so that its being holiday with us, made no difference, just then, in the look of the place. But, I may mention that it was a holiday, and the first we had had since our hard work began. Last night's ball had been given, on the leak's being repaired, and the careening done. The worst of the work was over, and to-morrow we were to begin to get the sloop afloat again. We marines were now drawn up here, under arms. The chace-party were drawn up separate. The men of the Columbus were drawn up separate. The officers stepped out into the midst of the three parties, and spoke so as all might hear. Captain Carton was the officer in command, and he had a spy-glass in his hand. His coxswain stood by him with another spyglass, and with a slate on which he seemed to have been taking down signals. "Now, men!" says Captain Carton; "I have to let you know, for your satisfaction: Firstly, that there are ten pirate-boats, strongly-manned and armed, lying hidden up a creek yonder on the coast, under the overhanging branches of the dense trees. Secondly, that they will certainly come out this night when the moon rises, on a pillaging and murdering expedition, of which some part of the main land is the object. Thirdly—don't cheer, men!—that we will give chace, and, if we can get at them, rid the world of them, please God!" Nobody spoke, that I heard, and nobody moved, that I saw. Yet there was a kind of ring, as if every man answered and approved with the best blood that was inside of him. "Sir," says Captain Maryon, "I beg to volunteer on this service, with my boats. My people volunteer, to the ship's boys." "In His Majesty's name and service," the other answers, touching his hat, "I accept your aid with pleasure. Lieutenant Linderwood, how will you divide your men?" I was ashamed—I give it out to be written down as large and plain as possible—I was heart and soul ashamed of my thoughts of those two sick officers, Captain Maryon and Lieutenant Linderwood, when I saw them, then and there. The spirit in those two gentlemen beat down their illness (and very ill I knew them to be) like Saint George beating down the Dragon. Pain and weakness, want of ease and want of rest, had no more place in their minds than fear itself. Meaning now to express for my lady to write down, exactly what I felt then and there, I felt this: "You two brave fellows that I have been so grudgeful of, I know that if you were dying you would put it off to get up and do your best, and then you would be so modest that in lying down again to die, you would hardly say, 'I did it!'" It did me good. It really did me good. But, to go back to where I broke off. Says Captain Carton to Lieutenant Linderwood, "Sir, how will you divide your men? There is not room for all; and a few men should, in any case, be left here." There was some debate about it. At last, it was resolved to leave eight Marines and four seamen on the Island, besides the sloop's two boys. And because it was considered that the friendly Sambos would only want to be commanded in case of any danger (though none at all was apprehended there), the officers were in favour of leaving the two non-commissioned officers, Drooce and Charker. It was a heavy disappointment to them, just as my being one of the left was a heavy disappointment to me—then, but not soon afterwards. We men drew lots for it, and I drew "Island." So did Tom Packer. So, of course, did four more of our rank and file. When this was settled, verbal instructions were given to all hands to keep the intended expedition secret, in order that the women and children might not be alarmed, or the expedition put in a difficulty by more volunteers. The assembly was to be on that same spot, at sunset. Every man was to keep up an appearance, meanwhile, of occupying himself in his usual way. That is to say, every man excepting four old trusty seamen, who were appointed, with an officer, to see to the arms and ammunition, and to muffle the rullocks of the boats, and to make everything as trim and swift and silent as it could be made. The Sambo Pilot had been present all the while, in case of his being wanted, and had said to the officer in command, five hundred times over if he had said it once, that Christian George King would stay with the So-Jeers, and take care of the booffer ladies and the booffer childs—booffer being that native's expression for beautiful. He was now asked a few questions concerning the putting off of the boats, and in particular whether there was any way of embarking at the back of the Island: which Captain Carton would have half liked to do, and then have dropped round in its shadow and slanted across to the main. But, "No," says Christian George King. "No, no, no! Told you so, ten time. No, no, no! All reef, all rock, all swim, all drown!" Striking out as he said it, like a swimmer gone mad, and turning over on his back on dry land, and spluttering himself to death, in a manner that made him quite an exhibition. The sun went down, after appearing to be a long time about it, and the assembly was called. Every man answered to his name, of course, and was at his post. It was not yet black dark, and the roll was only just gone through, when up comes Mr. Commissioner Pordage with his Diplomatic coat on. "Captain Carton," says he, "Sir, what is this?" "This, Mr. Commissioner," (he was very short with him) "is an expedition against the Pirates. It is a secret expedition, so please to keep it a secret." "Sir," says Commissioner Pordage, "I trust there is going to be no unnecessary cruelty committed?" "Sir," returns the officer, "I trust not." "That is not enough, sir," cries Commissioner Pordage, getting wroth. "Captain Carton, I give you notice. Government requires you to treat the enemy with great delicacy, consideration, clemency, and forbearance." "Sir," says Captain Carton, "I am an English Officer, commanding English Men, and I hope I am not likely to disappoint the Government's just expectations. But, I presume you know that these villains under their black flag have despoiled our countrymen of their property, burnt their homes, barbarously murdered them and their little children, and worse than murdered their wives and daughters?" "Perhaps I do, Captain Carton," answers Pordage, waving his hand, with dignity; "perhaps I do not. It is not customary, sir, for Government to commit itself." "It matters very little, Mr. Pordage, whether or no. Believing that I hold my commission by the allowance of God, and not that I have received it direct from the Devil, I shall certainly use it, with all avoidance of unnecessary suffering and with all merciful swiftness of execution, to exterminate these people from the face of the earth. Let me recommend you to go home, sir, and to keep out of the night-air." Never another syllable did that officer say to the Commissioner, but turned away to his men. The Commissioner buttoned his Diplomatic coat to the chin, said, "Mr. Kitten, attend me!" gasped, half choked himself, and took himself off. It now fell very dark, indeed. I have seldom, if ever, seen it darker, nor yet so dark. The moon was not due until one in the morning, and it was but a little after nine when our men lay down where they were mustered. It was pretended that they were to take a nap, but everybody knew that no nap was to be got under the circumstances. Though all were very quiet, there was a restlessness among the people; much what I have seen among the people on a race-course, when the bell has rung for the saddling for a great race with large stakes on it. At ten, they put off; only one boat putting off at a time; another following in five minutes; both then lying on their oars until another followed. Ahead of all, paddling his own outlandish little canoe without a sound, went the Sambo pilot, to take them safely outside the reef. No light was shown but once, and that was in the commanding officer's own hand. I lighted the dark lantern for him, and he took it from me when he embarked. They had blue lights and such like with them, but kept themselves as dark as Murder. The expedition got away with wonderful quietness, and Christian George King soon came back, dancing with joy. "Yup, So-Jeer," says he to myself in a very objectionable kind of convulsions, "Christian George King sar berry glad. Pirates all be blown a-pieces. Yup! Yup!" My reply to that cannibal was, "However glad you may be, hold your noise, and don't dance jigs and slap your knees about it, for I can't abear to see you do it." I was on duty then; we twelve who were left, being divided into four watches of three each, three hours' spell. I was relieved at twelve. A little before that time, I had challenged, and Miss Maryon and Mrs. Belltott had come in. "Good Davis," says Miss Maryou, "what is the matter? Where is my brother?" I told her what was the matter, and where her brother was. "O Heaven help him!" says she, clasping her hands and looking up—she was close in front of me, and she looked most lovely to be sure; "he is not sufficiently recovered, not strong enough, for such strife!" "If you had seen him, miss," I told her, "as I saw him when he volunteered, you would have known that his spirit is strong enough for any strife. It will bear his body, miss, to wherever duty calls him. It will always bear him to an honorable life, or a brave death." "Heaven bless you!" says she, touching my arm. "I know it. Heaven bless you!" Mrs. Belltott surprised me by trembling and saying nothing. They were still standing looking towards the sea and listening, after the relief had come round. It continuing very dark, I asked to be allowed to take them back. Miss Maryon thanked me, and she put her arm in mine, and I did take them back. I have now got to make a confession that will appear singular. After I had left them, I laid myself down on my face on the beach, and cried, for the first time since I had frightened birds as a boy at Snorridge Bottom, to think what a poor, ignorant, low-placed, private soldier I was. It was only for half a minute or so. A man can't at all times be quite master of himself, and it was only for half a minute or so. Then I up and went to my hut, and turned into my hammock, and fell asleep with wet eyelashes, and a sore, sore heart. Just as I had often done when I was a child, and had been worse used than usual. I slept (as a child under those circumstances might) very sound, and yet very sore at heart all through my sleep. I was awoke by the words, "He is a determined man." I had sprung out of my hammock, and had seized my firelock, and was standing on the ground, saying the words myself. "He is a determined man." But, the curiosity of my state was, that I seemed to be repeating them after somebody, and to have been wonderfully startled by hearing them. As soon as I came to myself, I went out of the hut, and away to where the guard was. Charker challenged: "Who goes there?" "A friend." "Not Gill?" says he, as he shouldered his piece. "Gill," says I. "Why, what the deuce do you do out of your hammock?" says he. "Too hot for sleep," says I; "is all right?" "Right!" says Charker, "yes, yes; all's right enough here; what should be wrong here? It's the boats that we want to know of. Except for fire-flies twinkling about, and the lonesome splashes of great creatures as they drop into the water, there's nothing going on here to ease a man's mind from the boats." The moon was above the sea, and had risen, I should say, some half-an-hour. As Charker spoke, with his face towards the sea, I, looking landward, suddenly laid my right hand on his breast, and said, "Don't move. Don't turn. Don't raise your voice! You never saw a Maltese face here?" "No. What do you mean?" he asks, staring at me. "Nor yet an English face, with one eye and a patch across the nose?" "No. What ails you? What do you mean?'' I had seen both, looking at us round the stem of a cocoa-nut tree, where the moon struck them. I had seen that Sambo Pilot, with one hand laid on the stem of the tree, drawing them back into the heavy shadow. I had seen their naked cutlasses twinkle and shine, like bits of the moonshine in the water that had got blown ashore among the trees by the light wind. I had seen it all, in a moment. And I saw in a moment (as any man would), that the signalled move of the pirates on the main-land was a plot and a feint; that the leak had been made to disable the sloop; that the boats had been tempted away, to leave the Island unprotected; that the pirates had landed by some secreted way at the back; and that Christian George King was a double-dyed traitor, and a most infernal villain. I considered, still all in one and the same moment, that Charker was a brave man, but not quick with his head; and that Serjeant Drooce, with a much better head, was close by. All I said to Charker was, "I am afraid we are betrayed. Turn your back full to the moonlight on the sea, and cover the stem of the cocoa-nut tree which will then be right before you, at the height of a man's heart. Are you right?" "I am right," says Charker, turning instantly, and falling into the position with a nerve of iron; "and right a'nt left. Is it Gill?" A few seconds brought me to Serjeant Drooce's hut. He was fast asleep, and being a heavy sleeper, I had to lay my hand upon him to rouse him. The instant I touched him he came rolling out of his hammock, and upon me like a tiger. And a tiger he was, except that he knew what he was up to, in his utmost heat, as well as any man. I had to struggle with him pretty hard to bring him to his senses, panting all the while (for he gave me a breather), "Serjeant, I am Gill Davis! Treachery! Pirates on the Island!" The last words brought him round, and he took his hands off. "I have seen two of them within this minute," said I. And so I told him what I had told Harry Charker. His soldierly, though tyrannical, head was clear in an instant. He didn't waste one word, even of surprise. "Order the guard," says he, "to draw off quietly into the Fort." (They called the enclosure I have before mentioned, the Fort, though it was not much of that.) "Then get you to the Fort as quick as you can, rouse up every soul there, and fasten the gate. I will bring in all those who are up at the Signal Hill. If we are surrounded before we can join you, you must make a sally and cut us out if you can. The word among our men is, 'Women and children!'" He burst away, like fire going before the wind over dry reeds. He roused up the seven men who were off duty, and had them bursting away with him, before they knew they were not asleep. I reported orders to Charker, and ran to the Fort, as I have never run at any other time in all my life: no, not even in a dream. The gate was not fast, and had no good fastening: only a double wooden bar, a poor chain, and a bad lock. Those, I secured as well as they could be secured in a few seconds by one pair of hands, and so ran to that part of the building where Miss Maryon lived. I called to her loudly by her name until she answered. I then called loudly all the names I knew—Mrs. Macey (Miss Maryon's married sister), Mr. Macey, Mrs. Venning, Mr. and Mrs. Fisher, even Mr. and Mrs. Pordage. Then I called out, "All you gentlemen here, get up and defend the place! We are caught in a trap. Pirates have landed. We are attacked!" At the terrible word "Pirates!"—for, those villains had done such deeds in those seas as never can be told in writing, and can scarcely be so much as thought of—cries and screams rose up from every part of the place. Quickly, lights moved about from window to window, and the cries moved about with them, and men, women and children came flying down into the square. I remarked to myself, even then, what a number of things I seemed to see at once. I noticed Mrs. Macey coming towards me, carrying all her three children together. I noticed Mr. Pordage, in the greatest terror, in vain trying to get on his Diplomatic coat; and Mr. Kitten respectfully tying his pocket-handkerchief over Mrs. Pordage's nightcap. I noticed Mrs. Belltott run out screaming, and shrink upon the ground near me, and cover her face in her hands, and lie, all of a bundle, shivering. But, what I noticed with the greatest pleasure was, the determined eyes with which those men of the Mine that I had thought fine gentlemen, came round me with what arms they had: to the full as cool and resolute as I could be, for my life—aye, and for my soul, too, into the bargain! The chief person being Mr. Macey, I told him how the three men of the guard would be at the gate directly, if they were not already there, and how Serjeant Drooce and the other seven were gone to bring in the outlying part of the people of Silver-store. I next urged him, for the love all who were dear to him, to trust no Sambo, and, above all, if he could get any good chance at Christian George King, not to lose it, but to put him out of the world. "I will follow your advice to the letter, Davis," says he; "what next?" My answer was, "I think, sir, I would recommend you next, to order down such heavy furniture and lumber as can be moved, and make a barricade within the gate." "That's good again," says he; "will you see it done?" "I'll willingly help to do it," says I, "unless or until my superior, Serjeant Drooce, gives me other orders." He shook me by the hand, and having told off some of his companions to help me, bestirred himself to look to the arms and ammunition. A proper quick, brave, steady, ready gentleman! One of their three little children was deaf and dumb. Miss Maryon had been from the first with all the children, soothing them, and dressing them (poor little things, they had been brought out of their beds), and making them believe that it was a game of play, so that some of them were now even laughing. I had been working hard with the others at the barricade, and had got up a pretty good breastwork within the gate. Drooce and the seven had come back, bringing in the people from the Signal Hill, and had worked along with us: but, I had not so much as spoken a word to Drooce, nor had Drooce so much as spoken a word to me, for we were both too busy. The breastwork was now finished, and I found Miss Maryon at my side, with a child in her arms. Her dark hair was fastened round her head with a band. She had a quantity of it, and it looked even richer and more precious, put up hastily out of her way, than I had seen it look when it was carefully arranged. She was very pale, but extraordinarily quiet and still. "Dear good Davis," said she, "I have been waiting to speak one word to you." I turned to her directly. If I had received a musket-ball in the heart, and she had stood there, I almost believe I should have turned to her before I dropped. "This pretty little creature," said she, kissing the child in her arms, who was playing with her hair and trying to pull it down, "cannot hear what we say—can hear nothing. I trust you so much, and have such great confidence in you, that I want you to make me a promise." "What is it, Miss?" "That if we are defeated, and you are absolutely sure of my being taken, you will kill me." "I shall not be alive to do it, Miss. I shall have died in your defence before it comes to that. They must step across my body, to lay a hand on you." "But, if you are alive, you brave soldier." How she looked at me! "And if you cannot save me from the Pirates, living, you will save me, dead. Tell me so." Well! I told her I would do that, at the last, if all else failed. She took my hand—my rough, coarse hand—and put it to her lips. She put it to the child's lips, and the child kissed it. I believe I had the strength of half a dozen men in me, from that moment, until the fight was over. All this time, Mr. Commissioner Pordage had been wanting to make a Proclamation to the Pirates, to lay down their arms and go away; and everybody had been hustling him about and tumbling over him, while he was calling for pen and ink to write it with. Mrs. Pordage, too, had some curious ideas about the British respectability of her nightcap (which had as many frills to it, growing in layers one inside another, as if it was a white vegetable of the artichoke sort), and she wouldn't take the nightcap off, and would be angry when it got crushed by the other ladies who were handing things about, and, in short, she gave as much trouble as her husband did. But, as we were now forming for the defence of the place, they were both poked out of the way with no ceremony. The children and ladies were got into the little trench which surrounded the silver-house (we were afraid of leaving them in any of the light buildings, lest they should be set on fire), and we made the best disposition we could. There was a pretty good store, in point of amount, of tolerable swords and cutlasses. Those were issued. There were, also, perhaps a score or so of spare muskets. Those were brought out. To my astonishment, little Mrs. Fisher that I had taken for a doll and a baby, was not only very active in that service, but volunteered to load the spare arms. "For, I understand it well," says she, cheerfully, without a shake in her voice. "I am a soldier's daughter and a sailor's sister, and I understand it too," says Miss Maryon, just in the same way. Steady and busy behind where I stood, those two beautiful and delicate young women fell to handling the guns, hammering the flints, looking to the locks, and quietly directing others to pass up powder and bullets from hand to hand, as unflinching as the best of tried soldiers. Serjeant Drooce had brought in word that the pirates were very strong in numbers— over a hundred, was his estimate—and that they were not, even then, all landed; for, he had seen them in a very good position on the further side of the Signal Hill, evidently waiting for the rest of their men to come up. In the present pause, the first we had had since the alarm, he was telling this over again to Mr. Macey, when Mr. Macey suddenly cried out: "The signal! Nobody has thought of the signal!" We knew of no signal, so we could not have thought of it. "What signal may you mean, sir?" says Serjeant Drooce, looking sharp at him. "There is a pile of wood upon the Signal Hill. If it could be lighted—which never has been done yet—it would be a signal of distress to the mainland." Charker cries, directly: "Serjeant Drooce, dispatch me on that duty. Give me the two men who were on guard with me to-night, and I'll light the fire, if it can be done." "And if it can't, Corporal—" Mr. Macey strikes in. "Look at these ladies and children, sir!" says Charker. "I'd sooner light myself, than not try any chance to save them." We gave him a Hurrah!—it burst from us, come of it what might—and he got his two men, and was let out at the gate, and crept away. I had no sooner come back to my place from being one of the party to handle the gate, than Miss Maryon said in a low voice behind me: "Davis, will you look at this powder. This is not right?" I turned my head. Christian George King again, and treachery again! Sea-water had been conveyed into the magazine, and every grain of powder was spoiled! "Stay a moment," said Serjeant Drooce, when I had told him, without causing a movement in a muscle of his face: "look to your pouch, my lad. You Tom Packer, look to your pouch, confound you! Look to your pouches, all you Marines." The same artful savage had got at them, somehow or another, and the cartridges were all unserviceable. "Hum!" says the Serjeant, "Look to your loading, men. You are right so far?" Yes; we were right so far. "Well, my lads, and gentlemen all," says the Serjeant, "this will be a hand-to-hand affair, and so much the better." He treated himself to a pinch of snuff, and stood up, square-shouldered and broad-chested, in the light of the moon—which was now very bright—as cool as if he was waiting for a play to begin. He stood quiet, and we all stood quiet, for a matter of something like half-an-hour. I took notice from such whispered talk as there was, how little we that the silver did not belong to, thought about it, and how much the people that it did belong to, thought about it. At the end of the half-hour, it was reported from the gate that Charker and the two were falling back on us, pursued by about a dozen. "Sally! Gate-party, under Gill Davis," says the Sergeant, "and bring 'em in! Like men, now!" We we're not long about it, and we brought them in. "Don't take me," says Charker, holding me round the neck, and stumbling down at my feet when the gate was fast, "don't take me near the ladies or the children, Gill. They had better not see Death, till it can't be helped. They'll see it soon enough." "Harry!" I answered, holding up his head. "Comrade!" He was cut to pieces. The signal had been secured by the first pirate party that lauded; his hair was all singed off, and his face was blackened with the running pitch from a torch. He made no complaint of pain, or of anything. "Good bye, old chap," was all he said, with a smile. "I've got my death. And Death a'nt life. Is it, Gill?" Having helped to lay his poor body on one side, I went back to my post. Serjeant Drooce looked at me, with his eyebrows a little lifted. I nodded. "Close up here, men, and gentlemen all!" said the Serjeant. "A place too many, in the line." The Pirates were so close upon us at this time, that the foremost of them were already before the gate. More and more came up with a great noise, and shouting loudly. When we believed from the sound that they were all there, we gave three English cheers. The poor little children joined, and were so fully convinced of our being at play, that they enjoyed the noise, and were heard clapping their hands in the silence that followed. Our disposition was this, beginning with the rear. Mrs. Venning, holding her daughter's child in her arms, sat on the steps of the little square trench surrounding the silver-house, encouraging and directing those women and children as she might have done in the happiest and easiest time of her life. Then, there was an armed line, under Mr. Macey, across the width of the enclosure, facing that way and having their backs towards the gate, in order that they might watch the walls and prevent our being taken by surprise. Then, there was a space of eight or ten feet deep, in which the spare arms were, and in which Miss Maryon and Mrs. Fisher, their hands and dresses blackened with the spoilt gunpowder, worked on their knees, tying such things as knives, old bayonets, and spear-heads, to the muzzles of the useless muskets. Then, there was a second armed line, under Serjeant Drooce, also across the width of the enclosure, but facing to the gate. Then, came the breastwork we had made, with a zig-zag way through it for me and my little party to hold good in retreating, as long as we could, when we were driven from the gate. We all knew that it was impossible to hold the place long, and that our only hope was in the timely discovery of the plot by the boats, and in their coming back. I and my men were now thrown forward to the gate. From a spy-hole, I could see the whole crowd of Pirates. There were Malays among them, Dutch, Maltese, Greeks, Sambos, Negroes, and Convict Englishmen from the West India Islands; among the last, him with the one eye and the patch across the nose. There were some Portuguese, too, and a few Spaniards. The captain was a Portuguese; a little man with very large ear-rings under a very broad hat, and a great bright shawl twisted about his shoulders. They were all strongly armed, but like a boarding party, with pikes, swords, cutlasses, and axes. I noticed a good many pistols, but not a gun of any kind among them. This gave me to understand that they had considered that a continued roll of musketry might perhaps have been heard on the mainland; also, that for the reason that fire would be seen from the mainland they would not set the Fort in flames and roast us alive; which was one of their favorite ways of carrying on. I looked about for Christian George King, and if I had seen him I am much mistaken if he would not have received my one round of ball-cartridge in his head. But, no Christian George King was visible. A sort of a wild Portuguese demon, who seemed either fierce-mad or fierce-drunk—but, they all seemed one or the other—came forward with the black flag, and gave it a wave or two. After that, the Portuguese captain called out in shrill English. "I say you! English fools! Open the gate! Surrender!" As we kept close and quiet, he said something to his men which I didn't understand, and when he had said it, the one-eyed English rascal with the patch (who had stepped out when he began), said it again in English. It was only this. "Boys of the black flag, this is to be quickly done. Take all the prisoners you can. If they don't yield, kill the children to make them. Forward!" Then, they all came on at the gate, and, in another half minute were smashing and splitting it in. We struck at them through the gaps and shivers, and we dropped many of them, too; but, their very weight would have carried such a gate, if they had been unarmed. I soon found Serjeant Drooce at my side, forming us six remaining marines in line—Tom Packer next to me—and ordering us to fall back three paces, and, as they broke in, to give them our one little volley at short distance. "Then," says he, "receive them behind your breastwork on the bayonet, and at least let every man of you pin one of the cursed cockchafers through the body." We checked them by our fire, slight as it was, and we checked them at the breastwork. However, they broke over it like swarms of devils—they were, really and truly, more devils than men—and then it was hand to hand, indeed. We clubbed our muskets and laid about us; even then, those two ladies—always behind me—were steady and ready with the arms. I had a lot of Maltese and Malays upon me, and, but for a broadsword that Miss Maryon's own hand put in mine, should have got my end from them. But, was that all? No. I saw a heap of banded dark hair and a white dress come thrice between me and them, under my own raised right arm, which each time might have destroyed the wearer of the white dress; and each time one of the lot went down, struck dead. Drooce was armed with a broad-sword, too, and did such things with it, that there was a cry, in half-a dozen languages, of "Kill that serjeant! "as I knew, by the cry being raised in English, and taken up in other tongues. I had received a severe cut across the left arm a few moments before, and should have known nothing of it, except supposing that somebody had struck me a smart blow, if I had not felt weak, and seen myself covered with spouting blood, and, at the same instant of time, seen Miss Maryon tearing her dress, and binding it with Mrs. Fisher's help round the wound. They called to Tom Packer, who was scouring by, to stop and guard me for one minute, while I was bound, or I should bleed to death in trying to defend myself. Tom stopped directly, with a good sabre in his hand. In that same moment all—things seem to happen in that same moment, at such a time—half-a-dozen had rushed howling at Serjeant Drooce. The Serjeant, stepping back against the wall, stopped one howl for ever with such a terrible blow, and waited for the rest to come on, with such a wonderfully unmoved face, that they stopped and looked at him. "See him now!" cried Tom Packer. "Now, when I could cut him out! Gill! Did I tell you to mark my words?" I implored Tom Packer in the Lord's name, as well as I could in my faintness, to go to the Serjeant's aid. "I hate and detest him," says Tom, moodily wavering. "Still, he is a brave man." Then he calls out, "Serjeant Drooce, Serjeant Drooce! Tell me you have driven me too hard, and are sorry for it." The Serjeant, without turning his eyes from his assailants, which would have been instant death to him, answers: "No. I won't." "Serjeant Drooce!" cries Tom, in a kind of an agony. "I have passed my word that I would never save you from Death, if I could, but would leave you to die. Tell me you have driven me too hard and are sorry for it, and that shall go for nothing." One of the group laid the Serjeant's bald bare head open. The Serjeant laid him dead. "I tell you," says the Serjeant, breathing a little short, and waiting for the next attack. "No. I won't. If you are not man enough to strike for a fellow-soldier because he wants help, and because of nothing else, I'll go into the other world and look for a better man." Tom swept upon them, and cut him out. Tom and he fought their way through another knot of them, and sent them flying, and came over to where I was beginning again to feel, with inexpressible joy, that I had got a sword in my hand. They had hardly come to us, when I heard, above all the other noises, a tremendous cry of women's voices. I also saw Miss Maryon, with quite a new face, suddenly clap her two hands over Mrs. Fisher's eyes. I looked towards the silver-house, and saw Mrs. Venning—standing upright on the top of the steps of the trench, with her grey hair and her dark eyes—hide her daughter's child behind her, among the folds of her dress, strike a pirate with her other hand, and fall, shot by his pistol. The cry arose again, and there was a terrible and confusing rush of the women into the midst of the struggle. In another moment, something came tumbling down upon me that I thought was the wall. It was a heap of Sambos who had come over the wall; and of four men who clung to my legs like serpents, one who clung to my right leg was Christian George King. "Yup, So-Jeer!" says he, "Christian George King sar berry glad So-Jeer a prisoner. Christian George King been waiting for So-Jeer sech long time. Yup, yup!" What could I do, with five-and-twenty of them on me, but be tied hand and foot? So, I was tied hand and foot. It was all over now—boats not come back—all lost! When I was fast bound and was put up against the wall, the one-eyed English convict came up with the Portuguese Captain, to have a look at me. "See!" says he, "Here's the determined man! If you had slept sounder, last night, you'd have slept your soundest last night, my determined man." The Portuguese Captain laughed in a cool way, and, with the flat of his cutlass, hit me crosswise, as if I was the bough of a tree that he played with: first on the face, and then across the chest and the wounded arm. I looked him steady in the face without tumbling while he looked at me, I am happy to say; but, when they went away, I fell, and lay there. The sun was up, when I was roused and told to come down to the beach and be embarked. I was full of aches and pains, and could not at first remember; but, I remembered quite soon enough. The killed were lying about all over the place, and the Pirates were burying their dead, and taking away their wounded on hastily-made litters, to the back of the Island. As for us prisoners, some of their boats had come round to the usual harbour, to carry us off. We looked a wretched few, I thought, when I got down there; still, it was another sign that we had fought well, and made the enemy suffer. The Portuguese Captain had all the women already embarked in the boat he himself commanded, which was just putting off when I got down. Miss Maryon sat on one side of him, and gave me a moment's look, as full of quiet courage, and pity, and confidence, as if it had been an hour long. On the other side of him was poor little Mrs. Fisher, weeping for her child and her mother. I was shoved into the same boat with Drooce and Packer, and the remainder of our party of marines: of whom we had lost two privates, besides Charker, my poor, brave comrade. We all made a melancholy passage, under the hot sun, over to the mainland. There, we landed in a solitary place, and were mustered on the sea sand. Mr. and Mrs. Macey and their children were amongst us, Mr. and Mrs. Pordage, Mr. Kitten, Mr. Fisher, and Mrs. Belltott. We mustered only fourteen men, fifteen women, and seven children. Those were all that remained of the English who had lain down to sleep last night, unsuspecting and happy, on the Island of Silver-Store. We contrived to keep afloat all that night, and, the stream running strong with us, to glide a long way down the river. But, we found the night to be a dangerous time for such navigation, on account of the eddies and rapids, and it was therefore settled next day that in future we would bring-to at sunset, and encamp on the shore. As we knew of no boats that the Pirates possessed, up at the Prison in the Woods, we settled always to encamp on the opposite side of the stream, so as to have the breadth of the river between our sleep and them. Our opinion was, that if they were acquainted with any near way by land to the mouth of this river, they would come up it in force, and re-take us or kill us, according as they could; but, that if that was not the case, and if the river ran by none of their secret stations, we might escape. When I say we settled this or that, I do not mean that we planned anything with any confidence as to what might happen an hour hence. So much had happened in one night, and such great changes had been violently and suddenly made in the fortunes of many among us, that we had got better used to uncertainty, in a little while, than I dare say most people do in the course of their lives. The difficulties we soon got into, through the off-settings and point-currents of the stream, made the likelihood of our being drowned, alone—to say nothing of our being retaken— as broad and plain as the sun at noon-day to all of us. But, we all worked hard at managing the rafts, under the direction of the seamen (of our own skill, I think we never could have prevented them from oversetting), and we also worked hard at making good the defects in their first hasty construction—which the water soon found out. While we humbly resigned ourselves to going down, if it was the will of Our Father that was in Heaven, we humbly made up our minds, that we would all do the best that was in us. And so we held on, gliding with the stream. It drove us to this bank, and it drove us to that bank, and it turned us, and whirled us; but yet it carried us on. Sometimes much too slowly, sometimes much too fast, but yet it carried us on. My little deaf and dumb boy slumbered a good deal now, and that was the case with all the children. They caused very little trouble to any one. They seemed, in my eyes, to get more like one another, not only in quiet manner, but in the face, too. The motion of the raft was usually so much the same, the scene was usually so much the same, the sound of the soft wash and ripple of the water was usually so much the same, that they were made drowsy, as they might have been by the constant playing of one tune. Even on the grown people, who worked hard and felt anxiety, the same things produced something of the same effect. Every day was so like the other, that I soon lost count of the days, myself, and had to ask Miss Maryon, for instance, whether this was the third or fourth? Miss Maryon had a pocketbook and pencil, and she kept the log; that is to say, she entered up a clear little journal of the time, and of the distances our seamen thought we had made, each night. So, as I say, we kept afloat and glided on. All day long, and every day, the water, and the woods, and sky; all day long, and every day, the constant watching of both sides of the river, and far a-head at every bold turn and sweep it made, for any signs of Pirate-boats, or Pirate-dwellings. So, as I say, we kept afloat and glided on. The days melting themselves together to that degree, that I could hardly believe my ears when I asked "How many, now, Miss?" and she answered, "Seven." To be sure, poor Mr. Pordage had, by about now, got his Diplomatic coat into such a state as never was seen. What with the mud of the river, what with the water of the river, what with the sun, and the dews, and the tearing boughs, and the thickets, it hung about him in discoloured shreds like a mop. The sun had touched him a bit. He had taken to always polishing one particular button, which just held on to his left wrist, and to always calling for stationery. I suppose that man called for pens, ink, and paper, tape, and sealing-wax, upwards of one thousand times in four and twenty hours. He had an idea that we should never get out of that river unless we were written out of it in a formal Memorandum; and the more we laboured at navigating the rafts, the more he ordered us not to touch them at our peril, and the more he sat and roared for stationery. Mrs. Pordage, similarly, persisted in wearing her nightcap. I doubt if any one but ourselves who had seen the progress of that article of dress, could by this time have told what it was meant for. It had got so limp and rugged that she couldn't see out of her eyes for it. It was so dirty, that whether it was vegetable matter out of a swamp, or weeds out of the river, or an old porter's-knot from England, I don't think any new spectator could have said. Yet, this unfortunate old woman had a notion that it was not only vastly genteel, but that it was the correct thing as to propriety. And she really did carry herself over the other ladies who had no night-caps, and who were forced to tie up their hair how they could, in a superior manner that was perfectly amazing. I don't know what she looked like, sitting in that blessed night-cap, on a log of wood, outside the hut or cabin upon our raft. She would have rather resembled a fortune-teller in one of the picture-books that used to be in the shop windows in my boyhood, except for her stateliness. But, Lord bless my heart, the dignity with which she sat and moped, with her head in that bundle of tatters, was like nothing else in the world! She was not on speaking terms with more than three of the ladies. Some of them had, what she called, "taken precedence" of her—in getting into, or out of, that miserable little shelter!—and others had not called to pay their respects, or something of that kind. So, there she sat, in her own state and ceremony, while her husband sat on the same log of wood, ordering us one and all to let the raft go to the bottom, and to bring him stationery. What with this noise on the part of Mr. Commissioner Pordage, and what with the cries of Serjeant Drooce on the raft astern (which were sometimes more than Tom Packer could silence), we often made our slow way down the river, anything but quietly. Yet, that it was of great importance that no ears should be able to hear us from the woods on the banks, could not be doubted. We were looked for, to a certainty, and we might be retaken at any moment. It was an anxious time; it was, indeed, indeed, an anxious time. On the seventh night of our voyage on the rafts, we made fast, as usual, on the opposite side of the river to that from which we had started, in as dark a place as we could pick out. Our little encampment was soon made, and supper was eaten, and the children fell asleep. The watch was set, and everything made orderly for the night. Such a starlight night, with such blue in the sky, and such black in the places of heavy shade on the banks of the great stream! Those two ladies, Miss Maryon and Mrs. Fisher, had always kept near me since the night of the attack. Mr. Fisher, who was untiring in the work of our raft, had said to me: "My dear little childless wife has grown so attached to you, Davis, and you are such a gentle fellow, as well as such a determined one;" our party had adopted that last expression from the one-eyed English pirate, and I repeat what Mr. Fisher said, only because he said it; "that it takes a load off my mind to leave her in your charge." I said to him: "Your lady is in far better charge than mine, sir, having Miss Maryon to take care of her; but, you may rely upon it, that I will guard them both—faithful and true." Says he: "I do rely upon it, Davis, and I heartily wish all the silver on our old Island was yours." That seventh starlight night, as I have said, we made our camp, and got our supper, and set our watch, and the children fell asleep. It was solemn and beautiful in those wild and solitary parts, to see them, every night before they lay down, kneeling under the bright sky, saying their little prayers at women's laps. At that time we men all uncovered, and mostly kept at a distance. When the innocent creatures rose up, we murmured "Amen!" all together. For, though we had not heard what they said, we knew it must be good for us. At that time, too, as was only natural, those poor mothers in our company whose children had been killed, shed many tears. I thought the sight seemed to console them while it made them cry; but, whether I was right or wrong in that, they wept very much. On this seventh night, Mrs. Fisher had cried for her lost darling until she cried herself asleep. She was lying on a little couch of leaves and such-like (I made the best little couch I could, for them every night), and Miss Maryon had covered her, and sat by her, holding her hand. The stars looked down upon them. As for me, I guarded them. "Davis!" says Miss Maryon. (I am not going to say what a voice she had. I couldn't if I tried.) "I am here, Miss." "The river sounds as if it were swollen to-night." "We all think, Miss, that we are coming near the sea." "Do you believe, now, we shall escape?" "I do now, Miss, really believe it." I had always said I did; but, I had in my own mind been doubtful." "How glad you will be, my good Davis, to see England again!" I have another confession to make that will appear singular. When she said these words, something rose in my throat; and the stars I looked away at, seemed to break into sparkles that fell down my face and burnt it. "England is not much to me, Miss, except as a name." "Oh! So true an Englishman should not say that!—Are you not well to-night, Davis?" Very kindly, and with a quick change. "Quite well, Miss." "Are you sure? Your voice sounds altered in my hearing." "No, Miss, I am a stronger man than ever. But, England is nothing to me." Miss Maryon sat silent for so long a while, that I believed she had done speaking to me for one time. However, she had not; for by and by she said in a distinct, clear tone: "No, good friend; you must not say, that England is nothing to you. It is to be much to you, yet—everything to you. You have to take back to England the good name you have earned here, and the gratitude and attachment and respect you have won here; and you have to make some good English girl very happy and proud, by marrying her; and I shall one day see her, I hope, and make her happier and prouder still, by telling her what noble services her husband's were in South America, and what a noble friend he was to me there." Though she spoke these kind words in a cheering manner, she spoke them compassionately. I said nothing. It will appear to be another strange confession, that I paced to and fro, within call, all that night, a most unhappy man reproaching myself all the night long. "You are as ignorant as any man alive; you are as obscure as any man alive; you are as poor as any man alive; you are no better than the mud under your foot." That was the way in which I went on against myself until the morning. With the day, came the day's labour. What I should have done without the labour, I don't know. We were afloat again at the usual hour, and were again making our way down the river. It was broader, and clearer of obstructions than it had been, and it seemed to flow faster. This was one of Drooce's quiet days; Mr. Pordage, besides being sulky, had almost lost his voice; and we made good way, and with little noise. There was always a seaman forward on the raft, keeping a bright look-out. Suddenly, in the full heat of the day, when the children were slumbering, and the very trees and reeds appeared to be slumbering, this man—it was Short—holds up his hand, and cries with great caution: "Avast! Voices ahead!" We held on against the stream as soon as we could bring her up, and the other raft followed suit. At first, Mr. Macey, Mr. Fisher, and myself, could hear nothing; though both the seamen aboard of us agreed that they could hear voices and oars. After a little pause, however, we united in thinking that we could hear the sound of voices, and the dip of oars. But, you can hear a long way in those countries, and there was a bend of the river before us, and nothing was to be seen except such waters and such banks as we were now in the eighth day (and might, for the matter of our feelings, have been in the eightieth), of having seen with anxious eyes. It was soon decided to put a man ashore who should creep through the wood, see what was coming, and warn the rafts. The rafts in the meantime to keep the middle of the stream. The man to be put ashore, and not to swim ashore, as the first thing could be more quickly done than the second. The raft conveying him, to get back into mid-stream, and to hold on along with the other, as well as it could, until signalled by the man. In case of danger, the man to shift, for himself until it should be safe to take him aboard again. I volunteered to be the man. We knew that the voices and oars must come up slowly against the stream; and our seamen knew, by the set of the stream, under which bank they would come. I was put ashore accordingly. The raft got off well, and I broke into the wood. Steaming hot it was, and a tearing place to get through. So much the better for me, since it was something to contend against and do. I cut off the bend in the river, at a great saving of space, came to the water's edge again, and hid myself, and waited. I could now hear the dip of the oars very distinctly; the voices had ceased. The sound came on in a regular tune, and as I lay hidden, I fancied the tune so played to be, "Chris'en—George—King!—Chris'en—George—King! Chris'en—George—King!" over and over again, always the same, with the pauses always at the same places. I had likewise time to make up my mind that if these were the Pirates, I could and would (barring my being shot), swim off to my raft, in spite of my wound, the moment I had given the alarm, and hold my old post by Miss Maryon. "Chris'en—George—King! Chris'en—George—King! Chris'en—George—King!" coming up, now, very near. I took a look at the branches about me, to see where a shower of bullets would be most likely to do me least hurt; and I took a look back at the track I had made in forcing my way in; and now I was wholly prepared and fully ready for them. "Chris'en—George—King! Chrise'n—George—King! Chris'en—George—King!" Here they were! Who were they? The barbarous Pirates, scum of all nations, headed by such men as the hideous little Portuguese monkey, and the one-eyed English convict with the gash across his face, that ought to have gashed his wicked head off? The worst men in the world picked out from the worst, to do the cruellest and most atrocious deeds that ever stained it? The howling, murdering, black-flag waving, mad, and drunken crowd of devils that had overcome us by numbers and by treachery? No. These were English men in English boats—good blue-jackets and red-coats—marines that I knew myself, and sailors that knew our seamen! At the helm of the first boat, Captain Carton, eager and steady. At the helm of the second boat, Captain Maryon, brave and bold. At the helm of the third boat, an old seaman, with determination carved into his watchful face, like the figure-head of a ship. Every man doubly and trebly armed from head to foot. Every man lying-to at his work, with a will that had all his heart and soul in it. Every man looking out for any trace of friend or enemy, and burning to be the first to do good, or avenge evil. Every man with his face on fire when he saw me, his countryman who had been taken prisoner, and hailed me with a cheer, as Captain Carton's boat ran in and took me on board. I reported, "All escaped, sir! All well, all safe, all here!" God bless me—and God bless them—what a cheer! It turned me weak, as I was passed on from hand to hand to the stern of the boat: every hand patting me or grasping me in some way or other, in the moment of my going by. "Hold up, my brave fellow," says Captain Carton, clapping me on the shoulder like a friend, and giving me a flask. "Put your lips to that, and they'll be red again. Now, boys, give way!" The banks flew by us, as if the mightiest stream that ever ran was with us; and so it was, I am sure, meaning the stream of those men's ardour and spirit. The banks flew by us, and we came in sight of the rafts—the banks flew by us, and we came alongside of the rafts—the banks stopped; and there was a tumult of laughing and crying and kissing and shaking of hands, and catching up of children and setting of them down again, and a wild hurry of thankfulness and joy that melted every one and softened all hearts. I had taken notice, in Captain Carton's boat, that there was a curious and quite new sort of fitting on board. It was a kind of a little bower made of flowers, and it was set up behind the captain, and betwixt him and the rudder. Not only was this arbor, so to call it, neatly made of flowers, but it was ornamented in a singular way. Some of the men had taken the ribbons and buckles off their hats, and hung them among the flowers; others, had made festoons and streamers of their handkerchiefs, and hung them there; others, had intermixed such trifles as bits of glass and shining fragments of lockets and tobacco-boxes, with the flowers; so that altogether it was a very bright and lively object in the sunshine. But, why there, or what for, I did not understand. Now, as soon as the first bewilderment was over, Captain Carton gave the order to land for the present. But, this boat of his, with two hands left in her, immediately put off again when the men were out of her, and kept off, some yards from the shore. As she floated there, with the two hands gently backing water to keep her from going down the stream, this pretty little arbor attracted many eyes. None of the boat's crew, however, had anything to say about it, except that it was the captain's fancy. The captain, with the women and children clustering round him, and the men of all ranks grouped outside them, and all listening, stood telling how the Expedition, deceived by its bad intelligence, had chased the light Pirate boats all that fatal night, and had still followed in their wake next day, and had never suspected until many hours too late that the great Pirate body had drawn off in the darkness when the chace began, and shot over to the Island. He stood telling how the Expedition, supposing the whole array of armed boats to be ahead of it, got tempted into shallows and went aground; but, not without having its revenge upon the two decoy-boats, both of which it had come up with, overland, and sent to the bottom with all on board. He stood telling how the Expedition, fearing then that the case stood as it did, got afloat again, by great exertion, after the loss of four more tides, and returned to the Island, where they found the sloop scuttled and the treasure gone. He stood telling how my officer, Lieutenant Linderwood, was left upon the Island, with as strong a force as could be got together hurriedly from the mainland, and how the three boats we saw before us were manned and armed and had come away, exploring the coast and inlets, in search of any tidings of us. He stood telling all this, with his face to the river; and, as he stood telling it, the little arbor of flowers floated in the sunshine before all the faces there. Leaning on Captain Carton's shoulder, between him and Miss Maryon, was Mrs. Fisher, her head drooping on her arm. She asked him, without raising it, when he had told so much, whether he had found her mother? "Be comforted! She lies," said the Captain, gently, "under the cocoa-nut trees on the beach." "And my child, Captain Carton, did you find my child, too? Does my darling rest with my mother?" "No. Your pretty child sleeps," said the Captain, "under a shade of flowers." His voice shook; but, there was something in it that struck all the hearers. At that moment, there sprung from the arbor in his boat, a little creature, clapping her hand and stretching out her arms, and crying, "Dear papa! Dear mamma! I am not killed. I am saved. I am coming to kiss you. Take me to them, take me to them, good, kind sailors!" Nobody who saw that scene has ever forgotten it, I am sure, or ever will forget it. The child had kept quite still, where her brave grandmama had put her (first whispering in her ear, "Whatever happens to me, do not stir, my dear!"), and had remained quiet until the fort was deserted; she had then crept out of the trench, and gone into her mother's house; and there, alone on the solitary Island, in her mother's room, and asleep on her mother's bed, the Captain had found her. Nothing could induce her to be parted from him after he took her up in his arms, and he had brought her away with him, and the men had made the bower for her. To see those men now, was a sight. The joy of the women was beautiful; the joy of those women who had lost their own children, was quite sacred and divine; but, the ecstasies of Captain Carton's boat's crew, when their pet was restored to her parents, were wonderful for the tenderness they showed in the midst of roughness. As the Captain stood with the child in his arms, and the child's own little arms now clinging round his neck, now round her father's, now round her mother's, now round some one who pressed up to kiss her, the boat's crew shook hands with one another, waved their hats over their heads, laughed, sang, cried, danced—and all among themselves, without wanting to interfere with anybody—in a manner never to be represented. At last, I saw the coxswain and another, two very hard-faced men with grizzled heads who had been the heartiest of the hearty all along, close with one another, get each of them the other's head under his arm, and pummel away at it with his fist as hard as he could, in his excess of joy. When we had well rested and refreshed ourselves—and very glad we were to have some of the heartening things to eat and drink that had come up in the boats—we recommenced our voyage down the river: rafts, and boats, and all. I said to myself, it was a very different kind of voyage now, from what it had been; and I fell into my proper place and station among my fellow-soldiers. But, when we halted for the night, I found that Miss Maryon had spoken to Captain Carton concerning me. For, the Captain came straight up to me, and says he, "My brave fellow, you have been Miss Maryon's body-guard all along, and you shall remain so. Nobody shall supersede you in the distinction and pleasure of protecting that young lady." I thanked his honor in the fittest words I could find, and that night I was placed on my old post of watching the place where she slept. More than once in the night, I saw Captain Carton come out into the air, and stroll about there, to see that all was well. I have now this other singular confession to make, that I saw him with a heavy heart. Yes; I saw him with a heavy, heavy heart. In the day-time, I had the like post in Captain Carton's boat. I had a special station of my own, behind Miss Maryon, and no hands but hers ever touched my wound. (It has been healed these many long years; but, no other hands have ever touched it.) Mr. Pordage was kept tolerably quiet now, with pen and ink, and began to pick up his senses a little. Seated in the second boat, he made documents with Mr. Kitten, pretty well all day; and he generally handed in a Protest about something whenever we stopped. The Captain, however, made so very light of these papers that it grew into a saying among the men, when one of them wanted a match for his pipe, "Hand us over a Protest, Jack!" As to Mrs. Pordage, she still wore the nightcap, and she now had cut all the ladies on account of her not having been formally and separately rescued by Captain Carton before anybody else. The end of Mr. Pordage, to bring to an end all I know about him, was, that he got great compliments at home for his conduct on these trying occasions, and that he died of yellow jaundice, a Governor and a K.C.B. Serjeant Drooce had fallen from a high fever into a low one, Tom Packer—the only man who could have pulled the Serjeant through it—kept hospital a-board the old raft, and Mrs. Belltott, as brisk as ever again (but the spirit of that little woman, when things tried it, was not equal to appearances), was head-nurse under his directions. Before we got down to the Mosquito coast, the joke had been made by one of our men, that we should see her gazetted Mrs. Tom Packer, vice Belltott exchanged. When we reached the coast, we got native boats as substitutes for the rafts; and we rowed along under the land; and in that beautiful climate, and upon that beautiful water, the blooming days were like enchantment. Ah! They were running away, faster than any sea or river, and there was no tide to bring them back. We were coming very near the settlement where the people of Silver-Store were to be left, and from which we Marines were under orders to return to Belize. Captain Carton had, in the boat by him, a curious long-barreled Spanish gun, and he had said to Miss Maryon one day that it was the best of guns, and had turned his head to me, and said: "Gill Davis, load her fresh with a couple of slugs, against a chance of showing how good she is." So, I had discharged the gun over the sea, and had loaded her, according to orders, and there it had lain at the Captain's feet, convenient to the Captain's hand. The last day but one of our journey was an uncommonly hot day. We started very early; but, there was no cool air on the sea as the day got on, and by noon the heat was really hard to bear, considering that there were women and children to bear it. Now, we happened to open, just at that time, a very pleasant little cove or bay, where there was a deep shade from a great growth of trees. Now, the Captain, therefore, made the signal to the other boats to follow him in and lie by a while. The men who were off duty went ashore, and lay down, but were ordered, for caution's sake, not to stray, and to keep within view. The others rested on their oars, and dozed. Awnings had been made of one thing and another, in all the boats, and the passengers found it cooler to be under them in the shade, when there was room enough, than to be in the thick woods. So, the passengers were all afloat, and mostly sleeping. I kept my post behind Miss Maryon, and she was on Captain Carton's right in the boat, and Mrs. Fisher sat on her right again. The Captain had Mrs. Fisher's daughter on his knee. He and the two ladies were talking about the Pirates, and were talking softly: partly, because people do talk softly under such indolent circumstances, and partly because the little girl had gone off asleep. I think I have before given it out for my Lady to write down, that Captain Carton had a fine bright eye of his own. All at once, he darted me a side look, as much as to say. "Steady—don't take on—I see something!"—and gave the child into her mother's arms. That eye of his was so easy to understand, that I obeyed it by not so much as looking either to the right or to the left out of a corner of my own, or changing my attitude the least trifle. The Captain went on talking in the same mild and easy way; but began—with his arms resting across his knees, and his head a little hanging forward, as if the heat were rather too much for him—began to play with the Spanish gun. "They had laid their plans, you see," says the Captain, taking up the Spanish gun across his knees, and looking, lazily, at the inlaying on the stock, "with a great deal of art; and the corrupt or blundering local authorities were so easily deceived;" he ran his left hand idly along the barrel, but I saw, with my breath held, that he covered the action of cocking the gun with his right—"so easily deceived, that they summoned us out to come into the trap. But my intention as to future operations——" In a flash the Spanish gun was at his bright eye, and he fired. All started up; innumerable echoes repeated the sound of the discharge; a cloud of bright-colored birds flew out of the woods screaming; a handful of leaves were scattered in the place where the shot had struck; a crackling of branches was heard; and some lithe but heavy creature sprang into the air, and fell forward, head down, over the muddy bank. "What is it?" cries Captain Maryon from his boat. All silent then, but the echoes rolling away. "It is a Traitor and a Spy," said Captain Carton, handing me the gun to load again. "And I think the other name of the animal is Christian George King!" Shot through the heart. Some of the people ran round to the spot, and drew him out, with the slime and wet trickling down his face; but, his face itself would never stir any more to the end of time. "Leave him hanging to that tree," cried Captain Carton; his boat's crew giving way, and he leaping ashore. "But first into this wood, every man in his place. And boats! Out of gunshot!" It was a quick change, well meant and well made, though it ended in disappointment. No Pirates were there; no one but the Spy was found. It was supposed that the Pirates, unable to retake us, and expecting a great attack upon them, to be the consequence of our escape, had made from the ruins in the Forest, taken to their ship along with the Treasure, and left the Spy to pick up what intelligence he could. In the evening we went away, and he was left hanging to the tree, all alone, with the red sun making a kind of a dead sunset on his black face. Next day, we gained the settlement on the Mosquito coast for which we were bound. Having stayed there to refresh, seven days, and having been much commended, and highly spoken of, and finely entertained, we Marines stood under orders to march from the Town-Gate (it was neither much of a town nor much of a gate), at five in the morning. My officer had joined us before then. When we turned out at the gate, all the people were there; in the front of them all those who had been our fellow-prisoners, and all the seamen. "Davis," says Lieutenant Linderwood. "Stand out, my friend!" I stood out from the ranks, and Miss Maryon and Captain Carton came up to me. "Dear Davis," says Miss Maryon, while the tears fell fast down her face, "your grateful friends, in most unwillingly taking leave of you, ask the favour that, while you bear away with you their affectionate remembrance which nothing can ever impair, you will also take this purse of money—far more valuable to you, we all know, for the deep attachment and thankfulness with which it is offered, than for its own contents, though we hope those may prove useful to you, too, in after life." I got out, in answer, that I thankfully accepted the attachment and affection, but not the money. Captain Carton looked at me very attentively, and stepped back, and moved away. I made him my bow as he stepped back, to thank him for being so delicate. "No, miss," said I, "I think it would break my heart to accept of money. But, if you could condescend to give to a man so ignorant and common as myself, any little thing you have worn—such as a bit of ribbon—" She took a ring from her finger, and put it in my hand. And she rested her hand in mine, while she said these words: "The brave gentlemen of old—but not one of them was braver, or had a nobler nature than you—took such gifts from ladies, and did all their good actions for the givers' sakes. If you will do yours for mine, I shall think with pride that I continue to have some share in the life of a gallant and generous man." For the second time in my life, she kissed my hand. I made so bold, for the first time, as to kiss hers; and I tied the ring at my breast, and I fell back to my place. Then, the horse-litter went out at the gate, with Serjeant Drooce in it; and the horse- litter went out at the gate with Mrs. Belltott in it; and Lieutenant Linderwood gave the word of command, "Quick march!" and, cheered and cried for, we went out of the gate too, marching along the level plain towards the serene blue sky as if we were marching straight to Heaven. When I have added here that the Pirate scheme was blown to shivers, by the Pirate-ship which had the Treasure on board being so vigorously attacked by one of His Majesty's cruisers, among the West India Keys, and being so swiftly boarded and carried, that nobody suspected anything about the scheme until three-fourths of the Pirates were killed, and the other fourth were in irons, and the Treasure was recovered; I come to the last singular confession I have got to make. It is this. I well knew what an immense and hopeless distance there was between me and Miss Maryon; I well knew that I was no fitter company for her than I was for the angels; I well knew that she was as high above my reach as the sky over my head; and yet I loved her. What put it in my low heart to be so daring, or whether such a thing ever happened before or since, as that a man so uninstructed and obscure as myself got his unhappy thoughts lifted up to such a height, while knowing very well how presumptuous and impossible to be realised they were, I am unable to say; still, the suffering to me was just as great as if I had been a gentleman. I suffered agony—agony. I suffered hard, and I suffered long. I thought of her last words to me, however, and I never disgraced them. If it had not been for those dear words, I think I should have lost myself in despair and recklessness. The ring will be found lying on my heart, of course, and will be laid with me wherever I am laid. I am getting on in years now, though I am able and hearty. I was recommended for promotion, and everything was done to reward me that could be done; but, my total want of all learning stood in my way, and I found myself so completely out of the road to it, that I could not conquer any learning, though I tried. I was long in the service, and I respected it, and was respected in it, and the service is dear to me at this present hour. At this present hour, when I give this out to my Lady to be written down, all my old pain has softened away, and I am as happy as a man can be, at this present fine old country-house of Admiral Sir George Carton, Baronet. It was my Lady Carton who herself sought me out, over a great many miles of the wide world, and found me in Hospital wounded, and brought me here. It is my Lady Carton who writes down my words. My Lady was Miss Maryon. And now, that I conclude what I had to tell, I see my Lady's honored grey hair droop over her face, as she leans a little lower at her desk; and I fervently thank her for being so tender as I see she is, towards the past pain and trouble of her poor, old, faithful, humble soldier. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. On occasions like the present, he said, there were always two remarks he addressed to his audience. First of all, he would inform them that he always allowed an interval of five minutes to elapse, as nearly as possible when half-way through the Carol as the natural divisions of the story would allow of. Secondly if, as they proceeded, any of his audience should feel disposed to give vent to any feeling of emotion, he would request them to do so in the most natural manner, without the slightest apprehension of disturbing him. Nothing could be more agreeable to him than the assurance of their being interested, and nothing would be more in accordance with his wishes than that they should all, for the next two hours, make themselves as much as possible like a group of friends, listening to a tale told by a winter fire, and forget all ceremony and forms in the manner of their coming together.   Dickens briefly replied, that they had heard so much of his voice already that night, that in acknowledging their handsome tribute he would only inflict on them one more sentence. All he would say was, that he could have given them no pleasure that evening which they had not most fully and handsomely repaid to him. Location The location Bristol Venue Where the speech was given Athenaeum Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18580119 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource At a Reading in Bristol Description An account of the resource Speech at a Reading in Bristol (1 January 1858). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1858-01-19 Identifier An unambiguous reference to the resource within a given context 1858-01-19_Speech_At-a-Reading-in-Bristol Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at a Reading in Bristol' (1 January 1858). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-01-19_Speech_At-a-Reading-in-Bristol">https://dickenssearch.com/speeches/1858-01-19_Speech_At-a-Reading-in-Bristol</a>.