5 10 361 https://www.dickenssearch.com/files/original/12/A_Detective_Police_Party_[No.1]/1850-07-27-A_Detective_Police_Party_No1.pdf 2643e8fb2f71cda34ee3f68b99fce67f Journalism Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18500727 Publication The title of the newspaper/serial (if applicable) Household Words Publication Type E.g. newspaper/serial Weekly newspaper Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. In pursuance of the intention mentioned at the close of a former paper on “The Modern Science of Thief-taking,” we now proceed to endeavour to convey to our readers some faint idea of the extraordinary dexterity, patience, and ingenuity, exercised by the Detective Police. That our description may be as graphic as we can render it, and may be perfectly reliable, we will make it, so far as in us lies, a piece of plain truth. And first, we have to inform the reader how the anecdotes we are about to communicate, came to our knowledge. We are not by any means devout believers in the Old Bow-Street Police. To say the truth, we think there was a vast amount of humbug about those worthies. Apart from many of them being men of very indifferent character, and far too much in the habit of consorting with thieves and the like, they never lost a public occasion of jobbing and trading in mystery and making the most of themselves. Continually puffed besides by incompetent magistrates anxious to conceal their own deficiencies, and hand-in-glove with the penny-a-liners of that time, they became a sort of superstition. Although as a Preventive Police they were utterly ineffective, and as a Detective Police were very loose and uncertain in their operations, they remain with some people, a superstition to the present day. On the other hand, the Detective Force organised since the establishment of the existing Police, is so well chosen and trained, proceeds so systematically and quietly, does its business in such a workman-like manner, and is always so calmly and steadily engaged in the service of the public, that the public really do not know enough of it, to know a tithe of its usefulness. Impressed with this conviction, and interested in the men themselves, we represented to the authorities at Scotland Yard, that we should be glad, if there were no official objection, to have some talk with the Detectives. A most obliging and ready permission being given, a certain evening was appointed with a certain Inspector for a social conference between ourselves and the Detectives, at our Office in Wellington Street, Strand, London. In consequence of which appointment the party “came off,” which we are about to describe. And we beg to repeat that, avoiding such topics as it might for obvious reasons be injurious to the public, or disagreeable to respectable individuals, to touch upon in print, our description is as exact as we can make it. The reader will have the goodness to imagine the Sanctum Sanctorum of Household Words. Anything that best suits the reader’s fancy, will best represent that magnificent chamber. We merely stipulate for a round table in the middle, with some glasses and cigars arranged upon it; and the editorial sofa elegantly hemmed in between that stately piece of furniture and the wall. It is a sultry evening at dusk. The stones of Wellington Street are hot and gritty, and the watermen and hackney-coachmen at the Theatre opposite, are much flushed and aggravated. Carriages are constantly setting down the people who have come to Fairy-Land; and there is a mighty shouting and bellowing every now and then, deafening us for the moment, through the open windows. Just at dusk, Inspectors Wield and Stalker are announced; but we do not undertake to warrant the orthography of any of the names here mentioned. Inspector Wield presents Inspector Stalker. Inspector Wield is a middle-aged man of a portly presence, with a large, moist, knowing eye, a husky voice, and a habit of emphasising his conversation by the aid of a corpulent fore-finger, which is constantly in juxta-position with his eyes or nose. Inspector Stalker is a shrewd, hard- headed Scotchman in appearance not at all unlike a very acute, thoroughly-trained schoolmaster, from the Normal Establishment at Glasgow. Inspector Wield one might have known, perhaps, for what he is – Inspector Stalker, never. The ceremonies of reception over, Inspectors Wield and Stalker observe that they have brought some sergeants with them. The sergeants are presented – five in number, Sergeant Dornton, Sergeant Witchem, Sergeant Mith, Sergeant Fendall, and Sergeant Straw. We have the whole Detective Force from Scotland Yard with one exception. They sit down in a semi-circle at a little distance from the round table, facing the editorial sofa. Every man of them, in a glance, immediately takes an inventory of the furniture and an accurate sketch of the editorial presence. The Editor feels that any gentleman in company could take him up, if need should be, without the smallest hesitation, twenty years hence. The whole party are in plain clothes. Sergeant Dornton, about fifty years of age, with a ruddy face and a high sun-burnt forehead, has the air of one who has been a Sergeant in the army – he might have sat to Wilkie for the Soldier in the Reading of the Will. He is famous for steadily pursuing the inductive process, and, from small beginnings, working on from clue to clue until he bags his man. Sergeant Witchem, shorter and thicker-set, and marked with the small pox, has something of a reserved and thoughtful air, as if he were engaged in deep arithmetical calculations. He is renowned for his acquaintance with the swell mob. Sergeant Mith, a smooth-faced man with a fresh bright complexion, and a strange air of simplicity, is a dab at housebreakers. Sergeant Fendall, a light-haired, well-spoken, polite person, is a prodigious hand at pursuing private inquiries of a delicate nature. Straw, a little wiry Sergeant of meek demeanour and strong sense, would knock at a door and ask a series of questions in any mild character you chose to prescribe to him, from a charity-boy upwards, and seem as innocent as an infant. They are, one and all, respectable-looking men; of perfectly good deportment and unusual intelligence; with nothing lounging or slinking in their manners; with an air of keen observation, and quick perception when addressed; and generally presenting in their faces, traces more or less marked of habitually leading lives of strong mental excitement. They have all good eyes; and they all can, and they all do, look full at whomsoever they speak to. We light the cigars, and hand round the glasses (which are very temperately used indeed), and the conversation begins by a modest amateur reference on the Editorial part to the swell mob. Inspector Wield immediately removes his cigar from his lips, waves his right hand, and says, “Regarding the Swell Mob, Sir, I can’t do better than call upon Sergeant Witchem. Because the reason why? I’ll tell you. Sergeant Witchem is better acquainted with the Swell Mob than any officer in London.” Our heart leaping up when we beheld this rainbow in the sky, we turn to Serjeant Witchem, who very concisely, and in well-chosen language, goes into the subject forthwith. Meantime, the whole of his brother officers are closely interested in attending to what he says, and observing its effect. Presently they begin to strike in, one or two together, when an opportunity offers, and the conversation becomes general. But these brother officers only come in to the assistance of each other – not to the contradiction – and a more amicable brotherhood there could not be. From the swell mob, we diverge to the kindred topics of cracksmen, fences, public-house dancers, area-sneaks, designing young people who go out “gonophing,” and other “schools,” to which our readers have already been introduced. It is observable throughout these revelations, that Inspector Stalker, the Scotchman, is always exact and statistical, and that when any question of figures arises, everybody as by one consent pauses, and looks to him. When we have exhausted the various schools of Art – during which discussion the whole body have remained profoundly attentive, except when some unusual noise at the Theatre over the way, has induced some gentleman to glance inquiringly towards the window in that direction, behind his next neighbour’s back – we burrow for information on such points as the following. Whether there really are any highway robberies in London, or whether some circumstances not convenient to be mentioned by the aggrieved party, usually precede the robberies complained of, under that head, which quite change their character? Certainly the latter, almost always. Whether in the case of robberies in houses, where servants are necessarily exposed to doubt, innocence under suspicion ever becomes so like guilt in appearance, that a good officer need be cautious how he judges it? Undoubtedly. Nothing is so common or deceptive as such appearances at first. Whether in a place of public amusement, a thief knows an officer, and an officer knows a thief, -  supposing them, beforehand, stranger to each other – because each recognises in the other, under all disguise, an inattention to what is going on, and a purpose that is not the purpose of being entertained? Yes. That’s the way exactly. Whether it is reasonable or ridiculous to trust to the alleged experiences of thieves as narrated by themselves, in prisons, or penitentiaries, or anywhere? In general, nothing more absurd. Lying is their habit and their trade; and they would rather lie even if they hadn't an interest in it, and didn't want to make themselves agreeable – than tell the truth. From these topics, we glide into a review of the most celebrated and horrible of the great crimes that have been committed within the last fifteen or twenty years. The men engaged in the discovery of almost all of them, and in the pursuit or apprehension of the murderers, are here, down to the very last instance. One of our guests gave chase to and boarded the Emigrant Ship, in which the murderess last hanged in London was supposed to have embarked. We learn from him that his errand was not announced to the passengers, who may have no idea of it to this hour. That he went below, with the captain, lamp in hand – It being dark, and the whole steerage abed and seasick – and engaged the Mrs. Manning who was on board, in a conversation about her luggage, until she was, with no small pains, induced to raise her head, and turn her face towards the light. Satisfied that she was not the object of his search, he quietly re-embarked in the Government steamer alongside, and steamed home again with the intelligence. When we have exhausted these subjects, too, which occupy a considerable time in the discussion, two or three leave their chairs, whisper Sergeant Witchem, and resume their seats. Sergeant Witchem, leaning forward a little, and placing a hand on each of his legs, then modestly speaks as follows: “My brother-officers wish me to relate a little account of my taking Tally-ho Thompson. A man oughtn’t to tell what he has done himself; but still, as nobody was with me, and, consequently, as nobody but myself can tell it, I’ll do it in the best way I can, if it should meet your approval.” We assure Sergeant Witchem that he will oblige us very much, and we all compose ourselves to listen with great interest and attention. “Tally-ho Thompson,” says Sergeant Witchem, after merely wetting his lips with his brandy-and- water, “Tally-ho Thompson was a famous horse-stealer, couper, and magsman. Thompson, in conjunction with a pal that occasionally worked with him, gammoned a countryman out of a good round sum of money, under pretence of getting him a situation – the regular old dodge – and was afterwards in the ‘Hue and Cry’ for a horse – a horse that he stole, down in Hertfordshire. I had to look after Thompson, and I applied myself, of course, in the first instance, to discovering where he was. Now, Thompson’s wife lived, along with a little daughter, at Chelsea. Knowing that Thompson was somewhere in the country, I watched the house – especially at post-time in the morning – thinking Thompson was pretty likely to write to her. Sure enough, one morning the postman comes up, and delivers a letter at Mrs. Thompson’s door. Little girl opens the door, and takes it in. We’re not always sure of postmen, though the people at the post-offices are always very obliging. A postman may help us, or he may not, just as it happens. However, I go across the road, and I say to the postman, after he has left the letter, ‘Good morning! how are you?’ ‘How are you?’ says he. ‘You've just delivered a letter for Mrs. Thompson.’ ‘Yes, I have.’ ‘You didn't happen to remark what the post-mark was, perhaps?’ ‘No,’ says he, ‘I didn't.’ ‘Come,’ says I, ‘I’ll be plain with you. I’m in a small way of business, and I have given Thompson credit, and I can’t afford to lose what he owes me. I know he’s got money, and I know he’s in the country, and if you could tell me what the post-mark was, I should be very much obliged to you, and you’d do a service to a tradesman in a small way of business that can’t afford a loss.’ ‘Well,’ he said, ‘I do assure you that I did not observe what the post-mark was; all I know is, that there was money in the letter – I should say a sovereign.’ This was enough for me, because of course I knew that Thompson having sent his wife money, it was probable she’d write to Thompson, by return of post, to acknowledge the receipt. So I said ‘Thankee’ to the postman, and I kept on the watch. In the afternoon I saw the little girl come out. Of course I followed her. She went into a stationer’s shop, and I needn’t say to you that I looked in at the window. She bought some writing-paper and envelopes, and a pen. I think to myself, ‘That’ll do!’ – watch her home again – and don’t go away, you may be sure, knowing that Mrs. Thompson was writing her letter to Tally-ho, and that the letter would be posted presently. In about an hour or so, out came the little girl again, with the letter in her hand. I went up, and said something to the child, whatever it might have been; but I couldn’t see the direction of the letter, because she held it with the seal upwards. However, I observed that on the back of the letter there was what we call a kiss – a drop of wax by the side of the seal – and again, you understand, that was enough for me. I saw her post the letter, waited till she was gone, then went into the shop, and asked to see the Master. When he came out, I told him, ‘Now, I'm an Officer in the Detective Force; there’s a letter with a kiss been posted here just now, for a man that I’m in search of; and what I have to ask of you, is, that you will let me look at the direction of that letter.’ He was very civil – took a lot of letters from the box in the window – shook ‘em out on the counter with the faces downwards – and there among ‘em was the identical letter with the kiss. It was directed, Mr. Thomas Pigeon, Post-Office, B–, to be left ‘till called for. Down I went to B– (a hundred and twenty miles or so) that night. Early next morning I went to the Post-Office; saw the gentleman in charge of that department; told him who I was; and that my object was to see, and track, the party that should come for the letter for Mr. Thomas Pigeon. He was very polite, and said, ‘You shall have every assistance we can give you; you can wait inside the office; and we’ll take care to let you know when anybody comes for the letter.’ Well, I waited there, three days, and began to think that nobody ever would come. At last the clerk whispered to me, ‘Here! Detective! Somebody’s come for the letter!’ ‘Keep him a minute,’ said I, and I ran round to the outside of the office. There I saw a young chap with the appearance of an Ostler, holding a horse by the bridle – stretching the bridle across the pavement, while he waited at the Post-Office Window for the letter. I began to pat the horse, and that; and I said to the boy, ‘Why, this is Mr. Jones’s Mare!’ ‘No. It an’t.’ ‘No?’ said I. ‘She's very like Mr. Jones’s Mare!’ ‘She an’t Mr. Jones’s Mare, anyhow,’ says he. ‘It's Mr. So-and-So’s, of the Warwick Arms.’ And up he jumped, and off he went – letter and all. I got a cab, followed on the box, and was so quick after him that I came into the stable-yard of the Warwick Arms, by one gate, just as he came in by another. I went into the bar, where there was a young woman serving, and called for a glass of brandy-and-water. He came in directly, and handed her the letter. She casually looked at it, without saying anything, and stuck it up behind the glass over the chimney-piece. What was to be done next? “I turned it over in my mind while I drank my brandy-and-water (looking pretty sharp at the letter the while), but I couldn’t see my way out of it at all. I tried to get lodgings in the house, but there had been a horse-fair, or something of that sort, and it was full. I was obliged to put up somewhere else, but I came backwards and forwards to the bar for a couple of days, and there was the letter, always behind the glass. At last I thought I’d write a letter to Mr. Pigeon myself, and see what that would do. So I wrote one, and posted it, but I purposely addressed it, Mr. John Pigeon, instead of Mr. Thomas Pigeon, to see what that would do. In the morning (a very wet morning it was) I watched the postman down the street, and cut into the bar, just before he reached the Warwick Arms. In he came presently with my letter. ‘Is there a Mr. John Pigeon staying here?’ ‘No! - stop a bit though,’ says the barmaid; and she took down the letter behind the glass. ‘No,’ says she, ‘it’s Thomas, and he is not staying here. Would you do me a favor, and post this for me, as it is so wet?’ The postman said Yes; she folded it in another envelope, directed it, and gave it him. He put it in his hat, and away he went. “I had no difficulty in finding out the direction of that letter. It was addressed, Mr. Thomas Pigeon, Post-Office, R–, Northamptonshire, to be left till called for. Off I started directly for R–; I said the same at the Post-Office there, as I had said at B–; and again I waited three days before anybody came. At last another chap on horseback came. ‘Any letters for Mr. Thomas Pigeon?' ‘Where do you come from?’ ‘New Inn, near R–.’ He got the letter, and away he went at a canter. “I made my enquiries about the New Inn, near R–, and hearing it was a solitary sort of house, a little in the horse line, about a couple of miles from the station, I thought I’d go and have a look at it. I found it what it had been described, and sauntered in, to look about me. The landlady was in the bar, and I was trying to get into conversation with her; asked her how business was, and spoke about the wet weather, and so on; when I saw, through an open door, three men sitting by the re in a sort of parlor, or kitchen; and one of those men, according to the description I had of him, was Tally-ho Thompson! ‘I went and sat down among ‘em, and tried to make things agreeable; but they were very shy -  wouldn’t talk at all looked at me, and at one another, in a way quite the reverse of sociable. I reckoned ‘em up, and finding that they were all three bigger men than me, and considering that their looks were ugly – that it was a lonely place – railroad station two miles off – and night coming on – thought I couldn’t do better than have a drop of brandy-and-water to keep my courage up. So I called for my brandy-and-water; and as I was sitting drinking it by the fire, Thompson got up and went out. “Now the difficulty of it was, that I wasn’t sure it was Thompson, because I had never set eyes on him before; and what I had wanted was to be quite certain of him. However, there was nothing for it now, but to follow, and put a bold face upon it. I found him talking, outside in the yard, with the landlady. It turned out afterwards, that he was wanted by a Northampton officer for something else, and that, knowing that officer to be pock-marked (as I am myself), he mistook me for him. As I have observed, I found him talking to the landlady, outside. I put my hand upon his shoulder – this way – and said, ‘Tally-ho Thompson, it’s no use. I know you. I’m an officer from London, and I take you into custody for felony!’ ‘That be d d!’ says Tally-ho Thompson. “We went back into the house, and the two friends began to cut up rough, and their looks didn’t please me at all, I assure you. ‘Let the man go. What are you going to do with him?’ ‘I’ll tell you what I’m going to do with him. I’m going to take him to London to-night, as sure as I’m alive. I’m not alone here, whatever you may think. You mind your own business, and keep yourselves to yourselves. It’ll be better for you, for I know you both very well.’ I'd never seen or heard of ‘em in all my life, but my bouncing cowed ‘em a bit, and they kept off, while Thompson was making ready to go. I thought to myself, however, that they might be coming after me on the dark road, to rescue Thompson; so I said to the landlady, ‘What men have you got in the house, Missis?’ ‘We haven't got no men here,’ she says, sulkily. ‘You have got an ostler, I suppose?’ ‘Yes, we’ve got an ostler.’ ‘Let me see him.’ Presently he came, and a shaggy-headed young fellow he was. ‘Now attend to me, young man,’ says I; ‘I'm a Detective Officer from London. This man’s name is Thompson. I have taken him into custody for felony. I’m going to take him to the railroad station. I call upon you in the Queen’s name to assist me; and mind you, my friend, you’ll get yourself into more trouble than you know of, if you don’t!’ You never saw a person open his eyes so wide. ‘Now, Thompson, come along!’ says I. But when I took out the handcuffs, Thompson cries, ‘No! None of that! I won’t stand them! I’ll go along with you quiet, but I won’t bear none of that!’ ‘Tally-ho Thompson,’ I said, ‘I’m willing to behave as a man to you, if you are willing to behave as a man to me. Give me your word that you’ll come peaceably along, and I don’t want to handcuff you.’ ‘I will’' says Thompson, ‘but I’ll have a glass of brandy first.’ ‘I don’t care if I’ve another,’ said I. ‘We’ll have two more, Missis,’ said the friends, ‘and con-found you, Constable, you’ll give your man a drop, won’t you?’ I was agreeable to that, so we had it all round, and then my man and I took Tally-ho Thompson safe to the railroad, and I carried him to London that night. He was afterwards acquitted, on account of a defect in the evidence; and I understand he always praises me up to the skies, and says I'm one of the best of men.” This story coming to a termination amidst general applause, Inspector Wield, after a little grave smoking, fixes his eye on his host, and thus delivers himself: “It wasn’t a bad plant that of mine, on Fikey, the man accused of forging the Sou’Western Railway debentures – it was only t’other day – because the reason why? I'll tell you. “I had information that Fikey and his brother kept a factory over yonder there,” indicating any region on the Surrey side of the river, “where he bought second-hand carriages; so after I’d tried in vain to get hold of him by other means, I wrote him a letter in an assumed name, saying that I’d got a horse and shay to dispose of, and would drive down next day, that he might view the lot, and make an offer – very reasonable it was, I said – a reg’lar bargain. Straw and me then went off to a friend of mine that’s in the livery and job business, and hired a turnout for the day, a precious smart turn-out, it was – quite a slap-up thing! Down we drove, accordingly, with a friend (who’s not in the Force himself); and leaving my friend in the shay near a public-house, to take care of the horse, we went to the factory, which was some little way off. In the factory, there was a number of strong fellows at work, and after reckoning ‘em up, it was clear to me that it wouldn’t do to try it on there. They were too many for us. We must get our man out of doors. ‘Mr. Fikey at home?’ ‘No, he ain’t.’ ‘Expected home soon?’ ‘Why, no, not soon.’ ‘Ah! is his brother here?’ ‘I’m his brother.’ ‘Oh! well, this is an ill-conwenience, this is. I wrote him a letter yesterday, saying I’d got a little turn-out to dispose of, and I’ve took the trouble to bring the turn-out down, a’ purpose, and now he ain’t in the way.’ ‘No, he an’t in the way. You couldn’t make it convenient to call again, could you?’ ‘Why, no, I couldn’t. I want to sell; that’s the fact; and I can’t put it off. Could you find him anywheres?’ At first he said No, he couldn’t, and then he wasn’t sure about it, and then he’d go and try. So, at last he went up-stairs, where there was a sort of loft, and presently down comes my man himself, in his shirt sleeves. “‘Well,’ he says, ‘this seems to be rayther a pressing matter of yours.’ ‘Yes,’ I says, ‘it is rayther a pressing matter, and you’ll find it a bargain dirt-cheap.’ ‘I ain’t in partickler want of a bargain just now,’ he says, ‘but where is it?’ ‘Why,’ I says, 'the turn-out's just outside. Come and look at it.' He hasn’t any suspicions, and away we go. And the first thing that happens is, that the horse runs away with my friend (who knows no more of driving than a child) when he takes a little trot along the road to show his paces. You never saw such a game in your life! “When the bolt is over, and the turn-out has come to a stand-still again, Fikey walks round and round it, as grave as a judge – me too. ‘There, Sir!’ I says. ‘There’s a neat thing!’ ‘It an’t a bad style of thing,’ he says. ‘I believe you,’ says I. ‘And there’s a horse!’ – for I saw him looking at it. ‘Rising eight!’ I says, rubbing his fore-legs. (Bless you, there an’t a man in the world knows less of horses than I do, but I’d heard my friend at the Livery Stables say he was eight year old, so I says, as knowing as possible, ‘Rising Eight.’) ‘Rising eight, is he?’ says he. ‘Rising eight,’ says I. ‘Well,’ he says, ‘what do you want for it?’ ‘Why, the first and last figure for the whole concern is five-and-twenty pound!’ ‘That’s very cheap!’ he says, looking at me. ‘An’t it?’ I says. ‘I told you it was a bargain! Now, without any higgling and haggling about it, what I want is to sell, and that’s my price. Further, I'll make it easy to you, and take half the money down, and you can do a bit of sti * for the balance.’ ‘Well,’ he says again, ‘that’s very cheap.’ ‘I believe you,’ says I; ‘get in and try it, and you’ll buy it. Come! take a trial!’ “Ecod, he gets in, and we get in, and we drive along the road, to show him to one of the railway clerks that was hid in the public-house window to identify him. But the clerk was bothered, and didn’t know whether it was him, or wasn’t – because the reason why? I’ll tell you, - on account of his having shaved his whiskers. ‘It's a clever little horse,’ he says, ‘and trots well; and the shay runs light.’ ‘Not a doubt about it,’ I says. ‘And now, Mr. Fikey, I may as well make it all right, without wasting any more of your time. The fact, is, I’m Inspector Wield, and you’re my prisoner.’ ‘You don’t mean that?’ he says. ‘I do, indeed.’ ‘Then burn my body,’ says Fikey, ‘if this ain’t too bad!’ “Perhaps you never saw a man so knocked over with surprise. ‘I hope you’ll let me have my coat?’ he says. ‘By all means.’ ‘Well, then, let’s drive to the factory.’ ‘Why, not exactly that, I think,’ said I; ‘I’ve been there, once before, today. Suppose we send for it.’ He saw it was no go so he sent for it, and put it on, and we drove him up to London, comfortable.” This reminiscence is in the height of its success, when a general proposal is made to the fresh-complexioned, smooth-faced officer, with the strange air of simplicity, to tell the “Butcher's story.” But we must reserve the Butcher’s story, together with another not less curious in its way, for a concluding paper. * Give a bill. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Detective Police Party' (No.1) Description An account of the resource Published in Household Words (27 July 1850) Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1850-07-27 Contributor An entity responsible for making contributions to the resource Lydia Craig Rights Information about rights held in and over the resource Dickens Journals Online, used by permission Type The nature or genre of the resource Journalism article Identifier An unambiguous reference to the resource within a given context 1850-07-27-A_Detective_Police_Party_No1 Source A related resource from which the described resource is derived Household Words, vol. 1, no. 18, 27 July 1850, pp. 409-415. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-i/page-409.html">https://www.djo.org.uk/household-words/volume-i/page-409.html</a>. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Detective Police Party' (No.1). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/journalism/1850-07-27-A_Detective_Police_Party_No1">https://dickenssearch.com/journalism/1850-07-27-A_Detective_Police_Party_No1</a>. Scripto Transcription A written representation of a document. In pursuance of the intention mentioned at the close of a former paper on “The Modern Science of Thief-taking,” we now proceed to endeavour to convey to our readers some faint idea of the extraordinary dexterity, patience, and ingenuity, exercised by the Detective Police. That our description may be as graphic as we can render it, and may be perfectly reliable, we will make it, so far as in us lies, a piece of plain truth. And first, we have to inform the reader how the anecdotes we are about to communicate, came to our knowledge. We are not by any means devout believers in the Old Bow-Street Police. To say the truth, we think there was a vast amount of humbug about those worthies. Apart from many of them being men of very indifferent character, and far too much in the habit of consorting with thieves and the like, they never lost a public occasion of jobbing and trading in mystery and making the most of themselves. Continually puffed besides by incompetent magistrates anxious to conceal their own deficiencies, and hand-in-glove with the penny-a-liners of that time, they became a sort of superstition. Although as a Preventive Police they were utterly ineffective, and as a Detective Police were very loose and uncertain in their operations, they remain with some people, a superstition to the present day. On the other hand, the Detective Force organised since the establishment of the existing Police, is so well chosen and trained, proceeds so systematically and quietly, does its business in such a workman-like manner, and is always so calmly and steadily engaged in the service of the public, that the public really do not know enough of it, to know a tithe of its usefulness. Impressed with this conviction, and interested in the men themselves, we represented to the authorities at Scotland Yard, that we should be glad, if there were no official objection, to have some talk with the Detectives. A most obliging and ready permission being given, a certain evening was appointed with a certain Inspector for a social conference between ourselves and the Detectives, at our Office in Wellington Street, Strand, London. In consequence of which appointment the party “came off,” which we are about to describe. And we beg to repeat that, avoiding such topics as it might for obvious reasons be injurious to the public, or disagreeable to respectable individuals, to touch upon in print, our description is as exact as we can make it. The reader will have the goodness to imagine the Sanctum Sanctorum of Household Words. Anything that best suits the reader’s fancy, will best represent that magnificent chamber. We merely stipulate for a round table in the middle, with some glasses and cigars arranged upon it; and the editorial sofa elegantly hemmed in between that stately piece of furniture and the wall. It is a sultry evening at dusk. The stones of Wellington Street are hot and gritty, and the watermen and hackney-coachmen at the Theatre opposite, are much flushed and aggravated. Carriages are constantly setting down the people who have come to Fairy-Land; and there is a mighty shouting and bellowing every now and then, deafening us for the moment, through the open windows. Just at dusk, Inspectors Wield and Stalker are announced; but we do not undertake to warrant the orthography of any of the names here mentioned. Inspector Wield presents Inspector Stalker. Inspector Wield is a middle-aged man of a portly presence, with a large, moist, knowing eye, a husky voice, and a habit of emphasising his conversation by the aid of a corpulent fore-finger, which is constantly in juxta-position with his eyes or nose. Inspector Stalker is a shrewd, hard- headed Scotchman in appearance not at all unlike a very acute, thoroughly-trained schoolmaster, from the Normal Establishment at Glasgow. Inspector Wield one might have known, perhaps, for what he is – Inspector Stalker, never. The ceremonies of reception over, Inspectors Wield and Stalker observe that they have brought some sergeants with them. The sergeants are presented – five in number, Sergeant Dornton, Sergeant Witchem, Sergeant Mith, Sergeant Fendall, and Sergeant Straw. We have the whole Detective Force from Scotland Yard with one exception. They sit down in a semi-circle at a little distance from the round table, facing the editorial sofa. Every man of them, in a glance, immediately takes an inventory of the furniture and an accurate sketch of the editorial presence. The Editor feels that any gentleman in company could take him up, if need should be, without the smallest hesitation, twenty years hence. The whole party are in plain clothes. Sergeant Dornton, about fifty years of age, with a ruddy face and a high sun-burnt forehead, has the air of one who has been a Sergeant in the army – he might have sat to Wilkie for the Soldier in the Reading of the Will. He is famous for steadily pursuing the inductive process, and, from small beginnings, working on from clue to clue until he bags his man. Sergeant Witchem, shorter and thicker-set, and marked with the small pox, has something of a reserved and thoughtful air, as if he were engaged in deep arithmetical calculations. He is renowned for his acquaintance with the swell mob. Sergeant Mith, a smooth-faced man with a fresh bright complexion, and a strange air of simplicity, is a dab at housebreakers. Sergeant Fendall, a light-haired, well-spoken, polite person, is a prodigious hand at pursuing private inquiries of a delicate nature. Straw, a little wiry Sergeant of meek demeanour and strong sense, would knock at a door and ask a series of questions in any mild character you chose to prescribe to him, from a charity-boy upwards, and seem as innocent as an infant. They are, one and all, respectable-looking men; of perfectly good deportment and unusual intelligence; with nothing lounging or slinking in their manners; with an air of keen observation, and quick perception when addressed; and generally presenting in their faces, traces more or less marked of habitually leading lives of strong mental excitement. They have all good eyes; and they all can, and they all do, look full at whomsoever they speak to. We light the cigars, and hand round the glasses (which are very temperately used indeed), and the conversation begins by a modest amateur reference on the Editorial part to the swell mob. Inspector Wield immediately removes his cigar from his lips, waves his right hand, and says, “Regarding the Swell Mob, Sir, I can’t do better than call upon Sergeant Witchem. Because the reason why? I’ll tell you. Sergeant Witchem is better acquainted with the Swell Mob than any officer in London.” Our heart leaping up when we beheld this rainbow in the sky, we turn to Serjeant Witchem, who very concisely, and in well-chosen language, goes into the subject forthwith. Meantime, the whole of his brother officers are closely interested in attending to what he says, and observing its effect. Presently they begin to strike in, one or two together, when an opportunity offers, and the conversation becomes general. But these brother officers only come in to the assistance of each other – not to the contradiction – and a more amicable brotherhood there could not be. From the swell mob, we diverge to the kindred topics of cracksmen, fences, public-house dancers, area-sneaks, designing young people who go out “gonophing,” and other “schools,” to which our readers have already been introduced. It is observable throughout these revelations, that Inspector Stalker, the Scotchman, is always exact and statistical, and that when any question of figures arises, everybody as by one consent pauses, and looks to him. When we have exhausted the various schools of Art – during which discussion the whole body have remained profoundly attentive, except when some unusual noise at the Theatre over the way, has induced some gentleman to glance inquiringly towards the window in that direction, behind his next neighbour’s back – we burrow for information on such points as the following. Whether there really are any highway robberies in London, or whether some circumstances not convenient to be mentioned by the aggrieved party, usually precede the robberies complained of, under that head, which quite change their character? Certainly the latter, almost always. Whether in the case of robberies in houses, where servants are necessarily exposed to doubt, innocence under suspicion ever becomes so like guilt in appearance, that a good officer need be cautious how he judges it? Undoubtedly. Nothing is so common or deceptive as such appearances at first. Whether in a place of public amusement, a thief knows an officer, and an officer knows a thief, -  supposing them, beforehand, stranger to each other – because each recognises in the other, under all disguise, an inattention to what is going on, and a purpose that is not the purpose of being entertained? Yes. That’s the way exactly. Whether it is reasonable or ridiculous to trust to the alleged experiences of thieves as narrated by themselves, in prisons, or penitentiaries, or anywhere? In general, nothing more absurd. Lying is their habit and their trade; and they would rather lie even if they hadn't an interest in it, and didn't want to make themselves agreeable – than tell the truth. From these topics, we glide into a review of the most celebrated and horrible of the great crimes that have been committed within the last fifteen or twenty years. The men engaged in the discovery of almost all of them, and in the pursuit or apprehension of the murderers, are here, down to the very last instance. One of our guests gave chase to and boarded the Emigrant Ship, in which the murderess last hanged in London was supposed to have embarked. We learn from him that his errand was not announced to the passengers, who may have no idea of it to this hour. That he went below, with the captain, lamp in hand – It being dark, and the whole steerage abed and seasick – and engaged the Mrs. Manning who was on board, in a conversation about her luggage, until she was, with no small pains, induced to raise her head, and turn her face towards the light. Satisfied that she was not the object of his search, he quietly re-embarked in the Government steamer alongside, and steamed home again with the intelligence. When we have exhausted these subjects, too, which occupy a considerable time in the discussion, two or three leave their chairs, whisper Sergeant Witchem, and resume their seats. Sergeant Witchem, leaning forward a little, and placing a hand on each of his legs, then modestly speaks as follows: “My brother-officers wish me to relate a little account of my taking Tally-ho Thompson. A man oughtn’t to tell what he has done himself; but still, as nobody was with me, and, consequently, as nobody but myself can tell it, I’ll do it in the best way I can, if it should meet your approval.” We assure Sergeant Witchem that he will oblige us very much, and we all compose ourselves to listen with great interest and attention. “Tally-ho Thompson,” says Sergeant Witchem, after merely wetting his lips with his brandy-and- water, “Tally-ho Thompson was a famous horse-stealer, couper, and magsman. Thompson, in conjunction with a pal that occasionally worked with him, gammoned a countryman out of a good round sum of money, under pretence of getting him a situation – the regular old dodge – and was afterwards in the ‘Hue and Cry’ for a horse – a horse that he stole, down in Hertfordshire. I had to look after Thompson, and I applied myself, of course, in the first instance, to discovering where he was. Now, Thompson’s wife lived, along with a little daughter, at Chelsea. Knowing that Thompson was somewhere in the country, I watched the house – especially at post-time in the morning – thinking Thompson was pretty likely to write to her. Sure enough, one morning the postman comes up, and delivers a letter at Mrs. Thompson’s door. Little girl opens the door, and takes it in. We’re not always sure of postmen, though the people at the post-offices are always very obliging. A postman may help us, or he may not, just as it happens. However, I go across the road, and I say to the postman, after he has left the letter, ‘Good morning! how are you?’ ‘How are you?’ says he. ‘You've just delivered a letter for Mrs. Thompson.’ ‘Yes, I have.’ ‘You didn't happen to remark what the post-mark was, perhaps?’ ‘No,’ says he, ‘I didn't.’ ‘Come,’ says I, ‘I’ll be plain with you. I’m in a small way of business, and I have given Thompson credit, and I can’t afford to lose what he owes me. I know he’s got money, and I know he’s in the country, and if you could tell me what the post-mark was, I should be very much obliged to you, and you’d do a service to a tradesman in a small way of business that can’t afford a loss.’ ‘Well,’ he said, ‘I do assure you that I did not observe what the post-mark was; all I know is, that there was money in the letter – I should say a sovereign.’ This was enough for me, because of course I knew that Thompson having sent his wife money, it was probable she’d write to Thompson, by return of post, to acknowledge the receipt. So I said ‘Thankee’ to the postman, and I kept on the watch. In the afternoon I saw the little girl come out. Of course I followed her. She went into a stationer’s shop, and I needn’t say to you that I looked in at the window. She bought some writing-paper and envelopes, and a pen. I think to myself, ‘That’ll do!’ – watch her home again – and don’t go away, you may be sure, knowing that Mrs. Thompson was writing her letter to Tally-ho, and that the letter would be posted presently. In about an hour or so, out came the little girl again, with the letter in her hand. I went up, and said something to the child, whatever it might have been; but I couldn’t see the direction of the letter, because she held it with the seal upwards. However, I observed that on the back of the letter there was what we call a kiss – a drop of wax by the side of the seal – and again, you understand, that was enough for me. I saw her post the letter, waited till she was gone, then went into the shop, and asked to see the Master. When he came out, I told him, ‘Now, I'm an Officer in the Detective Force; there’s a letter with a kiss been posted here just now, for a man that I’m in search of; and what I have to ask of you, is, that you will let me look at the direction of that letter.’ He was very civil – took a lot of letters from the box in the window – shook ‘em out on the counter with the faces downwards – and there among ‘em was the identical letter with the kiss. It was directed, Mr. Thomas Pigeon, Post-Office, B–, to be left ‘till called for. Down I went to B– (a hundred and twenty miles or so) that night. Early next morning I went to the Post-Office; saw the gentleman in charge of that department; told him who I was; and that my object was to see, and track, the party that should come for the letter for Mr. Thomas Pigeon. He was very polite, and said, ‘You shall have every assistance we can give you; you can wait inside the office; and we’ll take care to let you know when anybody comes for the letter.’ Well, I waited there, three days, and began to think that nobody ever would come. At last the clerk whispered to me, ‘Here! Detective! Somebody’s come for the letter!’ ‘Keep him a minute,’ said I, and I ran round to the outside of the office. There I saw a young chap with the appearance of an Ostler, holding a horse by the bridle – stretching the bridle across the pavement, while he waited at the Post-Office Window for the letter. I began to pat the horse, and that; and I said to the boy, ‘Why, this is Mr. Jones’s Mare!’ ‘No. It an’t.’ ‘No?’ said I. ‘She's very like Mr. Jones’s Mare!’ ‘She an’t Mr. Jones’s Mare, anyhow,’ says he. ‘It's Mr. So-and-So’s, of the Warwick Arms.’ And up he jumped, and off he went – letter and all. I got a cab, followed on the box, and was so quick after him that I came into the stable-yard of the Warwick Arms, by one gate, just as he came in by another. I went into the bar, where there was a young woman serving, and called for a glass of brandy-and-water. He came in directly, and handed her the letter. She casually looked at it, without saying anything, and stuck it up behind the glass over the chimney-piece. What was to be done next? “I turned it over in my mind while I drank my brandy-and-water (looking pretty sharp at the letter the while), but I couldn’t see my way out of it at all. I tried to get lodgings in the house, but there had been a horse-fair, or something of that sort, and it was full. I was obliged to put up somewhere else, but I came backwards and forwards to the bar for a couple of days, and there was the letter, always behind the glass. At last I thought I’d write a letter to Mr. Pigeon myself, and see what that would do. So I wrote one, and posted it, but I purposely addressed it, Mr. John Pigeon, instead of Mr. Thomas Pigeon, to see what that would do. In the morning (a very wet morning it was) I watched the postman down the street, and cut into the bar, just before he reached the Warwick Arms. In he came presently with my letter. ‘Is there a Mr. John Pigeon staying here?’ ‘No! - stop a bit though,’ says the barmaid; and she took down the letter behind the glass. ‘No,’ says she, ‘it’s Thomas, and he is not staying here. Would you do me a favor, and post this for me, as it is so wet?’ The postman said Yes; she folded it in another envelope, directed it, and gave it him. He put it in his hat, and away he went. “I had no difficulty in finding out the direction of that letter. It was addressed, Mr. Thomas Pigeon, Post-Office, R–, Northamptonshire, to be left till called for. Off I started directly for R–; I said the same at the Post-Office there, as I had said at B–; and again I waited three days before anybody came. At last another chap on horseback came. ‘Any letters for Mr. Thomas Pigeon?' ‘Where do you come from?’ ‘New Inn, near R–.’ He got the letter, and away he went at a canter. “I made my enquiries about the New Inn, near R–, and hearing it was a solitary sort of house, a little in the horse line, about a couple of miles from the station, I thought I’d go and have a look at it. I found it what it had been described, and sauntered in, to look about me. The landlady was in the bar, and I was trying to get into conversation with her; asked her how business was, and spoke about the wet weather, and so on; when I saw, through an open door, three men sitting by the re in a sort of parlor, or kitchen; and one of those men, according to the description I had of him, was Tally-ho Thompson! ‘I went and sat down among ‘em, and tried to make things agreeable; but they were very shy -  wouldn’t talk at all looked at me, and at one another, in a way quite the reverse of sociable. I reckoned ‘em up, and finding that they were all three bigger men than me, and considering that their looks were ugly – that it was a lonely place – railroad station two miles off – and night coming on – thought I couldn’t do better than have a drop of brandy-and-water to keep my courage up. So I called for my brandy-and-water; and as I was sitting drinking it by the fire, Thompson got up and went out. “Now the difficulty of it was, that I wasn’t sure it was Thompson, because I had never set eyes on him before; and what I had wanted was to be quite certain of him. However, there was nothing for it now, but to follow, and put a bold face upon it. I found him talking, outside in the yard, with the landlady. It turned out afterwards, that he was wanted by a Northampton officer for something else, and that, knowing that officer to be pock-marked (as I am myself), he mistook me for him. As I have observed, I found him talking to the landlady, outside. I put my hand upon his shoulder – this way – and said, ‘Tally-ho Thompson, it’s no use. I know you. I’m an officer from London, and I take you into custody for felony!’ ‘That be d d!’ says Tally-ho Thompson. “We went back into the house, and the two friends began to cut up rough, and their looks didn’t please me at all, I assure you. ‘Let the man go. What are you going to do with him?’ ‘I’ll tell you what I’m going to do with him. I’m going to take him to London to-night, as sure as I’m alive. I’m not alone here, whatever you may think. You mind your own business, and keep yourselves to yourselves. It’ll be better for you, for I know you both very well.’ I'd never seen or heard of ‘em in all my life, but my bouncing cowed ‘em a bit, and they kept off, while Thompson was making ready to go. I thought to myself, however, that they might be coming after me on the dark road, to rescue Thompson; so I said to the landlady, ‘What men have you got in the house, Missis?’ ‘We haven't got no men here,’ she says, sulkily. ‘You have got an ostler, I suppose?’ ‘Yes, we’ve got an ostler.’ ‘Let me see him.’ Presently he came, and a shaggy-headed young fellow he was. ‘Now attend to me, young man,’ says I; ‘I'm a Detective Officer from London. This man’s name is Thompson. I have taken him into custody for felony. I’m going to take him to the railroad station. I call upon you in the Queen’s name to assist me; and mind you, my friend, you’ll get yourself into more trouble than you know of, if you don’t!’ You never saw a person open his eyes so wide. ‘Now, Thompson, come along!’ says I. But when I took out the handcuffs, Thompson cries, ‘No! None of that! I won’t stand them! I’ll go along with you quiet, but I won’t bear none of that!’ ‘Tally-ho Thompson,’ I said, ‘I’m willing to behave as a man to you, if you are willing to behave as a man to me. Give me your word that you’ll come peaceably along, and I don’t want to handcuff you.’ ‘I will’' says Thompson, ‘but I’ll have a glass of brandy first.’ ‘I don’t care if I’ve another,’ said I. ‘We’ll have two more, Missis,’ said the friends, ‘and con-found you, Constable, you’ll give your man a drop, won’t you?’ I was agreeable to that, so we had it all round, and then my man and I took Tally-ho Thompson safe to the railroad, and I carried him to London that night. He was afterwards acquitted, on account of a defect in the evidence; and I understand he always praises me up to the skies, and says I'm one of the best of men.” This story coming to a termination amidst general applause, Inspector Wield, after a little grave smoking, fixes his eye on his host, and thus delivers himself: “It wasn’t a bad plant that of mine, on Fikey, the man accused of forging the Sou’Western Railway debentures – it was only t’other day – because the reason why? I'll tell you. “I had information that Fikey and his brother kept a factory over yonder there,” indicating any region on the Surrey side of the river, “where he bought second-hand carriages; so after I’d tried in vain to get hold of him by other means, I wrote him a letter in an assumed name, saying that I’d got a horse and shay to dispose of, and would drive down next day, that he might view the lot, and make an offer – very reasonable it was, I said – a reg’lar bargain. Straw and me then went off to a friend of mine that’s in the livery and job business, and hired a turnout for the day, a precious smart turn-out, it was – quite a slap-up thing! Down we drove, accordingly, with a friend (who’s not in the Force himself); and leaving my friend in the shay near a public-house, to take care of the horse, we went to the factory, which was some little way off. In the factory, there was a number of strong fellows at work, and after reckoning ‘em up, it was clear to me that it wouldn’t do to try it on there. They were too many for us. We must get our man out of doors. ‘Mr. Fikey at home?’ ‘No, he ain’t.’ ‘Expected home soon?’ ‘Why, no, not soon.’ ‘Ah! is his brother here?’ ‘I’m his brother.’ ‘Oh! well, this is an ill-conwenience, this is. I wrote him a letter yesterday, saying I’d got a little turn-out to dispose of, and I’ve took the trouble to bring the turn-out down, a’ purpose, and now he ain’t in the way.’ ‘No, he an’t in the way. You couldn’t make it convenient to call again, could you?’ ‘Why, no, I couldn’t. I want to sell; that’s the fact; and I can’t put it off. Could you find him anywheres?’ At first he said No, he couldn’t, and then he wasn’t sure about it, and then he’d go and try. So, at last he went up-stairs, where there was a sort of loft, and presently down comes my man himself, in his shirt sleeves. “‘Well,’ he says, ‘this seems to be rayther a pressing matter of yours.’ ‘Yes,’ I says, ‘it is rayther a pressing matter, and you’ll find it a bargain dirt-cheap.’ ‘I ain’t in partickler want of a bargain just now,’ he says, ‘but where is it?’ ‘Why,’ I says, 'the turn-out's just outside. Come and look at it.' He hasn’t any suspicions, and away we go. And the first thing that happens is, that the horse runs away with my friend (who knows no more of driving than a child) when he takes a little trot along the road to show his paces. You never saw such a game in your life! “When the bolt is over, and the turn-out has come to a stand-still again, Fikey walks round and round it, as grave as a judge – me too. ‘There, Sir!’ I says. ‘There’s a neat thing!’ ‘It an’t a bad style of thing,’ he says. ‘I believe you,’ says I. ‘And there’s a horse!’ – for I saw him looking at it. ‘Rising eight!’ I says, rubbing his fore-legs. (Bless you, there an’t a man in the world knows less of horses than I do, but I’d heard my friend at the Livery Stables say he was eight year old, so I says, as knowing as possible, ‘Rising Eight.’) ‘Rising eight, is he?’ says he. ‘Rising eight,’ says I. ‘Well,’ he says, ‘what do you want for it?’ ‘Why, the first and last figure for the whole concern is five-and-twenty pound!’ ‘That’s very cheap!’ he says, looking at me. ‘An’t it?’ I says. ‘I told you it was a bargain! Now, without any higgling and haggling about it, what I want is to sell, and that’s my price. Further, I'll make it easy to you, and take half the money down, and you can do a bit of sti * for the balance.’ ‘Well,’ he says again, ‘that’s very cheap.’ ‘I believe you,’ says I; ‘get in and try it, and you’ll buy it. Come! take a trial!’ “Ecod, he gets in, and we get in, and we drive along the road, to show him to one of the railway clerks that was hid in the public-house window to identify him. But the clerk was bothered, and didn’t know whether it was him, or wasn’t – because the reason why? I’ll tell you, - on account of his having shaved his whiskers. ‘It's a clever little horse,’ he says, ‘and trots well; and the shay runs light.’ ‘Not a doubt about it,’ I says. ‘And now, Mr. Fikey, I may as well make it all right, without wasting any more of your time. The fact, is, I’m Inspector Wield, and you’re my prisoner.’ ‘You don’t mean that?’ he says. ‘I do, indeed.’ ‘Then burn my body,’ says Fikey, ‘if this ain’t too bad!’ “Perhaps you never saw a man so knocked over with surprise. ‘I hope you’ll let me have my coat?’ he says. ‘By all means.’ ‘Well, then, let’s drive to the factory.’ ‘Why, not exactly that, I think,’ said I; ‘I’ve been there, once before, today. Suppose we send for it.’ He saw it was no go so he sent for it, and put it on, and we drove him up to London, comfortable.” This reminiscence is in the height of its success, when a general proposal is made to the fresh-complexioned, smooth-faced officer, with the strange air of simplicity, to tell the “Butcher's story.” But we must reserve the Butcher’s story, together with another not less curious in its way, for a concluding paper. * Give a bill. https://www.dickenssearch.com/files/original/12/A_Detective_Police_Party_[No.2]/1850-08-10-A_Detective_Police_Party_No2.pdf ef7b8bcfae1b68b9d74f29aae925e153 Journalism Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18500810 Publication The title of the newspaper/serial (if applicable) Household Words Publication Type E.g. newspaper/serial Weekly newspaper Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The fresh-complexioned, smooth-faced officer, with the strange air of simplicity, began, with a rustic smile, and in a soft, wheedling tone of voice, to relate the Butcher’s Story, thus: “It’s just about six years ago, now, since information was given at Scotland Yard of there being extensive robberies of lawns and silks going on, at some wholesale houses in the City. Directions were given for the business being looked into; and Straw, and Fendall, and me, we were all in it.” “When you received your instructions,” said we, “you went away, and held a sort of Cabinet Council together?” The smooth-faced officer coaxingly replied, “Ye-es. Just so. We turned it over among ourselves a good deal. It appeared, when we went into it, that the goods were sold by the receivers extraordinarily cheap – much cheaper than they could have been if they had been honestly come by. The receivers were in the trade, and kept capital shops establishments of the first respectability – one of ‘em at the West End, one down in Westminster. After a lot of watching and inquiry, and this and that among ourselves, we found that the job was managed, and the purchases of the stolen goods made, at a little public-house near Smithfield, down by Saint Bartholomew’s; where the Warehouse Porters, who were the thieves, took ‘em for that purpose, don’t you see? and made appointments to meet the people that went between themselves and the receivers. This public-house was principally used by journeymen butchers from the country, out of place, and in want of situations; so, what did we do, but – ha, ha, ha! – we agreed that I should be dressed up like a butcher myself, and go and live there!” Never, surely, was a faculty of observation better brought to bear upon a purpose, than that which picked out this officer for the part. Nothing in all creation, could have suited him better. Even while he spoke, he became a greasy, sleepy, shy, good-natured, chuckle-headed, unsuspicious, and confiding young butcher. His very hair seemed to have suet in it, as he made it smooth upon his head, and his fresh complexion to be lubricated by large quantities of animal food.  – So I – ha, ha, ha!” (always with the confiding snigger of the foolish young butcher) “so I dressed myself in the regular way, made up a little bundle of clothes, and went to the public-house, and asked if I could have a lodging there? They says, ‘yes, you can have a lodging here,’ and I got a bedroom, and settled myself down in the tap. There was a number of people about the place, and coming backwards and forwards to the house; and first one says, and then another says, ‘Are you from the country, young man?’ ‘Yes,’ I says, ‘I am. I’m come out of Northamptonshire, and I’m quite lonely here, for I don’t know London at all, and it’s such a mighty big town?’ ‘It is a big town,’ they says. ‘Oh, it’s a very big town!’ I says. ‘Really and truly I never was in such a town. It quite confuses of me!’ – and all that, you know. “When some of the Journeymen Butchers that used the house, found that I wanted a place, they says, ‘Oh, we’ll get you a place!’ And they actually took me to a sight of places, in Newgate Market, Newport Market, Clare, Carnaby I don’t know where all. But the wages was – ha, ha, ha! – was not sufficient, and I never could suit myself, don’t you see? Some of the queer frequenters of the house, were a little suspicious of me at first, and I was obliged to be very cautious indeed, how I communicated with Straw or Fendall. Sometimes, when I went out, pretending to stop and look into the shop-windows, and just casting my eye round, I used to see some of ‘em following me; but, being perhaps better accustomed than they thought for, to that sort of thing, I used to lead ‘em on as far as I thought necessary or convenient – sometimes a long way – and then turn sharp round, and meet ‘em, and say, ‘Oh, dear, how glad I am to come upon you so fortunate! This London’s such a place, I’m blowed if I an’t lost again!’ And then we’d go back all together, to the public-house, and – ha, ha, ha! and smoke our pipes, don’t you see? “They were very attentive to me, I am sure. It was a common thing, while I was living there, for some of ‘em to take me out, and show me London. They showed me the Prisons – showed me Newgate – and when they showed me Newgate, I stops at the place where the Porters pitch their loads, and says, ‘Oh dear,’ ‘is this where they hang the men! Oh Lor!’ ‘That!’ they says, ‘what a simple cove he is! That an’t it!’ And then, they pointed out which was it, and I says ‘Lor!’ and they says, ‘Now you’ll know it agen, won’t you?’ And I said I thought I should if I tried hard – and I assure you I kept a sharp look out for the City Police when we were out in this way, for if any of ‘em had happened to know me, and had spoke to me, it would have been all up in a minute. However, by good luck such a thing never happened, and all went on quiet: though the difficulties I had in communicating with my brother officers were quite extraordinary. “The stolen goods that were brought to the public-house, by the Warehouse Porters, were always disposed of in a back parlor. For a long time, I never could get into this parlor, or see what was done there. As I sat smoking my pipe, like an innocent young chap, by the tap-room fire, I’d hear some of the parties to the robbery, as they came in and out, say softly to the landlord, ‘Who’s that? What does he do here?’ ‘Bless your soul,’ says the landlord, ‘He’s only a’ – ha, ha, ha! – ‘he’s only a green young fellow from the country, as is looking for a butcher’s sitiwation. Don’t mind him!’ So, in course of time, they were so convinced of my being green, and got to be so accustomed to me, that I was as free of the parlor as any of ‘em, and I have seen as much as Seventy Pounds worth of fine lawn sold there, in one night, that was stolen from a warehouse in Friday Street. After the sale, the buyers always stood treat – hot supper, or dinner, or what not – and they’d say on those occasions ‘Come on, Butcher! Put your best leg foremost, young ‘un, and walk into it!’ Which I used to do and hear, at table, all manner of particulars that it was very important for us Detectives to know. “This went on for ten weeks. I lived in the public-house all the time, and never was out of the Butcher’s dress – except in bed. At last, when I had followed seven of the thieves, and set ‘em to rights – that’s an expression of ours, don’t you see, by which I mean to say that I traced ‘em, and found out where the robberies were done, and all about ‘em – Straw, and Fendall, and I, gave one another the office, and at a time agreed upon, a descent was made upon the public-house, and the apprehensions effected. One of the first things the officers did, was to collar me for the parties to the robbery weren’t to suppose yet, that I was anything but a Butcher – on which the landlord cries out, ‘Don’t take him,’” he says, ‘whatever you do! He’s only a poor young chap from the country, and butter wouldn’t melt in his mouth!’ However, they – ha, ha, ha! – they took me, and pretended to search my bedroom, where nothing was found but an old fiddle belonging to the landlord, that had got there somehow or another. But, it entirely changed the landlord’s opinion, for when it was produced, he says ‘My fiddle! The Butcher’s a pur-loiner! I give him into custody for the robbery of a musical instrument!’” The man that had stolen the goods in Friday Street was not taken yet. He had told me, in confidence, that he had his suspicions there was something wrong (on account of the City Police having captured one of the party), and that he was going to make himself scarce. I asked him, ‘Where do you mean to go, Mr. Shepherdson?’ ‘Why, Butcher,’ says he, ‘the Setting Moon, in the Commercial road, is a snug house, and I shall hang out there for a time. I shall call myself Simpson, which appears to me to be a modest sort of a name. Perhaps you’ll give us a look in, Butcher?’ ‘Well,’ says I, ‘I think I will give you a call’ – which I fully intended, don’t you see, because, of course, he was to be taken! I went over to the Setting Moon next day, with a brother officer, and asked at the bar for Simpson. They pointed out his room, upstairs. As we were going up, he looks down over the bannisters, and calls out, ‘Halloa, Butcher! is that you?’ ‘Yes, it’s me. How do you find yourself?’ ‘Bobbish,’ he says; ‘but who’s that with you?’ ‘It’s only a young man, that’s a friend of mine,’ I says. ‘Come along, then,’ says he; ‘any friend of the Butcher’s is as welcome as the Butcher!’ So, I made my friend acquainted with him, and we took him into custody. “You have no idea, Sir, what a sight it was, in Court, when they first knew that I wasn’t a Butcher, after all! I wasn't produced at the first examination, when there was a remand; but I was, at the second. And when I stepped into the box, in full police uniform, and the whole party saw how they had been done, actually a groan of horror and dismay proceeded from ‘em in the dock! “At the Old Bailey, when their trials came on, Mr. Clarkson was engaged for the defence, and he couldn’t make out how it was, about the Butcher. He thought, all along, it was a real Butcher. When the counsel for the prosecution said, ‘I will now call before you, gentlemen, the Police-officer,’ meaning myself, Mr. Clarkson says, ‘Why Police-officer? Why more Police-officers? I don’t want Police. We have had a great deal too much of the Police. I want the Butcher! However, Sir, he had the Butcher and the Police-officer, both in one. Out of seven prisoners committed for trial, five were found guilty, and some of ‘em were transported. The respectable rm at the West End got a term of imprisonment; and that’s the Butcher's Story!” The story done, the chuckle-headed Butcher again resolved himself into the smooth-faced Detective. But, he was so extremely tickled by their having taken him about, when he was that Dragon in disguise, to show him London, that he could not help reverting to that point in his narrative; and gently repeating, with the Butcher snigger, “‘Oh, dear!’ I says, ‘is that where they hang the men? Oh, Lor!’ ‘That!’ says they. ‘What a simple cove he is!’” It being now late, and the party very modest in their fear of being too diffuse, there were some tokens of separation; when Serjeant Dornton, the soldierly-looking man, said, looking round him with a smile: “Before we break up, Sir, perhaps you might have some amusement in hearing of the Adventures of a Carpet Bag. They are very short; and, I think, curious.” We welcomed the Carpet Bag, as cordially as Mr. Shepherdson welcomed the false Butcher at the Setting Moon, Serjeant Dornton proceeded: “In 1847, I was dispatched to Chatham, in search of one Mesheck, a Jew. He had been carrying on, pretty heavily, in the bill-stealing way, getting acceptances from young men of good connexions (in the army chiefly), on pretence of discount, and bolting with the same. “Mesheck was off, before I got to Chatham. All I could learn about him was, that he had gone, probably to London, and had with him – a Carpet Bag. “I came back to town, by the last train from Blackwall, and made inquiries concerning a Jew passenger with – a Carpet Bag. “The office was shut up, it being the last train. There were only two or three porters left. Looking after a Jew with a Carpet Bag, on the Blackwall Railway, which was then the high road to a great Military Depôt, was worse than looking after a needle in a hay-rick. But it happened that one of these porters had carried, for a certain Jew, to a certain public-house, a certain – Carpet Bag. “I went to the public-house, but the Jew had only left his luggage there for a few hours, and had called for it in a cab, and taken it away. I put such questions there, and to the porter, as I thought prudent, and got at this description of – the Carpet Bag. “It was a bag which had, on one side of it, worked in worsted, a green parrot on a stand. A green parrot on a stand was the means by which to identify that – Carpet Bag. “I traced Mesheck, by means of this green parrot on a stand, to Cheltenham, to Birmingham, to Liverpool, to the Atlantic Ocean. At Liverpool he was too many for me. He had gone to the United States, and I gave up all thoughts of Mesheck, and likewise of his – Carpet Bag. “Many months afterwards – near a year afterwards – there was a Bank in Ireland robbed of seven thousand pounds, by a person of the name of Doctor Dundey, who escaped to America; from which country some of the stolen notes came home. He was supposed to have bought a farm in New Jersey. Under proper management, that estate could be seized and sold, for the benefit of the parties he had defrauded. I was sent off to America for this purpose. “I landed at Boston. I went on to New York. I found that he had lately changed New York paper-money for New Jersey paper-money, and had banked cash in New Brunswick. To take this Doctor Dundey, it was necessary to entrap him into the State of New York, which required a deal of artifice and trouble. At one time, he couldn’t be drawn into an appointment. At another time, he appointed to come to meet me, and a New York officer, on a pretext I made; and then his children had the measles. At last, he came, per steamboat, and I took him, and lodged him in a New York Prison called the Tombs; which I dare say you know, Sir?” Editorial acknowledgment to that effect. “I went to the Tombs, on the morning after his capture, to attend the examination before the magistrate. I was passing through the magistrate's private room, when, happentng.to look round me to take notice of the place, as we generally have a habit of doing, I clapped my eyes, in one corner, on a – Carpet Bag. “What did I see upon that Carpet Bag, if you’ll believe me, but a green parrot on a stand, as large as life! “‘That Carpet Bag, with the representation of a green parrot on a stand,’ said I, ‘belongs to an English Jew, named Aaron Mesheck, and to no other man, alive or dead!’ “I give you my word the New York Police officers were doubled up with surprise. “‘How do you ever come to know that?’ said they. “‘I think I ought to know that green parrot by this time,’ said I; ‘for I have had as pretty a dance after that bird, at home, as ever I had, in all my life!’” “And was it Mesheck’s?” we submissively inquired. “Was it, Sir? Of course it was! He was in custody for another offence, in that very identical Tombs, at that very identical time. And, more than that! Some memoranda, relating to the fraud for which I had vainly endeavoured to take him, were found to be, at that moment, lying in that very same in-dividual – Carpet Bag!” Such are the curious coincidences and such is the peculiar ability, always sharpening and being improved by practice, and always adapting itself to every variety of circumstances, and opposing itself to every new device that perverted ingenuity can invent, for which this important social branch of the public service is remarkable! For ever on the watch, with their wits stretched to the utmost, these officers have, from day to day and year to year, to set themselves against every novelty of trickery and dexterity that the combined imaginations of all the lawless rascals in England can devise, and to keep pace with every such invention that comes out. In the Courts of Justice, the materials of thousands of such stories as we have narrated – often elevated into the marvellous rind romantic, by the circumstances of the case – are dryly compressed into the set phrase, “in consequence of information I received, I did so and so.” Suspicion was to be directed, by careful inference and deduction, upon the right person; the right person was to be taken, wherever he had gone, or whatever he was doing to avoid detection: he is taken; there he is at the bar; that is enough. From information I, the officer, received, I did it; and, according to the custom in these cases, I say no more. These games of chess, played with live pieces, are played before small audiences, and are chronicled nowhere. The interest of the game supports the player. Its results are enough for Justice. To compare great things with small, suppose LEVERRIER or ADAMS informing the public that from information he had received he had discovered a new planet; or COLUMBUS informing the public of his day that from information he had received, he had discovered a new continent; so the Detectives inform it that they have discovered a new fraud or an old offender, and the process is unknown. Thus, at midnight, closed the proceedings of our curious and interesting party. But one other circumstance finally wound up the evening, after our Detective guests had left us. One of the sharpest among them, and the officer best acquainted with the Swell Mob, had his pocket picked, going home! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Detective Police Party' (No.2) Description An account of the resource Published in Household Words (10 August 1850) Source A related resource from which the described resource is derived Household Words, vol. 1, no. 20, 10 August 1850, pp. 457-460. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-i/page-457.html">https://www.djo.org.uk/household-words/volume-i/page-457.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1850-08-10 Rights Information about rights held in and over the resource Dickens Journals Online, used by permission. Type The nature or genre of the resource Journalism article Identifier An unambiguous reference to the resource within a given context 1850-08-10-A_Detective_Police_Party_No2 Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Detective Police Party' (No.2). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/journalism/1850-08-10-A_Detective_Police_Party_No2">https://dickenssearch.com/journalism/1850-08-10-A_Detective_Police_Party_No2</a>. Creator An entity primarily responsible for making the resource Dickens, Charles Scripto Transcription A written representation of a document. The fresh-complexioned, smooth-faced officer, with the strange air of simplicity, began, with a rustic smile, and in a soft, wheedling tone of voice, to relate the Butcher’s Story, thus: “It’s just about six years ago, now, since information was given at Scotland Yard of there being extensive robberies of lawns and silks going on, at some wholesale houses in the City. Directions were given for the business being looked into; and Straw, and Fendall, and me, we were all in it.” “When you received your instructions,” said we, “you went away, and held a sort of Cabinet Council together?” The smooth-faced officer coaxingly replied, “Ye-es. Just so. We turned it over among ourselves a good deal. It appeared, when we went into it, that the goods were sold by the receivers extraordinarily cheap – much cheaper than they could have been if they had been honestly come by. The receivers were in the trade, and kept capital shops establishments of the first respectability – one of ‘em at the West End, one down in Westminster. After a lot of watching and inquiry, and this and that among ourselves, we found that the job was managed, and the purchases of the stolen goods made, at a little public-house near Smithfield, down by Saint Bartholomew’s; where the Warehouse Porters, who were the thieves, took ‘em for that purpose, don’t you see? and made appointments to meet the people that went between themselves and the receivers. This public-house was principally used by journeymen butchers from the country, out of place, and in want of situations; so, what did we do, but – ha, ha, ha! – we agreed that I should be dressed up like a butcher myself, and go and live there!” Never, surely, was a faculty of observation better brought to bear upon a purpose, than that which picked out this officer for the part. Nothing in all creation, could have suited him better. Even while he spoke, he became a greasy, sleepy, shy, good-natured, chuckle-headed, unsuspicious, and confiding young butcher. His very hair seemed to have suet in it, as he made it smooth upon his head, and his fresh complexion to be lubricated by large quantities of animal food.  – So I – ha, ha, ha!” (always with the confiding snigger of the foolish young butcher) “so I dressed myself in the regular way, made up a little bundle of clothes, and went to the public-house, and asked if I could have a lodging there? They says, ‘yes, you can have a lodging here,’ and I got a bedroom, and settled myself down in the tap. There was a number of people about the place, and coming backwards and forwards to the house; and first one says, and then another says, ‘Are you from the country, young man?’ ‘Yes,’ I says, ‘I am. I’m come out of Northamptonshire, and I’m quite lonely here, for I don’t know London at all, and it’s such a mighty big town?’ ‘It is a big town,’ they says. ‘Oh, it’s a very big town!’ I says. ‘Really and truly I never was in such a town. It quite confuses of me!’ – and all that, you know. “When some of the Journeymen Butchers that used the house, found that I wanted a place, they says, ‘Oh, we’ll get you a place!’ And they actually took me to a sight of places, in Newgate Market, Newport Market, Clare, Carnaby I don’t know where all. But the wages was – ha, ha, ha! – was not sufficient, and I never could suit myself, don’t you see? Some of the queer frequenters of the house, were a little suspicious of me at first, and I was obliged to be very cautious indeed, how I communicated with Straw or Fendall. Sometimes, when I went out, pretending to stop and look into the shop-windows, and just casting my eye round, I used to see some of ‘em following me; but, being perhaps better accustomed than they thought for, to that sort of thing, I used to lead ‘em on as far as I thought necessary or convenient – sometimes a long way – and then turn sharp round, and meet ‘em, and say, ‘Oh, dear, how glad I am to come upon you so fortunate! This London’s such a place, I’m blowed if I an’t lost again!’ And then we’d go back all together, to the public-house, and – ha, ha, ha! and smoke our pipes, don’t you see? “They were very attentive to me, I am sure. It was a common thing, while I was living there, for some of ‘em to take me out, and show me London. They showed me the Prisons – showed me Newgate – and when they showed me Newgate, I stops at the place where the Porters pitch their loads, and says, ‘Oh dear,’ ‘is this where they hang the men! Oh Lor!’ ‘That!’ they says, ‘what a simple cove he is! That an’t it!’ And then, they pointed out which was it, and I says ‘Lor!’ and they says, ‘Now you’ll know it agen, won’t you?’ And I said I thought I should if I tried hard – and I assure you I kept a sharp look out for the City Police when we were out in this way, for if any of ‘em had happened to know me, and had spoke to me, it would have been all up in a minute. However, by good luck such a thing never happened, and all went on quiet: though the difficulties I had in communicating with my brother officers were quite extraordinary. “The stolen goods that were brought to the public-house, by the Warehouse Porters, were always disposed of in a back parlor. For a long time, I never could get into this parlor, or see what was done there. As I sat smoking my pipe, like an innocent young chap, by the tap-room fire, I’d hear some of the parties to the robbery, as they came in and out, say softly to the landlord, ‘Who’s that? What does he do here?’ ‘Bless your soul,’ says the landlord, ‘He’s only a’ – ha, ha, ha! – ‘he’s only a green young fellow from the country, as is looking for a butcher’s sitiwation. Don’t mind him!’ So, in course of time, they were so convinced of my being green, and got to be so accustomed to me, that I was as free of the parlor as any of ‘em, and I have seen as much as Seventy Pounds worth of fine lawn sold there, in one night, that was stolen from a warehouse in Friday Street. After the sale, the buyers always stood treat – hot supper, or dinner, or what not – and they’d say on those occasions ‘Come on, Butcher! Put your best leg foremost, young ‘un, and walk into it!’ Which I used to do and hear, at table, all manner of particulars that it was very important for us Detectives to know. “This went on for ten weeks. I lived in the public-house all the time, and never was out of the Butcher’s dress – except in bed. At last, when I had followed seven of the thieves, and set ‘em to rights – that’s an expression of ours, don’t you see, by which I mean to say that I traced ‘em, and found out where the robberies were done, and all about ‘em – Straw, and Fendall, and I, gave one another the office, and at a time agreed upon, a descent was made upon the public-house, and the apprehensions effected. One of the first things the officers did, was to collar me for the parties to the robbery weren’t to suppose yet, that I was anything but a Butcher – on which the landlord cries out, ‘Don’t take him,’” he says, ‘whatever you do! He’s only a poor young chap from the country, and butter wouldn’t melt in his mouth!’ However, they – ha, ha, ha! – they took me, and pretended to search my bedroom, where nothing was found but an old fiddle belonging to the landlord, that had got there somehow or another. But, it entirely changed the landlord’s opinion, for when it was produced, he says ‘My fiddle! The Butcher’s a pur-loiner! I give him into custody for the robbery of a musical instrument!’” The man that had stolen the goods in Friday Street was not taken yet. He had told me, in confidence, that he had his suspicions there was something wrong (on account of the City Police having captured one of the party), and that he was going to make himself scarce. I asked him, ‘Where do you mean to go, Mr. Shepherdson?’ ‘Why, Butcher,’ says he, ‘the Setting Moon, in the Commercial road, is a snug house, and I shall hang out there for a time. I shall call myself Simpson, which appears to me to be a modest sort of a name. Perhaps you’ll give us a look in, Butcher?’ ‘Well,’ says I, ‘I think I will give you a call’ – which I fully intended, don’t you see, because, of course, he was to be taken! I went over to the Setting Moon next day, with a brother officer, and asked at the bar for Simpson. They pointed out his room, upstairs. As we were going up, he looks down over the bannisters, and calls out, ‘Halloa, Butcher! is that you?’ ‘Yes, it’s me. How do you find yourself?’ ‘Bobbish,’ he says; ‘but who’s that with you?’ ‘It’s only a young man, that’s a friend of mine,’ I says. ‘Come along, then,’ says he; ‘any friend of the Butcher’s is as welcome as the Butcher!’ So, I made my friend acquainted with him, and we took him into custody. “You have no idea, Sir, what a sight it was, in Court, when they first knew that I wasn’t a Butcher, after all! I wasn't produced at the first examination, when there was a remand; but I was, at the second. And when I stepped into the box, in full police uniform, and the whole party saw how they had been done, actually a groan of horror and dismay proceeded from ‘em in the dock! “At the Old Bailey, when their trials came on, Mr. Clarkson was engaged for the defence, and he couldn’t make out how it was, about the Butcher. He thought, all along, it was a real Butcher. When the counsel for the prosecution said, ‘I will now call before you, gentlemen, the Police-officer,’ meaning myself, Mr. Clarkson says, ‘Why Police-officer? Why more Police-officers? I don’t want Police. We have had a great deal too much of the Police. I want the Butcher! However, Sir, he had the Butcher and the Police-officer, both in one. Out of seven prisoners committed for trial, five were found guilty, and some of ‘em were transported. The respectable rm at the West End got a term of imprisonment; and that’s the Butcher's Story!” The story done, the chuckle-headed Butcher again resolved himself into the smooth-faced Detective. But, he was so extremely tickled by their having taken him about, when he was that Dragon in disguise, to show him London, that he could not help reverting to that point in his narrative; and gently repeating, with the Butcher snigger, “‘Oh, dear!’ I says, ‘is that where they hang the men? Oh, Lor!’ ‘That!’ says they. ‘What a simple cove he is!’” It being now late, and the party very modest in their fear of being too diffuse, there were some tokens of separation; when Serjeant Dornton, the soldierly-looking man, said, looking round him with a smile: “Before we break up, Sir, perhaps you might have some amusement in hearing of the Adventures of a Carpet Bag. They are very short; and, I think, curious.” We welcomed the Carpet Bag, as cordially as Mr. Shepherdson welcomed the false Butcher at the Setting Moon, Serjeant Dornton proceeded: “In 1847, I was dispatched to Chatham, in search of one Mesheck, a Jew. He had been carrying on, pretty heavily, in the bill-stealing way, getting acceptances from young men of good connexions (in the army chiefly), on pretence of discount, and bolting with the same. “Mesheck was off, before I got to Chatham. All I could learn about him was, that he had gone, probably to London, and had with him – a Carpet Bag. “I came back to town, by the last train from Blackwall, and made inquiries concerning a Jew passenger with – a Carpet Bag. “The office was shut up, it being the last train. There were only two or three porters left. Looking after a Jew with a Carpet Bag, on the Blackwall Railway, which was then the high road to a great Military Depôt, was worse than looking after a needle in a hay-rick. But it happened that one of these porters had carried, for a certain Jew, to a certain public-house, a certain – Carpet Bag. “I went to the public-house, but the Jew had only left his luggage there for a few hours, and had called for it in a cab, and taken it away. I put such questions there, and to the porter, as I thought prudent, and got at this description of – the Carpet Bag. “It was a bag which had, on one side of it, worked in worsted, a green parrot on a stand. A green parrot on a stand was the means by which to identify that – Carpet Bag. “I traced Mesheck, by means of this green parrot on a stand, to Cheltenham, to Birmingham, to Liverpool, to the Atlantic Ocean. At Liverpool he was too many for me. He had gone to the United States, and I gave up all thoughts of Mesheck, and likewise of his – Carpet Bag. “Many months afterwards – near a year afterwards – there was a Bank in Ireland robbed of seven thousand pounds, by a person of the name of Doctor Dundey, who escaped to America; from which country some of the stolen notes came home. He was supposed to have bought a farm in New Jersey. Under proper management, that estate could be seized and sold, for the benefit of the parties he had defrauded. I was sent off to America for this purpose. “I landed at Boston. I went on to New York. I found that he had lately changed New York paper-money for New Jersey paper-money, and had banked cash in New Brunswick. To take this Doctor Dundey, it was necessary to entrap him into the State of New York, which required a deal of artifice and trouble. At one time, he couldn’t be drawn into an appointment. At another time, he appointed to come to meet me, and a New York officer, on a pretext I made; and then his children had the measles. At last, he came, per steamboat, and I took him, and lodged him in a New York Prison called the Tombs; which I dare say you know, Sir?” Editorial acknowledgment to that effect. “I went to the Tombs, on the morning after his capture, to attend the examination before the magistrate. I was passing through the magistrate's private room, when, happentng.to look round me to take notice of the place, as we generally have a habit of doing, I clapped my eyes, in one corner, on a – Carpet Bag. “What did I see upon that Carpet Bag, if you’ll believe me, but a green parrot on a stand, as large as life! “‘That Carpet Bag, with the representation of a green parrot on a stand,’ said I, ‘belongs to an English Jew, named Aaron Mesheck, and to no other man, alive or dead!’ “I give you my word the New York Police officers were doubled up with surprise. “‘How do you ever come to know that?’ said they. “‘I think I ought to know that green parrot by this time,’ said I; ‘for I have had as pretty a dance after that bird, at home, as ever I had, in all my life!’” “And was it Mesheck’s?” we submissively inquired. “Was it, Sir? Of course it was! He was in custody for another offence, in that very identical Tombs, at that very identical time. And, more than that! Some memoranda, relating to the fraud for which I had vainly endeavoured to take him, were found to be, at that moment, lying in that very same in-dividual – Carpet Bag!” Such are the curious coincidences and such is the peculiar ability, always sharpening and being improved by practice, and always adapting itself to every variety of circumstances, and opposing itself to every new device that perverted ingenuity can invent, for which this important social branch of the public service is remarkable! For ever on the watch, with their wits stretched to the utmost, these officers have, from day to day and year to year, to set themselves against every novelty of trickery and dexterity that the combined imaginations of all the lawless rascals in England can devise, and to keep pace with every such invention that comes out. In the Courts of Justice, the materials of thousands of such stories as we have narrated – often elevated into the marvellous rind romantic, by the circumstances of the case – are dryly compressed into the set phrase, “in consequence of information I received, I did so and so.” Suspicion was to be directed, by careful inference and deduction, upon the right person; the right person was to be taken, wherever he had gone, or whatever he was doing to avoid detection: he is taken; there he is at the bar; that is enough. From information I, the officer, received, I did it; and, according to the custom in these cases, I say no more. These games of chess, played with live pieces, are played before small audiences, and are chronicled nowhere. The interest of the game supports the player. Its results are enough for Justice. To compare great things with small, suppose LEVERRIER or ADAMS informing the public that from information he had received he had discovered a new planet; or COLUMBUS informing the public of his day that from information he had received, he had discovered a new continent; so the Detectives inform it that they have discovered a new fraud or an old offender, and the process is unknown. Thus, at midnight, closed the proceedings of our curious and interesting party. But one other circumstance finally wound up the evening, after our Detective guests had left us. One of the sharpest among them, and the officer best acquainted with the Swell Mob, had his pocket picked, going home! https://www.dickenssearch.com/files/original/5/A_Dinner_at_Poplar_Walk/1833-12-A_Dinner_At_Poplar_Walk.pdf 3468024587c010a6f9d15d797fbb0eb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Short Story Publication The title of the newspaper/serial (if applicable) The Monthly Magazine Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18331201 TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1833-12_The_Monthly_Magazine_A_Dinner_at_Poplar_Walk.xml" target="_blank" rel="noopener">'A Dinner at Poplar Walk.' The Monthly Magazine (December 1833).</a> Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. Augustus Minns was a bachelor of about forty as he said—of about eight and forty as his friends said. He was always exceedingly clean, precise, and tidy, perhaps somewhat priggish, and the most "retiring man in the world." He usually wore a brown frock-coat without a wrinkle, light inexplicables without a spot, a neat neckerchief with a remarkably neat tie, and boots without a fault; moreover, he always carried a brown silk umbrella with an ivory handle. He was a clerk in Somerset House, or, as he said, he held "a responsible situation under Government." He had a good and increasing salary, in addition to some 10,000l. of his own (invested in the funds), and he occupied a first floor in Tavistock-street, Covent Garden, where he had resided for twenty years, having been in the habit of quarrelling with his landlord the whole time, regularly giving notice of his intention to quit on the first day of every quarter, and as regularly countermanding it on the second. He had but two particular horrors in the world, and those were dogs and children. His prejudice arose from no unamiability of disposition, but that the habits of the animals were continually at variance with his love of order, which might be said to be equally as powerful as his love of life. Mr. Augustus Minns had no relation in or near London, with the exception of his cousin, Mr. Octavius Bagshaw, to whose son, whom he had never seen (for he disliked the father), he had consented to become godfather by proxy. Mr. Bagshaw having realised a moderate fortune by exercising "the trade or calling" of a corn-chandler, and having a great predilection for the country, had purchased a cottage in the vicinity of Stamford Hill, whither he retired with the wife of his bosom and his only son, Master Alexander Augustus Bagshaw. One evening, as Mr. and Mrs. B. were admiring their son, discussing his various merits, talking over his education, and disputing whether the classics should be made an essential part thereof, the lady pressed so strongly upon her husband the propriety of cultivating the friendship of Mr. Minns in behalf of their son, that Mr. Bagshaw at last made up his mind, that it should not be his fault if he and his cousin were not in future more intimate. "I’ll break the ice, my love," said Mr. Bagshaw, stirring up the sugar at the bottom of his glass of brandy-and-water, and casting a sidelong look at his spouse to see the effect of the announcement of his determination,—"by asking Minns down to dine with us, on Sunday." "Then pray, Bagshaw, write to your cousin at once,’ replied his spouse; "who knows, if we could only get him down here, but that he might take a fancy to our Alexander, and leave him his property?—Alick, my dear, take your legs off the rail of the chair." "Very true," said Mr. Bagshaw, musing, "very true indeed, my love." On the following morning, as Mr. Minns was sitting at his breakfast-table, alternately biting his dry toast and casting a look upon the columns of the Times, which he always read from the title to the printer’s name, he heard a loud knock at the street door, which was shortly afterwards followed by the entrance of his servant, who put into his hand a particularly small card, on which was engraved in immense letters, "Mr. Octavius Bagshaw, AMELIA COTTAGE (Mrs. B.’s name was Amelia), Poplar Walk, Stamford Hill." "Bagshaw!" ejaculated Minns, "what the deuce can bring that vulgar man here?—Say I’m asleep—say I’ve broken my leg—any thing." "But, please, sir, the gentleman’s coming up," replied the servant;—and the fact was made evident by an appalling creaking of boots on the staircase, accompanied by a pattering noise, the cause of which Minns could not for the life of him divine. "Hem! show the gentleman in," said he in a state of desperation.—Exit servant, and enter Octavius, preceded by a large white dog, dressed in a suit of fleecy-hosiery, with pink eyes, large ears, and no perceptible tail. The cause of the pattering on the stairs was but too plain.—If it be possible for a man to entertain feeling of the most deep-rooted and unconquerable aversion to any one thing, Minns entertained this feeling towards an animal of the canine species. This, by the way, was hinted before. "My dear fellow, how are you?" said Mr. Bagshaw, as he entered. (He always spoke at the top of his voice, and always said the same thing half-a-dozen times.)—"How are you, my hearty?" "How do you do, Mr. Bagshaw?—pray take a chair!" politely stammered the discomfited Minns. "Thank you, thank you. Well, how are you, eh?" "Uncommonly well, thank you," said Minns, casting a diabolical look at the dog, who, with his hind-legs on the floor, and his fore-paws resting on the table, was dragging a bit of bread-and-butter out of a plate, which, in the ordinary course of things, it was natural to suppose he would eat with the buttered side next the carpet. "Ah, you rogue!" said Bagshaw to his dog.—"You see, Minns, he’s like me, always at home: eh, my boy!—Egad, I’m precious hot and hungry! I’ve walked all the way from Stamford Hill, this morning." "Have you breakfasted?" ejaculated Minns. "Oh, no!" returned Bagshaw. "oh no! Came to town to breakfast with you; so, ring the bell, my dear fellow, will you? and let’s have another cup and saucer, and the cold ham.—Make myself at home, you see!" he continued, dusting his boots with a table-napkin."‘Ha!—ha!—ha!—’Pon my life, I’m hungry!" Minns rang the bell, and tried to smile, but looked as merry as a farthing rushlight in a fog. "I decidedly never was so hot in my life," continued Octavius, wiping his forehead;—"Well, but how are you, Minns? ‘Pon my soul, you wear capitally!" "Humph! 'dye think so?" "’Pon my life, I do!" "Mrs. B. and—what’s his name—quite well?" "Alick—my son, you mean. Never better—never better. But such a place as we’ve got at Poplar Walk! you know. It certainly is a most capital place—beautiful! I'll trouble you for another cup of tea. Let's see—what was I saying? Oh! I know. Such a beautiful place! When I first saw it, by Jove! it looked so knowing, with the front garden like, and the green railings, and the brass knocker, and all that—I really thought it was a cut above me." "Don’t you think you’d like the ham better," interrupted Minns, "if you cut it the other way?" as he saw, with feelings which it is impossible to describe, that his visitor was cutting, or rather maiming the ham, in utter violation of all established rules. "No, thank ye," returned Bagshaw, with the most barbarous indifference to crime; "I prefer it this way—it eats short. But, I say, Minns, when will you come down and see us? You'll be delighted with the place; I know you will. Amelia and I were talking about you the other night, and Amelia said—another lump of sugar, please: thank ye—she said, "Don’t you think you could contrive, my dear, to say to Mr. Minns, in a friendly way—Come down, Sir—damn the dog! He’s spoiling your curtains, Minns—Ha!—ha!—ha!" Minns leaped from his seat as though he had received the discharge from a galvanic battery. "Come out, Sir!—go out, hoo!" cried poor Augustus, keeping, nevertheless, at a very respectful distance from the dog, having read of a case of hydrophobia in the paper of that morning. By dint of great exertion, much shouting, and a marvellous deal of poking under the tables with a stick and umbrella, the dog was at last dislodged, and placed on the landing, outside the door, where he immediately commenced a most appalling howling; at the same time vehemently scratching the paint off the two nicely-varnished bottom panels of the door, until they resembled the interior of a backgammon-board. "A good dog for the country that!" coolly observed Bagshaw to the distracted Minns—"he’s not much used to confinement, though. But now, Minns, when will you come down? I’ll take no denial, positively. Let’s see—to-day’s Thursday;—will you come on Sunday? We dine at five. Don’t say no—do." After a great deal of pressing, Mr. Augustus Minns, driven to despair, and finding that if the dog, remained in the house much longer, he, Mr. Augustus Minns, might just as well lodge in the Zoological Gardens, accepted the invitation, and promised to be at Poplar Walk on the ensuing Sunday, at a quarter before five, to the minute. "Now mind the direction," said Bagshaw: "the coach goes from the Flower-pot, in Bishopsgate-street, every half hour. When the coach stops at the Swan, you’ll see, immediately opposite you, a white house—" "Which is your house—I understand," said Minns, wishing to cut short the story and the visit at the same time. "No, no, that’s not mine; that’s Grogus’s, the great ironmonger’s. I was going to say, you turn down by the side of the white house till you can’t go another step further—mind that; and then you turn to your right, by some stables—well; close to you, you’ll see a wall with 'BEWARE OF THE DOG' written on it in large letters—[Minns shuddered]—go along by the side of that wall for about a quarter of a mile, and anybody will show you which is my place." "Very well—thank ye—good bye." "Be punctual." "Certainly: good morning." "I say, Minns, you’ve got a card?" "Yes, I have; thank ye." And Mr. Octavius Bagshaw departed, leaving his cousin looking forward to his visit on the following Sunday with the feelings of a pennyless poet to the weekly visit of his Scotch landlady. Sunday arrived; the sky was bright and clear; crowds of clean, decently-dressed people were hurrying along the streets, intent on their different schemes of pleasure for the day; and every thing, and every body, looked cheerful and happy but Mr. Augustus Minns. The day was fine, but the heat was considerable; and by the time Mr. Minns had fagged up the shady side of Fleet Street, Cheapside, and Threadneedle Street, he had become pretty warm, tolerably dusty, and it was getting late into the bargain. By the most extraordinary good fortune, however, a coach was waiting at the Flower Pot, into which Mr. Augustus Minn's got, on the solemn assurance of the cad that the coach would start in three minutes—that being the time the coach was allowed to wait by "act of Parliament." A quarter of an hour elapsed, and there were no signs of moving. Minns looked at his watch for the sixth time. "Coachman, are you going or not?" bawled Mr. Minns (with his head and half his body out of the coach window). "Di-rectly, Sir," said the coachman, with his hands in his pockets, looking as much unlike a man in a hurry as possible.—"Bill, take them cloths off." Five minutes more elapsed; at the end of which time the coachman mounted the box, from whence he looked down the street, and up the street, and hailed all the pedestrians for another five minutes. "Coachman! If you don’t go this moment, I shall get out," said Mr. Minns, rendered desperate by the lateness of the hour, and the impossibility of being in Poplar Walk at the appointed time. "Going this minute, Sir," was the reply;—and, accordingly, the coach trundled on for a couple of hundred yards, and then stopped again. Minns doubled himself up into a corner of the coach, and abandoned himself to fate. "Tell your missis to make haste, my dear—'cause here's a gentleman inside vich is in a desperate hurry." In about five minutes more missis appeared, with a child and two band-boxes, and then they set off. "Be quiet, love!" said the mother—who saw the agony of Minns, as the child rubbed its shoes on his new drab trowsers—"be quiet, dear! Here, play with this parasol—don't kick the gentleman." The interesting infant, however, with its agreeable plaything, contrived to tax Mr. Minns's ingenuity, in the "art of self-defence," during the ride; and amidst these infantile assaults, and the mother's apologies, the distracted gentleman arrived at the Swan, when, on referring to his watch, to his great dismay he discovered that it was a quarter past five. The white house, the stables, the "Beware of the Dog,"—every landmark was passed, with a rapidity not unusual to a gentleman of a certain age when too late for dinner. After the lapse of a few minutes, Mr. Minns found himself opposite a yellow brick house, with a green door, brass knocker, and door-plate, green window-frames, and ditto railings, with "a garden" in front, that is to say, a small loose bit of gravelled ground, with one round and two scalene triangular beds, containing a fir-tree, twenty or thirty bulbs, and an unlimited number of marigolds. The taste of Mr. or Mrs. Bagshaw was further displayed by the appearance of a Cupid on each side of the door, perched upon a heap of large chalk flints, variegated with pink conch-shells. His knock at the door was answered by a stumpy boy, in drab-livery, cotton stockings and high-lows, who, after hanging his hat on one of the dozen brass-pegs which ornamented the passage, denominated by courtesy "The Hall," ushered him into a front drawing-room, commanding a very extensive view of the backs of the neighbouring houses. The usual ceremony of introduction, and so forth, over, Mr. Minns took his seat: not a little agitated at feeling that he was the last comer, and, somehow or other, the Lion of a dozen people, sitting together in a small drawing-room, getting rid of that most tedious of all time, the time preceding dinner. "Well, Brogson," said Bagshaw, addressing an elderly gentleman in a black coat, drab knee-breeches, and long gaiters, who, under pretence of inspecting the prints in an Annual, had been engaged in satisfying himself on the subject of Minns’ general appearance, by looking at him over the top of the leaves—"well, Brogson, what do ministers mean to do? Will they go out, or what?’ "Oh—why—really, you know, I’m the last person in the world to ask for news. Your cousin, from his situation, is the most likely person to answer the question." Mr. Minns assured the last speaker, that, although he was in Somerset House, he possessed no official communication relative to the projects of his Majesty’s Ministers. His remark was evidently received incredulously; and no further conjectures being hazarded on the subject, a long pause ensued, during which the company occupied themselves in coughing and blowing their noses, until the entrance of Mrs. Bagshaw caused a general rise. The ceremony of introduction being over, dinner was announced, and down stairs the party proceeded accordingly: Mr. Minns escorting Mrs. Bagshaw as far as the drawing-room door, but being prevented, by the narrowness of the stair-case, from extending his gallantry any further. The dinner passed off as such dinners usually do. Ever and anon, amidst the clatter of knives and forks, and the hum of conversation, Mr. Bagshaw’s voice might be heard asking a friend to take wine, and assuring him he was glad to see him; and a good deal of by-play took place between Mrs. Bagshaw and the servants respecting the removal of the dishes, during which her countenance assumed the variations of a weather-glass, sometimes "stormy" and occasionally "set fair." Upon the dessert and wine being placed on the table, the servant, in compliance with a significant look from Mrs. Bagshaw, brought down "Master Alexander," habited in a sky-blue suit with silver buttons, and with hair of nearly the same colour as the metal. After sundry praises from his mother, and various admonitions as to his behaviour from his pa, he was introduced to his godfather. "Well, my little fellow—you are a fine boy, an’t you?" said Minns, as happy as a tom-tit upon bird-lime. "Yes." "How old are you?" "Eight, next We’nsday. How old are you?" "Alexander," interrupted his mother, "how dare you ask Mr. Minns how old he is!" "He asked me how old I was," said the precocious darling, to whom Minns had, from that moment, internally resolved he never would bequeath one shilling. As soon as the titter occasioned by the observation had subsided, a little smirking man with red whiskers, sitting at the bottom of the table, who, during the whole of dinner, had been endeavouring to obtain a listener to some stories about Sheridan, called out, with a very patronising air,—"Alick, what part of speech is be?" "A verb." "That’s a good boy," said Mrs. Bagshaw, with all a mother’s pride. "Now, you know what a verb is?" "A verb is a word which signifies to be, to do, or to suffer; as, I am—I rule—I am ruled. Give me an apple, Ma." "I’ll give you an apple," replied the story-teller, who was clearly one of those bores who are commonly called 'friends of the family,' "if you’ll tell me what is the meaning of, be." "Be?" said the prodigy, after a little hesitation—"an insect that gathers honey." "No, dear," frowned Mrs. B—; "B double E is the substantive." "I don’t think he knows much yet about common substantives," said the smirking gentleman, who thought this an admirable opportunity for letting off a joke: "It’s clear he’s not very well acquainted with proper names. He! he! he!" "Gentlemen," called out Mr. Bagshaw, from the end of the table, in a stentorian voice, and with a very important air, "will you have the goodness to charge your glasses? I have a toast to propose." "Hear! hear!" cried the gentlemen, passing the decanters. After they had made the round of the table, Mr. Bagshaw proceeded—"Gentlemen; there is an individual present—" "Hear! hear!" said the little man with the red whiskers. "Pray be quiet, Jones," remonstrated Bagshaw, sotto voce. "I say, gentlemen, there is an individual present," resumed the host, "in whose society, I am sure, we must take great delight—and—and—the conversation of that individual must have afforded to every individual present the utmost pleasure."— ["Thank Heaven he does not mean me!" thought Minns, conscious that his diffidence and exclusiveness had prevented his saying above a dozen words since he entered the house.]— "Gentlemen, I am but a humble individual myself, and I perhaps ought to apologize for allowing any individual feelings of friendship and affection for the person I allude to, to induce me to venture to rise, to propose the health of that person—a person that, I am sure—that is to say, a person whose virtues must endear him to those who know him—and those who have not the pleasure of knowing him, cannot dislike him." "Hear! hear!" said the company, in a tone of encouragement and approval. "Gentlemen," continued Bagshaw, "my cousin is a man who—who is a relation of my own." (Hear! hear!) Minns groaned audibly—who I am most happy to see here, and who, if he were not here, would certainly have deprived us of the great pleasure we all feel in seeing him. (Loud cries of hear!)—Gentlemen: I feel that I have already trespassed on your attention for too long a time. With every feeling of—of—with every sentiment of—of—" "Gratification"—suggested the friend of the family. "—Of gratification, I beg to propose the health of Mr. Minns." "Standing, gentlemen!" shouted the indefatigable little man with the whiskers—"and with the honours. Take your time from me, if you please. Hip! hip! hip!—Za!—Hip! hip! hip!—Za!—Hip hip!—Za—a—a!" All eyes were now fixed on the subject of the toast, who, by gulping down port-wine at the imminent hazard of suffocation, endeavoured to conceal his confusion. After as long a pause as decency would admit, with a face as red as a flamingo, he rose; but, as the newspapers sometimes say in their reports of the debates, "we regret that we are quite unable to give even the substance of the honourable gentleman’s observations." The words "present company—honour—present occasion," and "great happiness"—heard occasionally, and repeated at intervals, with a countenance expressive of the utmost misery, convinced the company that he was making an excellent speech; and, accordingly, on his resuming his seat, they cried "Bravo!" and manifested tumultuous applause. Jones, who had been long watching his opportunity, then darted up. "Bagshaw," said he, will you allow me to propose a toast?" "Certainly," replied Bagshaw, adding in an under tone to Minns right across the table—"Devilish sharp fellow that: you’ll be very much pleased with his speech. He talks equally well on any subject." Minns bowed, and Mr. Jones proceeded: "It has on several occasions, in various instances, under many circumstances, and in different companies, fallen to my lot to propose a toast to those by whom, at the time, I have had the honour to be surrounded. I have sometimes, I will cheerfully own—for why should I deny it?—felt the overwhelming nature of the task I have undertaken, and my own utter incapability to do justice to the subject. If such have been my feelings, however, on former occasions, what must they be now—now—under the extraordinary circumstances in which I am placed. (Hear! hear!)—To describe my feelings accurately would be impossible; but I cannot give you a better idea of them, gentlemen, than by referring to a circumstance which happens, oddly enough, to occur to my mind at the moment. On one occasion, when that truly great and illustrious man, Sheridan was—" "Please, Sir," said the boy, entering hastily, and addressing Bagshaw, "as it's a very wet ev'ning, the nine o'clock stage has come round to know, whether any one's going to town. There's room for one inside." Minns, who had some time meditated suicide, now, with a courage heretofore unknown, started up to secure the chance of escape. Many were the expressions of surprise, and numerous the entreaties to stay, when Minns persisted in his determination to accept the offer of the vacant inside place. It was useless to press him further; so, after detaining the coach for the purpose of looking for his umbrella, and then making the pleasant discovery that he had left it in the other coach coming don, Minns was informed by the parsley-and-butter coated boy that the coachman "couldn't wait no longer; but if the gentleman would make haste, he might catch him at the Swan." Minns muttered, for the first time in his life, a diabolical ejaculation. It was of no use that fresh entreaties poured upon him. Quite as effective was the appeal of Master Alick, who, after dabbling half-an-hour in raspberry jam and custard, and fixing the print of his paws on Minns' trowsers, cried out—"Do stop, godpa'—I like you—Ma' says I am to coax you to leave me all your money!"—Had Minns been stung by an electric eel, he could not have made a more hysteric spring through the door-way; nor did he relax his speed until, arriving at the Swan, he saw the coach drive off—full inside and out. It was half-past three in the morning ere Mr. Augustus Minns knocked faintly at No. 11, Tavistock Street, Covent Garden. He had footed it every step of the way from Poplar Walk:—he had not a dry thread about him, and his boots were like pump-suckers. Never from that day could Mr. Minns endure the name of Bagshaw or Poplar Walk. It was to him as the writing on the wall was to Belshazzar. Mr. Minns has removed from Tavistock Street. His residence is at present a secret, as he is determined not to risk another assault from his cousin and his pink-eyed poodle. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Dinner at Poplar Walk' Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1833-12 Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1833-12-A_Dinner_at_Poplar_Walk Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. "Mr. Minns and His Cousin." Sketches by Boz, Illustrative of Every-day Life and Every-day People. Illustrated by George Cruikshank. John Macrone, 1836, pp. 296-306, Hathi Trust, <a href="https://catalog.hathitrust.org/Record/011591435" target="_blank" rel="noopener">https://catalog.hathitrust.org/Record/011591435</a>. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Dinner at Poplar Walk' (December 1833). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1833-12-A_Dinner_at_Poplar_Walk">https://dickenssearch.com/short-stories/1833-12-A_Dinner_at_Poplar_Walk</a>. Description An account of the resource Published in The Monthly Magazine, or The British Register of Politics, Art, Science, and the Belles-Lettres, December 1833, pp. 617-624. Source A related resource from which the described resource is derived Internet Archive, <a href="https://archive.org/details/sim_monthly-magazine_1833-12_16_96/page/616/mode/2up">https://archive.org/details/sim_monthly-magazine_1833-12_16_96/page/616/mode/2up</a>. Rights Information about rights held in and over the resource Internet Archive, <a href="https://archive.org/about.terms.php">https://archive.org/about.terms.php</a>. Access to the Archive's Collections is granted for scholarship and research purposes only. Scripto Transcription A written representation of a document. Mr. Augustus Minns was a bachelor of about forty as he said—of about eight and forty as his friends said. He was always exceedingly clean, precise, and tidy, perhaps somewhat priggish, and the most "retiring man in the world." He usually wore a brown frock-coat without a wrinkle, light inexplicables without a spot, a neat neckerchief with a remarkably neat tie, and boots without a fault; moreover, he always carried a brown silk umbrella with an ivory handle. He was a clerk in Somerset House, or, as he said, he held "a responsible situation under Government." He had a good and increasing salary, in addition to some 10,000l. of his own (invested in the funds), and he occupied a first floor in Tavistock-street, Covent Garden, where he had resided for twenty years, having been in the habit of quarrelling with his landlord the whole time, regularly giving notice of his intention to quit on the first day of every quarter, and as regularly countermanding it on the second. He had but two particular horrors in the world, and those were dogs and children. His prejudice arose from no unamiability of disposition, but that the habits of the animals were continually at variance with his love of order, which might be said to be equally as powerful as his love of life. Mr. Augustus Minns had no relation in or near London, with the exception of his cousin, Mr. Octavius Bagshaw, to whose son, whom he had never seen (for he disliked the father), he had consented to become godfather by proxy. Mr. Bagshaw having realised a moderate fortune by exercising "the trade or calling" of a corn-chandler, and having a great predilection for the country, had purchased a cottage in the vicinity of Stamford Hill, whither he retired with the wife of his bosom and his only son, Master Alexander Augustus Bagshaw. One evening, as Mr. and Mrs. B. were admiring their son, discussing his various merits, talking over his education, and disputing whether the classics should be made an essential part thereof, the lady pressed so strongly upon her husband the propriety of cultivating the friendship of Mr. Minns in behalf of their son, that Mr. Bagshaw at last made up his mind, that it should not be his fault if he and his cousin were not in future more intimate. "I’ll break the ice, my love," said Mr. Bagshaw, stirring up the sugar at the bottom of his glass of brandy-and-water, and casting a sidelong look at his spouse to see the effect of the announcement of his determination,—"by asking Minns down to dine with us, on Sunday." "Then pray, Bagshaw, write to your cousin at once,’ replied his spouse; "who knows, if we could only get him down here, but that he might take a fancy to our Alexander, and leave him his property?—Alick, my dear, take your legs off the rail of the chair." "Very true," said Mr. Bagshaw, musing, "very true indeed, my love." On the following morning, as Mr. Minns was sitting at his breakfast-table, alternately biting his dry toast and casting a look upon the columns of the Times, which he always read from the title to the printer’s name, he heard a loud knock at the street door, which was shortly afterwards followed by the entrance of his servant, who put into his hand a particularly small card, on which was engraved in immense letters, "Mr. Octavius Bagshaw, AMELIA COTTAGE (Mrs. B.’s name was Amelia), Poplar Walk, Stamford Hill." "Bagshaw!" ejaculated Minns, "what the deuce can bring that vulgar man here?—Say I’m asleep—say I’ve broken my leg—any thing." "But, please, sir, the gentleman’s coming up," replied the servant;—and the fact was made evident by an appalling creaking of boots on the staircase, accompanied by a pattering noise, the cause of which Minns could not for the life of him divine. "Hem! show the gentleman in," said he in a state of desperation.—Exit servant, and enter Octavius, preceded by a large white dog, dressed in a suit of fleecy-hosiery, with pink eyes, large ears, and no perceptible tail. The cause of the pattering on the stairs was but too plain.—If it be possible for a man to entertain feeling of the most deep-rooted and unconquerable aversion to any one thing, Minns entertained this feeling towards an animal of the canine species. This, by the way, was hinted before. "My dear fellow, how are you?" said Mr. Bagshaw, as he entered. (He always spoke at the top of his voice, and always said the same thing half-a-dozen times.)—"How are you, my hearty?" "How do you do, Mr. Bagshaw?—pray take a chair!" politely stammered the discomfited Minns. "Thank you, thank you. Well, how are you, eh?" "Uncommonly well, thank you," said Minns, casting a diabolical look at the dog, who, with his hind-legs on the floor, and his fore-paws resting on the table, was dragging a bit of bread-and-butter out of a plate, which, in the ordinary course of things, it was natural to suppose he would eat with the buttered side next the carpet. "Ah, you rogue!" said Bagshaw to his dog.—"You see, Minns, he’s like me, always at home: eh, my boy!—Egad, I’m precious hot and hungry! I’ve walked all the way from Stamford Hill, this morning." "Have you breakfasted?" ejaculated Minns. "Oh, no!" returned Bagshaw. "oh no! Came to town to breakfast with you; so, ring the bell, my dear fellow, will you? and let’s have another cup and saucer, and the cold ham.—Make myself at home, you see!" he continued, dusting his boots with a table-napkin."‘Ha!—ha!—ha!—’Pon my life, I’m hungry!" Minns rang the bell, and tried to smile, but looked as merry as a farthing rushlight in a fog. "I decidedly never was so hot in my life," continued Octavius, wiping his forehead;—"Well, but how are you, Minns?  ‘Pon my soul, you wear capitally!" "Humph! 'dye think so?" "’Pon my life, I do!" "Mrs. B. and—what’s his name—quite well?" "Alick—my son, you mean. Never better—never better. But such a place as we’ve got at Poplar Walk! you know. It certainly is a most capital place—beautiful! I'll trouble you for another cup of tea. Let's see—what was I saying? Oh! I know. Such a beautiful place! When I first saw it, by Jove! it looked so knowing, with the front garden like, and the green railings, and the brass knocker, and all that—I really thought it was a cut above me." "Don’t you think you’d like the ham better," interrupted Minns, "if you cut it the other way?" as he saw, with feelings which it is impossible to describe, that his visitor was cutting, or rather maiming the ham, in utter violation of all established rules. "No, thank ye," returned Bagshaw, with the most barbarous indifference to crime; "I prefer it this way—it eats short. But, I say, Minns, when will you come down and see us? You'll be delighted with the place; I know you will. Amelia and I were talking about you the other night, and Amelia said—another lump of sugar, please: thank ye—she said, "Don’t you think you could contrive, my dear, to say to Mr. Minns, in a friendly way—Come down, Sir—damn the dog! He’s spoiling your curtains, Minns—Ha!—ha!—ha!" Minns leaped from his seat as though he had received the discharge from a galvanic battery. "Come out, Sir!—go out, hoo!" cried poor Augustus, keeping, nevertheless, at a very respectful distance from the dog, having read of a case of hydrophobia in the paper of that morning. By dint of great exertion, much shouting, and a marvellous deal of poking under the tables with a stick and umbrella, the dog was at last dislodged, and placed on the landing, outside the door, where he immediately commenced a most appalling howling; at the same time vehemently scratching the paint off the two nicely-varnished bottom panels of the door, until they resembled the interior of a backgammon-board. "A good dog for the country that!" coolly observed Bagshaw to the distracted Minns—"he’s not much used to confinement, though. But now, Minns, when will you come down? I’ll take no denial, positively. Let’s see—to-day’s Thursday;—will you come on Sunday? We dine at five. Don’t say no—do." After a great deal of pressing, Mr. Augustus Minns, driven to despair, and finding that if the dog, remained in the house much longer, he, Mr. Augustus Minns, might just as well lodge in the Zoological Gardens, accepted the invitation, and promised to be at Poplar Walk on the ensuing Sunday, at a quarter before five, to the minute. "Now mind the direction," said Bagshaw: "the coach goes from the Flower-pot, in Bishopsgate-street, every half hour. When the coach stops at the Swan, you’ll see, immediately opposite you, a white house—" "Which is your house—I understand," said Minns, wishing to cut short the story and the visit at the same time. "No, no, that’s not mine; that’s Grogus’s, the great ironmonger’s. I was going to say, you turn down by the side of the white house till you can’t go another step further—mind that; and then you turn to your right, by some stables—well; close to you, you’ll see a wall with 'BEWARE OF THE DOG' written on it in large letters—[Minns shuddered]—go along by the side of that wall for about a quarter of a mile, and anybody will show you which is my place." "Very well—thank ye—good bye." "Be punctual." "Certainly: good morning." "I say, Minns, you’ve got a card?" "Yes, I have; thank ye." And Mr. Octavius Bagshaw departed, leaving his cousin looking forward to his visit on the following Sunday with the feelings of a pennyless poet to the weekly visit of his Scotch landlady. Sunday arrived; the sky was bright and clear; crowds of clean, decently-dressed people were hurrying along the streets, intent on their different schemes of pleasure for the day; and every thing, and every body, looked cheerful and happy but Mr. Augustus Minns. The day was fine, but the heat was considerable; and by the time Mr. Minns had fagged up the shady side of Fleet Street, Cheapside, and Threadneedle Street, he had become pretty warm, tolerably dusty, and it was getting late into the bargain. By the most extraordinary good fortune, however, a coach was waiting at the Flower Pot, into which Mr. Augustus Minn's got, on the solemn assurance of the cad that the coach would start in three minutes—that being the time the coach was allowed to wait by "act of Parliament." A quarter of an hour elapsed, and there were no signs of moving. Minns looked at his watch for the sixth time. "Coachman, are you going or not?" bawled Mr. Minns (with his head and half his body out of the coach window). "Di-rectly, Sir," said the coachman, with his hands in his pockets, looking as much unlike a man in a hurry as possible.—"Bill, take them cloths off." Five minutes more elapsed; at the end of which time the coachman mounted the box, from whence he looked down the street, and up the street, and hailed all the pedestrians for another five minutes. "Coachman! If you don’t go this moment, I shall get out," said Mr. Minns, rendered desperate by the lateness of the hour, and the impossibility of being in Poplar Walk at the appointed time. "Going this minute, Sir," was the reply;—and, accordingly, the coach trundled on for a couple of hundred yards, and then stopped again. Minns doubled himself up into a corner of the coach, and abandoned himself to fate. "Tell your missis to make haste, my dear—'cause here's a gentleman inside vich is in a desperate hurry." In about five minutes more missis appeared, with a child and two band-boxes, and then they set off. "Be quiet, love!" said the mother—who saw the agony of Minns, as the child rubbed its shoes on his new drab trowsers—"be quiet, dear! Here, play with this parasol—don't kick the gentleman." The interesting infant, however, with its agreeable plaything, contrived to tax Mr. Minns's ingenuity, in the "art of self-defence," during the ride; and amidst these infantile assaults, and the mother's apologies, the distracted gentleman arrived at the Swan, when, on referring to his watch, to his great dismay he discovered that it was a quarter past five. The white house, the stables, the "Beware of the Dog,"—every landmark was passed, with a rapidity not unusual to a gentleman of a certain age when too late for dinner. After the lapse of a few minutes, Mr. Minns found himself opposite a yellow brick house, with a green door, brass knocker, and door-plate, green window-frames, and ditto railings, with "a garden" in front, that is to say, a small loose bit of gravelled ground, with one round and two scalene triangular beds, containing a fir-tree, twenty or thirty bulbs, and an unlimited number of marigolds. The taste of Mr. or Mrs. Bagshaw was further displayed by the appearance of a Cupid on each side of the door, perched upon a heap of large chalk flints, variegated with pink conch-shells. His knock at the door was answered by a stumpy boy, in drab-livery, cotton stockings and high-lows, who, after hanging his hat on one of the dozen brass-pegs which ornamented the passage, denominated by courtesy "The Hall," ushered him into a front drawing-room, commanding a very extensive view of the backs of the neighbouring houses. The usual ceremony of introduction, and so forth, over, Mr. Minns took his seat: not a little agitated at feeling that he was the last comer, and, somehow or other, the Lion of a dozen people, sitting together in a small drawing-room, getting rid of that most tedious of all time, the time preceding dinner. "Well, Brogson," said Bagshaw, addressing an elderly gentleman in a black coat, drab knee-breeches, and long gaiters, who, under pretence of inspecting the prints in an Annual, had been engaged in satisfying himself on the subject of  Minns’ general appearance, by looking at him over the top of the leaves—"well, Brogson, what do ministers mean to do?  Will they go out, or what?’ "Oh—why—really, you know, I’m the last person in the world to ask for news. Your cousin, from his situation, is the most likely person to answer the question." Mr. Minns assured the last speaker, that, although he was in Somerset House, he possessed no official communication relative to the projects of his Majesty’s Ministers. His remark was evidently received incredulously; and no further conjectures being hazarded on the subject, a long pause ensued, during which the company occupied themselves in coughing and blowing their noses, until the entrance of Mrs. Bagshaw caused a general rise. The ceremony of introduction being over, dinner was announced, and down stairs the party proceeded accordingly: Mr. Minns escorting Mrs. Bagshaw as far as the drawing-room door, but being prevented, by the narrowness of the stair-case, from extending his gallantry any further. The dinner passed off as such dinners usually do. Ever and anon, amidst the clatter of knives and forks, and the hum of conversation, Mr. Bagshaw’s voice might be heard asking a friend to take wine, and assuring him he was glad to see him; and a good deal of by-play took place between Mrs. Bagshaw and the servants respecting the removal of the dishes, during which her countenance assumed the variations of a weather-glass, sometimes "stormy" and occasionally "set fair." Upon the dessert and wine being placed on the table, the servant, in compliance with a significant look from Mrs. Bagshaw, brought down "Master Alexander," habited in a sky-blue suit with silver buttons, and with hair of nearly the same colour as the metal. After sundry praises from his mother, and various admonitions as to his behaviour from his pa, he was introduced to his godfather. "Well, my little fellow—you are a fine boy, an’t you?" said Minns, as happy as a tom-tit upon bird-lime. "Yes." "How old are you?" "Eight, next We’nsday. How old are you?" "Alexander," interrupted his mother, "how dare you ask Mr. Minns how old he is!" "He asked me how old I was," said the precocious darling, to whom Minns had, from that moment, internally resolved he never would bequeath one shilling. As soon as the titter occasioned by the observation had subsided, a little smirking man with red whiskers, sitting at the bottom of the table, who, during the whole of dinner, had been endeavouring to obtain a listener to some stories about Sheridan, called out, with a very patronising air,—"Alick, what part of speech is be?" "A verb." "That’s a good boy," said Mrs. Bagshaw, with all a mother’s pride. "Now, you know what a verb is?" "A verb is a word which signifies to be, to do, or to suffer; as, I am—I rule—I am ruled. Give me an apple, Ma." "I’ll give you an apple," replied the story-teller, who was clearly one of those bores who are commonly called 'friends of the family,' "if you’ll tell me what is the meaning of, be." "Be?" said the prodigy, after a little hesitation—"an insect that gathers honey." "No, dear," frowned Mrs. B—; "B double E is the substantive." "I don’t think he knows much yet about common substantives," said the smirking gentleman, who thought this an admirable opportunity for letting off a joke: "It’s clear he’s not very well acquainted with proper names. He! he! he!" "Gentlemen," called out Mr. Bagshaw, from the end of the table, in a stentorian voice, and with a very important air, "will you have the goodness to charge your glasses? I have a toast to propose." "Hear! hear!" cried the gentlemen, passing the decanters. After they had made the round of the table, Mr. Bagshaw proceeded—"Gentlemen; there is an individual present—" "Hear! hear!" said the little man with the red whiskers. "Pray be quiet, Jones," remonstrated Bagshaw, sotto voce. "I say, gentlemen, there is an individual present," resumed the host, "in whose society, I am sure, we must take great delight—and—and—the conversation of that individual must have afforded to every individual present the utmost pleasure."— ["Thank Heaven he does not mean me!" thought Minns, conscious that his diffidence and exclusiveness had prevented his saying above a dozen words since he entered the house.]— "Gentlemen, I am but a humble individual myself, and I perhaps ought to apologize for allowing any individual feelings of friendship and affection for the person I allude to, to induce me to venture to rise, to propose the health of that person—a person that, I am sure—that is to say, a person whose virtues must endear him to those who know him—and those who have not the pleasure of knowing him, cannot dislike him." "Hear! hear!" said the company, in a tone of encouragement and approval. "Gentlemen," continued Bagshaw, "my cousin is a man who—who is a relation of my own." (Hear! hear!) Minns groaned audibly—who I am most happy to see here, and who, if he were not here, would certainly have deprived us of the great pleasure we all feel in seeing him. (Loud cries of hear!)—Gentlemen: I feel that I have already trespassed on your attention for too long a time. With every feeling of—of—with every sentiment of—of—" "Gratification"—suggested the friend of the family. "—Of gratification, I beg to propose the health of Mr. Minns." "Standing, gentlemen!" shouted the indefatigable little man with the whiskers—"and with the honours. Take your time from me, if you please. Hip! hip! hip!—Za!—Hip! hip! hip!—Za!—Hip hip!—Za—a—a!" All eyes were now fixed on the subject of the toast, who, by gulping down port-wine at the imminent hazard of suffocation, endeavoured to conceal his confusion. After as long a pause as decency would admit, with a face as red as a flamingo, he rose; but, as the newspapers sometimes say in their reports of the debates, "we regret that we are quite unable to give even the substance of the honourable gentleman’s observations." The words "present company—honour—present occasion," and "great happiness"—heard occasionally, and repeated at intervals, with a countenance expressive of the utmost misery, convinced the company that he was making an excellent speech; and, accordingly, on his resuming his seat, they cried "Bravo!" and manifested tumultuous applause. Jones, who had been long watching his opportunity, then darted up. "Bagshaw," said he, will you allow me to propose a toast?" "Certainly," replied Bagshaw, adding in an under tone to Minns right across the table—"Devilish sharp fellow that: you’ll be very much pleased with his speech. He talks equally well on any subject." Minns bowed, and Mr. Jones proceeded: "It has on several occasions, in various instances, under many circumstances, and in different companies, fallen to my lot to propose a toast to those by whom, at the time, I have had the honour to be surrounded. I have sometimes, I will cheerfully own—for why should I deny it?—felt the overwhelming nature of the task I have undertaken, and my own utter incapability to do justice to the subject.  If such have been my feelings, however, on former occasions, what must they be now—now—under the extraordinary circumstances in which I am placed. (Hear! hear!)—To describe my feelings accurately would be impossible; but I cannot give you a better idea of them, gentlemen, than by referring to a circumstance which happens, oddly enough, to occur to my mind at the moment. On one occasion, when that truly great and illustrious man, Sheridan was—" "Please, Sir," said the boy, entering hastily, and addressing Bagshaw, "as it's a very wet ev'ning, the nine o'clock stage has come round to know, whether any one's going to town. There's room for one inside." Minns, who had some time meditated suicide, now, with a courage heretofore unknown, started up to secure the chance of escape.  Many were the expressions of surprise, and numerous the entreaties to stay, when Minns persisted in his determination to accept the offer of the vacant inside place. It was useless to press him further; so, after detaining the coach for the purpose of looking for his umbrella, and then making the pleasant discovery that he had left it in the other coach coming don, Minns was informed by the parsley-and-butter coated boy that the coachman "couldn't wait no longer; but if the gentleman would make haste, he might catch him at the Swan." Minns muttered, for the first time in his life, a diabolical ejaculation. It was of no use that fresh entreaties poured upon him. Quite as effective was the appeal of Master Alick, who, after dabbling half-an-hour in raspberry jam and custard, and fixing the print of his paws on Minns' trowsers, cried out—"Do stop, godpa'—I like you—Ma' says I am to coax you to leave me all your money!"—Had Minns been stung by an electric eel, he could not have made a more hysteric spring through the door-way; nor did he relax his speed until, arriving at the Swan, he saw the coach drive off—full inside and out.  It was half-past three in the morning ere Mr. Augustus Minns knocked faintly at No. 11, Tavistock Street, Covent Garden. He had footed it every step of the way from Poplar Walk:—he had not a dry thread about him, and his boots were like pump-suckers. Never from that day could Mr. Minns endure the name of Bagshaw or Poplar Walk. It was to him as the writing on the wall was to Belshazzar. Mr. Minns has removed from Tavistock Street. His residence is at present a secret, as he is determined not to risk another assault from his cousin and his pink-eyed poodle.  https://www.dickenssearch.com/files/original/5/A_Little_Talk_about_Spring_and_the_Sweeps/1836-A_little_Talk_about_Spring_Sweeps.pdf 51d6cedcc3bf7e1ae3cf15670c5aee15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Book Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360101 Publication The title of the newspaper/serial (if applicable) The Library of Fiction Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. "Now ladies, up in the sky-parlour: only once a year, if you please." YOUNG LADY WITH BRASS LADLE. "Sweep-sweep-sue-e-ep." ILLEGAL WATCHWORD. The first of May! There is a merry freshness in the sound, calling to our minds a thousand thoughts of all that is pleasant and beautiful in nature, in her sweetest and most delightful form. What man is there, over whose mind a bright spring morning does not exercise a magic influence? carrying him back to the days of his childish sports, and conjuring up before him the old green field, with its gently-waving trees, where the birds sang as he has never heard them since—where the butterfly fluttered far more gaily than he ever sees him now in all his ramblings—where the sky seemed bluer, and the sun shone more brightly—where the air blew more freshly over greener grass, and sweeter smelling flowers—where every thing wore a richer and more brilliant hue than it is ever dressed in now! Such are the deep feelings of childhood, and such are the impressions which every lovely object stamps upon its heart. The hardy traveller wanders through the maze of thick and pathless woods, where the sun’s rays never shone, and heaven’s pure air never played: he stands on the brink of the roaring waterfall, and, giddy and bewildered, watches the foaming mass as it leaps from stone to stone, and from crag to crag; he lingers in the fertile plains of a land of perpetual sunshine, and revels in the luxury of their balmy breath. But what are the deep forests, or the thundering waters, or the richest landscapes that bounteous nature ever spread, to charm the eyes and captivate the senses of man, compared with the recollection of the old scenes of his early youth— magic scenes indeed; for the fairy thoughts of infancy dressed them in colours brighter than the rainbow, and almost as fleeting: colours which are the reflection only of the sparkling sunbeams of childhood, and can never be called into existence, in the dark and cloudy days of after-life! In former times, spring brought with it not only such associations as these, connected with the past, but sports and games for the present—merry dances round rustic pillars, adorned with emblems of the season, and reared in honour of its coming. Where are they now! Pillars we have, but they are no longer rustic ones; and as to dancers, they are used to rooms, and lights, and would not show well in the open air. Think of the immorality, too! What would your sabbath enthusiasts say, to an aristocratic ring encircling the Duke of York’s column in Carlton-terrace—a grand poussette of the middle classes, round Alderman Waithman’s monument in Fleet-street—or a general hands-four-round of ten-pound householders, at the foot of the Obelisk in St. George’s-fields? Alas! romance can make no head against the riot act; and pastoral simplicity is not understood by the police. Well; many years ago we began to get a steady and matter-of-fact sort of people; and dancing in spring, being beneath our dignity, we gave it up, and in course of time it descended to the sweeps—a fall certainly; because, though sweeps are very good fellows in their way, and moreover very useful in a civilized community, they are not exactly the sort of people to give the tone to the little elegances of society. The sweeps, however, got the dancing to themselves, and they kept it up, and handed it down. This was a severe blow to the romance of spring-time, but, it did not entirely destroy it, either; for a portion of it descended to the sweeps with the dancing, and rendered them objects of great interest. A mystery hung over the sweeps in those days. Legends were in existence of wealthy gentlemen who had lost children, and who, after many years of sorrow and suffering, had found them in the character of sweeps. Stories were related of a young gentleman who having been stolen from his parents in his infancy, and devoted to the occupation of chimney-sweeping, was sent, in the course of his professional career, to sweep the chimney of his mamma's bedroom; and how, being hot and tired when he came out of the chimney, he got into the bed he had so often slept in as an infant, and was discovered and recognised therein by his mother, who once every year of her life, thereafter requested the pleasure of the company of every London sweep, at half-past one o’clock, to roast beef, plum-pudding, porter, and sixpence. Such stories as these, and there were many such, threw an air of mystery round the sweeps, and produced for them some of those good effects, which animals derive from the doctrine of the transmigration of souls. No one, except the masters, thought of ill-treating a sweep, because no one knew who he might be, or what nobleman’s or gentleman’s son he might turn out. Chimney sweeping was, by many believers in the marvellous, considered as a sort of probationary term, at an earlier or later period of which, divers young noblemen were to come into possession of their rank and titles: and the profession was held by them in great respect accordingly. We remember, in our young days, a little sweep, about our own age, with curly hair and white teeth, whom we devoutly and sincerely believed to be the lost son and heir of some illustrious personage—an impression which was resolved into an unchangeable conviction on our infant mind, by the subject of our speculations informing us one day, in reply to our question, propounded a few moments before his ascent to the summit of the kitchen chimney, "that he believed he’d been born in the vurkis, but he’d never know’d his father." We felt certain, from that time forth, that he would one day be owned by a lord at least: and we never heard the church bells ring, or saw a flag hoisted in the neighbourhood, without thinking that the happy event had at last occurred, and that his long lost parent had arrived in a coach and six, to take him home to Grosvenor Square. He never came, however; and, at the present moment, the young gentleman in question is settled down as a master sweep in the neighbourhood of Battle Bridge, his distinguishing characteristics being a decided antipathy to washing himself, and the possession of a pair of legs very inadequate to the support of his unwieldy and corpulent body. Now the romance of spring having gone out before our time, we were fain to console ourselves as we best could with the uncertainty that enveloped the birth and parentage of its attendant dancers, the sweeps; and we did console ourselves with it, for many years. But, even this wicked source of comfort received a shock, from which it has never recovered—a shock, which was in reality its death-blow. We could not disguise from ourselves the fact, that whole families of sweeps were regularly born of sweeps, in the rural districts of Somers' Town and Camden Town—that the eldest son succeeded to the father’s business, that the other branches assisted him therein, and commenced on their own account; that their children again were educated to the profession; and that about their identity there could be no mistake whatever. We could not be blind, we say, to this melancholy truth, but we could not bring ourselves to admit it nevertheless, and we lived on for some years in a state of voluntary ignorance. We were roused from our pleasant slumber, by certain dark insinuations thrown out by a friend of ours, to the effect that children in the lower ranks of life, were beginning to choose chimney-sweeping as their particular walk, that applications had been made by various boys to the constituted authorities to allow them to pursue the object of their ambition, with the full concurrence and sanction of the law; that the affair, in short, was becoming one of mere legal contract. We turned a deaf ear to these rumours at first, but slowly and surely they stole upon us. Month after month, week after week, nay, day after day, at last, did we meet with accounts of similar applications. The veil was removed, all mystery was at an end, chimney-sweeping  became a favourite and chosen pursuit: there is no longer any occasion to steal boys, for boys flock in crowds to bind themselves. The romance of the trade has fled, and the chimney sweeper of the present day is no more like unto him of thirty years ago, than is a Fleet Street pickpocket to a Spanish brigand, or Paul Pry to Caleb Williams. This gradual decay and disuse of the practice of leading noble youths into captivity, and compelling them to ascend chimneys, was a severe blow, if we may so speak, to the romance of chimney sweeping, and to the romance of spring at the same time; but even this was not all; for some few years ago, the dancing on May-day began to decline; small sweeps were observed to congregate in twos or threes, unsupported by a "green," with no "My Lord" to act as master of the ceremonies, and no "My Lady" to preside over the exchequer. Even in companies where there was a green it was an absolute nothing—a mere sprout; and the instrumental accompaniments rarely extended beyond the shovels and a set of Pan pipes, better known to the many, as a "mouth organ." These were signs of the times, portentous omens of a coming change: and what was the result which they shadowed forth? Why, the master sweeps, influenced by a restless spirit of innovation, actually interposed their authority, in opposition to the dancing, and substituted a dinner—an anniversary dinner at White Conduit House—where clean faces appeared in lieu of black ones smeared with rose pink; and knee cords and tops, superseded nankeen drawers and rosetted shoes. Gentlemen who were in the habit of riding shy horses, and steady-going people, who have no vagrancy in their souls, lauded this alteration to the skies, and the conduct of the master sweeps was described as beyond the reach of praise. But how stands the real fact? Let any man deny, if he can, that when the cloth had been removed, fresh pots and pipes laid upon the table, and the customary loyal and patriotic toasts proposed, the celebrated Mr. Sluffen, of Adam and Eve Court, whose authority not the most malignant of our opponents can call in question, expressed himself in manner following: "That now he’d cotcht the cheerman’s hi, he vished he might be jolly vell blessed, if he worn’t a goin’ to have his innins, vich he vould say these here obserwashuns—that how some mischeevus coves as know’d nuffin about the con-sarn, had tried to sit people agin the mas’r swips, and take the shine out o’ their bis’nes, and the bread out o’ the traps o’ their preshus kids, by a makin’ o’ this here remark, as chimblies could be as vel svept by ‘cheenery as by boys, and that the makin’ use o’ boys for that there purpuss vos barbareous; vereas he ’ad been a chummy—he begged the cheerman’s pard'n for usin’ such a wulgar hexpression—more nor thirty year, he might say he’d been born in a chimbley, and he know’d uncommon vel as ‘cheenery vos vus nor o’ no use: and as to ker-hewelty to the boys, every body in the chimbley line know’d as vel as he did, that they liked the climbin’ better nor nuffin as vos." From this day, we date the total fall of the last lingering remnant of May-day dancing, among the élite of the profession: and from this period we commence a new era in that portion of our spring associations, which relates to the 1st of May. We are aware that the unthinking part of the population will meet us here, with the assertion, that dancing on May-day still continues—that "greens" are annually seen to roll along the streets—that sportive youths, in the garb of clowns, precede them, giving vent to the ebullitions of their sportive fancies; and that lords and ladies follow in their wake. Granted. We are ready to acknowledge that in outward show these processions have greatly improved: we do not deny the introduction of solos on the drum: we will even go so far as to admit an occasional fantasia on the triangle, but here our admissions end. We positively deny that the sweeps have act or part in these proceedings. We distinctly charge the dustmen with throwing what they ought to clear away, into the eyes of the public. We accuse scavengers, brick-makers, and gentlemen who devote their energies to the costermongering line, with obtaining money once a-year, under false pretences. We cling with peculiar fondness to the customs of days gone by, and have shut out conviction as long as we could, but it has forced itself upon us; and we now proclaim to a deluded public that the May-day dancers are not sweeps. The size of them alone is sufficient to repudiate the idea. It is a notorious fact that the widely spread taste for register-stoves has materially increased the demand for small boys; whereas the men, who under a fictitious character, dance about the streets on the first of May now-a-days, would be a tight fit in a kitchen flue, to say nothing of the parlour. This is strong presumptive evidence, but we have positive proof—the evidence of our own senses, and here is our testimony:— Upon the morning of the second of this present month of May, one thousand eight hundred and thirty-six, we went out for a stroll, with a kind of forlorn hope of seeing something or other which might induce us to believe that it was really spring, and not Christmas; and after wandering as far as Copenhagen House, without meeting anything calculated to dispel our impression that there was a mistake in the almanacks, we turned back down Maiden-lane, with the intention of passing through the extensive colony lying between it and Battle-bridge, which is inhabited by proprietors of donkey-carts, boilers of horse-flesh, and sifters of cinders: and through this colony we should have passed, without stoppage or interruption, if a little crowd gathered round a shed had not attracted our attention, and induced us to pause. When we say a "shed," we do not mean the conservatory sort of building, which, according to the old song, Love tenanted when he was a young man; but a wooden house with windows stuffed with rags and paper, and a small yard at the side, with one dust-cart, two baskets, a few shovels, and little heaps of cinders, and fragments of China and tiles, scattered about it. Before this inviting spot we paused; and the longer we looked, the more we wondered what exciting circumstance it could be, that induced the foremost members of the crowd to flatten their noses against the parlour window, in the vain hope of catching a glimpse of what was going on inside. After staring vacantly about us for some minutes, we appealed, touching the cause of this assemblage, to a gentleman in a suit of tarpaulin, who was smoking his pipe on our right hand; but as the only answer we obtained, was a playful inquiry whether our maternal parent had disposed of her mangle, we determined to await the issue in silence. Judge of our virtuous indignation, when the street-door of the shed opened, and a party emerged therefrom, clad in the costume and emulating the appearance of May-day sweeps! The first person who appeared was "my lord," habited in a blue coat and bright buttons, with gilt paper tacked over the seams, yellow knee-breeches, pink cotton stockings, and shoes, a cocked hat ornamented with shreds of various coloured paper on his head, a bouquet the size of a prize cauliflower in his button-hole, a long Belcher handkerchief in his right hand, and a thin cane in his left. A murmur of applause ran through the crowd (which was chiefly composed of his personal friends) when this graceful figure made his appearance, which swelled into a burst of applause as his fair partner in the dance bounded forth to join him. Her ladyship was attired in pink crape over bed-furniture, with a low body and short sleeves. The symmetry of her ankles was partially concealed by a very perceptible pair of frilled trousers; and the inconvenience which might have resulted from the circumstance of her white satin shoes being a few sizes too large, was obviated by their being firmly attached to her legs with strong tape sandals. Her head was ornamented with a profusion of artificial flowers, and in her hand she bore a large brass ladle, wherein to receive what she figuratively denominated "the tin." The other characters were a young gentleman in girl’s clothes and a widow’s cap; two clowns who walked upon their hands in the mud, to the immeasurable delight of all the spectators, a man with a drum, another man with a flageolet, a dirty woman in a large shawl, with a box under her arm for the money,—and last, though not least, the Green, animated by no less a personage than our identical friend in the tarpaulin suit. The man hammered away at the drum, the flageolet squeaked, the shovels rattled, the Green rolled about, pitching first on one side and then on the other,—my lady threw her right foot over her left ankle, and her left foot over her right ankle alternately; my lord ran a few paces forward and butted at the Green, and then a few paces backward upon the toes of the crowd, and then went to the right, and then to the left, and then dodged my lady round the Green, and finally drew her arm through his, and called upon the boys to shout, which they did lustily—for this was the dancing. We passed the same group accidentally in the evening. We never saw a green so drunk, a lord so quarrelsome (except in the house of peers after dinner), a pair of clowns so melancholy, a lady so muddy, or a party so miserable. How has May-day decayed! thought we. How many merry sports, such as dancing round the Maypole, have fallen into desuetude! And, apparently trifling as their loss may appear, with how many profligate and vicious customs have they been replaced! How much of cheerfulness and simplicity of character have they carried away with them; and how much of degradation and discontent have they left behind! Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Little Talk about Spring and the Sweeps' Description An account of the resource Published in The Library of Fiction, vol. 1. London: Chapman and Hall, 1836, pp. 113-119. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Internet Archive, <a href="https://archive.org/details/libraryoffiction01dick/page/112/mode/2up">https://archive.org/details/libraryoffiction01dick/page/112/mode/2up</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836 Contributor An entity responsible for making contributions to the resource Illustrated by Robert Seymour Type The nature or genre of the resource Short story Identifier An unambiguous reference to the resource within a given context 1836-A_Little_Talk_about_Spring_Sweeps Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Little Talk About Spring and the Sweeps'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-A_Little_Talk_about_Spring_Sweeps">https://www.dickenssearch.com/short-stories/1836-A_Little_Talk_about_Spring_Sweeps</a>. Rights Information about rights held in and over the resource Internet Archive, <a href="https://archive.org/about.terms.php">https://archive.org/about.terms.php</a>. Access to the Archive's Collections is granted for scholarship and research purposes only. Scripto Transcription A written representation of a document. "Now ladies, up in the sky-parlour: only once a year, if you please."  YOUNG LADY WITH BRASS LADLE. "Sweep-sweep-sue-e-ep." ILLEGAL WATCHWORD. The first of May! There is a merry freshness in the sound, calling to our minds a thousand thoughts of all that is pleasant and beautiful in nature, in her sweetest and most delightful form. What man is there, over whose mind a bright spring morning does not exercise a magic influence? carrying him back to the days of his childish sports, and conjuring up before him the old green field, with its gently-waving trees, where the birds sang as he has never heard them since—where the butterfly fluttered far more gaily than he ever sees him now in all his ramblings—where the sky seemed bluer, and the sun shone more brightly—where the air blew more freshly over greener grass, and sweeter smelling flowers—where every thing wore a richer and more brilliant hue than it is ever dressed in now! Such are the deep feelings of childhood, and such are the impressions which every lovely object stamps upon its heart. The hardy traveller wanders through the maze of thick and pathless woods, where the sun’s rays never shone, and heaven’s pure air never played: he stands on the brink of the roaring waterfall, and, giddy and bewildered, watches the foaming mass as it leaps from stone to stone, and from crag to crag; he lingers in the fertile plains of a land of perpetual sunshine, and revels in the luxury of their balmy breath. But what are the deep forests, or the thundering waters, or the richest landscapes that bounteous nature ever spread, to charm the eyes and captivate the senses of man, compared with the recollection of the old scenes of his early youth— magic scenes indeed; for the fairy thoughts of infancy dressed them in colours brighter than the rainbow, and almost as fleeting: colours which are the reflection only of the sparkling sunbeams of childhood, and can never be called into existence, in the dark and cloudy days of after-life! In former times, spring brought with it not only such associations as these, connected with the past, but sports and games for the present—merry dances round rustic pillars, adorned with emblems of the season, and reared in honour of its coming. Where are they now! Pillars we have, but they are no longer rustic ones; and as to dancers, they are used to rooms, and lights, and would not show well in the open air. Think of the immorality, too! What would your sabbath enthusiasts say, to an aristocratic ring encircling the Duke of York’s column in Carlton-terrace—a grand poussette of the middle classes, round Alderman Waithman’s monument in Fleet-street—or a general hands-four-round of ten-pound householders, at the foot of the Obelisk in St. George’s-fields? Alas! romance can make no head against the riot act; and pastoral simplicity is not understood by the police. Well; many years ago we began to get a steady and matter-of-fact sort of people; and dancing in spring, being beneath our dignity, we gave it up, and in course of time it descended to the sweeps—a fall certainly; because, though sweeps are very good fellows in their way, and moreover very useful in a civilized community, they are not exactly the sort of people to give the tone to the little elegances of society. The sweeps, however, got the dancing to themselves, and they kept it up, and handed it down. This was a severe blow to the romance of spring-time, but, it did not entirely destroy it, either; for a portion of it descended to the sweeps with the dancing, and rendered them objects of great interest. A mystery hung over the sweeps in those days. Legends were in existence of wealthy gentlemen who had lost children, and who, after many years of sorrow and suffering, had found them in the character of sweeps. Stories were related of a young gentleman who having been stolen from his parents in his infancy, and devoted to the occupation of chimney-sweeping, was sent, in the course of his professional career, to sweep the chimney of his mamma's bedroom; and how, being hot and tired when he came out of the chimney, he got into the bed he had so often slept in as an infant, and was discovered and recognised therein by his mother, who once every year of her life, thereafter requested the pleasure of the company of every London sweep, at half-past one o’clock, to roast beef, plum-pudding, porter, and sixpence. Such stories as these, and there were many such, threw an air of mystery round the sweeps, and produced for them some of those good effects, which animals derive from the doctrine of the transmigration of souls. No one, except the masters, thought of ill-treating a sweep, because no one knew who he might be, or what nobleman’s or gentleman’s son he might turn out. Chimney sweeping was, by many believers in the marvellous, considered as a sort of probationary term, at an earlier or later period of which, divers young noblemen were to come into possession of their rank and titles: and the profession was held by them in great respect accordingly. We remember, in our young days, a little sweep, about our own age, with curly hair and white teeth, whom we devoutly and sincerely believed to be the lost son and heir of some illustrious personage—an impression which was resolved into an unchangeable conviction on our infant mind, by the subject of our speculations informing us one day, in reply to our question, propounded a few moments before his ascent to the summit of the kitchen chimney, "that he believed he’d been born in the vurkis, but he’d never know’d his father." We felt certain, from that time forth, that he would one day be owned by a lord at least: and we never heard the church bells ring, or saw a flag hoisted in the neighbourhood, without thinking that the happy event had at last occurred, and that his long lost parent had arrived in a coach and six, to take him home to Grosvenor Square. He never came, however; and, at the present moment, the young gentleman in question is settled down as a master sweep in the neighbourhood of Battle Bridge, his distinguishing characteristics being a decided antipathy to washing himself, and the possession of a pair of legs very inadequate to the support of his unwieldy and corpulent body. Now the romance of spring having gone out before our time, we were fain to console ourselves as we best could with the uncertainty that enveloped the birth and parentage of its attendant dancers, the sweeps; and we did console ourselves with it, for many years. But, even this wicked source of comfort received a shock, from which it has never recovered—a shock, which was in reality its death-blow. We could not disguise from ourselves the fact, that whole families of sweeps were regularly born of sweeps, in the rural districts of Somers' Town and Camden Town—that the eldest son succeeded to the father’s business, that the other branches assisted him therein, and commenced on their own account; that their children again were educated to the profession; and that about their identity there could be no mistake whatever. We could not be blind, we say, to this melancholy truth, but we could not bring ourselves to admit it nevertheless, and we lived on for some years in a state of voluntary ignorance. We were roused from our pleasant slumber, by certain dark insinuations thrown out by a friend of ours, to the effect that children in the lower ranks of life, were beginning to choose chimney-sweeping as their particular walk, that applications had been made by various boys to the constituted authorities to allow them to pursue the object of their ambition, with the full concurrence and sanction of the law; that the affair, in short, was becoming one of mere legal contract. We turned a deaf ear to these rumours at first, but slowly and surely they stole upon us. Month after month, week after week, nay, day after day, at last, did we meet with accounts of similar applications. The veil was removed, all mystery was at an end, chimney-sweeping  became a favourite and chosen pursuit: there is no longer any occasion to steal boys, for boys flock in crowds to bind themselves. The romance of the trade has fled, and the chimney sweeper of the present day is no more like unto him of thirty years ago, than is a Fleet Street pickpocket to a Spanish brigand, or Paul Pry to Caleb Williams. This gradual decay and disuse of the practice of leading noble youths into captivity, and compelling them to ascend chimneys, was a severe blow, if we may so speak, to the romance of chimney sweeping, and to the romance of spring at the same time; but even this was not all; for some few years ago, the dancing on May-day began to decline; small sweeps were observed to congregate in twos or threes, unsupported by a "green," with no "My Lord" to act as master of the ceremonies, and no "My Lady" to preside over the exchequer. Even in companies where there was a green it was an absolute nothing—a mere sprout; and the instrumental accompaniments rarely extended beyond the shovels and a set of Pan pipes, better known to the many, as a "mouth organ." These were signs of the times, portentous omens of a coming change: and what was the result which they shadowed forth? Why, the master sweeps, influenced by a restless spirit of innovation, actually interposed their authority, in opposition to the dancing, and substituted a dinner—an anniversary dinner at White Conduit House—where clean faces appeared in lieu of black ones smeared with rose pink; and knee cords and tops, superseded nankeen drawers and rosetted shoes. Gentlemen who were in the habit of riding shy horses, and steady-going people, who have no vagrancy in their souls, lauded this alteration to the skies, and the conduct of the master sweeps was described as beyond the reach of praise. But how stands the real fact? Let any man deny, if he can, that when the cloth had been removed, fresh pots and pipes laid upon the table, and the customary loyal and patriotic toasts proposed, the celebrated Mr. Sluffen, of Adam and Eve Court, whose authority not the most malignant of our opponents can call in question, expressed himself in manner following: "That now he’d cotcht the cheerman’s hi, he vished he might be jolly vell blessed, if he worn’t a goin’ to have his innins, vich he vould say these here obserwashuns—that how some mischeevus coves as know’d nuffin about the con-sarn, had tried to sit people agin the mas’r swips, and take the shine out o’ their bis’nes, and the bread out o’ the traps o’ their preshus kids, by a makin’ o’ this here remark, as chimblies could be as vel svept by ‘cheenery as by boys, and that the makin’ use o’ boys for that there purpuss vos barbareous; vereas he ’ad been a chummy—he begged the cheerman’s pard'n for usin’ such a wulgar hexpression—more nor thirty year, he might say he’d been born in a chimbley, and he know’d uncommon vel as ‘cheenery vos vus nor o’ no use: and as to ker-hewelty to the boys, every body in the chimbley line know’d as vel as he did, that they liked the climbin’ better nor nuffin as vos." From this day, we date the total fall of the last lingering remnant of May-day dancing, among the élite of the profession: and from this period we commence a new era in that portion of our spring associations, which relates to the 1st of May. We are aware that the unthinking part of the population will meet us here, with the assertion, that dancing on May-day still continues—that "greens" are annually seen to roll along the streets—that sportive youths, in the garb of clowns, precede them, giving vent to the ebullitions of their sportive fancies; and that lords and ladies follow in their wake. Granted. We are ready to acknowledge that in outward show these processions have greatly improved: we do not deny the introduction of solos on the drum: we will even go so far as to admit an occasional fantasia on the triangle, but here our admissions end. We positively deny that the sweeps have act or part in these proceedings. We distinctly charge the dustmen with throwing what they ought to clear away, into the eyes of the public. We accuse scavengers, brick-makers, and gentlemen who devote their energies to the costermongering line, with obtaining money once a-year, under false pretences. We cling with peculiar fondness to the customs of days gone by, and have shut out conviction as long as we could, but it has forced itself upon us; and we now proclaim to a deluded public that the May-day dancers are not sweeps. The size of them alone is sufficient to repudiate the idea. It is a notorious fact that the widely spread taste for register-stoves has materially increased the demand for small boys; whereas the men, who under a fictitious character, dance about the streets on the first of May now-a-days, would be a tight fit in a kitchen flue, to say nothing of the parlour. This is strong presumptive evidence, but we have positive proof—the evidence of our own senses, and here is our testimony:— Upon the morning of the second of this present month of May, one thousand eight hundred and thirty-six, we went out for a stroll, with a kind of forlorn hope of seeing something or other which might induce us to believe that it was really spring, and not Christmas; and after wandering as far as Copenhagen House, without meeting anything calculated to dispel our impression that there was a mistake in the almanacks, we turned back down Maiden-lane, with the intention of passing through the extensive colony lying between it and Battle-bridge, which is inhabited by proprietors of donkey-carts, boilers of horse-flesh, and sifters of cinders: and through this colony we should have passed, without stoppage or interruption, if a little crowd gathered round a shed had not attracted our attention, and induced us to pause. When we say a "shed," we do not mean the conservatory sort of building, which, according to the old song, Love tenanted when he was a young man; but a wooden house with windows stuffed with rags and paper, and a small yard at the side, with one dust-cart, two baskets, a few shovels, and little heaps of cinders, and fragments of China and tiles, scattered about it. Before this inviting spot we paused; and the longer we looked, the more we wondered what exciting circumstance it could be, that induced the foremost members of the crowd to flatten their noses against the parlour window, in the vain hope of catching a glimpse of what was going on inside. After staring vacantly about us for some minutes, we appealed, touching the cause of this assemblage, to a gentleman in a suit of tarpaulin, who was smoking his pipe on our right hand; but as the only answer we obtained, was a playful inquiry whether our maternal parent had disposed of her mangle, we determined to await the issue in silence. Judge of our virtuous indignation, when the street-door of the shed opened, and a party emerged therefrom, clad in the costume and emulating the appearance of May-day sweeps! The first person who appeared was "my lord," habited in a blue coat and bright buttons, with gilt paper tacked over the seams, yellow knee-breeches, pink cotton stockings, and shoes, a cocked hat ornamented with shreds of various coloured paper on his head, a bouquet the size of a prize cauliflower in his button-hole, a long Belcher handkerchief in his right hand, and a thin cane in his left. A murmur of applause ran through the crowd (which was chiefly composed of his personal friends) when this graceful figure made his appearance, which swelled into a burst of applause as his fair partner in the dance bounded forth to join him. Her ladyship was attired in pink crape over bed-furniture, with a low body and short sleeves. The symmetry of her ankles was partially concealed by a very perceptible pair of frilled trousers; and the inconvenience which might have resulted from the circumstance of her white satin shoes being a few sizes too large, was obviated by their being firmly attached to her legs with strong tape sandals. Her head was ornamented with a profusion of artificial flowers, and in her hand she bore a large brass ladle, wherein to receive what she figuratively denominated "the tin." The other characters were a young gentleman in girl’s clothes and a widow’s cap; two clowns who walked upon their hands in the mud, to the immeasurable delight of all the spectators, a man with a drum, another man with a flageolet, a dirty woman in a large shawl, with a box under her arm for the money,—and last, though not least, the Green, animated by no less a personage than our identical friend in the tarpaulin suit. The man hammered away at the drum, the flageolet squeaked, the shovels rattled, the Green rolled about, pitching first on one side and then on the other,—my lady threw her right foot over her left ankle, and her left foot over her right ankle alternately; my lord ran a few paces forward and butted at the Green, and then a few paces backward upon the toes of the crowd, and then went to the right, and then to the left, and then dodged my lady round the Green, and finally drew her arm through his, and called upon the boys to shout, which they did lustily—for this was the dancing. We passed the same group accidentally in the evening. We never saw a green so drunk, a lord so quarrelsome (except in the house of peers after dinner), a pair of clowns so melancholy, a lady so muddy, or a party so miserable. How has May-day decayed! thought we. How many merry sports, such as dancing round the Maypole, have fallen into desuetude! And, apparently trifling as their loss may appear, with how many profligate and vicious customs have they been replaced! How much of cheerfulness and simplicity of character have they carried away with them; and how much of degradation and discontent have they left behind! https://www.dickenssearch.com/files/original/12/A_Poor_Man_s_Tale_of_a_Patent/1850-10-19-A_Poor_Mans_Tale_of_a_Patent.pdf 76e0e48996c0bba88664ba5b63edaef0 Journalism Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18501019 Publication The title of the newspaper/serial (if applicable) Household Words Publication Type E.g. newspaper/serial Weekly newspaper Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I am not used to writing for print. What working-man that never labours less (some Mondays, and Christmas Time and Easter Time, excepted) than twelve or fourteen hour a day, is? But I have been asked to put down, plain, what I have got to say; and so I take pen-and-ink, and do it to the best of my power, hoping defects will find excuse. I was born, nigh London, but have worked in a shop at Birmingham (what you would call Manufactories, we call Shops), almost ever since I was out of my time. I served my apprenticeship at Deptford, nigh where I was born, and I am a smith by trade. My name is John. I have been called “Old John” ever since I was nineteen year of age, on account of not having much hair. I am fifty-six year of age at the present time, and I don’t find myself with more hair, nor yet with less, to signify, than at nineteen year of age aforesaid. I have been married five and thirty year, come next April. I was married on All Fools’ Day. Let them laugh that win. I won a good wife that day, and it was as sensible a day to me, as ever I had. We have had a matter of ten children, six whereof are living. My eldest son is engineer in the Italian steam-packet “Mezzo Giorno, plying between Marseilles and Naples, and calling at Genoa, Leghorn, and Civita Vecchia.” He was a good workman. He invented a many useful little things that brought him in – nothing. I have two sons doing well at Sydney, New South Wales – single, when last heard from. One of my sons (James) went wild and for a soldier, where he was shot in India, living six weeks in hospital with a musket ball lodged in his shoulder-blade, which he wrote with his own hand. He was the best looking. One of my two daughters (Mary) is comfortable in her circumstances, but water on the chest. The other (Charlotte), her husband run away from her in the basest manner, and she and her three children live with us. The youngest, six year old, has a turn for mechanics. I am not a Chartist, and I never was. I don’t mean to say but what I see a good many public points to complain of, still I don’t think that's the way to set them right. If I did think so, I should be a Chartist. But I don’t think so, and I am not a Chartist. I read the paper, and hear discussion, at what we call “a parlor” in Birmingham, and I know many good men and workmen who are Chartists. Note. Not Physical force. It won’t be took as boastful in me, if I make the remark (for I can’t put down what I have got to say, without putting that down before going any further), that I have always been of an ingenious turn. I once got twenty pound by a screw, and it’s in use now. I have been twenty year, off and on, completing an Invention and perfecting it. I perfected of it, last Christmas Eve at ten o'clock at night. Me and my wife stood and let some tears fall over the Model, when it was done and I brought her in to take a look at it. A friend of mine, by the name of William Butcher, is a Chartist. Moderate. He is a good speaker. He is very animated. I have often heard him deliver that what is, at every turn, in the way of us working-men, is, that too many places have been made, in the course of time, to provide for people that never ought to have been provided for; and that we have to obey forms and to pay fees to support those places when we shouldn't ought. “True,” (delivers William Butcher), “all the public has to do this, but it falls heaviest on the working man, because he has least to spare; and likewise because impediments shouldn’t be put in his way, when he wants redress of wrong, or furtherance of right.” Note. I have wrote down those words from William Butcher’s own mouth. W. B. delivering them fresh for the aforesaid purpose. Now, to my Model again. There it was, perfected of, on Christmas Eve, gone nigh a year, at ten o’clock at night. All the money I could spare I had laid out upon the Model; and when times was bad, or my daughter Charlotte’s children sickly, or both, it had stood still, months at a spell. I had pulled it to pieces, and made it over again with improvements, I don’t know how often. There it stood, at last, a perfected Model as aforesaid. William Butcher and me had a long talk, Christmas Day, respecting of the Model. William is very sensible. But sometimes cranky. William said, “What will you do with it, John?” I said, “Patent it.” William said, “How Patent it, John?” I said, “By taking out a Patent.” William then delivered that the law of Patent was a cruel wrong. William said, “John, if you make your invention public, before you get a Patent, anyone may rob you of the fruits of your hard work. You are put in a cleft stick, John. Either you must drive a bargain very much against yourself, by getting a party to come forward beforehand with the great expenses of the Patent; or, you must be put about, from post to pillar, among so many parties, trying to make a better bargain for yourself, and showing your invention, that your invention will be took from you over your head.” I said, “William Butcher, are you cranky? You are sometimes cranky.” William said, “No John, I tell you the truth;” which he then delivered more at length. I said to W. B. I would Patent the invention myself. My wife’s brother, George Bury of West Bromwich (his wife unfortunately took to drinking, made away with everything, and seventeen times committed to Birmingham Jail before happy release in every point of view), left my wife, his sister, when he died, a legacy of one hundred and twenty-eight pound ten, Bank of England Stocks. Me and my wife had never broke into that money yet. Note. We might come to be old, and past our work. We now agreed to Patent the invention. We said we would make a hole in it – I mean in the aforesaid money – and Patent the invention. William Butcher wrote me a letter to Thomas Joy, in London. T. J. is a carpenter, six foot four in height, and plays quoits well. He lives in Chelsea, London, by the church. I got leave from the shop, to be took on again when I come back. I am a good workman. Not a Teetotaller; but never drunk. When the Christmas holidays were over, I went up to London by the Parliamentary Train, and hired a lodging for a week with Thomas Joy. He is married. He has one son gone to sea. Thomas Joy delivered (from a book he had) that the first step to be took, in Patenting the invention, was to prepare a petition unto Queen Victoria. William Butcher had delivered similar, and drawn it up. Note, William is a ready writer. A declaration before a Master in Chancery was to be added to it. That, we likewise drew up. After a deal of trouble I found out a Master, in Southampton Buildings, Chancery Lane, nigh Temple Bar, where I made the declaration, and paid eighteenpence. I was told to take the declaration and petition to the Home Office, in Whitehall, where I left it to be signed by the Home Secretary (after I had found the office out) and where I paid two pound, two, and sixpence. In six days he signed it, and I was told to take it to the Attorney-General’s chambers, and leave it there for a report. I did so, and paid four pound, four. Note. Nobody, all through, ever thankful for their money, but all uncivil. My lodging at Thomas Joy’s was now hired for another week, whereof five days were gone. The Attorney-General made what they called a Report-of-course (my invention being, as William Butcher had delivered before starting, unopposed), and I was sent back with it to the Home Office. They made a Copy of it, which was called a Warrant. For this warrant, I paid seven pound, thirteen, and six. It was sent to the Queen, to sign. The Queen sent it back, signed. The Home Secretary signed it again. The gentleman throwed it at me when I called, and said, “Now take it to the Patent Office in Lincoln’s Inn.” I was then in my third week at Thomas Joy’s, living very sparing, on account of fees. I found myself losing heart. At the Patent Office in Lincoln’s Inn, they made “a draft of the Queen’s bill,” of my invention, and a “docket of the bill.” I paid five pound, ten, and six, for this. They “engrossed two copies of the bill; one for the Signet Office, and one for the Privy-Seal Office.” I paid one pound, seven, and six, for this. Stamp duty over and above, three pound. The Engrossing Clerk of the same office engrossed the Queen's bill for signature. I paid him one pound, one. Stamp-duty, again, one pound, ten. I was next to take the Queen’s bill to the Attorney-General again, and get it signed again. I took it, and paid five pound more. I fetched it away, and took it to the Home Secretary again. He sent it to the Queen again. She signed it again. I paid seven pound, thirteen, and six, more, for this. I had been over a month at Thomas Joy’s. I was quite wore out, patience and pocket. Thomas Joy delivered all this, as it went on, to William Butcher. William Butcher delivered it again to three Birmingham Parlors, from which it got to all the other Parlors, and was took, as I have been told since, right through all the shops in the North of England. Note. William Butcher delivered, at his Parlor, in a speech, that it was a Patent way of making Chartists. But I hadn’t nigh done yet. The Queen’s bill was to be took to the Signet Office in Somerset House, Strand – where the stamp shop is. The Clerk of the Signet made “a Signet bill for the Lord Keeper of the Privy Seal.” I paid him four pound, seven. The Clerk of the Lord Keeper of the Privy Seal made “a Privy-Seal bill for the Lord Chancellor.” I paid him, four pound, two. The Privy-Seal bill was handed over to the Clerk of the Patents, who engrossed the aforesaid. I paid him five pound, seventeen, and eight; at the same time, I paid Stamp-duty for the Patent, in one lump, thirty pound. I next paid for “boxes for the Patent,” nine and sixpence. Note. Thomas Joy would have made the same at a profit, for eighteen-pence. I next paid “fees to the Deputy, the Lord Chancellor’s Purse-bearer,” two pound, two. I next paid “fees to the Clerk of the Hanaper,” seven pound, thirteen. I next paid "fees to the Deputy Clerk of the Hanaper,” ten shillings. I next paid, to the Lord Chancellor again, one pound, eleven, and six. Last of all, I paid “fees to the Deputy Sealer, and Deputy Chaff-Wax,” ten shillings and sixpence. I had lodged at Thomas Joy’s over six weeks, and the unopposed Patent for my invention, for England only, had cost me ninety-six pound, seven, and eightpence. If I had taken it out for the United Kingdom, it would have cost me more than three hundred pound. Now, teaching had not come up but very limited when I was young. So much the worse for me you’ll say. I say the same. William Butcher is twenty year younger than me. He knows a hundred year more. If William Butcher had wanted to Patent an invention, he might have been sharper than myself when hustled backwards and forwards among all those offices, though I doubt if so patient. Note. William being sometimes cranky, and considers Porters, Messengers, and Clerks. Thereby I say nothing of my being tired of my life, while I was Patenting my invention. But I put this: Is it reasonable to make a man feel as if, in inventing an ingenious improvement meant to do good, he had done something wrong? How else can a man feel, when he is met by such difficulties at every turn? All inventors taking out a Patent MUST feel so. And look at the expense. How hard on me, and how hard on the country if there’s any merit in me (and my invention is took up now, I am thankful to say, and doing well), to put me to all that expense before I can move a finger! Make the addition yourself, and it’ll come to ninety-six pound, seven, and eightpence. No more, and no less. What can I say against William Butcher, about places? Look at the Home Secretary, the Attorney-General, the Patent Office, the Engrossing Clerk, the Lord Chancellor, the Privy Seal, the Clerk of the Patents, the Lord Chancellor’s Purse-bearer, the Clerk of the Hanaper, the Deputy Clerk of the Hanaper, the Deputy Sealer, and the Deputy Chaff-wax. No man in England could get a Patent for an India-rubber band, or an iron hoop, without feeing all of them. Some of them, over and over again. I went through thirty-five stages. I began with the Queen upon the Throne. I ended with the Deputy Chaff-wax. Note. I should like to see the Deputy Chaff-wax. Is it a man, or what is it? What I had to tell, I have told. I have wrote it down. I hope it’s plain. Not so much in the handwriting (though nothing to boast of there), as in the sense of it. I will now conclude with Thomas Joy. Thomas said to me, when we parted, “John, if the laws of this country were as honest as they ought to be, you would have come to London – registered an exact description and drawing of your invention – paid half-a-crown or so for doing of it – and therein and thereby have got your Patent.” My opinion is the same as Thomas Joy. Further. In William Butcher’s delivering “that the whole gang of Hanapers and Chaff-waxes must be done away with, and that England has been chaffed and waxed sufficient,” I agree. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Poor Man's Tale of a Patent' Description An account of the resource Published in Household Words (19 October 1850) Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1850-10-19 Rights Information about rights held in and over the resource Dickens Journals Online, used by permission. Type The nature or genre of the resource Journalism article Identifier An unambiguous reference to the resource within a given context 1850-10-19-A_Poor_Mans_Tale_of_a_Patent Source A related resource from which the described resource is derived Household Words, vol. 2, no. 30, 19 October 1850, pp. 73-75. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-ii/page-73.html">https://www.djo.org.uk/household-words/volume-ii/page-73.html</a>. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Poor Man's Tale of a Patent'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/journalism/1850-10-19-A_Poor_Mans_Tale_of_a_Patent">https://dickenssearch.com/journalism/1850-10-19-A_Poor_Mans_Tale_of_a_Patent</a>. Scripto Transcription A written representation of a document. I am not used to writing for print. What working-man that never labours less (some Mondays, and Christmas Time and Easter Time, excepted) than twelve or fourteen hour a day, is? But I have been asked to put down, plain, what I have got to say; and so I take pen-and-ink, and do it to the best of my power, hoping defects will find excuse. I was born, nigh London, but have worked in a shop at Birmingham (what you would call Manufactories, we call Shops), almost ever since I was out of my time. I served my apprenticeship at Deptford, nigh where I was born, and I am a smith by trade. My name is John. I have been called “Old John” ever since I was nineteen year of age, on account of not having much hair. I am fifty-six year of age at the present time, and I don’t find myself with more hair, nor yet with less, to signify, than at nineteen year of age aforesaid. I have been married five and thirty year, come next April. I was married on All Fools’ Day. Let them laugh that win. I won a good wife that day, and it was as sensible a day to me, as ever I had. We have had a matter of ten children, six whereof are living. My eldest son is engineer in the Italian steam-packet “Mezzo Giorno, plying between Marseilles and Naples, and calling at Genoa, Leghorn, and Civita Vecchia.” He was a good workman. He invented a many useful little things that brought him in – nothing. I have two sons doing well at Sydney, New South Wales – single, when last heard from. One of my sons (James) went wild and for a soldier, where he was shot in India, living six weeks in hospital with a musket ball lodged in his shoulder-blade, which he wrote with his own hand. He was the best looking. One of my two daughters (Mary) is comfortable in her circumstances, but water on the chest. The other (Charlotte), her husband run away from her in the basest manner, and she and her three children live with us. The youngest, six year old, has a turn for mechanics. I am not a Chartist, and I never was. I don’t mean to say but what I see a good many public points to complain of, still I don’t think that's the way to set them right. If I did think so, I should be a Chartist. But I don’t think so, and I am not a Chartist. I read the paper, and hear discussion, at what we call “a parlor” in Birmingham, and I know many good men and workmen who are Chartists. Note. Not Physical force. It won’t be took as boastful in me, if I make the remark (for I can’t put down what I have got to say, without putting that down before going any further), that I have always been of an ingenious turn. I once got twenty pound by a screw, and it’s in use now. I have been twenty year, off and on, completing an Invention and perfecting it. I perfected of it, last Christmas Eve at ten o'clock at night. Me and my wife stood and let some tears fall over the Model, when it was done and I brought her in to take a look at it. A friend of mine, by the name of William Butcher, is a Chartist. Moderate. He is a good speaker. He is very animated. I have often heard him deliver that what is, at every turn, in the way of us working-men, is, that too many places have been made, in the course of time, to provide for people that never ought to have been provided for; and that we have to obey forms and to pay fees to support those places when we shouldn't ought. “True,” (delivers William Butcher), “all the public has to do this, but it falls heaviest on the working man, because he has least to spare; and likewise because impediments shouldn’t be put in his way, when he wants redress of wrong, or furtherance of right.” Note. I have wrote down those words from William Butcher’s own mouth. W. B. delivering them fresh for the aforesaid purpose. Now, to my Model again. There it was, perfected of, on Christmas Eve, gone nigh a year, at ten o’clock at night. All the money I could spare I had laid out upon the Model; and when times was bad, or my daughter Charlotte’s children sickly, or both, it had stood still, months at a spell. I had pulled it to pieces, and made it over again with improvements, I don’t know how often. There it stood, at last, a perfected Model as aforesaid. William Butcher and me had a long talk, Christmas Day, respecting of the Model. William is very sensible. But sometimes cranky. William said, “What will you do with it, John?” I said, “Patent it.” William said, “How Patent it, John?” I said, “By taking out a Patent.” William then delivered that the law of Patent was a cruel wrong. William said, “John, if you make your invention public, before you get a Patent, anyone may rob you of the fruits of your hard work. You are put in a cleft stick, John. Either you must drive a bargain very much against yourself, by getting a party to come forward beforehand with the great expenses of the Patent; or, you must be put about, from post to pillar, among so many parties, trying to make a better bargain for yourself, and showing your invention, that your invention will be took from you over your head.” I said, “William Butcher, are you cranky? You are sometimes cranky.” William said, “No John, I tell you the truth;” which he then delivered more at length. I said to W. B. I would Patent the invention myself. My wife’s brother, George Bury of West Bromwich (his wife unfortunately took to drinking, made away with everything, and seventeen times committed to Birmingham Jail before happy release in every point of view), left my wife, his sister, when he died, a legacy of one hundred and twenty-eight pound ten, Bank of England Stocks. Me and my wife had never broke into that money yet. Note. We might come to be old, and past our work. We now agreed to Patent the invention. We said we would make a hole in it – I mean in the aforesaid money – and Patent the invention. William Butcher wrote me a letter to Thomas Joy, in London. T. J. is a carpenter, six foot four in height, and plays quoits well. He lives in Chelsea, London, by the church. I got leave from the shop, to be took on again when I come back. I am a good workman. Not a Teetotaller; but never drunk. When the Christmas holidays were over, I went up to London by the Parliamentary Train, and hired a lodging for a week with Thomas Joy. He is married. He has one son gone to sea. Thomas Joy delivered (from a book he had) that the first step to be took, in Patenting the invention, was to prepare a petition unto Queen Victoria. William Butcher had delivered similar, and drawn it up. Note, William is a ready writer. A declaration before a Master in Chancery was to be added to it. That, we likewise drew up. After a deal of trouble I found out a Master, in Southampton Buildings, Chancery Lane, nigh Temple Bar, where I made the declaration, and paid eighteenpence. I was told to take the declaration and petition to the Home Office, in Whitehall, where I left it to be signed by the Home Secretary (after I had found the office out) and where I paid two pound, two, and sixpence. In six days he signed it, and I was told to take it to the Attorney-General’s chambers, and leave it there for a report. I did so, and paid four pound, four. Note. Nobody, all through, ever thankful for their money, but all uncivil. My lodging at Thomas Joy’s was now hired for another week, whereof five days were gone. The Attorney-General made what they called a Report-of-course (my invention being, as William Butcher had delivered before starting, unopposed), and I was sent back with it to the Home Office. They made a Copy of it, which was called a Warrant. For this warrant, I paid seven pound, thirteen, and six. It was sent to the Queen, to sign. The Queen sent it back, signed. The Home Secretary signed it again. The gentleman throwed it at me when I called, and said, “Now take it to the Patent Office in Lincoln’s Inn.” I was then in my third week at Thomas Joy’s, living very sparing, on account of fees. I found myself losing heart. At the Patent Office in Lincoln’s Inn, they made “a draft of the Queen’s bill,” of my invention, and a “docket of the bill.” I paid five pound, ten, and six, for this. They “engrossed two copies of the bill; one for the Signet Office, and one for the Privy-Seal Office.” I paid one pound, seven, and six, for this. Stamp duty over and above, three pound. The Engrossing Clerk of the same office engrossed the Queen's bill for signature. I paid him one pound, one. Stamp-duty, again, one pound, ten. I was next to take the Queen’s bill to the Attorney-General again, and get it signed again. I took it, and paid five pound more. I fetched it away, and took it to the Home Secretary again. He sent it to the Queen again. She signed it again. I paid seven pound, thirteen, and six, more, for this. I had been over a month at Thomas Joy’s. I was quite wore out, patience and pocket. Thomas Joy delivered all this, as it went on, to William Butcher. William Butcher delivered it again to three Birmingham Parlors, from which it got to all the other Parlors, and was took, as I have been told since, right through all the shops in the North of England. Note. William Butcher delivered, at his Parlor, in a speech, that it was a Patent way of making Chartists. But I hadn’t nigh done yet. The Queen’s bill was to be took to the Signet Office in Somerset House, Strand – where the stamp shop is. The Clerk of the Signet made “a Signet bill for the Lord Keeper of the Privy Seal.” I paid him four pound, seven. The Clerk of the Lord Keeper of the Privy Seal made “a Privy-Seal bill for the Lord Chancellor.” I paid him, four pound, two. The Privy-Seal bill was handed over to the Clerk of the Patents, who engrossed the aforesaid. I paid him five pound, seventeen, and eight; at the same time, I paid Stamp-duty for the Patent, in one lump, thirty pound. I next paid for “boxes for the Patent,” nine and sixpence. Note. Thomas Joy would have made the same at a profit, for eighteen-pence. I next paid “fees to the Deputy, the Lord Chancellor’s Purse-bearer,” two pound, two. I next paid “fees to the Clerk of the Hanaper,” seven pound, thirteen. I next paid "fees to the Deputy Clerk of the Hanaper,” ten shillings. I next paid, to the Lord Chancellor again, one pound, eleven, and six. Last of all, I paid “fees to the Deputy Sealer, and Deputy Chaff-Wax,” ten shillings and sixpence. I had lodged at Thomas Joy’s over six weeks, and the unopposed Patent for my invention, for England only, had cost me ninety-six pound, seven, and eightpence. If I had taken it out for the United Kingdom, it would have cost me more than three hundred pound. Now, teaching had not come up but very limited when I was young. So much the worse for me you’ll say. I say the same. William Butcher is twenty year younger than me. He knows a hundred year more. If William Butcher had wanted to Patent an invention, he might have been sharper than myself when hustled backwards and forwards among all those offices, though I doubt if so patient. Note. William being sometimes cranky, and considers Porters, Messengers, and Clerks. Thereby I say nothing of my being tired of my life, while I was Patenting my invention. But I put this: Is it reasonable to make a man feel as if, in inventing an ingenious improvement meant to do good, he had done something wrong? How else can a man feel, when he is met by such difficulties at every turn? All inventors taking out a Patent MUST feel so. And look at the expense. How hard on me, and how hard on the country if there’s any merit in me (and my invention is took up now, I am thankful to say, and doing well), to put me to all that expense before I can move a finger! Make the addition yourself, and it’ll come to ninety-six pound, seven, and eightpence. No more, and no less. What can I say against William Butcher, about places? Look at the Home Secretary, the Attorney-General, the Patent Office, the Engrossing Clerk, the Lord Chancellor, the Privy Seal, the Clerk of the Patents, the Lord Chancellor’s Purse-bearer, the Clerk of the Hanaper, the Deputy Clerk of the Hanaper, the Deputy Sealer, and the Deputy Chaff-wax. No man in England could get a Patent for an India-rubber band, or an iron hoop, without feeing all of them. Some of them, over and over again. I went through thirty-five stages. I began with the Queen upon the Throne. I ended with the Deputy Chaff-wax. Note. I should like to see the Deputy Chaff-wax. Is it a man, or what is it? What I had to tell, I have told. I have wrote it down. I hope it’s plain. Not so much in the handwriting (though nothing to boast of there), as in the sense of it. I will now conclude with Thomas Joy. Thomas said to me, when we parted, “John, if the laws of this country were as honest as they ought to be, you would have come to London – registered an exact description and drawing of your invention – paid half-a-crown or so for doing of it – and therein and thereby have got your Patent.” My opinion is the same as Thomas Joy. Further. In William Butcher’s delivering “that the whole gang of Hanapers and Chaff-waxes must be done away with, and that England has been chaffed and waxed sufficient,” I agree. https://www.dickenssearch.com/files/original/12/A_Preliminary_Word/1850-03-30-A_Preliminary_Word.pdf 8b521b4eb6521aa6353109b05aa39f52 Journalism Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18500330 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The name that we have chosen for this publication expresses, generally, the desire we have at heart in originating it. We aspire to live in the Household affections, and to be numbered among the Household thoughts, of our readers. We hope to be the comrade and friend of many thousands of people, of both sexes, and of all ages and conditions, on whose faces we may never look. We seek to bring into innumerable homes, from the stirring world around us, the knowledge of many social wonders, good and evil, that are not calculated to render any of us less ardently persevering in ourselves, less tolerant of one another, less faithful in the progress of mankind, less thankful for the privilege of living in this summer-dawn of time. No mere utilitarian spirit, no iron binding of the mind to grim realities, will give a harsh tone to our Household Words. In the bosoms of the young and old, of the well-to-do and of the poor, we would tenderly cherish that light of Fancy which is inherent in the human breast; which, according to its nurture, burns with an inspiring flame, or sinks into a sullen glare, but which (or woe betide that day!) can never be extinguished. To show to all, that in all familiar things, even in those which are repellant on the surface, there is Romance enough, if we will find it out: to teach the hardest workers at this whirling wheel of toil, that their lot is not necessarily a moody, brutal fact, excluded from the sympathies and graces of imagination; to bring the greater and the lesser in degree, together, upon that wide field, and mutually dispose them to a better acquaintance and a kinder understanding is one main object of our Household Words. The mightier inventions of this age are not, to our thinking, all material, but have a kind of souls in their stupendous bodies which may find expression in Household Words. The traveller whom we accompany on his railroad or his steamboat journey, may gain, we hope, some compensation for incidents which these later generations have outlived, in new associations with the Power that bears him onward; with the habitations and the ways of life of crowds of his fellow creatures among whom he passes like the wind; even with the towering chimneys he may see, spirting out fire and smoke upon the prospect. The swart giants, Slaves of the Lamp of Knowledge, have their thousand and one tales, no less than the Genii of the East; and these, in all their wild, grotesque, and fanciful aspects, in all their many phases of endurance, in all their many moving lessons of compassion and consideration, we design to tell. Our Household Words will not be echoes of the present time alone, but of the past too. Neither will they treat of the hopes, the enterprises, triumphs, joys, and sorrows, of this country only, but, in some degree, of those of every nation upon earth. For nothing can be a source of real interest in one of them, without concerning all the rest. We have considered what an ambition it is to be admitted into many homes with affection and confidence; to be regarded as a friend by children and old people; to be thought of in affliction and in happiness; to people the sick room with airy shapes ‘that give delight and hurt not,’ and to be associated with the harmless laughter and the gentle tears of many hearths. We know the great responsibility of such a privilege; its vast reward; the pictures that it conjures up, in hours of solitary labour, of a multitude moved by one sympathy; the solemn hopes which it awakens in the labourer’s breast, that he may be free from self-reproach in looking back at last upon his work, and that his name may be remembered in his race in time to come, and borne by the dear objects of his love with pride. The hand that writes these faltering lines, happily associated with some Household Words before to-day, has known enough of such experiences to enter in an earnest spirit upon this new task, and with an awakened sense of all that it involves. Some tillers of the field into which we now come, have been before us, and some are here whose high usefulness we readily acknowledge, and whose company it is an honour to join. But, there are others here Bastards of the Mountain, draggled fringe on the Red Cap, Panders to the basest passions of the lowest natures whose existence is a national reproach. And these, we should consider it our highest service to displace. Thus, we begin our career! The adventurer in the old fairy story, climbing towards the summit of a steep eminence on which the object of his search was stationed, was surrounded by a roar of voices, crying to him, from the stones in the way, to turn back. All the voices we hear, cry Go on! The stones that call to us have sermons in them, as the trees have tongues, as there are books in the running brooks, as there is good in everything! They, and the Time, cry out to us Go on! With a fresh heart, a light step, and a hopeful courage, we begin the journey. The road is not so rough that it need daunt our feet: the way is not so steep that we need stop for breath, and, looking faintly down, be stricken motionless. Go on, is all we hear, Go on! In a glow already, with the air from yonder height upon us, and the inspiriting voices joining in this acclamation, we echo back the cry, and go on cheerily! Publication The title of the newspaper/serial (if applicable) Household Words Publication Type E.g. newspaper/serial Weekly magazine Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Preliminary Word' Description An account of the resource Published in Household Words (30 March 1850) Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived Household Words, vol.1, no.1, 30 March 1850, pp. 1-2. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-i/page-1.html">https://www.djo.org.uk/household-words/volume-i/page-1.html</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1850-03-30 Rights Information about rights held in and over the resource Dickens Journals Online, used by permission. Type The nature or genre of the resource Journalism article Identifier An unambiguous reference to the resource within a given context 1850-03-30-A_Preliminary_Word Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Preliminary Word'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/journalism/1850-03-30-A_Preliminary_Word">https://dickenssearch.com/journalism/1850-03-30-A_Preliminary_Word</a>. Scripto Transcription A written representation of a document. The name that we have chosen for this publication expresses, generally, the desire we have at heart in originating it. We aspire to live in the Household affections, and to be numbered among the Household thoughts, of our readers. We hope to be the comrade and friend of many thousands of people, of both sexes, and of all ages and conditions, on whose faces we may never look. We seek to bring into innumerable homes, from the stirring world around us, the knowledge of many social wonders, good and evil, that are not calculated to render any of us less ardently persevering in ourselves, less tolerant of one another, less faithful in the progress of mankind, less thankful for the privilege of living in this summer-dawn of time. No mere utilitarian spirit, no iron binding of the mind to grim realities, will give a harsh tone to our Household Words. In the bosoms of the young and old, of the well-to-do and of the poor, we would tenderly cherish that light of Fancy which is inherent in the human breast; which, according to its nurture, burns with an inspiring flame, or sinks into a sullen glare, but which (or woe betide that day!) can never be extinguished. To show to all, that in all familiar things, even in those which are repellant on the surface, there is Romance enough, if we will find it out: to teach the hardest workers at this whirling wheel of toil, that their lot is not necessarily a moody, brutal fact, excluded from the sympathies and graces of imagination; to bring the greater and the lesser in degree, together, upon that wide field, and mutually dispose them to a better acquaintance and a kinder understanding is one main object of our Household Words. The mightier inventions of this age are not, to our thinking, all material, but have a kind of souls in their stupendous bodies which may find expression in Household Words. The traveller whom we accompany on his railroad or his steamboat journey, may gain, we hope, some compensation for incidents which these later generations have outlived, in new associations with the Power that bears him onward; with the habitations and the ways of life of crowds of his fellow creatures among whom he passes like the wind; even with the towering chimneys he may see, spirting out fire and smoke upon the prospect. The swart giants, Slaves of the Lamp of Knowledge, have their thousand and one tales, no less than the Genii of the East; and these, in all their wild, grotesque, and fanciful aspects, in all their many phases of endurance, in all their many moving lessons of compassion and consideration, we design to tell. Our Household Words will not be echoes of the present time alone, but of the past too. Neither will they treat of the hopes, the enterprises, triumphs, joys, and sorrows, of this country only, but, in some degree, of those of every nation upon earth. For nothing can be a source of real interest in one of them, without concerning all the rest. We have considered what an ambition it is to be admitted into many homes with affection and confidence; to be regarded as a friend by children and old people; to be thought of in affliction and in happiness; to people the sick room with airy shapes ‘that give delight and hurt not,’ and to be associated with the harmless laughter and the gentle tears of many hearths. We know the great responsibility of such a privilege; its vast reward; the pictures that it conjures up, in hours of solitary labour, of a multitude moved by one sympathy; the solemn hopes which it awakens in the labourer’s breast, that he may be free from self-reproach in looking back at last upon his work, and that his name may be remembered in his race in time to come, and borne by the dear objects of his love with pride. The hand that writes these faltering lines, happily associated with some Household Words before to-day, has known enough of such experiences to enter in an earnest spirit upon this new task, and with an awakened sense of all that it involves. Some tillers of the field into which we now come, have been before us, and some are here whose high usefulness we readily acknowledge, and whose company it is an honour to join. But, there are others here Bastards of the Mountain, draggled fringe on the Red Cap, Panders to the basest passions of the lowest natures whose existence is a national reproach. And these, we should consider it our highest service to displace. Thus, we begin our career! The adventurer in the old fairy story, climbing towards the summit of a steep eminence on which the object of his search was stationed, was surrounded by a roar of voices, crying to him, from the stones in the way, to turn back. All the voices we hear, cry Go on! The stones that call to us have sermons in them, as the trees have tongues, as there are books in the running brooks, as there is good in everything! They, and the Time, cry out to us Go on! With a fresh heart, a light step, and a hopeful courage, we begin the journey. The road is not so rough that it need daunt our feet: the way is not so steep that we need stop for breath, and, looking faintly down, be stricken motionless. Go on, is all we hear, Go on! In a glow already, with the air from yonder height upon us, and the inspiriting voices joining in this acclamation, we echo back the cry, and go on cheerily! https://www.dickenssearch.com/files/original/12/A_Walk_in_a_Workhouse/1850-05-25-A_Walk_in_a_Workhouse.pdf 3f1338c55cb42a0d5989319026e02cf6 Journalism Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18500525 Publication The title of the newspaper/serial (if applicable) Household Words Publication Type E.g. newspaper/serial Weekly newspaper Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. A few Sundays ago, I formed one of the congregation assembled in the chapel of a large metropolitan Workhouse. With the exception of the clergyman and clerk, and a very few officials, there were none but paupers present. The children sat in the galleries; the women in the body of the chapel, and in one of the side aisles; the men in the remaining aisle. The service was decorously performed, though the sermon might have been much better adapted to the comprehension and to the circumstances of the hearers. The usual supplications were offered, with more than the usual significancy in such a place, for the fatherless children and widows, for all sick persons and young children, for all that were desolate and oppressed, for the comforting and helping of the weak-hearted, for the raising-up of them that had fallen; for all that were in danger, necessity, and tribulation. The prayers of the congregation were desired "for several persons in the various wards, dangerously ill;" and others who were recovering returned their thanks to Heaven. Among this congregation, were some evil-looking young women, and beetle-browed young men; but not many – perhaps that kind of characters kept away. Generally, the faces (those of the children excepted) were depressed and subdued, and wanted colour. Aged people were there, in every variety. Mumbling, blear-eyed, spectacled, stupid, deaf, lame; vacantly winking in the gleams of sun that now and then crept in through the open doors, from the paved yard; shading their listening ears, or blinking eyes, with their withered hands; poring over their books, leering at nothing, going to sleep, crouching and drooping in corners. There were weird old women, all skeleton within, all bonnet and cloak without, continually wiping their eyes with dirty dusters of pocket-handkerchiefs; and there were ugly old crones, both male and female, with a ghastly kind of contentment upon them which was not at all comforting to see. Upon the whole, it was the dragon, Pauperism, in a very weak and impotent condition; toothless, fangless, drawing his breath heavily enough, and hardly worth chaining up. When the service was over, I walked with the humane and conscientious gentleman whose duty it was to take that walk, that Sunday morning, through the little world of poverty enclosed within the workhouse walls. It was inhabited by a population of some fifteen hundred or two thousand paupers, ranging from the infant newly born or not yet come into the pauper world, to the old man dying on his bed. In a room opening from a squalid yard, where a number of listless women were lounging to and fro, trying to get warm in the ineffectual sunshine of the tardy May morning – in the “Itch Ward,” not to compromise the truth a woman such as HOGARTH has often drawn, was hurriedly getting on her gown, before a dusty re. She was the nurse, or wardswoman, of that insalubrious department – herself a pauper – flabby, raw-boned, untidy unpromising and coarse of aspect as need be. But, on being spoken to about the patients whom she had in charge, she turned round, with her shabby gown half on, half off, and fell a crying with all her might. Not for show, not querulously, not in any mawkish sentiment, but in the deep grief and affliction of her heart; turning away her dishevelled head: sobbing most bitterly, wringing her hands, and letting fall abundance of great tears, that choked her utterance. What was the matter with the nurse of the itch-ward? Oh, “the dropped child” was dead! Oh, the child that was found in the street, and she had brought up ever since, had died an hour ago, and see where the little creature lay, beneath this cloth! The dear, the pretty dear! The dropped child seemed too small and poor a thing for Death to be in earnest with, but Death had taken it; and already its diminutive form was neatly washed, composed, and stretched as if in sleep upon a box. I thought I heard a voice from Heaven saying, It shall be well for thee, O nurse of the itch-ward, when some less gentle pauper does those offices to thy cold form, that such as the dropped child are the angels who behold my Father’s face! In another room, were several ugly old women crouching, witch-like, round a hearth, and chattering and nodding, after the manner of the monkies. “All well here? And enough to eat?” A general chattering and chuckling; at last an answer from a volunteer. “Oh yes gentleman! Bless you gentleman! Lord bless the parish of St. So-and-So! It feed the hungry, Sir, and give drink to the thusty, and it warm them which is cold, so it do, and good luck to the parish of St. So-and-So, and thankee gentleman!” Elsewhere, a party of pauper nurses were at dinner. “How do you get on?” “Oh pretty well Sir! We works hard, and we lives hard - like the sodgers!” In another room, a kind of purgatory or place of transition, six or eight noisy mad-women were gathered together, under the superintendence of one sane attendant. Among them was a girl of two or three and twenty, very prettily dressed, of most respectable appearance, and good manners, who had been brought in from the house where she had lived as domestic servant (having, I suppose, no friends), on account of being subject to epileptic fits, and requiring to be removed under the influence of a very bad one. She was by no means of the same stuff, or the same breeding, or the same experience, or in the same state of mind, as those by whom she was surrounded; and she pathetically complained that the daily association and the nightly noise made her worse, and was driving her mad - which was perfectly evident. The case was noted for enquiry and redress, but she said she had already been there for some weeks. If this girl had stolen her mistress’s watch, I do not hesitate to say she would, in all probability, have been infinitely better off. Bearing in mind, in the present brief description of this walk, not only the facts already stated in this Journal, in reference to the Model Prison at Pentonville, but the general treatment of convicted prisoners under the associated silent system too, it must be once more distinctly set before the reader, that we have come to this absurd, this dangerous, this monstrous pass, that the dishonest felon is, in respect of cleanliness, order, diet, and accommodation, better provided for, and taken care of, than the honest pauper. And this conveys no special imputation on the workhouse of the parish of St. So-and-So, where, on the contrary, I saw many things to commend. It was very agreeable, recollecting that most infamous and atrocious enormity committed at Tooting – an enormity which, a hundred years hence, will still be vividly remembered in the bye-ways of English life, and which has done more to engender a gloomy discontent and suspicion among many thousands of the people than all the Chartist leaders could have done in all their lives – to find the pauper children in this workhouse looking robust and well, and apparently the objects of very great care. In the Infant School – a large, light, airy room at the top of the building – the little creatures, being at dinner, and eating their potatoes heartily, were not cowed by the presence of strange visitors, but stretched out their small hands to be shaken, with a very pleasant confidence. And it was comfortable to see two mangey pauper rocking-horses rampant in a corner. In the girls’ school, where the dinner was also in progress, everything bore a cheerful and healthy aspect. The meal was over, in the boys’ school, by the time of our arrival there and the room was not yet quite re-arranged; but the boys were roaming unrestrained about a large and airy yard, as any other schoolboys might have done. Some of them had been drawing large ships upon the schoolroom wall; and if they had a mast with shrouds and stays set up for practice (as they have in the Middlesex House of Correction), it would be so much the better. At present, if a boy should feel a strong impulse upon him to learn the art of going aloft, he could only gratify it, I presume, as the men and women paupers gratify their aspirations after better board and lodging, by smashing as many workhouse windows as possible, and being promoted to prison. In one place, the Newgate of the Workhouse, a company of boys and youths were locked up in a yard alone; their day-room being a kind of kennel where the casual poor used formerly to be littered down at night. Divers of them had been there some long time. “Are they never going away?” was the natural enquiry. “Most of them are crippled, in some form or other,” said the Wardsman, “and not fit for anything.” They slunk about, like dispirited wolves or hyænas; and made a pounce at their food when it was served out, much as those animals do. The big-headed idiot shuffling his feet along the pavement, in the sunlight outside, was a more agreeable object everyway. Groves of babies in arms; groves of mothers and other sick women in bed; groves of lunatics; jungles of men in stone-paved down-stairs dayrooms, waiting for their dinners; longer and longer groves of old people, in upstairs Infirmary wards, wearing out life, God knows how – this was the scenery through which the walk lay, for two hours. In some of these latter chambers, there were pictures stuck against the wall, and a neat display of crockery and pewter on a kind of sideboard now and then it was a treat to see a plant or two; in almost every ward, there was a cat. In all of these Long Walks of aged and infirm, some old people were bed-ridden, and had been for a long time; some were sitting on their beds half-naked; some dying in their beds; some out of bed, and sitting at a table near the fire. A sullen or lethargic indifference to what was asked, a blunted sensibility to everything but warmth and food, a moody absence of complaint as being of no use, a dogged silence and resentful desire to be left alone again, I thought were generally apparent. On our walking into the midst of one of these dreary perspectives of old men, nearly the following little dialogue took place, the nurse not being immediately at hand: “All well here?” No answer. An old man in a Scotch cap sitting among others on a form at the table, eating out of a tin porringer, pushes back his cap a little to look at us, claps it down on his forehead again with the palm of his hand, and goes on eating. “All well here?” (repeated.) No answer. Another old man sitting on his bed, paralytically peeling a boiled potato, lifts his head, and stares. “Enough to eat?” No answer. Another old man, in bed, turns himself and coughs. “How are you to day?” To the last old man. That old man says nothing; but another old man, a tall old man of a very good address, speaking with perfect correctness, comes forward from somewhere, and volunteers an answer. The reply almost always proceeds from a volunteer, and not from the person looked at or spoken to. “We are very old, Sir,” in a mild, distinct voice. “We can’t expect to be well, most of us.” “Are you comfortable?” “I have no complaint to make, Sir.” With a half shake of his head, a half shrug of his shoulders, and a kind of apologetic smile. “Enough to eat?” “Why, Sir, I have but a poor appetite,” with the same air as before; “and yet I get through my allowance very easily” “But,” showing a porringer with a Sunday dinner in it; “here is a portion of mutton, and three potatoes. You can't starve on that?” “Oh dear no, Sir,” with the same apologetic air. “Not starve.” “What do you want?” “We have very little bread, Sir. It’s an exceedingly small quantity of bread.” The nurse, who is now rubbing her hands at the questioner’s elbow, interferes with, “It ain’t much raly, Sir. You see they’ve only six ounces a day, and when they’ve took their breakfast, there can only be a little left for night, Sir.” Another old man, hitherto invisible, rises out of his bedclothes, as out of a grave, and looks on. “You have tea at night?” The questioner is still addressing the well-spoken old man. “Yes, Sir, we have tea at night.” “And you save what bread you can from the morning, to eat with it?” “Yes, Sir if we can save any.” “And you want more to eat with it?” “Yes, Sir.” With a very anxious face. The questioner, in the kindness of his heart, appears a little discomposed, and changes the subject. “What has become of the old man who used to lie in that bed in the corner?” The nurse don’t remember what old man is referred to. There has been such a many old men. The well-spoken old man is doubtful. The spectral old man who has come to life in bed, says, “Billy Stevens.” Another old man who has previously had his head in the replace, pipes out, “Charley Walters.” Something like a feeble interest is awakened. I suppose Charley Walters had conversation in him. “He’s dead!” says the piping old man. Another old man, with one eye screwed up, hastily displaces the piping old man, and says: “Yes! Charley Walters died in that bed, and – and” “Billy Stevens,” persists the spectral old man. “No, no! and Johnny Rogers died in that bed, and – and they’re both on ‘em dead – and Sam’l Bowyer;” this seems very extraordinary to him; “he went out!” With this he subsides, and all the old men (having had quite enough of it) subside, and the spectral old man goes into his grave again, and takes the shade of Billy Stevens with him. As we turn to go out at the door, another previously invisible old man, a hoarse old man in a flannel gown, is standing there, as if he had just come up through the floor. “I beg your pardon, Sir, could I take the liberty of saying a word?” “Yes; what is it?”  “I am greatly better in my health, Sir; but what I want, to get me quite round,” with his hand on his throat, “is a little fresh air, Sir. It has always done my complaint so much good, Sir. The regular leave for going out, comes round so seldom, that if the gentlemen, next Friday, would give me leave to go out walking, now and then – for only an hour or so, Sir!-” Who could wonder, looking through those weary vistas of bed and in infirmity, that it should do him good to meet with some other scenes, and assure himself that there was something else on earth? Who could help wondering why the old men lived on as they did; what grasp they had on life; what crumbs of interest or occupation they could pick up from its bare board; whether Charley Walters had ever described to them the days when he kept company with some old pauper woman in the bud, or Billy Stevens ever told them of the time when he was a dweller in the far-off foreign land called Home! The morsel of burnt child, lying in another room, so patiently, in bed, wrapped in lint, and looking stedfastly at us with his bright quiet eyes when we spoke to him kindly, looked as if the knowledge of these things, and of all the tender things there are to think about, might have been in his mind as if he thought, with us, that there was a fellow-feeling in the pauper nurses which appeared to make them more kind to their charges than the race of common nurses in the hospitals – as if he mused upon the Future of some older children lying around him in the same place, and thought it best, perhaps, all things considered, that he should die – as if he knew, without fear, of those many coffins, made and unmade, piled up in the store below and of his unknown friend, “the dropped child,” calm upon the box-lid covered with a cloth. But there was something wistful and appealing, too, in his tiny face, as if, in the midst of all the hard necessities and incongruities he pondered on, he pleaded, in behalf of the helpless and the aged poor, for a little more liberty and a little more bread. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Walk in a Workhouse' Description An account of the resource Published in Household Words (25 May 1850) Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1850-05-25 Contributor An entity responsible for making contributions to the resource Lydia Craig Rights Information about rights held in and over the resource Dickens Journals Online, used by permission Type The nature or genre of the resource Journalism article Identifier An unambiguous reference to the resource within a given context 1850-05-25-A_Walk_in_a_Workhouse Source A related resource from which the described resource is derived Household Words, vol. 1, no. 9, 25 May 1850, pp. 204-207. Dickens Journals Online, <a href="https://www.djo.org.uk/household-words/volume-i/page-204.html">https://www.djo.org.uk/household-words/volume-i/page-204.html</a>. Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Walk in a Workhouse'. Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/journalism/1850-05-25-A_Walk_in_a_Workhouse">https://dickenssearch.com/journalism/1850-05-25-A_Walk_in_a_Workhouse</a>. Scripto Transcription A written representation of a document. A few Sundays ago, I formed one of the congregation assembled in the chapel of a large metropolitan Workhouse. With the exception of the clergyman and clerk, and a very few officials, there were none but paupers present. The children sat in the galleries; the women in the body of the chapel, and in one of the side aisles; the men in the remaining aisle. The service was decorously performed, though the sermon might have been much better adapted to the comprehension and to the circumstances of the hearers. The usual supplications were offered, with more than the usual significancy in such a place, for the fatherless children and widows, for all sick persons and young children, for all that were desolate and oppressed, for the comforting and helping of the weak-hearted, for the raising-up of them that had fallen; for all that were in danger, necessity, and tribulation. The prayers of the congregation were desired "for several persons in the various wards, dangerously ill;" and others who were recovering returned their thanks to Heaven. Among this congregation, were some evil-looking young women, and beetle-browed young men; but not many – perhaps that kind of characters kept away. Generally, the faces (those of the children excepted) were depressed and subdued, and wanted colour. Aged people were there, in every variety. Mumbling, blear-eyed, spectacled, stupid, deaf, lame; vacantly winking in the gleams of sun that now and then crept in through the open doors, from the paved yard; shading their listening ears, or blinking eyes, with their withered hands; poring over their books, leering at nothing, going to sleep, crouching and drooping in corners. There were weird old women, all skeleton within, all bonnet and cloak without, continually wiping their eyes with dirty dusters of pocket-handkerchiefs; and there were ugly old crones, both male and female, with a ghastly kind of contentment upon them which was not at all comforting to see. Upon the whole, it was the dragon, Pauperism, in a very weak and impotent condition; toothless, fangless, drawing his breath heavily enough, and hardly worth chaining up. When the service was over, I walked with the humane and conscientious gentleman whose duty it was to take that walk, that Sunday morning, through the little world of poverty enclosed within the workhouse walls. It was inhabited by a population of some fifteen hundred or two thousand paupers, ranging from the infant newly born or not yet come into the pauper world, to the old man dying on his bed. In a room opening from a squalid yard, where a number of listless women were lounging to and fro, trying to get warm in the ineffectual sunshine of the tardy May morning – in the “Itch Ward,” not to compromise the truth a woman such as HOGARTH has often drawn, was hurriedly getting on her gown, before a dusty re. She was the nurse, or wardswoman, of that insalubrious department – herself a pauper – flabby, raw-boned, untidy unpromising and coarse of aspect as need be. But, on being spoken to about the patients whom she had in charge, she turned round, with her shabby gown half on, half off, and fell a crying with all her might. Not for show, not querulously, not in any mawkish sentiment, but in the deep grief and affliction of her heart; turning away her dishevelled head: sobbing most bitterly, wringing her hands, and letting fall abundance of great tears, that choked her utterance. What was the matter with the nurse of the itch-ward? Oh, “the dropped child” was dead! Oh, the child that was found in the street, and she had brought up ever since, had died an hour ago, and see where the little creature lay, beneath this cloth! The dear, the pretty dear! The dropped child seemed too small and poor a thing for Death to be in earnest with, but Death had taken it; and already its diminutive form was neatly washed, composed, and stretched as if in sleep upon a box. I thought I heard a voice from Heaven saying, It shall be well for thee, O nurse of the itch-ward, when some less gentle pauper does those offices to thy cold form, that such as the dropped child are the angels who behold my Father’s face! In another room, were several ugly old women crouching, witch-like, round a hearth, and chattering and nodding, after the manner of the monkies. “All well here? And enough to eat?” A general chattering and chuckling; at last an answer from a volunteer. “Oh yes gentleman! Bless you gentleman! Lord bless the parish of St. So-and-So! It feed the hungry, Sir, and give drink to the thusty, and it warm them which is cold, so it do, and good luck to the parish of St. So-and-So, and thankee gentleman!” Elsewhere, a party of pauper nurses were at dinner. “How do you get on?” “Oh pretty well Sir! We works hard, and we lives hard - like the sodgers!” In another room, a kind of purgatory or place of transition, six or eight noisy mad-women were gathered together, under the superintendence of one sane attendant. Among them was a girl of two or three and twenty, very prettily dressed, of most respectable appearance, and good manners, who had been brought in from the house where she had lived as domestic servant (having, I suppose, no friends), on account of being subject to epileptic fits, and requiring to be removed under the influence of a very bad one. She was by no means of the same stuff, or the same breeding, or the same experience, or in the same state of mind, as those by whom she was surrounded; and she pathetically complained that the daily association and the nightly noise made her worse, and was driving her mad - which was perfectly evident. The case was noted for enquiry and redress, but she said she had already been there for some weeks. If this girl had stolen her mistress’s watch, I do not hesitate to say she would, in all probability, have been infinitely better off. Bearing in mind, in the present brief description of this walk, not only the facts already stated in this Journal, in reference to the Model Prison at Pentonville, but the general treatment of convicted prisoners under the associated silent system too, it must be once more distinctly set before the reader, that we have come to this absurd, this dangerous, this monstrous pass, that the dishonest felon is, in respect of cleanliness, order, diet, and accommodation, better provided for, and taken care of, than the honest pauper. And this conveys no special imputation on the workhouse of the parish of St. So-and-So, where, on the contrary, I saw many things to commend. It was very agreeable, recollecting that most infamous and atrocious enormity committed at Tooting – an enormity which, a hundred years hence, will still be vividly remembered in the bye-ways of English life, and which has done more to engender a gloomy discontent and suspicion among many thousands of the people than all the Chartist leaders could have done in all their lives – to find the pauper children in this workhouse looking robust and well, and apparently the objects of very great care. In the Infant School – a large, light, airy room at the top of the building – the little creatures, being at dinner, and eating their potatoes heartily, were not cowed by the presence of strange visitors, but stretched out their small hands to be shaken, with a very pleasant confidence. And it was comfortable to see two mangey pauper rocking-horses rampant in a corner. In the girls’ school, where the dinner was also in progress, everything bore a cheerful and healthy aspect. The meal was over, in the boys’ school, by the time of our arrival there and the room was not yet quite re-arranged; but the boys were roaming unrestrained about a large and airy yard, as any other schoolboys might have done. Some of them had been drawing large ships upon the schoolroom wall; and if they had a mast with shrouds and stays set up for practice (as they have in the Middlesex House of Correction), it would be so much the better. At present, if a boy should feel a strong impulse upon him to learn the art of going aloft, he could only gratify it, I presume, as the men and women paupers gratify their aspirations after better board and lodging, by smashing as many workhouse windows as possible, and being promoted to prison. In one place, the Newgate of the Workhouse, a company of boys and youths were locked up in a yard alone; their day-room being a kind of kennel where the casual poor used formerly to be littered down at night. Divers of them had been there some long time. “Are they never going away?” was the natural enquiry. “Most of them are crippled, in some form or other,” said the Wardsman, “and not fit for anything.” They slunk about, like dispirited wolves or hyænas; and made a pounce at their food when it was served out, much as those animals do. The big-headed idiot shuffling his feet along the pavement, in the sunlight outside, was a more agreeable object everyway. Groves of babies in arms; groves of mothers and other sick women in bed; groves of lunatics; jungles of men in stone-paved down-stairs dayrooms, waiting for their dinners; longer and longer groves of old people, in upstairs Infirmary wards, wearing out life, God knows how – this was the scenery through which the walk lay, for two hours. In some of these latter chambers, there were pictures stuck against the wall, and a neat display of crockery and pewter on a kind of sideboard now and then it was a treat to see a plant or two; in almost every ward, there was a cat. In all of these Long Walks of aged and infirm, some old people were bed-ridden, and had been for a long time; some were sitting on their beds half-naked; some dying in their beds; some out of bed, and sitting at a table near the fire. A sullen or lethargic indifference to what was asked, a blunted sensibility to everything but warmth and food, a moody absence of complaint as being of no use, a dogged silence and resentful desire to be left alone again, I thought were generally apparent. On our walking into the midst of one of these dreary perspectives of old men, nearly the following little dialogue took place, the nurse not being immediately at hand: “All well here?” No answer. An old man in a Scotch cap sitting among others on a form at the table, eating out of a tin porringer, pushes back his cap a little to look at us, claps it down on his forehead again with the palm of his hand, and goes on eating. “All well here?” (repeated.) No answer. Another old man sitting on his bed, paralytically peeling a boiled potato, lifts his head, and stares. “Enough to eat?” No answer. Another old man, in bed, turns himself and coughs. “How are you to day?” To the last old man. That old man says nothing; but another old man, a tall old man of a very good address, speaking with perfect correctness, comes forward from somewhere, and volunteers an answer. The reply almost always proceeds from a volunteer, and not from the person looked at or spoken to. “We are very old, Sir,” in a mild, distinct voice. “We can’t expect to be well, most of us.” “Are you comfortable?” “I have no complaint to make, Sir.” With a half shake of his head, a half shrug of his shoulders, and a kind of apologetic smile. “Enough to eat?” “Why, Sir, I have but a poor appetite,” with the same air as before; “and yet I get through my allowance very easily” “But,” showing a porringer with a Sunday dinner in it; “here is a portion of mutton, and three potatoes. You can't starve on that?” “Oh dear no, Sir,” with the same apologetic air. “Not starve.” “What do you want?” “We have very little bread, Sir. It’s an exceedingly small quantity of bread.” The nurse, who is now rubbing her hands at the questioner’s elbow, interferes with, “It ain’t much raly, Sir. You see they’ve only six ounces a day, and when they’ve took their breakfast, there can only be a little left for night, Sir.” Another old man, hitherto invisible, rises out of his bedclothes, as out of a grave, and looks on. “You have tea at night?” The questioner is still addressing the well-spoken old man. “Yes, Sir, we have tea at night.” “And you save what bread you can from the morning, to eat with it?” “Yes, Sir if we can save any.” “And you want more to eat with it?” “Yes, Sir.” With a very anxious face. The questioner, in the kindness of his heart, appears a little discomposed, and changes the subject. “What has become of the old man who used to lie in that bed in the corner?” The nurse don’t remember what old man is referred to. There has been such a many old men. The well-spoken old man is doubtful. The spectral old man who has come to life in bed, says, “Billy Stevens.” Another old man who has previously had his head in the replace, pipes out, “Charley Walters.” Something like a feeble interest is awakened. I suppose Charley Walters had conversation in him. “He’s dead!” says the piping old man. Another old man, with one eye screwed up, hastily displaces the piping old man, and says: “Yes! Charley Walters died in that bed, and – and” “Billy Stevens,” persists the spectral old man. “No, no! and Johnny Rogers died in that bed, and – and they’re both on ‘em dead – and Sam’l Bowyer;” this seems very extraordinary to him; “he went out!” With this he subsides, and all the old men (having had quite enough of it) subside, and the spectral old man goes into his grave again, and takes the shade of Billy Stevens with him. As we turn to go out at the door, another previously invisible old man, a hoarse old man in a flannel gown, is standing there, as if he had just come up through the floor. “I beg your pardon, Sir, could I take the liberty of saying a word?” “Yes; what is it?”  “I am greatly better in my health, Sir; but what I want, to get me quite round,” with his hand on his throat, “is a little fresh air, Sir. It has always done my complaint so much good, Sir. The regular leave for going out, comes round so seldom, that if the gentlemen, next Friday, would give me leave to go out walking, now and then – for only an hour or so, Sir!-” Who could wonder, looking through those weary vistas of bed and in infirmity, that it should do him good to meet with some other scenes, and assure himself that there was something else on earth? Who could help wondering why the old men lived on as they did; what grasp they had on life; what crumbs of interest or occupation they could pick up from its bare board; whether Charley Walters had ever described to them the days when he kept company with some old pauper woman in the bud, or Billy Stevens ever told them of the time when he was a dweller in the far-off foreign land called Home! The morsel of burnt child, lying in another room, so patiently, in bed, wrapped in lint, and looking stedfastly at us with his bright quiet eyes when we spoke to him kindly, looked as if the knowledge of these things, and of all the tender things there are to think about, might have been in his mind as if he thought, with us, that there was a fellow-feeling in the pauper nurses which appeared to make them more kind to their charges than the race of common nurses in the hospitals – as if he mused upon the Future of some older children lying around him in the same place, and thought it best, perhaps, all things considered, that he should die – as if he knew, without fear, of those many coffins, made and unmade, piled up in the store below and of his unknown friend, “the dropped child,” calm upon the box-lid covered with a cloth. But there was something wistful and appealing, too, in his tiny face, as if, in the midst of all the hard necessities and incongruities he pondered on, he pleaded, in behalf of the helpless and the aged poor, for a little more liberty and a little more bread. https://www.dickenssearch.com/files/original/3/A_Word_in_Season/1844_A_Word_in_Season.pdf cdac325dda388be41a13722bc23d5d70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18440101 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. They have a superstition in the East, That ALLAH, written on a piece of paper, Is better unction than can come of priest, Of rolling incense, and of lighted taper; Holding, that any scrap which bears that name, In any characters, its front imprest on, Shall help the finder through the purging flame, And give his toasted feet a place to rest on. Accordingly, they make a mighty fuss, With ev’ry wretched tract and fierce oration, And hoard the leaves – for they are not, like us, A highly civilized and thinking nation: And, always stooping in the miry ways, To look for matter of this earthy leaven, They seldom, in their dust-exploring days, Have any leisure to look up to Heaven. So have I known a country on the earth, Where darkness sat upon the living waters, And brutal ignorance, and toil, and dearth Were the hard portion of its sons and daughters: And yet, where they who should have ope’d the door Of charity and light, for all men’s finding, Squabbled for words upon the altar-floor, And rent the Book, in struggles for the binding. The gentlest man among these pious Turks, God’s living image ruthlessly defaces; Their best high-churchman, with no faith in works, Bowstrings the Virtues in the market-places: The Christian Pariah, whom both sects curse (They curse all other men, and curse each other), Walks thro’ the world, not very much the worse – Does all the good he can, and loves his brother. Publication Type E.g. newspaper/serial Periodical Publication The title of the newspaper/serial (if applicable) The Keepsake TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1844_The_Keepsake_A_Word_In_Season.xml" target="_blank" rel="noopener">'A Word in Season.' The Keepsake (1844).</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'A Word in Season' Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1844 Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1844_The_Keepsake_A_Word_In_Season Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'A Word in Season.' The Keepsake (1844). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1844_The_Keepsake_A_Word_In_Season">https://dickenssearch.com/verse/1844_The_Keepsake_A_Word_In_Season</a>. Description An account of the resource Published in The Keepsake (1844). Scripto Transcription A written representation of a document. They have a superstition in the East, That ALLAH, written on a piece of paper, Is better unction than can come of priest, Of rolling incense, and of lighted taper; Holding, that any scrap which bears that name, In any characters, its front imprest on, Shall help the finder through the purging flame, And give his toasted feet a place to rest on.   Accordingly, they make a mighty fuss, With ev’ry wretched tract and fierce oration, And hoard the leaves – for they are not, like us, A highly civilized and thinking nation: And, always stooping in the miry ways, To look for matter of this earthy leaven, They seldom, in their dust-exploring days, Have any leisure to look up to Heaven.   So have I known a country on the earth, Where darkness sat upon the living waters, And brutal ignorance, and toil, and dearth Were the hard portion of its sons and daughters: And yet, where they who should have ope’d the door Of charity and light, for all men’s finding, Squabbled for words upon the altar-floor, And rent the Book, in struggles for the binding.   The gentlest man among these pious Turks, God’s living image ruthlessly defaces; Their best high-churchman, with no faith in works, Bowstrings the Virtues in the market-places: The Christian Pariah, whom both sects curse (They curse all other men, and curse each other), Walks thro’ the world, not very much the worse – Does all the good he can, and loves his brother. https://www.dickenssearch.com/files/original/3/Acrostic/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic.pdf 07a3b45cffddc16d3c4114b63d8673f2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Verse Description An account of the resource <h4>This collection brings together the most complete set of Dickens's verse to date, supplementing the work of existing editions with previously uncollected poems Dickens contributed to albums, or wrote anonymously.</h4> Though such productions receive scant attention from scholars interested in his fiction and journalism, Dickens composed a surprising amount of verse. It was a genre in which he evidently felt much less at home (and financially rewarded) than when writing in prose. However, several poems gained popular favour during his lifetime; that so many were <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Song">written to be set to music</a> indicates the permeable boundary between metered verse functioning as poem or song in the nineteenth century, and may explain why some of Dickens’s poems were more enduringly popular than others. Notably, <a href="https://dickenssearch.com/verse/1836-05_Pickwick_Papers_The_Ivy_Green">'The Ivy Green'</a> from Pickwick Papers (1837), a story of time’s inexorable passing, was frequently republished in newspapers. Several poems written to young ladies of Dickens’s acquaintance are released on Dickens Search as part of the author’s poetic output for the first time, testifying to the author’s ability to write impromptu poetry and gallantly turn a phrase. Since keeping <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Autograph+Album&collection=&type=&tags=&date_search_term=&submit_search=Search+For+Items">autograph albums</a> was a popular pastime for women in the Victorian era, it is possible that further examples of such activity remain to be discovered in various archives and private collections. When writing <a href="https://dickenssearch.com/items/browse?search=&advanced%5B0%5D%5Bjoiner%5D=and&advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter&collection=3&type=&tags=&date_search_term=&submit_search=Search+For+Items">letters</a> to friends, Dickens occasionally included comedic poems for the recipient. Several of these are included. Considering the enormity of Dickens’s correspondence, likely more instances of this sort of poetic humour will result over time. <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Epitaph">Epitaphs</a> Dickens wrote for friends and family, whether used or not, are included with Dickens's other verse for the first time. Users can also browse <a href="https://dickenssearch.com/items/browse?advanced%5B0%5D%5Belement_id%5D=94&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Play">verse from Dickens's plays</a>, including songs removed from The Strange Gentleman and Is She His Wife? Or, Something Singular! before performance. Care is necessary when verifying the accuracy of these poems, as some are misattributed to Dickens. Widespread reprintings of 'Dickens poems' in nineteenth-century newspapers are insufficient evidence for authorial attribution, owing to the mistakes intentionally or inadvertently made in ascribing authorship. An unusual example of a poem that is and is not by Dickens, the lines of 'Little Nell’s Funeral' are taken, with minimal alterations, from Chapter 72 of The Old Curiosity Shop. An instance of the strikingly lyrical quality of Dickens’s sentimental prose, they were divided into metered, unrhymed verse by M.A.H. for the 1849 collection Echoes of Infant Voices. Because Dickens did not intend for this passage to be structured in verse form, the poem is not included in the poetry collection of Dickens Search. <a href="https://dickenssearch.com/poetry-dickens-didnt-write">Read our blog post for more on poetry Dickens didn't write.</a> Occasionally, Dickens will quote a poem by another author, as in his burlesque Is She his Wife? Or, Something Singular! (1836). The character Mr Felix Tapkins launches into a short hunting song beginning 'The wife around her husband throws/Her arms to make him stay'. As William Chappell noted in 1840, this is a well-known variant of 'A Hunting We Will Go' (1777), by Thomas Arne, though he misattributes its composition to Henry Fielding. Previous notable collections of some of Dickens's poetry include The Plays and Poems of Charles Dickens (1882) edited by Richard Herne Shepherd and The Poems and Verses of Charles Dickens (1903) edited by Frederic G. Kitton. In 2025, we published <a href="https://edinburghuniversitypress.com/book-the-verse-of-charles-dickens.html" target="_blank" rel="noopener">The Verse of Charles Dickens</a> (Edinburgh University Press), which includes an introduction and editorial apparatus for this verse.  Caution has been taken when ascertaining that each poem is indeed by Dickens. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or other poems written by Dickens. 1. The Verse of Charles Dickens. Edited by Lydia Craig and Emily Middleton. Edinburgh University Press, 2025; Robert Butterworth. 'The Hymn of the Wiltshire Labourers.' The Dickensian 516.118.1 (Spring 2022): pp. 43-56; Eva-Charlotta Mebius. 'Dreams of Dying Girls: The Poetry of Thomas J. Ouseley and Charles Dickens.' Dickens Quarterly 34.3 (September 2017): pp. 256-261; Robert C. Hanna. 'Before Boz; The Juvenilia and Early Writings of Charles Dickens, 1820-1833'. Dickens Studies Annual 40 (2009): pp. 231-364. Identifier An unambiguous reference to the resource within a given context verse Contributor An entity responsible for making contributions to the resource Lydia Craig; Emily Middleton Poem Publication Type E.g. newspaper/serial Autograph Album TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic.xml" target="_blank" rel="noopener">'Acrostic.' From the autograph album of Maria Beadnell (1830-1831).</a> Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18300101 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. My life may chequered be with scenes of misery and pain, And’t may be my fate to struggle with adversity in vain: Regardless of misfortunes tho’ howe’er bitter they may be, I shall always have one retrospect, a hallowed one to me, And it will be of that happy time when first I gazed on thee. Blighted hopes, and prospects drear, for me will lose their sting, Endless troubles shall harm not me, when fancy on the wing A lapse of years shall travel o’er, and again before me cast Dreams of happy fleeting moments then for ever past: Not any worldly pleasure has such magic charms for me E’en now, as those short moments spent in company with thee; Life has no charms, no happiness, no pleasures, now for me Like those I feel, when ’tis my lot Maria, to gaze on thee. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Acrostic' Description An account of the resource From the autograph album of Maria Beadnell (1830-1831). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Charles Dickens Museum, <a href="http://www.collections.dickensmuseum.com/object-b319--1971-1-105" target="_blank" rel="noopener">http://www.collections.dickensmuseum.com/object-b319--1971-1-105</a>. Autograph Album of Maria Beadnell. Date A point or period of time associated with an event in the lifecycle of the resource 1830 1831 Type The nature or genre of the resource Poem Identifier An unambiguous reference to the resource within a given context 1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Acrostic.' Autograph Album of Maria Beadnell (1830-31). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/verse/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic">https://dickenssearch.com/verse/1830-31_Autograph_Album_of_Maria_Beadnell_Acrostic</a>. Scripto Transcription A written representation of a document. My life may chequered be with scenes of misery and pain, And’t may be my fate to struggle with adversity in vain: Regardless of misfortunes tho’ howe’er bitter they may be, I shall always have one retrospect, a hallowed one to me, And it will be of that happy time when first I gazed on thee. Blighted hopes, and prospects drear, for me will lose their sting, Endless troubles shall harm not me, when fancy on the wing A lapse of years shall travel o’er, and again before me cast Dreams of happy fleeting moments then for ever past: Not any worldly pleasure has such magic charms for me E’en now, as those short moments spent in company with thee; Life has no charms, no happiness, no pleasures, now for me Like those I feel, when ’tis my lot Maria, to gaze on thee. Uncollected Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18471028 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. You will see, on the beginning to read this letter, that it is not addressed to you by name. But I address it to a woman – a very young woman still – who was born to be happy, and has lived miserably; who has no prospect before her but sorrow, or behind her but a wasted youth; who, if she has ever been a mother, has felt shame, instead of pride, in her own unhappy child. You are such a person, or this letter would not be put into your hands. If you have ever wished (I know you must have done so sometimes) for a chance of rising out of your sad life, and having friends, a quiet home, means of being useful to yourself and other, peace of mind, self-respect, everything you have lost, pray read it attentively, and reflect upon it afterwards. I am going to offer you, not the chance but the certainty of all these blessings, if you will exert yourself to deserve them. And do not think that I write to you as if I felt myself very much above you, or wished to hurt your feelings by reminding you of the situation in which you are placed. GOD forbid! I mean nothing but kindness to you, and I write as if you were my sister. Think, for a moment, what your present situation is. Think how impossible it is that it ever can be better if you continue to live as you have lived, and how certain it is that it must be worse. You know what the streets are; you know how cruel the companions that you find there, are; you know the vices practised there, and to what wretched consequences they bring you, even while you are young. Shunned by decent people, marked out from all other kinds of women as you walk along, avoided by the very children, hunted by the police, imprisoned, and only set free to be imprisoned over and over again – reading this very letter in a common jail – you have already, dismal experience of the truth. But, to grow old in such a way of life, and among such company – to escape an early death from terrible disease, or your own maddened hand, and arrive at old age in such a course – will be an aggravation of every misery that you know now, which words cannot describe. Imagine for yourself the bed on which you, then an object terrible to look at, will lie down to die. Imagine all the long, long years of shame, want, crime, and ruin, that will rise before you. And by that dreadful day, and by the Judgment that will follow it, and by the recollection you are certain to have then, when it is too late, of the offer that is made to you now, when it is NOT too late, I implore you to think of it, and weigh it well! There is a lady in this town, who, from the windows of her house, has seen such as you going past at night, and has felt her heart bleed at the sight. She is what is called a great lady; but she has looked after you with compassion, as being of her own sex and nature; and the thought of such fallen women has troubled her in her bed. She has resolved to open, at her own expense, a place of refuge very near London, for a small number of females, who, without such help, are lost for ever: and to make it a HOME for them. In this Home they will be taught all household work that would be useful to them in a home of their mown, and enable them to make it comfortable and happy. In this Home, which stands in a pleasant country lane, and where each may have her little flower-garden, if she pleases, they will be treated with the greatest kindness; will lead an active, cheerful, healthy life; will learn many things it is profitable and good to know; and, being entirely removed from all who have any knowledge of their past career, will begin life afresh, and be able to win a good name and character. And because it is not the lady’s wish that these young women should be shut out from the world, after they have repented and have learned how to do their duty there, and because it is her wish and object that they may be restored to society – a comfort to themselves and it – they will be supplied with every means when some time shall have elapsed, and their conduct shall have fully proved their earnestness and reformation, to go abroad, where, in a distant country, they may become the faithful wives of honest men, and live and die in peace. I have been told that those who see you daily in this place, believe that there are virtuous inclinations lingering within you, and that you may be reclaimed. I offer the Home I have described in these few words, to you. But, consider well before you accept it. As you are to pass from the gate of this Prison to a perfectly new life, where all the means of happiness from which you are now shut out, are opened brightly to you, so remember, on the other hand, that you must have the strength to leave behind you, all old habits. You must resolve to set a watch upon yourself, and to be firm in your control over yourself, and to restrain yourself; to be patient, gentle, persevering, and good-tempered. Above all things, to be truthful in every word you speak. Do this, and all the rest is easy. But you must solemnly remember that if you enter this Home without such constant resolutions, you will occupy, unworthily and uselessly, the place of some other unhappy girl, now wandering and lost; and that her ruin, no less than your own, will be upon your head, before Almighty God who knows the secrets of our breasts, and Christ, who died upon the Cross, to save us. In case there should be anything you wish to know, or any questions you would like to ask, about this Home, you have only to say so, and every information shall be given to you. Whether you accept it or reject it, think of it. If you awake in the silence and solitude of night, think of it then. If any remembrance ever comes into your mind of any time when you were innocent and very different, think of it then. If you should be softened by a moment’s recollection of any tenderness or affection you have ever felt, or that has ever been shown to you, or of any kind word that has ever been spoken to you, think of it then. If ever your poor heart is moved to feel, truly, what you might have been, and what you are, oh think of it then, and consider what you may be yet! Believe me that I am, indeed, YOUR FRIEND. Publication Type E.g. newspaper/serial Leaflet Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'An Appeal to Fallen Women' Description An account of the resource 'An Appeal to Fallen Women' leaflet (28 October 1847). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1847-10-28 Identifier An unambiguous reference to the resource within a given context 1847-10-28_Uncollected_Appeal-to-Fallen-Women Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'An Appeal to Fallen Women' (28 October 1847). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1847-10-28_Uncollected_Appeal-to-Fallen-Women">https://dickenssearch.com/speeches/1847-10-28_Uncollected_Appeal-to-Fallen-Women</a>. Scripto Transcription A written representation of a document. You will see, on the beginning to read this letter, that it is not addressed to you by name. But I address it to a woman – a very young woman still – who was born to be happy, and has lived miserably; who has no prospect before her but sorrow, or behind her but a wasted youth; who, if she has ever been a mother, has felt shame, instead of pride, in her own unhappy child. You are such a person, or this letter would not be put into your hands. If you have ever wished (I know you must have done so sometimes) for a chance of rising out of your sad life, and having friends, a quiet home, means of being useful to yourself and other, peace of mind, self-respect, everything you have lost, pray read it attentively, and reflect upon it afterwards. I am going to offer you, not the chance but the certainty of all these blessings, if you will exert yourself to deserve them. And do not think that I write to you as if I felt myself very much above you, or wished to hurt your feelings by reminding you of the situation in which you are placed. GOD forbid! I mean nothing but kindness to you, and I write as if you were my sister. Think, for a moment, what your present situation is. Think how impossible it is that it ever can be better if you continue to live as you have lived, and how certain it is that it must be worse. You know what the streets are; you know how cruel the companions that you find there, are; you know the vices practised there, and to what wretched consequences they bring you, even while you are young. Shunned by decent people, marked out from all other kinds of women as you walk along, avoided by the very children, hunted by the police, imprisoned, and only set free to be imprisoned over and over again – reading this very letter in a common jail – you have already, dismal experience of the truth. But, to grow old in such a way of life, and among such company – to escape an early death from terrible disease, or your own maddened hand, and arrive at old age in such a course – will be an aggravation of every misery that you know now, which words cannot describe. Imagine for yourself the bed on which you, then an object terrible to look at, will lie down to die. Imagine all the long, long years of shame, want, crime, and ruin, that will rise before you. And by that dreadful day, and by the Judgment that will follow it, and by the recollection you are certain to have then, when it is too late, of the offer that is made to you now, when it is NOT too late, I implore you to think of it, and weigh it well! There is a lady in this town, who, from the windows of her house, has seen such as you going past at night, and has felt her heart bleed at the sight. She is what is called a great lady; but she has looked after you with compassion, as being of her own sex and nature; and the thought of such fallen women has troubled her in her bed. She has resolved to open, at her own expense, a place of refuge very near London, for a small number of females, who, without such help, are lost for ever: and to make it a HOME for them. In this Home they will be taught all household work that would be useful to them in a home of their mown, and enable them to make it comfortable and happy. In this Home, which stands in a pleasant country lane, and where each may have her little flower-garden, if she pleases, they will be treated with the greatest kindness; will lead an active, cheerful, healthy life; will learn many things it is profitable and good to know; and, being entirely removed from all who have any knowledge of their past career, will begin life afresh, and be able to win a good name and character. And because it is not the lady’s wish that these young women should be shut out from the world, after they have repented and have learned how to do their duty there, and because it is her wish and object that they may be restored to society – a comfort to themselves and it – they will be supplied with every means when some time shall have elapsed, and their conduct shall have fully proved their earnestness and reformation, to go abroad, where, in a distant country, they may become the faithful wives of honest men, and live and die in peace. I have been told that those who see you daily in this place, believe that there are virtuous inclinations lingering within you, and that you may be reclaimed. I offer the Home I have described in these few words, to you. But, consider well before you accept it. As you are to pass from the gate of this Prison to a perfectly new life, where all the means of happiness from which you are now shut out, are opened brightly to you, so remember, on the other hand, that you must have the strength to leave behind you, all old habits. You must resolve to set a watch upon yourself, and to be firm in your control over yourself, and to restrain yourself; to be patient, gentle, persevering, and good-tempered. Above all things, to be truthful in every word you speak. Do this, and all the rest is easy. But you must solemnly remember that if you enter this Home without such constant resolutions, you will occupy, unworthily and uselessly, the place of some other unhappy girl, now wandering and lost; and that her ruin, no less than your own, will be upon your head, before Almighty God who knows the secrets of our breasts, and Christ, who died upon the Cross, to save us. In case there should be anything you wish to know, or any questions you would like to ask, about this Home, you have only to say so, and every information shall be given to you. Whether you accept it or reject it, think of it. If you awake in the silence and solitude of night, think of it then. If any remembrance ever comes into your mind of any time when you were innocent and very different, think of it then. If you should be softened by a moment’s recollection of any tenderness or affection you have ever felt, or that has ever been shown to you, or of any kind word that has ever been spoken to you, think of it then. If ever your poor heart is moved to feel, truly, what you might have been, and what you are, oh think of it then, and consider what you may be yet! Believe me that I am, indeed, YOUR FRIEND.