https://www.dickenssearch.com/files/original/5/Scenes_and_Characters_No._10_Christmas_Festivities/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities.pdf e43c0701ad5ecc2d4bd2b5774f967afc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) Bell's Life in London Pseudonym The name under which the item was published TIBBS Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18351227 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Christmas time! That man must be a misanthrope indeed in whose breast something like a jovial feeling is not roused—in whose mind some pleasant associations are not awakened—by the recurrence of Christmas. There are people who will tell you that Christmas is not to them what it used to be—that each succeeding Christmas has found some cherished hope or happy prospect of the year before dimmed or passed away —and that the present only serves to remind them of reduced circumstances and straitened incomes—of the feasts they once bestowed on hollow friends, and of the cold looks that meet them now, in adversity and misfortune. Never heed such dismal reminiscences. There are few men who have lived long enough in the world who cannot call up such thoughts any day in the year. Then do not select the merriest of the three hundred and sixty-five for your doleful recollections, but draw your chair nearer the blazing fire—till the glass, aud send round the song—and, if your room be smaller than it was a dozen years ago, or if your glass is filled with reeking punch instead of sparkling wine, put a good face on the matter, and empty it off-hand, and fill another, and troll off the old ditty you used to sing, and thank God it's no worse. Look on the merry faces of your children as they sit round the fire. One little seat may be empty—one slight form that gladdened the father's heart and rouse the mother's pride to look upon may not be there. Dwell not upon the past—think not that, one short year ago, the fair child now fast resolving into dust sat before you, with the bloom of health upon its cheek, and the gay unconsciousness of infancy in its joyous eye. Reflect upon your present blessings—of which all man have some. Fill your glass again, with a merry face and a contented heart. Our life on it but your Christmas shall be merry, and your new year a happy one. Who can be insensible to the outpourings of good feeling, and the honest interchange of affectionate attachment, which abound at this season of the year? A Christmas family party! We know nothing in nature more delightful! There seems a magic in the very name of Christmas. Petty jealousies and discords are forgotten: social feelings are awakened in bosoms to which they have long been strangers; father and son, or brother and sister, who have met and passed with averted gaze, or a look of cold recognition for months before, proffer and return the cordial embrace, and bury their past animosities in their present happiness. Kindly hearts that have yearned towards each other but have been withheld by false notions of pride and self dignity, are again united, and all is kindness and benevolence! Would that Christmas lasted the whole year through, and that the prejudices and passions which deform our better nature were never called into action among those to whom, at least, they should ever be strangers! The Christmas Family Party that we mean is not a mere assemblage of relations, got up at a week or two's notice, originating this year, having no family precedent in the last, and not likely to be repeated in the next. It is an annual gathering of all the accessible members of the family, young or old, rich or poor, and all the children look forward to it for some two months beforehand in a fever of anticipation. Formerly it was always held at grandpapa's, but grandpapa getting old, and grandmamma getting old too, and rather infirm, they have given up housekeeping, and domesticated themselves with uncle George: so the party always takes place at uncle George's house, but grandmamma sends in most of the good things, and grandpapa always will toddle down all the way to Newgate-market to buy the turkey, which he engages a porter to bring home behind him in triumph, always insisting on the man's being rewarded with a glass of spirits, over and above his hire, to drink "a merry Christmas and a happy new year" to aunt George; as to grandma she is very secret and mysterious for two or three days beforehand, but not sufficiently so to prevent rumours getting afloat that she has purchased a beautiful new cap with pink ribbons for each of the servants, together with sundry books, and penknives, and pencil-cases for the young branches—to say nothing of divers secret additions to the order originally given by aunt George at the pastry-cook's, such as another dozen of mince pies for the dinner, and a large plum-cake for the children. On Christmas-eve, grandma is always in excellent spirits, and after employing all the children during the day in stoning the plumbs and all that, insists regularly every year on uncle George coming down into the kitchen, taking off his coat, and stirring the pudding for half an hour or so, which uncle George good humouredly does, to the vociferous delight of the children and servants; and the evening concludes with a glorious game of blind man's buff, in an early stage of which grandpa takes great care to be caught, in order that he may have an opportunity of displaying his dexterity. On the following morning the old couple, with as many of the children as the pew will hold, go to church in great state, leaving aunt George at home dusting decanters and filling castors, and uncle George carrying bottles into the dining parlour, and calling for corkscrews, and getting into everybody's way. When the church party return to lunch, grandpapa produces a small spring of mistletoe from his pocket, and temps the boys to kiss their little cousins under it —a proceeding which affords both the boys and the old gentleman unlimited satisfaction, but which rather outrages grandma's ideas of decorum, until grandpa says that when he was just thirteen years and three months old he kissed grandma under a mistletoe too, on which the children clap their hands and laugh very heartily, as do aunt George and uncle George; and grandma looks pleased, and says with a benevolent smile that grandpa always was an impudent dog, on which the children laugh very heartily again, and grandpa more heartily than any of them. But all these diversions are nothing to the subsequent excitement, when grandmamma in a high cap and slate-coloured silk gown, and grandpapa with a beautifully plaited shirt frill and white neckerchief, seat themselves on one side of the drawing-room fire with uncle George's children and little cousins innumerable, seated in the front, waiting the arrival of the anxiously-expected visitors. Suddenly a hackney coach is heard to stop, and uncle George, who has been looking out of the window, exclaims "Here's Jane!" on which the children rush to the door, and scamper helter-skelter down stairs; and uncle Robert and aunt Jane, and the dear little baby and the nurse, and the whole party, are ushered up stairs amidst tumultuous shouts of "Oh, my!" from the children, and frequently repeated warnings not to hurt baby from the nurse; and grandpapa takes the child, and grandmamma kisses her daughter, and the confusion of this first entry has scarcely subsided, when some other aunts and uncles with more cousins arrive, and the grown-up cousins flirt with each other, and so do the little cousins too for that matter, and nothing is to be heard but a confused din of talking, laughing, and merriment. A hesitating double knock at the street door, heard during a momentary pause in the conversation, excites a general inquiry of "Who's that?" and two or three children, who have been standing at the window, announce in a low voice, that it's "poor aunt Margaret." Upon which aunt George leaves the room to welcome the new comer and grandmamma draws herself up rather stiff and stately, for Margaret married a poor man without her consent, and poverty not being a sufficiently weighty punishment for her offence has been discarded by her friends, and debarred the society of her dearest relatives. But Christmas has come round, and the unkind feelings that have struggled against better dispositions during the year, have melted away before its genial influence, like half-formed ice beneath the morning sun. It is not difficult in a moment of angry feeling for a parent to denounce a disobedient child; but to banish her at a period of general good-will and hilarity from the hearty, round which she has sat on so many anniversaries of the same day; expanding by slow degrees from infancy to girlhood, and then bursting, almost imperceptibly, into the high-spirited and beautiful woman, is widely different. The air of conscious rectitude and cold forgiveness, which the old lady has assumed, sits ill upon her; and when the poor girl is led in by her sister—pale in looks and broken in spirit—not from poverty, for that she could bear; but from the consciousness of undeserved neglect, and unmerited unkindness—it is easy to see how much of it is assumed. A momentary pause succeeds; the girl breaks suddenly from her sister, and throws herself, sobbing, on her mother's neck. The father steps hastily forward, and grasps her husband's hand. Friends crowd round to offer their hearty congratulations, and happiness and harmony again prevail. As to the dinner, its perfectly delightful—nothing goes wrong, and everybody is in the very best of spirits, and disposed to please and be pleased. Grandpapa relates a circumstantial account of the purchase of the turkey, with a slight digression relative to the purchase of previous turkeys on former Christmas Days, which grandmamma corroborates in the minutest particular: Uncle George tells stories, and carves poultry, and takes wine, and jokes with the children at the side-table, and winks at the cousins that are making love, or being made love to, and exhilarates everybody with his good humour and hospitality; and when at last a stout servant staggers in with a gigantic pudding, with a sprig of holly in the top, there is such a laughing, and shouting, and clapping of little chubby hands, and kicking up of fat dumpy legs, as can only be equalled by the applause with which the astonishing feat of pouring lighted brandy into mince pies is received by the younger visitors. Then the dessert!—and the wine!—and the fun! Such beautiful speeches, and such songs, from Aunt Margaret's husband, who turns out to be such a nice man, and so attentive to grandmamma! Even grandpapa not only sings his annual song with unprecedented vigour, but, on being honoured with an unanimous encore, according to annual custom; actually comes out with a new one, which nobody but grandmamma ever heard before, and a young scape-grace of a cousin, who has been in some disgrace with the old people, for certain heinous sins of omission and commission—neglecting to call, and persisting in drinking Burton ale—astonishes everybody into convulsions of laughter by volunteering the most extraordinary comic songs that were ever heard. And thus the evening passes in a strain of national good-will and cheerfulness, doing more to awaken the sympathies of every member of the party in behalf of his neighbour, and to perpetuate their good feeling during the ensuing year, than all the homilies that have ever been written, by all the Divines that have ever lived. There are a hundred associations connected with Christmas which we should very much like to recall to the minds of our readers; there are a hundred comicalities inseparable from the period, on which it would give us equal pleasure to dilate. We have attained our ordinary limits, however, and cannot better conclude than by wishing each and all of them, individually & collectively, "a merry Christmas happy new year." TEI File Link to TEI file <a href="https://dickenssearch.com/teibp/dist/content/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities.xml" target="_blank" rel="noopener">'Scenes and Characters, No. 10, Christmas Festivities.' Bell's Life in London (27 December 1835).</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Scenes and Characters, No. 10, Christmas Festivities' Description An account of the resource Published in Bell's Life in London (27 December 1835). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001" target="_blank" rel="noopener">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000355/18351227/001/0001</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1835-12-27 Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Scenes and Characters, No. 10, Christmas Festivities' (27 December 1835). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/short-stories/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities">https://dickenssearch.com/short-stories/1835-12-27_Bells_Life_in_London_Scenes_and_Characters_No10_Christmas_Festivities</a>. Scripto Transcription A written representation of a document. Christmas time! That man must be a misanthrope indeed in whose breast something like a jovial feeling is not roused—in whose mind some pleasant associations are not awakened—by the recurrence of Christmas. There are people who will tell you that Christmas is not to them what it used to be—that each succeeding Christmas has found some cherished hope or happy prospect of the year before dimmed or passed away —and that the present only serves to remind them of reduced circumstances and straitened incomes—of the feasts they once bestowed on hollow friends, and of the cold looks that meet them now, in adversity and misfortune. Never heed such dismal reminiscences. There are few men who have lived long enough in the world who cannot call up such thoughts any day in the year. Then do not select the merriest of the three hundred and sixty-five for your doleful recollections, but draw your chair nearer the blazing fire—till the glass, aud send round the song—and, if your room be smaller than it was a dozen years ago, or if your glass is filled with reeking punch instead of sparkling wine, put a good face on the matter, and empty it off-hand, and fill another, and troll off the old ditty you used to sing, and thank God it's no worse. Look on the merry faces of your children as they sit round the fire. One little seat may be empty—one slight form that gladdened the father's heart and rouse the mother's pride to look upon may not be there. Dwell not upon the past—think not that, one short year ago, the fair child now fast resolving into dust sat before you, with the bloom of health upon its cheek, and the gay unconsciousness of infancy in its joyous eye. Reflect upon your present blessings—of which all man have some. Fill your glass again, with a merry face and a contented heart. Our life on it but your Christmas shall be merry, and your new year a happy one.  Who can be insensible to the outpourings of good feeling, and the honest interchange of affectionate attachment, which abound at this season of the year? A Christmas family party! We know nothing in nature more delightful! There seems a magic in the very name of Christmas. Petty jealousies and discords are forgotten: social feelings are awakened in bosoms to which they have long been strangers; father and son, or brother and sister, who have met and passed with averted gaze, or a look of cold recognition for months before, proffer and return the cordial embrace, and bury their past animosities in their present happiness. Kindly hearts that have yearned towards each other but have been withheld by false notions of pride and self dignity, are again united, and all is kindness and benevolence! Would that Christmas lasted the whole year through, and that the prejudices and passions which deform our better nature were never called into action among those to whom, at least, they should ever be strangers!  The Christmas Family Party that we mean is not a mere assemblage of relations, got up at a week or two's notice, originating this year, having no family precedent in the last, and not likely to be repeated in the next. It is an annual gathering of all the accessible members of the family, young or old, rich or poor, and all the children look forward to it for some two months beforehand in a fever of anticipation. Formerly it was always held at grandpapa's, but grandpapa getting old, and grandmamma getting old too, and rather infirm, they have given up housekeeping, and domesticated themselves with uncle George: so the party always takes place at uncle George's house, but grandmamma sends in most of the good things, and grandpapa always will toddle down all the way to Newgate-market to buy the turkey, which he engages a porter to bring home behind him in triumph, always insisting on the man's being rewarded with a glass of spirits, over and above his hire, to drink "a merry Christmas and a happy new year" to aunt George; as to grandma she is very secret and mysterious for two or three days beforehand, but not sufficiently so to prevent rumours getting afloat that she has purchased a beautiful new cap with pink ribbons for each of the servants, together with sundry books, and penknives, and pencil-cases for the young branches—to say nothing of divers secret additions to the order originally given by aunt George at the pastry-cook's, such as another dozen of mince pies for the dinner, and a large plum-cake for the children. On Christmas-eve, grandma is always in excellent spirits, and after employing all the children during the day in stoning the plumbs and all that, insists regularly every year on uncle George coming down into the kitchen, taking off his coat, and stirring the pudding for half an hour or so, which uncle George good humouredly does, to the vociferous delight of the children and servants; and the evening concludes with a glorious game of blind man's buff, in an early stage of which grandpa takes great care to be caught, in order that he may have an opportunity of displaying his dexterity. On the following morning the old couple, with as many of the children as the pew will hold, go to church in great state, leaving aunt George at home dusting decanters and filling castors, and uncle George carrying bottles into the dining parlour, and calling for corkscrews, and getting into everybody's way. When the church party return to lunch, grandpapa produces a small spring of mistletoe from his pocket, and temps the boys to kiss their little cousins under it —a proceeding which affords both the boys and the old gentleman unlimited satisfaction, but which rather outrages grandma's ideas of decorum, until grandpa says that when he was just thirteen years and three months old he kissed grandma under a mistletoe too, on which the children clap their hands and laugh very heartily, as do aunt George and uncle George; and grandma looks pleased, and says with a benevolent smile that grandpa always was an impudent dog, on which the children laugh very heartily again, and grandpa more heartily than any of them. But all these diversions are nothing to the subsequent excitement, when grandmamma in a high cap and slate-coloured silk gown, and grandpapa with a beautifully plaited shirt frill and white neckerchief, seat themselves on one side of the drawing-room fire with uncle George's children and little cousins innumerable, seated in the front, waiting the arrival of the anxiously-expected visitors. Suddenly a hackney coach is heard to stop, and uncle George, who has been looking out of the window, exclaims "Here's Jane!" on which the children rush to the door, and scamper helter-skelter down stairs; and uncle Robert and aunt Jane, and the dear little baby and the nurse, and the whole party, are ushered up stairs amidst tumultuous shouts of "Oh, my!" from the children, and frequently repeated warnings not to hurt baby from the nurse; and grandpapa takes the child, and grandmamma kisses her daughter, and the confusion of this first entry has scarcely subsided, when some other aunts and uncles with more cousins arrive, and the grown-up cousins flirt with each other, and so do the little cousins too for that matter, and nothing is to be heard but a confused din of talking, laughing, and merriment. A hesitating double knock at the street door, heard during a momentary pause in the conversation, excites a general inquiry of "Who's that?" and two or three children, who have been standing at the window, announce in a low voice, that it's "poor aunt Margaret." Upon which aunt George leaves the room to welcome the new comer and grandmamma draws herself up rather stiff and stately, for Margaret married a poor man without her consent, and poverty not being a sufficiently weighty punishment for her offence has been discarded by her friends, and debarred the society of her dearest relatives. But Christmas has come round, and the unkind feelings that have struggled against better dispositions during the year, have melted away before its genial influence, like half-formed ice beneath the morning sun. It is not difficult in a moment of angry feeling for a parent to denounce a disobedient child; but to banish her at a period of general good-will and hilarity from the hearty, round which she has sat on so many anniversaries of the same day; expanding by slow degrees from infancy to girlhood, and then bursting, almost imperceptibly, into the high-spirited and beautiful woman, is widely different. The air of conscious rectitude and cold forgiveness, which the old lady has assumed, sits ill upon her; and when the poor girl is led in by her sister—pale in looks and broken in spirit—not from poverty, for that she could bear; but from the consciousness of undeserved neglect, and unmerited unkindness—it is easy to see how much of it is assumed. A momentary pause succeeds; the girl breaks suddenly from her sister, and throws herself, sobbing, on her mother's neck. The father steps hastily forward, and grasps her husband's hand. Friends crowd round to offer their hearty congratulations, and happiness and harmony again prevail. As to the dinner, its perfectly delightful—nothing goes wrong, and everybody is in the very best of spirits, and disposed to please and be pleased. Grandpapa relates a circumstantial account of the purchase of the turkey, with a slight digression relative to the purchase of previous turkeys on former Christmas Days, which grandmamma corroborates in the minutest particular: Uncle George tells stories, and carves poultry, and takes wine, and jokes with the children at the side-table, and winks at the cousins that are making love, or being made love to, and exhilarates everybody with his good humour and hospitality; and when at last a stout servant staggers in with a gigantic pudding, with a sprig of holly in the top, there is such a laughing, and shouting, and clapping of little chubby hands, and kicking up of fat dumpy legs, as can only be equalled by the applause with which the astonishing feat of pouring lighted brandy into mince pies is received by the younger visitors. Then the dessert!—and the wine!—and the fun! Such beautiful speeches, and such songs, from Aunt Margaret's husband, who turns out to be such a nice man, and so attentive to grandmamma! Even grandpapa not only sings his annual song with unprecedented vigour, but, on being honoured with an unanimous encore, according to annual custom; actually comes out with a new one, which nobody but grandmamma ever heard before, and a young scape-grace of a cousin, who has been in some disgrace with the old people, for certain heinous sins of omission and commission—neglecting to call, and persisting in drinking Burton ale—astonishes everybody into convulsions of laughter by volunteering the most extraordinary comic songs that were ever heard. And thus the evening passes in a strain of national good-will and cheerfulness, doing more to awaken the sympathies of every member of the party in behalf of his neighbour, and to perpetuate their good feeling during the ensuing year, than all the homilies that have ever been written, by all the Divines that have ever lived. There are a hundred associations connected with Christmas which we should very much like to recall to the minds of our readers; there are a hundred comicalities inseparable from the period, on which it would give us equal pleasure to dilate. We have attained our ordinary limits, however, and cannot better conclude than by wishing each and all of them, individually & collectively, "a merry Christmas happy new year."