https://www.dickenssearch.com/files/original/5/New_Series_No._1_Meditations_in_Monmouth-Street/1836-09-24-The-Morning_Chronicle_New_Series_I_Meditations_in_Monmouth_Street.pdf 0283afd9432754132796355f3d28ebf5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Short Fiction Identifier An unambiguous reference to the resource within a given context short-stories Contributor An entity responsible for making contributions to the resource Lydia Craig Scripto Transcription A written representation of a document. This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections. Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in The Monthly Magazine, and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as The Evening Chronicle, Bell’s Life in London, and Bentley's Miscellany with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes. Global fame arrived with the serial publication of The Posthumous Papers of the Pickwick Club (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in Sketches by Boz, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on Sketches by Boz’ (44). Sketches of Young Gentlemen (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort Sketches of Young Ladies (1838), and Sketches of Couples (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’. After this point, Dickens’s short stories were published in his periodicals Household Words and All the Year Round, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as The Haunted House (1859). Notably, his collaboration with Wilkie Collins resulted in such works as The Perils of Certain English Prisoners (1857) and No Thoroughfare (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as The New York Ledger, The Atlantic Monthly, and Our Young Folks. Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the Sketches are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition. Other anthologies, for instance Selected Short Fiction (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire oeuvre in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including Dickens and the Short Story. (University of Philadelphia Press, 1982) by Deborah A. Thomas and Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by The Oxford Edition of Charles Dickens’s Sketches by Boz (2021) edited by Paul Schlicke with David Hewitt. Others include Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836 (2012), edited by Robert C. Hanna, and Sketches by Boz and Other Early Papers (1994), edited by Michael Slater. Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this Dickens Search collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results. While building this collection, we have consulted, and transcribed scans found on databases such as British Newspaper Archive (BNA), digital archives, and such open-access sites as Hathi Trust, Internet Archive, and Google Books; all items are linked to their original location on the internet. Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked. 1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in Sketches by Boz.’ In Some Keywords in Dickens. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck & Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the Morning Chronicle”. Dickens Quarterly 4 (December 2020): pp. 325-348; William F. Long. 'Dickens before Sketches by Boz: Earliest Reactions to his Earliest Works'. Dickensian (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's Sketches by Boz. Dickens Studies Annual 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. Dickens Studies Annual 45 (2014): pp. 23-44; Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. SEL: Studies in English Literature 48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of Sketches by Boz’. Dickens Quarterly 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. Dickens Studies Annual 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. Dickens Studies Annual 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. The Dickensian 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in Sketches by Boz.' ELH 44.1 (1977): pp. 127–49. Short Story Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Morning Chronicle Pseudonym The name under which the item was published BOZ Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18360924 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. We have always entertained a particular attachment towards Monmouth-street, as the only true and real emporium for second-hand wearing apparel. Monmouth-street is venerable from its antiquity, and respectable from its usefulness. Holywell-street we despise; the red-headed and red-whiskered Jews who forcibly haul you into their squalid houses, and thrust you into a suit of clothes whether you will or not, we detest. The inhabitants of Monmouth-street are a distinct class; a peaceable and retiring race, who immure themselves for the most part in deep cellars or small back parlours, and who seldom come forth into the world, except in the dusk and coolness of evening, when they may be seen seated in chairs on the pavement, smoking their pipes or watching the gambols of their engaging children as they revel in the gutter, a happy troop of infantine scavengers. Their countenances bear a thoughtful and dirty cast—certain indications of their love of traffic; and their habitations are distinguished by that disregard of outward appearances, and neglect of personal comfort, so common among people who are constantly immersed in profound speculations, and deeply engaged in sedentary pursuits. We have hinted at the antiquity of our favourite spot. "A Monmouth-street laced coat" was a by-word years and years ago; and still we find Monmouth-street the same. Pilot great coats with wooden buttons, have usurped the place of the ponderous laced coats with full skirts; embroidered waistcoats with large flaps, have yielded to double-breasted checks with roll-collars; and three-cornered hats of quaint appearance have given place to the low crowns and broad brims of the coachman school; but it is the times that have changed, not Monmouth-street. Through every alteration and every change, Monmouth-street has still remained the burial-place of the fashions; and such, to judge from all present appearances, it will remain, until there are no more fashions to bury. We love to walk among these extensive groves of the illustrious dead, and to indulge in the speculations to which they give rise; now fitting a deceased coat, then a dead pair of trousers, and anon the mortal remains of a gaudy waistcoat, upon some being of our own conjuring up, and endeavouring, from the shape and fashion of the garment itself, to bring its former owner before our mind’s eye. We have gone on speculating in this way, until whole rows of coats have started from their pegs, and buttoned up, of their own accord, round the waists of imaginary wearers, lines of trousers have jumped down to meet them, waistcoats have almost burst with anxiety to put themselves on, and half an acre of shoes have suddenly found feet to fit them, and gone stumping down the street with a noise which has fairly awakened us from our pleasant reverie, and driven us slowly away, with a bewildered stare, an object of astonishment to the good people of Monmouth-street, and of no slight suspicion to the policemen at the opposite street corner. We were occupied in this manner the other day, endeavouring to fit a pair of lace-up half boots on an ideal personage, for whom, to say the truth, they were full a couple of sizes too small, when our eyes happened to alight on a few suits of clothes, ranged outside a shop-window, which it immediately struck us, must at different periods have all belonged to, and been worn by, the same individual, and had now, by one of those strange conjunctions of circumstances which will occur sometimes, come to be exposed together for sale in the same shop. The idea seemed a fantastic one, and we looked at the clothes again with a firm determination not to be easily led away. No, we were right, the more we looked the more we were convinced of the accuracy of our previous impression. There was the man’s whole life written as legibly on those clothes as if we had his autobiography engrossed on parchment before us. The first was a patched and much-soiled skeleton suit—one of those straight blue cloth cases in which small boys used to be confined, before belts and tunics had come in, and old notions had gone out: an ingenious contrivance for displaying the full symmetry of a boy’s figure, by fastening him into a very tight jacket, with an ornamental row of buttons over each shoulder, and then buttoning his trousers over it, so as to give his legs the appearance of being hooked on just under the armpits. This was the boy’s dress. It had belonged to a town boy, we could see; there was a shortness about the legs and arms of the suit, and a bagging at the knees, peculiar to the rising youth of London streets. A small day-school he had been at, evidently. If it had been a regular boys’ school they wouldn’t have let him play on the floor so much, and rub his knees so white. He had had an indulgent mother too, and plenty of halfpence, as the numerous smears of some sticky substance about the pockets, and just below the chin, which even the salesman’s skill could not succeed in disguising, sufficiently betokened. They were decent people, but not overburdened with riches, or he would not have so far outgrown the suit when he passed into those corduroys with the round jacket; in which he went to a boys’ school, however, and learnt to write—and in ink of pretty tolerable blackness too, if the place where he used to wipe his pen might be taken as evidence. A black suit, and the jacket changed into a diminutive coat. His father had died, and the mother had got the boy a message-lad’s place in some office. A long-worn suit that one; rusty and threadbare before it was laid aside, but clean and free from soil to the last. Poor woman! We could imagine her assumed cheerfulness over the scanty meal, and the refusal of her own small portion, that her hungry boy might have enough. Her constant anxiety for his welfare, her pride in his growth mingled sometimes with the thought, almost too acute to bear, that as he grew to be a man his old affection might cool, old kindnesses fade from his mind, and old promises be forgotten—the sharp pain that even then a careless word or a cold look would give her—all crowded on our thoughts as vividly as if the very scene were passing before us. These things happen every hour, and we all know it; and yet we felt as much sorrow when we saw, or fancied we saw—it makes no difference which—the change that began to take place now, as if we had just conceived the bare possibility of such a thing for the first time. The next suit, smart but slovenly; meant to be gay, and yet not half so decent as the threadbare apparel; redolent of the idle lounge, and the blackguard companions, told us, we thought, that the widow’s comfort had rapidly faded away. We could imagine that coat—imagine! we could see it; we had seen it a hundred times—sauntering in company with three or four other coats of the same cut, about some place of profligate resort at night. We dressed, from the same shop-window in an instant, half a dozen boys of from fifteen to twenty; and putting cigars into their mouths, and their hands into their pockets, watched them as they sauntered down the street, and lingered at the corner with the obscene jest, and the often-repeated oath. We never lost sight of them, till they had cocked their hats a little more on one side, and swaggered into the public-house; and then we entered the desolate house, where the mother sat, late in the night, alone; we watched her, as she paced the room in feverish anxiety, and every now and then opened the door, looked wistfully into the dark and empty street, and again returned, to be again and again disappointed. We beheld the look of patience with which she bore the brutish threat, and the drunken blow; and we heard the agony of tears that gushed from her very heart as she sunk upon her knees in her solitary and wretched chamber. A long period had elapsed, and a greater change had taken place by the time of casting off the suit that hung above. It was that of a stout, broad-shouldered, sturdy-chested man; and we knew at once, as anybody would who glanced at that broad-skirted green coat, with the large metal buttons, that its wearer seldom walked forth without a dog at his heels, and some idle ruffian, the very counterpart of himself, at his side. The vices of the boy had grown with the man, and we fancied his home then—if such a place deserved the name. The bare and miserable room, destitute of furniture, crowded with his wife and children, pale, hungry, and emaciated; the man cursing their lamentations, staggering to the tap-room, from whence he had just returned, followed by his wife and a sickly infant, clamouring for bread; and heard the street wrangle and noisy recrimination that his striking her occasioned. And then imagination led us to some metropolitan workhouse, situated in the midst of crowded streets and alleys, filled with noxious vapours, and ringing with boisterous cries, where an old and feeble woman, imploring pardon for her son, lay dying in a close dark room, with no child to clasp her hand, and no pure air from Heaven to fan her brow. A stranger closed the eyes that settled into a cold unmeaning glare, and strange ears received the words that murmured from the white and half-closed lips. A coarse round frock, with a worn cotton neckerchief, and other articles of clothing of the commonest description, completed the history. A prison, and the sentence— banishment or the gallows. What would the man have given then to be once again the contented humble drudge of his boyish years—to have been restored to life, but for a week, a day, an hour, a minute—only for so long a time as would enable him to say one word of passionate regret to, and hear one sound of heartfelt forgiveness from—the cold and ghastly form that lay rotting in the pauper’s grave? The children wild in the streets, the mother a destitute widow; both deeply tainted with the deep disgrace of the husband and father’s name, and impelled, by sheer necessity, down the precipice that had led him to a lingering death, possibly of many years’ duration, thousands of miles away. We had no clue to the end of the tale; but it was easy to guess its termination. We took a step or two further on, and by way of restoring the naturally cheerful tone of our thoughts, began fitting visionary feet and legs into a cellar-board full of boots and shoes, with a speed and accuracy that would have astonished the most expert artist in leather, living. There was one pair of boots in particular—a jolly, good-tempered, hearty-looking pair of tops—that excited our warmest regard, and we had got a fine, red-faced jovial fellow of a market-gardener into them, before we had made their acquaintance half a minute. They were just the very thing for him. There was his huge fat legs bulging over the tops, and fitting them too tight to admit of his tucking in the loops he had pulled them on by, and his knee-cords with an interval of stocking, and his blue apron tucked up round his waist, and his red neckerchief and blue coat, and a white hat stuck on one side of his head; and there he stood with a broad grin on his great red face, whistling away as if any other idea but that of being happy and comfortable had never entered his brain. This was the very man after our own heart—we knew all about him—we had seen him coming up to Covent-garden in his green chaise-cart, with the fat, tubby little horse, half a thousand times; and even while we cast an affectionate look upon his boots at that instant, the form of a coquettish servant-maid suddenly sprung into a pair of Denmark satin-shoes that stood beside them, and we at once recognised the very girl that accepted his offer of a ride, just on this side the Hammersmith suspension-bridge, the very last Tuesday morning we rode into town from Richmond. A very smart female, in a showy bonnet, stepped into a pair of grey cloth boots with black fringe and binding, that were studiously pointing out their toes on the other side of the top-boots, and seemed very anxious to engage his attention, but we didn’t observe that our friend the market-gardener appeared at all captivated with these blandishments, for beyond giving a knowing wink when they first began, as if to imply that he quite understood their end and object, he took no further notice of them. His indifference, however, was amply recompensed by the excessive gallantry of a very old gentleman with a silver-headed stick, who tottered into a pair of large list shoes, that were standing in one corner of the board, and indulged in a variety of gestures expressive of his admiration of the lady in the cloth boots, to the immeasurable amusement of a young fellow we put into a pair of long-quartered pumps, who we thought would have split the coat that slid down to meet him with laughing. We had been looking on at this little pantomime with great satisfaction for some time, when, to our unspeakable astonishment, we perceived that the whole of the characters, including a numerous corps de ballet of boots and shoes in the back-ground, into which we had been hastily thrusting as many feet as we could press into the service, were arranging themselves in order for dancing; and some music striking up at the moment, to it they went without delay. It was perfectly delightful to witness the agility of the market-gardener. Out went the boots, first on one side, then on the other, then cutting, then shuffling, then setting to the Denmark satins, then advancing, then retreating, then going round, and then repeating the whole of the evolutions again, without appearing to suffer in the least from the violence of the exercise. Nor were the Denmark satins a bit behind-hand, for they jumped and bounded about in all directions; and though they were neither so regular, nor so true to the time as the cloth boots, still, as they seemed to do it from the heart, and to enjoy it more, we candidly confess that we preferred their style of dancing to the other. But the old gentleman in the list shoes was the most amusing object in the whole party; for, besides his grotesque attempts to appear youthful, and amorous, which were sufficiently entertaining in themselves, the young fellow in the pumps managed so artfully that every time the old gentleman advanced to salute the lady in the cloth boots, he trod with his whole weight on the old fellow’s toes, which made him roar with anguish, and rendered all the others like to die of laughing. We were in the full enjoyment of these festivities when we heard a shrill, and by no means musical voice, exclaim, "Hope you’ll know me agin, imperence;" and on looking intently forward to see from whence the sound came, we found that it proceeded, not from the young lady in the cloth boots, as we had at first been inclined to suppose, but from a bulky lady of elderly appearance who was seated in a chair at the head of the cellar-steps, apparently for the purpose of superintending the sale of the articles arranged there. A barrel-organ, which had been in full force close behind us, ceased playing; the people we had been fitting into the shoes and boots took to flight at the interruption; and as we were conscious that in the depth of our meditations we might have been rudely staring at the old lady for half an hour without knowing it, we took to flight too, and were soon immersed in the deepest obscurity of the adjacent "Dials." Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'New Series, No. 1, Meditations in Monmouth-Street' Description An account of the resource Published in The Morning Chronicle (24 September 1836), p. 3. Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The British Newspaper Archive, <a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360924/009/0003">https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18360924/009/0003</a>. Date A point or period of time associated with an event in the lifecycle of the resource 1836-09-24 Rights Information about rights held in and over the resource The British Newspaper Archive. Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited. Type The nature or genre of the resource Short Story Identifier An unambiguous reference to the resource within a given context 1836-09-24-Meditations_in_Monmouth_Street Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'New Series, No. 1, Meditations in Monmouth-Street' (24 September 1836). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://www.dickenssearch.com/short-stories/1836-09-24-Meditations_in_Monmouth_Street">https://www.dickenssearch.com/short-stories/1836-09-24-Meditations_in_Monmouth_Street</a>. Scripto Transcription A written representation of a document. We have always entertained a particular attachment towards Monmouth-street, as the only true and real emporium for second-hand wearing apparel. Monmouth-street is venerable from its antiquity, and respectable from its usefulness. Holywell-street we despise; the red-headed and red-whiskered Jews who forcibly haul you into their squalid houses, and thrust you into a suit of clothes whether you will or not, we detest. The inhabitants of Monmouth-street are a distinct class; a peaceable and retiring race, who immure themselves for the most part in deep cellars or small back parlours, and who seldom come forth into the world, except in the dusk and coolness of evening, when they may be seen seated in chairs on the pavement, smoking their pipes or watching the gambols of their engaging children as they revel in the gutter, a happy troop of infantine scavengers. Their countenances bear a thoughtful and dirty cast—certain indications of their love of traffic; and their habitations are distinguished by that disregard of outward appearances, and neglect of personal comfort, so common among people who are constantly immersed in profound speculations, and deeply engaged in sedentary pursuits. We have hinted at the antiquity of our favourite spot. "A Monmouth-street laced coat" was a by-word years and years ago; and still we find Monmouth-street the same. Pilot great coats with wooden buttons, have usurped the place of the ponderous laced coats with full skirts; embroidered waistcoats with large flaps, have yielded to double-breasted checks with roll-collars; and three-cornered hats of quaint appearance have given place to the low crowns and broad brims of the coachman school; but it is the times that have changed, not Monmouth-street. Through every alteration and every change, Monmouth-street has still remained the burial-place of the fashions; and such, to judge from all present appearances, it will remain, until there are no more fashions to bury. We love to walk among these extensive groves of the illustrious dead, and to indulge in the speculations to which they give rise; now fitting a deceased coat, then a dead pair of trousers, and anon the mortal remains of a gaudy waistcoat, upon some being of our own conjuring up, and endeavouring, from the shape and fashion of the garment itself, to bring its former owner before our mind’s eye. We have gone on speculating in this way, until whole rows of coats have started from their pegs, and buttoned up, of their own accord, round the waists of imaginary wearers, lines of trousers have jumped down to meet them, waistcoats have almost burst with anxiety to put themselves on, and half an acre of shoes have suddenly found feet to fit them, and gone stumping down the street with a noise which has fairly awakened us from our pleasant reverie, and driven us slowly away, with a bewildered stare, an object of astonishment to the good people of Monmouth-street, and of no slight suspicion to the policemen at the opposite street corner. We were occupied in this manner the other day, endeavouring to fit a pair of lace-up half boots on an ideal personage, for whom, to say the truth, they were full a couple of sizes too small, when our eyes happened to alight on a few suits of clothes, ranged outside a shop-window, which it immediately struck us, must at different periods have all belonged to, and been worn by, the same individual, and had now, by one of those strange conjunctions of circumstances which will occur sometimes, come to be exposed together for sale in the same shop. The idea seemed a fantastic one, and we looked at the clothes again with a firm determination not to be easily led away. No, we were right, the more we looked the more we were convinced of the accuracy of our previous impression. There was the man’s whole life written as legibly on those clothes as if we had his autobiography engrossed on parchment before us. The first was a patched and much-soiled skeleton suit—one of those straight blue cloth cases in which small boys used to be confined, before belts and tunics had come in, and old notions had gone out: an ingenious contrivance for displaying the full symmetry of a boy’s figure, by fastening him into a very tight jacket, with an ornamental row of buttons over each shoulder, and then buttoning his trousers over it, so as to give his legs the appearance of being hooked on just under the armpits. This was the boy’s dress. It had belonged to a town boy, we could see; there was a shortness about the legs and arms of the suit, and a bagging at the knees, peculiar to the rising youth of London streets. A small day-school he had been at, evidently. If it had been a regular boys’ school they wouldn’t have let him play on the floor so much, and rub his knees so white. He had had an indulgent mother too, and plenty of halfpence, as the numerous smears of some sticky substance about the pockets, and just below the chin, which even the salesman’s skill could not succeed in disguising, sufficiently betokened. They were decent people, but not overburdened with riches, or he would not have so far outgrown the suit when he passed into those corduroys with the round jacket; in which he went to a boys’ school, however, and learnt to write—and in ink of pretty tolerable blackness too, if the place where he used to wipe his pen might be taken as evidence. A black suit, and the jacket changed into a diminutive coat. His father had died, and the mother had got the boy a message-lad’s place in some office. A long-worn suit that one; rusty and threadbare before it was laid aside, but clean and free from soil to the last. Poor woman! We could imagine her assumed cheerfulness over the scanty meal, and the refusal of her own small portion, that her hungry boy might have enough. Her constant anxiety for his welfare, her pride in his growth mingled sometimes with the thought, almost too acute to bear, that as he grew to be a man his old affection might cool, old kindnesses fade from his mind, and old promises be forgotten—the sharp pain that even then a careless word or a cold look would give her—all crowded on our thoughts as vividly as if the very scene were passing before us. These things happen every hour, and we all know it; and yet we felt as much sorrow when we saw, or fancied we saw—it makes no difference which—the change that began to take place now, as if we had just conceived the bare possibility of such a thing for the first time. The next suit, smart but slovenly; meant to be gay, and yet not half so decent as the threadbare apparel; redolent of the idle lounge, and the blackguard companions, told us, we thought, that the widow’s comfort had rapidly faded away. We could imagine that coat—imagine! we could see it; we had seen it a hundred times—sauntering in company with three or four other coats of the same cut, about some place of profligate resort at night. We dressed, from the same shop-window in an instant, half a dozen boys of from fifteen to twenty; and putting cigars into their mouths, and their hands into their pockets, watched them as they sauntered down the street, and lingered at the corner with the obscene jest, and the often-repeated oath. We never lost sight of them, till they had cocked their hats a little more on one side, and swaggered into the public-house; and then we entered the desolate house, where the mother sat, late in the night, alone; we watched her, as she paced the room in feverish anxiety, and every now and then opened the door, looked wistfully into the dark and empty street, and again returned, to be again and again disappointed. We beheld the look of patience with which she bore the brutish threat, and the drunken blow; and we heard the agony of tears that gushed from her very heart as she sunk upon her knees in her solitary and wretched chamber. A long period had elapsed, and a greater change had taken place by the time of casting off the suit that hung above. It was that of a stout, broad-shouldered, sturdy-chested man; and we knew at once, as anybody would who glanced at that broad-skirted green coat, with the large metal buttons, that its wearer seldom walked forth without a dog at his heels, and some idle ruffian, the very counterpart of himself, at his side. The vices of the boy had grown with the man, and we fancied his home then—if such a place deserved the name. The bare and miserable room, destitute of furniture, crowded with his wife and children, pale, hungry, and emaciated; the man cursing their lamentations, staggering to the tap-room, from whence he had just returned, followed by his wife and a sickly infant, clamouring for bread; and heard the street wrangle and noisy recrimination that his striking her occasioned. And then imagination led us to some metropolitan workhouse, situated in the midst of crowded streets and alleys, filled with noxious vapours, and ringing with boisterous cries, where an old and feeble woman, imploring pardon for her son, lay dying in a close dark room, with no child to clasp her hand, and no pure air from Heaven to fan her brow. A stranger closed the eyes that settled into a cold unmeaning glare, and strange ears received the words that murmured from the white and half-closed lips. A coarse round frock, with a worn cotton neckerchief, and other articles of clothing of the commonest description, completed the history. A prison, and the sentence— banishment or the gallows. What would the man have given then to be once again the contented humble drudge of his boyish years—to have been restored to life, but for a week, a day, an hour, a minute—only for so long a time as would enable him to say one word of passionate regret to, and hear one sound of heartfelt forgiveness from—the cold and ghastly form that lay rotting in the pauper’s grave? The children wild in the streets, the mother a destitute widow; both deeply tainted with the deep disgrace of the husband and father’s name, and impelled, by sheer necessity, down the precipice that had led him to a lingering death, possibly of many years’ duration, thousands of miles away. We had no clue to the end of the tale; but it was easy to guess its termination. We took a step or two further on, and by way of restoring the naturally cheerful tone of our thoughts, began fitting visionary feet and legs into a cellar-board full of boots and shoes, with a speed and accuracy that would have astonished the most expert artist in leather, living. There was one pair of boots in particular—a jolly, good-tempered, hearty-looking pair of tops—that excited our warmest regard, and we had got a fine, red-faced jovial fellow of a market-gardener into them, before we had made their acquaintance half a minute. They were just the very thing for him. There was his huge fat legs bulging over the tops, and fitting them too tight to admit of his tucking in the loops he had pulled them on by, and his knee-cords with an interval of stocking, and his blue apron tucked up round his waist, and his red neckerchief and blue coat, and a white hat stuck on one side of his head; and there he stood with a broad grin on his great red face, whistling away as if any other idea but that of being happy and comfortable had never entered his brain. This was the very man after our own heart—we knew all about him—we had seen him coming up to Covent-garden in his green chaise-cart, with the fat, tubby little horse, half a thousand times; and even while we cast an affectionate look upon his boots at that instant, the form of a coquettish servant-maid suddenly sprung into a pair of Denmark satin-shoes that stood beside them, and we at once recognised the very girl that accepted his offer of a ride, just on this side the Hammersmith suspension-bridge, the very last Tuesday morning we rode into town from Richmond. A very smart female, in a showy bonnet, stepped into a pair of grey cloth boots with black fringe and binding, that were studiously pointing out their toes on the other side of the top-boots, and seemed very anxious to engage his attention, but we didn’t observe that our friend the market-gardener appeared at all captivated with these blandishments, for beyond giving a knowing wink when they first began, as if to imply that he quite understood their end and object, he took no further notice of them. His indifference, however, was amply recompensed by the excessive gallantry of a very old gentleman with a silver-headed stick, who tottered into a pair of large list shoes, that were standing in one corner of the board, and indulged in a variety of gestures expressive of his admiration of the lady in the cloth boots, to the immeasurable amusement of a young fellow we put into a pair of long-quartered pumps, who we thought would have split the coat that slid down to meet him with laughing. We had been looking on at this little pantomime with great satisfaction for some time, when, to our unspeakable astonishment, we perceived that the whole of the characters, including a numerous corps de ballet of boots and shoes in the back-ground, into which we had been hastily thrusting as many feet as we could press into the service, were arranging themselves in order for dancing; and some music striking up at the moment, to it they went without delay. It was perfectly delightful to witness the agility of the market-gardener. Out went the boots, first on one side, then on the other, then cutting, then shuffling, then setting to the Denmark satins, then advancing, then retreating, then going round, and then repeating the whole of the evolutions again, without appearing to suffer in the least from the violence of the exercise. Nor were the Denmark satins a bit behind-hand, for they jumped and bounded about in all directions; and though they were neither so regular, nor so true to the time as the cloth boots, still, as they seemed to do it from the heart, and to enjoy it more, we candidly confess that we preferred their style of dancing to the other. But the old gentleman in the list shoes was the most amusing object in the whole party; for, besides his grotesque attempts to appear youthful, and amorous, which were sufficiently entertaining in themselves, the young fellow in the pumps managed so artfully that every time the old gentleman advanced to salute the lady in the cloth boots, he trod with his whole weight on the old fellow’s toes, which made him roar with anguish, and rendered all the others like to die of laughing. We were in the full enjoyment of these festivities when we heard a shrill, and by no means musical voice, exclaim, "Hope you’ll know me agin, imperence;" and on looking intently forward to see from whence the sound came, we found that it proceeded, not from the young lady in the cloth boots, as we had at first been inclined to suppose, but from a bulky lady of elderly appearance who was seated in a chair at the head of the cellar-steps, apparently for the purpose of superintending the sale of the articles arranged there. A barrel-organ, which had been in full force close behind us, ceased playing; the people we had been fitting into the shoes and boots took to flight at the interruption; and as we were conscious that in the depth of our meditations we might have been rudely staring at the old lady for half an hour without knowing it, we took to flight too, and were soon immersed in the deepest obscurity of the adjacent "Dials."