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                  <text>Short Fiction</text>
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                  <text>Lydia Craig</text>
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                  <text>&lt;p&gt;&lt;strong&gt;This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in &lt;em&gt;The Monthly Magazine,&lt;/em&gt; and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as &lt;em&gt;The Evening Chronicle&lt;/em&gt;, &lt;em&gt;Bell’s Life in London, &lt;/em&gt;and &lt;em&gt;Bentley's Miscellany&lt;/em&gt; with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes.&lt;/p&gt;&#13;
&lt;p&gt;Global fame arrived with the serial publication of &lt;em&gt;The Posthumous Papers of the Pickwick Club&lt;/em&gt; (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in &lt;em&gt;Sketches by Boz&lt;/em&gt;, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on &lt;em&gt;Sketches by Boz&lt;/em&gt;’ (44). &lt;em&gt;Sketches of Young Gentlemen&lt;/em&gt; (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort &lt;em&gt;Sketches of Young Ladies&lt;/em&gt; (1838), and &lt;em&gt;Sketches of Couples&lt;/em&gt; (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’.&lt;/p&gt;&#13;
&lt;p&gt;After this point, Dickens’s short stories were published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as &lt;em&gt;The Haunted House&lt;/em&gt; (1859). Notably, his collaboration with Wilkie Collins resulted in such works as &lt;em&gt;The Perils of Certain English Prisoners&lt;/em&gt; (1857) and &lt;em&gt;No Thoroughfare&lt;/em&gt; (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as &lt;em&gt;The New York Ledger, The Atlantic Monthly, &lt;/em&gt;and &lt;em&gt;Our Young Folks&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the &lt;em&gt;Sketches &lt;/em&gt;are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition.&lt;/p&gt;&#13;
&lt;p&gt;Other anthologies, for instance &lt;em&gt;Selected Short Fiction&lt;/em&gt; (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire &lt;em&gt;oeuvre &lt;/em&gt;in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including&amp;nbsp;&lt;em&gt;Dickens and the Short Story&lt;/em&gt;. (University of Philadelphia Press, 1982) by Deborah A. Thomas and &lt;em&gt;Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author&lt;/em&gt; (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by&lt;em&gt; The Oxford Edition of Charles Dickens’s Sketches by Boz&lt;/em&gt; (2021) edited by Paul Schlicke with David Hewitt. Others include &lt;em&gt;Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836&lt;/em&gt; (2012), edited by Robert C. Hanna, and &lt;em&gt;Sketches by Boz and Other Early Papers&lt;/em&gt; (1994), edited by Michael Slater.&lt;/p&gt;&#13;
&lt;p&gt;Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this &lt;em&gt;Dickens Search&lt;/em&gt; collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results.&lt;br /&gt;&lt;br /&gt;While building this collection, we have consulted, and transcribed scans found on databases such as &lt;em&gt;British Newspaper Archive (BNA),&lt;/em&gt; digital archives, and such open-access sites as&lt;em&gt; Hathi Trust, Internet Archive,&lt;/em&gt; and &lt;em&gt;Google Books&lt;/em&gt;; all items are linked to their original location on the internet.&lt;/p&gt;&#13;
&lt;p&gt;Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked.&lt;/p&gt;&#13;
1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in &lt;em&gt;Sketches by Boz.’&lt;/em&gt; In &lt;em&gt;Some Keywords in Dickens&lt;/em&gt;. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck &amp;amp; Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the &lt;em&gt;Morning Chronicle&lt;/em&gt;”. &lt;em&gt;Dickens Quarterly &lt;/em&gt;4 (December 2020): pp. 325-348; William F. Long. 'Dickens before &lt;em&gt;Sketches by Boz&lt;/em&gt;: Earliest Reactions to his Earliest Works'. &lt;em&gt;Dickensian&lt;/em&gt; (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's &lt;em&gt;Sketches by Boz. Dickens Studies Annual&lt;/em&gt; 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 45 (2014): pp. 23-44; &lt;em&gt;Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, &lt;/em&gt;No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. &lt;em&gt;SEL: Studies in English Literature &lt;/em&gt;48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of &lt;em&gt;Sketches by Boz’&lt;/em&gt;. &lt;em&gt;Dickens Quarterly&lt;/em&gt; 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. &lt;em&gt;The Dickensian&lt;/em&gt; 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in &lt;em&gt;Sketches by Boz&lt;/em&gt;.' &lt;em&gt;ELH&lt;/em&gt; 44.1 (1977): pp. 127–49.</text>
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              <text>&lt;em&gt;The Morning Chronicle&lt;/em&gt;</text>
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              <text>BOZ</text>
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          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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              <text>There was a time when if a man ventured to wonder how Vauxhall-gardens would look by day, he was hailed with a shout of derision at the absurdity of the idea. Vauxhall by day-light! A porter pot without porter, the House of Commons without the Speaker, a gas lamp without the gas—pooh, nonsense, the thing was not to be thought of. It was rumoured, too, in those times, that Vauxhall-gardens by day were the scene of secret and hidden experiments; that there, carvers were exercised in the mystic art of cutting a moderate sized ham into slices thin enough to pave the whole of the grounds; that beneath the shade of the tall trees, studious men were constantly engaged in chemical experiments, with the view of discovering how much water a bowl of negus could possibly bear; and that in some retired nooks, appropriated to the study of ornithology, other sage and learned men were, by a process known only to themselves, incessantly employed in reducing fowls to a mere combination of skin and bone. Vague rumours of this kind, together with many others of a similar nature, cast over Vauxhall-gardens an air of deep mystery; and as there is a great deal in the mysterious, there is no doubt that to a good many people, at all events, the pleasure they afforded was not a little enhanced by this very circumstance. Of this class of people we confess to having made one. We loved to wander among these illuminated groves, thinking of the patient and laborious researches which had been carried on there during the day, and witnessing their results in the suppers which were served up, beneath the light of lamps, and to the sound of music at night. The temples and saloons and cosmoramas and fountains glittered and sparkled before our eyes; the beauty of the lady singers and the elegant deportment of the gentlemen captivated our hearts; a few hundred thousand of additional lamps dazzled our senses; a bowl or two of reeking punch bewildered our brains; and we were happy. In an evil hour, the proprietors of Vauxhall-gardens took to opening them by day. We regretted this as rudely and harshly disturbing that veil of mystery which had hung about the property for many years, and which none but the noon-day Sun and the late Mr. Simpson had ever penetrated. We shrunk from going; at this moment we scarcely know why. Perhaps a morbid consciousness of approaching disappointment—perhaps a fatal presentiment—perhaps the weather; whatever it was, we did not go until the second or third announcement of a race between two balloons tempted us, and we went. We paid our shilling at the gate, and then we saw, for the first time, that the entrance, if there had been any magic about it at all, was now decidedly disenchanted, being, in fact, nothing more nor less than a combination of very roughly-painted boards and saw-dust. We glanced at the orchestra and supper-room as we hurried past—we just recognised them, and that was all. We bent our steps to the firework-ground; there, at least, we should not be disappointed. We reached it, and stood rooted to the spot with mortification and astonishment. That the Moorish tower—that wooden shed with a door in the centre, and daubs of crimson and yellow all round, like a gigantic watch-case! That the place where night after night we had beheld the undaunted Mr. Blackmore make his terrific ascent, surrounded by flames of fire, and peals of artillery, and where the white garments of Madame Somebody or other, who nobly devoted her life to the manufacture of fireworks, had so often been seen fluttering in the wind, as she called up a red, blue, or party-coloured light to illumine her temple! That the—but at this moment the bell rung—the people scampered away, pell-mell, to the spot from whence the sound proceeded, and we, from the mere force of habit, found ourself running among the first, as if for very life. It was for the concert in the orchestra. A small party of dismal men in cocked hats were "executing" the overture to Tancredi, and a numerous assemblage of ladies and gentlemen, with their families, had rushed from their half-emptied stout mugs in the supper boxes, and crowded to the spot. Intense was the low murmur of admiration when a particularly small gentleman, in a dress coat, led on a particularly tall lady in a blue sarcenet pelisse and bonnet of the same, ornamented with large white feathers, and forthwith commenced a plaintive duet. We knew the small gentleman well; we had seen a lithographed semblance of him on many a piece of music, with his mouth wide open as if in the act of singing; a wine glass in his hand, and a table with two decanters and four pine-apples on it in the background. The tall lady, too, we had gazed on, lost in raptures of admiration, many and many a time—how different people do look by daylight and without punch, to be sure! It was a beautiful duet: first the small gentleman asked a question, and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air, and the band wound themselves up to a pitch of fury and the small gentleman handed the tall lady out, and the applause was rapturous. The comic singer, however, was the especial favourite; we really thought that a gentleman with his dinner in a pocket handkerchief, who stood near us, would have fainted with excess of joy. A fearfully facetious old man that comic singer is; his distinguishing characteristics are, a wig approaching to the flaxen, and an aged countenance, and he bears the name of one of the English counties, if we recollect right. He sang a song about the seven ages, the first half hour of which seemed to afford the assembly the purest delight; of the rest we can make no report, as we did not stay to hear any more. We walked about, and met with a disappointment at every turn; our favourite views were mere patches of paint; the fountain that had sparkled so showily by lamp-light, presented very much the appearance of a water-pipe that had burst; all the ornaments were dingy, and all the walks gloomy. There was a spectral attempt at rope-dancing in the little open theatre; the sun shone upon the spangled dresses of the performers, and their evolutions were about as inspiriting and appropriate as a country dance in a family vault. So we retraced our steps to the firework-ground, and mingled with the little crowd of people who were contemplating Mr. Green. Some half-dozen men were restraining the impetuosity of one of the balloons, which was completely filled, and had the car already attached; and as rumours had gone abroad that a lord was "going up," the crowd were more than usually anxious and talkative. There was one little man in faded black, with a dirty face and a rusty black neckerchief with a red border, tied in a narrow wisp round his neck, who entered into conversation with everybody, and had something to say upon every remark that was made within his hearing. He was standing with his arms folded, staring up at the balloon, and every now and then vented his feelings of reverence for the aeronaut, by saying, as he looked round to catch somebody’s eye, "He’s a rum ’un is Green; think o’ this here being up’ards of his two hundredth ascent; by God, the man as is ekal to Green never had the tooth-ache yet, nor wo'nt have within this hundred year, and that’s all about it. Wen you meets with real talent, and native, too, encourage it, that’s wot I say;" and when he had delivered himself to this effect, he would fold his arms with more determination than ever, and stare at the balloon with a sort of admiring defiance of any other man alive, beyond himself and Green, that impressed the crowd with the opinion that he was an oracle. "Ah, you’re very right, sir," said another gentleman, with his wife, and children, and mother, and wife’s sister, and a host of female friends, in all the gentility of white pocket-handkerchiefs, frills, and spencers, "Mr. Green is a steady hand, sir, and there’s no fear about him." "Fear!" said the little man: "ain't it a lovely thing to see him and his wife a going up in one balloon, and his own son and his wife a jostling up agin 'em in another, and all of 'em going twenty or thirty mile in three hours or so, and then coming back in po-chayses? I don’t know where this here science is to stop, mind you; that’s what bothers me." Here there was a considerable talking among the females in the spencers. "What’s the ladies a laughing at, sir?" inquired the little man, condescendingly. "It’s only my sister Mary," said one of the girls, "as says she hopes his Lordship won’t be frightened when he’s in the car, and want to come out agin." "Make yourself easy about that there, my dear," replied the little man. "If he was so much as to move a inch without leave, Green would jist fetch him a crack over the head with the telescope, as vid send him into the bottom of the basket in no time, and stun him till they come down again." "Would he, though?" inquired the other man. "Yes, by God, would he," replied the little one, 'and think nothing of it, neither, if he was the king himself. Green’s presence of mind is wonderful." Just at this moment all eyes were directed to the preparations which were being made for starting. The car was attached to the second balloon, the two were brought pretty close together, and a military band commenced playing with a zeal and fervour which would render the most timid man in existence but too happy to accept any means of quitting that particular spot of earth on which they were stationed. Then Mr. Green, sen., and his noble companion entered one car, and Mr. Green, jun., and his companion the other; and then the balloons went up, and the aerial travellers stood up, and the crowd outside roared with delight, and the two gentlemen who had never ascended before, tried to wave their flags, as if they were not nervous, but held on very fast all the while, and the balloons were wafted gently away, our little friend solemnly protesting, long after they were reduced to mere specks in the air, that he could still distinguish the white hat of Mr. Green; the gardens disgorged their multitudes, boys ran up and down screaming "bal-loon," and in all the crowded thoroughfares people rushed out of their shops into the middle of the road, and having stared up in the air at two little black objects till they almost dislocated their necks, walked slowly in again, perfectly satisfied. The next day there was a grand account of the ascent in the morning papers, and the public were informed how it was the finest day but four in Mr. Green’s remembrance; how they retained sight of the earth till they lost it behind the clouds; and how the reflection of the balloon on the undulating masses of vapour was gorgeously picturesque; together with a little science about the refraction of the sun’s rays, and some mysterious hints respecting atmospheric heat and eddying currents of air. There was also an interesting account how a man in a boat was distinctly heard by Mr. Green, jun., to exclaim, "My eye!" which Mr. Green, jun., attributed to his voice rising to the balloon, and the sound being thrown back from its surface into the car; and the whole concluded with a slight allusion to another ascent next Wednesday, all of which was very instructive and very amusing, as our readers will see if they look to the papers. If we have forgotten to mention the date, they have only to wait till next summer and take the account of the first ascent, and it will answer the purpose equally well.</text>
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                <text>&lt;em&gt;'New Series&lt;/em&gt;, No. 4, Vauxhall-Gardens by Day'</text>
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                <text>Published in &lt;em&gt;The Morning Chronicle&lt;/em&gt; (26 October 1836), p. 3.</text>
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                <text>Dickens, Charles</text>
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                <text>&lt;em&gt;The British Newspaper Archive,&lt;/em&gt; &lt;a href="https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361026/006/0003"&gt;https://www.britishnewspaperarchive.co.uk/viewer/BL/0000082/18361026/006/0003&lt;/a&gt;.</text>
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                <text>Dickens, Charles. '&lt;em&gt;New Series&lt;/em&gt;, No. 4, 'Vauxhall-Gardens by Day' (26 October 1836). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/short-stories/1836-10-26-VauxhallGardens_by_Day"&gt;https://www.dickenssearch.com/short-stories/1836-10-26-VauxhallGardens_by_Day&lt;/a&gt;.</text>
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                <text>&lt;p&gt;&lt;em&gt;The British Newspaper Archive. &lt;/em&gt;Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.&lt;/p&gt;</text>
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                <text>&lt;p&gt;There was a time when if a man ventured to wonder how Vauxhall-gardens would look by day, he was hailed with a shout of derision at the absurdity of the idea. Vauxhall by day-light! A porter pot without porter, the House of Commons without the Speaker, a gas lamp without the gas—pooh, nonsense, the thing was not to be thought of. It was rumoured, too, in those times, that Vauxhall-gardens by day were the scene of secret and hidden experiments; that there, carvers were exercised in the mystic art of cutting a moderate sized ham into slices thin enough to pave the whole of the grounds; that beneath the shade of the tall trees, studious men were constantly engaged in chemical experiments, with the view of discovering how much water a bowl of negus could possibly bear; and that in some retired nooks, appropriated to the study of ornithology, other sage and learned men were, by a process known only to themselves, incessantly employed in reducing fowls to a mere combination of skin and bone. Vague rumours of this kind, together with many others of a similar nature, cast over Vauxhall-gardens an air of deep mystery; and as there is a great deal in the mysterious, there is no doubt that to a good many people, at all events, the pleasure they afforded was not a little enhanced by this very circumstance.&lt;/p&gt;&#13;
&lt;p&gt;Of this class of people we confess to having made one. We loved to wander among these illuminated groves, thinking of the patient and laborious researches which had been carried on there during the day, and witnessing their results in the suppers which were served up, beneath the light of lamps, and to the sound of music at night. The temples and saloons and cosmoramas and fountains glittered and sparkled before our eyes; the beauty of the lady singers and the elegant deportment of the gentlemen captivated our hearts; a few hundred thousand of additional lamps dazzled our senses; a bowl or two of reeking punch bewildered our brains; and we were happy.&lt;/p&gt;&#13;
&lt;p&gt;In an evil hour, the proprietors of Vauxhall-gardens took to opening them by day. We regretted this as rudely and harshly disturbing that veil of mystery which had hung about the property for many years, and which none but the noon-day Sun and the late Mr. Simpson had ever penetrated. We shrunk from going; at this moment we scarcely know why. Perhaps a morbid consciousness of approaching disappointment—perhaps a fatal presentiment—perhaps the weather; whatever it was, we did not go until the second or third announcement of a race between two balloons tempted us, and we went.&lt;/p&gt;&#13;
&lt;p&gt;We paid our shilling at the gate, and then we saw, for the first time, that the entrance, if there had been any magic about it at all, was now decidedly disenchanted, being, in fact, nothing more nor less than a combination of very roughly-painted boards and saw-dust. We glanced at the orchestra and supper-room as we hurried past—we just recognised them, and that was all. We bent our steps to the firework-ground; there, at least, we should not be disappointed. We reached it, and stood rooted to the spot with mortification and astonishment. &lt;em&gt;That&lt;/em&gt; the Moorish tower—that wooden shed with a door in the centre, and daubs of crimson and yellow all round, like a gigantic watch-case! &lt;em&gt;That&lt;/em&gt; the place where night after night we had beheld the undaunted Mr. Blackmore make his terrific ascent, surrounded by flames of fire, and peals of artillery, and where the white garments of Madame Somebody or other, who nobly devoted her life to the manufacture of fireworks, had so often been seen fluttering in the wind, as she called up a red, blue, or party-coloured light to illumine her temple! &lt;em&gt;That&lt;/em&gt; the—but at this moment the bell rung—the people scampered away, pell-mell, to the spot from whence the sound proceeded, and we, from the mere force of habit, found ourself running among the first, as if for very life.&lt;/p&gt;&#13;
&lt;p&gt;It was for the concert in the orchestra. A small party of dismal men in cocked hats were "executing" the overture to &lt;em&gt;Tancredi&lt;/em&gt;, and a numerous assemblage of ladies and gentlemen, with their families, had rushed from their half-emptied stout mugs in the supper boxes, and crowded to the spot. Intense was the low murmur of admiration when a particularly small gentleman, in a dress coat, led on a particularly tall lady in a blue sarcenet pelisse and bonnet of the same, ornamented with large white feathers, and forthwith commenced a plaintive duet. We knew the small gentleman well; we had seen a lithographed semblance of him on many a piece of music, with his mouth wide open as if in the act of singing; a wine glass in his hand, and a table with two decanters and four pine-apples on it in the background. The tall lady, too, we had gazed on, lost in raptures of admiration, many and many a time—how different people do look by daylight and without punch, to be sure! It was a beautiful duet: first the small gentleman asked a question, and then the tall lady answered it; then the small gentleman and the tall lady sang together most melodiously; then the small gentleman went through a little piece of vehemence by himself, and got very tenor indeed in the excitement of his feelings, to which the tall lady responded in a similar manner; then the small gentleman had a shake or two, after which the tall lady had the same, and then they both merged imperceptibly into the original air, and the band wound themselves up to a pitch of fury and the small gentleman handed the tall lady out, and the applause was rapturous. The comic singer, however, was the especial favourite; we really thought that a gentleman with his dinner in a pocket handkerchief, who stood near us, would have fainted with excess of joy. A fearfully facetious old man that comic singer is; his distinguishing characteristics are, a wig approaching to the flaxen, and an aged countenance, and he bears the name of one of the English counties, if we recollect right. He sang a song about the seven ages, the first half hour of which seemed to afford the assembly the purest delight; of the rest we can make no report, as we did not stay to hear any more.&lt;/p&gt;&#13;
&lt;p&gt;We walked about, and met with a disappointment at every turn; our favourite views were mere patches of paint; the fountain that had sparkled so showily by lamp-light, presented very much the appearance of a water-pipe that had burst; all the ornaments were dingy, and all the walks gloomy. There was a spectral attempt at rope-dancing in the little open theatre; the sun shone upon the spangled dresses of the performers, and their evolutions were about as inspiriting and appropriate as a country dance in a family vault. So we retraced our steps to the firework-ground, and mingled with the little crowd of people who were contemplating Mr. Green.&lt;/p&gt;&#13;
&lt;p&gt;Some half-dozen men were restraining the impetuosity of one of the balloons, which was completely filled, and had the car already attached; and as rumours had gone abroad that a lord was "going up," the crowd were more than usually anxious and talkative. There was one little man in faded black, with a dirty face and a rusty black neckerchief with a red border, tied in a narrow wisp round his neck, who entered into conversation with everybody, and had something to say upon every remark that was made within his hearing. He was standing with his arms folded, staring up at the balloon, and every now and then vented his feelings of reverence for the aëronaut, by saying, as he looked round to catch somebody’s eye, "He’s a rum ’un is Green; think o’ this here being up’ards of his two hundredth ascent; by God, the man as is ekal to Green never had the tooth-ache yet, nor wo'nt have within this hundred year, and that’s all about it. Wen you meets with real talent, and native, too, encourage it, that’s wot I say;" and when he had delivered himself to this effect, he would fold his arms with more determination than ever, and stare at the balloon with a sort of admiring defiance of any other man alive, beyond himself and Green, that impressed the crowd with the opinion that he was an oracle. "Ah, you’re very right, sir," said another gentleman, with his wife, and children, and mother, and wife’s sister, and a host of female friends, in all the gentility of white pocket-handkerchiefs, frills, and spencers, "Mr. Green is a steady hand, sir, and there’s no fear about him." "Fear!" said the little man: "ain't it a lovely thing to see him and his wife a going up in one balloon, and his own son and &lt;em&gt;his&lt;/em&gt; wife a jostling up agin 'em in another, and all of 'em going twenty or thirty mile in three hours or so, and then coming back in po-chayses? I don’t know where this here science is to stop, mind you; that’s what bothers me." Here there was a considerable talking among the females in the spencers. "What’s the ladies a laughing at, sir?" inquired the little man, condescendingly. "It’s only my sister Mary," said one of the girls, "as says she hopes his Lordship won’t be frightened when he’s in the car, and want to come out agin." "Make yourself easy about that there, my dear," replied the little man. "If he was so much as to move a inch without leave, Green would jist fetch him a crack over the head with the telescope, as vid send him into the bottom of the basket in no time, and stun him till they come down again." "Would he, though?" inquired the other man. "Yes, by God, would he," replied the little one, 'and think nothing of it, neither, if he was the king himself. Green’s presence of mind is wonderful."&lt;/p&gt;&#13;
&lt;p&gt;Just at this moment all eyes were directed to the preparations which were being made for starting. The car was attached to the second balloon, the two were brought pretty close together, and a military band commenced playing with a zeal and fervour which would render the most timid man in existence but too happy to accept any means of quitting that particular spot of earth on which they were stationed. Then Mr. Green, sen., and his noble companion entered one car, and Mr. Green, jun., and his companion the other; and then the balloons went up, and the aerial travellers stood up, and the crowd outside roared with delight, and the two gentlemen who had never ascended before, tried to wave their flags, as if they were not nervous, but held on very fast all the while, and the balloons were wafted gently away, our little friend solemnly protesting, long after they were reduced to mere specks in the air, that he could still distinguish the white hat of Mr. Green; the gardens disgorged their multitudes, boys ran up and down screaming "bal-loon," and in all the crowded thoroughfares people rushed out of their shops into the middle of the road, and having stared up in the air at two little black objects till they almost dislocated their necks, walked slowly in again, perfectly satisfied.&lt;/p&gt;&#13;
&lt;p&gt;The next day there was a grand account of the ascent in the morning papers, and the public were informed how it was the finest day but four in Mr. Green’s remembrance; how they retained sight of the earth till they lost it behind the clouds; and how the reflection of the balloon on the undulating masses of vapour was gorgeously picturesque; together with a little science about the refraction of the sun’s rays, and some mysterious hints respecting atmospheric heat and eddying currents of air. There was also an interesting account how a man in a boat was distinctly heard by Mr. Green, jun., to exclaim, "My eye!" which Mr. Green, jun., attributed to his voice rising to the balloon, and the sound being thrown back from its surface into the car; and the whole concluded with a slight allusion to another ascent next Wednesday, all of which was very instructive and very amusing, as our readers will see if they look to the papers. If we have forgotten to mention the date, they have only to wait till next summer and take the account of the first ascent, and it will answer the purpose equally well.&lt;/p&gt;</text>
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                  <text>Short Fiction</text>
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                  <text>Lydia Craig</text>
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                  <text>&lt;p&gt;&lt;strong&gt;This collection (still in development) unites various short stories that Dickens wrote throughout his career for various publications, including newspapers and periodicals, and for inclusion in short story collections.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Between 1833, when he tentatively submitted “A Dinner at Poplar Walk” for publication in &lt;em&gt;The Monthly Magazine,&lt;/em&gt; and his death in 1870, Dickens as ‘BOZ,’ briefly, as ‘TIBBS,’ and as “Charles Dickens” wrote dozens of short stories and ‘sketches,’ which often moved easily between journalism and story. It was as Boz, the late Georgian literary persona, that he first endeared himself to the British reading public in the pages of such newspapers and periodicals as &lt;em&gt;The Evening Chronicle&lt;/em&gt;, &lt;em&gt;Bell’s Life in London, &lt;/em&gt;and &lt;em&gt;Bentley's Miscellany&lt;/em&gt; with a unique blend of comedy and pathos. By turns scathing of observed social and personal injustices, and appreciative of London’s colourful, vibrant culture and the oddities of human nature, Boz followed in the literary footsteps of other recent metropolitan commentators like Charles Lamb (‘ELIA’), Leigh Hunt, Theodore Hook, Robert Surtees, Thomas Hood, and John Poole, and eighteenth-century Picaresque novelists, Tobias Smollett and Henry Fielding. Soon, Dickens established his own unique voice. Prior to and following the ascension of the young Queen Victoria in 1837, Boz became a prescient spectator of both the rising empire’s rapidly developing culture in public spaces and of the domestic dramas enacted in British homes.&lt;/p&gt;&#13;
&lt;p&gt;Global fame arrived with the serial publication of &lt;em&gt;The Posthumous Papers of the Pickwick Club&lt;/em&gt; (1837), marking Dickens’s shift to writing novels. In tone, this rambling comedic travelogue owed much to Boz’s voice and incidentally featured several tales unrelated to the main narrative. Dickens would sporadically publish the Mudfog stories in 1836 and 1837, enlarging on them in &lt;em&gt;Sketches by Boz&lt;/em&gt;, a collection of many of the sketches and stories first published by John Macrone in two volumes in 1836 and 1837 and illustrated by George Cruikshank. According to Robert L. Patten, ‘When Dickens gathered up previously published writing, anonymous and pseudonymous, for republication, he identified authorship with a particular subset of his journalistic pieces, the ‘sketches’ rather than the tales or portraits of characters, and with his pseudonym. Hence, after mooting several other titles, Dickens settled on &lt;em&gt;Sketches by Boz&lt;/em&gt;’ (44). &lt;em&gt;Sketches of Young Gentlemen&lt;/em&gt; (1838), a joking response to Rev. Edward Caswell, or “QUIZ’s” recent effort &lt;em&gt;Sketches of Young Ladies&lt;/em&gt; (1838), and &lt;em&gt;Sketches of Couples&lt;/em&gt; (1840) were published by Chapman and Hall and illustrated by Hablot Knight Browne, better known as ‘PHIZ’.&lt;/p&gt;&#13;
&lt;p&gt;After this point, Dickens’s short stories were published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, though after 1837 he never published them with any regularity, preferring instead to focus on writing and serialising novels. Occasionally, he contributed several chapters to a jointly authored short story, collection, or series; Christmas numbers of his periodicals provided the opportunity to feature multiple famous writers uniting to weave a Yule-tide yarn, such as &lt;em&gt;The Haunted House&lt;/em&gt; (1859). Notably, his collaboration with Wilkie Collins resulted in such works as &lt;em&gt;The Perils of Certain English Prisoners&lt;/em&gt; (1857) and &lt;em&gt;No Thoroughfare&lt;/em&gt; (1867). Towards the end of his life, Dickens began to publish short stories again in American publications such as &lt;em&gt;The New York Ledger, The Atlantic Monthly, &lt;/em&gt;and &lt;em&gt;Our Young Folks&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Until now, first printings of Dickens’s earliest short stories published between 1833 and 1836 have been difficult to find for those unable to visit the periodicals and newspaper holdings at eminent institutions such as The British Library. Similarly, the last ones written by Dickens have remained understudied due in part to their obscurity. Twentieth-century editions of the &lt;em&gt;Sketches &lt;/em&gt;are generally based on the text of Chapman and Hall’s later 1839 single volume edition, which relies on the reissue serialised between 1837 and 1839, or the 1868 Charles Dickens Edition, which is based on the 1850 cheap (and further revised) edition.&lt;/p&gt;&#13;
&lt;p&gt;Other anthologies, for instance &lt;em&gt;Selected Short Fiction&lt;/em&gt; (Penguin, 2005), edited by Deborah A. Thomas, choose excerpts from Dickens’s entire &lt;em&gt;oeuvre &lt;/em&gt;in the short fiction genre. Several scholars have explored the drafting, publication, and impact of the early sketches and short stories, with notable studies including&amp;nbsp;&lt;em&gt;Dickens and the Short Story&lt;/em&gt;. (University of Philadelphia Press, 1982) by Deborah A. Thomas and &lt;em&gt;Charles Dickens and ‘Boz’: The Birth of the Industrial-Age Author&lt;/em&gt; (Cambridge, 2012) by Patten.1 To date, the most comprehensive overview of the sketches is provided by&lt;em&gt; The Oxford Edition of Charles Dickens’s Sketches by Boz&lt;/em&gt; (2021) edited by Paul Schlicke with David Hewitt. Others include &lt;em&gt;Dickens's Uncollected Magazine and Newspaper Sketches as Originally Composed and Published 1833–1836&lt;/em&gt; (2012), edited by Robert C. Hanna, and &lt;em&gt;Sketches by Boz and Other Early Papers&lt;/em&gt; (1994), edited by Michael Slater.&lt;/p&gt;&#13;
&lt;p&gt;Because Dickens made many alterations, whether significant or incidental, between the first printing of a sketch and successive editions, these changes open up a window into his editorial process and developing intentions for the ‘Boz’ legacy. Now, with this &lt;em&gt;Dickens Search&lt;/em&gt; collection, these emendations can be studied with greater ease than ever before. Our transcription field contains text Dickens is believed to have solely authored, though our pdfs of the short story collaborations will be provided in their entirety to facilitate easier engagement and comprehension of how his narrative might interact with those constructed by other writers. Ngram search and other text analysis tools will be applied to Dickens’s words only, to avoid skewing the results.&lt;br /&gt;&lt;br /&gt;While building this collection, we have consulted, and transcribed scans found on databases such as &lt;em&gt;British Newspaper Archive (BNA),&lt;/em&gt; digital archives, and such open-access sites as&lt;em&gt; Hathi Trust, Internet Archive,&lt;/em&gt; and &lt;em&gt;Google Books&lt;/em&gt;; all items are linked to their original location on the internet.&lt;/p&gt;&#13;
&lt;p&gt;Please contact us with any errors, corrections, and suggestions, or to mention other short stories by Dickens that might have been overlooked.&lt;/p&gt;&#13;
1. See Dominic Rainsford. ‘“Luller-li-e-te”! Language, Personhood, and Sympathy in &lt;em&gt;Sketches by Boz.’&lt;/em&gt; In &lt;em&gt;Some Keywords in Dickens&lt;/em&gt;. Edited by Michael Hollington, Francesca Orestano, and Nathalie Vanfasse. Vandenhoeck &amp;amp; Ruprecht, 2021, pp. 117-130; William F. Long. ‘“Our Space is Limited”: Fitting Sketches by Boz into the &lt;em&gt;Morning Chronicle&lt;/em&gt;”. &lt;em&gt;Dickens Quarterly &lt;/em&gt;4 (December 2020): pp. 325-348; William F. Long. 'Dickens before &lt;em&gt;Sketches by Boz&lt;/em&gt;: Earliest Reactions to his Earliest Works'. &lt;em&gt;Dickensian&lt;/em&gt; (2018), 114.505, pp.170-176; Christina Jen. '"Drop the Curtain": Astonishment and the Anxieties of Authorship in Charles Dickens's &lt;em&gt;Sketches by Boz. Dickens Studies Annual&lt;/em&gt; 49.2 (2018): pp. 249-278; Dianne F. Sadoff. ‘Boz and Beyond: “Oliver Twist” and the Dickens Legacy’. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 45 (2014): pp. 23-44; &lt;em&gt;Dickens's Uncollected Magazine and Newspaper Sketches, as Originally Composed and Published, 1833–1836, &lt;/em&gt;No. 46. Ed. Robert C. Hanna (2012): New York, AMS Press; Danielle Coriale. ‘Sketches by Boz, “So Frail a Machine”. &lt;em&gt;SEL: Studies in English Literature &lt;/em&gt;48.4 (2008): pp. 801-812; Paul Schlicke. ‘“Risen Like a Rocket”: The Impact of &lt;em&gt;Sketches by Boz’&lt;/em&gt;. &lt;em&gt;Dickens Quarterly&lt;/em&gt; 22.1 (2005): pp. 3-18; Ellen Miller Casey. ‘“Boz has got the Town by the ear”: Dickens and the “Athenæum Critics”’. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 33 (2003): pp. 159-190; Richard Maxwell. ‘Dickens, the Two “Chronicles”, and the Publication of “Sketches by Boz”’. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 9 (1981): pp. 21–32; Angus Easson. “Who is Boz? Dickens and His Sketches”. &lt;em&gt;The Dickensian&lt;/em&gt; 18.1.405 (Spring 1985): pp. 13-22; Julian W. Breslow. 'The Narrator in &lt;em&gt;Sketches by Boz&lt;/em&gt;.' &lt;em&gt;ELH&lt;/em&gt; 44.1 (1977): pp. 127–49.</text>
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              <text>&lt;em&gt;The Morning Chronicle&lt;/em&gt;</text>
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              <text>When we affirm that brokers’ shops are strange places, and that if an authentic history of their contents could be procured, it would furnish many a page of amusement, and many a melancholy tale, it is necessary to explain the class of shops to which we allude. Perhaps when we make use of the term "brokers’ shops," the minds of our readers will at once picture large, handsome warehouses, exhibiting a long perspective of French-polished dining-tables, rosewood chiffoniers, and mahogany wash-hand stands, with an occasional vista of a four-post bedstead and hangings, and an appropriate fore-ground of dining-room chairs. Perhaps they will imagine that we mean an humble class of second-hand furniture repositories. Their imagination will then naturally lead them to that street at the back of Long-acre, which is composed almost entirely of brokers’ shops, where you walk through groves of deceitful, showy-looking furniture, and where the prospect is occasionally enlivened by a bright red, blue, and yellow hearth-rug, embellished with the pleasing device of a mail-coach at full speed, or a strange animal, supposed to have been originally intended for a dog, with a mass of worsted-work in his mouth, which conjecture has likened to a basket of flowers. This, by-the-bye, is a tempting article to young wives in the humbler ranks of life, who have a first-floor front to furnish; they are lost in admiration, and hardly know which to admire most. The dog is very beautiful, but they have a dog already on the best tea-tray, and two more on the mantel piece. Then there is something so genteel about that mail-coach; and the passengers outside (who are all hat) give it such an air of reality! There are some of the most beautiful looking Pembroke tables that ever were beheld: the wood as green as the trees in the Park, and the leaves almost as certain to fall off in the course of a year. There is also a most extensive assortment of tent and turn-up bedsteads, made of stained wood; and innumerable specimens of that base Imposition on society—a sofa bedstead. A turn-up bedstead is a blunt, honest piece of furniture; it may be slightly disguised with a sham drawer, and sometimes a mad attempt is even made to pass it off for a book-case; ornament it as you will, however, the turn-up bedstead seems to defy disguise, and to insist on having it distinctly understood that he is a turn-up bedstead, and nothing else; that he is indispensably necessary; and that, being so useful, he disdains to be ornamental. How different is the demeanour of a sofa-bedstead! Ashamed of its real use, it strives to appear an article of luxury and gentility, an attempt in which it miserably fails. It has neither the respectability of a sofa, nor the virtues of a bed; every man who keeps a sofa-bedstead in his house, becomes a party to a wilful and designing fraud—we question whether you could insult him more than by insinuating that you entertain the least suspicion of its real use. To return from this digression, we beg to say, that neither of these classes of brokers’ shops forms the subject of our fifth sketch. The shops to which we advert, are immeasurably inferior to those on whose outward appearance we have slightly touched. Our readers must often have observed in some bye-street in a poor neighbourhood, a small, dirty shop, exposing for sale the most extraordinary and confused jumble of old, worn-out, wretched articles, that can well be imagined. Our wonder at their ever having been bought, is only to be equalled by our astonishment at the idea of their ever being sold again. On a board, at the side of the door, are placed about twenty books—all odd volumes, and as many wine-glasses—all different patterns; several locks, an old earthen-ware pan, full of rusty keys; two or three gaudy chimney-ornaments—cracked, of course; the remains of a lustre, without any drops, a round frame like a capital O, which has once held a mirror; a flute, complete, with the exception of the middle joint; a pair of curling-irons, and a tinder-box. In front of the shop-window, are ranged some half-dozen high-backed chairs, with spinal complaints and wasted legs; a corner cupboard; two or three very dark mahogany tables, with flaps like mathematical problems; some pickle jars, some surgeons’ ditto, with gilt labels, and without stoppers; an unframed portrait of some lady who flourished about the beginning of the thirteenth century, by an artist who never flourished at all; an incalculable host of miscellanies of every description; including bottles and cabinets, rags and bones, fenders and street-door knockers, fire irons, wearing apparel and bedding, a hall-lamp, and a room-door. Imagine, in addition to this incongruous mass, a black doll in a white frock with two faces, one looking up the street, and the other looking down, swinging over the door; a board with the squeezed-up inscription "Dealer in Marine Stores," in lanky white letters, whose height is strangely out of proportion to their width; and you have before you precisely the kind of shop to which we wish to direct your attention. Although the same heterogeneous mixture of things which we have attempted to describe, will be found at all these places, it is curious to observe how truly and accurately some of the minor articles which are exposed for sale—articles of wearing apparel, for instance—mark the character of the neighbourhood. Take Drury-Lane and Covent-garden for example. This is essentially a theatrical neighbourhood. There is not a pot-boy in the vicinity who is not, to a greater or less extent, a dramatic character. The errand-boys and chandler’s-shop-keepers’ sons, are all stage-struck; they "get up" plays in back kitchens hired for the purpose, and will stand before a shop window for hours, contemplating a great staring portrait of Mr. Somebody or other, of the Royal Coburg Theatre, "as he appeared in the character of Tongo the Denouncer." The consequence is, that there is not a marine-store shop in the neighbourhood which does not exhibit for sale some faded articles of dramatic finery, such as three or four pairs of soiled buff boots with turn-over red tops, heretofore worn by a "fourth robber" or "fifth mob;" a pair of rusty broad swords, a few gauntlets, and certain resplendent ornaments, which, if they were yellow instead of white, might be taken for insurance plates of the Sun Fire-office. There are several of these shops in the narrow streets and dirty courts, of which there are so many near our national Theatres, and they all have tempting goods of this description; with the addition, perhaps, of a lady’s pink dress, covered with spangles, white wreaths, stage shoes, and a tiara like a tin lamp-reflector. They have been purchased of some wretched supernumeraries, or sixth-rate actors, and are now offered for the benefit of the rising generation, who, on condition of making certain weekly payments, amounting in the whole to about ten times their value, may avail themselves of such desirable bargains. Let us take a very different quarter, and apply it to the test. Look at a marine store-dealer’s in that reservoir of dirt, drunkenness, and drabs, thieves, oysters, baked potatoes, and pickled salmon—Ratcliff-highway. Here, the wearing-apparel is all nautical: rough blue jackets, with mother-of-pearl buttons, oilskin hats, coarse checked shirts, and large canvass trousers, that look as if they were made for a pair of bodies instead of a pair of legs, are the staple commodities. Then there are large bunches of cotton pocket-handkerchiefs, in colour and pattern unlike any one ever saw before, with the exception of those on the backs of the three young ladies without bonnets who passed just now. The furniture is much the same as elsewhere, with the addition of one or two models of ships, and some old prints of naval engagements, in still older frames. In the window are a few compasses, and a small tray containing silver watches, in clumsy thick cases, and tobacco-boxes, the lid of each ornamented with a ship or an anchor, or some such trophy. A sailor generally pawns or sells all he has before he has been long ashore; and if he does not, some favoured companion kindly saves him the trouble. In either case it is an even chance that he afterwards unconsciously re-purchases the same things at a higher price than he gave for them at first. Again; pay a visit with a similar object, to a part of London, as unlike both of these as they are to each other. Cross over to the Surrey side, and look at such shops of this description as are to be found near the King’s Bench Prison, and in "The Rules." How different, and how strikingly illustrative of the decay of some of the unfortunate residents in this part of the metropolis! Imprisonment and neglect have done their work: there is contamination in the profligate denizens of a debtor’s prison; old friends have fallen off; the recollection of former prosperity has passed away, and with it all thought of the past, all care for the future. First, watches and rings, then cloaks, coats, and all the more expensive articles of dress, have found their way to the pawnbroker’s. That miserable resource has failed at last, and the sale of some trifling article at one of these shops, has been the only mode left of raising a shilling or two, to meet the urgent demands of the moment. Dressing-cases, and writing-desks, too old to pawn, but too good to keep, guns, fishing-rods, musical instruments, in the same condition, have been first sold, and the sacrifice has been but slightly felt. But hunger must be allayed, and what has already become a habit is easily resorted to when an emergency arises. Light articles of clothing, first of the ruined man, then of his wife, at last of their children, even of the youngest, have been parted with piece-meal. There they are, thrown carelessly together, until a purchaser presents himself; old and patched, and repaired, it is true, but the make and materials tell of better days; and the older they are, the greater the misery and destitution of those whom they once adorned. We had intended to sketch this subject less in outline than is customary with us. We are, however, unwilling to exceed our ordinary limits, or to trespass at greater length than usual on the patience of our readers. We have more of these imperfect sketches to submit for their perusal; and as we hope to have many opportunies—when the partial absence of matter of pressing and absorbing interest again enables us to occupy a column occasionally—of laying our pen-and-ink drawings before them, we postpone the further consideration of this subject until a future time.</text>
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                <text>&lt;em&gt;'Street Sketches,&lt;/em&gt; No. V, Brokers and Marine Store Shops'</text>
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                <text>Published in &lt;em&gt;The Morning Chronicle&lt;/em&gt; on 15 December 1834.</text>
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                <text>&lt;em&gt;The British Newspaper Archive,&lt;/em&gt; &lt;a href="https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341215/021/0006"&gt;https://www.britishnewspaperarchive.co.uk/viewer/bl/0000082/18341215/021/0006&lt;/a&gt;.</text>
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                <text>1834-12-15</text>
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                <text>Dickens, Charles. '&lt;em&gt;Street Sketches&lt;/em&gt;, No. V, Brokers and Marine Store Shops' (15 December 1834). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/short-stories/1834-12-15-Street_Sketches_No5_Brokers_and_Marine_Store_Shops"&gt;https://www.dickenssearch.com/short-stories/1834-12-15-Street_Sketches_No5_Brokers_and_Marine_Store_Shops&lt;/a&gt;.</text>
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                <text>&lt;p&gt;&lt;em&gt;The British Newspaper Archive. &lt;/em&gt;Some rights reserved. This work permits non-commercial use, distribution, and reproduction in any medium, provided the original author and source are credited.&lt;/p&gt;</text>
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                <text>When we affirm that brokers’ shops are strange places, and that if an authentic history of their contents could be procured, it would furnish many a page of amusement, and many a melancholy tale, it is necessary to explain the class of shops to which we allude. Perhaps when we make use of the term "brokers’ shops," the minds of our readers will at once picture large, handsome warehouses, exhibiting a long perspective of French-polished dining-tables, rosewood chiffoniers, and mahogany wash-hand stands, with an occasional vista of a four-post bedstead and hangings, and an appropriate fore-ground of dining-room chairs. Perhaps they will imagine that we mean an humble class of second-hand furniture repositories. Their imagination will then naturally lead them to that street at the back of Long-acre, which is composed almost entirely of brokers’ shops, where you walk through groves of deceitful, showy-looking furniture, and where the prospect is occasionally enlivened by a bright red, blue, and yellow hearth-rug, embellished with the pleasing device of a mail-coach at full speed, or a strange animal, supposed to have been originally intended for a dog, with a mass of worsted-work in his mouth, which conjecture has likened to a basket of flowers. This, by-the-bye, is a tempting article to young wives in the humbler ranks of life, who have a first-floor front to furnish; they are lost in admiration, and hardly know which to admire most. The dog is very beautiful, but they have a dog already on the best tea-tray, and two more on the mantel piece. Then there is something so genteel about that mail-coach; and the passengers outside (who are all hat) give it such an air of reality! There are some of the most beautiful &lt;em&gt;looking&lt;/em&gt; Pembroke tables that ever were beheld: the wood as green as the trees in the Park, and the leaves almost as certain to fall off in the course of a year. There is also a most extensive assortment of tent and turn-up bedsteads, made of stained wood; and innumerable specimens of that base Imposition on society—a sofa bedstead. A turn-up bedstead is a blunt, honest piece of furniture; it may be slightly disguised with a sham drawer, and sometimes a mad attempt is even made to pass it off for a book-case; ornament it as you will, however, the turn-up bedstead seems to defy disguise, and to insist on having it distinctly understood that he is a turn-up bedstead, and nothing else; that he is indispensably necessary; and that, being so useful, he disdains to be ornamental. How different is the demeanour of a sofa-bedstead! Ashamed of its real use, it strives to appear an article of luxury and gentility, an attempt in which it miserably fails. It has neither the respectability of a sofa, nor the virtues of a bed; every man who keeps a sofa-bedstead in his house, becomes a party to a wilful and designing fraud—we question whether you could insult him more than by insinuating that you entertain the least suspicion of its real use.&lt;br /&gt;&lt;br /&gt;To return from this digression, we beg to say, that neither of these classes of brokers’ shops forms the subject of our fifth sketch. The shops to which we advert, are immeasurably inferior to those on whose outward appearance we have slightly touched. Our readers must often have observed in some bye-street in a poor neighbourhood, a small, dirty shop, exposing for sale the most extraordinary and confused jumble of old, worn-out, wretched articles, that can well be imagined. Our wonder at their ever having been bought, is only to be equalled by our astonishment at the idea of their ever being sold again. On a board, at the side of the door, are placed about twenty books—all odd volumes, and as many wine-glasses—all different patterns; several locks, an old earthen-ware pan, full of rusty keys; two or three gaudy chimney-ornaments—cracked, of course; the remains of a lustre, without any drops, a round frame like a capital O, which has once held a mirror; a flute, complete, with the exception of the middle joint; a pair of curling-irons, and a tinder-box. In front of the shop-window, are ranged some half-dozen high-backed chairs, with spinal complaints and wasted legs; a corner cupboard; two or three very dark mahogany tables, with flaps like mathematical problems; some pickle jars, some surgeons’ ditto, with gilt labels, and without stoppers; an unframed portrait of some lady who flourished about the beginning of the thirteenth century, by an artist who never flourished at all; an incalculable host of miscellanies of every description; including bottles and cabinets, rags and bones, fenders and street-door knockers, fire irons, wearing apparel and bedding, a hall-lamp, and a room-door. Imagine, in addition to this incongruous mass, a black doll in a white frock with two faces, one looking up the street, and the other looking down, swinging over the door; a board with the squeezed-up inscription "Dealer in Marine Stores," in lanky white letters, whose height is strangely out of proportion to their width; and you have before you precisely the kind of shop to which we wish to direct your attention.&lt;br /&gt;&lt;br /&gt;Although the same heterogeneous mixture of things&amp;nbsp; which we have attempted to describe, will be found at all these places, it is curious to observe how truly and accurately some of the minor articles which are exposed for sale—articles of wearing apparel, for instance—mark the character of the neighbourhood. Take Drury-Lane and Covent-garden for example. This is essentially a theatrical neighbourhood. There is not a pot-boy in the vicinity who is not, to a greater or less extent, a dramatic character. The errand-boys and chandler’s-shop-keepers’ sons, are all stage-struck; they "get up" plays in back kitchens hired for the purpose, and will stand before a shop window for hours, contemplating a great staring portrait of Mr. Somebody or other, of the Royal Coburg Theatre, "as he appeared in the character of &lt;em&gt;Tongo the Denouncer."&lt;/em&gt; The consequence is, that there is not a marine-store shop in the neighbourhood which does not exhibit for sale some faded articles of dramatic finery, such as three or four pairs of soiled buff boots with turn-over red tops, heretofore worn by a "fourth robber" or "fifth mob;" a pair of rusty broad swords, a few gauntlets, and certain resplendent ornaments, which, if they were yellow instead of white, might be taken for insurance plates of the Sun Fire-office. There are several of these shops in the narrow streets and dirty courts, of which there are so many near our national Theatres, and they all have tempting goods of this description; with the addition, perhaps, of a lady’s pink dress, covered with spangles, white wreaths, stage shoes, and a tiara like a tin lamp-reflector. They have been purchased of some wretched supernumeraries, or sixth-rate actors, and are now offered for the benefit of the rising generation, who, on condition of making certain weekly payments, amounting in the whole to about ten times their value, may avail themselves of such desirable bargains.&lt;br /&gt;&lt;br /&gt;Let us take a very different quarter, and apply it to the test. Look at a marine store-dealer’s in that reservoir of dirt, drunkenness, and drabs, thieves, oysters, baked potatoes, and pickled salmon—Ratcliff-highway. Here, the wearing-apparel is all nautical: rough blue jackets, with mother-of-pearl buttons, oilskin hats, coarse checked shirts, and large canvass trousers, that look as if they were made for a pair of bodies instead of a pair of legs, are the staple commodities. Then there are large bunches of cotton pocket-handkerchiefs, in colour and pattern unlike any one ever saw before, with the exception of those on the backs of the three young ladies without bonnets who passed just now. The furniture is much the same as elsewhere, with the addition of one or two models of ships, and some old prints of naval engagements, in still older frames. In the window are a few compasses, and a small tray containing silver watches, in clumsy thick cases, and tobacco-boxes, the lid of each ornamented with a ship or an anchor, or some such trophy. A sailor generally pawns or sells all he has before he has been long ashore; and if he does not, some favoured companion kindly saves him the trouble. In either case it is an even chance that he afterwards unconsciously re-purchases the same things at a higher price than he gave for them at first.&lt;br /&gt;&lt;br /&gt;Again; pay a visit with a similar object, to a part of London, as unlike both of these as they are to each other. Cross over to the Surrey side, and look at such shops of this description as are to be found near the King’s Bench Prison, and in "The Rules." How different, and how strikingly illustrative of the decay of some of the unfortunate residents in this part of the metropolis! Imprisonment and neglect have done their work: there is contamination in the profligate denizens of a debtor’s prison; old friends have fallen off; the recollection of former prosperity has passed away, and with it all thought of the past, all care for the future. First, watches and rings, then cloaks, coats, and all the more expensive articles of dress, have found their way to the pawnbroker’s. That miserable resource has failed at last, and the sale of some trifling article at one of these shops, has been the only mode left of raising a shilling or two, to meet the urgent demands of the moment. Dressing-cases, and writing-desks, too old to pawn, but too good to keep, guns, fishing-rods, musical instruments, in the same condition, have been first sold, and the sacrifice has been but slightly felt. But hunger must be allayed, and what has already become a habit is easily resorted to when an emergency arises. Light articles of clothing, first of the ruined man, then of his wife, at last of their children, even of the youngest, have been parted with piece-meal. There they are, thrown carelessly together, until a purchaser presents himself; old and patched, and repaired, it is true, but the make and materials tell of better days; and the older they are, the greater the misery and destitution of those whom they once adorned.&lt;br /&gt;&lt;br /&gt;We had intended to sketch this subject less in outline than is customary with us. We are, however, unwilling to exceed our ordinary limits, or to trespass at greater length than usual on the patience of our readers. We have more of these imperfect sketches to submit for their perusal; and as we hope to have many opportunies—when the partial absence of matter of pressing and absorbing interest again enables us to occupy a column occasionally—of laying our pen-and-ink drawings before them, we postpone the further consideration of this subject until a future time.</text>
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                  <text>Lydia Craig</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the five Christmas books that Dickens wrote between 1843 and 1848 and published firstly with Chapman and Hall and secondly with Bradbury and Evans.&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Charles Dickens wrote the first of five Christmas books in 1843. &lt;em&gt;A Christmas Carol, &lt;/em&gt;the story of a miser's slow repentance and decision to make amends, under the influence of the Ghosts of his old law partner Jacob Marley, Christmas Past, Christmas Present, and Christmas Future, would prove to be a timeless classic. In Scrooge's realization of his own selfishness, mortality, and responsibility towards both his impoverished employee and the faceless London poor, readers are compelled to reassess their own social actions evidenced over the course of a lifetime. Consequently, this Christmas book's cultural and academic legacy has overshadowed the other four subsequently penned by Dickens in response to public interest. Due to Dickens's use of various passages for public readings, it instantly commenced a theatrical life as well, and continues to be the most adapted of his works for film and stage.&lt;br /&gt;&lt;br /&gt;Though the financial success of &lt;em&gt;A Christmas Carol&lt;/em&gt; did not benefit Dickens to the degree he had hoped, its immediate attraction to Victorians and enduring legacy opened up a seasonal niche that author and publishers were eager to exploit annually, for multiple reasons. The Christmas books provided Dickens with a way to morally encourage and exhort his readers to better themselves and society under the influence of holiday sentiment. They also offered the chance to acquire some much-needed revenue.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, he wrote &lt;em&gt;The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year In &lt;/em&gt;(Chapman and Hall, 1844). Continuing to point out socioeconomic discrepancies between Victorian strata, Dickens induces sympathy for the straitened porter Toby Veck, and the endangered future life of his beloved daughter, Meg, who is headed for catastrophe unless she can marry her sweetheart despite the ill-intentioned advice of politicians and the barrier of her own poverty.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Cricket on the Hearth. A Fairy Tale of Home&lt;/em&gt; (Bradbury and Evans, 1845) dealt with the spectre of adultery in an age-gap marriage, later to be explored with a similar resolution in Dickens's novel &lt;em&gt;David Copperfield&lt;/em&gt; (1850). Due to the evil Mr. Tackleton, a sinister toy-merchant, John Peerybingle comes to doubt the fidelity of his beloved young wife, Dot. The cricket, a chirping guardian spirit of the home, plays a significant part in the action that ensues. In this story, Dickens also features a blind girl, Bertha Plummer, one of his most extensive explorations of disability.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;In 1846, &lt;em&gt;The Battle of Life. A Love Story&lt;/em&gt; was published by Bradbury and Evans, a romantic tale set in the eighteenth century on the site of an ancient battle-field. Interestingly, it centres around the relationship between two sisters, Grace and Marion Jeddler, and the latter's engagement to a childhood friend, Alfred Heathfield. Several characters in this tale elicit interest, such as the intimate partners-in-law Mr. Snitchey and Mr. Craggs and the semi-literate maid Clemency. What might be the reader's philosophy of life is brought into question under the influence of the dramatic events that so greatly unsettle the rural village.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The last of these Christmas books, &lt;em&gt;The Haunted Man and the Ghost's Bargain&lt;/em&gt; (Bradbury and Evans, 1848) represents a more sinister view of Christmas, with the full powers of a menacing double of the brooding Chemist Mr. Redlaw spiritually contending with the cheerful good-will of Milly Swidger. Like another of Dickens's domestic paragons, Esther Summerson, Milly endeavours to brighten the lives of those around her while the double seeks to provoke their regrets.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Ultimately, Dickens would never pen another Christmas book, though he wrote the short reflective pieces "A Christmas Tree" (1850) and "What Christmas is, as we Grow Older" (1851) for &lt;em&gt;Household Words. &lt;/em&gt;However, between 1852 and 1867, he annually orchestrated and significantly contributed to a Christmas number, either published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; or &lt;em&gt;All the Year Round&lt;/em&gt;. In most cases, a scan of each full number - and Dickens's specific contributions, transcribed - can be accessed in the &lt;em&gt;Dickens Search&lt;/em&gt; collection &lt;a href="http://dickenssearch.com/admin/collections/show/8"&gt;Christmas Stories&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Before citing the five texts in this collection of the Christmas books, please consult the metadata and pdf scan. In most cases, the edition is not the first, but the earliest that can be found freely digitised on the internet. Eventually, these will hopefully be replaced by scans of first editions, with the transcriptions updated, when necessary.&lt;br /&gt;&lt;br /&gt;While building this collection, we have consulted, and transcribed scans found on databases such as &lt;em&gt;Hathi Trust,&lt;/em&gt; &lt;em&gt;Internet Archive,&lt;/em&gt; and &lt;em&gt;Google Books&lt;/em&gt;; all items are linked to their original location on the internet.&lt;br /&gt;&lt;br /&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Christine Schintgen. 'Dickens and the Specter of Materialism: The Spiritual Significance of Ghosts in the Christmas Books and Ghost Stories'. In &lt;em&gt;The Theological Dickens.&lt;/em&gt; Routledge, 2021; Emily Moody. '"Implausible and inappropriate"?: A Defense of Dickens's &lt;em&gt;A Christmas Carol&lt;/em&gt;. &lt;em&gt;Dickens Quarterly&lt;/em&gt; 37.4 (2020): pp. 393-408; Aubrey Plourde. '"Another Man from What I Was": Enchanted Reading and Ethical Selfhood in &lt;em&gt;A Christmas Carol&lt;/em&gt;'. &lt;em&gt;Victorian Review: An Interdisciplinary Journal of Victorian Studies&lt;/em&gt; 43.2 (Fall 2017): 271-286; Brandon Chitwood. 'Eternal Returns: &lt;em&gt;A Christmas Carol's&lt;/em&gt; Ghosts of Repetition'. &lt;em&gt;Victorian Literature and Culture &lt;/em&gt;43.4 (2015): pp. 675-687; Phillip V. Allingham. 'Charles "Carlo" Dickens In and Out of Italy in 1844: &lt;em&gt;The Chimes&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 41 (2010): pp. 127-149; Michael Slater. 'Carlyle and Jerrold Into Dickens: A Study of &lt;em&gt;The Chimes'. Nineteenth-Century Fiction &lt;/em&gt;24.4 (Mar 1970): pp. 506-52; David Raybin. 'Chaucer on the Hearth'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 49.1 (2018): pp. 1-25; Heather Anne Tilley. 'Sentiment and Vision in Charles Dickens’s &lt;em&gt;A Christmas Carol &lt;/em&gt;and &lt;em&gt;The Cricket on the Hearth&lt;/em&gt;'. &lt;em&gt;19: Interdisciplinary Studies in the Long Nineteenth Century&lt;/em&gt;&amp;nbsp;4 (2007): 1-22; Elisabeth G. Gitter. 'The Blind Daughter in Charles Dickens's &lt;em&gt;Cricket on the Hearth'. Studies in English Literature, 1500-1900&lt;/em&gt; 39.4 (Autumn 1999): pp. 675-689; Goldie Morgentaler. 'The Doppelganger Effect: Dickens, Heredity, and the Double in &lt;em&gt;The Battle of Life&lt;/em&gt;'. &lt;em&gt;Dickens Studies Annual: Essays on Victorian Fiction&lt;/em&gt; 42 (2011): 159-175; Phillip V. Allingham. 'The Illustrations in Dickens's &lt;em&gt;The Haunted Man&lt;/em&gt; &lt;em&gt;and The Ghost's Bargain&lt;/em&gt;: Public and Private Spheres and Spaces'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 36 (2005): pp. 75-123.</text>
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              <text>STAVE ONE. MARLEY’S GHOST. MARLEY was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail. Mind! I don’t mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country’s done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail. Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don’t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain. The mention of Marley’s funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul’s Churchyard for instance—literally to astonish his son’s weak mind. Scrooge never painted out Old Marley’s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him. Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn’t thaw it one degree at Christmas. External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn’t know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often “came down” handsomely, and Scrooge never did. Nobody ever stopped him in the street to say, with gladsome looks, “My dear Scrooge, how are you? when will you come to see me?” No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, “no eye at all is better than an evil eye, dark master!” But what did Scrooge care! It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call “nuts” to Scrooge. Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale. The door of Scrooge’s counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk’s fire was so very much smaller that it looked like one coal. But he couldn’t replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed. “A merry Christmas, uncle! God save you!” cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach. “Bah!” said Scrooge, “Humbug!” He had so heated himself with rapid walking in the fog and frost, this nephew of Scrooge’s, that he was all in a glow; his face was ruddy and handsome; his eyes sparkled, and his breath smoked again. “Christmas a humbug, uncle!” said Scrooge’s nephew. “You don’t mean that, I am sure.” “I do,” said Scrooge. “Merry Christmas! what right have you to be merry? what reason have you to be merry? You’re poor enough.” “Come, then,” returned the nephew gaily. “What right have you to be dismal? what reason have you to be morose? You’re rich enough.” Scrooge having no better answer ready on the spur of the moment, said, “Bah!” again; and followed it up with “Humbug.” “Don’t be cross, uncle,” said the nephew. “What else can I be” returned the uncle, “when I live in such a world of fools as this? Merry Christmas! Out upon merry Christmas! What’s Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, and not an hour richer; a time for balancing your books and having every item in ’em through a round dozen of months presented dead against you? If I could work my will,” said Scrooge, indignantly, “every idiot who goes about with ‘Merry Christmas,’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!” “Uncle!” pleaded the nephew. “Nephew!” returned the uncle sternly, “keep Christmas in your own way, and let me keep it in mine.” “Keep it!” repeated Scrooge’s nephew. “But you don’t keep it.” “Let me leave it alone, then,” said Scrooge. “Much good may it do you! Much good it has ever done you!” “There are many things from which I might have derived good, by which I have not profited, I dare say,” returned the nephew: “Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!” The clerk in the tank involuntarily applauded: becoming immediately sensible of the impropriety, he poked the fire, and extinguished the last frail spark for ever. “Let me hear another sound from you,” said Scrooge, “and you’ll keep your Christmas by losing your situation. You’re quite a powerful speaker, sir,” he added, turning to his nephew. “I wonder you don’t go into Parliament.” “Don’t be angry, uncle. Come! Dine with us to-morrow.” Scrooge said that he would see him—yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first. “But why?” cried Scrooge’s nephew. “Why?” “Why did you get married?” said Scrooge. “Because I fell in love.” “Because you fell in love!” growled Scrooge, as if that were the only one thing in the world more ridiculous than a merry Christmas. “Good afternoon!” “Nay, uncle, but you never came to see me before that happened. Why give it as a reason for not coming now?” “Good afternoon,” said Scrooge. “I want nothing from you; I ask nothing of you; why cannot we be friends?” “Good afternoon,” said Scrooge. “I am sorry, with all my heart, to find you so resolute. We have never had any quarrel, to which I have been a party. But I have made the trial in homage to Christmas, and I’ll keep my Christmas humour to the last. So A Merry Christmas, uncle!” “Good afternoon!” said Scrooge. “And A Happy New Year!” “Good afternoon!” said Scrooge. His nephew left the room without an angry word, notwithstanding. He stopped at the outer door to bestow the greetings of the season on the clerk, who, cold as he was, was warmer than Scrooge; for he returned them cordially. “There’s another fellow,” muttered Scrooge; who overheard him: “my clerk, with fifteen shillings a week, and a wife and family, talking about a merry Christmas. I’ll retire to Bedlam.” This lunatic, in letting Scrooge’s nephew out, had let two other people in. They were portly gentlemen, pleasant to behold, and now stood, with their hats off, in Scrooge’s office. They had books and papers in their hands, and bowed to him. “Scrooge and Marley’s, I believe,” said one of the gentlemen, referring to his list. “Have I the pleasure of addressing Mr. Scrooge, or Mr. Marley?” “Mr. Marley has been dead these seven years,” Scrooge replied. “He died seven years ago, this very night.” “We have no doubt his liberality is well represented by his surviving partner,” said the gentleman, presenting his credentials. It certainly was; for they had been two kindred spirits. At the ominous word “liberality,” Scrooge frowned, and shook his head, and handed the credentials back. “At this festive season of the year, Mr. Scrooge,” said the gentleman, taking up a pen, “it is more than usually desirable that we should make some slight provision for the Poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.” “Are there no prisons?” asked Scrooge. “Plenty of prisons,” said the gentleman, laying down the pen again. “And the Union workhouses?” demanded Scrooge. “Are they still in operation?” “They are. Still,” returned the gentleman, “I wish I could say they were not.” “The Treadmill and the Poor Law are in full vigour, then?” said Scrooge. “Both very busy, sir.” “Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.” “Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude,” returned the gentleman, “a few of us are endeavouring to raise a fund to buy the Poor some meat and drink, and means of warmth. We choose this time, because it is a time, of all others, when Want is keenly felt, and Abundance rejoices. What shall I put you down for?” “Nothing!” Scrooge replied. “You wish to be anonymous?” “I wish to be left alone,” said Scrooge. “Since you ask me what I wish, gentlemen, that is my answer. I don’t make merry myself at Christmas and I can’t afford to make idle people merry. I help to support the establishments I have mentioned: they cost enough: and those who are badly off must go there.” “Many can’t go there; and many would rather die.” “If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Besides—excuse me—I don’t know that.” “But you might know it,” observed the gentleman. “It’s not my business,” Scrooge returned. “It’s enough for a man to understand his own business, and not to interfere with other people’s. Mine occupies me constantly. Good afternoon, gentlemen!” Seeing clearly that it would be useless to pursue their point, the gentlemen withdrew. Scrooge resumed his labours with an improved opinion of himself, and in a more facetious temper than was usual with him. Meanwhile the fog and darkness thickened so, that people ran about with flaring links, proffering their services to go before horses in carriages, and conduct them on their way. The ancient tower of a church, whose gruff old bell was always peeping slily down at Scrooge out of a gothic window in the wall, became invisible, and struck the hours and quarters in the clouds, with tremulous vibrations afterwards, as if its teeth were chattering in its frozen head up there. The cold became intense. In the main street, at the corner of the court, some labourers were repairing the gas-pipes, and had lighted a great fire in a brazier, round which a party of ragged men and boys were gathered: warming their hands and winking their eyes before the blaze in rapture. The water-plug being left in solitude, its overflowings sullenly congealed, and turned to misanthropic ice. The brightness of the shops where holly sprigs and berries crackled in the lamp-heat of the windows, made pale faces ruddy as they passed. Poulterers’ and grocers’ trades became a splendid joke: a glorious pageant, with which it was next to impossible to believe that such dull principles as bargain and sale had anything to do. The Lord Mayor, in the stronghold of the mighty Mansion House, gave orders to his fifty cooks and butlers to keep Christmas as a Lord Mayor’s household should; and even the little tailor, whom he had fined five shillings on the previous Monday for being drunk and blood-thirsty in the streets, stirred up to-morrow’s pudding in his garret, while his lean wife and the baby sallied out to buy the beef. Foggier yet, and colder! Piercing, searching, biting cold. If the good Saint Dunstan had but nipped the Evil Spirit’s nose with a touch of such weather as that, instead of using his familiar weapons, then indeed he would have roared to lusty purpose. The owner of one scant young nose, gnawed and mumbled by the hungry cold as bones are gnawed by dogs, stooped down at Scrooge’s keyhole to regale him with a Christmas carol: but at the first sound of “God bless you, merry gentleman! May nothing you dismay!” Scrooge seized the ruler with such energy of action, that the singer fled in terror, leaving the keyhole to the fog and even more congenial frost. At length the hour of shutting up the counting-house arrived. With an ill-will Scrooge dismounted from his stool, and tacitly admitted the fact to the expectant clerk in the Tank, who instantly snuffed his candle out, and put on his hat. “You’ll want all day to-morrow, I suppose?” said Scrooge. “If quite convenient, Sir.” “It’s not convenient,” said Scrooge, “and it’s not fair. If I was to stop half-a-crown for it, you’d think yourself ill-used, I’ll be bound?” The clerk smiled faintly. “And yet,” said Scrooge, “you don’t think me ill-used, when I pay a day’s wages for no work.” The clerk observed that it was only once a year. “A poor excuse for picking a man’s pocket every twenty-fifth of December!” said Scrooge, buttoning his great-coat to the chin. “But I suppose you must have the whole day. Be here all the earlier next morning!” The clerk promised that he would; and Scrooge walked out with a growl. The office was closed in a twinkling, and the clerk, with the long ends of his white comforter dangling below his waist (for he boasted no great-coat), went down a slide on Corn-hill, at the end of a lane of boys, twenty times, in honour of its being Christmas-eve, and then ran home to Camden Town as hard as he could pelt, to play at blindman’s-buff. Scrooge took his melancholy dinner in his usual melancholy tavern; and having read all the newspapers, and beguiled the rest of the evening with his banker’s-book, went home to bed. He lived in chambers which had once belonged to his deceased partner. They were a gloomy suite of rooms, in a lowering pile of building up a yard, where it had so little business to be, that one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and forgotten the way out again. It was old enough now, and dreary enough, for nobody lived in it but Scrooge, the other rooms being all let out as offices. The yard was so dark that even Scrooge, who knew its every stone, was fain to grope with his hands. The fog and frost so hung about the black old gateway of the house, that it seemed as if the Genius of the Weather sat in mournful meditation on the threshold. Now, it is a fact, that there was nothing at all particular about the knocker on the door, except that it was very large. It is also a fact, that Scrooge had seen it, night and morning, during his whole residence in that place; also that Scrooge had as little of what is called fancy about him as any man in the City of London, even including—which is a bold word—the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-years’ dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change: not a knocker, but Marley’s face. Marley’s face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up on its ghostly forehead. The hair was curiously stirred, as if by breath or hot-air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be, in spite of the face and beyond its control, rather than a part of its own expression. As Scrooge looked fixedly at this phenomenon, it was a knocker again. To say that he was not startled, or that his blood was not conscious of a terrible sensation to which it had been a stranger from infancy, would be untrue. But he put his hand upon the key he had relinquished, turned it sturdily, walked in, and lighted his candle. He did pause, with a moment’s irresolution, before he shut the door; and he did look cautiously behind it first, as if he half-expected to be terrified with the sight of Marley’s pigtail sticking out into the hall. But there was nothing on the back of the door, except the screws and nuts that held the knocker on; so he said “Pooh, pooh!” and closed it with a bang. The sound resounded through the house like thunder. Every room above, and every cask in the wine-merchant’s cellars below, appeared to have a separate peal of echoes of its own. Scrooge was not a man to be frightened by echoes. He fastened the door, and walked across the hall, and up the stairs: slowly too: trimming his candle as he went. You may talk vaguely about driving a coach-and-six up a good old flight of stairs, or through a bad young Act of Parliament; but I mean to say you might have got a hearse up that staircase, and taken it broadwise, with the splinter-bar towards the wall, and the door towards the balustrades: and done it easy. There was plenty of width for that, and room to spare; which is perhaps the reason why Scrooge thought he saw a locomotive hearse going on before him in the gloom. Half-a-dozen gas-lamps out of the street wouldn’t have lighted the entry too well, so you may suppose that it was pretty dark with Scrooge’s dip. Up Scrooge went, not caring a button for that: darkness is cheap, and Scrooge liked it. But before he shut his heavy door, he walked through his rooms to see that all was right. He had just enough recollection of the face to desire to do that. Sitting-room, bed-room, lumber-room. All as they should be. Nobody under the table, nobody under the sofa; a small fire in the grate; spoon and basin ready; and the little saucepan of gruel (Scrooge had a cold in his head) upon the hob. Nobody under the bed; nobody in the closet; nobody in his dressing-gown, which was hanging up in a suspicious attitude against the wall. Lumber-room as usual. Old fire-guard, old shoes, two fish-baskets, washing-stand on three legs, and a poker. Quite satisfied, he closed his door, and locked himself in; double-locked himself in, which was not his custom. Thus secured against surprise, he took off his cravat; put on his dressing-gown and slippers, and his night-cap; and sat down before the fire to take his gruel. It was a very low fire indeed; nothing on such a bitter night. He was obliged to sit close to it, and brood over it, before he could extract the least sensation of warmth from such a handful of fuel. The fire-place was an old one, built by some Dutch merchant long ago, and paved all round with quaint Dutch tiles, designed to illustrate the Scriptures. There were Cains and Abels; Pharaoh’s daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figuresm to attract his thoughts; and yet that face of Marley, seven years dead, came like the ancient Prophet’s rod, and swallowed up the whole. If each smooth tile had been a blank at first, with power to shape some picture on its surface from the disjointed fragments of his thoughts, there would have been a copy of old Marley’s head on every one. “Humbug!” said Scrooge; and walked across the room. After several turns, he sat down again. As he threw his head back in the chair, his glance happened to rest upon a bell, a disused bell, that hung in the room, and communicated for some purpose now forgotten with a chamber in the highest story of the building. It was with great astonishment, and with a strange, inexplicable dread, that as he looked, he saw this bell begin to swing. It swung so softly in the outset that it scarcely made a sound; but soon it rang out loudly, and so did every bell in the house. This might have lasted half a minute, or a minute, but it seemed an hour. The bells ceased as they had begun, together. They were succeeded by a clanking noise, deep down below; as if some person were dragging a heavy chain over the casks in the wine-merchant’s cellar. Scrooge then remembered to have heard that ghosts in haunted houses were described as dragging chains. The cellar-door flew open with a booming sound, and then he heard the noise much louder, on the floors below; then coming up the stairs; then coming straight towards his door. “It’s humbug still!” said Scrooge. “I won’t believe it.” His colour changed though, when, without a pause, it came on through the heavy door, and passed into the room before his eyes. Upon its coming in, the dying flame leaped up, as though it cried, “I know him! Marley’s Ghost!” and fell again. The same face: the very same. Marley in his pig-tail, usual waistcoat, tights, and boots; the tassels on the latter bristling, like his pig-tail, and his coat-skirts, and the hair upon his head. The chain he drew was clasped about his middle. It was long, and wound about him like a tail; and it was made (for Scrooge observed it closely) of cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses wrought in steel. His body was transparent: so that Scrooge, observing him, and looking through his waistcoat, could see the two buttons on his coat behind. Scrooge had often heard it said that Marley had no bowels, but he had never believed it until now. No, nor did he believe it even now. Though he looked the phantom through and through, and saw it standing before him; though he felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before; he was still incredulous, and fought against his senses. “How now!” said Scrooge, caustic and cold as ever. “What do you want with me?” “Much!”—Marley’s voice, no doubt about it. “Who are you?” “Ask me who I was.” “Who were you then?” said Scrooge, raising his voice. “You’re particular—for a shade.” He was going to say “to a shade,” but substituted this, as more appropriate. “In life I was your partner, Jacob Marley.” “Can you—can you sit down?” asked Scrooge, looking doubtfully at him. “I can.” “Do it, then.” Scrooge asked the question, because he didn’t know whether a ghost so transparent might find himself in a condition to take a chair; and felt that in the event of its being impossible, it might involve the necessity of an embarrassing explanation. But the ghost sat down on the opposite side of the fireplace, as if he were quite used to it. “You don’t believe in me,” observed the Ghost. “I don’t,” said Scrooge. “What evidence would you have of my reality, beyond that of your senses?” “I don’t know,” said Scrooge. “Why do you doubt your senses?” “Because,” said Scrooge, “a little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There’s more of gravy than of grave about you, whatever you are!” Scrooge was not much in the habit of cracking jokes, nor did he feel, in his heart, by any means waggish then. The truth is, that he tried to be smart, as a means of distracting his own attention, and keeping down his terror; for the spectre’s voice disturbed the very marrow in his bones. To sit, staring at those fixed, glazed eyes, in silence for a moment, would play, Scrooge felt, the very deuce with him. There was something very awful, too, in the spectre’s being provided with an infernal atmosphere of its own. Scrooge could not feel it himself, but this was clearly the case; for though the Ghost sat perfectly motionless, its hair, and skirts, and tassels, were still agitated as by the hot vapour from an oven. “You see this toothpick?” said Scrooge, returning quickly to the charge, for the reason just assigned; and wishing, though it were only for a second, to divert the vision’s stony gaze from himself. “I do,” replied the Ghost. “You are not looking at it,” said Scrooge. “But I see it,” said the Ghost, “notwithstanding.” “Well!” returned Scrooge, “I have but to swallow this, and be for the rest of my days persecuted by a legion of goblins, all of my own creation. Humbug, I tell you; humbug!” At this the spirit raised a frightful cry, and shook its chain with such a dismal and appalling noise, that Scrooge held on tight to his chair, to save himself from falling in a swoon. But how much greater was his horror, when the phantom taking off the bandage round its head, as if it were too warm to wear in-doors, its lower jaw dropped down upon its breast! Scrooge fell upon his knees, and clasped his hands before his face. “Mercy!” he said. “Dreadful apparition, why do you trouble me?” “Man of the worldly mind!” replied the Ghost, “do you believe in me or not?” “I do,” said Scrooge. “I must. But why do spirits walk the earth, and why do they come to me?” “It is required of every man,” the Ghost returned, “that the spirit within him should walk abroad among his fellow-men, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world—oh, woe is me!—and witness what it cannot share, but might have shared on earth, and turned to happiness!” Again the spectre raised a cry, and shook its chain, and wrung its shadowy hands. “You are fettered,” said Scrooge, trembling. “Tell me why?” “I wear the chain I forged in life,” replied the Ghost. “I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?” Scrooge trembled more and more. “Or would you know,” pursued the Ghost, “the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this, seven Christmas Eves ago. You have laboured on it, since. It is a ponderous chain!” Scrooge glanced about him on the floor, in the expectation of finding himself surrounded by some fifty or sixty fathoms of iron cable: but he could see nothing. “Jacob,” he said, imploringly. “Old Jacob Marley, tell me more. Speak comfort to me, Jacob.” “I have none to give,” the Ghost replied. “It comes from other regions, Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of men. Nor can I tell you what I would. A very little more, is all permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-house—mark me!—in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!” It was a habit with Scrooge, whenever he became thoughtful, to put his hands in his breeches pockets. Pondering on what the Ghost had said, he did so now, but without lifting up his eyes, or getting off his knees. “You must have been very slow about it, Jacob,” Scrooge observed, in a business-like manner, though with humility and deference. “Slow!” the Ghost repeated. “Seven years dead,” mused Scrooge. “And travelling all the time?” “The whole time,” said the Ghost. “No rest, no peace. Incessant torture of remorse.” “You travel fast?” said Scrooge. “On the wings of the wind,” replied the Ghost. “You might have got over a great quantity of ground in seven years,” said Scrooge. The Ghost, on hearing this, set up another cry, and clanked its chain so hideously in the dead silence of the night, that the Ward would have been justified in indicting it for a nuisance. “Oh! captive, bound, and double-ironed,” cried the phantom, “not to know, that ages of incessant labour by immortal creatures, for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunities misused! Yet such was I! Oh! such was I!” “But you were always a good man of business, Jacob,” faultered Scrooge, who now began to apply this to himself. “Business!” cried the Ghost, wringing its hands again. “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!” It held up its chain at arm’s length, as if that were the cause of all its unavailing grief, and flung it heavily upon the ground again. “At this time of the rolling year,” the spectre said, “I suffer most. Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted me!” Scrooge was very much dismayed to hear the spectre going on at this rate, and began to quake exceedingly. “Hear me!” cried the Ghost. “My time is nearly gone.” “I will,” said Scrooge. “But don’t be hard upon me! Don’t be flowery, Jacob! Pray!” “How it is that I appear before you in a shape that you can see, I may not tell. I have sat invisible beside you many and many a day.” It was not an agreeable idea. Scrooge shivered, and wiped the perspiration from his brow. “That is no light part of my penance,” pursued the Ghost. “I am here to-night to warn you, that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring, Ebenezer.” “You were always a good friend to me,” said Scrooge. “Thank’ee!” “You will be haunted,” resumed the Ghost, “by Three Spirits.” Scrooge’s countenance fell almost as low as the Ghost’s had done. “Is that the chance and hope you mentioned, Jacob?” he demanded, in a faultering voice. “It is.” “I—I think I’d rather not,” said Scrooge. “Without their visits,” said the Ghost, “you cannot hope to shun the path I tread. Expect the first to-morrow, when the bell tolls One.” “Couldn’t I take ’em all at once, and have it over, Jacob?” hinted Scrooge. “Expect the second on the next night at the same hour. The third upon the next night when the last stroke of Twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us!” When it had said these words, the spectre took its wrapper from the table, and bound it round its head, as before. Scrooge knew this, by the smart sound its teeth made, when the jaws were brought together by the bandage. He ventured to raise his eyes again, and found his supernatural visitor confronting him in an erect attitude, with its chain wound over and about its arm. The apparition walked backward from him; and at every step it took, the window raised itself a little, so that when the spectre reached it, it was wide open. It beckoned Scrooge to approach, which he did. When they were within two paces of each other, Marley’s Ghost held up its hand, warning him to come no nearer. Scrooge stopped. Not so much in obedience, as in surprise and fear: for on the raising of the hand, he became sensible of confused noises in the air; incoherent sounds of lamentation and regret; wailings inexpressibly sorrowful and self-accusatory. The spectre, after listening for a moment, joined in the mournful dirge; and floated out upon the bleak, dark night. Scrooge followed to the window: desperate in his curiosity. He looked out. The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ancle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever. Whether these creatures faded into mist, or mist enshrouded them, he could not tell. But they and their spirit voices faded together; and the night became as it had been when he walked home. Scrooge closed the window, and examined the door by which the Ghost had entered. It was double-locked, as he had locked it with his own hands, and the bolts were undisturbed. He tried to say “Humbug!” but stopped at the first syllable. And being, from the emotion he had undergone, or the fatigues of the day, or his glimpse of the Invisible World, or the dull conversation of the Ghost, or the lateness of the hour, much in need of repose; went straight to bed, without undressing, and fell asleep upon the instant. STAVE TWO. THE FIRST OF THE THREE SPIRITS. WHEN Scrooge awoke, it was so dark, that looking out of bed, he could scarcely distinguish the transparent window from the opaque walls of his chamber. He was endeavouring to pierce the darkness with his ferret eyes, when the chimes of a neighbouring church struck the four quarters. So he listened for the hour. To his great astonishment the heavy bell went on from six to seven, and from seven to eight, and regularly up to twelve; then stopped. Twelve! It was past two when he went to bed. The clock was wrong. An icicle must have got into the works. Twelve! He touched the spring of his repeater, to correct this most preposterous clock. Its rapid little pulse beat twelve; and stopped. “Why, it isn’t possible,” said Scrooge, “that I can have slept through a whole day and far into another night. It isn’t possible that anything has happened to the sun, and this is twelve at noon!” The idea being an alarming one, he scrambled out of bed, and groped his way to the window. He was obliged to rub the frost off with the sleeve of his dressing-gown before he could see anything; and could see very little then. All he could make out was, that it was still very foggy and extremely cold, and that there was no noise of people running to and fro, and making a great stir, as there unquestionably would have been if night had beaten off bright day, and taken possession of the world. This was a great relief, because “three days after sight of this First of Exchange pay to Mr. Ebenezer Scrooge or his order,” and so forth, would have become a mere United States’ security if there were no days to count by. Scrooge went to bed again, and thought, and thought, and thought it over and over and over, and could make nothing of it. The more he thought, the more perplexed he was; and the more he endeavoured not to think, the more he thought. Marley’s Ghost bothered him exceedingly. Every time he resolved within himself, after mature inquiry, that it was all a dream, his mind flew back again, like a strong spring released, to its first position, and presented the same problem to be worked all through, “Was it a dream or not?” Scrooge lay in this state until the chime had gone three quarters more, when he remembered, on a sudden, that the Ghost had warned him of a visitation when the bell tolled one. He resolved to lie awake until the hour was passed; and, considering that he could no more go to sleep than go to Heaven, this was perhaps the wisest resolution in his power. The quarter was so long, that he was more than once convinced he must have sunk into a doze unconsciously, and missed the clock. At length it broke upon his listening ear. “Ding, dong!” “A quarter past,” said Scrooge, counting. “Ding, dong!” “Half-past!” said Scrooge. “Ding, dong!” “A quarter to it,” said Scrooge. “Ding, dong!” “The hour itself,” said Scrooge, triumphantly, “and nothing else!” He spoke before the hour bell sounded, which it now did with a deep, dull, hollow, melancholy ONE. Light flashed up in the room upon the instant, and the curtains of his bed were drawn. The curtains of his bed were drawn aside, I tell you, by a hand. Not the curtains at his feet, nor the curtains at his back, but those to which his face was addressed. The curtains of his bed were drawn aside; and Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow. It was a strange figure—like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible; and which was doubtless the occasion of its using, in its duller moments, a great extinguisher for a cap, which it now held under its arm. Even this, though, when Scrooge looked at it with increasing steadiness, was not its strangest quality. For as its belt sparkled and glittered now in one part and now in another, and what was light one instant, at another time was dark, so the figure itself fluctuated in its distinctness: being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts, no outline would be visible in the dense gloom wherein they melted away. And in the very wonder of this, it would be itself again; distinct and clear as ever. “Are you the Spirit, sir, whose coming was foretold to me?” asked Scrooge. “I am!” The voice was soft and gentle. Singularly low, as if instead of being so close beside him, it were at a distance. “Who, and what are you?” Scrooge demanded. “I am the Ghost of Christmas Past.” “Long past?” inquired Scrooge: observant of its dwarfish stature. “No. Your past.” Perhaps, Scrooge could not have told anybody why, if anybody could have asked him; but he had a special desire to see the Spirit in his cap; and begged him to be covered. “What!” exclaimed the Ghost, “would you so soon put out, with worldly hands, the light I give? Is it not enough that you are one of those whose passions made this cap, and force me through whole trains of years to wear it low upon my brow!” Scrooge reverently disclaimed all intention to offend or any knowledge of having wilfully “bonneted” the Spirit at any period of his life. He then made bold to inquire what business brought him there. “Your welfare!” said the Ghost. Scrooge expressed himself much obliged, but could not help thinking that a night of unbroken rest would have been more conducive to that end. The Spirit must have heard him thinking, for it said immediately: “Your reclamation, then. Take heed!” It put out its strong hand as it spoke, and clasped him gently by the arm. “Rise! and walk with me!” It would have been in vain for Scrooge to plead that the weather and the hour were not adapted to pedestrian purposes; that bed was warm, and the thermometer a long way below freezing; that he was clad but lightly in his slippers, dressing-gown, and nightcap; and that he had a cold upon him at that time. The grasp, though gentle as a woman’s hand, was not to be resisted. He rose: but finding that the Spirit made towards the window, clasped his robe in supplication. “I am a mortal,” Scrooge remonstrated, “and liable to fall.” “Bear but a touch of my hand there,” said the Spirit, laying it upon his heart, “and you shall be upheld in more than this!” As the words were spoken, they passed through the wall, and stood upon an open country road, with fields on either hand. The city had entirely vanished. Not a vestige of it was to be seen. The darkness and the mist had vanished with it, for it was a clear, cold, winter day, with snow upon the ground. “Good Heaven!” said Scrooge, clasping his hands together, as he looked about him. “I was bred in this place. I was a boy here!” The Spirit gazed upon him mildly. Its gentle touch, though it had been light and instantaneous, appeared still present to the old man’s sense of feeling. He was conscious of a thousand odours floating in the air, each one connected with a thousand thoughts, and hopes, and joys, and cares long, long, forgotten! “Your lip is trembling,” said the Ghost. “And what is that upon your cheek?” Scrooge muttered, with an unusual catching in his voice, that it was a pimple; and begged the Ghost to lead him where he would. “You recollect the way?” inquired the Spirit. “Remember it!” cried Scrooge with fervour; “I could walk it blindfold.” “Strange to have forgotten it for so many years!” observed the Ghost. “Let us go on.” They walked along the road; Scrooge recognising every gate, and post, and tree; until a little market-town appeared in the distance, with its bridge, its church, and winding river. Some shaggy ponies now were seen trotting towards them with boys upon their backs, who called to other boys in country gigs and carts, driven by farmers. All these boys were in great spirits, and shouted to each other, until the broad fields were so full of merry music, that the crisp air laughed to hear it. “These are but shadows of the things that have been,” said the Ghost. “They have no consciousness of us.” The jocund travellers came on; and as they came, Scrooge knew and named them every one. Why was he rejoiced beyond all bounds to see them! Why did his cold eye glisten, and his heart leap up as they went past! Why was he filled with gladness when he heard them give each other Merry Christmas, as they parted at cross-roads and bye-ways, for their several homes! What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him? “The school is not quite deserted,” said the Ghost. “A solitary child, neglected by his friends, is left there still.” Scrooge said he knew it. And he sobbed. They left the high-road, by a well-remembered lane, and soon approached a mansion of dull red brick, with a little weathercock-surmounted cupola, on the roof, and a bell hanging in it. It was a large house, but one of broken fortunes; for the spacious offices were little used, their walls were damp and mossy, their windows broken, and their gates decayed. Fowls clucked and strutted in the stables; and the coach-houses and sheds were over-run with grass. Nor was it more retentive of its ancient state, within; for entering the dreary hall, and glancing through the open doors of many rooms, they found them poorly furnished, cold, and vast. There was an earthy savour in the air, a chilly bareness in the place, which associated itself somehow with too much getting up by candle-light, and not too much to eat. They went, the Ghost and Scrooge, across the hall, to a door at the back of the house. It opened before them, and disclosed a long, bare, melancholy room, made barer still by lines of plain deal forms and desks. At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down upon a form, and wept to see his poor forgotten self as he had used to be. Not a latent echo in the house, not a squeak and scuffle from the mice behind the panneling, not a drip from the half-thawed water-spout in the dull yard behind, not a sigh among the leafless boughs of one despondent poplar, not the idle swinging of an empty store-house door, no, not a clicking in the fire, but fell upon the heart of Scrooge with softening influence, and gave a freer passage to his tears. The Spirit touched him on the arm, and pointed to his younger self, intent upon his reading. Suddenly a man, in foreign garments: wonderfully real and distinct to look at: stood outside the window, with an axe stuck in his belt, and leading an ass laden with wood by the bridle. “Why, it’s Ali Baba!” Scrooge exclaimed in ecstasy. “It’s dear old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder solitary child was left here all alone, he did come, for the first time, just like that. Poor boy! And Valentine,” said Scrooge, “and his wild brother, Orson; there they go! And what’s his name, who was put down in his drawers, asleep, at the Gate of Damascus; don’t you see him! And the Sultan’s Groom turned upside down by the Genii; there he is upon his head! Serve him right. I’m glad of it. What business had he to be married to the Princess!” To hear Scrooge expending all the earnestness of his nature on such subjects, in a most extraordinary voice between laughing and crying; and to see his heightened and excited face; would have been a surprise to his business friends in the city, indeed. “There’s the Parrot!” cried Scrooge. “Green body and yellow tail, with a thing like a lettuce growing out of the top of his head; there he is! Poor Robin Crusoe, he called him, when he came home again after sailing round the island. ‘Poor Robin Crusoe, where have you been, Robin Crusoe?’ The man thought he was dreaming, but he wasn’t. It was the Parrot, you know. There goes Friday, running for his life to the little creek! Halloa! Hoop! Halloo!” Then, with a rapidity of transition very foreign to his usual character, he said, in pity for his former self, “Poor boy!” and cried again. “I wish,” Scrooge muttered, putting his hand in his pocket, and looking about him, after drying his eyes with his cuff: “but it’s too late now.” “What is the matter?” asked the Spirit. “Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that’s all.” The Ghost smiled thoughtfully, and waved its hand: saying as it did so, “Let us see another Christmas!” Scrooge’s former self grew larger at the words, and the room became a little darker and more dirty. The pannels shrunk, the windows cracked; fragments of plaster fell out of the ceiling, and the naked laths were shown instead; but how all this was brought about, Scrooge knew no more than you do. He only knew that it was quite correct; that everything had happened so; that there he was, alone again, when all the other boys had gone home for the jolly holidays. He was not reading now, but walking up and down despairingly. Scrooge looked at the Ghost, and with a mournful shaking of his head, glanced anxiously towards the door. It opened; and a little girl, much younger than the boy, came darting in, and putting her arms about his neck, and often kissing him, addressed him as her “Dear, dear brother.” “I have come to bring you home, dear brother!” said the child, clapping her tiny hands, and bending down to laugh. “To bring you home, home, home!” “Home, little Fan?” returned the boy. “Yes!” said the child, brimful of glee. “Home, for good and all. Home, for ever and ever. Father is so much kinder than he used to be, that home’s like Heaven! He spoke so gently to me one dear night when I was going to bed, that I was not afraid to ask him once more if you might come home; and he said Yes, you should; and sent me in a coach to bring you. And you’re to be a man!” said the child, opening her eyes, “and are never to come back here; but first, we’re to be together all the Christmas long, and have the merriest time in all the world.” “You are quite a woman, little Fan!” exclaimed the boy. She clapped her hands and laughed, and tried to touch his head; but being too little, laughed again, and stood on tiptoe to embrace him. Then she began to drag him, in her childish eagerness, towards the door; and he, nothing loth to go, accompanied her. A terrible voice in the hall cried, “Bring down Master Scrooge’s box, there!” and in the hall appeared the schoolmaster himself, who glared on Master Scrooge with a ferocious condescension, and threw him into a dreadful state of mind by shaking hands with him. He then conveyed him and his sister into the veriest old well of a shivering best-parlour that ever was seen, where the maps upon the wall, and the celestial and terrestrial globes in the windows, were waxy with cold. Here he produced a decanter of curiously light wine, and a block of curiously heavy cake, and administered instalments of those dainties to the young people: at the same time, sending out a meagre servant to offer a glass of “something” to the postboy, who answered that he thanked the gentleman, but if it was the same tap as he had tasted before, he had rather not. Master Scrooge’s trunk being by this time tied on to the top of the chaise, the children bade the schoolmaster good-bye right willingly; and getting into it, drove gaily down the garden-sweep: the quick wheels dashing the hoar-frost and snow from off the dark leaves of the evergreens like spray. “Always a delicate creature, whom a breath might have withered,” said the Ghost. “But she had a large heart!” “So she had,” cried Scrooge. “You’re right. I will not gainsay it, Spirit. God forbid!” “She died a woman,” said the Ghost, “and had, as I think, children.” “One child,” Scrooge returned. “True,” said the Ghost. “Your nephew!” Scrooge seemed uneasy in his mind; and answered briefly, “Yes.” Although they had but that moment left the school behind them, they were now in the busy thoroughfares of a city, where shadowy passengers passed and repassed; where shadowy carts and coaches battled for the way, and all the strife and tumult of a real city were. It was made plain enough, by the dressing of the shops, that here too it was Christmas time again; but it was evening, and the streets were lighted up. The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it. “Know it!” said Scrooge. “Was I apprenticed here!” They went in. At sight of an old gentleman in a Welch wig, sitting behind such a high desk, that if he had been two inches taller he must have knocked his head against the ceiling, Scrooge cried in great excitement: “Why, it’s old Fezziwig! Bless his heart; it’s Fezziwig alive again!” Old Fezziwig laid down his pen, and looked up at the clock, which pointed to the hour of seven. He rubbed his hands; adjusted his capacious waistcoat; laughed all over himself, from his shoes to his organ of benevolence; and called out in a comfortable, oily, rich, fat, jovial voice: “Yo ho, there! Ebenezer! Dick!” Scrooge’s former self, now grown a young man, came briskly in, accompanied by his fellow-’prentice. “Dick Wilkins, to be sure!” said Scrooge to the Ghost. “Bless me, yes. There he is. He was very much attached to me, was Dick. Poor Dick! Dear, dear!” “Yo ho, my boys!” said Fezziwig. “No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let’s have the shutters up,” cried old Fezziwig, with a sharp clap of his hands, “before a man can say, Jack Robinson!” You wouldn’t believe how those two fellows went at it! They charged into the street with the shutters—one, two, three—had ’em up in their places—four, five, six—barred ’em and pinned ’em—seven, eight, nine—and came back before you could have got to twelve, panting like race-horses. “Hilli-ho!” cried old Fezziwig, skipping down from the high desk, with wonderful agility. “Clear away, my lads, and let’s have lots of room here! Hilli-ho, Dick! Chirrup, Ebenezer!” Clear away! There was nothing they wouldn’t have cleared away, or couldn’t have cleared away, with old Fezziwig looking on. It was done in a minute. Every movable was packed off, as if it were dismissed from public life for evermore; the floor was swept and watered, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse was as snug, and warm, and dry, and bright a ball-room, as you would desire to see upon a winter’s night. In came a fiddler with a music-book, and went up to the lofty desk, and made an orchestra of it, and tuned like fifty stomach-aches. In came Mrs. Fezziwig, one vast substantial smile. In came the three Miss Fezziwigs, beaming and lovable. In came the six young followers whose hearts they broke. In came all the young men and women employed in the business. In came the housemaid, with her cousin, the baker. In came the cook, with her brother’s particular friend, the milkman. In came the boy from over the way, who was suspected of not having board enough from his master; trying to hide himself behind the girl from next door but one, who was proved to have had her ears pulled by her Mistress. In they all came, one after another; some shyly, some boldly, some gracefully, some awkwardly, some pushing, some pulling; in they all came, anyhow and everyhow. Away they all went, twenty couple at once; hands half round and back again the other way; down the middle and up again; round and round in various stages of affectionate grouping; old top couple always turning up in the wrong place; new top couple starting off again, as soon as they got there; all top couples at last, and not a bottom one to help them. When this result was brought about, old Fezziwig, clapping his hands to stop the dance, cried out, “Well done!” and the fiddler plunged his hot face into a pot of porter, especially provided for that purpose. But scorning rest, upon his reappearance, he instantly began again, though there were no dancers yet, as if the other fiddler had been carried home, exhausted, on a shutter; and he were a bran-new man resolved to beat him out of sight, or perish. There were more dances, and there were forfeits, and more dances, and there was cake, and there was negus, and there was a great piece of Cold Roast, and there was a great piece of Cold Boiled, and there were mince-pies, and plenty of beer. But the great effect of the evening came after the Roast and Boiled, when the fiddler (an artful dog, mind! The sort of man who knew his business better than you or I could have told it him!) struck up “Sir Roger de Coverley.” Then old Fezziwig stood out to dance with Mrs. Fezziwig. Top couple, too; with a good stiff piece of work cut out for them; three or four and twenty pair of partners; people who were not to be trifled with; people who would dance, and had no notion of walking. But if they had been twice as many: ah, four times: old Fezziwig would have been a match for them, and so would Mrs. Fezziwig. As to her, she was worthy to be his partner in every sense of the term. If that’s not high praise, tell me higher, and I’ll use it. A positive light appeared to issue from Fezziwig’s calves. They shone in every part of the dance like moons. You couldn’t have predicted, at any given time, what would have become of them next. And when old Fezziwig and Mrs. Fezziwig had gone all through the dance; advance and retire, both hands to your partner; bow and curtsey; corkscrew; thread-the-needle, and back again to your place; Fezziwig “cut”—cut so deftly, that he appeared to wink with his legs, and came upon his feet again without a stagger. When the clock struck eleven, this domestic ball broke up. Mr. and Mrs. Fezziwig took their stations, one on either side the door, and shaking hands with every person individually as he or she went out, wished him or her a Merry Christmas. When everybody had retired but the two ’prentices, they did the same to them; and thus the cheerful voices died away, and the lads were left to their beds; which were under a counter in the back-shop. During the whole of this time, Scrooge had acted like a man out of his wits. His heart and soul were in the scene, and with his former self. He corroborated everything, remembered everything, enjoyed everything, and underwent the strangest agitation. It was not until now, when the bright faces of his former self and Dick were turned from them, that he remembered the Ghost, and became conscious that it was looking full upon him, while the light upon its head burnt very clear. “A small matter,” said the Ghost, “to make these silly folks so full of gratitude.” “Small!” echoed Scrooge. The Spirit signed to him to listen to the two apprentices, who were pouring out their hearts in praise of Fezziwig: and when he had done so, said, “Why! Is it not? He has spent but a few pounds of your mortal money: three or four perhaps. Is that so much that he deserves this praise?” “It isn’t that,” said Scrooge, heated by the remark, and speaking unconsciously like his former, not his latter, self. “It isn’t that, Spirit. He has the power to render us happy or unhappy; to make our service light or burdensome; a pleasure or a toil. Say that his power lies in words and looks; in things so slight and insignificant that it is impossible to add and count ’em up: what then? The happiness he gives, is quite as great as if it cost a fortune.” He felt the Spirit’s glance, and stopped. “What is the matter?” asked the Ghost. “Nothing particular,” said Scrooge. “Something, I think?” the Ghost insisted. “No,” said Scrooge, “No. I should like to be able to say a word or two to my clerk just now! That’s all.” His former self turned down the lamps as he gave utterance to the wish; and Scrooge and the Ghost again stood side by side in the open air. “My time grows short,” observed the Spirit. “Quick!” This was not addressed to Scrooge, or to any one whom he could see, but it produced an immediate effect. For again Scrooge saw himself. He was older now; a man in the prime of life. His face had not the harsh and rigid lines of later years; but it had begun to wear the signs of care and avarice. There was an eager, greedy, restless motion in the eye, which showed the passion that had taken root, and where the shadow of the growing tree would fall. He was not alone, but sat by the side of a fair young girl in a mourning-dress: in whose eyes there were tears, which sparkled in the light that shone out of the Ghost of Christmas Past. “It matters little,” she said, softly. “To you, very little. Another idol has displaced me; and if it can cheer and comfort you in time to come, as I would have tried to do, I have no just cause to grieve.” “What Idol has displaced you?” he rejoined. “A golden one.” “This is the even-handed dealing of the world!” he said. “There is nothing on which it is so hard as poverty; and there is nothing it professes to condemn with such severity as the pursuit of wealth!” “You fear the world too much,” she answered, gently. “All your other hopes have merged into the hope of being beyond the chance of its sordid reproach. I have seen your nobler aspirations fall off one by one, until the master-passion, Gain, engrosses you. Have I not?” “What then?” he retorted. “Even if I have grown so much wiser, what then? I am not changed towards you.” She shook her head. “Am I?” “Our contract is an old one. It was made when we were both poor and content to be so, until, in good season, we could improve our worldly fortune by our patient industry. You are changed. When it was made, you were another man.” “I was a boy,” he said impatiently. “Your own feeling tells you that you were not what you are,” she returned. “I am. That which promised happiness when we were one in heart, is fraught with misery now that we are two. How often and how keenly I have thought of this, I will not say. It is enough that I have thought of it, and can release you.” “Have I ever sought release?” “In words. No. Never.” “In what, then?” “In a changed nature; in an altered spirit; in another atmosphere of life; another Hope as its great end. In everything that made my love of any worth or value in your sight. If this had never been between us,” said the girl, looking mildly, but with steadiness, upon him; “tell me, would you seek me out and try to win me now? Ah, no!” He seemed to yield to the justice of this supposition, in spite of himself. But he said, with a struggle, “You think not.” “I would gladly think otherwise if I could,” she answered, “Heaven knows! When I have learned a Truth like this, I know how strong and irresistible it must be. But if you were free to-day, to-morrow, yesterday, can even I believe that you would choose a dowerless girl—you who, in your very confidence with her, weigh everything by Gain: or, choosing her, if for a moment you were false enough to your one guiding principle to do so, do I not know that your repentance and regret would surely follow? I do; and I release you. With a full heart, for the love of him you once were.” He was about to speak; but with her head turned from him, she resumed. “You may—the memory of what is past half makes me hope you will—have pain in this. A very, very brief time, and you will dismiss the recollection of it, gladly, as an unprofitable dream, from which it happened well that you awoke. May you be happy in the life you have chosen!” She left him, and they parted. “Spirit!” said Scrooge, “show me no more! Conduct me home. Why do you delight to torture me?” “One shadow more!” exclaimed the Ghost. “No more!” cried Scrooge. “No more. I don’t wish to see it. Show me no more!” But the relentless Ghost pinioned him in both his arms, and forced him to observe what happened next. They were in another scene and place: a room, not very large or handsome, but full of comfort. Near to the winter fire sat a beautiful young girl, so like that last that Scrooge believed it was the same, until he saw her, now a comely matron, sitting opposite her daughter. The noise in this room was perfectly tumultuous, for there were more children there, than Scrooge in his agitated state of mind could count; and, unlike the celebrated herd in the poem, they were not forty children conducting themselves like one, but every child was conducting itself like forty. The consequences were uproarious beyond belief; but no one seemed to care; on the contrary, the mother and daughter laughed heartily, and enjoyed it very much; and the latter, soon beginning to mingle in the sports, got pillaged by the young brigands most ruthlessly. What would I not have given to be one of them! Though I never could have been so rude, no, no! I wouldn’t for the wealth of all the world have crushed that braided hair, and torn it down; and for the precious little shoe, I wouldn’t have plucked it off, God bless my soul! to save my life. As to measuring her waist in sport, as they did, bold young brood, I couldn’t have done it; I should have expected my arm to have grown round it for a punishment, and never come straight again. And yet I should have dearly liked, I own, to have touched her lips; to have questioned her, that she might have opened them; to have looked upon the lashes of her downcast eyes, and never raised a blush; to have let loose waves of hair, an inch of which would be a keepsake beyond price: in short, I should have liked, I do confess, to have had the lightest licence of a child, and yet to have been man enough to know its value. But now a knocking at the door was heard, and such a rush immediately ensued that she with laughing face and plundered dress was borne towards it the centre of a flushed and boisterous group, just in time to greet the father, who, came home attended by a man laden with Christmas toys and presents. Then the shouting and the struggling, and the onslaught that was made on the defenceless porter! The scaling him, with chairs for ladders, to dive into his pockets, despoil him of brown-paper parcels, hold on tight by his cravat, hug him round the neck, pommel his back, and kick his legs in irrepressible affection! The shouts of wonder and delight with which the development of every package was received! The terrible announcement that the baby had been taken in the act of putting a doll’s frying-pan into his mouth, and was more than suspected of having swallowed a fictitious turkey, glued on a wooden platter! The immense relief of finding this a false alarm! The joy, and gratitude, and ecstasy! They are all indescribable alike. It is enough that by degrees the children and their emotions got out of the parlour and by one stair at a time, up to the top of the house; where they went to bed, and so subsided. And now Scrooge looked on more attentively than ever, when the master of the house, having his daughter leaning fondly on him, sat down with her and her mother at his own fireside; and when he thought that such another creature, quite as graceful and as full of promise, might have called him father, and been a spring-time in the haggard winter of his life, his sight grew very dim indeed. “Belle,” said the husband, turning to his wife with a smile, “I saw an old friend of yours this afternoon.” “Who was it?” “Guess!” “How can I? Tut, don’t I know,” she added in the same breath, laughing as he laughed. “Mr. Scrooge.” “Mr. Scrooge it was. I passed his office window; and as it was not shut up, and he had a candle inside, I could scarcely help seeing him. His partner lies upon the point of death, I hear; and there he sat alone. Quite alone in the world, I do believe.” “Spirit!” said Scrooge in a broken voice, “remove me from this place.” “I told you these were shadows of the things that have been,” said the Ghost. “That they are what they are, do not blame me!” “Remove me!” Scrooge exclaimed, “I cannot bear it!” He turned upon the Ghost, and seeing that it looked upon him with a face, in which in some strange way there were fragments of all the faces it had shown him, wrestled with it. “Leave me! Take me back. Haunt me no longer!” In the struggle, if that can be called a struggle in which the Ghost with no visible resistance on its own part was undisturbed by any effort of its adversary, Scrooge observed that its light was burning high and bright; and dimly connecting that with its influence over him, he seized the extinguisher-cap, and by a sudden action pressed it down upon its head. The Spirit dropped beneath it, so that the extinguisher covered its whole form; but though Scrooge pressed it down with all his force, he could not hide the light: which streamed from under it, in an unbroken flood upon the ground. He was conscious of being exhausted, and overcome by an irresistible drowsiness; and, further, of being in his own bedroom. He gave the cap a parting squeeze, in which his hand relaxed; and had barely time to reel to bed, before he sank into a heavy sleep. STAVE THREE. THE SECOND OF THE THREE SPIRITS. AWAKING in the middle of a prodigiously tough snore, and sitting up in bed to get his thoughts together, Scrooge had no occasion to be told that the bell was again upon the stroke of One. He felt that he was restored to consciousness in the right nick of time, for the especial purpose of holding a conference with the second messenger despatched to him through Jacob Marley’s intervention. But finding that he turned uncomfortably cold when he began to wonder which of his curtains this new spectre would draw back, he put them every one aside with his own hands; and lying down again, established a sharp look-out all round the bed. For he wished to challenge the Spirit on the moment of its appearance, and did not wish to be taken by surprise and made nervous. Gentlemen of the free-and-easy sort, who plume themselves on being acquainted with a move or two, and being usually equal to the time-of-day, express the wide range of their capacity for adventure by observing that they are good for anything from pitch-and-toss to manslaughter; between which opposite extremes, no doubt, there lies a tolerably wide and comprehensive range of subjects. Without venturing for Scrooge quite as hardily as this, I don’t mind calling on you to believe that he was ready for a good broad field of strange appearances, and that nothing between a baby and a rhinoceros would have astonished him very much. Now, being prepared for almost anything, he was not by any means prepared for nothing; and, consequently, when the Bell struck One, and no shape appeared, he was taken with a violent fit of trembling. Five minutes, ten minutes, a quarter of an hour went by, yet nothing came. All this time, he lay upon his bed, the very core and centre of a blaze of ruddy light, which streamed upon it when the clock proclaimed the hour; and which being only light, was more alarming than a dozen ghosts, as he was powerless to make out what it meant, or would be at; and was sometimes apprehensive that he might be at that very moment an interesting case of spontaneous combustion, without having the consolation of knowing it. At last, however, he began to think—as you or I would have thought at first; for it is always the person not in the predicament who knows what ought to have been done in it, and would unquestionably have done it too—at last, I say, he began to think that the source and secret of this ghostly light might be in the adjoining room: from whence, on further tracing it, it seemed to shine. This idea taking full possession of his mind, he got up softly and shuffled in his slippers to the door. The moment Scrooge’s hand was on the lock, a strange voice called him by his name, and bade him enter. He obeyed. It was his own room. There was no doubt about that. But it had undergone a surprising transformation. The walls and ceiling were so hung with living green, that it looked a perfect grove, from every part of which, bright gleaming berries glistened. The crisp leaves of holly, mistletoe, and ivy reflected back the light, as if so many little mirrors had been scattered there; and such a mighty blaze went roaring up the chimney, as that dull petrification of a hearth had never known in Scrooge’s time, or Marley’s, or for many and many a winter season gone. Heaped up on the floor, to form a kind of throne, were turkeys, geese, game, poultry, brawn, great joints of meat, sucking-pigs, long wreaths of sausages, mince-pies, plum-puddings, barrels of oysters, red-hot chestnuts, cherry-cheeked apples, juicy oranges, luscious pears, immense twelfth-cakes, and seething bowls of punch, that made the chamber dim with their delicious steam. In easy state upon this couch, there sat a jolly Giant, glorious to see; who bore a glowing torch, in shape not unlike Plenty’s horn, and held it up, high up, to shed its light on Scrooge, as he came peeping round the door. “Come in!” exclaimed the Ghost. “Come in! and know me better, man!” Scrooge entered timidly, and hung his head before this Spirit. He was not the dogged Scrooge he had been; and though its eyes were clear and kind, he did not like to meet them. “I am the Ghost of Christmas Present,” said the Spirit. “Look upon me!” Scrooge reverently did so. It was clothed in one simple green robe, or mantle, bordered with white fur. This garment hung so loosely on the figure, that its capacious breast was bare, as if disdaining to be warded or concealed by any artifice. Its feet, observable beneath the ample folds of the garment, were also bare; and on its head it wore no other covering than a holly wreath set here and there with shining icicles. Its dark brown curls were long and free: free as its genial face, its sparkling eye, its open hand, its cheery voice, its unconstrained demeanour, and its joyful air. Girded round its middle was an antique scabbard; but no sword was in it, and the ancient sheath was eaten up with rust. “You have never seen the like of me before!” exclaimed the Spirit. “Never,” Scrooge made answer to it. “Have never walked forth with the younger members of my family; meaning (for I am very young) my elder brothers born in these later years?” pursued the Phantom. “I don’t think I have,” said Scrooge. “I am afraid I have not. Have you had many brothers, Spirit?” “More than eighteen hundred,” said the Ghost. “A tremendous family to provide for!” muttered Scrooge. The Ghost of Christmas Present rose. “Spirit,” said Scrooge submissively, “conduct me where you will. I went forth last night on compulsion, and I learnt a lesson which is working now. To-night, if you have aught to teach me, let me profit by it.” “Touch my robe!” Scrooge did as he was told, and held it fast. Holly, mistletoe, red berries, ivy, turkeys, geese, game, poultry, brawn, meat, pigs, sausages, oysters, pies, puddings, fruit, and punch, all vanished instantly. So did the room, the fire, the ruddy glow, the hour of night, and they stood in the city streets on Christmas morning, where (for the weather was severe) the people made a rough, but brisk and not unpleasant kind of music, in scraping the snow from the pavement in front of their dwellings, and from the tops of their houses, whence it was mad delight to the boys to see it come plumping down into the road below, and splitting into artificial little snow-storms. The house fronts looked black enough, and the windows blacker, contrasting with the smooth white sheet of snow upon the roofs, and with the dirtier snow upon the ground; which last deposit had been ploughed up in deep furrows by the heavy wheels of carts and waggons; furrows that crossed and re-crossed each other hundreds of times where the great streets branched off; and made intricate channels, hard to trace, in the thick yellow mud and icy water. The sky was gloomy, and the shortest streets were choked up with a dingy mist, half thawed, half frozen, whose heavier particles descended in a shower of sooty atoms, as if all the chimneys in Great Britain had, by one consent, caught fire, and were blazing away to their dear hearts’ content. There was nothing very cheerful in the climate or the town, and yet was there an air of cheerfulness abroad that the clearest summer air and brightest summer sun might have endeavoured to diffuse in vain. For the people who were shovelling away on the house-tops were jovial and full of glee; calling out to one another from the parapets, and now and then exchanging a facetious snowball—better-natured missile far than many a wordy jest—laughing heartily if it went right, and not less heartily if it went wrong. The poulterers’ shops were still half open, and the fruiterers’ were radiant in their glory. There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentlemen, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced, broad-girthed Spanish Onions, shining in the fatness of their growth like Spanish Friars; and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples, clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers’ benevolence to dangle from conspicuous hooks, that people’s mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered leaves; there were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner. The very gold and silver fish, set forth among these choice fruits in a bowl, though members of a dull and stagnant-blooded race, appeared to know that there was something going on; and, to a fish, went gasping round and round their little world in slow and passionless excitement. The Grocers’! oh, the Grocers’! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses! It was not alone that the scales descending on the counter made a merry sound, or that the twine and roller parted company so briskly, or that the canisters were rattled up and down like juggling tricks, or even that the blended scents of tea and coffee were so grateful to the nose, or even that the raisins were so plentiful and rare, the almonds so extremely white, the sticks of cinnamon so long and straight, the other spices so delicious, the candied fruits so caked and spotted with molten sugar as to make the coldest lookers-on feel faint and subsequently bilious. Nor was it that the figs were moist and pulpy, or that the French plums blushed in modest tartness from their highly-decorated boxes, or that everything was good to eat and in its Christmas dress: but the customers were all so hurried and so eager in the hopeful promise of the day, that they tumbled up against each other at the door, crashing their wicker baskets wildly, and left their purchases upon the counter, and came running back to fetch them, and committed hundreds of the like mistakes in the best humour possible; while the Grocer and his people were so frank and fresh that the polished hearts with which they fastened their aprons behind might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose. But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled with each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was! In time the bells ceased, and the bakers’ were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too. “Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge. “There is. My own.” “Would it apply to any kind of dinner on this day?” asked Scrooge. “To any kindly given. To a poor one most.” “Why to a poor one most?” asked Scrooge. “Because it needs it most.” “Spirit,” said Scrooge, after a moment’s thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these people’s opportunities of innocent enjoyment.” “I!” cried the Spirit. “You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?” “I!” cried the Spirit. “You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.” “I seek!” exclaimed the Spirit. “Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge. “There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry, and selfishness in our name; who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.” Scrooge promised that he would; and they went on, invisible, as they had been before, into the suburbs of the town. It was a remarkable quality of the Ghost (which Scrooge had observed at the baker’s), that notwithstanding his gigantic size, he could accommodate himself to any place with ease; and that he stood beneath a low roof quite as gracefully and like a supernatural creature, as it was possible he could have done in any lofty hall. And perhaps it was the pleasure the good Spirit had in showing off this power of his, or else it was his own kind, generous, hearty nature, and his sympathy with all poor men, that led him straight to Scrooge’s clerk’s; for there he went, and took Scrooge with him, holding to his robe; and on the threshold of the door the Spirit smiled, and stopped to bless Bob Cratchit’s dwelling with the sprinklings of his torch. Think of that! Bob had but fifteen “Bob” a-week himself; he pocketed on Saturdays but fifteen copies of his Christian name; and yet the Ghost of Christmas Present blessed his four-roomed house! Then up rose Mrs. Cratchit, Cratchit’s wife, dressed out but poorly in a twice-turned gown, but brave in ribbons, which are cheap and make a goodly show for sixpence; and she laid the cloth, assisted by Belinda Cratchit, second of her daughters, also brave in ribbons; while Master Peter Cratchit plunged a fork into the saucepan of potatoes, and getting the corners of his monstrous shirt-collar (Bob’s private property, conferred upon his son and heir in honour of the day) into his mouth, rejoiced to find himself so gallantly attired, and yearned to show his linen in the fashionable Parks. And now two smaller Cratchits, boy and girl, came tearing in, screaming that outside the baker’s they had smelt the goose, and known it for their own; and basking in luxurious thoughts of sage-and-onion, these young Cratchits danced about the table, and exalted Master Peter Cratchit to the skies, while he (not proud, although his collars nearly choked him) blew the fire, until the slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let out and peeled. “What has ever got your precious father then,” said Mrs. Cratchit. “And your brother, Tiny Tim! And Martha warn’t as late last Christmas Day by half-an-hour!” “Here’s Martha, mother!” said a girl, appearing as she spoke. “Here’s Martha, mother!” cried the two young Cratchits. “Hurrah! There’s such a goose, Martha!” “Why, bless your heart alive, my dear, how late you are!” said Mrs. Cratchit, kissing her a dozen times, and taking off her shawl and bonnet for her, with officious zeal. “We’d a deal of work to finish up last night,” replied the girl, “and had to clear away this morning, mother!” “Well! Never mind so long as you are come,” said Mrs. Cratchit. “Sit ye down before the fire, my dear, and have a warm, Lord bless ye!” “No, no! There’s father coming,” cried the two young Cratchits, who were everywhere at once. “Hide, Martha, hide!” So Martha hid herself, and in came little Bob, the father, with at least three feet of comforter exclusive of the fringe, hanging down before him; and his thread-bare clothes darned up and brushed, to look seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a little crutch, and had his limbs supported by an iron frame! “Why, where’s our Martha?” cried Bob Cratchit, looking round. “Not coming,” said Mrs. Cratchit. “Not coming!” said Bob, with a sudden declension in his high spirits; for he had been Tim’s blood horse all the way from church, and had come home rampant. “Not coming upon Christmas Day!” Martha didn’t like to see him disappointed, if it were only in joke; so she came out prematurely from behind the closet door, and ran into his arms, while the two young Cratchits hustled Tiny Tim, and bore him off into the wash-house, that he might hear the pudding singing in the copper. “And how did little Tim behave?” asked Mrs. Cratchit, when she had rallied Bob on his credulity, and Bob had hugged his daughter to his heart’s content. “As good as gold,” said Bob, “and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.” Bob’s voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty. His active little crutch was heard upon the floor, and back came Tiny Tim before another word was spoken, escorted by his brother and sister to his stool beside the fire; and while Bob, turning up his cuffs—as if, poor fellow, they were capable of being made more shabby—compounded some hot mixture in a jug with gin and lemons, and stirred it round and round and put it on the hob to simmer; Master Peter and the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in high procession. Such a bustle ensued that you might have thought a goose the rarest of all birds; a feathered phenomenon, to which a black swan was a matter of course—and in truth it was something very like it in that house. Mrs. Cratchit made the gravy (ready beforehand in a little saucepan) hissing hot; Master Peter mashed the potatoes with incredible vigour; Miss Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob took Tiny Tim beside him in a tiny corner at the table; the two young Cratchits set chairs for everybody, not forgetting themselves, and mounting guard upon their posts, crammed spoons into their mouths, lest they should shriek for goose before their turn came to be helped. At last the dishes were set on, and grace was said. It was succeeded by a breathless pause, as Mrs. Cratchit, looking slowly all along the carving-knife, prepared to plunge it in the breast; but when she did, and when the long expected gush of stuffing issued forth, one murmur of delight arose all round the board, and even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife, and feebly cried Hurrah! There never was such a goose. Bob said he didn’t believe there ever was such a goose cooked. Its tenderness and flavour, size and cheapness, were the themes of universal admiration. Eked out by the apple-sauce and mashed potatoes, it was a sufficient dinner for the whole family; indeed, as Mrs. Cratchit said with great delight (surveying one small atom of a bone upon the dish), they hadn’t ate it all at last! Yet every one had had enough, and the youngest Cratchits in particular, were steeped in sage and onion to the eyebrows! But now, the plates being changed by Miss Belinda, Mrs. Cratchit left the room alone—too nervous to bear witnesses—to take the pudding up, and bring it in. Suppose it should not be done enough! Suppose it should break in turning out! Suppose somebody should have got over the wall of the back-yard, and stolen it, while they were merry with the goose: a supposition at which the two young Cratchits became livid! All sorts of horrors were supposed. Hallo! A great deal of steam! The pudding was out of the copper. A smell like a washing-day! That was the cloth. A smell like an eating-house, and a pastrycook’s next door to each other, with a laundress’s next door to that! That was the pudding. In half a minute Mrs. Cratchit entered: flushed, but smiling proudly: with the pudding, like a speckled cannon-ball, so hard and firm, blazing in half of half-a-quartern of ignited brandy, and bedight with Christmas holly stuck into the top. Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he regarded it as the greatest success achieved by Mrs. Cratchit since their marriage. Mrs. Cratchit said that now the weight was off her mind, she would confess she had had her doubts about the quantity of flour. Everybody had something to say about it, but nobody said or thought it was at all a small pudding for a large family. It would have been flat heresy to do so. Any Cratchit would have blushed to hint at such a thing. At last the dinner was all done, the cloth was cleared, the hearth swept, and the fire made up. The compound in the jug being tasted and considered perfect, apples and oranges were put upon the table, and a shovel-full of chestnuts on the fire. Then all the Cratchit family drew round the hearth, in what Bob Cratchit called a circle, meaning half a one; and at Bob Cratchit’s elbow stood the family display of glass; two tumblers, and a custard-cup without a handle. These held the hot stuff from the jug, however, as well as golden goblets would have done; and Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed: “A Merry Christmas to us all, my dears. God bless us!” Which all the family re-echoed. “God bless us every one!” said Tiny Tim, the last of all. He sat very close to his father’s side upon his little stool. Bob held his withered little hand in his, as if he loved the child, and wished to keep him by his side, and dreaded that he might be taken from him. “Spirit,” said Scrooge, with an interest he had never felt before, “tell me if Tiny Tim will live.” “I see a vacant seat,” replied the Ghost, “in the poor chimney corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.” “No, no,” said Scrooge. “Oh, no, kind Spirit! say he will be spared.” “If these shadows remain unaltered by the Future, none other of my race,” returned the Ghost, “will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.” Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief. “Man,” said the Ghost, “if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!” Scrooge bent before the Ghost’s rebuke, and trembling cast his eyes upon the ground. But he raised them speedily, on hearing his own name. “Mr. Scrooge!” said Bob; “I’ll give you Mr. Scrooge, the Founder of the Feast!” “The Founder of the Feast indeed!” cried Mrs. Cratchit, reddening. “I wish I had him here. I’d give him a piece of my mind to feast upon, and I hope he’d have a good appetite for it.” “My dear,” said Bob, “the children; Christmas Day.” “It should be Christmas Day, I am sure,” said she, “on which one drinks the health of such an odious, stingy, hard, unfeeling man as Mr. Scrooge. You know he is, Robert! Nobody knows it better than you do, poor fellow!” “My dear,” was Bob’s mild answer, “Christmas Day.” “I’ll drink his health for your sake and the Day’s,” said Mrs. Cratchit, “not for his. Long life to him! A merry Christmas and a happy new year! He’ll be very merry and very happy, I have no doubt!” The children drank the toast after her. It was the first of their proceedings which had no heartiness in it. Tiny Tim drank it last of all, but he didn’t care twopence for it. Scrooge was the Ogre of the family. The mention of his name cast a dark shadow on the party, which was not dispelled for full five minutes. After it had passed away, they were ten times merrier than before, from the mere relief of Scrooge the Baleful being done with. Bob Cratchit told them how he had a situation in his eye for Master Peter, which would bring in, if obtained, full five-and-sixpence weekly. The two young Cratchits laughed tremendously at the idea of Peter’s being a man of business; and Peter himself looked thoughtfully at the fire from between his collars, as if he were deliberating what particular investments he should favour when he came into the receipt of that bewildering income. Martha, who was a poor apprentice at a milliner’s, then told them what kind of work she had to do, and how many hours she worked at a stretch, and how she meant to lie abed to-morrow morning for a good long rest; to-morrow being a holiday she passed at home. Also how she had seen a countess and a lord some days before, and how the lord “was much about as tall as Peter;” at which Peter pulled up his collars so high that you couldn’t have seen his head if you had been there. All this time the chestnuts and the jug went round and round; and by-and-bye they had a song, about a lost child travelling in the snow, from Tiny Tim; who had a plaintive little voice, and sang it very well indeed. There was nothing of high mark in this. They were not a handsome family; they were not well dressed; their shoes were far from being water-proof; their clothes were scanty; and Peter might have known, and very likely did, the inside of a pawnbroker’s. But they were happy, grateful, pleased with one another, and contented with the time; and when they faded, and looked happier yet in the bright sprinklings of the Spirit’s torch at parting, Scrooge had his eye upon them, and especially on Tiny Tim, until the last. By this time it was getting dark, and snowing pretty heavily; and as Scrooge and the Spirit went along the streets, the brightness of the roaring fires in kitchens, parlours, and all sorts of rooms, was wonderful. Here, the flickering of the blaze showed preparations for a cosy dinner, with hot plates baking through and through before the fire, and deep red curtains, ready to be drawn to shut out cold and darkness. There all the children of the house were running out into the snow to meet their married sisters, brothers, cousins, uncles, aunts, and be the first to greet them. Here, again, were shadows on the window-blind of guests assembling; and there a group of handsome girls, all hooded and fur-booted, and all chattering at once, tripped lightly off to some near neighbour’s house; where, wo upon the single man who saw them enter—artful witches: well they knew it—in a glow! But if you had judged from the numbers of people on their way to friendly gatherings, you might have thought that no one was at home to give them welcome when they got there, instead of every house expecting company, and piling up its fires half-chimney high. Blessings on it, how the Ghost exulted! How it bared its breadth of breast, and opened its capacious palm, and floated on, outpouring, with a generous hand, its bright and harmless mirth on everything within its reach! The very lamplighter, who ran on before, dotting the dusky street with specks of light, and who was dressed to spend the evening somewhere, laughed out loudly as the Spirit passed: though little kenned the lamplighter that he had any company but Christmas! And now, without a word of warning from the Ghost, they stood upon a bleak and desert moor, where monstrous masses of rude stone were cast about, as though it were the burial-place of giants; and water spread itself wheresoever it listed; or would have done so, but for the frost that held it prisoner; and nothing grew but moss and furze, and coarse, rank grass. Down in the west the setting sun had left a streak of fiery red, which glared upon the desolation for an instant, like a sullen eye, and frowning lower, lower, lower yet, was lost in the thick gloom of darkest night. “What place is this?” asked Scrooge. “A place where Miners live, who labour in the bowels of the earth,” returned the Spirit. “But they know me. See!” A light shone from the window of a hut, and swiftly they advanced towards it. Passing through the wall of mud and stone, they found a cheerful company assembled round a glowing fire. An old, old man and woman, with their children and their children’s children, and another generation beyond that, all decked out gaily in their holiday attire. The old man, in a voice that seldom rose above the howling of the wind upon the barren waste, was singing them a Christmas song; it had been a very old song when he was a boy; and from time to time they all joined in the chorus. So surely as they raised their voices, the old man got quite blithe and loud; and so surely as they stopped, his vigour sank again. The Spirit did not tarry here, but bade Scrooge hold his robe, and passing on above the moor, sped whither? Not to sea? To sea. To Scrooge’s horror, looking back, he saw the last of the land, a frightful range of rocks, behind them; and his ears were deafened by the thundering of water, as it rolled, and roared, and raged among the dreadful caverns it had worn, and fiercely tried to undermine the earth. Built upon a dismal reef of sunken rocks, some league or so from shore, on which the waters chafed and dashed, the wild year through, there stood a solitary lighthouse. Great heaps of sea-weed clung to its base, and storm-birds—born of the wind one might suppose, as sea-weed of the water—rose and fell about it, like the waves they skimmed. But even here, two men who watched the light had made a fire, that through the loophole in the thick stone wall shed out a ray of brightness on the awful sea. Joining their horny hands over the rough table at which they sat, they wished each other Merry Christmas in their can of grog; and one of them: the elder, too, with his face all damaged and scarred with hard weather, as the figure-head of an old ship might be: struck up a sturdy song that was like a Gale in itself. Again the Ghost sped on, above the black and heaving sea—on, on—until, being far away, as he told Scrooge, from any shore, they lighted on a ship. They stood beside the helmsman at the wheel, the look-out in the bow, the officers who had the watch; dark, ghostly figures in their several stations; but every man among them hummed a Christmas tune, or had a Christmas thought, or spoke below his breath to his companion of some bygone Christmas Day, with homeward hopes belonging to it. And every man on board, waking or sleeping, good or bad, had had a kinder word for another on that day than on any day in the year; and had shared to some extent in its festivities; and had remembered those he cared for at a distance, and had known that they delighted to remember him. It was a great surprise to Scrooge, while listening to the moaning of the wind, and thinking what a solemn thing it was to move on through the lonely darkness over an unknown abyss, whose depths were secrets as profound as Death: it was a great surprise to Scrooge, while thus engaged, to hear a hearty laugh. It was a much greater surprise to Scrooge to recognise it as his own nephew’s, and to find himself in a bright, dry, gleaming room, with the Spirit standing smiling by his side, and looking at that same nephew with approving affability! “Ha, ha!” laughed Scrooge’s nephew. “Ha, ha, ha!” If you should happen, by any unlikely chance, to know a man more blest in a laugh than Scrooge’s nephew, all I can say is, I should like to know him too. Introduce him to me, and I’ll cultivate his acquaintance. It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good-humour. When Scrooge’s nephew laughed in this way: holding his sides, rolling his head, and twisting his face into the most extravagant contortions: Scrooge’s niece, by marriage, laughed as heartily as he. And their assembled friends being not a bit behindhand, roared out, lustily. “Ha, ha! Ha, ha, ha, ha!” “He said that Christmas was a humbug, as I live!” cried Scrooge’s nephew. “He believed it too!” “More shame for him, Fred!” said Scrooge’s niece, indignantly. Bless those women; they never do anything by halves. They are always in earnest. She was very pretty: exceedingly pretty. With a dimpled, surprised-looking, capital face; a ripe little mouth, that seemed made to be kissed—as no doubt it was; all kinds of good little dots about her chin, that melted into one another when she laughed; and the sunniest pair of eyes you ever saw in any little creature’s head. Altogether she was what you would have called provoking, you know; but satisfactory, too. Oh, perfectly satisfactory! “He’s a comical old fellow,” said Scrooge’s nephew, “that’s the truth: and not so pleasant as he might be. However, his offences carry their own punishment, and I have nothing to say against him.” “I’m sure he is very rich, Fred,” hinted Scrooge’s niece. “At least you always tell me so.” “What of that, my dear!” said Scrooge’s nephew. “His wealth is of no use to him. He don’t do any good with it. He don’t make himself comfortable with it. He hasn’t the satisfaction of thinking—ha, ha, ha!—that he is ever going to benefit Us with it.” “I have no patience with him,” observed Scrooge’s niece. Scrooge’s niece’s sisters, and all the other ladies, expressed the same opinion. “Oh, I have!” said Scrooge’s nephew. “I am sorry for him; I couldn’t be angry with him if I tried. Who suffers by his ill whims! Himself, always. Here, he takes it into his head to dislike us, and he won’t come and dine with us. What’s the consequence? He don’t lose much of a dinner.” “Indeed, I think he loses a very good dinner,” interrupted Scrooge’s niece. Everybody else said the same, and they must be allowed to have been competent judges, because they had just had dinner; and, with the dessert upon the table, were clustered round the fire, by lamplight. “Well! I’m very glad to hear it,” said Scrooge’s nephew, “because I haven’t great faith in these young housekeepers. What do you say, Topper?” Topper had clearly got his eye upon one of Scrooge’s niece’s sisters, for he answered that a bachelor was a wretched outcast, who had no right to express an opinion on the subject. Whereat Scrooge’s niece’s sister—the plump one with the lace tucker: not the one with the roses—blushed. “Do go on, Fred,” said Scrooge’s niece, clapping her hands. “He never finishes what he begins to say! He is such a ridiculous fellow!” Scrooge’s nephew revelled in another laugh, and as it was impossible to keep the infection off; though the plump sister tried hard to do it with aromatic vinegar; his example was unanimously followed. “I was only going to say,” said Scrooge’s nephew, “that the consequence of his taking a dislike to us, and not making merry with us, is, as I think, that he loses some pleasant moments, which could do him no harm. I am sure he loses pleasanter companions than he can find in his own thoughts, either in his mouldy old office, or his dusty chambers. I mean to give him the same chance every year, whether he likes it or not, for I pity him. He may rail at Christmas till he dies, but he can’t help thinking better of it—I defy him—if he finds me going there, in good temper, year after year, and saying Uncle Scrooge, how are you? If it only puts him in the vein to leave his poor clerk fifty pounds, that’s something; and I think I shook him yesterday.” It was their turn to laugh now, at the notion of his shaking Scrooge. But being thoroughly good-natured, and not much caring what they laughed at, so that they laughed at any rate, he encouraged them in their merriment, and passed the bottle, joyously. After tea, they had some music. For they were a musical family, and knew what they were about, when they sung a Glee or Catch, I can assure you: especially Topper, who could growl away in the bass like a good one, and never swell the large veins in his forehead, or get red in the face over it. Scrooge’s niece played well upon the harp; and played among other tunes a simple little air (a mere nothing: you might learn to whistle it in two minutes), which had been familiar to the child who fetched Scrooge from the boarding-school, as he had been reminded by the Ghost of Christmas Past. When this strain of music sounded, all the things that Ghost had shown him, came upon his mind; he softened more and more; and thought that if he could have listened to it often, years ago, he might have cultivated the kindnesses of life for his own happiness with his own hands, without resorting to the sexton’s spade that buried Jacob Marley. But they didn’t devote the whole evening to music. After a while they played at forfeits; for it is good to be children sometimes, and never better than at Christmas, when its mighty Founder was a child himself. Stop! There was first a game at blind-man’s buff. Of course there was. And I no more believe Topper was really blind than I believe he had eyes in his boots. My opinion is, that it was a done thing between him and Scrooge’s nephew; and that the Ghost of Christmas Present knew it. The way he went after that plump sister in the lace tucker, was an outrage on the credulity of human nature. Knocking down the fire-irons, tumbling over the chairs, bumping up against the piano, smothering himself among the curtains, wherever she went, there went he. He always knew where the plump sister was. He wouldn’t catch anybody else. If you had fallen up against him, as some of them did, and stood there; he would have made a feint of endeavouring to seize you, which would have been an affront to your understanding; and would instantly have sidled off in the direction of the plump sister. She often cried out that it wasn’t fair; and it really was not. But when at last, he caught her; when, in spite of all her silken rustlings, and her rapid flutterings past him, he got her into a corner whence there was no escape; then his conduct was the most execrable. For his pretending not to know her; his pretending that it was necessary to touch her head-dress, and further to assure himself of her identity by pressing a certain ring upon her finger, and a certain chain about her neck; was vile, monstrous! No doubt she told him her opinion of it, when, another blind-man being in office, they were so very confidential together, behind the curtains. Scrooge’s niece was not one of the blind-man’s buff party, but was made comfortable with a large chair and a footstool, in a snug corner, where the Ghost and Scrooge were close behind her. But she joined in the forfeits, and loved her love to admiration with all the letters of the alphabet. Likewise at the game of How, When, and Where, she was very great, and to the secret joy of Scrooge’s nephew, beat her sisters hollow: though they were sharp girls too, as Topper could have told you. There might have been twenty people there, young and old, but they all played, and so did Scrooge; for, wholly forgetting in the interest he had in what was going on, that his voice made no sound in their ears, he sometimes came out with his guess quite loud, and very often guessed quite right, too; for the sharpest needle, best Whitechapel, warranted not to cut in the eye, was not sharper than Scrooge; blunt as he took it in his head to be. The Ghost was greatly pleased to find him in this mood, and looked upon him with such favour, that he begged like a boy to be allowed to stay until the guests departed. But this the Spirit said could not be done. “Here is a new game,” said Scrooge. “One half hour, Spirit, only one!” It was a Game called Yes and No, where Scrooge’s nephew had to think of something, and the rest must find out what; he only answering to their questions yes or no, as the case was. The brisk fire of questioning to which he was exposed, elicited from him that he was thinking of an animal, a live animal, rather a disagreeable animal, a savage animal, an animal that growled and grunted sometimes, and talked sometimes, and lived in London, and walked about the streets, and wasn’t made a show of, and wasn’t led by anybody, and didn’t live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every fresh question that was put to him, this nephew burst into a fresh roar of laughter; and was so inexpressibly tickled, that he was obliged to get up off the sofa and stamp. At last the plump sister, falling into a similar state, cried out: “I have found it out! I know what it is, Fred! I know what it is!” “What is it?” cried Fred. “It’s your Uncle Scro-o-o-o-oge!” Which it certainly was. Admiration was the universal sentiment, though some objected that the reply to “Is it a bear?” ought to have been “Yes;” inasmuch as an answer in the negative was sufficient to have diverted their thoughts from Mr. Scrooge, supposing they had ever had any tendency that way. “He has given us plenty of merriment, I am sure,” said Fred, “and it would be ungrateful not to drink his health. Here is a glass of mulled wine ready to our hand at the moment; and I say, ‘Uncle Scrooge!’ ” “Well! Uncle Scrooge!” they cried. “A Merry Christmas and a happy New Year to the old man, whatever he is!” said Scrooge’s nephew. “He wouldn’t take it from me, but may he have it, nevertheless. Uncle Scrooge!” Uncle Scrooge had imperceptibly become so gay and light of heart, that he would have pledged the unconscious company in return, and thanked them in an inaudible speech, if the Ghost had given him time. But the whole scene passed off in the breath of the last word spoken by his nephew; and he and the Spirit were again upon their travels. Much they saw, and far they went, and many homes they visited, but always with a happy end. The Spirit stood beside sick beds, and they were cheerful; on foreign lands, and they were close at home; by struggling men, and they were patient in their greater hope; by poverty, and it was rich. In almshouse, hospital, and jail, in misery’s every refuge, where vain man in his little brief authority had not made fast the door, and barred the Spirit out, he left his blessing, and taught Scrooge his precepts. It was a long night, if it were only a night; but Scrooge had his doubts of this, because the Christmas Holidays appeared to be condensed into the space of time they passed together. It was strange, too, that while Scrooge remained unaltered in his outward form, the Ghost grew older, clearly older. Scrooge had observed this change, but never spoke of it, until they left a children’s Twelfth Night party, when, looking at the Spirit as they stood together in an open place, he noticed that its hair was grey. “Are spirits’ lives so short?” asked Scrooge. “My life upon this globe, is very brief,” replied the Ghost. “It ends to-night.” “To-night!” cried Scrooge. “To-night at midnight. Hark! The time is drawing near.” The chimes were ringing the three quarters past eleven at that moment. “Forgive me if I am not justified in what I ask,” said Scrooge, looking intently at the Spirit’s robe, “but I see something strange, and not belonging to yourself, protruding from your skirts. Is it a foot or a claw!” “It might be a claw, for the flesh there is upon it,” was the Spirit’s sorrowful reply. “Look here.” From the foldings of its robe, it brought two children; wretched, abject, frightful, hideous, miserable. They knelt down at its feet, and clung upon the outside of its garment. “Oh, Man! look here. Look, look, down here!” exclaimed the Ghost. They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but prostrate, too, in their humility. Where graceful youth should have filled their features out, and touched them with its freshest tints, a stale and shrivelled hand, like that of age, had pinched, and twisted them, and pulled them into shreds. Where angels might have sat enthroned, devils lurked, and glared out menacing. No change, no degradation, no perversion of humanity, in any grade, through all the mysteries of wonderful creation, has monsters half so horrible and dread. Scrooge started back, appalled. Having them shown to him in this way, he tried to say they were fine children, but the words choked themselves, rather than be parties to a lie of such enormous magnitude. “Spirit! are they yours?” Scrooge could say no more. “They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!” cried the Spirit, stretching out its hand towards the city. “Slander those who tell it ye! Admit it for your factious purposes, and make it worse! And bide the end!” “Have they no refuge or resource?” cried Scrooge. “Are there no prisons?” said the Spirit, turning on him for the last time with his own words. “Are there no workhouses?” The bell struck twelve. Scrooge looked about him for the Ghost, and saw it not. As the last stroke ceased to vibrate, he remembered the prediction of old Jacob Marley, and lifting up his eyes, beheld a solemn Phantom, draped and hooded, coming, like a mist along the ground, towards him. STAVE FOUR. THE LAST OF THE SPIRITS. THE Phantom slowly, gravely, silently, approached. When it came near him, Scrooge bent down upon his knee; for in the very air through which this Spirit moved it seemed to scatter gloom and mystery. It was shrouded in a deep black garment, which concealed its head, its face, its form, and left nothing of it visible save one outstretched hand. But for this it would have been difficult to detach its figure from the night, and separate it from the darkness by which it was surrounded. He felt that it was tall and stately when it came beside him, and that its mysterious presence filled him with a solemn dread. He knew no more, for the Spirit neither spoke nor moved. “I am in the presence of the Ghost of Christmas Yet To Come?” said Scrooge. The Spirit answered not, but pointed onward with its hand. “You are about to show me shadows of the things that have not happened, but will happen in the time before us,” Scrooge pursued. “Is that so, Spirit?” The upper portion of the garment was contracted for an instant in its folds, as if the Spirit had inclined its head. That was the only answer he received. Although well used to ghostly company by this time, Scrooge feared the silent shape so much that his legs trembled beneath him, and he found that he could hardly stand when he prepared to follow it. The Spirit paused a moment, as observing his condition, and giving him time to recover. But Scrooge was all the worse for this. It thrilled him with a vague uncertain horror, to know that behind the dusky shroud, there were ghostly eyes intently fixed upon him, while he, though he stretched his own to the utmost, could see nothing but a spectral hand and one great heap of black. “Ghost of the Future!” he exclaimed, “I fear you more than any Spectre I have seen. But as I know your purpose is to do me good, and as I hope to live to be another man from what I was, I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me?” It gave him no reply. The hand was pointed straight before them. “Lead on!” said Scrooge. “Lead on! The night is waning fast, and it is precious time to me, I know. Lead on, Spirit!” The Phantom moved away as it had come towards him. Scrooge followed in the shadow of its dress, which bore him up, he thought, and carried him along. They scarcely seemed to enter the city; for the city rather seemed to spring up about them, and encompass them of its own act. But there they were, in the heart of it; on ’Change, amongst the merchants; who hurried up and down, and chinked the money in their pockets, and conversed in groups, and looked at their watches, and trifled thoughtfully with their great gold seals; and so forth, as Scrooge had seen them often. The Spirit stopped beside one little knot of business men. Observing that the hand was pointed to them, Scrooge advanced to listen to their talk. “No,” said a great fat man with a monstrous chin, “I don’t know much about it, either way. I only know he’s dead.” “When did he die?” inquired another. “Last night, I believe.” “Why, what was the matter with him?” asked a third, taking a vast quantity of snuff out of a very large snuff-box. “I thought he’d never die.” “God knows,” said the first, with a yawn. “What has he done with his money?” asked a red-faced gentleman with a pendulous excrescence on the end of his nose, that shook like the gills of a turkey-cock. “I haven’t heard,” said the man with the large chin, yawning again. “Left it to his Company, perhaps. He hasn’t left it to me. That’s all I know.” This pleasantry was received with a general laugh. “It’s likely to be a very cheap funeral,” said the same speaker; “for upon my life I don’t know of anybody to go to it. Suppose we make up a party and volunteer?” “I don’t mind going if a lunch is provided,” observed the gentleman with the excrescence on his nose. “But I must be fed, if I make one.” Another laugh. “Well, I am the most disinterested among you, after all,” said the first speaker, “for I never wear black gloves, and I never eat lunch. But I’ll offer to go, if anybody else will. When I come to think of it, I’m not at all sure that I wasn’t his most particular friend; for we used to stop and speak whenever we met. Bye, bye!” Speakers and listeners strolled away, and mixed with other groups. Scrooge knew the men, and looked towards the Spirit for an explanation. The Phantom glided on into a street. Its finger pointed to two persons meeting. Scrooge listened again, thinking that the explanation might lie here. He knew these men, also, perfectly. They were men of business: very wealthy, and of great importance. He had made a point always of standing well in their esteem: in a business point of view, that is; strictly in a business point of view. “How are you?” said one. “How are you?” returned the other. “Well!” said the first. “Old Scratch has got his own at last, hey?” “So I am told,” returned the second. “Cold, isn’t it?” “Seasonable for Christmas time. You’re not a skaiter, I suppose?” “No. No. Something else to think of. Good morning!” Not another word. That was their meeting, their conversation, and their parting. Scrooge was at first inclined to be surprised that the Spirit should attach importance to conversations apparently so trivial; but feeling assured that they must have some hidden purpose, he set himself to consider what it was likely to be. They could scarcely be supposed to have any bearing on the death of Jacob, his old partner, for that was Past, and this Ghost’s province was the Future. Nor could he think of any one immediately connected with himself, to whom he could apply them. But nothing doubting that to whomsoever they applied they had some latent moral for his own improvement, he resolved to treasure up every word he heard, and everything he saw; and especially to observe the shadow of himself when it appeared. For he had an expectation that the conduct of his future self would give him the clue he missed, and would render the solution of these riddles easy. He looked about in that very place for his own image; but another man stood in his accustomed corner, and though the clock pointed to his usual time of day for being there, he saw no likeness of himself among the multitudes that poured in through the Porch. It gave him little surprise, however; for he had been revolving in his mind a change of life, and thought and hoped he saw his new-born resolutions carried out in this. Quiet and dark, beside him stood the Phantom, with its outstretched hand. When he roused himself from his thoughtful quest, he fancied from the turn of the hand, and its situation in reference to himself, that the Unseen Eyes were looking at him keenly. It made him shudder, and feel very cold. They left the busy scene, and went into an obscure part of the town, where Scrooge had never penetrated before, although he recognised its situation, and its bad repute. The ways were foul and narrow; the shops and houses wretched; the people half-naked, drunken, slipshod, ugly. Alleys and archways, like so many cesspools, disgorged their offences of smell, and dirt, and life, upon the straggling streets; and the whole quarter reeked with crime, with filth, and misery. Far in this den of infamous resort, there was a low-browed, beetling shop, below a pent-house roof, where iron, old rags, bottles, bones, and greasy offal, were bought. Upon the floor within, were piled up heaps of rusty keys, nails, chains, hinges, files, scales, weights, and refuse iron of all kinds. Secrets that few would like to scrutinise were bred and hidden in mountains of unseemly rags, masses of corrupted fat, and sepulchres of bones. Sitting in among the wares he dealt in, by a charcoal stove, made of old bricks, was a grey-haired rascal, nearly seventy years of age; who had screened himself from the cold air without, by a frousy curtaining of miscellaneous tatters, hung upon a line; and smoked his pipe in all the luxury of calm retirement. Scrooge and the Phantom came into the presence of this man, just as a woman with a heavy bundle slunk into the shop. But she had scarcely entered, when another woman, similarly laden, came in too; and she was closely followed by a man in faded black, who was no less startled by the sight of them, than they had been upon the recognition of each other. After a short period of blank astonishment, in which the old man with the pipe had joined them, they all three burst into a laugh. “Let the charwoman alone to be the first!” cried she who had entered first. “Let the laundress alone to be the second; and let the undertaker’s man alone to be the third. Look here, old Joe, here’s a chance! If we haven’t all three met here without meaning it!” “You couldn’t have met in a better place,” said old Joe, removing his pipe from his mouth. “Come into the parlour. You were made free of it long ago, you know; and the other two an’t strangers. Stop till I shut the door of the shop. Ah! How it skreeks! There an’t such a rusty bit of metal in the place as its own hinges, I believe; and I’m sure there’s no such old bones here, as mine. Ha, ha! We’re all suitable to our calling, we’re well matched. Come into the parlour. Come into the parlour.” The parlour was the space behind the screen of rags. The old man raked the fire together with an old stair-rod, and having trimmed his smoky lamp (for it was night), with the stem of his pipe, put it in his mouth again. While he did this, the woman who had already spoken threw her bundle on the floor and sat down in a flaunting manner on a stool; crossing her elbows on her knees, and looking with a bold defiance at the other two. “What odds then! What odds, Mrs. Dilber?” said the woman. “Every person has a right to take care of themselves. He always did.” “That’s true, indeed!” said the laundress. “No man more so.” “Why then, don’t stand staring as if you was afraid, woman; who’s the wiser? We’re not going to pick holes in each other’s coats, I suppose?” “No, indeed!” said Mrs. Dilber and the man together. “We should hope not.” “Very well, then!” cried the woman. “That’s enough. Who’s the worse for the loss of a few things like these? Not a dead man, I suppose.” “No, indeed,” said Mrs. Dilber, laughing. “If he wanted to keep ’em after he was dead, a wicked old screw,” pursued the woman, “why wasn’t he natural in his lifetime? If he had been, he’d have had somebody to look after him when he was struck with Death, instead of lying gasping out his last there, alone by himself.” “It’s the truest word that ever was spoke,” said Mrs. Dilber. “It’s a judgment on him.” “I wish it was a little heavier judgment,” replied the woman; “and it should have been, you may depend upon it, if I could have laid my hands on anything else. Open that bundle, old Joe, and let me know the value of it. Speak out plain. I’m not afraid to be the first, nor afraid for them to see it. We know pretty well that we were helping ourselves, before we met here, I believe. It’s no sin. Open the bundle, Joe.” But the gallantry of her friends would not allow of this; and the man in faded black, mounting the breach first, produced his plunder. It was not extensive. A seal or two, a pencil-case, a pair of sleeve-buttons, and a brooch of no great value, were all. They were severally examined and appraised by old Joe, who chalked the sums he was disposed to give for each, upon the wall, and added them up into a total when he found there was nothing more to come. “That’s your account,” said Joe, “and I wouldn’t give another sixpence, if I was to be boiled for not doing it. Who’s next?” Mrs. Dilber was next. Sheets and towels, a little wearing apparel, two old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. Her account was stated on the wall in the same manner. “I always give too much to ladies. It’s a weakness of mine, and that’s the way I ruin myself,” said old Joe. “That’s your account. If you asked me for another penny, and made it an open question, I’d repent of being so liberal and knock off half-a-crown.” “And now undo my bundle, Joe,” said the first woman. Joe went down on his knees for the greater convenience of opening it, and having unfastened a great many knots, dragged out a large and heavy roll of some dark stuff. “What do you call this?” said Joe. “Bed-curtains!” “Ah!” returned the woman, laughing and leaning forward on her crossed arms. “Bed-curtains!” “You don’t mean to say you took ’em down, rings and all, with him lying there?” said Joe. “Yes I do,” replied the woman. “Why not?” “You were born to make your fortune,” said Joe, “and you’ll certainly do it.” “I certainly shan’t hold my hand, when I can get anything in it by reaching it out, for the sake of such a man as He was, I promise you, Joe,” returned the woman coolly. “Don’t drop that oil upon the blankets, now.” “His blankets?” asked Joe. “Whose else’s do you think?” replied the woman. “He isn’t likely to take cold without ’em, I dare say.” “I hope he didn’t die of anything catching? Eh?” said old Joe, stopping in his work, and looking up. “Don’t you be afraid of that,” returned the woman. “I an’t so fond of his company that I’d loiter about him for such things, if he did. Ah! you may look through that shirt till your eyes ache; but you won’t find a hole in it, nor a threadbare place. It’s the best he had, and a fine one too. They’d have wasted it, if it hadn’t been for me.” “What do you call wasting of it?” asked old Joe. “Putting it on him to be buried in, to be sure,” replied the woman with a laugh. “Somebody was fool enough to do it, but I took it off again. If calico an’t good enough for such a purpose, it isn’t good enough for anything. It’s quite as becoming to the body. He can’t look uglier than he did in that one.” Scrooge listened to this dialogue in horror. As they sat grouped about their spoil, in the scanty light afforded by the old man’s lamp, he viewed them with a detestation and disgust, which could hardly have been greater, though they had been obscene demons, marketing the corpse itself. “Ha, ha!” laughed the same woman, when old Joe, producing a flannel bag with money in it, told out their several gains upon the ground. “This is the end of it, you see! He frightened every one away from him when he was alive, to profit us when he was dead! Ha, ha, ha!” “Spirit!” said Scrooge, shuddering from head to foot. “I see, I see. The case of this unhappy man might be my own. My life tends that way, now. Merciful Heaven, what is this!” He recoiled in terror, for the scene had changed, and now he almost touched a bed: a bare, uncurtained bed: on which, beneath a ragged sheet, there lay a something covered up, which, though it was dumb, announced itself in awful language. The room was very dark, too dark to be observed with any accuracy, though Scrooge glanced round it in obedience to a secret impulse, anxious to know what kind of room it was. A pale light, rising in the outer air, fell straight upon the bed; and on it, plundered and bereft, unwatched, unwept, uncared for, was the body of this man. Scrooge glanced towards the Phantom. Its steady hand was pointed to the head. The cover was so carelessly adjusted that the slightest raising of it, the motion of a finger upon Scrooge’s part, would have disclosed the face. He thought of it, felt how easy it would be to do, and longed to do it; but had no more power to withdraw the veil than to dismiss the spectre at his side. Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand WAS open, generous, and true; the heart brave, warm, and tender; and the pulse a man’s. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal! No voice pronounced these words in Scrooge’s ears, and yet he heard them when he looked upon the bed. He thought, if this man could be raised up now, what would be his foremost thoughts? Avarice, hard dealing, griping cares? They have brought him to a rich end, truly! He lay, in the dark empty house, with not a man, a woman, or a child, to say that he was kind to me in this or that, and for the memory of one kind word I will be kind to him. A cat was tearing at the door, and there was a sound of gnawing rats beneath the hearth-stone. What they wanted in the room of death, and why they were so restless and disturbed, Scrooge did not dare to think. “Spirit!” he said, “this is a fearful place. In leaving it, I shall not leave its lesson, trust me. Let us go!” Still the Ghost pointed with an unmoved finger to the head. “I understand you,” Scrooge returned, “and I would do it, if I could. But I have not the power, Spirit. I have not the power.” Again it seemed to look upon him. “If there is any person in the town, who feels emotion caused by this man’s death,” said Scrooge quite agonised, “show that person to me, Spirit, I beseech you!” The phantom spread its dark robe before him for a moment, like a wing; and withdrawing it, revealed a room by daylight, where a mother and her children were. She was expecting some one, and with anxious eagerness; for she walked up and down the room; started at every sound; looked out from the window; glanced at the clock; tried, but in vain, to work with her needle; and could hardly bear the voices of the children in their play. At length the long-expected knock was heard. She hurried to the door, and met her husband; a man whose face was care-worn and depressed, though he was young. There was a remarkable expression in it now; a kind of serious delight of which he felt ashamed, and which he struggled to repress. He sat down to the dinner that had been hoarding for him by the fire; and when she asked him faintly what news (which was not until after a long silence), he appeared embarrassed how to answer. “Is it good?” she said, “or bad?”—to help him. “Bad,” he answered. “We are quite ruined?” “No. There is hope yet, Caroline.” “If he relents,” she said, amazed, “there is! Nothing is past hope, if such a miracle has happened.” “He is past relenting,” said her husband. “He is dead.” She was a mild and patient creature if her face spoke truth; but she was thankful in her soul to hear it, and she said so, with clasped hands. She prayed forgiveness the next moment, and was sorry; but the first was the emotion of her heart. “What the half-drunken woman whom I told you of last night, said to me, when I tried to see him and obtain a week’s delay; and what I thought was a mere excuse to avoid me; turns out to have been quite true. He was not only very ill, but dying, then.” “To whom will our debt be transferred?” “I don’t know. But before that time we shall be ready with the money; and even though we were not, it would be a bad fortune indeed to find so merciless a creditor in his successor. We may sleep to-night with light hearts, Caroline!” Yes. Soften it as they would, their hearts were lighter. The children’s faces, hushed and clustered round to hear what they so little understood, were brighter; and it was a happier house for this man’s death! The only emotion that the Ghost could show him, caused by the event, was one of pleasure. “Let me see some tenderness connected with a death,” said Scrooge; “or that dark chamber, Spirit, which we left just now, will be for ever present to me.” The Ghost conducted him through several streets familiar to his feet; and as they went along, Scrooge looked here and there to find himself, but nowhere was he to be seen. They entered poor Bob Cratchit’s house; the dwelling he had visited before; and found the mother and the children seated round the fire. Quiet. Very quiet. The noisy little Cratchits were as still as statues in one corner, and sat looking up at Peter, who had a book before him. The mother and her daughters were engaged in sewing. But surely they were very quiet! “‘And He took a child, and set him in the midst of them.’” Where had Scrooge heard those words? He had not dreamed them. The boy must have read them out, as he and the Spirit crossed the threshold. Why did he not go on? The mother laid her work upon the table, and put her hand up to her face. “The colour hurts my eyes,” she said. The colour? Ah, poor Tiny Tim! “They’re better now again,” said Cratchit’s wife. “It makes them weak by candle-light; and I wouldn’t show weak eyes to your father when he comes home, for the world It must be near his time.” “Past it rather,” Peter answered, shutting up his book. “But I think he has walked a little slower than he used, these few last evenings, mother.” They were very quiet again. At last she said, and in a steady, cheerful voice, that only faultered once: “I have known him walk with—I have known him walk with Tiny Tim upon his shoulder, very fast indeed.” “And so have I,” cried Peter. “Often.” “And so have I!” exclaimed another. So had all. “But he was very light to carry,” she resumed, intent upon her work, “and his father loved him so, that it was no trouble: no trouble. And there is your father at the door!” She hurried out to meet him; and little Bob in his comforter—he had need of it, poor fellow—came in. His tea was ready for him on the hob, and they all tried who should help him to it most. Then the two young Cratchits got upon his knees and laid, each child a little cheek, against his face, as if they said, “Don’t mind it, father. Don’t be grieved!” Bob was very cheerful with them, and spoke pleasantly to all the family. He looked at the work upon the table, and praised the industry and speed of Mrs. Cratchit and the girls. They would be done long before Sunday, he said. “Sunday! You went to-day, then, Robert?” said his wife. “Yes, my dear,” returned Bob. “I wish you could have gone. It would have done you good to see how green a place it is. But you’ll see it often. I promised him that I would walk there on a Sunday. My little, little child!” cried Bob. “My little child!” He broke down all at once. He couldn’t help it. If he could have helped it, he and his child would have been farther apart perhaps than they were. He left the room, and went up stairs into the room above, which was lighted cheerfully, and hung with Christmas. There was a chair set close beside the child, and there were signs of some one having been there, lately. Poor Bob sat down in it, and when he had thought a little and composed himself, he kissed the little face. He was reconciled to what had happened, and went down again quite happy. They drew about the fire, and talked; the girls and mother working still. Bob told them of the extraordinary kindness of Mr. Scrooge’s nephew, whom he had scarcely seen but once, and who, meeting him in the street that day, and seeing that he looked a little—“just a little down you know” said Bob, inquired what had happened to distress him. “On which,” said Bob, “for he is the pleasantest-spoken gentleman you ever heard, I told him. ‘I am heartily sorry for it, Mr. Cratchit,’ he said, ‘and heartily sorry for your good wife.’ By the bye, how he ever knew that, I don’t know.” “Knew what, my dear?” “Why, that you were a good wife,” replied Bob. “Everybody knows that!” said Peter. “Very well observed, my boy!” cried Bob. “I hope they do. ‘Heartily sorry,’ he said, ‘for your good wife. If I can be of service to you in any way,’ he said, giving me his card, ‘that’s where I live. Pray come to me.’ Now, it wasn’t,” cried Bob, “for the sake of anything he might be able to do for us, so much as for his kind way, that this was quite delightful. It really seemed as if he had known our Tiny Tim, and felt with us.” “I’m sure he’s a good soul!” said Mrs. Cratchit. “You would be surer of it, my dear,” returned Bob, “if you saw and spoke to him. I shouldn’t be at all surprised, mark what I say , if he got Peter a better situation.” “Only hear that, Peter,” said Mrs. Cratchit. “And then,” cried one of the girls, “Peter will be keeping company with some one, and setting up for himself.” “Get along with you!” retorted Peter, grinning. “It’s just as likely as not,” said Bob, “one of these days; though there’s plenty of time for that, my dear. But however and whenever we part from one another, I am sure we shall none of us forget poor Tiny Tim—shall we—or this first parting that there was among us?” “Never, father!” cried they all. “And I know,” said Bob, “I know, my dears, that when we recollect how patient and how mild he was; although he was a little, little child; we shall not quarrel easily among ourselves, and forget poor Tiny Tim in doing it.” “No, never, father!” they all cried again. “I am very happy,” said little Bob, “I am very happy!” Mrs. Cratchit kissed him, his daughters kissed him, the two young Cratchits kissed him, and Peter and himself shook hands. Spirit of Tiny Tim, thy childish essence was from God! “Spectre,” said Scrooge, “something informs me that our parting moment is at hand. I know it, but I know not how. Tell me what man that was whom we saw lying dead?” The Ghost of Christmas Yet To Come conveyed him, as before—though at a different time, he thought: indeed, there seemed no order in these latter visions, save that they were in the Future—into the resorts of business men, but showed him not himself. Indeed, the Spirit did not stay for anything, but went straight on, as to the end just now desired, until besought by Scrooge to tarry for a moment. “This court,” said Scrooge, “through which we hurry now, is where my place of occupation is, and has been for a length of time. I see the house. Let me behold what I shall be, in days to come.” The Spirit stopped; the hand was pointed elsewhere. “The house is yonder,” Scrooge exclaimed. “Why do you point away?” The inexorable finger underwent no change. Scrooge hastened to the window of his office, and looked in. It was an office still, but not his. The furniture was not the same, and the figure in the chair was not himself. The Phantom pointed as before. He joined it once again, and wondering why and whither he had gone, accompanied it until they reached an iron gate. He paused to look round before entering. A churchyard. Here, then; the wretched man whose name he had now to learn, lay underneath the ground. It was a worthy place. Walled in by houses; overrun by grass and weeds, the growth of vegetation’s death, not life; choked up with too much burying; fat with repleted appetite. A worthy place! The Spirit stood among the graves, and pointed down to One. He advanced towards it trembling. The Phantom was exactly as it had been, but he dreaded that he saw new meaning in its solemn shape. “Before I draw nearer to that stone to which you point,” said Scrooge, “answer me one question. Are these the shadows of the things that Will be, or are they shadows of things that May be, only?” Still the Ghost pointed downward to the grave by which it stood. “Men’s courses will foreshadow certain ends, to which, if persevered in, they must lead,” said Scrooge. “But if the courses be departed from, the ends will change. Say it is thus with what you show me!” The Spirit was immovable as ever. Scrooge crept towards it, trembling as he went; and following the finger, read upon the stone of the neglected grave his own name, EBENEZER SCROOGE. “Am I that man who lay upon the bed?” he cried, upon his knees. The finger pointed from the grave to him, and back again. “No, Spirit! Oh no, no!” The finger still was there. “Spirit!” he cried, tight clutching at its robe, “hear me! I am not the man I was. I will not be the man I must have been but for this intercourse. Why show me this, if I am past all hope!” For the first time the hand appeared to shake. “Good Spirit,” he pursued, as down upon the ground he fell before it: “Your nature intercedes for me, and pities me. Assure me that I yet may change these shadows you have shown me, by an altered life!” The kind hand trembled. “I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the writing on this stone!” In his agony, he caught the spectral hand. It sought to free itself, but he was strong in his entreaty, and detained it. The Spirit, stronger yet, repulsed him. Holding up his hands in a last prayer to have his fate reversed, he saw an alteration in the Phantom’s hood and dress. It shrunk, collapsed, and dwindled down into a bedpost. STAVE FIVE. THE END OF IT. YES! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in! “I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!” He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears. “They are not torn down,” cried Scrooge, folding one of his bed-curtains in his arms, “they are not torn down, rings and all. They are here—I am here: the shadows of the things that would have been, may be dispelled. They will be. I know they will!” His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance. “I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoön of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world. Hallo here! Whoop! Hallo!” He had frisked into the sitting-room, and was now standing there: perfectly winded. “There’s the saucepan that the gruel was in!” cried Scrooge, starting off again, and going round the fireplace. “There’s the door, by which the Ghost of Jacob Marley entered! There’s the corner where the Ghost of Christmas Present, sat! There’s the window where I saw the wandering Spirits! It’s all right, it’s all true, it all happened. Ha ha ha!” Really, for a man who had been out of practice for so many years, it was a splendid laugh, a most illustrious laugh. The father of a long, long line of brilliant laughs! “I don’t know what day of the month it is!” said Scrooge. “I don’t know how long I’ve been among the Spirits. I don’t know anything. I’m quite a baby. Never mind. I don’t care. I’d rather be a baby. Hallo! Whoop! Hallo here!” He was checked in his transports by the churches ringing out the lustiest peals he had ever heard. Clash, clang, hammer; ding, dong, bell. Bell, dong, ding; hammer, clang, clash! Oh, glorious, glorious! Running to the window, he opened it, and put out his head. No fog, no mist; clear, bright, jovial, stirring, cold; cold, piping for the blood to dance to; Golden sunlight; Heavenly sky; sweet fresh air; merry bells. Oh, glorious! Glorious! “What’s to-day!” cried Scrooge, calling downward to a boy in Sunday clothes, who perhaps had loitered in to look about him. “EH?” returned the boy, with all his might of wonder. “What’s to-day, my fine fellow?” said Scrooge. “To-day!” replied the boy. “Why, CHRISTMAS DAY.” “It’s Christmas Day!” said Scrooge to himself. “I haven’t missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hallo, my fine fellow!” “Hallo!” returned the boy. “Do you know the Poulterer’s, in the next street but one, at the corner?” Scrooge inquired. “I should hope I did,” replied the lad. “An intelligent boy!” said Scrooge. “A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there? Not the little prize Turkey: the big one?” “What, the one as big as me?” returned the boy. “What a delightful boy!” said Scrooge. “It’s a pleasure to talk to him. Yes, my buck!” “It’s hanging there now,” replied the boy. “Is it?” said Scrooge. “Go and buy it.” “Walk-ER!” exclaimed the boy. “No, no,” said Scrooge, “I am in earnest. Go and buy it, and tell ’em to bring it here, that I may give them the direction where to take it. Come back with the man, and I’ll give you a shilling. Come back with him in less than five minutes and I’ll give you half-a-crown!” The boy was off like a shot. He must have had a steady hand at a trigger who could have got a shot off half so fast. “I’ll send it to Bob Cratchit’s!” whispered Scrooge, rubbing his hands, and splitting with a laugh. “He sha’n’t know who sends it. It’s twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob’s will be!” The hand in which he wrote the address was not a steady one, but write it he did, somehow, and went down stairs to open the street door, ready for the coming of the poulterer’s man. As he stood there, waiting his arrival, the knocker caught his eye. “I shall love it, as long as I live!” cried Scrooge, patting it with his hand. “I scarcely ever looked at it before. What an honest expression it has in its face! It’s a wonderful knocker!—Here’s the Turkey! Hallo! Whoop! How are you! Merry Christmas!” It was a Turkey! He never could have stood upon his legs, that bird. He would have snapped ’em short off in a minute, like sticks of sealing-wax. “Why, it’s impossible to carry that to Camden Town,” said Scrooge. “You must have a cab.” The chuckle with which he said this, and the chuckle with which he paid for the Turkey, and the chuckle with which he paid for the cab, and the chuckle with which he recompensed the boy, were only to be exceeded by the chuckle with which he sat down breathless in his chair again, and chuckled till he cried. Shaving was not an easy task, for his hand continued to shake very much; and shaving requires attention, even when you don’t dance while you are at it. But if he had cut the end of his nose off, he would have put a piece of sticking-plaister over it, and been quite satisfied. He dressed himself “all in his best,” and at last got out into the streets. The people were by this time pouring forth, as he had seen them with the Ghost of Christmas Present; and walking with his hands behind him, Scrooge regarded every one with a delighted smile. He looked so irresistibly pleasant, in a word, that three or four good-humoured fellows said, “Good morning, sir! A merry Christmas to you!” And Scrooge said often afterwards, that of all the blithe sounds he had ever heard, those were the blithest in his ears. He had not gone far, when coming on towards him he beheld the portly gentleman, who had walked into his counting-house the day before, and said, “Scrooge and Marley’s, I believe?” It sent a pang across his heart to think how this old gentleman would look upon him when they met; but he knew what path lay straight before him, and he took it. “My dear sir,” said Scrooge, quickening his pace, and taking the old gentleman by both his hands. “How do you do? I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir!” “Mr. Scrooge?” “Yes,” said Scrooge. “That is my name, and I fear it may not be pleasant to you. Allow me to ask your pardon. And will you have the goodness”—here Scrooge whispered in his ear. “Lord bless me!” cried the gentleman, as if his breath were gone. “My dear Mr. Scrooge, are you serious?” “If you please,” said Scrooge. “Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?” “My dear sir,” said the other, shaking hands with him. “I don’t know what to say to such munifi—” “Don’t say anything, please,” retorted Scrooge. “Come and see me. Will you come and see me?” “I will!” cried the old gentleman. And it was clear he meant to do it. “Thank’ee,” said Scrooge. “I am much obliged to you. I thank you fifty times. Bless you!” He went to church, and walked about the streets, and watched the people hurrying to and fro, and patted children on the head, and questioned beggars, and looked down into the kitchens of houses, and up to the windows; and found that everything could yield him pleasure. He had never dreamed that any walk—that anything—could give him so much happiness. In the afternoon, he turned his steps towards his nephew’s house. He passed the door a dozen times, before he had the courage to go up and knock. But he made a dash, and did it: “Is your master at home, my dear?” said Scrooge to the girl. Nice girl! Very. “Yes, sir.” “Where is he, my love?” said Scrooge. “He’s in the dining-room, sir, along with mistress. I’ll show you up stairs, if you please.” “Thank’ee. He knows me,” said Scrooge, with his hand already on the dining-room lock. “I’ll go in here, my dear.” He turned it gently, and sidled his face in, round the door. They were looking at the table (which was spread out in great array); for these young housekeepers are always nervous on such points, and like to see that everything is right. “Fred!” said Scrooge. Dear heart alive, how his niece by marriage started! Scrooge had forgotten, for the moment, about her sitting in the corner with the footstool, or he wouldn’t have done it, on any account. “Why bless my soul!” cried Fred, “who’s that?” “It’s I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?” Let him in! It is a mercy he didn’t shake his arm off. He was at home in five minutes. Nothing could be heartier. His niece looked just the same. So did Topper when he came. So did the plump sister when she came. So did every one when they came. Wonderful party, wonderful games, wonderful unanimity, won-der-ful happiness! But he was early at the office next morning. Oh, he was early there. If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon. And he did it; yes, he did! The clock struck nine. No Bob. A quarter past. No Bob. He was full eighteen minutes and a half behind his time. Scrooge sat with his door wide open, that he might see him come into the Tank. His hat was off, before he opened the door; his comforter too. He was on his stool in a jiffy; driving away with his pen, as if he were trying to overtake nine o’clock. “Hallo!” growled Scrooge, in his accustomed voice, as near as he could feign it. “What do you mean by coming here at this time of day?” “I am very sorry, sir,” said Bob. “I am behind my time.” “You are?” repeated Scrooge. “Yes. I think you are. Step this way, sir, if you please.” “It’s only once a year, sir,” pleaded Bob, appearing from the Tank. “It shall not be repeated. I was making rather merry yesterday, sir.” “Now, I’ll tell you what, my friend,” said Scrooge, “I am not going to stand this sort of thing any longer. And therefore,” he continued, leaping from his stool, and giving Bob such a dig in the waistcoat that he staggered back into the Tank again: “and therefore I am about to raise your salary!” Bob trembled, and got a little nearer to the ruler. He had a momentary idea of knocking Scrooge down with it, holding him, and calling to the people in the court for help and a strait-waistcoat. “A merry Christmas, Bob!” said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. “A merrier Christmas, Bob, my good fellow, than I have given you, for many a year! I’ll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires, and buy another coal-scuttle before you dot another i, Bob Cratchit!” Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him. He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God Bless Us, Every One!</text>
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                <text>&lt;em&gt;A Christmas Carol&lt;/em&gt;</text>
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                <text>Dickens, Charles</text>
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                <text>&lt;em&gt;Google Books, &lt;/em&gt;&lt;a href="https://www.google.com/books/edition/A_Christmas_Carol/d5U_AQAAMAAJ?hl=en&amp;amp;gbpv=0"&gt;https://www.google.com/books/edition/A_Christmas_Carol/d5U_AQAAMAAJ?hl=en&amp;amp;gbpv=0&lt;/a&gt;.</text>
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                <text>1842-12</text>
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                <text>Dickens, Charles. &lt;em&gt;A Christmas Carol.&lt;/em&gt; Chapman and Hall, 1843. &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://dickenssearch.com/christmas-stories/1842-12-A_Christmas_Carol"&gt;https://dickenssearch.com/christmas-stories/1842-12-A_Christmas_Carol&lt;/a&gt;.</text>
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                <text>Published by Chapman and Hall (December 1843)</text>
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                <text>Google Books, &lt;a href="https://www.google.com/googlebooks/about/"&gt;https://www.google.com/googlebooks/about/&lt;/a&gt;. Google's free books are made available to read through careful consideration of and respect for copyright law globally: they are public-domain works, made free on request of the copyright owner, or copyright-free.</text>
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              <elementText elementTextId="2181">
                <text>STAVE ONE.&#13;
MARLEY’S GHOST.&#13;
&#13;
MARLEY was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.&#13;
&#13;
Mind! I don’t mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country’s done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.&#13;
&#13;
Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don’t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.&#13;
&#13;
The mention of Marley’s funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul’s Churchyard for instance—literally to astonish his son’s weak mind.&#13;
&#13;
Scrooge never painted out Old Marley’s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him.&#13;
&#13;
Oh! But he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn’t thaw it one degree at Christmas.&#13;
&#13;
External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no falling snow was more intent upon its purpose, no pelting rain less open to entreaty. Foul weather didn’t know where to have him. The heaviest rain, and snow, and hail, and sleet, could boast of the advantage over him in only one respect. They often “came down” handsomely, and Scrooge never did.&#13;
&#13;
Nobody ever stopped him in the street to say, with gladsome looks, “My dear Scrooge, how are you? when will you come to see me?” No beggars implored him to bestow a trifle, no children asked him what it was o’clock, no man or woman ever once in all his life inquired the way to such and such a place, of Scrooge. Even the blindmen’s dogs appeared to know him; and when they saw him coming on, would tug their owners into doorways and up courts; and then would wag their tails as though they said, “no eye at all is better than an evil eye, dark master!”&#13;
&#13;
But what did Scrooge care! It was the very thing he liked. To edge his way along the crowded paths of life, warning all human sympathy to keep its distance, was what the knowing ones call “nuts” to Scrooge.&#13;
&#13;
Once upon a time—of all the good days in the year, on Christmas Eve—old Scrooge sat busy in his counting-house. It was cold, bleak, biting weather: foggy withal: and he could hear the people in the court outside go wheezing up and down, beating their hands upon their breasts, and stamping their feet upon the pavement-stones to warm them. The city clocks had only just gone three, but it was quite dark already: it had not been light all day: and candles were flaring in the windows of the neighbouring offices, like ruddy smears upon the palpable brown air. The fog came pouring in at every chink and keyhole, and was so dense without, that although the court was of the narrowest, the houses opposite were mere phantoms. To see the dingy cloud come drooping down, obscuring everything, one might have thought that Nature lived hard by, and was brewing on a large scale.&#13;
&#13;
The door of Scrooge’s counting-house was open that he might keep his eye upon his clerk, who in a dismal little cell beyond, a sort of tank, was copying letters. Scrooge had a very small fire, but the clerk’s fire was so very much smaller that it looked like one coal. But he couldn’t replenish it, for Scrooge kept the coal-box in his own room; and so surely as the clerk came in with the shovel, the master predicted that it would be necessary for them to part. Wherefore the clerk put on his white comforter, and tried to warm himself at the candle; in which effort, not being a man of a strong imagination, he failed.&#13;
&#13;
“A merry Christmas, uncle! God save you!” cried a cheerful voice. It was the voice of Scrooge’s nephew, who came upon him so quickly that this was the first intimation he had of his approach.&#13;
&#13;
“Bah!” said Scrooge, “Humbug!”&#13;
&#13;
He had so heated himself with rapid walking in the fog and frost, this nephew of Scrooge’s, that he was all in a glow; his face was ruddy and handsome; his eyes sparkled, and his breath smoked again.&#13;
&#13;
“Christmas a humbug, uncle!” said Scrooge’s nephew. “You don’t mean that, I am sure.”&#13;
&#13;
“I do,” said Scrooge. “Merry Christmas! what right have you to be merry? what reason have you to be merry? You’re poor enough.”&#13;
&#13;
“Come, then,” returned the nephew gaily. “What right have you to be dismal? what reason have you to be morose? You’re rich enough.”&#13;
&#13;
Scrooge having no better answer ready on the spur of the moment, said, “Bah!” again; and followed it up with “Humbug.”&#13;
&#13;
“Don’t be cross, uncle,” said the nephew.&#13;
&#13;
“What else can I be” returned the uncle, “when I live in such a world of fools as this? Merry Christmas! Out upon merry Christmas! What’s Christmas time to you but a time for paying bills without money; a time for finding yourself a year older, and not an hour richer; a time for balancing your books and having every item in ’em through a round dozen of months presented dead against you? If I could work my will,” said Scrooge, indignantly, “every idiot who goes about with ‘Merry Christmas,’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart. He should!”&#13;
&#13;
“Uncle!” pleaded the nephew.&#13;
&#13;
“Nephew!” returned the uncle sternly, “keep Christmas in your own way, and let me keep it in mine.”&#13;
&#13;
“Keep it!” repeated Scrooge’s nephew. “But you don’t keep it.”&#13;
&#13;
“Let me leave it alone, then,” said Scrooge. “Much good may it do you! Much good it has ever done you!”&#13;
&#13;
“There are many things from which I might have derived good, by which I have not profited, I dare say,” returned the nephew: “Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!”&#13;
&#13;
The clerk in the tank involuntarily applauded: becoming immediately sensible of the impropriety, he poked the fire, and extinguished the last frail spark for ever.&#13;
&#13;
“Let me hear another sound from you,” said Scrooge, “and you’ll keep your Christmas by losing your situation. You’re quite a powerful speaker, sir,” he added, turning to his nephew. “I wonder you don’t go into Parliament.”&#13;
&#13;
“Don’t be angry, uncle. Come! Dine with us to-morrow.”&#13;
&#13;
Scrooge said that he would see him—yes, indeed he did. He went the whole length of the expression, and said that he would see him in that extremity first.&#13;
&#13;
“But why?” cried Scrooge’s nephew. “Why?”&#13;
&#13;
“Why did you get married?” said Scrooge.&#13;
&#13;
“Because I fell in love.”&#13;
&#13;
“Because you fell in love!” growled Scrooge, as if that were the only one thing in the world more ridiculous than a merry Christmas. “Good afternoon!”&#13;
&#13;
“Nay, uncle, but you never came to see me before that happened. Why give it as a reason for not coming now?”&#13;
&#13;
“Good afternoon,” said Scrooge.&#13;
&#13;
“I want nothing from you; I ask nothing of you; why cannot we be friends?”&#13;
&#13;
“Good afternoon,” said Scrooge.&#13;
&#13;
“I am sorry, with all my heart, to find you so resolute. We have never had any quarrel, to which I have been a party. But I have made the trial in homage to Christmas, and I’ll keep my Christmas humour to the last. So A Merry Christmas, uncle!”&#13;
&#13;
“Good afternoon!” said Scrooge.&#13;
&#13;
“And A Happy New Year!”&#13;
&#13;
“Good afternoon!” said Scrooge.&#13;
&#13;
His nephew left the room without an angry word, notwithstanding. He stopped at the outer door to bestow the greetings of the season on the clerk, who, cold as he was, was warmer than Scrooge; for he returned them cordially.&#13;
&#13;
“There’s another fellow,” muttered Scrooge; who overheard him: “my clerk, with fifteen shillings a week, and a wife and family, talking about a merry Christmas. I’ll retire to Bedlam.”&#13;
&#13;
This lunatic, in letting Scrooge’s nephew out, had let two other people in. They were portly gentlemen, pleasant to behold, and now stood, with their hats off, in Scrooge’s office. They had books and papers in their hands, and bowed to him.&#13;
&#13;
“Scrooge and Marley’s, I believe,” said one of the gentlemen, referring to his list. “Have I the pleasure of addressing Mr. Scrooge, or Mr. Marley?”&#13;
&#13;
“Mr. Marley has been dead these seven years,” Scrooge replied. “He died seven years ago, this very night.”&#13;
&#13;
“We have no doubt his liberality is well represented by his surviving partner,” said the gentleman, presenting his credentials.&#13;
&#13;
It certainly was; for they had been two kindred spirits. At the ominous word “liberality,” Scrooge frowned, and shook his head, and handed the credentials back.&#13;
&#13;
“At this festive season of the year, Mr. Scrooge,” said the gentleman, taking up a pen, “it is more than usually desirable that we should make some slight provision for the Poor and destitute, who suffer greatly at the present time. Many thousands are in want of common necessaries; hundreds of thousands are in want of common comforts, sir.”&#13;
&#13;
“Are there no prisons?” asked Scrooge.&#13;
&#13;
“Plenty of prisons,” said the gentleman, laying down the pen again.&#13;
&#13;
“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”&#13;
&#13;
“They are. Still,” returned the gentleman, “I wish I could say they were not.”&#13;
&#13;
“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.&#13;
&#13;
“Both very busy, sir.”&#13;
&#13;
“Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.”&#13;
&#13;
“Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude,” returned the gentleman, “a few of us are endeavouring to raise a fund to buy the Poor some meat and drink, and means of warmth. We choose this time, because it is a time, of all others, when Want is keenly felt, and Abundance rejoices. What shall I put you down for?”&#13;
&#13;
“Nothing!” Scrooge replied.&#13;
&#13;
“You wish to be anonymous?”&#13;
&#13;
“I wish to be left alone,” said Scrooge. “Since you ask me what I wish, gentlemen, that is my answer. I don’t make merry myself at Christmas and I can’t afford to make idle people merry. I help to support the establishments I have mentioned: they cost enough: and those who are badly off must go there.”&#13;
&#13;
“Many can’t go there; and many would rather die.”&#13;
&#13;
“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Besides—excuse me—I don’t know that.”&#13;
&#13;
“But you might know it,” observed the gentleman.&#13;
&#13;
“It’s not my business,” Scrooge returned. “It’s enough for a man to understand his own business, and not to interfere with other people’s. Mine occupies me constantly. Good afternoon, gentlemen!”&#13;
&#13;
Seeing clearly that it would be useless to pursue their point, the gentlemen withdrew. Scrooge resumed his labours with an improved opinion of himself, and in a more facetious temper than was usual with him.&#13;
&#13;
Meanwhile the fog and darkness thickened so, that people ran about with flaring links, proffering their services to go before horses in carriages, and conduct them on their way. The ancient tower of a church, whose gruff old bell was always peeping slily down at Scrooge out of a gothic window in the wall, became invisible, and struck the hours and quarters in the clouds, with tremulous vibrations afterwards, as if its teeth were chattering in its frozen head up there. The cold became intense. In the main street, at the corner of the court, some labourers were repairing the gas-pipes, and had lighted a great fire in a brazier, round which a party of ragged men and boys were gathered: warming their hands and winking their eyes before the blaze in rapture. The water-plug being left in solitude, its overflowings sullenly congealed, and turned to misanthropic ice. The brightness of the shops where holly sprigs and berries crackled in the lamp-heat of the windows, made pale faces ruddy as they passed. Poulterers’ and grocers’ trades became a splendid joke: a glorious pageant, with which it was next to impossible to believe that such dull principles as bargain and sale had anything to do. The Lord Mayor, in the stronghold of the mighty Mansion House, gave orders to his fifty cooks and butlers to keep Christmas as a Lord Mayor’s household should; and even the little tailor, whom he had fined five shillings on the previous Monday for being drunk and blood-thirsty in the streets, stirred up to-morrow’s pudding in his garret, while his lean wife and the baby sallied out to buy the beef.&#13;
&#13;
Foggier yet, and colder! Piercing, searching, biting cold. If the good Saint Dunstan had but nipped the Evil Spirit’s nose with a touch of such weather as that, instead of using his familiar weapons, then indeed he would have roared to lusty purpose. The owner of one scant young nose, gnawed and mumbled by the hungry cold as bones are gnawed by dogs, stooped down at Scrooge’s keyhole to regale him with a Christmas carol: but at the first sound of&#13;
&#13;
“God bless you, merry gentleman!&#13;
  May nothing you dismay!”&#13;
&#13;
Scrooge seized the ruler with such energy of action, that the singer fled in terror, leaving the keyhole to the fog and even more congenial frost.&#13;
&#13;
At length the hour of shutting up the counting-house arrived. With an ill-will Scrooge dismounted from his stool, and tacitly admitted the fact to the expectant clerk in the Tank, who instantly snuffed his candle out, and put on his hat.&#13;
&#13;
“You’ll want all day to-morrow, I suppose?” said Scrooge.&#13;
&#13;
“If quite convenient, Sir.”&#13;
&#13;
“It’s not convenient,” said Scrooge, “and it’s not fair. If I was to stop half-a-crown for it, you’d think yourself ill-used, I’ll be bound?”&#13;
&#13;
The clerk smiled faintly.&#13;
&#13;
“And yet,” said Scrooge, “you don’t think me ill-used, when I pay a day’s wages for no work.”&#13;
&#13;
The clerk observed that it was only once a year.&#13;
&#13;
“A poor excuse for picking a man’s pocket every twenty-fifth of December!” said Scrooge, buttoning his great-coat to the chin. “But I suppose you must have the whole day. Be here all the earlier next morning!”&#13;
&#13;
The clerk promised that he would; and Scrooge walked out with a growl. The office was closed in a twinkling, and the clerk, with the long ends of his white comforter dangling below his waist (for he boasted no great-coat), went down a slide on Corn-hill, at the end of a lane of boys, twenty times, in honour of its being Christmas-eve, and then ran home to Camden Town as hard as he could pelt, to play at blindman’s-buff.&#13;
&#13;
Scrooge took his melancholy dinner in his usual melancholy tavern; and having read all the newspapers, and beguiled the rest of the evening with his banker’s-book, went home to bed. He lived in chambers which had once belonged to his deceased partner. They were a gloomy suite of rooms, in a lowering pile of building up a yard, where it had so little business to be, that one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and forgotten the way out again. It was old enough now, and dreary enough, for nobody lived in it but Scrooge, the other rooms being all let out as offices. The yard was so dark that even Scrooge, who knew its every stone, was fain to grope with his hands. The fog and frost so hung about the black old gateway of the house, that it seemed as if the Genius of the Weather sat in mournful meditation on the threshold.&#13;
&#13;
Now, it is a fact, that there was nothing at all particular about the knocker on the door, except that it was very large. It is also a fact, that Scrooge had seen it, night and morning, during his whole residence in that place; also that Scrooge had as little of what is called fancy about him as any man in the City of London, even including—which is a bold word—the corporation, aldermen, and livery. Let it also be borne in mind that Scrooge had not bestowed one thought on Marley, since his last mention of his seven-years’ dead partner that afternoon. And then let any man explain to me, if he can, how it happened that Scrooge, having his key in the lock of the door, saw in the knocker, without its undergoing any intermediate process of change: not a knocker, but Marley’s face.&#13;
&#13;
Marley’s face. It was not in impenetrable shadow as the other objects in the yard were, but had a dismal light about it, like a bad lobster in a dark cellar. It was not angry or ferocious, but looked at Scrooge as Marley used to look: with ghostly spectacles turned up on its ghostly forehead. The hair was curiously stirred, as if by breath or hot-air; and, though the eyes were wide open, they were perfectly motionless. That, and its livid colour, made it horrible; but its horror seemed to be, in spite of the face and beyond its control, rather than a part of its own expression.&#13;
&#13;
As Scrooge looked fixedly at this phenomenon, it was a knocker again.&#13;
&#13;
To say that he was not startled, or that his blood was not conscious of a terrible sensation to which it had been a stranger from infancy, would be untrue. But he put his hand upon the key he had relinquished, turned it sturdily, walked in, and lighted his candle.&#13;
&#13;
He did pause, with a moment’s irresolution, before he shut the door; and he did look cautiously behind it first, as if he half-expected to be terrified with the sight of Marley’s pigtail sticking out into the hall. But there was nothing on the back of the door, except the screws and nuts that held the knocker on; so he said “Pooh, pooh!” and closed it with a bang.&#13;
&#13;
The sound resounded through the house like thunder. Every room above, and every cask in the wine-merchant’s cellars below, appeared to have a separate peal of echoes of its own. Scrooge was not a man to be frightened by echoes. He fastened the door, and walked across the hall, and up the stairs: slowly too: trimming his candle as he went.&#13;
&#13;
You may talk vaguely about driving a coach-and-six up a good old flight of stairs, or through a bad young Act of Parliament; but I mean to say you might have got a hearse up that staircase, and taken it broadwise, with the splinter-bar towards the wall, and the door towards the balustrades: and done it easy. There was plenty of width for that, and room to spare; which is perhaps the reason why Scrooge thought he saw a locomotive hearse going on before him in the gloom. Half-a-dozen gas-lamps out of the street wouldn’t have lighted the entry too well, so you may suppose that it was pretty dark with Scrooge’s dip.&#13;
&#13;
Up Scrooge went, not caring a button for that: darkness is cheap, and Scrooge liked it. But before he shut his heavy door, he walked through his rooms to see that all was right. He had just enough recollection of the face to desire to do that.&#13;
&#13;
Sitting-room, bed-room, lumber-room. All as they should be. Nobody under the table, nobody under the sofa; a small fire in the grate; spoon and basin ready; and the little saucepan of gruel (Scrooge had a cold in his head) upon the hob. Nobody under the bed; nobody in the closet; nobody in his dressing-gown, which was hanging up in a suspicious attitude against the wall. Lumber-room as usual. Old fire-guard, old shoes, two fish-baskets, washing-stand on three legs, and a poker.&#13;
&#13;
Quite satisfied, he closed his door, and locked himself in; double-locked himself in, which was not his custom. Thus secured against surprise, he took off his cravat; put on his dressing-gown and slippers, and his night-cap; and sat down before the fire to take his gruel.&#13;
&#13;
It was a very low fire indeed; nothing on such a bitter night. He was obliged to sit close to it, and brood over it, before he could extract the least sensation of warmth from such a handful of fuel. The fire-place was an old one, built by some Dutch merchant long ago, and paved all round with quaint Dutch tiles, designed to illustrate the Scriptures. There were Cains and Abels; Pharaoh’s daughters, Queens of Sheba, Angelic messengers descending through the air on clouds like feather-beds, Abrahams, Belshazzars, Apostles putting off to sea in butter-boats, hundreds of figuresm to attract his thoughts; and yet that face of Marley, seven years dead, came like the ancient Prophet’s rod, and swallowed up the whole. If each smooth tile had been a blank at first, with power to shape some picture on its surface from the disjointed fragments of his thoughts, there would have been a copy of old Marley’s head on every one.&#13;
&#13;
“Humbug!” said Scrooge; and walked across the room.&#13;
&#13;
After several turns, he sat down again. As he threw his head back in the chair, his glance happened to rest upon a bell, a disused bell, that hung in the room, and communicated for some purpose now forgotten with a chamber in the highest story of the building. It was with great astonishment, and with a strange, inexplicable dread, that as he looked, he saw this bell begin to swing. It swung so softly in the outset that it scarcely made a sound; but soon it rang out loudly, and so did every bell in the house.&#13;
&#13;
This might have lasted half a minute, or a minute, but it seemed an hour. The bells ceased as they had begun, together. They were succeeded by a clanking noise, deep down below; as if some person were dragging a heavy chain over the casks in the wine-merchant’s cellar. Scrooge then remembered to have heard that ghosts in haunted houses were described as dragging chains.&#13;
&#13;
The cellar-door flew open with a booming sound, and then he heard the noise much louder, on the floors below; then coming up the stairs; then coming straight towards his door.&#13;
&#13;
“It’s humbug still!” said Scrooge. “I won’t believe it.”&#13;
&#13;
His colour changed though, when, without a pause, it came on through the heavy door, and passed into the room before his eyes. Upon its coming in, the dying flame leaped up, as though it cried, “I know him! Marley’s Ghost!” and fell again.&#13;
&#13;
The same face: the very same. Marley in his pig-tail, usual waistcoat, tights, and boots; the tassels on the latter bristling, like his pig-tail, and his coat-skirts, and the hair upon his head. The chain he drew was clasped about his middle. It was long, and wound about him like a tail; and it was made (for Scrooge observed it closely) of cash-boxes, keys, padlocks, ledgers, deeds, and heavy purses wrought in steel. His body was transparent: so that Scrooge, observing him, and looking through his waistcoat, could see the two buttons on his coat behind.&#13;
&#13;
Scrooge had often heard it said that Marley had no bowels, but he had never believed it until now.&#13;
&#13;
No, nor did he believe it even now. Though he looked the phantom through and through, and saw it standing before him; though he felt the chilling influence of its death-cold eyes; and marked the very texture of the folded kerchief bound about its head and chin, which wrapper he had not observed before; he was still incredulous, and fought against his senses.&#13;
&#13;
“How now!” said Scrooge, caustic and cold as ever. “What do you want with me?”&#13;
&#13;
“Much!”—Marley’s voice, no doubt about it.&#13;
&#13;
“Who are you?”&#13;
&#13;
“Ask me who I was.”&#13;
&#13;
“Who were you then?” said Scrooge, raising his voice. “You’re particular—for a shade.” He was going to say “to a shade,” but substituted this, as more appropriate.&#13;
&#13;
“In life I was your partner, Jacob Marley.”&#13;
&#13;
“Can you—can you sit down?” asked Scrooge, looking doubtfully at him.&#13;
&#13;
“I can.”&#13;
&#13;
“Do it, then.”&#13;
&#13;
Scrooge asked the question, because he didn’t know whether a ghost so transparent might find himself in a condition to take a chair; and felt that in the event of its being impossible, it might involve the necessity of an embarrassing explanation. But the ghost sat down on the opposite side of the fireplace, as if he were quite used to it.&#13;
&#13;
“You don’t believe in me,” observed the Ghost.&#13;
&#13;
“I don’t,” said Scrooge.&#13;
&#13;
“What evidence would you have of my reality, beyond that of your senses?”&#13;
&#13;
“I don’t know,” said Scrooge.&#13;
&#13;
“Why do you doubt your senses?”&#13;
&#13;
“Because,” said Scrooge, “a little thing affects them. A slight disorder of the stomach makes them cheats. You may be an undigested bit of beef, a blot of mustard, a crumb of cheese, a fragment of an underdone potato. There’s more of gravy than of grave about you, whatever you are!”&#13;
&#13;
Scrooge was not much in the habit of cracking jokes, nor did he feel, in his heart, by any means waggish then. The truth is, that he tried to be smart, as a means of distracting his own attention, and keeping down his terror; for the spectre’s voice disturbed the very marrow in his bones.&#13;
&#13;
To sit, staring at those fixed, glazed eyes, in silence for a moment, would play, Scrooge felt, the very deuce with him. There was something very awful, too, in the spectre’s being provided with an infernal atmosphere of its own. Scrooge could not feel it himself, but this was clearly the case; for though the Ghost sat perfectly motionless, its hair, and skirts, and tassels, were still agitated as by the hot vapour from an oven.&#13;
&#13;
“You see this toothpick?” said Scrooge, returning quickly to the charge, for the reason just assigned; and wishing, though it were only for a second, to divert the vision’s stony gaze from himself.&#13;
&#13;
“I do,” replied the Ghost.&#13;
&#13;
“You are not looking at it,” said Scrooge.&#13;
&#13;
“But I see it,” said the Ghost, “notwithstanding.”&#13;
&#13;
“Well!” returned Scrooge, “I have but to swallow this, and be for the rest of my days persecuted by a legion of goblins, all of my own creation. Humbug, I tell you; humbug!”&#13;
&#13;
At this the spirit raised a frightful cry, and shook its chain with such a dismal and appalling noise, that Scrooge held on tight to his chair, to save himself from falling in a swoon. But how much greater was his horror, when the phantom taking off the bandage round its head, as if it were too warm to wear in-doors, its lower jaw dropped down upon its breast!&#13;
&#13;
Scrooge fell upon his knees, and clasped his hands before his face.&#13;
&#13;
“Mercy!” he said. “Dreadful apparition, why do you trouble me?”&#13;
&#13;
“Man of the worldly mind!” replied the Ghost, “do you believe in me or not?”&#13;
&#13;
“I do,” said Scrooge. “I must. But why do spirits walk the earth, and why do they come to me?”&#13;
&#13;
“It is required of every man,” the Ghost returned, “that the spirit within him should walk abroad among his fellow-men, and travel far and wide; and if that spirit goes not forth in life, it is condemned to do so after death. It is doomed to wander through the world—oh, woe is me!—and witness what it cannot share, but might have shared on earth, and turned to happiness!”&#13;
&#13;
Again the spectre raised a cry, and shook its chain, and wrung its shadowy hands.&#13;
&#13;
“You are fettered,” said Scrooge, trembling. “Tell me why?”&#13;
&#13;
“I wear the chain I forged in life,” replied the Ghost. “I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it. Is its pattern strange to you?”&#13;
&#13;
Scrooge trembled more and more.&#13;
&#13;
“Or would you know,” pursued the Ghost, “the weight and length of the strong coil you bear yourself? It was full as heavy and as long as this, seven Christmas Eves ago. You have laboured on it, since. It is a ponderous chain!”&#13;
&#13;
Scrooge glanced about him on the floor, in the expectation of finding himself surrounded by some fifty or sixty fathoms of iron cable: but he could see nothing.&#13;
&#13;
“Jacob,” he said, imploringly. “Old Jacob Marley, tell me more. Speak comfort to me, Jacob.”&#13;
&#13;
“I have none to give,” the Ghost replied. “It comes from other regions, Ebenezer Scrooge, and is conveyed by other ministers, to other kinds of men. Nor can I tell you what I would. A very little more, is all permitted to me. I cannot rest, I cannot stay, I cannot linger anywhere. My spirit never walked beyond our counting-house—mark me!—in life my spirit never roved beyond the narrow limits of our money-changing hole; and weary journeys lie before me!”&#13;
&#13;
It was a habit with Scrooge, whenever he became thoughtful, to put his hands in his breeches pockets. Pondering on what the Ghost had said, he did so now, but without lifting up his eyes, or getting off his knees.&#13;
&#13;
“You must have been very slow about it, Jacob,” Scrooge observed, in a business-like manner, though with humility and deference.&#13;
&#13;
“Slow!” the Ghost repeated.&#13;
&#13;
“Seven years dead,” mused Scrooge. “And travelling all the time?”&#13;
&#13;
“The whole time,” said the Ghost. “No rest, no peace. Incessant torture of remorse.”&#13;
&#13;
“You travel fast?” said Scrooge.&#13;
&#13;
“On the wings of the wind,” replied the Ghost.&#13;
&#13;
“You might have got over a great quantity of ground in seven years,” said Scrooge.&#13;
&#13;
The Ghost, on hearing this, set up another cry, and clanked its chain so hideously in the dead silence of the night, that the Ward would have been justified in indicting it for a nuisance.&#13;
&#13;
“Oh! captive, bound, and double-ironed,” cried the phantom, “not to know, that ages of incessant labour by immortal creatures, for this earth must pass into eternity before the good of which it is susceptible is all developed. Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunities misused! Yet such was I! Oh! such was I!”&#13;
&#13;
“But you were always a good man of business, Jacob,” faultered Scrooge, who now began to apply this to himself.&#13;
&#13;
“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!”&#13;
&#13;
It held up its chain at arm’s length, as if that were the cause of all its unavailing grief, and flung it heavily upon the ground again.&#13;
&#13;
“At this time of the rolling year,” the spectre said, “I suffer most. Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted me!”&#13;
&#13;
Scrooge was very much dismayed to hear the spectre going on at this rate, and began to quake exceedingly.&#13;
&#13;
“Hear me!” cried the Ghost. “My time is nearly gone.”&#13;
&#13;
“I will,” said Scrooge. “But don’t be hard upon me! Don’t be flowery, Jacob! Pray!”&#13;
&#13;
“How it is that I appear before you in a shape that you can see, I may not tell. I have sat invisible beside you many and many a day.”&#13;
&#13;
It was not an agreeable idea. Scrooge shivered, and wiped the perspiration from his brow.&#13;
&#13;
“That is no light part of my penance,” pursued the Ghost. “I am here to-night to warn you, that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring, Ebenezer.”&#13;
&#13;
“You were always a good friend to me,” said Scrooge. “Thank’ee!”&#13;
&#13;
“You will be haunted,” resumed the Ghost, “by Three Spirits.”&#13;
&#13;
Scrooge’s countenance fell almost as low as the Ghost’s had done.&#13;
&#13;
“Is that the chance and hope you mentioned, Jacob?” he demanded, in a faultering voice.&#13;
&#13;
“It is.”&#13;
&#13;
“I—I think I’d rather not,” said Scrooge.&#13;
&#13;
“Without their visits,” said the Ghost, “you cannot hope to shun the path I tread. Expect the first to-morrow, when the bell tolls One.”&#13;
&#13;
“Couldn’t I take ’em all at once, and have it over, Jacob?” hinted Scrooge.&#13;
&#13;
“Expect the second on the next night at the same hour. The third upon the next night when the last stroke of Twelve has ceased to vibrate. Look to see me no more; and look that, for your own sake, you remember what has passed between us!”&#13;
&#13;
When it had said these words, the spectre took its wrapper from the table, and bound it round its head, as before. Scrooge knew this, by the smart sound its teeth made, when the jaws were brought together by the bandage. He ventured to raise his eyes again, and found his supernatural visitor confronting him in an erect attitude, with its chain wound over and about its arm.&#13;
&#13;
The apparition walked backward from him; and at every step it took, the window raised itself a little, so that when the spectre reached it, it was wide open.&#13;
&#13;
It beckoned Scrooge to approach, which he did. When they were within two paces of each other, Marley’s Ghost held up its hand, warning him to come no nearer. Scrooge stopped.&#13;
&#13;
Not so much in obedience, as in surprise and fear: for on the raising of the hand, he became sensible of confused noises in the air; incoherent sounds of lamentation and regret; wailings inexpressibly sorrowful and self-accusatory. The spectre, after listening for a moment, joined in the mournful dirge; and floated out upon the bleak, dark night.&#13;
&#13;
Scrooge followed to the window: desperate in his curiosity. He looked out.&#13;
&#13;
The air was filled with phantoms, wandering hither and thither in restless haste, and moaning as they went. Every one of them wore chains like Marley’s Ghost; some few (they might be guilty governments) were linked together; none were free. Many had been personally known to Scrooge in their lives. He had been quite familiar with one old ghost, in a white waistcoat, with a monstrous iron safe attached to its ancle, who cried piteously at being unable to assist a wretched woman with an infant, whom it saw below, upon a door-step. The misery with them all was, clearly, that they sought to interfere, for good, in human matters, and had lost the power for ever.&#13;
&#13;
Whether these creatures faded into mist, or mist enshrouded them, he could not tell. But they and their spirit voices faded together; and the night became as it had been when he walked home.&#13;
&#13;
Scrooge closed the window, and examined the door by which the Ghost had entered. It was double-locked, as he had locked it with his own hands, and the bolts were undisturbed. He tried to say “Humbug!” but stopped at the first syllable. And being, from the emotion he had undergone, or the fatigues of the day, or his glimpse of the Invisible World, or the dull conversation of the Ghost, or the lateness of the hour, much in need of repose; went straight to bed, without undressing, and fell asleep upon the instant.&#13;
&#13;
STAVE TWO.&#13;
THE FIRST OF THE THREE SPIRITS.&#13;
&#13;
WHEN Scrooge awoke, it was so dark, that looking out of bed, he could scarcely distinguish the transparent window from the opaque walls of his chamber. He was endeavouring to pierce the darkness with his ferret eyes, when the chimes of a neighbouring church struck the four quarters. So he listened for the hour.&#13;
&#13;
To his great astonishment the heavy bell went on from six to seven, and from seven to eight, and regularly up to twelve; then stopped. Twelve! It was past two when he went to bed. The clock was wrong. An icicle must have got into the works. Twelve!&#13;
&#13;
He touched the spring of his repeater, to correct this most preposterous clock. Its rapid little pulse beat twelve; and stopped.&#13;
&#13;
“Why, it isn’t possible,” said Scrooge, “that I can have slept through a whole day and far into another night. It isn’t possible that anything has happened to the sun, and this is twelve at noon!”&#13;
&#13;
The idea being an alarming one, he scrambled out of bed, and groped his way to the window. He was obliged to rub the frost off with the sleeve of his dressing-gown before he could see anything; and could see very little then. All he could make out was, that it was still very foggy and extremely cold, and that there was no noise of people running to and fro, and making a great stir, as there unquestionably would have been if night had beaten off bright day, and taken possession of the world. This was a great relief, because “three days after sight of this First of Exchange pay to Mr. Ebenezer Scrooge or his order,” and so forth, would have become a mere United States’ security if there were no days to count by.&#13;
&#13;
Scrooge went to bed again, and thought, and thought, and thought it over and over and over, and could make nothing of it. The more he thought, the more perplexed he was; and the more he endeavoured not to think, the more he thought. Marley’s Ghost bothered him exceedingly. Every time he resolved within himself, after mature inquiry, that it was all a dream, his mind flew back again, like a strong spring released, to its first position, and presented the same problem to be worked all through, “Was it a dream or not?”&#13;
&#13;
Scrooge lay in this state until the chime had gone three quarters more, when he remembered, on a sudden, that the Ghost had warned him of a visitation when the bell tolled one. He resolved to lie awake until the hour was passed; and, considering that he could no more go to sleep than go to Heaven, this was perhaps the wisest resolution in his power.&#13;
&#13;
The quarter was so long, that he was more than once convinced he must have sunk into a doze unconsciously, and missed the clock. At length it broke upon his listening ear.&#13;
&#13;
“Ding, dong!”&#13;
&#13;
“A quarter past,” said Scrooge, counting.&#13;
&#13;
“Ding, dong!”&#13;
&#13;
“Half-past!” said Scrooge.&#13;
&#13;
“Ding, dong!”&#13;
&#13;
“A quarter to it,” said Scrooge.&#13;
&#13;
“Ding, dong!”&#13;
&#13;
“The hour itself,” said Scrooge, triumphantly, “and nothing else!”&#13;
&#13;
He spoke before the hour bell sounded, which it now did with a deep, dull, hollow, melancholy ONE. Light flashed up in the room upon the instant, and the curtains of his bed were drawn.&#13;
&#13;
The curtains of his bed were drawn aside, I tell you, by a hand. Not the curtains at his feet, nor the curtains at his back, but those to which his face was addressed. The curtains of his bed were drawn aside; and Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow.&#13;
&#13;
It was a strange figure—like a child: yet not so like a child as like an old man, viewed through some supernatural medium, which gave him the appearance of having receded from the view, and being diminished to a child’s proportions. Its hair, which hung about its neck and down its back, was white as if with age; and yet the face had not a wrinkle in it, and the tenderest bloom was on the skin. The arms were very long and muscular; the hands the same, as if its hold were of uncommon strength. Its legs and feet, most delicately formed, were, like those upper members, bare. It wore a tunic of the purest white; and round its waist was bound a lustrous belt, the sheen of which was beautiful. It held a branch of fresh green holly in its hand; and, in singular contradiction of that wintry emblem, had its dress trimmed with summer flowers. But the strangest thing about it was, that from the crown of its head there sprung a bright clear jet of light, by which all this was visible; and which was doubtless the occasion of its using, in its duller moments, a great extinguisher for a cap, which it now held under its arm.&#13;
&#13;
Even this, though, when Scrooge looked at it with increasing steadiness, was not its strangest quality. For as its belt sparkled and glittered now in one part and now in another, and what was light one instant, at another time was dark, so the figure itself fluctuated in its distinctness: being now a thing with one arm, now with one leg, now with twenty legs, now a pair of legs without a head, now a head without a body: of which dissolving parts, no outline would be visible in the dense gloom wherein they melted away. And in the very wonder of this, it would be itself again; distinct and clear as ever.&#13;
&#13;
“Are you the Spirit, sir, whose coming was foretold to me?” asked Scrooge.&#13;
&#13;
“I am!”&#13;
&#13;
The voice was soft and gentle. Singularly low, as if instead of being so close beside him, it were at a distance.&#13;
&#13;
“Who, and what are you?” Scrooge demanded.&#13;
&#13;
“I am the Ghost of Christmas Past.”&#13;
&#13;
“Long past?” inquired Scrooge: observant of its dwarfish stature.&#13;
&#13;
“No. Your past.”&#13;
&#13;
Perhaps, Scrooge could not have told anybody why, if anybody could have asked him; but he had a special desire to see the Spirit in his cap; and begged him to be covered.&#13;
&#13;
“What!” exclaimed the Ghost, “would you so soon put out, with worldly hands, the light I give? Is it not enough that you are one of those whose passions made this cap, and force me through whole trains of years to wear it low upon my brow!”&#13;
&#13;
Scrooge reverently disclaimed all intention to offend or any knowledge of having wilfully “bonneted” the Spirit at any period of his life. He then made bold to inquire what business brought him there.&#13;
&#13;
“Your welfare!” said the Ghost.&#13;
&#13;
Scrooge expressed himself much obliged, but could not help thinking that a night of unbroken rest would have been more conducive to that end. The Spirit must have heard him thinking, for it said immediately:&#13;
&#13;
“Your reclamation, then. Take heed!”&#13;
&#13;
It put out its strong hand as it spoke, and clasped him gently by the arm.&#13;
&#13;
“Rise! and walk with me!”&#13;
&#13;
It would have been in vain for Scrooge to plead that the weather and the hour were not adapted to pedestrian purposes; that bed was warm, and the thermometer a long way below freezing; that he was clad but lightly in his slippers, dressing-gown, and nightcap; and that he had a cold upon him at that time. The grasp, though gentle as a woman’s hand, was not to be resisted. He rose: but finding that the Spirit made towards the window, clasped his robe in supplication.&#13;
&#13;
“I am a mortal,” Scrooge remonstrated, “and liable to fall.”&#13;
&#13;
“Bear but a touch of my hand there,” said the Spirit, laying it upon his heart, “and you shall be upheld in more than this!”&#13;
&#13;
As the words were spoken, they passed through the wall, and stood upon an open country road, with fields on either hand. The city had entirely vanished. Not a vestige of it was to be seen. The darkness and the mist had vanished with it, for it was a clear, cold, winter day, with snow upon the ground.&#13;
&#13;
“Good Heaven!” said Scrooge, clasping his hands together, as he looked about him. “I was bred in this place. I was a boy here!”&#13;
&#13;
The Spirit gazed upon him mildly. Its gentle touch, though it had been light and instantaneous, appeared still present to the old man’s sense of feeling. He was conscious of a thousand odours floating in the air, each one connected with a thousand thoughts, and hopes, and joys, and cares long, long, forgotten!&#13;
&#13;
“Your lip is trembling,” said the Ghost. “And what is that upon your cheek?”&#13;
&#13;
Scrooge muttered, with an unusual catching in his voice, that it was a pimple; and begged the Ghost to lead him where he would.&#13;
&#13;
“You recollect the way?” inquired the Spirit.&#13;
&#13;
“Remember it!” cried Scrooge with fervour; “I could walk it blindfold.”&#13;
&#13;
“Strange to have forgotten it for so many years!” observed the Ghost. “Let us go on.”&#13;
&#13;
They walked along the road; Scrooge recognising every gate, and post, and tree; until a little market-town appeared in the distance, with its bridge, its church, and winding river. Some shaggy ponies now were seen trotting towards them with boys upon their backs, who called to other boys in country gigs and carts, driven by farmers. All these boys were in great spirits, and shouted to each other, until the broad fields were so full of merry music, that the crisp air laughed to hear it.&#13;
&#13;
“These are but shadows of the things that have been,” said the Ghost. “They have no consciousness of us.”&#13;
&#13;
The jocund travellers came on; and as they came, Scrooge knew and named them every one. Why was he rejoiced beyond all bounds to see them! Why did his cold eye glisten, and his heart leap up as they went past! Why was he filled with gladness when he heard them give each other Merry Christmas, as they parted at cross-roads and bye-ways, for their several homes! What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?&#13;
&#13;
“The school is not quite deserted,” said the Ghost. “A solitary child, neglected by his friends, is left there still.”&#13;
&#13;
Scrooge said he knew it. And he sobbed.&#13;
&#13;
They left the high-road, by a well-remembered lane, and soon approached a mansion of dull red brick, with a little weathercock-surmounted cupola, on the roof, and a bell hanging in it. It was a large house, but one of broken fortunes; for the spacious offices were little used, their walls were damp and mossy, their windows broken, and their gates decayed. Fowls clucked and strutted in the stables; and the coach-houses and sheds were over-run with grass. Nor was it more retentive of its ancient state, within; for entering the dreary hall, and glancing through the open doors of many rooms, they found them poorly furnished, cold, and vast. There was an earthy savour in the air, a chilly bareness in the place, which associated itself somehow with too much getting up by candle-light, and not too much to eat.&#13;
&#13;
They went, the Ghost and Scrooge, across the hall, to a door at the back of the house. It opened before them, and disclosed a long, bare, melancholy room, made barer still by lines of plain deal forms and desks. At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down upon a form, and wept to see his poor forgotten self as he had used to be.&#13;
&#13;
Not a latent echo in the house, not a squeak and scuffle from the mice behind the panneling, not a drip from the half-thawed water-spout in the dull yard behind, not a sigh among the leafless boughs of one despondent poplar, not the idle swinging of an empty store-house door, no, not a clicking in the fire, but fell upon the heart of Scrooge with softening influence, and gave a freer passage to his tears.&#13;
&#13;
The Spirit touched him on the arm, and pointed to his younger self, intent upon his reading. Suddenly a man, in foreign garments: wonderfully real and distinct to look at: stood outside the window, with an axe stuck in his belt, and leading an ass laden with wood by the bridle.&#13;
&#13;
“Why, it’s Ali Baba!” Scrooge exclaimed in ecstasy. “It’s dear old honest Ali Baba! Yes, yes, I know! One Christmas time, when yonder solitary child was left here all alone, he did come, for the first time, just like that. Poor boy! And Valentine,” said Scrooge, “and his wild brother, Orson; there they go! And what’s his name, who was put down in his drawers, asleep, at the Gate of Damascus; don’t you see him! And the Sultan’s Groom turned upside down by the Genii; there he is upon his head! Serve him right. I’m glad of it. What business had he to be married to the Princess!”&#13;
&#13;
To hear Scrooge expending all the earnestness of his nature on such subjects, in a most extraordinary voice between laughing and crying; and to see his heightened and excited face; would have been a surprise to his business friends in the city, indeed.&#13;
&#13;
“There’s the Parrot!” cried Scrooge. “Green body and yellow tail, with a thing like a lettuce growing out of the top of his head; there he is! Poor Robin Crusoe, he called him, when he came home again after sailing round the island. ‘Poor Robin Crusoe, where have you been, Robin Crusoe?’ The man thought he was dreaming, but he wasn’t. It was the Parrot, you know. There goes Friday, running for his life to the little creek! Halloa! Hoop! Halloo!”&#13;
&#13;
Then, with a rapidity of transition very foreign to his usual character, he said, in pity for his former self, “Poor boy!” and cried again.&#13;
&#13;
“I wish,” Scrooge muttered, putting his hand in his pocket, and looking about him, after drying his eyes with his cuff: “but it’s too late now.”&#13;
&#13;
“What is the matter?” asked the Spirit.&#13;
&#13;
“Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas Carol at my door last night. I should like to have given him something: that’s all.”&#13;
&#13;
The Ghost smiled thoughtfully, and waved its hand: saying as it did so, “Let us see another Christmas!”&#13;
&#13;
Scrooge’s former self grew larger at the words, and the room became a little darker and more dirty. The pannels shrunk, the windows cracked; fragments of plaster fell out of the ceiling, and the naked laths were shown instead; but how all this was brought about, Scrooge knew no more than you do. He only knew that it was quite correct; that everything had happened so; that there he was, alone again, when all the other boys had gone home for the jolly holidays.&#13;
&#13;
He was not reading now, but walking up and down despairingly. Scrooge looked at the Ghost, and with a mournful shaking of his head, glanced anxiously towards the door.&#13;
&#13;
It opened; and a little girl, much younger than the boy, came darting in, and putting her arms about his neck, and often kissing him, addressed him as her “Dear, dear brother.”&#13;
&#13;
“I have come to bring you home, dear brother!” said the child, clapping her tiny hands, and bending down to laugh. “To bring you home, home, home!”&#13;
&#13;
“Home, little Fan?” returned the boy.&#13;
&#13;
“Yes!” said the child, brimful of glee. “Home, for good and all. Home, for ever and ever. Father is so much kinder than he used to be, that home’s like Heaven! He spoke so gently to me one dear night when I was going to bed, that I was not afraid to ask him once more if you might come home; and he said Yes, you should; and sent me in a coach to bring you. And you’re to be a man!” said the child, opening her eyes, “and are never to come back here; but first, we’re to be together all the Christmas long, and have the merriest time in all the world.”&#13;
&#13;
“You are quite a woman, little Fan!” exclaimed the boy.&#13;
&#13;
She clapped her hands and laughed, and tried to touch his head; but being too little, laughed again, and stood on tiptoe to embrace him. Then she began to drag him, in her childish eagerness, towards the door; and he, nothing loth to go, accompanied her.&#13;
&#13;
A terrible voice in the hall cried, “Bring down Master Scrooge’s box, there!” and in the hall appeared the schoolmaster himself, who glared on Master Scrooge with a ferocious condescension, and threw him into a dreadful state of mind by shaking hands with him. He then conveyed him and his sister into the veriest old well of a shivering best-parlour that ever was seen, where the maps upon the wall, and the celestial and terrestrial globes in the windows, were waxy with cold. Here he produced a decanter of curiously light wine, and a block of curiously heavy cake, and administered instalments of those dainties to the young people: at the same time, sending out a meagre servant to offer a glass of “something” to the postboy, who answered that he thanked the gentleman, but if it was the same tap as he had tasted before, he had rather not. Master Scrooge’s trunk being by this time tied on to the top of the chaise, the children bade the schoolmaster good-bye right willingly; and getting into it, drove gaily down the garden-sweep: the quick wheels dashing the hoar-frost and snow from off the dark leaves of the evergreens like spray.&#13;
&#13;
“Always a delicate creature, whom a breath might have withered,” said the Ghost. “But she had a large heart!”&#13;
&#13;
“So she had,” cried Scrooge. “You’re right. I will not gainsay it, Spirit. God forbid!”&#13;
&#13;
“She died a woman,” said the Ghost, “and had, as I think, children.”&#13;
&#13;
“One child,” Scrooge returned.&#13;
&#13;
“True,” said the Ghost. “Your nephew!”&#13;
&#13;
Scrooge seemed uneasy in his mind; and answered briefly, “Yes.”&#13;
&#13;
Although they had but that moment left the school behind them, they were now in the busy thoroughfares of a city, where shadowy passengers passed and repassed; where shadowy carts and coaches battled for the way, and all the strife and tumult of a real city were. It was made plain enough, by the dressing of the shops, that here too it was Christmas time again; but it was evening, and the streets were lighted up.&#13;
&#13;
The Ghost stopped at a certain warehouse door, and asked Scrooge if he knew it.&#13;
&#13;
“Know it!” said Scrooge. “Was I apprenticed here!”&#13;
&#13;
They went in. At sight of an old gentleman in a Welch wig, sitting behind such a high desk, that if he had been two inches taller he must have knocked his head against the ceiling, Scrooge cried in great excitement:&#13;
&#13;
“Why, it’s old Fezziwig! Bless his heart; it’s Fezziwig alive again!”&#13;
&#13;
Old Fezziwig laid down his pen, and looked up at the clock, which pointed to the hour of seven. He rubbed his hands; adjusted his capacious waistcoat; laughed all over himself, from his shoes to his organ of benevolence; and called out in a comfortable, oily, rich, fat, jovial voice:&#13;
&#13;
“Yo ho, there! Ebenezer! Dick!”&#13;
&#13;
Scrooge’s former self, now grown a young man, came briskly in, accompanied by his fellow-’prentice.&#13;
&#13;
“Dick Wilkins, to be sure!” said Scrooge to the Ghost. “Bless me, yes. There he is. He was very much attached to me, was Dick. Poor Dick! Dear, dear!”&#13;
&#13;
“Yo ho, my boys!” said Fezziwig. “No more work to-night. Christmas Eve, Dick. Christmas, Ebenezer! Let’s have the shutters up,” cried old Fezziwig, with a sharp clap of his hands, “before a man can say, Jack Robinson!”&#13;
&#13;
You wouldn’t believe how those two fellows went at it! They charged into the street with the shutters—one, two, three—had ’em up in their places—four, five, six—barred ’em and pinned ’em—seven, eight, nine—and came back before you could have got to twelve, panting like race-horses.&#13;
&#13;
“Hilli-ho!” cried old Fezziwig, skipping down from the high desk, with wonderful agility. “Clear away, my lads, and let’s have lots of room here! Hilli-ho, Dick! Chirrup, Ebenezer!”&#13;
&#13;
Clear away! There was nothing they wouldn’t have cleared away, or couldn’t have cleared away, with old Fezziwig looking on. It was done in a minute. Every movable was packed off, as if it were dismissed from public life for evermore; the floor was swept and watered, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse was as snug, and warm, and dry, and bright a ball-room, as you would desire to see upon a winter’s night.&#13;
&#13;
In came a fiddler with a music-book, and went up to the lofty desk, and made an orchestra of it, and tuned like fifty stomach-aches. In came Mrs. Fezziwig, one vast substantial smile. In came the three Miss Fezziwigs, beaming and lovable. In came the six young followers whose hearts they broke. In came all the young men and women employed in the business. In came the housemaid, with her cousin, the baker. In came the cook, with her brother’s particular friend, the milkman. In came the boy from over the way, who was suspected of not having board enough from his master; trying to hide himself behind the girl from next door but one, who was proved to have had her ears pulled by her Mistress. In they all came, one after another; some shyly, some boldly, some gracefully, some awkwardly, some pushing, some pulling; in they all came, anyhow and everyhow. Away they all went, twenty couple at once; hands half round and back again the other way; down the middle and up again; round and round in various stages of affectionate grouping; old top couple always turning up in the wrong place; new top couple starting off again, as soon as they got there; all top couples at last, and not a bottom one to help them. When this result was brought about, old Fezziwig, clapping his hands to stop the dance, cried out, “Well done!” and the fiddler plunged his hot face into a pot of porter, especially provided for that purpose. But scorning rest, upon his reappearance, he instantly began again, though there were no dancers yet, as if the other fiddler had been carried home, exhausted, on a shutter; and he were a bran-new man resolved to beat him out of sight, or perish.&#13;
&#13;
There were more dances, and there were forfeits, and more dances, and there was cake, and there was negus, and there was a great piece of Cold Roast, and there was a great piece of Cold Boiled, and there were mince-pies, and plenty of beer. But the great effect of the evening came after the Roast and Boiled, when the fiddler (an artful dog, mind! The sort of man who knew his business better than you or I could have told it him!) struck up “Sir Roger de Coverley.” Then old Fezziwig stood out to dance with Mrs. Fezziwig. Top couple, too; with a good stiff piece of work cut out for them; three or four and twenty pair of partners; people who were not to be trifled with; people who would dance, and had no notion of walking.&#13;
&#13;
But if they had been twice as many: ah, four times: old Fezziwig would have been a match for them, and so would Mrs. Fezziwig. As to her, she was worthy to be his partner in every sense of the term. If that’s not high praise, tell me higher, and I’ll use it. A positive light appeared to issue from Fezziwig’s calves. They shone in every part of the dance like moons. You couldn’t have predicted, at any given time, what would have become of them next. And when old Fezziwig and Mrs. Fezziwig had gone all through the dance; advance and retire, both hands to your partner; bow and curtsey; corkscrew; thread-the-needle, and back again to your place; Fezziwig “cut”—cut so deftly, that he appeared to wink with his legs, and came upon his feet again without a stagger.&#13;
&#13;
When the clock struck eleven, this domestic ball broke up. Mr. and Mrs. Fezziwig took their stations, one on either side the door, and shaking hands with every person individually as he or she went out, wished him or her a Merry Christmas. When everybody had retired but the two ’prentices, they did the same to them; and thus the cheerful voices died away, and the lads were left to their beds; which were under a counter in the back-shop.&#13;
&#13;
During the whole of this time, Scrooge had acted like a man out of his wits. His heart and soul were in the scene, and with his former self. He corroborated everything, remembered everything, enjoyed everything, and underwent the strangest agitation. It was not until now, when the bright faces of his former self and Dick were turned from them, that he remembered the Ghost, and became conscious that it was looking full upon him, while the light upon its head burnt very clear.&#13;
&#13;
“A small matter,” said the Ghost, “to make these silly folks so full of gratitude.”&#13;
&#13;
“Small!” echoed Scrooge.&#13;
&#13;
The Spirit signed to him to listen to the two apprentices, who were pouring out their hearts in praise of Fezziwig: and when he had done so, said,&#13;
&#13;
“Why! Is it not? He has spent but a few pounds of your mortal money: three or four perhaps. Is that so much that he deserves this praise?”&#13;
&#13;
“It isn’t that,” said Scrooge, heated by the remark, and speaking unconsciously like his former, not his latter, self. “It isn’t that, Spirit. He has the power to render us happy or unhappy; to make our service light or burdensome; a pleasure or a toil. Say that his power lies in words and looks; in things so slight and insignificant that it is impossible to add and count ’em up: what then? The happiness he gives, is quite as great as if it cost a fortune.”&#13;
&#13;
He felt the Spirit’s glance, and stopped.&#13;
&#13;
“What is the matter?” asked the Ghost.&#13;
&#13;
“Nothing particular,” said Scrooge.&#13;
&#13;
“Something, I think?” the Ghost insisted.&#13;
&#13;
“No,” said Scrooge, “No. I should like to be able to say a word or two to my clerk just now! That’s all.”&#13;
&#13;
His former self turned down the lamps as he gave utterance to the wish; and Scrooge and the Ghost again stood side by side in the open air.&#13;
&#13;
“My time grows short,” observed the Spirit. “Quick!”&#13;
&#13;
This was not addressed to Scrooge, or to any one whom he could see, but it produced an immediate effect. For again Scrooge saw himself. He was older now; a man in the prime of life. His face had not the harsh and rigid lines of later years; but it had begun to wear the signs of care and avarice. There was an eager, greedy, restless motion in the eye, which showed the passion that had taken root, and where the shadow of the growing tree would fall.&#13;
&#13;
He was not alone, but sat by the side of a fair young girl in a mourning-dress: in whose eyes there were tears, which sparkled in the light that shone out of the Ghost of Christmas Past.&#13;
&#13;
“It matters little,” she said, softly. “To you, very little. Another idol has displaced me; and if it can cheer and comfort you in time to come, as I would have tried to do, I have no just cause to grieve.”&#13;
&#13;
“What Idol has displaced you?” he rejoined.&#13;
&#13;
“A golden one.”&#13;
&#13;
“This is the even-handed dealing of the world!” he said. “There is nothing on which it is so hard as poverty; and there is nothing it professes to condemn with such severity as the pursuit of wealth!”&#13;
&#13;
“You fear the world too much,” she answered, gently. “All your other hopes have merged into the hope of being beyond the chance of its sordid reproach. I have seen your nobler aspirations fall off one by one, until the master-passion, Gain, engrosses you. Have I not?”&#13;
&#13;
“What then?” he retorted. “Even if I have grown so much wiser, what then? I am not changed towards you.”&#13;
&#13;
She shook her head.&#13;
&#13;
“Am I?”&#13;
&#13;
“Our contract is an old one. It was made when we were both poor and content to be so, until, in good season, we could improve our worldly fortune by our patient industry. You are changed. When it was made, you were another man.”&#13;
&#13;
“I was a boy,” he said impatiently.&#13;
&#13;
“Your own feeling tells you that you were not what you are,” she returned. “I am. That which promised happiness when we were one in heart, is fraught with misery now that we are two. How often and how keenly I have thought of this, I will not say. It is enough that I have thought of it, and can release you.”&#13;
&#13;
“Have I ever sought release?”&#13;
&#13;
“In words. No. Never.”&#13;
&#13;
“In what, then?”&#13;
&#13;
“In a changed nature; in an altered spirit; in another atmosphere of life; another Hope as its great end. In everything that made my love of any worth or value in your sight. If this had never been between us,” said the girl, looking mildly, but with steadiness, upon him; “tell me, would you seek me out and try to win me now? Ah, no!”&#13;
&#13;
He seemed to yield to the justice of this supposition, in spite of himself. But he said, with a struggle, “You think not.”&#13;
&#13;
“I would gladly think otherwise if I could,” she answered, “Heaven knows! When I have learned a Truth like this, I know how strong and irresistible it must be. But if you were free to-day, to-morrow, yesterday, can even I believe that you would choose a dowerless girl—you who, in your very confidence with her, weigh everything by Gain: or, choosing her, if for a moment you were false enough to your one guiding principle to do so, do I not know that your repentance and regret would surely follow? I do; and I release you. With a full heart, for the love of him you once were.”&#13;
&#13;
He was about to speak; but with her head turned from him, she resumed.&#13;
&#13;
“You may—the memory of what is past half makes me hope you will—have pain in this. A very, very brief time, and you will dismiss the recollection of it, gladly, as an unprofitable dream, from which it happened well that you awoke. May you be happy in the life you have chosen!”&#13;
&#13;
She left him, and they parted.&#13;
&#13;
“Spirit!” said Scrooge, “show me no more! Conduct me home. Why do you delight to torture me?”&#13;
&#13;
“One shadow more!” exclaimed the Ghost.&#13;
&#13;
“No more!” cried Scrooge. “No more. I don’t wish to see it. Show me no more!”&#13;
&#13;
But the relentless Ghost pinioned him in both his arms, and forced him to observe what happened next.&#13;
&#13;
They were in another scene and place: a room, not very large or handsome, but full of comfort. Near to the winter fire sat a beautiful young girl, so like that last that Scrooge believed it was the same, until he saw her, now a comely matron, sitting opposite her daughter. The noise in this room was perfectly tumultuous, for there were more children there, than Scrooge in his agitated state of mind could count; and, unlike the celebrated herd in the poem, they were not forty children conducting themselves like one, but every child was conducting itself like forty. The consequences were uproarious beyond belief; but no one seemed to care; on the contrary, the mother and daughter laughed heartily, and enjoyed it very much; and the latter, soon beginning to mingle in the sports, got pillaged by the young brigands most ruthlessly. What would I not have given to be one of them! Though I never could have been so rude, no, no! I wouldn’t for the wealth of all the world have crushed that braided hair, and torn it down; and for the precious little shoe, I wouldn’t have plucked it off, God bless my soul! to save my life. As to measuring her waist in sport, as they did, bold young brood, I couldn’t have done it; I should have expected my arm to have grown round it for a punishment, and never come straight again. And yet I should have dearly liked, I own, to have touched her lips; to have questioned her, that she might have opened them; to have looked upon the lashes of her downcast eyes, and never raised a blush; to have let loose waves of hair, an inch of which would be a keepsake beyond price: in short, I should have liked, I do confess, to have had the lightest licence of a child, and yet to have been man enough to know its value.&#13;
&#13;
But now a knocking at the door was heard, and such a rush immediately ensued that she with laughing face and plundered dress was borne towards it the centre of a flushed and boisterous group, just in time to greet the father, who, came home attended by a man laden with Christmas toys and presents. Then the shouting and the struggling, and the onslaught that was made on the defenceless porter! The scaling him, with chairs for ladders, to dive into his pockets, despoil him of brown-paper parcels, hold on tight by his cravat, hug him round the neck, pommel his back, and kick his legs in irrepressible affection! The shouts of wonder and delight with which the development of every package was received! The terrible announcement that the baby had been taken in the act of putting a doll’s frying-pan into his mouth, and was more than suspected of having swallowed a fictitious turkey, glued on a wooden platter! The immense relief of finding this a false alarm! The joy, and gratitude, and ecstasy! They are all indescribable alike. It is enough that by degrees the children and their emotions got out of the parlour and by one stair at a time, up to the top of the house; where they went to bed, and so subsided.&#13;
&#13;
And now Scrooge looked on more attentively than ever, when the master of the house, having his daughter leaning fondly on him, sat down with her and her mother at his own fireside; and when he thought that such another creature, quite as graceful and as full of promise, might have called him father, and been a spring-time in the haggard winter of his life, his sight grew very dim indeed.&#13;
&#13;
“Belle,” said the husband, turning to his wife with a smile, “I saw an old friend of yours this afternoon.”&#13;
&#13;
“Who was it?”&#13;
&#13;
“Guess!”&#13;
&#13;
“How can I? Tut, don’t I know,” she added in the same breath, laughing as he laughed. “Mr. Scrooge.”&#13;
&#13;
“Mr. Scrooge it was. I passed his office window; and as it was not shut up, and he had a candle inside, I could scarcely help seeing him. His partner lies upon the point of death, I hear; and there he sat alone. Quite alone in the world, I do believe.”&#13;
&#13;
“Spirit!” said Scrooge in a broken voice, “remove me from this place.”&#13;
&#13;
“I told you these were shadows of the things that have been,” said the Ghost. “That they are what they are, do not blame me!”&#13;
&#13;
“Remove me!” Scrooge exclaimed, “I cannot bear it!”&#13;
&#13;
He turned upon the Ghost, and seeing that it looked upon him with a face, in which in some strange way there were fragments of all the faces it had shown him, wrestled with it.&#13;
&#13;
“Leave me! Take me back. Haunt me no longer!”&#13;
&#13;
In the struggle, if that can be called a struggle in which the Ghost with no visible resistance on its own part was undisturbed by any effort of its adversary, Scrooge observed that its light was burning high and bright; and dimly connecting that with its influence over him, he seized the extinguisher-cap, and by a sudden action pressed it down upon its head.&#13;
&#13;
The Spirit dropped beneath it, so that the extinguisher covered its whole form; but though Scrooge pressed it down with all his force, he could not hide the light: which streamed from under it, in an unbroken flood upon the ground.&#13;
&#13;
He was conscious of being exhausted, and overcome by an irresistible drowsiness; and, further, of being in his own bedroom. He gave the cap a parting squeeze, in which his hand relaxed; and had barely time to reel to bed, before he sank into a heavy sleep.&#13;
&#13;
STAVE  THREE.&#13;
THE SECOND OF THE THREE SPIRITS.&#13;
&#13;
AWAKING in the middle of a prodigiously tough snore, and sitting up in bed to get his thoughts together, Scrooge had no occasion to be told that the bell was again upon the stroke of One. He felt that he was restored to consciousness in the right nick of time, for the especial purpose of holding a conference with the second messenger despatched to him through Jacob Marley’s intervention. But finding that he turned uncomfortably cold when he began to wonder which of his curtains this new spectre would draw back, he put them every one aside with his own hands; and lying down again, established a sharp look-out all round the bed. For he wished to challenge the Spirit on the moment of its appearance, and did not wish to be taken by surprise and made nervous.&#13;
&#13;
Gentlemen of the free-and-easy sort, who plume themselves on being acquainted with a move or two, and being usually equal to the time-of-day, express the wide range of their capacity for adventure by observing that they are good for anything from pitch-and-toss to manslaughter; between which opposite extremes, no doubt, there lies a tolerably wide and comprehensive range of subjects. Without venturing for Scrooge quite as hardily as this, I don’t mind calling on you to believe that he was ready for a good broad field of strange appearances, and that nothing between a baby and a rhinoceros would have astonished him very much.&#13;
&#13;
Now, being prepared for almost anything, he was not by any means prepared for nothing; and, consequently, when the Bell struck One, and no shape appeared, he was taken with a violent fit of trembling. Five minutes, ten minutes, a quarter of an hour went by, yet nothing came. All this time, he lay upon his bed, the very core and centre of a blaze of ruddy light, which streamed upon it when the clock proclaimed the hour; and which being only light, was more alarming than a dozen ghosts, as he was powerless to make out what it meant, or would be at; and was sometimes apprehensive that he might be at that very moment an interesting case of spontaneous combustion, without having the consolation of knowing it. At last, however, he began to think—as you or I would have thought at first; for it is always the person not in the predicament who knows what ought to have been done in it, and would unquestionably have done it too—at last, I say, he began to think that the source and secret of this ghostly light might be in the adjoining room: from whence, on further tracing it, it seemed to shine. This idea taking full possession of his mind, he got up softly and shuffled in his slippers to the door.&#13;
&#13;
The moment Scrooge’s hand was on the lock, a strange voice called him by his name, and bade him enter. He obeyed.&#13;
&#13;
It was his own room. There was no doubt about that. But it had undergone a surprising transformation. The walls and ceiling were so hung with living green, that it looked a perfect grove, from every part of which, bright gleaming berries glistened. The crisp leaves of holly, mistletoe, and ivy reflected back the light, as if so many little mirrors had been scattered there; and such a mighty blaze went roaring up the chimney, as that dull petrification of a hearth had never known in Scrooge’s time, or Marley’s, or for many and many a winter season gone. Heaped up on the floor, to form a kind of throne, were turkeys, geese, game, poultry, brawn, great joints of meat, sucking-pigs, long wreaths of sausages, mince-pies, plum-puddings, barrels of oysters, red-hot chestnuts, cherry-cheeked apples, juicy oranges, luscious pears, immense twelfth-cakes, and seething bowls of punch, that made the chamber dim with their delicious steam. In easy state upon this couch, there sat a jolly Giant, glorious to see; who bore a glowing torch, in shape not unlike Plenty’s horn, and held it up, high up, to shed its light on Scrooge, as he came peeping round the door.&#13;
&#13;
“Come in!” exclaimed the Ghost. “Come in! and know me better, man!”&#13;
&#13;
Scrooge entered timidly, and hung his head before this Spirit. He was not the dogged Scrooge he had been; and though its eyes were clear and kind, he did not like to meet them.&#13;
&#13;
“I am the Ghost of Christmas Present,” said the Spirit. “Look upon me!”&#13;
&#13;
Scrooge reverently did so. It was clothed in one simple green robe, or mantle, bordered with white fur. This garment hung so loosely on the figure, that its capacious breast was bare, as if disdaining to be warded or concealed by any artifice. Its feet, observable beneath the ample folds of the garment, were also bare; and on its head it wore no other covering than a holly wreath set here and there with shining icicles. Its dark brown curls were long and free: free as its genial face, its sparkling eye, its open hand, its cheery voice, its unconstrained demeanour, and its joyful air. Girded round its middle was an antique scabbard; but no sword was in it, and the ancient sheath was eaten up with rust.&#13;
&#13;
“You have never seen the like of me before!” exclaimed the Spirit.&#13;
&#13;
“Never,” Scrooge made answer to it.&#13;
&#13;
“Have never walked forth with the younger members of my family; meaning (for I am very young) my elder brothers born in these later years?” pursued the Phantom.&#13;
&#13;
“I don’t think I have,” said Scrooge. “I am afraid I have not. Have you had many brothers, Spirit?”&#13;
&#13;
“More than eighteen hundred,” said the Ghost.&#13;
&#13;
“A tremendous family to provide for!” muttered Scrooge.&#13;
&#13;
The Ghost of Christmas Present rose.&#13;
&#13;
“Spirit,” said Scrooge submissively, “conduct me where you will. I went forth last night on compulsion, and I learnt a lesson which is working now. To-night, if you have aught to teach me, let me profit by it.”&#13;
&#13;
“Touch my robe!”&#13;
&#13;
Scrooge did as he was told, and held it fast.&#13;
&#13;
Holly, mistletoe, red berries, ivy, turkeys, geese, game, poultry, brawn, meat, pigs, sausages, oysters, pies, puddings, fruit, and punch, all vanished instantly. So did the room, the fire, the ruddy glow, the hour of night, and they stood in the city streets on Christmas morning, where (for the weather was severe) the people made a rough, but brisk and not unpleasant kind of music, in scraping the snow from the pavement in front of their dwellings, and from the tops of their houses, whence it was mad delight to the boys to see it come plumping down into the road below, and splitting into artificial little snow-storms.&#13;
&#13;
The house fronts looked black enough, and the windows blacker, contrasting with the smooth white sheet of snow upon the roofs, and with the dirtier snow upon the ground; which last deposit had been ploughed up in deep furrows by the heavy wheels of carts and waggons; furrows that crossed and re-crossed each other hundreds of times where the great streets branched off; and made intricate channels, hard to trace, in the thick yellow mud and icy water. The sky was gloomy, and the shortest streets were choked up with a dingy mist, half thawed, half frozen, whose heavier particles descended in a shower of sooty atoms, as if all the chimneys in Great Britain had, by one consent, caught fire, and were blazing away to their dear hearts’ content. There was nothing very cheerful in the climate or the town, and yet was there an air of cheerfulness abroad that the clearest summer air and brightest summer sun might have endeavoured to diffuse in vain.&#13;
&#13;
For the people who were shovelling away on the house-tops were jovial and full of glee; calling out to one another from the parapets, and now and then exchanging a facetious snowball—better-natured missile far than many a wordy jest—laughing heartily if it went right, and not less heartily if it went wrong. The poulterers’ shops were still half open, and the fruiterers’ were radiant in their glory. There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentlemen, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced, broad-girthed Spanish Onions, shining in the fatness of their growth like Spanish Friars; and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples, clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers’ benevolence to dangle from conspicuous hooks, that people’s mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered leaves; there were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner. The very gold and silver fish, set forth among these choice fruits in a bowl, though members of a dull and stagnant-blooded race, appeared to know that there was something going on; and, to a fish, went gasping round and round their little world in slow and passionless excitement.&#13;
&#13;
The Grocers’! oh, the Grocers’! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses! It was not alone that the scales descending on the counter made a merry sound, or that the twine and roller parted company so briskly, or that the canisters were rattled up and down like juggling tricks, or even that the blended scents of tea and coffee were so grateful to the nose, or even that the raisins were so plentiful and rare, the almonds so extremely white, the sticks of cinnamon so long and straight, the other spices so delicious, the candied fruits so caked and spotted with molten sugar as to make the coldest lookers-on feel faint and subsequently bilious. Nor was it that the figs were moist and pulpy, or that the French plums blushed in modest tartness from their highly-decorated boxes, or that everything was good to eat and in its Christmas dress: but the customers were all so hurried and so eager in the hopeful promise of the day, that they tumbled up against each other at the door, crashing their wicker baskets wildly, and left their purchases upon the counter, and came running back to fetch them, and committed hundreds of the like mistakes in the best humour possible; while the Grocer and his people were so frank and fresh that the polished hearts with which they fastened their aprons behind might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose.&#13;
&#13;
But soon the steeples called good people all, to church and chapel, and away they came, flocking through the streets in their best clothes, and with their gayest faces. And at the same time there emerged from scores of bye streets, lanes, and nameless turnings, innumerable people, carrying their dinners to the bakers’ shops. The sight of these poor revellers appeared to interest the Spirit very much, for he stood with Scrooge beside him in a baker’s doorway, and taking off the covers as their bearers passed, sprinkled incense on their dinners from his torch. And it was a very uncommon kind of torch, for once or twice when there were angry words between some dinner-carriers who had jostled with each other, he shed a few drops of water on them from it, and their good humour was restored directly. For they said, it was a shame to quarrel upon Christmas Day. And so it was! God love it, so it was!&#13;
&#13;
In time the bells ceased, and the bakers’ were shut up; and yet there was a genial shadowing forth of all these dinners and the progress of their cooking, in the thawed blotch of wet above each baker’s oven; where the pavement smoked as if its stones were cooking too.&#13;
&#13;
“Is there a peculiar flavour in what you sprinkle from your torch?” asked Scrooge.&#13;
&#13;
“There is. My own.”&#13;
&#13;
“Would it apply to any kind of dinner on this day?” asked Scrooge.&#13;
&#13;
“To any kindly given. To a poor one most.”&#13;
&#13;
“Why to a poor one most?” asked Scrooge.&#13;
&#13;
“Because it needs it most.”&#13;
&#13;
“Spirit,” said Scrooge, after a moment’s thought, “I wonder you, of all the beings in the many worlds about us, should desire to cramp these people’s opportunities of innocent enjoyment.”&#13;
&#13;
“I!” cried the Spirit.&#13;
&#13;
“You would deprive them of their means of dining every seventh day, often the only day on which they can be said to dine at all,” said Scrooge. “Wouldn’t you?”&#13;
&#13;
“I!” cried the Spirit.&#13;
&#13;
“You seek to close these places on the Seventh Day?” said Scrooge. “And it comes to the same thing.”&#13;
&#13;
“I seek!” exclaimed the Spirit.&#13;
&#13;
“Forgive me if I am wrong. It has been done in your name, or at least in that of your family,” said Scrooge.&#13;
&#13;
“There are some upon this earth of yours,” returned the Spirit, “who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry, and selfishness in our name; who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.”&#13;
&#13;
Scrooge promised that he would; and they went on, invisible, as they had been before, into the suburbs of the town. It was a remarkable quality of the Ghost (which Scrooge had observed at the baker’s), that notwithstanding his gigantic size, he could accommodate himself to any place with ease; and that he stood beneath a low roof quite as gracefully and like a supernatural creature, as it was possible he could have done in any lofty hall.&#13;
&#13;
And perhaps it was the pleasure the good Spirit had in showing off this power of his, or else it was his own kind, generous, hearty nature, and his sympathy with all poor men, that led him straight to Scrooge’s clerk’s; for there he went, and took Scrooge with him, holding to his robe; and on the threshold of the door the Spirit smiled, and stopped to bless Bob Cratchit’s dwelling with the sprinklings of his torch. Think of that! Bob had but fifteen “Bob” a-week himself; he pocketed on Saturdays but fifteen copies of his Christian name; and yet the Ghost of Christmas Present blessed his four-roomed house!&#13;
&#13;
Then up rose Mrs. Cratchit, Cratchit’s wife, dressed out but poorly in a twice-turned gown, but brave in ribbons, which are cheap and make a goodly show for sixpence; and she laid the cloth, assisted by Belinda Cratchit, second of her daughters, also brave in ribbons; while Master Peter Cratchit plunged a fork into the saucepan of potatoes, and getting the corners of his monstrous shirt-collar (Bob’s private property, conferred upon his son and heir in honour of the day) into his mouth, rejoiced to find himself so gallantly attired, and yearned to show his linen in the fashionable Parks. And now two smaller Cratchits, boy and girl, came tearing in, screaming that outside the baker’s they had smelt the goose, and known it for their own; and basking in luxurious thoughts of sage-and-onion, these young Cratchits danced about the table, and exalted Master Peter Cratchit to the skies, while he (not proud, although his collars nearly choked him) blew the fire, until the slow potatoes bubbling up, knocked loudly at the saucepan-lid to be let out and peeled.&#13;
&#13;
“What has ever got your precious father then,” said Mrs. Cratchit. “And your brother, Tiny Tim! And Martha warn’t as late last Christmas Day by half-an-hour!”&#13;
&#13;
“Here’s Martha, mother!” said a girl, appearing as she spoke.&#13;
&#13;
“Here’s Martha, mother!” cried the two young Cratchits. “Hurrah! There’s such a goose, Martha!”&#13;
&#13;
“Why, bless your heart alive, my dear, how late you are!” said Mrs. Cratchit, kissing her a dozen times, and taking off her shawl and bonnet for her, with officious zeal.&#13;
&#13;
“We’d a deal of work to finish up last night,” replied the girl, “and had to clear away this morning, mother!”&#13;
&#13;
“Well! Never mind so long as you are come,” said Mrs. Cratchit. “Sit ye down before the fire, my dear, and have a warm, Lord bless ye!”&#13;
&#13;
“No, no! There’s father coming,” cried the two young Cratchits, who were everywhere at once. “Hide, Martha, hide!”&#13;
&#13;
So Martha hid herself, and in came little Bob, the father, with at least three feet of comforter exclusive of the fringe, hanging down before him; and his thread-bare clothes darned up and brushed, to look seasonable; and Tiny Tim upon his shoulder. Alas for Tiny Tim, he bore a little crutch, and had his limbs supported by an iron frame!&#13;
&#13;
“Why, where’s our Martha?” cried Bob Cratchit, looking round.&#13;
&#13;
“Not coming,” said Mrs. Cratchit.&#13;
&#13;
“Not coming!” said Bob, with a sudden declension in his high spirits; for he had been Tim’s blood horse all the way from church, and had come home rampant. “Not coming upon Christmas Day!”&#13;
&#13;
Martha didn’t like to see him disappointed, if it were only in joke; so she came out prematurely from behind the closet door, and ran into his arms, while the two young Cratchits hustled Tiny Tim, and bore him off into the wash-house, that he might hear the pudding singing in the copper.&#13;
&#13;
“And how did little Tim behave?” asked Mrs. Cratchit, when she had rallied Bob on his credulity, and Bob had hugged his daughter to his heart’s content.&#13;
&#13;
“As good as gold,” said Bob, “and better. Somehow he gets thoughtful, sitting by himself so much, and thinks the strangest things you ever heard. He told me, coming home, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.”&#13;
&#13;
Bob’s voice was tremulous when he told them this, and trembled more when he said that Tiny Tim was growing strong and hearty.&#13;
&#13;
His active little crutch was heard upon the floor, and back came Tiny Tim before another word was spoken, escorted by his brother and sister to his stool beside the fire; and while Bob, turning up his cuffs—as if, poor fellow, they were capable of being made more shabby—compounded some hot mixture in a jug with gin and lemons, and stirred it round and round and put it on the hob to simmer; Master Peter and the two ubiquitous young Cratchits went to fetch the goose, with which they soon returned in high procession.&#13;
&#13;
Such a bustle ensued that you might have thought a goose the rarest of all birds; a feathered phenomenon, to which a black swan was a matter of course—and in truth it was something very like it in that house. Mrs. Cratchit made the gravy (ready beforehand in a little saucepan) hissing hot; Master Peter mashed the potatoes with incredible vigour; Miss Belinda sweetened up the apple-sauce; Martha dusted the hot plates; Bob took Tiny Tim beside him in a tiny corner at the table; the two young Cratchits set chairs for everybody, not forgetting themselves, and mounting guard upon their posts, crammed spoons into their mouths, lest they should shriek for goose before their turn came to be helped. At last the dishes were set on, and grace was said. It was succeeded by a breathless pause, as Mrs. Cratchit, looking slowly all along the carving-knife, prepared to plunge it in the breast; but when she did, and when the long expected gush of stuffing issued forth, one murmur of delight arose all round the board, and even Tiny Tim, excited by the two young Cratchits, beat on the table with the handle of his knife, and feebly cried Hurrah!&#13;
&#13;
There never was such a goose. Bob said he didn’t believe there ever was such a goose cooked. Its tenderness and flavour, size and cheapness, were the themes of universal admiration. Eked out by the apple-sauce and mashed potatoes, it was a sufficient dinner for the whole family; indeed, as Mrs. Cratchit said with great delight (surveying one small atom of a bone upon the dish), they hadn’t ate it all at last! Yet every one had had enough, and the youngest Cratchits in particular, were steeped in sage and onion to the eyebrows! But now, the plates being changed by Miss Belinda, Mrs. Cratchit left the room alone—too nervous to bear witnesses—to take the pudding up, and bring it in.&#13;
Suppose it should not be done enough! Suppose it should break in turning out! Suppose somebody should have got over the wall of the back-yard, and stolen it, while they were merry with the goose: a supposition at which the two young Cratchits became livid! All sorts of horrors were supposed.&#13;
&#13;
Hallo! A great deal of steam! The pudding was out of the copper. A smell like a washing-day! That was the cloth. A smell like an eating-house, and a pastrycook’s next door to each other, with a laundress’s next door to that! That was the pudding. In half a minute Mrs. Cratchit entered: flushed, but smiling proudly: with the pudding, like a speckled cannon-ball, so hard and firm, blazing in half of half-a-quartern of ignited brandy, and bedight with Christmas holly stuck into the top.&#13;
&#13;
Oh, a wonderful pudding! Bob Cratchit said, and calmly too, that he regarded it as the greatest success achieved by Mrs. Cratchit since their marriage. Mrs. Cratchit said that now the weight was off her mind, she would confess she had had her doubts about the quantity of flour. Everybody had something to say about it, but nobody said or thought it was at all a small pudding for a large family. It would have been flat heresy to do so. Any Cratchit would have blushed to hint at such a thing.&#13;
&#13;
At last the dinner was all done, the cloth was cleared, the hearth swept, and the fire made up. The compound in the jug being tasted and considered perfect, apples and oranges were put upon the table, and a shovel-full of chestnuts on the fire. Then all the Cratchit family drew round the hearth, in what Bob Cratchit called a circle, meaning half a one; and at Bob Cratchit’s elbow stood the family display of glass; two tumblers, and a custard-cup without a handle.&#13;
&#13;
These held the hot stuff from the jug, however, as well as golden goblets would have done; and Bob served it out with beaming looks, while the chestnuts on the fire sputtered and cracked noisily. Then Bob proposed:&#13;
&#13;
“A Merry Christmas to us all, my dears. God bless us!”&#13;
&#13;
Which all the family re-echoed.&#13;
&#13;
“God bless us every one!” said Tiny Tim, the last of all.&#13;
&#13;
He sat very close to his father’s side upon his little stool. Bob held his withered little hand in his, as if he loved the child, and wished to keep him by his side, and dreaded that he might be taken from him.&#13;
&#13;
“Spirit,” said Scrooge, with an interest he had never felt before, “tell me if Tiny Tim will live.”&#13;
&#13;
“I see a vacant seat,” replied the Ghost, “in the poor chimney corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.”&#13;
&#13;
“No, no,” said Scrooge. “Oh, no, kind Spirit! say he will be spared.”&#13;
&#13;
“If these shadows remain unaltered by the Future, none other of my race,” returned the Ghost, “will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.”&#13;
&#13;
Scrooge hung his head to hear his own words quoted by the Spirit, and was overcome with penitence and grief.&#13;
&#13;
“Man,” said the Ghost, “if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child. Oh God! to hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust!”&#13;
&#13;
Scrooge bent before the Ghost’s rebuke, and trembling cast his eyes upon the ground. But he raised them speedily, on hearing his own name.&#13;
&#13;
“Mr. Scrooge!” said Bob; “I’ll give you Mr. Scrooge, the Founder of the Feast!”&#13;
&#13;
“The Founder of the Feast indeed!” cried Mrs. Cratchit, reddening. “I wish I had him here. I’d give him a piece of my mind to feast upon, and I hope he’d have a good appetite for it.”&#13;
&#13;
“My dear,” said Bob, “the children; Christmas Day.”&#13;
&#13;
“It should be Christmas Day, I am sure,” said she, “on which one drinks the health of such an odious, stingy, hard, unfeeling man as Mr. Scrooge. You know he is, Robert! Nobody knows it better than you do, poor fellow!”&#13;
&#13;
“My dear,” was Bob’s mild answer, “Christmas Day.”&#13;
&#13;
“I’ll drink his health for your sake and the Day’s,” said Mrs. Cratchit, “not for his. Long life to him! A merry Christmas and a happy new year! He’ll be very merry and very happy, I have no doubt!”&#13;
&#13;
The children drank the toast after her. It was the first of their proceedings which had no heartiness in it. Tiny Tim drank it last of all, but he didn’t care twopence for it. Scrooge was the Ogre of the family. The mention of his name cast a dark shadow on the party, which was not dispelled for full five minutes.&#13;
&#13;
After it had passed away, they were ten times merrier than before, from the mere relief of Scrooge the Baleful being done with. Bob Cratchit told them how he had a situation in his eye for Master Peter, which would bring in, if obtained, full five-and-sixpence weekly. The two young Cratchits laughed tremendously at the idea of Peter’s being a man of business; and Peter himself looked thoughtfully at the fire from between his collars, as if he were deliberating what particular investments he should favour when he came into the receipt of that bewildering income. Martha, who was a poor apprentice at a milliner’s, then told them what kind of work she had to do, and how many hours she worked at a stretch, and how she meant to lie abed to-morrow morning for a good long rest; to-morrow being a holiday she passed at home. Also how she had seen a countess and a lord some days before, and how the lord “was much about as tall as Peter;” at which Peter pulled up his collars so high that you couldn’t have seen his head if you had been there. All this time the chestnuts and the jug went round and round; and by-and-bye they had a song, about a lost child travelling in the snow, from Tiny Tim; who had a plaintive little voice, and sang it very well indeed.&#13;
&#13;
There was nothing of high mark in this. They were not a handsome family; they were not well dressed; their shoes were far from being water-proof; their clothes were scanty; and Peter might have known, and very likely did, the inside of a pawnbroker’s. But they were happy, grateful, pleased with one another, and contented with the time; and when they faded, and looked happier yet in the bright sprinklings of the Spirit’s torch at parting, Scrooge had his eye upon them, and especially on Tiny Tim, until the last.&#13;
&#13;
By this time it was getting dark, and snowing pretty heavily; and as Scrooge and the Spirit went along the streets, the brightness of the roaring fires in kitchens, parlours, and all sorts of rooms, was wonderful. Here, the flickering of the blaze showed preparations for a cosy dinner, with hot plates baking through and through before the fire, and deep red curtains, ready to be drawn to shut out cold and darkness. There all the children of the house were running out into the snow to meet their married sisters, brothers, cousins, uncles, aunts, and be the first to greet them. Here, again, were shadows on the window-blind of guests assembling; and there a group of handsome girls, all hooded and fur-booted, and all chattering at once, tripped lightly off to some near neighbour’s house; where, wo upon the single man who saw them enter—artful witches: well they knew it—in a glow!&#13;
&#13;
But if you had judged from the numbers of people on their way to friendly gatherings, you might have thought that no one was at home to give them welcome when they got there, instead of every house expecting company, and piling up its fires half-chimney high. Blessings on it, how the Ghost exulted! How it bared its breadth of breast, and opened its capacious palm, and floated on, outpouring, with a generous hand, its bright and harmless mirth on everything within its reach! The very lamplighter, who ran on before, dotting the dusky street with specks of light, and who was dressed to spend the evening somewhere, laughed out loudly as the Spirit passed: though little kenned the lamplighter that he had any company but Christmas!&#13;
&#13;
And now, without a word of warning from the Ghost, they stood upon a bleak and desert moor, where monstrous masses of rude stone were cast about, as though it were the burial-place of giants; and water spread itself wheresoever it listed; or would have done so, but for the frost that held it prisoner; and nothing grew but moss and furze, and coarse, rank grass. Down in the west the setting sun had left a streak of fiery red, which glared upon the desolation for an instant, like a sullen eye, and frowning lower, lower, lower yet, was lost in the thick gloom of darkest night.&#13;
&#13;
“What place is this?” asked Scrooge.&#13;
&#13;
“A place where Miners live, who labour in the bowels of the earth,” returned the Spirit. “But they know me. See!”&#13;
&#13;
A light shone from the window of a hut, and swiftly they advanced towards it. Passing through the wall of mud and stone, they found a cheerful company assembled round a glowing fire. An old, old man and woman, with their children and their children’s children, and another generation beyond that, all decked out gaily in their holiday attire. The old man, in a voice that seldom rose above the howling of the wind upon the barren waste, was singing them a Christmas song; it had been a very old song when he was a boy; and from time to time they all joined in the chorus. So surely as they raised their voices, the old man got quite blithe and loud; and so surely as they stopped, his vigour sank again.&#13;
&#13;
The Spirit did not tarry here, but bade Scrooge hold his robe, and passing on above the moor, sped whither? Not to sea? To sea. To Scrooge’s horror, looking back, he saw the last of the land, a frightful range of rocks, behind them; and his ears were deafened by the thundering of water, as it rolled, and roared, and raged among the dreadful caverns it had worn, and fiercely tried to undermine the earth.&#13;
&#13;
Built upon a dismal reef of sunken rocks, some league or so from shore, on which the waters chafed and dashed, the wild year through, there stood a solitary lighthouse. Great heaps of sea-weed clung to its base, and storm-birds—born of the wind one might suppose, as sea-weed of the water—rose and fell about it, like the waves they skimmed.&#13;
&#13;
But even here, two men who watched the light had made a fire, that through the loophole in the thick stone wall shed out a ray of brightness on the awful sea. Joining their horny hands over the rough table at which they sat, they wished each other Merry Christmas in their can of grog; and one of them: the elder, too, with his face all damaged and scarred with hard weather, as the figure-head of an old ship might be: struck up a sturdy song that was like a Gale in itself.&#13;
&#13;
Again the Ghost sped on, above the black and heaving sea—on, on—until, being far away, as he told Scrooge, from any shore, they lighted on a ship. They stood beside the helmsman at the wheel, the look-out in the bow, the officers who had the watch; dark, ghostly figures in their several stations; but every man among them hummed a Christmas tune, or had a Christmas thought, or spoke below his breath to his companion of some bygone Christmas Day, with homeward hopes belonging to it. And every man on board, waking or sleeping, good or bad, had had a kinder word for another on that day than on any day in the year; and had shared to some extent in its festivities; and had remembered those he cared for at a distance, and had known that they delighted to remember him.&#13;
&#13;
It was a great surprise to Scrooge, while listening to the moaning of the wind, and thinking what a solemn thing it was to move on through the lonely darkness over an unknown abyss, whose depths were secrets as profound as Death: it was a great surprise to Scrooge, while thus engaged, to hear a hearty laugh. It was a much greater surprise to Scrooge to recognise it as his own nephew’s, and to find himself in a bright, dry, gleaming room, with the Spirit standing smiling by his side, and looking at that same nephew with approving affability!&#13;
&#13;
“Ha, ha!” laughed Scrooge’s nephew. “Ha, ha, ha!”&#13;
&#13;
If you should happen, by any unlikely chance, to know a man more blest in a laugh than Scrooge’s nephew, all I can say is, I should like to know him too. Introduce him to me, and I’ll cultivate his acquaintance.&#13;
&#13;
It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good-humour. When Scrooge’s nephew laughed in this way: holding his sides, rolling his head, and twisting his face into the most extravagant contortions: Scrooge’s niece, by marriage, laughed as heartily as he. And their assembled friends being not a bit behindhand, roared out, lustily.&#13;
&#13;
“Ha, ha! Ha, ha, ha, ha!”&#13;
&#13;
“He said that Christmas was a humbug, as I live!” cried Scrooge’s nephew. “He believed it too!”&#13;
&#13;
“More shame for him, Fred!” said Scrooge’s niece, indignantly. Bless those women; they never do anything by halves. They are always in earnest.&#13;
&#13;
She was very pretty: exceedingly pretty. With a dimpled, surprised-looking, capital face; a ripe little mouth, that seemed made to be kissed—as no doubt it was; all kinds of good little dots about her chin, that melted into one another when she laughed; and the sunniest pair of eyes you ever saw in any little creature’s head. Altogether she was what you would have called provoking, you know; but satisfactory, too. Oh, perfectly satisfactory!&#13;
&#13;
“He’s a comical old fellow,” said Scrooge’s nephew, “that’s the truth: and not so pleasant as he might be. However, his offences carry their own punishment, and I have nothing to say against him.”&#13;
&#13;
“I’m sure he is very rich, Fred,” hinted Scrooge’s niece. “At least you always tell me so.”&#13;
&#13;
“What of that, my dear!” said Scrooge’s nephew. “His wealth is of no use to him. He don’t do any good with it. He don’t make himself comfortable with it. He hasn’t the satisfaction of thinking—ha, ha, ha!—that he is ever going to benefit Us with it.”&#13;
&#13;
“I have no patience with him,” observed Scrooge’s niece. Scrooge’s niece’s sisters, and all the other ladies, expressed the same opinion.&#13;
&#13;
“Oh, I have!” said Scrooge’s nephew. “I am sorry for him; I couldn’t be angry with him if I tried. Who suffers by his ill whims! Himself, always. Here, he takes it into his head to dislike us, and he won’t come and dine with us. What’s the consequence? He don’t lose much of a dinner.”&#13;
&#13;
“Indeed, I think he loses a very good dinner,” interrupted Scrooge’s niece. Everybody else said the same, and they must be allowed to have been competent judges, because they had just had dinner; and, with the dessert upon the table, were clustered round the fire, by lamplight.&#13;
&#13;
“Well! I’m very glad to hear it,” said Scrooge’s nephew, “because I haven’t great faith in these young housekeepers. What do you say, Topper?”&#13;
&#13;
Topper had clearly got his eye upon one of Scrooge’s niece’s sisters, for he answered that a bachelor was a wretched outcast, who had no right to express an opinion on the subject. Whereat Scrooge’s niece’s sister—the plump one with the lace tucker: not the one with the roses—blushed.&#13;
&#13;
“Do go on, Fred,” said Scrooge’s niece, clapping her hands. “He never finishes what he begins to say! He is such a ridiculous fellow!”&#13;
&#13;
Scrooge’s nephew revelled in another laugh, and as it was impossible to keep the infection off; though the plump sister tried hard to do it with aromatic vinegar; his example was unanimously followed.&#13;
&#13;
“I was only going to say,” said Scrooge’s nephew, “that the consequence of his taking a dislike to us, and not making merry with us, is, as I think, that he loses some pleasant moments, which could do him no harm. I am sure he loses pleasanter companions than he can find in his own thoughts, either in his mouldy old office, or his dusty chambers. I mean to give him the same chance every year, whether he likes it or not, for I pity him. He may rail at Christmas till he dies, but he can’t help thinking better of it—I defy him—if he finds me going there, in good temper, year after year, and saying Uncle Scrooge, how are you? If it only puts him in the vein to leave his poor clerk fifty pounds, that’s something; and I think I shook him yesterday.”&#13;
&#13;
It was their turn to laugh now, at the notion of his shaking Scrooge. But being thoroughly good-natured, and not much caring what they laughed at, so that they laughed at any rate, he encouraged them in their merriment, and passed the bottle, joyously.&#13;
&#13;
After tea, they had some music. For they were a musical family, and knew what they were about, when they sung a Glee or Catch, I can assure you: especially Topper, who could growl away in the bass like a good one, and never swell the large veins in his forehead, or get red in the face over it. Scrooge’s niece played well upon the harp; and played among other tunes a simple little air (a mere nothing: you might learn to whistle it in two minutes), which had been familiar to the child who fetched Scrooge from the boarding-school, as he had been reminded by the Ghost of Christmas Past. When this strain of music sounded, all the things that Ghost had shown him, came upon his mind; he softened more and more; and thought that if he could have listened to it often, years ago, he might have cultivated the kindnesses of life for his own happiness with his own hands, without resorting to the sexton’s spade that buried Jacob Marley.&#13;
&#13;
But they didn’t devote the whole evening to music. After a while they played at forfeits; for it is good to be children sometimes, and never better than at Christmas, when its mighty Founder was a child himself. Stop! There was first a game at blind-man’s buff. Of course there was. And I no more believe Topper was really blind than I believe he had eyes in his boots. My opinion is, that it was a done thing between him and Scrooge’s nephew; and that the Ghost of Christmas Present knew it. The way he went after that plump sister in the lace tucker, was an outrage on the credulity of human nature. Knocking down the fire-irons, tumbling over the chairs, bumping up against the piano, smothering himself among the curtains, wherever she went, there went he. He always knew where the plump sister was. He wouldn’t catch anybody else. If you had fallen up against him, as some of them did, and stood there; he would have made a feint of endeavouring to seize you, which would have been an affront to your understanding; and would instantly have sidled off in the direction of the plump sister. She often cried out that it wasn’t fair; and it really was not. But when at last, he caught her; when, in spite of all her silken rustlings, and her rapid flutterings past him, he got her into a corner whence there was no escape; then his conduct was the most execrable. For his pretending not to know her; his pretending that it was necessary to touch her head-dress, and further to assure himself of her identity by pressing a certain ring upon her finger, and a certain chain about her neck; was vile, monstrous! No doubt she told him her opinion of it, when, another blind-man being in office, they were so very confidential together, behind the curtains.&#13;
&#13;
Scrooge’s niece was not one of the blind-man’s buff party, but was made comfortable with a large chair and a footstool, in a snug corner, where the Ghost and Scrooge were close behind her. But she joined in the forfeits, and loved her love to admiration with all the letters of the alphabet. Likewise at the game of How, When, and Where, she was very great, and to the secret joy of Scrooge’s nephew, beat her sisters hollow: though they were sharp girls too, as Topper could have told you. There might have been twenty people there, young and old, but they all played, and so did Scrooge; for, wholly forgetting in the interest he had in what was going on, that his voice made no sound in their ears, he sometimes came out with his guess quite loud, and very often guessed quite right, too; for the sharpest needle, best Whitechapel, warranted not to cut in the eye, was not sharper than Scrooge; blunt as he took it in his head to be.&#13;
&#13;
The Ghost was greatly pleased to find him in this mood, and looked upon him with such favour, that he begged like a boy to be allowed to stay until the guests departed. But this the Spirit said could not be done.&#13;
&#13;
“Here is a new game,” said Scrooge. “One half hour, Spirit, only one!”&#13;
&#13;
It was a Game called Yes and No, where Scrooge’s nephew had to think of something, and the rest must find out what; he only answering to their questions yes or no, as the case was. The brisk fire of questioning to which he was exposed, elicited from him that he was thinking of an animal, a live animal, rather a disagreeable animal, a savage animal, an animal that growled and grunted sometimes, and talked sometimes, and lived in London, and walked about the streets, and wasn’t made a show of, and wasn’t led by anybody, and didn’t live in a menagerie, and was never killed in a market, and was not a horse, or an ass, or a cow, or a bull, or a tiger, or a dog, or a pig, or a cat, or a bear. At every fresh question that was put to him, this nephew burst into a fresh roar of laughter; and was so inexpressibly tickled, that he was obliged to get up off the sofa and stamp. At last the plump sister, falling into a similar state, cried out:&#13;
&#13;
“I have found it out! I know what it is, Fred! I know what it is!”&#13;
&#13;
“What is it?” cried Fred.&#13;
&#13;
“It’s your Uncle Scro-o-o-o-oge!”&#13;
&#13;
Which it certainly was. Admiration was the universal sentiment, though some objected that the reply to “Is it a bear?” ought to have been “Yes;” inasmuch as an answer in the negative was sufficient to have diverted their thoughts from Mr. Scrooge, supposing they had ever had any tendency that way.&#13;
&#13;
“He has given us plenty of merriment, I am sure,” said Fred, “and it would be ungrateful not to drink his health. Here is a glass of mulled wine ready to our hand at the moment; and I say, ‘Uncle Scrooge!’ ”&#13;
&#13;
“Well! Uncle Scrooge!” they cried.&#13;
&#13;
“A Merry Christmas and a happy New Year to the old man, whatever he is!” said Scrooge’s nephew. “He wouldn’t take it from me, but may he have it, nevertheless. Uncle Scrooge!”&#13;
&#13;
Uncle Scrooge had imperceptibly become so gay and light of heart, that he would have pledged the unconscious company in return, and thanked them in an inaudible speech, if the Ghost had given him time. But the whole scene passed off in the breath of the last word spoken by his nephew; and he and the Spirit were again upon their travels.&#13;
&#13;
Much they saw, and far they went, and many homes they visited, but always with a happy end. The Spirit stood beside sick beds, and they were cheerful; on foreign lands, and they were close at home; by struggling men, and they were patient in their greater hope; by poverty, and it was rich. In almshouse, hospital, and jail, in misery’s every refuge, where vain man in his little brief authority had not made fast the door, and barred the Spirit out, he left his blessing, and taught Scrooge his precepts.&#13;
&#13;
It was a long night, if it were only a night; but Scrooge had his doubts of this, because the Christmas Holidays appeared to be condensed into the space of time they passed together. It was strange, too, that while Scrooge remained unaltered in his outward form, the Ghost grew older, clearly older. Scrooge had observed this change, but never spoke of it, until they left a children’s Twelfth Night party, when, looking at the Spirit as they stood together in an open place, he noticed that its hair was grey.&#13;
&#13;
“Are spirits’ lives so short?” asked Scrooge.&#13;
&#13;
“My life upon this globe, is very brief,” replied the Ghost. “It ends to-night.”&#13;
&#13;
“To-night!” cried Scrooge.&#13;
&#13;
“To-night at midnight. Hark! The time is drawing near.”&#13;
&#13;
The chimes were ringing the three quarters past eleven at that moment.&#13;
&#13;
“Forgive me if I am not justified in what I ask,” said Scrooge, looking intently at the Spirit’s robe, “but I see something strange, and not belonging to yourself, protruding from your skirts. Is it a foot or a claw!”&#13;
&#13;
“It might be a claw, for the flesh there is upon it,” was the Spirit’s sorrowful reply. “Look here.”&#13;
&#13;
From the foldings of its robe, it brought two children; wretched, abject, frightful, hideous, miserable. They knelt down at its feet, and clung upon the outside of its garment.&#13;
&#13;
“Oh, Man! look here. Look, look, down here!” exclaimed the Ghost.&#13;
&#13;
They were a boy and girl. Yellow, meagre, ragged, scowling, wolfish; but prostrate, too, in their humility. Where graceful youth should have filled their features out, and touched them with its freshest tints, a stale and shrivelled hand, like that of age, had pinched, and twisted them, and pulled them into shreds. Where angels might have sat enthroned, devils lurked, and glared out menacing. No change, no degradation, no perversion of humanity, in any grade, through all the mysteries of wonderful creation, has monsters half so horrible and dread.&#13;
&#13;
Scrooge started back, appalled. Having them shown to him in this way, he tried to say they were fine children, but the words choked themselves, rather than be parties to a lie of such enormous magnitude.&#13;
&#13;
“Spirit! are they yours?” Scrooge could say no more.&#13;
&#13;
“They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!” cried the Spirit, stretching out its hand towards the city. “Slander those who tell it ye! Admit it for your factious purposes, and make it worse! And bide the end!”&#13;
&#13;
“Have they no refuge or resource?” cried Scrooge.&#13;
&#13;
“Are there no prisons?” said the Spirit, turning on him for the last time with his own words. “Are there no workhouses?”&#13;
&#13;
The bell struck twelve.&#13;
&#13;
Scrooge looked about him for the Ghost, and saw it not. As the last stroke ceased to vibrate, he remembered the prediction of old Jacob Marley, and lifting up his eyes, beheld a solemn Phantom, draped and hooded, coming, like a mist along the ground, towards him.&#13;
&#13;
STAVE FOUR.&#13;
THE LAST OF THE SPIRITS.&#13;
&#13;
THE Phantom slowly, gravely, silently, approached. When it came near him, Scrooge bent down upon his knee; for in the very air through which this Spirit moved it seemed to scatter gloom and mystery.&#13;
&#13;
It was shrouded in a deep black garment, which concealed its head, its face, its form, and left nothing of it visible save one outstretched hand. But for this it would have been difficult to detach its figure from the night, and separate it from the darkness by which it was surrounded.&#13;
&#13;
He felt that it was tall and stately when it came beside him, and that its mysterious presence filled him with a solemn dread. He knew no more, for the Spirit neither spoke nor moved.&#13;
&#13;
“I am in the presence of the Ghost of Christmas Yet To Come?” said Scrooge.&#13;
&#13;
The Spirit answered not, but pointed onward with its hand.&#13;
&#13;
“You are about to show me shadows of the things that have not happened, but will happen in the time before us,” Scrooge pursued. “Is that so, Spirit?”&#13;
&#13;
&#13;
The upper portion of the garment was contracted for an instant in its folds, as if the Spirit had inclined its head. That was the only answer he received.&#13;
&#13;
Although well used to ghostly company by this time, Scrooge feared the silent shape so much that his legs trembled beneath him, and he found that he could hardly stand when he prepared to follow it. The Spirit paused a moment, as observing his condition, and giving him time to recover.&#13;
&#13;
But Scrooge was all the worse for this. It thrilled him with a vague uncertain horror, to know that behind the dusky shroud, there were ghostly eyes intently fixed upon him, while he, though he stretched his own to the utmost, could see nothing but a spectral hand and one great heap of black.&#13;
&#13;
“Ghost of the Future!” he exclaimed, “I fear you more than any Spectre I have seen. But as I know your purpose is to do me good, and as I hope to live to be another man from what I was, I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me?”&#13;
&#13;
It gave him no reply. The hand was pointed straight before them.&#13;
&#13;
“Lead on!” said Scrooge. “Lead on! The night is waning fast, and it is precious time to me, I know. Lead on, Spirit!”&#13;
&#13;
The Phantom moved away as it had come towards him. Scrooge followed in the shadow of its dress, which bore him up, he thought, and carried him along.&#13;
&#13;
They scarcely seemed to enter the city; for the city rather seemed to spring up about them, and encompass them of its own act. But there they were, in the heart of it; on ’Change, amongst the merchants; who hurried up and down, and chinked the money in their pockets, and conversed in groups, and looked at their watches, and trifled thoughtfully with their great gold seals; and so forth, as Scrooge had seen them often.&#13;
&#13;
The Spirit stopped beside one little knot of business men. Observing that the hand was pointed to them, Scrooge advanced to listen to their talk.&#13;
&#13;
“No,” said a great fat man with a monstrous chin, “I don’t know much about it, either way. I only know he’s dead.”&#13;
&#13;
“When did he die?” inquired another.&#13;
&#13;
“Last night, I believe.”&#13;
&#13;
“Why, what was the matter with him?” asked a third, taking a vast quantity of snuff out of a very large snuff-box. “I thought he’d never die.”&#13;
&#13;
“God knows,” said the first, with a yawn.&#13;
&#13;
“What has he done with his money?” asked a red-faced gentleman with a pendulous excrescence on the end of his nose, that shook like the gills of a turkey-cock.&#13;
&#13;
“I haven’t heard,” said the man with the large chin, yawning again. “Left it to his Company, perhaps. He hasn’t left it to me. That’s all I know.”&#13;
&#13;
This pleasantry was received with a general laugh.&#13;
&#13;
“It’s likely to be a very cheap funeral,” said the same speaker; “for upon my life I don’t know of anybody to go to it. Suppose we make up a party and volunteer?”&#13;
&#13;
“I don’t mind going if a lunch is provided,” observed the gentleman with the excrescence on his nose. “But I must be fed, if I make one.”&#13;
&#13;
Another laugh.&#13;
&#13;
“Well, I am the most disinterested among you, after all,” said the first speaker, “for I never wear black gloves, and I never eat lunch. But I’ll offer to go, if anybody else will. When I come to think of it, I’m not at all sure that I wasn’t his most particular friend; for we used to stop and speak whenever we met. Bye, bye!”&#13;
&#13;
Speakers and listeners strolled away, and mixed with other groups. Scrooge knew the men, and looked towards the Spirit for an explanation.&#13;
&#13;
The Phantom glided on into a street. Its finger pointed to two persons meeting. Scrooge listened again, thinking that the explanation might lie here.&#13;
&#13;
He knew these men, also, perfectly. They were men of business: very wealthy, and of great importance. He had made a point always of standing well in their esteem: in a business point of view, that is; strictly in a business point of view.&#13;
&#13;
“How are you?” said one.&#13;
&#13;
“How are you?” returned the other.&#13;
&#13;
“Well!” said the first. “Old Scratch has got his own at last, hey?”&#13;
&#13;
“So I am told,” returned the second. “Cold, isn’t it?”&#13;
&#13;
“Seasonable for Christmas time. You’re not a skaiter, I suppose?”&#13;
&#13;
“No. No. Something else to think of. Good morning!”&#13;
&#13;
Not another word. That was their meeting, their conversation, and their parting.&#13;
&#13;
Scrooge was at first inclined to be surprised that the Spirit should attach importance to conversations apparently so trivial; but feeling assured that they must have some hidden purpose, he set himself to consider what it was likely to be. They could scarcely be supposed to have any bearing on the death of Jacob, his old partner, for that was Past, and this Ghost’s province was the Future. Nor could he think of any one immediately connected with himself, to whom he could apply them. But nothing doubting that to whomsoever they applied they had some latent moral for his own improvement, he resolved to treasure up every word he heard, and everything he saw; and especially to observe the shadow of himself when it appeared. For he had an expectation that the conduct of his future self would give him the clue he missed, and would render the solution of these riddles easy.&#13;
&#13;
He looked about in that very place for his own image; but another man stood in his accustomed corner, and though the clock pointed to his usual time of day for being there, he saw no likeness of himself among the multitudes that poured in through the Porch. It gave him little surprise, however; for he had been revolving in his mind a change of life, and thought and hoped he saw his new-born resolutions carried out in this.&#13;
&#13;
Quiet and dark, beside him stood the Phantom, with its outstretched hand. When he roused himself from his thoughtful quest, he fancied from the turn of the hand, and its situation in reference to himself, that the Unseen Eyes were looking at him keenly. It made him shudder, and feel very cold.&#13;
&#13;
They left the busy scene, and went into an obscure part of the town, where Scrooge had never penetrated before, although he recognised its situation, and its bad repute. The ways were foul and narrow; the shops and houses wretched; the people half-naked, drunken, slipshod, ugly. Alleys and archways, like so many cesspools, disgorged their offences of smell, and dirt, and life, upon the straggling streets; and the whole quarter reeked with crime, with filth, and misery.&#13;
&#13;
Far in this den of infamous resort, there was a low-browed, beetling shop, below a pent-house roof, where iron, old rags, bottles, bones, and greasy offal, were bought. Upon the floor within, were piled up heaps of rusty keys, nails, chains, hinges, files, scales, weights, and refuse iron of all kinds. Secrets that few would like to scrutinise were bred and hidden in mountains of unseemly rags, masses of corrupted fat, and sepulchres of bones. Sitting in among the wares he dealt in, by a charcoal stove, made of old bricks, was a grey-haired rascal, nearly seventy years of age; who had screened himself from the cold air without, by a frousy curtaining of miscellaneous tatters, hung upon a line; and smoked his pipe in all the luxury of calm retirement.&#13;
&#13;
Scrooge and the Phantom came into the presence of this man, just as a woman with a heavy bundle slunk into the shop. But she had scarcely entered, when another woman, similarly laden, came in too; and she was closely followed by a man in faded black, who was no less startled by the sight of them, than they had been upon the recognition of each other. After a short period of blank astonishment, in which the old man with the pipe had joined them, they all three burst into a laugh.&#13;
&#13;
“Let the charwoman alone to be the first!” cried she who had entered first. “Let the laundress alone to be the second; and let the undertaker’s man alone to be the third. Look here, old Joe, here’s a chance! If we haven’t all three met here without meaning it!”&#13;
&#13;
“You couldn’t have met in a better place,” said old Joe, removing his pipe from his mouth. “Come into the parlour. You were made free of it long ago, you know; and the other two an’t strangers. Stop till I shut the door of the shop. Ah! How it skreeks! There an’t such a rusty bit of metal in the place as its own hinges, I believe; and I’m sure there’s no such old bones here, as mine. Ha, ha! We’re all suitable to our calling, we’re well matched. Come into the parlour. Come into the parlour.”&#13;
&#13;
The parlour was the space behind the screen of rags. The old man raked the fire together with an old stair-rod, and having trimmed his smoky lamp (for it was night), with the stem of his pipe, put it in his mouth again.&#13;
&#13;
While he did this, the woman who had already spoken threw her bundle on the floor and sat down in a flaunting manner on a stool; crossing her elbows on her knees, and looking with a bold defiance at the other two.&#13;
&#13;
“What odds then! What odds, Mrs. Dilber?” said the woman. “Every person has a right to take care of themselves. He always did.”&#13;
&#13;
“That’s true, indeed!” said the laundress. “No man more so.”&#13;
&#13;
“Why then, don’t stand staring as if you was afraid, woman; who’s the wiser? We’re not going to pick holes in each other’s coats, I suppose?”&#13;
&#13;
“No, indeed!” said Mrs. Dilber and the man together. “We should hope not.”&#13;
&#13;
“Very well, then!” cried the woman. “That’s enough. Who’s the worse for the loss of a few things like these? Not a dead man, I suppose.”&#13;
&#13;
“No, indeed,” said Mrs. Dilber, laughing.&#13;
&#13;
“If he wanted to keep ’em after he was dead, a wicked old screw,” pursued the woman, “why wasn’t he natural in his lifetime? If he had been, he’d have had somebody to look after him when he was struck with Death, instead of lying gasping out his last there, alone by himself.”&#13;
&#13;
“It’s the truest word that ever was spoke,” said Mrs. Dilber. “It’s a judgment on him.”&#13;
&#13;
“I wish it was a little heavier judgment,” replied the woman; “and it should have been, you may depend upon it, if I could have laid my hands on anything else. Open that bundle, old Joe, and let me know the value of it. Speak out plain. I’m not afraid to be the first, nor afraid for them to see it. We know pretty well that we were helping ourselves, before we met here, I believe. It’s no sin. Open the bundle, Joe.”&#13;
&#13;
But the gallantry of her friends would not allow of this; and the man in faded black, mounting the breach first, produced his plunder. It was not extensive. A seal or two, a pencil-case, a pair of sleeve-buttons, and a brooch of no great value, were all. They were severally examined and appraised by old Joe, who chalked the sums he was disposed to give for each, upon the wall, and added them up into a total when he found there was nothing more to come.&#13;
&#13;
“That’s your account,” said Joe, “and I wouldn’t give another sixpence, if I was to be boiled for not doing it. Who’s next?”&#13;
&#13;
Mrs. Dilber was next. Sheets and towels, a little wearing apparel, two old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. Her account was stated on the wall in the same manner.&#13;
&#13;
“I always give too much to ladies. It’s a weakness of mine, and that’s the way I ruin myself,” said old Joe. “That’s your account. If you asked me for another penny, and made it an open question, I’d repent of being so liberal and knock off half-a-crown.”&#13;
&#13;
“And now undo my bundle, Joe,” said the first woman.&#13;
&#13;
Joe went down on his knees for the greater convenience of opening it, and having unfastened a great many knots, dragged out a large and heavy roll of some dark stuff.&#13;
&#13;
“What do you call this?” said Joe. “Bed-curtains!”&#13;
&#13;
“Ah!” returned the woman, laughing and leaning forward on her crossed arms. “Bed-curtains!”&#13;
&#13;
“You don’t mean to say you took ’em down, rings and all, with him lying there?” said Joe.&#13;
&#13;
“Yes I do,” replied the woman. “Why not?”&#13;
&#13;
“You were born to make your fortune,” said Joe, “and you’ll certainly do it.”&#13;
&#13;
“I certainly shan’t hold my hand, when I can get anything in it by reaching it out, for the sake of such a man as He was, I promise you, Joe,” returned the woman coolly. “Don’t drop that oil upon the blankets, now.”&#13;
&#13;
“His blankets?” asked Joe.&#13;
&#13;
“Whose else’s do you think?” replied the woman. “He isn’t likely to take cold without ’em, I dare say.”&#13;
&#13;
“I hope he didn’t die of anything catching? Eh?” said old Joe, stopping in his work, and looking up.&#13;
&#13;
“Don’t you be afraid of that,” returned the woman. “I an’t so fond of his company that I’d loiter about him for such things, if he did. Ah! you may look through that shirt till your eyes ache; but you won’t find a hole in it, nor a threadbare place. It’s the best he had, and a fine one too. They’d have wasted it, if it hadn’t been for me.”&#13;
&#13;
“What do you call wasting of it?” asked old Joe.&#13;
&#13;
“Putting it on him to be buried in, to be sure,” replied the woman with a laugh. “Somebody was fool enough to do it, but I took it off again. If calico an’t good enough for such a purpose, it isn’t good enough for anything. It’s quite as becoming to the body. He can’t look uglier than he did in that one.”&#13;
&#13;
Scrooge listened to this dialogue in horror. As they sat grouped about their spoil, in the scanty light afforded by the old man’s lamp, he viewed them with a detestation and disgust, which could hardly have been greater, though they had been obscene demons, marketing the corpse itself.&#13;
&#13;
“Ha, ha!” laughed the same woman, when old Joe, producing a flannel bag with money in it, told out their several gains upon the ground. “This is the end of it, you see! He frightened every one away from him when he was alive, to profit us when he was dead! Ha, ha, ha!”&#13;
&#13;
“Spirit!” said Scrooge, shuddering from head to foot. “I see, I see. The case of this unhappy man might be my own. My life tends that way, now. Merciful Heaven, what is this!”&#13;
&#13;
&#13;
&#13;
He recoiled in terror, for the scene had changed, and now he almost touched a bed: a bare, uncurtained bed: on which, beneath a ragged sheet, there lay a something covered up, which, though it was dumb, announced itself in awful language.&#13;
&#13;
The room was very dark, too dark to be observed with any accuracy, though Scrooge glanced round it in obedience to a secret impulse, anxious to know what kind of room it was. A pale light, rising in the outer air, fell straight upon the bed; and on it, plundered and bereft, unwatched, unwept, uncared for, was the body of this man.&#13;
&#13;
Scrooge glanced towards the Phantom. Its steady hand was pointed to the head. The cover was so carelessly adjusted that the slightest raising of it, the motion of a finger upon Scrooge’s part, would have disclosed the face. He thought of it, felt how easy it would be to do, and longed to do it; but had no more power to withdraw the veil than to dismiss the spectre at his side.&#13;
&#13;
Oh cold, cold, rigid, dreadful Death, set up thine altar here, and dress it with such terrors as thou hast at thy command: for this is thy dominion! But of the loved, revered, and honoured head, thou canst not turn one hair to thy dread purposes, or make one feature odious. It is not that the hand is heavy and will fall down when released; it is not that the heart and pulse are still; but that the hand WAS open, generous, and true; the heart brave, warm, and tender; and the pulse a man’s. Strike, Shadow, strike! And see his good deeds springing from the wound, to sow the world with life immortal!&#13;
&#13;
No voice pronounced these words in Scrooge’s ears, and yet he heard them when he looked upon the bed. He thought, if this man could be raised up now, what would be his foremost thoughts? Avarice, hard dealing, griping cares? They have brought him to a rich end, truly!&#13;
&#13;
He lay, in the dark empty house, with not a man, a woman, or a child, to say that he was kind to me in this or that, and for the memory of one kind word I will be kind to him. A cat was tearing at the door, and there was a sound of gnawing rats beneath the hearth-stone. What they wanted in the room of death, and why they were so restless and disturbed, Scrooge did not dare to think.&#13;
&#13;
“Spirit!” he said, “this is a fearful place. In leaving it, I shall not leave its lesson, trust me. Let us go!”&#13;
&#13;
Still the Ghost pointed with an unmoved finger to the head.&#13;
&#13;
“I understand you,” Scrooge returned, “and I would do it, if I could. But I have not the power, Spirit. I have not the power.”&#13;
&#13;
Again it seemed to look upon him.&#13;
&#13;
“If there is any person in the town, who feels emotion caused by this man’s death,” said Scrooge quite agonised, “show that person to me, Spirit, I beseech you!”&#13;
&#13;
The phantom spread its dark robe before him for a moment, like a wing; and withdrawing it, revealed a room by daylight, where a mother and her children were.&#13;
&#13;
She was expecting some one, and with anxious eagerness; for she walked up and down the room; started at every sound; looked out from the window; glanced at the clock; tried, but in vain, to work with her needle; and could hardly bear the voices of the children in their play.&#13;
&#13;
At length the long-expected knock was heard. She hurried to the door, and met her husband; a man whose face was care-worn and depressed, though he was young. There was a remarkable expression in it now; a kind of serious delight of which he felt ashamed, and which he struggled to repress.&#13;
&#13;
He sat down to the dinner that had been hoarding for him by the fire; and when she asked him faintly what news (which was not until after a long silence), he appeared embarrassed how to answer.&#13;
&#13;
“Is it good?” she said, “or bad?”—to help him.&#13;
&#13;
“Bad,” he answered.&#13;
&#13;
“We are quite ruined?”&#13;
&#13;
“No. There is hope yet, Caroline.”&#13;
&#13;
“If he relents,” she said, amazed, “there is! Nothing is past hope, if such a miracle has happened.”&#13;
&#13;
“He is past relenting,” said her husband. “He is dead.”&#13;
&#13;
She was a mild and patient creature if her face spoke truth; but she was thankful in her soul to hear it, and she said so, with clasped hands. She prayed forgiveness the next moment, and was sorry; but the first was the emotion of her heart.&#13;
&#13;
“What the half-drunken woman whom I told you of last night, said to me, when I tried to see him and obtain a week’s delay; and what I thought was a mere excuse to avoid me; turns out to have been quite true. He was not only very ill, but dying, then.”&#13;
&#13;
“To whom will our debt be transferred?”&#13;
&#13;
&#13;
“I don’t know. But before that time we shall be ready with the money; and even though we were not, it would be a bad fortune indeed to find so merciless a creditor in his successor. We may sleep to-night with light hearts, Caroline!”&#13;
&#13;
Yes. Soften it as they would, their hearts were lighter. The children’s faces, hushed and clustered round to hear what they so little understood, were brighter; and it was a happier house for this man’s death! The only emotion that the Ghost could show him, caused by the event, was one of pleasure.&#13;
&#13;
“Let me see some tenderness connected with a death,” said Scrooge; “or that dark chamber, Spirit, which we left just now, will be for ever present to me.”&#13;
&#13;
The Ghost conducted him through several streets familiar to his feet; and as they went along, Scrooge looked here and there to find himself, but nowhere was he to be seen. They entered poor Bob Cratchit’s house; the dwelling he had visited before; and found the mother and the children seated round the fire.&#13;
&#13;
Quiet. Very quiet. The noisy little Cratchits were as still as statues in one corner, and sat looking up at Peter, who had a book before him. The mother and her daughters were engaged in sewing. But surely they were very quiet!&#13;
&#13;
“‘And He took a child, and set him in the midst of them.’”&#13;
&#13;
Where had Scrooge heard those words? He had not dreamed them. The boy must have read them out, as he and the Spirit crossed the threshold. Why did he not go on?&#13;
&#13;
The mother laid her work upon the table, and put her hand up to her face.&#13;
&#13;
“The colour hurts my eyes,” she said.&#13;
&#13;
The colour? Ah, poor Tiny Tim!&#13;
&#13;
“They’re better now again,” said Cratchit’s wife. “It makes them weak by candle-light; and I wouldn’t show weak eyes to your father when he comes home, for the world  It must be near his time.”&#13;
&#13;
“Past it rather,” Peter answered, shutting up his book. “But I think he has walked a little slower than he used, these few last evenings, mother.”&#13;
&#13;
They were very quiet again. At last she said, and in a steady, cheerful voice, that only faultered once:&#13;
&#13;
“I have known him walk with—I have known him walk with Tiny Tim upon his shoulder, very fast indeed.”&#13;
&#13;
“And so have I,” cried Peter. “Often.”&#13;
&#13;
“And so have I!” exclaimed another. So had all.&#13;
&#13;
“But he was very light to carry,” she resumed, intent upon her work, “and his father loved him so, that it was no trouble: no trouble. And there is your father at the door!”&#13;
&#13;
She hurried out to meet him; and little Bob in his comforter—he had need of it, poor fellow—came in. His tea was ready for him on the hob, and they all tried who should help him to it most. Then the two young Cratchits got upon his knees and laid, each child a little cheek, against his face, as if they said, “Don’t mind it, father. Don’t be grieved!”&#13;
&#13;
Bob was very cheerful with them, and spoke pleasantly to all the family. He looked at the work upon the table, and praised the industry and speed of Mrs. Cratchit and the girls. They would be done long before Sunday, he said.&#13;
&#13;
“Sunday! You went to-day, then, Robert?” said his wife.&#13;
&#13;
“Yes, my dear,” returned Bob. “I wish you could have gone. It would have done you good to see how green a place it is. But you’ll see it often. I promised him that I would walk there on a Sunday. My little, little child!” cried Bob. “My little child!”&#13;
&#13;
He broke down all at once. He couldn’t help it. If he could have helped it, he and his child would have been farther apart perhaps than they were.&#13;
&#13;
He left the room, and went up stairs into the room above, which was lighted cheerfully, and hung with Christmas. There was a chair set close beside the child, and there were signs of some one having been there, lately. Poor Bob sat down in it, and when he had thought a little and composed himself, he kissed the little face. He was reconciled to what had happened, and went down again quite happy.&#13;
&#13;
They drew about the fire, and talked; the girls and mother working still. Bob told them of the extraordinary kindness of Mr. Scrooge’s nephew, whom he had scarcely seen but once, and who, meeting him in the street that day, and seeing that he looked a little—“just a little down you know” said Bob, inquired what had happened to distress him. “On which,” said Bob, “for he is the pleasantest-spoken gentleman you ever heard, I told him. ‘I am heartily sorry for it, Mr. Cratchit,’ he said, ‘and heartily sorry for your good wife.’ By the bye, how he ever knew that, I don’t know.”&#13;
&#13;
“Knew what, my dear?”&#13;
&#13;
“Why, that you were a good wife,” replied Bob.&#13;
&#13;
“Everybody knows that!” said Peter.&#13;
&#13;
“Very well observed, my boy!” cried Bob. “I hope they do. ‘Heartily sorry,’ he said, ‘for your good wife. If I can be of service to you in any way,’ he said, giving me his card, ‘that’s where I live. Pray come to me.’ Now, it wasn’t,” cried Bob, “for the sake of anything he might be able to do for us, so much as for his kind way, that this was quite delightful. It really seemed as if he had known our Tiny Tim, and felt with us.”&#13;
&#13;
“I’m sure he’s a good soul!” said Mrs. Cratchit.&#13;
&#13;
“You would be surer of it, my dear,” returned Bob, “if you saw and spoke to him. I shouldn’t be at all surprised, mark what I say , if he got Peter a better situation.”&#13;
&#13;
“Only hear that, Peter,” said Mrs. Cratchit.&#13;
&#13;
“And then,” cried one of the girls, “Peter will be keeping company with some one, and setting up for himself.”&#13;
&#13;
“Get along with you!” retorted Peter, grinning.&#13;
&#13;
“It’s just as likely as not,” said Bob, “one of these days; though there’s plenty of time for that, my dear. But however and whenever we part from one another, I am sure we shall none of us forget poor Tiny Tim—shall we—or this first parting that there was among us?”&#13;
&#13;
“Never, father!” cried they all.&#13;
&#13;
“And I know,” said Bob, “I know, my dears, that when we recollect how patient and how mild he was; although he was a little, little child; we shall not quarrel easily among ourselves, and forget poor Tiny Tim in doing it.”&#13;
&#13;
“No, never, father!” they all cried again.&#13;
&#13;
“I am very happy,” said little Bob, “I am very happy!”&#13;
&#13;
Mrs. Cratchit kissed him, his daughters kissed him, the two young Cratchits kissed him, and Peter and himself shook hands. Spirit of Tiny Tim, thy childish essence was from God!&#13;
&#13;
“Spectre,” said Scrooge, “something informs me that our parting moment is at hand. I know it, but I know not how. Tell me what man that was whom we saw lying dead?”&#13;
&#13;
The Ghost of Christmas Yet To Come conveyed him, as before—though at a different time, he thought: indeed, there seemed no order in these latter visions, save that they were in the Future—into the resorts of business men, but showed him not himself. Indeed, the Spirit did not stay for anything, but went straight on, as to the end just now desired, until besought by Scrooge to tarry for a moment.&#13;
&#13;
“This court,” said Scrooge, “through which we hurry now, is where my place of occupation is, and has been for a length of time. I see the house. Let me behold what I shall be, in days to come.”&#13;
&#13;
The Spirit stopped; the hand was pointed elsewhere.&#13;
&#13;
“The house is yonder,” Scrooge exclaimed. “Why do you point away?”&#13;
&#13;
The inexorable finger underwent no change.&#13;
&#13;
Scrooge hastened to the window of his office, and looked in. It was an office still, but not his. The furniture was not the same, and the figure in the chair was not himself. The Phantom pointed as before.&#13;
&#13;
He joined it once again, and wondering why and whither he had gone, accompanied it until they reached an iron gate. He paused to look round before entering.&#13;
&#13;
A churchyard. Here, then; the wretched man whose name he had now to learn, lay underneath the ground. It was a worthy place. Walled in by houses; overrun by grass and weeds, the growth of vegetation’s death, not life; choked up with too much burying; fat with repleted appetite. A worthy place!&#13;
&#13;
The Spirit stood among the graves, and pointed down to One. He advanced towards it trembling. The Phantom was exactly as it had been, but he dreaded that he saw new meaning in its solemn shape.&#13;
&#13;
“Before I draw nearer to that stone to which you point,” said Scrooge, “answer me one question. Are these the shadows of the things that Will be, or are they shadows of things that May be, only?”&#13;
&#13;
Still the Ghost pointed downward to the grave by which it stood.&#13;
&#13;
“Men’s courses will foreshadow certain ends, to which, if persevered in, they must lead,” said Scrooge. “But if the courses be departed from, the ends will change. Say it is thus with what you show me!”&#13;
&#13;
The Spirit was immovable as ever.&#13;
&#13;
Scrooge crept towards it, trembling as he went; and following the finger, read upon the stone of the neglected grave his own name, EBENEZER SCROOGE.&#13;
&#13;
“Am I that man who lay upon the bed?” he cried, upon his knees.&#13;
&#13;
The finger pointed from the grave to him, and back again.&#13;
&#13;
“No, Spirit! Oh no, no!”&#13;
&#13;
The finger still was there.&#13;
&#13;
“Spirit!” he cried, tight clutching at its robe, “hear me! I am not the man I was. I will not be the man I must have been but for this intercourse. Why show me this, if I am past all hope!”&#13;
&#13;
For the first time the hand appeared to shake.&#13;
&#13;
“Good Spirit,” he pursued, as down upon the ground he fell before it: “Your nature intercedes for me, and pities me. Assure me that I yet may change these shadows you have shown me, by an altered life!”&#13;
&#13;
The kind hand trembled.&#13;
&#13;
“I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the writing on this stone!”&#13;
&#13;
In his agony, he caught the spectral hand. It sought to free itself, but he was strong in his entreaty, and detained it. The Spirit, stronger yet, repulsed him.&#13;
&#13;
Holding up his hands in a last prayer to have his fate reversed, he saw an alteration in the Phantom’s hood and dress. It shrunk, collapsed, and dwindled down into a bedpost.&#13;
&#13;
STAVE FIVE.&#13;
THE END OF IT.&#13;
&#13;
YES! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in!&#13;
&#13;
“I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!”&#13;
&#13;
He was so fluttered and so glowing with his good intentions, that his broken voice would scarcely answer to his call. He had been sobbing violently in his conflict with the Spirit, and his face was wet with tears.&#13;
&#13;
“They are not torn down,” cried Scrooge, folding one of his bed-curtains in his arms, “they are not torn down, rings and all. They are here—I am here: the shadows of the things that would have been, may be dispelled. They will be. I know they will!”&#13;
&#13;
His hands were busy with his garments all this time; turning them inside out, putting them on upside down, tearing them, mislaying them, making them parties to every kind of extravagance.&#13;
&#13;
“I don’t know what to do!” cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoön of himself with his stockings. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world. Hallo here! Whoop! Hallo!”&#13;
&#13;
He had frisked into the sitting-room, and was now standing there: perfectly winded.&#13;
&#13;
“There’s the saucepan that the gruel was in!” cried Scrooge, starting off again, and going round the fireplace. “There’s the door, by which the Ghost of Jacob Marley entered! There’s the corner where the Ghost of Christmas Present, sat! There’s the window where I saw the wandering Spirits! It’s all right, it’s all true, it all happened. Ha ha ha!”&#13;
&#13;
Really, for a man who had been out of practice for so many years, it was a splendid laugh, a most illustrious laugh. The father of a long, long line of brilliant laughs!&#13;
&#13;
“I don’t know what day of the month it is!” said Scrooge. “I don’t know how long I’ve been among the Spirits. I don’t know anything. I’m quite a baby. Never mind. I don’t care. I’d rather be a baby. Hallo! Whoop! Hallo here!”&#13;
&#13;
He was checked in his transports by the churches ringing out the lustiest peals he had ever heard. Clash, clang, hammer; ding, dong, bell. Bell, dong, ding; hammer, clang, clash! Oh, glorious, glorious!&#13;
&#13;
Running to the window, he opened it, and put out his head. No fog, no mist; clear, bright, jovial, stirring, cold; cold, piping for the blood to dance to; Golden sunlight; Heavenly sky; sweet fresh air; merry bells. Oh, glorious! Glorious!&#13;
&#13;
“What’s to-day!” cried Scrooge, calling downward to a boy in Sunday clothes, who perhaps had loitered in to look about him.&#13;
&#13;
“EH?” returned the boy, with all his might of wonder.&#13;
&#13;
“What’s to-day, my fine fellow?” said Scrooge.&#13;
&#13;
“To-day!” replied the boy. “Why, CHRISTMAS DAY.”&#13;
&#13;
“It’s Christmas Day!” said Scrooge to himself. “I haven’t missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hallo, my fine fellow!”&#13;
&#13;
“Hallo!” returned the boy.&#13;
&#13;
“Do you know the Poulterer’s, in the next street but one, at the corner?” Scrooge inquired.&#13;
&#13;
“I should hope I did,” replied the lad.&#13;
&#13;
“An intelligent boy!” said Scrooge. “A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there? Not the little prize Turkey: the big one?”&#13;
&#13;
“What, the one as big as me?” returned the boy.&#13;
&#13;
“What a delightful boy!” said Scrooge. “It’s a pleasure to talk to him. Yes, my buck!”&#13;
&#13;
“It’s hanging there now,” replied the boy.&#13;
&#13;
“Is it?” said Scrooge. “Go and buy it.”&#13;
&#13;
“Walk-ER!” exclaimed the boy.&#13;
&#13;
“No, no,” said Scrooge, “I am in earnest. Go and buy it, and tell ’em to bring it here, that I may give them the direction where to take it. Come back with the man, and I’ll give you a shilling. Come back with him in less than five minutes and I’ll give you half-a-crown!”&#13;
&#13;
The boy was off like a shot. He must have had a steady hand at a trigger who could have got a shot off half so fast.&#13;
&#13;
“I’ll send it to Bob Cratchit’s!” whispered Scrooge, rubbing his hands, and splitting with a laugh. “He sha’n’t know who sends it. It’s twice the size of Tiny Tim. Joe Miller never made such a joke as sending it to Bob’s will be!”&#13;
&#13;
The hand in which he wrote the address was not a steady one, but write it he did, somehow, and went down stairs to open the street door, ready for the coming of the poulterer’s man. As he stood there, waiting his arrival, the knocker caught his eye.&#13;
&#13;
“I shall love it, as long as I live!” cried Scrooge, patting it with his hand. “I scarcely ever looked at it before. What an honest expression it has in its face! It’s a wonderful knocker!—Here’s the Turkey! Hallo! Whoop! How are you! Merry Christmas!”&#13;
&#13;
It was a Turkey! He never could have stood upon his legs, that bird. He would have snapped ’em short off in a minute, like sticks of sealing-wax.&#13;
&#13;
“Why, it’s impossible to carry that to Camden Town,” said Scrooge. “You must have a cab.”&#13;
&#13;
The chuckle with which he said this, and the chuckle with which he paid for the Turkey, and the chuckle with which he paid for the cab, and the chuckle with which he recompensed the boy, were only to be exceeded by the chuckle with which he sat down breathless in his chair again, and chuckled till he cried.&#13;
&#13;
Shaving was not an easy task, for his hand continued to shake very much; and shaving requires attention, even when you don’t dance while you are at it. But if he had cut the end of his nose off, he would have put a piece of sticking-plaister over it, and been quite satisfied.&#13;
&#13;
He dressed himself “all in his best,” and at last got out into the streets. The people were by this time pouring forth, as he had seen them with the Ghost of Christmas Present; and walking with his hands behind him, Scrooge regarded every one with a delighted smile. He looked so irresistibly pleasant, in a word, that three or four good-humoured fellows said, “Good morning, sir! A merry Christmas to you!” And Scrooge said often afterwards, that of all the blithe sounds he had ever heard, those were the blithest in his ears.&#13;
&#13;
He had not gone far, when coming on towards him he beheld the portly gentleman, who had walked into his counting-house the day before, and said, “Scrooge and Marley’s, I believe?” It sent a pang across his heart to think how this old gentleman would look upon him when they met; but he knew what path lay straight before him, and he took it.&#13;
&#13;
“My dear sir,” said Scrooge, quickening his pace, and taking the old gentleman by both his hands. “How do you do? I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir!”&#13;
&#13;
“Mr. Scrooge?”&#13;
&#13;
“Yes,” said Scrooge. “That is my name, and I fear it may not be pleasant to you. Allow me to ask your pardon. And will you have the goodness”—here Scrooge whispered in his ear.&#13;
&#13;
“Lord bless me!” cried the gentleman, as if his breath were gone. “My dear Mr. Scrooge, are you serious?”&#13;
&#13;
“If you please,” said Scrooge. “Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?”&#13;
&#13;
“My dear sir,” said the other, shaking hands with him. “I don’t know what to say to such munifi—”&#13;
&#13;
“Don’t say anything, please,” retorted Scrooge. “Come and see me. Will you come and see me?”&#13;
&#13;
“I will!” cried the old gentleman. And it was clear he meant to do it.&#13;
&#13;
“Thank’ee,” said Scrooge. “I am much obliged to you. I thank you fifty times. Bless you!”&#13;
&#13;
He went to church, and walked about the streets, and watched the people hurrying to and fro, and patted children on the head, and questioned beggars, and looked down into the kitchens of houses, and up to the windows; and found that everything could yield him pleasure. He had never dreamed that any walk—that anything—could give him so much happiness. In the afternoon, he turned his steps towards his nephew’s house.&#13;
&#13;
He passed the door a dozen times, before he had the courage to go up and knock. But he made a dash, and did it:&#13;
&#13;
“Is your master at home, my dear?” said Scrooge to the girl. Nice girl! Very.&#13;
&#13;
“Yes, sir.”&#13;
&#13;
“Where is he, my love?” said Scrooge.&#13;
&#13;
“He’s in the dining-room, sir, along with mistress. I’ll show you up stairs, if you please.”&#13;
&#13;
“Thank’ee. He knows me,” said Scrooge, with his hand already on the dining-room lock. “I’ll go in here, my dear.”&#13;
&#13;
He turned it gently, and sidled his face in, round the door. They were looking at the table (which was spread out in great array); for these young housekeepers are always nervous on such points, and like to see that everything is right.&#13;
&#13;
“Fred!” said Scrooge.&#13;
&#13;
Dear heart alive, how his niece by marriage started! Scrooge had forgotten, for the moment, about her sitting in the corner with the footstool, or he wouldn’t have done it, on any account.&#13;
&#13;
“Why bless my soul!” cried Fred, “who’s that?”&#13;
&#13;
“It’s I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?”&#13;
&#13;
Let him in! It is a mercy he didn’t shake his arm off. He was at home in five minutes. Nothing could be heartier. His niece looked just the same. So did Topper when he came. So did the plump sister when she came. So did every one when they came. Wonderful party, wonderful games, wonderful unanimity, won-der-ful happiness!&#13;
&#13;
But he was early at the office next morning. Oh, he was early there. If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon.&#13;
&#13;
And he did it; yes, he did! The clock struck nine. No Bob. A quarter past. No Bob. He was full eighteen minutes and a half behind his time. Scrooge sat with his door wide open, that he might see him come into the Tank.&#13;
&#13;
His hat was off, before he opened the door; his comforter too. He was on his stool in a jiffy; driving away with his pen, as if he were trying to overtake nine o’clock.&#13;
&#13;
“Hallo!” growled Scrooge, in his accustomed voice, as near as he could feign it. “What do you mean by coming here at this time of day?”&#13;
&#13;
“I am very sorry, sir,” said Bob. “I am behind my time.”&#13;
&#13;
“You are?” repeated Scrooge. “Yes. I think you are. Step this way, sir, if you please.”&#13;
&#13;
“It’s only once a year, sir,” pleaded Bob, appearing from the Tank. “It shall not be repeated. I was making rather merry yesterday, sir.”&#13;
&#13;
“Now, I’ll tell you what, my friend,” said Scrooge, “I am not going to stand this sort of thing any longer. And therefore,” he continued, leaping from his stool, and giving Bob such a dig in the waistcoat that he staggered back into the Tank again: “and therefore I am about to raise your salary!”&#13;
&#13;
Bob trembled, and got a little nearer to the ruler. He had a momentary idea of knocking Scrooge down with it, holding him, and calling to the people in the court for help and a strait-waistcoat.&#13;
&#13;
“A merry Christmas, Bob!” said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. “A merrier Christmas, Bob, my good fellow, than I have given you, for many a year! I’ll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, over a Christmas bowl of smoking bishop, Bob! Make up the fires, and buy another coal-scuttle before you dot another i, Bob Cratchit!”&#13;
&#13;
Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset; and knowing that such as these would be blind anyway, he thought it quite as well that they should wrinkle up their eyes in grins, as have the malady in less attractive forms. His own heart laughed: and that was quite enough for him.&#13;
&#13;
He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God Bless Us, Every One!</text>
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                  <text>Lydia Craig</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>At one period of its reverses, the House fell into the occupation of a Showman. He was found registered as its occupier, on the parish books of the time when he rented the House, and there was therefore no need of any clue to his name. But, he himself was less easy to be found; for, he had led a wandering life, and settled people had lost sight of him, and people who plumed themselves on being respectable were shy of admitting that they had ever known anything of him. At last, among the marsh lands near the river's level, that lie about Deptford and the neighbouring market-gardens, a Grizzled Personage in velveteen, with a face so cut up by varieties of weather that he looked as if he had been tattoo'd, was found smoking a pipe at the door of a wooden house on wheels. The wooden house was laid up in ordinary for the winter near the mouth of a muddy creek; and everything near it, the foggy river, the misty marshes, and the steaming market-gardens, smoked in company with the grizzled man. In the midst of this smoking party, the funnel-chimney of the wooden house on wheels was not remiss, but took its pipe with the rest in a companionable manner. On being asked if it were he who had once rented the House to Let, Grizzled Velveteen looked surprised, and said yes. Then his name was Magsman? That was it, Toby Magsman—which lawfully christened Robert; but called in the line, from a infant, Toby. There was nothing agin Toby Magsman, he believed? If there was suspicion of such—mention it! There was no suspicion of such, he might rest assured. But, some inquiries were making about that House, and would he object to say why he left it? Not at all; why should he? He left it, along of a Dwarf. Along of a Dwarf? Mr. Magsman repeated, deliberately and emphatically, Along of a Dwarf. Might it be compatible with Mr. Magsman's inclination and convenience, to enter, as a favour, into a few particulars? Mr. Magsman entered into the following particulars. It was a long time ago, to begin with;— afore lotteries and a deal more, was done away with. Mr. Magsman was looking about for a good pitch, and he see that house, and he says to himselt, "I'll have you, it you're to be had. If money'll get you, I'll have you." The neighbours cut up rough, and made complaints; but Mr. Magsman don't know what they would have had. It was a lovely thing. First of all, there was the canvass, representin the picter of the Giant, in Spanish trunks and a ruff, who was himself half the heighth of the house, and was run up with a line and pulley to a pole on the roof, so that his Ed was coeval with the parapet. Then, there was the canvass, representin the picter of the Albina lady, showin her white air to the Army and Navy in correct uniform. Then, there was the canvass, representin the picter of the Wild Indian a scalpin a member of some foreign nation. Then, there was the canvass, representin the picter of a child of a British Planter, seized by two Boa Constrictors—not that we never had no child, nor no Constrictors neither. Similiarly, there was the canvass, representin the picter of the Wild Ass of the Prairies—not that we never had no wild asses, nor wouldn't have had 'em at a gift. Last, there was the canvass, representin the picter of the Dwarf, and like him too (considerin), with George the Fourth in such a state of astonishment at him as His Majesty couldn't with his utmost politeness and stoutness express. The front of the House was so covered with canvasses, that there wasn't a spark of daylight ever visible on that side. "MAGSMAN'S AMUSEMENTS," fifteen foot long by two foot high, ran over the front door and parlor winders. The passage was a Arbour of green baize and gardenstuff. A barrel-organ performed there unceasing. And as to respectability,—if threepence ain't respectable, what is? But, the Dwarf is the principal article at present, and he was worth the money. He was wrote up as MAJOR TPSCHOFFKI, OF THE IMPERIAL BULGRADERIAN BRIGADE. Nobody couldn't pronounce the name, and it never was intended anybody should. The public always turned it, as a regular rule, into Chopski. In the line he was called Chops; partly on that account, and partly because his real name, if he ever had any real name (which was very dubious), was Stakes. He was a un-common small man, he really was. Certainly, not so small as he was made out to be, but where is your Dwarf as is? He was a most uncommon small man with a most uncommon large Ed; and what he had inside that Ed, nobody never knowed but himself: even supposin himself to have ever took stock of it, which it would have been a stiff job for even him to do. The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby—though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial, he nursed that Baby like a mother. You never heerd him give a ill-name to a Giant. He did allow himself to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his actions. He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a large woman; I never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the Curiosities they are. One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been there. It was always his opinion that he was entitled to property. He never would put his name to anything. He had been taught to write, by the young man without arms, who got his living with his toes (quite a writing-master he was, and taught scores in the line), but Chops would have starved to death, afore he'd have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind, because HE had no property, nor hope of property, except his house and a sarser. When I say his house, I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public believed to be the Drawing-room winder. And when I say a sarser, I mean a Chancy sarser in which he made a collection for himself at the end of every Entertainment. His cue for that, he took from me: "Ladies and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain." When he said anything important, in private life, he mostly wound it up with this form of words, and they was generally the last thing he said to me at night afore he went to bed. He had what I consider a fine mind—a poetic mind. His ideas respectin his property, never come upon him so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he would screech out, "Toby, I feel my property coming—grind away! I'm counting my guineas by thousands, Toby—grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to any other music but a barrel-organ; on the contrairy, hated it. He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it kep him out of Society. He was continiwally sayin, "Toby, my ambition is, to go into Society. The curse of my position towards the Public, is, that it keeps me hout of Society. This don't signify to a low beast of a Indian; he an't formed for Society. This don't signify to a Spotted Baby; he an't formed for Society.—I am." Nobody never could make out what Chops done with his money. He had a good salary, down on the drum every Saturday as the day come round, besides having the run of his teeth—and he was a Woodpecker to eat—but all Dwarfs are. The sarser was a little income, bringing him in so many halfpence that he'd carry 'em, for a week together, tied up in a pocket handkercher. And yet he never had money. And it couldn't be the Fat Lady from Norfolk, as was once supposed; because it stands to reason that when you have a animosity towards a Indian which makes you grind your teeth at him to his face, and which can hardly hold you from Goosing him audible when he's going through his War-Dance—it stands to reason you wouldn't under them circumstances deprive yourself, to support that Indian in the lap of luxury. Most unexpected, the mystery come out one day at Egham Eaces. The Public was shy of bein pulled in, and Chops was ringin his little bell out of his drawing-room winder, and was snarlin to me over his shoulder as he kneeled down with his legs out at the back-door—for he couldn't be shoved into his house without kneeling down, and the premises wouldn't accommodate his legs—was snarlin, "Here's a precious Public for you; why the Devil don't they tumble up?" when a man in the crowd holds up a carrier-pigeon, and cries out, "If there's any person here as has got a ticket, the Lottery's just drawed, and the number as has come up for the great prize is three, seven, forty-two! Three, seven, forty-two!" I was givin the man to the Furies myself, for calling off the Public's attention—for the Public will turn away, at any time, to look at anything in preference to the thing showed 'em; and if you doubt it, get 'em together for any indiwidual purpose on the face of the earth, and send only two people in late, and see if the whole company an't far more interested in takin particular notice of them two than of you—I say, I wasn't best pleased with the man for callin out, and, wasn't blessin him in my own mind, when I see Chops's little bell fly out of winder at a old lady, and he gets up and kicks his box over, exposin the whole secret, and he catches hold of the calves of my legs and he says to me, "Carry me into the wan, Toby, and throw a pail of water over me or I'm a dead man, for I've come into my property!" Twelve thousand odd hundred pound, was Chops's winnins. He had bought a half-ticket for the twenty-five thousand prize, and it had come up. The first use he made of his property, was, to offer to fight the Wild Indian for five hundred pound a side, him with a poisoned darnin-needle and the Indian with a club; but the Indian bein in want of backers to that amount, it went no further. Arter he had been mad for a week—in a state of mind, in short, in which, if I had let him sit on the organ for only two minutes, I believe he would have bust—but we kep the organ from him—Mr. Chops come round, and behaved liberal and beautiful to all. He then sent for a young man he knowed, as had a wery genteel appearance and was a Bonnet at a gaming-booth (most respectable brought up, father havin been imminent in the livery stable line but unfort'nate in a commercial crisis through paintin a old grey, ginger-bay, and sellin him with a Pedigree), and Mr. Chops said to this Bonnet, who said his name was Normandy, which it wasn't: "Normandy, I'm a goin into Society. Will you go with me?" Says Normandy: "Do I understand you, Mr. Chops, to hintimate that the 'ole of the expenses of that move will be borne by yourself?" "Correct," says Mr. Chops. "And you shall have a Princely allowance too." The Bonnet lifted Mr. Chops upon a chair, to shake hands with him, and replied in poetry, with his eyes seeminly fall of tears: "My boat is on the shore, And my bark is on the sea, And I do not ask for more, But I'll Go;—along with thee." They went into Society, in a chay and four greys with silk jackets. They took lodgings in Pall Mall, London, and they blazed away. In consequence of a note that was brought to Bartlemy Fair in the autumn of next year by a servant, most wonderful got up in milk-white cords and tops, I cleaned myself and went to Pall Mall, one evenin appinted. The gentlemen was at their wine arter dinner, and Mr. Chops's eyes was more fixed in that Ed of his than I thought good for him. There was three of 'em (in company, I mean), and I knowed the third well. When last met, he had on a white Roman shirt, and a bishop's-mitre covered with leopard-skin, and played the clarionet all wrong, in a band at a Wild Beast Show. This gent took on not to know me, and Mr. Chops said: "Gentlemen, this is a old friend of former days:" and Normandy looked at me through a eye-glass, and said, "Magsman, glad to see you!"—which I'll take my oath he wasn't. Mr. Chops, to git him convenient to the table, had his chair on a throne (much of the form of George the Fourth's in the canvass), but he hardly appeared to me to be King there in any other pint of view, for his two gentlemen ordered about like Emperors. They was all dressed like May-Day—gorgeous!—and as to Wine, they 'swam in all sorts. I made the round of the bottles, first separate (to say I had done it), and then mixed 'em all together (to say I had done it), and then tried two of 'em as half-and-half, and then t'other two. Altogether, I passed a pleasin evenin, but with a tendency to feel. muddled, until I considered it good manners to get up and say, "Mr. Chops, the best of friends must part, I thank you for the wariety of foreign drains you have stood so 'ansome, I looks towards you in red wine, and I takes my leave." Mr. Chops replied, "If you'll just hitch me out of this over your right arm, Magsman, and carry me downstairs, I'll see you out." I said I couldn't think of such a thing, but he would have it, so I lifted him off his throne. He smelt strong of Maideary, and I couldn't help thinking as I carried him down that it was like carrying a large bottle full of wine, with a rayther ugly stopper, a good deal out of proportion. When I set him on the door-mat in the hall, he kep me close to him by holding on to my coat-collar, and he whispers: "I an't 'appy, Magsman." "What's on your mind, Mr. Chops?" "They don't use me well. They an't grateful to me. They puts me on the mantelpiece when I won't have in more Champagne-wine, and they locks me in the sideboard when I won't give up my property." "Get rid of 'em, Mr. Chops." "I can't. We're in Society together, and what would Society say?" "Come out of Society," says I. "I can't. You don't know what you're talking about. When you have once gone into Society, you mustn't come out of it." "Then if you'll excuse the freedom, Mr. Chops," were my remark, shaking my head grave, " I think it's a pity you ever went in." Mr. Chops shook that deep Ed of his, to a surprisin extent, and slapped it half a dozen times with his hand, and with more Wice than I thought were in him. Then, he says, " You're a good feller, but you don't understand. Good night, go along. Magsman, the little man will now walk three times round the Cairawan, and retire behind the curtain." The last I see of him on that occasion was his tryin, on the extremest werge of insensibility, to climb up the stairs, one by one, with his hands and knees. They'd have been much too steep for him, if he had been sober; but he wouldn't be helped. It warn't long after that, that I read in the newspaper of Mr. Chops's being presented at court. It was printed, " It will be recol-lected "—and I've noticed in my life, that it is sure to be printed that it will be recollected, whenever it won't—''that Mr. Chops is the individual of small stature, whose brilliant success in the last State Lottery attracted so much attention." Well, I says to myself, Such is life! He has been and done it in earnest at last! He has astonished George the Fourth! (On account of which, I had that canvass new-painted, him with a bag of money in his hand, a presentin it to George the Fourth, and a lady in Ostrich Feathers fallin in love with him in a bag-wig, sword, and buckles correct.) I took the House as is the subject of pre-sent inquiries though not the honor of bein acquainted—and I run, Magsman's Amusements in it thirteen months—sometimes one thing, sometimes another, sometimes nothin particular, but always all the canvasses outside. One night, when we had played the last company out, which was a shy company through its raining Heavens hard, I was takin a pipe in the one pair back along with the young man with the toes, which I had taken on for a month (though he never drawed—except on paper), and I heard a kickin at the street door. "Halloa!" I says to the young man, "what's up!" He rubs his eyebrows with his toes, and he says, "I can't imagine, Mr. Magsman " which he never could imagine nothin, and was monotonous company. The noise not leavin off, I laid down my pipe, and I took up a candle, and I went down and opened the door. I looked out into the street; but nothin could I see, and nothin was I aware of, until I turned round quick, because some creetur run between my legs into the passage. There was Mr. Chops! "Magsman," he says, "take me, on the hold terms, and you've got me; if it's done, say done!" I was all of a maze, but I said, "Done, sir." "Done to your done, and double done!" says he. "Have you got a bit of supper in the house?" Bearin in mind them sparklin warieties of foreign drains as we'd guzzled away at in Pall Mall, I was ashamed to offer him cold sassages and gin-and- water; but he took 'em both and took 'em free; havin a chair for his table, and sittin down at it on a stool, like hold times. I, all of a maze all the while. It was arter he had made a clean sweep of the sassages (beef, and to the best of my calculations two pound and a quarter), that the wisdom as was in that little man, began to come out of him like prespiration. "Magsman," he says, "look upon me! You see afore you, One as has both gone into Society and come out." "Oh! You are out of it, Mr. Chops? How did you get out, sir?" "SOLD OUT!" says he. You never saw the like of the wisdom as his Ed expressed, when he made use of them two words. "My friend Magsman, I'll impart to you a discovery I've made. It's wallable; it's cost twelve thousand five hundred pound; it may do you good in life.—The secret of this matter is, that it ain't so much that a person goes into Society, as that Society goes into a person." Not exactly keeping up with his meanin, I shook my head, put on a deep look, and said, "You're right there, Mr. Chops." "Magsman," he says, twitchin me by the leg, "Society has gone into me, to the tune of every penny of my property." I felt that I went pale, and though natrally a bold speaker, I couldn't hardly say, "Where's Normandy?" "Bolted. With the plate," said Mr. Chops. "And t'other one?"—meaning him as formerly wore the bishop's mitre. "Bolted. With the jewels," said Mr. Chops. I sat down and looked at him, and he stood up and looked at me. "Magsman," he says, and he seemed to myself to get wiser as he got hoarser; "Society, taken in the lump, is all dwarfs. At the court of Saint James's, they was all a doin my hold bisness—all a goin three times round the Cairawan, in the hold Court-suits and properties. Elsewheres, they was most of 'em ringin their little bells out of make-believes. Everywheres, the sarser was a goin round, Magsman, the sarser is the uniwersal Institution!" I perceived, you understand, that he was soured by his misfortuns, and I felt for Mr. Chops. "As to Fat Ladies," says he, giving his Ed a tremendious one agin the wall, "there's lots of them in Society, and worse than the original. Hers was a outrage upon Taste—simply a outrage upon Taste—awakenin contempt— carryin its own punishment in the form of a Indian!" Here he giv himself another tremendious one. "But theirs, Magsman, theirs is mercenary outrages. Lay in Cashmeer shawls, buy bracelets, strew 'em and a lot of 'andsome fans and things about your rooms, let it be known that you give away like water to all as come to admire, and the Fat Ladies that don't exhibit for so much down upon the drum, will come from all the pints of the compass to flock about you, whatever you are. They'll drill holes in your 'art, Magsman, like a Cullender. And when you've no more left to give, they'll laugh at you to your face, and leave you to have your bones picked dry by Wulturs, like the dead Wild Ass of the Prairies that you deserve to be!" Here he giv himself the most tremendious one of all, and dropped. I thought he was gone. His Ed was so heavy, and he knocked it so hard, and he fell so stoney, and the sassagerial disturbance in him must have been so immense, that I thought he was gone. But, he soon come round with care, and he sat up on the floor, and he said to me, with wisdom comin out of his eyes, if ever it come: "Magsman! The most material difference between the two states of existence through which your unappy friend has passed;" he reached out his poor little hand, and his tears dropped down on the moustachio which it was a credit to him to have done his best to grow, but it is not in mortals to command success, '—the difference is this. When I was out of Society, I was paid light for being seen. When I went into Society, I paid heavy for being seen. I prefer theformer, even if I wasn't forced upon it. Give me out through the trumpet, in the hold way, tomorrow." Arter that, he slid into the line again as easy as if he had been iled all over. But, the organ was kep from him, and no allusions was ever made, when a company was in, to his property. He got wiser every day; his views of Society and the Public was luminous, bewilderin, awful; and his Ed got bigger and bigger as his Wisdom expanded it. He took well, and pulled 'em in most excellent fur nine weeks. At the expiration of that period, when his Ed was a sight, he expressed one evenin, the last Company havin been turned out, and the door shut, a wish to have a little music. "Mr. Chops," I said (I never dropped the "Mr." with him; the world might do it, but not me); "Mr. Chops, are you sure as you are in a state of mind and body to sit upon the organ?" His answer was this: "Toby, when next met with on the tramp, I forgive her and the Indian. And I am." It was with fear and trembling that I began to turn the handle; but he sat like a lamb. It will be my belief to my dying day, that I see his Ed expand as he sat; you may therefore judge how great his thoughts was. He sat out all the changes, and then he come off. "Toby," he says, with a quiet smile, " the little man will now walk three times round the Cairawan, and retire behind the curtain." When we called him in the morning, we found him gone into a much better Society than mine or Pall Mall's. I giv Mr. Chops as comfortable a funeral as lay in my power, followed myself as Chief, and had the George the Fourth canvass carried first, in the form of a banner. But, the House was so dismal arterwards, that I giv it up, and took to the Wan again. — "I don't triumph," said Jarber, folding up the second manuscript, and looking hard at Trottle. "I don't triumph over this worthy creature. I merely ask him if he is satisfied now?" "How can he be anything else? " I said, answering for Trottle, who sat obstinately silent. "This time, Jarber, you have not only read us a delightfully amusing story, but you have also answered the question about the House. Of course it stands empty now. Who would think of taking it after it had been turned into a caravan? " I looked at Trottle, as I said those last words, and Jarber waved his hand indulgently in the same direction. "Let this excellent person speak," said Jarber. " You were about to say, my good man? "— "I only wished to ask, sir," said Trottle, doggedly, "if you could kindly oblige me with a date or two, in connection with that last story?" "A date!" repeated Jarber. "What does the man want with dates!" "I should be glad to know, with great respect," persisted Trottle, "if the person named Magsman was the last tenant who lived in the House. It's my opinion—if I may be excused for giving it—that he most decidedly was not." With those words, Trottle made a low bow, and quietly left the room. There is no denying that Jarber, when we were left together, looked sadly discomposed. He had evidently forgotten to inquire about dates; and, in spite of his magnificent talk about his series of discoveries, it was quite as plain that the two stories he had just read, had really and truly exhausted his present stock. I thought myself bound, in common gratitude, to help him out of his embarrassment by a timely suggestion. So I proposed that he should come to tea again, on the next Monday evening, the thirteenth, and should make such inquiries in the meantime, as might enable him to dispose triumphantly of Trottle's objection. He gallantly kissed my hand, made a neat little speech of acknowledgment, and took his leave. For the rest of the week I would not encourage Trottle by allowing him to refer to the House at all. I suspected he was making his own inquiries about dates, but I put no questions to him. On Monday evening, the thirteenth, that dear unfortunate Jarber came, punctual to the appointed time. He looked so terribly harassed, that he was really quite a spectacle of feebleness and fatigue. I saw, at a glance, that the question of dates had gone against him, that Mr. Magsman had not been the last tenant of the House, and that the reason of its emptiness was still to seek. "What I have gone through," said Jarber, "words arc not eloquent enough to tell. Oh, Sophonisba, I have begun another series of discoveries! Accept the last two as stories laid on your shrine; and wait to blame me for leaving your curiosity unappeased, until you have heard Number Three." Number Three looked like a very short manuscript, and I said as much. Jarber explained to me that we were to have some poetry this time. In the course of his investigations he had stepped into the Circulating Library, to seek for information on the one important subject. All the Library-people knew about the House was, that a female relative of the last tenant as they believed, had, just after that tenant left, sent a little manuscript poem to them which she described as referring to events that had actually passed in the House; and which she wanted the proprietor of the Library to publish. She had written no address on her letter; and the proprietor had kept the manuscript ready to be given back to her (the publishing of poems not being in his line) when she might call for it. She had never called for it; and the poem had been lent to Jarber, at his express request, to read to me. Before he began, I rang the bell for Trottle; being determined to have him present at the new reading, as a wholesome check on his obstinacy. To my surprise Peggy answered the bell, and told me that Trottle had stepped out, without saying where. I instantly felt the strongest possible conviction that he was at his old tricks: and that his stepping out in the evening, without leave, meant Philandering. Controlling myself on my visitor's account, I dismissed Peggy, stifled my indignation, and prepared, as politely as might be, to listen to Jarber.</text>
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                <text>&lt;em&gt;A House to Let &lt;/em&gt;(1858 Christmas Number)</text>
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                <text>Published in &lt;em&gt;Household Words, &lt;/em&gt;Vol. XVIII, Extra Christmas Number, December 1858, pp. 18-23.</text>
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                <text>Dickens, Charles</text>
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                <text>1858-12-07</text>
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                <text>&lt;em&gt;Dickens Journal Online,&lt;/em&gt; &lt;a href="https://www.djo.org.uk/household-words/volume-xviii/page-590.html"&gt;https://www.djo.org.uk/household-words/volume-xviii/page-590.html&lt;/a&gt;.</text>
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                <text>Dickens, Charles et. al. &lt;em&gt;A House to Let&lt;/em&gt; (7 December 1858). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1858-12-07-A_House_to_Let"&gt;https://www.dickenssearch.com/christmas-numbers/1858-12-07-A_House_to_Let&lt;/a&gt;.</text>
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                <text>&lt;span&gt;Scanned material from &lt;em&gt;Dickens Journals Online&lt;/em&gt;, &lt;/span&gt;&lt;a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk"&gt;www.djo.org.uk&lt;/a&gt;. A&lt;span&gt;vailable under CC BY licence.&lt;/span&gt;</text>
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          <element elementId="54">
            <name>Table Of Contents</name>
            <description>A list of subunits of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="3482">
                <text>&lt;ul&gt;&#13;
&lt;li&gt;Wilkie Collins. 'Over the Way' (No.1), pp. 1-6.&lt;/li&gt;&#13;
&lt;li&gt;Elizabeth Gaskell. 'The Manchester Marriage' (No.2), pp. 6-17.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens, 'Going into Society' (No.3), pp. 17-23.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;Adelaide Anne Procter, 'Three Evenings in the House' (No.4), pp. 23-26.&lt;/li&gt;&#13;
&lt;li&gt;Wilkie Collins, 'Trottle's Report' (No.5), pp. 26-32.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Wilkie Collins and Charles Dickens, 'Let at Last' (No.6), pp. 32-36.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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              <elementText elementTextId="2682">
                <text>At one period of its reverses, the House fell into the occupation of a Showman. He was found registered as its occupier, on the parish books of the time when he rented the House, and there was therefore no need of any clue to his name. But, he himself was less easy to be found; for, he had led a wandering life, and settled people had lost sight of him, and people who plumed themselves on being respectable were shy of admitting that they had ever known anything of him. At last, among the marsh lands near the river's level, that lie about Deptford and the neighbouring market-gardens, a Grizzled Personage in velveteen, with a face so cut up by varieties of weather that he looked as if he had been tattoo'd, was found smoking a pipe at the door of a wooden house on wheels. The wooden house was laid up in ordinary for the winter near the mouth of a muddy creek; and everything near it, the foggy river, the misty marshes, and the steaming market-gardens, smoked in company with the grizzled man. In the midst of this smoking party, the funnel-chimney of the wooden house on wheels was not remiss, but took its pipe with the rest in a companionable manner.&lt;br /&gt;&lt;br /&gt;On being asked if it were he who had once rented the House to Let, Grizzled Velveteen looked surprised, and said yes. Then his name was Magsman? That was it, Toby Magsman—which lawfully christened Robert; but called in the line, from a infant, Toby. There was nothing agin Toby Magsman, he believed? If there was suspicion of such—mention it!&lt;br /&gt;&lt;br /&gt;There was no suspicion of such, he might rest assured. But, some inquiries were making about that House, and would he object to say why he left it?&lt;br /&gt;&lt;br /&gt;Not at all; why should he? He left it, along of a Dwarf.&lt;br /&gt;&lt;br /&gt;Along of a Dwarf?&lt;br /&gt;&lt;br /&gt;Mr. Magsman repeated, deliberately and emphatically, Along of a Dwarf.&lt;br /&gt;&lt;br /&gt;Might it be compatible with Mr. Magsman's inclination and convenience, to enter, as a favour, into a few particulars?&lt;br /&gt;&lt;br /&gt;Mr. Magsman entered into the following particulars.&lt;br /&gt;&lt;br /&gt;It was a long time ago, to begin with;— afore lotteries and a deal more, was done away with. Mr. Magsman was looking about for a good pitch, and he see that house, and he says to himselt, "I'll have you, it you're to be had. If money'll get you, I'll have you."&lt;br /&gt;&lt;br /&gt;The neighbours cut up rough, and made complaints; but Mr. Magsman don't know what they &lt;em&gt;would&lt;/em&gt; have had. It was a lovely thing. First of all, there was the canvass, representin the picter of the Giant, in Spanish trunks and a ruff, who was himself half the heighth of the house, and was run up with a line and pulley to a pole on the roof, so that his Ed was coeval with the parapet. Then, there was the canvass, representin the picter of the Albina lady, showin her white air to the Army and Navy in correct uniform. Then, there was the canvass, representin the picter of the Wild Indian a scalpin a member of some foreign nation. Then, there was the canvass, representin the picter of a child of a British Planter, seized by two Boa Constrictors—not that &lt;em&gt;we&lt;/em&gt; never had no child, nor no Constrictors neither. Similiarly, there was the canvass, representin the picter of the Wild Ass of the Prairies—not that &lt;em&gt;we&lt;/em&gt; never had no wild asses, nor wouldn't have had 'em at a gift. Last, there was the canvass, representin the picter of the Dwarf, and like him too (considerin), with George the Fourth in such a state of astonishment at him as His Majesty couldn't with his utmost politeness and stoutness express. The front of the House was so covered with canvasses, that there wasn't a spark of daylight ever visible on that side. "MAGSMAN'S AMUSEMENTS," fifteen foot long by two foot high, ran over the front door and parlor winders. The passage was a Arbour of green baize and gardenstuff. A barrel-organ performed there unceasing. And as to respectability,—if threepence ain't respectable, what is?&lt;br /&gt;&lt;br /&gt;But, the Dwarf is the principal article at present, and he was worth the money. He was wrote up as MAJOR TPSCHOFFKI, OF THE IMPERIAL BULGRADERIAN BRIGADE. Nobody couldn't pronounce the name, and it never was intended anybody should. The public always turned it, as a regular rule, into Chopski. In the line he was called Chops; partly on that account, and partly because his real name, if he ever had any real name (which was very dubious), was Stakes.&lt;br /&gt;&lt;br /&gt;He was a un-common small man, he really was. Certainly, not so small as he was made out to be, but where &lt;em&gt;is&lt;/em&gt; your Dwarf as is? He was a most uncommon small man with a most uncommon large Ed; and what he had inside that Ed, nobody never knowed but himself: even supposin himself to have ever took stock of it, which it would have been a stiff job for even him to do.&lt;br /&gt;&lt;br /&gt;The kindest little man as never growed! Spirited, but not proud. When he travelled with the Spotted Baby—though he knowed himself to be a nat'ral Dwarf, and knowed the Baby's spots to be put upon him artificial, he nursed that Baby like a mother.&lt;br /&gt;You never heerd him give a ill-name to a Giant. He &lt;em&gt;did&lt;/em&gt; allow himself to break out into strong language respectin the Fat Lady from Norfolk; but that was an affair of the 'art; and when a man's 'art has been trifled with by a lady, and the preference giv to a Indian, he ain't master of his actions.&lt;br /&gt;&lt;br /&gt;He was always in love, of course; every human nat'ral phenomenon is. And he was always in love with a large woman; &lt;em&gt;I&lt;/em&gt; never knowed the Dwarf as could be got to love a small one. Which helps to keep 'em the Curiosities they are.&lt;br /&gt;&lt;br /&gt;One sing'ler idea he had in that Ed of his, which must have meant something, or it wouldn't have been there. It was always his opinion that he was entitled to property. He never would put his name to anything. He had been taught to write, by the young man without arms, who got his living with his toes (quite a writing-master &lt;em&gt;he&lt;/em&gt; was, and taught scores in the line), but Chops would have starved to death, afore he'd have gained a bit of bread by putting his hand to a paper. This is the more curious to bear in mind, because &lt;em&gt;HE&lt;/em&gt; had no property, nor hope of property, except his house and a sarser. When I say his house, I mean the box, painted and got up outside like a reg'lar six-roomer, that he used to creep into, with a diamond ring (or quite as good to look at) on his forefinger, and ring a little bell out of what the Public believed to be the Drawing-room winder. And when I say a sarser, I mean a Chancy sarser in which he made a collection for himself at the end of every Entertainment. His cue for that, he took from me:&amp;nbsp; "Ladies and gentlemen, the little man will now walk three times round the Cairawan, and retire behind the curtain." When he said anything important, in private life, he mostly wound it up with this form of words, and they was generally the last thing he said to me at night afore he went to bed.&lt;br /&gt;&lt;br /&gt;He had what I consider a fine mind—a poetic mind. His ideas respectin his property, never come upon him so strong as when he sat upon a barrel-organ and had the handle turned. Arter the wibration had run through him a little time, he would screech out, "Toby, I feel my property coming—grind away! I'm counting my guineas by thousands, Toby—grind away! Toby, I shall be a man of fortun! I feel the Mint a jingling in me, Toby, and I'm swelling out into the Bank of England!" Such is the influence of music on a poetic mind. Not that he was partial to any other music but a barrel-organ; on the contrairy, hated it.&lt;br /&gt;&lt;br /&gt;He had a kind of a everlasting grudge agin the Public: which is a thing you may notice in many phenomenons that get their living out of it. What riled him most in the nater of his occupation was, that it kep him out of Society. He was continiwally sayin, "Toby, my ambition is, to go into Society. The curse of my position towards the Public, is, that it keeps me hout of Society. This don't signify to a low beast of a Indian; he an't formed for Society. This don't signify to a Spotted Baby; &lt;em&gt;he&lt;/em&gt; an't formed for Society.—I am."&lt;br /&gt;&lt;br /&gt;Nobody never could make out what Chops done with his money. He had a good salary, down on the drum every Saturday as the day come round, besides having the run of his teeth—and he was a Woodpecker to eat—but all Dwarfs are. The sarser was a little income, bringing him in so many halfpence that he'd carry 'em, for a week together, tied up in a pocket handkercher. And yet he never had money. And it couldn't be the Fat Lady from Norfolk, as was once supposed; because it stands to reason that when you have a animosity towards a Indian which makes you grind your teeth at him to his face, and which can hardly hold you from Goosing him audible when he's going through his War-Dance—it stands to reason you wouldn't under them circumstances deprive yourself, to support that Indian in the lap of luxury.&lt;br /&gt;&lt;br /&gt;Most unexpected, the mystery come out one day at Egham Eaces. The Public was shy of bein pulled in, and Chops was ringin his little bell out of his drawing-room winder, and was snarlin to me over his shoulder as he kneeled down with his legs out at the back-door—for he couldn't be shoved into his house without kneeling down, and the premises wouldn't accommodate his legs—was snarlin, "Here's a precious Public for you; why the Devil don't they tumble up?" when a man in the crowd holds up a carrier-pigeon, and cries out, "If there's any person here as has got a ticket, the Lottery's just drawed, and the number as has come up for the great prize is three, seven, forty-two! Three, seven, forty-two!" I was givin the man to the Furies myself, for calling off the Public's attention—for the Public will turn away, at any time, to look at anything in preference to the thing showed 'em; and if you doubt it, get 'em together for any indiwidual purpose on the face of the earth, and send only two people in late, and see if the whole company an't far more interested in takin particular notice of them two than of you—I say, I wasn't best pleased with the man for callin out, and, wasn't blessin him in my own mind, when I see Chops's little bell fly out of winder at a old lady, and he gets up and kicks his box over, exposin the whole secret, and he catches hold of the calves of my legs and he says to me, "Carry me into the wan, Toby, and throw a pail of water over me or I'm a dead man, for I've come into my property!"&lt;br /&gt;&lt;br /&gt;Twelve thousand odd hundred pound, was Chops's winnins. He had bought a half-ticket for the twenty-five thousand prize, and it had come up. The first use he made of his property, was, to offer to fight the Wild Indian for five hundred pound a side, him with a poisoned darnin-needle and the Indian with a club; but the Indian bein in want of backers to that amount, it went no further.&lt;br /&gt;&lt;br /&gt;Arter he had been mad for a week—in a state of mind, in short, in which, if I had let him sit on the organ for only two minutes, I believe he would have bust—but we kep the organ from him—Mr. Chops come round, and behaved liberal and beautiful to all. He then sent for a young man he knowed, as had a wery genteel appearance and was a Bonnet at a gaming-booth (most respectable brought up, father havin been imminent in the livery stable line but unfort'nate in a commercial crisis through paintin a old grey, ginger-bay, and sellin him with a Pedigree), and Mr. Chops said to this Bonnet, who said his name was Normandy, which it wasn't:&lt;br /&gt;&lt;br /&gt;"Normandy, I'm a goin into Society. Will you go with me?"&lt;br /&gt;&lt;br /&gt;Says Normandy: "Do I understand you, Mr. Chops, to hintimate that the 'ole of the expenses of that move will be borne by yourself?"&lt;br /&gt;&lt;br /&gt;"Correct," says Mr. Chops. "And you shall have a Princely allowance too."&lt;br /&gt;&lt;br /&gt;The Bonnet lifted Mr. Chops upon a chair, to shake hands with him, and replied in poetry, with his eyes seeminly fall of tears:&lt;br /&gt;&lt;br /&gt;"My boat is on the shore,&lt;br /&gt;And my bark is on the sea,&lt;br /&gt;And I do not ask for more,&lt;br /&gt;But I'll Go;—along with thee."&lt;br /&gt;&lt;br /&gt;They went into Society, in a chay and four greys with silk jackets. They took lodgings in Pall Mall, London, and they blazed away.&lt;br /&gt;&lt;br /&gt;In consequence of a note that was brought to Bartlemy Fair in the autumn of next year by a servant, most wonderful got up in milk-white cords and tops, I cleaned myself and went to Pall Mall, one evenin appinted. The gentlemen was at their wine arter dinner, and Mr. Chops's eyes was more fixed in that Ed of his than I thought good for him. There was three of 'em (in company, I mean), and I knowed the third well. When last met, he had on a white Roman shirt, and a bishop's-mitre covered with leopard-skin, and played the clarionet all wrong, in a band at a Wild Beast Show.&lt;br /&gt;&lt;br /&gt;This gent took on not to know me, and Mr. Chops said: "Gentlemen, this is a old friend of former days:" and Normandy looked at me through a eye-glass, and said, "Magsman, glad to see you!"—which I'll take my oath he wasn't. Mr. Chops, to git him convenient to the table, had his chair on a throne (much of the form of George the Fourth's in the canvass), but he hardly appeared to me to be King there in any other pint of view, for his two gentlemen ordered about like Emperors. They was all dressed like May-Day—gorgeous!—and as to Wine, they 'swam in all sorts.&lt;br /&gt;&lt;br /&gt;I made the round of the bottles, first separate (to say I had done it), and then mixed 'em all together (to say I had done it), and then tried two of 'em as half-and-half, and then t'other two. Altogether, I passed a pleasin evenin, but with a tendency to feel. muddled, until I considered it good manners to get up and say, "Mr. Chops, the best of friends must part, I thank you for the wariety of foreign drains you have stood so 'ansome, I looks towards you in red wine, and I takes my leave." Mr. Chops replied, "If you'll just hitch me out of this over your right arm, Magsman, and carry me downstairs, I'll see you out." I said I couldn't think of such a thing, but he would have it, so I lifted him off his throne. He smelt strong of Maideary, and I couldn't help thinking as I carried him down that it was like carrying a large bottle full of wine, with a rayther ugly stopper, a good deal out of proportion.&lt;br /&gt;&lt;br /&gt;When I set him on the door-mat in the hall, he kep me close to him by holding on to my coat-collar, and he whispers:&lt;br /&gt;&lt;br /&gt;"I an't 'appy, Magsman."&lt;br /&gt;&lt;br /&gt;"What's on your mind, Mr. Chops?"&lt;br /&gt;&lt;br /&gt;"They don't use me well. They an't grateful to me. They puts me on the mantelpiece when I won't have in more Champagne-wine, and they locks me in the sideboard when I won't give up my property."&lt;br /&gt;&lt;br /&gt;"Get rid of 'em, Mr. Chops."&lt;br /&gt;&lt;br /&gt;"I can't. We're in Society together, and what would Society say?"&lt;br /&gt;&lt;br /&gt;"Come out of Society," says I.&lt;br /&gt;&lt;br /&gt;"I can't. You don't know what you're talking about. When you have once gone into Society, you mustn't come out of it."&lt;br /&gt;&lt;br /&gt;"Then if you'll excuse the freedom, Mr. Chops," were my remark, shaking my head grave, " I think it's a pity you ever went in."&lt;br /&gt;&lt;br /&gt;Mr. Chops shook that deep Ed of his, to a surprisin extent, and slapped it half a dozen times with his hand, and with more Wice than I thought were in him. Then, he says, " You're a good feller, but you don't understand. Good night, go along. Magsman, the little man will now walk three times round the Cairawan, and retire behind the curtain." The last I see of him on that occasion was his tryin, on the extremest werge of insensibility, to climb up the stairs, one by one, with his hands and knees. They'd have been much too steep for him, if he had been sober; but he wouldn't be helped.&lt;br /&gt;&lt;br /&gt;It warn't long after that, that I read in the newspaper of Mr. Chops's being presented at court. It was printed, " It will be recol-lected "—and I've noticed in my life, that it is sure to be printed that it will be recollected, whenever it won't—''that Mr. Chops is the individual of small stature, whose brilliant success in the last State Lottery attracted so much attention." Well, I says to myself, Such is life! He has been and done it in earnest at last! He has astonished George the Fourth!&lt;br /&gt;&lt;br /&gt;(On account of which, I had that canvass new-painted, him with a bag of money in his hand, a presentin it to George the Fourth, and a lady in Ostrich Feathers fallin in love with him in a bag-wig, sword, and buckles correct.)&lt;br /&gt;&lt;br /&gt;I took the House as is the subject of pre-sent inquiries though not the honor of bein acquainted—and I run, Magsman's Amusements in it thirteen months—sometimes one thing, sometimes another, sometimes nothin particular, but always all the canvasses outside. One night, when we had played the last company out, which was a shy company through its raining Heavens hard, I was takin a pipe in the one pair back along with the young man with the toes, which I had taken on for a month (though he never drawed—except on paper), and I heard a kickin at the street door. "Halloa!" I says to the young man, "what's up!" He rubs his eyebrows with his toes, and he says, "I can't imagine, Mr. Magsman " which he never could imagine nothin, and was monotonous company.&lt;br /&gt;&lt;br /&gt;The noise not leavin off, I laid down my pipe, and I took up a candle, and I went down and opened the door. I looked out into the street; but nothin could I see, and nothin was I aware of, until I turned round&lt;br /&gt;quick, because some creetur run between my legs into the passage. There was Mr. Chops!&lt;br /&gt;&lt;br /&gt;"Magsman," he says, "take me, on the hold terms, and you've got me; if it's done, say done!"&lt;br /&gt;&lt;br /&gt;I was all of a maze, but I said, "Done, sir."&lt;br /&gt;&lt;br /&gt;"Done to your done, and double done!" says he. "Have you got a bit of supper in the house?"&lt;br /&gt;&lt;br /&gt;Bearin in mind them sparklin warieties of foreign drains as we'd guzzled away at in Pall Mall, I was ashamed to offer him cold sassages and gin-and- water; but he took 'em both and took 'em free; havin a chair for his table, and sittin down at it on a stool, like hold times. I, all of a maze all the while.&lt;br /&gt;&lt;br /&gt;It was arter he had made a clean sweep of the sassages (beef, and to the best of my calculations two pound and a quarter), that the wisdom as was in that little man, began to come out of him like prespiration.&lt;br /&gt;&lt;br /&gt;"Magsman," he says, "look upon me! You see afore you, One as has both gone into Society and come out."&lt;br /&gt;&lt;br /&gt;"Oh! You &lt;em&gt;are&lt;/em&gt; out of it, Mr. Chops? How did you get out, sir?"&lt;br /&gt;&lt;br /&gt;"SOLD OUT!" says he. You never saw the like of the wisdom as his Ed expressed, when he made use of them two words.&lt;br /&gt;&lt;br /&gt;"My friend Magsman, I'll impart to you a discovery I've made. It's wallable; it's cost twelve thousand five hundred pound; it may do you good in life.—The secret of this matter is, that it ain't so much that a person goes into Society, as that Society goes into a person."&lt;br /&gt;&lt;br /&gt;Not exactly keeping up with his meanin, I shook my head, put on a deep look, and said, "You're right there, Mr. Chops."&lt;br /&gt;&lt;br /&gt;"Magsman," he says, twitchin me by the leg, "Society has gone into me, to the tune of every penny of my property."&lt;br /&gt;&lt;br /&gt;I felt that I went pale, and though natrally&lt;br /&gt;a bold speaker, I couldn't hardly say,&lt;br /&gt;"Where's Normandy?"&lt;br /&gt;&lt;br /&gt;"Bolted. With the plate," said Mr. Chops.&lt;br /&gt;&lt;br /&gt;"And t'other one?"—meaning him as formerly wore the bishop's mitre.&lt;br /&gt;&lt;br /&gt;"Bolted. With the jewels," said Mr. Chops.&lt;br /&gt;&lt;br /&gt;I sat down and looked at him, and he stood up and looked at me.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"Magsman," he says, and he seemed to myself to get wiser as he got hoarser; "Society, taken in the lump, is all dwarfs. At the court of Saint James's, they was all a doin my hold bisness—all a goin three times round the Cairawan, in the hold Court-suits and properties. Elsewheres, they was most of 'em ringin their little bells out of make-believes. Everywheres, the sarser was a goin round, Magsman, the sarser is the uniwersal Institution!"&lt;br /&gt;&lt;br /&gt;I perceived, you understand, that he was soured by his misfortuns, and I felt for Mr. Chops.&lt;br /&gt;&lt;br /&gt;"As to Fat Ladies," says he, giving his Ed a tremendious one agin the wall, "there's lots of &lt;em&gt;them&lt;/em&gt; in Society, and worse than the original. Hers was a outrage upon Taste—simply a outrage upon Taste—awakenin contempt— carryin its own punishment in the form of a Indian!" Here he giv himself another tremendious one. "But &lt;em&gt;theirs,&lt;/em&gt; Magsman, &lt;em&gt;theirs&lt;/em&gt; is mercenary outrages. Lay in Cashmeer shawls, buy bracelets, strew 'em and a lot of 'andsome fans and things about your rooms, let it be known that you give away like water to all as come to admire, and the Fat Ladies that don't exhibit for so much down upon the drum, will come from all the pints of the compass to flock about you, whatever you are. They'll drill holes in your 'art, Magsman, like a Cullender. And when you've no more left to give, they'll laugh at you to your face, and leave you to have your bones picked dry by Wulturs, like the dead Wild Ass of the Prairies that you deserve to be!" Here he giv himself the most tremendious one of all, and dropped.&lt;br /&gt;&lt;br /&gt;I thought he was gone. His Ed was so heavy, and he knocked it so hard, and he fell so stoney, and the sassagerial disturbance in him must have been so immense, that I thought he was gone. But, he soon come round with care, and he sat up on the floor, and he said to me, with wisdom comin out of his eyes, if ever it come:&lt;br /&gt;&lt;br /&gt;"Magsman! The most material difference between the two states of existence through which your unappy friend has passed;" he reached out his poor little hand, and his tears dropped down on the moustachio which it was a credit to him to have done his best to grow, but it is not in mortals to command success, '—the difference is this. When I was out of Society, I was paid light for being seen. When I went into Society, I paid heavy for being seen. I prefer theformer, even if I wasn't forced upon it. Give me out through the trumpet, in the hold way, tomorrow."&lt;br /&gt;&lt;br /&gt;Arter that, he slid into the line again as easy as if he had been iled all over. But, the organ was kep from him, and no allusions was ever made, when a company was in, to his property. He got wiser every day; his views of Society and the Public was luminous, bewilderin, awful; and his Ed got bigger and bigger as his Wisdom expanded it.&lt;br /&gt;&lt;br /&gt;He took well, and pulled 'em in most excellent fur nine weeks. At the expiration of that period, when his Ed was a sight, he expressed one evenin, the last Company havin been turned out, and the door shut, a wish to have a little music.&lt;br /&gt;&lt;br /&gt;"Mr. Chops," I said (I never dropped the "Mr." with him; the world might do it, but not me); "Mr. Chops, are you sure as you are in a state of mind and body to sit upon the organ?"&lt;br /&gt;&lt;br /&gt;His answer was this: "Toby, when next met with on the tramp, I forgive her and the Indian. And I am."&lt;br /&gt;&lt;br /&gt;It was with fear and trembling that I began to turn the handle; but he sat like a lamb. It will be my belief to my dying day, that I see his Ed expand as he sat; you may therefore judge how great his thoughts was. He sat out all the changes, and then he come off.&lt;br /&gt;&lt;br /&gt;"Toby," he says, with a quiet smile, " the little man will now walk three times round the Cairawan, and retire behind the curtain."&lt;br /&gt;&lt;br /&gt;When we called him in the morning, we found him gone into a much better Society than mine or Pall Mall's. I giv Mr. Chops as comfortable a funeral as lay in my power, followed myself as Chief, and had the George the Fourth canvass carried first, in the form of a banner. But, the House was so dismal arterwards, that I giv it up, and took to the Wan again.&lt;br /&gt;&lt;br /&gt;—&lt;br /&gt;&lt;br /&gt;"I don't triumph," said Jarber, folding up the second manuscript, and looking hard at Trottle. "I don't triumph over this worthy creature. I merely ask him if he is satisfied now?"&lt;br /&gt;&lt;br /&gt;"How can he be anything else? " I said, answering for Trottle, who sat obstinately silent. "This time, Jarber, you have not only read us a delightfully amusing story, but you have also answered the question about the House. Of course it stands empty now. Who would think of taking it after it had been turned into a caravan? " I looked at Trottle, as I said those last words, and Jarber waved his hand indulgently in the same direction.&lt;br /&gt;&lt;br /&gt;"Let this excellent person speak," said Jarber. " You were about to say, my good man? "—&lt;br /&gt;&lt;br /&gt;"I only wished to ask, sir," said Trottle, doggedly, "if you could kindly oblige me with a date or two, in connection with that last story?"&lt;br /&gt;&lt;br /&gt;"A date!" repeated Jarber. "What does the man want with dates!"&lt;br /&gt;&lt;br /&gt;"I should be glad to know, with great respect," persisted Trottle, "if the person named Magsman was the last tenant who lived in the House. It's my opinion—if I may be excused for giving it—that he most decidedly was not."&lt;br /&gt;&lt;br /&gt;With those words, Trottle made a low bow, and quietly left the room.&lt;br /&gt;&lt;br /&gt;There is no denying that Jarber, when we were left together, looked sadly discomposed. He had evidently forgotten to inquire about dates; and, in spite of his magnificent talk about his series of discoveries, it was quite as plain that the two&lt;br /&gt;stories he had just read, had really and truly&lt;br /&gt;exhausted his present stock. I thought myself bound, in common gratitude, to help him out of his embarrassment by a timely suggestion. So I proposed that he should come to tea again, on the next Monday evening, the thirteenth, and should make such inquiries in the meantime, as might enable him to dispose triumphantly of Trottle's objection.&lt;br /&gt;&lt;br /&gt;He gallantly kissed my hand, made a neat little speech of acknowledgment, and took his leave. For the rest of the week I would not encourage Trottle by allowing him to refer to the House at all. I suspected he was making his own inquiries about dates, but I put no questions to him.&lt;br /&gt;&lt;br /&gt;On Monday evening, the thirteenth, that dear unfortunate Jarber came, punctual to the appointed time. He looked so terribly harassed, that he was really quite a spectacle of feebleness and fatigue. I saw, at a glance, that the question of dates had gone against him, that Mr. Magsman had not been the last tenant of the House, and that the reason of its emptiness was still to seek.&lt;br /&gt;&lt;br /&gt;"What I have gone through," said Jarber, "words arc not eloquent enough to tell. Oh, Sophonisba, I have begun another series of discoveries! Accept the last two as stories laid on your shrine; and wait to blame me for leaving your curiosity unappeased, until you have heard Number Three."&lt;br /&gt;&lt;br /&gt;Number Three looked like a very short manuscript, and I said as much. Jarber explained to me that we were to have some poetry this time. In the course of his investigations he had stepped into the Circulating Library, to seek for information on the one important subject. All the Library-people knew about the House was, that a female relative of the last tenant as they believed, had, just after that tenant left, sent a little manuscript poem to them which she described as referring to events that had actually passed in the House; and which she wanted the proprietor of the Library to publish. She had written no address on her letter; and the proprietor had kept the manuscript ready to be given back to her (the publishing of poems not being in his line) when she might call for it. She had never called for it; and the poem had been lent to Jarber, at his express request, to read to me.&lt;br /&gt;&lt;br /&gt;Before he began, I rang the bell for Trottle; being determined to have him present at the new reading, as a wholesome check on his obstinacy. To my surprise Peggy answered the bell, and told me that Trottle had stepped out, without saying where. I instantly felt the strongest possible conviction that he was at his old tricks: and that his stepping out in the evening, without leave, meant Philandering.&lt;br /&gt;&lt;br /&gt;Controlling myself on my visitor's account, I dismissed Peggy, stifled my indignation, and prepared, as politely as might be, to listen to Jarber.</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>"And a mighty sing'lar and pretty place it is, as ever I saw in all the days of my life!" said Captain Jorgan, looking up at it. Captain Jorgan had to look high to look at it, for the village was built sheer up the face of a steep and lofty cliff. There was no road in it, there was no wheeled vehicle in it, there was not a level yard in it. From the sea-beach to the cliff-top, two irregular rows of white houses, placed opposite to one another, and twisting here and there and there and here, rose, like the sides of a long succession of stages of crooked ladders, and you climbed up the village or climbed down the village by the staves between: some six feet wide or so, and made of sharp irregular stones. The old pack-saddle, long laid aside in most parts of England as one of the appendages of its infancy, nourished here intact. Strings of pack-horses and pack-donkeys toiled slowly up the staves of the ladders, bearing fish, and coal, and such other cargo as was unshipping at the pier from the dancing fleet of village boats, and from two or three little coasting traders. As the beasts of burden ascended laden, or descended light, they got so lost at intervals in the floating clouds of village smoke, that they seemed to dive down some of the village chimneys and come to the surface again far off, high above others. No two houses in the village were alike, in chimney, size, shape, door, window, gable, roof-tree, anything. The sides of the ladders were musical with water, running clear and bright. The staves were musical with the clattering feet of the pack-horses and pack-donkeys, and the voices of the fishermen urging them up, mingled with the voices of the fishermen's wives and their many children. The pier was musical with the wash of the sea, the creaking of capstans and windlasses, and the airy fluttering of little vanes and sails. The rough sea-bleached boulders of which the pier was made, and the whiter boulders of the shore, were brown with drying nets. The red-brown cliffs, richly wooded to their extremest verge, had their softened and beautiful forms reflected in the bluest water, under the clear North Devonshire sky of a November day without a cloud. The village itself was so steeped in autumnal foliage, from the houses giving on the pier, to the topmost round of the topmost ladder, that one might have fancied it was out a birds'-nesting, and was (as indeed it was) a wonderful climber. And mentioning birds, the place was not without some music from them too; for, the rook was very busy on the higher levels, and the gull with his flapping wings was fishing in the bay, and the lusty little robin was hopping among the great stone blocks and iron rings of the breakwater, fearless in the faith of his ancestors and the Children in the Wood. Thus it came to pass that Captain Jorgan, sitting balancing himself on the pier-wall, struck his leg with his open hand, as some men do when they are pleased—and as he always did when he was pleased—and said: "A mighty sing'lar and pretty place it is, as ever I saw in all the days of my life!" Captain Jorgan had not been through the village, but had come down to the pier by a winding side-road, to have a preliminary look at it from the level of his own natural element. He had seen many things and places, and had stowed them all away in a shrewd intellect and a vigorous memory. He was an American born, was Captain Jorgan—a New Englander—but he was a citizen of the world, and a combination of most of the best qualities of most of its best countries. For Captain Jorgan to sit anywhere in his long-skirted blue coat and blue trousers, without holding converse with everybody within speaking distance, was a sheer impossibility. So, the captain fell to talking with the fishermen, and to asking them knowing questions about the fishery, and the tides, and the currents, and the race of water off that point yonder, and what you kept in your eye and got into a line with what else when you ran into the little harbour; and other nautical profundities. Among the men who exchanged ideas with the captain, was a young fellow who exactly hit his fancy—a young fisherman of two or three-and-twenty, in the rough sea-dress of his craft, with a brown face, dark curling hair, and bright modest eyes under his Sou'-Wester hat, and with a frank but simple and retiring manner which the captain found uncommonly taking. "I'd bet a thousand dollars," said the captain to himself, "that your father was an honest man!" "Might you be married now?" asked the captain when he had had some talk with this new acquaintance. "Not yet." "Going to be?" said the captain. "I hope so." The captain's keen glance followed the slightest possible turn of the dark eye, and the slightest possible tilt of the Sou'-Wester hat. The captain then slapped both his legs, and said to himself: "Never knew such a good thing in all my life! There's his sweetheart looking over the wall!" There was a very pretty girl looking over the wall, from a little platform of cottage, vine, and fuchsia; and she certainly did not look as if the presence of this young fisherman in the landscape, made it any the less sunny and hopeful for her. Captain Jorgan, having doubled himself up to laugh with that hearty good nature which is quite exultant in the innocent happiness of other people, had undoubled himself and was going to start a new subject, when there appeared coming down the lower ladders of stones a man whom he hailed as "Tom Pettifer Ho!" Tom Pettifer Ho responded with alacrity, and in speedy course descended on the pier. "Afraid of a sunstroke in England in November, Tom, that you wear your tropical hat, strongly paid outside and paper-lined inside, here?" said the captain, eyeing it. "It's as well to be on the safe side, sir," replied Tom. "Safe side!" repeated the captain, laughing. "You'd guard against a sunstroke with that old hat, in an Ice Pack. Wa'al! What have you made out at the Post-office?" "It is the Post-office, sir." "What's the Post-office?" said the captain. "The name, sir. The name keeps the Post-office." "A coincidence!" said the captain. "A lucky hit! Show me where it is. Good-by, shipmates, for the present! I shall come and have another look at you, afore I leave, this afternoon." This was addressed to all there, but especially the young fisherman; so, all there acknowledged it, but especially the young fisherman. "He's a sailor!" said one to another, as they looked after the captain moving away. That he was; and so outspeaking was the sailor in him, that although his dress had nothing nautical about it with the single exception of its colour, but was a suit of a shore-going shape and form, too long, in the sleeves, and too short in the legs, and too unaccommodating everywhere, terminating earthward in a pair of Wellington boots, and surmounted by a tall stiff hat which no mortal could have worn at sea in any wind under Heaven; nevertheless, a glimpse of his sagacious weather-beaten face or his strong brown hand would have established the captain's calling. Whereas, Mr. Pettifer—a man of a certain plump neatness with a curly whisker, and elaborately nautical in a jacket and shoes and all things correspondent—looked no more like a seaman, beside Captain Jorgan, than he looked like a sea-serpent. The two climbed high up the village—which had the most arbitrary turns and twists in it, so that the cobbler's house came dead across the ladder, and to have held a reasonable course you must have gone through his house, and through, him too, as he sat at his work between two little windows, with one eye microscopically on the geological formation of that part of Devonshire, and the other telescopically on the open sea—the two climbed high up the village, and stopped before a quaint little house, on which was painted "MRS. RAYBROCK, DRAPER;" and also, "POST-OFFICE." Before it, ran a rill of murmuring water, and access to it was gained by a little plank-bridge. "Here's the name," said Captain Jorgan, "sure enough. You can come in if you like, Tom." The captain opened the door, and passed into an odd little shop about six feet high, with a great variety of beams and bumps in the ceiling, and, besides the principal window giving on the ladder of stones, a purblind little window of a single pane of glass: peeping out of an abutting corner at the sun-lighted ocean, and winking at its brightness. "How do you do, ma'am?" said the captain. "I am very glad to see you. I have come a long way to see you." "Have you, sir? Then I am sure I am very glad to see you, though I don't know you from. Adam." Thus, a comely elderly woman, short of stature, plump of form, sparkling and dark of eye, who, perfectly clean and neat herself, stood in the midst of her perfectly clean and neat arrangements, and surveyed Captain Jorgan with smiling curiosity. "Ah! but you are a sailor, sir," she added, almost immediately, and with a slight movement of her hands, that was not very unlike wringing them; "then you are heartily welcome." "Thankee, ma'am," said the captain. "I don't know what it is, I am sure, that brings out the salt in me, but everybody seems to see it on the crown of my hat and the collar of my coat. Yes, ma'am, I am in that way of life." "And the other gentleman, too," said Mrs. Raybrock. "Well now, ma'am," said the captain, glancing shrewdly at the other gentleman, "you are that nigh right, that he goes to sea—if that makes him a sailor. This is my steward, ma'am, Tom Pettifer; he's been a'most all trades you could name, in the course of his life—would have bought all your chairs and tables, once, if you had wished to sell 'em—but now he's my steward. My name's Jorgan, and I'm a shipowner, and I sail my own and my partners' ships, and have done so this five-and-twenty year. According to custom I am called Captain Jordan, but I am no more a captain, bless your heart! than you are." "Perhaps you'll come into my parlour, sir, and take a chair?" said Mrs. Raybrock. "Ex-actly what I was going to propose myself, ma'am. After you." Thus replying, and enjoining Tom to give an eye to the shop, Captain Jorgan followed Mrs. Raybrock into the little low back-room—decorated with divers plants in pots, tea-trays, old china teapots, and punch-bowls which was at once the private sitting-room of the Raybrock family, and the inner cabinet of the post-office of the village of Steepways. "Now, ma'am," said the captain, "it don't signify a cent to you where I was born, except.—" But, here the shadow of some one entering, fell upon the captain's figure, and he broke off to double himself up, slap both his legs, and ejaculate, "Never knew such a thing in all my life! Here he is again! How are you?" These words referred to the young fellow who had so taken Captain Jorgan's fancy down at the pier. To make it all quite complete he came in accompanied by the sweetheart whom the captain had detected looking over the wall. A prettier sweetheart the sun could not have shone upon, that shining day. As she stood before the captain, with her rosy lips just parted in surprise, her brown eyes a little wider open than was usual from the same cause, and her breathing a little quickened by the ascent (and possibly by some mysterious hurry and flurry at the parlour door, in which the captain had observed her face to be for a moment totally eclipsed by the Sou'-Wester hat), she looked so charming, that the captain felt himself under a moral obligation to slap both his legs again. She was very simply dressed, with no other ornament than an autumnal flower in her bosom. She wore neither hat nor bonnet, but merely a scarf or kerchief, folded squarely back over the head, to keep the sun off—according to a fashion that may be sometimes seen in the more genial parts of England as well as of Italy, and which is probably the first fashion of head-dress that came into the world when grasses and leaves went out. "ln my country," said the captain, rising to give her his chair, and dexterously sliding it close to another chair on which the young fisherman must necessarily establish himself "in my country we should call Devonshire beauty, first-rate!" Whenever a frank manner is offensive, it is because it is strained or feigned; for, there may be quite as much intolerable affectation in plainness, as in mincing nicety. All that the captain said and did, was honestly according to his nature, and his nature was open nature and good nature; therefore, when he paid this little compliment, and expressed with a sparkle or two of his knowing eye, "I see how it is, and nothing could be better," he had established a delicate confidence on that subject with the family. "I was saying to your worthy mother," said the captain to the young man, after again introducing himself by name and occupation: "I was saying to your mother (and you're very like her) that it didn't signify where I was born except that I was raised on question-asking ground, where the babies as soon as ever they come into the world, inquire of their mothers 'Neow, how old may you be, and wa'at air you a goin' to name me?'— which is a fact." Here he slapped his leg. "Such being the case, I may be excused for asking you if your name's Alfred?" "Yes, sir, my name is Alfred," returned the young man. "I am not a conjuror," pursued the captain, "and don't think me so, or I shall right soon undeceive you. Likewise don't think, if you please, though I do come from that country of the babies, that I am asking questions for question-asking's sake, for I am not. Somebody belonging to you, went to sea?" "My elder brother Hugh," returned the young man. He said it in an altered and lower voice, and glanced at his mother: who raised her hands hurriedly, and put them together across her black gown, and looked eagerly at the visitor. "No! For God's sake, don't think that!" said the captain, in a solemn way; "I bring no good tidings of him." There was a silence, and the mother turned her face to the fire and put her hand between it and her eyes. The young fisherman slightly motioned towards the window, and the captain, looking in that direction, saw a young widow sitting at a neighbouring window across a little garden, engaged in needlework, with a young child sleeping on her bosom. The silence continued until the captain asked of Alfred: "How long is it since it happened?" "He shipped for his last voyage, better than three years ago." "Ship struck upon some reef or rock, as I take it," said the captain, "and all hands lost?" "Yes." "Wa'al!" said the captain, after a shorter silence. "Here I sit who may come to the same end, like enough. He holds the seas in the hollow of His hand. We must all strike somewhere and go down. Our comfort, then, for ourselves and one another, is, to have done our duty. I'll wager your brother did his!" "He did!" answered the young fisherman. "If ever man strove faithfully on all occasions to do his duty, my brother did. My brother was not a quick man (anything but that), but he was a faithful, true, and just man. We were the sons of only a small tradesman in this county, sir; yet our father was as watchful of his good name as if he had been a king." "A precious sight more so, I hope—bearing in mind the general run of that class of crittur," said the captain. "But I interrupt." "My brother considered that our father left the good name to us, to keep clear and true." "Your brother considered right," said the captain; "and you couldn't take care of a better legacy. But again I interrupt." "No; for I have nothing more to say. We know that Hugh lived well for the good name, and we feel certain that he died well for the good name. And now it has come into my keeping. And that's all." "Well spoken!" cried the captain. "Well spoken, young man! Concerning the manner of your brother's death;" by this time, the captain had released the hand he had shaken, and sat with his own broad brown hands spread out on his knees, and spoke aside; "concerning the manner of your brother's death, it may be that I have some information to give you; though it may not be, for I am far from sure. Can we have a little talk alone?" The young man rose; but, not before the captain's quick eye had noticed that, on the pretty sweetheart's turning to the window to greet the young widow with a nod and a wave of the hand, the young widow had held up to her the needlework on which she was engaged, with a patient and pleasant smile. So the captain said, being on his legs: "What might she be making now?" "What is Margaret making, Kitty?" asked the young fisherman—with one of his arms apparently mislaid somewhere. As Kitty only blushed in reply, the captain doubled himself up, as far as he could, standing, and said, with a slap of his leg: "In my country we should call it wedding-clothes, fact! We should, I do assure you." But, it seemed to strike the captain in another light too; for, his laugh was not a long one, and he added in quite a gentle tone: "And it's very pretty, my dear, to see her—poor young thing, with her fatherless child upon her bosom giving up her thoughts to your home and your happiness. It's very pretty, my dear, and it's very good. May your marriage be more prosperous than hers, and be a comfort to her, too. May the blessed sun see you all happy together, in possession of the good name, long after I have done ploughing the great salt field that is never sown!" Kitty answered very earnestly. "O! Thank you, sir, with all my heart!" And, in her loving little way, kissed her hand to him, and possibly by implication to the young fisherman too, as the latter held the parlour door open for the captain to pass out. "The stairs are very narrow, sir," said Alfred Raybrock to Captain Jorgan. "Like my cabin-stairs," returned the captain, "on many a voyage." "And they are rather inconvenient for the head." "If my head can't take care of itself by this time, after all the knocking about the world it has had," replied the captain, as unconcernedly as if he had no connexion with it, "it's not worth looking after." Thus, they came into the young fisherman's bedroom, which was as perfectly neat and clean as the shop and parlour below: though it was but a little place, with a sliding window, and a phrenological ceiling expressive of all the peculiarities of the house-roof. Here the captain sat down on the foot of the bed, and, glancing at a dreadful libel on Kitty which ornamented the wall— the production of some wandering limner, whom the captain secretly admired, as having studied portraiture from the figure-heads of ships— motioned to the young man to take the rush-chair on the other side of the small round table. That done, the captain put his hand into the deep breast-pocket of his long-skirted blue coat, and took out of it a strong square case-bottle—not a large bottle, but such as may be seen in any ordinary ship's medicine chest. Setting this bottle on the table without removing his hand from it, Captain Jorgan then spake as follows. "In my last voyage homeward-bound," said the captain, "and that's the voyage off of which I now come straight, I encountered such weather off the Horn, as is not very often met with, even there. I have rounded that stormy Cape pretty often, and I believe I first beat about there in the identical storms that blew the devil's horns and tail off, and led to the horns being worked up into toothpicks for the plantation overseers in my country, who may be seen (if you travel down South, or away West, fur enough) picking their teeth with 'em, while the whips, made of the tail, flog hard. In this last voyage, homeward-bound for Liverpool from South America, I say to you my young friend, it blew. Whole measures! No half measures, nor making believe to blow; it blew! Now, I warn't blown clean out of the water into the sky—though I expected to be even that but I was blown clean out of my course; and when at last it fell calm, it fell dead calm, and a strong current set one way, day and night, night and day, and I drifted—drifted—drifted—out of all the ordinary tracks and courses of ships, and drifted yet, and yet drifted. It behoves a man who takes charge of fellow-critturs' lives, never to rest from making himself master of his calling. I never did rest, and consequently I knew pretty well (specially looking over the side in the dead calm at that strong current), what dangers to expect, and what precautions to take against 'em. In short, we were driving head on, to an island. There was no Island in the chart, and, therefore, you may say it was ill manners in the Island to be there; I don't dispute its bad breeding, but there it was. Thanks be to Heaven, I was as ready for the Island as the Island was ready for me. I made it out myself from the masthead, and I got enough way upon her in good time, to keep her off. I ordered a boat to be lowered and manned, and went in that boat myself to explore the Island. There was a reef outside it, and, floating in a corner of the smooth water within the reef, was a heap of seaweed, and entangled in that seaweed was this bottle." Here, the captain took his hand from the bottle for a moment, that the young fisherman might direct a wondering glance at it; and then replaced his hand and went on: "if ever you come—or even if ever you don't come—to a desert place, use you your eyes and your spy-glass well; for the smallest thing you see, may prove of use to you, and may have some information or some warning in it. That's the principle on which I came to see this bottle. I picked up the bottle and ran the boat alongside the Island and made fast and went ashore, armed, with a part of my boat's crew. We found that every scrap of vegetation on the Island (I give it you as in my opinion, but scant and scrubby at the best of times) had been consumed by fire. As we were making our way, cautiously and toilsomely, over the pulverised embers, one of my people sank into the earth, breast high. He turned pale, and 'Haul me out smart, shipmates,' says he, 'for my feet are among bones.' We soon got him on his legs again, and then we dug up the spot, and we found that the man was right, and that his feet had been among bones. More than that, they were human bones; though whether the remains of one man, or of two or three men, what with calcination and ashes, and what with a poor practical knowledge of anatomy, I can't undertake to say. We examined the whole Island and made out nothing else, save and except that, from its opposite side, I sighted a considerable tract of land, which land I was able to identify, and according to the bearings of which (not to trouble you with my log) I took a fresh departure. When I got aboard again, I opened the bottle, which was oilskin-covered as you see, and glass-stoppered as you see. Inside of it," pursued the captain, suiting his action to his words, "I found this little crumpled folded paper, just as you see. Outside of it was written, as you see, these words: 'Whoever finds this, is solemnly entreated by the dead, to convey it unread to Alfred Raybrock, Steepways, North Devon, England.' A sacred charge," said the captain, concluding his narrative, "and, Alfred Raybrock, there it is!" "This is my poor brother's writing!" "I supposed so," said Captain Jorgan. "I'll take a look out of this little window while you read it." "Pray no, sir! I should be hurt. We should all be hurt. My brother couldn't know it would fall into such hands as yours." The captain sat down again on the foot of the bed, and the young man opened the folded paper with a trembling hand, and spread it on the table. The ragged paper, evidently creased and torn both before and after being written on, was much blotted and stained, and the ink had faded and run, and many words were wanting. What the captain and the young fisherman made out together, after much re-reading and much humouring of the folds of the paper, was this: Before meeting death with a made-up mind I put the below under-wrote for my own self's Reminder Days ago - in a bottle and set it floating. Loved brother Alfred if it comes to hand do as I would have done. Last love and thoughts to dear wife &amp; mother &amp; you Alfred. Hugh Raybrock Mem. For Self H. Raybrock to jog Memory Under His Hand Cast Away Very Unhappy is mind through his (L.C.'s) telling me that poor father's 500 £ is Stolen Money. Likewise, for reasons here noted down no malice not the right books. He said I might If proof if ever we get taken off here He said Lanrean and so among the old men there. P.S. I believe nothing against poor father If ever taken off discover please God restore The young fisherman had become more and more agitated, as the writing had become clearer to him. He now left it lying before the captain, over whose shoulder he had been reading it, and, dropping into his former seat, leaned forward on the table and laid his face in his hands. "What, man," urged the captain, "don't give in! Be up and doing, like a man!" "It is selfish, I know—but doing what, doing what?" cried the young fisherman, in complete despair, and stamping his sea-boot on the ground. "Doing what?" returned the captain. "Something! I'd go down to the little breakwater below, yonder, and take a wrench at one of the salt-rusted iron-rings there, and either wrench it up by the roots or wrench my teeth out of my head, sooner than I'd do nothing. Nothing!" ejaculated the captain. "Any fool or faint-heart can do that, and nothing can come of nothing—Which was pretended to be found out, I believe, by one of them Latin critturs," said the captain, with the deepest disdain; "as if Adam hadn't found it out, afore ever he so much as named the beasts!" Yet the captain saw, in spite of his bold words, that there was some greater reason than he yet understood for the young man's distress. And he eyed him with a sympathising curiosity. "Come, come!" continued the captain. "Speak out. What is it, boy?" "You have seen how beautiful she is, sir," said the young man, looking up for the moment, with a flushed face and rumpled hair. "Did any man ever say she warn't beautiful?" retorted the captain. "If so, go and lick him." The young man laughed fretfully in spite of himself, and said, "It's not that, it's not that." "Wa'al, then, what is it?" said the captain, in a more soothing tone. The young fisherman mournfully composed himself to tell the captain what it was, and began: "We were to have been married next Monday week—" "Were to have been!" interrupted Captain Jorgan. "And are to be? Hey?" Young Raybrock shook his head, and traced out with his forefinger the words "poor father's five hundred pounds," in the written paper. "Go along." said the captain. "Five hundred pounds? Yes?" "That sum of money," pursued the young fisherman, entering with the greatest earnestness on his demonstration, while the captain eyed him with equal earnestness, "was all my late father possessed. When he died, he owed no man more than he left means to pay, but he had been able to lay by only five hundred pounds." "Five hundred pounds," repeated the captain. "Yes?" "In his lifetime, years before, he had expressly laid the money aside, to leave to my mother—like to settle upon her, if I make myself understood." "Yes?" "He had risked it once—my father put down in writing at that time, respecting the money—and was resolved never to risk it again." "Not a spec'lator," said the captain. "My country wouldn't have suited him. Yes?" "My mother has never touched the money till now. And now it was to have been laid out, this very next week, in buying me a handsome share in our neighbouring fishery here, to settle me in life with Kitty." The captain's face fell, and he passed and repassed his sun-browned right hand over his thin hair, in a discomfited manner. "Kitty's father has no more than enough to live on, even in the sparing way in which we live about here. He is a kind of bailiff or steward of manor rights here, and they are not much, and it is but a poor little office. He was better off once, and Kitty must never marry to mere drudgery and hard living." The captain still sat stroking his thin hair, and looking at the young fisherman. "I am as certain that my father had no knowledge that any one was wronged as to this money, or that any restitution ought to be made, as I am certain that the sun now shines. But, after this solemn warning from my brother's grave in the sea, that the money is Stolen Money," said Young Raybrock, forcing himself to the utterance of the words, "can I doubt it? Can I touch it?" "About not doubting, I ain't so sure," observed the captain; "but about not touching—no—I don't think you can." "See, then," said Young Raybrock, "why I am so grieved. Think of Kitty. Think what I have got to tell her!" His heart quite failed him again when he had come round to that, and he once more beat his sea-boot softly on the floor. But, not for long; he soon began again, in a quietly resolute tone. "However! Enough of that! You spoke some brave words to me just now, Captain Jorgan, and they shall not be spoken in vain. I have got to do Something. What I have got to do, before all other things, is to trace out the meaning of this paper, for the sake of the Good Name that has no one else to put it right or keep it right. And still, for the sake of the Good Name, and my father's memory, not a word of this writing must be breathed to my mother, or to Kitty, or to any human creature. You agree in this?" "I don't know what they'll think of us, below," said the captain, "but for certain I can't oppose it. Now, as to tracing. How will you do?" They both, as by consent, bent over the paper again, and again carefully puzzled out the whole of the writing. "I make out that this would stand, if all the writing was here, 'Inquire among the old men living there, for'—some one. Most like, you'll go to this village named here?" said the captain, musing, with his finger on the name. "Yes! And Mr. Tregarthen is a Cornishman, and—to be sure!—comes from Lanrean." "Does he?" said the captain, quietly. "As I ain't acquainted with him, who may he be?" "Mr. Tregarthen is Kitty's father." "Ay, ay!" cried the captain. "Now, you speak! Tregarthen knows this village of Lanrean, then?" "Beyond all doubt he does. I have often heard him mention it, as being his native place. He knows it well." "Stop half a moment," said the captain. "We want a name here. You could ask Tregarthen (or if you couldn't, I could) what names of old men he remembers in his time in those diggings? Hey?" "I can go straight to his cottage, and ask him now." "Take me with you," said the captain, rising in a solid way that had a most comfortable reliability in it, "and just a word more, first. I knocked about harder than you, and have got along further than you. I have had, all my sea-going life long, to keep my wits polished bright with acid and friction, like the brass cases of the ship's instruments. I'll keep you company on this expedition. Now, you don't live by talking, any more than I do. Clench that hand of yours in this hand of mine, and that's a speech on both sides." Captain Jorgan took command of the expedition with that hearty shake. He at once refolded the paper exactly as before, replaced it in the bottle, put the stopper in, put the oilskin over the stopper, confided the whole to Young Raybrock's keeping, and led the way down stairs. But it was harder navigation below stairs than above. The instant they set foot in the parlour, the quick womanly eye detected that there was something wrong. Kitty exclaimed, frightened, as she ran to her lover's side, "Alfred! What's the matter?" Mrs. Raybrock cried out to the captain, "Gracious! what have you done to my son to change him like this, all in a minute!" And the young widow—who was there with her work upon her arm was at first so agitated, that she frightened the little girl she held in her hand, who hid her face in her mother's skirts and screamed. The captain, conscious of being held responsible for this domestic change, contemplated it with quite a guilty expression of countenance, and looked to the young fisherman to come to his rescue. "Kitty darling," said Young Raybrock, "Kitty, dearest love, I must go away to Lanrean, and I don't know where else or how much farther, this very day. Worse than that—our marriage, Kitty, must be put off, and I don't know for how long." Kitty stared at him, in doubt and wonder and in anger, and pushed him from her with her hand "Put off?" cried Mrs. Raybrock. "The marriage put off? And you going to Lanrean! "Why, in the name of the dear Lord?" "Mother dear, I can't say why, I must not say why. It would be dishonourable and undutiful to say why." "Dishonourable and undutiful?" returned the dame. "And is there nothing dishonourable or undutiful in the boy's breaking the heart of his own plighted love, and his mother's heart too, for the sake of the dark secrets and counsels of a wicked stranger? Why did you ever come here?" she apostrophised the innocent captain. "Who wanted you? Where did you come from? Why couldn't you rest in your own bad place, wherever it is, instead of disturbing the peace of quiet unoffending folk like us?" "And what," sobbed the poor little Kitty, "have I ever done to you, you hard and cruel captain, that you should come and serve me so?" And then they both began to weep most pitifully, while the captain could only look from the one to the other, and lay hold of himself by the coat-collar. "Margaret," said the poor young fisherman, on his knees at Kitty's feet, while Kitty kept both her hands before her tearful face, to shut out the traitor from her view—but kept her fingers wide asunder and looked at him all the time: "Margaret, you have suffered so much, so uncomplainingly, and are always so careful and considerate! Do take my part, for poor Hugh's sake!" The quiet Margaret was not appealed to in vain. "I will, Alfred," she returned, "and I do. I wish this gentleman had never come near us;" whereupon the captain laid hold of himself the tighter; "but I take your part, for all that. I am sure you have some strong reason and some sufficient reason for what you do, strange as it is, and even for not saying why you do it, strange as that is. And, Kitty darling, you are bound to think so, more than any one, for true love believes everything, and bears everything, and trusts everything. And mother dear, you are bound to think so too, for you know you have been blest with good sons, whose word was always as good as their oath, and who were brought up in as true a sense of honour as any gentlemen in this land. And I am sure you have no more call, mother, to doubt your living son than to doubt your dead son; and for the sake of the dear dead, I stand up for the dear living." "Wa'al now," the captain struck in, with enthusiasm, "this I say. That whether your opinions flatter me or not, you are a young woman of sense and spirit and feeling; and I'd sooner have you by my side, in the hour of danger, than a good half of the men I've ever fallen in with—or fallen out with, ayther." Margaret did not return the captain's compliment, or appear fully to reciprocate his good opinion, but she applied herself to the consolation of Kitty and of Kitty's mother-in-law that was to have been next Monday week, and soon restored the parlour to a quiet condition. "Kitty, my darling," said the young fisher-man, "I must go to your father to entreat him still to trust me in spite of this wretched change and mystery, and to ask him for some directions concerning Lanrean. Will you come home? Will you come with me, Kitty?" Kitty answered not a word, but rose sobbing, with the end of her simple head-dress at her eyes. Captain Jorgan followed the lovers out, quite sheepishly: pausing in the shop to give. an instruction to Mr. Pettifer. "Here, Tom!" said the captain, in a low voice. " Here's something in your line. Here's an old lady poorly and low in her spirits. Cheer her up a bit, Tom. Cheer 'em all up." Mr. Pettifer, with a brisk nod of intelligence, immediately assumed his steward face, and went with his quiet helpful steward step into the parlour: where the captain had the great satisfaction of seeing him, through the glass door, take the child in his arms (who offered no objection), and bend over Mrs. Raybrock, administering soft words of consolation. "Though what he finds to say, unless he's telling her that it'll soon be over, or that most people is so at first, or that it'll do her good afterwards, I can not imaginate!" was the captain's reflection as he followed the lovers. He had not far to follow them, since it was but a short descent down the stony ways to the cottage of Kitty's father. But, short as the distance was, it was long enough to enable the captain to observe that he was fast becoming the village Ogre; for, there was not a woman standing working at her door, or a fisherman coming up or going down, who saw Young Raybrock unhappy and little Kitty in tears, but she or he instantly darted a suspicious and indignant glance at the captain, as the foreigner who must somehow be responsible for this unusual spectacle. Consequently, when they came into Tregarthen's little garden—which formed the platform from which the captain had seen Kitty peeping over the wall—the captain brought to, and stood off and on at the gate, while Kitty hurried to hide her tears in her own room, and Alfred spoke with her father who was working in the garden. He was a rather infirm man, but could scarcely be called old yet, with an agreeable face and a promising air of making the best of things. The conversation began on his side with great cheerfulness and good humour, but soon became distrustful and soon angry. That was the captain's cue for striking both into the conversation and the garden. "Morning, sir!" said Captain Jorgan. "How do you do?" "The gentleman I am going away with," said the young fisherman to Tregarthen. "Oh!" returned Kitty's father, surveying the unfortunate captain with a look of extreme disfavour. "I confess that I can't say I am glad to see you." "No," said the captain, "and, to admit the truth, that seems to be the general, opinion in these parts. But don't be hasty; you may think better of me, by-and-by." "I hope so," observed Tregarthen. "Wa'al, I hope so," observed the captain, quite at his ease; "more than that, I believe so—though you don't. Now, Mr. Tregarthen, you don't want to exchange words of mistrust with me; and if you did, you couldn't, because I wouldn't. You and I are old enough to know better than to judge against experience from surfaces and appearances; and if you haven't lived to find out the evil and injustice of such judgments, you are a lucky man." The other seemed to shrink under this remark, and replied, "Sir, I have lived to feel it deeply." "Wa'al," said the captain, mollified, "then I've made a good cast, without knowing it. Now, Tregarthen, there stands the lover of your only child, and here stand I who know his secret. I warrant it a righteous secret, and none of his making, though bound to be of his keeping. I want to help him out with it, and tewwards that end we ask you to favour us with the names of two or three old residents in the village of Lanrean. As I am taking out my pocket-book and pencil to put the names down, I may as well observe to you that this, wrote atop of the first page here, is my name and address: 'Silas Jonas Jorgan, Salem, Massachusetts, United States.' If ever you take it in your head to run over, any morning, I shall be glad to welcome you. Now, what may be the spelling of these said names?" "There was an elderly man," said Tregarthen, "named David Polreath. He may be dead." "Wa'al," said the captain, cheerfully, "if Polreath's dead and buried, and can be made of any service to us, Polreath won't object to our digging of him up. Polreath's down, anyhow." "There was another, named Penrewen. I don't know his Christian name." "Never mind his Chris'en name," said the captain. "Penrewen for short."  "There was another, named John Tredgear." "And a pleasant-sounding name, too," said the captain;" John Tredgear's booked." "I can recal no other, except old Parvis." "One of old Parvis's fam'ly, I reckon," said the captain, "kept a dry-goods store in New York city, and realised a handsome competency by burning his house to ashes. Same name, anyhow. David Polreath, Unchris'en Penrewen, John Tredgear, and old Arson Parvis." "I cannot recal any others, at the moment." "Thankee," said the captain. "And so, Tregarthen, hoping for your good opinion yet, and likewise for the fair Devonshire Flower's, your daughter's, I give you my hand, sir, and wish you good day." Young Raybrock accompanied him disconsolately; for, there was no Kitty at the window when he looked up, no Kitty in the garden when he shut the gate, no Kitty gazing after them along the stony ways when they began to climb back. "Now I tell you what," said the captain. "Not being at present calc'lated to promote harmony in your family, I won't come in. You go and get your dinner at home, and I'll get mine at the little hotel. Let our hour of meeting be two o'clock, and you'll find me smoking a cigar in the sun afore the hotel door. Tell Tom Pettifer, my steward, to consider himself on duty, and to look after your people till we come back; you'll find he'll have made himself useful to 'em already, and will be quite acceptable." All was done as Captain Jorgan directed. Punctually at two o'clock, the young fisherman, appeared with his knapsack at his back; and punctually at two o'clock, the captain jerked away the last feathery end of his cigar. "Let me carry your baggage, Captain Jorgan; I can easily take it with mine." "Thank'ee," said the captain, " I'll carry it myself. It's on'y a comb." They climbed out of the village, and paused among the trees and fern on the summit of the hill above, to take breath and to look down at the beautiful sea. Suddenly, the captain gave his leg a resounding slap, and cried, "Never knew such a right thing in all my life!"—and ran away. The cause of this abrupt retirement on the part of the captain, was little Kitty among the trees. The captain went out of sight and waited, and kept out of sight and waited, until it occurred to him to beguile the time with another cigar. He lighted it, and smoked it out, and still he was out of sight and waiting. He stole within sight at last, and saw the lovers, with their arms entwined and their bent heads touching, moving slowly among the trees. It was the golden time of the afternoon then, and the captain said to himself, "Golden sun, golden sea, golden sails, golden leaves, golden love, golden youth—a golden state of things altogether!" Nevertheless, the captain found it necessary to hail his young companion before going out of sight again. In a few moments more, he came up, and they began their journey. "That still young woman with the fatherless child," said Captain Jorgan as they fell into step, "didn't throw her words away; but good honest words are never thrown away. And now that I am conveying you off from that tender little thing that loves and relies and hopes, I feel just as if I was the snarling crittur in the picters, with the tight legs, the long nose, and the feather in his cap, the tips of whose mustachios get up nearer to his eyes, the wickeder he gets." The young fisherman knew nothing of Mephistopheles; but, he smiled when the captain stopped to double himself up and slap his leg, and they went along in right good fellowship. Captain Jorgan, up and out betimes, had put the whole village of Lanrean under an amicable cross-examination, and was returning to the King Arthur's Arms to breakfast, none the wiser for his trouble, when he beheld the young fisherman advancing to meet him, accompanied by a stranger. A glance at this stranger, assured the captain that he could be no other than the Seafaring Man; and the captain was about to hail him as a fellow-craftsman, when the two stood still and silent before the captain, and the captain stood still silent, and wondering before them. "Why, what's this!" cried the captain, when at last he broke the silence. "You two are alike. You two are much alike! What's this!" Not a word was answered on the other side, until after the seafaring brother had got hold of the captain's right hand, and the fisherman brother had got hold of the captain's left hand; and if ever the captain had had his fill of handshaking, from his birth to that hour, he had it then. And presently up and spoke the two brothers, one at a time, two at a time, two dozen at a time for the bewilderment into which they plunged the captain, until he gradually had Hugh Raybrock's deliverance made clear to him, and also unravelled the fact that the person referred to in the half-obliterated paper, was Tregarthen himself. "Formerly, dear Captain Jorgan," said Alfred, "of Lanrean, you recollect? Kitty and her father came to live at Steepways, after Hugh shipped on his last voyage." "Ay, ay!" cried the captain, fetching a breath. "Now you have me in tow. Then your brother here, don't know his sister-in-law that is to be, so much as by name?" "Never saw her; never heard of her!" "Ay, ay, ay!" cried the captain. "Why, then we every one go back together—paper, writer, and all—and take Tregarthen into the secret we kept from him?" "Surely," said Alfred, "we can't help it now. We must go through with our duty." "Not a doubt," returned the captain. "Give me an arm apiece, and let us set this ship-shape." So, walking up and down in the shrill wind on the wild moor, while the neglected breakfast cooled within, the captain and the brothers settled their course of action. It was, that they should all proceed by the quickest means they could secure, to Barnstaple, and there look over the father's books and papers in the lawyer's keeping: as Hugh had proposed to himself to do, if ever he reached home. That, enlightened or unenlightened, they should then return to Steepways and go straight to Mr. Tregarthen, and tell him all they knew, and see what came of it, and act accordingly. Lastly, that when they got there, they should enter the village with all precautions against Hugh's being recognised by any chance; and that to the captain should be consigned the task of preparing his wife and mother for his restoration to this life. "For, you see," quoth Captain Jorgan, touching the last head, "it requires caution any way; great joys being as dangerous as great griefs—if not more dangerous, as being more uncommon (and therefore less provided against) in this round world of ours. And besides, I should like to free my name with the ladies, and take you home again at your brightest and luckiest; so don't let's throw away a chance of success." The captain was highly lauded by the brothers for his kind interest and foresight. "And now, stop!" said the captain, coming to a stand-still, and looking from one brother to the other, with quite a new rigging of wrinkles about each eye; "you are of opinion," to the elder, "that you are ra'ather slow?" "I assure you I am very slow," said the honest Hugh. "Wa'al," replied the captain, " I assure you that to the best of my belief I am ra'ather smart. Now, a slow man ain't good at quick business; is he?" That was clear to both. "You," said the captain, turning to the younger brother, "are a little in love; ain't you?" "Not a little, Captain Jorgan." "Much or little, you're sort preoccupied; ain't you?" It was impossible to be denied. "And a sort preoccupied man, ain't good at quick business; is he? said the captain. Equally clear on all sides. "Now," said the captain, "I ain't in love myself, and I've made many a smart run across the ocean, and I should like to carry on and go ahead with this affair of yours and make a run slick through it. Shall I try? Will you hand it over to me?" They were both delighted to do so, and thanked him heartily. "Good," said the captain, taking out his watch. "This is half-past eight A.M., Friday morning. I'll jot that down, and we'll compute how many hours we've been out, when we run into your mother's post-office. There! The entry's made, and now we go ahead." They went ahead so well, that before the Barnstaple lawyer's office was open next morning, the captain was sitting whistling on the step of the door, waiting for the clerk to come down the street with his key and open it. But, instead of the clerk, there came the master: with whom the captain fraternised on the spot, to an extent that utterly confounded him. As he personally knew both Hugh and Alfred, there was no difficulty in obtaining immediate access to such of the father's papers as were in his keeping. These were chiefly old letters and cash accounts: from which the captain, with a shrewdness and despatch that left the lawyer far behind, established with perfect clearness, by noon, the following particulars. That, one Lawrence Clissold had borrowed of the deceased, at a time when he was a thriving young tradesman in the town of Barnstaple, the sum of five hundred pounds. That, he had borrowed it, on the written statement that it was to be laid out in furtherance of a speculation, which he expected would raise him to independence: he being, at the time of writing that letter, no more than a clerk in the house of Dringworth Brothers, America-square, London. That, the money was borrowed for a stipulated period; but that when the term was out, the aforesaid speculation had failed, and Clissold was without means of repayment. That, hereupon, he had written to his creditor, in no very persuasive terms, vaguely requesting further time. That, the creditor had refused this concession, declaring that he could not afford delay. That, Clissold then paid the debt, accompanying the remittance of the money, with an angry letter, describing it as having been advanced by a relative to save him from ruin. That, in acknowledging the receipt, Raybrock had cautioned Clissold to seek to borrow money of him no more, as he would never so risk money again. Before the lawyer, the captain said never a word in reference to these discoveries. But when the papers had been put back in their box, and he and his two companions were well out of the office, his right leg suffered for it, and he said: "So far, this run's begun with a fair wind and a prosperous—for don't you see that all this agrees with that dutiful trust in his father, maintained by the slow member of the Raybrock family?" Whether the brothers had seen it before or no, they saw it now. Not that the captain gave them much time to contemplate the state of things at their ease, for he instantly whipped them into a chaise again, and bore them off to Steepways. Although the afternoon was but just beginning to decline when they reached it, and it was broad daylight, still they had no difficulty, by dint of muffling the returned sailor up, and ascending the village rather than descending it, in reaching Tregarthen's cottage unobserved. Kitty was not visible, and they surprised Tregarthen sitting writing in the small bay-window of his little room. "Sir, said the captain, instantly shaking hands with him, pen and all, "I'm glad to see you, sir. How do you do, sir? I told you you'd think better of me by-and-by, and I congratulate you on going to do it." Here, the captain's eye fell on Tom Pettifer Ho, engaged in preparing some cookery at the fire. "That crittur," said the captain, smiting his leg, "is a born steward, and never ought to have been in any other way of life. Stop where you are, Tom, and make yourself useful. Now, Tregarthen, I'm agoing to try a chair." Accordingly, the captain drew one close to him, and went on: "This loving member of the Raybrock family you know, sir. This slow member of the same family, you don't know, sir. Wa'al, these two are brothers—fact! Hugh's come to life again, and here he stands. Now, see here, my friend! You don't want to be told that he was cast away, but you do want to be told (for there's a purpose in it) that he was cast away with another man. That man, by name, was Lawrence Clissold." At the mention of this name, Tregarthen started and changed colour. "What's the matter?" said the captain. "He was a fellow-clerk of mine, thirty—five-and-thirty—years ago." "True," said the captain, immediately catching at the clue: "Dringworth Brothers, America-square, London City." The other started again, nodded, and said, "That was the House." "Now," pursued the captain, "between those two men cast away, there arose a mystery concerning the round sum of five hundred pound." Again Tregarthen started and changed colour. Again the captain said, " What's the matter?" As Tregarthen only answered, "Please to go on," the captain recounted, very tersely and plainly, the nature of Clissold's wanderings on the barren island, as he had condensed them in his mind from the seafaring man. Tregarthen became greatly agitated during this recital, and at length exclaimed: "Clissold was the man who ruined me! I have suspected it for many a long year, and now I know it." "And how," said the captain, drawing his chair still closer to Tregarthen, and clapping his hand upon his shoulder, "how may you know it?" "When we were fellow-clerks," replied Tregarthen, "in that London House, it was one of my duties to enter daily in a certain book, an account of the sums received that day by the firm, and afterwards paid into the banker's. One memorable day—a Wednesday, the black day of my life—among the sums I so entered, was one of five hundred pounds." "I begin to make it out," said the captain. Yes?" "It was one of Clissold's duties to copy from this entry, a memorandum of the sums which the clerk employed to go to the banker's paid in there. It was my duty to hand the money to Clissold; it was Clissold's to hand it to the clerk, with that memorandum of his writing. On that Wednesday, I entered a sum of five hundred pounds received. I handed that sum, as I handed the other sums in the day's entry, to Clissold. I was absolutely certain of it at the time; I have been absolutely certain of it ever since. A sum of five hundred pounds was afterwards found by the House to have been that day wanting from the bag, from Clissold's memorandum, and from the entries in my book. Clissold, being questioned, stood upon his perfect clearness in the matter, and emphatically declared that he asked no better than to be tested by 'Tregarthen's book.' My book was examined, and the entry of five hundred pounds was not there." "How not there," said the captain, "when you made it yourself?" Tregarthen continued: "I was then questioned. Had I made the entry? Certainly I had. The House produced my book, and it was not there. I could not deny my book; I could not deny my writing. I knew there must be forgery by some one; but the writing was wonderfully like mine, and I could impeach no one if the House could not. I was required to pay the money back. I did so, and I left the House, almost broken-hearted, rather than remain there—even if I could have done so—with a dark shadow of suspicion always on me. I returned to my native place, Lanrean, and remained there, clerk to a mine, until I was appointed to my little post here." "I well remember," said the captain, "that I told you that if you had had no experience of ill-judgments on deceiving appearances, you were a lucky man. You were hurt at that, and I see why. I'm sorry." "Thus it is," said Tregarthen. "Of my own innocence, I have of course been sure; it has been at once my comfort, and my trial. Of Clissold I have always had suspicions almost amounting to certainty, but they have never been confirmed until now. For my daughter's sake and for my own, I have carried this subject in my own heart, as the only secret of my life, and have long believed that it would die with me." "Wa'al, my good sir," said the captain, cordially, "the present question is, and will be long, I hope, concerning living, and not dying. Now, here are our two honest friends, the loving Raybrock and the slow. Here they stand, agreed on one point, on which I'd back 'em round the world, and right across it from north to south, and then again from east to west, and through it, from your deepest Cornish mine to China. It is, that they will never use this same so-often-mentioned sum of money, and that restitution of it must be made to you. These two, the loving member and the slow, for the sake of the right and of their father's memory, will have it ready for you to-morrow. Take it, and ease their minds and mine, and end a most unfort'nate transaction." Tregarthen took the captain by the hand, and gave his hand to each of the young men, but positively and finally answered, No. He said, they trusted to his word, and he was glad of it, and at rest in his mind—but there was no proof, and the money must remain as it was. All were very earnest over this; and earnestness in men, when they are right and true, is so impressive, that Mr. Pettifer deserted his cookery and looked on quite moved. "And so," said the captain, "so we come—as that lawyer-crittur over yonder where we were this morning, might—to mere proof; do we? We must have it; must we? How? From this Clissold's wanderings, and from what you say, it ain't hard to make out that there was a neat forgery of your writing committed by the too smart Rowdy that was grease and ashes when I made his acquaintance, and a substitution of a forged leaf in your book for a real and true leaf torn out. Now, was that real and true leaf then and there destroyed? No—for says he, in his drunken way, he slipped it into a crack in his own desk, because you came into the office before there was time to burn it—and could never get back to it arterwards. Wait a bit. Where is that desk now? Do you consider it likely to be in America-square, London City?" Tregarthen shook his head. "The House has not, for years, transacted business in that place. I have heard of it and read of it, as removed, enlarged, every way altered. Things alter so fast in these times." "You think so," returned the captain, with compassion; "but you should come over and see me, afore you talk about that. Wa'al, now. This desk, this paper this paper, this desk," said the captain, ruminating and walking about, and looking, in his uneasy abstraction, into Mr. Pettifer's hat on a table, among other things. "This desk, this paper—this paper, this desk," the captain continued, musing and roaming about the room, "I'd give—" However, he gave nothing, but took up his steward's hat instead, and stood looking into it, as if he had just come into Church. After that be roamed again, and again said, "This desk, belonging to this House of Dringworth Brothers, America-square, London City—" Mr. Pettifer, still strangely moved and now more moved than before, cut the captain off as he backed across the room, and bespake him thus: "Captain Jorgan, I have been wishful to engage your attention, but I couldn't do it. I am unwilling to interrupt, Captain Jorgan, but I must do it. I know something about that House." The captain stood stock-still, and looked at him—with his (Mr. Pettifer's) hat under his arm. "You're aware," pursued his steward, "that I was once in the broking business, Captain Jorgan?" "I was aware," said the captain, "that you had failed in that calling and in half the businesses going, Tom." "Not quite so, Captain Jorgan; but I failed in the broking business. I was partners with my brother, sir. There was a sale of old office furniture at Dringworth Brothers when the House was moved from America-square, and me and my brother made what we call in the trade a Deal there, sir. And I'll make bold to say, sir, that the only thing I ever had from my brother, or from any relation—for my relations have mostly taken property from me, instead of giving me any—was an old desk we bought at that same sale, with a crack in it. My brother wouldn't have given me even that, when we broke partnership, if it had been worth anything." "Where is that desk now?" said the captain. "Well, Captain Jorgan," replied the steward, "I couldn't say for certain where it is now; but when I saw it last—which was last time we were outward-bound—it was at a very nice lady's at Wapping, along with a little chest of mine which was detained for a small matter of a bill owing." The captain, instead of paying that rapt attention to his steward which was rendered by the other three persons present, went to Church again, in respect of the steward's hat. And a most especially agitated and memorable face the captain produced from it, after a short pause. "Now, Tom," said the captain, "I spoke to you, when we first came here, respecting your constitutional weakness on the subject of sunstroke?" "You did, sir." "Will my slow friend," said the captain, "lend me his arm, or I shall sink right back'ards into this blessed steward's cookery?—Now, Tom," pursued the captain, when the required assistance was given, "on your oath as a steward, didn't you take that desk to pieces to make a better one of it, and put it together fresh—or something of the kind?" "On my oath I did, sir," replied the steward. "And by the blessing of Heaven, my friends, one and all," cried the captain, radiant with joy —"of the Heaven that put it into this Tom Pettifer's head to take so much care of his head against the bright sun—he lined his hat with the original leaf in Tregarthen's writing—and here it is!" With that, the captain, to the utter destruction of Mr. Pettifer's favourite hat, produced the book-leaf, very much worn, but still legible, and gave both his legs such tremendous slaps, that they were heard far off in the bay, and never accounted for. "A quarter-past five P.M.," said the captain, pulling out his watch, "and that's thirty-three hours and a quarter in all, and a pritty run!" How they were all overpowered with delight and triumph; how the money was restored, then and there to Tregarthen; how Tregarthen, then and there, gave it all to his daughter; how the captain undertook to go to Dringworth Brothers and re-establish the reputation of their forgotten old clerk; how Kitty came in, and was nearly torn to pieces, and the marriage was reappointed; needs not to be told. Nor, how she and the young fisherman went home to the post-office to prepare the way for the captain's coming, by declaring him to be the mightiest of men who had made all their fortunes—and then dutifully withdrew together, in order that he might have the domestic coast entirely to himself. How he availed himself of it, is all that remains to tell. Deeply delighted with his trust, and putting his heart into it, he raised the latch of the post-office parlour where Mrs. Raybrock and the young widow sat, and said: "May I come in?" "Sure you may, Captain Jorgan!" replied the old lady. "And good reason you have to be free of the house, though you have not been too well used in it, by some who ought to have known better. I ask your pardon." "No you don't, ma'am," said the captain, "for I won't let you. Wa'al to be sure! By this time he had taken a chair on the hearth between them. "Never felt such an evil spirit in the whole course of my life! There! I tell you! I could a'most have cut my own connexion—Like the dealer in my country, away West, who when he had let himself be outdone in a bargain, said to himself, 'Now I tell you what! I'll never speak to you again.' And he never did, but joined a settlement of oysters, and translated the multiplication-table into their language. Which is a fact that can be proved, if you doubt it, mention it to any oyster you come across, and see if he'll have the face to contradict it." He took the child from her mother's lap, and set it on his knee. "Not a bit afraid of me now, yon see. Knows I am fond of small people. I have a child, and she's a girl, and I sing to her sometimes." "What do you sing?" asked Margaret. "Not a long song, my dear. Silas Jorgan Played the organ. That's about all. And sometimes I tell her stories. Stories of sailors supposed to be lost, and recovered after all hope was abandoned." Here the captain musingly went back to his song: "Silas Jorgan Played the organ," —repeating it with his eyes on the fire, as he softly danced the child on his knee. For, he felt that Margaret had stopped working. "Yes," said the captain, still looking at the fire. "I make up stories and tell 'em to that child. Stories of shipwreck on desert islands and long delay in getting back to civilised lands. It is to stories the like of that, mostly, that Silas Jorgan Plays the organ." There was no light in the room but the light of the fire; for, the shades of night were on the village, and the stars had begun to peep out of the sky one by one, as the houses of the village peeped out from among the foliage when the night departed. The captain felt that Margaret's eyes were upon him, and thought it discreetest to keep his own eyes on the fire. "Yes; I make 'em up," said the captain. "I make up stories of brothers brought together by the good providence of GOD. Of sons brought back to mothers—husbands brought back to wives—fathers raised from the deep, for little children like herself." Margaret's touch was on his arm, and he could not choose but look round now. Next moment her hand moved imploringly to his breast, and she was on her knees before him: supporting the mother, who was also kneeling. "What's the matter?" said the captain. "What's the matter? Silas Jorgan Played the—" Their looks and tears were too much for him, and he could not finish the song, short as it was. "Mistress Margaret, you have borne ill fortune well. Could you bear good fortune equally well, if it was to come?" "I hope so. I thankfully and humbly and earnestly hope so!" "Wa'al, my dear," said the captain, "p'raps it has come. He's—don't be frightened—shall I say the word?" "Alive?" "Yes!" The thanks they fervently addressed to Heaven were again too much for the captain, who openly took out his handkerchief and dried his eyes. "He's no further off," resumed the captain, "than my country. Indeed, he's no further off than his own native country. To tell you the truth, he's no further off than Falmouth. Indeed, I doubt if he's quite so fur. Indeed, if you was sure you could bear it nicely, and I was to do no more than whistle for him—" The captain's trust was discharged. A rush came, and they were all together again. This was a fine opportunity for Tom Pettifer to appear with a tumbler of cold water, and he presently appeared with it, and administered it to the ladies: at the same time soothing them, and composing their dresses, exactly as if they had been passengers crossing the Channel. The extent to which the captain slapped his legs, when Mr. Pettifer acquitted himself of this act of stewardship, could have been thoroughly appreciated by no one but himself: inasmuch as he must have slapped them black and blue, and they must have smarted tremendously. He couldn't stay for the wedding; having a few appointments to keep, at the irreconcilable distance of about four thousand miles. So, next morning, all the village cheered him up to the level ground above, and there he shook hands with a complete Census of its population, and invited the whole, without exception, to come and stay several months with him at Salem, Mass., U.S. And there, as he stood on the spot where he had seen that little golden picture of love and parting, and from which he could that morning contemplate another golden picture with a vista of golden years in it, little Kitty put her arms around his neck, and kissed him on both his bronzed cheeks, and laid her pretty face upon his storm-beaten breast, in sight of all: ashamed to have called such a noble captain names. And there, the captain waved his hat over his head three final times; and there, he was last seen, going away accompanied by Tom Pettifer Ho, and carrying his hands in his pockets. And there, before that ground was softened with the fallen leaves of three more summers, a rosy little boy took his first unsteady run to a fair young mother's breast, and the name of that infant fisherman, was Jorgan Raybrock. THE END.</text>
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                <text>&lt;em&gt;A Message from the Sea &lt;/em&gt;(1860 Christmas Number)</text>
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                <text>Dickens, Charles</text>
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                <text>&lt;em&gt;Dickens Journals Online,&lt;/em&gt; &lt;a href="https://www.djo.org.uk/all-the-year-round/volume-iv/page-573.html"&gt;https://www.djo.org.uk/all-the-year-round/volume-iv/page-573.html&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Dickens Journals Online,&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.djo.org.uk/all-the-year-round/volume-iv/page-576.html"&gt;https://www.djo.org.uk/all-the-year-round/volume-iv/page-576.html&lt;/a&gt;&lt;span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Dickens Journals Online,&lt;/em&gt;&amp;nbsp;&lt;a href="https://www.djo.org.uk/all-the-year-round/volume-iv/page-616.html"&gt;https://www.djo.org.uk/all-the-year-round/volume-iv/page-616.html&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;</text>
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                <text>1860-12-25</text>
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                <text>Published in &lt;em&gt;All the Year Round,&lt;/em&gt; Vol. IV, Extra Christmas Number, 25 December 1860, pp. 1-48.</text>
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                <text>Dickens, Charles et. al. &lt;em&gt;A Message From the Sea&lt;/em&gt; (25 December 1860). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1860-12-25-A_Message_From_the_Sea"&gt;https://www.dickenssearch.com/christmas-numbers/1860-12-25-A_Message_From_the_Sea&lt;/a&gt;.</text>
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                <text>&lt;span&gt;Scanned material from &lt;em&gt;Dickens Journals Online&lt;/em&gt;, &lt;/span&gt;&lt;a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk"&gt;www.djo.org.uk&lt;/a&gt;. A&lt;span&gt;vailable under CC BY licence.&lt;/span&gt;</text>
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                <text>&lt;ul&gt;&#13;
&lt;li&gt;Charles Dickens (and Wilkie Collins?). 'The Village' (No.1), pp. 1-4.&lt;/li&gt;&#13;
&lt;li&gt;Charles Dickens and Wilkie Collins. 'The Money' (No.2), pp. 4-9.&lt;/li&gt;&#13;
&lt;li&gt;Charles Dickens and Wilkie Collins (framing). 'The Club Night' (No.3), pp. 9-12,19,24,30-31.&#13;
&lt;ul&gt;&#13;
&lt;li&gt;Charles Allston Collins. Story of Tredgear in France (untitled), pp. 12-19.&lt;/li&gt;&#13;
&lt;li&gt;Harriet Parr. Story of James Lawrence (untitled), pp. 19-24.&lt;/li&gt;&#13;
&lt;li&gt;Henry Fothergill (H.F.) Chorley. Poem about white people cannibalising a black enslaved man (untitled), pp. 24-25.&lt;/li&gt;&#13;
&lt;li&gt;Amelia B. Edwards. Story about Penrewen's brother (untitled), pp. 25-30.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;/li&gt;&#13;
&lt;li&gt;Wilkie Collins ('chiefly'). 'The Seafaring Man' (No.4), pp. 31-44.&lt;/li&gt;&#13;
&lt;li&gt;Charles Dickens and Wilkie Collins. 'The Restitution' (No.5), pp. 44-48.&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                <text>"And a mighty sing'lar and pretty place it is, as ever I saw in all the days of my life!" said Captain Jorgan, looking up at it.&lt;br /&gt;&lt;br /&gt;Captain Jorgan had to look high to look at it, for the village was built sheer up the face of a steep and lofty cliff. There was no road in it, there was no wheeled vehicle in it, there was not a level yard in it. From the sea-beach to the cliff-top, two irregular rows of white houses, placed opposite to one another, and twisting here and there and there and here, rose, like the sides of a long succession of stages of crooked ladders, and you climbed up the village or climbed down the village by the staves between: some six feet wide or so, and made of sharp irregular stones. The old pack-saddle, long laid aside in most parts of England as one of the appendages of its infancy, nourished here intact. Strings of pack-horses and pack-donkeys toiled slowly up the staves of the ladders, bearing fish, and coal, and such other cargo as was unshipping at the pier from the dancing fleet of village boats, and from two or three little coasting traders. As the beasts of burden ascended laden, or descended light, they got so lost at intervals in the floating clouds of village smoke, that they seemed to dive down some of the village chimneys and come to the surface again far off, high above others. No two houses in the village were alike, in chimney, size, shape, door, window, gable, roof-tree, anything. The sides of the ladders were musical with water, running clear and bright. The staves were musical with the clattering feet of the pack-horses and pack-donkeys, and the voices of the fishermen urging them up, mingled with the voices of the fishermen's wives and their many children. The pier was musical with the wash of the sea, the creaking of capstans and windlasses, and the airy fluttering of little vanes and sails. The rough sea-bleached boulders of which the pier was made, and the whiter boulders of the shore, were brown with drying nets. The red-brown cliffs, richly wooded to their extremest verge, had their softened and beautiful forms reflected in the bluest water, under the clear North Devonshire sky of a November day without a cloud. The village itself was so steeped in autumnal foliage, from the houses giving on the pier, to the topmost round of the topmost ladder, that one might have fancied it was out a birds'-nesting, and was (as indeed it was) a wonderful climber. And mentioning birds, the place was not without some music from them too; for, the rook was very busy on the higher levels, and the gull with his flapping wings was fishing in the bay, and the lusty little robin was hopping among the great stone blocks and iron rings of the breakwater, fearless in the faith of his ancestors and the Children in the Wood.&lt;br /&gt;&lt;br /&gt;Thus it came to pass that Captain Jorgan, sitting balancing himself on the pier-wall, struck his leg with his open hand, as some men do when they are pleased—and as he always did when he was pleased—and said:&lt;br /&gt;&lt;br /&gt;"A mighty sing'lar and pretty place it is, as ever I saw in all the days of my life!"&lt;br /&gt;&lt;br /&gt;Captain Jorgan had not been through the village, but had come down to the pier by a winding side-road, to have a preliminary look at it from the level of his own natural element. He had seen many things and places, and had stowed them all away in a shrewd intellect and a vigorous memory. He was an American born, was Captain Jorgan—a New Englander—but he was a citizen of the world, and a combination of most of the best qualities of most of its best countries.&lt;br /&gt;&lt;br /&gt;For Captain Jorgan to sit anywhere in his long-skirted blue coat and blue trousers, without holding converse with everybody within speaking distance, was a sheer impossibility. So, the captain fell to talking with the fishermen, and to asking them knowing questions about the fishery, and the tides, and the currents, and the race of water off that point yonder, and what you kept in your eye and got into a line with what else when you ran into the little harbour; and other nautical profundities. Among the men who exchanged ideas with the captain, was a young fellow who exactly hit his fancy—a young fisherman of two or three-and-twenty, in the rough sea-dress of his craft, with a brown face, dark curling hair, and bright modest eyes under his Sou'-Wester hat, and with a frank but simple and retiring manner which the captain found uncommonly taking. "I'd bet a thousand dollars," said the captain to himself, "that your father was an honest man!"&lt;br /&gt;&lt;br /&gt;"Might you be married now?" asked the captain when he had had some talk with this new acquaintance.&lt;br /&gt;&lt;br /&gt;"Not yet."&lt;br /&gt;&lt;br /&gt;"Going to be?" said the captain.&lt;br /&gt;&lt;br /&gt;"I hope so."&lt;br /&gt;&lt;br /&gt;The captain's keen glance followed the slightest possible turn of the dark eye, and the slightest possible tilt of the Sou'-Wester hat. The captain then slapped both his legs, and said to himself:&lt;br /&gt;&lt;br /&gt;"Never knew such a good thing in all my life! There's his sweetheart looking over the wall!"&lt;br /&gt;&lt;br /&gt;There was a very pretty girl looking over the wall, from a little platform of cottage, vine, and fuchsia; and she certainly did not look as if the presence of this young fisherman in the landscape, made it any the less sunny and hopeful for her.&lt;br /&gt;&lt;br /&gt;Captain Jorgan, having doubled himself up to laugh with that hearty good nature which is quite exultant in the innocent happiness of other people, had undoubled himself and was going to start a new subject, when there appeared coming down the lower ladders of stones a man whom he hailed as "Tom Pettifer Ho!" Tom Pettifer Ho responded with alacrity, and in speedy course descended on the pier.&lt;br /&gt;&lt;br /&gt;"Afraid of a sunstroke in England in November, Tom, that you wear your tropical hat, strongly paid outside and paper-lined inside, here?" said the captain, eyeing it.&lt;br /&gt;&lt;br /&gt;"It's as well to be on the safe side, sir," replied Tom.&lt;br /&gt;&lt;br /&gt;"Safe side!" repeated the captain, laughing. "You'd guard against a sunstroke with that old hat, in an Ice Pack. Wa'al! What have you made out at the Post-office?"&lt;br /&gt;&lt;br /&gt;"It is the Post-office, sir."&lt;br /&gt;&lt;br /&gt;"What's the Post-office?" said the captain.&lt;br /&gt;&lt;br /&gt;"The name, sir. The name keeps the Post-office."&lt;br /&gt;&lt;br /&gt;"A coincidence!" said the captain. "A lucky hit! Show me where it is. Good-by, shipmates, for the present! I shall come and have another look at you, afore I leave, this afternoon."&lt;br /&gt;&lt;br /&gt;This was addressed to all there, but especially the young fisherman; so, all there acknowledged it, but especially the young fisherman. "He's a sailor!" said one to another, as they looked after the captain moving away. That he was; and so outspeaking was the sailor in him, that although his dress had nothing nautical about it with the single exception of its colour, but was a suit of a shore-going shape and form, too long, in the sleeves, and too short in the legs, and too unaccommodating everywhere, terminating earthward in a pair of Wellington boots, and surmounted by a tall stiff hat which no mortal could have worn at sea in any wind under Heaven; nevertheless, a glimpse of his sagacious weather-beaten face or his strong brown hand would have established the captain's calling. Whereas, Mr. Pettifer—a man of a certain plump neatness with a curly whisker, and elaborately nautical in a jacket and shoes and all things correspondent—looked no more like a seaman, beside Captain Jorgan, than he looked like a sea-serpent.&lt;br /&gt;&lt;br /&gt;The two climbed high up the village—which had the most arbitrary turns and twists in it, so that the cobbler's house came dead across the ladder, and to have held a reasonable course you must have gone through his house, and through, him too, as he sat at his work between two little windows, with one eye microscopically on the geological formation of that part of Devonshire, and the other telescopically on the open sea—the two climbed high up the village, and stopped before a quaint little house, on which was painted "MRS. RAYBROCK, DRAPER;" and also, "POST-OFFICE." Before it, ran a rill of murmuring water, and access to it was gained by a little plank-bridge.&lt;br /&gt;&lt;br /&gt;"Here's the name," said Captain Jorgan, "sure enough. You can come in if you like, Tom."&lt;br /&gt;&lt;br /&gt;The captain opened the door, and passed into an odd little shop about six feet high, with a great variety of beams and bumps in the ceiling, and, besides the principal window giving on the ladder of stones, a purblind little window of a single pane of glass: peeping out of an abutting corner at the sun-lighted ocean, and winking at its brightness.&lt;br /&gt;&lt;br /&gt;"How do you do, ma'am?" said the captain. "I am very glad to see you. I have come a long way to see you."&lt;br /&gt;&lt;br /&gt;"Have you, sir? Then I am sure I am very glad to see you, though I don't know you from. Adam."&lt;br /&gt;&lt;br /&gt;Thus, a comely elderly woman, short of stature, plump of form, sparkling and dark of eye, who, perfectly clean and neat herself, stood in the midst of her perfectly clean and neat arrangements, and surveyed Captain Jorgan with smiling curiosity. "Ah! but you are a sailor, sir," she added, almost immediately, and with a slight movement of her hands, that was not very unlike wringing them; "then you are heartily welcome."&lt;br /&gt;&lt;br /&gt;"Thankee, ma'am," said the captain. "I don't know what it is, I am sure, that brings out the salt in me, but everybody seems to see it on the crown of my hat and the collar of my coat. Yes, ma'am, I am in that way of life."&lt;br /&gt;&lt;br /&gt;"And the other gentleman, too," said Mrs. Raybrock.&lt;br /&gt;&lt;br /&gt;"Well now, ma'am," said the captain, glancing shrewdly at the other gentleman, "you are that nigh right, that he goes to sea—if that makes him a sailor. This is my steward, ma'am, Tom Pettifer; he's been a'most all trades you could name, in the course of his life—would have bought all your chairs and tables, once, if you had wished to sell 'em—but now he's my steward. My name's Jorgan, and I'm a shipowner, and I sail my own and my partners' ships, and have done so this five-and-twenty year. According to custom I am called Captain Jordan, but I am no more a captain, bless your heart! than you are."&lt;br /&gt;&lt;br /&gt;"Perhaps you'll come into my parlour, sir, and take a chair?" said Mrs. Raybrock.&lt;br /&gt;&lt;br /&gt;"Ex-actly what I was going to propose myself, ma'am. After you."&lt;br /&gt;&lt;br /&gt;Thus replying, and enjoining Tom to give an eye to the shop, Captain Jorgan followed Mrs. Raybrock into the little low back-room—decorated with divers plants in pots, tea-trays, old china teapots, and punch-bowls which was at once the private sitting-room of the Raybrock family, and the inner cabinet of the post-office of the village of Steepways.&lt;br /&gt;&lt;br /&gt;"Now, ma'am," said the captain, "it don't signify a cent to you where I was born, except.—" But, here the shadow of some one entering, fell upon the captain's figure, and he broke off to double himself up, slap both his legs, and ejaculate, "Never knew such a thing in all my life! Here he is again! How are you?"&lt;br /&gt;&lt;br /&gt;These words referred to the young fellow who had so taken Captain Jorgan's fancy down at the pier. To make it all quite complete he came in accompanied by the sweetheart whom the captain had detected looking over the wall. A prettier sweetheart the sun could not have shone upon, that shining day. As she stood before the captain, with her rosy lips just parted in surprise, her brown eyes a little wider open than was usual from the same cause, and her breathing a little quickened by the ascent (and possibly by some mysterious hurry and flurry at the parlour door, in which the captain had observed her face to be for a moment totally eclipsed by the Sou'-Wester hat), she looked so charming, that the captain felt himself under a moral obligation to slap both his legs again. She was very simply dressed, with no other ornament than an autumnal flower in her bosom. She wore neither hat nor bonnet, but merely a scarf or kerchief, folded squarely back over the head, to keep the sun off—according to a fashion that may be sometimes seen in the more genial parts of England as well as of Italy, and which is probably the first fashion of head-dress that came into the world when grasses and leaves went out.&lt;br /&gt;&lt;br /&gt;"ln my country," said the captain, rising to give her his chair, and dexterously sliding it close to another chair on which the young fisherman must necessarily establish himself "in my country we should call Devonshire beauty, first-rate!"&lt;br /&gt;&lt;br /&gt;Whenever a frank manner is offensive, it is because it is strained or feigned; for, there may be quite as much intolerable affectation in plainness, as in mincing nicety. All that the captain said and did, was honestly according to his nature, and his nature was open nature and good nature; therefore, when he paid this little compliment, and expressed with a sparkle or two of his knowing eye, "I see how it is, and nothing could be better," he had established a delicate confidence on that subject with the family.&lt;br /&gt;&lt;br /&gt;"I was saying to your worthy mother," said the captain to the young man, after again introducing himself by name and occupation: "I was saying to your mother (and you're very like her) that it didn't signify where I was born except that I was raised on question-asking ground, where the babies as soon as ever they come into the world, inquire of their mothers 'Neow, how old may you be, and wa'at air you a goin' to name me?'— which is a fact." Here he slapped his leg. "Such being the case, I may be excused for asking you if your name's Alfred?"&lt;br /&gt;&lt;br /&gt;"Yes, sir, my name is Alfred," returned the young man.&lt;br /&gt;&lt;br /&gt;"I am not a conjuror," pursued the captain, "and don't think me so, or I shall right soon undeceive you. Likewise don't think, if you please, though I do come from that country of the babies, that I am asking questions for question-asking's sake, for I am not. Somebody belonging to you, went to sea?"&lt;br /&gt;&lt;br /&gt;"My elder brother Hugh," returned the young man. He said it in an altered and lower voice, and glanced at his mother: who raised her hands hurriedly, and put them together across her black gown, and looked eagerly at the visitor.&lt;br /&gt;&lt;br /&gt;"No! For God's sake, don't think that!" said the captain, in a solemn way; "I bring no good tidings of him."&lt;br /&gt;&lt;br /&gt;There was a silence, and the mother turned her face to the fire and put her hand between it and her eyes. The young fisherman slightly motioned towards the window, and the captain, looking in that direction, saw a young widow sitting at a neighbouring window across a little garden, engaged in needlework, with a young child sleeping on her bosom. The silence continued until the captain asked of Alfred:&lt;br /&gt;&lt;br /&gt;"How long is it since it happened?"&lt;br /&gt;&lt;br /&gt;"He shipped for his last voyage, better than three years ago."&lt;br /&gt;&lt;br /&gt;"Ship struck upon some reef or rock, as I take it," said the captain, "and all hands lost?"&lt;br /&gt;&lt;br /&gt;"Yes."&lt;br /&gt;&lt;br /&gt;"Wa'al!" said the captain, after a shorter silence. "Here I sit who may come to the same end, like enough. He holds the seas in the hollow of His hand. We must all strike somewhere and go down. Our comfort, then, for ourselves and one another, is, to have done our duty. I'll wager your brother did his!"&lt;br /&gt;&lt;br /&gt;"He did!" answered the young fisherman.&lt;br /&gt;&lt;br /&gt;"If ever man strove faithfully on all occasions to do his duty, my brother did. My brother was not a quick man (anything but that), but he was a faithful, true, and just man. We were the sons of only a small tradesman in this county, sir; yet our father was as watchful of his good name as if he had been a king."&lt;br /&gt;&lt;br /&gt;"A precious sight more so, I hope—bearing in mind the general run of that class of crittur," said the captain. "But I interrupt."&lt;br /&gt;&lt;br /&gt;"My brother considered that our father left the good name to us, to keep clear and true."&lt;br /&gt;&lt;br /&gt;"Your brother considered right," said the captain; "and you couldn't take care of a better legacy. But again I interrupt."&lt;br /&gt;&lt;br /&gt;"No; for I have nothing more to say. We know that Hugh lived well for the good name, and we feel certain that he died well for the good name. And now it has come into my keeping. And that's all."&lt;br /&gt;&lt;br /&gt;"Well spoken!" cried the captain. "Well spoken, young man! Concerning the manner of your brother's death;" by this time, the captain had released the hand he had shaken, and sat with his own broad brown hands spread out on his knees, and spoke aside; "concerning the manner of your brother's death, it may be that I have some information to give you; though it may not be, for I am far from sure. Can we have a little talk alone?"&lt;br /&gt;&lt;br /&gt;The young man rose; but, not before the captain's&lt;br /&gt;quick eye had noticed that, on the pretty sweetheart's turning to the window to greet the young widow with a nod and a wave of the hand,&lt;br /&gt;the young widow had held up to her the needlework on which she was engaged, with a patient and pleasant smile. So the captain said, being on his legs:&lt;br /&gt;&lt;br /&gt;"What might she be making now?"&lt;br /&gt;&lt;br /&gt;"What is Margaret making, Kitty?" asked the young fisherman—with one of his arms apparently mislaid somewhere.&lt;br /&gt;&lt;br /&gt;As Kitty only blushed in reply, the captain doubled himself up, as far as he could, standing, and said, with a slap of his leg:&lt;br /&gt;&lt;br /&gt;"In my country we should call it wedding-clothes, fact! We should, I do assure you."&lt;br /&gt;&lt;br /&gt;But, it seemed to strike the captain in another light too; for, his laugh was not a long one, and he added in quite a gentle tone:&lt;br /&gt;&lt;br /&gt;"And it's very pretty, my dear, to see her—poor young thing, with her fatherless child upon her bosom giving up her thoughts to your home and your happiness. It's very pretty, my dear, and it's very good. May your marriage be more prosperous than hers, and be a comfort to her, too. May the blessed sun see you all happy together, in possession of the good name, long after I have done ploughing the great salt field that is never sown!"&lt;br /&gt;&lt;br /&gt;Kitty answered very earnestly. "O! Thank you, sir, with all my heart!" And, in her loving little way, kissed her hand to him, and possibly by implication to the young fisherman too, as the latter held the parlour door open for the captain to pass out.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"The stairs are very narrow, sir," said Alfred Raybrock to Captain Jorgan.&lt;br /&gt;&lt;br /&gt;"Like my cabin-stairs," returned the captain, "on many a voyage."&lt;br /&gt;&lt;br /&gt;"And they are rather inconvenient for the head."&lt;br /&gt;&lt;br /&gt;"If my head can't take care of itself by this time, after all the knocking about the world it has had," replied the captain, as unconcernedly as if he had no connexion with it, "it's not worth looking after."&lt;br /&gt;&lt;br /&gt;Thus, they came into the young fisherman's bedroom, which was as perfectly neat and clean as the shop and parlour below: though it was but a little place, with a sliding window, and a phrenological ceiling expressive of all the peculiarities of the house-roof. Here the captain sat down on the foot of the bed, and, glancing at a dreadful libel on Kitty which ornamented the wall— the production of some wandering limner, whom the captain secretly admired, as having studied portraiture from the figure-heads of ships— motioned to the young man to take the rush-chair on the other side of the small round table. That done, the captain put his hand into the deep breast-pocket of his long-skirted blue coat, and took out of it a strong square case-bottle—not a large bottle, but such as may be seen in any ordinary ship's medicine chest. Setting this bottle on the table without removing his hand from it, Captain Jorgan then spake as follows.&lt;br /&gt;&lt;br /&gt;"In my last voyage homeward-bound," said the captain, "and that's the voyage off of which I now come straight, I encountered such weather off the Horn, as is not very often met with, even there. I have rounded that stormy Cape pretty often, and I believe I first beat about there in the identical storms that blew the devil's horns and tail off, and led to the horns being worked up into toothpicks for the plantation overseers in my country, who may be seen (if you travel down South, or away West, fur enough) picking their teeth with 'em, while the whips, made of the tail, flog hard. In this last voyage, homeward-bound for Liverpool from South America, I say to you my young friend, it blew. Whole measures! No half measures, nor making believe to blow; it blew! Now, I warn't blown clean out of the water into the sky—though I expected to be even that but I was blown clean out of my course; and when at last it fell calm, it fell dead calm, and a strong current set one way, day and night, night and day, and I drifted—drifted—drifted—out of all the ordinary tracks and courses of ships, and drifted yet, and yet drifted. It behoves a man who takes charge of fellow-critturs' lives, never to rest from making himself master of his calling. I never did rest, and consequently I knew pretty well (specially looking over the side in the dead calm at that strong current), what dangers to expect, and what precautions to take against 'em. In short, we were driving head on, to an island. There was no Island in the chart, and, therefore, you may say it was ill manners in the Island to be there; I don't dispute its bad breeding, but there it was. Thanks be to Heaven, I was as ready for the Island as the Island was ready for me. I made it out myself from the masthead, and I got enough way upon her in good time, to keep her off. I ordered a boat to be lowered and manned, and went in that boat myself to explore the Island. There was a reef outside it, and, floating in a corner of the smooth water within the reef, was a heap of seaweed, and entangled in that seaweed was this bottle."&lt;br /&gt;&lt;br /&gt;Here, the captain took his hand from the bottle for a moment, that the young fisherman might direct a wondering glance at it; and then replaced his hand and went on:&lt;br /&gt;&lt;br /&gt;"if ever you come—or even if ever you don't come—to a desert place, use you your eyes and your spy-glass well; for the smallest thing you see, may prove of use to you, and may have some information or some warning in it. That's the principle on which I came to see this bottle. I picked up the bottle and ran the boat alongside the Island and made fast and went ashore, armed, with a part of my boat's crew. We found that every scrap of vegetation on the Island (I give it you as in my opinion, but scant and scrubby at the best of times) had been consumed by fire. As we were making our way, cautiously and toilsomely, over the pulverised embers, one of my people sank into the earth, breast high. He turned pale, and 'Haul me out smart, shipmates,' says he, 'for my feet are among bones.' We soon got him on his legs again, and then we dug up the spot, and we found that the man was right, and that his feet had been among bones. More than that, they were human bones; though whether the remains of one man, or of two or three men, what with calcination and ashes, and what with a poor practical knowledge of&lt;br /&gt;anatomy, I can't undertake to say. We examined the whole Island and made out nothing else, save and except that, from its opposite side, I sighted a considerable tract of land, which land I was able to identify, and according to the bearings of which (not to trouble you with my log) I took a fresh departure. When I got aboard again, I opened the bottle, which was oilskin-covered as you see, and glass-stoppered as you see. Inside of it," pursued the captain, suiting his action to his words, "I found this little crumpled folded paper, just as you see. Outside of it was written, as you see, these words: &lt;em&gt;'Whoever finds this, is solemnly entreated by the dead, to convey it unread to Alfred Raybrock, Steepways, North Devon, England.'&lt;/em&gt; A sacred charge," said the captain, concluding his narrative, "and, Alfred Raybrock, there it is!"&lt;br /&gt;&lt;br /&gt;"This is my poor brother's writing!"&lt;br /&gt;&lt;br /&gt;"I supposed so," said Captain Jorgan. "I'll take a look out of this little window while you read it."&lt;br /&gt;&lt;br /&gt;"Pray no, sir! I should be hurt. We should all be hurt. My brother couldn't know it would fall into such hands as yours."&lt;br /&gt;&lt;br /&gt;The captain sat down again on the foot of the bed, and the young man opened the folded paper with a trembling hand, and spread it on the table. The ragged paper, evidently creased and torn both before and after being written on, was much blotted and stained, and the ink had faded and run, and many words were wanting. What the captain and the young fisherman made out together, after much re-reading and much humouring of the folds of the paper, was this:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Before meeting death with a made-up mind I put the below under-wrote for my own self's Reminder Days ago - in a bottle and set it floating. Loved brother Alfred if it comes to hand do as I would have done. Last love and thoughts to dear wife &amp;amp; mother &amp;amp; you Alfred.&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Hugh Raybrock&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Mem. For Self H. Raybrock to jog Memory&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Under His Hand Cast Away&lt;/em&gt;&lt;br /&gt;&lt;em&gt;Very Unhappy is mind through&lt;/em&gt;&lt;br /&gt;&lt;em&gt;his (L.C.'s) telling me that&amp;nbsp;&lt;/em&gt;&lt;br /&gt;&lt;em&gt;poor father's&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;500 £ is Stolen Money. Likewise, for reasons here noted down&lt;/em&gt;&lt;br /&gt;&lt;em&gt;no malice not the right books. He said I might&lt;/em&gt;&lt;br /&gt;&lt;em&gt;If proof if ever we get taken off here&lt;/em&gt;&lt;br /&gt;&lt;em&gt;He said Lanrean and so among the old men there.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;P.S. I believe nothing against poor father If ever taken off discover please God restore&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;The young fisherman had become more and more agitated, as the writing had become clearer to him. He now left it lying before the captain, over whose shoulder he had been reading it, and, dropping into his former seat, leaned forward on the table and laid his face in his hands.&lt;br /&gt;&lt;br /&gt;"What, man," urged the captain, "don't give in! Be up and doing, &lt;em&gt;like&lt;/em&gt; a man!"&lt;br /&gt;&lt;br /&gt;"It is selfish, I know—but doing what, doing what?" cried the young fisherman, in complete despair, and stamping his sea-boot on the ground.&lt;br /&gt;&lt;br /&gt;"Doing what?" returned the captain.&lt;br /&gt;&lt;br /&gt;"Something! I'd go down to the little breakwater below, yonder, and take a wrench at one of the salt-rusted iron-rings there, and either wrench it up by the roots or wrench my teeth out of my head, sooner than I'd do nothing. Nothing!" ejaculated the captain. "Any fool or faint-heart can do &lt;em&gt;that,&lt;/em&gt; and nothing can come of nothing—Which was pretended to be found out, I believe, by one of them Latin critturs," said the captain, with the deepest disdain; "as if Adam hadn't found it out, afore ever he so much as named the beasts!"&lt;br /&gt;&lt;br /&gt;Yet the captain saw, in spite of his bold words, that there was some greater reason than he yet understood for the young man's distress. And he eyed him with a sympathising curiosity.&lt;br /&gt;&lt;br /&gt;"Come, come!" continued the captain. "Speak out. What is it, boy?"&lt;br /&gt;&lt;br /&gt;"You have seen how beautiful she is, sir," said the young man, looking up for the moment, with a flushed face and rumpled hair.&lt;br /&gt;&lt;br /&gt;"Did any man ever say she warn't beautiful?" retorted the captain. "If so, go and lick him."&lt;br /&gt;&lt;br /&gt;The young man laughed fretfully in spite of himself, and said, "It's not that, it's not that."&lt;br /&gt;&lt;br /&gt;"Wa'al, then, what is it?" said the captain, in a more soothing tone.&lt;br /&gt;&lt;br /&gt;The young fisherman mournfully composed himself to tell the captain what it was, and began: "We were to have been married next Monday week—"&lt;br /&gt;&lt;br /&gt;"Were to have been!" interrupted Captain Jorgan. "And are to be? Hey?"&lt;br /&gt;&lt;br /&gt;Young Raybrock shook his head, and traced out with his forefinger the words &lt;em&gt;"poor father's five hundred pounds,"&lt;/em&gt; in the written paper.&lt;br /&gt;&lt;br /&gt;"Go along." said the captain. "Five hundred pounds? Yes?"&lt;br /&gt;&lt;br /&gt;"That sum of money," pursued the young fisherman, entering with the greatest earnestness on his demonstration, while the captain eyed him with equal earnestness, "was all my&lt;br /&gt;late father possessed. When he died, he owed no man more than he left means to pay, but he had been able to lay by only five hundred pounds."&lt;br /&gt;&lt;br /&gt;"Five hundred pounds," repeated the captain. "Yes?"&lt;br /&gt;&lt;br /&gt;"In his lifetime, years before, he had expressly laid the money aside, to leave to my mother—like to settle upon her, if I make myself understood."&lt;br /&gt;&lt;br /&gt;"Yes?"&lt;br /&gt;&lt;br /&gt;"He had risked it once—my father put down in writing at that time, respecting the money—and was resolved never to risk it again."&lt;br /&gt;&lt;br /&gt;"Not a spec'lator," said the captain. "My country wouldn't have suited him. Yes?"&lt;br /&gt;&lt;br /&gt;"My mother has never touched the money till now. And now it was to have been laid out, this very next week, in buying me a handsome share in our neighbouring fishery here, to settle me in life with Kitty."&lt;br /&gt;&lt;br /&gt;The captain's face fell, and he passed and repassed his sun-browned right hand over his thin hair, in a discomfited manner.&lt;br /&gt;&lt;br /&gt;"Kitty's father has no more than enough to live on, even in the sparing way in which we live about here. He is a kind of bailiff or steward of manor rights here, and they are not much, and it is but a poor little office. He was better off once, and Kitty must never marry to mere drudgery and hard living."&lt;br /&gt;&lt;br /&gt;The captain still sat stroking his thin hair, and looking at the young fisherman.&lt;br /&gt;&lt;br /&gt;"I am as certain that my father had no knowledge that any one was wronged as to this money, or that any restitution ought to be made, as I am certain that the sun now shines. But, after this solemn warning from my brother's grave in the sea, that the money is Stolen Money," said Young Raybrock, forcing himself to the utterance of the words, "can I doubt it? Can I touch it?"&lt;br /&gt;&lt;br /&gt;"About not doubting, I ain't so sure," observed the captain; "but about not touching—no—I don't think you can."&lt;br /&gt;&lt;br /&gt;"See, then," said Young Raybrock, "why I am so grieved. Think of Kitty. Think what I have got to tell her!"&lt;br /&gt;&lt;br /&gt;His heart quite failed him again when he had come round to that, and he once more beat his sea-boot softly on the floor. But, not for long; he soon began again, in a quietly resolute tone.&lt;br /&gt;&lt;br /&gt;"However! Enough of that! You spoke some brave words to me just now, Captain Jorgan, and they shall not be spoken in vain. I have got to do Something. What I have got to do, before all other things, is to trace out the meaning of this paper, for the sake of the Good Name that has no one else to put it right or keep it right. And still, for the sake of the Good Name, and my father's memory, not a word of this writing must be breathed to my mother, or to Kitty, or to any human creature. You agree in this?"&lt;br /&gt;&lt;br /&gt;"I don't know what they'll think of us, below," said the captain, "but for certain I can't oppose it. Now, as to tracing. How will you do?"&lt;br /&gt;&lt;br /&gt;They both, as by consent, bent over the paper again, and again carefully puzzled out the whole of the writing.&lt;br /&gt;&lt;br /&gt;"I make out that this would stand, if all the writing was here, 'Inquire among the old men living there, for'—some one. Most like, you'll go to this village named here?" said the captain, musing, with his finger on the name.&lt;br /&gt;&lt;br /&gt;"Yes! And Mr. Tregarthen is a Cornishman, and—to be sure!—comes from Lanrean."&lt;br /&gt;&lt;br /&gt;"Does he?" said the captain, quietly. "As I ain't acquainted with him, who may &lt;em&gt;he &lt;/em&gt;be?"&lt;br /&gt;&lt;br /&gt;"Mr. Tregarthen is Kitty's father."&lt;br /&gt;&lt;br /&gt;"Ay, ay!" cried the captain. "Now, you speak! Tregarthen knows this village of Lanrean, then?"&lt;br /&gt;&lt;br /&gt;"Beyond all doubt he does. I have often heard him mention it, as being his native place. He knows it well."&lt;br /&gt;&lt;br /&gt;"Stop half a moment," said the captain. "We want a name here. You could ask Tregarthen (or if you couldn't, I could) what names of old men he remembers in his time in those diggings? Hey?"&lt;br /&gt;&lt;br /&gt;"I can go straight to his cottage, and ask him now."&lt;br /&gt;&lt;br /&gt;"Take me with you," said the captain, rising in a solid way that had a most comfortable reliability in it, "and just a word more, first. I knocked about harder than you, and have got along further than you. I have had, all my sea-going life long, to keep my wits polished bright with acid and friction, like the brass cases of the ship's instruments. I'll keep you company on this expedition. Now, you don't live by talking, any more than I do. Clench that hand of yours in this hand of mine, and that's a speech on both sides."&lt;br /&gt;&lt;br /&gt;Captain Jorgan took command of the expedition with that hearty shake. He at once refolded the paper exactly as before, replaced it in the bottle, put the stopper in, put the&lt;br /&gt;oilskin over the stopper, confided the whole to Young Raybrock's keeping, and led the way down stairs.&lt;br /&gt;&lt;br /&gt;But it was harder navigation below stairs than above. The instant they set foot in the parlour, the quick womanly eye detected that there was something wrong. Kitty exclaimed, frightened, as she ran to her lover's side, "Alfred! What's the matter?" Mrs. Raybrock cried out to the captain, "Gracious! what have you done to my son to change him like this, all in a minute!" And the young widow—who was there with her work upon her arm was at first so agitated, that she frightened the little girl she held in her hand, who hid her face in her mother's skirts and screamed. The captain, conscious of being held responsible for this domestic change, contemplated it with quite a guilty expression of countenance, and looked to the young fisherman to come to his rescue.&lt;br /&gt;&lt;br /&gt;"Kitty darling," said Young Raybrock, "Kitty, dearest love, I must go away to Lanrean, and I don't know where else or how much farther, this very day. Worse than that—our marriage, Kitty, must be put off, and I don't know for how long."&lt;br /&gt;&lt;br /&gt;Kitty stared at him, in doubt and wonder and in anger, and pushed him from her with her hand&lt;br /&gt;&lt;br /&gt;"Put off?" cried Mrs. Raybrock. "The marriage put off? And you going to Lanrean! "Why, in the name of the dear Lord?"&lt;br /&gt;&lt;br /&gt;"Mother dear, I can't say why, I must not say why. It would be dishonourable and undutiful to say why."&lt;br /&gt;&lt;br /&gt;"Dishonourable and undutiful?" returned the dame. "And is there nothing dishonourable or undutiful in the boy's breaking the heart of his own plighted love, and his mother's heart too, for the sake of the dark secrets and counsels of a wicked stranger? Why did you ever come here?" she apostrophised the innocent captain. "Who wanted you? Where did you come from? Why couldn't you rest in your own bad place, wherever it is, instead of disturbing the peace of quiet unoffending folk like us?"&lt;br /&gt;&lt;br /&gt;"And what," sobbed the poor little Kitty, "have I ever done to you, you hard and cruel captain, that you should come and serve me so?"&lt;br /&gt;&lt;br /&gt;And then they both began to weep most pitifully, while the captain could only look from the one to the other, and lay hold of himself by the coat-collar.&lt;br /&gt;&lt;br /&gt;"Margaret," said the poor young fisherman, on his knees at Kitty's feet, while Kitty kept both her hands before her tearful face, to shut out the traitor from her view—but kept her fingers wide asunder and looked at him all the time: "Margaret, you have suffered so much, so uncomplainingly, and are always so careful and considerate! Do take my part, for poor Hugh's sake!"&lt;br /&gt;&lt;br /&gt;The quiet Margaret was not appealed to in vain. "I will, Alfred," she returned, "and I do. I wish this gentleman had never come near us;" whereupon the captain laid hold of himself the tighter; "but I take your part, for all that. I am sure you have some strong reason and some sufficient reason for what you do, strange as it is, and even for not saying why you do it, strange as that is. And, Kitty darling, you are bound to think so, more than any one, for true love believes everything, and bears everything, and trusts everything. And mother dear, you are bound to think so too, for you know you have been blest with good sons, whose word was always as good as their oath, and who were brought up in as true a sense of honour as any gentlemen in this land. And I am sure you have no more call, mother, to doubt your living son than to doubt your dead son; and for the sake of the dear dead, I stand up for the dear living."&lt;br /&gt;&lt;br /&gt;"Wa'al now," the captain struck in, with enthusiasm, "this I say. That whether your opinions flatter me or not, you are a young woman of sense and spirit and feeling; and I'd sooner have you by my side, in the hour of danger, than a good half of the men I've ever fallen in with—or fallen out with, ayther."&lt;br /&gt;&lt;br /&gt;Margaret did not return the captain's compliment, or appear fully to reciprocate his good opinion, but she applied herself to the consolation of Kitty and of Kitty's mother-in-law that was to have been next Monday week, and soon restored the parlour to a quiet condition.&lt;br /&gt;&lt;br /&gt;"Kitty, my darling," said the young fisher-man, "I must go to your father to entreat him still to trust me in spite of this wretched change and mystery, and to ask him for some directions concerning Lanrean. Will you come home? Will you come with me, Kitty?"&lt;br /&gt;&lt;br /&gt;Kitty answered not a word, but rose sobbing, with the end of her simple head-dress at her eyes. Captain Jorgan followed the lovers out, quite sheepishly: pausing in the shop to give. an instruction to Mr. Pettifer.&lt;br /&gt;&lt;br /&gt;"Here, Tom!" said the captain, in a low voice. " Here's something in your line. Here's an old lady poorly and low in her spirits. Cheer her up a bit, Tom. Cheer 'em all up."&lt;br /&gt;&lt;br /&gt;Mr. Pettifer, with a brisk nod of intelligence, immediately assumed his steward face, and went with his quiet helpful steward step into the parlour: where the captain had the great satisfaction of seeing him, through the glass door, take the child in his arms (who offered no objection), and bend over Mrs. Raybrock, administering soft words of consolation.&lt;br /&gt;&lt;br /&gt;"Though what he finds to say, unless he's telling her that it'll soon be over, or that most people is so at first, or that it'll do her good afterwards, I can not imaginate!" was the captain's reflection as he followed the lovers.&lt;br /&gt;&lt;br /&gt;He had not far to follow them, since it was but a short descent down the stony ways to the cottage of Kitty's father. But, short as the distance was, it was long enough to enable the captain to observe that he was fast becoming the village Ogre; for, there was not a woman standing working at her door, or a fisherman coming up or going down, who saw Young Raybrock unhappy and little Kitty in tears, but she or he instantly darted a suspicious and indignant glance at the captain, as the foreigner who must somehow be responsible for this unusual spectacle. Consequently, when they came into Tregarthen's little garden—which formed the platform from which the captain had seen Kitty peeping over the wall—the captain brought to, and stood off and on at the gate, while Kitty hurried to hide her tears in her own room, and Alfred spoke with her father who was working in the garden. He was a rather infirm man, but could scarcely be called old yet, with an agreeable face and a promising air of making the best of things. The conversation began on his side with great cheerfulness and good humour, but soon became distrustful and soon angry. That was the captain's cue for striking both into the conversation and the garden.&lt;br /&gt;&lt;br /&gt;"Morning, sir!" said Captain Jorgan. "How do you do?"&lt;br /&gt;&lt;br /&gt;"The gentleman I am going away with," said the young fisherman to Tregarthen.&lt;br /&gt;&lt;br /&gt;"Oh!" returned Kitty's father, surveying the unfortunate captain with a look of extreme disfavour. "I confess that I can't say I am glad to see you."&lt;br /&gt;&lt;br /&gt;"No," said the captain, "and, to admit the truth, that seems to be the general, opinion in these parts. But don't be hasty; you may think better of me, by-and-by."&lt;br /&gt;&lt;br /&gt;"I hope so," observed Tregarthen.&lt;br /&gt;&lt;br /&gt;"Wa'al, I hope so," observed the captain, quite at his ease; "more than that, I believe so—though you don't. Now, Mr. Tregarthen, you don't want to exchange words of mistrust with me; and if you did, you couldn't, because I wouldn't. You and I are old enough to know better than to judge against experience from surfaces and appearances; and if you haven't lived to find out the evil and injustice of such judgments, you are a lucky man."&lt;br /&gt;&lt;br /&gt;The other seemed to shrink under this remark, and replied, "Sir, I have lived to feel it deeply."&lt;br /&gt;&lt;br /&gt;"Wa'al," said the captain, mollified, "then I've made a good cast, without knowing it. Now, Tregarthen, there stands the lover of your only child, and here stand I who know his secret. I warrant it a righteous secret, and none of his making, though bound to be of his keeping. I want to help him out with it, and tewwards that end we ask you to favour us with the names of two or three old residents in the village of Lanrean. As I am taking out my pocket-book and pencil to put the names down, I may as well observe to you that this, wrote atop of the first page here, is my name and address: 'Silas Jonas Jorgan, Salem, Massachusetts, United States.' If ever you take it in your head to run over, any morning, I shall be glad to welcome you. Now, what may be the spelling of these said names?"&lt;br /&gt;&lt;br /&gt;"There was an elderly man," said Tregarthen, "named David Polreath. He may be dead."&lt;br /&gt;&lt;br /&gt;"Wa'al," said the captain, cheerfully, "if Polreath's dead and buried, and can be made of any service to us, Polreath won't object to our digging of him up. Polreath's down, anyhow."&lt;br /&gt;&lt;br /&gt;"There was another, named Penrewen. I don't know his Christian name."&lt;br /&gt;&lt;br /&gt;"Never mind his Chris'en name," said the captain. "Penrewen for short."&lt;br /&gt;&amp;nbsp;&lt;br /&gt;"There was another, named John Tredgear."&lt;br /&gt;&amp;nbsp;&lt;br /&gt;"And a pleasant-sounding name, too," said the captain;" John Tredgear's booked."&lt;br /&gt;&amp;nbsp;&lt;br /&gt;"I can recal no other, except old Parvis."&lt;br /&gt;&lt;br /&gt;"One of old Parvis's fam'ly, I reckon," said the captain, "kept a dry-goods store in New York city, and realised a handsome competency by burning his house to ashes. Same name, anyhow. David Polreath, Unchris'en Penrewen, John Tredgear, and old Arson Parvis."&lt;br /&gt;&lt;br /&gt;"I cannot recal any others, at the moment."&lt;br /&gt;&lt;br /&gt;"Thankee," said the captain. "And so, Tregarthen, hoping for your good opinion yet, and likewise for the fair Devonshire Flower's, your daughter's, I give you my hand, sir, and wish you good day."&lt;br /&gt;&lt;br /&gt;Young Raybrock accompanied him disconsolately; for, there was no Kitty at the window when he looked up, no Kitty in the garden when he shut the gate, no Kitty gazing after them along the stony ways when they began to climb back.&lt;br /&gt;&lt;br /&gt;"Now I tell you what," said the captain. "Not being at present calc'lated to promote harmony in your family, I won't come in. You go and get your dinner at home, and I'll get mine at the little hotel. Let our hour of meeting be two o'clock, and you'll find me smoking a cigar in the sun afore the hotel door. Tell Tom Pettifer, my steward, to consider himself on duty, and to look after your people till we come back; you'll find he'll have made himself useful to 'em already, and will be quite acceptable."&lt;br /&gt;&lt;br /&gt;All was done as Captain Jorgan directed. Punctually at two o'clock, the young fisherman, appeared with his knapsack at his back; and punctually at two o'clock, the captain jerked away the last feathery end of his cigar.&lt;br /&gt;&lt;br /&gt;"Let me carry your baggage, Captain Jorgan; I can easily take it with mine."&lt;br /&gt;&lt;br /&gt;"Thank'ee," said the captain, " I'll carry it myself. It's on'y a comb."&lt;br /&gt;&lt;br /&gt;They climbed out of the village, and paused among the trees and fern on the summit of the hill above, to take breath and to look down at the beautiful sea. Suddenly, the captain gave his leg a resounding slap, and cried, "Never knew such a right thing in all my life!"—and ran away.&lt;br /&gt;&lt;br /&gt;The cause of this abrupt retirement on the part of the captain, was little Kitty among the trees. The captain went out of sight and waited, and kept out of sight and waited, until it occurred to him to beguile the time with another&lt;br /&gt;cigar. He lighted it, and smoked it out, and still he was out of sight and waiting. He stole within sight at last, and saw the lovers, with their arms entwined and their bent heads touching, moving slowly among the trees. It was the golden time of the afternoon then, and the captain said to himself, "Golden sun, golden sea, golden sails, golden leaves, golden love, golden youth—a golden state of things altogether!"&lt;br /&gt;&lt;br /&gt;Nevertheless, the captain found it necessary to hail his young companion before going out of sight again. In a few moments more, he came up, and they began their journey.&lt;br /&gt;&lt;br /&gt;"That still young woman with the fatherless child," said Captain Jorgan as they fell into step, "didn't throw her words away; but good honest words are never thrown away. And now that I am conveying you off from that tender little thing that loves and relies and hopes, I feel just as if I was the snarling crittur in the picters, with the tight legs, the long nose, and the feather in his cap, the tips of whose mustachios get up nearer to his eyes, the wickeder he gets."&lt;br /&gt;&lt;br /&gt;The young fisherman knew nothing of Mephistopheles; but, he smiled when the captain stopped to double himself up and slap his leg, and they went along in right good fellowship.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Captain Jorgan, up and out betimes, had put the whole village of Lanrean under an amicable cross-examination, and was returning to the King Arthur's Arms to breakfast, none the wiser for his trouble, when he beheld the young fisherman advancing to meet him, accompanied by a stranger. A glance at this stranger, assured the captain that he could be no other than the Seafaring Man; and the captain&lt;br /&gt;was about to hail him as a fellow-craftsman, when the two stood still and silent before the captain, and the captain stood still silent, and wondering before them.&lt;br /&gt;&lt;br /&gt;"Why, what's this!" cried the captain, when at last he broke the silence. "You two are alike. You two are much alike! What's this!"&lt;br /&gt;&lt;br /&gt;Not a word was answered on the other side, until after the seafaring brother had got hold of the captain's right hand, and the fisherman brother had got hold of the captain's left hand; and if ever the captain had had his fill of handshaking,&lt;br /&gt;from his birth to that hour, he had it then. And presently up and spoke the two brothers, one at a time, two at a time, two dozen at a time for the bewilderment into which they plunged the captain, until he gradually had Hugh Raybrock's deliverance made clear to him, and also unravelled the fact that the person referred to in the half-obliterated paper, was Tregarthen himself.&lt;br /&gt;&lt;br /&gt;"Formerly, dear Captain Jorgan," said Alfred, "of Lanrean, you recollect? Kitty and her father came to live at Steepways, after Hugh shipped on his last voyage."&lt;br /&gt;&lt;br /&gt;"Ay, ay!" cried the captain, fetching a breath. "Now you have me in tow. Then your brother here, don't know his sister-in-law that is to be, so much as by name?"&lt;br /&gt;&lt;br /&gt;"Never saw her; never heard of her!"&lt;br /&gt;&lt;br /&gt;"Ay, ay, ay!" cried the captain. "Why, then we every one go back together—paper, writer, and all—and take Tregarthen into the secret we kept from him?"&lt;br /&gt;&lt;br /&gt;"Surely," said Alfred, "we can't help it now. We must go through with our duty."&lt;br /&gt;&lt;br /&gt;"Not a doubt," returned the captain. "Give me an arm apiece, and let us set this ship-shape."&lt;br /&gt;&lt;br /&gt;So, walking up and down in the shrill wind on the wild moor, while the neglected breakfast cooled within, the captain and the brothers settled their course of action.&lt;br /&gt;&lt;br /&gt;It was, that they should all proceed by the quickest means they could secure, to Barnstaple, and there look over the father's books and papers in the lawyer's keeping: as Hugh had proposed to himself to do, if ever he reached home. That, enlightened or unenlightened, they should then return to Steepways and go straight to Mr. Tregarthen, and tell him all they knew, and see what came of it, and act accordingly. Lastly, that when they got there, they should enter the village with all precautions against Hugh's being recognised by any chance; and that to the captain should be consigned the task of preparing his wife and mother for his restoration to this life.&lt;br /&gt;&lt;br /&gt;"For, you see," quoth Captain Jorgan, touching the last head, "it requires caution any way; great joys being as dangerous as great griefs—if not more dangerous, as being more uncommon (and therefore less provided against) in this round world of ours. And besides, I should like to free my name with the ladies, and take you home again at your brightest and luckiest; so don't let's throw away a chance of success."&lt;br /&gt;&lt;br /&gt;The captain was highly lauded by the brothers for his kind interest and foresight.&lt;br /&gt;&lt;br /&gt;"And now, stop!" said the captain, coming to a stand-still, and looking from one brother to the other, with quite a new rigging of wrinkles about each eye; "you are of opinion," to the elder, "that you are ra'ather slow?"&lt;br /&gt;&lt;br /&gt;"I assure you I am very slow," said the honest Hugh.&lt;br /&gt;&lt;br /&gt;"Wa'al," replied the captain, " I assure you that to the best of my belief I am ra'ather smart. Now, a slow man ain't good at quick business; is he?"&lt;br /&gt;&lt;br /&gt;That was clear to both.&lt;br /&gt;&lt;br /&gt;"You," said the captain, turning to the younger brother, "are a little in love; ain't you?"&lt;br /&gt;&lt;br /&gt;"Not a little, Captain Jorgan."&lt;br /&gt;&lt;br /&gt;"Much or little, you're sort preoccupied; ain't you?"&lt;br /&gt;&lt;br /&gt;It was impossible to be denied.&lt;br /&gt;&lt;br /&gt;"And a sort preoccupied man, ain't good at quick business; is he? said the captain.&lt;br /&gt;&lt;br /&gt;Equally clear on all sides.&lt;br /&gt;&lt;br /&gt;"Now," said the captain, "I ain't in love myself, and I've made many a smart run across the ocean, and I should like to carry on and go ahead with this affair of yours and make a run slick through it. Shall I try? Will you hand it over to me?"&lt;br /&gt;&lt;br /&gt;They were both delighted to do so, and thanked him heartily.&lt;br /&gt;&lt;br /&gt;"Good," said the captain, taking out his watch. "This is half-past eight A.M., Friday morning. I'll jot that down, and we'll compute how many hours we've been out, when we run into your mother's post-office. There! The entry's made, and now we go ahead."&lt;br /&gt;&lt;br /&gt;They went ahead so well, that before the Barnstaple lawyer's office was open next morning, the captain was sitting whistling on the step of the door, waiting for the clerk to come down the street with his key and open it. But, instead of the clerk, there came the master: with whom the captain fraternised on the spot, to an extent that utterly confounded him.&lt;br /&gt;&lt;br /&gt;As he personally knew both Hugh and Alfred, there was no difficulty in obtaining immediate access to such of the father's papers as were in his keeping. These were chiefly old letters and cash accounts: from which the captain, with a shrewdness and despatch that left the lawyer far behind, established with perfect clearness, by noon, the following particulars.&lt;br /&gt;&lt;br /&gt;That, one Lawrence Clissold had borrowed of the deceased, at a time when he was a thriving young tradesman in the town of Barnstaple, the sum of five hundred pounds. That, he had borrowed it, on the written statement that it was to be laid out in furtherance of a speculation, which he expected would raise him to independence: he being, at the time of writing that letter, no more than a clerk in the house of Dringworth Brothers, America-square, London. That, the money was borrowed for a stipulated period; but that when the term was out, the aforesaid speculation had failed, and Clissold was without means of repayment. That, hereupon, he had written to his creditor, in no very persuasive terms, vaguely requesting further time. That, the creditor had refused this concession, declaring that he could not afford delay. That, Clissold then paid the debt, accompanying the remittance of the money, with an angry letter, describing it as having been advanced by a relative to save him from ruin. That, in acknowledging the receipt, Raybrock had cautioned Clissold to seek to borrow money of him no more, as he would never so risk money again.&lt;br /&gt;&lt;br /&gt;Before the lawyer, the captain said never a word in reference to these discoveries. But when the papers had been put back in their box, and he and his two companions were well out of the office, his right leg suffered for it, and he said:&lt;br /&gt;&lt;br /&gt;"So far, this run's begun with a fair wind and a prosperous—for don't you see that all this agrees with that dutiful trust in his father, maintained by the slow member of the Raybrock family?"&lt;br /&gt;&lt;br /&gt;Whether the brothers had seen it before or no, they saw it now. Not that the captain gave them much time to contemplate the state of things at their ease, for he instantly whipped them into a chaise again, and bore them off to Steepways. Although the afternoon was but just beginning to decline when they reached it, and it was broad daylight, still they had no difficulty, by dint of muffling the returned sailor up, and ascending the village rather than descending it, in reaching Tregarthen's cottage unobserved. Kitty was not visible, and they surprised Tregarthen sitting writing in the small bay-window of his little room.&lt;br /&gt;&lt;br /&gt;"Sir, said the captain, instantly shaking hands with him, pen and all, "I'm glad to see you, sir. How do you do, sir? I told you you'd think better of me by-and-by, and I congratulate you on going to do it."&lt;br /&gt;&lt;br /&gt;Here, the captain's eye fell on Tom Pettifer Ho, engaged in preparing some cookery at the fire.&lt;br /&gt;&lt;br /&gt;"That crittur," said the captain, smiting his leg, "is a born steward, and never ought to have been in any other way of life. Stop where you are, Tom, and make yourself useful. Now, Tregarthen, I'm agoing to try a chair."&lt;br /&gt;&lt;br /&gt;Accordingly, the captain drew one close to him, and went on:&lt;br /&gt;&lt;br /&gt;"This loving member of the Raybrock family you know, sir. This slow member of the same family, you don't know, sir. Wa'al, these two are brothers—fact! Hugh's come to life again, and here he stands. Now, see here, my friend! You don't want to be told that he was cast away, but you do want to be told (for there's a purpose in it) that he was cast away with another man. That man, by name, was Lawrence Clissold."&lt;br /&gt;&lt;br /&gt;At the mention of this name, Tregarthen started and changed colour. "What's the matter?" said the captain.&lt;br /&gt;&lt;br /&gt;"He was a fellow-clerk of mine, thirty—five-and-thirty—years ago."&lt;br /&gt;&lt;br /&gt;"True," said the captain, immediately catching at the clue: "Dringworth Brothers, America-square, London City."&lt;br /&gt;&lt;br /&gt;The other started again, nodded, and said, "That was the House."&lt;br /&gt;&lt;br /&gt;"Now," pursued the captain, "between those two men cast away, there arose a mystery concerning the round sum of five hundred pound."&lt;br /&gt;&lt;br /&gt;Again Tregarthen started and changed colour. Again the captain said, " What's the matter?"&lt;br /&gt;&lt;br /&gt;As Tregarthen only answered, "Please to go on," the captain recounted, very tersely and plainly, the nature of Clissold's wanderings on the barren island, as he had condensed them in his mind from the seafaring man. Tregarthen became greatly agitated during this recital, and at length exclaimed:&lt;br /&gt;&lt;br /&gt;"Clissold was the man who ruined me! I have suspected it for many a long year, and now I know it."&lt;br /&gt;&lt;br /&gt;"And how," said the captain, drawing his chair still closer to Tregarthen, and clapping his hand upon his shoulder, "how may you know it?"&lt;br /&gt;&lt;br /&gt;"When we were fellow-clerks," replied Tregarthen, "in that London House, it was one of my duties to enter daily in a certain book, an account of the sums received that day by the firm, and afterwards paid into the banker's. One memorable day—a Wednesday, the black day of my life—among the sums I so entered, was one of five hundred pounds."&lt;br /&gt;&lt;br /&gt;"I begin to make it out," said the captain. Yes?"&lt;br /&gt;&lt;br /&gt;"It was one of Clissold's duties to copy from this entry, a memorandum of the sums which the clerk employed to go to the banker's paid in there. It was my duty to hand the money to Clissold; it was Clissold's to hand it to the clerk, with that memorandum of his writing. On that Wednesday, I entered a sum of five hundred pounds received. I handed that sum, as I handed the other sums in the day's entry, to Clissold. I was absolutely certain of it at the time; I have been absolutely certain of it ever since. A sum of five hundred pounds was afterwards found by the House to have been that day wanting from the bag, from Clissold's memorandum, and from the entries in my book. Clissold, being questioned, stood upon his perfect clearness in the matter, and emphatically declared that he asked no better than to be tested by 'Tregarthen's book.' My book was examined, and the entry of five hundred pounds was not there."&lt;br /&gt;&lt;br /&gt;"How not there," said the captain, "when you made it yourself?"&lt;br /&gt;&lt;br /&gt;Tregarthen continued:&lt;br /&gt;&lt;br /&gt;"I was then questioned. Had I made the entry? Certainly I had. The House produced my book, and it was not there. I could not deny my book; I could not deny my writing. I knew there must be forgery by some one; but the writing was wonderfully like mine, and I could impeach no one if the House could not. I was required to pay the money back. I did so, and I left the House, almost broken-hearted, rather than remain there—even if I could have done so—with a dark shadow of suspicion always on me. I returned to my native place, Lanrean, and remained there, clerk to a mine, until I was appointed to my little post here."&lt;br /&gt;&lt;br /&gt;"I well remember," said the captain, "that I told you that if you had had no experience of ill-judgments on deceiving appearances, you were a lucky man. You were hurt at that, and I see why. I'm sorry."&lt;br /&gt;&lt;br /&gt;"Thus it is," said Tregarthen. "Of my own innocence, I have of course been sure; it has been at once my comfort, and my trial. Of Clissold I have always had suspicions almost amounting to certainty, but they have never been confirmed until now. For my daughter's sake and for my own, I have carried this subject in my own heart, as the only secret of my life, and have long believed that it would die with me."&lt;br /&gt;&lt;br /&gt;"Wa'al, my good sir," said the captain, cordially, "the present question is, and will be long, I hope, concerning living, and not dying. Now, here are our two honest friends, the loving Raybrock and the slow. Here they stand, agreed on one point, on which I'd back 'em round the world, and right across it from north to south, and then again from east to west, and through it, from your deepest Cornish mine to China. It is, that they will never use this same so-often-mentioned sum of money, and that restitution of it must be made to you. These two, the loving member and the slow, for the sake of the right and of their father's memory, will have it ready for you to-morrow. Take it, and ease their minds and mine, and end a most unfort'nate transaction."&lt;br /&gt;&lt;br /&gt;Tregarthen took the captain by the hand, and gave his hand to each of the young men, but positively and finally answered, No. He said, they trusted to his word, and he was glad of it, and at rest in his mind—but there was no proof, and the money must remain as it was. All were very earnest over this; and earnestness in men, when they are right and true, is so impressive, that Mr. Pettifer deserted his cookery and looked on quite moved.&lt;br /&gt;&lt;br /&gt;"And so," said the captain, "so we come—as that lawyer-crittur over yonder where we were this morning, might—to mere proof; do we? We must have it; must we? How? From this Clissold's wanderings, and from what you say, it ain't hard to make out that there was a neat forgery of your writing committed by the too smart Rowdy that was grease and ashes when I made his acquaintance, and a substitution of a forged leaf in your book for a real and true leaf torn out. Now, was that real and true leaf then and there destroyed? No—for says he, in his drunken way, he slipped it into a crack in his own desk, because you came into the office before there was time to burn it—and could never get back to it arterwards. Wait a bit. Where is that desk now? Do you consider it likely to be in America-square, London City?"&lt;br /&gt;&lt;br /&gt;Tregarthen shook his head.&lt;br /&gt;&lt;br /&gt;"The House has not, for years, transacted business in that place. I have heard of it and read of it, as removed, enlarged, every way altered. Things alter so fast in these times."&lt;br /&gt;&lt;br /&gt;"You think so," returned the captain, with compassion; "but you should come over and see &lt;em&gt;me,&lt;/em&gt; afore you talk about &lt;em&gt;that.&lt;/em&gt; Wa'al, now. This desk, this paper this paper, this desk," said the captain, ruminating and walking about, and looking, in his uneasy abstraction, into Mr. Pettifer's hat on a table, among other things. "This desk, this paper—this paper, this desk," the captain continued, musing and roaming about the room, "I'd give—"&lt;br /&gt;&lt;br /&gt;However, he gave nothing, but took up his steward's hat instead, and stood looking into it, as if he had just come into Church. After that be roamed again, and again said, "This desk, belonging to this House of Dringworth Brothers, America-square, London City—"&lt;br /&gt;&lt;br /&gt;Mr. Pettifer, still strangely moved and now more moved than before, cut the captain off as he backed across the room, and bespake him thus:&lt;br /&gt;&lt;br /&gt;"Captain Jorgan, I have been wishful to engage your attention, but I couldn't do it. I am unwilling to interrupt, Captain Jorgan, but I must do it. &lt;em&gt;I&lt;/em&gt; know something about that House."&lt;br /&gt;&lt;br /&gt;The captain stood stock-still, and looked at him—with his (Mr. Pettifer's) hat under his arm.&lt;br /&gt;&lt;br /&gt;"You're aware," pursued his steward, "that I was once in the broking business, Captain Jorgan?"&lt;br /&gt;&lt;br /&gt;"I was aware," said the captain, "that you had failed in that calling and in half the businesses going, Tom."&lt;br /&gt;&lt;br /&gt;"Not quite so, Captain Jorgan; but I failed in the broking business. I was partners with my brother, sir. There was a sale of old office furniture at Dringworth Brothers when the&lt;br /&gt;House was moved from America-square, and me and my brother made what we call in the trade a Deal there, sir. And I'll make bold to say, sir, that the only thing I ever had from my brother, or from any relation—for my relations have mostly taken property from me, instead of giving me any—was an old desk we bought at that same sale, with a crack in it. My brother wouldn't have given me even that, when we broke partnership, if it had been worth anything."&lt;br /&gt;&lt;br /&gt;"Where is that desk now?" said the captain.&lt;br /&gt;&lt;br /&gt;"Well, Captain Jorgan," replied the steward, "I couldn't say for certain where it is now; but when I saw it last—which was last time we were outward-bound—it was at a very nice lady's at Wapping, along with a little chest of mine which was detained for a small matter of a bill owing."&lt;br /&gt;&lt;br /&gt;The captain, instead of paying that rapt attention to his steward which was rendered by the other three persons present, went to Church again, in respect of the steward's hat. And a most especially agitated and memorable face the captain produced from it, after a short pause.&lt;br /&gt;&lt;br /&gt;"Now, Tom," said the captain, "I spoke to you, when we first came here, respecting your constitutional weakness on the subject of sunstroke?"&lt;br /&gt;&lt;br /&gt;"You did, sir."&lt;br /&gt;&lt;br /&gt;"Will my slow friend," said the captain, "lend me his arm, or I shall sink right back'ards into this blessed steward's cookery?—Now, Tom," pursued the captain, when the required assistance was given, "on your oath as a steward, didn't you take that desk to pieces to make a better one of it, and put it together fresh—or something of the kind?"&lt;br /&gt;&lt;br /&gt;"On my oath I did, sir," replied the steward.&lt;br /&gt;&lt;br /&gt;"And by the blessing of Heaven, my friends, one and all," cried the captain, radiant with joy —"of the Heaven that put it into this Tom Pettifer's head to take so much care of his head against the bright sun—he lined his hat with the original leaf in Tregarthen's writing—and here it is!"&lt;br /&gt;&lt;br /&gt;With that, the captain, to the utter destruction of Mr. Pettifer's favourite hat, produced the book-leaf, very much worn, but still legible, and gave both his legs such tremendous slaps, that they were heard far off in the bay, and never accounted for.&lt;br /&gt;&lt;br /&gt;"A quarter-past five P.M.," said the captain, pulling out his watch, "and that's thirty-three hours and a quarter in all, and a pritty run!"&lt;br /&gt;&lt;br /&gt;How they were all overpowered with delight and triumph; how the money was restored, then and there to Tregarthen; how Tregarthen, then and there, gave it all to his daughter; how the captain undertook to go to Dringworth Brothers and re-establish the reputation of their forgotten old clerk; how Kitty came in, and was nearly torn to pieces, and the marriage was reappointed; needs not to be told. Nor, how she and the young fisherman went home to the post-office to prepare the way for the captain's coming, by declaring him to be the mightiest of men who had made all their fortunes—and then dutifully withdrew together, in order that he might have the domestic coast entirely to himself. How he availed himself of it, is all that remains to tell.&lt;br /&gt;&lt;br /&gt;Deeply delighted with his trust, and putting his heart into it, he raised the latch of the post-office parlour where Mrs. Raybrock and the young widow sat, and said:&lt;br /&gt;&lt;br /&gt;"May I come in?"&lt;br /&gt;&lt;br /&gt;"Sure you may, Captain Jorgan!" replied the old lady. "And good reason you have to be free of the house, though you have not been too well used in it, by some who ought to have known better. I ask your pardon."&lt;br /&gt;&lt;br /&gt;"No you don't, ma'am," said the captain, "for I won't let you. Wa'al to be sure! By this time he had taken a chair on the hearth between them. "Never felt such an evil spirit in the whole course of my life! There! I tell you! I could a'most have cut my own connexion—Like the dealer in my country, away West, who when he had let himself be outdone in a bargain, said to himself, 'Now I tell you what! I'll never speak to you again.' And he never did, but joined a settlement of oysters, and translated the multiplication-table into their language. Which is a fact that can be proved, if you doubt it, mention it to any oyster you come across, and see if he'll have the face to contradict it."&lt;br /&gt;&lt;br /&gt;He took the child from her mother's lap, and set it on his knee.&lt;br /&gt;&lt;br /&gt;"Not a bit afraid of me now, yon see. Knows I am fond of small people. I have a child, and she's a girl, and I sing to her sometimes."&lt;br /&gt;&lt;br /&gt;"What do you sing?" asked Margaret.&lt;br /&gt;&lt;br /&gt;"Not a long song, my dear.&lt;br /&gt;&lt;br /&gt;Silas Jorgan&lt;br /&gt;Played the organ.&lt;br /&gt;&lt;br /&gt;That's about all. And sometimes I tell her stories. Stories of sailors supposed to be lost, and recovered after all hope was abandoned." Here the captain musingly went back to his song:&lt;br /&gt;&lt;br /&gt;"Silas Jorgan&lt;br /&gt;Played the organ,"&lt;br /&gt;&lt;br /&gt;—repeating it with his eyes on the fire, as he softly danced the child on his knee. For, he felt that Margaret had stopped working.&lt;br /&gt;&lt;br /&gt;"Yes," said the captain, still looking at the fire. "I make up stories and tell 'em to that child. Stories of shipwreck on desert islands and long delay in getting back to civilised lands. It is to stories the like of that, mostly, that&lt;br /&gt;&lt;br /&gt;Silas Jorgan&lt;br /&gt;Plays the organ."&lt;br /&gt;&lt;br /&gt;There was no light in the room but the light of the fire; for, the shades of night were on the village, and the stars had begun to peep out of the sky one by one, as the houses of the village peeped out from among the foliage when&lt;br /&gt;the night departed. The captain felt that Margaret's eyes were upon him, and thought it discreetest to keep his own eyes on the fire.&lt;br /&gt;&lt;br /&gt;"Yes; I make 'em up," said the captain. "I make up stories of brothers brought together by the good providence of GOD. Of sons brought back to mothers—husbands brought back to wives—fathers raised from the deep, for little children like herself."&lt;br /&gt;&lt;br /&gt;Margaret's touch was on his arm, and he could not choose but look round now. Next moment her hand moved imploringly to his breast, and she was on her knees before him: supporting the mother, who was also kneeling.&lt;br /&gt;&lt;br /&gt;"What's the matter?" said the captain. "What's the matter?&lt;br /&gt;&lt;br /&gt;Silas Jorgan&lt;br /&gt;Played the—"&lt;br /&gt;&lt;br /&gt;Their looks and tears were too much for him, and he could not finish the song, short as it was.&lt;br /&gt;&lt;br /&gt;"Mistress Margaret, you have borne ill fortune well. Could you bear good fortune equally well, if it was to come?"&lt;br /&gt;&lt;br /&gt;"I hope so. I thankfully and humbly and earnestly hope so!"&lt;br /&gt;&lt;br /&gt;"Wa'al, my dear," said the captain, "p'raps it has come. He's—don't be frightened—shall I say the word?"&lt;br /&gt;&lt;br /&gt;"Alive?"&lt;br /&gt;&lt;br /&gt;"Yes!"&lt;br /&gt;&lt;br /&gt;The thanks they fervently addressed to Heaven were again too much for the captain, who openly took out his handkerchief and dried his eyes.&lt;br /&gt;&lt;br /&gt;"He's no further off," resumed the captain, "than my country. Indeed, he's no further off than his own native country. To tell you the truth, he's no further off than Falmouth. Indeed, I doubt if he's quite so fur. Indeed, if you was sure you could bear it nicely, and I was to do no more than whistle for him—"&lt;br /&gt;&lt;br /&gt;The captain's trust was discharged. A rush came, and they were all together again.&lt;br /&gt;&lt;br /&gt;This was a fine opportunity for Tom Pettifer to appear with a tumbler of cold water, and he presently appeared with it, and administered it to the ladies: at the same time soothing them, and composing their dresses, exactly as if they had been passengers crossing the Channel. The extent to which the captain slapped his legs, when Mr. Pettifer acquitted himself of this act of stewardship, could have been thoroughly appreciated by no one but himself: inasmuch as he must have slapped them black and blue, and they must have smarted tremendously.&lt;br /&gt;&lt;br /&gt;He couldn't stay for the wedding; having a few appointments to keep, at the irreconcilable distance of about four thousand miles. So, next morning, all the village cheered him up to the level ground above, and there he shook hands with a complete Census of its population, and invited the whole, without exception, to come and stay several months with him at Salem, Mass., U.S. And there, as he stood on the spot where he had seen that little golden picture of love and parting, and from which he could that morning contemplate another golden picture with a vista of golden years in it, little Kitty put her arms around his neck, and kissed him on both his bronzed cheeks, and laid her pretty face upon his storm-beaten breast, in sight of all: ashamed to have called such a noble captain names. And there, the captain waved his hat over his head three final times; and there, he was last seen, going away accompanied by Tom Pettifer Ho, and carrying his hands in his pockets. And there, before that ground was softened with the fallen leaves of three more summers, a rosy little boy took his first unsteady run to a fair young mother's breast, and the name of that infant fisherman, was Jorgan Raybrock.&lt;br /&gt;&lt;br /&gt;THE END.</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>He was very reluctant to take precedence of so many respected members of the family, by beginning the round of stories they were to relate as they sat in a goodly circle by the Christmas fire; and he modestly suggested that it would be more correct if "John our esteemed host" (whose health he begged to drink) would have the kindness to begin. For as to himself, he said, he was so little used to lead the way, that really— But as they all cried out here, that he must begin, and agreed with one voice that he might, could, would, and should begin, he left off rubbing his hands, and took his legs out from under his armchair, and did begin. I have no doubt (said the poor relation) that I shall surprise the assembled members of our family, and particularly John our esteemed host to whom we are so much indebted for the great hospitality with which he has this day entertained us, by the confession I am going to make. But, if you do me the honor to be surprised at anything that falls from a person so unimportant in the family as I am, I can only say that I shall be scrupulously accurate in all I relate. I am not what I am supposed to be. I am quite another thing. Perhaps before I go farther, I had better glance at what I am supposed to be. It is supposed, unless I mistake—the assembled members of our family will correct me if I do, which is very likely (here the poor relation looked mildly about him for contradiction); that I am nobody's enemy but my own. That I never met with any particular success in anything. That I failed in business because I was unbusiness-like and credulous—in not being prepared for the interested designs of my partner. That I failed in love, because I was ridiculously trustful—in thinking it impossible that Christiana could deceive me. That I failed in my expectations from my uncle Chill, on account of not being as sharp as he could have wished in worldly matters. That, through life, I have been rather put upon and disappointed, in a general way. That I am at present a bachelor of between fifty-nine and sixty years of age, living on a limited income in the form of a quarterly allowance, to which I see that John our esteemed host wishes me to make no further allusion. The supposition as to my present pursuits and habits is to the following effect. I live in a lodging in the Clapham Road—a very clean back room, in a very respectable house—where I am expected not to be at home in the day-time, unless poorly; and which I usually leave in the morning at nine o'clock, on pretence of going to business. I take my breakfast—my roll and butter, and my half-pint of coffee—at the old established coffee-shop near Westminster Bridge; and then I go into the City—I don't know why— and sit in Garraway's Coffee House, and on 'Change, and walk about, and look into a few offices and counting-houses where some of my relations or acquaintance are so good as to tolerate me, and where I stand by the fire if the weather happens to be cold. I get through the day in this way until five o'clock, and then I dine: at a cost, on the average, of one and threepence. Having still a little money to spend on my evening's entertainment, I look into the old-established coffee-shop as I go home, and take my cup of tea, and perhaps my bit of toast. So, as the large hand of the clock makes its way round to the morning hour again, I make my way round to the Clapham Road again, and go to bed when I get to my lodging—fire being expensive, and being objected to by the family on account of its giving trouble and making a dirt. Sometimes, one of my relations or acquaintances is so obliging as to ask me to dinner. Those are holiday occasions, and then I generally walk in the Park. I am a solitary man, and seldom walk with anybody. Not that I am avoided because I am shabby; for I am not at all shabby, having always a very good suit of black on (or rather Oxford mixture, which has the appearance of black and wears much better); but I have got into a habit of speaking low, and being rather silent, and my spirits are not high, and I am sensible that I am not an attractive companion. The only exception to this general rule is the child of my first cousin, Little Frank. I have a particular affection for that child, and he takes very kindly to me. He is a diffident boy by nature; and in a crowd he is soon run over, as I may say, and forgotten. He and I, however, get on exceedingly well. I have a fancy that the poor child will in time succeed to my peculiar position in the family. We talk but little; still, we understand each other. We walk about, hand in hand; and without much speaking he knows what I mean, and I know what he means. When he was very little indeed, I used to take him to the windows of the toy-shops, and show him the toys inside. It is surprising how soon he found out that I would have made him a great many presents if I had been in circumstances to do it. Little Frank and I go and look at the outside of the Monument— he is very fond of the Monument—and at the Bridges, and at all the sights that are free. On two of my birthdays we have dined on a-la-mode beef, and gone at half-price to the play, and been deeply interested. I was once walking with him in Lombard Street, which we often visit on account of my having mentioned to him that there are great riches there— he is very fond of Lombard Street— when a gentleman said to me as he passed by, "Sir, your little son has dropped his glove." I assure you, if you will excuse my remarking on so trivial a circumstance, this accidental mention of the child as mine, quite touched my heart and brought the foolish tears into my eyes. When little Frank is sent to school in the country, I shall be very much at a loss what to do with myself, but I have the intention of walking down there once a month and seeing him on a half holiday. I am told he will then be at play upon the Heath; and if my visits should be objected to, as unsettling the child, I can see him from a distance without his seeing me, and walk back again. His mother comes of a highly genteel family, and rather disapproves, I am aware, of our being too much together. I know that I am not calculated to improve his retiring disposition; but I think he would miss me beyond the feeling of the moment, if we were wholly separated. When I die in the Clapham Road, I shall not leave much more in this world than I shall take out of it ; but, I happen to have a miniature of a bright-faced boy, with a curling head, and an open shirt-frill waving down his bosom (my mother had it taken for me, but I can't believe that it was ever like), which will be worth nothing to sell, and which I shall beg may be given to Frank. I have written my dear boy a little letter with it, in which I have told him that I felt very sorry to part from him, though bound to confess that I knew no reason why I should remain here. I have given him some short advice, the best in my power, to take warning of the consequences of being nobody's enemy but his own; and I have endeavoured to comfort him for what I fear he will consider a bereavement, by pointing out to him that I was only a superfluous something to every one but him, and that having by some means failed to find a place in this great assembly, I am better out of it. Such (said the poor relation, clearing his throat and beginning to speak a little louder) is the general impression about me. Now, it is a remarkable circumstance which forms the aim and purpose of my story, that this is all wrong. This is not my life, and these are not my habits. I do not even live in the Clapham Road. Comparatively speaking, I am very seldom there. I reside, mostly, in a—I am almost ashamed to say the word, it sounds so full of pretension—in a Castle. I do not mean that it is an old baronial habitation, but still it is a building always known to every one by the name of a Castle. In it, I preserve the particulars of my history; they run thus: It was when I first took John Spatter (who had been my clerk) into partnership, and when I was still a young man of not more than five-and-twenty, residing in the house of my uncle Chill from whom I had considerable expectations, that I ventured to propose to Christiana. I had loved Christiana, a long time. She was very beautiful, and very winning in all respects. I rather mistrusted her widowed mother, who I feared was of a plotting and mercenary turn of mind; but, I thought as well of her as I could, for Christiana's sake. I never had loved any one but Christiana, and she had been all the world, and O far more than all the world, to me, from our childhood! Christiana accepted me with her mother's consent, and I was rendered very happy indeed. My life at my Uncle Chill's was of a spare dull kind, and my garret chamber was as dull, and bare, and cold, as an upper prison room in some stern northern fortress. But, having Christiana's love, I wanted nothing upon earth. I would not have changed my lot with any human being. Avarice was, unhappily, my Uncle Chill's master-vice. Though he was rich, he pinched, and scraped, and clutched, and lived miserably. As Christiana had no fortune, I was for some time a little fearful of confessing our engagement to him; but, at length I wrote him a letter, saying how it all truly was. I put it into his hand one night, on going to bed. As I came down stairs next morning, shivering in the cold December air; colder in my uncle's unwarmed house than in the street, where the winter sun did sometimes shine, and which was at all events enlivened by cheerful faces and voices passing along; I carried a heavy heart towards the long, low breakfast-room in which my uncle sat. It was a large room with a small fire, and there was a great bay window in it which the rain had marked in the night as if with the tears of houseless people. It stared upon a raw yard, with a cracked stone pavement, and some rusted iron railings half uprooted, whence an ugly out-building that had once been a dissecting-room (in the time of the great surgeon who had mortgaged the house to my uncle), stared at it. We rose so early always, that at that time of the year we breakfasted by candle-light. When I went into the room, my uncle was so contracted by the cold, and so huddled together in his chair behind the one dim candle, that I did not see him until I was close to the table. As I held out my hand to him, he caught up his stick (being infirm, he always walked about the house with a stick), and made a blow at me, and said, "You fool!" ''Uncle." I returned, "I didn't expect you to be so angry as this." Nor had I expected it, though he was a hard and angry old man. "You didn't expect!" said he; "when did you ever expect? When did you ever calculate, or look forward, you contemptible dog?" "These are hard words, uncle!" "Hard words? Feathers, to pelt such an idiot as you with," said he. "Here! Betsy Snap! Look at him!" Betsey Snap was a withered, hard-favored, yellow old woman— our only domestic—always employed, at this time of the morning, in rubbing my uncle's legs. As my uncle adjured her to look at me, he put his lean grip on the crown of her head, she kneeling beside him, and turned her face towards me. An involuntary thought connecting them both with the Dissecting Room, as it must often have been in the surgeon's time, passed across my mind in the midst of my anxiety. "Look at the snivelling milksop !" said my uncle. "Look at the baby! This is the gentleman who, people say, is nobody's enemy but his own. This is the gentleman who can't say no. This is the gentleman who was making such large profits in his business that he must needs take a partner, t'other day. This is the gentleman who is going to marry a wife without a penny, and who falls into the hands of Jezabels who are speculating on my death!" I knew, now, how great my uncle's rage was; for nothing short of his being almost beside himself would have induced him to utter that concluding word, which he held in such repugnance that it was never spoken or hinted at before him on any account. "On my death," he repeated, as if he were defying me by defying his own abhorrence of the word. "On my death— death— Death! But I'll spoil the speculation. Eat your last under this roof, you feeble wretch, and may it choke you!" You may suppose that I had not much appetite for the breakfast to which I was bidden in these terms; but, I took my accustomed seat. I saw that I was repudiated henceforth by my uncle; still I could bear that very well, possessing Christiana's heart. He emptied his basin of bread and milk as usual, only that he took it on his knees with his chair turned away from the table where I sat. When he had done, he carefully snuffed out the candle; and the cold, slate-coloured, miserable day looked in upon us. "Now, Mr. Michael," said he, "before we part, I should like to have a word with these ladies in your presence." "As you will, sir," I returned; "but you deceive yourself, and wrong us, cruelly, if you suppose that there is any feeling at stake in this contract but pure, disinterested, faithful love." To this, he only replied, "You lie!" and not one other word. We went, through half-thawed snow and half-frozen rain, to the house where Christiana and her mother lived. My uncle knew them very well. They were sitting at their breakfast and were surprised to see us at that hour. "Your servant, ma'am," said my uncle, to the mother. "You divine the purpose of my visit, I dare say, ma'am. I understand there is a world of pure, disinterested, faithful love cooped up here. I am happy to bring it all it wants, to make it complete. I bring you your son-in-law, ma'am— and you, your husband, miss. The gentleman is a perfect stranger to me, but I wish him joy of his wise bargain." He snarled at me as he went out, and I never saw him again. It is altogether a mistake (continued the poor relation) to suppose that my dear Christiana, over-persuaded and influenced by her mother, married a rich man, the dirt from whose carriage wheels is often, in these changed times, thrown upon me as she rides by. No, no. She married me. The way we came to be married rather sooner than we intended, was this. I took a frugal lodging and was saving and planning for her sake, when, one day, she spoke to me with great earnestness, and said: "My dear Michael, I have given you my heart. I have said that I loved you, and I have pledged myself to be your wife. I am as much yours through all changes of good and evil as if we had been married on the day when such words passed between us. I know you well, and know that if we should be separated and our union broken off, your whole life would be shadowed, and all that might, even now, be stronger in your character for the conflict with the world would then be weakened to the shadow of what it is!" "God help me, Christiana!" said I. "You speak the truth." "Michael!" said she, putting her hand in mine, in all maidenly devotion, "let us keep apart no longer. It is but for me to say that I can live contented upon such means as you have, and I well know you are happy. I say so from my heart. Strive no more alone; let us strive together. My dear Michael, it is not right that I should keep secret from you what you do not suspect, but what distresses my whole life. My mother: without considering that what you have lost, you have lost for me, and on the assurance of my faith: sets her heart on riches, and urges another suit upon me, to my misery. I cannot bear this, for to bear it is to be untrue to you. I would rather share your struggles than look on. I want no better home than you can give me. I know that you will aspire and labor with a higher courage if I am wholly yours, and let it be so when you will!" I was blest indeed, that day, and a new world opened to me. We were married in a very little while, and I took my wife to our happy home. That was the beginning of the residence I have spoken of; the Castle we have ever since inhabited together, dates from that time. All our children have been born in it. Our first child— now married— was a little girl, whom we called Christiana. Her son is so like Little Frank, that I hardly know which is which. The current impression as to my partner's dealings with me is also quite erroneous. He did not begin to treat me coldly, as a poor simpleton, when my uncle and I so fatally quarrelled; nor did he afterwards gradually possess himself of our business and edge me out. On the contrary, he behaved to me with the utmost good faith and honor. Matters between us, took this turn:— On the day of my separation from my uncle, and even before the arrival at our counting-house of my trunks (which he sent after me, not carriage paid), I went down to our room of business, on our little wharf, overlooking the river; and there I told John Spatter what had happened. John did not say, in reply, that rich old relatives were palpable facts, and that love and sentiment were moonshine and fiction. He addressed me thus: "Michael," said John. "We were at school together, and I generally had the knack of getting on better than you, and making a higher reputation." "You had, John," I returned. "Although," said John, "I borrowed your books, and lost them; borrowed your pocket- money, and never repaid it; got you to buy my damaged knives at a higher price than I had given for them new; and to own to the windows that I had broken." "All not worth mentioning, John Spatter," said I, "but certainly true." "When you were first established in this infant business, which promises to thrive so well," pursued John, "I came to you, in my search for almost any employment, and you made me your clerk." "Still not worth mentioning, my dear John Spatter," said I; "still, equally true." "And finding that I had a good head for business, and that I was really useful to the business, you did not like to retain me in that capacity, and thought it an act of justice soon to make me your partner." "Still less worth mentioning than any of those other little circumstances you have recalled, John Spatter," said I; "for I was, and am, sensible of your merits and my deficiencies." "Now my good friend," said John, drawing my arm through his, as he had had a habit of doing at school; while two vessels outside the windows of our counting-house—which were shaped like the stern windows of a ship—went lightly down the river with the tide, as John and I might then be sailing away in company, and in trust and confidence, on our voyage of life; "let there, under these friendly circumstances, be a right understanding between us. You are too easy, Michael. You are nobody's enemy but your own. If I were to give you that damaging character among our connexion, with a shrug, and a shake of the head, and a sigh; and if I were further to abuse the trust you place in me—" "But you never will abuse it at all, John," I observed. "Never!" said he, "but l am putting a case—I say, and if I were further to abuse that trust by keeping this piece of our common affairs in the dark, and this other piece in the light, and again this other piece in the twilight, and so on, I should strengthen my strength, and weaken your weakness, day by day, until at last I found myself on the high road to fortune, and you left behind on some bare common, a hopeless number of miles out of the way." "Exactly so," said I. "To prevent this, Michael," said John Spatter, "or the remotest chance of this, there must be perfect openness between us. Nothing must be concealed, and we must have but one interest." "My dear John Spatter," I assured him, "that is precisely what I mean." "And when you are too easy," pursued John, his face glowing with friendship, "you must allow me to prevent that imperfection in your nature from being taken advantage of, by any one; you must not expect me to humour it—" "My dear John Spatter," I interrupted, "I don't expect you to humour it. I want to correct it." "And I, too!" said John. "Exactly so!" cried I. "We both have the same end in view; and, honorably seeking it, and fully trusting one another, and having but one interest, ours will be a prosperous and happy partnership." "I am sure of it!" returned John Spatter. And we shook hands most affectionately. I took John home to my Castle, and we had a very happy day. Our partnership throve well. My friend and partner supplied what I wanted, as I had foreseen that he would; and by improving both the business and myself, amply acknowledged any little rise in life to which I had helped him. I am not (said the poor relation, looking at the fire as he slowly rubbed his hands), not very rich, for I never cared to be that; but I have enough, and am above all moderate wants and anxieties. My Castle is not a splendid place, but it is very comfortable, and it has a warm and cheerful air, and is quite a picture of Home. Our eldest girl, who is very like her mother, married John Spatter's eldest son. Our two families are closely united in other ties of attachment. It is very pleasant of an evening, when we are all assembled together—which frequently happens—and when John and I talk over old times, and the one interest there has always been between us. I really do not know, in my Castle, what loneliness is. Some of our children or grandchildren are always about it, and the young voices of my descendants are delightful—O, how delightful!—to me to hear. My dearest and most devoted wife, ever faithful, ever loving, ever helpful and sustaining and consoling, is the priceless blessing of my house; from whom all its other blessings spring. We are rather a musical family, and when Christiana sees me, at any time, a little weary or depressed, she steals to the piano and sings a gentle air she used to sing when we were first betrothed. So weak a man am I, that I cannot bear to hear it from any other source. They played it once, at the Theatre, when I was there with Little Frank; and the child said, wondering, "Cousin Michael, whose hot tears are these that have fallen on my hand!" Such is my Castle, and such are the real particulars of my life therein preserved. I often take Little Frank home there. He is very welcome to my grandchildren, and they play together. At this time of the year—the Christmas and New Year time—I am seldom out of my Castle. For, the associations of the season seem to hold me there, and the precepts of the season seem to teach me that it is well to be there. "And the Castle is —" observed a grave, kind voice among the company. "Yes. My Castle," said the poor relation, shaking his head as he still looked at the fire, "is in the Air. John our esteemed host suggests its situation accurately. My Castle is in the Air! I have done. Will you be so good as to pass the story." Once upon a time, a good many years ago, there was a traveller, and he set out upon a journey. It was a magic journey, and was to seem very long when he began it, and very short when he got half way through. He travelled along a rather dark path for some little time, without meeting anything, until at last he came to a beautiful child. So he said to the child, "What do you do here?" And the child said, "I am always at play. Come and play with me!" So, he played with that child, the whole day long, and they were very merry. The sky was so blue, the sun was so bright, the water was so sparkling, the leaves were so green, the flowers were so lovely, and they heard such singing-birds and saw so many butterflies, that everything was beautiful. This was in fine weather. When it rained, they loved to watch the falling drops, and to smell the fresh scents. When it blew, it was delightful to listen to the wind, and fancy what it said, as it came rushing from its home—where was that, they wondered!— whistling and howling, driving the clouds before it, bending the trees, rumbling in the chimnies, shaking the house, and making the sea roar in fury. But, when it snowed, that was best of all; for, they liked nothing so well as to look up at the white flakes falling fast and thick, like down from the breasts of millions of white birds; and to see how smooth and deep the drift was; and to listen to the hush upon the paths and roads. They had plenty of the finest toys in the world, and the most astonishing picture-books: all about scimitars and slippers and turbans, and dwarfs and giants and genii and fairies, and blue-beards and bean-stalks and riches and caverns and forests and Valentines and Orsons: and all new and all true. But, one day, of a sudden, the traveller lost the child. He called to him over and over again, but got no answer. So, he went upon his road, and went on for a little while without meeting anything, until at last he came to a handsome boy. So, he said to the boy, "What do you do here?" And the boy said, "I am always learning. Come and learn with me." So he learned with that boy about Jupiter and Juno, and the Greeks and the Romans, and I don't know what, and learned more than I could tell—or he either, for he soon forgot a great deal of it. But, they were not always learning; they had the merriest games that ever were played. They rowed upon the river in summer, and skated on the ice in winter; they were active afoot, and active on horseback; at cricket, and all games at ball; at prisoners' base, hare and hounds, follow my leader, and more sports than I can think of; nobody could beat them. They had holidays too, and Twelfth, cakes, and parties where they danced all night till midnight, and real Theatres where they saw palaces of real gold and silver rise out of the real earth, and saw all the wonders of the world at once. As to friends, they had such dear friends and so many of them, that I want the time to reckon them up. They were all young, like the handsome boy, and were never to be strange to one another all their lives through. Still, one day, in the midst of all these pleasures, the traveller lost the boy as he had lost the child, and, after calling to him in vain, went on upon his journey. So he went on for a little while without seeing anything, until at last he came to a young man. So, he said to the young man, "What do you do here?" And the young man said, "I am always in love. Come and love with me." So, he went away with that young man, and presently they came to one of the prettiest girls that ever was seen—just like Fanny in the corner there—and she had eyes like Fanny, and hair like Fanny, and dimples like Fanny's, and she laughed and coloured just as Fanny does while I am talking about her. So, the young man fell in love directly— just as Somebody I won't mention, the first time he came here, did with Fanny. Well! He was teazed sometimes—just as Somebody used to be by Fanny; and they quarrelled sometimes—just as Somebody and Fanny used to quarrel; and they made it up, and sat in the dark, and wrote letters every day, and never were happy asunder, and were always looking out for one another and pretending not to, and were engaged at Christmas time, and sat close to one another by the fire, and were going to be married very soon—all exactly like Somebody I won't mention, and Fanny! But, the traveller lost them one day, as he had lost the rest of his friends, and, after calling to them to come back, which they never did, went on upon his journey. So, he went on for a little while without seeing anything, until at last he came to a middle-aged gentleman. So, he said to the gentleman, "What are you doing here?" And his answer was, "I am always busy. Come and be busy with me!" So, he began to be very busy with that gentleman, and they went on through the wood together. The whole journey was through a wood, only it had been open and green at first, like a wood in spring; and now began to be thick and dark, like a wood in Summer; some of the little trees that had come out earliest, were even turning brown. The gentleman was not alone, but had a lady of about the same age with him, who was his Wife; and they had children, who were with them too. So, they all went on together through the wood, cutting down the trees, and making a path through the branches and the fallen leaves, and carrying burdens, and working hard. Sometimes, they came to a long green avenue that opened into deeper woods. Then they would hear a very little distant voice crying, "Father, father, I am another child! Stop for me!" And presently they would see a very little figure, growing larger as it came along, running to join them. When it came up, they all crowded round it, and kissed and welcomed it; and then they all went on together. Sometimes, they came to several avenues at once, and then they all stood still, and one of the children said, "Father, I am going to sea," and another said, "Father, I am going to India," and another, "Father, I am going to seek my fortune where I can," and another, "Father, I am going to Heaven!" So, with many tears at parting, they went, solitary, down those avenues, each child upon its way; and the child who went to Heaven, rose into the golden air and vanished. Whenever these partings happened, the traveller looked at the gentleman, and saw him glance up at the sky above the trees, where the day was beginning to decline, and the sunset to come on. He saw, too, that his hair was turning grey. But, they never could rest long, for they had their journey to perform, and it was necessary for them to be always busy. At last, there had been so many partings that there were no children left, and only the traveller, the gentleman, and the lady, went upon their way in company. And now the wood was yellow; and now brown; and the leaves, even of the forest trees, began to fall. So, they came to an avenue that was darker than the rest, and were pressing forward on their journey without looking down it when the lady stopped. "My husband," said the lady, "I am called." They listened, and they heard a voice, a long way down the avenue, say, "Mother, mother!" It was the voice of the first child who had said, "I am going to Heaven!" and the father said, "I pray not yet. The sunset is very near. I pray not yet!" But, the voice cried "Mother, mother!" without minding him, though his hair was now quite white, and tears were on his face. Then, the mother, who was already drawn into the shade of the dark avenue and moving away with her arms still round his neck, kissed him, and said "My dearest, I am summoned and I go!" And she was gone. And the traveller and he were left alone together. And they went on and on together, until they came to very near the end of the wood: so near, that they could see the sunset shining red before them, through the trees. Yet, once more, while he broke his way among the branches, the traveller lost his friend. He called and called, but there was no reply, and when he passed out of the wood, and saw the peaceful sun going down upon a wide purple prospect, he came to an old man sitting on a fallen tree. So, he said to the old man, "What do you do here?" And the old man said with a calm smile, "I am always remembering. Come and remember with me!" So, the traveller sat down by the side of that old man, face to face with the serene sunset; and all his friends came softly back and stood around him. The beautiful child, the handsome boy, the young man in love, the father, mother, and children: every one of them was there, and he had lost nothing. So, he loved them all, and was kind and forbearing with them all, and was always pleased to watch them all, and they all honored and loved him. And I think the traveller must be yourself, dear Grandfather, because this is what you do to us, and what we do to you.</text>
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                <text>&lt;em&gt;A Round of Stories by the Christmas Fire &lt;/em&gt;(1852 Christmas Number)</text>
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                <text>Published in &lt;em&gt;Household Words, &lt;/em&gt;Vol. VI, Extra Christmas Number, 25 December 1852, pp. 1-36.</text>
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                <text>Dickens, Charles</text>
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                <text>&lt;em&gt;Dickens Journals Online,&lt;/em&gt; &lt;a href="https://www.djo.org.uk/household-words/volume-vi/page-573.html"&gt;https://www.djo.org.uk/household-words/volume-vi/page-573.html&lt;/a&gt;.&lt;br /&gt;&lt;em&gt;&lt;br /&gt;Dickens Journals Online,&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.djo.org.uk/household-words/volume-vi/page-577.html"&gt;https://www.djo.org.uk/household-words/volume-vi/page-577.html&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                <text>1852-12-25</text>
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                <text>Dickens, Charles et. al. &lt;em&gt;A Round of Stories by the Christmas Fire &lt;/em&gt;(25 December 1852). &lt;em&gt;Dickens Search.&lt;/em&gt; Edited by Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1852-12-25-A_Round_of_Stories_by_the_Christmas_Fire"&gt;https://www.dickenssearch.com/christmas-numbers/1852-12-25-A_Round_of_Stories_by_the_Christmas_Fire&lt;/a&gt;.</text>
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                <text>&lt;ul&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'The Poor Relation's Story' (No.1), pp. 1-5.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'The Child's Story' (No.2), pp. 5-7.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;William Moy Thomas. 'Somebody's Story' (No.3), pp. 7-11.&lt;/li&gt;&#13;
&lt;li&gt;Elizabeth Gaskell. 'The Nurse's Story' (No.4), pp. 11-20.&lt;/li&gt;&#13;
&lt;li&gt;Edmund Ollier. 'The Host's Story' (No.5), pp. 20-21.&lt;/li&gt;&#13;
&lt;li&gt;Reverend James White. 'The Grandfather's Story' (No.6), pp. 21-25.&lt;/li&gt;&#13;
&lt;li&gt;Edmund Saul Dixon. 'The Charwoman's Story' (No.7), pp. 25-27.&lt;/li&gt;&#13;
&lt;li&gt;Harriet Martineau. 'The Deaf Playmate's Story' (No.8), pp. 27-30.&lt;/li&gt;&#13;
&lt;li&gt;Samuel Sidney. 'The Guest's Story' (No.9), pp. 30-33.&lt;/li&gt;&#13;
&lt;li&gt;Eliza Griffiths. 'The Mother's Story' (No.10), pp. 33-36.&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                <text>He was very reluctant to take precedence of so many respected members of the family, by beginning the round of stories they were to relate as they sat in a goodly circle by the Christmas fire; and he modestly suggested that it would be more correct if "John our esteemed host" (whose health he begged to drink) would have the kindness to begin. For as to himself, he said, he was so little used to lead the way, that really— But as they all cried out here, that he must begin, and agreed with one voice that he might, could, would, and should begin, he left off rubbing his hands, and took his legs out from under his armchair, and did begin.&lt;br /&gt;&lt;br /&gt;I have no doubt (said the poor relation) that I shall surprise the assembled members of our family, and particularly John our esteemed host to whom we are so much indebted for the great hospitality with which he has this day entertained us, by the confession I am going to make. But, if you do me the honor to be surprised at anything that falls from a person so unimportant in the family as I am, I can only say that I shall be scrupulously accurate in all I relate.&lt;br /&gt;&lt;br /&gt;I am not what I am supposed to be. I am quite another thing. Perhaps before I go farther, I had better glance at what I am supposed to be.&lt;br /&gt;&lt;br /&gt;It is supposed, unless I mistake—the assembled members of our family will correct me if I do, which is very likely (here the poor relation looked mildly about him for contradiction); that I am nobody's enemy but my own. That I never met with any particular success in anything. That I failed in business because I was unbusiness-like and credulous—in not being prepared for the interested designs of my partner. That I failed in love, because I was ridiculously trustful—in thinking it impossible that Christiana could deceive me. That I failed in my expectations from my uncle Chill, on account of not being as sharp as he could have wished in worldly matters. That, through life, I have been rather put upon and disappointed, in a general way. That I am at present a bachelor of between fifty-nine and sixty years of age, living on a limited income in the form of a quarterly allowance, to which I see that John our esteemed host wishes me to make no further allusion.&lt;br /&gt;&lt;br /&gt;The supposition as to my present pursuits and habits is to the following effect.&lt;br /&gt;&lt;br /&gt;I live in a lodging in the Clapham Road—a very clean back room, in a very respectable house—where I am expected not to be at home in the day-time, unless poorly; and which I usually leave in the morning at nine o'clock, on pretence of going to business. I take my breakfast—my roll and butter, and my half-pint of coffee—at the old established coffee-shop near Westminster Bridge; and then I go into the City—I don't know why— and sit in Garraway's Coffee House, and on 'Change, and walk about, and look into a few offices and counting-houses where some of my relations or acquaintance are so good as to tolerate me, and where I stand by the fire if the weather happens to be cold. I get through the day in this way until five o'clock, and then I dine: at a cost, on the average, of one and threepence. Having still a little&lt;br /&gt;money to spend on my evening's entertainment, I look into the old-established coffee-shop as I go home, and take my cup of tea, and perhaps my bit of toast. So, as the large hand of the clock makes its way round to the morning hour again, I make my way round to the Clapham Road again, and&lt;br /&gt;go to bed when I get to my lodging—fire being expensive, and being objected to by the family on account of its giving trouble and making a dirt.&lt;br /&gt;&lt;br /&gt;Sometimes, one of my relations or acquaintances is so obliging as to ask me to dinner. Those are holiday occasions, and then I generally walk in the Park. I am a solitary man, and seldom walk with anybody. Not that I am avoided because I am shabby; for I am not at all shabby, having always a very good suit of black on (or rather Oxford mixture, which has the appearance of black and wears much better); but I have got into a habit of speaking low, and being rather silent, and my spirits are not high, and I am sensible that I am not an attractive companion.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The only exception to this general rule is the child of my first cousin, Little Frank. I have a particular affection for that child, and he takes very kindly to me. He is a diffident boy by nature; and in a crowd he is soon run over, as I may say, and forgotten. He and I, however, get on exceedingly well. I have a fancy that the poor child will in time succeed to my peculiar position in the family. We talk but little; still, we understand each other. We walk about, hand in hand; and without much speaking he knows what I mean, and I know what he means. When he was very little indeed, I used to take him to the windows of the toy-shops, and show him the toys inside. It is surprising how soon he found out that I would have made him a great many presents if I had been in circumstances to do it.&lt;br /&gt;&lt;br /&gt;Little Frank and I go and look at the outside of the Monument— he is very fond of the Monument—and at the Bridges, and at all the sights that are free. On two of my birthdays we have dined on a-la-mode beef, and gone at half-price to the play, and been deeply interested. I was once walking with him in Lombard Street, which we often visit on account of my having mentioned to him that there are great riches there— he is very fond of Lombard Street— when a gentleman said to me as he passed by, "Sir, your little son has dropped his glove." I assure you, if you will excuse my remarking on so trivial a circumstance, this accidental mention of the child as mine, quite touched my heart and brought the foolish tears into my eyes.&lt;br /&gt;&lt;br /&gt;When little Frank is sent to school in the country, I shall be very much at a loss what to do with myself, but I have the intention of walking down there once a month and seeing him on a half holiday. I am told he will then be at play upon the Heath; and if my visits should be objected to, as unsettling the child, I can see him from a distance without his seeing me, and walk back again. His mother comes of a highly genteel family, and rather disapproves, I am aware, of our being too much together. I know that I am not calculated to improve his retiring disposition; but I think he would miss me beyond the feeling of the moment, if we were wholly separated.&lt;br /&gt;&lt;br /&gt;When I die in the Clapham Road, I shall not leave much more in this world than I shall take out of it ; but, I happen to have a miniature of a bright-faced boy, with a curling head, and an open shirt-frill waving down his bosom (my mother had it taken for me, but I can't believe that it was ever like), which will be worth nothing to sell, and which I shall beg may be given to Frank. I have written my dear boy a little letter with it, in which I have told him that I felt very sorry to part from him, though bound to confess that I knew no reason why I should remain here. I have given him some short advice, the best in my power, to take warning of the consequences of being nobody's enemy but his own; and I have endeavoured to comfort him for what I fear he will consider a bereavement, by pointing out to him that I was only a superfluous something to every one but him, and that having by some means failed to find a place in this great assembly, I am better out of it.&lt;br /&gt;&lt;br /&gt;Such (said the poor relation, clearing his throat and beginning to speak a little louder) is the general impression about me. Now, it is a remarkable circumstance which forms the aim and purpose of my story, that this is all wrong. This is not my life, and these are not my habits. I do not even live in the Clapham Road. Comparatively speaking, I am very seldom there. I reside, mostly, in a—I am almost ashamed to say the word, it sounds so full of pretension—in a Castle. I do not mean that it is an old baronial habitation, but still it is a building always known to every one by the name of a Castle. In it, I preserve the particulars of my history; they run thus:&lt;br /&gt;&lt;br /&gt;It was when I first took John Spatter (who had been my clerk) into partnership, and when I was still a young man of not more than five-and-twenty, residing in the house of my uncle Chill from whom I had considerable expectations, that I ventured to propose to Christiana. I had loved Christiana, a long time. She was very beautiful, and very winning in all respects. I rather mistrusted her widowed mother, who I feared was of a plotting and&lt;br /&gt;mercenary turn of mind; but, I thought as well of her as I could, for Christiana's sake. I never had loved any one but Christiana, and she had been all the world, and O far more than all the world, to me, from our childhood!&lt;br /&gt;&lt;br /&gt;Christiana accepted me with her mother's consent, and I was rendered very happy indeed. My life at my Uncle Chill's was of a spare dull kind, and my garret chamber was as dull, and bare, and cold, as an upper prison room in some stern northern fortress. But, having Christiana's love, I wanted nothing upon earth. I would not have changed my lot with any human being.&lt;br /&gt;&lt;br /&gt;Avarice was, unhappily, my Uncle Chill's master-vice. Though he was rich, he pinched, and scraped, and clutched, and lived miserably. As Christiana had no fortune, I was for some time a little fearful of confessing our engagement to him; but, at length I wrote him a letter, saying how it all truly was. I put it into his hand one night, on going to bed.&lt;br /&gt;&lt;br /&gt;As I came down stairs next morning, shivering in the cold December air; colder in my uncle's unwarmed house than in the street, where the winter sun did sometimes shine, and which was at all events enlivened by cheerful faces and voices passing along; I carried a heavy heart towards the long, low breakfast-room in which my uncle sat. It was a large room with a small fire, and there was a great bay window in it which the rain had marked in the night as if with the tears of houseless people. It stared upon a raw yard, with a cracked stone pavement, and some rusted iron railings half uprooted, whence an ugly out-building that had once been a dissecting-room (in the time of the great surgeon who had mortgaged the house to my uncle), stared at it.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;We rose so early always, that at that time of the year we breakfasted by candle-light. When I went into the room, my uncle was so contracted by the cold, and so huddled together in his chair behind the one dim candle, that I did not see him until I was close to the table.&lt;br /&gt;&lt;br /&gt;As I held out my hand to him, he caught up his stick (being infirm, he always walked about the house with a stick), and made a blow at me, and said, "You fool!"&lt;br /&gt;&lt;br /&gt;''Uncle." I returned, "I didn't expect you to be so angry as this." Nor had I expected it, though he was a hard and angry old man.&lt;br /&gt;&lt;br /&gt;"You didn't expect!" said he; "when did you ever expect? When did you ever calculate, or look forward, you contemptible dog?"&lt;br /&gt;&lt;br /&gt;"These are hard words, uncle!"&lt;br /&gt;&lt;br /&gt;"Hard words? Feathers, to pelt such an idiot as you with," said he. "Here! Betsy Snap! Look at him!"&lt;br /&gt;&lt;br /&gt;Betsey Snap was a withered, hard-favored, yellow old woman— our only domestic—always employed, at this time of the morning, in rubbing my uncle's legs. As my uncle adjured her to look at me, he put his lean grip on the crown of her head, she kneeling beside him, and turned her face towards me. An involuntary thought connecting them both with the Dissecting Room, as it must often have been in the surgeon's time, passed across my mind in the midst of my anxiety.&lt;br /&gt;&lt;br /&gt;"Look at the snivelling milksop !" said my uncle. "Look at the baby! This is the gentleman who, people say, is nobody's enemy but his own. This is the gentleman who can't say no. This is the gentleman who was making such large profits in his business that he must needs take a partner, t'other day. This is the gentleman who is going to marry a wife without a penny, and who falls into the hands of Jezabels who are speculating on my death!"&lt;br /&gt;&lt;br /&gt;I knew, now, how great my uncle's rage was; for nothing short of his being almost beside himself would have induced him to utter that concluding word, which he held in such repugnance that it was never spoken or hinted at before him on any account.&lt;br /&gt;&lt;br /&gt;"On my death," he repeated, as if he were defying me by defying his own abhorrence of the word. "On my death— death— Death! But I'll spoil the speculation. Eat your last under this roof, you feeble wretch, and may it choke you!"&lt;br /&gt;&lt;br /&gt;You may suppose that I had not much appetite for the breakfast to which I was bidden in these terms; but, I took my accustomed seat. I saw that I was repudiated henceforth by my uncle; still I could bear that very well, possessing Christiana's heart.&lt;br /&gt;&lt;br /&gt;He emptied his basin of bread and milk as usual, only that he took it on his knees with his chair turned away from the table where I sat. When he had done, he carefully snuffed out the candle; and the cold, slate-coloured, miserable day looked in upon us.&lt;br /&gt;&lt;br /&gt;"Now, Mr. Michael," said he, "before we part, I should like to have a word with these ladies in your presence."&lt;br /&gt;&lt;br /&gt;"As you will, sir," I returned; "but you deceive yourself, and wrong us, cruelly, if you suppose that there is any feeling at stake in this contract but pure, disinterested, faithful love."&lt;br /&gt;&lt;br /&gt;To this, he only replied, "You lie!" and not one other word.&lt;br /&gt;&lt;br /&gt;We went, through half-thawed snow and half-frozen rain, to the house where Christiana and her mother lived. My uncle knew them very well. They were sitting at their breakfast and were surprised to see us at that hour.&lt;br /&gt;&lt;br /&gt;"Your servant, ma'am," said my uncle, to the mother. "You divine the purpose of my visit, I dare say, ma'am. I understand there is a world of pure, disinterested, faithful love cooped up here. I am happy to bring it all it wants, to make it complete. I bring you your son-in-law, ma'am— and you, your husband, miss. The gentleman is a perfect stranger to me, but I wish him joy of his wise bargain."&lt;br /&gt;&lt;br /&gt;He snarled at me as he went out, and I never saw him again.&lt;br /&gt;&lt;br /&gt;It is altogether a mistake (continued the poor relation) to suppose that my dear Christiana, over-persuaded and influenced by her mother, married a rich man, the dirt from whose carriage wheels is often, in these changed times, thrown upon me as she rides by. No, no. She married me.&lt;br /&gt;&lt;br /&gt;The way we came to be married rather sooner than we intended, was this. I took a frugal lodging and was saving and planning for her sake, when, one day, she spoke to me with great earnestness, and said:&lt;br /&gt;&lt;br /&gt;"My dear Michael, I have given you my heart. I have said that I loved you, and I have pledged myself to be your wife. I am as much yours through all changes of good and evil as if we had been married on the day when such words passed between us. I know you well, and know that if we should be separated and our union broken off, your whole life would be shadowed, and all that might, even now, be stronger in your character for the conflict with the world would then be weakened to the shadow of what it is!"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;"God help me, Christiana!" said I. "You speak the truth."&lt;br /&gt;&lt;br /&gt;"Michael!" said she, putting her hand in mine, in all maidenly devotion, "let us keep apart no longer. It is but for me to say that I can live contented upon such means as you have, and I well know you are happy. I say so from my heart. Strive no more alone; let us strive together. My dear Michael, it is not right that I should keep secret from you what you do not suspect, but what distresses my whole life. My mother: without considering that what you have lost, you have lost for me, and on the assurance of my faith: sets her heart on riches, and urges another suit upon me, to my misery. I cannot bear this, for to bear it is to be untrue to you. I would rather share your struggles than look on. I want no better home than you can give me. I know that you will aspire and labor with a higher courage if I am wholly yours, and let it be so when you will!"&lt;br /&gt;&lt;br /&gt;I was blest indeed, that day, and a new world opened to me. We were married in a very little while, and I took my wife to our happy home. That was the beginning of the residence I have spoken of; the Castle we have ever since inhabited together, dates from that time. All our children have been born in it. Our first child— now married— was a little girl, whom we called Christiana. Her son is so like Little Frank, that I hardly know which is which.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The current impression as to my partner's dealings with me is also quite erroneous. He did not begin to treat me coldly, as a poor simpleton, when my uncle and I so fatally quarrelled; nor did he afterwards gradually possess himself of our business and edge me out. On the contrary, he behaved to me with the utmost good faith and honor.&lt;br /&gt;&lt;br /&gt;Matters between us, took this turn:— On the day of my separation from my uncle, and even before the arrival at our counting-house of my trunks (which he sent after me, not carriage paid), I went down to our room of business, on our little wharf, overlooking the river; and there I told John Spatter what had happened. John did not say, in reply, that rich old relatives were palpable facts, and that love and sentiment were moonshine and fiction. He addressed me thus:&lt;br /&gt;&lt;br /&gt;"Michael," said John. "We were at school together, and I generally had the knack of getting on better than you, and making a higher reputation."&lt;br /&gt;&lt;br /&gt;"You had, John," I returned.&lt;br /&gt;&lt;br /&gt;"Although," said John, "I borrowed your books, and lost them; borrowed your pocket- money, and never repaid it; got you to buy my damaged knives at a higher price than I had given for them new; and to own to the windows that I had broken."&lt;br /&gt;&lt;br /&gt;"All not worth mentioning, John Spatter," said I, "but certainly true."&lt;br /&gt;&lt;br /&gt;"When you were first established in this infant business, which promises to thrive so well," pursued John, "I came to you, in my search for almost any employment, and you made me your clerk."&lt;br /&gt;&lt;br /&gt;"Still not worth mentioning, my dear John Spatter," said I; "still, equally true."&lt;br /&gt;&lt;br /&gt;"And finding that I had a good head for business, and that I was really useful to the business, you did not like to retain me in that capacity, and thought it an act of justice soon to make me your partner."&lt;br /&gt;&lt;br /&gt;"Still less worth mentioning than any of those other little circumstances you have recalled, John Spatter," said I; "for I was, and am, sensible of your merits and my deficiencies."&lt;br /&gt;&lt;br /&gt;"Now my good friend," said John, drawing my arm through his, as he had had a habit of doing at school; while two vessels outside the windows of our counting-house—which were shaped like the stern windows of a ship—went lightly down the river with the tide, as John and I might then be sailing away in company, and in trust and confidence, on our voyage of life; "let there, under these friendly circumstances, be a right understanding between us. You are too easy, Michael. You are nobody's enemy but your own. If I were to give you that damaging character among our connexion, with a shrug, and a shake of the head, and a sigh; and if I were further to abuse the trust you place in me—"&lt;br /&gt;&lt;br /&gt;"But you never will abuse it at all, John," I observed.&lt;br /&gt;&lt;br /&gt;"Never!" said he, "but l am putting a case—I say, and if I were further to abuse that trust by keeping this piece of our common affairs in the dark, and this other piece in the light, and again this other piece in the twilight, and so on, I should strengthen my strength, and weaken your weakness, day by day, until at last I found myself on the high road to fortune, and you left behind on some bare common, a hopeless number of miles out of the way."&lt;br /&gt;&lt;br /&gt;"Exactly so," said I.&lt;br /&gt;&lt;br /&gt;"To prevent this, Michael," said John Spatter, "or the remotest chance of this, there must be perfect openness between us. Nothing must be concealed, and we must have but one interest."&lt;br /&gt;&lt;br /&gt;"My dear John Spatter," I assured him, "that is precisely what I mean."&lt;br /&gt;&lt;br /&gt;"And when you are too easy," pursued John, his face glowing with friendship, "you must allow me to prevent that imperfection in your nature from being taken advantage of, by any one; you must not expect me to humour it—"&lt;br /&gt;&lt;br /&gt;"My dear John Spatter," I interrupted, "I &lt;em&gt;don't&lt;/em&gt; expect you to humour it. I want to correct it."&lt;br /&gt;&lt;br /&gt;"And I, too!" said John.&lt;br /&gt;&lt;br /&gt;"Exactly so!" cried I. "We both have the same end in view; and, honorably seeking it, and fully trusting one another, and having but one interest, ours will be a prosperous and happy partnership."&lt;br /&gt;&lt;br /&gt;"I am sure of it!" returned John Spatter. And we shook hands most affectionately.&lt;br /&gt;&lt;br /&gt;I took John home to my Castle, and we had a very happy day. Our partnership throve well. My friend and partner supplied what I wanted, as I had foreseen that he would; and by improving both the business and myself, amply acknowledged any little rise in life to which I had helped him.&lt;br /&gt;&lt;br /&gt;I am not (said the poor relation, looking at the fire as he slowly rubbed his hands), not very rich, for I never cared to be that; but I have enough, and am above all moderate wants and anxieties. My Castle is not a splendid place, but it is very comfortable, and it has a warm and cheerful air, and is quite a picture of Home.&lt;br /&gt;&lt;br /&gt;Our eldest girl, who is very like her mother, married John Spatter's eldest son. Our two families are closely united in other ties of attachment. It is very pleasant of an evening, when we are all assembled together—which frequently happens—and when John and I talk over old times, and the one interest there has always been between us.&lt;br /&gt;&lt;br /&gt;I really do not know, in my Castle, what loneliness is. Some of our children or grandchildren are always about it, and the young voices of my descendants are delightful—O, how delightful!—to me to hear. My dearest and most devoted wife, ever faithful, ever loving, ever helpful and sustaining and consoling, is the priceless blessing of my house; from whom all its other blessings spring. We are rather a musical family, and when Christiana sees me, at any time, a little weary or depressed, she steals to the piano and sings a gentle air she used to sing when we were first betrothed. So weak a man am I, that I cannot bear to hear it from any other source. They played it once, at the Theatre, when I was there with Little Frank; and the child said, wondering, "Cousin Michael, whose hot tears are these that have fallen on my hand!"&lt;br /&gt;&lt;br /&gt;Such is my Castle, and such are the real particulars of my life therein preserved. I often take Little Frank home there. He is very welcome to my grandchildren, and they play together. At this time of the year—the Christmas and New Year time—I am seldom out of my Castle. For, the associations of the season seem to hold me there, and the precepts of the season seem to teach me that it is well to be there.&lt;br /&gt;&lt;br /&gt;"And the Castle is —" observed a grave, kind voice among the company.&lt;br /&gt;&lt;br /&gt;"Yes. My Castle," said the poor relation, shaking his head as he still looked at the fire, "is in the Air. John our esteemed host suggests its situation accurately. My Castle is in the Air! I have done. Will you be so good as to pass the story."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Once upon a time, a good many years ago, there was a traveller, and he set out upon a journey. It was a magic journey, and was to seem very long when he began it, and very short when he got half way through.&lt;br /&gt;&lt;br /&gt;He travelled along a rather dark path for some little time, without meeting anything, until at last he came to a beautiful child. So he said to the child, "What do you do here?" And the child said, "I am always at play. Come and play with me!"&lt;br /&gt;&lt;br /&gt;So, he played with that child, the whole day long, and they were very merry. The sky was so blue, the sun was so bright, the water was so sparkling, the leaves were so green, the flowers were so lovely, and they heard such singing-birds and saw so many butterflies, that everything was beautiful. This was in fine weather. When it rained, they loved to watch the falling drops, and to smell the fresh scents. When it blew, it was delightful to listen to the wind, and fancy what it said, as it came rushing from its home—where was that, they wondered!— whistling and howling, driving the clouds before it, bending the trees, rumbling in the chimnies, shaking the house, and making the sea roar in fury. But, when it snowed, that was best of all; for, they liked nothing so well as to look up at the white flakes falling fast and thick, like down from the breasts of millions of white birds; and to see how smooth and deep the drift was; and to listen to the hush upon the paths and roads.&lt;br /&gt;&lt;br /&gt;They had plenty of the finest toys in the world, and the most astonishing picture-books: all about scimitars and slippers and turbans, and dwarfs and giants and genii and fairies, and blue-beards and bean-stalks and riches and caverns and forests and Valentines and Orsons: and all new and all true.&lt;br /&gt;&lt;br /&gt;But, one day, of a sudden, the traveller lost the child. He called to him over and over again, but got no answer. So, he went upon his road, and went on for a little while without meeting anything, until at last he came to a handsome boy. So, he said to the boy, "What do you do here?" And the boy said, "I am always learning. Come and learn with me."&lt;br /&gt;&lt;br /&gt;So he learned with that boy about Jupiter and Juno, and the Greeks and the Romans, and I don't know what, and learned more than I could tell—or he either, for he soon forgot a great deal of it. But, they were not always learning; they had the merriest games that ever were played. They rowed upon the river in summer, and skated on the ice in winter; they were active afoot, and active on horseback; at cricket, and all games at ball; at prisoners' base, hare and hounds, follow my leader, and more sports than I can think of; nobody could beat them. They had holidays too, and Twelfth, cakes, and parties where they danced all night till midnight, and real Theatres where they saw palaces of real gold and silver rise out of the real earth, and saw all the wonders of the world at once. As to friends, they had such dear friends and so many of them, that I want the time to reckon them up. They were all young, like the handsome boy, and were never to be strange to one another all their lives through.&lt;br /&gt;&lt;br /&gt;Still, one day, in the midst of all these pleasures, the traveller lost the boy as he had lost the child, and, after calling to him in vain, went on upon his journey. So he went on for a little while without seeing anything, until at last he came to a young man. So, he said to the young man, "What do you do here?" And the young man said, "I am always in love. Come and love with me."&lt;br /&gt;&lt;br /&gt;So, he went away with that young man, and presently they came to one of the prettiest girls that ever was seen—just like Fanny in the corner there—and she had eyes like Fanny, and hair like Fanny, and dimples like Fanny's, and she laughed and coloured just as Fanny does while I am talking about her. So, the young man fell in love directly— just as Somebody I won't mention, the first time he came here, did with Fanny. Well! He was teazed sometimes—just as Somebody used to be by Fanny; and they quarrelled sometimes—just as Somebody and Fanny used to quarrel; and they made it up, and sat in the dark, and wrote letters every day, and never were happy asunder, and were always looking out for one another and pretending not to, and were engaged at Christmas time, and sat close to one another by the fire, and were going to be married very soon—all exactly like Somebody I won't mention, and Fanny!&lt;br /&gt;&lt;br /&gt;But, the traveller lost them one day, as he had lost the rest of his friends, and, after calling to them to come back, which they never did, went on upon his journey. So, he went on for a little while without seeing anything, until at last he came to a middle-aged gentleman. So, he said to the gentleman, "What are you doing here?" And his answer was, "I am always busy. Come and be busy with me!"&lt;br /&gt;&lt;br /&gt;So, he began to be very busy with that gentleman, and they went on through the wood together. The whole journey was through a wood, only it had been open and green at first, like a wood in spring; and now began to be thick and dark, like a wood in Summer; some of the little trees that had come out earliest, were even turning brown. The gentleman was not alone, but had a lady of about the same age with him, who was his Wife; and they had children, who were with them too. So, they all went on together through the wood, cutting down the trees, and making a path through the branches and the fallen leaves, and carrying burdens, and working hard.&lt;br /&gt;&lt;br /&gt;Sometimes, they came to a long green avenue that opened into deeper woods. Then they would hear a very little distant voice crying, "Father, father, I am another child! Stop for me!" And presently they would see a very little figure, growing larger as it came along, running to join them. When it came up, they all crowded round it, and kissed and welcomed it; and then they all went on together.&lt;br /&gt;&lt;br /&gt;Sometimes, they came to several avenues at once, and then they all stood still, and one of the children said, "Father, I am going to sea," and another said, "Father, I am going to India," and another, "Father, I am going to seek my fortune where I can," and another, "Father, I am going to Heaven!" So, with many tears at parting, they went, solitary, down those avenues, each child upon its way; and the child who went to Heaven, rose into the golden air and vanished.&lt;br /&gt;&lt;br /&gt;Whenever these partings happened, the traveller looked at the gentleman, and saw him glance up at the sky above the trees, where the day was beginning to decline, and the sunset to come on. He saw, too, that his hair was turning grey. But, they never could rest long, for they had their journey to perform, and it was necessary for them to be always busy.&lt;br /&gt;&lt;br /&gt;At last, there had been so many partings that there were no children left, and only the traveller, the gentleman, and the lady, went upon their way in company. And now the wood was yellow; and now brown; and the leaves, even of the forest trees, began to fall.&lt;br /&gt;&lt;br /&gt;So, they came to an avenue that was darker than the rest, and were pressing forward on their journey without looking down it when the lady stopped.&lt;br /&gt;&lt;br /&gt;"My husband," said the lady, "I am called."&lt;br /&gt;&lt;br /&gt;They listened, and they heard a voice, a long way down the avenue, say, "Mother, mother!"&lt;br /&gt;&lt;br /&gt;It was the voice of the first child who had said, "I am going to Heaven!" and the father said, "I pray not yet. The sunset is very near. I pray not yet!"&lt;br /&gt;&lt;br /&gt;But, the voice cried "Mother, mother!" without minding him, though his hair was now quite white, and tears were on his face.&lt;br /&gt;&lt;br /&gt;Then, the mother, who was already drawn into the shade of the dark avenue and moving away with her arms still round his neck, kissed him, and said "My dearest, I am summoned and I go!" And she was gone. And the traveller and he were left alone together.&lt;br /&gt;&lt;br /&gt;And they went on and on together, until they came to very near the end of the wood: so near, that they could see the sunset shining red before them, through the trees.&lt;br /&gt;&lt;br /&gt;Yet, once more, while he broke his way among the branches, the traveller lost his friend. He called and called, but there was no reply, and when he passed out of the wood, and saw the peaceful sun going down upon a wide purple prospect, he came to an old man sitting on a fallen tree. So, he said to the old man, "What do you do here?" And the old man said with a calm smile, "I am always remembering. Come and remember with me!"&lt;br /&gt;&lt;br /&gt;So, the traveller sat down by the side of that old man, face to face with the serene sunset; and all his friends came softly back and stood around him. The beautiful child, the handsome boy, the young man in love, the father, mother, and children: every one of them was there, and he had lost nothing. So, he loved them all, and was kind and forbearing with them all, and was always pleased to watch them all, and they all honored and loved him. And I think the traveller must be yourself, dear Grandfather, because this is what you do to us, and what we do to you.</text>
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                  <text>Lydia Craig</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>Being rather young at present I am getting on in years, but still I am rather young—I have no particular adventures of my own to fall back upon. It wouldn't much interest anybody here, I suppose, to know what a screw the Reverend is, or what a griffin she is, or how they do stick it into parents—particularly hair-cutting and medical attendance. One of our fellows was charged in his half's account twelve and six-pence for two pills—tolerably profitable at six and three-pence a-piece, I should think—and he never took them either, but put them up the sleeve of his jacket. As to the beef, it's shameful. It's not beef. Regular beef isn't veins. You can chew regular beef. Besides which there's gravy to regular beef, and you never see a drop to ours. Another of our fellows went home ill, and heard the family doctor tell his father that he couldn't account for his complaint unless it was the beer. Of course it was the beer, and well it might be! However, beef and Old Cheeseman are two different things. So is beer. It was Old Cheeseman I meant to tell about; not the manner in which our fellows get their constitutions destroyed for the sake of profit. Why, look at the pie-crust alone. There's no flakiness in it. It's solid—like damp lead. Then our fellows get nightmares, and are bolstered for calling out and waking other fellows. Who can wonder! Old Cheeseman one night walked in his sleep, put his hat on over his night-cap, got hold of a fishing-rod and a cricket-bat, and went down into the parlor, where they naturally thought from his appearance he was a Ghost. Why, he never would have done that if his meals had been wholesome. When we all begin to walk in our sleeps, I suppose they'll be sorry for it. Old Cheeseman wasn't second Latin Master then; he was a fellow himself. He was first brought there, very small, in a post-chaise, by a woman who was always taking snuff and shaking him—and that was the most he remembered about it. He never went home for the holidays. His accounts (he never learnt any extras) were sent to a Bank, and the Bank paid them; and he had a brown suit twice a year, and went into boots at twelve. They were always too big for him, too. In the midsummer holidays, some of our fellows who lived within walking distance, used to come back and climb the trees outside the playground wall, on purpose to look at Old Cheeseman reading there by himself. He was always as mild as the tea—and that's pretty mild, I should hope!—so when they whistled to him, he looked up and nodded; and when they said "Holloa Old Cheeseman, what have you had for dinner?" he said "Boiled mutton;" and when they said "An't it solitary, Old Cheeseman?" he said "It is a little dull, sometimes;" and then they said "Well, good bye, Old Cheeseman!" and climbed down again. Of course it was imposing on Old Cheeseman to give him nothing but boiled mutton through a whole Vacation, but that was just like the system. When they didn't give him boiled mutton they gave him rice pudding, pretending it was a treat. And saved the butcher. So Old Cheeseman went on. The holidays brought him into other trouble besides the loneliness; because when the fellows began to come back, not wanting to, he was always glad to see them: which was aggravating when they were not at all glad to see him, and so he got his head knocked against walls, and that was the way his nose bled. But he was a favourite in general. Once, a subscription was raised for him; and, to keep up his spirits, he was presented before the holidays with two white mice, a rabbit, a pigeon, and a beautiful puppy. Old Cheeseman cried about it, especially soon afterwards, when they all ate one another. Of course Old Cheeseman used to be called by the names of all sorts of cheeses, Double Glo'sterman, Family Cheshireman, Dutchman, North Wiltshireman, and all that. But he never minded it. And I don't mean to say he was old in point of years, because he wasn't, only he was called, from the first, Old Cheeseman. At last. Old Cheeseman was made second Latin Master. He was brought in one morning at the beginning of a new half, and presented to the school in that capacity as "Mr. Cheeseman." Then our fellows all agreed that Old Cheeseman was a spy, and a deserter, who had gone over to the enemy's camp, and sold himself for gold. It was no excuse for him that he had sold himself for very little gold—two pound ten a quarter, and his washing, as was reported. It was decided by a Parliament which sat about it, that Old Cheeseman's mercenary motives could alone be taken into account, and that he had "coined our blood for drachmas." The Parliament took the expression out of the quarrel scene between Brutus and Cassius. When it was settled in this strong way that Old Cheeseman was a tremendous traitor, who had wormed himself into our fellows secrets on purpose to get himself into favour by giving up everything he knew, all courageous fellows were invited to come forward and enrol themselves in a Society for making a set against him. The President of the Society was First boy, named Bob Tarter. His father was in the West Indies, and he owned, himself, that his father was worth Millions. He had great power among our fellows, and he wrote a parody, beginning, "Who made believe to be so meek That we could hardly hear him speak, Yet turned out an Informing Sneak? Old Cheeseman." —and on in that way through more than a dozen verses, which he used to go and sing, every morning, close by the new master's desk. He trained one of the low boys too, a rosy cheeked little Brass who didn't care what he did, to go up to him with his Latin Grammar one morning, and say it so:—Nominativus pronominum—Old Cheeseman, raro exprimitur—was never suspected, nisi distinctionis —of being an informer, aut emphasis gratia—until he proved one. Ut—for instance, Vos damnastis—when he sold the boys, Quasi—as though, dicat—he should say, Pretaerea nemo—I'm a Judas! All this produced a great effect on Old Cheeseman. He had never had much hair; but what he had, began to get thinner and thinner every day. He grew paler and more worn; and sometimes of an evening he was seen sitting at his desk with a precious long snuff to his candle, and his hands before his face, crying. But no member of the Society could pity him, even if he felt inclined, because the President said it was Old Cheeseman's conscience. So Old Cheeseman went on, and didn't he lead a miserable life! Of course the Reverend turned up his nose at him, and of course she did—because both of them always do at all the masters, but he suffered from the fellows most, and he suffered from them constantly. He never told about it, that the Society could find out; but he got no credit for that, because the President said it was Old Cheeseman's cowardice. He had only one friend in the world, and that one was almost as powerless as he was, for it was only Jane. Jane was a sort of wardrobe-woman to our fellows, and took care of the boxes. She come at first, I believe, as a kind of apprentice, some of our fellows say from a Charity, but I don't know, and after her time was out, had stopped at so much a year. So little a year, perhaps I ought to say, for it is far more likely. However, she had put some pounds in the Savings' Bank, and she was a very nice young woman. She was not quite pretty; but she had a very frank, honest, bright face, and all our fellows were fond of her. She was uncommonly neat and cheerful, and uncommonly comfortable and kind. And if anything was the matter with a fellow's mother, he always went and showed the letter to Jane. Jane was Old Cheeseman's friend. The more the Society went against him the more Jane stood by him. She used to give him a good-humoured look out of her still-room window, sometimes, that seemed to set him up for the day. She used to pass out of the orchard and the kitchen-garden (always kept locked, I believe you!) through the playground, when she might have gone the other way, only to give a turn of her head, as much as to say "Keep up your spirits!" to Old Cheeseman. His slip of a room was so fresh and orderly, that it was well known who looked after it while he was at his desk; and when our fellows, saw a smoking hot dumpling on his plate at dinner, they knew with indignation who had sent it up. Under these circumstances, the Society resolved, after a quantity of meeting and debating, that Jane should be requested to cut Old Cheeseman dead: and that if she refused, she must be sent to Coventry herself. So a deputation, headed by the President, was appointed to wait on Jane, and inform her of the vote the Society had been under the painful necessity of passing. She was very much respected for all her good qualities, and there was a story of her having once waylaid the Reverend in his own study and got a fellow off from severe punishment, of her own kind comfortable heart. So the deputation didn't much like the job. However, they went up, and the President told Jane all about it. Upon which Jane turned very red, burst into tears, informed the President and the deputation, in a way not at all like her usual way, that they were a parcel of malicious young savages, and turned the whole respected body out of the room. Consequently it was entered in the Society's book (kept in astronomical cypher for fear of detection), that all communication with Jane was interdicted; and the President addressed the members on this convincing instance of Old Cheeseman's undermining. But Jane was as true to Old Cheeseman as Old Cheeseman was false to our fellows—in their opinion at all events—and steadily continued to be his only friend. It was a great exasperation to the Society, because Jane was as much a loss to them as she was a gain to him; and being more inveterate against him than ever, they treated him worse than ever. At last one morning, his desk stood empty, his room was peeped into and found to be vacant, and a whisper went about among the pale faces of our fellows that Old Cheeseman, unable to bear it any longer, had got up early and drowned himself. The mysterious looks of the other masters after breakfast, and the evident fact that Old Cheeseman was not expected, confirmed the Society in this opinion. Some began to discuss whether the President was liable to hanging or only transportation for life, and the President's face showed a great anxiety to know which. However, he said that a jury of his countrymen should find him game; and that in his address he should put it to them to lay their hands upon their hearts, and say whether they as Britons, approved of Informers, and how they thought they would like it themselves. Some of the Society considered that he had better run away until he found a Forest where he might change clothes with a woodcutter, and stain his face with blackberries; but the majority believed that if he stood his ground, his father—belonging, as he did, to the West Indies, and being worth millions—could buy him off. All our fellows' hearts beat fast when the Reverend came in, and made a sort of a Roman, or a Field Marshal, of himself with the ruler; as he always did before delivering an address. But their fears were nothing to their astonishment when he came out with the story that Old Cheeseman, "so long our respected friend and fellow-pilgrim in the pleasant plains of knowledge," he called him—O yes! I dare say! Much of that! was the orphan child of a disinherited young lady who had married against her father's wish, and whose young husband had died, and who had died of sorrow herself, and whose unfortunate baby (Old Cheeseman) had been brought up at the cost of a grandfather who would never consent to see it, baby, boy, or man; which grandfather was now dead, and serve him right—that's my putting in—and which grandfather's large property, there being no will, was now, and all of a sudden and for ever. Old Cheeseman's! Our so long respected friend and fellow-pilgrim in the pleasant plains of knowledge, the Reverend wound up a lot of bothering quotations by saying, would "come among us once more" that day fortnight, when he desired to take leave of us himself in a more particular manner. With these words, he stared severely round at our fellows, and went solemnly out. There was precious consternation among the members of the Society now. Lots of them wanted to resign, and lots more began to try to make out that they had never belonged to it. However, the President stuck up, and said that they must stand or fall together, and that if a breach was made it should be over his body—which was meant to encourage the Society: but it didn't. The President further said, he would consider the position in which they stood, and would give them his best opinion and advice in a few days. This was eagerly looked for, as he knew a good deal of the world on account of his father's being in the West Indies. After days and days of hard thinking, and drawing armies all over his slate, the President called our fellows together, and made the matter clear. He said it was plain that when Old Cheeseman came on the appointed day, his first revenge would be to impeach the Society, and have it flogged all round. After witnessing with joy the torture of his enemies, and gloating over the cries which agony would extort from them, the probability was that he would invite the Reverend, on pretence of conversation, into a private room—say the parlor into which parents were shown, where the two great globes were which were never used—and would there reproach him with the various frauds and oppressions he had endured at his hands. At the close of his observations, he would make a signal to a Prize-fighter concealed in the passage, who would then appear and pitch into the Reverend till he was left insensible. Old Cheeseman would then make Jane a present of from five to ten pounds, and would leave the establishment in fiendish triumph. The President explained that against the parlour part, or the Jane part, of these arrangements he had nothing to say; but, on the part of the Society, he counselled deadly resistance. With this view he recommended that all available desks should be filled with stones, and that the first word of the complaint should be the signal to every fellow to let fly at Old Cheeseman. The bold advice put the Society in better spirits, and was unanimously taken. A post about Old Cheeseman's size was put up in the playground, and all our fellows practised at it till it was dented all over. When the day came, and places were called, every fellow sat down in a tremble. There had been much discussing and disputing as to how Old Cheeseman would come; but it was the general opinion that he would appear in a sort of a triumphal car drawn by four horses, with two livery servants in front, and the Prize-fighter in disguise up behind. So all our fellows sat listening for the sound of wheels. But no wheels were heard, for Old Cheeseman walked after all, and came into the school without any preparation. Pretty much as he used to be, only dressed in black. "Gentlemen," said the Reverend, presenting him, "our so long respected friend and fellow-pilgrim in the pleasant plains of knowledge, is desirous to offer a word or two. Attention, gentlemen, one and all!" Every fellow stole his hand into his desk, and looked at the President The President was allready, and taking aim at Old Cheeseman with his eyes. What did Old Cheeseman then, but walk up to his old desk, look round him with a queer smile as if there was a tear in his eye, and begin in a quavering mild voice, "My dear companions and old friends!" Every fellow's hand came out of his desk, and the President suddenly began to cry. "My dear companions and old friends," said Old Cheeseman, "you have heard of my good fortune. I have passed so many years under this roof—my entire life so far, I may say—that I hope you have been glad to hear of it for my sake. I could never enjoy it without exchanging congratulations with you. If we have ever misunderstood one another at all, pray my dear boys let us forgive and forget. I have a great tenderness for you, and I am sure you return it. I want, in the fulness of a grateful heart, to shake hands with you every one. I have come back to do it, if you please, my dear boys." Since the President had begun to cry, several other fellows had broken out here and there: but now, when Old Cheeseman began with him as first boy, laid his left hand affectionately on his shoulder and gave him his right; and when the President said "Indeed I don't deserve it. Sir; upon my honour I don't;" there was sobbing and crying all over the school. Every other fellow said he didn't deserve it, much in the same way; but Old Cheeseman, not minding that a bit, went cheerfully round to every boy, and wound up with every master—finishing off the Reverend last. Then a snivelling little chap in a corner, who was always under some punishment or other, set up a shrill cry of "Success to Old Cheeseman! Hoorray!" The Reverend glared upon him, and said "Mr. Cheeseman, Sir." But, Old Cheeseman protesting that he liked his old name a great deal better than his new one, all our fellows took up the cry; and, for I don't know how many minutes, there was such a thundering of feet and hands, and such a roaring of Old Cheeseman, as never was heard. After that, there was a spread in the dining room of the most magnificent kind. Fowls, tongues, preserves, fruits, confectioneries, jellies, neguses, barley-sugar temples, trifles, crackers—eat all you can and pocket what you like—all at Old Cheeseman's expense. After that, speeches, whole holiday, double and treble sets of all manners of games, donkeys, pony-chaises and drive yourself, dinner for all the masters at the Seven Bells, (twenty pounds a-head our fellows estimated it at,) an annual holiday and feast fixed for that day every year, and another on Old Cheeseman's birthday—Reverend bound down before the fellows to allow it, so that he could never back out—all at Old Cheeseman's expense. And didn't our fellows go down in a body and cheer outside the Seven Bells? O no! But there's some thing else besides. Don't look at the next story-teller, for there's more yet. Next day, it was resolved that the Society should make it up with Jane, and then be dissolved. What do you think of Jane being gone, though! "What? Gone for ever?" said our fellows with long faces. "Yes, to be sure," was all the answer they could get. None of the people about the house would say anything more. At length, the first boy took upon himself to ask the Reverend whether our old friend Jane was really gone? The Reverend (he has got a daughter at home— turn-up nose, and red) replied severely, "Yes sir. Miss Pitt is gone." The idea of calling Jane Miss Pitt! Some said she had been sent away in disgrace for taking money from Old Cheeseman; others said she had gone into Old Cheeseman's service at a rise of ten pounds a year. All that our fellows knew, was, she was gone. It was two or three months afterwards, when, one afternoon, an open carriage stopped at the cricket-field, just outside bounds, with a lady and gentleman in it, who looked at the game a long time and stood up to see it played. Nobody thought much about them, until the same little snivelling chap came in, against all rules, from the post where he was Scout, and said, "It's Jane!" Both Elevens forgot the game directly, and run crowding round the carriage. It was Jane! In such a bonnet! And if you'll believe me, Jane was married to Old Cheeseman. It soon became quite a regular thing when our fellows were hard at it in the play-ground, to see a carriage at the low part of the wall where it joins the high part, and a lady and gentleman standing up in it, looking over. The gentleman was always Old Cheeseman, and the lady was always Jane. The first time I ever saw them, I saw them in that way. There had been a good many changes among our fellows then, and it had turned out that Bob Tarter's father wasn't worth millions! He wasn't worth anything. Bob had gone for a soldier, and Old Cheeseman had purchased his discharge. But that's not the carriage. The carriage stopped, and all our fellows stopped as soon as it was seen. "So you have never sent me to Coventry after all!" said the lady laughing, as our fellows swarmed up the wall to shake hands with her. "Are you never going to do it?" "Never! never! never!" on all sides. I didn't understand what she meant then, but of course I do now. I was very much pleased with her face though, and with her good way, and I couldn't help looking at her—and at him too—with all our fellows clustering so joyfully about them. They soon took notice of me as a new boy, so I thought I might as well swarm up the wall myself, and shake hands with them as the rest did. I was quite as glad to see them as the rest were, and was quite as familiar with them in a moment. "Only a fortnight now," said Old Cheeseman, "to the holidays. Who stops? Anybody?" A good many fingers pointed at me, and a good many voices cried, "He does!" For it was the year when you were all away, and rather low I was about it, I can tell you. "Oh!" said Old Cheeseman. "But it's solitary here in the holiday time. He had better come to us." So I went to their delightful house, and was as happy as I could possibly be. They understood how to conduct themselves towards boys, they do. When they take a boy to the play, for instance, they do take him. They don't go in after it's begun, or come out before it's over. They know how to bring a boy up, too. Look at their own! Though he is very little as yet, what a capital boy he is! Why, my next favourite to Mrs. Cheeseman, and Old Cheeseman, is young Cheeseman. So, now I have told you all I know about Old Cheeseman. And it's not much after all, I am afraid. Is it? He lived on the bank of a mighty river, broad and deep, which was always silently rolling on to a vast undiscovered ocean. It had rolled on, ever since the world began. It had changed its course sometimes, and turned into new channels, leaving its old ways dry and barren; but it had ever been upon the flow, and ever was to flow until Time shall be no more. Against its strong, unfathomable stream, nothing made head. No living creature, no flower, no leaf, no particle of animate or inanimate existence, ever strayed back from the undiscovered ocean. The tide of the river set resistlessly towards it; and the tide never stopped, any more than the earth stops in its circling round the sun. He lived in a busy place, and he worked very hard to live. He had no hope of ever being rich enough to live a month without hard work, but he was quite content, God knows, to labour with a cheerful will. He was one of an immense family, all of whose sons and daughters gained their daily bread by daily work, prolonged from their rising up betimes until their lying down at night. Beyond this destiny he had no prospect, and he sought none. There was over-much drumming, trumpeting, and speechmaking, in the neighbourhood where he dwelt; but he had nothing to do with that. Such clash and uproar came from the Bigwig family, at the unaccountable proceedings of which race he marvelled much. They set up the strangest statues, in iron, marble, bronze, and brass, before his door; and darkened his house with the legs and tails of uncouth images of horses. He wondered what it all meant, smiled in a rough good-humoured way he had, and kept at his hard work. The Bigwig family (composed of all the stateliest people thereabouts, and all the noisiest) had undertaken to save him the trouble of thinking for himself, and to manage him and his affairs. "Why truly," said he, "I have little time upon my hands; and if you will be so good as to take care of me, in return for the money I pay over"—for the Bigwig family were not above his money—"I shall be relieved and much obliged, considering that you know best." Hence the drumming, trumpeting, and speechmaking, and the ugly images of horses which he was expected to fall down and worship. "I don't understand all this," said he, rubbing his furrowed brow confusedly. "But it has a meaning, may be, if I could find it out." "It means," returned the Bigwig family, suspecting something of what he said, "honour and glory in the highest, to the highest merit." "Oh!" said he. And he was glad to hear that. But, when he looked among the images in iron, marble, bronze, and brass, he failed to find a rather meritorious countryman of his, once the son of a Warwickshire wool-dealer, or any single countryman whomsoever of that kind. He could find none of the men whose knowledge had rescued him and his children from terrific and disfiguring disease, whose boldness had raised his forefathers from the condition of serfs, whose wise infancy had opened a new and high existence to the humblest, whose skill had filled the working man's world with accumulated wonders. Whereas, he did find others whom he knew no good of, and even others whom he knew much ill of. "Humph!" said he. "I don't quite understand it." So, he went home, and sat down by his fire-side to get it out of his mind. Now, his fire-side was a bare one, all hemmed in by blackened streets; but it was a precious place to him. The hands of his wife were hardened with toil, and she was old before her time; but she was dear to him. His children, stunted in their growth, bore traces of unwholesome nurture; but they had beauty in his sight. Above all other things, it was an earnest desire of this man's soul that his children should be taught. "If I am sometimes missed," said he, "for want of knowledge, at least let them know better, and avoid my mistakes. If it is hard to me to reap the harvest of pleasure and instruction that is stored in books, let it be easier to them." But, the Bigwig family broke out into violent family quarrels concerning what it was lawful to teach to this man's children. Some of the family insisted on such a thing being primary and indispensable above all other things; and others of the family insisted on such another thing being primary and indispensable above all other things; and the Bigwig family, rent into factions, wrote pamphlets, held convocations, delivered charges, orations, and all varieties of discourses; impounded one another in courts Lay and courts Ecclesiastical; threw dirt, exchanged pummellings, and fell together by the ears in unintelligible animosity. Meanwhile, this man, in his short evening snatches at his fire-side, saw the demon Ignorance arise there, and take his children to itself. He saw his daughter perverted into a heavy slatternly drudge; he saw his son go moping down the ways of low sensuality, to brutality and crime; he saw the dawning light of intelligence in the eyes of his babies so changing into cunning and suspicion, that he could have rather wished them idiots. "I don't understand this any the better," said he; "but I think it cannot be right. Nay, by the clouded Heaven above me, I protest against this as my wrong!" Becoming peaceable again (for his passion was usually short lived, and his nature kind), he looked about him on his Sundays and holidays, and he saw how much monotony and weariness there was, and thence how drunkenness arose wth all its train of ruin. Then he appealed to the Bigwig family, and said, "We are a labouring people, and I have a glimmering suspicion in me that labouring people of whatever condition, were made—by a higher intelligence than yours, as I poorly understand it—to be in need of mental refreshment and recreation. See what we fall into, when we rest without it. Come! Amuse me harmlessly, show me something, give me an escape!" But, here the Bigwig family fell into a state of uproar absolutely deafening. When some few voices were faintly heard, proposing to show him the wonders of the world, the greatness of creation, the mighty changes of time, the workings of nature and the beauties of art—to show him these things, that is to say, at any period of his life when he could look upon them—there arose among the Bigwigs such roaring and raving, such pulpiting and petitioning, such maundering and memorialising, such name-calling and dirt-throwing, such a shrill wind of parliamentary questioning and feeble replying—where "I dare not" waited on "I would"—that the poor fellow stood aghast, staring wildly around. "Have I provoked all this," said he, with his hands to his affrighted ears, "by what was meant to be an innocent request, plainly arising out of my familiar experience, and the common knowledge of all men who choose to open their eyes? I don't understand, and I am not understood. What is to come of such a state of things?" He was bending over his work, often asking himself the question, when the news began to spread that a pestilence had appeared among the labourers, and was slaying them by thousands. Going forth to look about him, he soon found this to be true. The dying and the dead were mingled in the close and tainted houses among which his life was passed. New poison was distilled into the always murky, always sickening air. The robust and the weak, old age and infancy, the father and the mother, all were stricken down alike. What means of fight had he? He remained where he was, and saw those who were dearest to him die. A kind preacher came to him, and would have said some prayers to soften his heart in his gloom, but he replied: "O what avails it, missionary, to come to me, a man condemned to residence in this foetid place, where every sense becomes a torment, and where every minute of my numbered days is new mire added to the heap under which I lie oppressed! But, give me my first glimpse of Heaven, through a little of its light and air; give me pure water; help me to be clean; lighten this heavy atmosphere and heavy life, in which our spirits sink, and we become the indifferent and callous creatures you too often see us; gently and kindly take the bodies of those who die among us, out of the small room where we grow to be so familiar with the awful change that even its sanctity is lost to us; and, Teacher, then I will hear—none know better than you, how willingly—of Him whose thoughts were so much with the poor, and who had compassion for all human sorrow!" He was at his work again, solitary and sad, when his Master came and stood near to him, dressed in black. He, also, had suffered heavily. His young wife, his beautiful and good young wife, was dead; so, too, his only child. "Master, 'tis hard to bear—I know it—but be comforted. I would give you comfort, if I could." The Master thanked him from his heart, but, said he, "O you labouring men! The calamity began among you. If you had but lived more healthy and decently, I should not be the widowed and bereft mourner that I am this day." "Master," returned the other, shaking his head, "I have begun to understand a little that most calamities will come from us, as this one did, and that none will stop at our poor doors, until we are united with that great squabbling family yonder, to do the things that are right. We cannot live healthily and decently, unless they who undertook to manage us provide the means. We cannot be instructed, unless they will teach us; we cannot be rationally amused, unless they will amuse us; we cannot but have some false gods of our own, while they set up so many of theirs in all the public places. The evil consequences of imperfect instruction, the evil consequences of pernicious neglect, the evil consequences of unnatural restraint and the denial of humanizing enjoyments, will all come from us, and none of them will stop with us. They will spread far and wide. They always do; they always have done—just like the pestilence. I understand so much, I think, at last." But the Master said again, "O you labouring men! how seldom do we ever hear of you, except in connection with some trouble!" "Master," he replied, "I am Nobody, and little likely to be heard of, (nor yet much wanted to be heard of, perhaps) except when there is some trouble. But it never begins with me, and it can never end with me. As sure as Death, it comes down to me, and it goes up from me." There was so much reason in what he said, that the Bigwig family, getting wind of it, and being horribly frightened by the late desolation, resolved to unite with him to do the things that were right—at all events, so far as the said things were associated with the direct prevention, humanly speaking, of another pestilence. But as their fear wore off, which it soon began to do, they resumed their falling out among themselves, and did nothing. Consequently the scourge appeared again—low down as before—and spread avengingly upward as before, and carried off vast numbers of the brawlers. But not a man among them ever admitted, if in the least degree he ever perceived, that he had anything to do with it. So Nobody lived and died in the old, old, old way; and this, in the main, is the whole of Nobody's story. Had he no name, you ask? Perhaps it was Legion. It matters little what his name was. Let us call him Legion. If you were ever in the Belgian villages near the field of Waterloo, you will have seen, in some quiet littie church, a monument erected by faithful companions in arms to the memory of Colonel A, Major B, Captains C, D and E, Lieutenants F and G, Ensigns H, I and J, seven non-commissioned officers, and one hundred and thirty rank and file, who fell in the discharge of their duty on the memorable day. The story of Nobody is the story of the rank and file of the earth. They bear their share of the battle; they have their part in the victory; they fall; they leave no name but in the mass. The march of the proudest of us leads to the dusty way by which they go. O! Let us think of them this year at the Christmas fire, and not forget them when it is burnt out.</text>
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                <text>&lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt; (1853 Christmas Number)</text>
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                <text>Dickens, Charles</text>
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                <text>&lt;em&gt;Dickens Journals Online,&lt;/em&gt; &lt;a href="https://www.djo.org.uk/household-words/volume-viii/page-577.html"&gt;https://www.djo.org.uk/household-words/volume-viii/page-577.html&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Dickens Journals Online,&lt;/em&gt; &lt;a href="https://www.djo.org.uk/household-words/volume-viii/page-610.html"&gt;https://www.djo.org.uk/household-words/volume-viii/page-610.html&lt;/a&gt;.</text>
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                <text>1854-2-18</text>
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                <text>Christmas Number</text>
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                <text>1854-2-18-Another_Round_of_Stories_by_the_Christmas_Fire</text>
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                <text>Published in &lt;em&gt;Household Words,&lt;/em&gt; Vol. VIII, no. 196, New Year Number, 18 February 1854, pp. 409-444.</text>
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                <text>Dickens, Charles et. al. &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt; (18 February 1854). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1854-2-18-Another_Round_of_Stories_by_the_Christmas_Fire"&gt;https://www.dickenssearch.com/christmas-numbers/1854-2-18-Another_Round_of_Stories_by_the_Christmas_Fire&lt;/a&gt;.</text>
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                <text>&lt;span&gt;Scanned material from &lt;em&gt;Dickens Journals Online&lt;/em&gt;, &lt;/span&gt;&lt;a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk"&gt;www.djo.org.uk&lt;/a&gt;. A&lt;span&gt;vailable under CC BY licence.&lt;/span&gt;</text>
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            <name>Table Of Contents</name>
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              <elementText elementTextId="3478">
                <text>&lt;ul&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'The Schoolboy's Story' (No.1), pp. 409-413.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;Eliza Lynn (later Linton). 'The Old Lady's Story' (No.2), pp. 413-417.&lt;/li&gt;&#13;
&lt;li&gt;George Augustus Sala. 'Over the Way's Story' (No.3), pp. 417-425.&lt;/li&gt;&#13;
&lt;li&gt;Adelaide Anne Proctor. 'The Angel's Story' (No.4), pp. 425-426.&lt;/li&gt;&#13;
&lt;li&gt;Elizabeth Gaskell. 'The Squire's Story' (No.5), pp. 426-433.&lt;/li&gt;&#13;
&lt;li&gt;Edmund Dixon and W.H. Wills. 'Uncle George's Story' (No.6), pp. 433-436.&lt;/li&gt;&#13;
&lt;li&gt;Samuel Sidney. 'The Colonel's Story' (No.7), pp. 436-440.&lt;/li&gt;&#13;
&lt;li&gt;Elizabeth and William Gaskell. 'The Scholar's Story' (No.8), pp. 440-442.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'Nobody's Story' (No.9), pp. 442-444.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                <text>&lt;p class="oPara" id="p_11"&gt;&lt;span class="oLine" id="l_104"&gt;Being rather young at present I am getting on in years, but still I am rather young—I have no particular adventures of my own to fall back upon. It wouldn't much interest anybody here, I suppose, to know what a screw the Reverend is, or what a griffin she is, or how they do stick it into parents—particularly hair-cutting and medical attendance. One of our fellows was charged in his half's account twelve and six-pence for two pills—tolerably profitable at six and three-pence a-piece, I should think—and he never took them either, but put them up the sleeve of his jacket.&lt;br /&gt;&lt;br /&gt;As to the beef, it's shameful. It's not beef. Regular beef isn't veins. You can chew regular beef. Besides which there's gravy to regular beef, and you never see a drop to ours. Another of our fellows went home ill, and heard the family doctor tell his father that he couldn't account for his complaint unless it was the beer. Of course it was the beer, and well it might be!&lt;br /&gt;&lt;br /&gt;However, beef and Old Cheeseman are two different things. So is beer. It was Old Cheeseman I meant to tell about; not the manner in which our fellows get their constitutions destroyed for the sake of profit.&lt;br /&gt;&lt;br /&gt;Why, look at the pie-crust alone. There's no flakiness in it. It's solid—like damp lead. Then our fellows get nightmares, and are bolstered for calling out and waking other fellows. Who can wonder!&lt;br /&gt;&lt;br /&gt;Old Cheeseman one night walked in his sleep, put his hat on over his night-cap, got hold of a fishing-rod and a cricket-bat, and went down into the parlor, where they naturally thought from his appearance he was a Ghost. Why, he never would have done that if his meals had been wholesome. When we all begin to walk in our sleeps, I suppose&lt;br /&gt;they'll be sorry for it.&lt;br /&gt;&lt;br /&gt;Old Cheeseman wasn't second Latin Master then; he was a fellow himself. He was first brought there, very small, in a post-chaise, by a woman who was always taking snuff and shaking him—and that was the most he remembered about it. He never went home for the holidays. His accounts (he never learnt any extras) were sent to a Bank, and the Bank paid them; and he had a brown suit twice a year, and went into boots at twelve. They were always too big for him, too.&lt;br /&gt;&lt;br /&gt;In the midsummer holidays, some of our fellows who lived within walking distance, used to come back and climb the trees outside the playground wall, on purpose to look at Old Cheeseman reading there by himself. He was always as mild as the tea—and that's pretty mild, I should hope!—so when they whistled to him, he looked up and nodded; and when they said "Holloa Old Cheeseman, what have you had for dinner?" he said "Boiled mutton;" and when they said "An't it solitary, Old Cheeseman?" he said "It is a little dull, sometimes;" and then they said "Well, good bye, Old Cheeseman!" and climbed down again. Of course it was imposing on Old Cheeseman to give him nothing but boiled mutton through a whole Vacation, but that was just like the system. When they didn't give him boiled mutton they gave him rice pudding, pretending it was a treat. And saved the butcher.&lt;br /&gt;&lt;br /&gt;So Old Cheeseman went on. The holidays brought him into other trouble besides the loneliness; because when the fellows began to come back, not wanting to, he was always glad to see them: which was aggravating when they were not at all glad to see him, and so he got his head knocked against walls, and that was the way his nose bled. But he was a favourite in general. Once, a subscription was raised for him; and, to keep up his spirits, he was presented before the holidays with two white mice, a rabbit, a pigeon, and a beautiful puppy. Old Cheeseman cried about it, especially soon afterwards, when they all ate one another.&lt;br /&gt;&lt;br /&gt;Of course Old Cheeseman used to be called by the names of all sorts of cheeses, Double Glo'sterman, Family Cheshireman, Dutchman, North Wiltshireman, and all that. But he never minded it. And I don't mean to say he was old in point of years, because he wasn't, only he was called, from the first, Old Cheeseman.&lt;br /&gt;&lt;br /&gt;At last. Old Cheeseman was made second Latin Master. He was brought in one morning at the beginning of a new half, and presented to the school in that capacity as "Mr. Cheeseman." Then our fellows all agreed that Old Cheeseman was a spy, and a deserter, who had gone over to the enemy's camp, and sold himself for gold. It was no excuse for him that he had sold himself for very little gold—two pound ten a quarter, and his washing, as was reported. It was decided by a Parliament which sat about it, that Old Cheeseman's mercenary motives could alone be taken into account, and that he had "coined our blood for drachmas." The Parliament took the expression out of the quarrel scene between Brutus and Cassius.&lt;br /&gt;&lt;br /&gt;When it was settled in this strong way that Old Cheeseman was a tremendous traitor, who had wormed himself into our fellows secrets on purpose to get himself into favour by giving up everything he knew, all courageous fellows were invited to come forward and enrol themselves in a Society for making a set against him. The President of the Society was First boy, named Bob Tarter. His father was in the West Indies, and he owned, himself, that his father was worth Millions. He had great power among our fellows, and he wrote a parody, beginning,&lt;br /&gt;&lt;br /&gt;"Who made believe to be so meek&lt;br /&gt;That we could hardly hear him speak,&lt;br /&gt;Yet turned out an Informing Sneak?&lt;br /&gt;Old Cheeseman."&lt;br /&gt;&lt;br /&gt;—and on in that way through more than a dozen verses, which he used to go and sing, every morning, close by the new master's desk. He trained one of the low boys too, a rosy cheeked little Brass who didn't care what he did, to go up to him with his Latin Grammar one morning, and say it so:—&lt;em&gt;Nominativus pronominum&lt;/em&gt;—Old Cheeseman, &lt;em&gt;raro exprimitur&lt;/em&gt;—was never suspected, &lt;em&gt;nisi distinctionis&lt;/em&gt; —of being an informer, &lt;em&gt;aut emphasis gratia&lt;/em&gt;—until he proved one. &lt;em&gt;Ut&lt;/em&gt;—for instance, &lt;em&gt;Vos damnastis&lt;/em&gt;—when he sold the boys, &lt;em&gt;Quasi&lt;/em&gt;—as though, &lt;em&gt;dicat&lt;/em&gt;—he should say, &lt;em&gt;Pretaerea nemo&lt;/em&gt;—I'm a Judas! All this produced a great effect on Old Cheeseman. He had never had much hair; but what he had, began to get thinner and thinner every day. He grew paler and more worn; and sometimes of an evening he was seen sitting at his desk with a precious long snuff to his candle, and his hands before his face, crying. But no member of the Society could pity him, even if he felt inclined, because the President said it was Old Cheeseman's conscience.&lt;br /&gt;&lt;br /&gt;So Old Cheeseman went on, and didn't he lead a miserable life! Of course the Reverend turned up his nose at him, and of course &lt;em&gt;she&lt;/em&gt; did—because both of them always do at all the masters, but he suffered from the fellows most, and he suffered from them constantly. He never told about it, that the Society could find out; but he got no credit for that, because the President said it was Old Cheeseman's cowardice.&lt;br /&gt;&lt;br /&gt;He had only one friend in the world, and that one was almost as powerless as he was, for it was only Jane. Jane was a sort of wardrobe-woman to our fellows, and took care of the boxes. She come at first, I believe, as a kind of apprentice, some of our fellows say from a Charity, but I don't know, and after her time was out, had stopped at so much a year. So little a year, perhaps I ought to say, for it is far more likely. However, she had put some pounds in the Savings' Bank, and she was a very nice young woman. She was not quite pretty; but she had a very frank, honest, bright face, and all our fellows were fond of her. She was uncommonly neat and cheerful, and uncommonly comfortable and kind. And if anything was the matter with a fellow's mother, he always went and showed the letter to Jane.&lt;br /&gt;&lt;br /&gt;Jane was Old Cheeseman's friend. The more the Society went against him the more Jane stood by him. She used to give him a good-humoured look out of her still-room window, sometimes, that seemed to set him up for the day. She used to pass out of the orchard and the kitchen-garden (always kept locked, I believe you!) through the playground, when she might have gone the other way, only to give a turn of her head, as much as to say "Keep up your spirits!" to Old Cheeseman. His slip of a room was so fresh and orderly, that it was well known who looked after it while he was at his desk; and when our fellows, saw a smoking hot dumpling on his plate at dinner, they knew with indignation who had sent it up.&lt;br /&gt;&lt;br /&gt;Under these circumstances, the Society resolved, after a quantity of meeting and debating, that Jane should be requested to cut Old Cheeseman dead: and that if she refused, she must be sent to Coventry herself. So a deputation, headed by the President, was appointed to wait on Jane, and inform her of the vote the Society had been under the painful necessity of passing. She was very much respected for all her good qualities, and there was a story of her having once waylaid the Reverend in his own study and got a fellow off from severe punishment, of her own kind comfortable heart. So the deputation didn't much like the job. However, they went up, and the President told Jane all about it. Upon which Jane turned very red, burst into tears, informed the President and the deputation, in a way not at all like her usual way, that they were a parcel of malicious young savages, and turned the whole respected body out of the room. Consequently it was entered in the Society's book (kept in astronomical cypher for fear of detection), that all communication with Jane was interdicted; and the President addressed the members on this convincing instance of Old Cheeseman's undermining.&lt;br /&gt;&lt;br /&gt;But Jane was as true to Old Cheeseman as Old Cheeseman was false to our fellows—in their opinion at all events—and steadily continued to be his only friend. It was a great exasperation to the Society, because Jane was as much a loss to them as she was a gain to him; and being more inveterate against him than ever, they treated him worse than ever. At last one morning, his desk stood empty, his room was peeped into and found to be vacant, and a whisper went about among the pale faces of our fellows that Old Cheeseman, unable to bear it any longer, had got up early and drowned himself.&lt;br /&gt;&lt;br /&gt;The mysterious looks of the other masters after breakfast, and the evident fact that Old Cheeseman was not expected, confirmed the Society in this opinion. Some began to discuss whether the President was liable to hanging or only transportation for life, and the President's face showed a great anxiety to know which. However, he said that a jury of his countrymen should find him game; and that in his address he should put it to them to lay their hands upon their hearts, and say whether they as Britons, approved of Informers, and how they thought they would like it themselves. Some of the Society considered that he had better run away until he found a Forest where he might change clothes with a woodcutter, and stain his face with blackberries; but the majority believed that if he stood his ground, his father—belonging, as he did, to the West Indies, and being worth millions—could buy him off.&lt;br /&gt;&lt;br /&gt;All our fellows' hearts beat fast when the Reverend came in, and made a sort of a Roman, or a Field Marshal, of himself with the ruler; as he always did before delivering an address. But their fears were nothing to their astonishment when he came out with the story that Old Cheeseman, "so long our respected friend and fellow-pilgrim in the pleasant plains of knowledge," he called him—O yes! I dare say! Much of that! was the orphan child of a disinherited young lady who had married against her father's wish, and whose young husband had died, and who had died of sorrow herself, and whose unfortunate baby (Old Cheeseman) had been brought up at the cost of a grandfather who would never consent to see it, baby, boy, or man; which grandfather was now dead, and serve him right—that's my putting in—and which grandfather's large property, there being no will, was now, and all of a sudden and for ever. Old Cheeseman's! Our so long respected friend and fellow-pilgrim in the pleasant plains of knowledge, the Reverend wound up a lot of bothering quotations by saying, would "come among us once more" that day fortnight, when he desired to take leave of us himself in a more particular manner. With these words, he stared severely round at our fellows, and went solemnly out.&lt;br /&gt;&lt;br /&gt;There was precious consternation among the members of the Society now. Lots of them wanted to resign, and lots more began to try to make out that they had never belonged to it. However, the President stuck up, and said that they must stand or fall together, and that if a breach was made it should be over his body—which was meant to encourage the Society: but it didn't. The President further said, he would consider the position in which they stood, and would give them his best opinion and advice in a few days. This was eagerly looked for, as he knew a good deal of the world on account of his father's being in the West Indies.&lt;br /&gt;&lt;br /&gt;After days and days of hard thinking, and drawing armies all over his slate, the President called our fellows together, and made the matter clear. He said it was plain that when Old Cheeseman came on the appointed day, his first revenge would be to impeach the Society, and have it flogged all round. After witnessing with joy the torture of his enemies, and gloating over the cries which agony would extort from them, the probability was that he would invite the Reverend, on pretence of conversation, into a private room—say the parlor into which parents were shown, where the two great globes were which were never used—and would there reproach him with the various frauds and oppressions he had endured at his hands. At the close of his observations, he would make a signal to a Prize-fighter concealed in the passage, who would then appear and pitch into the Reverend till he was left insensible. Old Cheeseman would then make Jane a present of from five to ten pounds, and would leave the establishment in fiendish triumph.&lt;br /&gt;&lt;br /&gt;The President explained that against the parlour part, or the Jane part, of these arrangements he had nothing to say; but, on the part of the Society, he counselled deadly resistance. With this view he recommended that all available desks should be filled with stones, and that the first word of the complaint should be the signal to every fellow to let fly at Old Cheeseman. The bold advice put the Society in better spirits, and was unanimously taken. A post about Old Cheeseman's size was put up in the playground, and all our fellows practised at it till it was dented all over.&lt;br /&gt;&lt;br /&gt;When the day came, and places were called, every fellow sat down in a tremble. There had been much discussing and disputing as to how Old Cheeseman would come; but it was the general opinion that he would appear in a sort of a triumphal car drawn by four horses, with two livery servants in front, and the Prize-fighter in disguise up behind. So all our fellows sat listening for the sound of wheels. But no wheels were heard, for Old Cheeseman walked after all, and came into the school without any preparation. Pretty much as he used to be, only dressed in black.&lt;br /&gt;&lt;br /&gt;"Gentlemen," said the Reverend, presenting him, "our so long respected friend and fellow-pilgrim in the pleasant plains of knowledge, is desirous to offer a word or two. Attention, gentlemen, one and all!"&lt;br /&gt;&lt;br /&gt;Every fellow stole his hand into his desk, and looked at the President The President was allready, and taking aim at Old Cheeseman with his eyes.&lt;br /&gt;&lt;br /&gt;What did Old Cheeseman then, but walk up to his old desk, look round him with a queer smile as if there was a tear in his eye, and begin in a quavering mild voice, "My dear companions and old friends!"&lt;br /&gt;&lt;br /&gt;Every fellow's hand came out of his desk, and the President suddenly began to cry.&lt;br /&gt;&lt;br /&gt;"My dear companions and old friends," said Old Cheeseman, "you have heard of my good fortune. I have passed so many years under this roof—my entire life so far, I may say—that I hope you have been glad to hear of it for my sake. I could never enjoy it without exchanging congratulations with you. If we have ever misunderstood one another at all, pray my dear boys let us forgive and forget. I have a great tenderness for you, and I am sure you return it. I want, in the fulness of a grateful heart, to shake hands with you every one. I have come back to do it, if you please, my dear boys."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Since the President had begun to cry, several other fellows had broken out here and there: but now, when Old Cheeseman began with him as first boy, laid his left hand affectionately on his shoulder and gave him his right; and when the President said "Indeed I don't deserve it. Sir; upon my honour I don't;" there was sobbing and crying all over the school. Every other fellow said he didn't deserve it, much in the same way; but Old Cheeseman, not minding that a bit, went cheerfully round to every boy, and wound up with every master—finishing off the Reverend last.&lt;br /&gt;&lt;br /&gt;Then a snivelling little chap in a corner, who was always under some punishment or other, set up a shrill cry of "Success to Old Cheeseman! Hoorray!" The Reverend glared upon him, and said "Mr. Cheeseman, Sir." But, Old Cheeseman protesting that he liked his old name a great deal better than his new one, all our fellows took up the cry; and, for I don't know how many minutes, there was such a thundering of feet and hands, and such a roaring of Old Cheeseman, as never was heard.&lt;br /&gt;&lt;br /&gt;After that, there was a spread in the dining room of the most magnificent kind. Fowls, tongues, preserves, fruits, confectioneries, jellies, neguses, barley-sugar temples, trifles, crackers—eat all you can and pocket what you like—all at Old Cheeseman's expense. After that, speeches, whole holiday, double and treble sets of all manners of games, donkeys, pony-chaises and drive yourself, dinner for all the masters at the Seven Bells, (twenty pounds a-head our fellows estimated it at,) an annual holiday and feast fixed for that day every year, and another on Old Cheeseman's birthday—Reverend bound down before the fellows to allow it, so that he could never back out—all at Old Cheeseman's expense.&lt;br /&gt;&lt;br /&gt;And didn't our fellows go down in a body and cheer outside the Seven Bells? O no!&lt;br /&gt;&lt;br /&gt;But there's some thing else besides. Don't look at the next story-teller, for there's more yet. Next day, it was resolved that the Society should make it up with Jane, and then be dissolved. What do you think of Jane being gone, though! "What? Gone for ever?" said our fellows with long faces. "Yes, to be sure," was all the answer they could get. None of the people about the house would say anything more. At length, the first boy took upon himself to ask the Reverend whether our old friend Jane was really gone? The Reverend (he has got a daughter at home— turn-up nose, and red) replied severely, "Yes sir. Miss Pitt is gone." The idea of calling Jane Miss Pitt! Some said she had been sent away in disgrace for taking money from Old Cheeseman; others said she had gone into Old Cheeseman's service at a rise of ten pounds a year. All that our fellows knew, was, she was gone.&lt;br /&gt;&lt;br /&gt;It was two or three months afterwards, when, one afternoon, an open carriage stopped at the cricket-field, just outside bounds, with a lady and gentleman in it, who looked at the game a long time and stood up to see it played. Nobody thought much about them, until the same little snivelling chap came in, against all rules, from the post where he was Scout, and said, "It's Jane!" Both Elevens forgot the game directly, and run crowding round the carriage. It was Jane! In such a bonnet! And if you'll believe me, Jane was married to Old Cheeseman.&lt;br /&gt;&lt;br /&gt;It soon became quite a regular thing when our fellows were hard at it in the play-ground, to see a carriage at the low part of the wall where it joins the high part, and a lady and gentleman standing up in it, looking over. The gentleman was always Old Cheeseman, and the lady was always Jane.&lt;br /&gt;&lt;br /&gt;The first time I ever saw them, I saw them in that way. There had been a good many changes among our fellows then, and it had turned out that Bob Tarter's father wasn't worth millions! He wasn't worth anything. Bob had gone for a soldier, and Old Cheeseman had purchased his discharge. But that's not the carriage. The carriage stopped, and all our fellows stopped as soon as it was seen.&lt;br /&gt;&lt;br /&gt;"So you have never sent me to Coventry after all!" said the lady laughing, as our fellows swarmed up the wall to shake hands with her. "Are you never going to do it?"&lt;br /&gt;&lt;br /&gt;"Never! never! never!" on all sides.&lt;br /&gt;&lt;br /&gt;I didn't understand what she meant then, but of course I do now. I was very much pleased with her face though, and with her good way, and I couldn't help looking at her—and at him too—with all our fellows clustering so joyfully about them.&lt;br /&gt;&lt;br /&gt;They soon took notice of me as a new boy, so I thought I might as well swarm up the wall myself, and shake hands with them as the rest did. I was quite as glad to see them as the rest were, and was quite as familiar with them in a moment.&lt;br /&gt;&lt;br /&gt;"Only a fortnight now," said Old Cheeseman, "to the holidays. Who stops? Anybody?"&lt;br /&gt;&lt;br /&gt;A good many fingers pointed at me, and a good many voices cried, "He does!" For it was the year when you were all away, and rather low I was about it, I can tell you.&lt;br /&gt;&lt;br /&gt;"Oh!" said Old Cheeseman. "But it's solitary here in the holiday time. He had better come to us."&lt;br /&gt;&lt;br /&gt;So I went to their delightful house, and was as happy as I could possibly be. They understood how to conduct themselves towards boys, they do. When they take a boy to the play, for instance, they do take him. They don't go in after it's begun, or come out before it's over. They know how to bring a boy up, too. Look at their own! Though he is very little as yet, what a capital boy he is! Why, my next favourite to Mrs. Cheeseman, and Old Cheeseman, is young Cheeseman.&lt;br /&gt;&lt;br /&gt;So, now I have told you all I know about Old Cheeseman. And it's not much after all, I am afraid. Is it?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;He lived on the bank of a mighty river, broad and deep, which was always silently rolling on to a vast undiscovered ocean. It had rolled on, ever since the world began. It had changed its course sometimes, and turned into new channels, leaving its old ways dry and barren; but it had ever been upon the flow, and ever was to flow until Time shall be no more. Against its strong, unfathomable stream, nothing made head. No living creature, no flower, no leaf, no particle of animate or inanimate existence, ever strayed back from the undiscovered ocean. The tide of the river set resistlessly towards it; and the tide never stopped, any more than the earth stops in its circling round the sun. &lt;br /&gt;&lt;br /&gt;He lived in a busy place, and he worked very hard to live. He had no hope of ever being rich enough to live a month without hard work, but he was quite content, God knows, to labour with a cheerful will. He was one of an immense family, all of whose sons and daughters gained their daily bread by daily work, prolonged from their rising up betimes until their lying down at night. Beyond this destiny he had no prospect, and he sought none. &lt;br /&gt;&lt;br /&gt;There was over-much drumming, trumpeting, and speechmaking, in the neighbourhood where he dwelt; but he had nothing to do with that. Such clash and uproar came from the Bigwig family, at the unaccountable proceedings of which race he marvelled much. They set up the strangest statues, in iron, marble, bronze, and brass, before his door; and darkened his house with the legs and tails of uncouth images of horses. He wondered what it all meant, smiled in a rough good-humoured way he had, and kept at his hard work. &lt;br /&gt;&lt;br /&gt;The Bigwig family (composed of all the stateliest people thereabouts, and all the noisiest) had undertaken to save him the trouble of thinking for himself, and to manage him and his affairs. "Why truly," said he, "I have little time upon my hands; and if you will be so good as to take care of me, in return for the money I pay over"—for the Bigwig family were not above his money—"I shall be relieved and much obliged, considering that you know best." Hence the drumming, trumpeting, and speechmaking, and the ugly images of horses which he was expected to fall down and worship. &lt;br /&gt;&lt;br /&gt;"I don't understand all this," said he, rubbing his furrowed brow confusedly. "But it has a meaning, may be, if I could find it out." &lt;br /&gt;&lt;br /&gt;"It means," returned the Bigwig family, suspecting something of what he said, "honour and glory in the highest, to the highest merit." &lt;br /&gt;&lt;br /&gt;"Oh!" said he. And he was glad to hear that. &lt;br /&gt;&lt;br /&gt;But, when he looked among the images in iron, marble, bronze, and brass, he failed to find a rather meritorious countryman of his, once the son of a Warwickshire wool-dealer, or any single countryman whomsoever of that kind. He could find none of the men whose knowledge had rescued him and his children from terrific and disfiguring disease, whose boldness had raised his forefathers from the condition of serfs, whose wise infancy had opened a new and high existence to the humblest, whose skill had filled the working man's world with accumulated wonders. Whereas, he did find others whom he knew no good of, and even others whom he knew much ill of. &lt;br /&gt;&lt;br /&gt;"Humph!" said he. "I don't quite understand it." &lt;br /&gt;&lt;br /&gt;So, he went home, and sat down by his fire-side to get it out of his mind. &lt;br /&gt;&lt;br /&gt;Now, his fire-side was a bare one, all hemmed in by blackened streets; but it was a precious place to him. The hands of his wife were hardened with toil, and she was old before her time; but she was dear to him. His children, stunted in their growth, bore traces of unwholesome nurture; but they had beauty in his sight. Above all other things, it was an earnest desire of this man's soul that his children should be taught. "If I am sometimes missed," said he, "for want of knowledge, at least let them know better, and avoid my mistakes. If it is hard to me to reap the harvest of pleasure and instruction that is stored in books, let it be easier to them."&lt;br /&gt;&lt;br /&gt;But, the Bigwig family broke out into violent family quarrels concerning what it was lawful to teach to this man's children. Some of the family insisted on such a thing being primary and indispensable above all other things; and others of the family insisted on such another thing being primary and indispensable above all other things; and the Bigwig family, rent into factions, wrote pamphlets, held convocations, delivered charges, orations, and all varieties of discourses; impounded one another in courts Lay and courts Ecclesiastical; threw dirt, exchanged pummellings, and fell together by the ears in unintelligible animosity. Meanwhile, this man, in his short evening snatches at his fire-side, saw the demon Ignorance arise there, and take his children to itself. He saw his daughter perverted into a heavy slatternly drudge; he saw his son go moping down the ways of low sensuality, to brutality and crime; he saw the dawning light of intelligence in the eyes of his babies so changing into cunning and suspicion, that he could have rather wished them idiots.&lt;br /&gt;&lt;br /&gt;"I don't understand this any the better," said he; "but I think it cannot be right. Nay, by the clouded Heaven above me, I protest against this as my wrong!"&lt;br /&gt;&lt;br /&gt;Becoming peaceable again (for his passion was usually short lived, and his nature kind), he looked about him on his Sundays and holidays, and he saw how much monotony and weariness there was, and thence how drunkenness arose wth all its train of ruin. Then he appealed to the Bigwig family, and said, "We are a labouring people, and I have a glimmering suspicion in me that labouring people of whatever condition, were made—by a higher intelligence than yours, as I poorly understand it—to be in need of mental refreshment and recreation. See what we fall into, when we rest without it. Come! Amuse me harmlessly, show me something, give me an escape!"&lt;br /&gt;&lt;br /&gt;But, here the Bigwig family fell into a state of uproar absolutely deafening. When some few voices were faintly heard, proposing to show him the wonders of the world, the greatness of creation, the mighty changes of time, the workings of nature and the beauties of art—to show him these things, that is to say, at any period of his life when he could look upon them—there arose among the Bigwigs such roaring and raving, such pulpiting and petitioning, such maundering and memorialising, such name-calling and dirt-throwing, such a shrill wind of parliamentary questioning and feeble replying—where "I dare not" waited on "I would"—that the poor fellow stood aghast, staring wildly around.&lt;br /&gt;&lt;br /&gt;"Have I provoked all this," said he, with his hands to his affrighted ears, "by what was meant to be an innocent request, plainly arising out of my familiar experience, and the common knowledge of all men who choose to open their eyes? I don't understand, and I am not understood. What is to come of such a state of things?"&lt;br /&gt;&lt;br /&gt;He was bending over his work, often asking himself the question, when the news began to spread that a pestilence had appeared among the labourers, and was slaying them by thousands. Going forth to look about him, he soon found this to be true. The dying and the dead were mingled in the close and tainted houses among which his life was passed. New poison was distilled into the always murky, always sickening air. The robust and the weak, old age and infancy, the father and the mother, all were stricken down alike.&lt;br /&gt;&lt;br /&gt;What means of fight had he? He remained where he was, and saw those who were dearest to him die. A kind preacher came to him, and would have said some prayers to soften his heart in his gloom, but he replied:&lt;br /&gt;&lt;br /&gt;"O what avails it, missionary, to come to me, a man condemned to residence in this foetid place, where every sense becomes a torment, and where every minute of my numbered days is new mire added to the heap under which I lie oppressed! But, give me my first glimpse of Heaven, through a little of its light and air; give me pure water; help me to be clean; lighten this heavy atmosphere and heavy life, in which our spirits sink, and we become the indifferent and callous creatures you too often see us; gently and kindly take the bodies of those who die among us, out of the small room where we grow to be so familiar with the awful change that even &lt;em&gt;its&lt;/em&gt; sanctity is lost to us; and, Teacher, then I will hear—none know better than you, how willingly—of Him whose thoughts were so much with the poor, and who had compassion for all human sorrow!"&lt;br /&gt;&lt;br /&gt;He was at his work again, solitary and sad, when his Master came and stood near to him, dressed in black. He, also, had suffered heavily. His young wife, his beautiful and good young wife, was dead; so, too, his only child.&lt;br /&gt;&lt;br /&gt;"Master, 'tis hard to bear—I know it—but be comforted. I would give you comfort, if I could."&lt;br /&gt;&lt;br /&gt;The Master thanked him from his heart, but, said he, "O you labouring men! The calamity began among you. If you had but lived more healthy and decently, I should not be the widowed and bereft mourner that I am this day."&lt;br /&gt;&lt;br /&gt;"Master," returned the other, shaking his head, "I have begun to understand a little that most calamities will come from us, as this one did, and that none will stop at our poor doors, until we are united with that great squabbling family yonder, to do the things that are right. We cannot live healthily and decently, unless they who undertook to manage us provide the means. We cannot be instructed, unless they will teach us; we cannot be rationally amused, unless they will amuse us; we cannot but have some false gods of our own, while they set up so many of theirs in all the public places. The evil consequences of imperfect instruction, the evil consequences of pernicious neglect, the evil consequences of unnatural restraint and the denial of humanizing enjoyments, will all come from us, and none of them will stop with us. They will spread far and wide. They always do; they always have done—just like the pestilence. I understand so much, I think, at last."&lt;br /&gt;&lt;br /&gt;But the Master said again, "O you labouring men! how seldom do we ever hear of you, except in connection with some trouble!"&lt;br /&gt;&lt;br /&gt;"Master," he replied, "I am Nobody, and little likely to be heard of, (nor yet much wanted to be heard of, perhaps) except when there is some trouble. But it never begins with me, and it can never end with me. As sure as Death, it comes down to me, and it goes up from me."&lt;br /&gt;&lt;br /&gt;There was so much reason in what he said, that the Bigwig family, getting wind of it, and being horribly frightened by the late desolation, resolved to unite with him to do the things that were right—at all events, so far as the said things were associated with the direct prevention, humanly speaking, of&lt;br /&gt;another pestilence. But as their fear wore off, which it soon began to do, they resumed their falling out among themselves, and did nothing. Consequently the scourge appeared again—low down as before—and spread avengingly upward as before, and carried off vast numbers of the brawlers. But not a man among them ever admitted, if in the least degree he ever perceived, that he had anything to do with it.&lt;br /&gt;&lt;br /&gt;So Nobody lived and died in the old, old, old way; and this, in the main, is the whole of Nobody's story.&lt;br /&gt;&lt;br /&gt;Had he no name, you ask? Perhaps it was Legion. It matters little what his name was. Let us call him Legion.&lt;br /&gt;&lt;br /&gt;If you were ever in the Belgian villages near the field of Waterloo, you will have seen, in some quiet littie church, a monument erected by faithful companions in arms to the memory of Colonel A, Major B, Captains C, D and E, Lieutenants F and G, Ensigns H, I and J, seven non-commissioned officers, and one hundred and thirty rank and file, who fell in the discharge of their duty on the memorable day. The story of Nobody is the story of the rank and file of the earth. They bear their share of the battle; they have their part in the victory; they fall; they leave no name but in the mass. The march of the proudest of us leads to the dusty way by which they go. O! Let us think of them this year at the Christmas fire, and not forget them when it is burnt out.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>&lt;em&gt;All the Year Round&lt;/em&gt;</text>
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          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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              <text>18651207</text>
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          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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              <text>I am a Cheap Jack, and my own father's name was Willum Marigold. It was in his lifetime supposed by some that his name was William, but my own father always consistently said, No, it was Willum. On which point I content myself with looking at the argument this way:—If a man is not allowed to know his own name in a free country, how much is he allowed to know in a land of slavery? As to looking at the argument through the medium of the Register, Willum Marigold come into the world before Registers come up much—and went out of it too. They wouldn't have been greatly in his line neither, if they had chanced to come up before him. I was born on the Queen's highway, but it was the King's at that time. A doctor was fetched to my own mother by my own father, when it took place on a common; and in consequence of his being a very kind gentleman, and accepting no fee but a tea-tray, I was named Doctor, out of gratitude and compliment to him. There you have me. Doctor Marigold. I am at present a middle-aged man of a broadish build, in cords, leggings, and a sleeved waistcoat the strings of which is always gone behind. Repair them how you will, they go like fiddle-strings. You have been to the theatre, and you have seen one of the wiolin-players screw up his wiolin, after listening to it as if it had been whispering the secret to him that it feared it was out of order, and then you have heard it snap. That's as exactly similar to my waistcoat, as a waistcoat and a wiolin can be like one another. I am partial to a white hat, and I like a shawl round my neck wore loose and easy. Sitting down is my favourite posture. If I have a taste in point of personal jewellery, it is mother-of-pearl buttons. There you have me again, as large as life. The doctor having accepted a tea-tray, you'll guess that my father was a Cheap Jack before me. You are right. He was. It was a pretty tray. It represented a large lady going along a serpentining up-hill gravel-walk, to attend a little church. Two swans had likewise come astray with the same intentions. When I call her a large lady, I don't mean in point of breadth, for there she fell below my views, but she more than made it up in heighth; her heighth and slimness was—in short THE heighth of both. I often saw that tray, after I was the innocently smiling cause (or more likely screeching one) of the doctor's standing it up on a table against the wall in his consulting-room. Whenever my own father and mother were in that part of the country, I used to put my head (I have heard my own mother say it was flaxen curls at that time, though you wouldn't know an old hearth-broom from it now, till you come to the handle and found it wasn't me) in at the doctor's door, and the doctor was always glad to see me, and said, "Aha, my brother practitioner! Come in, little M.D. How are your inclinations as to sixpence?" You can't go on for ever, you'll find, nor yet could my father nor yet my mother. If you don't go off as a whole when you are about due, you're liable to go off in part and two to one your head's the part. Gradually my father went off his, and my mother went off hers. It was in a harmless way, but it put out the family where I boarded them. The old couple, though retired, got to be wholly and solely devoted to the Cheap Jack business, and were always selling the family off. Whenever the cloth was laid for dinner, my father began rattling the plates and dishes, as we do in our line when we put up crockery for a bid, only he had lost the trick of it, and mostly let 'em drop and broke 'em. As the old lady had been used to sit in the cart, and hand the articles out one by one to the old gentleman on the footboard to sell, just in the same way she handed him every item of the family's property, and they disposed of it in their own imaginations from morning to night. At last the old gentleman, lying bedridden in the same room with the old lady, cries out in the old patter, fluent, after having been silent for two days and nights: "Now here, my jolly companions every one—which the Nightingale club in a village was held, At the sign of the Cabbage and Shears, Where the singers no doubt would have greatly excelled, But for want of taste voices and ears—now here, my jolly companions every one, is a working model of a used-up old Cheap Jack, without a tooth in his head, and with a pain in every bone: so like life that it would be just as good if it wasn't better, just as bad if it wasn't worse, and just as new if it wasn't worn out. Bid for the working model of the old Cheap Jack, who has drunk more gunpowder-tea with the ladies in his time than would blow the lid off a washerwoman's copper, and carry it as many thousands of miles higher than the moon as nought nix nought, divided by the national debt, carry nothing to the poor-rates, three under, and two over. Now my hearts of oak and men of straw, what do you say for the lot? Two shillings, a shilling, tenpence, eightpence, sixpence, fourpence. Twopence? Who said twopence? The gentleman in the scarecrow's hat? I am ashamed of the gentleman in the scarecrow's hat. I really am ashamed of him for his want of public spirit. Now I'll tell you what I'll do with you. Come! I'll throw you in a working model of a old woman that was married to the old Cheap Jack so long ago, that upon my word and honour it took place in Noah's Ark, before the Unicorn could get in to forbid the banns by blowing a tune upon his horn. There now! Come! What do you say for both? I'll tell you what I'll do with you. I don't bear you malice for being so backward. Here! If you make me a bid that'll only reflect a little credit on your town, I'll throw you in a warming-pan for nothing, and lend you a toasting-fork for life. Now come; what do you say after that splendid offer? Say two pound, say thirty shillings, say a pound, say ten shillings, say five, say two and six. You don't say even two and six? You say two and three? No. You shan't have the lot for two and three. I'd sooner give it you, if you was good looking enough. Here! Missis! Chuck the old man and woman into the cart, put the horse to, and drive 'em away and bury 'em!" Such were the last words of Willum Marigold, my own father, and they were carried out, by him and by his wife my own mother on one and the same day, as I ought to know, having followed as mourner. My father had been a lovely one in his time at the Cheap Jack work, as his dying observations went to prove. But I top him. I don't say it because it's myself, but because it has been universally acknowledged by all that has had the means of comparison. I have worked at it. I have measured myself against other public speakers, Members of Parliament, Platforms, Pulpits, Counsel learned in the law—and where I have found 'em good, I have took a bit of imitation from 'em, and where I have found 'em bad, I have let 'em, alone. Now I'll tell you what. I mean to go down into my grave declaring that of all the callings ill used in Great Britain, the Cheap Jack calling is the worst used. Why ain't we a profession? Why ain't we endowed with privileges? Why are we forced to take out a hawkers' license, when no such thing is expected of the political hawkers? Where's the difference betwixt us? Except that we are Cheap Jacks and they are Dear Jacks, I don't see any difference but what's in our favour. For look here! Say it's election-time. I am on the footboard of my cart in the market-place on a Saturday night. I put up a general miscellaneous lot. I say: "Now here my free and independent woters, I'm a going to give you such a chance as you never had in all your born days, nor yet the days preceding. Now I'll show you what I am a going to do with you. Here's a pair of razors that'll shave you closer than the Board of Guardians, here's a flat-iron worth its weight in gold, here's a frying-pan artificially flavoured with essence of beefsteaks to that degree that you've only got for the rest of your lives to fry bread and dripping in it and there you are replete with animal food, here's a genuine chronometer watch in such a solid silver case that you may knock at the door with it when you come home late from a social meeting and rouse your wife and family and save up your knocker for the postman, and here's half a dozen dinner plates that you may play the cymbals with to charm the baby when it's fractious. Stop! I'll throw you in another article and I'll give you that, and it's a rolling-pin, and if the baby can only get it well into its mouth when its teeth is coming and rub the gums once with it, they'll come through double in a fit of laughter equal to being tickled. Stop again! I'll throw you in another article, because I don't like the looks of you, for you haven't the appearance of buyers unless I lose by you, and because I'd rather lose than not take money to-night, and that's a looking-glass in which you may see how ugly you look when you don't bid. What do you say now? Come! Do you say a pound? Not you, for you haven't got it. Do you say ten shillings? Not you, for you owe more to the tallyman. Well then, I'll tell you what I'll do with you. I'll heap 'em all on the footboard of the cart— there they are! razors, flat-iron, frying-pan, chronometer watch, dinner plates, rolling-pin, and looking-glass—take 'em all away for four shillings, and I'll give you sixpence for your trouble!" This is me, the Cheap Jack. But on the Monday morning, in the same marketplace, comes the Dear Jack on the hustings—his cart—and what does he say? "Now my free and independent woters, I am a going to give you such a chance" (he begins just like me) "as you never had in all your born days, and that's the chance of sending Myself to Parliament. Now I'll tell you what I am a going to do for you. Here's the interests of this magnificent town promoted above all the rest of the civilised and uncivilised earth. Here's your railways carried, and your neighbours' railways jockeyed. Here's all your sons in the Post-office. Here's Britannia smiling on you. Here's the eyes of Europe on you. Here's uniwersal prosperity for you, repletion of animal food, golden cornfields, gladsome homesteads, and rounds of applause from your own hearts, all in one lot and that's myself. Will you take me as I stand? You won't? Well then, I'll tell you what I'll do with you. Come now! I'll throw you in anything you ask for. There! Church-rates, abolition of church-rates, more malt tax, no malt tax, uniwersal education to the highest mark or uniwersal ignorance to the lowest, total abolition of flogging in the army or a dozen for every private once a month all round, Wrongs of Men or Rights of Women,—only say which it shall be, take 'em or leave 'em, and I'm of your opinion altogether, and the lot's your own on your own terms. There! You won't take it yet? Well then, I'll tell you what I'll do with you. Come! You are such free and independent woters, and I am so proud of you—you are such a noble and enlightened constituency, and I am so ambitious of the honour and dignity of being your member, which is by far the highest level to which the wings of the human mind can soar—that I'll tell you what I'll do with you. I'll throw you in all the public-houses in your magnificent town for nothing. Will that content you? It won't? You won't take the lot yet? Well then, before I put the horse in and drive away, and make the offer to the next most magnificent town that can be discovered, I'll tell you what I'll do. Take the lot, and I'll drop two thousand pound in the streets of your magnificent town for them to pick up that can. Not enough? Now look here. This is the very furthest that I'm a going to. I'll make it two thousand five hundred. And still you won't? Here, missis! Put the horse—no, stop half a moment, I shouldn't like to turn my back upon you neither for a trifle, I'll make it two thousand seven hundred and fifty pound. There! Take the lot on your own terms, and I'll count out two thousand seven hundred and fifty pound on the footboard of the cart, to be dropped in the streets of your magnificent town for them to pick up that can. What do you say? Come now! You won't do better, and you may do worse. You take it? Hooray! Sold again, and got the seat!" These Dear Jacks soap the people shameful, but we Cheap Jacks don't. We tell 'em the truth about themselves to their faces, and scorn to court 'em. As to wenturesomeness in the way of puffing up the lots, the Dear Jacks beat us hollow. It is considered in the Cheap Jack calling that better patter can be made out of a gun than any article we put up from the cart, except a pair of spectacles. I often hold forth about a gun for a quarter of an hour, and feel as if I need never leave off. But when I tell 'em what the gun can do, and what the gun has brought down, I never go half so far as the Dear Jacks do when they make speeches in praise of their guns—their great guns that set 'em on to do it. Besides, I'm in business for myself, I ain't sent down into the market-place to order, as they are. Besides again, my guns don't know what I say in their laudation, and their guns do, and the whole concern of 'em have reason to be sick and ashamed all round. These are some of my arguments for declaring that the Cheap Jack calling is treated ill in Great Britain, and for turning warm when I think of the other Jacks in question setting themselves up to pretend to look down upon it. I courted my wife from the footboard of the cart. I did indeed. She was a Suffolk young woman, and it was in Ipswich market-place right opposite the corn-chandler's shop. I had noticed her up at a window last Saturday that was, appreciating highly. I had took to her, and I had said to myself, "If not already disposed of, I'll have that lot." Next Saturday that come, I pitched the cart on the same pitch, and I was in very high feather indeed, keeping 'em laughing the whole of the time and getting off the goods briskly. At last I took out of my waistcoat-pocket, a small lot wrapped in soft paper, and I put it this way (looking up at the window where she was). "Now here my blooming English maidens is an article, the last article of the present evening's sale, which I offer to only you the lovely Suffolk Dumplings biling over with beauty, and I won't take a bid of a thousand pound for, from any man alive. Now what is it? Why, I'll tell you what it is. It's made of fine gold, and it's not broke though there's a hole in the middle of it, and it's stronger than any fetter that ever was forged, though it's smaller than any finger in my set of ten. Why ten? Because when my parents made over my property to me, I tell you true, there was twelve sheets, twelve towels, twelve tablecloths, twelve knives, twelve forks, twelve tablespoons, and twelve teaspoons, but my set of fingers was two short of a dozen and could never since be matched. Now what else is it? Come I'll tell you. It's a hoop of solid gold, wrapped in a silver curl-paper that I myself took off the shining locks of the ever beautiful old lady in Threadneedle-street, London city. I wouldn't tell you so if I hadn't the paper to show, or you mightn't believe it even of me. Now what else is it? It's a man-trap and a handcuff, the parish stocks and a leg-lock, all in gold and all in one. Now what else is it? It's a wedding ring. Now I'll tell you what I'm a-going to do with it. I'm not a-going to offer this lot for money, but I mean to give it to the next of you beauties that laughs, and I'll pay her a visit to-morrow morning at exactly half after nine o'clock as the chimes go, and I'll take her out for a walk to put up the banns." She laughed, and got the ring handed up to her. When I called in the morning, she says, "Oh dear! It's never you and you never mean it?" "It's ever me," says I, "and I am ever yours, and I ever mean it." So we got married, after being put up three times—which, by-the-by, is quite in the Cheap Jack way again, and shows once more how the Cheap Jack customs pervade society. She wasn't a bad wife, but she had a temper. If she could have parted with that one article at a sacrifice, I wouldn't have swopped her away in exchange for any other woman in England. Not that I ever did swop her away, for we lived together till she died, and that was thirteen year. Now my lords and ladies and gentlefolks all, I'll let you into a secret, though you won't believe it. Thirteen year of temper in a Palace would try the worst of you, but thirteen year of temper in a Cart would try the best of you. You are kept so very close to it in a cart, you see. There's thousands of couples among you, getting on like sweet ile upon a whetstone in houses five and six pairs of stairs high, that would go to the Divorce Court in a cart. Whether the jolting makes it worse, I don't undertake to decide, but in a cart it does come home to you and stick to you. Wiolence in a cart is so wiolent, and aggrawation in a cart is so aggrawating. We might have had such a pleasant life! A roomy cart, with the large goods hung outside and the bed slung underneath it when on the road, an iron pot and a kettle, a fireplace for the cold weather, a chimney for the smoke, a hanging shelf and a cupboard, a dog, and a horse. What more do you want? You draw off upon a bit of turf in a green lane or by the roadside, you hobble your old horse and turn him grazing, you light your fire upon the ashes of the last visitors, you cook your stew, and you wouldn't call the Emperor of France your father. But have a temper in the cart, flinging language and the hardest goods in stock at you, and where are you then? Put a name to your feelings. My dog knew as well when she was on the turn as I did. Before she broke out, he would give a howl, and bolt. How he knew it, was a mystery to me, but the sure and certain knowledge of it would wake him up out of his soundest sleep, and he would give a howl, and bolt. At such times I wished I was him. The worst of it was, we had a daughter born to us, and I love children with all my heart. When she was in her furies, she beat the child. This got to be so shocking as the child got to be four or five year old, that I have many a time gone on with my whip over my shoulder, at the old horse's head, sobbing and crying worse than ever little Sophy did. For how could I prevent it? Such a thing is not to be tried with such a temper—in a cart—without coming to a fight. It's in the natural size and formation of a cart to bring it to a fight. And then the poor child got worse terrified than before, as well as worse hurt generally, and her mother made complaints to the next people we lighted on, and the word went round, "Here's a wretch of a Cheap Jack been a beating his wife." Little Sophy was such a brave child! She grew to be quite devoted to her poor father, though he could do so little to help her. She had a wonderful quantity of shining dark hair, all curling natural about her. It is quite astonishing to me now, that I didn't go tearing mad when I used to see her run from her mother before the cart, and her mother catch her by this hair, and pull her down by it, and beat her. Such a brave child I said she was. Ah! with reason. "Don't you mind next time, father dear," she would whisper to me, with her little face still flushed, and her bright eyes still wet; "if I don't cry out, you may know I am not much hurt. And even if I do cry out, it will only be to get mother to let go and leave off." What I have seen the little spirit bear—for me—without crying out! Yet in other respects her mother took great care of her. Her clothes were always clean and neat, and her mother was never tired of working at 'em. Such is the inconsistency in things. Our being down in the marsh country in unhealthy weather, I consider the cause of Sophy's taking bad low fever; but however she took it, once she got it she turned away from her mother for evermore, and nothing would persuade her to be touched by her mother's hand. She would shiver and say "No, no, no," when it was offered at, and would hide her face on my shoulder, and hold me tighter round the neck. The Cheap Jack business had been worse than ever I had known it, what with one thing and what with another (and not least what with railroads, which will cut it all to pieces, I expect at last), and I was run dry of money. For which reason, one night at that period of little Sophy's being so bad, either we must have come to a dead-lock for victuals and drink, or I must have pitched the cart as I did. I couldn't get the dear child to lie down or leave go of me, and indeed I hadn't the heart to try, so I stepped out on the footboard with her holding round my neck. They all set up a laugh when they see us, and one chuckle-headed Joskin (that I hated for it) made the bidding, "tuppence for her!" "Now, you country boobies," says I, feeling as if my heart was a heavy weight at the end of a broken sash-line, "I give you notice that I am a going to charm the money out of your pockets, and to give you so much more than your money's worth that you'll only persuade yourselves to draw your Saturday night's wages ever again arterwards, by the hopes of meeting me to lay 'em out with, which you never will, and why not? Because I've made my fortune by selling my goods on a large scale for seventy-five per cent less than I give for 'em, and I am consequently to be elevated to the House of Peers next week, by the title of the Duke of Cheap and Markis Jackaloorul. Now let's know what you want to-night, and you shall have it. But first of all, shall I tell you why I have got this little girl round my neck? You don't want to know? Then you shall. She belongs to the Fairies. She's a fortune-teller. She can tell me all about you in a whisper, and can put me up to whether you're a-going to buy a lot or leave it. Now do you want a saw? No, she says you don't, because you're too clumsy to use one. Else here's a saw which would be a lifelong blessing to a handy man, at four shillings, at three and six, at three, at two and six, at two, at eighteenpence. But none of you shall have it at any price, on account of your well-known awkwardness which would make it manslaughter. The same objection applies to this set of three planes which I won't let you have neither, so don't bid for 'em. Now I am a-going to ask her what you do want. (Then I whispered, "Your head burns so, that I am afraid it hurts you bad, my pet," and she answered, without opening her heavy eyes, "Just a little, father.") Oh! This little fortune-teller says it's a memorandum-book you want. Then why didn't you mention it? Here it is. Look at it. Two hundred super-fine hot-pressed wire-wove pages—if you don't believe me, count 'em—ready ruled for your expenses, an everlastingly-pointed pencil to put 'em down with, a double-bladed penknife to scratch 'em out with, a book of printed tables to calculate your income with, and a camp-stool to sit down upon while you give your mind to it! Stop! And an umbrella to keep the moon off when you give your mind to it on a pitch dark night. Now I won't ask you how much for the lot, but how little? How little are you thinking of? Don't be ashamed to mention it, because my fortune-teller knows already. (Then making believe to whisper, I kissed her, and she kissed me.) Why, she says you're thinking of as little as three and threepence! I couldn't have believed it, even of you, unless she told me. Three and threepence! And a set of printed tables in the lot that'll calculate your income up to forty thousand a year! With an income of forty thousand a year, you grudge three and sixpence. Well then, I'll tell you my opinion. I so despise the threepence, that I'd sooner take three shillings. There. For three shillings, three shillings, three shillings! Gone. Hand 'em over to the lucky man." As there had been no bid at all, everybody looked about and grinned at everybody, while I touched little Sophy's face and asked her if she felt faint or giddy. "Not very, father. It will soon be over." Then turning from the pretty patient eyes, which were opened now, and seeing nothing but grins across my lighted grease-pot, I went on again in my Cheap Jack style. "Where's the butcher?" (My sorrowful eye had just caught sight of a fat young butcher on the outside of the crowd.) She says the good luck is the butcher's. "Where is he?" Everybody handed on the blushing butcher to the front, and there was a roar, and the butcher felt himself obliged to put his hand in his pocket and take the lot. The party so picked out, in general does feel obliged to take the lot—good four times out of six. Then we had another lot the counterpart of that one, and sold it sixpence cheaper, which is always wery much enjoyed. Then we had the spectacles. It ain't a special profitable lot, but I put 'em on, and I see what the Chancellor of the Exchequer is going to take off the taxes, and I see what the sweetheart of the young woman in the shawl is doing at home, and I see what the Bishops has got for dinner, and a deal more that seldom fails to fetch 'em up in their spirits; and the better their spirits, the better their bids. Then we had the ladies' lot—the teapot, tea-caddy, glass sugar basin, half a dozen spoons, and caudle-cup—and all the time I was making similar excuses to give a look or two and say a word or two to my poor child. It was while the second ladies' lot was holding 'em enchained that I felt her lift herself a little on my shoulder, to look across the dark street. "What troubles you, darling?" "Nothing troubles me, father. I am not at all troubled. But don't I see a pretty churchyard over there?" "Yes, my dear." "Kiss me twice, dear father, and lay me down to rest upon that churchyard grass so soft and green." I staggered back into the cart with her head dropped on my shoulder, and I says to her mother, "Quick. Shut the door! Don't let those laughing people see!" "What's the matter?" she cries. "O, woman, woman," I tells her, "you'll never catch my little Sophy by her hair again, for she has flown away from you!" Maybe those were harder words than I meant 'em, but from that time forth my wife took to brooding, and would sit in the cart or walk beside it, hours at a stretch, with her arms crossed and her eyes looking on the ground. When her furies took her (which was rather seldomer than before) they took her in a new way, and she banged herself about to that extent that I was forced to hold her. She got none the better for a little drink now and then, and through some years I used to wonder as I plodded along at the old horse's head whether there was many carts upon the road that held so much dreariness as mine, for all my being looked up to as the King of the Cheap Jacks. So sad our lives went on till one summer evening, when as we were coming into Exeter out of the further West of England, we saw a woman beating a child in a cruel manner, who screamed, "Don't beat me! O mother, mother, mother!" Then my wife stopped her ears and ran away like a wild thing, and next day she was found in the river. Me and my dog were all the company left in the cart now, and the dog learned to give a short bark when they wouldn't bid, and to give another and a nod of his head when I asked him: "Who said half-a-crown? Are you the gentleman, sir, that offered half-a-crown?" He attained to an immense heighth of popularity, and I shall always believe taught himself entirely out of his own head to growl at any person in the crowd that bid as low as sixpence. But he got to be well on in years, and one night when I was conwulsing York with the spectacles, he took a conwulsion on his own account upon the very footboard by me, and it finished him. Being naturally of a tender turn, I had dreadful lonely feelings on me arter this. I conquered 'em at selling times, having a reputation to keep (not to mention keeping myself), but they got me down in private and rolled upon me. That's often the way with us public characters. See us on the footboard, and you'd give pretty well anything you possess to be us. See us off the footboard, and you'd add a trifle to be off your bargain. It was under those circumstances that I come acquainted with a giant. I might have been too high to fall into conversation with him, had it not been for my lonely feelings. For the general rule is, going round the country, to draw the line at dressing up. When a man can't trust his getting a living to his undisguised abilities, you consider him below your sort. And this giant when on view figured as a Roman. He was a languid young man, which I attribute to the distance betwixt his extremities. He had a little head and less in it, he had weak eyes and weak knees, and altogether you couldn't look at him without feeling that there was greatly too much of him both for his joints and his mind. But he was an amiable though timid young man (his mother let him out, and spent the money), and we come acquainted when he was walking to ease the horse betwixt two fairs. He was called Rinaldo di Velasco, his name being Pickleson. This giant otherwise Pickleson mentioned to me under the seal of confidence, that beyond his being a burden to himself, his life was made a burden to him, by the cruelty of his master towards a step-daughter who was deaf and dumb. Her mother was dead, and she had no living soul to take her part, and was used most hard. She travelled with his master's caravan only because there was nowhere to leave her, and this giant otherwise Pickleson did go so far as to believe that his master often tried to lose her. He was such a very languid young man, that I don't know how long it didn't take him to get this story out, but it passed through his defective circulation to his top extremity in course of time. When I heard this account from the giant otherwise Pickleson, and likewise that the poor girl had beautiful long dark hair, and was often pulled down by it and beaten, I couldn't see the giant through what stood in my eyes. Having wiped 'em, I give him sixpence (for he was kept as short as he was long), and he laid it out in two threepennorths of gin-and-water, which so brisked him up, that he sang the Favourite Comic of Shivery Shakey, ain't it cold. A popular effect which his master had tried every other means to get out of him as a Roman, wholly in vain. His master's name was Mim, a wery hoarse man and I knew him to speak to. I went to that Fair as a mere civilian, leaving the cart outside the town, and I looked about the back of the Vans while the performing was going on, and at last sitting dozing against a muddy cart-wheel, I come upon the poor girl who was deaf and dumb. At the first look I might almost have judged that she had escaped from the Wild Beast Show, but at the second I thought better of her, and thought that if she was more cared for and more kindly used she would be like my child. She was just the same age that my own daughter would have been, if her pretty head had not fell down upon my shoulder that unfortunate night. To cut it short, I spoke confidential to Mim while he was beating the gong outside betwixt two lots of Pickleson's publics, and I put it to him, "She lies heavy on your own hands; what'll you take for her?" Mim was a most ferocious swearer. Suppressing that part of his reply, which was much the longest part, his reply was, "A pair of braces." "Now I'll tell you," says I, "what I'm a going to do with you. I'm a going to fetch you half a dozen pair of the primest braces in the cart, and then to take her away with me." Says Mim (again ferocious), "I'll believe it when I've got the goods, and no sooner." I made all the haste I could, lest he should think twice of it, and the bargain was completed, which Pickleson he was thereby so relieved in his mind that he come out at his little back door, longways like a serpent, and give us Shivery Shakey in a whisper among the wheels at parting. It was happy days for both of us when Sophy and me began to travel in the cart. I at once give her the name of Sophy, to put her ever towards me in the attitude of my own daughter. We soon made out to begin to understand one another through the goodness of the Heavens, when she knowed that I meant true and kind by her. In a very little time she was wonderful fond of me. You have no idea what it is to have any body wonderful fond of you, unless you have been got down and rolled upon by the lonely feelings that I have mentioned as having once got the better of me. You'd have laughed—or the rewerse—it's according to your disposition—if you could have seen me trying to teach Sophy. At first I was helped—you'd never guess by what—milestones. I got some large alphabets in a box, all the letters separate on bits of bone, and say we was going to WINDSOR, I give her those letters in that order, and then at every milestone I showed her those same letters in that same order again, and pointed towards the abode of royalty. Another time I give her C A R T, and then chalked the same upon the cart. Another time I give her D O C T O R M A R I G O L D, and hung a corresponding inscription outside my waistcoat. People that met us might stare a bit and laugh, but what did I care if she caught the idea? She caught it after long patience and trouble, and then we did begin to get on swimmingly, I believe you! At first she was a little given to consider me the cart, and the cart the abode of royalty, but that soon wore off. We had our signs, too, and they was hundreds in number. Sometimes, she would sit looking at me and considering hard how to communicate with me about something fresh—how to ask me what she wanted explained—and then she was (or I thought she was; what does it signify?) so like my child with those years added to her, that I half believed it was herself, trying to tell me where she had been to up in the skies, and what she had seen since that unhappy night when she flied away. She had a pretty face, and now that there was no one to drag at her bright dark hair and it was all in order, there was a something touching in her looks that made the cart most peaceful and most quiet, though not at all melancolly. [N.B. In the Cheap Jack patter, we generally sound it, lemonjolly, and it gets a laugh.] The way she learnt to understand any look of mine was truly surprising. When I sold of a night, she would sit in the cart unseen by them outside, and would give a eager look into my eyes when I looked in, and would hand me straight the precise article or articles I wanted. And then she would clap her hands and laugh for joy. And as for me, seeing her so bright, and remembering what she was when I first lighted on her, starved and beaten and ragged, leaning asleep against the muddy cart-wheel, it give me such heart that I gained a greater heighth of reputation than ever, and I put Pickleson down (by the name of Mim's Travelling Giant otherwise Pickleson) for a fypunnote in my will. This happiness went on in the cart till she was sixteen year old. By which time I began to feel not satisfied that I had done my whole duty by her, and to consider that she ought to have better teaching than I could give her. It drew a many tears on both sides when I commenced explaining my views to her, but what's right is right and you can't neither by tears nor laughter do away with its character. So I took her hand in mine, and I went with her one day to the Deaf and Dumb Establishment in London, and when the gentleman come to speak to us, I says to him: "Now I'll tell you what I'll do with you sir. I am nothing but a Cheap Jack, but of late years I have laid by for a rainy day notwithstanding. This is my only daughter (adopted) and you can't produce a deafer nor a dumber. Teach her the most that can be taught her, in the shortest separation that can be named—state the figure for it—and I am game to put the money down. I won't bate you a single farthing sir but I'll put down the money here and now, and I'll thankfully throw you in a pound to take it. There!" The gentleman smiled, and then, "Well, well," says he, "I must first know what she has learnt already. How do you communicate with her?" Then I showed him, and she wrote in printed writing many names of things and so forth, and we held some sprightly conversation, Sophy and me, about a little story in a book which the gentleman showed her and which she was able to read. "This is most extraordinary," says the gentleman; "is it possible that you have been her only teacher?" "I have been her only teacher, sir," I says, "besides herself." "Then," says the gentleman, and more acceptable words was never spoke to me, "you're a clever fellow, and a good fellow." This he makes known to Sophy, who kisses his hands, claps her own, and laughs and cries upon it. We saw the gentleman four times in all, and when he took down my name and asked how in the world it ever chanced to be Doctor, it come out that he was own nephew by the sister's side, if you'll believe me, to the very Doctor that I was called after. This made our footing still easier, and he says to me: "Now Marigold, tell me what more do you want your adopted daughter to know?" "I want her sir to be cut off from the world as little as can be, considering her deprivations, and therefore to be able to read whatever is wrote, with perfect ease and pleasure." "My good fellow," urges the gentleman, opening his eyes wide, "why I can't do that myself!" I took his joke and give him a laugh (knowing by experience how flat you fall without it) and I mended my words accordingly. "What do you mean to do with her afterwards?" asks the gentleman, with a sort of a doubtful eye. "To take her about the country?" "In the cart sir, but only in the cart. She will live a private life, you understand, in the cart. I should never think of bringing her infirmities before the public. I wouldn't make a show of her, for any money." The gentleman nodded and seemed to approve. "Well," says he, "can you part with her for two years?" "To do her that good—yes, sir." "There's another question," says the gentleman, looking towards her: "Can she part with you for two years?" I don't know that it was a harder matter of itself (for the other was hard enough to me), but it was harder to get over. However, she was pacified to it at last, and the separation betwixt us was settled. How it cut up both of us when it took place, and when I left her at the door in the dark of an evening, I don't tell. But I know this:— remembering that night, I shall never pass that same establishment without a heart-ache and a swelling in the throat, and I couldn't put you up the best of lots in sight of it with my usual spirit—no, not even the gun, nor the pair of spectacles—for five hundred pound reward from the Secretary of State for the Home Department, and throw in the honour of putting my legs under his mahogany arterwards. Still, the loneliness that followed in the cart was not the old loneliness, because there was a term put to it however long to look forward to, and because I could think, when I was anyways down, that she belonged to me and I belonged to her. Always planning for her coming back, I bought in a few months' time another cart, and what do you think I planned to do with it? I'll tell you. I planned to fit it up with shelves, and books for her reading, and to have a seat in it where I could sit and see her read, and think that I had been her first teacher. Not hurrying over the job, I had the fittings knocked together in contriving ways under my own inspection, and here was her bed in a berth with curtains, and there was her reading-table, and here was her writing-desk, and elsewhere was her books in rows upon rows, picters and no picters, bindings and no bindings, gilt-edged and plain, just as I could pick 'em up for her in lots up and down the country, North and South and West and East, Winds liked best and winds liked least, Here and there and gone astray, Over the hills and far away. And when I had got together pretty well as many books as the cart would neatly hold, a new scheme come into my head which, as it turned out, kept my time and attention a good deal employed and helped me over the two years stile. Without being of an awaricious temper, I like to be the owner of things. I shouldn't wish, for instance, to go partners with yourself in the Cheap Jack cart. It's not that I mistrust you, but that I'd rather know it was mine. Similarly, very likely you'd rather know it was yours. Well! A kind of a jealousy began to creep into my mind when I reflected that all those books would have been read by other people long before they was read by her. It seemed to take away from her being the owner of 'em like. In this way, the question got into my head:—Couldn't I have a book new-made express for her, which she should be the first to read? It pleased me, that thought did, and as I never was a man to let a thought sleep (you must wake up all the whole family of thoughts you've got and burn their nightcaps, or you won't do in the cheap Jack line), I set to work at it. Considering that I was in the habit of changing so much about the country, and that I should have to find out a literary character here to make a deal with, and another literary character there to make a deal with, as opportunities presented, I hit on the plan that this same book should be a general miscellaneous lot—like the razors, flat-iron, chronometer watch, dinner plates, rolling-pin, and looking-glass—and shouldn't be offered as a single indiwidual article like the spectacles or the gun. When I had come to that conclusion, I come to another, which shall likewise be yours. Often had I regretted that she never had heard me on the footboard, and that she never could hear me. It ain't that I am vain, but that you don't like to put your own light under a bushel. What's the worth of your reputation, if you can't convey the reason for it to the person you most wish to value it? Now I'll put it to you. Is it worth sixpence, fippence, fourpence, threepence, twopence, a penny, a halfpenny, a farthing? No, it ain't. Not worth a farthing. Very well then. My conclusion was, that I would begin her book with some account of myself. So that, through reading a specimen or two of me on the footboard, she might form an idea of my merits there. I was aware that I couldn't do myself justice. A man can't write his eye (at least I don't know how to), nor yet can a man write his voice, nor the rate of his talk, nor the quickness of his action, nor his general spicy way. But he can write his turns of speech, when he is a public speaker—and indeed I have heard that he very often does, before he speaks 'em. Well! Having formed that resolution, then come the question of a name. How did I hammer that hot iron into shape? This way. The most difficult explanation I had ever had with her was, how I come to be called Doctor, and yet was no Doctor. After all, I felt that I had failed of getting it correctly into her mind, with my utmost pains. But trusting to her improvement in the two years, I thought that I might trust to her understanding it when she should come to read it as put down by my own hand. Then I thought I would try a joke with her and watch how it took, by which of itself I might fully judge of her understanding it. We had first discovered the mistake we had dropped into, through her having asked me to prescribe for her when she had supposed me to be a Doctor in a medical point of view, so thinks I, "Now, if I give this book the name of my Prescriptions, and if she catches the idea that my only Prescriptions are for her amusement and interest—to make her laugh in a pleasant way, or to make her cry in a pleasant way—it will be a delightful proof to both of us that we have got over our difficulty. It fell out to absolute perfection. For when she saw the book, as I had it got up—the printed and pressed book—lying on her desk in her cart, and saw the title, DOCTOR MARIGOLD'S PRESCRIPTIONS, she looked at me for a moment with astonishment, then fluttered the leaves, then broke out a laughing in the charmingest way, then felt her pulse and shook her head, then turned the pages pretending to read them most attentive, then kissed the book to me, and put it to her bosom with both her hands. I never was better pleased in all my life! But let me not anticipate. (I take that expression out of a lot of romances I bought for her. I never opened a single one of 'em—and I have opened many—but I found the romancer saying "let me not anticipate." Which being so, I wonder why he did anticipate, or who asked him to it.) Let me not, I say, anticipate. This same book took up all my spare time. It was no play to get the other articles together in the general miscellaneous lot, but when it come to my own article! There! I couldn't have believed the blotting, nor yet the buckling to at it, nor the patience over it. Which again is like the footboard. The public have no idea. At last it was done, and the two years' time was gone after all the other time before it, and where it's all gone to, Who knows? The new cart was finished—yellow outside, relieved with wermillion and brass fittings—the old horse was put in it, a new 'un and a boy being laid on for the Cheap Jack cart—and I cleaned myself up to go and fetch her. Bright cold weather it was, cart-chimneys smoking, carts pitched private on a piece of waste ground over at Wandsworth where you may see 'em from the Sou' Western Railway when not upon the road. (Look out of the right-hand window going down.) "Marigold," says the gentleman, giving his hand hearty, "I am very glad to see you." "Yet I have my doubts, sir," says I, "if you can be half as glad to see me, as I am to see you." "The time has appeared so long; has it, Marigold?" "I won't say that, sir, considering its real length; but—" "What a start, my good fellow!" Ah! I should think it was! Grown such a woman, so pretty, so intelligent, so expressive! I knew then that she must be really like my child, or I could never have known her, standing quiet by the door. "You are affected," says the gentleman in a kindly manner. "I feel, sir," says I, "that I am but a rough chap in a sleeved waistcoat." "I feel," says the gentleman, "that it was you who raised her from misery and degradation, and brought her into communication with her kind. But why do we converse alone together, when we can converse so well with her? Address her in your own way." "I am such a rough chap in a sleeved waistcoat, sir," says I, "and she is such a graceful woman, and she stands so quiet at the door!" "Try if she moves at the old sign," says the gentleman. They had got it up together o' purpose to please me! For when I give her the old sign, she rushed to my feet, and dropped upon her knees, holding up her hands to me with pouring tears of love and joy; and when I took her hands and lifted her, she clasped me round the neck and lay there; and I don't know what a fool I didn't make of myself, until we all three settled down into talking without sound, as if there was a something soft and pleasant spread over the whole world for us. Now I'll tell you what I am a going to do with you. I am a going to offer you the general miscellaneous lot, her own book, never read by anybody else but me, added to and completed by me after her first reading of it, eight-and-forty printed pages, six-and-ninety columns, Whiting's own work, Beaufort House to wit, thrown off by the steam-ingine, best of paper, beautiful green wrapper, folded like clean linen come home from the clear-starcher's, and so exquisitely stitched that, regarded as a piece of needlework alone it's better than the sampler of a seamstress undergoing a Competitive Examination for Starvation before the Civil Service Commissioners—and I offer the lot for what? For eight pound? Not so much. For six pound? Less. For four pound? Why, I hardly expect you to believe me, but that's the sum. Four pound! The stitching alone cost half as much again. Here's forty-eight original pages, ninety-six original columns, for four pound. You want more for the money? Take it. Three whole pages of advertisements of thrilling interest thrown in for nothing. Read 'em and believe 'em. More? My best of wishes for your merry Christmases and your happy New Years, your long lives and your true prosperities. Worth twenty pound good if they are delivered as I send them. Remember! Here's a final prescription added, "To be taken for life," which will tell you how the cart broke down, and where the journey ended. You think Four Pound too much? And still you think so? Come! I'll tell you what then. Say Four Pence, and keep the secret. I have always noticed a prevalent want of courage, even among persons of superior intelligence and culture, as to imparting their own psychological experiences when those have been of a strange sort. Almost all men are afraid that what they could relate in such wise would find no parallel or response in a listener's internal life, and might be suspected or laughed at. A truthful traveller who should have seen some extraordinary creature in the likeness of a sea-serpent, would have no fear of mentioning it; but the same traveller having had some singular presentiment, impulse, vagary of thought, vision (so-called), dream, or other remarkable mental impression, would hesitate considerably before he would own to it. To this reticence I attribute much of the obscurity in which such subjects are involved. We do not habitually communicate our experiences of these subjective things, as we do our experiences of objective creation. The consequence is, that the general stock of experience in this regard appears exceptional, and really is so, in respect of being miserably imperfect. In what I am going to relate I have no intention of setting up, opposing, or supporting, any theory whatever. I know the history of the Bookseller of Berlin, I have studied the case of the wife of a late Astronomer Royal as related by Sir David Brewster, and I have followed the minutest details of a much more remarkable case of Spectral Illusion occurring within my private circle of friends. It may be necessary to state as to this last that the sufferer (a lady) was in no degree, however distant, related to me. A mistaken assumption on that head, might suggest an explanation of a part of my own case—but only a part—which would be wholly without foundation. It cannot be referred to my inheritance of any developed peculiarity, nor had I ever before any at all similar experience, nor have I ever had any at all similar experience since. It does not signify how many years ago, or how few, a certain Murder was committed in England, which attracted great attention. We hear more than enough of Murderers as they rise in succession to their atrocious eminence, and I would bury the memory of this particular brute, if I could, as his body was buried, in Newgate Jail. I purposely abstain from giving any direct clue to the criminal's individuality. When the murder was first discovered, no suspicion fell—or I ought rather to say, for I cannot be too precise in my facts, it was nowhere publicly hinted that any suspicion fell—on the man who was afterwards brought to trial. As no reference was at that time made to him in the newspapers, it is obviously impossible that any description of him can at that time have been given in the newspapers. It is essential that this fact be remembered. Unfolding at breakfast my morning paper, containing the account of that first discovery, I found it to be deeply interesting, and I read it with close attention. I read it twice, if not three times. The discovery had been made in a bedroom, and, when I laid down the paper, I was aware of a flash—rush—flow—I do not know what to call it—no word I can find is satisfactorily descriptive—in which I seemed to see that bedroom passing through my room, like a picture impossibly painted on a running river. Though almost instantaneous in its passing, it was perfectly clear; so clear that I distinctly, and with a sense of relief, observed the absence of the dead body from the bed. It was in no romantic place that I had this curious sensation, but in chambers in Piccadilly, very near to the corner of Saint James's-street. It was entirely new to me. I was in my easy-chair at the moment, and the sensation was accompanied with a peculiar shiver which started the chair from its position. (But it is to be noted that the chair ran easily on castors.) I went to one of the windows (there are two in the room, and the room is on the second floor) to refresh my eyes with the moving objects down in Piccadilly. It was a bright autumn morning, and the street was sparkling and cheerful. The wind was high. As I looked out, it brought down from the Park a quantity of fallen leaves, which a gust took, and whirled into a spiral pillar. As the pillar fell and the leaves dispersed, I saw two men on the opposite side of the way, going from West to East. They were one behind the other. The foremost man often looked back over his shoulder. The second man followed him, at a distance of some thirty paces, with his right hand menacingly raised. First, the singularity and steadiness of this threatening gesture in so public a thoroughfare, attracted my attention; and next, the more remarkable circumstance that nobody heeded it. Both men threaded their way among the other passengers, with a smoothness hardly consistent even with the action of walking on a pavement, and no single creature that I could see, gave them place, touched them, or looked after them. In passing before my windows, they both stared up at me. I saw their two faces very distinctly, and I knew that I could recognise them anywhere. Not that I had consciously noticed anything very remarkable in either face, except that the man who went first had an unusually lowering appearance, and that the face of the man who followed him was of the colour of impure wax. I am a bachelor, and my valet and his wife constitute my whole establishment. My occupation is in a certain Branch Bank, and I wish that my duties as head of a Department were as light as they are popularly supposed to be. They kept me in town that autumn, when I stood in need of change. I was not ill, but I was not well. My reader is to make the most that can be reasonably made of my feeling jaded, having a depressing sense upon me of a monotonous life, and being "slightly dyspeptic." I am assured by my renowned doctor that my real state of health at that time justifies no stronger description, and I quote his own from his written answer to my request for it. As the circumstances of the Murder, gradually unravelling, took stronger and stronger possession of the public mind, I kept them away from mine, by knowing as little about them as was possible in the midst of the universal excitement. But I knew that a verdict of Wilful Murder had been found against the suspected Murderer, and that he had been committed to Newgate for trial. I also knew that his trial had been postponed over one Sessions of the Central Criminal Court, on the ground of general prejudice and want of time for the preparation of the defence. I may further have known, but I believe I did not, when, or about when, the Sessions to which his trial stood postponed would come on. My sitting-room, bedroom, and dressing-room, are all on one floor. With the last, there is no communication but through the bedroom. True, there is a door in it, once communicating with the staircase; but a part of the fitting of my bath has been—and had then been for some years—fixed across it. At the same period, and as a part of the same arrangement, the door had been nailed up and canvased over. I was standing in my bedroom late one night, giving some directions to my servant before he went to bed. My face was towards the only available door of communication with the dressing-room, and it was closed. My servant's back was towards that door. While I was speaking to him I saw it open, and a man look in, who very earnestly and mysteriously beckoned to me. That man was the man who had gone second of the two along Piccadilly, and whose face was of the colour of impure wax. The figure, having beckoned, drew back and closed the door. With no longer pause than was made by my crossing the bedroom, I opened the dressing-room door, and looked in. I had a lighted candle already in my hand. I felt no inward expectation of seeing the figure in the dressing-room, and I did not see it there. Conscious that my servant stood amazed, I turned round to him, and said: "Derrick, could you believe that in my cool senses I fancied I saw a—" As I there laid my hand upon his breast, with a sudden start he trembled violently, and said, "O Lord yes, sir! A dead man beckoning!" Now, I do not believe that this John Derrick, my trusty and attached servant for more than twenty years, had any impression whatever of having seen any such figure, until I touched him. The change in him was so startling when I touched him, that I fully believe he derived his impression in some occult manner from me at that instant. I bade John Derrick bring some brandy, and I gave him a dram, and was glad to take one myself. Of what had preceded that night's phenomenon, I told him not a single word. Reflecting on it, I was absolutely certain that I had never seen that face before, except on the one occasion in Piccadilly. Comparing its expression when beckoning at the door, with its expression when it had stared up at me as I stood at my window, I came to the conclusion that on the first occasion it had sought to fasten itself upon my memory, and that on the second occasion it had made sure of being immediately remembered. I was not very comfortable that night, though I felt a certainty, difficult to explain, that the figure would not return. At daylight, I fell into a heavy sleep, from which I was awakened by John Derrick's coming to my bedside with a paper in his hand. This paper, it appeared, had been the subject of an altercation at the door between its bearer and my servant. It was a summons to me to serve upon a Jury at the forthcoming Sessions of the Central Criminal Court at the Old Bailey. I had never before been summoned on such a Jury, as John Derrick well knew. He believed—I am not certain at this hour whether with reason or otherwise—that that class of Jurors were customarily chosen on a lower qualification than mine, and he had at first refused to accept the summons. The man who served it had taken the matter very coolly. He had said that my attendance or non-attendance was nothing to him; there the summons was; and I should deal with it at my own peril, and not at his. For a day or two I was undecided whether to respond to this call, or take no notice of it. I was not conscious of the slightest mysterious bias, influence, or attraction, one way or other. Of that I am as strictly sure as of every other statement that I make here. Ultimately I decided, as a break in the monotony of my life, that I would go. The appointed morning was a raw morning in the month of November. There was a dense brown fog in Piccadilly, and it became positively black and in the last degree oppressive East of Temple Bar. I found the passages and staircases of the Court House flaringly lighted with gas, and the Court itself similarly illuminated. I think that until I was conducted by officers into the Old Court and saw its crowded state, I did not know that the Murderer was to be tried that day. I think that until I was so helped into the Old Court with considerable difficulty, I did not know into which of the two Courts sitting, my summons would take me. But this must not be received as a positive assertion, for I am not completely satisfied in my mind on either point. I took my seat in the place appropriated to Jurors in waiting, and I looked about the Court as well as I could through the cloud of fog and breath that was heavy in it. I noticed the black vapour hanging like a murky curtain outside the great windows, and I noticed the stifled sound of wheels on the straw or tan that was littered in the street; also, the hum of the people gathered there, which a shrill whistle, or a louder song or hail than the rest, occasionally pierced. Soon afterwards the Judges, two in number, entered and took their seats. The buzz in the Court was awfully hushed. The direction was given to put the Murderer to the bar. He appeared there. And in that same instant I recognised in him, the first of the two men who had gone down Piccadilly. If my name had been called then, I doubt if I could have answered to it audibly. But it was called about sixth or eighth in the panel, and I was by that time able to say "Here!" Now, observe. As I stepped into the box, the prisoner, who had been looking on attentively but with no sign of concern, became violently agitated, and beckoned to his attorney. The prisoner's wish to challenge me was so manifest, that it occasioned a pause, during which the attorney, with his hand upon the dock, whispered with his client, and shook his head. I afterwards had it from that gentleman, that the prisoner's first affrighted words to him were, "At all hazards challenge that man!" But, that as he would give no reason for it, and admitted that he had not even known my name until he heard it called and I appeared, it was not done. Both on the ground already explained, that I wish to avoid reviving the unwholesome memory of that Murderer, and also because a detailed account of his long trial is by no means indispensable to my narrative, I shall confine myself closely to such incidents in the ten days and nights during which we, the Jury, were kept together, as directly bear on my own curious personal experience. It is in that, and not in the Murderer, that I seek to interest my reader. It is to that, and not to a page of the Newgate Calendar, that I beg attention. I was chosen Foreman of the Jury. On the second morning of the trial, after evidence had been taken for two hours (I heard the church clocks strike), happening to cast my eyes over my brother-jurymen, I found an inexplicable difficulty in counting them. I counted them several times, yet always with the same difficulty. In short, I made them one too many. I touched the brother-juryman whose place was next me, and I whispered to him, "Oblige me by counting us." He looked surprised by the request, but turned his head and counted. "Why," says he, suddenly, "we are Thirt—; but no, it's not possible. No. We are twelve." According to my counting that day, we were always right in detail, but in the gross we were always one too many. There was no appearance—no figure—to account for it; but I had now an inward foreshadowing of the figure that was surely coming. The Jury were housed at the London Tavern. We all slept in one large room on separate tables, and we were constantly in the charge and under the eye of the officer sworn to hold us in safe-keeping. I see no reason for suppressing the real name of that officer. He was intelligent, highly polite, and obliging, and (I was glad to hear) much respected in the City. He had an agreeable presence, good eyes, enviable black whiskers, and a fine sonorous voice. His name was Mr. Harker. When we turned into our twelve beds at night, Mr. Harker's bed was drawn across the door. On the night of the second day, not being disposed to lie down, and seeing Mr. Harker sitting on his bed, I went and sat beside him, and offered him a pinch of snuff. As Mr. Harker's hand touched mine in taking it from my box, a peculiar shiver crossed him, and he said: "Who is this!" Following Mr. Harker's eyes and looking along the room, I saw again the figure I expected—the second of the two men who had gone down Piccadilly. I rose, and advanced a few steps; then stopped, and looked round at Mr. Harker. He was quite unconcerned, laughed, and said in a pleasant way, "I thought for a moment we had a thirteenth juryman, without a bed. But I see it is the moonlight." Making no revelation to Mr. Harker, but inviting him to take a walk with me to the end of the room, I watched what the figure did. It stood for a few moments by the bedside of each of my eleven brother-jurymen, close to the pillow. It always went to the right-hand side of the bed, and always passed out crossing the foot of the next bed. It seemed from the action of the head, merely to look down pensively at each recumbent figure. It took no notice of me, or of my bed, which was that nearest to Mr. Harker's. It seemed to go out where the moonlight came in, through a high window, as by an aërial flight of stairs. Next morning at breakfast, it appeared that everybody present had dreamed of the murdered man last night, except myself and Mr. Harker. I now felt as convinced that the second man who had gone down Piccadilly was the murdered man (so to speak), as if it had been borne into my comprehension by his immediate testimony. But even this took place, and in a manner for which I was not at all prepared. On the fifth day of the trial, when the case for the prosecution was drawing to a close, a miniature of the murdered man, missing from his bedroom upon the discovery of the deed, and afterwards found in a hiding-place where the Murderer had been seen digging, was put in evidence. Having been identified by the witness under examination, it was handed up to the Bench, and thence handed down to be inspected by the Jury. As an officer in a black gown was making his way with it across to me, the figure of the second man who had gone down Piccadilly, impetuously started from the crowd, caught the miniature from the officer, and gave it to me with its own hands, at the same time saying in a low and hollow tone—before I saw the miniature, which was in a locket—"I was younger then, and my face was not then drained of blood." It also came between me and the brother juryman to whom I would have given the miniature, and between him and the brother juryman to whom he would have given it, and so passed it on through the whole of our number, and back into my possession. Not one of them, however, detected this. At table, and generally when we were shut up together in Mr. Harker's custody, we had from the first naturally discussed the day's proceedings a good deal. On that fifth day, the case for the prosecution being closed, and we having that side of the question in a completed shape before us, our discussion was more animated and serious. Among our number was a vestryman—the densest idiot I have ever seen at large—who met the plainest evidence with the most preposterous objections, and who was sided with by two flabby parochial parasites; all the three empanelled from a district so delivered over to Fever that they ought to have been upon their own trial, for five hundred Murders. When these mischievous blockheads were at their loudest, which was towards midnight while some of us were already preparing for bed, I again saw the murdered man. He stood grimly behind them, beckoning to me. On my going towards them and striking into the conversation, he immediately retired. This was the beginning of a separate series of appearances, confined to that long room in which we were confined. Whenever a knot of my brother jurymen laid their heads together, I saw the head of the murdered man among theirs. Whenever their comparison of notes was going against him, he would solemnly and irresistibly beckon to me. It will be borne in mind that down to the production of the miniature on the fifth day of the trial, I had never seen the Appearance in Court. Three changes occurred, now that we entered on the case for the defence. Two of them I will mention together, first. The figure was now in Court continually, and it never there addressed itself to me, but always to the person who was speaking at the time. For instance. The throat of the murdered man had been cut straight across. In the opening speech, for the defence, it was suggested that the deceased might have cut his own throat. At that very moment, the figure with its throat in the dreadful condition referred to (this it had concealed before) stood at the speaker's elbow, motioning across and across its windpipe, now with the right hand, now with the left, vigorously suggesting to the speaker himself, the impossibility of such a wound having been self-inflicted by either hand. For another instance. A witness to character, a woman, deposed to the prisoner's being the most amiable of mankind. The figure at that instant stood on the floor before her, looking her full in the face, and pointing out the prisoner's evil countenance with an extended arm and an outstretched finger. The third change now to be added, impressed me strongly, as the most marked and striking of all. I do not theorise upon it; I accurately state it, and there leave it. Although the Appearance was not itself perceived by those whom it addressed, its coming close to such persons was invariably attended by some trepidation or disturbance on their part. It seemed to me as if it were prevented by laws to which I was not amenable, from fully revealing itself to others, and yet as if it could, invisibly, dumbly and darkly, overshadow their minds. When the leading counsel for the defence suggested that hypothesis of suicide and the figure stood at the learned gentleman's elbow, frightfully sawing at its severed throat, it is undeniable that the counsel faltered in his speech, lost for a few seconds the thread of his ingenious discourse, wiped his forehead with his handkerchief, and turned extremely pale. When the witness to character was confronted by the Appearance, her eyes most certainly did follow the direction of its pointed finger, and rest in great hesitation and trouble upon the prisoner's face. Two additional illustrations will suffice. On the eighth day of the trial, after the pause which was every day made early in the afternoon for a few minutes' rest and refreshment, I came back into Court with the rest of the Jury, some little time before the return of the Judges. Standing up in the box and looking about me, I thought the figure was not there, until, chancing to raise my eyes to the gallery, I saw it bending forward and leaning over a very decent woman, as if to assure itself whether the Judges had resumed their seats or not. Immediately afterwards, that woman screamed, fainted, and was carried out. So with the venerable, sagacious, and patient Judge who conducted the trial. When the case was over, and he settled himself and his papers to sum up, the murdered man entering by the Judges' door, advanced to his Lordship's desk, and looked eagerly over his shoulder at the pages of his notes which he was turning. A change came over his Lordship's face; his hand stopped; the peculiar shiver that I knew so well, passed over him; he faltered, "Excuse me, gentlemen, for a few moments. I am somewhat oppressed by the vitiated air;" and did not recover until he had drunk a glass of water. Through all the monotony of six of those interminable ten days—the same Judges and others on the bench, the same Murderer in the dock, the same lawyers at the table, the same tones of question and answer rising to the roof of the court, the same scratching of the Judge's pen, the same ushers going in and out, the same lights kindled at the same hour when there had been any natural light of day, the same foggy curtain outside the great windows when it was foggy, the same rain pattering and dripping when it was rainy, the same footmarks of turnkeys and prisoner day after day on the same sawdust, the same keys locking and unlocking the same heavy doors—through all the wearisome monotony which made me feel as if I had been Foreman of the Jury for a vast period of time, and Piccadilly had flourished coevally with Babylon, the murdered man never lost one trace of his distinctness in my eyes, nor was he at any moment less distinct than anybody else. I must not omit, as a matter of fact, that I never once saw the Appearance which I call by the name of the murdered man, look at the Murderer. Again and again I wondered, "Why does he not?" But he never did. Nor did he look at me, after the production of the miniature, until the last closing minutes of the trial arrived. We retired to consider, at seven minutes before ten at night. The idiotic vestryman and his two parochial parasites gave us so much trouble, that we twice returned into Court, to beg to have certain extracts from the Judge's notes re-read. Nine of us had not the smallest doubt about those passages, neither, I believe, had any one in Court; the dunderheaded triumvirate however, having no idea but obstruction, disputed them for that very reason. At length we prevailed, and finally the Jury returned into Court at ten minutes past twelve. The murdered man at that time stood directly opposite the Jury-box, on the other side of the Court. As I took my place, his eyes rested on me, with great attention; he seemed satisfied, and slowly shook a great grey veil, which he carried on his arm for the first time, over his head and whole form. As I gave in our verdict "Guilty," the veil collapsed, all was gone, and his place was empty. The Murderer being asked by the Judge, according to usage, whether he had anything to say before sentence of Death should be passed upon him, indistinctly muttered something which was described in the leading newspapers of the following day as "a few rambling, incoherent, and half-audible words, in which he was understood to complain that he had not had a fair trial, because the Foreman of the Jury was prepossessed against him." The remarkable declaration that he really made, was this: "My Lord, I knew I was a doomed man when the Foreman of my Jury came into the box. My Lord, I knew he would never let me off, because, before I was taken, he somehow got to my bedside in the night, woke me, and put a rope round my neck." Sophy read through the whole of the foregoing several times over, and I sat in my seat in the Library Cart (that's the name we give it) seeing her read, and I was as pleased and as proud as a Pug-Dog with his muzzle black-leaded for an evening party and his tail extra curled by machinery. Every item of my plan was crowned with success. Our reunited life was more than all that we had looked forward to. Content and joy went with us as the wheels of the two carts went round, and the same stopped with us when the two carts stopped. But I had left something out of my calculations. Now, what had I left out? To help you to a guess, I'll say, a figure. Come. Make a guess, and guess right. Nought? No. Nine? No. Eight? No. Seven? No. Six? No. Five? No. Four? No. Three? No. Two? No. One? No. Now I'll tell you what I'll do with you. I'll say it's another sort of figure altogether. There. Why then, says you, it's a mortal figure. No nor yet a mortal figure. By such means you get yourself penned into a corner, and you can't help guessing a immortal figure. That's about it. Why didn't you say so sooner? Yes. It was a immortal figure that I had altogether left out of my calculations. Neither man's nor woman's, but a child's. Girl's, or boy's? Boy's. "I says the sparrow, with my bow and arrow." Now you have got it. We were down at Lancaster, and I had done two nights' more than fair average business (though I cannot in honour recommend them as a quick audience) in the open square there, near the end of the street where Mr. Sly's King's Arms and Royal Hotel stands. Mim's travelling giant otherwise Pickleson happened at the self-same time to be a trying it on in the town. The genteel lay was adopted with him. No hint of a van. Green baize alcove leading up to Pickleson in a Auction Room. Printed poster "Free list suspended, with the exception of that proud boast of an enlightened country, a free press. Schools admitted by private arrangement. Nothing to raise a blush in the cheek of youth or shock the most fastidious." Mim swearing most horrible and terrific in a pink calico pay-place, at the slackness of the public. Serious hand-bill in the shops, importing that it was all but impossible to come to a right understanding of the history of David, without seeing Pickleson. I went to the Auction Room in question, and I found it entirely empty of everything but echoes and mouldiness, with the single exception of Pickleson on a piece of red drugget. This suited my purpose, as I wanted a private and confidential word with him, which was: "Pickleson. Owing much happiness to you, I put you in my will for a fypunnote; but, to save trouble here's fourpunten down, which may equally suit your views, and let us so conclude the transaction." Pickleson, who up to that remark had had the dejected appearance of a long Roman rushlight that couldn't anyhow get lighted, brightened up at his top extremity and made his acknowledgments in a way which (for him) was parliamentary eloquence. He likewise did add, that, having ceased to draw as a Roman, Mim had made proposals for his going in as a conwerted Indian Giant worked upon by The Dairyman's Daughter. This, Pickleson, having no acquaintance with the tract named after that young woman, and not being willing to couple gag with his serious views, had declined to do, thereby leading to words and the total stoppage of the unfortunate young man's beer. All of which, during the whole of the interview, was confirmed by the ferocious growling of Mim down below in the pay-place, which shook the giant like a leaf. But what was to the present point in the remarks of the travelling giant otherwise Pickleson, was this: "Doctor Marigold"—I give his words without a hope of conweying their feebleness—"who is the strange young man that hangs about your carts?"—"The strange young man?" I gives him back, thinking that he meant her, and his languid circulation had dropped a syllable. "Doctor," he returns, with a pathos calculated to draw a tear from even a manly eye, "I am weak, but not so weak yet as that I don't know my words. I repeat them, Doctor. The strange young man." It then appeared that Pickleson being forced to stretch his legs (not that they wanted it) only at times when he couldn't be seen for nothing, to wit in the dead of the night and towards daybreak, had twice seen hanging about my carts, in that same town of Lancaster where I had been only two nights, this same unknown young man. It put me rather out of sorts. What it meant as to particulars I no more foreboded then, than you forebode now, but it put me rather out of sorts. Howsoever, I made light of it to Pickleson, and I took leave of Pickleson advising him to spend his legacy in getting up his stamina, and to continue to stand by his religion. Towards morning I kept a look-out for the strange young man, and what was more—I saw the strange young man. He was well dressed and well looking. He loitered very nigh my carts, watching them like as if he was taking care of them, and soon after daybreak turned and went away. I sent a hail after him, but he never started or looked round, or took the smallest notice. We left Lancaster within an hour or two, on our way towards Carlisle. Next morning at daybreak, I looked out again for the strange young man. I did not see him. But next morning I looked out again, and there he was once more. I sent another hail after him, but as before he gave not the slightest sign of being anyways disturbed. This put a thought into my head. Acting on it, I watched him in different manners and at different times not necessary to enter into, till I found that this strange young man was deaf and dumb. The discovery turned me over, because I knew that a part of that establishment where she had been, was allotted to young men (some of them well off), and I thought to myself "If she favours him, where am I, and where is all that I have worked and planned for?" Hoping—I must confess to the selfishness—that she might not favour him. I set myself to find out. At last I was by accident present at a meeting between them in the open air, looking on leaning behind a fir-tree without their knowing of it. It was a moving meeting for all the three parties concerned. I knew every syllable that passed between them, as well as they did. I listened with my eyes, which had come to be as quick and true with deaf and dumb conversation, as my ears with the talk of people that can speak. He was a going out to China as clerk in a merchant's house, which his father had been before him. He was in circumstances to keep a wife, and he wanted her to marry him and go along with him. She persisted, no. He asked if she didn't love him? Yes, she loved him dearly, dearly, but she could never disappoint her beloved good noble generous and I don't-know-what-all father (meaning me, the Cheap Jack in the sleeved waistcoat), and she would stay with him, Heaven bless him, though it was to break her heart! Then she cried most bitterly, and that made up my mind. While my mind had been in an unsettled state about her favouring this young man, I had felt that unreasonable towards Pickleson, that it was well for him he had got his legacy down. For I often thought "If it hadn't been for this same weak-minded giant, I might never have come to trouble my head and wex my soul about the young man." But, once that I knew she loved him—once that I had seen her weep for him—it was a different thing. I made it right in my mind with Pickleson on the spot, and I shook myself together to do what was right by all. She had left the young man by that time (for it took a few minutes to get me thoroughly well shook together), and the young man was leaning against another of the fir-trees—of which there was a cluster—with his face upon his arm. I touched him on the back. Looking up and seeing me, he says, in our deaf and dumb talk: "Do not be angry." "I am not angry, good boy. I am your friend. Come with me." I left him at the foot of the steps of the Library Cart, and I went up alone. She was drying her eyes. "You have been crying, my dear." "Yes, father." "Why?" "A head-ache." "Not a heart-ache?" "I said a head-ache, father." "Doctor Marigold must prescribe for that head-ache." She took up the book of my Prescriptions, and held it up with a forced smile; but seeing me keep still and look earnest, she softly laid it down again, and her eyes were very attentive. "The Prescription is not there, Sophy." "Where is it?" "Here, my dear." I brought her young husband in, and I put her hand in his, and my only further words to both of them were these: "Doctor Marigold's last prescription. To be taken for life." After which I bolted. When the wedding come off, I mounted a coat (blue, and bright buttons), for the first and last time in all my days, and I give Sophy away with my own hand. There were only us three and the gentleman who had had charge of her for those two years. I give the wedding dinner of four in the Library Cart. Pigeon pie, a leg of pickled pork, a pair of fowls, and suitable garden-stuff. The best of drinks. I give them a speech, and the gentlemen give us a speech, and all our jokes told, and the whole went off like a sky-rocket. In the course of the entertainment I explained to Sophy that I should keep the Library Cart as my living-cart when not upon the road, and that I should keep all her books for her just as they stood, till she come back to claim them. So she went to China with her young husband, and it was a parting sorrowful and heavy, and I got the boy I had another service, and so as of old when my child and wife were gone, I went plodding along alone, with my whip over my shoulder, at the old horse's head. Sophy wrote me many letters, and I wrote her many letters. About the end of the first year she sent me one in an unsteady hand: "Dearest father, not a week ago I had a darling little daughter, but I am so well that they let me write these words to you. Dearest and best father, I hope my child may not be deaf and dumb, but I do not yet know." When I wrote back, I hinted the question; but as Sophy never answered that question, I felt it to be a sad one, and I never repeated it. For a long time our letters were regular, but then they got irregular through Sophy's husband being moved to another station, and through my being always on the move. But we were in one another's thoughts, I was equally sure, letters or no letters. Five years, odd months, had gone since Sophy went away. I was still the King of the Cheap Jacks, and at a greater heighth of popularity than ever. I had had a first-rate autumn of it, and on the twenty-third of December, one thousand eight hundred and sixty-four, I found myself at Uxbridge, Middlesex, clean sold out. So I jogged up to London with the old horse, light and easy, to have my Christmas-Eve and Christmas Day alone by the fire in the Library Cart, and then to buy a regular new stock of goods all round, to sell 'em again and get the money. I am a neat hand at cookery, and I'll tell you what I knocked up for my Christmas-Eve dinner in the Library Cart. I knocked up a beefsteak pudding for one, with two kidneys, a dozen oysters, and a couple of mushrooms, thrown in. It's a pudding to put a man in good humour with everything, except the two bottom buttons of his waistcoat. Having relished that pudding and cleared away, I turned the lamp low, and sat down by the light of the fire, watching it as it shone upon the backs of Sophy's books. Sophy's books so brought up Sophy's self, that I saw her touching face quite plainly, before I dropped off dozing by the fire. This may be a reason why Sophy, with her deaf and dumb child in her arms, seemed to stand silent by me all through my nap. I was on the road, off the road, in all sorts of places, North and South and West and East, Winds liked best and winds liked least, Here and there and gone astray, Over the hills and far away, and still she stood silent by me, with her silent child in her arms. Even when I woke with a start, she seemed to vanish, as if she had stood by me in that very place only a single instant before. I had started at a real sound, and the sound was on the steps of the cart. It was the light hurried tread of a child, coming clambering up. That tread of a child had once been so familiar to me, that for half a moment I believed I was a going to see a little ghost. But the touch of a real child was laid upon the outer handle of the door, and the handle turned and the door opened a little way, and a real child peeped in. A bright little comely girl with large dark eyes. Looking full at me, the tiny creature took off her mite of a straw hat, and a quantity of dark curls fell all about her face. Then she opened her lips, and said in a pretty voice: "Grandfather!" "Ah my God!" I cries out. "She can speak!" "Yes, dear grandfather. And I am to ask you whether there was ever any one that I remind you of?" In a moment Sophy was round my neck as well as the child, and her husband was a wringing my hand with his face hid, and we all had to shake ourselves together before we could get over it. And when we did begin to get over it, and I saw the pretty child a talking, pleased and quick and eager and busy, to her mother, in the signs that I had first taught her mother, the happy and yet pitying tears fell rolling down my face.</text>
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                <text>&lt;em&gt;Doctor Marigold's Prescriptions&amp;nbsp;&lt;/em&gt;(1865 Christmas Number)</text>
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                <text>&lt;span&gt;Published in&amp;nbsp;&lt;/span&gt;&lt;em&gt;All the Year Round&lt;/em&gt;&lt;span&gt;, Vol. XIV, Extra Christmas Number, 7 December 1865, pp. 1-48.&lt;/span&gt;</text>
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                <text>Dickens, Charles</text>
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                <text>&lt;em&gt;Dickens Journals Online,&lt;/em&gt; &lt;a href="https://www.djo.org.uk/all-the-year-round/volume-xiv/page-573.html"&gt;https://www.djo.org.uk/all-the-year-round/volume-xiv/page-573.html&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;span&gt;,&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.djo.org.uk/all-the-year-round/volume-xiv/page-605.html"&gt;https://www.djo.org.uk/all-the-year-round/volume-xiv/page-605.html&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;br /&gt;Dickens Journals Online,&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;a href="https://www.djo.org.uk/all-the-year-round/volume-xiv/page-618.html"&gt;https://www.djo.org.uk/all-the-year-round/volume-xiv/page-618.html&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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                <text>1865-12-07</text>
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                <text>Dickens, Charles et. al. &lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; (7 December 1865). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1865-12-07-Doctor_Marigolds_Prescriptions"&gt;https://www.dickenssearch.com/christmas-numbers/1865-12-07-Doctor_Marigolds_Prescriptions&lt;/a&gt;.</text>
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                <text>&lt;span&gt;Scanned material from &lt;em&gt;Dickens Journals Online&lt;/em&gt;, &lt;/span&gt;&lt;a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk"&gt;www.djo.org.uk&lt;/a&gt;. A&lt;span&gt;vailable under CC BY licence.&lt;/span&gt;</text>
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                <text>&lt;ul&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'To Be Taken Immediately' (No.1), pp. 1-9.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;Rosa Mulholland. 'Not to Be Taken at Bedtime' (No.2), pp. 9-15.&lt;/li&gt;&#13;
&lt;li&gt;Charles Allston Collins. 'To Be Taken at the Dinner Table' (No.3), pp. 15-20.&lt;/li&gt;&#13;
&lt;li&gt;Hesba Stretton. 'Not to Be Taken for Granted' (No.4), pp. 20-27.&lt;/li&gt;&#13;
&lt;li&gt;Walter Thornbury. 'To Be Taken in Water' (No.5), pp. 27-33.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'To Be Taken with a Grain of Salt' (No.6), pp. 33-38.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;Mrs. Gascoyne (Caroline Leigh Smith?). 'To Be Taken and Tried' (No.7), pp. 38-46.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'To Be Taken for Life' (No.8), pp. 46-48.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                <text>I am a Cheap Jack, and my own father's name was Willum Marigold. It was in his lifetime supposed by some that his name was William, but my own father always consistently said, No, it was Willum. On which point I content myself with looking at the argument this way:—If a man is not allowed to know his own name in a free country, how much is he allowed to know in a land of slavery? As to looking at the argument through the medium of the Register, Willum Marigold come into the world before Registers come up much—and went out of it too. They wouldn't have been greatly in his line neither, if they had chanced to come up before him.&lt;br /&gt;&lt;br /&gt;I was born on the Queen's highway, but it was the King's at that time. A doctor was fetched to my own mother by my own father, when it took place on a common; and in consequence of his being a very kind gentleman, and accepting no fee but a tea-tray, I was named Doctor, out of gratitude and compliment to him. There you have me. Doctor Marigold.&lt;br /&gt;&lt;br /&gt;I am at present a middle-aged man of a broadish build, in cords, leggings, and a sleeved waistcoat the strings of which is always gone behind. Repair them how you will, they go like fiddle-strings. You have been to the theatre, and you have seen one of the wiolin-players screw up his wiolin, after listening to it as if it had been whispering the secret to him that it feared it was out of order, and then you have heard it snap. That's as exactly similar to my waistcoat, as a waistcoat and a wiolin can be like one another.&lt;br /&gt;&lt;br /&gt;I am partial to a white hat, and I like a shawl round my neck wore loose and easy. Sitting down is my favourite posture. If I have a taste in point of personal jewellery, it is mother-of-pearl buttons. There you have me again, as large as life.&lt;br /&gt;&lt;br /&gt;The doctor having accepted a tea-tray, you'll guess that my father was a Cheap Jack before me. You are right. He was. It was a pretty tray. It represented a large lady going along a serpentining up-hill gravel-walk, to attend a little church. Two swans had likewise come astray with the same intentions. When I call her a large lady, I don't mean in point of breadth, for there she fell below my views, but she more than made it up in heighth; her heighth and slimness was—in short THE heighth of both.&lt;br /&gt;&lt;br /&gt;I often saw that tray, after I was the innocently smiling cause (or more likely screeching one) of the doctor's standing it up on a table against the wall in his consulting-room. Whenever my own father and mother were in that part of the country, I used to put my head (I have heard my own mother say it was flaxen curls at that time, though you wouldn't know an old hearth-broom from it now, till you come to the handle and found it wasn't me) in at the doctor's door, and the doctor was always glad to see me, and said, "Aha, my brother practitioner! Come in, little M.D. How are your inclinations as to sixpence?"&lt;br /&gt;&lt;br /&gt;You can't go on for ever, you'll find, nor yet could my father nor yet my mother. If you don't go off as a whole when you are about due, you're liable to go off in part and two to one your head's the part. Gradually my father went off his, and my mother went off hers. It was in a harmless way, but it put out the family where I boarded them. The old couple, though retired, got to be wholly and solely devoted to the Cheap Jack business, and were always selling the family off. Whenever the cloth was laid for dinner, my father began rattling the plates and dishes, as we do in our line when we put up crockery for a bid, only he had lost the trick of it, and mostly let 'em drop and broke 'em. As the old lady had been used to sit in the cart, and hand the articles out one by one to the old gentleman on the footboard to sell, just in the same way she handed him every item of the family's property, and they disposed of it in their own imaginations from morning to night. At last the old gentleman, lying bedridden in the same room with the old lady, cries out in the old patter, fluent, after having been silent for two days and nights: "Now here, my jolly companions every one—which the Nightingale club in a village was held, At the sign of the Cabbage and Shears, Where the singers no doubt would have greatly excelled, But for want of taste voices and ears—now here, my jolly companions every one, is a working model of a used-up old Cheap Jack, without a tooth in his head, and with a pain in every bone: so like life that it would be just as good if it wasn't better, just as bad if it wasn't worse, and just as new if it wasn't worn out. Bid for the working model of the old Cheap Jack, who has drunk more gunpowder-tea with the ladies in his time than would blow the lid off a washerwoman's copper, and carry it as many thousands of miles higher than the moon as nought nix nought, divided by the national debt, carry nothing to the poor-rates, three under, and two over. Now my hearts of oak and men of straw, what do you say for the lot? Two shillings, a shilling, tenpence, eightpence, sixpence, fourpence. Twopence? Who said twopence? The gentleman in the scarecrow's hat? I am ashamed of the gentleman in the scarecrow's hat. I really am ashamed of him for his want of public spirit. Now I'll tell you what I'll do with you. Come! I'll throw you in a working model of a old woman that was married to the old Cheap Jack so long ago, that upon my word and honour it took place in Noah's Ark, before the Unicorn could get in to forbid the banns by blowing a tune upon his horn. There now! Come! What do you say for both? I'll tell you what I'll do with you. I don't bear you malice for being so backward. Here! If you make me a bid that'll only reflect a little credit on your town, I'll throw you in a warming-pan for nothing, and lend you a toasting-fork for life. Now come; what do you say after that splendid offer? Say two pound, say thirty shillings, say a pound, say ten shillings, say five, say two and six. You don't say even two and six? You say two and three? No. You shan't have the lot for two and three. I'd sooner give it you, if you was good looking enough. Here! Missis! Chuck the old man and woman into the cart, put the horse to, and drive 'em away and bury 'em!" Such were the last words of Willum Marigold, my own father, and they were carried out, by him and by his wife my own mother on one and the same day, as I ought to know, having followed as mourner.&lt;br /&gt;&lt;br /&gt;My father had been a lovely one in his time at the Cheap Jack work, as his dying observations went to prove. But I top him. I don't say it because it's myself, but because it has been universally acknowledged by all that has had the means of comparison. I have worked at it. I have measured myself against other public speakers, Members of Parliament, Platforms, Pulpits, Counsel learned in the law—and where I have found 'em good, I have took a bit of imitation from 'em, and where I have found 'em bad, I have let 'em, alone. Now I'll tell you what. I mean to go down into my grave declaring that of all the callings ill used in Great Britain, the Cheap Jack calling is the worst used. Why ain't we a profession? Why ain't we endowed with privileges? Why are we forced to take out a hawkers' license, when no such thing is expected of the political hawkers? Where's the difference betwixt us? Except that we are Cheap Jacks and they are Dear Jacks, &lt;em&gt;I&lt;/em&gt; don't see any difference but what's in our favour.&lt;br /&gt;&lt;br /&gt;For look here! Say it's election-time. I am on the footboard of my cart in the market-place on a Saturday night. I put up a general miscellaneous lot. I say: "Now here my free and independent woters, I'm a going to give you such a chance as you never had in all your born days, nor yet the days preceding. Now I'll show you what I am a going to do with you. Here's a pair of razors that'll shave you closer than the Board of Guardians, here's a flat-iron worth its weight in gold, here's a frying-pan artificially flavoured with essence of beefsteaks to that degree that you've only got for the rest of your lives to fry bread and dripping in it and there you are replete with animal food, here's a genuine chronometer watch in such a solid silver case that you may knock at the door with it when you come home late from a social meeting and rouse your wife and family and save up your knocker for the postman, and here's half a dozen dinner plates that you may play the cymbals with to charm the baby when it's fractious. Stop! I'll throw you in another article and I'll give you that, and it's a rolling-pin, and if the baby can only get it well into its mouth when its teeth is coming and rub the gums once with it, they'll come through double in a fit of laughter equal to being tickled. Stop again! I'll throw you in another article, because I don't like the looks of you, for you haven't the appearance of buyers unless I lose by you, and because I'd rather lose than not take money to-night, and that's a looking-glass in which you may see how ugly you look when you don't bid. What do you say now? Come! Do you say a pound? Not you, for you haven't got it. Do you say ten shillings? Not you, for you owe more to the tallyman. Well then, I'll tell you what I'll do with you. I'll heap 'em all on the footboard of the cart— there they are! razors, flat-iron, frying-pan, chronometer watch, dinner plates, rolling-pin, and looking-glass—take 'em all away for four shillings, and I'll give you sixpence for your trouble!" This is me, the Cheap Jack. But on the Monday morning, in the same marketplace, comes the Dear Jack on the hustings—his cart—and what does &lt;em&gt;he&lt;/em&gt; say? "Now my free and independent woters, I am a going to give you such a chance" (he begins just like me) "as you never had in all your born days, and that's the chance of sending Myself to Parliament. Now I'll tell you what I am a going to do for you. Here's the interests of this magnificent town promoted above all the rest of the civilised and uncivilised earth. Here's your railways carried, and your neighbours' railways jockeyed. Here's all your sons in the Post-office. Here's Britannia smiling on you. Here's the eyes of Europe on you. Here's uniwersal prosperity for you, repletion of animal food, golden cornfields, gladsome homesteads, and rounds of applause from your own hearts, all in one lot and that's myself. Will you take me as I stand? You won't? Well then, I'll tell you what I'll do with you. Come now! I'll throw you in anything you ask for. There! Church-rates, abolition of church-rates, more malt tax, no malt tax, uniwersal education to the highest mark or uniwersal ignorance to the lowest, total abolition of flogging in the army or a dozen for every private once a month all round, Wrongs of Men or Rights of Women,—only say which it shall be, take 'em or leave 'em, and I'm of your opinion altogether, and the lot's your own on your own terms. There! You won't take it yet? Well then, I'll tell you what I'll do with you. Come! You &lt;em&gt;are&lt;/em&gt; such free and independent woters, and I &lt;em&gt;am&lt;/em&gt; so proud of you—you &lt;em&gt;are&lt;/em&gt; such a noble and enlightened constituency, and I &lt;em&gt;am&lt;/em&gt; so ambitious of the honour and dignity of being your member, which is by far the highest level to which the wings of the human mind can soar—that I'll tell you what I'll do with you. I'll throw you in all the public-houses in your magnificent town for nothing. Will that content you? It won't? You won't take the lot yet? Well then, before I put the horse in and drive away, and make the offer to the next most magnificent town that can be discovered, I'll tell you what I'll do. Take the lot, and I'll drop two thousand pound in the streets of your magnificent town for them to pick up that can. Not enough? Now look here. This is the very furthest that I'm a going to. I'll make it two thousand five hundred. And still you won't? Here, missis! Put the horse—no, stop half a moment, I shouldn't like to turn my back upon you neither for a trifle, I'll make it two thousand seven hundred and fifty pound. There! Take the lot on your own terms, and I'll count out two thousand seven hundred and fifty pound on the footboard of the cart, to be dropped in the streets of your magnificent town for them to pick up that can. What do you say? Come now! You won't do better, and you may do worse. You take it? Hooray! Sold again, and got the seat!"&lt;br /&gt;&lt;br /&gt;These Dear Jacks soap the people shameful, but we Cheap Jacks don't. We tell 'em the truth about themselves to their faces, and scorn to court 'em. As to wenturesomeness in the way of puffing up the lots, the Dear Jacks beat us hollow. It is considered in the Cheap Jack calling that better patter can be made out of a gun than any article we put up from the cart, except a pair of spectacles. I often hold forth about a gun for a quarter of an hour, and feel as if I need never leave off. But when I tell 'em what the gun can do, and what the gun has brought down, I never go half so far as the Dear Jacks do when they make speeches in praise of &lt;em&gt;their&lt;/em&gt; guns—their great guns that set 'em on to do it. Besides, I'm in business for myself, I ain't sent down into the market-place to order, as they are. Besides again, my guns don't know what I say in their laudation, and their guns do, and the whole concern of 'em have reason to be sick and ashamed all round. These are some of my arguments for declaring that the Cheap Jack calling is treated ill in Great Britain, and for turning warm when I think of the other Jacks in question setting themselves up to pretend to look down upon it.&lt;br /&gt;&lt;br /&gt;I courted my wife from the footboard of the cart. I did indeed. She was a Suffolk young woman, and it was in Ipswich market-place right opposite the corn-chandler's shop. I had noticed her up at a window last Saturday that was, appreciating highly. I had took to her, and I had said to myself, "If not already disposed of, I'll have that lot." Next Saturday that come, I pitched the cart on the same pitch, and I was in very high feather indeed, keeping 'em laughing the whole of the time and getting off the goods briskly. At last I took out of my waistcoat-pocket, a small lot wrapped in soft paper, and I put it this way (looking up at the window where she was). "Now here my blooming English maidens is an article, the last article of the present evening's sale, which I offer to only you the lovely Suffolk Dumplings biling over with beauty, and I won't take a bid of a thousand pound for, from any man alive. Now what is it? Why, I'll tell you what it is. It's made of fine gold, and it's not broke though there's a hole in the middle of it, and it's stronger than any fetter that ever was forged, though it's smaller than any finger in my set of ten. Why ten? Because when my parents made over my property to me, I tell you true, there was twelve sheets, twelve towels, twelve tablecloths, twelve knives, twelve forks, twelve tablespoons, and twelve teaspoons, but my set of fingers was two short of a dozen and could never since be matched. Now what else is it? Come I'll tell you. It's a hoop of solid gold, wrapped in a silver curl-paper that I myself took off the shining locks of the ever beautiful old lady in Threadneedle-street, London city. I wouldn't tell you so if I hadn't the paper to show, or you mightn't believe it even of me. Now what else is it? It's a man-trap and a handcuff, the parish stocks and a leg-lock, all in gold and all in one. Now what else is it? It's a wedding ring. Now I'll tell you what I'm a-going to do with it. I'm not a-going to offer this lot for money, but I mean to give it to the next of you beauties that laughs, and I'll pay her a visit to-morrow morning at exactly half after nine o'clock as the chimes go, and I'll take her out for a walk to put up the banns." &lt;em&gt;She&lt;/em&gt; laughed, and got the ring handed up to her. When I called in the morning, she says, "Oh dear! It's never you and you never mean it?" "It's ever me," says I, "and I am ever yours, and I ever mean it." So we got married, after being put up three times—which, by-the-by, is quite in the Cheap Jack way again, and shows once more how the Cheap Jack customs pervade society.&lt;br /&gt;&lt;br /&gt;She wasn't a bad wife, but she had a temper. If she could have parted with that one article at a sacrifice, I wouldn't have swopped her away in exchange for any other woman in England. Not that I ever did swop her away, for we lived together till she died, and that was thirteen year. Now my lords and ladies and gentlefolks all, I'll let you into a secret, though you won't believe it. Thirteen year of temper in a Palace would try the worst of you, but thirteen year of temper in a Cart would try the best of you. You are kept so very close to it in a cart, you see. There's thousands of couples among you, getting on like sweet ile upon a whetstone in houses five and six pairs of stairs high, that would go to the Divorce Court in a cart. Whether the jolting makes it worse, I don't undertake to decide, but in a cart it does come home to you and stick to you. Wiolence in a cart is &lt;em&gt;so&lt;/em&gt; wiolent, and aggrawation in a cart is &lt;em&gt;so&lt;/em&gt; aggrawating.&lt;br /&gt;&lt;br /&gt;We might have had such a pleasant life! A roomy cart, with the large goods hung outside and the bed slung underneath it when on the road, an iron pot and a kettle, a fireplace for the cold weather, a chimney for the smoke, a hanging shelf and a cupboard, a dog, and a horse. What more do you want? You draw off upon a bit of turf in a green lane or by the roadside, you hobble your old horse and turn him grazing, you light your fire upon the ashes of the last visitors, you cook your stew, and you wouldn't call the Emperor of France your father. But have a temper in the cart, flinging language and the hardest goods in stock at you, and where are you then? Put a name to your feelings.&lt;br /&gt;&lt;br /&gt;My dog knew as well when she was on the turn as I did. Before she broke out, he would give a howl, and bolt. How he knew it, was a mystery to me, but the sure and certain knowledge of it would wake him up out of his soundest sleep, and he would give a howl, and bolt. At such times I wished I was him.&lt;br /&gt;&lt;br /&gt;The worst of it was, we had a daughter born to us, and I love children with all my heart. When she was in her furies, she beat the child. This got to be so shocking as the child got to be four or five year old, that I have many a time gone on with my whip over my shoulder, at the old horse's head, sobbing and crying worse than ever little Sophy did. For how could I prevent it? Such a thing is not to be tried with such a temper—in a cart—without coming to a fight. It's in the natural size and formation of a cart to bring it to a fight. And then the poor child got worse terrified than before, as well as worse hurt generally, and her mother made complaints to the next people we lighted on, and the word went round, "Here's a wretch of a Cheap Jack been a beating his wife."&lt;br /&gt;&lt;br /&gt;Little Sophy was such a brave child! She grew to be quite devoted to her poor father, though he could do so little to help her. She had a wonderful quantity of shining dark hair, all curling natural about her. It is quite astonishing to me now, that I didn't go tearing mad when I used to see her run from her mother before the cart, and her mother catch her by this hair, and pull her down by it, and beat her.&lt;br /&gt;&lt;br /&gt;Such a brave child I said she was. Ah! with reason.&lt;br /&gt;&lt;br /&gt;"Don't you mind next time, father dear," she would whisper to me, with her little face still flushed, and her bright eyes still wet; "if I don't cry out, you may know I am not much hurt. And even if I do cry out, it will only be to get mother to let go and leave off." What I have seen the little spirit bear—for me—without crying out!&lt;br /&gt;&lt;br /&gt;Yet in other respects her mother took great care of her. Her clothes were always clean and neat, and her mother was never tired of working at 'em. Such is the inconsistency in things. Our being down in the marsh country in unhealthy weather, I consider the cause of Sophy's taking bad low fever; but however she took it, once she got it she turned away from her mother for evermore, and nothing would persuade her to be touched by her mother's hand. She would shiver and say "No, no, no," when it was offered at, and would hide her face on my shoulder, and hold me tighter round the neck.&lt;br /&gt;&lt;br /&gt;The Cheap Jack business had been worse than ever I had known it, what with one thing and what with another (and not least what with railroads, which will cut it all to pieces, I expect at last), and I was run dry of money. For which reason, one night at that period of little Sophy's being so bad, either we must have come to a dead-lock for victuals and drink, or I must have pitched the cart as I did.&lt;br /&gt;&lt;br /&gt;I couldn't get the dear child to lie down or leave go of me, and indeed I hadn't the heart to try, so I stepped out on the footboard with her holding round my neck. They all set up a laugh when they see us, and one chuckle-headed Joskin (that I hated for it) made the bidding, "tuppence for her!"&lt;br /&gt;&lt;br /&gt;"Now, you country boobies," says I, feeling as if my heart was a heavy weight at the end of a broken sash-line, "I give you notice that I am a going to charm the money out of your pockets, and to give you so much more than your money's worth that you'll only persuade yourselves to draw your Saturday night's wages ever again arterwards, by the hopes of meeting me to lay 'em out with, which you never will, and why not? Because I've made my fortune by selling my goods on a large scale for seventy-five per cent less than I give for 'em, and I am consequently to be elevated to the House of Peers next week, by the title of the Duke of Cheap and Markis Jackaloorul. Now let's know what you want to-night, and you shall have it. But first of all, shall I tell you why I have got this little girl round my neck? You don't want to know? Then you shall. She belongs to the Fairies. She's a fortune-teller. She can tell me all about you in a whisper, and can put me up to whether you're a-going to buy a lot or leave it. Now do you want a saw? No, she says you don't, because you're too clumsy to use one. Else here's a saw which would be a lifelong blessing to a handy man, at four shillings, at three and six, at three, at two and six, at two, at eighteenpence. But none of you shall have it at any price, on account of your well-known awkwardness which would make it manslaughter. The same objection applies to this set of three planes which I won't let you have neither, so don't bid for 'em. Now I am a-going to ask her what you do want. (Then I whispered, "Your head burns so, that I am afraid it hurts you bad, my pet," and she answered, without opening her heavy eyes, "Just a little, father.") Oh! This little fortune-teller says it's a memorandum-book you want. Then why didn't you mention it? Here it is. Look at it. Two hundred super-fine hot-pressed wire-wove pages—if you don't believe me, count 'em—ready ruled for your expenses, an everlastingly-pointed pencil to put 'em down with, a double-bladed penknife to scratch 'em out with, a book of printed tables to calculate your income with, and a camp-stool to sit down upon while you give your mind to it! Stop! And an umbrella to keep the moon off when you give your mind to it on a pitch dark night. Now I won't ask you how much for the lot, but how little? How little are you thinking of? Don't be ashamed to mention it, because my fortune-teller knows already. (Then making believe to whisper, I kissed her, and she kissed me.) Why, she says you're thinking of as little as three and threepence! I couldn't have believed it, even of you, unless she told me. Three and threepence! And a set of printed tables in the lot that'll calculate your income up to forty thousand a year! With an income of forty thousand a year, you grudge three and sixpence. Well then, I'll tell you my opinion. I so despise the threepence, that I'd sooner take three shillings. There. For three shillings, three shillings, three shillings! Gone. Hand 'em over to the lucky man."&lt;br /&gt;&lt;br /&gt;As there had been no bid at all, everybody looked about and grinned at everybody, while I touched little Sophy's face and asked her if she felt faint or giddy. "Not very, father. It will soon be over." Then turning from the pretty patient eyes, which were opened now, and seeing nothing but grins across my lighted grease-pot, I went on again in my Cheap Jack style. "Where's the butcher?" (My sorrowful eye had just caught sight of a fat young butcher on the outside of the crowd.) She says the good luck is the butcher's. "Where is he?" Everybody handed on the blushing butcher to the front, and there was a roar, and the butcher felt himself obliged to put his hand in his pocket and take the lot. The party so picked out, in general does feel obliged to take the lot—good four times out of six. Then we had another lot the counterpart of that one, and sold it sixpence cheaper, which is always wery much enjoyed. Then we had the spectacles. It ain't a special profitable lot, but I put 'em on, and I see what the Chancellor of the Exchequer is going to take off the taxes, and I see what the sweetheart of the young woman in the shawl is doing at home, and I see what the Bishops has got for dinner, and a deal more that seldom fails to fetch 'em up in their spirits; and the better their spirits, the better their bids. Then we had the ladies' lot—the teapot, tea-caddy, glass sugar basin, half a dozen spoons, and caudle-cup—and all the time I was making similar excuses to give a look or two and say a word or two to my poor child. It was while the second ladies' lot was holding 'em enchained that I felt her lift herself a little on my shoulder, to look across the dark street. "What troubles you, darling?" "Nothing troubles me, father. I am not at all troubled. But don't I see a pretty churchyard over there?" "Yes, my dear." "Kiss me twice, dear father, and lay me down to rest upon that churchyard grass so soft and green." I staggered back into the cart with her head dropped on my shoulder, and I says to her mother, "Quick. Shut the door! Don't let those laughing people see!" "What's the matter?" she cries. "O, woman, woman," I tells her, "you'll never catch my little Sophy by her hair again, for she has flown away from you!"&lt;br /&gt;&lt;br /&gt;Maybe those were harder words than I meant 'em, but from that time forth my wife took to brooding, and would sit in the cart or walk beside it, hours at a stretch, with her arms crossed and her eyes looking on the ground. When her furies took her (which was rather seldomer than before) they took her in a new way, and she banged herself about to that extent that I was forced to hold her. She got none the better for a little drink now and then, and through some years I used to wonder as I plodded along at the old horse's head whether there was many carts upon the road that held so much dreariness as mine, for all my being looked up to as the King of the Cheap Jacks. So sad our lives went on till one summer evening, when as we were coming into Exeter out of the further West of England, we saw a woman beating a child in a cruel manner, who screamed, "Don't beat me! O mother, mother, mother!" Then my wife stopped her ears and ran away like a wild thing, and next day she was found in the river.&lt;br /&gt;&lt;br /&gt;Me and my dog were all the company left in the cart now, and the dog learned to give a short bark when they wouldn't bid, and to give another and a nod of his head when I asked him: "Who said half-a-crown? Are you the gentleman, sir, that offered half-a-crown?" He attained to an immense heighth of popularity, and I shall always believe taught himself entirely out of his own head to growl at any person in the crowd that bid as low as sixpence. But he got to be well on in years, and one night when I was conwulsing York with the spectacles, he took a conwulsion on his own account upon the very footboard by me, and it finished him. &lt;br /&gt;&lt;br /&gt;Being naturally of a tender turn, I had dreadful lonely feelings on me arter this. I conquered 'em at selling times, having a reputation to keep (not to mention keeping myself), but they got me down in private and rolled upon me. That's often the way with us public characters. See us on the footboard, and you'd give pretty well anything you possess to be us. See us off the footboard, and you'd add a trifle to be off your bargain. It was under those circumstances that I come acquainted with a giant. I might have been too high to fall into conversation with him, had it not been for my lonely feelings. For the general rule is, going round the country, to draw the line at dressing up. When a man can't trust his getting a living to his undisguised abilities, you consider him below your sort. And this giant when on view figured as a Roman.&lt;br /&gt;&lt;br /&gt;He was a languid young man, which I attribute to the distance betwixt his extremities. He had a little head and less in it, he had weak eyes and weak knees, and altogether you couldn't look at him without feeling that there was greatly too much of him both for his joints and his mind. But he was an amiable though timid young man (his mother let him out, and spent the money), and we come acquainted when he was walking to ease the horse betwixt two fairs. He was called Rinaldo di Velasco, his name being Pickleson.&lt;br /&gt;&lt;br /&gt;This giant otherwise Pickleson mentioned to me under the seal of confidence, that beyond his being a burden to himself, his life was made a burden to him, by the cruelty of his master towards a step-daughter who was deaf and dumb. Her mother was dead, and she had no living soul to take her part, and was used most hard. She travelled with his master's caravan only because there was nowhere to leave her, and this giant otherwise Pickleson did go so far as to believe that his master often tried to lose her. He was such a very languid young man, that I don't know how long it didn't take him to get this story out, but it passed through his defective circulation to his top extremity in course of time.&lt;br /&gt;&lt;br /&gt;When I heard this account from the giant otherwise Pickleson, and likewise that the poor girl had beautiful long dark hair, and was often pulled down by it and beaten, I couldn't see the giant through what stood in my eyes. Having wiped 'em, I give him sixpence (for he was kept as short as he was long), and he laid it out in two threepennorths of gin-and-water, which so brisked him up, that he sang the Favourite Comic of Shivery Shakey, ain't it cold. A popular effect which his master had tried every other means to get out of him as a Roman, wholly in vain.&lt;br /&gt;&lt;br /&gt;His master's name was Mim, a wery hoarse man and I knew him to speak to. I went to that Fair as a mere civilian, leaving the cart outside the town, and I looked about the back of the Vans while the performing was going on, and at last sitting dozing against a muddy cart-wheel, I come upon the poor girl who was deaf and dumb. At the first look I might almost have judged that she had escaped from the Wild Beast Show, but at the second I thought better of her, and thought that if she was more cared for and more kindly used she would be like my child. She was just the same age that my own daughter would have been, if her pretty head&lt;br /&gt;had not fell down upon my shoulder that unfortunate night.&lt;br /&gt;&lt;br /&gt;To cut it short, I spoke confidential to Mim while he was beating the gong outside betwixt two lots of Pickleson's publics, and I put it to him, "She lies heavy on your own hands; what'll you take for her?" Mim was a most ferocious swearer. Suppressing that part of his reply, which was much the longest part, his reply was, "A pair of braces." "Now I'll tell you," says I, "what I'm a going to do with you. I'm a going to fetch you half a dozen pair of the primest braces in the cart, and then to take her away with me." Says Mim (again ferocious), "I'll believe it when I've got the goods, and no sooner." I made all the haste I could, lest he should think twice of it, and the bargain was completed, which Pickleson he was thereby so relieved in his mind that he come out at his little back door, longways like a serpent, and give us Shivery Shakey in a whisper among the wheels at parting.&lt;br /&gt;&lt;br /&gt;It was happy days for both of us when Sophy and me began to travel in the cart. I at once give her the name of Sophy, to put her ever towards me in the attitude of my own daughter. We soon made out to begin to understand one another through the goodness of the Heavens, when she knowed that I meant true and kind by her. In a very little time she was wonderful fond of me. You have no idea what it is to have any body wonderful fond of you, unless you have been got down and rolled upon by the lonely feelings that I have mentioned as having once got the better of me.&lt;br /&gt;&lt;br /&gt;You'd have laughed—or the rewerse—it's according to your disposition—if you could have seen me trying to teach Sophy. At first I was helped—you'd never guess by what—milestones. I got some large alphabets in a box, all the letters separate on bits of bone, and say we was going to WINDSOR, I give her those letters in that order, and then at every milestone I showed her those same letters in that same order again, and pointed towards the abode of royalty. Another time I give her C A R T, and then chalked the same upon the cart. Another time I give her D O C T O R M A R I G O L D, and hung a corresponding inscription outside my waistcoat. People that met us might stare a bit and laugh, but what did I care if she caught the idea? She caught it after long patience and trouble, and then we did begin to get on swimmingly, I believe you! At first she was a little given to consider me the cart, and the cart the abode of royalty, but that soon wore off.&lt;br /&gt;&lt;br /&gt;We had our signs, too, and they was hundreds in number. Sometimes, she would sit looking at me and considering hard how to communicate with me about something fresh—how to ask me what she wanted explained—and then she was (or I thought she was; what does it signify?) so like my child with those years added to her, that I half believed it was herself, trying to tell me where she had been to up in the skies, and what she had seen since that unhappy night when she flied away. She had a pretty face, and now that there was no one to drag at her bright dark hair and it was all in order, there was a something touching in her looks that made the cart most peaceful and most quiet, though not at all melancolly. [N.B. In the Cheap Jack patter, we generally sound it, lemonjolly, and it gets a laugh.]&lt;br /&gt;&lt;br /&gt;The way she learnt to understand any look of mine was truly surprising. When I sold of a night, she would sit in the cart unseen by them outside, and would give a eager look into my eyes when I looked in, and would hand me straight the precise article or articles I wanted. And then she would clap her hands and laugh for joy. And as for me, seeing her so bright, and remembering what she was when I first lighted on her, starved and beaten and ragged, leaning asleep against the muddy cart-wheel, it give me such heart that I gained a greater heighth of reputation than ever, and I put Pickleson down (by the name of Mim's Travelling Giant otherwise Pickleson) for a fypunnote in my will.&lt;br /&gt;&lt;br /&gt;This happiness went on in the cart till she was sixteen year old. By which time I began to feel not satisfied that I had done my whole duty by her, and to consider that she ought to have better teaching than I could give her. It drew a many tears on both sides when I commenced explaining my views to her, but what's right is right and you can't neither by tears nor laughter do away with its character.&lt;br /&gt;&lt;br /&gt;So I took her hand in mine, and I went with her one day to the Deaf and Dumb Establishment in London, and when the gentleman come to speak to us, I says to him: "Now I'll tell you what I'll do with you sir. I am nothing but a Cheap Jack, but of late years I have laid by for a rainy day notwithstanding. This is my only daughter (adopted) and you can't produce a deafer nor a dumber. Teach her the most that can be taught her, in the shortest separation that can be named—state the figure for it—and I am game to put the money down. I won't bate you a single farthing sir but I'll put down the money here and now, and I'll thankfully throw you in a pound to take it. There!" The gentleman smiled, and then, "Well, well," says he, "I must first know what she has learnt already. How do you communicate with her?" Then I showed him, and she wrote in printed writing many names of things and so forth, and we held some sprightly conversation, Sophy and me, about a little story in a book which the gentleman showed her and which she was able to read. "This is most extraordinary," says the gentleman; "is it possible that you have been her only teacher?" "I have been her only teacher, sir," I says, "besides herself." "Then," says the gentleman, and more acceptable words was never spoke to me, "you're a clever fellow, and a good fellow." This he makes known to Sophy, who kisses his hands, claps her own, and laughs and cries upon it.&lt;br /&gt;&lt;br /&gt;We saw the gentleman four times in all, and when he took down my name and asked how in the world it ever chanced to be Doctor, it come out that he was own nephew by the sister's side, if you'll believe me, to the very Doctor that I was called after. This made our footing still easier, and he says to me:&lt;br /&gt;&lt;br /&gt;"Now Marigold, tell me what more do you want your adopted daughter to know?"&lt;br /&gt;&lt;br /&gt;"I want her sir to be cut off from the world as little as can be, considering her deprivations, and therefore to be able to read whatever is wrote, with perfect ease and pleasure."&lt;br /&gt;&lt;br /&gt;"My good fellow," urges the gentleman, opening his eyes wide, "why &lt;em&gt;I&lt;/em&gt; can't do that myself!"&lt;br /&gt;&lt;br /&gt;I took his joke and give him a laugh (knowing by experience how flat you fall without it) and I mended my words accordingly.&lt;br /&gt;&lt;br /&gt;"What do you mean to do with her afterwards?" asks the gentleman, with a sort of a doubtful eye. "To take her about the country?"&lt;br /&gt;&lt;br /&gt;"In the cart sir, but only in the cart. She will live a private life, you understand, in the cart. I should never think of bringing her infirmities before the public. I wouldn't make a show of her, for any money."&lt;br /&gt;&lt;br /&gt;The gentleman nodded and seemed to approve.&lt;br /&gt;&lt;br /&gt;"Well," says he, "can you part with her for two years?"&lt;br /&gt;&lt;br /&gt;"To do her that good—yes, sir."&lt;br /&gt;&lt;br /&gt;"There's another question," says the gentleman, looking towards her: "Can she part with you for two years?"&lt;br /&gt;&lt;br /&gt;I don't know that it was a harder matter of itself (for the other was hard enough to me), but it was harder to get over. However, she was pacified to it at last, and the separation betwixt us was settled. How it cut up both of us when it took place, and when I left her at the door in the dark of an evening, I don't tell. But I know this:— remembering that night, I shall never pass that same establishment without a heart-ache and a swelling in the throat, and I couldn't put you up the best of lots in sight of it with my usual spirit—no, not even the gun, nor the pair of spectacles—for five hundred pound reward from the Secretary of State for the Home Department, and throw in the honour of putting my legs under his mahogany arterwards.&lt;br /&gt;&lt;br /&gt;Still, the loneliness that followed in the cart was not the old loneliness, because there was a term put to it however long to look forward to, and because I could think, when I was anyways down, that she belonged to me and I belonged to her. Always planning for her coming back, I bought in a few months' time another cart, and what do you think I planned to do with it? I'll tell you. I planned to fit it up with shelves, and books for her reading, and to have a seat in it where I could sit and see her read, and think that I had been her first teacher. Not hurrying over the job, I had the fittings knocked together in contriving ways under my own inspection, and here was her bed in a berth with curtains, and there was her reading-table, and here was her writing-desk, and elsewhere was her books in rows upon rows, picters and no picters, bindings and no bindings, gilt-edged and plain, just as I could pick 'em up for her in lots up and down the country, North and South and West and East, Winds liked best and winds liked least, Here and there and gone astray, Over the hills and far away. And when I had got together pretty well as many books as the cart would neatly hold, a new scheme come into my head which, as it turned out, kept my time and attention a good deal employed and helped me over the two years stile.&lt;br /&gt;&lt;br /&gt;Without being of an awaricious temper, I like to be the owner of things. I shouldn't wish, for instance, to go partners with yourself in the Cheap Jack cart. It's not that I mistrust you, but that I'd rather know it was mine. Similarly, very likely you'd rather know it was yours. Well! A kind of a jealousy began to creep into my mind when I reflected that all those books would have been read by other people long before they was read by her. It seemed to take away from her being the owner of 'em like. In this way, the question got into my head:—Couldn't I have a book new-made express for her, which she should be the first to read?&lt;br /&gt;&lt;br /&gt;It pleased me, that thought did, and as I never was a man to let a thought sleep (you must wake up all the whole family of thoughts you've got and burn their nightcaps, or you won't do in the cheap Jack line), I set to work at it. Considering that I was in the habit of changing so much about the country, and that I should have to find out a literary character here to make a deal with, and another literary character there to make a deal with, as opportunities presented, I hit on the plan that this same book should be a general miscellaneous lot—like the razors, flat-iron, chronometer watch, dinner plates, rolling-pin, and looking-glass—and shouldn't be offered as a single indiwidual article like the spectacles or the gun. When I had come to that conclusion, I come to another, which shall likewise be yours.&lt;br /&gt;&lt;br /&gt;Often had I regretted that she never had heard me on the footboard, and that she never could hear me. It ain't that &lt;em&gt;I&lt;/em&gt; am vain, but that &lt;em&gt;you&lt;/em&gt; don't like to put your own light under a bushel. What's the worth of your reputation, if you can't convey the reason for it to the person you most wish to value it? Now I'll put it to you. Is it worth sixpence, fippence, fourpence, threepence, twopence, a penny, a halfpenny, a farthing? No, it ain't. Not worth a farthing. Very well then. My conclusion was, that I would begin her book with some account of myself. So that, through reading a specimen or two of me on the footboard, she might form an idea of my merits there. I was aware that I couldn't do myself justice. A man can't write his eye (at least &lt;em&gt;I&lt;/em&gt; don't know how to), nor yet can a man write his voice, nor the rate of his talk, nor the quickness of his action, nor his general spicy way. But he can write his turns of speech, when he is a public speaker—and indeed I have heard that he very often does, before he speaks 'em.&lt;br /&gt;&lt;br /&gt;Well! Having formed that resolution, then come the question of a name. How did I hammer that hot iron into shape? This way. The most difficult explanation I had ever had with her was, how I come to be called Doctor, and yet was no Doctor. After all, I felt that I had failed of getting it correctly into her mind, with my utmost pains. But trusting to her improvement in the two years, I thought that I might trust to her understanding it when she should come to read it as put down by my own hand. Then I thought I would try a joke with her and watch how it took, by which of itself I might fully judge of her understanding it. We had first discovered the mistake we had dropped into, through her having asked me to prescribe for her when she had supposed me to be a Doctor in a medical point of view, so thinks I, "Now, if I give this book the name of my Prescriptions, and if she catches the idea that my only Prescriptions are for her amusement and interest—to make her laugh in a pleasant way, or to make her cry in a pleasant way—it will be a delightful proof to both of us that we have got over our difficulty. It fell out to absolute perfection. For when she saw the book, as I had it got up—the printed and pressed book—lying on her desk in her cart, and saw the title, DOCTOR MARIGOLD'S PRESCRIPTIONS, she looked at me for a moment with astonishment, then fluttered the leaves, then broke out a laughing in the charmingest way, then felt her pulse and shook her head, then turned the pages pretending to read them most attentive, then kissed the book to me, and put it to her bosom with both her hands. I never was better pleased in all my life!&lt;br /&gt;&lt;br /&gt;But let me not anticipate. (I take that expression out of a lot of romances I bought for her. I never opened a single one of 'em—and I have opened many—but I found the romancer saying "let me not anticipate." Which being so, I wonder why he did anticipate, or who asked him to it.) Let me not, I say, anticipate. This same book took up all my spare time. It was no play to get the other articles together in the general miscellaneous lot, but when it come to my own article! There! I couldn't have believed the blotting, nor yet the buckling to at it, nor the patience over it. Which again is like the footboard. The public have no idea.&lt;br /&gt;&lt;br /&gt;At last it was done, and the two years' time was gone after all the other time before it, and where it's all gone to, Who knows? The new cart was finished—yellow outside, relieved with wermillion and brass fittings—the old horse was put in it, a new 'un and a boy being laid on for the Cheap Jack cart—and I cleaned myself up to go and fetch her. Bright cold weather it was, cart-chimneys smoking, carts pitched private on a piece of waste ground over at Wandsworth where you may see 'em from the Sou' Western Railway when not upon the road. (Look out of the right-hand window going down.)&lt;br /&gt;&lt;br /&gt;"Marigold," says the gentleman, giving his hand hearty, "I am very glad to see you."&lt;br /&gt;&lt;br /&gt;"Yet I have my doubts, sir," says I, "if you can be half as glad to see me, as I am to see you."&lt;br /&gt;&lt;br /&gt;"The time has appeared so long; has it, Marigold?"&lt;br /&gt;&lt;br /&gt;"I won't say that, sir, considering its real length; but—"&lt;br /&gt;&lt;br /&gt;"What a start, my good fellow!"&lt;br /&gt;&lt;br /&gt;Ah! I should think it was! Grown such a woman, so pretty, so intelligent, so expressive! I knew then that she must be really like my child, or I could never have known her, standing quiet by the door.&lt;br /&gt;&lt;br /&gt;"You are affected," says the gentleman in a kindly manner.&lt;br /&gt;&lt;br /&gt;"I feel, sir," says I, "that I am but a rough chap in a sleeved waistcoat."&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;I&lt;/em&gt; feel," says the gentleman, "that it was you who raised her from misery and degradation, and brought her into communication with her kind. But why do we converse alone together, when we can converse so well with her? Address her in your own way."&lt;br /&gt;&lt;br /&gt;"I am such a rough chap in a sleeved waistcoat, sir," says I, "and she is such a graceful woman, and she stands so quiet at the door!"&lt;br /&gt;&lt;br /&gt;"Try if she moves at the old sign," says the gentleman.&lt;br /&gt;&lt;br /&gt;They had got it up together o' purpose to please me! For when I give her the old sign, she rushed to my feet, and dropped upon her knees, holding up her hands to me with pouring tears of love and joy; and when I took her hands and lifted her, she clasped me round the neck and lay there; and I don't know what a fool I didn't make of myself, until we all three settled down into talking without sound, as if there was a something soft and pleasant spread over the whole world for us.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Now I'll tell you what I am a going to do with you. I am a going to offer you the general miscellaneous lot, her own book, never read by anybody else but me, added to and completed by me after her first reading of it, eight-and-forty printed pages, six-and-ninety columns, Whiting's own work, Beaufort House to wit, thrown off by the steam-ingine, best of paper, beautiful green wrapper, folded like clean linen come home from the clear-starcher's, and so exquisitely stitched that, regarded as a piece of needlework alone it's better than the sampler of a seamstress undergoing a Competitive Examination for Starvation before the Civil Service Commissioners—and I offer the lot for what? For eight pound? Not so much. For six pound? Less. For four pound? Why, I hardly expect you to believe me, but that's the sum. Four pound! The stitching alone cost half as much again. Here's forty-eight original pages, ninety-six original columns, for four pound. You want more for the money? Take it. Three whole pages of advertisements of thrilling interest thrown in for nothing. Read 'em and believe 'em. More? My best of wishes for your merry Christmases and your happy New Years, your long lives and your true prosperities. Worth twenty pound good if they are delivered as I send them. Remember! Here's a final prescription added, "To be taken for life," which will tell you how the cart broke down, and where the journey ended. You think Four Pound too much? And still you think so? Come! I'll tell you what then. Say Four Pence, and keep the secret.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I have always noticed a prevalent want of courage, even among persons of superior intelligence and culture, as to imparting their own psychological experiences when those have been of a strange sort. Almost all men are afraid that what they could relate in such wise would find no parallel or response in a listener's internal life, and might be suspected or laughed at. A truthful traveller who should have seen some extraordinary creature in the likeness of a sea-serpent, would have no fear of mentioning it; but the same traveller having had some singular presentiment, impulse, vagary of thought, vision (so-called), dream, or other remarkable mental impression, would hesitate considerably before he would own to it. To this reticence I attribute much of the obscurity in which such subjects are involved. We do not habitually communicate our experiences of these subjective things, as we do our experiences of objective creation. The consequence is, that the general stock of experience in this regard appears exceptional, and really is so, in respect of being miserably imperfect.&lt;br /&gt;&lt;br /&gt;In what I am going to relate I have no intention of setting up, opposing, or supporting, any theory whatever. I know the history of the Bookseller of Berlin, I have studied the case of the wife of a late Astronomer Royal as related by Sir David Brewster, and I have followed the minutest details of a much more remarkable case of Spectral Illusion occurring within my private circle of friends. It may be necessary to state as to this last that the sufferer (a lady) was in no degree, however distant, related to me. A mistaken assumption on that head, might suggest an explanation of a part of my own case—but only a part—which would be wholly without foundation. It cannot be referred to my inheritance of any developed peculiarity, nor had I ever before any at all similar experience, nor have I ever had any at all similar experience since.&lt;br /&gt;&lt;br /&gt;It does not signify how many years ago, or how few, a certain Murder was committed in England, which attracted great attention. We hear more than enough of Murderers as they rise in succession to their atrocious eminence, and I would bury the memory of this particular brute, if I could, as his body was buried, in Newgate Jail. I purposely abstain from giving any direct clue to the criminal's individuality.&lt;br /&gt;&lt;br /&gt;When the murder was first discovered, no suspicion fell—or I ought rather to say, for I cannot be too precise in my facts, it was nowhere publicly hinted that any suspicion fell—on the man who was afterwards brought to trial. As no reference was at that time made to him in the newspapers, it is obviously impossible that any description of him can at that time have been given in the newspapers. It is essential that this fact be remembered.&lt;br /&gt;&lt;br /&gt;Unfolding at breakfast my morning paper, containing the account of that first discovery, I found it to be deeply interesting, and I read it with close attention. I read it twice, if not three times. The discovery had been made in a bedroom, and, when I laid down the paper, I was aware of a flash—rush—flow—I do not know what to call it—no word I can find is satisfactorily descriptive—in which I seemed to see that bedroom passing through my room, like a picture impossibly painted on a running river. Though almost instantaneous in its passing, it was perfectly clear; so clear that I distinctly, and with a sense of relief, observed the absence of the dead body from the bed.&lt;br /&gt;&lt;br /&gt;It was in no romantic place that I had this curious sensation, but in chambers in Piccadilly, very near to the corner of Saint James's-street. It was entirely new to me. I was in my easy-chair at the moment, and the sensation was accompanied with a peculiar shiver which started the chair from its position. (But it is to be noted that the chair ran easily on castors.) I went to one of the windows (there are two in the room, and the room is on the second floor) to refresh my eyes with the moving objects down in Piccadilly. It was a bright autumn morning, and the street was sparkling and cheerful. The wind was high. As I looked out, it brought down from the Park a quantity of fallen leaves, which a gust took, and whirled into a spiral pillar. As the pillar fell and the leaves dispersed, I saw two men on the opposite side of the way, going from West to East. They were one behind the other. The foremost man often looked back over his shoulder. The second man followed him, at a distance of some thirty paces, with his right hand menacingly raised. First, the singularity and steadiness of this threatening gesture in so public a thoroughfare, attracted my attention; and next, the more remarkable circumstance that nobody heeded it. Both men threaded their way among the other passengers, with a smoothness hardly consistent even with the action of walking on a pavement, and no single creature that I could see, gave them place, touched them, or looked after them. In passing before my windows, they both stared up at me. I saw their two faces very distinctly, and I knew that I could recognise them anywhere. Not that I had consciously noticed anything very remarkable in either face, except that the man who went first had an unusually lowering appearance, and that the face of the man who followed him was of the colour of impure wax.&lt;br /&gt;&lt;br /&gt;I am a bachelor, and my valet and his wife constitute my whole establishment. My occupation is in a certain Branch Bank, and I wish that my duties as head of a Department were as light as they are popularly supposed to be. They kept me in town that autumn, when I stood in need of change. I was not ill, but I was not well. My reader is to make the most that can be reasonably made of my feeling jaded, having a depressing sense upon me of a monotonous life, and being "slightly dyspeptic." I am assured by my renowned doctor that my real state of health at that time justifies no stronger description, and I quote his own from his written answer to my request for it.&lt;br /&gt;&lt;br /&gt;As the circumstances of the Murder, gradually unravelling, took stronger and stronger possession of the public mind, I kept them away from mine, by knowing as little about them as was possible in the midst of the universal excitement. But I knew that a verdict of Wilful Murder had been found against the suspected Murderer, and that he had been committed to Newgate for trial. I also knew that his trial had been postponed over one Sessions of the Central Criminal Court, on the ground of general prejudice and want of time for the preparation of the defence. I may further have known, but I believe I did not, when, or about when, the Sessions to which his trial stood postponed would come on.&lt;br /&gt;&lt;br /&gt;My sitting-room, bedroom, and dressing-room, are all on one floor. With the last, there is no communication but through the bedroom. True, there is a door in it, once communicating with the staircase; but a part of the fitting of my bath has been—and had then been for some years—fixed across it. At the same period, and as a part of the same arrangement, the door had been nailed up and canvased over.&lt;br /&gt;&lt;br /&gt;I was standing in my bedroom late one night, giving some directions to my servant before he went to bed. My face was towards the only available door of communication with the dressing-room, and it was closed. My servant's back was towards that door. While I was speaking to him I saw it open, and a man look in, who very earnestly and mysteriously beckoned to me. That man was the man who had gone second of the two along Piccadilly, and whose face was of the colour of impure wax.&lt;br /&gt;&lt;br /&gt;The figure, having beckoned, drew back and closed the door. With no longer pause than was made by my crossing the bedroom, I opened the dressing-room door, and looked in. I had a lighted candle already in my hand. I felt no inward expectation of seeing the figure in the dressing-room, and I did not see it there.&lt;br /&gt;&lt;br /&gt;Conscious that my servant stood amazed, I turned round to him, and said: "Derrick, could you believe that in my cool senses I fancied I saw a—" As I there laid my hand upon his breast, with a sudden start he trembled violently, and said, "O Lord yes, sir! A dead man beckoning!"&lt;br /&gt;&lt;br /&gt;Now, I do not believe that this John Derrick, my trusty and attached servant for more than twenty years, had any impression whatever of having seen any such figure, until I touched him. The change in him was so startling when I touched him, that I fully believe he derived his impression in some occult manner from me at that instant.&lt;br /&gt;&lt;br /&gt;I bade John Derrick bring some brandy, and I gave him a dram, and was glad to take one myself. Of what had preceded that night's phenomenon, I told him not a single word. Reflecting on it, I was absolutely certain that I had never seen that face before, except on the one occasion in Piccadilly. Comparing its expression when beckoning at the door, with its expression when it had stared up at me as I stood at my window, I came to the conclusion that on the first occasion it had sought to fasten itself upon my memory, and that on the second occasion it had made sure of being immediately remembered.&lt;br /&gt;&lt;br /&gt;I was not very comfortable that night, though I felt a certainty, difficult to explain, that the figure would not return. At daylight, I fell into a heavy sleep, from which I was awakened by John Derrick's coming to my bedside with a paper in his hand.&lt;br /&gt;&lt;br /&gt;This paper, it appeared, had been the subject of an altercation at the door between its bearer and my servant. It was a summons to me to serve upon a Jury at the forthcoming Sessions of the Central Criminal Court at the Old Bailey. I had never before been summoned on such a Jury, as John Derrick well knew. He believed—I am not certain at this hour whether with reason or otherwise—that that class of Jurors were customarily chosen on a lower qualification than mine, and he had at first refused to accept the summons. The man who served it had taken the matter very coolly. He had said that my attendance or non-attendance was nothing to him; there the summons was; and I should deal with it at my own peril, and not at his.&lt;br /&gt;&lt;br /&gt;For a day or two I was undecided whether to respond to this call, or take no notice of it. I was not conscious of the slightest mysterious bias, influence, or attraction, one way or other. Of that I am as strictly sure as of every other statement that I make here. Ultimately I decided, as a break in the monotony of my life, that I would go.&lt;br /&gt;&lt;br /&gt;The appointed morning was a raw morning in the month of November. There was a dense brown fog in Piccadilly, and it became positively black and in the last degree oppressive East of Temple Bar. I found the passages and staircases of the Court House flaringly lighted with gas, and the Court itself similarly illuminated. I &lt;em&gt;think&lt;/em&gt; that until I was conducted by officers into the Old Court and saw its crowded state, I did not know that the Murderer was to be tried that day. I&lt;em&gt; think&lt;/em&gt; that until I was so helped into the Old Court with considerable difficulty, I did not know into which of the two Courts sitting, my summons would take me. But this must not be received as a positive assertion, for I am not completely satisfied in my mind on either point.&lt;br /&gt;&lt;br /&gt;I took my seat in the place appropriated to Jurors in waiting, and I looked about the Court as well as I could through the cloud of fog and breath that was heavy in it. I noticed the black vapour hanging like a murky curtain outside the great windows, and I noticed the stifled sound of wheels on the straw or tan that was littered in the street; also, the hum of the people gathered there, which a shrill whistle, or a louder song or hail than the rest, occasionally pierced. Soon afterwards the Judges, two in number, entered and took their seats. The buzz in the Court was awfully hushed. The direction was given to put the Murderer to the bar. He appeared there. And in that same instant I recognised in him, the first of the two men who had gone down Piccadilly.&lt;br /&gt;&lt;br /&gt;If my name had been called then, I doubt if I could have answered to it audibly. But it was called about sixth or eighth in the panel, and I was by that time able to say "Here!" Now, observe. As I stepped into the box, the prisoner, who had been looking on attentively but with no sign of concern, became violently agitated, and beckoned to his attorney. The prisoner's wish to challenge me was so manifest, that it occasioned a pause, during which the attorney, with his hand upon the dock, whispered with his client, and shook his head. I afterwards had it from that gentleman, that the prisoner's first affrighted words to him were, &lt;em&gt;"At all hazards challenge that man!"&lt;/em&gt; But, that as he would give no reason for it, and admitted that he had not even known my name until he heard it called and I appeared, it was not done.&lt;br /&gt;&lt;br /&gt;Both on the ground already explained, that I wish to avoid reviving the unwholesome memory of that Murderer, and also because a detailed account of his long trial is by no means indispensable to my narrative, I shall confine myself closely to such incidents in the ten days and nights during which we, the Jury, were kept together, as directly bear on my own curious personal experience. It is in that, and not in the Murderer, that I seek to interest my reader. It is to that, and not to a page of the Newgate Calendar, that I beg attention.&lt;br /&gt;&lt;br /&gt;I was chosen Foreman of the Jury. On the second morning of the trial, after evidence had been taken for two hours (I heard the church clocks strike), happening to cast my eyes over my brother-jurymen, I found an inexplicable difficulty in counting them. I counted them several times, yet always with the same difficulty. In short, I made them one too many.&lt;br /&gt;&lt;br /&gt;I touched the brother-juryman whose place was next me, and I whispered to him, "Oblige me by counting us." He looked surprised by the request, but turned his head and counted. "Why," says he, suddenly, "we are Thirt—; but no, it's not possible. No. We are twelve."&lt;br /&gt;&lt;br /&gt;According to my counting that day, we were always right in detail, but in the gross we were always one too many. There was no appearance—no figure—to account for it; but I had now an inward foreshadowing of the figure that was surely coming.&lt;br /&gt;&lt;br /&gt;The Jury were housed at the London Tavern. We all slept in one large room on separate tables, and we were constantly in the charge and under the eye of the officer sworn to hold us in safe-keeping. I see no reason for suppressing the real name of that officer. He was intelligent, highly polite, and obliging, and (I was glad to hear) much respected in the City. He had an agreeable presence, good eyes, enviable black whiskers, and a fine sonorous voice. His name was Mr. Harker.&lt;br /&gt;&lt;br /&gt;When we turned into our twelve beds at night, Mr. Harker's bed was drawn across the door. On the night of the second day, not being disposed to lie down, and seeing Mr. Harker sitting on his bed, I went and sat beside him, and offered him a pinch of snuff. As Mr. Harker's hand touched mine in taking it from my box, a peculiar shiver crossed him, and he said: "Who is this!"&lt;br /&gt;&lt;br /&gt;Following Mr. Harker's eyes and looking along the room, I saw again the figure I expected—the second of the two men who had gone down Piccadilly. I rose, and advanced a few steps; then stopped, and looked round at Mr. Harker. He was quite unconcerned, laughed, and said in a pleasant way, "I thought for a moment we had a thirteenth juryman, without a bed. But I see it is the moonlight."&lt;br /&gt;&lt;br /&gt;Making no revelation to Mr. Harker, but inviting him to take a walk with me to the end of the room, I watched what the figure did. It stood for a few moments by the bedside of each of my eleven brother-jurymen, close to the pillow. It always went to the right-hand side of the bed, and always passed out crossing the foot of the next bed. It seemed from the action of the head, merely to look down pensively at each recumbent figure. It took no notice of me, or of my bed, which was that nearest to Mr. Harker's. It seemed to go out where the moonlight came in, through a high window, as by an aërial flight of stairs.&lt;br /&gt;&lt;br /&gt;Next morning at breakfast, it appeared that everybody present had dreamed of the murdered man last night, except myself and Mr. Harker.&lt;br /&gt;&lt;br /&gt;I now felt as convinced that the second man who had gone down Piccadilly was the murdered man (so to speak), as if it had been borne into my comprehension by his immediate testimony. But even this took place, and in a manner for which I was not at all prepared.&lt;br /&gt;&lt;br /&gt;On the fifth day of the trial, when the case for the prosecution was drawing to a close, a miniature of the murdered man, missing from his bedroom upon the discovery of the deed, and afterwards found in a hiding-place where the Murderer had been seen digging, was put in evidence. Having been identified by the witness under examination, it was handed up to the Bench, and thence handed down to be inspected by the Jury. As an officer in a black gown was making his way with it across to me, the figure of the second man who had gone down Piccadilly, impetuously started from the crowd, caught the miniature from the officer, and gave it to me with its own hands, at the same time saying in a low and hollow tone—before I saw the miniature, which was in a locket—&lt;em&gt;"I was younger then, &lt;/em&gt;&lt;em&gt;and my face was not then drained of blood."&lt;/em&gt; It also came between me and the brother juryman to whom I would have given the miniature, and between him and the brother juryman to whom he would have given it, and so passed it on through the whole of our number, and back into my possession. Not one of them, however, detected this.&lt;br /&gt;&lt;br /&gt;At table, and generally when we were shut up together in Mr. Harker's custody, we had from the first naturally discussed the day's proceedings a good deal. On that fifth day, the case for the prosecution being closed, and we having that side of the question in a completed shape before us, our discussion was more animated and serious. Among our number was a vestryman—the densest idiot I have ever seen at large—who met the plainest evidence with the most preposterous objections, and who was sided with by two flabby parochial parasites; all the three empanelled from a district so delivered over to Fever that they ought to have been upon their own trial, for five hundred Murders. When these mischievous blockheads were at their loudest, which was towards midnight while some of us were already preparing for bed, I again saw the murdered man. He stood grimly behind them, beckoning to me. On my going towards them and striking into the conversation, he immediately retired. This was the beginning of a separate series of appearances, confined to that long room in which we were confined. Whenever a knot of my brother jurymen laid their heads together, I saw the head of the murdered man among theirs. Whenever their comparison of notes was going against him, he would solemnly and irresistibly beckon to me.&lt;br /&gt;&lt;br /&gt;It will be borne in mind that down to the production of the miniature on the fifth day of the trial, I had never seen the Appearance in Court. Three changes occurred, now that we entered on the case for the defence. Two of them I will mention together, first. The figure was now in Court continually, and it never there addressed itself to me, but always to the person who was speaking at the time. For instance. The throat of the murdered man had been cut straight across. In the opening speech, for the defence, it was suggested that the deceased might have cut his own throat. At that very moment, the figure with its throat in the dreadful condition referred to (this it had concealed before) stood at the speaker's elbow, motioning across and across its windpipe, now with the right hand, now with the left, vigorously suggesting to the speaker himself, the impossibility of such a wound having been self-inflicted by either hand. For another instance. A witness to character, a woman, deposed to the prisoner's being the most amiable of mankind. The figure at that instant stood on the floor before her, looking her full in the face, and pointing out the prisoner's evil countenance with an extended arm and an outstretched finger.&lt;br /&gt;&lt;br /&gt;The third change now to be added, impressed me strongly, as the most marked and striking of all. I do not theorise upon it; I accurately state it, and there leave it. Although the Appearance was not itself perceived by those whom it addressed, its coming close to such persons was invariably attended by some trepidation or disturbance on their part. It seemed to me as if it were prevented by laws to which I was not amenable, from fully revealing itself to others, and yet as if it could, invisibly, dumbly and darkly, overshadow their minds. When the leading counsel for the defence suggested that hypothesis of suicide and the figure stood at the learned gentleman's elbow, frightfully sawing at its severed throat, it is undeniable that the counsel faltered in his speech, lost for a few seconds the thread of his ingenious discourse, wiped his forehead with his handkerchief, and turned extremely pale. When the witness to character was confronted by the Appearance, her eyes most certainly did follow the direction of its pointed finger, and rest in great hesitation and trouble upon the prisoner's face. Two additional illustrations will suffice. On the eighth day of the trial, after the pause which was every day made early in the afternoon for a few minutes' rest and refreshment, I came back into Court with the rest of the Jury, some little time before the return of the Judges. Standing up in the box and looking about me, I thought the figure was not there, until, chancing to raise my eyes to the gallery, I saw it bending forward and leaning over a very decent woman, as if to assure itself whether the Judges had resumed their seats or not. Immediately afterwards, that woman screamed, fainted, and was carried out. So with the venerable, sagacious, and patient Judge who conducted the trial. When the case was over, and he settled himself and his papers to sum up, the murdered man entering by the Judges' door, advanced to his Lordship's desk, and looked eagerly over his shoulder at the pages of his notes which he was turning. A change came over his Lordship's face; his hand stopped; the peculiar shiver that I knew so well, passed over him; he faltered, "Excuse me, gentlemen, for a few moments. I am somewhat oppressed by the vitiated air;" and did not recover until he had drunk a glass of water.&lt;br /&gt;&lt;br /&gt;Through all the monotony of six of those interminable ten days—the same Judges and others on the bench, the same Murderer in the dock, the&lt;br /&gt;same lawyers at the table, the same tones of question and answer rising to the roof of the court, the same scratching of the Judge's pen, the same ushers going in and out, the same lights kindled at the same hour when there had been any natural light of day, the same foggy curtain outside the great windows when it was foggy, the same rain pattering and dripping when it was rainy, the same footmarks of turnkeys and prisoner day after day on the same sawdust, the same keys locking and unlocking the same heavy doors—through all the wearisome monotony which made me feel as if I had been Foreman of the Jury for a vast period of time, and Piccadilly had flourished coevally with Babylon, the murdered man never lost one trace of his distinctness in my eyes, nor was he at any moment less distinct than anybody else. I must not omit, as a matter of fact, that I never once saw the Appearance which I call by the name of the murdered man, look at the Murderer. Again and again I wondered, "Why does he not?" But he never did.&lt;br /&gt;&lt;br /&gt;Nor did he look at me, after the production of the miniature, until the last closing minutes of the trial arrived. We retired to consider, at seven minutes before ten at night. The idiotic vestryman and his two parochial parasites gave us so much trouble, that we twice returned into Court, to beg to have certain extracts from the Judge's notes re-read. Nine of us had not the smallest doubt about those passages, neither, I believe, had any one in Court; the dunderheaded triumvirate however, having no idea but obstruction, disputed them for that very reason. At length we prevailed, and finally the Jury returned into Court at ten minutes past twelve.&lt;br /&gt;&lt;br /&gt;The murdered man at that time stood directly opposite the Jury-box, on the other side of the Court. As I took my place, his eyes rested on me, with great attention; he seemed satisfied, and slowly shook a great grey veil, which he carried on his arm for the first time, over his head and whole form. As I gave in our verdict "Guilty," the veil collapsed, all was gone, and his place was empty.&lt;br /&gt;&lt;br /&gt;The Murderer being asked by the Judge, according to usage, whether he had anything to say before sentence of Death should be passed upon him, indistinctly muttered something which was described in the leading newspapers of the following day as "a few rambling, incoherent, and half-audible words, in which he was understood to complain that he had not had a fair trial, because the Foreman of the Jury was prepossessed against him." The remarkable declaration that he really made, was this: &lt;em&gt;"My Lord, I knew I was a doomed man when the Foreman of my Jury came into the box. My Lord, I knew he would never let me off, because, before I was taken, he somehow got to my bedside in the night, woke me, and put a rope round my neck."&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sophy read through the whole of the foregoing several times over, and I sat in my seat in the Library Cart (that's the name we give it) seeing her read, and I was as pleased and as proud as a Pug-Dog with his muzzle black-leaded for an evening party and his tail extra curled by machinery. Every item of my plan was crowned with success. Our reunited life was more than all that we had looked forward to. Content and joy went with us as the wheels of the two carts went round, and the same stopped with us when the two carts stopped.&lt;br /&gt;&lt;br /&gt;But I had left something out of my calculations. Now, what had I left out? To help you to a guess, I'll say, a figure. Come. Make a guess, and guess right. Nought? No. Nine? No. Eight? No. Seven? No. Six? No. Five? No. Four? No. Three? No. Two? No. One? No. Now I'll tell you what I'll do with you. I'll say it's another sort of figure altogether. There. Why then, says you, it's a mortal figure. No nor yet a mortal figure. By such means you get yourself penned into a corner, and you can't help guessing a immortal figure. That's about it. Why didn't you say so sooner?&lt;br /&gt;&lt;br /&gt;Yes. It was a immortal figure that I had altogether left out of my calculations. Neither man's nor woman's, but a child's. Girl's, or boy's? Boy's. "I says the sparrow, with my bow and arrow." Now you have got it.&lt;br /&gt;&lt;br /&gt;We were down at Lancaster, and I had done two nights' more than fair average business (though I cannot in honour recommend them as a quick audience) in the open square there, near the end of the street where Mr. Sly's King's Arms and Royal Hotel stands. Mim's travelling giant otherwise Pickleson happened at the self-same time to be a trying it on in the town. The genteel lay was adopted with him. No hint of a van. Green baize alcove leading up to Pickleson in a Auction Room. Printed poster "Free list suspended, with the exception of that proud boast of an enlightened country, a free press. Schools admitted by private arrangement. Nothing to raise a blush in the cheek of youth or shock the most fastidious." Mim swearing most horrible and terrific in a pink calico pay-place, at the slackness of the public. Serious hand-bill in the shops, importing that it was all but impossible to come to a right understanding of the history of David, without seeing Pickleson.&lt;br /&gt;&lt;br /&gt;I went to the Auction Room in question, and I found it entirely empty of everything but echoes and mouldiness, with the single exception of Pickleson on a piece of red drugget. This suited my purpose, as I wanted a private and confidential word with him, which was: "Pickleson. Owing much happiness to you, I put you in my will for a fypunnote; but, to save trouble here's fourpunten down, which may equally suit your views, and let us so conclude the transaction." Pickleson, who up to that remark had had the dejected appearance of a long Roman rushlight that couldn't anyhow get lighted, brightened up at his top extremity and made his acknowledgments in a way which (for him) was parliamentary eloquence. He likewise did add, that, having ceased to draw as a Roman, Mim had made proposals for his going in as a conwerted Indian Giant worked upon by The Dairyman's Daughter. This, Pickleson, having no acquaintance with the tract named after that young woman, and not being willing to couple gag with his serious views, had declined to do, thereby leading to words and the total stoppage of the unfortunate young man's beer. All of which, during the whole of the interview, was confirmed by the ferocious growling of Mim down below in the pay-place, which shook the giant like a leaf.&lt;br /&gt;&lt;br /&gt;But what was to the present point in the remarks of the travelling giant otherwise Pickleson, was this: "Doctor Marigold"—I give his words without a hope of conweying their feebleness—"who is the strange young man that hangs about your carts?"—"The strange young &lt;em&gt;man?"&lt;/em&gt; I gives him back, thinking that he meant her, and his languid circulation had dropped a syllable. "Doctor," he returns, with a pathos calculated to draw a tear from even a manly eye, "I am weak, but not so weak yet as that I don't know my words. I repeat them, Doctor. The strange young man." It then appeared that Pickleson being forced to stretch his legs (not that they wanted it) only at times when he couldn't be seen for nothing, to wit in the dead of the night and towards daybreak, had twice seen hanging about my carts, in that same town of Lancaster where I had been only two nights, this same unknown young man.&lt;br /&gt;&lt;br /&gt;It put me rather out of sorts. What it meant as to particulars I no more foreboded then, than you forebode now, but it put me rather out of sorts. Howsoever, I made light of it to Pickleson, and I took leave of Pickleson advising him to spend his legacy in getting up his stamina, and to continue to stand by his religion. Towards morning I kept a look-out for the strange young man, and what was more—I saw the strange young man. He was well dressed and well looking. He loitered very nigh my carts, watching them like as if he was taking care of them, and soon after daybreak turned and went away. I sent a hail after him, but he never started or looked round, or took the smallest notice.&lt;br /&gt;&lt;br /&gt;We left Lancaster within an hour or two, on our way towards Carlisle. Next morning at daybreak, I looked out again for the strange young man. I did not see him. But next morning I looked out again, and there he was once more. I sent another hail after him, but as before he gave not the slightest sign of being anyways disturbed. This put a thought into my head. Acting on it, I watched him in different manners and at different times not necessary to enter into, till I found that this strange young man was deaf and dumb.&lt;br /&gt;&lt;br /&gt;The discovery turned me over, because I knew that a part of that establishment where she had been, was allotted to young men (some of them well off), and I thought to myself "If she favours him, where am I, and where is all that I have worked and planned for?" Hoping—I must confess to the selfishness—that she might not favour him. I set myself to find out. At last I was by accident present at a meeting between them in the open air, looking on leaning behind a fir-tree without their knowing of it. It was a moving meeting for all the three parties concerned. I knew every syllable that passed between them, as well as they did. I listened with my eyes, which had come to be as quick and true with deaf and dumb conversation, as my ears with the talk of people that can speak. He was a going out to China as clerk in a merchant's house, which his father had been before him. He was in circumstances to keep a wife, and he wanted her to marry him and go along with him. She persisted, no. He asked if she didn't love him? Yes, she loved him dearly, dearly, but she could never disappoint her beloved good noble generous and I don't-know-what-all father (meaning me, the Cheap Jack in the sleeved waistcoat), and she would stay with him, Heaven bless him, though it was to break her heart! Then she cried most bitterly, and that made up my mind.&lt;br /&gt;&lt;br /&gt;While my mind had been in an unsettled state about her favouring this young man, I had felt that unreasonable towards Pickleson, that it was well for him he had got his legacy down. For I often thought "If it hadn't been for this same weak-minded giant, I might never have come to trouble my head and wex my soul about the young man." But, once that I knew she loved him—once that I had seen her weep for him—it was a different thing. I made it right in my mind with Pickleson on the spot, and I shook myself together to do what was right by all.&lt;br /&gt;&lt;br /&gt;She had left the young man by that time (for it took a few minutes to get me thoroughly well shook together), and the young man was leaning against another of the fir-trees—of which there was a cluster—with his face upon his arm. I touched him on the back. Looking up and seeing me, he says, in our deaf and dumb talk: "Do not be angry."&lt;br /&gt;&lt;br /&gt;"I am not angry, good boy. I am your friend. Come with me."&lt;br /&gt;&lt;br /&gt;I left him at the foot of the steps of the Library Cart, and I went up alone. She was drying her eyes.&lt;br /&gt;&lt;br /&gt;"You have been crying, my dear."&lt;br /&gt;&lt;br /&gt;"Yes, father."&lt;br /&gt;&lt;br /&gt;"Why?"&lt;br /&gt;&lt;br /&gt;"A head-ache."&lt;br /&gt;&lt;br /&gt;"Not a heart-ache?"&lt;br /&gt;&lt;br /&gt;"I said a head-ache, father."&lt;br /&gt;&lt;br /&gt;"Doctor Marigold must prescribe for that head-ache."&lt;br /&gt;&lt;br /&gt;She took up the book of my Prescriptions, and held it up with a forced smile; but seeing me keep still and look earnest, she softly laid it down again, and her eyes were very attentive.&lt;br /&gt;&lt;br /&gt;"The Prescription is not there, Sophy."&lt;br /&gt;&lt;br /&gt;"Where is it?"&lt;br /&gt;&lt;br /&gt;"Here, my dear."&lt;br /&gt;&lt;br /&gt;I brought her young husband in, and I put her hand in his, and my only further words to both of them were these: "Doctor Marigold's last prescription. To be taken for life." After which I bolted.&lt;br /&gt;&lt;br /&gt;When the wedding come off, I mounted a coat (blue, and bright buttons), for the first and last time in all my days, and I give Sophy away with my own hand. There were only us three and the gentleman who had had charge of her for those two years. I give the wedding dinner of four in the Library Cart. Pigeon pie, a leg of pickled pork, a pair of fowls, and suitable garden-stuff. The best of drinks. I give them a speech, and the gentlemen give us a speech, and all our jokes told, and the whole went off like a sky-rocket. In the course of the entertainment I explained to Sophy that I should keep the Library Cart as my living-cart when not upon the road, and that I should keep all her books for her just as they stood, till she come back to claim them. So she went to China with her young husband, and it was a parting sorrowful and heavy, and I got the boy I had another service, and so as of old when my child and wife were gone, I went plodding along alone, with my whip over my shoulder, at the old horse's head.&lt;br /&gt;&lt;br /&gt;Sophy wrote me many letters, and I wrote her many letters. About the end of the first year she sent me one in an unsteady hand: "Dearest father, not a week ago I had a darling little daughter, but I am so well that they let me write these words to you. Dearest and best father, I hope my child may not be deaf and dumb, but I do not yet know." When I wrote back, I hinted the question; but as Sophy never answered that question, I felt it to be a sad one, and I never repeated it. For a long time our letters were regular, but then they got irregular through Sophy's husband being moved to another station, and through my being always on the move. But we were in one another's thoughts, I was equally sure, letters or no letters.&lt;br /&gt;&lt;br /&gt;Five years, odd months, had gone since Sophy went away. I was still the King of the Cheap Jacks, and at a greater heighth of popularity than ever. I had had a first-rate autumn of it, and on the twenty-third of December, one thousand eight hundred and sixty-four, I found myself at Uxbridge, Middlesex, clean sold out. So I jogged up to London with the old horse, light and easy, to have my Christmas-Eve and Christmas Day alone by the fire in the Library Cart, and then to buy a regular new stock of goods all round, to sell 'em again and get the money.&lt;br /&gt;&lt;br /&gt;I am a neat hand at cookery, and I'll tell you what I knocked up for my Christmas-Eve dinner in the Library Cart. I knocked up a beefsteak pudding for one, with two kidneys, a dozen oysters, and a couple of mushrooms, thrown in. It's a pudding to put a man in good humour with everything, except the two bottom buttons of his waistcoat. Having relished that pudding and cleared away, I turned the lamp low, and sat down by the light of the fire, watching it as it shone upon the backs of Sophy's books.&lt;br /&gt;&lt;br /&gt;Sophy's books so brought up Sophy's self, that I saw her touching face quite plainly, before I dropped off dozing by the fire. This may be a reason why Sophy, with her deaf and dumb child in her arms, seemed to stand silent by me all through my nap. I was on the road, off the road, in all sorts of places, North and South and West and East, Winds liked best and winds liked least, Here and there and gone astray, Over the hills and far away, and still she stood silent by me, with her silent child in her arms. Even when I woke with a start, she seemed to vanish, as if she had stood by me in that very place only a single instant before.&lt;br /&gt;&lt;br /&gt;I had started at a real sound, and the sound was on the steps of the cart. It was the light hurried tread of a child, coming clambering up. That tread of a child had once been so familiar to me, that for half a moment I believed I was a going to see a little ghost.&lt;br /&gt;&lt;br /&gt;But the touch of a real child was laid upon the outer handle of the door, and the handle turned and the door opened a little way, and a real child peeped in. A bright little comely girl with large dark eyes.&lt;br /&gt;&lt;br /&gt;Looking full at me, the tiny creature took off her mite of a straw hat, and a quantity of dark curls fell all about her face. Then she opened her lips, and said in a pretty voice:&lt;br /&gt;&lt;br /&gt;"Grandfather!"&lt;br /&gt;&lt;br /&gt;"Ah my God!" I cries out. "She can speak!"&lt;br /&gt;&lt;br /&gt;"Yes, dear grandfather. And I am to ask you whether there was ever any one that I remind you of?"&lt;br /&gt;&lt;br /&gt;In a moment Sophy was round my neck as well as the child, and her husband was a wringing my hand with his face hid, and we all had to shake ourselves together before we could get over it. And when we did begin to get over it, and I saw the pretty child a talking, pleased and quick and eager and busy, to her mother, in the signs that I had first taught her mother, the happy and yet pitying tears fell rolling down my face.</text>
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                  <text>Lydia Craig</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>Ah! It's pleasant to drop into my own easy-chair my dear though a little palpitating what with trotting up-stairs and what with trotting down, and why kitchen-stairs should all be corner stairs is for the builders to justify though I do not think they fully understand their trade and never did, else why the sameness and why not more conveniences and fewer draughts and likewise making a practice of laying the plaster on too thick I am well convinced which holds the damp, and as to chimney-pots putting them on by guess-work like hats at a party and no more knowing what their effect will be upon the smoke bless you than I do if so much, except that it will mostly be either to send it down your throat in a straight form or give it a twist before it goes there. And what I says speaking as I find of those new metal chimneys all manner of shapes (there's a row of 'em at Miss Wozenham's lodging-house lower down on the other side of the way) is that they only work your smoke into artificial patterns for you before you swallow it and that I'd quite as soon swallow mine plain, the flavour being the same, not to mention the conceit of putting up signs on the top of your house to show the forms in which you take your smoke into your inside. Being here before your eyes my dear in my own easy-chair in my own quiet room in my own Lodging House Number Eighty-one Norfolk-street Strand London situated midway between the City and St. James's—if anything is where it used to be with these hotels calling themselves Limited but called Unlimited by Major Jackman rising up everywhere and rising up into flagstaffs where they can't go any higher, but my mind of those monsters is give me a landlord's or landlady's wholesome face when I come off a journey and not a brass plate with an electrified number clicking out of it which it's not in nature can be glad to see me and to which I don't want to be hoisted like molasses at the Docks and left there telegraphing for help with the most ingenious instruments but quite in vain—being here my dear I have no call to mention that I am still in the Lodgings as a business hoping to die in the same and if agreeable to the clergy partly read over at Saint Clement's Danes and concluded in Hatfield churchyard when lying once again by my poor Lirriper ashes to ashes and dust to dust. Neither should I tell you any news my dear in telling you that the Major is still a fixture in the Parlours quite as much so as the roof of the house, and that Jemmy is of boys the best and brightest and has ever had kept from him the cruel story of his poor pretty young mother Mrs. Edson being deserted in the second floor and dying in my arms, fully believing that I am his born Gran and him an orphan, though what with engineering since he took a taste for it and him and the Major making Locomotives out of parasols broken iron pots and cotton-reels and them absolutely a getting off the line and falling over the table and injuring the passengers almost equal to the originals it really is quite wonderful. And when I says to the Major, "Major can't you by any means give us a communication with the guard?" the Major says quite huffy, "No madam it's not to be done," and when I says " Why not?" the Major says, "That is between us who are in the Railway Interest madam and our friend the Right Honourable Vice-President of the Board of Trade" and if you'll believe me my dear the Major wrote to Jemmy at school to consult him on the answer I should have before I could get even that amount of unsatisfactoriness out of the man, the reason being that when we first began with the little model and the working signals beautiful and perfect (being in general as wrong as the real) and when I says laughing "What appointment am I to hold in this undertaking gentlemen?" Jemmy hugs me round the neck and tells me dancing, "You shall be the Public Gran" and consequently they put upon me just as much as ever they like and I sit a growling in my easy-chair. My dear whether it is that a grown man as clever as the Major cannot give half his heart and mind to anything—even a plaything—but must get into right down earnest with it, whether it is so or whether it is not so I do not undertake to say, but Jemmy is far outdone by the serious and believing ways of the Major in the management of the United Grand Junction Lirriper and Jackman Great Norfolk Parlour Line, "For" says my Jemmy with the sparkling eyes when it was christened, "we must have a whole mouthful of name Gran or our dear old Public" and there the young rogue kissed me, "won't stump up." So the Public took the shares—ten at ninepence, and immediately when that was spent twelve Preference at one-and-sixpence—and they were all signed by Jemmy and countersigned by the Major, and between ourselves much better worth the money than some shares I have paid for in my time. In the same holidays the line was made and worked and opened and ran excursions and had collisions and burst its boilers and all sorts of accidents and offences all most regular correct and pretty. The sense of responsibility entertained by the Major as a military style of station-master my dear starting the down train behind time and ringing one of those little bells that you buy with the little coal-scuttles off the tray round the man's neck in the street did him honour, but noticing the Major of a night when he is writing out his monthly report to Jemmy at school of the state of the Rolling Stock and the Permanent Way and all the rest of it (the whole kept upon the Major's sideboard and dusted with his own hands every morning before varnishing his boots) I notice him as full of thought and care as full can be and frowning in a fearful manner, but indeed the Major does nothing by halves as witness his great delight in going out surveying with Jemmy when he has Jemmy to go with, carrying a chain and a measuring tape and driving I don't know what improvements right through Westminster Abbey and fully believed in the streets to be knocking everything upside down by Act of Parliament. As please Heaven will come to pass when Jemmy takes to that as a profession! Mentioning my poor Lirriper brings into my head his own youngest brother the Doctor though Doctor of what I am sure it would be hard to say unless Liquor, for neither Physic nor Music nor yet Law does Joshua Lirriper know a morsel of except continually being summoned to the County Court and having orders made upon him which he runs away from, and once was taken in the passage of this very house with an umbrella up and the Major's hat on, giving his name with the door-mat round him as Sir Johnson Jones K.C.B. in spectacles residing at the Horse Guards. On which occasion he had got into the house not a minute before, through the girl letting him on to the mat when he sent in a piece of paper twisted more like one of those spills for lighting candles than a note, offering me the choice between thirty shillings in hand and his brains on the premises marked immediate and waiting for an answer. My dear it gave me such a dreadful turn to think of the brains of my poor dear Lirriper's own flesh and blood flying about the new oilcloth however unworthy to be so assisted, that I went out of my room here to ask him what he would take once for all not to do it for life when I found him in the custody of two gentlemen that I should have judged to be in the feather-bed trade if they had not announced the law, so fluffy were their personal appearance. "Bring your chains sir," says Joshua to the littlest of the two in the biggest hat, "rivet on my fetters!" Imagine my feelings when I pictered him clanking up Norfolk-street in irons and Miss Wozenham looking out of window! "Gentlemen" I says all of a tremble and ready to drop "please to bring him into Major Jackman's apartments." So they brought him into the Parlours, and when the Major spies his own curly-brimmed hat on him which Joshua Lirriper had whipped off its peg in the passage for a military disguise he goes into such a tearing passion that he tips it off his head with his hand and kicks it up to the ceiling with his foot where it grazed long afterwards. "Major" I says "be cool and advise me what to do with Joshua my dead and gone Lirriper's own youngest brother." "Madam" says the Major "my advice is that you board and lodge him in a Powder Mill, with a handsome gratuity to the proprietor when exploded." "Major" I says "as a Christian you cannot mean your words." "Madam" says the Major "by the Lord I do!" and indeed the Major besides being with all his merits a very passionate man for his size had a bad opinion of Joshua on account of former troubles even unattended by liberties taken with his apparel. When Joshua Lirriper hears this conversation betwixt us he turns upon the littlest one with the biggest hat and says "Come sir! Remove me to my vile dungeon. Where is my mouldy straw!" My dear at the picter of him rising in my mind dressed almost entirely in padlocks like Baron Trenck in Jemmy's book I was so overcome that I burst into tears and I says to the Major, "Major take my keys and settle with these gentlemen or I shall never know a happy minute more," which was done several times both before and since, but still I must remember that Joshua Lirriper has his good feelings and shows them in being always so troubled in his mind when he cannot wear mourning for his brother. Many a long year have I left off my widow's mourning not being wishful to intrude, but the tender point in Joshua that I cannot help a little yielding to is when he writes "One single sovereign would enable me to wear a decent suit of mourning for my much-loved brother. I vowed at the time of his lamented death that I would ever wear sables in memory of him but Alas how short-sighted is man, How keep that vow when penniless!" It says a good deal for the strength of his feelings that he couldn't have been seven year old when my poor Lirriper died and to have kept to it ever since is highly creditable. But we know there's good in all of us—if we only knew where it was in some of us—and though it was far from delicate in Joshua to work upon the dear child's feelings when first sent to school and write down into Lincolnshire for his pocket-money by return of post and got it, still he is my poor Lirriper's own youngest brother and mightn't have meant not paying his bill at the Salisbury Arms when his affection took him down to stay a fortnight at Hatfield churchyard and might have meant to keep sober but for bad company. Consequently if the Major had played on him with the garden-engine which he got privately into his room without my knowing of it, I think that much as I should have regretted it there would have been words betwixt the Major and me. Therefore my dear though he played on Mr. Buffle by mistake being hot in his head, and though it might have been misrepresented down at Wozenham's into not being ready for Mr. Buffle in other respects he being the Assessed Taxes, still I do not so much regret it as perhaps I ought. And whether Joshua Lirriper will yet do well in life I cannot say, but I did hear of his coming out at a Private Theatre in the character of a Bandit without receiving any offers afterwards from the regular managers. Mentioning Mr. Buffle gives an instance of there being good in persons where good is not expected, for it cannot be denied that Mr. Buffle's manners when engaged in his business were not agreeable. To collect is one thing and to look about as if suspicious of the goods being gradually removing in the dead of the night by a back door is another, over taxing you have no control but suspecting is voluntary. Allowances too must ever be made for a gentleman of the Major's warmth not relishing being spoke to with a pen in the mouth, and while I do not know that it is more irritable to my own feelings to have a low-crowned hat with a broad brim kept on in-doors than any other hat still I can appreciate the Major's, besides which without bearing malice or vengeance the Major is a man that scores up arrears as his habit always was with Joshua Lirriper. So at last my dear the Major lay in wait for Mr. Buffle and it worrited me a good deal. Mr. Buffle gives his rap of two sharp knocks one day and the Major bounces to the door. "Collector has called for two quarters' Assessed Taxes" says Mr. Buffle. "They are ready for him" says the Major and brings him in here. But on the way Mr. Buffle looks about him in his usual suspicious manner and the Major fires and asks him "Do you see a Ghost sir?" "No sir" says Mr. Buffle. "Because I have before noticed you" says the Major "apparently looking for a spectre very hard beneath the roof of my respected friend. When you find that supernatural agent, be so good as point him out sir." Mr. Buffle stares at the Major and then nods at me. "Mrs. Lirriper sir" says the Major going off into a perfect steam and introducing me with his hand. "Pleasure of knowing her" says Mr. Buffle. "A—hum—Jemmy Jackman sir!" says the Major introducing himself. "Honour of knowing you by sight" says Mr. Buffle. "Jemmy Jackman sir" says the Major wagging his head sideways in a sort of an obstinate fury "presents to you his esteemed friend that lady Mrs. Emma Lirriper of Eighty-one Norfolk-street Strand London in the County of Middlesex in the United Kingdom of Great Britain and Ireland. Upon which occasion sir," says the Major, "Jemmy Jackman takes your hat off." Mr. Buffle looks at his hat where the Major drops it on the floor, and he picks it up and puts it on again. "Sir" says the Major very red and looking him full in the face "there are two quarters of the Gallantry Taxes due and the Collector has called." Upon which if you can believe my words my dear the Major drops Mr. Buffle's hat off again. "This—" Mr. Buffle begins very angry with his pen in his mouth, when the Major steaming more and more says "Take your bit out sir! Or by the whole infernal system of Taxation of this country and every individual figure in the National Debt, I'll get upon your back and ride you like a horse!" which it's my belief he would have done and even actually jerking his neat little legs ready for a spring as it was. "This" says Mr. Buffle without his pen "is an assault and I'll have the law of you." "Sir" replies the Major "if you are a man of honour, your Collector of whatever may be due on the Honourable Assessment by applying to Major Jackman at The Parlours Mrs. Lirriper's Lodgings, may obtain what he wants in full at any moment." When the Major glared at Mr. Buffle with those meaning words my dear I literally gasped for a teaspoonful of sal volatile in a wine-glass of water, and I says "Pray let it go no further gentlemen I beg and beseech of you!" But the Major could be got to do nothing else but snort long after Mr. Buffle was gone, and the effect it had upon my whole mass of blood when on the next day of Mr. Buffle's rounds the Major spruced himself up and went humming a tune up and down the street with one eye almost obliterated by his hat there are not expressions in Johnson's Dictionary to state. But I safely put the street door on the jar and got behind the Major's blinds with my shawl on and my mind made up the moment I saw danger to rush out screeching till my voice failed me and catch the Major round the neck till my strength went and have all parties bound. I had not been behind the blinds a quarter of an hour when I saw Mr. Buffle approaching with his Collecting-books in his hand. The Major likewise saw him approaching and hummed louder and himself approached. They met before the Airy railings. The Major takes off his hat at arm's length and says "Mr. Buffle I believe?" Mr. Buffle takes off his hat at arm's length and says "That is my name sir." Says the Major "Have you any commands for me, Mr. Buffle?" Says Mr. Buffle "Not any sir." Then my dear both of 'em bowed very low and haughty and parted, and whenever Mr. Buffle made his rounds in future him and the Major always met and bowed before the Airy railings, putting me much in mind of Hamlet and the other gentleman in mourning before killing one another, though I could have wished the other gentleman had done it fairer and even if less polite no poison. Mr. Buffle's family were not liked in this neighbourhood, for when you are a householder my dear you'll find it does not come by nature to like the Assessed, and it was considered besides that a one-horse pheayton ought not to have elevated Mrs. Buffle to that heighth especially when purloined from the Taxes which I myself did consider uncharitable. But they were not liked and there was that domestic unhappiness in the family in consequence of their both being very hard with Miss Buffle and one another on account of Miss Buffle's favouring Mr. Buffle's articled young gentleman, that it was whispered that Miss Buffle would go either into a consumption or a convent she being so very thin and off her appetite and two close-shaved gentlemen with white bands round their necks peeping round the corner whenever she went out in waistcoats resembling black pinafores. So things stood towards Mr. Buffle when one night I was woke by a frightful noise and a smell of burning, and going to my bed-room window saw the whole street in a glow. Fortunately we had two sets empty just then and before I could hurry on some clothes I heard the Major hammering at the attics' doors and calling out "Dress yourselves!—Fire! Don't be frightened!—Fire ! Collect your presence of mind!—Fire! All right—Fire!" most tremenjously. As I opened my bedroom door the Major came tumbling in over himself and me and caught me in his arms. "Major" I says breathless "where is it?" "I don't know dearest madam" says the Major—"Fire! Jemmy Jackman will defend you to the last drop of his blood—Fire! If the dear boy was at home what a treat this would be for him—Fire!" and altogether very collected and bold except that he couldn't say a single sentence without shaking me to the very centre with roaring Fire. We ran down to the drawing-room and put our heads out of window, and the Major calls to an unfeeling young monkey scampering by be joyful and ready to split "Where is it?—Fire!" The monkey answers without stopping " Oh here's a lark! Old Buffle's been setting his house alight to prevent its being found out that he boned the Taxes. Hurrah! Fire!" And then the sparks came flying up and the smoke came pouring down and the crackling of flames and spatting of water and banging of engines and hacking of axes and breaking of glass and knocking at doors and the shouting and crying and hurrying and the heat and altogether gave me a dreadful palpitation. "Don't be frightened dearest madam," says the Major, "—Fire! There's nothing to be alarmed at—Fire! Don't open the street door till I come back—Fire! I'll go and see if I can be of any service—Fire! You're quite composed and comfortable ain't you?—Fire, Fire, Fire!" It was in vain for me to hold the man and tell him he'd be galloped to death by the engines—pumped to death by his over-exertions—wet-feeted to death by the slop and mess—flattened to death when the roofs fell in—his spirit was up and he went scampering off after the young monkey with all the breath he had and none to spare, and me and the girls huddled together at the parlour windows looking at the dreadful flames above the houses over the way, Mr. Buffle's being round the corner. Presently what should we see but some people running down the street straight to our door, and then the Major directing operations in the busiest way, and then some more people and then—carried in a chair similar to Guy Fawkes—Mr. Buffle in a blanket! My dear the Major has Mr. Buffle brought up our steps and whisked into the parlour and carted out on the sofy, and then he and all the rest of them without so much as a word burst away again full speed, leaving the impression of a vision except for Mr. Buffle awful in his blanket with his eyes a rolling. In a twinkling they all burst back again with Mrs. Buffle in another blanket, which whisked in and carted out on the sofy they all burst off again and all burst back again with Miss Buffle in another blanket, which again whisked in and carted out they all burst off again and all burst back again with Mr. Buffle's articled young gentleman in another blanket—him a holding round the necks of two men carrying him by the legs, similar to the picter of the disgraceful creetur who has lost the fight (but where the chair I do not know) and his hair having the appearance of newly played. upon. When all four of a row, the Major rubs his hands and whispers me with what little hoarseness he can get together, "If our dear remarkable boy was only at home what a delightful treat this would be for him!" My dear we made them some hot tea and toast and some hot brandy-and-water with a little comfortable nutmeg in it, and at first they were scared and low in their spirits but being fully insured got sociable. And the first use Mr. Buffle made of his tongue was to call the Major his Preserver and his best of friends and to say "My for ever dearest sir let me make you known to Mrs. Buffle" which also addressed him as her Preserver and her best of friends and was fully as cordial as the blanket would admit of. Also Miss Buffle. The articled young gentleman's head was a little light and he sat a moaning "Robina is reduced to cinders, Robina is reduced to cinders!" Which went more to the heart on account of his having got wrapped in his blanket as if he was looking out of a violin-celler-case, until Mr. Buffle says "Robina speak to him!" Miss Buffle says "Dear George!" and but for the Major's pouring down brandy-and-water on the instant which caused a catching in his throat owing to the nutmeg and a violent fit of coughing it might have proved too much for his strength. When the articled young gentleman got the better of it Mr. Buffle leaned up against Mrs. Buffle being two bundles, a little while in confidence, and then says with tears in his eyes which the Major noticing wiped, "We have not been an united family, let us after this danger become so, take her George." The young gentleman could not put his arm out far to do it, but his spoken expressions were very beautiful though of a wandering class. And I do not know that I ever had a much pleasanter meal than the breakfast we took together after we had all dozed, when Miss Buffle made tea very sweetly in quite the Roman style as depicted formerly at Covent Garden Theatre and when the whole family was most agreeable, as they have ever proved since that night when the Major stood at the foot of the Fire-Escape and claimed them as they came down—the young gentleman headforemost, which accounts. And though I do not say that we should be less liable to think ill of one another if strictly limited to blankets, still I do say that we might most of us come to a better understanding if we kept one another less at a distance. Why there's Wozenham's lower down on the other side of the street. I had a feeling of much soreness several years respecting what I must still ever call Miss Wozenham's systematic underbidding and the likeness of the house in Bradshaw having far too many windows and a most umbrageous and outrageous Oak which never yet was seen in Norfolk-street nor yet a carriage and four at Wozenham's door, which it would have been far more to Bradshaw's credit to have drawn a cab. This frame of mind continued bitter down to the very afternoon in January last when one of my girls, Sally Rairyganoo which I still suspect of Irish extraction though family represented Cambridge, else why abscond with a bricklayer of the Limerick persuasion and be married in pattens not waiting till his black eye was decently got round with all the company fourteen in number and one horse fighting outside on the roof of the vehicle—I repeat my dear my ill-regulated state of mind towards Miss Wozenham continued down to the very afternoon of January last past when Sally Rairyganoo came banging (I can use no milder expression) into my room with a jump which may be Cambridge and may not, and said "Hurroo Missis! Miss Wozenham's sold up!" My dear when I had it thrown in my face and conscience that the girl Sally had reason to think I could be glad of the ruin of a fellow-creeter, I burst into tears and dropped back in my chair and I says "I am ashamed of myself!" Well! I tried to settle to my tea but I could not do it what with thinking of Miss Wozenham and her distresses. It was a wretched night and I went up to a front window and looked over at Wozenham's and as well as I could make it out down the street in the fog it was the dismalest of the dismal and not a light to be seen. So at last I says to myself "This will not do," and I puts on my oldest bonnet and shawl not wishing Miss Wozenham to be reminded of my best at such a time, and lo and behold you I goes over to Wozenham's and knocks. "Miss Wozenham at home?" I says turning my head when I heard the door go. And then I saw it was Miss Wozenham herself who had opened it and sadly worn she was poor thing and her eyes all swelled and swelled with crying. "Miss Wozenham" I says "it is several years since there was a little unpleasantness betwixt us on the subject of my grandson's cap being down your Airy. I have overlooked it and I hope you have done the same." "Yes Mrs. Lirriper" she says in a surprise "I have." "Then my dear" I says "I should be glad to come in and speak a word to you." Upon my calling her my dear Miss Wozenham breaks out a crying most pitiful, and a not unfeeling elderly person that might have been better shaved in a nightcap with a hat over it offering a polite apology for the mumps having worked themselves into his constitution, and also for sending home to his wife on the bellows which was in his hand as a writing-desk, looks out of the back parlour and says "The lady wants a word of comfort" and goes in again. So I was able to say quite natural "Wants a word of comfort does she sir? Then please the pigs she shall have it!" And Miss Wozenham and me we go into the front room with a wretched light that seemed to have been crying too and was sputtering out, and I says "Now my dear, tell me all," and she wrings her hands and says "Oh Mrs. Lirriper that man is in possession here, and I have not a friend in the world who is able to help me with a shilling." It doesn't signify a bit what a talkative old body like me said to Miss Wozenham when she said that, and so I'll tell you instead my dear that I'd have given thirty shillings to have taken her over to tea, only I durstn't on account of the Major. Not you see but what I knew I could draw the Major out like thread and wind him round my linger on most subjects and perhaps even on that if I was to set myself to it, but him and me had so often belied Miss Wozenham to one another that I was shamefaced, and I knew she had offended his pride and never mine, and likewise I felt timid that that Rairyganoo girl might make things awkward. So I says "My dear if you could give me a cup of tea to clear my muddle of a head I should better understand your affairs." And we had the tea and the affairs too and after all it was but forty pound, and—There! she's as industrious and straight a creeter as ever lived and has paid back half of it already, and where's the use of saying more, particularly when it ain't the point? For the point is that when she was a kissing my hands and holding them in hers and kissing them again and blessing blessing blessing, I cheered up at last and I says " Why what a waddling old goose I have been my dear to take you for something so very different!" "Ah but I too" says she "how have I mistaken you!" "Come for goodness' sake tell me" I says "what you. thought of me?" "Oh" says she "I thought you had no feeling for such a hard hand-to-mouth life as mine, and were rolling in affluence." I says shaking my sides (and very glad to do it for I had been a choking quite long enough) "Only look at my figure my dear and give me your opinion whether if I was in affluence I should be likely to roll in it!" That did it! We got as merry as grigs (whatever they are, if you happen to know my dear—I don't) and I went home to my blessed home as happy and as thankful as could be. But before I make an end of it, think even of my having misunderstood the Major! Yes! For next forenoon the Major came into my little room with his brushed hat in his hand and he begins "My dearest madam" and then put his face in his hat as if he had just come into church. As I sat all in a maze he came out of his hat and began again. "My esteemed and beloved friend—" and then went into his hat again. "Major," I cries out frightened "has anything happened to our darling boy?" "No, no, no" says the Major "but Miss Wozenham has been here this morning to make her excuses to me, and by the Lord I can't get over what she told me." "Hoity toity, Major," I says "you don't know yet that I was afraid of you last night and didn't think half as well of you as I ought! So come out of church Major and forgive me like a dear old friend and I'll never do so any more." And I leave you to judge my dear whether I ever did or will. And how affecting to think of Miss Wozenham out of her small income and her losses doing so much for her poor old father, and keeping a brother that had had the misfortune to soften his brain against the hard mathematics as neat as a new pin in the three back represented to lodgers as a lumber-room and consuming a whole shoulder of mutton whenever provided! And now my dear I really am a going to tell you about my Legacy if you're inclined to favour me with your attention, and I did fully intend to have come straight to it only one thing does so bring up another. It was the month of June and the day before Midsummer Day when my girl—Winifred Madgers—she was what is termed a Plymouth Sister, and the Plymouth Brother that made away with her was quite right, for a tidier young woman for a wife never came into a house and afterwards called with the beautifullest Plymouth Twins — it was the day before Midsummer Day when Winifred Madgers comes and says to me "A gentleman from the Consul's wishes particular to speak to Mrs. Lirriper." If you'll believe me my dear the Consols at the bank where I have a little matter for Jemmy got into my head, and I says "Good gracious I hope he ain't had any dreadful fall!" Says Winifred "He don't look as if he had ma'am." And I says " Show him in." The gentleman came in dark and with his hair cropped what I should consider too close, and he says very polite "Madame Lirrwiper!" I says "Yes sir. Take a chair." "I come," says he "frrwom the Frrwench Consul's." So I saw at once that it wasn't the Bank of England. "We have rrweceived," says the gentleman turning his r's very curious and skilful, "frrwom the Mairrwie at Sens, a communication which I will have the honour to rrwead. Madame Lirrwiper understands Frrwench?" "Oh dear no sir!" says I. "Madame Lirriper don't understand anything of the sort." "It matters not," says the gentleman, " I will trrwanslate." With that my dear the gentleman after reading something about a Department and a Mairie (which Lord forgive me I supposed till the Major came home was Mary, and never was I more puzzled than to think how that young woman came to have so much to do with it) translated a lot with the most obliging pains, and it came to this:—That in the town of Sens in France, an unknown Englishman lay a dying. That he was speechless and without motion. That in his lodging there was a gold watch and a purse containing such and such money and a trunk containing such and such clothes, but no passport and no papers, except that on his table was a pack of cards and that he had written in pencil on the back of the ace of hearts: "To the authorities. When I am dead, pray send what is left, as a last Legacy, to Mrs. Lirriper Eighty-one Norfolk-street Strand London." When the gentleman had explained all this, which seemed to be drawn up much more methodical than I should have given the French credit for, not at that time knowing the nation, he put the document into my hand. And much the wiser I was for that you may be sure, except that it had the look of being made out upon grocery-paper and was stamped all over with eagles. "Does Madame Lirrwiper" says the gentleman "believe she rrwecognises her unfortunate compatrrwiot?" You may imagine the flurry it put me into my dear to be talked to about my compatriots. I says "Excuse me. Would you have the kindness sir to make your language as simple as you can?" "This Englishman unhappy, at the point of death. This compatrrwiot afflicted," says the gentleman. "Thank you sir" I says "I understand you now. No sir I have not the least idea who this can be." "Has Madame Lirrwiper no son, no nephew, no godson, no frrwiend, no acquaintance of any kind in Frrwance?" "To my certain knowledge" says I "no relation or friend, and to the best of my belief no acquaintance." "Pardon me. You take Locataires?" says the gentleman. My dear fully believing he was offering me something with his obliging foreign manners—snuff for anything I knew—I gave a little bend of my head and I says if you'll credit it, "No I thank you. I have not contracted the habit." The gentleman looks perplexed and says "Lodgers?" "Oh!" says I laughing. "Bless the man! Why yes to be sure!" "May it not be a former lodger?" says the gentleman. "Some lodger that you pardoned some rrwent? You have pardoned lodgers some rrwent?" "Hem! It has happened sir" says I, "but I assure you I can call to mind no gentleman of that description that this is at all likely to be." In short my dear we could make nothing of it, and the gentleman noted down what I said and went away. But he left me the paper of which he had two with him, and when the Major came in I says to the Major as I put it in his hand "Major here's Old Moore's Almanack with the hieroglyphic complete, for your opinion." It took the Major a little longer to read than I should have thought, judging from the copious flow with which he seemed to be gifted when attacking the organ-men, but at last he got through it and stood a gazing at me in amazement. "Major" I says "you're paralysed." "Madam" says the Major, "Jemmy Jackman is doubled up." Now it did so happen that the Major had been out to get a little information about railroads and steam-boats, as our boy was coming home for his Midsummer holidays next day and we were going to take him somewhere for a treat and a change. So while the Major stood a gazing it came into my head to say to him "Major I wish you'd go and look at some of your books and maps, and see whereabouts this same town of Sens is in France." The Major he roused himself and he went into the Parlours and he poked about a little, and he came back to me and lie says: "Sens my dearest madam is seventy odd miles south of Paris." With what I may truly call a desperate effort "Major" I says "we'll go there with our blessed boy!" If ever the Major was beside himself it was at the thoughts of that journey. All day long he was like the wild man of the woods after meeting with an advertisement in the papers telling him something to his advantage, and early next morning hours before Jemmy could possibly come home he was outside in the street ready to call out to him that we was all a going to France. Young Rosy-cheeks you may believe was as wild as the Major, and they did carry on to that degree that I says "If you two children ain't more orderly I'll pack you both off to bed." And then they fell to cleaning up the Major's telescope to see France with, and went out and bought a leather bag with a snap to hang round Jemmy, and him to carry the money like a little Fortunatus with his purse. If I hadn't passed my word and raised their hopes, I doubt if I could have gone through with the undertaking but it was too late to go back now. So on the second day after Midsummer Day we went off by the morning mail. And when we came to the sea which I had never seen but once in my life and that when my poor Lirriper was courting me, the freshness of it and the deepness and the airiness and to think that it had been rolling ever since and that it was always a rolling and so few of us minding, made me feel quite serious. But I felt happy too and so did Jemmy and the Major and not much motion on the whole, though me with a swimming in the head and a sinking but able to take notice that the foreign insides appear to be constructed hollower than the English, leading to much more tremenjous noises when bad sailors. But my dear the blueness and the lightness and the coloured look of everything and the very sentry-boxes striped and the shining rattling drums and the little soldiers with their waists and tidy gaiters, when we got across to the Continentit made me feel as if I don't know what—as if the atmosphere had been lifted off me. And as to lunch why bless you if I kept a man-cook and two kitchen-maids I couldn't get it done for twice the money, and no injured young women a glaring at you and grudging you and acknowledging your patronage by wishing that your food might choke you, but so civil and so hot and attentive and every way comfortable except Jemmy pouring wine down his throat by tumblers-full and me expecting to see him drop under the table. And the way in which Jemmy spoke his French was a real charm. It was often wanted of him, for whenever anybody spoke a syllable to me I says "Noncomprenny, you're very kind but it's no use—Now Jemmy!" and then Jemmy he fires away at 'em lovely, the only thing wanting in Jemmy's French being as it appeared to me that he hardly ever understood a word of what they said to him which made it scarcely of the use it might have been though in other respects a perfect Native, and regarding the Major's fluency I should have been of the opinion judging French by English that there might have been a greater choice of words in the language though still I must admit that if I hadn't known him when he asked a military gentleman in a grey cloak what o'clock it was I should have took him for a Frenchman born. Before going on to look after my Legacy we were to make one regular day in Paris, and I leave you to judge my dear what a day that was with Jemmy and the Major and the telescope and me and the prowling young man at the inn door (but very civil too) that went along with us to show the sights. All along the railway to Paris Jemmy and the Major had been frightening me to death by stooping down on the platforms at stations to inspect the engines underneath their mechanical stomachs, and by creeping in and out I don't know where all, to find improvements for the United Grand Junction Parlour, but when we got out into the brilliant streets on a bright morning they gave up all their London improvements as a bad job and gave their minds to Paris. Says the prowling young man to me "Will I speak Inglis No?" So I says "If you can young man I shall take it as a favour," but after half an hour of it when I fully believed the man had gone mad and me too I says "Be so good as fall back on your French sir," knowing that then I shouldn't have the agonies of trying to understand him which was a happy release. Not that I lost much more than the rest either, for I generally noticed that when he had described something very long indeed and I says to Jemmy "What does he say Jemmy?" Jemmy says looking at him with vengeance in his eye "He is so jolly indistinct!" and that when he had described it longer all over again and I says to Jemmy "Well Jemmy what's it all about?" says "He says the building was repaired in seventeen hundred and four, Gran." Wherever that prowling young man formed his prowling habits I cannot be expected to know, but the way in which he went round the corner while we had our breakfasts and was there again when we swallowed the last crumb was most marvellous, and just the same at dinner and at night, prowling equally at the theatre and the inn gateway and the shop-doors when we bought a trifle or two and everywhere else but troubled with a tendency to spit. And of Paris I can tell you no more my dear than that it's town and country both in one, and carved stone and long streets of high houses and gardens and fountains and statues and trees and gold, and immensely big soldiers and immensely little soldiers and the pleasantest nurses with the whitest caps a playing at skipping-rope with the bunchiest babies in the flattest caps, and clean tablecloths spread everywhere for dinner and people sitting out of doors smoking and sipping all day long and little plays being acted in the open air for little people and every shop a complete and elegant room, and everybody seeming to play at everything in this world. And as to the sparkling lights my dear after dark, glittering high up and low down and on before and on behind and all round, and the crowd of theatres and the crowd of people and the crowd of all sorts, it's pure enchantment. And pretty well the only thing that grated on me was that whether you pay your fare at the railway or whether you change your money at a money-dealer's or whether you take your ticket at the theatre, the lady or gentleman is caged up (I suppose by Government) behind the strongest iron bars having more of a Zoological appearance than a free country. Well to be sure when I did after all get my precious bones to bed that night, and my Young Rogue came in to kiss me and asks "What do you think of this lovely lovely Paris, Gran?" I says "Jemmy I feel as if it was beautiful fireworks being let off in my head." And very cool and refreshing the pleasant country was next day when we went on to look after my Legacy, and rested me much and did me a deal of good. So at length and at last my dear we come to Sens, a pretty little town with a great two-towered cathedral and the rooks flying in and out of the loopholes and another tower atop of one of the towers like a sort of a stone pulpit. In which pulpit with the birds skimming below him if you'll believe me, I saw a speck while I was resting at the inn before dinner which they made signs to me was Jemmy and which really was. I had been a fancying as I sat in the balcony of the hotel that an Angel might light there and call down to the people to be good, but I little thought what Jemmy all unknown to himself was a calling down from that high place to some one in the town. The pleasantest-situated inn my dear! Right under the two towers, with their shadows a changing upon it all day like a kind of a sundial, and country people driving in and out of the court-yard in carts and hooded cabriolets and such-like, and a market outside in front of the cathedral, and all so quaint and like a picter. The Major and me agreed that whatever came of my Legacy this was the place to stay in for our holiday, and we also agreed that our dear boy had best not be checked in his joy that night by the sight of the Englishman if he was still alive, but that we would go together and alone. For you are to understand that the Major not feeling himself quite equal in his wind to the heighth to which Jemmy had climbed, had come back to me and left him with the Guide. So after dinner when Jemmy had set off to see the river, the Major went down to the Mairie, and presently came back with a military character in a sword and spurs and a cocked-hat and a yellow shoulder-belt and long tags about him that he must have found inconvenient. And the Major says "The Englishman still lies in the same state dearest madam. This gentleman will conduct us to his lodging." Upon which the military character pulled off his cocked-hat to me, and I took notice that he had shaved his forehead in imitation of Napoleon Bonaparte but not like. We went out at the court-yard gate and past the great doors of the cathedral and down a narrow High Street where the people were sitting chatting at their shop-doors and the children were at play. The military character went in front and he stopped at a pork-shop with a little statue of a pig sitting up, in the window, and a private door that a donkey was looking out of. When the donkey saw the military character he came slipping out on the pavement to turn round and then clattered along the passage into a back-yard. So the coast being clear, the Major and me were conducted up the common stair and into the front room on the second, a bare room with a red tiled floor and the outside lattice blinds pulled close to darken it. As the military character opened the blinds I saw the tower where I had seen Jemmy, darkening as the sun got low, and I turned to the bed by the wall and saw the Englishman. It was some kind of brain fever he had had, and his hair was all gone, and some wetted folded linen lay upon his head. I looked at him very attentive as he lay there all wasted away with his eyes closed, and I says to the Major "I never saw this face before." The Major looked at him very attentive too, and he says "I never saw this face before." When the Major explained our words to the military character, that gentleman shrugged his shoulders and showed the Major the card on which it was written about the Legacy for me. It had been written with a weak and trembling hand in bed, and I knew no more of the writing than of the face. Neither did the Major. Though lying there alone, the poor creetur was as well taken care of as could be hoped, and would have been quite unconscious of any one's sitting by him then. I got the Major to say that we were not going away at present and that I would come back to-morrow and watch a bit by the bedside. But I got him to add—and I shook my head hard to make it stronger—"We agree that we never saw this face before." Our boy was greatly surprised when we told him sitting out in the balcony in the starlight, and he ran over some of those stories of former Lodgers, of the Major's putting down, and asked wasn't it possible that it might be this lodger or that lodger. It was not possible and we went to bed. In the morning just at breakfast-time the military character came jingling round, and said that the doctor thought from the signs he saw there might be some rally before the end. So I says to the Major and Jemmy, "You two boys go and enjoy yourselves, and I'll take my Prayer-Book and go sit by the bed." So I went, and I sat there some hours, reading a prayer for him poor soul now and then, and it was quite on in the day when he moved his hand. He had been so still, that the moment he moved I knew of it, and I pulled off my spectacles and laid down my book and rose and looked at him. From moving one hand he began to move both, and then his action was the action of a person groping in the dark. Long after his eyes had opened, there was a film over them and he still felt for his way out into light. But by slow degrees his sight cleared and his hands stopped. He saw the ceiling, he saw the wall, he saw me. As his sight cleared, mine cleared too, and when at last we looked in one another's faces, I started back and I cries passionately: "O you wicked wicked man! Your sin has found you out!" For I knew him, the moment life looked out of his eyes, to be Mr. Edson, Jemmy's father who had so cruelly deserted Jemmy's young unmarried mother who had died in my arms, poor tender creetur, and left Jemmy to me. "You cruel wicked man! You bad black traitor!" With the little strength he had, he made an attempt to turn over on his wretched face to hide it. His arm dropped out of the bed and his head with it, and there he lay before me crushed in body and in mind. Surely the miserablest sight under the summer sun! "O blessed Heaven" I says a crying, "teach me what to say to this broken mortal! I am a poor sinful creetur, and the Judgment is not mine." As I lifted my eyes up to the clear bright sky, I saw the high tower where Jemmy had stood above the birds, seeing that very window; and the last look of that poor pretty young mother when her soul brightened and got free, seemed to shine down from it. "O man, man, man!" I says, and I went on my knees beside the bed; "if your heart is rent asunder and you are truly penitent for what you did, Our Saviour will have mercy on you yet!" As I leaned my face against the bed, his feeble hand could just move itself enough to touch me. I hope the touch was penitent. It tried to hold my dress and keep hold, but the fingers were too weak to close. I lifted him back upon the pillows, and I says to him: "Can you hear me?" He looked yes. "Do you know me?" He looked yes, even yet more plainly. "I am not here alone. The Major is with me. You recollect the Major?" Yes. That is to say he made out yes, in the same way as before. "And even the Major and I are not alone. My grandson—his godson—is with us. Do you hear? My grandson." The fingers made another trial to catch at my sleeve, but could only creep near it and fall. "Do you know who my grandson is?" Yes. "I pitied and loved his lonely mother. When his mother lay a dying I said to her, 'My dear this baby is sent to a childless old woman.' He has been my pride and joy ever since. I love him as dearly as if he had drunk from my breast. Do you ask to see my grandson before you die?' Yes. "Show me, when I leave off speaking, if you correctly understand what I say. He has been kept unacquainted with the story of his birth. He has no knowledge of it. No suspicion of it. If I bring him here to the side of this bed, he will suppose you to be a perfect stranger. It is more than I can do, to keep from him the knowledge that there is such wrong and misery in the world; but that it was ever so near him in his innocent cradle, I have kept from him, and I do keep from him, and I ever will keep from him. For his mother's sake, and for his own." He showed me that he distinctly understood, and the tears fell from his eyes. "Now rest, and you shall see him." So I got him a little wine and some brandy and I put things straight about his bed. But I began to be troubled in my mind lest Jemmy and the Major might be too long of coming back. What with this occupation for my thoughts and hands, I didn't hear a foot upon the stairs, and was startled when I saw the Major stopped short in the middle of the room by the eyes of the man upon the bed, and knowing him then, as I had known him a little while ago. There was anger in the Major's face, and there was horror and repugnance and I don't know what. So I went up to him and I led him to the bedside and when I clasped my hands and lifted of them up, the Major did the like. "O Lord " I says "Thou knowest what we two saw together of the sufferings and sorrows of that young creetur now with Thee. If this dying man is truly penitent, we two together humbly pray Thee to have mercy on him!" The Major says "Amen!" and then after a little stop I whispers him, "Dear old friend fetch our beloved boy." And the Major, so clever as to have got to understand it all without being told a word, went away and brought him. Never never never, shall I forget the fair bright face of our boy when he stood at the foot of the bed, looking at his unknown father. And O so like his dear young mother then! "Jemmy" I says, "I have found out all about this poor gentleman who is so ill, and he did lodge in the old house once. And as he wants to see all belonging to it, now that he is passing away, I sent for you." "Ah poor man!" says Jemmy stepping forward and touching one of his hands with great gentleness. "My heart melts for him. Poor, poor, man!" The eyes that were so soon to close for ever, turned to me, and I was not that strong in the pride of my strength that I could resist them. "My darling boy, there is a reason in the secret history of this fellow-creetur, lying as the best and worst of us must all lie one day, which I think would ease his spirit in his last hour if you would lay your cheek against his forehead and say 'May God forgive you!'" "O Gran," says Jemmy with a full heart "I am not worthy!" But he leaned down and did it. Then the faltering fingers made out to catch hold of my sleeve at last, and I believe he was a trying to kiss me when he died. * * * * * There my dear! There you have the story of my Legacy in full, and it's worth ten times the trouble I have spent upon it if you are pleased to like it. You might suppose that it set us against the little French town of Sens, but no we didn't find that. I found myself that I never looked up at the high tower atop of the other tower, but the days came back again when that fair young creetur with her pretty bright hair trusted in me like a mother, and the recollection made the place so peaceful to me as I can't express. And every soul about the hotel down to the pigeons in the court-yard made friends with Jemmy and the Major, and went lumbering away with them on all sorts of expeditions in all sorts of vehicles drawn by rampagious cart-horses—with heads and without—mud for paint and ropes for harness and every new friend dressed in blue like a butcher, and every new horse standing on his hind legs wanting to devour and consume every other horse, and every man that had a whip to crack crack-crack-crack-crack-cracking it as if it was a schoolboy with his first. As to the Major my dear that man lived the greater part of his time with a little tumbler in one hand and a bottle of small wine in the other, and whenever he saw anybody else with a little tumbler, no matter who it was—the military character with the tags, or the inn servants at their supper in the court-yard, or towns-people a chatting on a bench, or country-people a starting home after market—down rushes the Major to clink his glass against their glasses and cry—Hola! Vive Somebody! or Vive Something! as if he was beside himself. And though I could not quite approve of the Major's doing it, still the ways of the world are the ways of the world varying according to different parts of it, and dancing at all in the open Square with a lady that kept a barber's shop my opinion is that the Major was right to dance his best and to lead off with a power that I did not think was in him, though I was a little uneasy at the Barricading sound of the cries that were set up by the other dancers and the rest of the company, until when I says "What are they ever calling out Jemmy?" Jemmy says "They're calling out Gran, Bravo the Military English! Bravo the Military English!" which was very gratifying to my feelings as a Briton and became the name the Major was known by. But every evening at a regular time we all three sat out in the balcony of the hotel at the end of the court-yard, looking up at the golden and rosy light as it changed on the great towers, and looking at the shadows of the towers as they changed on all about us ourselves included, and what do you think we did there? My dear if Jemmy hadn't brought some other of those stories of the Major's taking down from the telling of former lodgers at Eighty-one Norfolk-street, and if he didn't bring 'em out with this speech: "Here you are Gran! Here you are Godfather! More of 'em! I'll read. And though you wrote 'em for me, Godfather, I know you won't disapprove of my making 'em over to Gran; will you?" "No my dear boy," says the Major. "Everything we have is hers, and we are hers." "Hers ever affectionately and devotedly J. Jackman, and J. Jackman Lirriper," cries the Young Rogue giving me a close hug. "Very well then Godfather. Look here. As Gran is in the Legacy way just now, I shall make these stories a part of Gran's Legacy. I'll leave 'em to her. What do you say Godfather?" "Hip hip Hurrah!" says the Major. "Very well then" cries Jemmy all in a bustle. "Vive the Military English! Vive the Lady Lirriper! Vive the Jemmy Jackman Ditto! Vive the Legacy! Now, you look out, Gran. And you look out, Godfather, I'll read! And I'll tell you what I'll do besides. On the last night of our holiday here when we are all packed and going away, I'll top up with something of my own." "Mind you do sir" says I. "Don't you be afraid, Gran" cries Young Sparkles. "Now then! I'm going to read. Once, twice, three and away. Open your mouths and shut your eyes, and see what Fortune sends you. All in to begin. Look out Gran. Look out Godfather!" So in his lively spirits Jemmy began a reading, and he read every evening while we were there, and sometimes we were about it late enough to have a candle burning quite steady out in the balcony in the still air. And so here is the rest of my Legacy my dear that I now hand over to you in this bundle of papers all in the Major's plain round writing. I wish I could hand you the church towers over too, and the pleasant air and the inn yard and the pigeons often coming and perching on the rail by Jemmy and seeming to be critical with their heads on one side, but you'll take as you find. Well my dear and so the evening readings of these jottings of the Major's brought us round at last to the evening when we were all packed and going away next day, and I do assure you that by that time though it was deliciously comfortable to look forward to the dear old house in Norfolk-street again, I had formed quite a high opinion of the French nation and had noticed them to be much more homely and domestic in their families and far more simple and amiable in their lives than I had ever been led to expect, and it did strike me between ourselves that in one particular they might be imitated to advantage by another nation which I will not mention, and that is in the courage with which they take their little enjoyments on little means and with little things and don't let solemn big-wigs stare them out of countenance or speechify them dull, of which said solemn big-wigs I have ever had the one opinion that I wish they were all made comfortable separately in coppers with the lids on and never let out any more. "Now young man," I says to Jemmy when we brought our chairs into the balcony that last evening, "you please to remember who was to 'top up.'" "l am the illustrious personage." But he looked so serious after he had made me that light answer, that the Major raised his eyebrows at me and I raised mine at the Major. "Gran and Godfather," says Jemmy, "you can hardly think how much my mind has run on Mr. Edson's death." It gave me a little check. "Ah! It was a sad scene my love" I says, "and sad remembrances come back stronger than merry. But this" I says after a little silence, to rouse myself and the Major and Jemmy all together, "is not topping up. Tell us your story my dear." "I will" says Jemmy. "What is the date sir?" says I. "Once upon a time when pigs drank wine?" "No Gran," says Jemmy, still serious; "once upon a time when the French drank wine." Again I glanced at the Major, and the Major glanced at me. "In short, Gran and Godfather," says Jemmy, looking up, "the date is this time, and I'm going to tell you Mr. Edson's story." The flutter that it threw me into. The change of colour on the part of the Major! "That is to say, you understand," our bright-eyed boy says, "I am going to give you my version of it. I shall not ask whether it's right or not, firstly because you said you knew very little about it, Gran, and secondly because what little you did know was a secret." I folded my hands in my lap and I never took my eyes off Jemmy as he went running on. "The unfortunate gentleman" Jemmy commences, "who is the subject of our present narrative was the son of Somebody, and was born Somewhere, and chose a profession Somehow. It is not with those parts of his career that we have to deal; but with his early attachment to a young and beautiful lady." I thought I should have dropped. I durstn't look at the Major; but I knew what his state was, without looking at him. "The father of our ill-starred hero" says Jemmy, copying as it seemed to me the style of some of his story-books, "was a worldly man who entertained ambitious views for his only son and who firmly set his face against the contemplated alliance with a virtuous but penniless orphan. Indeed he went so far as roundly to assure our hero that unless he weaned his thoughts from the object of his devoted affection, he would disinherit him. At the same time, he proposed as a suitable match, the daughter of a neighbouring gentleman of a good estate, who was neither ill favoured nor unamiable, and whose eligibility in a pecuniary point of view could not be disputed. But young Mr. Edson, true to the first and only love that had inflamed his breast, rejected all considerations of self-advancement, and, deprecating his father's anger in a respectful letter, ran away with her." My dear I had begun to take a turn for the better, but when it come to running away I began to take another turn for the worse. "The lovers" says Jemmy "fled to London and were united at the altar of Saint Clement's Danes. And it is at this period of their simple but touching story, that we find them inmates of the dwelling of a highly respected and beloved lady of the name of Gran, residing within a hundred miles of Norfolk street." I felt that we were almost safe now, I felt that the dear boy had no suspicion of the bitter truth, and I looked at the Major for the first time and drew a long breath. The Major gave me a nod. "Our hero's father" Jemmy goes on "proving implacable and carrying his threat into unrelenting execution, the struggles of the young couple in London were severe, and would have been far more so, but for their good angel's having conducted them to the abode of Mrs. Gran: who, divining their poverty (in spite of their endeavours to conceal it from her), by a thousand delicate arts smoothed their rough way, and alleviated the sharpness of their first distress." Here Jemmy took one of my hands in one of his, and began a marking the turns of his story by making me give a beat from time to time upon his other hand. "After a while, they left the house of Mrs. Gran, and pursued their fortunes through a variety of successes and failures elsewhere. But in all reverses, whether for good or evil, the words of Mr. Edson to the fair young partner of his life, were: 'Unchanging Love and Truth will carry us through all!'" My hand trembled in the dear boy's, those words were so wofully unlike the fact. "Unchanging Love and Truth" says Jemmy over again, as if he had a proud kind of a noble pleasure in it, "will carry us through all! Those were his words. And so they fought their way, poor but gallant and happy, until Mrs. Edson gave birth to a child." "A daughter," I says. "No" says Jemmy, "a son. And the father was so proud of it that he could hardly bear it out of his sight. But a dark cloud overspread the scene. Mrs. Edson sickened, drooped, and died." "Ah! Sickened, drooped, and died!" I says. "And so Mr. Edson's only comfort, only hope on earth, and only stimulus to action, was his darling boy. As the child grew older, he grew so like his mother that he was her living picture. It used to make him wonder why his father cried when he kissed him. But unhappily he was like his mother in constitution as well as in face, and he died too before he had grown out of childhood. Then Mr. Edson, who had good abilities, in his forlornness and despair threw them all to the winds. He became apathetic, reckless, lost. Little by little he sank down, down, down, down, until at last he almost lived (I think) by gaming. And so sickness overtook him in the town of Sens in France, and he lay down to die. But now that he laid him down when all was done, and looked back upon the green Past beyond the time when he had covered it with ashes, he thought gratefully of the good Mrs. Gran long lost sight of, who had been so kind to him and his young wife in the early days of their marriage, and he left the little that he had as a last Legacy to her. And she, being brought to see him, at first no more knew him than she would know from seeing the ruin of a Greek or Roman Temple, what it used to be before it fell; but at length she remembered him. And then he told her with tears, of his regret for the misspent part of his life, and besought her to think as mildly of it as she could, because it was the poor fallen Angel of his unchanging Love and Constancy after all. And because she had her grandson with her, and he fancied that his own boy, if he had lived, might have grown to be something like him, he asked her to let him touch his forehead with his cheek and say certain parting words." Jemmy's voice sank low when it got to that, and tears filled my eyes, and filled the Major's. "You little Conjuror" I says, "how did you ever make it all out? Go in and write it every word down, for it's a wonder." Which Jemmy did, and I have repeated it to you my dear from his writing. Then the Major took my hand and kissed it, and said "Dearest madam all has prospered with us." "Ah Major" I says drying my eyes, "we needn't have been afraid. We might have known it. Treachery don't come natural to beaming youth; but trust and pity, love and constancy they do, thank God!"</text>
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                <text>&lt;em&gt;Mrs. Lirriper's Legacy &lt;/em&gt;(1864 Christmas Number)</text>
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                <text>1864-01-12</text>
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                <text>Published in &lt;em&gt;All the Year Round&lt;/em&gt;, Vol. XII, Extra Christmas Number, 12 January 1864, pp. 1-48.</text>
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                <text>Dickens, Charles et. al. &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt; (12 January 1864). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1864-01-12-Mrs_Lirripers_Legacy"&gt;https://www.dickenssearch.com/christmas-numbers/1864-01-12-Mrs_Lirripers_Legacy&lt;/a&gt;.</text>
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                <text>&lt;span&gt;Scanned material from &lt;em&gt;Dickens Journals Online&lt;/em&gt;, &lt;/span&gt;&lt;a href="http://www.djo.org.uk" id="LPNoLPOWALinkPreview" contenteditable="false" title="http://www.djo.org.uk"&gt;www.djo.org.uk&lt;/a&gt;. A&lt;span&gt;vailable under CC BY licence.*&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*Pages 15-36 are missing on &lt;em&gt;DJO&lt;/em&gt;. They will be added to the scan on &lt;em&gt;Dickens Search&lt;/em&gt; eventually.&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;ul&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'Mrs. Lirriper Relates How She Went On, and Went Over' (No.1), pp. 1-11.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;Charles Allston Collins. 'A Past Lodger Relates a Wild Legend of a Doctor' (No.2), pp. 11-18.&lt;/li&gt;&#13;
&lt;li&gt;Rosa Mulholland. 'Another Past Lodger Relates His Experience as a Poor Relation' (No.3), pp. 18-24.&lt;/li&gt;&#13;
&lt;li&gt;Henry Spicer. 'Another Past Lodger Relates What Lot He Drew at Glumper House' (No.4), pp. 24-35.&lt;/li&gt;&#13;
&lt;li&gt;Amelia B. Edwards. 'Another Past Lodger Relates His Own Ghost Story' (No.5), pp. 35-40.&lt;/li&gt;&#13;
&lt;li&gt;Hesba Stretton. 'Another Past Lodger Relates Certain Passages to Her Husband' (No.6), pp. 40-47.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'Mrs. Lirriper Relates How Jemmy Topped Up' (No.7), pp. 47-48.&lt;/strong&gt;&lt;/li&gt;&#13;
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            <name>Transcription</name>
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              <elementText elementTextId="3067">
                <text>Ah! It's pleasant to drop into my own easy-chair my dear though a little palpitating what with trotting up-stairs and what with trotting down, and why kitchen-stairs should all be corner stairs is for the builders to justify though I do not think they fully understand their trade and never did, else why the sameness and why not more conveniences and fewer draughts and likewise making a practice of laying the plaster on too thick I am well convinced which holds the damp, and as to chimney-pots putting them on by guess-work like hats at a party and no more knowing what their effect will be upon the smoke bless you than I do if so much, except that it will mostly be either to send it down your throat in a straight form or give it a twist before it goes there. And what I says speaking as I find of those new metal chimneys all manner of shapes (there's a row of 'em at Miss Wozenham's lodging-house lower down on the other side of the way) is that they only work your smoke into artificial patterns for you before you swallow it and that I'd quite as soon swallow mine plain, the flavour being the same, not to mention the conceit of putting up signs on the top of your house to show the forms in which you take your smoke into your inside.&lt;br /&gt;&lt;br /&gt;Being here before your eyes my dear in my own easy-chair in my own quiet room in my own Lodging House Number Eighty-one Norfolk-street Strand London situated midway between the City and St. James's—if anything is where it used to be with these hotels calling themselves Limited but called Unlimited by Major Jackman rising up everywhere and rising up into flagstaffs where they can't go any higher, but my mind of those monsters is give me a landlord's or landlady's wholesome face when I come off a journey and not a brass plate with an electrified number clicking out of it which it's not in nature can be glad to see me and to which I don't want to be hoisted like molasses at the Docks and left there telegraphing for help with the most ingenious instruments but quite in vain—being here my dear I have no call to mention that I am still in the Lodgings as a business hoping to die in the same and if agreeable to the clergy partly read over at Saint Clement's Danes and concluded in Hatfield churchyard when lying once again by my poor Lirriper ashes to ashes and dust to dust.&lt;br /&gt;&lt;br /&gt;Neither should I tell you any news my dear in telling you that the Major is still a fixture in the Parlours quite as much so as the roof of the house, and that Jemmy is of boys the best and brightest and has ever had kept from him the cruel story of his poor pretty young mother Mrs. Edson being deserted in the second floor and dying in my arms, fully believing that I am his born Gran and him an orphan, though what with engineering since he took a taste for it and him and the Major making Locomotives out of parasols broken iron pots and cotton-reels and them absolutely a getting off the line and falling over the table and injuring the passengers almost equal to the originals it really is quite wonderful. And when I says to the Major, "Major can't you by &lt;em&gt;any&lt;/em&gt; means give us a communication with the guard?" the Major says quite huffy, "No madam it's not to be done," and when I says " Why not?" the Major says, "That is between us who are in the Railway Interest madam and our friend the Right Honourable Vice-President of the Board of Trade" and if you'll believe me my dear the Major wrote to Jemmy at school to consult him on the answer I should have before I could get even that amount of unsatisfactoriness out of the man, the reason being that when we first began with the little model and the working signals beautiful and perfect (being in general as wrong as the real) and when I says laughing "What appointment am I to hold in this undertaking gentlemen?" Jemmy hugs me round the neck and tells me dancing, "You shall be the Public Gran" and consequently they put upon me just as much as ever they like and I sit a growling in my easy-chair.&lt;br /&gt;&lt;br /&gt;My dear whether it is that a grown man as clever as the Major cannot give half his heart and mind to anything—even a plaything—but must get into right down earnest with it, whether it is so or whether it is not so I do not undertake to say, but Jemmy is far outdone by the serious and believing ways of the Major in the management of the United Grand Junction Lirriper and Jackman Great Norfolk Parlour Line, "For" says my Jemmy with the sparkling eyes when it was christened, "we must have a whole mouthful of name Gran or our dear old Public" and there the young rogue kissed me, "won't stump up." So the Public took the shares—ten at ninepence, and immediately when that was spent twelve Preference at one-and-sixpence—and they were all signed by Jemmy and countersigned by the Major, and between ourselves much better worth the money than some shares I have paid for in my time. In the same holidays the line was made and worked and opened and ran excursions and had collisions and burst its boilers and all sorts of accidents and offences all most regular correct and pretty. The sense of responsibility entertained by the Major as a military style of station-master my dear starting the down train behind time and ringing one of those little bells that you buy with the little coal-scuttles off the tray round the man's neck in the street did him honour, but noticing the Major of a night when he is writing out his monthly report to Jemmy at school of the state of the Rolling Stock and the Permanent Way and all the rest of it (the whole kept upon the Major's sideboard and dusted with his own hands every morning before varnishing his boots) I notice him as full of thought and care as full can be and frowning in a fearful manner, but indeed the Major does nothing by halves as witness his great delight in going out surveying with Jemmy when he has Jemmy to go with, carrying a chain and a measuring tape and driving I don't know what improvements right through Westminster Abbey and fully believed in the streets to be knocking everything upside down by Act of Parliament. As please Heaven will come to pass when Jemmy takes to that as a profession!&lt;br /&gt;&lt;br /&gt;Mentioning my poor Lirriper brings into my head his own youngest brother the Doctor though Doctor of what I am sure it would be hard to say unless Liquor, for neither Physic nor Music nor yet Law does Joshua Lirriper know a morsel of except continually being summoned to the County Court and having orders made upon him which he runs away from, and once was taken in the passage of this very house with an umbrella up and the Major's hat on, giving his name with the door-mat round him as Sir Johnson Jones K.C.B. in spectacles residing at the Horse Guards. On which occasion he had got into the house not a minute before, through the girl letting him on to the mat when he sent in a piece of paper twisted more like one of those spills for lighting candles than a note, offering me the choice between thirty shillings in hand and his brains on the premises marked immediate and waiting for an answer. My dear it gave me such a dreadful turn to think of the brains of my poor dear Lirriper's own flesh and blood flying about the new oilcloth however unworthy to be so assisted, that I went out of my room here to ask him what he would take once for all not to do it for life when I found him in the custody of two gentlemen that I should have judged to be in the feather-bed trade if they had not announced the law, so fluffy were their personal appearance. "Bring your chains sir," says Joshua to the littlest of the two in the biggest hat, "rivet on my fetters!" Imagine my feelings when I pictered him clanking up Norfolk-street in irons and Miss Wozenham looking out of window! "Gentlemen" I says all of a tremble and ready to drop "please to bring him into Major Jackman's apartments." So they brought him into the Parlours, and when the Major spies his own curly-brimmed hat on him which Joshua Lirriper had whipped off its peg in the passage for a military disguise he goes into such a tearing passion that he tips it off his head with his hand and kicks it up to the ceiling with his foot where it grazed long afterwards. "Major" I says "be cool and advise me what to do with Joshua my dead and gone Lirriper's own youngest brother." "Madam" says the Major "my advice is that you board and lodge him in a Powder Mill, with a handsome gratuity to the proprietor when exploded." "Major" I says "as a Christian you cannot mean your words." "Madam" says the Major "by the Lord I do!" and indeed the Major besides being with all his merits a very passionate man for his size had a bad opinion of Joshua on account of former troubles even unattended by liberties taken with his apparel. When Joshua Lirriper hears this conversation betwixt us he turns upon the littlest one with the biggest hat and says "Come sir! Remove me to my vile dungeon. Where is my mouldy straw!" My dear at the picter of him rising in my mind dressed almost entirely in padlocks like Baron Trenck in Jemmy's book I was so overcome that I burst into tears and I says to the Major, "Major take my keys and settle with these gentlemen or I shall never know a happy minute more," which was done several times both before and since, but still I must remember that Joshua Lirriper has his good feelings and shows them in being always so troubled in his mind when he cannot wear mourning for his brother. Many a long year have I left off my widow's mourning not being wishful to intrude, but the tender point in Joshua that I cannot help a little yielding to is when he writes "One single sovereign would enable me to wear a decent suit of mourning for my much-loved brother. I vowed at the time of his lamented death that I would ever wear sables in memory of him but Alas how short-sighted is man, How keep that vow when penniless!" It says a good deal for the strength of his feelings that he couldn't have been seven year old when my poor Lirriper died and to have kept to it ever since is highly creditable. But we know there's good in all of us—if we only knew where it was in some of us—and though it was far from delicate in Joshua to work upon the dear child's feelings when first sent to school and write down into Lincolnshire for his pocket-money by return of post and got it, still he is my poor Lirriper's own youngest brother and mightn't have meant not paying his bill at the Salisbury Arms when his affection took him down to stay a fortnight at Hatfield churchyard and might have meant to keep sober but for bad company. Consequently if the Major &lt;em&gt;had&lt;/em&gt; played on him with the garden-engine which he got privately into his room without my knowing of it, I think that much as I should have regretted it there would have been words betwixt the Major and me. Therefore my dear though he played on Mr. Buffle by mistake being hot in his head, and though it might have been misrepresented down at Wozenham's into not being ready for Mr. Buffle in other respects he being the Assessed Taxes, still I do not so much regret it as perhaps I ought. And whether Joshua Lirriper will yet do well in life I cannot say, but I did hear of his coming out at a Private Theatre in the character of a Bandit without receiving any offers afterwards from the regular managers.&lt;br /&gt;&lt;br /&gt;Mentioning Mr. Buffle gives an instance of there being good in persons where good is not expected, for it cannot be denied that Mr. Buffle's manners when engaged in his business were not agreeable. To collect is one thing and to look about as if suspicious of the goods being gradually removing in the dead of the night by a back door is another, over taxing you have no control but suspecting is voluntary. Allowances too must ever be made for a gentleman of the Major's warmth not relishing being spoke to with a pen in the mouth, and while I do not know that it is more irritable to my own feelings to have a low-crowned hat with a broad brim kept on in-doors than any other hat still I can appreciate the Major's, besides which without bearing malice or vengeance the Major is a man that scores up arrears as his habit always was with Joshua Lirriper. So at last my dear the Major lay in wait for Mr. Buffle and it worrited me a good deal. Mr. Buffle gives his rap of two sharp knocks one day and the Major bounces to the door. "Collector has called for two quarters' Assessed Taxes" says Mr. Buffle. "They are ready for him" says the Major and brings him in here. But on the way Mr. Buffle looks about him in his usual suspicious manner and the Major fires and asks him "Do you see a Ghost sir?" "No sir" says Mr. Buffle. "Because I have before noticed you" says the Major "apparently looking for a spectre very hard beneath the roof of my respected friend. When you find that supernatural agent, be so good as point him out sir." Mr. Buffle stares at the Major and then nods at me. "Mrs. Lirriper sir" says the Major going off into a perfect steam and introducing me with his hand. "Pleasure of knowing her" says Mr. Buffle. "A—hum—Jemmy Jackman sir!" says the Major introducing himself. "Honour of knowing you by sight" says Mr. Buffle. "Jemmy Jackman sir" says the Major wagging his head sideways in a sort of an obstinate fury "presents to you his esteemed friend that lady Mrs. Emma Lirriper of Eighty-one Norfolk-street Strand London in the County of Middlesex in the United Kingdom of Great Britain and Ireland. Upon which occasion sir," says the Major, "Jemmy Jackman takes your hat off." Mr. Buffle looks at his hat where the Major drops it on the floor, and he picks it up and puts it on again. "Sir" says the Major very red and looking him full in the face "there are two quarters of the Gallantry Taxes due and the Collector has called." Upon which if you can believe my words my dear the Major drops Mr. Buffle's hat off again. "This—" Mr. Buffle begins very angry with his pen in his mouth, when the Major steaming more and more says "Take your bit out sir! Or by the whole infernal system of Taxation of this country and every individual figure in the National Debt, I'll get upon your back and ride you like a horse!" which it's my belief he would have done and even actually jerking his neat little legs ready for a spring as it was. "This" says Mr. Buffle without his pen "is an assault and I'll have the law of you." "Sir" replies the Major "if you are a man of honour, your Collector of whatever may be due on the Honourable Assessment by applying to Major Jackman at The Parlours Mrs. Lirriper's Lodgings, may obtain what he wants in full at any moment."&lt;br /&gt;&lt;br /&gt;When the Major glared at Mr. Buffle with those meaning words my dear I literally gasped for a teaspoonful of sal volatile in a wine-glass of water, and I says "Pray let it go no further gentlemen I beg and beseech of you!" But the Major could be got to do nothing else but snort long after Mr. Buffle was gone, and the effect it had upon my whole mass of blood when on the next day of Mr. Buffle's rounds the Major spruced himself up and went humming a tune up and down the street with one eye almost obliterated by his hat there are not expressions in Johnson's Dictionary to state. But I safely put the street door on the jar and got behind the Major's blinds with my shawl on and my mind made up the moment I saw danger to rush out screeching till my voice failed me and catch the Major round the neck till my strength went and have all parties bound. I had not been behind the blinds a quarter of an hour when I saw Mr. Buffle approaching with his Collecting-books in his hand. The Major likewise saw him approaching and hummed louder and himself approached. They met before the Airy railings. The Major takes off his hat at arm's length and says "Mr. Buffle I believe?" Mr. Buffle takes off &lt;em&gt;his&lt;/em&gt; hat at arm's length and says "That is my name sir." Says the Major "Have you any commands for me, Mr. Buffle?" Says Mr. Buffle "Not any sir." Then my dear both of 'em bowed very low and haughty and parted, and whenever Mr. Buffle made his rounds in future him and the Major always met and bowed before the Airy railings, putting me much in mind of Hamlet and the other gentleman in mourning before killing one another, though I could have wished the other gentleman had done it fairer and even if less polite no poison.&lt;br /&gt;&lt;br /&gt;Mr. Buffle's family were not liked in this neighbourhood, for when you are a householder my dear you'll find it does not come by nature to like the Assessed, and it was considered besides that a one-horse pheayton ought not to have elevated Mrs. Buffle to that heighth especially when purloined from the Taxes which I myself did consider uncharitable. But they were &lt;em&gt;not&lt;/em&gt; liked and there was that domestic unhappiness in the family in consequence of their both being very hard with Miss Buffle and one another on account of Miss Buffle's favouring Mr. Buffle's articled young gentleman, that it was whispered that Miss Buffle would go either into a consumption or a convent she being so very thin and off her appetite and two close-shaved gentlemen with white bands round their necks peeping round the corner whenever she went out in waistcoats resembling black pinafores. So things stood towards Mr. Buffle when one night I was woke by a frightful noise and a smell of burning, and going to my bed-room window saw the whole street in a glow. Fortunately we had two sets empty just then and before I could hurry on some clothes I heard the Major hammering at the attics' doors and calling out "Dress yourselves!—Fire! Don't be frightened!—Fire ! Collect your presence of mind!—Fire! All right—Fire!" most tremenjously. As I opened my bedroom door the Major came tumbling in over himself and me and caught me in his arms. "Major" I says breathless "where is it?" "I don't know dearest madam" says the Major—"Fire! Jemmy Jackman will defend you to the last drop of his blood—Fire! If the dear boy was at home what a treat this would be for him—Fire!" and altogether very collected and bold except that he couldn't say a single sentence without shaking me to the very centre with roaring Fire. We ran down to the drawing-room and put our heads out of window, and the Major calls to an unfeeling young monkey scampering by be joyful and ready to split "Where is it?—Fire!" The monkey answers without stopping " Oh here's a lark! Old Buffle's been setting his house alight to prevent its being found out that he boned the Taxes. Hurrah! Fire!" And then the sparks came flying up and the smoke came pouring down and the crackling of flames and spatting of water and banging of engines and hacking of axes and breaking of glass and knocking at doors and the shouting and crying and hurrying and the heat and altogether gave me a dreadful palpitation. "Don't be frightened dearest madam," says the Major, "—Fire! There's nothing to be alarmed at—Fire! Don't open the street door till I come back—Fire! I'll go and see if I can be of any service—Fire! You're quite composed and comfortable ain't you?—Fire, Fire, Fire!" It was in vain for me to hold the man and tell him he'd be galloped to death by the engines—pumped to death by his over-exertions—wet-feeted to death by the slop and mess—flattened to death when the roofs fell in—his spirit was up and he went scampering off after the young monkey with all the breath he had and none to spare, and me and the girls huddled together at the parlour windows looking at the dreadful flames above the houses over the way, Mr. Buffle's being round the corner. Presently what should we see but some people running down the street straight to our door, and then the Major directing operations in the busiest way, and then some more people and then—carried in a chair similar to Guy Fawkes—Mr. Buffle in a blanket!&lt;br /&gt;&lt;br /&gt;My dear the Major has Mr. Buffle brought up our steps and whisked into the parlour and carted out on the sofy, and then he and all the rest of them without so much as a word burst away again full speed, leaving the impression of a vision except for Mr. Buffle awful in his blanket with his eyes a rolling. In a twinkling they all burst back again with Mrs. Buffle in another blanket, which whisked in and carted out on the sofy they all burst off again and all burst back again with Miss Buffle in another blanket, which again whisked in and carted out they all burst off again and all burst back again with Mr. Buffle's articled young gentleman in another blanket—him a holding round the necks of two men carrying him by the legs, similar to the picter of the disgraceful creetur who has lost the fight (but where the chair I do not know) and his hair having the appearance of newly played. upon. When all four of a row, the Major rubs his hands and whispers me with what little hoarseness he can get together, "If our dear remarkable boy was only at home what a delightful treat this would be for him!"&lt;br /&gt;&lt;br /&gt;My dear we made them some hot tea and toast and some hot brandy-and-water with a little comfortable nutmeg in it, and at first they were scared and low in their spirits but being fully insured got sociable. And the first use Mr. Buffle made of his tongue was to call the Major his Preserver and his best of friends and to say "My for ever dearest sir let me make you known to Mrs. Buffle" which also addressed him as her Preserver and her best of friends and was fully as cordial as the blanket would admit of. Also Miss Buffle. The articled young gentleman's head was a little light and he sat a moaning "Robina is reduced to cinders, Robina is reduced to cinders!" Which went more to the heart on account of his having got wrapped in his blanket as if he was looking out of a violin-celler-case, until Mr. Buffle says "Robina speak to him!" Miss Buffle says "Dear George!" and but for the Major's pouring down brandy-and-water on the instant which caused a catching in his throat owing to the nutmeg and a violent fit of coughing it might have proved too much for his strength. When the articled young gentleman got the better of it Mr. Buffle leaned up against Mrs. Buffle being two bundles, a little while in confidence, and then says with tears in his eyes which the Major noticing wiped, "We have not been an united family, let us after this danger become so, take her George." The young gentleman could not put his arm out far to do it, but his spoken expressions were very beautiful though of a wandering class. And I do not know that I ever had a much pleasanter meal than the breakfast we took together after we had all dozed, when Miss Buffle made tea very sweetly in quite the Roman style as depicted formerly at Covent Garden Theatre and when the whole family was most agreeable, as they have ever proved since that night when the Major stood at the foot of the Fire-Escape and claimed them as they came down—the young gentleman headforemost, which accounts. And though I do not say that we should be less liable to think ill of one another if strictly limited to blankets, still I do say that we might most of us come to a better understanding if we kept one another less at a distance.&lt;br /&gt;&lt;br /&gt;Why there's Wozenham's lower down on the other side of the street. I had a feeling of much soreness several years respecting what I must still ever call Miss Wozenham's systematic underbidding and the likeness of the house in Bradshaw having far too many windows and a most umbrageous and outrageous Oak which never yet was seen in Norfolk-street nor yet a carriage and four at Wozenham's door, which it would have been far more to Bradshaw's credit to have drawn a cab. This frame of mind continued bitter down to the very afternoon in January last when one of my girls, Sally Rairyganoo which I still suspect of Irish extraction though family represented Cambridge, else why abscond with a bricklayer of the Limerick persuasion and be married in pattens not waiting till his black eye was decently got round with all the company fourteen in number and one horse fighting outside on the roof of the vehicle—I repeat my dear my ill-regulated state of mind towards Miss Wozenham continued down to the very afternoon of January last past when Sally Rairyganoo came banging (I can use no milder expression) into my room with a jump which may be Cambridge and may not, and said "Hurroo Missis! Miss Wozenham's sold up!" My dear when I had it thrown in my face and conscience that the girl Sally had reason to think I could be glad of the ruin of a fellow-creeter, I burst into tears and dropped back in my chair and I says "I am ashamed of myself!"&lt;br /&gt;&lt;br /&gt;Well! I tried to settle to my tea but I could not do it what with thinking of Miss Wozenham and her distresses. It was a wretched night and I went up to a front window and looked over at Wozenham's and as well as I could make it out down the street in the fog it was the dismalest of the dismal and not a light to be seen. So at last I says to myself "This will not do," and I puts on my oldest bonnet and shawl not wishing Miss Wozenham to be reminded of my best at such a time, and lo and behold you I goes over to Wozenham's and knocks. "Miss Wozenham at home?" I says turning my head when I heard the door go. And then I saw it was Miss Wozenham herself who had opened it and sadly worn she was poor thing and her eyes all swelled and swelled with crying. "Miss Wozenham" I says "it is several years since there was a little unpleasantness betwixt us on the subject of my grandson's cap being down your Airy. I have overlooked it and I hope you have done the same." "Yes Mrs. Lirriper" she says in a surprise "I have." "Then my dear" I says "I should be glad to come in and speak a word to you." Upon my calling her my dear Miss Wozenham breaks out a crying most pitiful, and a not unfeeling elderly person that might have been better shaved in a nightcap with a hat over it offering a polite apology for the mumps having worked themselves into his constitution, and also for sending home to his wife on the bellows which was in his hand as a writing-desk, looks out of the back parlour and says "The lady wants a word of comfort" and goes in again. So I was able to say quite natural "Wants a word of comfort does she sir? Then please the pigs she shall have it!" And Miss Wozenham and me we go into the front room with a wretched light that seemed to have been crying too and was sputtering out, and I says "Now my dear, tell me all," and she wrings her hands and says "Oh Mrs. Lirriper that man is in possession here, and I have not a friend in the world who is able to help me with a shilling."&lt;br /&gt;&lt;br /&gt;It doesn't signify a bit what a talkative old body like me said to Miss Wozenham when she said that, and so I'll tell you instead my dear that I'd have given thirty shillings to have taken her over to tea, only I durstn't on account of the Major. Not you see but what I knew I could draw the Major out like thread and wind him round my linger on most subjects and perhaps even on that if I was to set myself to it, but him and me had so often belied Miss Wozenham to one another that I was shamefaced, and I knew she had offended his pride and never mine, and likewise I felt timid that that Rairyganoo girl might make things awkward. So I says "My dear if you could give me a cup of tea to clear my muddle of a head I should better understand your affairs." And we had the tea and the affairs too and after all it was but forty pound, and—There! she's as industrious and straight a creeter as ever lived and has paid back half of it already, and where's the use of saying more, particularly when it ain't the point? For the point is that when she was a kissing my hands and holding them in hers and kissing them again and blessing blessing blessing, I cheered up at last and I says " Why what a waddling old goose I have been my dear to take you for something so very different!" "Ah but I too" says she "how have &lt;em&gt;I&lt;/em&gt; mistaken &lt;em&gt;you&lt;/em&gt;!" "Come for goodness' sake tell me" I says "what you. thought of me?" "Oh" says she "I thought you had no feeling for such a hard hand-to-mouth life as mine, and were rolling in affluence." I says shaking my sides (and very glad to do it for I had been a choking quite long enough) "Only look at my figure my dear and give me your opinion whether if I was in affluence I should be likely to roll in it!" That did it! We got as merry as grigs (whatever &lt;em&gt;they&lt;/em&gt; are, if you happen to know my dear—&lt;em&gt;I&lt;/em&gt; don't) and I went home to my blessed home as happy and as thankful as could be. But before I make an end of it, think even of my having misunderstood the Major! Yes! For next forenoon the Major came into my little room with his brushed hat in his hand and he begins "My dearest madam" and then put his face in his hat as if he had just come into church. As I sat all in a maze he came out of his hat and began again. "My esteemed and beloved friend—" and then went into his hat again. "Major," I cries out frightened "has&lt;br /&gt;anything happened to our darling boy?" "No, no, no" says the Major "but Miss Wozenham has been here this morning to make her excuses to me, and by the Lord I can't get over what she told me." "Hoity toity, Major," I says "you don't know yet that I was afraid of you last night and didn't think half as well of you as I ought! So come out of church Major and forgive me like a dear old friend and I'll never do so any more." And I leave you to judge my dear whether I ever did or will. And how affecting to think of Miss Wozenham out of her small income and her losses doing so much for her poor old father, and keeping a brother that had had the misfortune to soften his brain against the hard mathematics as neat as a new pin in the three back represented to lodgers as a lumber-room and consuming a whole shoulder of mutton whenever provided!&lt;br /&gt;&lt;br /&gt;And now my dear I really am a going to tell you about my Legacy if you're inclined to favour me with your attention, and I did fully intend to have come straight to it only one thing does so bring up another. It was the month of June and the day before Midsummer Day when my girl—Winifred Madgers—she was what is termed a Plymouth Sister, and the Plymouth Brother that made away with her was quite right, for a tidier young woman for a wife never came into a house and afterwards called with the beautifullest Plymouth Twins — it was the day before Midsummer Day when Winifred Madgers comes and says to me "A gentleman from the Consul's wishes particular to speak to Mrs. Lirriper." If you'll believe me my dear the Consols at the bank where I have a little matter for Jemmy got into my head, and I says "Good gracious I hope he ain't had any dreadful fall!" Says Winifred "He don't look as if he had ma'am." And I says " Show him in."&lt;br /&gt;&lt;br /&gt;The gentleman came in dark and with his hair cropped what I should consider too close, and he says very polite "Madame Lirrwiper!" I says "Yes sir. Take a chair." "I come," says he "frrwom the Frrwench Consul's." So I saw at once that it wasn't the Bank of England. "We have rrweceived," says the gentleman turning his r's very curious and skilful, "frrwom the Mairrwie at Sens, a communication which I will have the honour to rrwead. Madame Lirrwiper understands Frrwench?" "Oh dear no sir!" says I. "Madame Lirriper don't understand anything of the sort." "It matters not," says the gentleman, " I will trrwanslate."&lt;br /&gt;&lt;br /&gt;With that my dear the gentleman after reading something about a Department and a Mairie (which Lord forgive me I supposed till the Major came home was Mary, and never was I more puzzled than to think how that young woman came to have so much to do with it) translated a lot with the most obliging pains, and it came to this:—That in the town of Sens in France, an unknown Englishman lay a dying. That he was speechless and without motion. That in his lodging there was a gold watch and a purse containing such and such money and a trunk containing such and such clothes, but no passport and no papers, except that on his table was a pack of cards and that he had written in pencil on the back of the ace of hearts: "To the authorities. When I am dead, pray send what is left, as a last Legacy, to Mrs. Lirriper Eighty-one Norfolk-street Strand London." When the gentleman had explained all this, which seemed to be drawn up much more methodical than I should have given the French credit for, not at that time knowing the nation, he put the document into my hand. And much the wiser I was for that you may be sure, except that it had the look of being made out upon grocery-paper and was stamped all over with eagles.&lt;br /&gt;&lt;br /&gt;"Does Madame Lirrwiper" says the gentleman "believe she rrwecognises her unfortunate compatrrwiot?"&lt;br /&gt;&lt;br /&gt;You may imagine the flurry it put me into my dear to be talked to about my compatriots.&lt;br /&gt;&lt;br /&gt;I says "Excuse me. Would you have the kindness sir to make your language as simple as you can?"&lt;br /&gt;&lt;br /&gt;"This Englishman unhappy, at the point of death. This compatrrwiot afflicted," says the gentleman.&lt;br /&gt;&lt;br /&gt;"Thank you sir" I says "I understand you now. No sir I have not the least idea who this can be."&lt;br /&gt;&lt;br /&gt;"Has Madame Lirrwiper no son, no nephew, no godson, no frrwiend, no acquaintance of any kind in Frrwance?"&lt;br /&gt;&lt;br /&gt;"To my certain knowledge" says I "no relation or friend, and to the best of my belief no acquaintance."&lt;br /&gt;&lt;br /&gt;"Pardon me. You take Locataires?" says the gentleman.&lt;br /&gt;&lt;br /&gt;My dear fully believing he was offering me something with his obliging foreign manners—snuff for anything I knew—I gave a little bend of my head and I says if you'll credit it, "No I thank you. I have not contracted the habit."&lt;br /&gt;&lt;br /&gt;The gentleman looks perplexed and says "Lodgers?"&lt;br /&gt;&lt;br /&gt;"Oh!" says I laughing. "Bless the man! Why yes to be sure!"&lt;br /&gt;&lt;br /&gt;"May it not be a former lodger?" says the gentleman. "Some lodger that you pardoned some rrwent? You have pardoned lodgers some rrwent?"&lt;br /&gt;&lt;br /&gt;"Hem! It has happened sir" says I, "but I assure you I can call to mind no gentleman of that description that this is at all likely to be."&lt;br /&gt;&lt;br /&gt;In short my dear we could make nothing of it, and the gentleman noted down what I said and went away. But he left me the paper of which he had two with him, and when the Major came in I says to the Major as I put it in his hand "Major here's Old Moore's Almanack with the hieroglyphic complete, for your opinion."&lt;br /&gt;&lt;br /&gt;It took the Major a little longer to read than I should have thought, judging from the copious flow with which he seemed to be gifted when attacking the organ-men, but at last he got through it and stood a gazing at me in amazement.&lt;br /&gt;&lt;br /&gt;"Major" I says "you're paralysed."&lt;br /&gt;&lt;br /&gt;"Madam" says the Major, "Jemmy Jackman is doubled up."&lt;br /&gt;&lt;br /&gt;Now it did so happen that the Major had been out to get a little information about railroads and steam-boats, as our boy was coming home for his Midsummer holidays next day and we were going to take him somewhere for a treat and a change. So while the Major stood a gazing it came into my head to say to him "Major I wish you'd go and look at some of your books and maps, and see whereabouts this same town of Sens is in France."&lt;br /&gt;&lt;br /&gt;The Major he roused himself and he went into the Parlours and he poked about a little, and he came back to me and lie says: "Sens my dearest madam is seventy odd miles south of Paris."&lt;br /&gt;&lt;br /&gt;With what I may truly call a desperate effort "Major" I says "we'll go there with our blessed boy!"&lt;br /&gt;&lt;br /&gt;If ever the Major was beside himself it was at the thoughts of that journey. All day long he was like the wild man of the woods after meeting with an advertisement in the papers telling him something to his advantage, and early next morning hours before Jemmy could possibly come home he was outside in the street ready to call out to him that we was all a going to France. Young Rosy-cheeks you may believe was as wild as the Major, and they did carry on to that degree that I says "If you two children ain't more orderly I'll pack you both off to bed." And then they fell to cleaning up the Major's telescope to see France with, and went out and bought a leather bag with a snap to hang round Jemmy, and him to carry the money like a little Fortunatus with his purse.&lt;br /&gt;&lt;br /&gt;If I hadn't passed my word and raised their hopes, I doubt if I could have gone through with the undertaking but it was too late to go back now. So on the second day after Midsummer Day we went off by the morning mail. And when we came to the sea which I had never seen but once in my life and that when my poor Lirriper was courting me, the freshness of it and the deepness and the airiness and to think that it had been rolling ever since and that it was always a rolling and so few of us minding, made me feel quite serious. But I felt happy too and so did Jemmy and the Major and not much motion on the whole, though me with a swimming in the head and a sinking but able to take notice that the foreign insides appear to be constructed hollower than the English, leading to much more tremenjous noises when bad sailors.&lt;br /&gt;&lt;br /&gt;But my dear the blueness and the lightness and the coloured look of everything and the very sentry-boxes striped and the shining rattling drums and the little soldiers with their waists and tidy gaiters, when we got across to the Continentit made me feel as if I don't know what—as if the atmosphere had been lifted off me. And as to lunch why bless you if I kept a man-cook and two kitchen-maids I couldn't get it done for twice the money, and no injured young women a glaring at you and grudging you and acknowledging your patronage by wishing that your food might choke you, but so civil and so&lt;br /&gt;hot and attentive and every way comfortable except Jemmy pouring wine down his throat by tumblers-full and me expecting to see him drop under the table.&lt;br /&gt;&lt;br /&gt;And the way in which Jemmy spoke his French was a real charm. It was often wanted of him, for whenever anybody spoke a syllable to me I says "Noncomprenny, you're very kind but it's no use—Now Jemmy!" and then Jemmy he fires away at 'em lovely, the only thing wanting in Jemmy's French being as it appeared to me that he hardly ever understood a word of what they said to him which made it scarcely of the use it might have been though in other respects a perfect Native, and regarding the Major's fluency I should have been of the opinion judging French by English that there might have been a greater choice of words in the language though still I must admit that if I hadn't known him when he asked a military gentleman in a grey cloak what o'clock it was I should have took him for a Frenchman born.&lt;br /&gt;&lt;br /&gt;Before going on to look after my Legacy we were to make one regular day in Paris, and I leave you to judge my dear what a day &lt;em&gt;that&lt;/em&gt; was with Jemmy and the Major and the telescope and me and the prowling young man at the inn door (but very civil too) that went along with us to show the sights. All along the railway to Paris Jemmy and the Major had been frightening me to death by stooping down on the platforms at stations to inspect the engines underneath&lt;br /&gt;their mechanical stomachs, and by creeping in and out I don't know where all, to find improvements for the United Grand Junction Parlour, but when we got out into the brilliant streets on a bright morning they gave up all their London improvements as a bad job and gave their minds to Paris. Says the prowling young man to me "Will I speak Inglis No?" So I says "If you can young man I shall take it as a favour," but after half an hour of it when I fully believed the man had gone mad and me too I says "Be so good as fall back on your French sir," knowing that then I shouldn't have the agonies of trying to understand him which was a happy release. Not that I lost much more than the rest either, for I generally noticed that when he had described something very long indeed and I says to Jemmy "What does he say Jemmy?" Jemmy says looking at him with vengeance in his eye "He is so jolly indistinct!" and that when he had described it longer all over again and I says to Jemmy "Well Jemmy what's it all about?" says "He says the building was repaired in seventeen hundred and four, Gran."&lt;br /&gt;&lt;br /&gt;Wherever that prowling young man formed his prowling habits I cannot be expected to know, but the way in which he went round the corner while we had our breakfasts and was there again when we swallowed the last crumb was most marvellous, and just the same at dinner and at night, prowling equally at the theatre and the inn gateway and the shop-doors when we bought a trifle or two and everywhere else but troubled with a tendency to spit. And of Paris I can tell you no more my dear than that it's town and country both in one, and carved stone and long streets of high houses and gardens and fountains and statues and trees and gold, and immensely big soldiers and immensely little soldiers and the pleasantest nurses with the whitest caps a playing at skipping-rope with the bunchiest babies in the flattest caps, and clean tablecloths spread everywhere for dinner and people sitting out of doors smoking and sipping all day long and little plays being acted in the open air for little people and every shop a complete and elegant room, and everybody seeming to play at everything in this world. And as to the sparkling lights my dear after dark, glittering high up and low down and on before and on behind and all round, and the crowd of theatres and the crowd of people and the crowd of all sorts, it's pure enchantment. And pretty well the only thing that grated on me was that whether you pay your fare at the railway or whether you change your money at a money-dealer's or whether you take your ticket at the theatre, the lady or gentleman is caged up (I suppose by Government) behind the strongest iron bars having more of a Zoological appearance than a free country.&lt;br /&gt;&lt;br /&gt;Well to be sure when I did after all get my precious bones to bed that night, and my Young Rogue came in to kiss me and asks "What do you think of this lovely lovely Paris, Gran?" I says "Jemmy I feel as if it was beautiful fireworks being let off in my head." And very cool and refreshing the pleasant country was next day when we went on to look after my Legacy, and rested me much and did me a deal of good.&lt;br /&gt;&lt;br /&gt;So at length and at last my dear we come to Sens, a pretty little town with a great two-towered cathedral and the rooks flying in and out of the loopholes and another tower atop of one of the towers like a sort of a stone pulpit. In which pulpit with the birds skimming below him if you'll believe me, I saw a speck while I was resting at the inn before dinner which they made signs to me was Jemmy and which really was. I had been a fancying as I sat in the balcony of the hotel that an Angel might light there and call down to the people to be good, but I little thought what Jemmy all unknown to himself was a calling down from that high place to some one in the town.&lt;br /&gt;&lt;br /&gt;The pleasantest-situated inn my dear! Right under the two towers, with their shadows a changing upon it all day like a kind of a sundial, and country people driving in and out of the court-yard in carts and hooded cabriolets and such-like, and a market outside in front of the cathedral, and all so quaint and like a picter. The Major and me agreed that whatever came of my Legacy this was the place to stay in for our holiday, and we also agreed that our dear boy had best not be checked in his joy that night by the sight of the Englishman if he was still alive, but that we would go together and alone. For you are to understand that the Major not feeling himself quite equal in his wind to the heighth to which Jemmy had climbed, had come back to me and left him with the Guide.&lt;br /&gt;&lt;br /&gt;So after dinner when Jemmy had set off to see the river, the Major went down to the Mairie, and presently came back with a military character in a sword and spurs and a cocked-hat and a yellow shoulder-belt and long tags about him that he must have found inconvenient. And the Major says "The Englishman still lies in the same state dearest madam. This gentleman will conduct us to his lodging." Upon which the military character pulled off his cocked-hat to me, and I took notice that he had shaved his forehead in imitation of Napoleon Bonaparte but not like.&lt;br /&gt;&lt;br /&gt;We went out at the court-yard gate and past the great doors of the cathedral and down a narrow High Street where the people were sitting chatting at their shop-doors and the children were at play. The military character went in front and he stopped at a pork-shop with a little statue of a pig sitting up, in the window, and a private door that a donkey was looking out of.&lt;br /&gt;&lt;br /&gt;When the donkey saw the military character he came slipping out on the pavement to turn round and then clattered along the passage into a back-yard. So the coast being clear, the Major and me were conducted up the common stair and into the front room on the second, a bare room with a red tiled floor and the outside lattice blinds pulled close to darken it. As the military character opened the blinds I saw the tower where I had seen Jemmy, darkening as the sun got low, and I turned to the bed by the wall and saw the Englishman.&lt;br /&gt;&lt;br /&gt;It was some kind of brain fever he had had, and his hair was all gone, and some wetted folded linen lay upon his head. I looked at him very attentive as he lay there all wasted away with his eyes closed, and I says to the Major&lt;br /&gt;&lt;br /&gt;"I never saw this face before."&lt;br /&gt;&lt;br /&gt;The Major looked at him very attentive too, and he says&lt;br /&gt;&lt;br /&gt;"&lt;em&gt;I&lt;/em&gt; never saw this face before."&lt;br /&gt;&lt;br /&gt;When the Major explained our words to the military character, that gentleman shrugged his shoulders and showed the Major the card on which it was written about the Legacy for me. It had been written with a weak and trembling hand in bed, and I knew no more of the writing than of the face. Neither did the Major.&lt;br /&gt;&lt;br /&gt;Though lying there alone, the poor creetur was as well taken care of as could be hoped, and would have been quite unconscious of any one's sitting by him then. I got the Major to say that we were not going away at present and that I would come back to-morrow and watch a bit by the bedside. But I got him to add—and I shook my head hard to make it stronger—"We agree that we never saw this face before."&lt;br /&gt;&lt;br /&gt;Our boy was greatly surprised when we told him sitting out in the balcony in the starlight, and he ran over some of those stories of former Lodgers, of the Major's putting down, and asked wasn't it possible that it might be this lodger or that lodger. It was not possible and we went to bed.&lt;br /&gt;&lt;br /&gt;In the morning just at breakfast-time the military character came jingling round, and said that the doctor thought from the signs he saw there might be some rally before the end. So I says to the Major and Jemmy, "You two boys go and enjoy yourselves, and I'll take my Prayer-Book and go sit by the bed." So I went, and I sat there some hours, reading a prayer for him poor soul now and then, and it was quite on in the day when he moved his hand.&lt;br /&gt;&lt;br /&gt;He had been so still, that the moment he moved I knew of it, and I pulled off my spectacles and laid down my book and rose and looked at him. From moving one hand he began to move both, and then his action was the action of a person groping in the dark. Long after his eyes had opened, there was a film over them and he still felt for his way out into light. But by slow degrees his sight cleared and his hands stopped. He saw the ceiling, he saw the wall, he saw me. As his sight cleared, mine cleared too, and when at last we looked in one another's faces, I started back and I cries passionately:&lt;br /&gt;&lt;br /&gt;"O you wicked wicked man! Your sin has found you out!"&lt;br /&gt;&lt;br /&gt;For I knew him, the moment life looked out of his eyes, to be Mr. Edson, Jemmy's father who had so cruelly deserted Jemmy's young unmarried mother who had died in my arms, poor tender creetur, and left Jemmy to me.&lt;br /&gt;&lt;br /&gt;"You cruel wicked man! You bad black traitor!"&lt;br /&gt;&lt;br /&gt;With the little strength he had, he made an attempt to turn over on his wretched face to hide it. His arm dropped out of the bed and his head with it, and there he lay before me crushed in body and in mind. Surely the miserablest sight under the summer sun!&lt;br /&gt;&lt;br /&gt;"O blessed Heaven" I says a crying, "teach me what to say to this broken mortal! I am a poor sinful creetur, and the Judgment is not mine."&lt;br /&gt;&lt;br /&gt;As I lifted my eyes up to the clear bright sky, I saw the high tower where Jemmy had stood above the birds, seeing that very window; and the last look of that poor pretty young mother when her soul brightened and got free, seemed to shine down from it.&lt;br /&gt;&lt;br /&gt;"O man, man, man!" I says, and I went on my knees beside the bed; "if your heart is rent asunder and you are truly penitent for what you did, Our Saviour will have mercy on you yet!"&lt;br /&gt;&lt;br /&gt;As I leaned my face against the bed, his feeble hand could just move itself enough to touch me. I hope the touch was penitent. It tried to hold my dress and keep hold, but the fingers were too weak to close.&lt;br /&gt;&lt;br /&gt;I lifted him back upon the pillows, and I says to him:&lt;br /&gt;&lt;br /&gt;"Can you hear me?"&lt;br /&gt;&lt;br /&gt;He looked yes.&lt;br /&gt;&lt;br /&gt;"Do you know me?"&lt;br /&gt;&lt;br /&gt;He looked yes, even yet more plainly.&lt;br /&gt;&lt;br /&gt;"I am not here alone. The Major is with me. You recollect the Major?"&lt;br /&gt;&lt;br /&gt;Yes. That is to say he made out yes, in the same way as before.&lt;br /&gt;&lt;br /&gt;"And even the Major and I are not alone. My grandson—his godson—is with us. Do you hear? My grandson."&lt;br /&gt;&lt;br /&gt;The fingers made another trial to catch at my sleeve, but could only creep near it and fall.&lt;br /&gt;&lt;br /&gt;"Do you know who my grandson is?"&lt;br /&gt;&lt;br /&gt;Yes.&lt;br /&gt;&lt;br /&gt;"I pitied and loved his lonely mother. When his mother lay a dying I said to her, 'My dear this baby is sent to a childless old woman.' He has been my pride and joy ever since. I love him as dearly as if he had drunk from my breast. Do you ask to see my grandson before you die?'&lt;br /&gt;&lt;br /&gt;Yes.&lt;br /&gt;&lt;br /&gt;"Show me, when I leave off speaking, if you correctly understand what I say. He has been kept unacquainted with the story of his birth. He has no knowledge of it. No suspicion of it. If I bring him here to the side of this bed, he will suppose you to be a perfect stranger. It is more than I can do, to keep from him the knowledge that there is such wrong and misery in the world; but that it was ever so near him in his innocent cradle, I have kept from him, and I do keep from him, and I ever will keep from him. For his mother's sake, and for his own."&lt;br /&gt;&lt;br /&gt;He showed me that he distinctly understood, and the tears fell from his eyes.&lt;br /&gt;&lt;br /&gt;"Now rest, and you shall see him."&lt;br /&gt;&lt;br /&gt;So I got him a little wine and some brandy and I put things straight about his bed. But I began to be troubled in my mind lest Jemmy and the Major might be too long of coming back. What with this occupation for my thoughts and hands, I didn't hear a foot upon the stairs, and was startled when I saw the Major stopped short in the middle of the room by the eyes of the man upon the bed, and knowing him then, as I had known him a little while ago.&lt;br /&gt;&lt;br /&gt;There was anger in the Major's face, and there was horror and repugnance and I don't know what. So I went up to him and I led him to the bedside and when I clasped my hands and lifted of them up, the Major did the like.&lt;br /&gt;&lt;br /&gt;"O Lord " I says "Thou knowest what we two saw together of the sufferings and sorrows of that young creetur now with Thee. If this dying man is truly penitent, we two together humbly pray Thee to have mercy on him!"&lt;br /&gt;&lt;br /&gt;The Major says "Amen!" and then after a little stop I whispers him, "Dear old friend fetch our beloved boy." And the Major, so clever as to have got to understand it all without being told a word, went away and brought him.&lt;br /&gt;&lt;br /&gt;Never never never, shall I forget the fair bright face of our boy when he stood at the foot of the bed, looking at his unknown father. And O so like his dear young mother then!&lt;br /&gt;&lt;br /&gt;"Jemmy" I says, "I have found out all about this poor gentleman who is so ill, and he did lodge in the old house once. And as he wants to see all belonging to it, now that he is passing away, I sent for you."&lt;br /&gt;&lt;br /&gt;"Ah poor man!" says Jemmy stepping forward and touching one of his hands with great gentleness. "My heart melts for him. Poor, poor, man!"&lt;br /&gt;&lt;br /&gt;The eyes that were so soon to close for ever, turned to me, and I was not that strong in the pride of my strength that I could resist them.&lt;br /&gt;&lt;br /&gt;"My darling boy, there is a reason in the secret history of this fellow-creetur, lying as the best and worst of us must all lie one day, which I think would ease his spirit in his last hour if you would lay your cheek against his forehead and say 'May God forgive you!'"&lt;br /&gt;&lt;br /&gt;"O Gran," says Jemmy with a full heart "I am not worthy!" But he leaned down and did it. Then the faltering fingers made out to catch hold of my sleeve at last, and I believe he was a trying to kiss me when he died.&lt;br /&gt;&lt;br /&gt;* * * * *&lt;br /&gt;&lt;br /&gt;There my dear! There you have the story of my Legacy in full, and it's worth ten times the trouble I have spent upon it if you are pleased to like it.&lt;br /&gt;&lt;br /&gt;You might suppose that it set us against the little French town of Sens, but no we didn't find that. I found myself that I never looked up at the high tower atop of the other tower, but the days came back again when that fair young creetur with her pretty bright hair trusted in me like a mother, and the recollection made the place so peaceful to me as I can't express. And every soul about the hotel down to the pigeons in the court-yard made friends with Jemmy and the Major, and went lumbering away with them on all sorts of expeditions in all sorts of vehicles drawn by rampagious cart-horses—with heads and without—mud for paint and ropes for harness and every new friend dressed in blue like a butcher, and every new horse standing on his hind legs wanting to devour and consume every other horse, and every man that had a whip to crack crack-crack-crack-crack-cracking it as if it was a schoolboy with his first. As to the Major my dear that man lived the greater part of his time with a little tumbler in one hand and a bottle of small wine in the other, and whenever he saw anybody else with a little tumbler, no matter who it was—the military character with the tags, or the inn servants at their supper in the court-yard, or towns-people a chatting on a bench, or country-people a starting home after market—down rushes the Major to clink his glass against their glasses and cry—Hola! Vive Somebody! or Vive Something! as if he was beside himself. And though I could not quite approve of the Major's doing it, still the ways of the world are the ways of the world varying according to different parts of it, and dancing at all in the open Square with a lady that kept a barber's shop my opinion is that the Major was right to dance his best and to lead off with a power that I did not think was in him, though I was a little uneasy at the Barricading sound of the cries that were set up by the other dancers and the rest of the company, until when I says "What are they ever calling out Jemmy?" Jemmy says "They're calling out Gran, Bravo the Military English! Bravo the Military English!" which was very gratifying to my feelings as a Briton and became the name the Major was known by.&lt;br /&gt;&lt;br /&gt;But every evening at a regular time we all three sat out in the balcony of the hotel at the end of the court-yard, looking up at the golden and rosy light as it changed on the great towers, and looking at the shadows of the towers as they changed on all about us ourselves included, and what do you think we did there? My dear if Jemmy hadn't brought some other of those stories of the Major's taking down from the telling of former lodgers at Eighty-one Norfolk-street, and if he didn't bring 'em out with this speech:&lt;br /&gt;&lt;br /&gt;"Here you are Gran! Here you are Godfather! More of 'em! &lt;em&gt;I&lt;/em&gt;'ll read. And though you wrote 'em for me, Godfather, I know you won't disapprove of my making 'em over to Gran; will you?"&lt;br /&gt;&lt;br /&gt;"No my dear boy," says the Major. "Everything we have is hers, and we are hers."&lt;br /&gt;&lt;br /&gt;"Hers ever affectionately and devotedly J. Jackman, and J. Jackman Lirriper," cries the Young Rogue giving me a close hug. "Very well then Godfather. Look here. As Gran is in the Legacy way just now, I shall make these stories a part of Gran's Legacy. I'll leave 'em to her. What do you say Godfather?"&lt;br /&gt;&lt;br /&gt;"Hip hip Hurrah!" says the Major.&lt;br /&gt;&lt;br /&gt;"Very well then" cries Jemmy all in a bustle. "Vive the Military English! Vive the Lady Lirriper! Vive the Jemmy Jackman Ditto! Vive the Legacy! Now, you look out, Gran. And you look out, Godfather, &lt;em&gt;I&lt;/em&gt;'ll read! And I'll tell you what I'll do besides. On the last night of our holiday here when we are all packed and going away, I'll top up with something of my own."&lt;br /&gt;&lt;br /&gt;"Mind you do sir" says I.&lt;br /&gt;&lt;br /&gt;"Don't you be afraid, Gran" cries Young Sparkles. "Now then! I'm going to read. Once, twice, three and away. Open your mouths and shut your eyes, and see what Fortune sends you. All in to begin. Look out Gran. Look out Godfather!"&lt;br /&gt;&lt;br /&gt;So in his lively spirits Jemmy began a reading, and he read every evening while we were there, and sometimes we were about it late enough to have a candle burning quite steady out in the balcony in the still air. And so here is the rest of my Legacy my dear that I now hand over to you in this bundle of papers all in the Major's plain round writing. I wish I could hand you the church towers over too, and the pleasant air and the inn yard and the pigeons often coming and perching on the rail by Jemmy and seeming to be critical with their heads on one side, but you'll take as you find.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Well my dear and so the evening readings of these jottings of the Major's brought us round at last to the evening when we were all packed and going away next day, and I do assure you that by that time though it was deliciously comfortable to look forward to the dear old house in Norfolk-street again, I had formed quite a high opinion of the French nation and had noticed them to be much more homely and domestic in their families and far more simple and amiable in their lives than I had ever been led to expect, and it did strike me between ourselves that in one particular they might be imitated to advantage by another nation which I will not mention, and that is in the courage with which they take their little enjoyments on little means and with little things and don't let solemn big-wigs stare them out of countenance or speechify them dull, of which said solemn big-wigs I have ever had the one opinion that I wish they were all made comfortable separately in coppers with the lids on and never let out any more.&lt;br /&gt;&lt;br /&gt;"Now young man," I says to Jemmy when we brought our chairs into the balcony that last evening, "you please to remember who was to 'top up.'"&lt;br /&gt;&lt;br /&gt;"l am the illustrious personage."&lt;br /&gt;&lt;br /&gt;But he looked so serious after he had made me that light answer, that the Major raised his eyebrows at me and I raised mine at the Major.&lt;br /&gt;&lt;br /&gt;"Gran and Godfather," says Jemmy, "you can hardly think how much my mind has run on Mr. Edson's death."&lt;br /&gt;&lt;br /&gt;It gave me a little check. "Ah! It was a sad scene my love" I says, "and sad remembrances come back stronger than merry. But this" I says after a little silence, to rouse myself and the Major and Jemmy all together, "is not topping up. Tell us your story my dear."&lt;br /&gt;&lt;br /&gt;"I will" says Jemmy.&lt;br /&gt;&lt;br /&gt;"What is the date sir?" says I. "Once upon a time when pigs drank wine?"&lt;br /&gt;&lt;br /&gt;"No Gran," says Jemmy, still serious; "once upon a time when the French drank wine."&lt;br /&gt;&lt;br /&gt;Again I glanced at the Major, and the Major glanced at me.&lt;br /&gt;&lt;br /&gt;"In short, Gran and Godfather," says Jemmy, looking up, "the date is this time, and I'm going to tell you Mr. Edson's story."&lt;br /&gt;&lt;br /&gt;The flutter that it threw me into. The change of colour on the part of the Major!&lt;br /&gt;&lt;br /&gt;"That is to say, you understand," our bright-eyed boy says, "I am going to give you my version of it. I shall not ask whether it's right or not, firstly because you said you knew very little about it, Gran, and secondly because what little you did know was a secret."&lt;br /&gt;&lt;br /&gt;I folded my hands in my lap and I never took my eyes off Jemmy as he went running on.&lt;br /&gt;&lt;br /&gt;"The unfortunate gentleman" Jemmy commences, "who is the subject of our present narrative was the son of Somebody, and was born Somewhere, and chose a profession Somehow. It is not with those parts of his career that we have to deal; but with his early attachment to a young and beautiful lady."&lt;br /&gt;&lt;br /&gt;I thought I should have dropped. I durstn't look at the Major; but I knew what his state was, without looking at him.&lt;br /&gt;&lt;br /&gt;"The father of our ill-starred hero" says Jemmy, copying as it seemed to me the style of some of his story-books, "was a worldly man who entertained ambitious views for his only son and who firmly set his face against the contemplated alliance with a virtuous but penniless orphan. Indeed he went so far as roundly to assure our hero that unless he weaned his thoughts from the object of his devoted affection, he would disinherit him. At the same time, he proposed as a suitable match, the daughter of a neighbouring gentleman of a good estate, who was neither ill favoured nor unamiable, and whose eligibility in a pecuniary point of view could not be disputed. But young Mr. Edson, true to the first and only love that had inflamed his breast, rejected all considerations of self-advancement, and, deprecating his father's anger in a respectful letter, ran away with her."&lt;br /&gt;&lt;br /&gt;My dear I had begun to take a turn for the better, but when it come to running away I began to take another turn for the worse.&lt;br /&gt;&lt;br /&gt;"The lovers" says Jemmy "fled to London and were united at the altar of Saint Clement's Danes. And it is at this period of their simple but touching story, that we find them inmates of the dwelling of a highly respected and beloved lady of the name of Gran, residing within a hundred miles of Norfolk street."&lt;br /&gt;&lt;br /&gt;I felt that we were almost safe now, I felt that the dear boy had no suspicion of the bitter truth, and I looked at the Major for the first time and drew a long breath. The Major gave me a nod.&lt;br /&gt;&lt;br /&gt;"Our hero's father" Jemmy goes on "proving implacable and carrying his threat into unrelenting execution, the struggles of the young couple in London were severe, and would have been far more so, but for their good angel's having conducted them to the abode of Mrs. Gran: who, divining their poverty (in spite of their endeavours to conceal it from her), by a thousand delicate arts smoothed their rough way, and alleviated the sharpness of their first distress."&lt;br /&gt;&lt;br /&gt;Here Jemmy took one of my hands in one of his, and began a marking the turns of his story by making me give a beat from time to time upon his other hand.&lt;br /&gt;&lt;br /&gt;"After a while, they left the house of Mrs. Gran, and pursued their fortunes through a variety of successes and failures elsewhere. But in all reverses, whether for good or evil, the words of Mr. Edson to the fair young partner of his life, were: 'Unchanging Love and Truth will carry us through all!'"&lt;br /&gt;&lt;br /&gt;My hand trembled in the dear boy's, those words were so wofully unlike the fact.&lt;br /&gt;&lt;br /&gt;"Unchanging Love and Truth" says Jemmy over again, as if he had a proud kind of a noble pleasure in it, "will carry us through all! Those were his words. And so they fought their way, poor but gallant and happy, until Mrs. Edson gave birth to a child."&lt;br /&gt;&lt;br /&gt;"A daughter," I says.&lt;br /&gt;&lt;br /&gt;"No" says Jemmy, "a son. And the father was so proud of it that he could hardly bear it out of his sight. But a dark cloud overspread the scene. Mrs. Edson sickened, drooped, and died."&lt;br /&gt;&lt;br /&gt;"Ah! Sickened, drooped, and died!" I says.&lt;br /&gt;&lt;br /&gt;"And so Mr. Edson's only comfort, only hope on earth, and only stimulus to action, was his darling boy. As the child grew older, he grew so like his mother that he was her living picture. It used to make him wonder why his father cried when he kissed him. But unhappily he was like his mother in constitution as well as in face, and he died too before he had grown out of childhood. Then Mr. Edson, who had good abilities, in his forlornness and despair threw them all to the winds. He became apathetic, reckless, lost. Little by little he sank down, down, down, down, until at last he almost lived (I think) by gaming. And so sickness overtook him in the town of Sens in France, and he lay down to die. But now that he laid him down when all was done, and looked back upon the green Past beyond the time when he had covered it with ashes, he thought gratefully of the good Mrs. Gran long lost sight of, who had been so kind to him and his young wife in the early days of their marriage, and he left the little that he had as a last Legacy to her. And she, being brought to see him, at first no more knew him than she would know from seeing the ruin of a Greek or Roman Temple, what it used to be before it fell; but at length she remembered him. And then he told her with tears, of his regret for the misspent part of his life, and besought her to think as mildly of it as she could, because it was the poor fallen Angel of his unchanging Love and Constancy after all. And because she had her grandson with her, and he fancied that his own boy, if he had lived, might have grown to be something like him, he asked her to let him touch his forehead with his cheek and say certain parting words."&lt;br /&gt;&lt;br /&gt;Jemmy's voice sank low when it got to that, and tears filled my eyes, and filled the Major's.&lt;br /&gt;&lt;br /&gt;"You little Conjuror" I says, "how did you ever make it all out? Go in and write it every word down, for it's a wonder."&lt;br /&gt;&lt;br /&gt;Which Jemmy did, and I have repeated it to you my dear from his writing.&lt;br /&gt;&lt;br /&gt;Then the Major took my hand and kissed it, and said "Dearest madam all has prospered with us."&lt;br /&gt;&lt;br /&gt;"Ah Major" I says drying my eyes, "we needn't have been afraid. We might have known it. Treachery don't come natural to beaming youth; but trust and pity, love and constancy they do, thank God!"</text>
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                  <text>&lt;strong&gt;This collection (still in development) unites the eighteen Christmas numbers that Dickens orchestrated between 1850 and 1867 in conjunction with multiple Victorian authors, notably Wilkie Collins, and published in his periodicals &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;After writing five Christmas books and multiple sketches on Yuletide cheer - notably '&lt;em&gt;Scenes and Characters&lt;/em&gt;, No. 10, Christmas Festivities', published as 'A Christmas Dinner' in &lt;em&gt;Sketches by Boz&lt;/em&gt; (1836) - not to mention the holiday merry-making described in &lt;em&gt;Pickwick Papers&lt;/em&gt; (1836-1837), Charles Dickens might reasonably be supposed to have had his fill of seasonal writing. However, he published a Christmas number in 1850 in &lt;em&gt;HW&lt;/em&gt; that contained a series of sketches about Christmas, contributing 'A Christmas Tree' (1850). In the next year's Christmas number, he included the short piece 'What Christmas is, as we Grow Older' (1851). Holiday fiction, though, was what Dickens's readership seemed to crave, and the author, editor, and entrepreneur in Dickens all recognised the opportunity.&lt;br /&gt;&lt;br /&gt;In 1852, Dickens decided to develop an extra Christmas number for &lt;em&gt;HW &lt;/em&gt;which would harness the creative talents of other writers for a series of unrelated stories told within a frame narrative of his own composition. Each year he himself would write several of these parts, generally two to three. Soon, the Christmas number became as much of an expected holiday tradition among Victorian subscribers as had been the Christmas books. All in all, eighteen Christmas numbers of this kind resulted (1850-1867); nine published in &lt;em&gt;HW&lt;/em&gt; and nine in &lt;em&gt;ATYR&lt;/em&gt;.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers - &lt;em&gt;Household Words&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
On 24 December 1852, Dickens published &lt;em&gt;A Round of Stories by the Christmas Fire. &lt;/em&gt;Personally, he had written 'The Poor Relation's Story' (No.1) and 'The Child's Story' (No.2) with successive stories authored by other contributors, though no names appeared. What would have been the 1853 extra number was late, published instead on 18 February 1854, a circumstance that would not occur again until the 1864 Christmas number. This time, Dickens published more short stories by himself and others, contributing 'The Schoolboy's Story' and 'Nobody's Story', but the Christmas number, for once, lacked a frame narrative or overarching title, though it would come to be known as &lt;em&gt;Another Round of Stories by the Christmas Fire&lt;/em&gt;. 25 December 1854 saw &lt;em&gt;The Seven Poor Travellers&lt;/em&gt;, with Dickens penning 'The First' (No.1) and 'The Road' (No.7). By writing the first and last stories in the collection, he, as editor, might steer the entire composition towards a cohesive conclusion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Next, Dickens wrote 'The Guest' (No.1), 'The Boots' (No.3), and 'The Bill' (No.7) as part of &lt;em&gt;The Holly-Tree Inn&lt;/em&gt; (15 December 1855). &lt;em&gt;The Wreck of the 'Golden Mary'&lt;/em&gt; followed on 25 December 1856, with Dickens composing only 'The Wreck' (No.1), a lengthy description of a shipwreck which sets up the framing narrative. Next, Dickens collaborated with Wilkie Collins on &lt;em&gt;The Perils of Certain English Prisoners, and their Treasure in Women, Children, Silver, and Jewels&lt;/em&gt; (7 December 1857), Dickens writing 'The Island of Silver-Store' (No.1) and 'The Rafts on the River' (No.3) with Collins contributing the second chapter. Rounding out the extra Christmas numbers for &lt;em&gt;HW&lt;/em&gt;, &lt;em&gt;A House to Let&lt;/em&gt; appeared on 7 December 1858, with Dickens authoring 'Going into Society' (No.3). The last issue of HW appeared on 28 May 1859, with the journal virtually concluded, due to disagreements with Dickens's publishers Bradbury and Evans, though it was symbolically folded into ATYR.&lt;br /&gt;&lt;br /&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Extra Christmas Numbers&lt;em&gt; - All the Year Round&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
After Dickens launched his new journal &lt;em&gt;ATYR &lt;/em&gt;on 30 April 1859, Christmas remained house-themed with the extra Christmas number &lt;em&gt;The Haunted&lt;/em&gt; &lt;em&gt;House&lt;/em&gt; (13 December 1859). It featured three offerings from him, 'The Mortals in the House' (No.1), 'The Ghost in Master B's Room' (No.6), and 'The Ghost in the Corner Room' (No.8). Yet Dickens continued to experiment with his holiday themes. He would write 'The Village' (No.1), 'The Money' (No.2), and 'The Restitution' (No.5) for &lt;em&gt;A Message from the Sea&lt;/em&gt;, published on 25 December 1860, a story about a New England mariner, Captain Jorgan, who seeks to discover the truth about the origin of a Welsh family's mysterious nest-egg.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;For &lt;em&gt;Tom Tiddler's Ground&lt;/em&gt;, published 25 December 1861, Dickens produced 'Picking up Soot and Cinders' (No.1), 'Picking up Miss Kimmeens' (No.6), and 'Picking up the Tinker' (No. 7). An impressive four parts of &lt;em&gt;Somebody's Luggage&lt;/em&gt; (4 December 1862), 'His Leaving it Till Called For' (No.1), 'His Boots' (No.2), 'His Brown-Paper Parcel' (No.7), and 'His Wonderful End' (No. 10) were produced by Dickens, who notably portrays himself in the story as a character, in his capacity as &lt;em&gt;AYTR&lt;/em&gt; editor, to amusing effect.&lt;br /&gt;&lt;br /&gt;Two subsequent Christmas numbers, &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863) and &lt;em&gt;Mrs. Lirriper's Legacy&lt;/em&gt;' (12 January 1864), concern the life and activities of a generous landlady who adopts a young boy and raises him with the help of her gallant lodger, Major Jackman. The former contained Dickens's two introductory and conclusion chapters, 'How Mrs. Lirriper carried on the Business' (No.1) and 'How the Parlours added a few words' (No.6), while the latter featured 'Mrs. Lirriper relates how she went on, and went over' (No.1) and 'Mrs. Lirriper relates how Jimmy topped up' (No.7), a story including a jaunt to France, with identical placement at the beginning and end of the number.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Doctor Marigold's Prescriptions&lt;/em&gt; appeared in 1865, with &lt;em&gt;Mugby Junction&lt;/em&gt; following in 1866; both frame narratives deal with themes of disability and poverty. For the first, Dickens contributed 'To be Taken Immediately' (No.1), 'To be Taken with a Grain of Salt' (No.6), and 'To be Taken for Life' (No.8); for the latter, he wrote 'Barbox Brothers' (No.1), 'Barbox Brothers and Co.' (No.2), 'Main Line. The Boy at Mugby' (No.3), and 'No.1 Branch Line. The Signal-man' (No.4). For the final Christmas number, &lt;em&gt;No Thoroughfare&lt;/em&gt; (12 December 1867), Dickens collaborated with Collins on an imaginative European thriller that ranges from orphanages and offices in London to hotels and precipices in the Swiss Alps. Dickens is known to have primarily written most of The Overture, Act I, Act III, with Collins taking Act 2. Both collaborated on Acts IV and V. However, they deliberately interspersed passages into each other's parts to confuse readers as to which author had written which 'Acts' (Slater, Charles Dickens, pp. 569-573). Consequently, we have merely transcribed the Christmas number in its entirety, as a collaboration.&lt;br /&gt;&lt;br /&gt;Though Dickens considered beginning a Christmas number in 1868, his other activities, coupled with failing health, led him to gratefully relinquish the idea. Instead, he would eventually go on to attempt another novel, &lt;em&gt;The Mystery of Edwin Drood&lt;/em&gt; (1870), evidently&amp;nbsp;sensing the public's interest in the detective genre, one which he and Collins had, more or less, pioneered with their respective novels &lt;em&gt;Bleak House&lt;/em&gt; (1853) (Inspector Bucket) and &lt;em&gt;The Moonstone&lt;/em&gt; (1868) (Sergeant Cuff). His mind may also have been running on the mysterious plot of &lt;em&gt;No Thoroughfare, &lt;/em&gt;with its malevolent villain, though he did not live to see the plot through to its conclusion.&lt;br /&gt;&lt;br /&gt;&lt;span&gt;While building this collection, we have consulted, and transcribed scans from &lt;em&gt;Dickens Journals Online&lt;/em&gt;&lt;/span&gt;&lt;span&gt;; all items are linked to their original location on the internet. With the exception of &lt;em&gt;No Thoroughfare&lt;/em&gt;, transcripts have been made only of parts of numbers Dickens is known to have authored. Lists of writers known to have authored chapters or portions of these extra Christmas numbers have been added to the metadata of each item (Klimaszewski, Appendix A).&amp;nbsp;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Please contact us with any errors, corrections, and suggestions.&lt;br /&gt;&lt;br /&gt;1. See Melisa Klimaszewski. &lt;em&gt;Collaborative Dickens: Authorship and Victorian Christmas Periodicals&lt;/em&gt; (Ohio University Press, 2019); Jude Piesse. 'Dreaming Across Oceans: Emigration and Nation in the Mid-Victorian Christmas Issue'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 46.1 (Spring 2013): 37-60; Robert Tracy. '"A Whimsical Kind of Masque": The Christmas Books and Victorian Spectacle'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 27 (1998): 113-30; Deborah A. Thomas. 'The Chord of the Christmas Season'. In &lt;em&gt;Dickens and the Short Story&lt;/em&gt; (University of Pennsylvania Press, 1982): pp. 62-93; Sarah A. Solberg. '"Text Dropped into the Woodcuts": Dickens's Christmas Books'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 8 (1980): pp. 103-18; Ruth Glancy. 'Dickens and Christmas: His Framed-Tale Themes'. &lt;em&gt;Nineteenth-Century Fiction&lt;/em&gt; 35.1 (June 1980): pp. 53-72; Thomas. 'Contributors to the Christmas Numbers of &lt;em&gt;Household Words&lt;/em&gt; and &lt;em&gt;All the Year Round&lt;/em&gt;, 1850-1867.' Part I. &lt;em&gt;The Dickensian&lt;/em&gt; 70.372 (1973): pp. 163-72. and Part II. &lt;em&gt;TD&lt;/em&gt; 70 (1974): pp. 21-29; 'Messages in Bottles and Collins's Seafaring Man'. Anthea Trodd. &lt;em&gt;SEL: Studies in English Literature&lt;/em&gt; 41.4 (Autumn 2002), pp. 751-64; Susan Shatto. 'Miss Havisham and Mr. Mopes the Hermit: Dickens and the Mentally Ill'. (Part One) &lt;em&gt;Dickens Quarterly&lt;/em&gt; 2.2 (June 1985): pp. 43-50 and (Part Two) &lt;em&gt;DQ&lt;/em&gt; 2.3 (September 1985): pp. 79-84; Molly Boggs. '"Given to you by nature for an enemy": The landlady in mid-century London'. &lt;em&gt;Journal of Victorian Culture&lt;/em&gt; 23.3 (2018): pp. 310-331; Thomas. 'Dickens' Mrs. Lirriper and the Evolution of a Feminine Stereotype'. &lt;em&gt;Dickens Studies Annual&lt;/em&gt; 6 (1977): 154-169; Martha Stoddard Holmes. '"Happy and Yet Pitying Tears": Deafness and Affective Disjuncture in Dickens's &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Victorian Review&lt;/em&gt; 35.2 (Fall 2009): 53-64; Diana C. Archibald. 'Dickens's Visit to the Perkins School and &lt;em&gt;Doctor Marigold&lt;/em&gt;'. &lt;em&gt;Dickens and Massachusetts: The Lasting Legacy of the Commonwealth Visits.&lt;/em&gt; Eds. Archibald and Joel J. Brattin (University of Massachusetts, 2015): pp. 123-33; Anne Chapman. '"I am not going on": Negotiating Christmas Publishing Rhythms with Dickens's &lt;em&gt;Mugby Junction&lt;/em&gt;'. &lt;em&gt;Victorian Periodicals Review&lt;/em&gt; 51.1 (2018): 70-85; Samia Ounoughi. 'The Swiss Alps and Character Framing in &lt;em&gt;No Thoroughfare&lt;/em&gt;'. Ed. Maxime Leroy. In &lt;em&gt;Charles Dickens and Europe&lt;/em&gt;. Cambridge Scholars Publishing; 2013. pp. 114-25; Lillian Nayder. &lt;em&gt;Unequal Partners: Charles Dickens, Wilkie Collins, and Victorian Authorship&lt;/em&gt; (Cornell University Press, 2002). Michael Hollington. '"To the Droodstone": Or, From The &lt;em&gt;Moonstone&lt;/em&gt; to Edwin &lt;em&gt;Drood&lt;/em&gt; via &lt;em&gt;No Thoroughfare'&lt;/em&gt;. &lt;em&gt;Q/W/E/R/T/Y: Arts, Littératures &amp;amp; Civilisations du Monde Anglophone&lt;/em&gt; 5 (1995): 141-9.&amp;nbsp;&lt;/span&gt;</text>
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              <text>&lt;em&gt;All the Year Round&lt;/em&gt;</text>
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          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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              <text>Whoever would begin to be worried with letting Lodgings that wasn't a lone woman with a living to get is a thing inconceivable to me my dear, excuse the familiarity but it comes natural to me in my own little room when wishing to open my mind to those that I can trust and I should be truly thankful if they were all mankind but such is not so, for have but a Furnished bill in the window and your watch on the mantelpiece and farewell to it if you turn your back for but a second however gentlemanly the manners, nor is being of your own sex any safeguard as I have reason in the form of sugar-tongs to know, for that lady (and a fine woman she was) got me to run for a glass of water on the plea of going to be confined, which certainly turned out true but it was in the Station-House. Number Eighty-one Norfolk Street Strand—situated midway between the City and St. James's and within five minutes' walk of the principal places of public amusement—is my address. I have rented this house many years as the parish rate-books will testify and I could wish my landlord was as alive to the fact as I am myself, but no bless you not a half a pound of paint to save his life nor so much my dear as a tile upon the roof though on your bended knees. My dear you never have found Number Eighty-one Norfolk Street Strand advertised in Bradshaw's Railway Guide and with the blessing of Heaven you never will or shall so find it. Some there are who do not think it lowering themselves to make their names that cheap and even going the lengths of a portrait of the house not like it with a blot in every window and a coach and four at the door, but what will suit Wozenham's lower down on the other side of the way will not suit me, Miss Wozenham having her opinions and me having mine, though when it comes to systematic underbidding capable of being proved on oath in a court of justice and taking the form of "If Mrs. Lirriper names eighteen shillings a week, I name fifteen and six" it then comes to a settlement between yourself and your conscience supposing for the sake of argument your name to be Wozenham which I am well aware it is not or my opinion of you would be greatly lowered, and as to airy bedrooms and a night-porter in constant attendance the less said the better, the bedrooms being stuffy and the porter stuff. It is forty years ago since me and my poor Lirriper got married at St. Clement's Danes where I now have a sitting in a very pleasant pew with genteel company and my own hassock and being partial to evening service not too crowded. My poor Lirriper was a handsome figure of a man with a beaming eye and a voice as mellow as a musical instrument made of honey and steel, but he had ever been a free liver being in the commercial travelling line and travelling what he called a limekiln road—"a dry road, Emma my dear," my poor Lirriper says to me "where I have to lay the dust with one drink or another all day long and half the night, and it wears me Emma"—and this led to his running through a good deal and might have run through the turnpike too when that dreadful horse that never would stand still for a single instant set off, but for its being night and the gate shut and consequently took his wheel my poor Lirriper and the gig smashed to atoms and never spoke afterwards. He was a handsome figure of a man and a man with a jovial heart and a sweet temper, but if they had come up then they never could have given you the mellowness of his voice, and indeed I consider photographs wanting in mellowness as a general rule and making you look like a new-ploughed field. My poor Lirriper being behindhand with the world and being buried at Hatfield church in Hertfordshire, not that it was his native place but that he had a liking for the Salisbury Arms where we went upon our wedding-day and passed as happy a fortnight as ever happy was, I went round to the creditors and I says "Gentlemen I am acquainted with the fact that I am not answerable for my late husband's debts but I wish to pay them for I am his lawful wife and his good name is dear to me. I am going into the Lodgings gentlemen as a business and if I prosper every farthing that my late husband owed shall be paid for the sake of the love I bore him, by this right hand." It took a long time to do but it was done, and the silver cream-jug which is between ourselves and the bed and the mattress in my room up-stairs (or it would have found legs so sure as ever the Furnished bill was up) being presented by the gentlemen engraved "To Mrs. Lirriper a mark of grateful respect for her honourable conduct" gave me a turn which was too much for my feelings, till Mr. Betley which at that time had the parlours and loved his joke says "Cheer up Mrs. Lirriper, you should feel as if it was only your christening and they were your godfathers and godmothers which did promise for you." And it brought me round, and I don't mind confessing to you my dear that I then put a sandwich and a drop of sherry in a little basket and went down to Hatfield churchyard outside the coach and kissed my hand and laid it with a kind of a proud and swelling love on my husband's grave, though bless you it had taken me so long to clear his name that my wedding ring was worn quite fine and smooth when I laid it on the green green waving grass. I am an old woman now and my good looks are gone but that's me my dear over the plate-warmer and considered like in the times when you used to pay two guineas on ivory and took your chance pretty much how you came out, which made you very careful how you left it about afterwards because people were turned so red and uncomfortable by mostly guessing it was somebody else quite different, and there was once a certain person that had put his money in a hop business that came in one morning to pay his rent and his respects being the second floor that would have taken it down from its hook and put it in his breast pocket—you understand my dear—for the L, he says, of the original— only there was no mellowness in his voice and I wouldn't let him, but his opinion of it you may gather from his saying to it "Speak to me Emma!" which was far from a rational observation no doubt but still a tribute to its being a likeness, and I think myself it was like me when I was young and wore that sort of stays. But it was about the Lodgings that I was intending to hold forth and certainly I ought to know something of the business having been in it so long, for it was early in the second year of my married life that I lost my poor Lirriper and I set up at Islington directly afterwards and afterwards came here, being two houses and eight and thirty years and some losses and a deal of experience. Girls are your first trial after fixtures and they try you even worse than what I call the Wandering Christians, though why they should roam the earth looking for bills and then coming in and viewing the apartments and stickling about terms and never at all wanting them or dreaming of taking them being already provided, is a mystery I should be thankful to have explained if by any miracle it could be. It's wonderful they live so long and thrive so on it but I suppose the exercise makes it healthy, knocking so much and going from house to house and up and down stairs all day, and then their pretending to be so particular and punctual is a most astonishing thing, looking at their watches and saying "Could you give me the refusal of the rooms till twenty minutes past eleven the day after to-morrow in the forenoon, and supposing it to be considered essential by my friend from the country could there be a small iron bedstead put in the little room upon the stairs?" Why when I was new to it my dear I used to consider before I promised and to make my mind anxious with calculations and to get quite wearied out with disappointments, but now I says "Certainly by all means" well knowing it's a Wandering Christian and I shall hear no more about it, indeed by this time I know most of the Wandering Christians by sight as well as they know me, it being the habit of each individual revolving round London in that capacity to come back about twice a year, and it's very remarkable that it runs in families and the children grow up to it, but even were it otherwise I should no sooner hear of the friend from the country which is a certain sign than I should nod and say to myself You're a Wandering Christian, though whether they are (as I have heard) persons of small property with a taste for regular employment and frequent change of scene I cannot undertake to tell you. Girls as I was beginning to remark are one of your first and your lasting troubles, being like your teeth which begin with convulsions and never cease tormenting you from the time you cut them till they cut you, and then you don't want to part with them which seems hard but we must all succumb or buy artificial, and even where you get a will nine times out of ten you'll get a dirty face with it and naturally lodgers do not like good society to be shown in with a smear of black across the nose or a smudgy eyebrow. Where they pick the black up is a mystery I cannot solve, as in the case of the willingest girl that ever came into a house half starved poor thing, a girl so willing that I called her Willing Sophy down upon her knees scrubbing early and late and ever cheerful but always smiling with a black face. And I says to Sophy "Now Sophy my good girl have a regular day for your stoves and keep the width of the Airy between yourself and the blacking and do not brush your hair with the bottoms of the saucepans and do not meddle with the snuffs of the candles and it stands to reason that it can no longer be" yet there it was and always on her nose, which turning up and being broad at the end seemed to boast of it and caused warning from a steady gentleman and excellent lodger with breakfast by the week but a little irritable and use of a sitting-room when required, his words being "Mrs. Lirriper I have arrived at the point of admitting that the Black is a man and a brother, but only in a natural form and when it can't be got off." Well consequently I put poor Sophy on to other work and forbid her answering the door or answering a bell on any account but she was so unfortunately willing that nothing would stop her flying up the kitchen stairs whenever a bell was heard to tingle. I put it to her " Oh Sophy Sophy for goodness goodness sake where does it come from?" To which that poor unlucky willing mortal bursting out crying to see me so vexed replied "I took a deal of black into me ma'am when I was a small child being much neglected and I think it must be, that it works out," so it continuing to work out of that poor thing and not having another fault to find with her I says Sophy "what do you seriously think of my helping you away to New South Wales where it might not be noticed?" Nor did I ever repent the money which was well spent, for she married the ship's cook on the voyage (himself a Mulotter) and did well and lived happy, and so far as ever I heard it was not noticed in a new state of society to her dying day. In what way Miss Wozenham lower down on the other side of the way reconciled it to her feelings as a lady (which she is not) to entice Mary Anne Perkinsop from my service is best known to herself, I do not know and I do not wish to know how opinions are formed at Wozenham's on any point. But Mary Anne Perkinsop although I behaved handsomely to her and she behaved unhandsomely to me was worth her weight in gold as overawing lodgers without driving them away, for lodgers would be far more sparing of their bells with Mary Anne than I ever knew them be with Maid or Mistress, which is a great triumph especially when accompanied with a cast in the eye and a bag of bones, but it was the steadiness of her way with them through her father's having failed in Pork. It was Mary Anne's looking so respectable in her person and being so strict in her spirits that conquered the tea-and-sugarest gentleman (for he weighed them both in a pair of scales every morning) that I have ever had to deal with and no lamb grew meeker, still it afterwards came round to me that Miss Wozenham happening to pass and seeing Mary Anne take in the milk of a milkman that made free in a rosy-faced way (I think no worse of him) with every girl in the street but was quite frozen up like the statue at Charing Cross by her, saw Mary Anne's value in the lodging business and went as high as one pound per quarter more, consequently Mary Anne with not a word betwixt us says "If you will provide yourself Mrs. Lirriper in a month from this day I have already done the same," which hurt me and I said so, and she then hurt me more by insinuating that her father having failed in Pork had laid her open to it. My dear I do assure you it's a harassing thing to know what kind of girls to give the preference to, for if they are lively they get bell'd off their legs and if they are sluggish you suffer from it yourself in complaints and if they are sparkling-eyed they get made love to and if they are smart in their persons they try on your Lodger's bonnets and if they are musical I defy you to keep them away from bands and organs, and allowing for any difference you like in their heads their heads will be always out of window just the same. And then what the gentlemen like in girls the ladies don't, which is fruitful hot water for all parties, and then there's temper though such a temper as Caroline Maxey's I hope not often. A good-looking black-eyed girl was Caroline and a comely-made girl to your cost when she did break out and laid about her, as took place first and last through a new-married couple come to see London in the first floor and the lady very high and it was supposed not liking the good looks of Caroline having none of her own to spare, but anyhow she did try Caroline though that was no excuse. So one afternoon Caroline comes down into the kitchen flushed and flashing, and she says to me "Mrs. Lirriper that woman in the first has aggravated me past bearing," I says " Caroline keep your temper," Caroline says with a curdling laugh "Keep my temper? You're right Mrs. Lirriper, so I will. Capital D her!" bursts out Caroline (you might have struck me into the centre of the earth with a feather when she said it) "I'll give her a touch of the temper that I keep!" Caroline downs with her hair my dear, screeches and rushes upstairs, I following as fast as my trembling legs could bear me, but before I got into the room the dinner cloth and pink and white service all dragged off upon the floor with a crash and the new married couple on their backs in the fire-grate, him with the shovel and tongs and a dish of cucumber across him and a mercy it was summer-time. "Caroline" I says "be calm," but she catches off my cap and tears it in her teeth as she passes me, then pounces on the new married lady makes her a bundle of ribbons takes her by the two ears and knocks the back of her head upon the carpet Murder screaming all the time Policemen running down the street and Wozenham's windows (judge of my feelings when I came to know it) thrown up and Miss Wozenham calling out from the balcony with crocodile's tears "It's Mrs. Lirriper been overcharging somebody to madness—she'll be murdered—I always thought so—Pleeseman save her!" My dear four of them and Caroline behind the chiffoniere attacking with the poker and when disarmed prize fighting with her double fists, and down and up and up and down and dreadful! But I couldn't bear to see the poor young creature roughly handled and her hair torn when they got the better of her, and I says "Gentlemen Policemen pray remember that her sex is the sex of your mothers and sisters and your sweethearts, and God bless them and you!" And there she was sitting down on the ground handcuffed, taking breath against the skirting-board and them cool with their coats in strips, and all she says was "Mrs. Lirriper I am sorry as ever I touched you, for you're a kind motherly old thing," and it made me think that I had often wished I had been a mother indeed and how would my heart have felt if I had been the mother of that girl! Well you know it turned out at the Police-office that she had done it before, and she had her clothes away and was sent to prison, and when she was to come out I trotted off to the gate in the evening with just a morsel of jelly in that little basket of mine to give her a mite of strength to face the world again, and there I met with a very decent mother waiting for her son through bad company and a stubborn one he was with his half boots not laced. So out came Caroline and I says "Caroline come along with me and sit down under the wall where it's retired and eat a little trifle that I have brought with me to do you good" and she throws her arms round my neck and says sobbing "O why were you never a mother when there are such mothers as there are!" she says, and in half a minute more she begins to laugh and says "Did I really tear your cap to shreds?" and when I told her "You certainly did so Caroline" she laughed again and said while she patted my face "Then why do you wear such queer old caps you dear old thing? If you hadn't worn such queer old caps I don't think I should have done it even then." Fancy the girl! Nothing could get out of her what she was going to do except O she would do well enough, and we parted she being very thankful and kissing my hands, and I never more saw or heard of that girl, except that I shall always believe that a very genteel cap which was brought anonymous to me one Saturday night in an oilskin basket by a most impertinent young sparrow of a monkey whistling with dirty shoes on the clean steps and playing the harp on the Airy railings with a hoop-stick came from Caroline. What you lay yourself open to my dear in the way of being the object of uncharitable suspicions when you go into the Lodging business I have not the words to tell you, but never was I so dishonourable as to have two keys nor would I willingly think it even of Miss Wozenham lower down on the other side of the way sincerely hoping that it may not be, though doubtless at the same time money cannot come from nowhere and it is not reason to suppose that Bradshaws put it in for love be it blotty as it may. It is a hardship hurting to the feelings that Lodgers open their minds so wide to the idea that you are trying to get the better of them and shut their minds so close to the idea that they are trying to get the better of you, but as Major Jackman says to me "I know the ways of this circular world Mrs. Lirriper, and that's one of 'em all round it" and many is the little ruffle in my mind that the Major has smoothed, for he is a clever man who has seen much. Dear dear, thirteen years have passed though it seems but yesterday since I was sitting with my glasses on at the open front parlour window one evening in August (the parlours being then vacant) reading yesterday's paper my eyes for print being poor though still I am thankful to say a long sight at a distance, when I hear a gentleman come posting across the road and up the street in a dreadful rage talking to himself in a fury and d'ing and c'ing somebody. "By George!" says he out loud and clutching his walking-stick, "I'll go to Mrs. Lirriper's. Which is Mrs. Lirriper's?" Then looking round and seeing me he flourishes his hat right off his head as if I had been the queen and he says "Excuse the intrusion Madam, but pray Madam can you tell me at what number in this street there resides a well-known and much-respected lady by the name of Lirriper?" A little flustered though I must say gratified I took off my glasses and curtseyed and said "Sir, Mrs. Lirriper is your humble servant." "As-tonishing!" says he. " A million pardons! Madam, may I ask you to have the kindness to direct one of your domestics to open the door to a gentleman in search of apartments, by the name of Jackman?" I had never heard the name but a politer gentleman I never hope to see, for says he "Madam I am shocked at your opening the door yourself to no worthier a fellow than Jemmy Jackman. After you Madam. I never precede a lady." Then he comes into the parlours and he sniffs and he says "Hah! These are parlours! Not musty cupboards" he says "but parlours, and no smell of coal-sacks." Now my dear it having been remarked by some inimical to the whole neighbourhood that it always smells of coal-sacks which might prove a drawback to Lodgers if encouraged, I says to the Major gently though firmly that I think he is referring to Arundel or Surrey or Howard but not Norfolk. "Madam" says he "I refer to Wozenham's lower down over the way—Madam you can form no notion what Wozenham's is— Madam it is a vast coal-sack, and Miss Wozenham has the principles and manners of a female heaver—Madam from the manner in which I have heard her mention you I know she has no appreciation of a lady, and from the manner in which she has conducted herself towards me I know she has no appreciation of a gentleman—Madam my name is Jackman—should you require any other reference than what I have already said, I name the Bank of England—perhaps you know it!" Such was the beginning of the Major's occupying the parlours and from that hour to this the same and a most obliging Lodger and punctual in all respects except one irregular which I need not particularly specify, but made up for by his being a protection and at all times ready to fill in the papers of the Assessed Taxes and Juries and that, and once collared a young man with the drawing-room clock under his cloak, and once on the parapets with his own hands and blankets put out the kitchen chimney and afterwards attending the summons made a most eloquent speech against the Parish before the magistrates and saved the engine, and ever quite the gentleman though passionate. And certainly Miss Wozenham's detaining the trunks and umbrella was not in a liberal spirit though it may have been according to her rights in law or an act I would myself have stooped to, the Major being so much the gentleman that though he is far from tall he seems almost so when he has his shirt frill out and his frock-coat on and his hat with the curly brims, and in what service he was I cannot truly tell you my dear whether Militia or Foreign, for I never heard him even name himself as Major but always simple "Jemmy Jackman" and once soon after he came when I felt it my duty to let him know that Miss Wozenham had put it about that he was no Major and I took the liberty of adding "which you are sir" his words were "Madam at any rate I am not a Minor, and sufficient for the day is the evil thereof" which cannot be denied to be the sacred truth, nor yet his military ways of having his boots with only the dirt brushed off taken to him in the front parlour every morning on a clean plate and varnishing them himself with a little sponge and a saucer and a whistle in a whisper so sure as ever his breakfast is ended, and so neat his ways that it never soils his linen which is scrupulous though more in quality than quantity, neither that nor his moustachios which to the best of my belief are done at the same time and which are as black and shining as his boots, his head of hair being a lovely white. It was the third year nearly up of the Major's being in the parlours that early one morning in the month of February when Parliament was coming on and you may therefore suppose a number of impostors were about ready to take hold of anything they could get, a gentleman and lady from the country came in to view the Second, and I well remember that I had been looking out of window and had watched them and the heavy sleet driving down the street together looking for bills. I did not quite take to the face of the gentleman though he was good-looking too but the lady was a very pretty young thing and delicate, and it seemed too rough for her to be out at all though she had only come from the Adelphi Hotel which would not have been much above a quarter of a mile if the weather had been less severe. Now it did so happen my dear that I had been forced to put five shillings weekly additional on the second in consequence of a loss from running away full-dressed as if going out to a dinner-party, which was very artful and had made me rather suspicious taking it along with Parliament, so when the gentleman proposed three months certain and the money in advance and leave then reserved to renew on the same terms for six months more, I says I was not quite certain but that I might have engaged myself to another party but would step down stairs and look into it if they would take a seat. They took a seat and I went down to the handle of the Major's door that I had already began to consult finding it a great blessing, and I knew by his whistling in a whisper that he was varnishing his boots which was generally considered private, however he kindly calls out "If it's you, Madam, come in," and I went in and told him. "Well, Madam," says the Major rubbing his nose—as I did fear at the moment with the black sponge but it was only his knuckle, he being always neat and dexterous with his fingers—"well, Madam, I suppose you would be glad of the money?" I was delicate of saying "Yes" too out, for a little extra colour rose into the Major's cheeks and there was irregularity which I will not particularly specify in a quarter which I will not name. "I am of opinion, Madam," says the Major "that when money is ready for you—when it is ready for you Mrs. Lirriper—you ought to take it. What is there against it, Madam, in this case up-stairs?" "I really cannot say there is anything against it sir, still I thought I would consult you." "You said a newly-married couple, I think, Madam?" says the Major. I says "Ye-es. Evidently. And indeed the young lady mentioned to me in a casual way that she had not been married many months." The Major rubbed his nose again and stirred the varnish round and round in its little saucer with his piece of sponge and took to his whistling in a whisper for a few moments. Then he says "You would call it a Good Let, Madam?" "Oh certainly a Good Let sir." "Say they renew for the additional six months. Would it put you about very much Madam if—if the worst was to come to the worst?" said the Major. "Well I hardly know," I says to the Major. "It depends upon circumstances. Would you object Sir for instance?" "I?" says the Major. "Object? Jemmy Jackman? Mrs. Lirriper close with the proposal." So I went up-stairs and accepted, and they came in next day which was Saturday and the Major was so good as to draw up a Memorandum of an agreement in a beautiful round hand and expressions that sounded to me equally legal and military, and Mr. Edson signed it on the Monday morning and the Major called upon Mr. Edson on the Tuesday and Mr. Edson called upon the Major on the Wednesday and the Second and the parlours were as friendly as could be wished. The three months paid for had run out and we had got without any fresh overtures as to payment into May my dear, when there came an obligation upon Mr. Edson to go a business expedition right across the Isle of Man, which fell quite unexpected on that pretty little thing and is not a place that according to my views is particularly in the way to anywhere at any time but that may be a matter of opinion. So short a notice was it that he was to go next day, and dreadfully she cried poor pretty and I am sure I cried too when I saw her on the cold pavement in the sharp east wind—it being a very backward spring that year taking a last leave of him with her pretty bright hair blowing this way and that and her arms clinging round his neck and him saying "There there there! Now let me go Peggy." And by that time it was plain that what the Major had been so accommodating as to say he would not object to happening in the house, would happen in it, and I told her as much when he was gone while I comforted her with my arm up the staircase, for I says "You will soon have others to keep up for my pretty and you must think of that." His letter never came when it ought to have come and what she went through morning after morning when the postman brought none for her the very postman himself compassionated when she ran down to the door, and yet we cannot wonder at its being calculated to blunt the feelings to have all the trouble of other people's letters and none of the pleasure and doing it oftener in the mud and mizzle than not and at a rate of wages more resembling Little Britain than Great. But at last one morning when she was too poorly to come running down stairs he says to me with a pleased look in his face that made me next to love the man in his uniform coat though he was dripping wet "I have taken you first in the street this morning Mrs. Lirriper, for here's the one for Mrs. Edson." I went up to her bedroom with it fast as ever I could go, and she sat up in bed when she saw it and kissed it and tore it open and then a blank stare came upon her. "It's very short!" she says lifting her large eyes to my face. "O Mrs. Lirriper it's very short!" I says "My dear Mrs. Edson no doubt that's because your husband hadn't time to write more just at that time." "No doubt, no doubt," says she, and puts her two hands on her face and turns round in her bed. I shut her softly in and I crept down stairs and I tapped at the Major's door, and when the Major having his thin slices of bacon in his own Dutch oven saw me he came out of his chair and put me down on the sofa. "Hush!" says he, "I see something's the matter. Don't speak—take time." I says "O Major I am afraid there's cruel work up-stairs." "Yes yes" says he "I had begun to be afraid of it—take time." And then in opposition to his own words he rages out frightfully, and says "I shall never forgive myself Madam, that I, Jemmy Jackman, didn't see it all that morning—didn't go straight up-stairs when my boot-sponge was in my hand—didn't force it down his throat—and choke him dead with it on the spot!" The Major and me agreed when we came to ourselves that just at present we could do no more than take on to suspect nothing and use our best endeavours to keep that poor young creature quiet, and what I ever should have done without the Major when it got about among the organ-men that quiet was our object is unknown, for he made lion and tiger war upon them to that degree that without seeing it I could not have believed it was in any gentleman to have such a power of bursting out with fire-irons walking-sticks water-jugs coals potatoes off his table the very hat off his head, and at the same time so furious in foreign languages that they would stand with their handles half turned fixed like the Sleeping Ugly—for I cannot say Beauty. Ever to see the postman come near the house now gave me such a fear that it was a reprieve when he went by, but in about another ten days or a fortnight he says again "Here's one for Mrs. Edson.—Is she pretty well?" "She is pretty well postman, but not well enough to rise so early as she used" which was so far gospel-truth. I carried the letter in to the Major at his breakfast and I says tottering "Major I have not the courage to take it up to her." "It's an ill-looking villain of a letter," says the Major. "I have not the courage Major" I says again in a tremble "to take it up to her." After seeming lost in consideration for some moments the Major says, raising his head as if something new and useful had occurred to his mind "Mrs. Lirriper, I shall never forgive myself that I, Jemmy Jackman, didn't go straight up-stairs that morning when my boot-sponge was in my hand—and force it down his throat—and choke him dead with it." "Major" I says a little hasty "you didn't do it which is a Blessing, for it would have done no good and I think your sponge was better employed on your own honourable boots." So we got to be rational, and planned that I should tap at her bedroom door and lay the letter on the mat outside and wait on the upper landing for what might happen, and never was gunpowder cannon-balls or shells or rockets more dreaded than that dreadful letter was by me as I took it to the second floor. A terrible loud scream sounded through the house the minute after she had opened it, and I found her on the floor lying as if her life was gone. My dear I never looked at the face of the letter which was lying open by her, for there was no occasion. Everything I needed to bring her round the Major brought up with his own hands, besides running out to the chemist's for what was not in the house and likewise having the fiercest of all his many skirmishes with a musical instrument representing a ball-room I do not know in what particular country and company waltzing in and out at folding-doors with rolling eyes. When after a long time I saw her coming to, I slipped on the landing till I heard her cry, and then I went in and says cheerily "Mrs. Edson you're not well my dear and it's not to be wondered at," as if I had not been in before. Whether she believed or disbelieved I cannot say and it would signify nothing if I could, but I stayed by her for hours and then she God ever blesses me! and says she will try to rest for her head is bad. "Major," I whispers, looking in at the parlours, "I beg and pray of you don't go out." The Major whispers "Madam, trust me I will do no such a thing. How is she?" I says "Major the good Lord above us only knows what burns and rages in her poor mind. I left her sitting at her window. I am going to sit at mine." It came on afternoon and it came on evening. Norfolk is a delightful street to lodge in—provided you don't go lower down—but of a summer evening when the dust and waste paper lie in it and stray children play in it and a kind of a gritty calm and bake settles on it and a peal of church-bells is practising in the neighbourhood it is a trifle dull, and never have I seen it since at such a time and never shall I see it evermore at such a time without seeing the dull June evening when that forlorn young creature sat at her open corner window on the second and me at my open corner window (the other corner) on the third. Something merciful, something wiser and better far than my own self, had moved me while it was yet light to sit in my bonnet and shawl, and as the shadows fell and the tide rose I could sometimes—when I put out my head and looked at her window below—see that she leaned out a little looking down the street. It was just settling dark when I saw her in the street. So fearful of losing sight of her that it almost stops my breath while I tell it, I went down stairs faster than I ever moved in all my life and only tapped with my hand at the Major's door in passing it and slipping out. She was gone already. I made the same speed down the street and when I came to the corner of Howard Street I saw that she had turned it and was there plain before me going towards the west. O with what a thankful heart I saw her going along! She was quite unacquainted with London and had very seldom been out for more than an airing in our own street where she knew two or three little children belonging to neighbours and had sometimes stood among them at the end of the street looking at the water. She must be going at hazard I knew, still she kept the by-streets quite correctly as long as they would serve her, and then turned up into the Strand. But at every corner I could see her head turned one way, and that way was always the river way. It may have been only the darkness and quiet of the Adelphi that caused her to strike into it but she struck into it much as readily as if she had set out to go there, which perhaps was the case. She went straight down to the Terrace and along it and looked over the iron rail, and I often woke afterwards in my own bed with the horror of seeing her doing it. The desertion of the wharf below and the flowing of the high water there seemed to settle her purpose. She looked about as if to make out the way down, and she struck out the right way or the wrong way—I don't know which, for I don't know the place before or since—and I followed her the way she went. It was noticeable that all this time she never once looked back. But there was now a great change in the manner of her going, and instead of going at a steady quick walk with her arms folded before her,—among the dark dismal arches she went in a wild way with her arms opened wide, as if they were wings and she was flying to her death. We were on the wharf and she stopped. I stopped. I saw her hands at her bonnet-strings, and I rushed between her and the brink and took her round the waist with both my arms. She might have drowned me, I felt then, but she could never have got quit of me. Down to that moment my mind had been all in a maze and not half an idea had I had in it what I should say to her, but the instant I touched her it came to me like magic and I had my natural voice and my senses and even almost my breath. "Mrs. Edson!" I says " My dear! Take care. How ever did you lose your way and stumble on a dangerous place like this? Why you must have come here by the most perplexing streets in all London. No wonder you are lost, I am sure. And this place too! Why I thought nobody ever got here, except me to order my coals and the Major in the parlours to smoke his cigar!"—for I saw that blessed man close by, pretending to it. "Hah—Hah—Hum!" coughs the Major. "And good gracious me" I says, "why here he is!" "Halloa! who goes there!" says the Major in a military manner. "Well!" I says, "if this don't beat everything! Don't yon know us Major Jackman?" "Halloa!" says the Major. "Who calls on Jemmy Jackman?" (and more out of breath he was, and did it less like life, than I should have expected). "Why here's Mrs. Edson Major" I says, "strolling out to cool her poor head which has been very bad, has missed her way and got lost, and Goodness knows where she might have got to but for me coming here to drop an order into my coal merchant's letter-box and you coming here to smoke your cigar!—And you really are not well enough my dear" I says to her " to be half so far from home without me.—And your arm will be very acceptable I am sure Major" I says to him "and I know she may lean upon it as heavy as she likes." And now we had both got her—thanks be Above!—one on each side. She was all in a cold shiver and she so continued till I laid her on her own bed, and up to the early morning she held me by the hand and moaned and moaned "O wicked, wicked, wicked!" But when at last I made believe to droop my head and be overpowered with a dead sleep, I heard that poor young creature give such touching and such humble thanks for being preserved from taking her own life in her madness that I thought I should have cried my eyes out on the counterpane and I knew she was safe. Being well enough to do and able to afford it, me and the Major laid our little plans next day while she was asleep worn out, and so I says to her as soon as I could do it nicely: "Mrs. Edson my dear, when Mr. Edson paid me the rent for these further six months—" She gave a start and I felt her large eyes look at me, but I went on with it and with my needle-work. "—I can't say that I am quite sure I dated the receipt right. Could you let me look at it?" She laid her frozen cold hand upon mine and she looked through me when I was forced to look up from my needlework, but I had taken the precaution of having on my spectacles. "I have no receipt" says she. "Ah! Then he has got it" I says in a careless way. "It's of no great consequence. A receipt's a receipt." From that time she always had hold of my hand when I could spare it which was generally only when I read to her, for of course she and me had our bits of needlework to plod at and neither of us was very handy at those little things, though I am still rather proud of my share in them too considering. And though she took to all I read to her, I used to fancy that next to what was taught upon the Mount she took most of all to His gentle compassion for us poor women and to His young life and to how His mother was proud of him and treasured His sayings in her heart. She had a grateful look in her eyes that never never never will be out of mine until they are closed in my last sleep, and when I chanced to look at her without thinking of it I would always meet that look, and she would often offer me her trembling lip to kiss, much more like a little affectionate half-broken-hearted child than ever I can imagine any grown person. One time the trembling of this poor lip was so strong and her tears ran down so fast that I thought she was going to tell me all her woe, so I takes her two hands in mine and I says: "No my dear not now, you had best not try to do it now. Wait for better times when you have got over this and are strong, and then you shall tell me whatever you will. Shall it be agreed?" With our hands still joined she nodded her head many times, and she lifted my hands and put them to her lips and to her bosom. "Only one word now my dear" I says. "Is there any one?" She looked inquiringly "Any one?" "That I can go to?" She shook her head. "No one that I can bring?" She shook her head. "No one is wanted by me my dear. Now that may be considered past and gone." Not much more than a week afterwards—for this was far on in the time of our being so together—I was bending over at her bedside with my ear down to her lips, by turns listening for her breath and looking for a sign of life in her face. At last it came in a solemn way—not in a flash but like a kind of pale faint light brought very slow to the face. She said something to me that had no sound in it, but I saw she asked me: "Is this death?" And I says "Poor dear poor dear, I think it is." Knowing somehow that she wanted me to move her weak right hand, I took it and laid it on her breast and then folded her other hand upon it, and she prayed a good good prayer and I joined in it poor me though there were no words spoke. Then I brought the baby in its wrappers from where it lay, and I says: "My dear this is sent to a childless old woman. This is for me to take care of." The trembling lip was put up towards my face for the last time, and I dearly kissed it. "Yes my dear" I says. "Please God! Me and the Major." I don't know how to tell it right, but I saw her soul brighten and leap up, and get free and fly away in the grateful look * * * * * So this is the why and wherefore of its coming to pass my dear that we called him Jemmy, being after the Major his own godfather with Lirriper for a surname being after myself, and never was a dear child such a brightening thing in a Lodgings or such a playmate to his grandmother as Jemmy to this house and me, and always good and minding what he was told (upon the whole) and soothing for the temper and making everything pleasanter except when he grew old enough to drop his cap down Wozenham's Airy and they wouldn't hand it up to him, and being worked into a state I put on my best bonnet and gloves and parasol with the child in my hand and I says "Miss Wozenham I little thought ever to have entered your house but unless my grandson's cap is instantly restored, the laws of this country regulating the property of the Subject shall at length decide betwixt yourself and me, cost what it may." With a sneer upon her face which did strike me I must say as being expressive of two keys but it may have been a mistake and if there is any doubt let Miss Wozenham have the full benefit of it as is but right, she rang the bell and she says "Jane, is there a street-child's old cap down our Airy?" I says "Miss Wozenham before your housemaid answers that question you must allow me to inform you to your face that my grandson is not a street-child and is not in the habit of wearing old caps. In fact" I says "Miss Wozenham I am far from sure that my grandson's cap may not be newer than your own" which was perfectly savage in me, her lace being the commonest machine-make washed and torn besides, but I had been put into a state to begin with fomented by impertinence. Miss Wozenham says red in the face "Jane you heard my question, is there any child's cap down our Airy?" " Yes Ma'am'" says Jane "I think I did see some such rubbish a lying there." "Then" says Miss Wozenham" let these visitors out, and then throw up that worthless article out of my premises." But here the child who had been staring at Miss Wozenham with all his eyes and more, frowns down his little eyebrows purses up his little mouth puts his chubby legs far apart turns his little dimpled fists round and round slowly over one another like a little coffee-mill, and says to her "Oo impdent to mi Gran, me tut oor hi!" " Oh!" says Miss Wozenham looking down scornfully at the Mite "this is not a street-child is it not! Really!" I bursts out laughing and I says " Miss Wozenham if this an't a pretty sight to you I don't envy your feelings and I wish you good day. Jemmy come along with Gran." And I was still in the best of humours though his cap came flying up into the street as if it had been just turned on out of the water-plug, and I went home laughing all the way, all owing to that dear boy. The miles and miles that me and the Major have travelled with Jemmy in the dusk between the lights are not to be calculated, Jemmy driving on the coach-box which is the Major's brass-bound writing-desk on the table, me inside in the easy-chair and the Major Guard up behind with a brown-paper horn doing it really wonderful. I do assure you my dear that sometimes when I have taken a few winks in my place inside the coach and have come half awake by the flashing light of the fire and have heard that precious pet driving and the Major blowing up behind to have the change of horses ready when we got to the Inn, I have half believed we were on the old North Road that my poor Lirriper knew so well. Then to see that child and the Major both wrapped up getting down to warm their feet and going stamping about and having glasses of ale out of the paper match-boxes on the chimney-piece is to see the Major enjoying it fully as much as the child I am very sure, and it's equal to any play when Coachee opens the coach-door to look in at me inside and say "Wery 'past that 'tage. 'Prightened old lady?" But what my inexpressible feelings were when we lost that child can only be compared to the Major's which were not a shade better, through his straying out at five years old and eleven o'clock in the forenoon and never heard of by word or sign or deed till half-past nine at night, when the Major had gone to the Editor of the Times newspaper to put in an advertisement, which came out next day four and twenty hours after he was found, and which I mean always carefully to keep in my lavender drawer as the first printed account of him. The more the day got on, the more I got distracted and the Major too and both of us made worse by the composed ways of the police though very civil and obliging and what I must call their obstinacy in not entertaining the idea that he was stolen. "We mostly find Mum" says the sergeant who came round to comfort me, which he didn't at all and he had been one of the private constables in Caroline's time to which he referred in his opening words when he said "Don't give way to uneasiness in your mind Mum, it'll all come as right as my nose did when I got the same barked by that young woman in your second floor"—says this sergeant "we mostly find Mum as people ain't over anxious to have what I may call second-hand children. You'll get him back Mum." "O but my dear good sir" I says clasping my hands and wringing them and clasping them again "he is such an uncommon child!" "Yes Mum" says the sergeant, "we mostly find that too Mum. The question is what his clothes were worth." "His clothes" I says "were not worth much sir for he had only got his playing-dress on, but the dear child!—" "All right Mum" says the sergeant. "You'll get him back, Mum. And even if he'd had his best clothes on, it wouldn't come to worse than his being found wrapped up in a cabbage-leaf, a shivering in a lane." His words pierced my heart like daggers and daggers, and me and the Major ran in and out like wild things all day long till the Major returning from his interview with the Editor of the Times at night rushes into my little room hysterical and squeezes my hand and wipes his eyes and says " Joy joy—officer in plain clothes came up on the steps as I was letting myself in—compose your feelings—Jemmy's found." Consequently I fainted away and when I came to, embraced the legs of the officer in plain clothes who seemed to be taking a kind of a quiet inventory in his mind of the property in my little room with brown whiskers, and I says " Blessings on you sir where is the Darling!" and he says "In Kennington Station House." I was dropping at his feet Stone at the image of that Innocence in cells with murderers when he adds "He followed the Monkey." I says deeming it slang language "Oh sir explain for a loving grandmother what Monkey!" He says "him in the spangled cap with the strap under the chin, as won't keep on—him as sweeps the crossings on a round table and don't want to draw his sabre more than he can help." Then I understood it all and most thankfully thanked him, and me and the Major and him drove over to Kennington and there we found our boy lying quite comfortable before a blazing fire having sweetly played himself to sleep upon a small accordion nothing like so big as a flat iron which they had been so kind as to lend him for the purpose and which it appeared had been stopped upon a very young person. My dear the system upon which the Major commenced and as I may say perfected Jemmy's learning when he was so small that if the dear was on the other side of the table you had to look under it instead of over it to see him with his mother's own bright hair in beautiful curls, is a thing that ought to be known to the Throne and Lords and Commons and then might obtain some promotion for the Major which he well deserves and would be none the worse for (speaking between friends) L. S. D.-ically. When the Major first undertook his learning he says to me: "I'm going Madam." he says " to make our child a Calculating Boy." "Major" I says, "you terrify me and may do the pet a permanent injury you would never forgive yourself." "Madam," says the Major, "next to my regret that when I had my boot-sponge in my hand, I didn't choke that scoundrel with it—on the spot—" "There! For Gracious sake," I interrupts, "let his conscience find him without sponges." "I say next to that regret, Madam," says the Major "would be the regret with which my breast," which he tapped, "would be surcharged if this fine mind was not early cultivated. But mark me Madam," says the Major holding up his forefinger "cultivated on a principle that will make it a delight." "Major" I says "I will be candid with you and tell you openly that if ever I find the dear child fall off in his appetite I shall know it is his calculations and shall put a stop to them at two minutes' notice. Or if I find them mounting to his head" I says, "or striking any ways cold to his stomach or leading to anything approaching flabbiness in his legs, the result will be the same, but Major you are a clever man and have seen much and you love the child and are his own godfather, and if you feel a confidence in trying try." "Spoken Madam" says the Major "like Emma Lirriper. All I have to ask Madam, is, that you will leave my godson and myself to make a week or two's preparations for surprising you, and that you will give me leave to have up and down any small articles not actually in use that I may require from the kitchen." "From the kitchen Major?" I says half feeling as if he had a mind to cook the child. "From the kitchen" says the Major, and smiles and swells, and at the same time looks taller. So I passed my word and the Major and the dear boy were shut up together for half an hour at a time through a certain while, and never could I hear anything going on betwixt them but talking and laughing and Jemmy clapping his hands and screaming out numbers, so I says to myself "it has not harmed him yet" nor could I on examining the dear find any signs of it anywhere about him which was likewise a great relief. At last one day Jemmy brings me a card in joke in the Major's neat writing "The Messrs. Jemmy Jackman" for we had given him the Major's other name too "request the honour of Mrs. Lirriper's company at the Jackman Institution in the front parlour this evening at five, military time, to witness a few slight feats of elementary arithmetic." And if you'll believe me there in the front parlour at five punctual to the moment was the Major behind the Pembroke table with both leaves up and a lot of things from the kitchen tidily set out on old newspapers spread atop of it, and there was the Mite stood up on a chair with his rosy cheeks flushing and his eyes sparkling clusters of diamonds. "Now Gran" says he, "oo tit down and don't oo touch ler poople"—for he saw with every one of those diamonds of his that I was going to give him a squeeze. "Very well sir" I says "I am obedient in this good company I am sure." And I sits down in the easy-chair that was put for me, shaking my sides. But picture my admiration when the Major going on almost as quick as if he was conjuring sets out all the articles he names, and says, "Three saucepans, an Italian iron, a hand-bell, a toasting-fork, a nutmeg-grater, four pot-lids, a spice-box, two egg-cups, and a chopping-board—how many?" and when that Mite instantly cries "Tifteen, tut down tive and carry ler 'toppin-board" and then claps his hands draws up his legs and dances on his chair! My dear with the same astonishing ease and correctness him and the Major added up the tables chairs and sofy, the picters fender and fire-irons their own selves me and the cat and the eyes in Miss Wozenham's head, and whenever the sum was done Young Roses and Diamonds claps his hands and draws up his legs and dances on his chair. The pride of the Major! ("Here's a mind Ma'am!" he says to me behind his hand.) Then he says aloud, "We now come to the next elementary rule: which is called—" "Umtraction!" cries Jemmy. "Right" says the Major. "We have here a toasting-fork, a potato in its natural state, two pot-lids, one egg-cup, a wooden spoon, and two skewers, from which it is necessary for commercial purposes to subtract a sprat-gridiron, a small pickle-jar, two lemons, one pepper-castor, a blackbeetle-trap, and a knob of the dresser-drawer what remains?" "Toatin-fork!" cries Jemmy. "In numbers how many?" says the Major. "One!" cries Jemmy. ("Here's a boy, Ma'am?" says the Major to me, behind his hand.) Then the Major goes on: "We now approach the next elementary rule: which is entitled—" "Tickleication" cries Jemmy. "Correct" says the Major. But my dear to relate to you in detail the way in which they multiplied fourteen sticks of fire-wood by two bits of ginger and a larding-needle, or divided pretty well everything else there was on the table by the heater of the Italian iron and a chamber candlestick, and got a lemon over, would make my head spin round and round and round as it did at the time. So I says "if you'll excuse my addressing the chair Professor Jackman I think the period of the lecture has now arrived when it becomes necessary that I should take a good hug of this young scholar." Upon which Jemmy calls out from his station on the chair "Gran oo open oor arms and me'll make a 'pring into 'em." So I opened my arms to him as I had opened my sorrowful heart when his poor young mother lay a dying, and he had his jump and we had a good long hug together and the Major prouder than any peacock says to me behind his hand, "You need not let him know it Madam" (which I certainly need not for the Major was quite audible) "but he is a boy!" In this way Jemmy grew and grew and went to day-school and continued under the Major too, and in summer we were as happy as the days were long and in winter we were as happy as the days were short and there seemed to rest a Blessing on the Lodgings for they as good as Let themselves and would have done it if there had been twice the accommodation, when sore and hard against my will I one day says to the Major "Major you know what I am going to break to you. Our boy must go to boarding-school." It was a sad sight to see the Major's countenance drop, and I pitied the good soul with all my heart. "Yes Major" I says " though he is as popular with the Lodgers as you are yourself and though he is to you and me what only you and me know, still it is in the course of things and Life is made of partings and we must part with our Pet." Bold as I spoke, I saw two Majors and half a dozen fireplaces, and when the poor Major put one of his neat bright-varnished boots upon the fender and his elbow on his knee and his head upon his hand and rocked himself a little to and fro, I was dreadfully cut up. "But" says I clearing my throat "you have so well prepared him Major—he has had such a Tutor in you—that he will have none of the first drudgery to go through. And he is so clever besides that he'll soon make his way to the front rank." "He is a boy" says the Major—having sniffed—"that has not his like on the face of the earth." "True as you say Major, and it is not for us merely for our own sakes to do anything to keep him back from being a credit and an ornament wherever he goes and perhaps even rising to be a great man, is it Major? He will have all my little savings when my work is done (being all the world to me) and we must try to make him a wise man and a good man, mustn't we Major?" ''Madam" says the Major rising "Jemmy Jackman is becoming an older file than I was aware of, and you put him to shame. You are thoroughly right Madam. You are simply and undeniably right—And if you'll excuse me, I'll take a walk." So the Major being gone out and Jemmy being at home, I got the child into my little room here and I stood him by my chair and I took his mother's own curls in my hand and I spoke to him loving and serious. And when I had reminded the darling how that he was now in his tenth year and when I had said to him about his getting on in life pretty much what I had said to the Major I broke to him how that we must have this same parting, and there I was forced to stop for there I saw of a sudden the well remembered lip with its tremble, and it so brought back that time! But with the spirit that was in him he controlled it soon and he says gravely nodding through his tears, "I understand Gran—I know it must be, Gran—go on Gran, don't be afraid of me." And when I had said all that ever I could think of, he turned his bright steady face to mine and he says just a little broken here and there "You shall see Gran that I can be a man and that I can do anything that is grateful and loving to you—and if I don't grow up to be what you would like to have me—I hope it will be—because I shall die." And with that he sat down by me and I went on to tell him of the school of which I had excellent recommendations and where it was and how many scholars and what games they played as I had heard and what length of holidays, to all of which he listened bright and clear. And so it came that at last he says " And now dear Gran let me kneel down here where I have been used to say my prayers and let me fold my face for just a minute in your gown and let me cry, for you have been more than father—more than mother—more than brothers sisters friends—to me!" And so he did cry and I too and we were both much the better for it. From that time forth he was true to his word and ever blithe and ready, and even when me and the Major took him down into Lincolnshire he was far the gayest of the party though for sure and certain he might easily have been that, but he really was and put life into us only when it came to the last Good-by, he says with a wistful look "You wouldn't have me not really sorry would you Gran?" and when I says " No dear, Lord forbid!" he says " I am glad of that!" and ran in out of sight. But now that the child was gone out of the Lodgings the Major fell into a regularly moping state. It was taken notice of by all the Lodgers that the Major moped. He hadn't even the same air of being rather tall that he used to have, and if he varnished his boots with a single gleam of interest it was as much as he did. One evening the Major came into my little room to take a cup of tea and a morsel of buttered toast and to read Jemmy's newest letter which had arrived that afternoon (by the very same postman more than middle-aged upon the Beat now), and the letter raising him up a little I says to the Major: "Major you mustn't get into a moping way." The Major shook his head. "Jemmy Jackman Madam," he says with a deep sigh, " is an older file than I thought him." "Moping is not the way to grow younger Major." "My dear Madam," says the Major, "is there any way of growing younger?" Feeling that the Major was getting rather the best of that point I made a diversion to another. "Thirteen years! Thir-teen years! Many Lodgers have come and gone, in the thirteen years that you have lived in the parlours Major." "Hah!" says the Major warming. "Many Madam, many." "And I should say you have been familiar with them all?" "As a rule (with its exceptions like all rules) my dear Madam" says the Major, " they have honoured me with their acquaintance, and not infrequently with their confidence." Watching the Major as he drooped his white head and stroked his black moustachios and moped again, a thought which I think must have been going about looking for an owner somewhere dropped into my old noddle if you will excuse the expression. "The walls of my Lodgings" I says in a casual way—for my dear it is of no use going straight at a man who mopes—" might have something to tell, if they could tell it." The Major neither moved nor said anything but I saw he was attending with his shoulders my dear—attending with his shoulders to what I said. In fact I saw that his shoulders were struck by it. "The dear boy was always fond of story-books" I went on, like as if I was talking to myself. " I am sure this house—his own home—might write a story or two for his reading one day or another." The Major's shoulders gave a dip and a curve and his head came up in his shirt-collar. The Major's head came up in his shirt-collar as I hadn't seen it come up since Jemmy went to school. "It is unquestionable that in intervals of cribbage and a friendly rubber, my dear Madam," says the Major, "and also over what used to be called in my young times—in the salad days of Jemmy Jackman—the social glass, I have exchanged many a reminiscence with your Lodgers." My remark was—I confess I made it with the deepest and artfullest of intentions—"I wish our dear boy had heard them!" "Are you serious Madam?" asks the Major starting and turning full round. "Why not Major?" "Madam" says the Major, turning up one of his cuffs, "they shall be written for him." "Ah! Now you speak" I says giving my hands a pleased clap. "Now you are in a way out of moping Major!" "Between this and my holidays—I mean the dear boy's" says the Major turning up his other cuff, "a good deal may be done towards it." "Major you are a clever man and you have seen much and not a doubt of it." "I'll begin," says the Major looking as tall as ever he did, "to-morrow." My dear the Major was another man in three days and he was himself again in a week and he wrote and wrote and wrote with his pen scratching like rats behind the wainscot, and whether he had many grounds to go upon or whether he did at all romance I cannot tell you, but what he has written is in the left-hand glass closet of the little bookcase close behind you, and if you'll put your hand in you'll find it come out heavy in lumps sewn together and being beautifully plain and unknown Greek and Hebrew to myself and me quite wakeful, I shall take it as a favour if you'll read out loud and read on. I have the honour of presenting myself by the name of Jackman. I esteem it a proud privilege to go down to posterity through the instrumentality of the most remarkable boy that ever lived—by the name of JEMMY JACKMAN LIRRIPER—and of my most worthy and most highly respected friend, Mrs. Emma Lirriper, of Eighty-one, Norfolk-street, Strand, in the County of Middlesex, in the United Kingdom of Great Britain and Ireland. It is not for me to express the rapture with which we received that dear and eminently remarkable boy, on the occurrence of his first Christmas holidays. Suffice it to observe that when he came flying into the house with two splendid prizes (Arithmetic, and Exemplary Conduct), Mrs. Lirriper and myself embraced with emotion, and instantly took him to the Play, where we were all three admirably entertained. Nor, is it to render homage to the virtues of the best of her good and honoured sex—whom, in deference to her unassuming worth, I will only here designate by the initials E. L.—that I add this record to the bundle of papers with which our, in a most distinguished degree, remarkable boy has expressed himself delighted, before re-consigning the same to the left-hand glass closet of Mrs. Lirriper's little bookcase. Neither, is it to obtrude the name of the old original superannuated obscure Jemmy Jackman, once (to his degradation) of Wozenham's, long (to his elevation) of Lirriper's. If I could be consciously guilty of that piece of bad taste, it would indeed be a work of supererogation, now that the name is borne by JEMMY JACKMAN LIRRIPER. No. I take up my humble pen to register a little record of our strikingly remarkable boy, which my poor capacity regards as presenting a pleasant little picture of the dear boy's mind. The picture may be interesting to himself when he is a man. Our first re-united Christmas-day was the most delightful one we have ever passed together. Jemmy was never silent for five minutes, except in church-time. He talked as we sat by the fire, he talked when we were out walking, he talked as we sat by the fire again, he talked incessantly at dinner, though he made a dinner almost as remarkable as himself. It was the spring of happiness in his fresh young heart flowing and flowing, and it fertilised (if I may be allowed so bold a figure) my much-esteemed friend, and J— J—the present writer. There were only we three. We dined in my esteemed friend's little room, and our entertainment was perfect. But everything in the establishment is, in neatness, order, and comfort, always perfect. After dinner, our boy slipt away to his old stool at my esteemed friend's knee, and there, with his hot chesnuts and his glass of brown sherry (really, a most excellent wine!) on a chair for a table, his face outshone the apples in the dish. We talked of these jottings of mine, which Jemmy had read through and through by that time; and so it came about that my esteemed friend remarked, as she sat smoothing Jemmy's curls: "And as you belong to the house too, Jemmy, —and so much more than the Lodgers, having been born in it—why, your story ought to be added to the rest, I think, one of these days." Jemmy's eye sparkled at this, and he said, "So I think, Gran." Then, he sat looking at the fire, and then he began to laugh, in a sort of confidence with the fire, and then he said, folding his arms across my esteemed friend's lap and raising his bright face to hers: "Would you like to hear a boy's story, Gran?" "Of all things," replied my esteemed friend. "Would you, godfather?" "Of all things," I too replied. "Well then," said Jemmy, " I'll tell you one." Here, our indisputably remarkable boy gave himself a hug, and laughed again, musically, at the idea of his coming out in that new line. Then, he once more took the fire into the same sort of confidence as before, and began: "Once upon a time, When pigs drank wine, And monkeys chewed tobaccer, 'Twas neither in your time nor mine, But that's no macker—" "Bless the child!" cried my esteemed friend, "what's amiss with his brain'!" "It's poetry, Gran," returned Jemmy, shouting with laughter. "We always begin stories that way, at school." "Gave me quite a turn, Major," said my esteemed friend, fanning herself with a plate. "Thought he was light-headed!" "In those remarkable times, Gran and God- father, there was once a boy;—not me, you know." "No, no," says my respected friend, "not you. Not him, Major, you understand?" "No, no," says I. "And he went to school in Rutlandshire" "Why not Lincolnshire?" says my respected friend. "Why not, you dear old Gran? Because I go to school in Lincolnshire, don't I?" "Ah, to be sure!" says my respected friend. "And it's not Jemmy, you understand, Major?" "No, no," says I. "Well!" our boy proceeded, hugging himself comfortably, and laughing merrily (again in confidence with the fire), before he again looked up in Mrs. Lirriper's face, "and so he was tremendously in love with his schoolmaster's daughter, and she was the most beautiful creature that ever was seen, and she had brown eyes, and she had brown hair all curling beautifully, and she had a delicious voice, and she was delicious altogether, and her name was Seraphina." "What's the name of your schoolmaster's daughter, Jemmy?" asks my respected friend. "Polly!" replied Jemmy, pointing his forefinger at her. "There now! Caught you! Ha! ha! ha!" When he and my respected friend had had a laugh and a hug together, our admittedly remarkable boy resumed with a great relish: "Well! And so he loved her. And so he thought about her, and dreamed about her, and made her presents of oranges and nuts, and would have made her presents of pearls and diamonds if he could have afforded it out of his pocket-money, but he couldn't. And so her father—O, he WAS a Tartar! Keeping the boys up to the mark, holding examinations once a month, lecturing upon all sorts of subjects at all sorts of times, and knowing everything in the world out of book. And so this boy—" "Had he any name?" asks my respected friend. "No he hadn't, Gran. Ha! ha! There now! Caught you again!" After this, they had another laugh and another hug, and then our boy went on. "Well! And so this boy he had a friend about as old as himself, at the same school, and his name (for He had a name, as it happened) was—let me remember—was Bobbo." "Not Bob," says my respected friend. "Of course not," says Jemmy. " What made you think it was, Gran? Well! And so this friend was the cleverest and bravest and best looking and most generous of all the friends that ever were, and so he was in love with Seraphina's sister, and so Seraphina's sister was in love with him, and so they all grew up." "Bless us!" says my respected friend. "They were very sudden about it." "So they all grew up," our boy repeated, laughing heartily, "and Bobbo and this boy went away together on horseback to seek their fortunes, and they partly got their horses by favour, and partly in a bargain; that is to say, they had saved up between them seven-and-fourpence, and the two horses, being Arabs, were worth more, only the man said he would take that, to favour them. Well! And so they made their fortunes and came prancing back to the school, with their pockets full of gold enough to last for ever. And so they rang at the parents' and visitors' bell (not the back gate), and when the bell was answered they proclaimed, 'The same as if it was scarlet fever! Every boy goes home for an indefinite period!' And then there was great hurrahing, and then they kissed Seraphina and her sister—each his own love and not the other's on any account—and then they ordered the Tartar into instant confinement." "Poor man!" said my respected friend. "Into instant confinement, Gran," repeated Jemmy, trying to look severe and roaring with laughter, "and he was to have nothing to eat but the boys' dinners, and was to drink half a cask of their beer, every day. And so then the preparations were made for the two weddings, and there were hampers, and potted things, and sweet things, and nuts, and postage-stamps, and all manner of things. And so they were so jolly, that they let the Tartar out, and he was jolly too." "I am glad they let him out," says my respected friend, "because he had only done his duty." "Oh but hadn't he overdone it though!" cried Jemmy. " Well! And so then this boy mounted his horse, with his bride in his arms, and cantered away, and cantered on and on till he came to a certain place where he had a certain Gran and a certain godfather—not you two, you know." "No, no," we both said. "And there he was received with great rejoicings, and he filled the cupboard and the bookcase with gold, and he showered it out on his Gran and his godfather because they were the two kindest and dearest people that ever lived in this world. And so while they were sitting up to their knees in gold, a knocking was heard at the street door, and who should it be but Bobbo, also on horseback with his bride in his arms, and what had he come to say but that he would take (at double rent) all the Lodgings for ever, that were not wanted by this boy and this Gran and this godfather, and that they would all live together, and all be happy! And so they were, and so it never ended!" "And was there no quarrelling?" asked my respected friend, as Jemmy sat upon her lap, and hugged her. "No! Nobody ever quarrelled." "And did the money never melt away?" "No! Nobody could ever spend it all." "And did none of them ever grow older?" "No! Nobody ever grew older after that." "And did none of them ever die?" "O no, no, no, Gran!" exclaimed our dear boy, laying his cheek upon her breast, and drawing her closer to him. "Nobody ever died." "Ah Major, Major," says my respected friend, smiling benignly upon me. "This beats our stories. Let us end with the Boy's story, Major, for the Boy's story is the best that is ever told!" In submission to which request on the part of the best of women, I have here noted it down as faithfully as my best abilities, coupled with my best intentions, would admit, subscribing it with my name, J. JACKMAN. THE PARLOURS. MRS. LIRRIPER'S LODGINGS.</text>
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                <text>&lt;em&gt;Mrs. Lirriper's Lodgings &lt;/em&gt;(1863 Christmas Number)</text>
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                <text>Published in &lt;em&gt;All the Year Round,&lt;/em&gt; Vol. X, Extra Christmas Number, 25 December 1863, pp. 1-48.</text>
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                <text>Dickens, Charles</text>
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                <text>1863-12-25</text>
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                <text>Dickens, Charles. &lt;em&gt;Mrs. Lirriper's Lodgings&lt;/em&gt; (25 December 1863). &lt;em&gt;Dickens Search.&lt;/em&gt; Eds. Emily &lt;span&gt;Middleton&lt;/span&gt; and Lydia Craig. Accessed [date]. &lt;a href="https://www.dickenssearch.com/christmas-numbers/1863-12-25-Mrs_Lirripers_Lodgings"&gt;https://www.dickenssearch.com/christmas-numbers/1863-12-25-Mrs_Lirripers_Lodgings&lt;/a&gt;.</text>
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              <elementText elementTextId="3487">
                <text>&lt;ul&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'How Mrs. Lirriper Carried On the Business' (No.1), pp. 1-12.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;li&gt;Elizabeth Gaskell. 'How the First Floor Went to Crowley Castle' (No.2), pp. 12-25.&lt;/li&gt;&#13;
&lt;li&gt;Andrew Halliday. 'How the Side-Room Was Attended by a Doctor' (No.3), pp. 25-31.&lt;/li&gt;&#13;
&lt;li&gt;Edmund Yates. 'How the Second Floor Kept a Dog' (No.4), pp. 31-35.&lt;/li&gt;&#13;
&lt;li&gt;Amelia B. Edwards. 'How the Third Floor Knew the Potteries' (No.5), pp. 35-40.&lt;/li&gt;&#13;
&lt;li&gt;Charles Allston Collins. 'How the Best Attic Was Under a Cloud' (No.6), pp. 40-46.&lt;/li&gt;&#13;
&lt;li&gt;&lt;strong&gt;Charles Dickens. 'How the Parlours Added a Few Words' (No.7), pp. 46-48.&lt;/strong&gt;&lt;/li&gt;&#13;
&lt;/ul&gt;</text>
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                <text>Whoever would begin to be worried with letting Lodgings that wasn't a lone woman with a living to get is a thing inconceivable to me my dear, excuse the familiarity but it comes natural to me in my own little room when wishing to open my mind to those that I can trust and I should be truly thankful if they were all mankind but such is not so, for have but a Furnished bill in the window and your watch on the mantelpiece and farewell to it if you turn your back for but a second however gentlemanly the manners, nor is being of your own sex any safeguard as I have reason in the form of sugar-tongs to know, for that lady (and a fine woman she was) got me to run for a glass of water on the plea of going to be confined, which certainly turned out true but it was in the Station-House.&lt;br /&gt;&lt;br /&gt;Number Eighty-one Norfolk Street Strand—situated midway between the City and St. James's and within five minutes' walk of the principal places of public amusement—is my address. I have rented this house many years as the parish rate-books will testify and I could wish my landlord was as alive to the fact as I am myself, but no bless you not a half a pound of paint to save his life nor so much my dear as a tile upon the roof though on your bended knees.&lt;br /&gt;&lt;br /&gt;My dear you never have found Number Eighty-one Norfolk Street Strand advertised in Bradshaw's Railway Guide and with the blessing of Heaven you never will or shall so find it. Some there are who do not think it lowering themselves to make their names that cheap and even going the lengths of a portrait of the house not like it with a blot in every window and a coach and four at the door, but what will suit Wozenham's lower down on the other side of the way will not suit me, Miss Wozenham having her opinions and me having mine, though when it comes to systematic underbidding capable of being proved on oath in a court of justice and taking the form of "If Mrs. Lirriper names eighteen shillings a week, I name fifteen and six" it then comes to a settlement between yourself and your conscience supposing for the sake of argument your name to be Wozenham which I am well aware it is not or my opinion of you would be greatly lowered, and as to airy bedrooms and a night-porter in constant attendance the less said the better, the bedrooms being stuffy and the porter stuff.&lt;br /&gt;&lt;br /&gt;It is forty years ago since me and my poor Lirriper got married at St. Clement's Danes where I now have a sitting in a very pleasant pew with genteel company and my own hassock and being partial to evening service not too crowded. My poor Lirriper was a handsome figure of a man with a beaming eye and a voice as mellow as a musical instrument made of honey and steel, but he had ever been a free liver being in the commercial travelling line and travelling what he called a limekiln road—"a dry road, Emma my dear," my poor Lirriper says to me "where I have to lay the dust with one drink or another all day long and half the night, and it wears me Emma"—and this led to his running through a good deal and might have run through the turnpike too when that dreadful horse that never would stand still for a single instant set off, but for its being night and the gate shut and consequently took his wheel my poor Lirriper and the gig smashed to atoms and never spoke afterwards. He was a handsome figure of a man and a man with a jovial heart and a sweet temper, but if they had come up then they never could have given you the mellowness of his voice, and indeed I consider photographs wanting in mellowness as a general rule and making you look like a new-ploughed field.&lt;br /&gt;&lt;br /&gt;My poor Lirriper being behindhand with the world and being buried at Hatfield church in Hertfordshire, not that it was his native place but that he had a liking for the Salisbury Arms where we went upon our wedding-day and passed as happy a fortnight as ever happy was, I went round to the creditors and I says "Gentlemen I am acquainted with the fact that I am not answerable for my late husband's debts but I wish to pay them for I am his lawful wife and his good name is dear to me. I am going into the Lodgings gentlemen as a business and if I prosper every farthing that my late husband owed shall be paid for the sake of the love I bore him, by this right hand." It took a long time to do but it was done, and the silver cream-jug which is between ourselves and the bed and the mattress in my room up-stairs (or it would have found legs so sure as ever the Furnished bill was up) being presented by the gentlemen engraved "To Mrs. Lirriper a mark of grateful respect for her honourable conduct" gave me a turn which was too much for my feelings, till Mr. Betley which at that time had the parlours and loved his joke says "Cheer up Mrs. Lirriper, you should feel as if it was only your christening and they were your godfathers and godmothers which did promise for you." And it brought me round, and I don't mind confessing to you my dear that I then put a sandwich and a drop of sherry in a little basket and went down to Hatfield churchyard outside the coach and kissed my hand and laid it with a kind of a proud and swelling love on my husband's grave, though bless you it had taken me so long to clear his name that my wedding ring was worn quite fine and smooth when I laid it on the green green waving grass.&lt;br /&gt;&lt;br /&gt;I am an old woman now and my good looks are gone but that's me my dear over the plate-warmer and considered like in the times when you used to pay two guineas on ivory and took your chance pretty much how you came out, which made you very careful how you left it about afterwards because people were turned so red and uncomfortable by mostly guessing it was somebody else quite different, and there was once a certain person that had put his money in a hop business that came in one morning to pay his rent and his respects being the second floor that would have taken it down from its hook and put it in his breast pocket—you understand my dear—for the L, he says, of the original— only there was no mellowness in his voice and I wouldn't let him, but his opinion of it you may gather from his saying to it "Speak to me Emma!" which was far from a rational observation no doubt but still a tribute to its being a likeness, and I think myself it &lt;em&gt;was&lt;/em&gt; like me when I was young and wore that sort of stays.&lt;br /&gt;&lt;br /&gt;But it was about the Lodgings that I was intending to hold forth and certainly I ought to know something of the business having been in it so long, for it was early in the second year of my married life that I lost my poor Lirriper and I set up at Islington directly afterwards and afterwards came here, being two houses and eight and thirty years and some losses and a deal of experience.&lt;br /&gt;&lt;br /&gt;Girls are your first trial after fixtures and they try you even worse than what I call the Wandering Christians, though why they should roam the earth looking for bills and then coming in and viewing the apartments and stickling about terms and never at all wanting them or dreaming of taking them being already provided, is a mystery I should be thankful to have explained if by any miracle it could be. It's wonderful they live so long and thrive so on it but I suppose the exercise makes it healthy, knocking so much and going from house to house and up and down stairs all day, and then their pretending to be so particular and punctual is a most astonishing thing, looking at their watches and saying "Could you give me the refusal of the rooms till twenty minutes past eleven the day after to-morrow in the forenoon, and supposing it to be considered essential by my friend from the country could there be a small iron bedstead put in the little room upon the stairs?" Why when I was new to it my dear I used to consider before I promised and to make my mind anxious with calculations and to get quite wearied out with disappointments, but now I says "Certainly by all means" well knowing it's a Wandering Christian and I shall hear no more about it, indeed by this time I know most of the Wandering Christians by sight as well as they know me, it being the habit of each individual revolving round London in that capacity to come back about twice a year, and it's very remarkable that it runs in families and the children grow up to it, but even were it otherwise I should no sooner hear of the friend from the country which is a certain sign than I should nod and say to myself You're a Wandering Christian, though whether they are (as I &lt;em&gt;have&lt;/em&gt; heard) persons of small property with a taste for regular employment and frequent change of scene I cannot undertake to tell you.&lt;br /&gt;&lt;br /&gt;Girls as I was beginning to remark are one of your first and your lasting troubles, being like your teeth which begin with convulsions and never cease tormenting you from the time you cut them till they cut you, and then you don't want to part with them which seems hard but we must all succumb or buy artificial, and even where you get a will nine times out of ten you'll get a dirty face with it and naturally lodgers do not like good society to be shown in with a smear of black across the nose or a smudgy eyebrow. Where they pick the black up is a mystery I cannot solve, as in the case of the willingest girl that ever came into a house half starved poor thing, a girl so willing that I called her Willing Sophy down upon her knees scrubbing early and late and ever cheerful but&lt;br /&gt;always smiling with a black face. And I says to Sophy "Now Sophy my good girl have a regular day for your stoves and keep the width of the Airy between yourself and the blacking and do not brush your hair with the bottoms of the saucepans and do not meddle with the snuffs of the candles and it stands to reason that it can no longer be" yet there it was and always on her nose, which turning up and being broad at the end seemed to boast of it and caused&lt;br /&gt;warning from a steady gentleman and excellent lodger with breakfast by the week but a little irritable and use of a sitting-room when required, his words being "Mrs. Lirriper I have arrived at the point of admitting that the Black is a man and a brother, but only in a natural form and when it can't be got off." Well consequently I put poor Sophy on to other work&lt;br /&gt;and forbid her answering the door or answering a bell on any account but she was so unfortunately willing that nothing would stop her flying up the kitchen stairs whenever a bell was heard to tingle. I put it to her " Oh Sophy Sophy for goodness goodness sake where does it come from?" To which that poor unlucky willing mortal bursting out crying to see me so vexed replied "I took a deal of black into me ma'am when I was a small child being much neglected and I think it must be, that it works out," so it continuing to work out of that poor thing and not having another fault to find with her I says Sophy "what do you seriously think of my helping you away to New South Wales where it might not be noticed?" Nor did I ever repent the money which was well spent, for she married the ship's cook on the voyage (himself a Mulotter) and did well and lived happy, and so far as ever I heard it was not noticed in a new state of society to her dying day.&lt;br /&gt;&lt;br /&gt;In what way Miss Wozenham lower down on the other side of the way reconciled it to her feelings as a lady (which she is not) to entice Mary Anne Perkinsop from my service is best known to herself, I do not know and I do not wish to know how opinions are formed at Wozenham's on any point. But Mary Anne Perkinsop although I behaved handsomely to her and she behaved unhandsomely to me was worth her weight in gold as overawing lodgers without driving them away, for lodgers would be far more sparing of their bells with Mary Anne than I ever knew them be with Maid or Mistress, which is a great triumph especially when accompanied with a cast in the eye and a bag of bones, but it was the steadiness of her way with them through her father's having failed in Pork. It was Mary Anne's looking so respectable in her person and being so strict in her spirits that conquered the tea-and-sugarest gentleman (for he weighed them both in a pair of scales every morning) that I have ever had to deal with and no lamb grew meeker, still it afterwards came round to me that Miss Wozenham happening to pass and seeing Mary Anne take in the milk of a milkman that made free in a rosy-faced way (I think no worse of him) with every girl in the street but was quite frozen up like the statue at Charing Cross by her, saw Mary Anne's value in the lodging business and went as high as one pound per quarter more, consequently Mary Anne with not a word betwixt us says "If you will provide yourself Mrs. Lirriper in a month from this day I have already done the same," which hurt me and I said so, and she then hurt me more by insinuating that her father having failed in Pork had laid her open to it.&lt;br /&gt;&lt;br /&gt;My dear I do assure you it's a harassing thing to know what kind of girls to give the preference to, for if they are lively they get bell'd off their legs and if they are sluggish you suffer from it yourself in complaints and if they are sparkling-eyed they get made love to and if they are smart in their persons they try on your Lodger's bonnets and if they are musical I defy you to keep them away from bands and organs, and allowing for any difference you like in their heads their heads will be always out of window just the same. And then what the gentlemen like in girls the ladies don't, which is fruitful hot water for all parties, and then there's temper though such a temper as Caroline Maxey's I hope not often. A good-looking black-eyed girl was Caroline and a comely-made girl to your cost when she did break out and laid about her, as took place first and last through a new-married couple come to see London in the first floor and the lady very high and it &lt;em&gt;was&lt;/em&gt; supposed not liking the good looks of Caroline having none of her own to spare, but anyhow she did try Caroline though that was no excuse. So one afternoon Caroline comes down into the kitchen flushed and flashing, and she says to me "Mrs. Lirriper that woman in the first has aggravated me past bearing," I says " Caroline keep your temper," Caroline says with a curdling laugh "Keep my temper? You're right Mrs. Lirriper, so I will. Capital D her!" bursts out Caroline (you might have struck me into the centre of the earth with a feather when she said it) "I'll give her a touch of the temper that &lt;em&gt;I&lt;/em&gt; keep!" Caroline downs with her hair my dear, screeches and rushes upstairs, I following as fast as my trembling legs could bear me, but before I got into the room the dinner cloth and pink and white service all dragged off upon the floor with a crash and the new married couple on their backs in the fire-grate, him with the shovel and tongs and a dish of cucumber across him and a mercy it was summer-time. "Caroline" I says "be calm," but she catches off my cap and tears it in her teeth as she passes me, then pounces on the new married lady makes her a bundle of ribbons takes her by the two ears and knocks the back of her head upon the carpet Murder screaming all the time Policemen running down the street and Wozenham's windows (judge of my feelings when I came to know it) thrown up and Miss Wozenham calling out from the balcony with crocodile's tears "It's Mrs. Lirriper been overcharging somebody to madness—she'll be murdered—I always thought so—Pleeseman save her!" My dear four of them and Caroline behind the chiffoniere attacking with the poker and when disarmed prize fighting with her double fists, and down and up and up and down and dreadful! But I couldn't bear to see the poor young creature roughly handled and her hair torn when they got the better of her, and I says "Gentlemen Policemen pray remember that her sex is the sex of your mothers and sisters and your sweethearts, and God bless them and you!" And there she was sitting down on the ground handcuffed, taking breath against the skirting-board and them cool with their coats in strips, and all she says was "Mrs. Lirriper I am sorry as ever I touched &lt;em&gt;you&lt;/em&gt;, for you're a kind motherly old thing," and it made me think that I had often wished I had been a mother indeed and how would my heart have felt if I had been the mother of that girl! Well you know it turned out at the Police-office that she had done it before, and she had her clothes away and was sent to prison, and when she was to come out I trotted off to the gate in the evening with just a morsel of jelly in that little basket of mine to give her a mite of strength to face the world again, and there I met with a very decent mother waiting for her son through bad company and a stubborn one he was with his half boots not laced. So out came Caroline and I says "Caroline come along with me and sit down under the wall where it's retired and eat a little trifle that I have brought with me to do you good" and she throws her arms round my neck and says sobbing "O why were you never a mother when there are such mothers as there are!" she says, and in half a minute more she begins to laugh and says "Did I really tear your cap to shreds?" and when I told her "You certainly did so Caroline" she laughed again and said while she patted my face "Then why do you wear such queer old caps you dear old thing? If you hadn't worn such queer old caps I don't think I should have done it even then." Fancy the girl! Nothing could get out of her what she was going to do except O she would do well enough, and we parted she being very thankful and kissing my hands, and I never more saw or heard of that girl, except that I shall always believe that a very genteel cap which was brought anonymous to me one Saturday night in an oilskin basket by a most impertinent young sparrow of a monkey whistling with dirty shoes on the clean steps and playing the harp on the Airy railings with a hoop-stick came from Caroline.&lt;br /&gt;&lt;br /&gt;What you lay yourself open to my dear in the way of being the object of uncharitable suspicions when you go into the Lodging business I have not the words to tell you, but never was I so dishonourable as to have two keys nor would I willingly think it even of Miss Wozenham lower down on the other side of the way sincerely hoping that it may not be, though doubtless at the same time money cannot come from nowhere and it is not reason to suppose that Bradshaws put it in for love be it blotty as it may. It is a hardship hurting to the feelings that Lodgers open their minds so wide to the idea that you are trying to get the better of them and shut their minds so close to the idea that they are trying to get the better of you, but as Major Jackman says to me "I&lt;br /&gt;know the ways of this circular world Mrs. Lirriper, and that's one of 'em all round it" and many is the little ruffle in my mind that the Major has smoothed, for he is a clever man who has seen much. Dear dear, thirteen years have passed though it seems but yesterday since I was sitting with my glasses on at the open front parlour window one evening in August (the parlours being then vacant) reading yesterday's paper my eyes for print being poor though still I am thankful to say a long sight at a distance, when I hear a gentleman come posting across the road and up the street in a dreadful rage talking to himself in a fury and d'ing and c'ing somebody. "By George!" says he out loud and clutching his walking-stick, "I'll go to Mrs. Lirriper's. Which is Mrs. Lirriper's?" Then looking round and seeing me he flourishes his hat right off his head as if I had been the queen and he says "Excuse the intrusion Madam, but pray Madam can you tell me at what number in this street there resides a well-known and much-respected lady by the name of Lirriper?" A little flustered though I must say gratified I took off my glasses and curtseyed and said "Sir, Mrs. Lirriper is your humble servant." "As-tonishing!" says he. " A million pardons! Madam, may I ask you to have the kindness to direct one of your domestics to open the door to a gentleman&lt;br /&gt;in search of apartments, by the name of Jackman?" I had never heard the name but a politer gentleman I never hope to see, for says he "Madam I am shocked at your opening the door yourself to no worthier a fellow than Jemmy Jackman. After you Madam. I never precede a lady." Then he comes into the parlours and he sniffs and he says "Hah! These are parlours! Not musty cupboards" he says "but parlours, and no smell of coal-sacks." Now my dear it having been remarked by some inimical to the whole neighbourhood that it always smells of coal-sacks which might prove a drawback to Lodgers if encouraged, I says to the Major gently though firmly that I think he is referring to Arundel or Surrey or Howard but not Norfolk. "Madam" says he "I refer to Wozenham's lower down over the way—Madam you can form no notion what Wozenham's is— Madam it is a vast coal-sack, and Miss Wozenham has the principles and manners of a female heaver—Madam from the manner in which I&lt;br /&gt;have heard her mention you I know she has no appreciation of a lady, and from the manner in which she has conducted herself towards me I know she has no appreciation of a gentleman—Madam my name is Jackman—should you require any other reference than what I have already said, I name the Bank of England—perhaps you know it!" Such was the beginning of the Major's occupying the parlours and from that hour to this the same and a most obliging Lodger and punctual in all respects except one irregular which I need not particularly specify, but made up for by his being a protection and at all times ready to fill in the papers of the Assessed Taxes and Juries and that, and once collared a young man with the drawing-room clock under his cloak, and once on the parapets with his own hands and blankets put out the kitchen chimney and afterwards attending the summons made a most eloquent speech against the Parish before the magistrates and saved the engine, and ever quite the gentleman though passionate. And certainly Miss Wozenham's detaining the trunks and umbrella was not in a liberal spirit though it may have been according to her rights in law or an act &lt;em&gt;I&lt;/em&gt; would myself have stooped to, the Major being so much the gentleman that though he is far from tall he seems almost so when he has his shirt frill out and his frock-coat on and his hat with the curly brims, and in what service he was I cannot truly tell you my dear whether Militia or Foreign, for I never heard him even name himself as Major&lt;br /&gt;but always simple "Jemmy Jackman" and once soon after he came when I felt it my duty to let him know that Miss Wozenham had put it about that he was no Major and I took the liberty of adding "which you are sir" his words were "Madam at any rate I am not a Minor, and sufficient for the day is the evil thereof" which cannot be denied to be the sacred truth, nor yet his military ways of having his boots with only the dirt brushed off taken to him in the front parlour every morning on a clean plate and varnishing them himself with a little sponge and a saucer and a whistle in a whisper so sure as ever his breakfast is ended, and so neat his ways that it never soils his linen which is scrupulous though more in quality than quantity, neither that nor his moustachios which to the best of my belief are done at the same time and which are as black and shining as his boots, his head of hair being a lovely white.&lt;br /&gt;&lt;br /&gt;It was the third year nearly up of the Major's being in the parlours that early one morning in the month of February when Parliament was coming on and you may therefore suppose a number of impostors were about ready to take hold of anything they could get, a gentleman and lady from the country came in to view the Second, and I well remember that I had been looking out of window and had watched them and the heavy sleet driving down the street together looking for bills. I did not quite take to the face of the gentleman though he was good-looking too but the lady was a very pretty young thing and delicate, and it seemed too rough for her to be out at all though she had only come from the Adelphi Hotel which would not have been much above a quarter of a mile if the weather had been less severe. Now it did so happen my dear that I had been forced&lt;br /&gt;to put five shillings weekly additional on the second in consequence of a loss from running away full-dressed as if going out to a dinner-party, which was very artful and had made me rather suspicious taking it along with Parliament, so when the gentleman proposed three months certain and the money in advance and leave then reserved to renew on the same terms for six months more, I says I was not quite certain but that I might have engaged myself to another party but would step down stairs and look into it if they would take a seat. They took a seat and I went down to the&lt;br /&gt;handle of the Major's door that I had already began to consult finding it a great blessing, and I knew by his whistling in a whisper that he was varnishing his boots which was generally considered private, however he kindly calls out "If it's you, Madam, come in," and I went in and told him.&lt;br /&gt;&lt;br /&gt;"Well, Madam," says the Major rubbing his nose—as I did fear at the moment with the black sponge but it was only his knuckle, he being always neat and dexterous with his fingers—"well, Madam, I suppose you would be glad of the money?"&lt;br /&gt;&lt;br /&gt;I was delicate of saying "Yes" too out, for a little extra colour rose into the Major's cheeks and there was irregularity which I will not particularly specify in a quarter which I will not name.&lt;br /&gt;&lt;br /&gt;"I am of opinion, Madam," says the Major "that when money is ready for you—when it is ready for you Mrs. Lirriper—you ought to take it. What is there against it, Madam, in this case up-stairs?"&lt;br /&gt;&lt;br /&gt;"I really cannot say there is anything against it sir, still I thought I would consult you."&lt;br /&gt;&lt;br /&gt;"You said a newly-married couple, I think, Madam?" says the Major.&lt;br /&gt;&lt;br /&gt;I says "Ye-es. Evidently. And indeed the young lady mentioned to me in a casual way that she had not been married many months."&lt;br /&gt;&lt;br /&gt;The Major rubbed his nose again and stirred the varnish round and round in its little saucer with his piece of sponge and took to his whistling in a whisper for a few moments. Then he says "You would call it a Good Let, Madam?"&lt;br /&gt;&lt;br /&gt;"Oh certainly a Good Let sir."&lt;br /&gt;&lt;br /&gt;"Say they renew for the additional six months. Would it put you about very much Madam if—if the worst was to come to the worst?" said the Major.&lt;br /&gt;&lt;br /&gt;"Well I hardly know," I says to the Major. "It depends upon circumstances. Would &lt;em&gt;you&lt;/em&gt; object Sir for instance?"&lt;br /&gt;&lt;br /&gt;"I?" says the Major. "Object? Jemmy Jackman? Mrs. Lirriper close with the proposal."&lt;br /&gt;&lt;br /&gt;So I went up-stairs and accepted, and they came in next day which was Saturday and the Major was so good as to draw up a Memorandum of an agreement in a beautiful round hand and expressions that sounded to me equally legal and military, and Mr. Edson signed it on the Monday morning and the Major called upon Mr. Edson on the Tuesday and Mr. Edson called upon the Major on the Wednesday and the Second and the parlours were as friendly as could be wished.&lt;br /&gt;&lt;br /&gt;The three months paid for had run out and we had got without any fresh overtures as to payment into May my dear, when there came an obligation upon Mr. Edson to go a business expedition right across the Isle of Man, which fell quite unexpected on that pretty little thing and is not a place that according to my views is particularly in the way to anywhere at any time but that may be a matter of opinion. So short a notice was it that he was to go next day, and dreadfully she cried poor pretty and I am sure I cried too when I saw her on the cold pavement in the sharp east wind—it being a very backward spring that year taking a last leave of him with her pretty bright hair blowing this way and that and her arms clinging round his neck and him saying "There there there! Now let me go Peggy." And by that time it was plain that what the Major had been so accommodating as to say he would not object to happening in the house, would happen in it, and I told her as much when he was gone while I comforted her with my arm up the staircase, for I says "You will soon have others to keep up for my pretty and you must think of that."&lt;br /&gt;&lt;br /&gt;His letter never came when it ought to have come and what she went through morning after morning when the postman brought none for her the very postman himself compassionated when she ran down to the door, and yet we cannot wonder at its being calculated to blunt the feelings to have all the trouble of other people's letters and none of the pleasure and doing it oftener in the mud and mizzle than not and at a rate of wages more resembling Little Britain than Great. But at last one morning when she was too poorly to come running down stairs he says to me with a pleased look in his face that made me next to love the man in his uniform coat though he was dripping wet "I have taken you first in the street this morning Mrs. Lirriper, for here's the one for Mrs. Edson." I went up to her bedroom with it fast as ever I could go, and she sat up in bed when she saw it and kissed it and tore it open and then a blank stare came upon her. "It's very short!" she says lifting her large eyes to my face. "O Mrs. Lirriper it's very short!" I says "My dear Mrs. Edson no doubt that's because your husband hadn't time to write more just at that time." "No doubt, no doubt," says she, and puts her two hands on her face and turns round in her bed.&lt;br /&gt;&lt;br /&gt;I shut her softly in and I crept down stairs and I tapped at the Major's door, and when the Major having his thin slices of bacon in his own Dutch oven saw me he came out of his chair and put me down on the sofa. "Hush!" says he, "I see something's the matter. Don't speak—take time." I says "O Major I am afraid there's cruel work up-stairs." "Yes yes" says he "I had begun to be afraid of it—take time." And then in opposition to his own words he rages out frightfully, and says "I shall never forgive myself Madam, that I, Jemmy Jackman, didn't see it all that morning—didn't go straight up-stairs when my boot-sponge was in my hand—didn't force it down his throat—and choke him dead with it on the spot!"&lt;br /&gt;&lt;br /&gt;The Major and me agreed when we came to ourselves that just at present we could do no more than take on to suspect nothing and use our best endeavours to keep that poor young creature quiet, and what I ever should have done without the Major when it got about among the organ-men that quiet was our object is unknown, for he made lion and tiger war upon them to that degree that without seeing it I could not have believed it was in any gentleman to have such a power of bursting out with fire-irons walking-sticks water-jugs coals potatoes off his table the very hat off his head, and at the same time so furious in foreign languages that they would stand with their handles half turned fixed like the Sleeping Ugly—for I cannot say Beauty.&lt;br /&gt;&lt;br /&gt;Ever to see the postman come near the house now gave me such a fear that it was a reprieve when he went by, but in about another ten days or a fortnight he says again "Here's one for Mrs. Edson.—Is she pretty well?" "She is pretty well postman, but not well enough to rise so early as she used" which was so far gospel-truth.&lt;br /&gt;&lt;br /&gt;I carried the letter in to the Major at his breakfast and I says tottering "Major I have not the courage to take it up to her."&lt;br /&gt;&lt;br /&gt;"It's an ill-looking villain of a letter," says the Major.&lt;br /&gt;&lt;br /&gt;"I have not the courage Major" I says again in a tremble "to take it up to her."&lt;br /&gt;&lt;br /&gt;After seeming lost in consideration for some moments the Major says, raising his head as if something new and useful had occurred to his mind "Mrs. Lirriper, I shall never forgive myself that I, Jemmy Jackman, didn't go straight up-stairs that morning when my boot-sponge was in my hand—and force it down his throat—and choke him dead with it."&lt;br /&gt;&lt;br /&gt;"Major" I says a little hasty "you didn't do it which is a Blessing, for it would have done no good and I think your sponge was better employed on your own honourable boots."&lt;br /&gt;&lt;br /&gt;So we got to be rational, and planned that I should tap at her bedroom door and lay the letter on the mat outside and wait on the upper landing for what might happen, and never was gunpowder cannon-balls or shells or rockets more dreaded than that dreadful letter was by me as I took it to the second floor.&lt;br /&gt;&lt;br /&gt;A terrible loud scream sounded through the house the minute after she had opened it, and I found her on the floor lying as if her life was gone. My dear I never looked at the face of the letter which was lying open by her, for there was no occasion.&lt;br /&gt;&lt;br /&gt;Everything I needed to bring her round the Major brought up with his own hands, besides running out to the chemist's for what was not in the house and likewise having the fiercest of all his many skirmishes with a musical instrument representing a ball-room I do not know in what particular country and company waltzing in and out at folding-doors with rolling eyes. When after a long time I saw her coming to, I slipped on the landing till I heard her cry, and then I went in and says cheerily "Mrs. Edson you're not well my dear and it's not to be wondered at," as if I had not been in before. Whether she believed or disbelieved I cannot say and it would signify nothing if I could, but I stayed by her for hours and then she God ever blesses me! and says she will try to rest for her head is bad.&lt;br /&gt;&lt;br /&gt;"Major," I whispers, looking in at the parlours, "I beg and pray of you don't go out."&lt;br /&gt;&lt;br /&gt;The Major whispers "Madam, trust me I will do no such a thing. How is she?"&lt;br /&gt;&lt;br /&gt;I says "Major the good Lord above us only knows what burns and rages in her poor mind. I left her sitting at her window. I am going to sit at mine."&lt;br /&gt;&lt;br /&gt;It came on afternoon and it came on evening. Norfolk is a delightful street to lodge in—provided you don't go lower down—but of a summer evening when the dust and waste paper lie in it and stray children play in it and a kind of a gritty calm and bake settles on it and a peal of church-bells is practising in the neighbourhood it is a trifle dull, and never have I seen it since at such a time and never shall I see it evermore at such a time without seeing the dull June evening when that forlorn young creature sat at her open corner window on the second and me at my open corner window (the other corner) on the third. Something merciful, something wiser and better far than my own self, had moved me while it was yet light to sit in my bonnet and shawl, and as the shadows fell and the tide rose I could sometimes—when I put out my head and looked at her window below—see that she leaned out a little looking down the street. It was just settling dark when I saw &lt;em&gt;her&lt;/em&gt; in the street.&lt;br /&gt;&lt;br /&gt;So fearful of losing sight of her that it almost stops my breath while I tell it, I went down stairs faster than I ever moved in all my life and only tapped with my hand at the Major's door in passing it and slipping out. She was gone already. I made the same speed down the street and when I came to the corner of Howard Street I saw that she had turned it and was there plain before me going towards the west. O with what a thankful heart I saw her going along!&lt;br /&gt;&lt;br /&gt;She was quite unacquainted with London and had very seldom been out for more than an airing in our own street where she knew two or three little children belonging to neighbours and had sometimes stood among them at the end of the street looking at the water. She must be going at hazard I knew, still she kept the by-streets quite correctly as long as they would serve her, and then turned up into the Strand. But at every corner I could see her head turned one way, and that way was always the river way.&lt;br /&gt;&lt;br /&gt;It may have been only the darkness and quiet of the Adelphi that caused her to strike into it but she struck into it much as readily as if she had set out to go there, which perhaps was the case. She went straight down to the Terrace and along it and looked over the iron rail, and I often woke afterwards in my own bed with the horror of seeing her doing it. The desertion of the wharf below and the flowing of the high water there seemed to settle her purpose. She looked about as if to make out the way down, and she struck out the right way or the wrong way—I don't know which, for I don't know the place before or since—and I followed her the way she went.&lt;br /&gt;&lt;br /&gt;It was noticeable that all this time she never once looked back. But there was now a great change in the manner of her going, and instead of going at a steady quick walk with her arms folded before her,—among the dark dismal arches she went in a wild way with her arms opened wide, as if they were wings and she was flying to her death.&lt;br /&gt;&lt;br /&gt;We were on the wharf and she stopped. I stopped. I saw her hands at her bonnet-strings, and I rushed between her and the brink and took her round the waist with both my arms.&lt;br /&gt;She might have drowned me, I felt then, but she could never have got quit of me.&lt;br /&gt;&lt;br /&gt;Down to that moment my mind had been all in a maze and not half an idea had I had in it what I should say to her, but the instant I touched her it came to me like magic and I had my natural voice and my senses and even almost my breath.&lt;br /&gt;&lt;br /&gt;"Mrs. Edson!" I says " My dear! Take care. How ever did you lose your way and stumble on a dangerous place like this? Why you must have come here by the most perplexing streets in all London. No wonder you are lost, I am sure. And this place too! Why I thought nobody ever got here, except me to order my coals and the Major in the parlours to smoke his cigar!"—for I saw that blessed man close by, pretending to it.&lt;br /&gt;&lt;br /&gt;"Hah—Hah—Hum!" coughs the Major.&lt;br /&gt;&lt;br /&gt;"And good gracious me" I says, "why here he is!"&lt;br /&gt;&lt;br /&gt;"Halloa! who goes there!" says the Major in a military manner.&lt;br /&gt;&lt;br /&gt;"Well!" I says, "if this don't beat everything! Don't yon know us Major Jackman?"&lt;br /&gt;&lt;br /&gt;"Halloa!" says the Major. "Who calls on Jemmy Jackman?" (and more out of breath he was, and did it less like life, than I should have expected).&lt;br /&gt;&lt;br /&gt;"Why here's Mrs. Edson Major" I says, "strolling out to cool her poor head which has been very bad, has missed her way and got lost, and Goodness knows where she might have got&lt;br /&gt;to but for me coming here to drop an order into my coal merchant's letter-box and you coming here to smoke your cigar!—And you really are not well enough my dear" I says to her " to be half so far from home without me.—And your arm will be very acceptable I am sure Major" I says to him "and I know she may lean upon it as heavy as she likes." And now we had both got her—thanks be Above!—one on each side.&lt;br /&gt;&lt;br /&gt;She was all in a cold shiver and she so continued till I laid her on her own bed, and up to the early morning she held me by the hand and moaned and moaned "O wicked, wicked, wicked!" But when at last I made believe to droop my head and be overpowered with a dead sleep, I heard that poor young creature give such touching and such humble thanks for being preserved from taking her own life in her madness that I thought I should have cried my eyes out on the counterpane and I knew she was safe.&lt;br /&gt;&lt;br /&gt;Being well enough to do and able to afford it, me and the Major laid our little plans next day while she was asleep worn out, and so I says to her as soon as I could do it nicely:&lt;br /&gt;&lt;br /&gt;"Mrs. Edson my dear, when Mr. Edson paid me the rent for these further six months—"&lt;br /&gt;&lt;br /&gt;She gave a start and I felt her large eyes look at me, but I went on with it and with my needle-work.&lt;br /&gt;&lt;br /&gt;"—I can't say that I am quite sure I dated the receipt right. Could you let me look at it?"&lt;br /&gt;&lt;br /&gt;She laid her frozen cold hand upon mine and she looked through me when I was forced to look up from my needlework, but I had taken the precaution of having on my spectacles.&lt;br /&gt;&lt;br /&gt;"I have no receipt" says she.&lt;br /&gt;&lt;br /&gt;"Ah! Then he has got it" I says in a careless way. "It's of no great consequence. A receipt's a receipt."&lt;br /&gt;&lt;br /&gt;From that time she always had hold of my hand when I could spare it which was generally only when I read to her, for of course she and me had our bits of needlework to plod at and neither of us was very handy at those little things, though I am still rather proud of my share in them too considering. And though she took to all I read to her, I used to fancy that next to what was taught upon the Mount she took most of all to His gentle compassion for us poor women and to His young life and to how His mother was proud of him and treasured His sayings in her heart. She had a grateful look in her eyes that never never never will be out of mine until they are closed in my last sleep, and when I chanced to look at her without thinking of it I would always meet that look, and she would often offer me her trembling lip to kiss, much more like a little affectionate half-broken-hearted child than ever I can imagine any grown person.&lt;br /&gt;&lt;br /&gt;One time the trembling of this poor lip was so strong and her tears ran down so fast that I thought she was going to tell me all her woe, so I takes her two hands in mine and I says:&lt;br /&gt;&lt;br /&gt;"No my dear not now, you had best not try to do it now. Wait for better times when you have got over this and are strong, and then you shall tell me whatever you will. Shall it be agreed?"&lt;br /&gt;&lt;br /&gt;With our hands still joined she nodded her head many times, and she lifted my hands and put them to her lips and to her bosom.&lt;br /&gt;&lt;br /&gt;"Only one word now my dear" I says. "Is there any one?"&lt;br /&gt;&lt;br /&gt;She looked inquiringly "Any one?"&lt;br /&gt;&lt;br /&gt;"That I can go to?"&lt;br /&gt;&lt;br /&gt;She shook her head.&lt;br /&gt;&lt;br /&gt;"No one that I can bring?"&lt;br /&gt;&lt;br /&gt;She shook her head.&lt;br /&gt;&lt;br /&gt;"No one is wanted by &lt;em&gt;me&lt;/em&gt; my dear. Now that may be considered past and gone."&lt;br /&gt;&lt;br /&gt;Not much more than a week afterwards—for this was far on in the time of our being so together—I was bending over at her bedside with my ear down to her lips, by turns listening for her breath and looking for a sign of life in her face. At last it came in a solemn way—not in a flash but like a kind of pale faint light brought very slow to the face.&lt;br /&gt;&lt;br /&gt;She said something to me that had no sound in it, but I saw she asked me:&lt;br /&gt;&lt;br /&gt;"Is this death?"&lt;br /&gt;&lt;br /&gt;And I says "Poor dear poor dear, I think it is."&lt;br /&gt;&lt;br /&gt;Knowing somehow that she wanted me to move her weak right hand, I took it and laid it on her breast and then folded her other hand upon it, and she prayed a good good prayer and I joined in it poor me though there were no words spoke. Then I brought the baby in its wrappers from where it lay, and I says:&lt;br /&gt;&lt;br /&gt;"My dear this is sent to a childless old woman. This is for me to take care of."&lt;br /&gt;&lt;br /&gt;The trembling lip was put up towards my face for the last time, and I dearly kissed it.&lt;br /&gt;&lt;br /&gt;"Yes my dear" I says. "Please God! Me and the Major."&lt;br /&gt;&lt;br /&gt;I don't know how to tell it right, but I saw her soul brighten and leap up, and get free and fly away in the grateful look&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;* * * * *&lt;br /&gt;&lt;br /&gt;So this is the why and wherefore of its coming to pass my dear that we called him Jemmy, being after the Major his own godfather with Lirriper for a surname being after myself, and never was a dear child such a brightening thing in a Lodgings or such a playmate to his grandmother as Jemmy to this house and me, and always good and minding what he was told (upon the whole) and soothing for the temper and making everything pleasanter except when he grew old enough to drop his cap down Wozenham's Airy and they wouldn't hand it up to him, and being worked into a state I put on my best bonnet and gloves and parasol with the child in my hand and I says "Miss Wozenham I little thought ever to have entered your house but unless my grandson's cap is instantly restored, the laws of this country regulating the property of the Subject shall at length decide betwixt yourself and me, cost what it may." With a sneer upon her face which did strike me I must say as being expressive of two keys but it may have been a mistake and if there is any doubt let Miss Wozenham have the full benefit of it as is but right, she rang the bell and she says "Jane, is there a street-child's old cap down our Airy?" I says "Miss Wozenham before your housemaid answers that question you must allow me to inform you to your face that my grandson is &lt;em&gt;not&lt;/em&gt; a street-child and is &lt;em&gt;not&lt;/em&gt; in the habit of wearing old caps. In fact" I says "Miss Wozenham I am far from sure that my grandson's cap may not be newer than your own" which was perfectly savage in me, her lace being the commonest machine-make washed and torn besides, but I had been put into a state to begin with fomented by impertinence. Miss Wozenham says red in the face "Jane you heard my question, is there any child's cap down our Airy?" " Yes Ma'am'" says Jane "I think I&lt;br /&gt;did see some such rubbish a lying there." "Then" says Miss Wozenham" let these visitors out, and then throw up that worthless article out of my premises." But here the child who had been staring at Miss Wozenham with all his eyes and more, frowns down his little eyebrows purses up his little mouth puts his chubby legs far apart turns his little dimpled fists round and round slowly over one another like a little coffee-mill, and says to her "Oo impdent to mi Gran, me tut oor hi!" " Oh!" says Miss Wozenham looking down scornfully at the Mite "this is not a street-child is it not! Really!" I bursts out laughing and I says " Miss Wozenham if this an't a pretty sight to you I don't envy your feelings and I wish you good day. Jemmy come along with Gran." And I was still in the best of humours though his cap came flying up into the street as if it had been just turned on out of the water-plug, and I went home laughing all the way, all owing to that dear boy.&lt;br /&gt;&lt;br /&gt;The miles and miles that me and the Major have travelled with Jemmy in the dusk between the lights are not to be calculated, Jemmy driving on the coach-box which is the Major's brass-bound writing-desk on the table, me inside in the easy-chair and the Major Guard up behind with a brown-paper horn doing it really wonderful. I do assure you my dear that sometimes when I have taken a few winks in my place inside the coach and have come half awake by the flashing light of the fire and have heard that precious pet driving and the Major blowing up behind to have the change of horses&lt;br /&gt;ready when we got to the Inn, I have half believed we were on the old North Road that my poor Lirriper knew so well. Then to see that child and the Major both wrapped up getting down to warm their feet and going stamping about and having glasses of ale out of the paper match-boxes on the chimney-piece is to see the Major enjoying it fully as much as the child I am very sure, and it's equal to any play when Coachee opens the coach-door to look in at me inside and say "Wery 'past that 'tage. 'Prightened old lady?"&lt;br /&gt;&lt;br /&gt;But what my inexpressible feelings were when we lost that child can only be compared to the Major's which were not a shade better, through his straying out at five years old and eleven o'clock in the forenoon and never heard of by word or sign or deed till half-past nine at night, when the Major had gone to the Editor of the Times newspaper to put in an advertisement, which came out next day four and twenty hours after he was found, and which I mean always carefully to keep in my lavender drawer as the first printed account of him. The more the day got on, the more I got distracted and the Major too and both of us made worse by the composed ways of the police though very civil and obliging and what I must call their obstinacy in not entertaining the idea that he was stolen. "We mostly find Mum" says the sergeant who came round to comfort me, which he didn't at all and he had been one of the private constables in Caroline's time to which he referred in his opening words when he said "Don't give way to uneasiness in your mind Mum, it'll all come as right as my nose did when I got the same barked by that young woman in your second floor"—says this sergeant "we mostly find Mum as people ain't over anxious to have what I may call second-hand children. &lt;em&gt;You'll&lt;/em&gt; get him back Mum." "O but my dear good sir" I says clasping my hands and wringing them and clasping them again "he is such an uncommon child!" "Yes Mum" says the sergeant, "we mostly find that too Mum. The question is what his clothes were worth." "His clothes" I says "were not worth much sir for he had only got his playing-dress on, but the dear child!—" "All right Mum" says the sergeant. "&lt;em&gt;You'll&lt;/em&gt; get him back, Mum. And even if he'd had his best clothes on, it wouldn't come to worse than his being found wrapped up in a cabbage-leaf, a shivering in a lane." His words pierced my heart like daggers and daggers, and me and the Major ran in and out like wild things all day long till the Major returning from his interview with the Editor of the Times at night rushes into my little room hysterical and squeezes my hand and wipes his eyes and says " Joy joy—officer in plain clothes came up on the steps as I was letting myself in—compose your feelings—Jemmy's&lt;br /&gt;found." Consequently I fainted away and when I came to, embraced the legs of the officer in plain clothes who seemed to be taking a kind of a quiet inventory in his mind of the property in my little room with brown whiskers, and I says " Blessings on you sir where is the Darling!" and he says "In Kennington Station House." I was dropping at his feet Stone at the image of that Innocence in cells with murderers&lt;br /&gt;when he adds "He followed the Monkey." I says deeming it slang language "Oh sir explain for a loving grandmother what Monkey!" He says "him in the spangled cap with the strap under the chin, as won't keep on—him as sweeps the crossings on a round table and don't want to draw his sabre more than he can help." Then I understood it all and most thankfully thanked him, and me and the Major and him drove over to Kennington and there we found our boy lying quite comfortable before a blazing fire having sweetly played himself to sleep upon a small accordion nothing like so big as a flat iron which they had been so kind as to lend him for the purpose and which it appeared had been stopped upon a very young person.&lt;br /&gt;&lt;br /&gt;My dear the system upon which the Major commenced and as I may say perfected Jemmy's learning when he was so small that if the dear was on the other side of the table you&lt;br /&gt;had to look under it instead of over it to see him with his mother's own bright hair in beautiful curls, is a thing that ought to be known to the Throne and Lords and Commons and then might obtain some promotion for the Major which he well deserves and would be none the worse for (speaking between friends) L. S. D.-ically. When the Major first undertook his learning he says to me:&lt;br /&gt;&lt;br /&gt;"I'm going Madam." he says " to make our child a Calculating Boy."&lt;br /&gt;&lt;br /&gt;"Major" I says, "you terrify me and may do the pet a permanent injury you would never forgive yourself."&lt;br /&gt;&lt;br /&gt;"Madam," says the Major, "next to my regret that when I had my boot-sponge in my hand, I didn't choke that scoundrel with it—on the spot—"&lt;br /&gt;&lt;br /&gt;"There! For Gracious sake," I interrupts, "let his conscience find him without sponges."&lt;br /&gt;&lt;br /&gt;"I say next to that regret, Madam," says the Major "would be the regret with which my breast," which he tapped, "would be surcharged if this fine mind was not early cultivated. But mark me Madam," says the Major holding up his forefinger "cultivated on a principle that will make it a delight."&lt;br /&gt;&lt;br /&gt;"Major" I says "I will be candid with you and tell you openly that if ever I find the dear child fall off in his appetite I shall know it is his calculations and shall put a stop to them at two minutes' notice. Or if I find them mounting to his head" I says, "or striking any ways cold to his stomach or leading to anything approaching flabbiness in his legs, the result will be the same, but Major you are a clever man and have seen much and you love the child and are his own godfather, and if you feel a confidence in trying try."&lt;br /&gt;&lt;br /&gt;"Spoken Madam" says the Major "like Emma Lirriper. All I have to ask Madam, is, that you will leave my godson and myself to make a week or two's preparations for surprising you, and that you will give me leave to have up and down any small articles not actually in use that I may require from the kitchen."&lt;br /&gt;&lt;br /&gt;"From the kitchen Major?" I says half feeling as if he had a mind to cook the child.&lt;br /&gt;&lt;br /&gt;"From the kitchen" says the Major, and smiles and swells, and at the same time looks taller.&lt;br /&gt;&lt;br /&gt;So I passed my word and the Major and the dear boy were shut up together for half an hour at a time through a certain while, and never could I hear anything going on betwixt them but talking and laughing and Jemmy clapping his hands and screaming out numbers, so I says to myself "it has not harmed him yet" nor could I on examining the dear find any signs of it anywhere about him which was likewise a great relief. At last one day Jemmy brings me a card in joke in the Major's neat writing "The Messrs. Jemmy Jackman" for we had given him the Major's other name too "request the honour of Mrs. Lirriper's company at the Jackman Institution in the front parlour this evening at five, military time, to witness a few slight feats of elementary arithmetic." And if you'll believe me there in the front parlour at five punctual to the moment was the Major behind the Pembroke table with both leaves up and a lot of things from the kitchen tidily set out on old newspapers spread atop of it, and there was the Mite stood up on a chair with his rosy cheeks flushing and his eyes sparkling clusters of diamonds.&lt;br /&gt;&lt;br /&gt;"Now Gran" says he, "oo tit down and don't oo touch ler poople"—for he saw with every one of those diamonds of his that I was going to give him a squeeze.&lt;br /&gt;&lt;br /&gt;"Very well sir" I says "I am obedient in this good company I am sure." And I sits down in the easy-chair that was put for me, shaking my sides.&lt;br /&gt;&lt;br /&gt;But picture my admiration when the Major going on almost as quick as if he was conjuring sets out all the articles he names, and says, "Three saucepans, an Italian iron, a hand-bell, a toasting-fork, a nutmeg-grater, four pot-lids, a spice-box, two egg-cups, and a chopping-board—how many?" and when that Mite instantly cries "Tifteen, tut down tive and carry ler 'toppin-board" and then claps his hands draws up his legs and dances on his chair!&lt;br /&gt;&lt;br /&gt;My dear with the same astonishing ease and correctness him and the Major added up the tables chairs and sofy, the picters fender and fire-irons their own selves me and the cat and the eyes in Miss Wozenham's head, and whenever the sum was done Young Roses and Diamonds claps his hands and draws up his legs and dances on his chair.&lt;br /&gt;&lt;br /&gt;The pride of the Major! ("&lt;em&gt;Here's&lt;/em&gt; a mind Ma'am!" he says to me behind his hand.)&lt;br /&gt;&lt;br /&gt;Then he says aloud, "We now come to the next elementary rule: which is called—"&lt;br /&gt;&lt;br /&gt;"Umtraction!" cries Jemmy.&lt;br /&gt;&lt;br /&gt;"Right" says the Major. "We have here a toasting-fork, a potato in its natural state, two pot-lids, one egg-cup, a wooden spoon, and two skewers, from which it is necessary for commercial purposes to subtract a sprat-gridiron, a small pickle-jar, two lemons, one pepper-castor, a blackbeetle-trap, and a knob of the dresser-drawer what remains?"&lt;br /&gt;&lt;br /&gt;"Toatin-fork!" cries Jemmy.&lt;br /&gt;&lt;br /&gt;"In numbers how many?" says the Major.&lt;br /&gt;&lt;br /&gt;"One!" cries Jemmy.&lt;br /&gt;&lt;br /&gt;("&lt;em&gt;Here's&lt;/em&gt; a boy, Ma'am?" says the Major to me, behind his hand.)&lt;br /&gt;&lt;br /&gt;Then the Major goes on:&lt;br /&gt;&lt;br /&gt;"We now approach the next elementary rule: which is entitled—"&lt;br /&gt;&lt;br /&gt;"Tickleication" cries Jemmy.&lt;br /&gt;&lt;br /&gt;"Correct" says the Major.&lt;br /&gt;&lt;br /&gt;But my dear to relate to you in detail the way in which they multiplied fourteen sticks of fire-wood by two bits of ginger and a larding-needle, or divided pretty well everything else there was on the table by the heater of the Italian iron and a chamber candlestick, and got a lemon over, would make my head spin round and round and round as it did at the time. So I says "if you'll excuse my addressing the chair Professor Jackman I think the period of the lecture has now arrived when it becomes necessary that I should take a good hug of this young scholar." Upon which Jemmy calls out from his station on the chair "Gran oo open oor arms and me'll make a 'pring into 'em." So I opened my arms to him as I had opened my sorrowful heart when his poor young mother lay a dying, and he had his jump and we had a good long hug together and the Major prouder than any peacock says to me behind his hand, "You need not let him know it Madam" (which I certainly need not for the Major was quite audible) "but he is a boy!"&lt;br /&gt;&lt;br /&gt;In this way Jemmy grew and grew and went to day-school and continued under the Major too, and in summer we were as happy as the days were long and in winter we were as happy as the days were short and there seemed to rest a Blessing on the Lodgings for they as good as Let themselves and would have done it if there had been twice the accommodation, when sore and hard against my will I one day says to the Major&lt;br /&gt;&lt;br /&gt;"Major you know what I am going to break to you. Our boy must go to boarding-school."&lt;br /&gt;&lt;br /&gt;It was a sad sight to see the Major's countenance drop, and I pitied the good soul with all my heart.&lt;br /&gt;&lt;br /&gt;"Yes Major" I says " though he is as popular with the Lodgers as you are yourself and though he is to you and me what only you and me know, still it is in the course of things and Life is made of partings and we must part with our Pet."&lt;br /&gt;&lt;br /&gt;Bold as I spoke, I saw two Majors and half a dozen fireplaces, and when the poor Major put one of his neat bright-varnished boots upon the fender and his elbow on his knee and his head upon his hand and rocked himself a little to and fro, I was dreadfully cut up.&lt;br /&gt;&lt;br /&gt;"But" says I clearing my throat "you have so well prepared him Major—he has had such a Tutor in you—that he will have none of the first drudgery to go through. And he is so clever besides that he'll soon make his way to the front rank."&lt;br /&gt;&lt;br /&gt;"He is a boy" says the Major—having sniffed—"that has not his like on the face of the earth."&lt;br /&gt;&lt;br /&gt;"True as you say Major, and it is not for us merely for our own sakes to do anything to keep him back from being a credit and an ornament wherever he goes and perhaps even rising to be a great man, is it Major? He will have all my&lt;br /&gt;little savings when my work is done (being all the world to me) and we must try to make him a wise man and a good man, mustn't we Major?"&lt;br /&gt;&lt;br /&gt;''Madam" says the Major rising "Jemmy Jackman is becoming an older file than I was aware of, and you put him to shame. You are thoroughly right Madam. You are simply and undeniably right—And if you'll excuse me, I'll take a walk."&lt;br /&gt;&lt;br /&gt;So the Major being gone out and Jemmy being at home, I got the child into my little room here and I stood him by my chair and I took his mother's own curls in my hand and I spoke to him loving and serious. And when I had reminded the darling how that he was now in his tenth year and when I had said to him about his getting on in life pretty much what I had said to the Major I broke to him how that we must have this same parting, and there I was forced to stop for there I saw of a sudden the well remembered lip with its tremble, and it so brought back that time! But with the spirit that was in him he controlled it soon and he says gravely nodding through his tears, "I understand Gran—I know it &lt;em&gt;must&lt;/em&gt; be, Gran—go on Gran, don't be afraid of &lt;em&gt;me&lt;/em&gt;." And when I had said all that ever I could think of, he turned his bright steady face to mine and he says just a little broken here and there "You shall see Gran that I can be a man and that I can do anything that is grateful and loving to you—and if I don't grow up to be what you would like to have me—I hope it will be—because I shall die." And with that he sat down by me and I went on to tell him of the school of which I had excellent recommendations and where it was and how many scholars and what games they played as I had heard and what length of holidays, to all of which he listened bright and clear. And so it came that at last he says " And now dear Gran let me kneel down here where I have been used to say my prayers and let me fold my face for just a minute in your gown and let me cry, for you have been more than father—more than mother—more than brothers sisters friends—to me!" And so he did cry and I too and we were both much the better for it.&lt;br /&gt;&lt;br /&gt;From that time forth he was true to his word and ever blithe and ready, and even when me and the Major took him down into Lincolnshire he was far the gayest of the party though for sure and certain he might easily have been that, but he really was and put life into us only when it came to the last Good-by, he says with a wistful look "You wouldn't have me not really sorry would you Gran?" and when I says " No dear, Lord forbid!" he says " I am glad of that!" and ran in out of sight.&lt;br /&gt;&lt;br /&gt;But now that the child was gone out of the Lodgings the Major fell into a regularly moping state. It was taken notice of by all the Lodgers that the Major moped. He hadn't even the same air of being rather tall that he used to have, and if he varnished his boots with a single gleam of interest it was as much as he did.&lt;br /&gt;&lt;br /&gt;One evening the Major came into my little room to take a cup of tea and a morsel of buttered toast and to read Jemmy's newest letter which had arrived that afternoon (by the very same postman more than middle-aged upon the Beat now), and the letter raising him up a little I says to the Major:&lt;br /&gt;&lt;br /&gt;"Major you mustn't get into a moping way."&lt;br /&gt;&lt;br /&gt;The Major shook his head. "Jemmy Jackman Madam," he says with a deep sigh, " is an older file than I thought him."&lt;br /&gt;&lt;br /&gt;"Moping is not the way to grow younger Major."&lt;br /&gt;&lt;br /&gt;"My dear Madam," says the Major, "is there &lt;em&gt;any&lt;/em&gt; way of growing younger?"&lt;br /&gt;&lt;br /&gt;Feeling that the Major was getting rather the best of that point I made a diversion to another.&lt;br /&gt;&lt;br /&gt;"Thirteen years! Thir-teen years! Many Lodgers have come and gone, in the thirteen years that you have lived in the parlours Major."&lt;br /&gt;&lt;br /&gt;"Hah!" says the Major warming. "Many Madam, many."&lt;br /&gt;&lt;br /&gt;"And I should say you have been familiar with them all?"&lt;br /&gt;&lt;br /&gt;"As a rule (with its exceptions like all rules) my dear Madam" says the Major, " they have honoured me with their acquaintance, and not infrequently with their confidence."&lt;br /&gt;&lt;br /&gt;Watching the Major as he drooped his white head and stroked his black moustachios and moped again, a thought which I think must have been going about looking for an owner somewhere dropped into my old noddle if you will excuse the expression.&lt;br /&gt;&lt;br /&gt;"The walls of my Lodgings" I says in a casual way—for my dear it is of no use going straight at a man who mopes—" might have something to tell, if they could tell it."&lt;br /&gt;&lt;br /&gt;The Major neither moved nor said anything but I saw he was attending with his shoulders my dear—attending with his shoulders to what I said. In fact I saw that his shoulders were struck by it.&lt;br /&gt;&lt;br /&gt;"The dear boy was always fond of story-books" I went on, like as if I was talking to myself. " I am sure this house—his own home—might write a story or two for his reading one day or another."&lt;br /&gt;&lt;br /&gt;The Major's shoulders gave a dip and a curve and his head came up in his shirt-collar. The Major's head came up in his shirt-collar as I hadn't seen it come up since Jemmy went to school.&lt;br /&gt;&lt;br /&gt;"It is unquestionable that in intervals of cribbage and a friendly rubber, my dear Madam," says the Major, "and also over what used to be called in my young times—in the salad days of Jemmy Jackman—the social glass, I have exchanged many a reminiscence with your Lodgers."&lt;br /&gt;&lt;br /&gt;My remark was—I confess I made it with the deepest and artfullest of intentions—"I wish our dear boy had heard them!"&lt;br /&gt;&lt;br /&gt;"Are you serious Madam?" asks the Major starting and turning full round.&lt;br /&gt;&lt;br /&gt;"Why not Major?"&lt;br /&gt;&lt;br /&gt;"Madam" says the Major, turning up one of his cuffs, "they shall be written for him."&lt;br /&gt;&lt;br /&gt;"Ah! Now you speak" I says giving my hands a pleased clap. "Now you are in a way out of moping Major!"&lt;br /&gt;&lt;br /&gt;"Between this and my holidays—I mean the dear boy's" says the Major turning up his other cuff, "a good deal may be done towards it."&amp;nbsp;&lt;br /&gt;&lt;br /&gt;"Major you are a clever man and you have seen much and not a doubt of it."&lt;br /&gt;&lt;br /&gt;"I'll begin," says the Major looking as tall as ever he did, "to-morrow."&lt;br /&gt;&lt;br /&gt;My dear the Major was another man in three days and he was himself again in a week and he wrote and wrote and wrote with his pen scratching like rats behind the wainscot, and whether he had many grounds to go upon or whether he did at all romance I cannot tell you, but what he has written is in the left-hand glass closet of the little bookcase close behind you, and if you'll put your hand in you'll find it come out heavy in lumps sewn together and being beautifully plain and unknown Greek and Hebrew to myself and me quite wakeful, I shall take it as a favour if you'll read out loud and read on.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I have the honour of presenting myself by the name of Jackman. I esteem it a proud privilege to go down to posterity through the instrumentality of the most remarkable boy that ever lived—by the name of JEMMY JACKMAN LIRRIPER—and of my most worthy and most highly respected friend, Mrs. Emma Lirriper, of Eighty-one, Norfolk-street, Strand, in the County of Middlesex, in the United Kingdom of Great Britain and Ireland.&lt;br /&gt;&lt;br /&gt;It is not for me to express the rapture with which we received that dear and eminently remarkable boy, on the occurrence of his first Christmas holidays. Suffice it to observe that when he came flying into the house with two splendid prizes (Arithmetic, and Exemplary Conduct), Mrs. Lirriper and myself embraced with emotion, and instantly took him to the Play, where we were all three admirably entertained.&lt;br /&gt;&lt;br /&gt;Nor, is it to render homage to the virtues of the best of her good and honoured sex—whom, in deference to her unassuming worth, I will only here designate by the initials E. L.—that I add this record to the bundle of papers with which our, in a most distinguished degree, remarkable boy has expressed himself delighted, before re-consigning the same to the left-hand glass closet of Mrs. Lirriper's little bookcase.&lt;br /&gt;&lt;br /&gt;Neither, is it to obtrude the name of the old original superannuated obscure Jemmy Jackman, once (to his degradation) of Wozenham's, long (to his elevation) of Lirriper's. If I could be consciously guilty of that piece of bad taste, it would indeed be a work of supererogation, now that the name is borne by JEMMY JACKMAN LIRRIPER.&lt;br /&gt;&lt;br /&gt;No. I take up my humble pen to register a little record of our strikingly remarkable boy, which my poor capacity regards as presenting a pleasant little picture of the dear boy's mind. The picture may be interesting to himself when he is a man.&lt;br /&gt;&lt;br /&gt;Our first re-united Christmas-day was the most delightful one we have ever passed together. Jemmy was never silent for five minutes, except in church-time. He talked as we sat by the fire, he talked when we were out walking, he talked as we sat by the fire again, he talked incessantly at dinner, though he made a dinner almost as remarkable as himself. It was the spring of happiness in his fresh young heart flowing and flowing, and it fertilised (if I may be allowed so bold a figure) my much-esteemed friend, and J— J—the present writer.&lt;br /&gt;&lt;br /&gt;There were only we three. We dined in my esteemed friend's little room, and our entertainment was perfect. But everything in the establishment is, in neatness, order, and comfort, always perfect. After dinner, our boy slipt away to his old stool at my esteemed friend's knee, and there, with his hot chesnuts and his glass of brown sherry (really, a most excellent wine!) on a chair for a table, his face outshone the apples in the dish.&lt;br /&gt;&lt;br /&gt;We talked of these jottings of mine, which Jemmy had read through and through by that time; and so it came about that my esteemed friend remarked, as she sat smoothing Jemmy's curls:&lt;br /&gt;&lt;br /&gt;"And as you belong to the house too, Jemmy, —and so much more than the Lodgers, having been born in it—why, your story ought to be added to the rest, I think, one of these days."&lt;br /&gt;&lt;br /&gt;Jemmy's eye sparkled at this, and he said, "So I think, Gran."&lt;br /&gt;&lt;br /&gt;Then, he sat looking at the fire, and then he began to laugh, in a sort of confidence with the fire, and then he said, folding his arms across my esteemed friend's lap and raising his bright face to hers:&lt;br /&gt;&lt;br /&gt;"Would you like to hear a boy's story, Gran?"&lt;br /&gt;&lt;br /&gt;"Of all things," replied my esteemed friend.&lt;br /&gt;&lt;br /&gt;"Would you, godfather?"&lt;br /&gt;&lt;br /&gt;"Of all things," I too replied.&lt;br /&gt;&lt;br /&gt;"Well then," said Jemmy, " I'll tell you one."&lt;br /&gt;&lt;br /&gt;Here, our indisputably remarkable boy gave himself a hug, and laughed again, musically, at the idea of his coming out in that new line. Then, he once more took the fire into the same sort of confidence as before, and began:&lt;br /&gt;&lt;br /&gt;"Once upon a time, When pigs drank wine, And monkeys chewed tobaccer, 'Twas neither in your time nor mine, But that's no macker—"&lt;br /&gt;&lt;br /&gt;"Bless the child!" cried my esteemed friend, "what's amiss with his brain'!"&lt;br /&gt;&lt;br /&gt;"It's poetry, Gran," returned Jemmy, shouting with laughter. "We always begin stories that way, at school."&lt;br /&gt;&lt;br /&gt;"Gave me quite a turn, Major," said my esteemed friend, fanning herself with a plate. "Thought he was light-headed!"&lt;br /&gt;&lt;br /&gt;"In those remarkable times, Gran and God- father, there was once a boy;—not me, you know."&lt;br /&gt;&lt;br /&gt;"No, no," says my respected friend, "not you. Not him, Major, you understand?"&lt;br /&gt;&lt;br /&gt;"No, no," says I.&lt;br /&gt;&lt;br /&gt;"And he went to school in Rutlandshire"&lt;br /&gt;&lt;br /&gt;"Why not Lincolnshire?" says my respected friend.&lt;br /&gt;&lt;br /&gt;"Why not, you dear old Gran? Because I go to school in Lincolnshire, don't I?"&lt;br /&gt;&lt;br /&gt;"Ah, to be sure!" says my respected friend. "And it's not Jemmy, you understand, Major?"&lt;br /&gt;&lt;br /&gt;"No, no," says I.&lt;br /&gt;&lt;br /&gt;"Well!" our boy proceeded, hugging himself comfortably, and laughing merrily (again in confidence with the fire), before he again looked up in Mrs. Lirriper's face, "and so he was tremendously in love with his schoolmaster's daughter, and she was the most beautiful creature that ever was seen, and she had brown eyes, and she had brown hair all curling beautifully, and she had a delicious voice, and she was delicious altogether, and her name was Seraphina."&lt;br /&gt;&lt;br /&gt;"What's the name of &lt;em&gt;your&lt;/em&gt; schoolmaster's daughter, Jemmy?" asks my respected friend.&lt;br /&gt;&lt;br /&gt;"Polly!" replied Jemmy, pointing his forefinger at her. "There now! Caught you! Ha! ha! ha!"&lt;br /&gt;&lt;br /&gt;When he and my respected friend had had a laugh and a hug together, our admittedly remarkable boy resumed with a great relish:&lt;br /&gt;&lt;br /&gt;"Well! And so he loved her. And so he thought about her, and dreamed about her, and made her presents of oranges and nuts, and would have made her presents of pearls and diamonds if he could have afforded it out of his pocket-money, but he couldn't. And so her father—O, he WAS a Tartar! Keeping the boys up to the mark, holding examinations once a month, lecturing upon all sorts of subjects at all sorts of times, and knowing everything in the world out of book. And so this boy—"&lt;br /&gt;&lt;br /&gt;"Had he any name?" asks my respected friend.&lt;br /&gt;&lt;br /&gt;"No he hadn't, Gran. Ha! ha! There now! Caught you again!"&lt;br /&gt;&lt;br /&gt;After this, they had another laugh and another hug, and then our boy went on.&lt;br /&gt;&lt;br /&gt;"Well! And so this boy he had a friend about as old as himself, at the same school, and his name (for He &lt;em&gt;had&lt;/em&gt; a name, as it happened) was—let me remember—was Bobbo."&lt;br /&gt;&lt;br /&gt;"Not Bob," says my respected friend.&lt;br /&gt;&lt;br /&gt;"Of course not," says Jemmy. " What made you think it was, Gran? Well! And so this friend was the cleverest and bravest and best looking and most generous of all the friends that ever were, and so he was in love with Seraphina's sister, and so Seraphina's sister was in love with him, and so they all grew up."&lt;br /&gt;&lt;br /&gt;"Bless us!" says my respected friend. "They were very sudden about it."&lt;br /&gt;&lt;br /&gt;"So they all grew up," our boy repeated, laughing heartily, "and Bobbo and this boy went away together on horseback to seek their fortunes, and they partly got their horses by favour, and partly in a bargain; that is to say, they had saved up between them seven-and-fourpence, and the two horses, being Arabs, were worth more, only the man said he would take that, to favour them. Well! And so they made their fortunes and came prancing back to the school, with their pockets full of gold enough to last for ever. And so they rang at the parents' and visitors' bell (not the back gate), and when the bell was answered they proclaimed, 'The same as if it was scarlet fever! Every boy goes home for an indefinite period!' And then there was great hurrahing, and then they kissed Seraphina and her sister—each his own love and not the other's on any account—and then they ordered the Tartar into instant confinement."&lt;br /&gt;&lt;br /&gt;"Poor man!" said my respected friend.&lt;br /&gt;&lt;br /&gt;"Into instant confinement, Gran," repeated Jemmy, trying to look severe and roaring with laughter, "and he was to have nothing to eat but the boys' dinners, and was to drink half a cask of their beer, every day. And so then the preparations were made for the two weddings, and there were hampers, and potted things, and sweet things, and nuts, and postage-stamps, and all manner of things. And so they were so jolly, that they let the Tartar out, and he was jolly too."&lt;br /&gt;&lt;br /&gt;"I am glad they let him out," says my respected friend, "because he had only done his duty."&lt;br /&gt;&lt;br /&gt;"Oh but hadn't he overdone it though!" cried Jemmy. " Well! And so then this boy mounted his horse, with his bride in his arms, and cantered away, and cantered on and on till he came to a certain place where he had a certain Gran and a certain godfather—not you two, you know."&lt;br /&gt;&lt;br /&gt;"No, no," we both said.&lt;br /&gt;&lt;br /&gt;"And there he was received with great rejoicings, and he filled the cupboard and the bookcase with gold, and he showered it out on his Gran and his godfather because they were the two kindest and dearest people that ever lived in this world. And so while they were sitting up to their knees in gold, a knocking was heard at the street door, and who should it be but Bobbo, also on horseback with his bride in his arms, and what had he come to say but that he would take (at double rent) all the Lodgings for ever, that were not wanted by this boy and this Gran and this godfather, and that they would all live together, and all be happy! And so they were, and so it never ended!"&lt;br /&gt;&lt;br /&gt;"And was there no quarrelling?" asked my respected friend, as Jemmy sat upon her lap, and hugged her.&lt;br /&gt;&lt;br /&gt;"No! Nobody ever quarrelled."&lt;br /&gt;&lt;br /&gt;"And did the money never melt away?"&lt;br /&gt;&lt;br /&gt;"No! Nobody could ever spend it all."&lt;br /&gt;&lt;br /&gt;"And did none of them ever grow older?"&lt;br /&gt;&lt;br /&gt;"No! Nobody ever grew older after that."&lt;br /&gt;&lt;br /&gt;"And did none of them ever die?"&lt;br /&gt;&lt;br /&gt;"O no, no, no, Gran!" exclaimed our dear boy, laying his cheek upon her breast, and drawing her closer to him. "Nobody ever died."&lt;br /&gt;&lt;br /&gt;"Ah Major, Major," says my respected friend, smiling benignly upon me. "This beats our stories. Let us end with the Boy's story, Major, for the Boy's story is the best that is ever told!"&lt;br /&gt;&lt;br /&gt;In submission to which request on the part of the best of women, I have here noted it down as faithfully as my best abilities, coupled with my best intentions, would admit, subscribing it with my name,&lt;br /&gt;&lt;br /&gt;J. JACKMAN.&lt;br /&gt;THE PARLOURS.&lt;br /&gt;MRS. LIRRIPER'S LODGINGS.</text>
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