<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://www.dickenssearch.com/items?output=omeka-xml&amp;page=24&amp;sort_field=Dublin+Core%2CCreator" accessDate="2026-09-17T03:45:12+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>24</pageNumber>
      <perPage>10</perPage>
      <totalResults>361</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="265" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="3984">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="3985">
              <text>St James's Hall</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3986">
              <text>18700315</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3987">
              <text>Ladies and gentlemen, It would be worse than idle – for it would be hypocritical and unfeeling – if I were to disguise that I close this episode in my life with feelings of very considerable pain. For some fifteen years, in this hall and in many kindred places, I have had the honour of presenting my own cherished ideas before you for your recognition; and, in closely observing your reception of them, have enjoyed an amount of artistic delight and instruction which, perhaps, is given to few men to know. In this task, and in every other which I have ever undertaken, as a faithful servant of the public, always imbued with a sense of duty to them, and always striving to do his best, I have been uniformly cheered by the readiest response, the most generous sympathy, and the most stimulating support. Nevertheless, I have thought it well, at the full flood-tide of your favour, to retire upon those older associations between us, which date from much further back than these, and henceforth to devote myself exclusively to that art which first brought us together. Ladies and gentlemen, in but two short weeks from this time I hope that you may enter, in your own homes, on a new series of readings, at which my assistance will be indispensable; but from these garish lights I vanish now for evermore, with a heartfelt, grateful, respectful, and affectionate farewell.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3978">
                <text>After Final Reading</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3979">
                <text>Short speech after Dickens's final reading at St. James's Hall (15 March 1870).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3980">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3981">
                <text>1870-03-15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3982">
                <text>1870-03-15_Speech_Final-Reading</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3983">
                <text>&lt;span&gt;Dickens, Charles. 'Final Reading' (15 March 1870).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1870-03-15_Speech_Final-Reading"&gt;https://dickenssearch.com/speeches/1870-03-15_Speech_Final-Reading&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="3988">
                <text>&lt;p&gt;Ladies and gentlemen, It would be worse than idle – for it would be hypocritical and unfeeling – if I were to disguise that I close this episode in my life with feelings of very considerable pain. For some fifteen years, in this hall and in many kindred places, I have had the honour of presenting my own cherished ideas before you for your recognition; and, in closely observing your reception of them, have enjoyed an amount of artistic delight and instruction which, perhaps, is given to few men to know. In this task, and in every other which I have ever undertaken, as a faithful servant of the public, always imbued with a sense of duty to them, and always striving to do his best, I have been uniformly cheered by the readiest response, the most generous sympathy, and the most stimulating support. Nevertheless, I have thought it well, at the full flood-tide of your favour, to retire upon those older associations between us, which date from much further back than these, and henceforth to devote myself exclusively to that art which first brought us together.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, in but two short weeks from this time I hope that you may enter, in your own homes, on a new series of readings, at which my assistance will be indispensable; but from these garish lights I vanish now for evermore, with a heartfelt, grateful, respectful, and affectionate farewell.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="266" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="101">
          <name>Summary</name>
          <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
          <elementTextContainer>
            <elementText elementTextId="3995">
              <text>&lt;p&gt;He was sure, he said, that after the address they had just heard, he need say but little in proposing to them the health of their respected chairman, and prosperity to the Haymarket Theatre. If Mr. Buckstone were any ordinary chairman, he might pass the toast over without any further observations; but he was not so – he was a gentleman who had a special claim upon their regards. He could answer for it from his recollections as a boy, twenty-five years ago, how much the acting of that gentleman had enchanted him, as no doubt it then did many others, and how he went home to dream of his comicalities. When at the Adelphi, Mr. Buckstone was great in his most original boys, as he is excellent in everything. Who can forget at that time his leading home the inebriated Master Magog, the Beadle; or, in later days, his drunken man in &lt;em&gt;Presented at Court&lt;/em&gt;; or his &lt;em&gt;Rough Diamond&lt;/em&gt;, with his huge short collar and most natural account of the doings at his village home? It was gratifying to notice the progress Mr. Buckstone had made in his profession since that time, but that was not the only claim the chairman had upon them – he had always shown himself most ready to urge the claims of their benevolent fund, and to support and aid a brother actor.&lt;/p&gt;&#13;
&lt;p&gt;Mr. Buckstone had now become a manager, and it was to be hoped that by keeping everybody and everything in their proper places, he would command that success which he so much deserved. If in the Crimea, or in the East at the theatre of war, they had met with some checks, and nothing was to be found that was required, it was gratifying to know that such was not the case at the Haymarket Theatre. If Mr. Buckstone had some slight comestibles and luxuries to present to his patrons, if he had to bring his ships upon the stage, they might depend upon it that everything good would not be found packed under 500 tons of irons, nor would he be unable to fire a shot because they had all been left somewhere where they were not wanted. It had given him great delight to witness the spirit with which Mr. Buckstone had conducted his house – to enjoy the acting of Miss Cushman, or the twinkling of the feet of the Spanish Dancers. Again, wishing them every success, he begged to propose to them ‘The health of Mr. Buckstone, and success to the Haymarket Theatre’.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="3996">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="3997">
              <text>London Tavern</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="3998">
              <text>18550402</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="3999">
              <text>I dare say, gentlemen, it is within the theatrical experience of most of us that upon some occasion when we have been at the play – when everything has progressed in the most satisfactory manner –when the principle actor has been a decided favourite – when every point has been told with the people in front – when no one has had the misfortune to make one of those little mistakes which we call ‘missing his tip' – I dare say that, within the theatrical experience of most of you, on some occasion, the act drop being down, there has unexpectedly appeared before it, on one side, a gentleman in plain clothes, with his hat feelingly clasped in both his hands, and not without some appearances of the street upon his boots – a gentleman of pale aspect insight of the audience which is partly referable to the agitation of his feelings, and partly to the strong action floating on features unprepared by the hare’s foot – but before that gentleman has opened his lips in reference to the ‘proverbial generosity of the British public’. You immediately perceive with dismay that he has come forward to apologize. Now, I am that gentleman on the present occasion. ‘Ladies and gentlemen, therefore, I am commissioned by the management to inform you that Mr. Buckstone, owing to circumstances over which he has no control, has been put up for two parts in this piece, and finds himself unable to appear in both of them at the same time. He is, at this present moment, making himself up for his favourite character – Treasurer to the General Theatrical Fund, in which arduous impersonation he has, through several successive seasons at this establishment, been sustained by your applause. He therefore finds himself unable, for the moment, to appear in that other character of Chairman, for which he would have delivered that well-known and spirit-stirring address, which would have so much affected you. In this dilemma, relying on that consideration which was never appealed to in vain – I allude to the consideration of a British audience – perhaps you will permit me to walk through Mr. Buckstone’s part.’ Therefore, ladies and gentlemen, I have to say to you in this way, that perhaps you will allow me to state to you what Mr. Buckstone would have said. Ladies and gentlemen, on receiving from Mr. Toole the key note, ‘Pray, silence – chair!’ Mr. Buckstone Would have risen to have proposed the toast of the evening, and in doing so he would have commenced by congratulating the members of the Theatrical Fund on the numerous and respectable assembly before him, testifying as it does to their sense of the merits of the institution itself, and to the fact that in the midst of wars and tumults the humanizing arts are not forgotten. Least of all, as is natural, that art, that through the means of 1 little play, has made the battles of Poitiers and Agincourt more renowned all the chroniclers and historians put together, and which – No disrespect to those ‘thoughts that breathe and words that burn’, referred to by our chairman – has done more to stir the bold English blood in a just cause, than all the parliamentary speeches that were ever delivered, than all the debates which ever made the night hideous. Surely you are not inappropriately asked to remember this object in a time of war, when it can present to you tangibly under its glowing pictures the joys of military triumph, the sorrows of defeat, the constancy of noble minds, the misfortunes and unspeakable calamities of war, and the inappreciable blessings of peace. You are besought most worthily to remember this object of maintaining and encouraging a society which comprehends every grade of actors without limitation, which is fettered by no hard restrictions or impossible conditions, which embraces all theatrical professors, high and low, equally training them to be provident before they are independent, and which succours all who are responsive to its appeal. The resources of the society become their right, so that the proudest spirit need not blush to accept its aid. Lastly, gentlemen, and in a word you are asked to help those who under trouble and difficulty have helped themselves. You want to do this in tender remembrance of those efforts which have lightened our cares and have placed us for the time in a wider and less selfish world in lieu of that which is so much with us early and late. This is the sum and substance of Mr. Buckstone’s case if he had been able to appear in that principle character for which he is put down in the bill. At the right moment you would have heard all that fervid eloquence which belongs to the part, and would have seen all the humour connected with it thoroughly performed. As I now have the pleasure of observing Mr. Buckstone at the wing, evidently well up in the part of Treasurer, with his property documents all ready, eager to come on, I will, with your permission, leave the stage to him, merely observing that I detect mischief in his treasury eye, and I would recommend to you the caution once regularly administered at the opening of the pit doors, ‘Take care of your pockets!’ I am now to propose to you ‘Prosperity to the General Theatrical Fund!’</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3989">
                <text>Royal General Theatrical Fund Anniversary Festival 1855</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3990">
                <text>Speeches at the Royal General Theatrical Fund Anniversary Festival (2 April 1855).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3991">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3992">
                <text>1855-04-02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="3993">
                <text>1855-04-02_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="3994">
                <text>&lt;span&gt;Dickens, Charles. 'Speeches at the Royal General Theatrical Fund Dinner' (2 April 1855).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1855-04-02_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival"&gt;https://dickenssearch.com/speeches/1855-04-02_Speech_Royal-General-Theatrical-Fund-Anniversary-Festival&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4000">
                <text>&lt;p&gt;I dare say, gentlemen, it is within the theatrical experience of most of us that upon some occasion when we have been at the play – when everything has progressed in the most satisfactory manner –when the principle actor has been a decided favourite – when every point has been told with the people in front – when no one has had the misfortune to make one of those little mistakes which we call ‘missing his tip' – I dare say that, within the theatrical experience of most of you, on some occasion, the act drop being down, there has unexpectedly appeared before it, on one side, a gentleman in plain clothes, with his hat feelingly clasped in both his hands, and not without some appearances of the street upon his boots – a gentleman of pale aspect insight of the audience which is partly referable to the agitation of his feelings, and partly to the strong action floating on features unprepared by the hare’s foot – but before that gentleman has opened his lips in reference to the ‘proverbial generosity of the British public’. You immediately perceive with dismay that he has come forward to apologize.&lt;/p&gt;&#13;
&lt;p&gt;Now, I am that gentleman on the present occasion. ‘Ladies and gentlemen, therefore, I am commissioned by the management to inform you that Mr. Buckstone, owing to circumstances over which he has no control, has been put up for two parts in this piece, and finds himself unable to appear in both of them at the same time. He is, at this present moment, making himself up for his favourite character – Treasurer to the General Theatrical Fund, in which arduous impersonation he has, through several successive seasons at this establishment, been sustained by your applause. He therefore finds himself unable, for the moment, to appear in that other character of Chairman, for which he would have delivered that well-known and spirit-stirring address, which would have so much affected you. In this dilemma, relying on that consideration which was never appealed to in vain – I allude to the consideration of a British audience – perhaps you will permit me to walk through Mr. Buckstone’s part.’ Therefore, ladies and gentlemen, I have to say to you in this way, that perhaps you will allow me to state to you what Mr. Buckstone would have said.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, on receiving from Mr. Toole the key note, ‘Pray, silence – chair!’ Mr. Buckstone Would have risen to have proposed the toast of the evening, and in doing so he would have commenced by congratulating the members of the Theatrical Fund on the numerous and respectable assembly before him, testifying as it does to their sense of the merits of the institution itself, and to the fact that in the midst of wars and tumults the humanizing arts are not forgotten. Least of all, as is natural, that art, that through the means of 1 little play, has made the battles of Poitiers and Agincourt more renowned all the chroniclers and historians put together, and which – No disrespect to those ‘thoughts that breathe and words that burn’, referred to by our chairman – has done more to stir the bold English blood in a just cause, than all the parliamentary speeches that were ever delivered, than all the debates which ever made the night hideous. Surely you are not inappropriately asked to remember this object in a time of war, when it can present to you tangibly under its glowing pictures the joys of military triumph, the sorrows of defeat, the constancy of noble minds, the misfortunes and unspeakable calamities of war, and the inappreciable blessings of peace.&lt;/p&gt;&#13;
&lt;p&gt;You are besought most worthily to remember this object of maintaining and encouraging a society which comprehends every grade of actors without limitation, which is fettered by no hard restrictions or impossible conditions, which embraces all theatrical professors, high and low, equally training them to be provident before they are independent, and which succours all who are responsive to its appeal. The resources of the society become their right, so that the proudest spirit need not blush to accept its aid. Lastly, gentlemen, and in a word you are asked to help those who under trouble and difficulty have helped themselves. You want to do this in tender remembrance of those efforts which have lightened our cares and have placed us for the time in a wider and less selfish world in lieu of that which is so much with us early and late. This is the sum and substance of Mr. Buckstone’s case if he had been able to appear in that principle character for which he is put down in the bill. At the right moment you would have heard all that fervid eloquence which belongs to the part, and would have seen all the humour connected with it thoroughly performed. As I now have the pleasure of observing Mr. Buckstone at the wing, evidently well up in the part of Treasurer, with his property documents all ready, eager to come on, I will, with your permission, leave the stage to him, merely observing that I detect mischief in his treasury eye, and I would recommend to you the caution once regularly administered at the opening of the pit doors, ‘Take care of your pockets!’ I am now to propose to you ‘Prosperity to the General Theatrical Fund!’&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="267" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="101">
          <name>Summary</name>
          <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
          <elementTextContainer>
            <elementText elementTextId="4007">
              <text>In proposing this toast, he said, he hoped it would not be at all supposed that he intended to hint that there was any connexion between a Hospital for Incurables, and the Houses of Lords and Commons. Yet it must be admitted that these houses had given symptoms of labouring under a lingering disease, with intermittent fever – with this difference, that it appeared the cold fits were very long, and the hot fits very short. Yet under the influence of gentle stimulants, the Legislature had occasionally assumed an appearance of being possessed of a strong and vigorous constitution. With the toast of the two Houses of Parliament he would couple the name of Lord Alfred Paget, who notwithstanding he had nearly met with a watery grave last night by his yacht being run down in the Channel, had been determined to be present that evening to support this great and noble charity.</text>
            </elementText>
            <elementText elementTextId="4008">
              <text>&lt;p&gt;He approached the next toast, he said, with some trepidation, because he felt he could scarcely do justice to an institution which had for its object the finding a permanent home for a most deserving and afflicted class of the community. He had the high privilege to give a toast which recognized the immense social importance and the great Christian humanities of a hospital designed for the permanent care and comfort of those who, by disease, accident, or deformity, were hopelessly disqualified for the duties of life.&lt;/p&gt;&#13;
&lt;p&gt;It was to be remembered at the outset that it was the distinguishing feature of this institution that it entered into competition with none of the existing hospitals, but came in aid of every one of them. It did appear to him somewhat extraordinary that amongst the innumerable and valuable charities of this metropolis it had been so long without an institution for the relief of those who, in their helplessness, could not be relieved by any other hospital. There was no establishment for the treatment of the sick in this city from the doors of which some unfortunate persons altogether disqualified for the duties of life, were not driven away in consequence of the impossibility there was of rendering them that assistance which their state of health required. The institution was therefore no sooner in existence than, as might be expected, numbers of the most distinguished and experienced members of the medical profession recorded their conviction of its immense usefulness; and certificates had since been signed which placed it wholly and for ever beyond dispute.&lt;/p&gt;&#13;
&lt;p&gt;There were very many cases of great distress; of person who, brought up in a respectable position, were cut down by hopeless disease with no aid, no solace, in the dark hour of their affliction. It was to afford such a home, it was to relieve such parties that this charity was founded, and he trusted that it would grow, through the fostering care of the public, into one of the greatest of those benevolent institutions which did so much honour to the country.&lt;/p&gt;&#13;
&lt;p&gt;The Royal Hospital had scarcely achieved the second year of its existence; but nevertheless it had obtained ‘ a local habitation and a name’, in one of the prettiest places in the environs of London. There was nothing about the institution which partook of sectarianism; its principle was to know no distinction in religion; and there were not forty-four patients under its protective care. It divided itself into two branches, affording, first, to those objects of charity a home for life who had no other home; and, secondly, assisting with regular donations and kind counsels such patients as had friends to relieve them in part, and give them shelter, feeling that they could not bear that sharpest pain – the separation from those they loved. The necessity for such a hospital, which he could not but observe with regret, was shown by the circumstance that at the election within the last month, for ten recipients of the advantages of the charity, there were no less than 87 candidates, many of them having particular claims on the sympathy of the benevolent.&lt;/p&gt;&#13;
&lt;p&gt;He felt it was their duty to do everything that could be done to give these poor creatures even a chance of recovery – or, if not of recovery, of comfort in their closing days; and he trusted, therefore, that the institution would be liberally supported. In remembrance of those from whom they derived their birth; in remembrance of Him who said to the afflicted, ‘Take up thy bed and walk’; in remembrance of those whose pillows it might some day be their duty to smooth; in the name of those bright creatures upon whose breasts they hoped hereafter to rest their heads; for the love of God; for the love of man – which was one – he implored their aid on behalf of this infant institution, so that I might hereafter rank as a most beneficent giant. In conclusion he had great pleasure in proposing ‘Prosperity and Perpetuity to the Royal Hospital’.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4009">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4010">
              <text>London Tavern</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4011">
              <text>18560605</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4001">
                <text>Royal Hospital for Incurables Annual Dinner 1856</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4002">
                <text>Chairman's toasts at the Royal Hospital for Incurables Annual Dinner (5 June 1856).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4003">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4004">
                <text>1856-06-05</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4005">
                <text>1856-06-05_Speech_Royal-Hospital-for-Incurables-Annual-Dinner</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4006">
                <text>&lt;span&gt;Dickens, Charles. 'Royal Hospital for Incurables Annual Dinner' (5 June 1856).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1856-06-05_Speech_Royal-Hospital-for-Incurables-Annual-Dinner"&gt;https://dickenssearch.com/speeches/1856-06-05_Speech_Royal-Hospital-for-Incurables-Annual-Dinner&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="268" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="101">
          <name>Summary</name>
          <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
          <elementTextContainer>
            <elementText elementTextId="4018">
              <text>&lt;p&gt;It was, he said, with particular gratification that he had attended that celebration and witnessed its proceedings. It was a matter for just rejoicing to contemplate the healthy and promising appearance of that institution. Its objects were of the most useful and praiseworthy character; and the nobleman who presided, distinguished as he was for his amiability and usefulness, had never been engaged in a more valuable manner than on this occasion.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4019">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4020">
              <text>London Tavern</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4021">
              <text>18430523</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4012">
                <text>Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival 1843</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4013">
                <text>Speeches at the Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival (23 May 1843).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4014">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4015">
                <text>1843-05-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4016">
                <text>1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4017">
                <text>&lt;span&gt;Dickens, Charles. 'Speeches at the Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival' (23 May 1843).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival"&gt;https://dickenssearch.com/speeches/1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="269" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="101">
          <name>Summary</name>
          <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
          <elementTextContainer>
            <elementText elementTextId="4028">
              <text>&lt;p&gt;It was, he said, highly appropriate that the voice of a society whose chief object was the welfare of little children, and in promoting innocent amusement among them, should first be heard in proposing the health of a monarch endeared to them all, not only by the ties of loyalty, but by more graceful bonds of affection, as a devoted wife and tender mother.&lt;/p&gt;</text>
            </elementText>
            <elementText elementTextId="4029">
              <text>&lt;p&gt;The Society, he said, under whose auspices they met that evening, was established through the exertions of a very eminent, a very active, and a highly serviceable London incumbent, a gentleman then present – though his modesty had removed him from him – and who was now in his eye, as he doubted not he was in their remembrance. The society was also very much indebted to other Christian ministers of all denominations for much of the success it had already attained; and, therefore, he had much pleasure in proposing ‘The Church’, coupling with it the name of the Rev. Dr. Irons, and the Christian ministers of all denominations who truly exerted themselves for general instruction and general good.&lt;/p&gt;</text>
            </elementText>
            <elementText elementTextId="4030">
              <text>&lt;p&gt;He alluded, amidst much laughter, to the games sometimes performed in the political playground, which he said were not very improving or intelligent, and led to boys occasionally attempting ‘over’ posts which they had much better have left alone.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4031">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4032">
              <text>London Tavern</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4033">
              <text>18580601</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4034">
              <text>Gentlemen, if you will allow me to recall the little train of familiar incidents through which I took a stroll from my own house within these last two or three hours, perhaps it will as aptly introduce the business we have in hand as a much more elaborate and a much more tiresome introduction. You must know that I have still at home one very dear young child who has not arrived at years of sufficient discretion to go to school in Germany or France with his brothers; who lives on terms of personal hostility towards all the cats in the neighbouring gardens, and who invents cats besides for the excitement of a Scotch terrier. These two – the English child and the Scotch dog – perpetually flying in and out of the garden-door in a sort of poetical rapture of cats, worry me very much more than I ever saw them worry any other living thing; for, indeed, they only seek a pretext for being constantly in motion, and are innocent of all harm. This very afternoon, a few hours ago, they were so strongly under the influence of this fury of cats, that I, sitting in my own room, endeavouring with a heavy heart to consider my present responsibilities, found myself unable to collect my sense by any means. So I resolved to go out for a short stroll. The first thing I saw, when I went out of my own door, was a policeman hiding among the lilac trees apparently lying in wait for some burglar or murderer, After observing him with great dread and anxiety for a minute or two, I was much relived to find that the object of his vigilance was nothing worse than a hoop, which he presently took into custody, and carried off to the station-house. Now, my way happened to lie through trees of the leading squares. In the first square I encountered a company of seven little boys, each boy carrying a boy much larging than himself, an old pickle-bottle, and a very home-made fishing rod; with which impediments they were fagging up to Hampstead ponds, where I should judge that the party would scarcely arrive in time to tumble in before dark. I found the dignity of the second square, which is a highly genteel one, very much impaired by its having the game of hop-scotch chalked all over its pavement; and here too I found my own personal dignity suffered some little detriment through my becoming, without my own consent, the centre-point or pivot of a dodging game between two boys who evaded each other around me, and lunged at each other before me and made no more account of me than if I were a sort of moving post or pillar. Coming to the long hackney-coach stand in that neighbourhood, I found the waterman in a state of red-heat and ire, because they children’s shuttlecocks were flying about the horses’ ears, and because a train of little creatures, hailing an imaginary ‘Bal-loon!’ were filing in and out among his water-tubs. In the third square I arrived in time to dry the tears and relieve the distresses of two diminutive little creatures, the prey of a third diminutive little creature, a size larger, who, in default of having anything else to play with, had taken off their caps, and thrown them down an area. And so I arrived in the course of time at Lincoln’s Inn Fields, where I positively seemed to find myself in an enemy’s country; prodigious and awful spikes being stuck into the posts of that neighbourhood for the impalement of the youth of London; and three distinct rushes taking place while I was there on the part of an officer in a gold-laced hat, and armed with a drawn cane, who drove before him a flying cloud of boys and girls, and pursued them with horrible menaces. Thus I happily arrived at last in the haven where you now behold me, meditating very much upon the great need there is, in London and in all large towns, of place for the children to play in; and considering with what a determined self-assertion nature declares that play they must, and play they will, somewhere or other, under whatsoever circumstances of difficulty. Now, gentlemen, in the main, I quite agree with the reverend doctor who just now so eloquently expressed himself; but I begin with children, because we all began as children; and I confine myself to children tonight, because the child is the father of the man. Some majestic minds out of doors may, for anything I know, and certainly for anything I care, consider it a very humdrum and low proceeding to stop, in a country full of steam-engines, power-looms, big ships, monster mortars, and great guns of all sorts, to consider where the children are to play. Nevertheless, I know that the question is a very kind one, and a very necessary one. The surgeon and the recruiting sergeant will tell you with great emphasis, that the children’s play is of immense importance to a community in the development of bodies; the clergyman, the schoolmaster, and the moral philosopher, in all degrees, will tell you with no less emphasis, that the children’s play is of great importance to a community in the development of minds. I venture to assert that there can be no physical health without play; and there can be no efficient and satisfactory work without play; that there can be no sound and wholesome thought without play. A country full of dismal little old men and women who had never played would be in a mighty bad way indeed; and you may depend upon it that without play, and good play, too, those powerful English cheers which have driven the sand of Asia before them, and made the very ocean shake, would degenerate into a puling whimper, that would be the most consolatory sound that can possibly be conceived to all the tyrants on the face of the earth. Now, gentlemen, great towns constantly increasing about us, as the national trade and prosperity increase; houses constantly crowding together and continually accumulating; and the fields being always put at an always increasing distance from the great mass of the people; it becomes a very serious question where the children shall play, and how they shall grow up into men and women who must have played, or it would have been better for them and for all of us that they had never been born. The great importance of this question, in its many aspects both of humanity and policy, so strongly suggested itself to that gentleman who has been several times mentioned tonight – the Rev. Mr. Laing – so strongly suggested itself to him, not yet a year ago, that he conceived the idea of establishing a Playground Society; in other words a combination of certain ladies and gentlemen of some influence and position who, being agreed on the main question, should resolve to advance it by all means in their power. This infant society began by corresponding with the governing authorities in several large towns, and with other persons in position, with a view to ascertain their opinion. It also sought to elicit the opinion of that great mover of all opinion, the press. A cordial support of the principle, and an earnest approval of it, were, I believe, unanimously accorded. The Society then endeavoured, as Mr. Slaney has intimated, to impress upon the owners of lands the great benefit they would render to the country by sometimes conceding small gifts of open places for this benevolent purpose. Mr. Slaney himself, ever foremost in such good objects, brought in a Bill to facilitate the legal transfer of such lands, which Bill I have some reason to hope will pass without opposition. The Chief Commissioner of Public Works has further signified his approval that what are called ‘School Treats’ shall be allowed to be held in the easily accessible public parks, in certain parts of them set apart for that good purpose. The Society has also been in communication with the Government, and it hopes with some good effect, towards the reservation of Smithfield as a place of children’s recreation. In a word, it has by every means in its power, during its brief existence of eight or nine months, cleared and paved the way for the distinct and plain proposal which I have to make to you. Everybody says, ‘Begin this good and necessary work by all means’; but nobody begins it. It is indeed extremely difficult to begin. We must remember that it is much more difficult in the present than it will be in the future, because the present finds the houses closely clustered together and the towns increased, whereas it is to be hoped that the future will find open spaces reserved, before the houses are agglomerated, and before the towns are so densely grown; and it is easy to understand that it is far more easy not to build houses up, than to find them built up, and have to pay for them and pull them down. The work, then, is very difficult to begin. Yes. But how difficult is it to begin? Now, we happen to know that a playground in the populous Metropolitan district of St. Pancras, or in Marylebone Parish, somewhere in the close neighbourhood about Manchester Square, would cost perhaps £1,000. There are two earnest and munificent ladies known to this Society, one of whom will give towards the St. Pancras experiment £100, and one of whom will give towards the Marylebone experiment £100, if other people will be liberal in their degree, and according to the extent of their power, and subscribe the rest. This is, in fact, the Society’s first report; and what I am to do tonight, is to entreat your help that the experiment may be made. There is no kind of castle-building, observe, in the case. The Society does not ask you for the vague and indefinite means of constructing fifty possible playgrounds or five hundred impossible playgrounds: it asks you for the clearly defined and ascertained means of proving the justice of their case by one experiment, and only one, I will only trouble you by observing further, that of the success of the experiment, if practically and wisely carried out; of its being followed by innumerable imitations, and of its doing an incalculable amount of good; I myself have hardly a doubt. I believe, as Mr. Slaney has said, that the poor people would gladly even pay for a playground near to their own dwellings where they knew their children would be safe, under just so much supervision, and no more, as should exclude gross language, corrupting habits, and the demoralization and vagabondism of the streets. We have made, as we all know, very great improvement in respect of our public parks; but they are obviously and unavoidably too far distant from many little legs and many little arms, encumbered with the weight of little brothers and sisters; and I think the domestic tenderness and household consideration evinced in this very idea of the playground would win over the parents who have experience of this truth every day, and would attract their confidence immediately. I will not enter into the question whether the Playground Society shall aspire to add to its name the title of ‘General Recreation Society’, and to provide cheap indoor amusements for the young. I confess I am not myself quite clear upon that point. I have some individual doubt whether it might not become a little too wise, and whether, taking too deliberate an aim at these young birds, it might not blow them away with an overcharge of instruction. But that is no part of the question tonight. The question I have to put to you – leaving you to supply all its need of attendant considerations, of humanity, kindness, compassion, justice, and policy, for the present, and especially for the future – the question I have to put to you, and through you to the public, is, whether the case shall be proved or disproved, and whether this one experiment shall be tried or not tried? I beg to propose you to drink, ‘Prosperity to the Playground Society’.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4022">
                <text>Playground and General Recreation Society Anniversary Festival 1858</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4023">
                <text>Chairman's speeches at the Playground and General Recreation Society Anniversary Festival (1 June 1858).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4024">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4025">
                <text>1858-06-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4026">
                <text>1858-06-01_Speech_Playground-and-General-Recreation-Society-Anniversary-Festival</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4027">
                <text>&lt;span&gt;Dickens, Charles. 'Chairman's speeches at the Playground and General Recreation Society Anniversary Festival' (1 June 1858).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1858-06-01_Speech_Playground-and-General-Recreation-Society-Anniversary-Festival"&gt;https://dickenssearch.com/speeches/1858-06-01_Speech_Playground-and-General-Recreation-Society-Anniversary-Festival&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4035">
                <text>&lt;p&gt;Gentlemen, if you will allow me to recall the little train of familiar incidents through which I took a stroll from my own house within these last two or three hours, perhaps it will as aptly introduce the business we have in hand as a much more elaborate and a much more tiresome introduction.&lt;/p&gt;&#13;
&lt;p&gt;You must know that I have still at home one very dear young child who has not arrived at years of sufficient discretion to go to school in Germany or France with his brothers; who lives on terms of personal hostility towards all the cats in the neighbouring gardens, and who invents cats besides for the excitement of a Scotch terrier. These two – the English child and the Scotch dog – perpetually flying in and out of the garden-door in a sort of poetical rapture of cats, worry me very much more than I ever saw them worry any other living thing; for, indeed, they only seek a pretext for being constantly in motion, and are innocent of all harm. This very afternoon, a few hours ago, they were so strongly under the influence of this fury of cats, that I, sitting in my own room, endeavouring with a heavy heart to consider my present responsibilities, found myself unable to collect my sense by any means. So I resolved to go out for a short stroll.&lt;/p&gt;&#13;
&lt;p&gt;The first thing I saw, when I went out of my own door, was a policeman hiding among the lilac trees apparently lying in wait for some burglar or murderer, After observing him with great dread and anxiety for a minute or two, I was much relived to find that the object of his vigilance was nothing worse than a hoop, which he presently took into custody, and carried off to the station-house.&lt;/p&gt;&#13;
&lt;p&gt;Now, my way happened to lie through trees of the leading squares. In the first square I encountered a company of seven little boys, each boy carrying a boy much larging than himself, an old pickle-bottle, and a very home-made fishing rod; with which impediments they were fagging up to Hampstead ponds, where I should judge that the party would scarcely arrive in time to tumble in before dark. I found the dignity of the second square, which is a highly genteel one, very much impaired by its having the game of hop-scotch chalked all over its pavement; and here too I found my own personal dignity suffered some little detriment through my becoming, without my own consent, the centre-point or pivot of a dodging game between two boys who evaded each other around me, and lunged at each other before me and made no more account of me than if I were a sort of moving post or pillar. Coming to the long hackney-coach stand in that neighbourhood, I found the waterman in a state of red-heat and ire, because they children’s shuttlecocks were flying about the horses’ ears, and because a train of little creatures, hailing an imaginary ‘Bal-loon!’ were filing in and out among his water-tubs. In the third square I arrived in time to dry the tears and relieve the distresses of two diminutive little creatures, the prey of a third diminutive little creature, a size larger, who, in default of having anything else to play with, had taken off their caps, and thrown them down an area.&lt;/p&gt;&#13;
&lt;p&gt;And so I arrived in the course of time at Lincoln’s Inn Fields, where I positively seemed to find myself in an enemy’s country; prodigious and awful spikes being stuck into the posts of that neighbourhood for the impalement of the youth of London; and three distinct rushes taking place while I was there on the part of an officer in a gold-laced hat, and armed with a drawn cane, who drove before him a flying cloud of boys and girls, and pursued them with horrible menaces.&lt;/p&gt;&#13;
&lt;p&gt;Thus I happily arrived at last in the haven where you now behold me, meditating very much upon the great need there is, in London and in all large towns, of place for the children to play in; and considering with what a determined self-assertion nature declares that play they must, and play they will, somewhere or other, under whatsoever circumstances of difficulty.&lt;/p&gt;&#13;
&lt;p&gt;Now, gentlemen, in the main, I quite agree with the reverend doctor who just now so eloquently expressed himself; but I begin with children, because we all began as children; and I confine myself to children tonight, because the child is the father of the man. Some majestic minds out of doors may, for anything I know, and certainly for anything I care, consider it a very humdrum and low proceeding to stop, in a country full of steam-engines, power-looms, big ships, monster mortars, and great guns of all sorts, to consider where the children are to play. Nevertheless, I know that the question is a very kind one, and a very necessary one. The surgeon and the recruiting sergeant will tell you with great emphasis, that the children’s play is of immense importance to a community in the development of bodies; the clergyman, the schoolmaster, and the moral philosopher, in all degrees, will tell you with no less emphasis, that the children’s play is of great importance to a community in the development of minds. I venture to assert that there can be no physical health without play; and there can be no efficient and satisfactory work without play; that there can be no sound and wholesome thought without play. A country full of dismal little old men and women who had never played would be in a mighty bad way indeed; and you may depend upon it that without play, and good play, too, those powerful English cheers which have driven the sand of Asia before them, and made the very ocean shake, would degenerate into a puling whimper, that would be the most consolatory sound that can possibly be conceived to all the tyrants on the face of the earth.&lt;/p&gt;&#13;
&lt;p&gt;Now, gentlemen, great towns constantly increasing about us, as the national trade and prosperity increase; houses constantly crowding together and continually accumulating; and the fields being always put at an always increasing distance from the great mass of the people; it becomes a very serious question where the children shall play, and how they shall grow up into men and women who must have played, or it would have been better for them and for all of us that they had never been born. The great importance of this question, in its many aspects both of humanity and policy, so strongly suggested itself to that gentleman who has been several times mentioned tonight – the Rev. Mr. Laing – so strongly suggested itself to him, not yet a year ago, that he conceived the idea of establishing a Playground Society; in other words a combination of certain ladies and gentlemen of some influence and position who, being agreed on the main question, should resolve to advance it by all means in their power. This infant society began by corresponding with the governing authorities in several large towns, and with other persons in position, with a view to ascertain their opinion. It also sought to elicit the opinion of that great mover of all opinion, the press. A cordial support of the principle, and an earnest approval of it, were, I believe, unanimously accorded. The Society then endeavoured, as Mr. Slaney has intimated, to impress upon the owners of lands the great benefit they would render to the country by sometimes conceding small gifts of open places for this benevolent purpose. Mr. Slaney himself, ever foremost in such good objects, brought in a Bill to facilitate the legal transfer of such lands, which Bill I have some reason to hope will pass without opposition. The Chief Commissioner of Public Works has further signified his approval that what are called ‘School Treats’ shall be allowed to be held in the easily accessible public parks, in certain parts of them set apart for that good purpose. The Society has also been in communication with the Government, and it hopes with some good effect, towards the reservation of Smithfield as a place of children’s recreation. In a word, it has by every means in its power, during its brief existence of eight or nine months, cleared and paved the way for the distinct and plain proposal which I have to make to you. Everybody says, ‘Begin this good and necessary work by all means’; but nobody begins it.&lt;/p&gt;&#13;
&lt;p&gt;It is indeed extremely difficult to begin. We must remember that it is much more difficult in the present than it will be in the future, because the present finds the houses closely clustered together and the towns increased, whereas it is to be hoped that the future will find open spaces reserved, before the houses are agglomerated, and before the towns are so densely grown; and it is easy to understand that it is far more easy not to build houses up, than to find them built up, and have to pay for them and pull them down. The work, then, is very difficult to begin.&lt;/p&gt;&#13;
&lt;p&gt;Yes. But how difficult is it to begin? Now, we happen to know that a playground in the populous Metropolitan district of St. Pancras, or in Marylebone Parish, somewhere in the close neighbourhood about Manchester Square, would cost perhaps £1,000. There are two earnest and munificent ladies known to this Society, one of whom will give towards the St. Pancras experiment £100, and one of whom will give towards the Marylebone experiment £100, if other people will be liberal in their degree, and according to the extent of their power, and subscribe the rest. This is, in fact, the Society’s first report; and what I am to do tonight, is to entreat your help that the experiment may be made. There is no kind of castle-building, observe, in the case. The Society does not ask you for the vague and indefinite means of constructing fifty possible playgrounds or five hundred impossible playgrounds: it asks you for the clearly defined and ascertained means of proving the justice of their case by one experiment, and only one,&lt;/p&gt;&#13;
&lt;p&gt;I will only trouble you by observing further, that of the success of the experiment, if practically and wisely carried out; of its being followed by innumerable imitations, and of its doing an incalculable amount of good; I myself have hardly a doubt. I believe, as Mr. Slaney has said, that the poor people would gladly even pay for a playground near to their own dwellings where they knew their children would be safe, under just so much supervision, and no more, as should exclude gross language, corrupting habits, and the demoralization and vagabondism of the streets. We have made, as we all know, very great improvement in respect of our public parks; but they are obviously and unavoidably too far distant from many little legs and many little arms, encumbered with the weight of little brothers and sisters; and I think the domestic tenderness and household consideration evinced in this very idea of the playground would win over the parents who have experience of this truth every day, and would attract their confidence immediately.&lt;/p&gt;&#13;
&lt;p&gt;I will not enter into the question whether the Playground Society shall aspire to add to its name the title of ‘General Recreation Society’, and to provide cheap &lt;em&gt;indoor &lt;/em&gt;amusements for the young. I confess I am not myself quite clear upon that point. I have some individual doubt whether it might not become a little too wise, and whether, taking too deliberate an aim at these young birds, it might not blow them away with an overcharge of instruction. But that is no part of the question tonight. The question I have to put to you – leaving you to supply all its need of attendant considerations, of humanity, kindness, compassion, justice, and policy, for the present, and especially for the future – the question I have to put to you, and through you to the public, is, whether the case shall be proved or disproved, and whether this one experiment shall be tried or not tried? I beg to propose you to drink, ‘Prosperity to the Playground Society’.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="270" public="1" featured="0">
    <itemType itemTypeId="21">
      <name>Uncollected</name>
      <description/>
      <elementContainer>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4042">
              <text>18471028</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4043">
              <text>You will see, on the beginning to read this letter, that it is not addressed to you by name. But I address it to a woman – a very young woman still – who was born to be happy, and has lived miserably; who has no prospect before her but sorrow, or behind her but a wasted youth; who, if she has ever been a mother, has felt shame, instead of pride, in her own unhappy child. You are such a person, or this letter would not be put into your hands. If you have ever wished (I know you must have done so sometimes) for a chance of rising out of your sad life, and having friends, a quiet home, means of being useful to yourself and other, peace of mind, self-respect, everything you have lost, pray read it attentively, and reflect upon it afterwards. I am going to offer you, not the chance but the certainty of all these blessings, if you will exert yourself to deserve them. And do not think that I write to you as if I felt myself very much above you, or wished to hurt your feelings by reminding you of the situation in which you are placed. GOD forbid! I mean nothing but kindness to you, and I write as if you were my sister. Think, for a moment, what your present situation is. Think how impossible it is that it ever can be better if you continue to live as you have lived, and how certain it is that it must be worse. You know what the streets are; you know how cruel the companions that you find there, are; you know the vices practised there, and to what wretched consequences they bring you, even while you are young. Shunned by decent people, marked out from all other kinds of women as you walk along, avoided by the very children, hunted by the police, imprisoned, and only set free to be imprisoned over and over again – reading this very letter in a common jail – you have already, dismal experience of the truth. But, to grow old in such a way of life, and among such company – to escape an early death from terrible disease, or your own maddened hand, and arrive at old age in such a course – will be an aggravation of every misery that you know now, which words cannot describe. Imagine for yourself the bed on which you, then an object terrible to look at, will lie down to die. Imagine all the long, long years of shame, want, crime, and ruin, that will rise before you. And by that dreadful day, and by the Judgment that will follow it, and by the recollection you are certain to have then, when it is too late, of the offer that is made to you now, when it is NOT too late, I implore you to think of it, and weigh it well! There is a lady in this town, who, from the windows of her house, has seen such as you going past at night, and has felt her heart bleed at the sight. She is what is called a great lady; but she has looked after you with compassion, as being of her own sex and nature; and the thought of such fallen women has troubled her in her bed. She has resolved to open, at her own expense, a place of refuge very near London, for a small number of females, who, without such help, are lost for ever: and to make it a HOME for them. In this Home they will be taught all household work that would be useful to them in a home of their mown, and enable them to make it comfortable and happy. In this Home, which stands in a pleasant country lane, and where each may have her little flower-garden, if she pleases, they will be treated with the greatest kindness; will lead an active, cheerful, healthy life; will learn many things it is profitable and good to know; and, being entirely removed from all who have any knowledge of their past career, will begin life afresh, and be able to win a good name and character. And because it is not the lady’s wish that these young women should be shut out from the world, after they have repented and have learned how to do their duty there, and because it is her wish and object that they may be restored to society – a comfort to themselves and it – they will be supplied with every means when some time shall have elapsed, and their conduct shall have fully proved their earnestness and reformation, to go abroad, where, in a distant country, they may become the faithful wives of honest men, and live and die in peace. I have been told that those who see you daily in this place, believe that there are virtuous inclinations lingering within you, and that you may be reclaimed. I offer the Home I have described in these few words, to you. But, consider well before you accept it. As you are to pass from the gate of this Prison to a perfectly new life, where all the means of happiness from which you are now shut out, are opened brightly to you, so remember, on the other hand, that you must have the strength to leave behind you, all old habits. You must resolve to set a watch upon yourself, and to be firm in your control over yourself, and to restrain yourself; to be patient, gentle, persevering, and good-tempered. Above all things, to be truthful in every word you speak. Do this, and all the rest is easy. But you must solemnly remember that if you enter this Home without such constant resolutions, you will occupy, unworthily and uselessly, the place of some other unhappy girl, now wandering and lost; and that her ruin, no less than your own, will be upon your head, before Almighty God who knows the secrets of our breasts, and Christ, who died upon the Cross, to save us. In case there should be anything you wish to know, or any questions you would like to ask, about this Home, you have only to say so, and every information shall be given to you. Whether you accept it or reject it, think of it. If you awake in the silence and solitude of night, think of it then. If any remembrance ever comes into your mind of any time when you were innocent and very different, think of it then. If you should be softened by a moment’s recollection of any tenderness or affection you have ever felt, or that has ever been shown to you, or of any kind word that has ever been spoken to you, think of it then. If ever your poor heart is moved to feel, truly, what you might have been, and what you are, oh think of it then, and consider what you may be yet! Believe me that I am, indeed, YOUR FRIEND.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="94">
          <name>Publication Type</name>
          <description>E.g.  newspaper/serial</description>
          <elementTextContainer>
            <elementText elementTextId="4044">
              <text>Leaflet</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4036">
                <text>'An Appeal to Fallen Women'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4037">
                <text>'An Appeal to Fallen Women' leaflet (28 October 1847).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4038">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4039">
                <text>1847-10-28</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4040">
                <text>1847-10-28_Uncollected_Appeal-to-Fallen-Women</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4041">
                <text>&lt;span&gt;Dickens, Charles. 'An Appeal to Fallen Women' (28 October 1847).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1847-10-28_Uncollected_Appeal-to-Fallen-Women"&gt;https://dickenssearch.com/speeches/1847-10-28_Uncollected_Appeal-to-Fallen-Women&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4045">
                <text>&lt;p&gt;You will see, on the beginning to read this letter, that it is not addressed to you by name. But I address it to a woman – a very young woman still – who was born to be happy, and has lived miserably; who has no prospect before her but sorrow, or behind her but a wasted youth;&amp;nbsp;who, if she has ever been a mother, has felt shame, instead of pride, in her own unhappy child.&lt;/p&gt;&#13;
&lt;p&gt;You are such a person, or this letter would not be put into your hands. If you have ever wished (I know you must have done so sometimes) for a chance of rising out of your sad life, and having friends, a quiet home, means of being useful to yourself and other, peace of mind, self-respect, everything you have lost, pray read it attentively, and reflect upon it afterwards. I am going to offer you, not the chance but the certainty of all these blessings, if you will exert yourself to deserve them. And do not think that I write to you as if I felt myself very much above you, or wished to hurt your feelings by reminding you of the situation in which you are placed. GOD forbid! I mean nothing but kindness to you, and I write as if you were my sister.&lt;/p&gt;&#13;
&lt;p&gt;Think, for a moment, what your present situation is. Think how impossible it is that it ever can be better if you continue to live as you have lived, and how certain it is that it must be worse. You know what the streets are; you know how cruel the companions that you find there, are; you know the vices practised there, and to what wretched consequences they bring you, even while you are young. Shunned by decent people, marked out from all other kinds of women as you walk along, avoided by the very children, hunted by the police, imprisoned, and only set free to be imprisoned over and over again – reading this very letter in a common jail – you have already, dismal experience of the truth. But, to grow old in such a way of life, and among such company – to escape an early death from terrible disease, or your own maddened hand, and arrive at old age in such a course – will be an aggravation of every misery that you know now, which words cannot describe. Imagine for yourself the bed on which you, then an object terrible to look at, will lie down to die. Imagine all the long, long years of shame, want, crime, and ruin, that will rise before you. And by that dreadful day, and by the Judgment that will follow it, and by the recollection you are certain to have then, when it is too late, of the offer that is made to you now, when it is NOT too late, I implore you to think of it, and weigh it well!&lt;/p&gt;&#13;
&lt;p&gt;There is a lady in this town, who, from the windows of her house, has seen such as you going past at night, and has felt her heart bleed at the sight. She is what is called a great lady; but she has looked after you with compassion, as being of her own sex and nature; and the thought of such fallen women has troubled her in her bed. She has resolved to open, at her own expense, a place of refuge very near London, for a small number of females, who, without such help, are lost for ever: and to make it a HOME for them. In this Home they will be taught all household work that would be useful to them in a home of their mown, and enable them to make it comfortable and happy. In this Home, which stands in a pleasant country lane, and where each may have her little flower-garden, if she pleases, they will be treated with the greatest kindness; will lead an active, cheerful, healthy life; will learn many things it is profitable and good to know; and, being entirely removed from all who have any knowledge of their past career, will begin life afresh, and be able to win a good name and character. And because it is not the lady’s wish that these young women should be shut out from the world, after they have repented and have learned how to do their duty there, and because it &lt;em&gt;is&lt;/em&gt; her wish and object that they may be restored to society – a comfort to themselves and it – they will be supplied with every means when some time shall have elapsed, and their conduct shall have fully proved their earnestness and reformation, to go abroad, where, in a distant country, they may become the faithful wives of honest men, and live and die in peace.&lt;/p&gt;&#13;
&lt;p&gt;I have been told that those who see you daily in this place, believe that there are virtuous inclinations lingering within you, and that you may be reclaimed. I offer the Home I have described in these few words, to you.&lt;/p&gt;&#13;
&lt;p&gt;But, consider well before you accept it. As you are to pass from the gate of this Prison to a perfectly new life, where all the means of happiness from which you are now shut out, are opened brightly to you, so remember, on the other hand, that you must have the strength to leave behind you, all old habits. You must resolve to set a watch upon yourself, and to be firm in your control over yourself, and to restrain yourself; to be patient, gentle, persevering, and good-tempered. Above all things, to be truthful in every word you speak. Do this, and all the rest is easy. But you must solemnly remember that if you enter this Home without such constant resolutions, you will occupy, unworthily and uselessly, the place of some other unhappy girl, now wandering and lost; and that her ruin, no less than your own, will be upon your head, before Almighty God who knows the secrets of our breasts, and Christ, who died upon the Cross, to save us.&lt;/p&gt;&#13;
&lt;p&gt;In case there should be anything you wish to know, or any questions you would like to ask, about this Home, you have only to say so, and every information shall be given to you. Whether you accept it or reject it, think of it. If you awake in the silence and solitude of night, think of it then. If any remembrance ever comes into your mind of any time when you were innocent and very different, think of it then. If you should be softened by a moment’s recollection of any tenderness or affection you have ever felt, or that has ever been shown to you, or of any kind word that has ever been spoken to you, think of it then. If ever your poor heart is moved to feel, truly, what you might have been, and what you are, oh think of it then, and consider what you may be yet!&lt;/p&gt;&#13;
&lt;p&gt;Believe me that I am, indeed,&lt;/p&gt;&#13;
&lt;p&gt;YOUR FRIEND.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="271" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4052">
              <text>London</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4053">
              <text>Drury Lane Theatre</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4054">
              <text>18550627</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4055">
              <text>I cannot, I am sure, better express my sense of the kind reception accorded to me by this great assembly, than by promising to compress what I shall address to it within the closest possible limits. It is more than eighteen hundred years ago, since there was a set of men who thought they should be heard for their much speaking’. As they have propagated exceedingly since that time, and as I observe that they flourish just now to a surprising extent about Westminster, I will do my best to avoid adding to the numbers of that prolific race. The noble lord at the head of the Government, when he wondered in Parliament about a week ago, that my friend, Mr. Layard, did not blush for having stated in this place what the whole country knows perfectly well to be true, and what no men in it can by possibility better know to be true than those disinterested supporters of that noble lord, who had the advantage of hearing him and cheering him night after night, when he first became Premier – I mean that he did officially and habitually joke at a time when this country was plunged in deep disgrace and distress – I say, that noble lord, when he wondered so much that a man of this age, who has, by his earnest and adventurous spirit, done the most to distinguish himself and it, did not blush for the tremendous audacity of having come so between the wind and his nobility, turned an airy period with reference to the private theatricals at Drury Lane Theatre. I have some slight acquaintance with theatricals, private and public, and I will accept that figure of the noble lord. I will not say that if I wanted to form a company of Her Majesty’s servants, I think I should know where to put my hand on ‘the comic old gentleman’; nor, that if I wanted to get up a pantomime, I fancy I should know what establishment to go to for the tricks and changes; also, for a very considerable host of supernumeraries, to trip one another up in that scene of contention with which many of us are familiar, both on these and on other boards, in which the principal objects thrown about, are loaves and fishes. But I will try to give the noble lord the reason of these private theatricals, and the reason why, however ardently he may desire to ring the curtain down upon them, there is not the faintest present hope of their coming to a conclusion. It is this:—The public theatricals which the noble lord is so condescending as to manage, are so intolerably bad, the machinery is so cumbrous, the parts so ill distributed, the company so full of ‘walking gentlemen’, the managers have such large families, and are so bent upon putting those families into what is theatrically called ‘first business’ – not because of their aptitude for it, but because they are their families, that we find ourselves obliged to organize an opposition. We have seen the Comedy of Errors played so dismally like a tragedy that we cannot bear it. We are, therefore, making bold to get up the School of Reform, and we hope, before the play is out, to improve that noble lord by our performance very considerably. If he object that we have no right to improve him without his license, we venture to claim that right in virtue of his orchestra, consisting of a very powerful piper, whom we always pay. Sir, as this is the first political meeting I have ever attended, and as my trade and calling is not politics, perhaps it may be useful for me to show how I come to be here, since reasons similar to those which have influenced me, may still be fluttering, unbalanced, in the minds of others. I want at all times, in plain sincerity, to do my duty by my countrymen. If I feel an attachment toward them, there is nothing disinterested or meritorious in that, for I can never too affectionately remember the confidence and friendship that they have long reposed in me. Within my sphere of action – which I shall never change; I shall never overstep, further or for a longer period than I do tonight, the circle of my own pursuits, as one who lives by Literature, who is content to do his public service through Literature, and who is conscious that he cannot serve two masters – within my sphere of action I have, for some years, tried to understand the heavier social grievances and to help to set them right. When the Times newspaper proved its then almost incredible case, in reference to the ghastly absurdity of that vast labyrinth of misplaced men and misdirected things, which had made England unable to find on the face of the earth, an enemy one-twentieth part so potent for the misery and ruin of her noble defenders as she has been herself, I believe that the gloomy silence into which the country fell, was by far the darkest aspect in which a great people had been exhibited for very many years. With shame and indignation lowering among all classes of society, and this new element of discord piled on the heaving basis of ignorance, poverty and crime, which is always below us – with little adequate expression of the general mind, or apparent understanding of the general mind, in Parliament – with the machinery of Government and the legislature going round and round, and the people fallen from it and standing aloof, as if they left it to its last remaining function of destroying itself, when it had achieved the destruction of so much that was dear to them – I did believe, and I do believe, that the only wholesome turn affairs so menacing could take, was, the awaking of the people, the outspeaking of the people, the uniting of the people in all patriotism and loyalty to effect a great peaceful constitutional change in the administration of their own affairs. At such a crisis this Association arose, and at such a crisis I joined it: considering its further case to be – if further case could possibly be needed – that what is everybody’s business is nobody’s business, that men must be gregarious in their good citizenship as in most other things, and that it is a law in nature that there must be a centre of attraction for particles to fly to, before any serviceable body with recognised functions can come into existence. Well! This Association has arisen, and we belong to it. What are the objections to it? I have heard in the main but three, which I will briefly glance at, in the order in which I have heard them. One. It is proposed to exercise an influence, through the constituencies, on the House of Commons. I have not the least hesitation in saying that I have the smallest amount of faith in the House of Commons at present existing, and that I consider the exercise of such influence highly necessary to the welfare and honour of this country. Reading no later than yesterday, a favourite boo of mine, I find Mr. Pepys, two hundred years ago, writing of the House of Commons in his time and its political contentions, thus: My cousin Roger Pepys tells me that it is matter of the greatest grief to him in the world that he should be put upon this trust for being a Parliament man; because he says nothing is done, that he can see, out of any truth and sincerity, but mere envy and design. Now, how it comes to pass that after two hundred years, and many years after a Reform Bill, the House of Commons is so little changed, I will not stop to inquire. I will not ask how it happens that bills which cramp and worry the people, and restrict their scant enjoyments, are so easily smuggled through that place, and how it happens that measures for their real service are so very difficult to pass. I will not analyse the confined air of the lobby, or reduce to their primitive gases, its deadening influences on the memory of that Honourable Member who was once a candidate for the honour of your – and my – independent vote and interest. I will not ask what Sectarian figure that is, full of blandishments, standing on the threshold, with its finger on its lips. I will not ask how it comes to pass that personal altercations, involving all the removes and definitions of Shakespeare’s Touchstone – the retort courteous – the reply churlish – the reproof valiant – the countercheck quarrelsome – the lie circumstantial and the lie direct – are of immeasurably greater interest in the House of Commons than the health, the taxation, the education, of a whole people. I will not penetrate the mysteries of that secret chamber in which the Bluebeard, Party, keeps his strangled public questions, straitly charging his last bride, the new comer, on no account to open the door. I will merely put it to the humble practical experience, recent and remote, of everybody here, whether the House of Commons is not occasionally a little hard of hearing, not a little dim of sight, not a little slow of understanding: whether, in short, it is not in a sufficiently invalided state to require close watching, and the occasional application of sharp stimulants; and whether it is not capable of considerable improvement? I believe that, in order to preserve it in a state of real usefulness and independence, the people must be very watchful and very jealous of it; and it must have its memory jogged; it must be kept awake; when it happens to have taken too much Ministerial narcotic, it must be trotted about, and must be bustled and pinched in a friendly way, as is the usage in such cases. And I hold that no power can have so just a right to administer our functions as a body comprising electors from all parts of the country, who are associated together because their country is dearer to them than drowsy twaddle, unmeaning routine, orthe absurdest worn out conventionalities. This brings me to objection number two. It is stated that this Association sets class against class. Is this so? No, it finds class set against class, and seeks to reconcile them. I wish to avoid placing in opposition here, the two words Aristocracy and People. I am one who can believe in the virtues and uses of both, and, I would elevate or depress neither, at the cost of a single just right belonging to either. I will use, instead of these words, the terms, the governors and the governed. These two bodies the Association finds with a gulf between them, in which lie, newly buried, thousands on thousands of the bravest and most devoted men that, even England ever bred. It is to prevent the recurrence of innumerable smaller evils, of which, unchecked, that great calamity was the crowning height and the necessary consummation, and to bring together those two fronts looking now so strangely at each other, that this Association seeks to help to bridge over that abyss, with a structure founded on common justice and supported by common sense. Setting class against class! The old unmeaning parrot cry than which we remember nothing earlier in our lives! Try its justice in this case, by an illustration:– A respectable old gentleman with a large and costly establishment of servants, finds his household in complete disorder, and that he can get nothing done. When he asks his servants to give his children bread, they give them stones; when they are told to give those children fish, they give them serpents. When they are ordered to send to the East they send to the West; when they ought to be serving dinner in the North, they were consulting obsolete and exploded cookery books in the South; they break, lose, forget, waste, destroy; only tumble over one another when required to do anything; and make the respectable gentleman’s house a scene of scandalous ruin. At last the respectable gentleman calls to him his house steward, and says, even then more in sorrow than in anger, This is a terrible business, no fortune can stand it – no mortal equanimity can bear it! I must change my system of appointing my servants; I must obtain servants who now and will do their duty’. The house steward throws up his eyes in pious horror, ejaculates ‘Good God, here is my master setting class against class!’ rushes off into the servants’ hall, and delivers a long and melting oration on that wicked theme. And so we come to the third objection, which I have observed to obtain among that class of young gentlemen of good family, who are not particularly fit for anything but spending money which they have not got. It is usually comprised in the observation, ‘How very extraordinary it is that these Administrative Reform fellows can’t mind their own business’. I think it will occur to most of us who are here, in final disposal of this alarming objection, that it is rather because we do mind our own business, and because we must have our business minded, and because those who undertake to mind it do not mind it properly, that we are an Association at all. I observe from the Parliamentary debates – which have of late, by-the-by, frequently suggested to me that there is this difference between the bull of Spain the bull of Nineveh, that, whereas, in the Spanish case, the bull rushes at the scarlet, in the Ninevite case, the scarlet rushes at the bull – I have observed in the Parliamentary debates that, by a curious fatality, there has been a great deal of the reproof valiant and the counter check quarrelsome, in reference to every case, showing the necessity of Administrative Reform, by whomsoever produced, whensoever, and wheresoever. I dare say I should have no difficulty in adding two or three cases to the list, which I know to be true, and which I have no doubt would be contradicted, but I consider it a work of supererogation; for, if the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be. There is, however, an old indisputable, very well known story, which has so pointed a moral at the end of it that I will substitute it for a new case: by doing of which I may avoid, I hope, the sacred wrath of St. Stephen. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer; and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Mr. Cocker was born, and died. Mr. Walkinghame, of The Tutor’s Assistant, and a terrible hand at figures, was born, and died; a multitude of accountants, book-keepers, actuaries, and mathematicians, were born, and died; and still official routine clung to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called ‘tallies’. Late in the the reign of George III, some restless and revolutionary spirit originated the suggestion, whether, in a land where there were pens, ink, and paper, slates and pencils, and systems of accounts, this rigid adherence to a barbarous usage might not possibly border on the ridiculous? All the red tape in the public offices turned redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1843 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and dispatch-boxing, on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any of us unofficial personages that nothing would have been easier than to allow them to be carried away for firewood, by some of the many miserable creatures in that neighbourhood. However, they never had been useful, and official routine could not endure that they ever should be useful, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build two more; we are now in the second million of the cost thereof; the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn’t got home tonight. I think we may reasonably observe, in conclusion, that all-obstinate adherence to rubbish which time has long outlived, is certain to have in the soul of it more or less that is pernicious and destructive; more or less that will some day set fire to something or other; which, freely given to the winds would have been harmless, which, persistently retained, is ruinous. I repeat, with submission, that I think it is as unnecessary to set the Administrative Reform case up, as it is idle to hope to put it down, on this or that particular instance. The great, broad, and true case that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the existence of the sun, moon, and stars. To set this right, and to clear the way in the country’s cause for merit everywhere: accepting it equally whether it be aristocratic or democratic, and only asking whether it be honest or true: I take to be the object of this Association. This object it seeks to promote by uniting together large numbers of the people, I hope, of all conditions, to the end that they may better comprehend, bear in mind, understand themselves, and impress upon others, the common public duty. Also, of which there is great need, that by keeping a vigilant eye on the skirmishers of Party, as they are thrown out from time to time by their Generals, they may see that feints and manoeuvres do not oppress the small defaulters and release the great, and that they do not gull the public with a mere field-day Review of Administrative Reform, instead of an earnest hard-fought Battle. I speak as an individual, wholly unconnected with the management of this Association, and having had no consultation with any one upon the subject, when I particularly wish that the directors may devise some means of enabling intelligent working men to join this body, on easier terms than subscribers who have larger resources. I could wish to see great numbers of them belong to it, because I sincerely believe that it would be good for the common weal. Said the noble Lord at the head of the Government, when Mr. Layard asked him for a day for his motion. Let the hon. gentleman find a day for himself. Now, in the names of all the gods at once, Upon what meat doth this our Caesar feed That he is grown so great? If our Caesar will excuse me, I would take the liberty of reversing that cool and lofty sentiment, and I would say, ‘First Lord, your duty it is to see that no man is left to find a day for himself. See you, who take the responsibility of government, who aspire to it, live for it, intrigue for it, scramble for it, who hold to it tooth-and-nail when you can get it, see you that no man is left to find a day for himself. In this old country, with its seething hard-worked millions, its heavy taxes, its swarms of ignorant, its crowds of poor, its crowds of wicked, woe the day which the dangerous man shall find for himself, because the head of the Queen’s Government failed in his duty of anticipating it by a brighter and better one! Name you the day, First Lord; make a day; work for a day beyond your little time, Lord Palmerston, and History in return may then – not otherwise – find a day for you; a day equally associated with the contentment of the loyal, patient, willing-hearted English people, and with the happiness of your Royal Mistress and her fair line of children.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4046">
                <text>Administrative Reform Association Meeting</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4047">
                <text>Speech at an Administrative Reform Association Meeting (27 June 1855).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4048">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4049">
                <text>1855-06-27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4050">
                <text>1855-06-27_Speech_Administrative-Reform-Association-Meeting</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4051">
                <text>&lt;span&gt;Dickens, Charles. 'Speech at an Administrative Reform Association Meeting' (27 June 1855).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1855-06-27_Speech_Administrative-Reform-Association-Meeting"&gt;https://dickenssearch.com/speeches/1855-06-27_Speech_Administrative-Reform-Association-Meeting&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4056">
                <text>&lt;p&gt;I&amp;nbsp;cannot, I am sure, better express my sense of the kind reception accorded to me by this great assembly, than by promising to compress what I shall address to it within the closest possible limits. It is more than eighteen hundred years ago, since there was a set of men who thought they should be heard for their much speaking’. As they have propagated exceedingly since that time, and as I observe that they flourish just now to a surprising extent about Westminster, I will do my best to avoid adding to the numbers of that prolific race. The noble lord at the head of the Government, when he wondered in Parliament about a week ago, that my friend, Mr. Layard, did not blush for having stated in this place what the whole country knows perfectly well to be true, and what no men in it can by possibility better know to be true than those disinterested supporters of that noble lord, who had the advantage of hearing him and cheering him night after night, when he first became Premier – I mean that he did officially and habitually joke at a time when this country was plunged in deep disgrace and distress – I say, that noble lord, when he wondered so much that a man of this age, who has, by his earnest and adventurous spirit, done the most to distinguish himself and it, did not blush for the tremendous audacity of having come so between the wind and his nobility, turned an airy period with reference to the private theatricals at Drury Lane Theatre. I have some slight acquaintance with theatricals, private and public, and I will accept that figure of the noble lord. I will not say that if I wanted to form a company of Her Majesty’s servants, I think I should know where to put my hand on ‘the comic old gentleman’; nor, that if I wanted to get up a pantomime, I fancy I should know what establishment to go to for the tricks and changes; also, for a very considerable host of supernumeraries, to trip one another up in that scene of contention with which many of us are familiar, both on these and on other boards, in which the principal objects thrown about, are loaves and fishes. But I will try to give the noble lord the reason of these private theatricals, and the reason why, however ardently he may desire to ring the curtain down upon them, there is not the faintest present hope of their coming to a conclusion. It is this:—The public theatricals which the noble lord is so condescending as to manage, are so intolerably bad, the machinery is so cumbrous, the parts so ill distributed, the company so full of ‘walking gentlemen’, the managers have such large families, and are so bent upon putting those families into what is theatrically called ‘first business’ – not because of their aptitude for it, but because they&amp;nbsp;&lt;em&gt;are&lt;/em&gt;&amp;nbsp;their families, that we find ourselves obliged to organize an opposition. We have seen the&amp;nbsp;&lt;em&gt;Comedy of Errors&lt;/em&gt;&amp;nbsp;played so dismally like a tragedy that we cannot bear it. We are, therefore, making bold to get up the&amp;nbsp;&lt;em&gt;School of Reform&lt;/em&gt;, and we hope, before the play is out, to improve that noble lord by our performance very considerably. If he object that we have no right to improve him without his license, we venture to claim that right in virtue of his orchestra, consisting of a very powerful piper, whom we always pay.&lt;/p&gt;&#13;
&lt;p&gt;Sir, as this is the first political meeting I have ever attended, and as my trade and calling is not politics, perhaps it may be useful for me to show how I come to be here, since reasons similar to those which have influenced me, may still be fluttering, unbalanced, in the minds of others. I want at all times, in plain sincerity, to do my duty by my countrymen. If&amp;nbsp;I&amp;nbsp;feel an attachment toward them, there is nothing disinterested or meritorious in that, for I can never too affectionately remember the confidence and friendship that they have long reposed in me. Within my sphere of action – which I shall never change; I shall never overstep, further or for a longer period than I do tonight, the circle of my own pursuits, as one who lives by Literature, who is content to do his public service through Literature, and who is conscious that he cannot serve two masters – within my sphere of action I have, for some years, tried to understand the heavier social grievances and to help to set them right. When the&amp;nbsp;&lt;em&gt;Times&lt;/em&gt;&amp;nbsp;newspaper proved its then almost incredible case, in reference to the ghastly absurdity of that vast labyrinth of misplaced men and misdirected things, which had made England unable to find on the face of the earth, an enemy one-twentieth part so potent for the misery and ruin of her noble defenders as she has been herself, I believe that the gloomy silence into which the country fell, was by far the darkest aspect in which a great people had been exhibited for very many years. With shame and indignation lowering among all classes of society, and this new element of discord piled on the heaving basis of ignorance, poverty and crime, which is always below us – with little adequate expression of the general mind, or apparent understanding of the general mind, in Parliament – with the machinery of Government and the legislature going round and round, and the people fallen from it and standing aloof, as if they left it to its last remaining function of destroying itself, when it had achieved the destruction of so much that was dear to them – I did believe, and I do believe, that the only wholesome turn affairs so menacing could take, was, the awaking of the people, the outspeaking of the people, the uniting of the people in all patriotism and loyalty to effect a great peaceful constitutional change in the administration of their own affairs. At such a crisis this Association arose, and at such a crisis I joined it: considering its further case to be – if further case could possibly be needed – that what is everybody’s business is nobody’s business, that men must be gregarious in their good citizenship as in most other things, and that it is a law in nature that there must be a centre of attraction for particles to fly to, before any serviceable body with recognised functions can come into existence. Well! This Association has arisen, and we belong to it. What are the objections to it? I have heard in the main but three, which I will briefly glance at, in the order in which I have heard them. One. It is proposed to exercise an influence, through the constituencies, on the House of Commons. I have not the least hesitation in saying that I have the smallest amount of faith in the House of Commons&amp;nbsp;at present existing, and that I consider the exercise of such influence highly necessary to the welfare and honour of this country. Reading no later than yesterday, a favourite boo of mine, I find Mr. Pepys, two hundred years ago, writing of the House of Commons in his time and its political contentions, thus:&lt;/p&gt;&#13;
&lt;p&gt;My cousin Roger Pepys tells me that it is matter of the greatest grief to him in the world that he should be put upon this trust for being a Parliament man; because he says nothing is done, that he can see, out of any truth and sincerity, but mere envy and design.&lt;/p&gt;&#13;
&lt;p&gt;Now, how it comes to pass that after two hundred years, and many years after a Reform Bill, the House of Commons is so little changed, I will not stop to inquire. I will not ask how it happens that bills which cramp and worry the people, and restrict their scant enjoyments, are so easily smuggled through that place, and how it happens that measures for their real service are so very difficult to pass. I will not analyse the confined air of the lobby, or reduce to their primitive gases, its deadening influences on the memory of that Honourable Member who was once a candidate for the honour of your – and my – independent vote and interest. I will not ask what Sectarian figure that is, full of blandishments, standing on the threshold, with its finger on its lips. I will not ask how it comes to pass that personal altercations, involving all the removes and definitions of Shakespeare’s Touchstone – the retort courteous – the reply churlish – the reproof valiant – the countercheck quarrelsome – the lie circumstantial and the lie direct – are of immeasurably greater interest in the House of Commons than the health, the taxation, the education, of a whole people. I will not penetrate the mysteries of that secret chamber in which the Bluebeard, Party, keeps his strangled public questions, straitly charging his last bride, the new comer, on no account to open the door. I will merely put it to the humble practical experience, recent and remote, of everybody here, whether the House of Commons is not occasionally a little hard of hearing, not a little dim of sight, not a little slow of understanding: whether, in short, it is not in a sufficiently invalided state to require close watching, and the occasional application of sharp stimulants; and whether it is not capable of considerable improvement? I believe that, in order to preserve it in a state of real usefulness and independence, the people must be very watchful and very jealous of it; and it must have its memory jogged; it must be kept awake; when it happens to have taken too much Ministerial narcotic, it must be trotted about, and must be bustled and pinched in a friendly way, as is the usage in such cases. And I hold that no power can have so just a right to administer our functions as a body comprising electors from all parts of the country, who are associated together because their country is dearer to them than drowsy twaddle, unmeaning routine, orthe absurdest worn out conventionalities.&lt;/p&gt;&#13;
&lt;p&gt;This brings me to objection number two. It is stated that this Association sets class against class. Is this so? No, it finds class set against class, and seeks to reconcile them. I wish to avoid placing in opposition here, the two words Aristocracy and People. I am one who can believe in the virtues and uses of both, and, I would elevate or depress neither, at the cost of a single just right belonging to either. I will use, instead of these words, the terms, the governors and the governed. These two bodies the Association finds with a gulf between them, in which lie, newly buried, thousands on thousands of the bravest and most devoted men that, even England ever bred. It is to prevent the recurrence of innumerable smaller evils, of which, unchecked, that great calamity was the crowning height and the necessary consummation, and to bring together those two fronts looking now so strangely at each other, that this Association seeks to help to bridge over that abyss, with a structure founded on common justice and supported by common sense. Setting class against class! The old unmeaning parrot cry than which we remember nothing earlier in our lives! Try its justice in this case, by an illustration:– A respectable old gentleman with a large and costly establishment of servants, finds his household in complete disorder, and that he can get nothing done. When he asks his servants to give his children bread, they give them stones; when they are told to give those children fish, they give them serpents. When they are ordered to send to the East they send to the West; when they ought to be serving dinner in the North, they were consulting obsolete and exploded cookery books in the South; they break, lose, forget, waste, destroy; only tumble over one another when required to do anything; and make the respectable gentleman’s house a scene of scandalous ruin. At last the respectable gentleman calls to him his house steward, and says, even then more in sorrow than in anger, This is a terrible business, no fortune can stand it – no mortal equanimity can bear it! I must change my system of appointing my servants; I must obtain servants who now and will do their duty’. The house steward throws up his eyes in pious horror, ejaculates ‘Good God, here is my master setting class against class!’ rushes off into the servants’ hall, and delivers a long and melting oration on that wicked theme.&lt;/p&gt;&#13;
&lt;p&gt;And so we come to the third objection, which I have observed to obtain among that class of young gentlemen of good family, who are not particularly fit for anything but spending money which they have not got. It is usually comprised in the observation, ‘How very extraordinary it is that these Administrative Reform fellows can’t mind their own business’. I think it will occur to most of us who are here, in final disposal of this alarming objection, that it is rather because we do mind our own business, and because we must have our business minded, and because those who undertake to mind it do not mind it properly, that we are an Association at all. I observe from the Parliamentary debates – which have of late, by-the-by, frequently suggested to me that there is this difference between the bull of Spain the bull of Nineveh, that, whereas, in the Spanish case, the bull rushes at the scarlet, in the Ninevite case, the scarlet rushes at the bull – I have observed in the Parliamentary debates that, by a curious fatality, there has been a great deal of the reproof valiant and the counter check quarrelsome, in reference to every case, showing the necessity of Administrative Reform, by whomsoever produced, whensoever, and wheresoever. I dare say I should have no difficulty in adding two or three cases to the list, which I know to be true, and which I have no doubt would be contradicted, but I consider it a work of supererogation; for, if the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be. There is, however, an old indisputable, very well known story, which has so pointed a moral at the end of it that I will substitute it for a new case: by doing of which I may avoid, I hope, the sacred wrath of St. Stephen. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer; and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Mr. Cocker was born, and died. Mr. Walkinghame, of &lt;em&gt;The Tutor’s Assistant&lt;/em&gt;, and a terrible hand at figures, was born, and died; a multitude of accountants, book-keepers, actuaries, and mathematicians, were born, and died;&amp;nbsp;and still official routine clung to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called ‘tallies’. Late in the the reign of George III, some restless and revolutionary spirit originated the suggestion, whether, in a land where there were pens, ink, and paper, slates and pencils, and systems of accounts, this rigid adherence to a barbarous usage might not possibly border on the ridiculous? All the red tape in the public offices turned redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1843 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and dispatch-boxing, on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any of us unofficial personages that nothing would have been easier than to allow them to be carried away for firewood, by some of the many miserable creatures in that neighbourhood. However, they never had been useful, and official routine could not endure that they ever should be useful, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build two more; we are now in the second million of the cost thereof; the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn’t got home tonight.&lt;/p&gt;&#13;
&lt;p&gt;I think we may reasonably observe, in conclusion, that all-obstinate adherence to rubbish which time has long outlived, is certain to have in the soul of it more or less that is pernicious and destructive; more or less that will some day set fire to something or other; which, freely given to the winds would have been harmless, which, persistently retained, is ruinous. I repeat, with submission, that I think it is as unnecessary to set the Administrative Reform case up, as it is idle to hope to put it down, on this or that particular instance. The great, broad, and true case that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the existence of the sun, moon, and stars. To set this right, and to clear the way in the country’s cause for merit everywhere: accepting it equally whether it be aristocratic or democratic, and only asking whether it be honest or true: I take to be the object of this Association. This object it seeks to promote by uniting together large numbers of the people, I hope, of all conditions, to the end that they may better comprehend, bear in mind, understand themselves, and impress upon others, the common public duty. Also, of which there is great need, that by keeping a vigilant eye on the skirmishers of Party, as they are thrown out from time to time by their Generals, they may see that feints and manoeuvres do not oppress the small defaulters and release the great, and that they do not gull the public with a mere field-day Review of Administrative Reform, instead of an earnest hard-fought Battle.&amp;nbsp;I speak as an individual, wholly unconnected with the management of this Association, and having had no consultation with any one upon the subject, when I particularly wish that the directors may devise some means of enabling intelligent working men to join this body, on easier terms than subscribers who have larger resources. I could wish to see great numbers of them belong to it, because I sincerely believe that it would be good for the common weal.&lt;/p&gt;&#13;
&lt;p&gt;Said the noble Lord at the head of the Government, when Mr. Layard asked him for a day for his motion. Let the hon. gentleman find a day for himself.&lt;/p&gt;&#13;
&lt;p&gt;Now, in the names of all the gods at once,&lt;br /&gt;Upon what meat doth this our Caesar feed&lt;br /&gt;That he is grown so great?&lt;/p&gt;&#13;
&lt;p&gt;If our Caesar will excuse me, I would take the liberty of reversing that cool and lofty sentiment, and I would say, ‘First Lord, your duty it is to see that no man is left to find a day for himself. See you, who take the responsibility of government, who aspire to it, live for it, intrigue for it, scramble for it, who hold to it tooth-and-nail when you can get it, see you that no man is left to find a day for himself. In this old country, with its seething hard-worked millions, its heavy taxes, its swarms of ignorant, its crowds of poor, its crowds of wicked, woe the day which the dangerous man shall find for himself, because the head of the Queen’s Government failed in his duty of anticipating it by a brighter and better one! Name you the day, First Lord; make a day; work for a day beyond your little time, Lord Palmerston, and History in return may then – not otherwise – find a day for you; a day equally associated with the contentment of the loyal, patient, willing-hearted English people, and with the happiness of your Royal Mistress and her fair line of children.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="272" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4063">
              <text>Manchester</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4064">
              <text>Free Trade Hall</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4065">
              <text>18431005</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4066">
              <text>Ladies and Gentlemen, I am sure I need scarcely tell you that I am very proud and happy, and that I take it as a great distinction, to be asked to come amongst you on an occasion such as this, when even with the brilliant and beautiful spectacle which I see before me, I can hail it as the most brilliant and beautiful circumstance of all that we assemble together here, even here, upon neutral ground, where we have no more knowledge of party differences, or public animosities between side and side, or between man and man, than if we were a public meeting in the commonwealth of Utopia. Ladies and gentlemen, upon this, and upon a hundred other grounds, this assembly is not less interesting to me, believe me – although personally almost a stranger here – than it is interesting to you; and I take it, that it is not of greater importance to all of us than it is to every man who has learned to know that he has an interest in the moral and social elevation, the harmless relaxation, the peace, happiness, and improvement, of the community at large. Not even those who saw the first foundation of your Athenaeum laid, and watched its progress, as I know they did, almost as tenderly as if it were the progress of a living creature, until it reared its beautiful front, an honour to the town – not even they, nor even you who within its walls have tasted its usefulness, and put it to the proof, have greater reason, I am persuaded, to exult in its establishment, or to hope that it may thrive and prosper, than scores of thousands at a distance, who – whether consciously or unconsciously matters not – have, in the principle of its success and bright example, a deep and personal concern. It well becomes, particularly well becomes, this enterprising town, this little world of labour, that she should stand out foremost in the foremost rank in such a cause. It well becomes her that among her numerous and noble public institutions, she should have a splendid temple sacred to the education and improvement of a large class of those who, in their various and useful stations, assist in the production of our wealth, and in rendering her name famous through the world. I think it is grand to know that while her factories re-echo with the clanking of stupendous engines and the whirl and rattle of machinery, the immortal mechanism of God’s own hand, the mind, is not forgotten in the din and uproar, but is lodged and tended in a palace of its own. Ladies and gentlemen, that it is a structure deeply fixed and rooted in the public spirit of this place, and built to last, I have no more doubt, judging from the spectacle I see before me, and from what I know of its brief history, than I have of the reality of these walls that hem us in, and the pillars that spring up about us. You are perfectly well aware, I have no doubt, that the Athenaeum was projected at a time when commerce was in a vigorous and flourishing condition, and when those classes of society to which it particularly addresses itself were fully employed, and in the receipt of regular incomes. A season of depression almost without parallel ensued, and large numbers of young men employed in warehouses and offices suddenly found their occupation gone, and themselves reduced to very straightened and penurious circumstances. This altered state of things led, as I am told, to the compulsory withdrawal of many of the members, to a proportionate decrease in the expected funds, and to the incurrence of a debt of £3,000. By the very great zeal and energy of all concerned, and by the liberality of those to whom they applied for help, that debt is now in rapid course of being discharged. A little more of the same indefatigable exertion on the one hand, and a little more of the same community of feeling upon the other, and there will be no such thing; the figures will be blotted out for good and all; and, from that time, the Athenaeum may be said to belong to you and to your heirs for ever. But, ladies and gentlemen, at all time, now in its most thriving, and in its least flourishing condition – here, with its cheerful rooms, its pleasant and instructive lectures, its improving library of six thousand volumes; its opportunities of discussion and debate, of healthful bodily exercise, and, though last not least (for by this I set great store, as a very novel and excellent provision) its opportunities of blameless rational enjoyment – here it is, open to every youth and man in this great town, accessible to every being in this vast hive, who, for all these benefits, and the inestimable ends to which they lead, can set aside one sixpence weekly. I do look upon the reduction of the subscription to that amount, and upon the fact that the number of members has considerably more than doubled within the last twelve months, as strides in the path of the very best civilization, and chapters of rich promise in the history of mankind. I do not know, ladies and gentlemen, whether, at this time of day and with such a prospect before us, we need trouble ourselves very much to rake up the ashes of the dead-and-gone objections, – the palsied, halting, blind, deaf, everything but dumb objections, that were wont to be urged by men of all parties against institutions such as this whose interests we are met to promote; but their philosophy was always to be summed up in the unmeaning application of one short sentence. How often have we heard, from a large class of men, wise in their generation, who would really seem to be born and bred for no other purpose than to pass into currency counterfeit and mischievous scraps of wisdom, as it is the sole pursuit of some other criminals to utter base coin, – how often have we heard from them as an all-convincing argument, that ‘A little learning is a dangerous thing’? Why, a little hanging was considered a very dangerous thing, according to the same authorities, with this difference, that because a little hanging was dangerous, we had a great deal of it; and because a little learning was dangerous, we were to have none at all. Why, when I hear such cruel absurdities gravely reiterated, I do sometimes begin to doubt whether the parrots of society are not more pernicious to its interests than its birds of prey. I should be glad to hear such people’s estimate of the comparative danger of ‘a little learning’ and a vast amount of ignorance; I should be glad to know which they consider the most prolific parent of misery and crime. Descending a little lower in the social scale, I should be glad to assist them in their calculations, by carrying them into certain jails and nightly refuges I know of, where my own heart dies within me when I see thousands of immortal creatures condemned, without alternative or choice, to tread, not what our great poet calls the ‘primrose path to the everlasting bonfire’, but one of jagged flints and stones, laid down by brutal ignorance, and held together, like the solid rocks by years of this most wicked axiom. Would we know from any honourable body of merchants, upright in deed and thought, whether they would rather have ignorant or enlightened persons in their own employment, we have their answer in this building; we have their answer in this company; we have it emphatically given in the munificent generosity of your own merchants of Manchester, of all sects and kinds, when this establishment was first proposed. But, ladies and gentlemen, are the advantages derivable by the people from institutions such as this, only of a negative character? If a little learning be an innocent thing, has it no distinct, wholesome, and immediate influence upon the mind? The old doggerel rhyme, so often written in the beginning of books, says that When house and lands are gone and spent, Then learning is most excellent. But I should be strongly disposed to reform that adage, and say that Though house and lands be never got, Learning can give what they can not. And this I know, that the first unpurchasable blessing earned by every man who makes an effort to improve himself in such a place as the Athenaeum is self-respect – an inward dignity of character which once acquired and righteously maintained, nothing, no, not the hardest drudgery, nor the direst poverty, can vanquish. Though he should find it hard for a season even to keep the wolf of hunger from his door, let him but once have chased the dragon of ignorance from his hearth, and self-respect and hope are left him. You could no more deprive him of those sustaining qualities by loss or destruction of his worldly goods, than you could, by plucking out his eyes, take from him an internal consciousness of the bright glory of the sun. The man who lives from day to day by the daily exercise in his sphere of hand or head, and seeks to improve himself in such a place as the Athenaeum, acquires for himself that property of soul which has in all times upheld struggling men of every degree, but self-made men especially and always. He secures to himself that faithful companion which, while it has ever lent the light of its countenance to men of rank and eminence who have deserved it, has ever shed its brightest consolations on men of low estate and almost hopeless means. It took its patient seat beside Sir Walter Raleigh in his dungeon-study in the Tower; and laid its head upon the block with More. But it did not disdain to watch the stars with Ferguson, the shepherd’s boy; it walked the streets in mean attire with Crabbe; it was a poor barber here in Lancashire with Arkwright; it was a tallow-chandler’s son with Franklin; it worked at shoemaking with Bloomfield in his garret; it followed the plough with Burns; and, high above the noise of loom and hammer, it whispers courage, even at this day, in ears I could name in Sheffield and in Manchester. The more the man who improves his leisure in such a place learns, the better, gentler, kinder man he must become. When he knows how much great minds have suffered for the truth in every age and time, and to what dismal persecutions opinion has been exposed, he will become more tolerant of other men’s belief in all matters, and will incline more leniently to their sentiments when they chance to differ from his own. Understanding that the relations between himself and his employers involve a mutual duty and responsibility, he will discharge his part of the implied contract cheerfully, faithfully, and honourably; for the history of every useful life warns him to shape his course in that direction. The benefits he acquires in such a place are not of a selfish kind, but extend themselves to his home, and to those whom it contains. Something of what he hears or reads within such walls can scarcely fail to become at times a topic of discourse by his own fireside, nor can it ever fail to lead to larger sympathies with men, and to a higher veneration for the great Creator of all the wonders of this universe. It appeals to his home and his homely feeling in other ways; for at certain times he carries there his wife and daughter, or his sister, or, possibly, some bright-eyed acquaintance of a more tender description. Judging from what I see before me, I think it is very likely; I am sure I would if I could. He takes her there to enjoy a pleasant evening, to be gay and happy. Or, sometimes, it is possible that he may happen to date his tenderness from the Athenaeum. I think that is a very excellent thing, too, and not the least among the advantages of the institution. In any case I am quite sure the number of bright eyes and beaming faces which grace this meeting tonight by their presence, will never be among the least of its excellences in my recollection. Ladies and gentlemen, I shall not easily forget this scene, the pleasing task your favour has devolved upon me, or the strong and inspiring confirmation I have tonight, of all the hopes and reliances I have ever placed upon institutions of this nature. In the literary point of view – in their bearing upon literature – I regard them as of great importance, deeming that the more intelligent and reflective society in the mass becomes, and the more readers there are, the more distinctly writers of all kinds will be able to throw themselves upon the truthful feeling of the people, and the more honoured and the more useful literature must be. At the same time, I must confess that, if there had been an Athenaeum, and the people had been readers years ago, some leaves of dedication in your library, of praise of patrons which was very cheaply bought, very dearly sold, and very marketably haggled for by the groat, would be blank leaves, and posterity might probably have lacked the information that certain monsters of virtue ever had existence. But it is upon a much better and wider scale; it is, let me say it once again, in the effect of such institutions upon the great social system, and the peace and happiness of mankind, that I delight to contemplate them; and, in my heart, I am quite certain that long after this institution, and others of the same nature, have crumbled into dust, the noble harvest of the seed sown in them will shine out brightly in the wisdom, the mercy, and the forbearance of another race. Ladies and gentlemen, I will not detain you any longer; but, in virtue of my office, which entitles me to subvert, I suppose, for the time being, all rational and proper modes of proceeding, I will beg to introduce you to Mr. Cobden. Ladies and Gentlemen, I am most deeply, and cordially, and earnestly obliged to you for this kind and hearty welcome. And let me say that only one thing has made me at all uncomfortable for a moment this evening, and it is this – that gentlemen who have spoken should have preserved the fiction that any merits exist on my part in being here tonight; for, trust me, that of all the rewards and honours which you could give, or I could possibly receive, a request to preside at such an assembly as this would be the highest. And pray remember that in any future time a similar request to be useful in like manner, I should take to be the very highest mark of your favour and distinguished regard. Ladies and gentlemen, when Mr. Roby delivers that lecture he has promised, at the Athenaeum, I engage to attend; and, at its close, I will deliver another, and I shall be most happy, in conjunction with Mr. Disraeli, to write the best description of Mr. Roby, as he appeared when delivering the lecture that our join abilities can possibly produce. Ladies, I'm happy to say that the time for discussing Mr. Roby’s speech in corners and by-places has now arrived, and that I can dismiss you to those more whispered and low invocations, after the very brilliant and eloquent one which was delivered to you as the Lancashire Witches by Mr. Disraeli. Gentlemen, I am instructed to inform you that there is still at the bazaar, ‘a most excellent stock of goods’, which are to be procured at ‘the most reasonable prices’, and ‘on the lowest possible terms’, – consistent with the interests of the establishment. And, ladies and gentlemen, once again I beg to return you most heartfelt thanks.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4057">
                <text>Athenaeum, Manchester, First Annual Soirée</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4058">
                <text>Speech at the Athenaeum, Manchester, First Annual Soirée (5 October 1843).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4059">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4060">
                <text>1843-10-05</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4061">
                <text>1843-10-05_Speech_Athenaeum-Manchester-First-Annual-Soiree</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4062">
                <text>&lt;span&gt;Dickens, Charles. 'Speech at the Athenaeum, Manchester, First Annual Soirée' (5 October 1843).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1843-10-05_Speech_Athenaeum-Manchester-First-Annual-Soiree"&gt;https://dickenssearch.com/speeches/1843-10-05_Speech_Athenaeum-Manchester-First-Annual-Soiree&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4067">
                <text>&lt;p&gt;Ladies and Gentlemen, I am sure I need scarcely tell you that I am very proud and happy, and that I take it as a great distinction, to be asked to come amongst you on an occasion such as this, when even with the brilliant and beautiful spectacle which I see before me, I can hail it as the most brilliant and beautiful circumstance of all that we assemble together here, even&lt;em&gt; here&lt;/em&gt;, upon neutral ground, where we have no more knowledge of party differences, or public animosities between side and side, or between man and man, than if we were a public meeting in the commonwealth of Utopia.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, upon this, and upon a hundred other grounds, this assembly is not less interesting to me, believe me – although personally almost a stranger here – than it is interesting to you; and I take it, that it is not of greater importance to all of us than it is to every man who has learned to know that he has an interest in the moral and social elevation, the harmless relaxation, the peace, happiness, and improvement, of the community at large. Not even those who saw the first foundation of your Athenaeum laid, and watched its progress, as I know they did, almost as tenderly as if it were the progress of a living creature, until it reared its beautiful front, an honour to the town – not even they, nor even you who within its walls have tasted its usefulness, and put it to the proof, have greater reason, I am persuaded, to exult in its establishment, or to hope that it may thrive and prosper, than scores of thousands at a distance, who – whether consciously or unconsciously matters not – have, in the principle of its success and bright example, a deep and personal concern.&lt;/p&gt;&#13;
&lt;p&gt;It well becomes, particularly well becomes, this enterprising town, this little world of labour, that she should stand out foremost in the foremost rank in such a cause. It well becomes her that among her numerous and noble public institutions, she should have a splendid temple sacred to the education and improvement of a large class of those who, in their various and useful stations, assist in the production of our wealth, and in rendering her name famous through the world. I think it is grand to know that while her factories re-echo with the clanking of stupendous engines and the whirl and rattle of machinery, the immortal mechanism of God’s own hand, the mind, is not forgotten in the din and uproar, but is lodged and tended in a palace of its own. Ladies and gentlemen, that it is a structure deeply fixed and rooted in the public spirit of this place, and built to last, I have no more doubt, judging from the spectacle I see before me, and from what I know of its brief history, than I have of the reality of these walls that hem us in, and the pillars that spring up about us.&lt;/p&gt;&#13;
&lt;p&gt;You are perfectly well aware, I have no doubt, that the Athenaeum was projected at a time when commerce was in a vigorous and flourishing condition, and when those classes of society to which it particularly addresses itself were fully employed, and in the receipt of regular incomes. A season of depression almost without parallel ensued, and large numbers of young men employed in warehouses and offices suddenly found their occupation gone, and themselves reduced to very straightened and penurious circumstances. This altered state of things led, as I am told, to the compulsory withdrawal of many of the members, to a proportionate decrease in the expected funds, and to the incurrence of a debt of £3,000. By the very great zeal and energy of all concerned, and by the liberality of those to whom they applied for help, that debt is now in rapid course of being discharged. A little more of the same indefatigable exertion on the one hand, and a little more of the same community of feeling upon the other, and there will be no such thing; the figures will be blotted out for good and all; and, from that time, the Athenaeum may be said to belong to you and to your heirs for ever.&lt;/p&gt;&#13;
&lt;p&gt;But, ladies and gentlemen, at all time, now in its most thriving, and in its least flourishing condition – here, with its cheerful rooms, its pleasant and instructive lectures, its improving library of six thousand volumes; its opportunities of discussion and debate, of healthful bodily exercise, and, though last not least (for by this I set great store, as a very novel and excellent provision) its opportunities of blameless rational enjoyment – here it is, open to every youth and man in this great town, accessible to every being in this vast hive, who, for all these benefits, and the inestimable ends to which they lead, can set aside one sixpence weekly. I do look upon the reduction of the subscription to that amount, and upon the fact that the number of members has considerably more than doubled within the last twelve months, as strides in the path of the very best civilization, and chapters of rich promise in the history of mankind.&lt;/p&gt;&#13;
&lt;p&gt;I do not know, ladies and gentlemen, whether, at this time of day and with such a prospect before us, we need trouble ourselves very much to rake up the ashes of the dead-and-gone objections, – the palsied, halting, blind, deaf, everything but dumb objections, that were wont to be urged by men of all parties against institutions such as this whose interests we are met to promote; but their philosophy was always to be summed up in the unmeaning application of one short sentence. How often have we heard, from a large class of men, wise in their generation, who would really seem to be born and bred for no other purpose than to pass into currency counterfeit and mischievous scraps of wisdom, as it is the sole pursuit of some other criminals to utter base coin, – how often have we heard from them as an all-convincing argument, that ‘A little learning is a dangerous thing’? Why, a little hanging was considered a very dangerous thing, according to the same authorities, with this difference, that because a little hanging was dangerous, we had a great deal of it; and because a little learning was dangerous, we were to have none at all. Why, when I hear such cruel absurdities gravely reiterated, I do sometimes begin to doubt whether the parrots of society are not more pernicious to its interests than its birds of prey. I should be glad to hear such people’s estimate of the comparative danger of ‘a little learning’ and a vast amount of ignorance; I should be glad to know which they consider the most prolific parent of misery and crime. Descending a little lower in the social scale, I should be glad to assist them in their calculations, by carrying them into certain jails and nightly refuges I know of, where my own heart dies within me when I see thousands of immortal creatures condemned, without alternative or choice, to tread, not what our great poet calls the ‘primrose path to the everlasting bonfire’, but one of jagged flints and stones, laid down by brutal ignorance, and held together, like the solid rocks by years of this most wicked axiom.&lt;/p&gt;&#13;
&lt;p&gt;Would we know from any honourable body of merchants, upright in deed and thought, whether they would rather have ignorant or enlightened persons in their own employment, we have their answer in this building; we have their answer in this company; we have it emphatically given in the munificent generosity of your own merchants of Manchester, of all sects and kinds, when this establishment was first proposed. But, ladies and gentlemen, are the advantages derivable by the people from institutions such as this, only of a negative character? If a little learning be an innocent thing, has it no distinct, wholesome, and immediate influence upon the mind? The old doggerel rhyme, so often written in the beginning of books, says that&lt;/p&gt;&#13;
&lt;p&gt;When house and lands are gone and spent,&lt;/p&gt;&#13;
&lt;p&gt;Then learning is most excellent.&lt;/p&gt;&#13;
&lt;p&gt;But I should be strongly disposed to reform that adage, and say that&lt;/p&gt;&#13;
&lt;p&gt;Though house and lands be never got,&lt;/p&gt;&#13;
&lt;p&gt;Learning can give what they can &lt;em&gt;not&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;And this I know, that the first unpurchasable blessing earned by every man who makes an effort to improve himself in such a place as the Athenaeum is self-respect – an inward dignity of character which once acquired and righteously maintained, nothing, no, not the hardest drudgery, nor the direst poverty, can vanquish. Though he should find it hard for a season even to keep the wolf of hunger from his door, let him but once have chased the dragon of ignorance from his hearth, and self-respect and hope are left him. You could no more deprive him of those sustaining qualities by loss or destruction of his worldly goods, than you could, by plucking out his eyes, take from him an internal consciousness of the bright glory of the sun.&lt;/p&gt;&#13;
&lt;p&gt;The man who lives from day to day by the daily exercise in his sphere of hand or head, and seeks to improve himself in such a place as the Athenaeum, acquires for himself that property of soul which has in all times upheld struggling men of every degree, but self-made men especially and always. He secures to himself that faithful companion which, while it has ever lent the light of its countenance to men of rank and eminence who have deserved it, has ever shed its brightest consolations on men of low estate and almost hopeless means. It took its patient seat beside Sir Walter Raleigh in his dungeon-study in the Tower; and laid its head upon the block with More. But it did not disdain to watch the stars with Ferguson, the shepherd’s boy; it walked the streets in mean attire with Crabbe; it was a poor barber here in Lancashire with Arkwright; it was a tallow-chandler’s son with Franklin; it worked at shoemaking with Bloomfield in his garret; it followed the plough with Burns; and, high above the noise of loom and hammer, it whispers courage, even at this day, in ears I could name in Sheffield and in Manchester.&lt;/p&gt;&#13;
&lt;p&gt;The more the man who improves his leisure in such a place learns, the better, gentler, kinder man he must become. When he knows how much great minds have suffered for the truth in every age and time, and to what dismal persecutions opinion has been exposed, he will become more tolerant of other men’s belief in all matters, and will incline more leniently to their sentiments when they chance to differ from his own. Understanding that the relations between himself and his employers involve a mutual duty and responsibility, he will discharge his part of the implied contract cheerfully, faithfully, and honourably; for the history of every useful life warns him to shape his course in that direction.&lt;/p&gt;&#13;
&lt;p&gt;The benefits he acquires in such a place are not of a selfish kind, but extend themselves to his home, and to those whom it contains. Something of what he hears or reads within such walls can scarcely fail to become at times a topic of discourse by his own fireside, nor can it ever fail to lead to larger sympathies with men, and to a higher veneration for the great Creator of all the wonders of this universe. It appeals to his home and his homely feeling in other ways; for at certain times he carries there his wife and daughter, or his sister, or, possibly, some bright-eyed acquaintance of a more tender description. Judging from what I see before me, I think it is very likely; I am sure I would if I could. He takes her there to enjoy a pleasant evening, to be gay and happy. Or, sometimes, it is possible that he may happen to date his tenderness from the Athenaeum. I think that is a very excellent thing, too, and not the least among the advantages of the institution. In any case I am quite sure the number of bright eyes and beaming faces which grace this meeting tonight by their presence, will never be among the least of its excellences in my recollection.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, I shall not easily forget this scene, the pleasing task your favour has devolved upon me, or the strong and inspiring confirmation I have tonight, of all the hopes and reliances I have ever placed upon institutions of this nature. In the literary point of view – in their bearing upon literature – I regard them as of great importance, deeming that the more intelligent and reflective society in the mass becomes, and the more readers there are, the more distinctly writers of all kinds will be able to throw themselves upon the truthful feeling of the people, and the more honoured and the more useful literature must be. At the same time, I must confess that, if there had been an Athenaeum, and the people had been readers years ago, some leaves of dedication in your library, of praise of patrons which was very cheaply bought, very dearly sold, and very marketably haggled for by the groat, would be blank leaves, and posterity might probably have lacked the information that certain monsters of virtue ever had existence. But it is upon a much better and wider scale; it is, let me say it once again, in the effect of such institutions upon the great social system, and the peace and happiness of mankind, that I delight to contemplate them; and, in my heart, I am quite certain that long after this institution, and others of the same nature, have crumbled into dust, the noble harvest of the seed sown in them will shine out brightly in the wisdom, the mercy, and the forbearance of another race.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, I will not detain you any longer; but, in virtue of my office, which entitles me to subvert, I suppose, for the time being, all rational and proper modes of proceeding, I will beg to introduce you to Mr. Cobden.&lt;/p&gt;</text>
              </elementText>
              <elementText elementTextId="4068">
                <text>&lt;p&gt;Ladies and Gentlemen, I am most deeply, and cordially, and earnestly obliged to you for this kind and hearty welcome. And let me say that only one thing has made me at all uncomfortable for a moment this evening, and it is this – that gentlemen who have spoken should have preserved the fiction that any merits exist on my part in being here tonight; for, trust me, that of all the rewards and honours which you could give, or I could possibly receive, a request to preside at such an assembly as this would be the highest. And pray remember that in any future time a similar request to be useful in like manner, I should take to be the very highest mark of your favour and distinguished regard.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, when Mr. Roby delivers that lecture he has promised, at the Athenaeum, I engage to attend; and, at its close, I will deliver another, and I shall be most happy, in conjunction with Mr. Disraeli, to write the best description of Mr. Roby, as he appeared when delivering the lecture that our join abilities can possibly produce. Ladies, I'm happy to say that the time for discussing Mr. Roby’s speech in corners and by-places has now arrived, and that I can dismiss you to those more whispered and low invocations, after the very brilliant and eloquent one which was delivered to you as the Lancashire Witches by Mr. Disraeli. Gentlemen, I am instructed to inform you that there is still at the bazaar, ‘a most excellent stock of goods’, which are to be procured at ‘the most reasonable prices’, and ‘on the lowest possible terms’, – consistent with the interests of the establishment. And, ladies and gentlemen, once again I beg to return you most heartfelt thanks.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>manchester</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="273" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4075">
              <text>Manchester</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4076">
              <text>Free Library</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4077">
              <text>18520902</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4078">
              <text>Sir John Potter, my Lords, Ladies, and Gentlemen, I have been so much in the habit within the last fortnight of relying upon the words of other people, that I find it quite a novel sensation to be here dependent solely upon my own. I assure you that I feel at this moment in imminent danger of sliding into the language of my friend who addressed you last; and, from the mere force of habit, I rather miss the prompter. For this reason, and many others, I shall trouble you with a very short speech indeed in proposing the resolution with which I have the honour to be entrusted. It so fully expresses my feelings and hopes, and my convictions in association with this auspicious day, that I cannot do better than to read it to you at once: That as in this institution special provision has been made for the working classes, by means of a free lending library, this meeting cherishes the earnest hope that the books thus made available, will prove a source of pleasure and improvement in the cottages, the garrets, and the cellars of the poorest of our people. Ladies and gentlemen, limiting what I wish to say on this subject to two very brief heads, I would beg to observe, firstly, that I have been made happy since I have been sitting here by the solution of a problem which has long perplexed me. I have seen so many references made in the newspapers, in parliamentary debates, and elsewhere, to the ‘Manchester School’, that I have long had a considerable anxiety to know what that phrase might mean, and what the ‘Manchester School’ might be. My natural curiosity on this head has not been diminished by the very contradictory accounts I have received respecting that same school; some great authorities assuring me that it was a very good one, some that it was very bad one; some that it was very broad comprehensive, some that is very narrow and limited; some that was all cant, and some that it was all cotton. Now, ladies and gentlemen, I have solved this difficulty, by finding here today that the ‘Manchester School’ is a great free-school, bent on carrying instruction to the poorest hearths. It is this great free-school, inviting the humblest workman to come in and to be a student; this great free-school, most munificently endowed by voluntary subscriptions in an incredibly short space of time – starting upon its glorious career with twenty thousand volumes of books – knowing no sect, no party, no distinction – nothing but the public want and the public good. Henceforth, ladies and gentlemen, this building shall represent to me the ‘Manchester School’; and I pray to Heaven, moreover, that many great towns and cities, and many high authorities, may go to school a little in the Manchester seminary, and profit by the noble lesson that it teaches. In the second and last place, ladies and gentlemen, allow me to observe that like my friend, Sir Edward Lytton, I exceedingly regret my inability to attend that other interesting meeting of this evening. I should have rejoiced to have seen in this place, instead of myself, and to have heard in this place, instead of my own voice, the voice of a working man in Manchester, to tell the projectors of this spirited enterprise with what feelings he and his companions regard their just and generous recognition here. I should have rejoiced to hear from such a man, in the solid and nervous language in which I have often heard such men give utterance to the feelings of their breasts, how he knows that the book stored here for his behoof will cheer him through many of the struggles and toils of his life, will raise him in his self respect, will teach him that capital and labour are not opposed, but are mutually dependent and mutually supporting – will enable him to tread down blinding prejudice, corrupt misrepresentation, and everything but the truth, into the dust. Ladies and gentlemen, I have long been, in my sphere, a zealous advocate for the diffusion of knowledge among all classes and conditions of men; because I do believe, with all the strength of mind with which I am capable of believing anything, that the more a man knows, the more humbly, and with a more faithful spirit he comes back to the fountain of all knowledge, and takes his heart the great sacred precept, ‘On earth peace, good will toward men’. And well assured I am, that the great precept, and those other things I have hinted at as pleasant to have heard here today from a working man, will rise higher and higher above the beating of hammers, the roar of wheels, the rattle of machinery, and the rush of waters, and be the more and more clearly fell through every pulsation of this great heart, the better known and used this institution is. Ladies and gentlemen, I have great pleasure in moving the resolution which I have already read to you.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4069">
                <text>Opening of the Free Library, Manchester</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4070">
                <text>Speech at the opening of the Free Library, Manchester (2 September 1852).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4071">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4072">
                <text>1852-09-02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4073">
                <text>1852-09-02_Speech_Opening-of-the-Free-Library-Manchester</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4074">
                <text>&lt;span&gt;Dickens, Charles. 'Speech at the opening of the Free Library, Manchester' (2 September 1852).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1852-09-02_Speech_Opening-of-the-Free-Library-Manchester"&gt;https://dickenssearch.com/speeches/1852-09-02_Speech_Opening-of-the-Free-Library-Manchester&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4079">
                <text>&lt;p&gt;Sir John Potter, my Lords, Ladies, and Gentlemen, I have been so much in the habit within the last fortnight of relying upon the words of other people, that I find it quite a novel sensation to be here dependent solely upon my own. I assure you that I feel at this moment in imminent danger of sliding into the language of my friend who addressed you last; and, from the mere force of habit, I rather miss the prompter. For this reason, and many others, I shall trouble you with a very short speech indeed in proposing the resolution with which I have the honour to be entrusted. It so fully expresses my feelings and hopes, and my convictions in association with this auspicious day, that I cannot do better than to read it to you at once:&lt;/p&gt;&#13;
&lt;p&gt;That as in this institution special provision has been made for the working classes, by means of a free lending library, this meeting cherishes the earnest hope that the books thus made available, will prove a source of pleasure and improvement in the cottages, the garrets, and the cellars of the poorest of our people.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, limiting what I wish to say on this subject to two very brief heads, I would beg to observe, firstly, that I have been made happy since I have been sitting here by the solution of a problem which has long perplexed me. I have seen so many references made in the newspapers, in parliamentary debates, and elsewhere, to the ‘Manchester School’, that I have long had a considerable anxiety to know what that phrase might mean, and what the ‘Manchester School’ might be. My natural curiosity on this head has not been diminished by the very contradictory accounts I have received respecting that same school; some great authorities assuring me that it was a very good one, some that it was very bad one; some that it was very broad comprehensive, some that is very narrow and limited; some that was all cant, and some that it was all cotton.&lt;/p&gt;&#13;
&lt;p&gt;Now, ladies and gentlemen, I have solved this difficulty, by finding here today that the ‘Manchester School’ is a great free-school, bent on carrying instruction to the poorest hearths. It is this great free-school, inviting the humblest workman to come in and to be a student; this great free-school, most munificently endowed by voluntary subscriptions in an incredibly short space of time – starting upon its glorious career with twenty thousand volumes of books – knowing no sect, no party, no distinction – nothing but the public want and the public good. Henceforth, ladies and gentlemen, this building shall represent to me the ‘Manchester School’; and I pray to Heaven, moreover, that many great towns and cities, and many high authorities, may go to school a little in the Manchester seminary, and profit by the noble lesson that it teaches.&lt;/p&gt;&#13;
&lt;p&gt;In the second and last place, ladies and gentlemen, allow me to observe that like my friend, Sir Edward Lytton, I exceedingly regret my inability to attend that other interesting meeting of this evening. I should have rejoiced to have seen in this place, instead of myself, and to have heard in this place, instead of my own voice, the voice of a working man in Manchester, to tell the projectors of this spirited enterprise with what feelings he and his companions regard their just and generous recognition here. I should have rejoiced to hear from such a man, in the solid and nervous language in which I have often heard such men give utterance to the feelings of their breasts, how he knows that the book stored here for his behoof will cheer him through many of the struggles and toils of his life, will raise him in his self respect, will teach him that capital and labour are not opposed, but are mutually dependent and mutually supporting – will enable him to tread down blinding prejudice, corrupt misrepresentation, and everything but the truth, into the dust.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, I have long been, in my sphere, a zealous advocate for the diffusion of knowledge among all classes and conditions of men; because I do believe, with all the strength of mind with which I am capable of believing anything, that the more a man knows, the more humbly, and with a more faithful spirit he comes back to the fountain of all knowledge, and takes his heart the great sacred precept, ‘On earth peace, good will toward men’. And well assured I am, that the great precept, and those other things I have hinted at as pleasant to have heard here today from a working man, will rise higher and higher above the beating of hammers, the roar of wheels, the rattle of machinery, and the rush of waters, and be the more and more clearly fell through every pulsation of this great heart, the better known and used this institution is.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, I have great pleasure in moving the resolution which I have already read to you.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="1">
        <name>manchester</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="274" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="418">
                  <text>Speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="600">
                  <text>speeches</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1497">
                  <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3162">
                  <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="19">
      <name>Speech</name>
      <description/>
      <elementContainer>
        <element elementId="4">
          <name>Location</name>
          <description>The location</description>
          <elementTextContainer>
            <elementText elementTextId="4086">
              <text>Boston</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="97">
          <name>Venue</name>
          <description>Where the speech was given</description>
          <elementTextContainer>
            <elementText elementTextId="4087">
              <text>Papanti's Hall</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Ngram Date</name>
          <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
          <elementTextContainer>
            <elementText elementTextId="4088">
              <text>18420201</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Ngram Text</name>
          <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
          <elementTextContainer>
            <elementText elementTextId="4089">
              <text>Gentlemen, If you had given the splendid entertainment to anyone else in the whole wide world – if I were tonight to exult in the triumph of my dearest friend – if I stood here upon my defence to repel any unjust attack – to appeal as a stranger to your generosity and kindness as the phrase people on the earth – I could, putting some restraint upon myself, stand among you as self possessed and unmoved as I should be alone in my own room in England. But when I have the echoes of your cordial greeting ringing in my ears; when I see your kind faces beaming and welcome so warm and earnest as never man had, I feel – it is my nature – so vanquished and subdued, that I have hardly fortitude enough to thank you. If your President, instead of pouring forth that delightful mixture of humour and pathos which you have just heard with so much delight had been but a caustic, ill-natured man – if he had only been a dull one – if I could only have doubted or distrusted him or you, I should have had my wits at my fingers’ ends, and, using them, could have held you at arm’s length. But you have given me no such opportunity; you take advantage of me in the tenderest point; you give me no chance of playing at company, or holding you at a distance, but flock about me like a host of brothers, and make this place like home. Indeed, gentlemen, indeed, if it be natural and allowable for each of us, on his own hearth, to express his thoughts in the most homely fashion, and to appear in his plainest garb, I have a fair claim upon you to let me do so tonight, for you have made my house an Aladdin's Palace. You fold so tenderly within your breasts that common household lamp in which my feeble fire is all enshrined, and at which my flickering torch is lighted up, that straight my household gods take wing, and are transported here. And whereas it is written of that fairy structure that it never moved without two shocks – one when it rose, and one when it settled down – I can say of mine that, however sharp a tug it took to pluck it from its native ground, it struck at once an easy, and a deep and lasting root into this soil, and loved it as its own. I can say more of it, and say with truth, that long before it moved, or had a chance of moving, its master – perhaps from some secret sympathy between its timbers, and a certain stately tree that has its being hereabout, and spreads its broad branches far and wide – dreamed by day and night, for years, of setting foot upon this shore, and breathing this pure air. And trust me, gentlemen, that if I had wandered here unknowing and unknown, I would – if I know my own heart – have come with all my sympathies clustering richly about this land and people – with all my sense of justice as keenly alive to their high claims on every man who loves God's image – with all my energies as fully been on judging for myself, and speaking out, and telling in my sphere the truth, as I do now when you rain down your welcomes on my head. Your President has alluded to those writings which have been my occupation for some years past; and have received his allusions in a manner which assures me – if I needed any such assurance – that we are old friends in the spirit, and have been in close communion for a long time. It is not easy for a man to speak of his own books. I dare say that few persons have been more interested in mine than I; and if it be a general principle in nature the lover’s love is blind, and that a mother's love is blind, I believe it may be said of an author's attachment to the creatures of his own imagination, that it is a perfect model of constancy and devotion, and is the blindest of all. But the objects and purposes I have in view are very plain and simple, and may easily be told. I have always had, and always shall have, an earnest and true desire to contribute, as far as in me lies, to the common stock of healthful cheerfulness and enjoyment. I have always had, and always shall have, an invincible repugnance to that mole-eyed philosophy which loves the darkness, and winks and scowls in the light. I believe that Virtue shows quite as well in rags and patches as she does in purple and fine linen. I believe that she and every beautiful object in external nature, claim some sympathy in the breast of the poorest man who breaks his scanty loaf of daily bread. I believe that she goes barefoot as well as shod. I believe that she dwells rather oftener in alleys and by-ways than she does in courts and palaces, and that it is good, and pleasant, and profitable to track her out, and follow her. I believe that to lay one's hand upon some one of those rejected ones whom the world has too long forgotten, and too often misused, and to say to the proudest and most thoughtless, – these creatures have the same elements and capacities of goodness as yourselves, they are moulded in the same form, and made of the same clay; and though ten times worse than you, may, in having retained anything of their original nature amidst the trials and distresses of their condition, be really ten times better. – I believe that to do this is to pursue a worthy and not useless avocation. Gentlemen, that you think so too, your fervent greeting assures me. That this feeling is alive in the Old World as well as in the New, no man should know better than I – I, who have found such wide and ready sympathy in my own dear land. That in expressing it we are but treading in the steps of those great master-spirits who have gone before, we know by reference to all the bright examples in our literature, from Shakespeare downward. There is one other point connected with the labours (if I may call them so) that you hold in such generous team, to which I cannot help adverting. I cannot help expressing the delight, then more than happiness it was to me to find so strong interest awakened on this side of the water, in favour of that little heroine of mine, to whom your President has made allusion, who died in her youth. I had letters about that child, in England, from the dwellers in log-houses among the morasses, and swamps, and densest forests, and deepest solitudes of the Far West. Many a steady hand, hard with the axe and spade, browned by the summer's sun, has taken up the pen, and written to me a little history of domestic joy or sorrow, always coupled, I am proud to say, with something of interest in that little tale, or some comfort or happiness derived from it; and my correspondent has always addressed me, not as a writer of books for sale, resident some four or five thousand miles away, but as a friend to whom he might freely impart the joys and sorrows of his own fireside. Many a mother – I could reckon them now by dozens, not by units – has done the like, and has told me that she lost a child at such a time, and where she is buried, and how good she was, and how, in this or that respect, she resembled Nell. I do assure you that no circumstance of my life has given me a hundredth part of the gratification I have derived from this source. I was wavering at the time whether or not to wind up my Clock, and come and see this country, and this decided me. I felt as if it were a positive duty, as if I were bound to pack up my clothes, and come and see my friends; and even now I have such an odd sensation in connexion with these things, that you have no chance of spoiling me. I feel as though we were agreeing – as indeed we are, if we substitute for fictitious characters that classes from which they are drawn – about third parties, in whom we have a common interest. At every act of kindness on your part, I say to myself ‘That's for Oliver; I should not wonder if that were mean for Smike; I have no doubt that it is intended for Nell’; and so I become a much happier, certainly, but a more sober and retiring man than ever I was before. Gentlemen, talking of my friends in America, brings me back, naturally and of course, to you. Coming back to you, and being thereby reminded of the pleasure we have in store in hearing the gentleman who sit about me, I arrive by the easiest, though not by the shortest course in the world, at the end of what I have to say. But before I sit down, there is one topic on which I am desirous to lay particular stress. It has, or should have, a strong interest for us all, since to its literature every country must look for one great means of refining and improving its people, and one great source of national pride and honour. You have in America great writers – great writers – who will live in all time, and are as familiar to our lips as household words. Deriving (as they all do in a greater or lesser degree, in their several walks) their inspiration from the stupendous country which gave them birth, they diffuse a better knowledge of it, and a higher love for it, all over the civilised world. I take leave to say, in the presence of some of those gentlemen, that I hope the time is not far distant when they, in America, will receive of right some substantial profit and return in England from their labours; and when we, in England, shall receive some substantial profit and return for hours. Pray do not misunderstand me. Securing for myself from day to day the means of an honourable subsistence, I would rather have the affectionate regard of my fellow men, than I would have heaps and mines of gold. But the two things do not seem to me incompatible. They cannot be, for nothing good is incompatible with justice. There must be an international arrangement in this respect: England has done her part, and I am confident the time is not far distant when America will do hers. It becomes the character of a great country; firstly, because it is justice; secondly, because without it you never can have, and keep, a literature of your own. Gentlemen, I thank you with feelings of gratitude such as are not often awakened, and can never be expressed. As I understand it to be the pleasant custom here to finish with a toast, I would beg to give you ‘America and England – and may there never be anything but the Atlantic between them’.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4080">
                <text>Young Men of Boston Public Dinner</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4081">
                <text>Speech at the Young Men of Boston Public Dinner (1 February 1842).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4082">
                <text>Dickens, Charles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4083">
                <text>1842-02-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="4084">
                <text>1842-02-01_Speech_Young-Men-of-Boston-Public-Dinner</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="80">
            <name>Bibliographic Citation</name>
            <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
            <elementTextContainer>
              <elementText elementTextId="4085">
                <text>&lt;span&gt;Dickens, Charles. 'Speech at the Young Men of Boston Public Dinner' (1 February 1842).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1842-02-01_Speech_Young-Men-of-Boston-Public-Dinner"&gt;https://dickenssearch.com/speeches/1842-02-01_Speech_Young-Men-of-Boston-Public-Dinner&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="4">
        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="92">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="4090">
                <text>&lt;p&gt;Gentlemen, If you had given the splendid entertainment to anyone else in the whole wide world – if I were tonight to exult in the triumph of my dearest friend – if I stood here upon my defence to repel any unjust attack – to appeal as a stranger to your generosity and kindness as the phrase people on the earth – I could, putting some restraint upon myself, stand among you as self possessed and unmoved as I should be alone in my own room in England. But when I have the echoes of your cordial greeting ringing in my ears; when I see your kind faces beaming and welcome so warm and earnest as never man had, I feel – it is my nature – so vanquished and subdued, that I have hardly fortitude enough to thank you. If your President, instead of pouring forth that delightful mixture of humour and pathos which you have just heard with so much delight had been but a caustic, ill-natured man – if he had only been a dull one – if I could only have doubted or distrusted him or you, I should have had my wits at my fingers’ ends, and, using them, could have held you at arm’s length. But you have given me no such opportunity; you take advantage of me in the tenderest point; you give me no chance of playing at company, or holding you at a distance, but flock about me like a host of brothers, and make this place like home. Indeed, gentlemen, indeed, if it be natural and allowable for each of us, on his own hearth, to express his thoughts in the most homely fashion, and to appear in his plainest garb, I have a fair claim upon you to let me do so tonight, for you have made my house an Aladdin's Palace. You fold so tenderly within your breasts that common household lamp in which my feeble fire is all enshrined, and at which my flickering torch is lighted up, that straight my household gods take wing, and are transported here. And whereas it is written of that fairy structure that it never moved without two shocks – one when it rose, and one when it settled down – I can say of mine that, however sharp a tug it took to pluck it from its native ground, it struck at once an easy, and a deep and lasting root into this soil, and loved it as its own. I can say more of it, and say with truth, that long before it moved, or had a chance of moving, its master – perhaps from some secret sympathy between its timbers, and a certain stately tree that has its being hereabout, and spreads its broad branches far and wide – dreamed by day and night, for years, of setting foot upon this shore, and breathing this pure air. And trust me, gentlemen, that if I had wandered here unknowing and unknown, I would – if I know my own heart – have come with all my sympathies clustering richly about this land and people – with all my sense of justice as keenly alive to their high claims on every man who loves God's image – with all my energies as fully been on judging for myself, and speaking out, and telling in my sphere the truth, as I do now when you rain down your welcomes on my head.&lt;/p&gt;&#13;
&lt;p&gt;Your President has alluded to those writings which have been my occupation for some years past; and have received his allusions in a manner which assures me – if I needed any such assurance – that we are old friends in the spirit, and have been in close communion for a long time.&lt;/p&gt;&#13;
&lt;p&gt;It is not easy for a man to speak of his own books. I dare say that few persons have been more interested in mine than I; and if it be a general principle in nature the lover’s love is blind, and that a mother's love is blind, I believe it may be said of an author's attachment to the creatures of his own imagination, that it is a perfect model of constancy and devotion, and is the blindest of all. But the objects and purposes I have in view are very plain and simple, and may easily be told. I have always had, and always shall have, an earnest and true desire to contribute, as far as in me lies, to the common stock of healthful cheerfulness and enjoyment. I have always had, and always shall have, an invincible repugnance to that mole-eyed philosophy which loves the darkness, and winks and scowls in the light. I believe that Virtue shows quite as well in rags and patches as she does in purple and fine linen. I believe that she and every beautiful object in external nature, claim some sympathy in the breast of the poorest man who breaks his scanty loaf of daily bread. I believe that she goes barefoot as well as shod. I believe that she dwells rather oftener in alleys and by-ways than she does in courts and palaces, and that it is good, and pleasant, and profitable to track her out, and follow her. I believe that to lay one's hand upon some one of those rejected ones whom the world has too long forgotten, and too often misused, and to say to the proudest and most thoughtless, – these creatures have the same elements and capacities of goodness as yourselves, they are moulded in the same form, and made of the same clay; and though ten times worse than you, may, in having retained anything of their original nature amidst the trials and distresses of their condition, be really ten times better. – I believe that to do this is to pursue a worthy and not useless avocation. Gentlemen, that you think so too, your fervent greeting assures me. That this feeling is alive in the Old World as well as in the New, no man should know better than I – I, who have found such wide and ready sympathy in my own dear land. That in expressing it we are but treading in the steps of those great master-spirits who have gone before, we know by reference to all the bright examples in our literature, from Shakespeare downward.&lt;/p&gt;&#13;
&lt;p&gt;There is one other point connected with the labours (if I may call them so) that you hold in such generous team, to which I cannot help adverting. I cannot help expressing the delight, then more than happiness it was to me to find so strong interest awakened on this side of the water, in favour of that little heroine of mine, to whom your President has made allusion, who died in her youth. I had letters about that child, in England, from the dwellers in log-houses among the morasses, and swamps, and densest forests, and deepest solitudes of the Far West. Many a steady hand, hard with the axe and spade, browned by the summer's sun, has taken up the pen, and written to me a little history of domestic joy or sorrow, always coupled, I am proud to say, with something of interest in that little tale, or some comfort or happiness derived from it; and my correspondent has always addressed me, not as a writer of books for sale, resident some four or five thousand miles away, but as a friend to whom he might freely impart the joys and sorrows of his own fireside. Many a mother – I could reckon them now by dozens, not by units – has done the like, and has told me that she lost a child at such a time, and where she is buried, and how good she was, and how, in this or that respect, she resembled Nell.&lt;/p&gt;&#13;
&lt;p&gt;I do assure you that no circumstance of my life has given me a hundredth part of the gratification I have derived from this source. I was wavering at the time whether or not to wind up my Clock, and come and see this country, and this decided me. I felt as if it were a positive duty, as if I were bound to pack up my clothes, and come and see my friends; and even now I have such an odd sensation in connexion with these things, that you have no chance of spoiling me. I feel as though we were agreeing – as indeed we are, if we substitute for fictitious characters that classes from which they are drawn – about third parties, in whom we have a common interest. At every act of kindness on your part, I say to myself ‘That's for Oliver; I should not wonder if that were mean for Smike; I have no doubt that it is intended for Nell’; and so I become a much happier, certainly, but a more sober and retiring man than ever I was before.&lt;/p&gt;&#13;
&lt;p&gt;Gentlemen, talking of my friends in America, brings me back, naturally and of course, to you. Coming back to you, and being thereby reminded of the pleasure we have in store in hearing the gentleman who sit about me, I arrive by the easiest, though not by the shortest course in the world, at the end of what I have to say. But before I sit down, there is one topic on which I am desirous to lay particular stress. It has, or should have, a strong interest for us all, since to its literature every country must look for one great means of refining and improving its people, and one great source of national pride and honour. You have in America great writers – great writers – who will live in all time, and are as familiar to our lips as household words. Deriving (as they all do in a greater or lesser degree, in their several walks) their inspiration from the stupendous country which gave them birth, they diffuse a better knowledge of it, and a higher love for it, all over the civilised world. I take leave to say, in the presence of some of those gentlemen, that I hope the time is not far distant when they, in America, will receive of right some substantial profit and return in England from their labours; and when we, in England, shall receive some substantial profit and return for hours. Pray do not misunderstand me. Securing for myself from day to day the means of an honourable subsistence, I would rather have the affectionate regard of my fellow men, than I would have heaps and mines of gold. But the two things do not seem to me incompatible. They cannot be, for nothing good is incompatible with justice. There must be an international arrangement in this respect: England has done her part, and I am confident the time is not far distant when America will do hers. It becomes the character of a great country; &lt;em&gt;firstly&lt;/em&gt;, because it is justice; &lt;em&gt;secondly&lt;/em&gt;, because without it you never can have, and keep, a literature of your own.&lt;/p&gt;&#13;
&lt;p&gt;Gentlemen, I thank you with feelings of gratitude such as are not often awakened, and can never be expressed. As I understand it to be the pleasant custom here to finish with a toast, I would beg to give you ‘America and England – and may there never be anything but the Atlantic between them’.&lt;/p&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
