25 10 361 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Manchester Venue Where the speech was given Athenaeum Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18520831 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Mr. Mayor and Gentlemen, On behalf of the company of friends who act with me in more senses than one, and on my own part, who am their representative and mouthpiece here, I beg to tender you our best thanks for the splendid recognition with which you have honoured us tonight. I do so with a feeling of unusual earnestness, because I am, believe me, in common with one and all of those friends, deeply and truly sensible of the heartfelt cordiality with which we have ever been received in this noble town. Gentlemen, from our first assumption of the actor's craft here, on behalf of a worn-out man of letters– the author of many excellent pieces still constantly produced upon the stage, but with no kind of advantage to himself, and with no kind of remembrance of him that I ever heard of – down to this happy hour, our Manchester audience has been so true to us, so heartily with us, so affectionate towards us, that in playing to it we have always felt as if we were playing to one great-hearted friend. And, I do assure you, that when our little curtain shall fall tomorrow night, for the last time, probably, upon that beaming countenance and that encouraging voice that have now so often gladdened us, we shall feel a sorrow of no mimic kind, and a regret at parting that will outlive the fiction of the scene.  Gentlemen, after what you have heard so eloquently said by my friend, Sir Edward Bulwer Lytton, on the scheme to advance which this little body of friends have been associated together, I feel it would not be reasonable in me to trouble you with any observations respecting its general claims, or the immense service which has been rendered to it by Manchester. In taking the field to promote that object, we thoroughly and sincerely knew it to be a good one; we thoroughly and sincerely knew it to be a just reproach to letters and to art that it had been too long neglected; and were thoroughly and sincerely resolved to do all that in us lay to help the need which we knew to exist. Gentlemen, our little labours have indeed been labours of love. Careful business consideration of every detail of this project, and the most solicitous regard to the more pressing exigencies and weaknesses of our order, must now constitute the strength of this Guild, and must now be the foundation of its steady claim to general public support. What we have done is merely to set it going, and to give it, as we hope and believe, a steady onward impulse. If I wanted – speaking in my managerial capacity – if I wanted any assurance, which I never did, for I hope I have long known better, that men of imaginative pursuits could co-operate as steadily and staunchly as any other order of men, I should find it in the undeviating punctuality, regularity, order, forgetfulness of self, and consideration for others which, behind the scenes, off the stage, in the bare daylight when the lamps were out and there was no gilding on the gingerbread, have linked our little association together in most unusual ties. And, gentlemen, if I wanted any assurance to you that we were not likely to be very wrong-headed and mistaken in the objects we have at heart, I should find it in the fact that every one of the three eminent writers to whom we had the high gratification of rendering most timely assistance by our theatrical performances before the Guild was devised, has since been placed on the Pension List; and that, I know, with a delicate consideration for their feelings, most truly affecting to themselves and most truly honourable to Her Majesty and Lord John Russell. I have now the great gratification, with the chairman's leave, of proposing to you to drink, ‘Prosperity to the Manchester Athenaeum’. I cannot disguise from you that I feel a kind of radiant godfatherly satisfaction in proposing the toast, for I can never forget that I had the honour of presiding over the first of its great meetings. I can never forget that I am one of its honorary life members, and that my parchment of enrolment in that capacity occupies a proud position upon my study wall at home. In short, gentlemen. I belong to the family, and I contemplate the family greatness tonight with a glow of family pride. Long, therefore, gentlemen, I most sincerely pray, may the Manchester Athenaeum flourish, a pattern to the rising enterprise and energy of England, and a vigorous branch of that great social tree, which, under the name and form of such institutions, has happily for all sorts and conditions of men, struck its roots deep in this land. Long may all political divisions and party dissensions be forgotten here, and very long may my old friend Mr. Crossley, in the character of an allegorical lion, lie down with the radical in the form of an allegorical lamb, on this peaceful neutral ground. Long, very long, gentleman, may the Manchester Athenaeum increase and prosper, work and strive a noble emblem of the wonderful place in which it rears its head; and long may its young men be generously united to advance generous objects, and render such faithful public service as they have rendered to the Guild of Literature and Art. I beg to call upon you to drink ‘Prosperity to the Manchester Athenaeum.’ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in Honour of the Guild of Literature and Art, Manchester Description An account of the resource Banquet in Honour of the Guild of Literature and Art, Manchester (31 August 1852). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1852-08-31 Identifier An unambiguous reference to the resource within a given context 1852-08-31_Speech_Guild-of-Literature-and-Art-Manchester Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Banquet in Honour of the Guild of Literature and Art, Manchester' (31 August 1852). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1852-08-31_Speech_Guild-of-Literature-and-Art-Manchester">https://dickenssearch.com/speeches/1852-08-31_Speech_Guild-of-Literature-and-Art-Manchester</a>. Scripto Transcription A written representation of a document. Mr. Mayor and Gentlemen, On behalf of the company of friends who act with me in more senses than one, and on my own part, who am their representative and mouthpiece here, I beg to tender you our best thanks for the splendid recognition with which you have honoured us tonight. I do so with a feeling of unusual earnestness, because I am, believe me, in common with one and all of those friends, deeply and truly sensible of the heartfelt cordiality with which we have ever been received in this noble town. Gentlemen, from our first assumption of the actor's craft here, on behalf of a worn-out man of letters– the author of many excellent pieces still constantly produced upon the stage, but with no kind of advantage to himself, and with no kind of remembrance of him that I ever heard of – down to this happy hour, our Manchester audience has been so true to us, so heartily with us, so affectionate towards us, that in playing to it we have always felt as if we were playing to one great-hearted friend. And, I do assure you, that when our little curtain shall fall tomorrow night, for the last time, probably, upon that beaming countenance and that encouraging voice that have now so often gladdened us, we shall feel a sorrow of no mimic kind, and a regret at parting that will outlive the fiction of the scene. Gentlemen, after what you have heard so eloquently said by my friend, Sir Edward Bulwer Lytton, on the scheme to advance which this little body of friends have been associated together, I feel it would not be reasonable in me to trouble you with any observations respecting its general claims, or the immense service which has been rendered to it by Manchester. In taking the field to promote that object, we thoroughly and sincerely knew it to be a good one; we thoroughly and sincerely knew it to be a just reproach to letters and to art that it had been too long neglected; and were thoroughly and sincerely resolved to do all that in us lay to help the need which we knew to exist. Gentlemen, our little labours have indeed been labours of love. Careful business consideration of every detail of this project, and the most solicitous regard to the more pressing exigencies and weaknesses of our order, must now constitute the strength of this Guild, and must now be the foundation of its steady claim to general public support. What we have done is merely to set it going, and to give it, as we hope and believe, a steady onward impulse. If I wanted – speaking in my managerial capacity – if I wanted any assurance, which I never did, for I hope I have long known better, that men of imaginative pursuits could co-operate as steadily and staunchly as any other order of men, I should find it in the undeviating punctuality, regularity, order, forgetfulness of self, and consideration for others which, behind the scenes, off the stage, in the bare daylight when the lamps were out and there was no gilding on the gingerbread, have linked our little association together in most unusual ties. And, gentlemen, if I wanted any assurance to you that we were not likely to be very wrong-headed and mistaken in the objects we have at heart, I should find it in the fact that every one of the three eminent writers to whom we had the high gratification of rendering most timely assistance by our theatrical performances before the Guild was devised, has since been placed on the Pension List; and that, I know, with a delicate consideration for their feelings, most truly affecting to themselves and most truly honourable to Her Majesty and Lord John Russell. I have now the great gratification, with the chairman's leave, of proposing to you to drink, ‘Prosperity to the Manchester Athenaeum’.  I cannot disguise from you that I feel a kind of radiant godfatherly satisfaction in proposing the toast, for I can never forget that I had the honour of presiding over the first of its great meetings. I can never forget that I am one of its honorary life members, and that my parchment of enrolment in that capacity occupies a proud position upon my study wall at home.  In short, gentlemen. I belong to the family, and I contemplate the family greatness tonight with a glow of family pride. Long, therefore, gentlemen, I most sincerely pray, may the Manchester Athenaeum flourish, a pattern to the rising enterprise and energy of England, and a vigorous branch of that great social tree, which, under the name and form of such institutions, has happily for all sorts and conditions of men, struck its roots deep in this land. Long may all political divisions and party dissensions be forgotten here, and very long may my old friend Mr. Crossley, in the character of an allegorical lion, lie down with the radical in the form of an allegorical lamb, on this peaceful neutral ground. Long, very long, gentleman, may the Manchester Athenaeum increase and prosper, work and strive a noble emblem of the wonderful place in which it rears its head; and long may its young men be generously united to advance generous objects, and render such faithful public service as they have rendered to the Guild of Literature and Art. I beg to call upon you to drink ‘Prosperity to the Manchester Athenaeum.’  manchester Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. Mr C. Dickens now rose, and was received with reiterated bursts of cheering. In a speech which gracefully blended seriousness with pleasantry, he proposed: Location The location London Venue Where the speech was given Freemasons' Hall Publication Type E.g. newspaper/serial Newspaper Publication The title of the newspaper/serial (if applicable) The Examiner Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18390720 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. The Members of the late Company of Covent Garden Theatre. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in Honour of William Macready Description An account of the resource Toast at a banquest in honour William Macready (20 July 1839). Creator An entity primarily responsible for making the resource Dickens, Charles Source A related resource from which the described resource is derived The Examiner (28 July 1839, iss. 1643), p. 475 Date A point or period of time associated with an event in the lifecycle of the resource 1839-07-20 Identifier An unambiguous reference to the resource within a given context 1839-07-20_Speech_Banquet-in-Honour-of-William-Macready Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Toast at a banquest in Honour William Macready' (20 July 1839). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1839-07-20_Speech_Banquet-in-Honour-of-William-Macready">https://dickenssearch.com/speeches/1839-07-20_Speech_Banquet-in-Honour-of-William-Macready</a>. Scripto Transcription A written representation of a document. The Members of the late Company of Covent Garden Theatre. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18510301 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Gentlemen, After all you have already heard, and have so rapturously received, I assure you that not even the warmth of your kind welcome would embolden me to hope to interest you if I had not full confidence in the subject I have to offer to your notice. But my reliance on the strength of this appeal to you is so strong that I am rather encouraged than daunted by the brightness of the track on which I have to throw my little shadow. Gentlemen, as it seems to me, there are three great requisites essential to the perfect realization of a scene so unusual and so splendid as that in which we are now assembled. The first, and I may say most difficult requisite, is a man possessing that strong hold on the general remembrance, that indisputable claim on the general regard and esteem, which is possessed by my dear and much valued friend, our guest. The second requisite is the presence of a body of entertainers, a great multitude of hosts as cheerful and good humoured – under, I am sorry to say, some personal inconvenience – as warm-hearted and as nobly in earnest, as those whom I have the privilege of addressing. The third, and certainly not the least of these requisites, is a president who, less by his social position which he may claim by inheritance, or by his fortune which may have been adventitiously won, and may again be accidentally lost, than by his comprehensive genius, shall fitly represent the best part of him to whom honour is done, and the best part of those who unite in the doing of it. Such a president I think we have found in our chairman of tonight, and I need scarcely add that our chairman's health is the toast I have to propose to you. Many of those who now hear me were present, I dare say, at that memorable scene of Wednesday night last, when the great vision which had been a delight and a lesson, and, I dare say, very often to many of us – I know I can speak for myself – a support and a comfort, and which for many years has improved and charmed us, and to which we look back in elevated relief from the labours of our lives, faded from our sight for ever. I will not stop to inquire whether our guest may or may not have looked forward through rather too long a period for us, to some remote and distant time when he might possibly bear some far-off likeness to a certain Spanish archbishop whom our old friend Gil Blas once served. Nor will I stop to inquire whether it was a reasonable disposition in the audience of Wednesday night to seize upon the words: And I have bought Golden opinions from all sorts of people Which would be worn now in their newest gloss, Not cast aside so soon –  but I will venture to intimate what has, in my own mind, mainly connected that occasion with the present. When I looked round on the vast assemblage, and observed the huge pit hushed into stillness on the rising of the curtain, and that mighty surging gallery, where men in their shirt sleeves had been striking out their arms like strong swimmers, – when I saw that boisterous human flood become still water in a moment, and remain so from the opening to the end of the play, it suggested to me something besides the trustworthiness of the English crowd, and the delusion under which those labour who are apt to disparage and malign it: it suggested to me, that in meeting here tonight, we undertook to represent something of the all-pervading feeling of that crowd through all its intermediate degrees, from the full-dressed lady, with her diamonds sparkling upon her breast in the proscenium-box, to the half-undressed gentleman, who bides his time to take some refreshment in the back row of the gallery. And I consider, gentlemen, that no one who could possibly be placed in this Chair could so well head that comprehensive representation, and could so well give the crowning grace to our festivities as one whose comprehensive genius has in his various works embraced them all, and who has in his dramatic genius, enchanted and enthralled them all at once. Gentlemen, it is not for me here to recall, after what you have heard this night, what I have seen and known in bygone times of Mr. Macready's management, and of the strong friendship of Sir Bulwer Lytton for him, of the association of his pen with his earliest successes, or of Mr. Macready's zealous and untiring services; but it may be permitted to me to say what, in any public mention of him I can never repress, that in the path we both tread I have uniformly found him from the first the most generous of men; quick to encourage, slow to disparage, ever anxious to assert the order of which he is so great an ornament; never condescending to shuffle it off, and leave it outside state rooms, as a Mussulman might leave his slippers outside a mosque. There is a popular prejudice, a kind of superstition, to the effect that authors are not a particularly united body, that they are not invariably and inseparably attached to each other. I am afraid I must concede half a grain or so of truth to that superstition; but this I know, that there can hardly be, that there hardly can have been, among the followers of literature, a man of more high standing further above those little grudging jealousies, which do sometimes disparage its brightness, than Sir Edward Bulwer Lytton. And I have the strongest reason just at present to bear my testimony to his great consideration for those evils which are sometimes unfortunately attendant upon it, though not on him. For, in conjunction with some other gentlemen now present, I have just embarked in a design with Sir Bulwer Lytton, to smooth the rugged way of young labourers, both in literature and the fine arts, and to soften, but by no eleemosynary means, the declining years of meritorious age. And if that project prosper, as I hope it will, and as I know it ought, it will one day be an honour in England where it is now a reproach; originating in his sympathies, being brought into operation by his activity, and endowed from the very cradle by his generosity. There are many among you who will have each his own favourite reason for drinking our chairman’s health, resting his claim probably upon some of his diversified success. According to the nature of your reading, some of you will connect him with prose, others will connect him with poetry. One will connect him with comedy, and another with the romantic passions of the stage, and his assertion of worthy ambition and earnest struggles against those twin gaolers of the human heart Low birth and iron fortune. Again, another's taste will lead him to the contemplation of Rienzi, and the streets of Rome; another's to the rebuilt and repeopled streets of Pompeii; another's to the touching history of the fireside where the Caxton family learned how to discipline their natures and tame their wild hopes down. But however various their feelings and reasons may be, I am sure that with one accord each will help the other, and all will swell the greeting, with which I shall now propose to you ‘The Health of our Chairman, Sir Edward Bulwer Lytton’. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Banquet in Honour of William Macready's Farewell Performance Description An account of the resource Speech at the Banquet in Honour of William Macready's Farewell Performance (1 March 1851). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1851-03-01 Identifier An unambiguous reference to the resource within a given context 1851-03-01_Speech_Banquet-in-Honour-of-William-Macready Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Banquet in Honour of William Macready's Farewell Performance' (1 March 1851). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1851-03-01_Speech_Banquet-in-Honour-of-William-Macready">https://dickenssearch.com/speeches/1851-03-01_Speech_Banquet-in-Honour-of-William-Macready</a>. Scripto Transcription A written representation of a document. Gentlemen, After all you have already heard, and have so rapturously received, I assure you that not even the warmth of your kind welcome would embolden me to hope to interest you if I had not full confidence in the subject I have to offer to your notice. But my reliance on the strength of this appeal to you is so strong that I am rather encouraged than daunted by the brightness of the track on which I have to throw my little shadow.  Gentlemen, as it seems to me, there are three great requisites essential to the perfect realization of a scene so unusual and so splendid as that in which we are now assembled. The first, and I may say most difficult requisite, is a man possessing that strong hold on the general remembrance, that indisputable claim on the general regard and esteem, which is possessed by my dear and much valued friend, our guest. The second requisite is the presence of a body of entertainers, a great multitude of hosts as cheerful and good humoured – under, I am sorry to say, some personal inconvenience – as warm-hearted and as nobly in earnest, as those whom I have the privilege of addressing. The third, and certainly not the least of these requisites, is a president who, less by his social position which he may claim by inheritance, or by his fortune which may have been adventitiously won, and may again be accidentally lost, than by his comprehensive genius, shall fitly represent the best part of him to whom honour is done, and the best part of those who unite in the doing of it. Such a president I think we have found in our chairman of tonight, and I need scarcely add that our chairman's health is the toast I have to propose to you. Many of those who now hear me were present, I dare say, at that memorable scene of Wednesday night last, when the great vision which had been a delight and a lesson, and, I dare say, very often to many of us – I know I can speak for myself – a support and a comfort, and which for many years has improved and charmed us, and to which we look back in elevated relief from the labours of our lives, faded from our sight for ever. I will not stop to inquire whether our guest may or may not have looked forward through rather too long a period for us, to some remote and distant time when he might possibly bear some far-off likeness to a certain Spanish archbishop whom our old friend Gil Blas once served. Nor will I stop to inquire whether it was a reasonable disposition in the audience of Wednesday night to seize upon the words: And I have bought   Golden opinions from all sorts of people   Which would be worn now in their newest gloss,  Not cast aside so soon –   but I will venture to intimate what has, in my own mind, mainly connected that occasion with the present. When I looked round on the vast assemblage, and observed the huge pit hushed into stillness on the rising of the curtain, and that mighty surging gallery, where men in their shirt sleeves had been striking out their arms like strong swimmers, – when I saw that boisterous human flood become still water in a moment, and remain so from the opening to the end of the play, it suggested to me something besides the trustworthiness of the English crowd, and the delusion under which those labour who are apt to disparage and malign it: it suggested to me, that in meeting here tonight, we undertook to represent something of the all-pervading feeling of that crowd through all its intermediate degrees, from the full-dressed lady, with her diamonds sparkling upon her breast in the proscenium-box, to the half-undressed gentleman, who bides his time to take some refreshment in the back row of the gallery. And I consider, gentlemen, that no one who could possibly be placed in this Chair could so well head that comprehensive representation, and could so well give the crowning grace to our festivities as one whose comprehensive genius has in his various works embraced them all, and who has in his dramatic genius, enchanted and enthralled them all at once. Gentlemen, it is not for me here to recall, after what you have heard this night, what I have seen and known in bygone times of Mr. Macready's management, and of the strong friendship of Sir Bulwer Lytton for him, of the association of his pen with his earliest successes, or of Mr. Macready's zealous and untiring services; but it may be permitted to me to say what, in any public mention of him I can never repress, that in the path we both tread I have uniformly found him from the first the most generous of men; quick to encourage, slow to disparage, ever anxious to assert the order of which he is so great an ornament; never condescending to shuffle it off, and leave it outside state rooms, as a Mussulman might leave his slippers outside a mosque. There is a popular prejudice, a kind of superstition, to the effect that authors are not a particularly united body, that they are not invariably and inseparably attached to each other.  I am afraid I must concede half a grain or so of truth to that superstition; but this I know, that there can hardly be, that there hardly can have been, among the followers of literature, a man of more high standing further above those little grudging jealousies, which do sometimes disparage its brightness, than Sir Edward Bulwer Lytton. And I have the strongest reason just at present to bear my testimony to his great consideration for those evils which are sometimes unfortunately attendant upon it, though not on him. For, in conjunction with some other gentlemen now present, I have just embarked in a design with Sir Bulwer Lytton, to smooth the rugged way of young labourers, both in literature and the fine arts, and to soften, but by no eleemosynary means, the declining years of meritorious age. And if that project prosper, as I hope it will, and as I know it ought, it will one day be an honour in England where it is now a reproach; originating in his sympathies, being brought into operation by his activity, and endowed from the very cradle by his generosity. There are many among you who will have each his own favourite reason for drinking our chairman’s health, resting his claim probably upon some of his diversified success. According to the nature of your reading, some of you will connect him with prose, others will connect him with poetry. One will connect him with comedy, and another with the romantic passions of the stage, and his assertion of worthy ambition and earnest struggles against   those twin gaolers of the human heart   Low birth and iron fortune.  Again, another's taste will lead him to the contemplation of Rienzi, and the streets of Rome; another's to the rebuilt and repeopled streets of Pompeii; another's to the touching history of the fireside where the Caxton family learned how to discipline their natures and tame their wild hopes down. But however various their feelings and reasons may be, I am sure that with one accord each will help the other, and all will swell the greeting, with which I shall now propose to you ‘The Health of our Chairman, Sir Edward Bulwer Lytton’.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Providence, Rhode Island Venue Where the speech was given City Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18680220 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and Gentlemen, Before I begin my reading, I beg your permission to depart from my usual custom and to interpose a very few not very agreeable words. An hour or two ago I learnt, with an astonishment only to be equalled by my indignation, that a subordinate person in my employment, sent forward here to transact the preliminary business – to which he is well accustomed – had hazarded the amazing statement that his instructions were to sell no fewer than six tickets to one purchaser. Allow me to assure you, on my personal faith and honour, that this statement has no foundation whatever; that the absurd injustice it would involve, if true, is opposed to the invariable practice on my readings both on your side of the Atlantic and on mine; and that I have instantly called this offender to a very strict account indeed. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Before a Reading in Providence Description An account of the resource Speech before a Reading in Providence (20 February 1868). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1868-02-20 Identifier An unambiguous reference to the resource within a given context 1868-02-20_Speech_Before-a-Reading-in-Providence Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech before a Reading in Providence' (20 February 1868). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1868-02-20_Speech_Before-a-Reading-in-Providence">https://dickenssearch.com/speeches/1868-02-20_Speech_Before-a-Reading-in-Providence</a>. Scripto Transcription A written representation of a document. Ladies and Gentlemen, Before I begin my reading, I beg your permission to depart from my usual custom and to interpose a very few not very agreeable words. An hour or two ago I learnt, with an astonishment only to be equalled by my indignation, that a subordinate person in my employment, sent forward here to transact the preliminary business – to which he is well accustomed – had hazarded the amazing statement that his instructions were to sell no fewer than six tickets to one purchaser. Allow me to assure you, on my personal faith and honour, that this statement has no foundation whatever; that the absurd injustice it would involve, if true, is opposed to the invariable practice on my readings both on your side of the Atlantic and on mine; and that I have instantly called this offender to a very strict account indeed. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. I began with a small speech to the effect that I must trust to the brightness of their faces for the illumination of mine; this was taken greatly. Location The location Washington, D. C. Venue Where the speech was given Carroll Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18680203 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Before a Reading in Washington Description An account of the resource Speech before a Reading in Washington (3 February 1868). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1868-02-03 Identifier An unambiguous reference to the resource within a given context 1868-02-03_Speech_Before-a-Reading-in-Washington Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech before a Reading in Washington' (3 February 1868). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1868-02-03_Speech_Before-a-Reading-in-Washington">https://dickenssearch.com/speeches/1868-02-03_Speech_Before-a-Reading-in-Washington</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location London Venue Where the speech was given St. Martin's Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18580429 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and Gentlemen, It may perhaps be known to you that, for a few years past, I have been accustomed occasionally to read some of my shorter books to various audiences, in aid of a variety of good objects, and at some charge to myself, both in time and money. It having at length become impossible in any reason to comply with these always accumulating demands, I have had definitely to choose between now and then reading on my own account, as one of my recognized occupations, or not reading at all. I have had little or no difficulty in deciding on the former course. The reasons that have led me to it – besides the consideration that it necessitates no departure whatever from the chosen pursuits of my life – are threefold. Firstly, I have satisfied myself that it can involve no possible compromise of the credit and independence of literature. Secondly I have long held the opinion, and have long acted on the opinion, that in these times whatever brings a public man and his public face to face, on terms of mutual confidence and respect, is a good thing. Thirdly, I have had a pretty large experience of the interest my hearers are so generous as to take in these occasions, and of the delight they give to me, as a tried means of strengthening those relations – I may almost say of personal friendship – which it is my great privilege and pride, as it is my great responsibility, to hold with a multitude of persons who will never hear my voice nor see my face. Thus it is that I come, quite naturally, to be here among you at this time; and thus it is that I proceed to read this little book, quite as composedly as I might proceed to write it, or to publish it in any other way. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Before His First Reading for Profit Description An account of the resource Speech before his First Reading for Profit (29 April 1858). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1858-04-29 Identifier An unambiguous reference to the resource within a given context 1858-04-29_Speech_First-Reading-for-Profit Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech before his First Reading for Profit' (29 April 1858). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1858-04-29_Speech_First-Reading-for-Profit">https://dickenssearch.com/speeches/1858-04-29_Speech_First-Reading-for-Profit</a>. Scripto Transcription A written representation of a document. Ladies and Gentlemen, It may perhaps be known to you that, for a few years past, I have been accustomed occasionally to read some of my shorter books to various audiences, in aid of a variety of good objects, and at some charge to myself, both in time and money. It having at length become impossible in any reason to comply with these always accumulating demands, I have had definitely to choose between now and then reading on my own account, as one of my recognized occupations, or not reading at all. I have had little or no difficulty in deciding on the former course. The reasons that have led me to it – besides the consideration that it necessitates no departure whatever from the chosen pursuits of my life – are threefold. Firstly, I have satisfied myself that it can involve no possible compromise of the credit and independence of literature. Secondly I have long held the opinion, and have long acted on the opinion, that in these times whatever brings a public man and his public face to face, on terms of mutual confidence and respect, is a good thing. Thirdly, I have had a pretty large experience of the interest my hearers are so generous as to take in these occasions, and of the delight they give to me, as a tried means of strengthening those relations – I may almost say of personal friendship – which it is my great privilege and pride, as it is my great responsibility, to hold with a multitude of persons who will never hear my voice nor see my face. Thus it is that I come, quite naturally, to be here among you at this time; and thus it is that I proceed to read this little book, quite as composedly as I might proceed to write it, or to publish it in any other way. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Location The location Birmingham Venue Where the speech was given Town Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18690927 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and Gentlemen, We often hear of our own country that it is an over-populated one, that it is an over-pauperized one, and that it is an over-taxed one. Now I entertain, especially of late time, the heretical belief that it is an over-talked one, and that there is a deal of public speech-making going about in various directions which might be advantageously dispensed with. If I were free to act upon this conviction, as president for the time being of the great Institution so numerously represented here, I should at once subside into a golden silence, which would be of a highly edifying, because of a very exemplary, character. But I happen to be the Institution’s willing servant: not its imperious master; and it exacts tribute of mere silver or copper speech – not to say brazen – from whomsoever it exalts to my high office. So, some African tribes – not to draw the comparison disrespectfully – some savage African tribes, when they make a king, require him perhaps to achieve an exciting foot-race under the stimulus of considerable prodding and goading, or perhaps to be severely and experimentally knocked about the head by his privy council, or perhaps to be dipped in a river full of crocodiles, or perhaps to drink immense quantities of something nasty out of a calabash – at all events, to undergo some purifying ordeal in the presence of his admiring subjects. I must confess that I became rather alarmed when I was duly warned by your constituted authorities that whatever I might happen to say here tonight would be termed an inaugural address on the entrance upon a new term of study by the members of your various classes; for besides that the phrase is something high-sounding for my taste, I avow that I do look forward to that blessed time when every man shall inaugurate his own work for himself, and do it. I believe that we shall then have inaugurated a new era indeed, and one in which the Lord’s Prayer will be a fulfilled prophecy upon this earth. Remembering, however, that you may call anything by any name without in the least changing its nature – bethinking myself that you may, if you be so minded, call a butterfly a buffalo, without advancing a hair’s breadth towards making it one – I became composed in my mind, and resolved to stick to the very homely intention I had previously formed. This was merely to tell you, the members, students, and friends, of the Birmingham and Midland Institute; firstly, what you cannot possibly want to know (this is a very popular oratorical theme); secondly, what your Institution has done; thirdly, what, in the poor opinion of its president for the time being, remains for it to do, and not to do. Now, first, as to what you cannot possibly want to know. You cannot need from me any oratorical declamation concerning the abstract advantages of knowledge, or the beauties of self-improvement. If you had any such requirement, you would not be here. I conceive that you are here, because you have become thoroughly penetrated with such truths, either in your own persons or in the persons of some striving fellow creatures, on whom you have looked with interest and sympathy. I conceive that you are here because you conceive the welfare of a great chiefly adult educational establishment, whose doors stand really open to all sorts and conditions of people, to be inseparable from the best welfare of your great town and its neighbourhood. Nay, if I take a much wider range than that, and say that we all – every one of us – perfectly well know that the benefits of such an establishment must extend far beyond the limits of this midland county fires and smoke, and must comprehend, in some sort, the whole community, I do not strain the truth. It was suggested by Mr. Babbage, in his Ninth Bridgewater Treatise, that a mere spoken word – a mere syllable thrown into the air – may go on reverberating through illimitable space for ever and for ever, seeing that there is no rim against which it can strike: no boundary at which it can possibly arrive. Similarly it may be said – not as an ingenious speculation, but as a steadfast and absolute fact – that human calculation cannot limit the influence of one atom of wholesome knowledge patiently acquired, modestly possessed, and faithfully used. As astronomers tell us that it is probable that there are in the universe innumerable solar systems besides ours, to each of which myriads of utterly unknown and unseen stars belong, so it is certain that every man, however obscure, however far removed from the general recognition, is one of a group of men impressible for good and impressible for evil, and that it is in the eternal nature of things that he cannot really improve himself without in some degree improving other men. And observe: this is especially the case when he has improved himself in the teeth of adverse circumstances, as in a maturity succeeding to a neglected or an ill-taught youth, in the few daily hours remaining to him after ten or twelve hours of labour, in the few pauses and intervals of a life of toil; for then his fellow creatures and companions have assurance that he can have known no favouring conditions, and that they can do what he has done, in wresting some enlightenment and self-respect from what Lord Lytton finely calls Those twin gaolers of the daring heart, Low birth and iron fortune. As you have proved these truths in your own experience or in your own observation, and as it may be safely assumed that there can be very few persons in Birmingham, of all places under heaven, who would contest the position that the more cultivated the employed the better for the employer, and the more cultivated the employer the better for the employed; therefore, my reference to what you do not want to know shall here cease and determine. Next, with reference to what your Institution has done; on my summary, which shall be as concise and as correct as my information and my remembrance of it may render possible, I desire to lay emphatic stress. Your Institution, sixteen years old, and in which masters and workmen study together, has outgrown the ample edifice in which it receives its 2,500 or 2,600 members and students. It is a most cheering sign of its vigorous vitality that of its industrial students almost one-half are artisans in the receipt of weekly wages. I think I am correct in saying that 400 others are clerks, apprentices, tradesmen, or tradesmen’s sons. I note with particular pleasure the adherence of a goodly number of the gentler sex, without whom no Institution whatever can truly claim to be either a civilizing or a civilized one. The increased attendance at your educational classes is always greatest on the part of the artisans – the class within my experience the least reached in any similar institutions elsewhere, and whose name is the oftenest and most constantly taken in vain. But it is especially reached here, not improbably because it is, as it should be, specially addressed; in the foundation of the industrial department, in the allotment of the direction of the society’s affairs, and in the establishment of what are called its penny classes – a bold and, I am happy to say, a triumphantly successful experiment, which enables the artisan to obtain sound evening instruction in subjects directly bearing on his daily usefulness or on his daily happiness: as arithmetic (elementary and advanced), chemistry, physical geography, and singing: on payment of the astounding low fee of a single penny every time he attends a class. I beg emphatically to say that I look on this as one of the most remarkable schemes ever devised for the educational behoof of the artisan, and if your Institution had done nothing else in all its life, I would take my stand by it on its having done this. Apart, however, from the industrial department, it has its general department, offering all the advantages of a first-class literary Institution. It has its reading rooms, its library, its chemical laboratory, its museum, its art department, its lecture hall, and its long list of lectures on subjects of various and comprehensive interest, delivered by lecturers of the highest qualifications. Very well. But it may be asked, what are the practical results of these appliances? Now, let us suppose a few. Suppose that your Institution should have educated those who are now its teachers. That would be a remarkable fact. Supposing, besides, that it should, so to speak, have educated education, all around it, by sending forth numerous and efficient teachers into many and divers schools. Suppose the young student, reared exclusively in its laboratory, should be presently snapped up for the laboratory of the great and famous hospital. Suppose that in nine years its industrial students should have carried off a round dozen of the much-competed-for prizes awarded by the Society of Arts and the Government departments, besides two local prizes originating in the generosity of a Birmingham man. Suppose that the Town Council, having it in trust to find an artisan well fit to receive the Whitworth prizes, should find him here. Suppose that one of your industrial students should turn his chemical studies to the practical account of extracting gold from waste colour water, and of taking it into custody, in the very act of running away by the thousand pounds worth, down the town drains. Suppose another should perceive in his books, in his studious evenings, what was amiss with his master’s until then inscrutably defective furnace, and should go straight at it – to the great annual saving of that master – and put it right. Suppose another should puzzle out the means, until then quite unknown in England, of making a certain description of coloured glass. Suppose another should qualify himself to vanquish one by one, as they daily arose, all the little difficulties incidental to his calling as an electro-plater, and should be applied to by his companions in the shop ,in all emergencies, under the name of the ‘Encyclopædia’. Suppose a long procession of such cases, and then consider that these are not suppositions at all, but are plain unvarnished facts, culminating in the one special and significant fact that, with a single solitary exception, every one of the Institution’s industrial students who have taken its prizes within ten years, have since climbed to a higher station in his way of life. As to the extent to which the Institution encourages the artisan to think, and so, for instance, to rise superior to the little shackling prejudices perchance existing in his trade when they will not bear the test of inquiry, that is only to be equalled by the extent to which it encourages him to feel. There is a certain tone of modest manliness pervading all the little facts which I have looked through which I found remarkably impressive. The decided objection on the part of the industrial students to attend the classes in their working clothes breathes this tone, as being a graceful and yet at the same time perfectly independent recognition of the place and of one another. And this tone is admirably illustrated in the case of a poor bricklayer, who, being in temporary reverses through illness in his family, had consequently been obliged to part with his best clothes; and who, being therefore missed from the classes in which he had been noticed as a very hard worker, was entreated to attend them in his working clothes. He replied, ‘No, it was not possible. It must not be thought of. It must not come into question for a moment. It might be supposed that he did it to attract attention.’ And the same man being offered by one of the officers a loan of money to enable him to rehabilitate his appearance, positively declined it, on the ground that he came to the Institution to learn, and to know better how to help himself: not otherwise to ask help, or to receive help, from any man. Now, I am justified in calling this the tone of the Institution, because it is no isolated instance, but it is a fair and honourable sample of the spirit of this place, and as such I put it at the conclusion – though last, certainly not least – of my references to what your Institution has indubitably done. Well, ladies and gentlemen, I come at length to what, in the humble opinion of its evanescent officer before you, remains for the Institution to do, and not to do. As Mr. Carlyle has it, towards the closing pages of his grand history of the French Revolution, ‘This with due brevity disposed of, then courage, oh listener, I see land!’ I earnestly hope – and I firmly believe – that your Institution will do henceforth as it has done hitherto; it can hardly do better. I hope and believe that it will know among its members no distinction of person, creed, or party; but that it will conserve its place of assemblage as a high and pure ground, on which all such considerations shall merge into the one universal, heaven-sent aspiration of the human soul to be wiser and better. I hope and believe that it will always be expansive and elastic; for ever seeking to devise new means of enlarging the circle of its members, and of attracting to itself the confidence of still greater and greater numbers, and never evincing any more disposition to stand still than time does, or life does, or the seasons do. And above all this, I hope, and I feel confident from its antecedents, that it will never allow any consideration on the face of the earth to induce it to patronize or to be patronized, for I verily believe that the bestowal and receipt of patronage in such wise has been a curse in England, and that it has done more to prevent really good objects, and to lower really high character, than the utmost efforts of the narrowest antagonism could have effected in twice the time. I have no fear that the walls of the Birmingham and Midland Institute will ever tremble responsive to the croakings of the timid opponents of intellectual progress; but in this connexion generally I cannot forbear from offering a remark which is much upon my mind. It is commonly assumed – much too commonly – that this age is a material age, and that a material age is an irreligious age. I have been pained lately to see this assumption repeated in certain influential quarters for which I have a high respect, and desire to have a higher. I am afraid that by dint of constantly being reiterated and reiterated, without protest, this assumption – which I take leave altogether to deny – may be accepted by the more unthinking part of the public as unquestionably true; just as certain caricaturists and painters professedly making a portrait of some public man, which was not in the least like him, to begin with, have gone on repeating and repeating it, until the public came to believe that it must be exactly like him, simply because it was like itself, and really have at last, in the fullness of time, grown almost to resent upon him their tardy discovery, that he was not like it. I confess, standing here in this responsible situation, that I do not understand this much-used and much-abused phrase, a ‘material age’, I cannot comprehend – if anybody can: which I very much doubt – its logical signification. For instance: has electricity become more material in the mind of any sane, or moderately insane man, woman, or child, because of the discovery that in the good providence of God it was made available for the service and use of man to an immeasurably greater extent than for his destruction? Do I make a more material journey to the bedside of my dying parent or my dying child, when I travel there at the rate of sixty miles an hour, than when I travel thither at the rate of six? Rather, in the swift case, does not my agonized heart become over-fraught with gratitude to that Supreme Beneficence from whom alone can have proceeded the wonderful means of shortening my suspense? What is the materiality of the cable or the wire, compared with the immateriality of the spark? What is the materiality of certain chemical substances that we can weigh or measure, imprison or release, compared with the immateriality of their appointed affinities and repulsions, prescribed to them from the instant of their creation to the day of judgment? When did this so-called material age begin? With the invention of the art of printing? Surely it has been a long time about; and which is the more material object, the farthing tallow candle that will not give me light, or that flame of gas that will? No, ladies and gentlemen, do not let us be discouraged or deceived by vapid, empty words. The true material age is the stupid Chinese age, in which no new grand revelation of nature is granted, because such revelations are ignorantly and insolently repelled, instead of being diligently and humbly sought. The difference between the ancient fiction of the mad braggart defying the lightning, and the modern historical picture of Franklin drawing it towards his kite, in order that he might the more profoundly study what was set before him to be studied (or it would not have been there), happily expresses to my mind the distinction between the much maligned material sages, and the – I suppose immaterial, but certainly in one sense very much so –sages of the Celestial Empire school. And consider: whether it is likely or unlikely, natural or unnatural, reasonable or unreasonable, that I, a being capable of thought, and finding myself surrounded by such diversified wonders on every hand, should sometimes ask myself the solemn question – should be disposed to put to myself the solemn consideration – Can these things be among those things which might have been disclosed by Divine lips nigh upon two thousand years ago, but that the people of that time could not bear them? And whether this be so or no, I, finding myself so surrounded on every hand, is not my moral responsibility tremendously increased thereby, and with it my intelligent submission of myself as a child of Adam and the dust, before that Shining Source equally of all that is granted and of all that is withheld, who holds in His mighty hands the unapproachable mysteries of life and death? To the students of your industrial classes generally, I have had it in my mind, first, to commend the short motto, in two words, ‘Courage, Persevere’. This is the motto of a friend and worker. Not because the eyes of Europe are upon them, for I don’t in the least believe it; nor because the eyes of even England are upon them, for I don’t in the least believe it; not because their doings will be proclaimed with blast of trumpet at the street corners, for no such musical performances will take place; not because self-improvement is at all certain to lead to worldly success, but because it is good and right of itself; and because, being so, it does assuredly bring with it, its own resources and its own rewards. I would further commend to them a very wise and witty piece of advice on the conduct of the understanding, which was given more than half a century ago by the Reverend Sydney Smith – wisest and wittiest of the friends I have lost. He says – and he is speaking, you will please understand, as I speak, to a school of voluntary students – he says: There is a piece of foppery which is to be cautiously guarded against, the foppery of universality, of knowing all sciences and excelling in all arts: chemistry, mathematics, algebra, dancing, history, reasoning, riding, fencing, Low Dutch, High Dutch, and natural philosophy. In short, the modern precept of education very often is, ‘Take the Admirable Crichton for your model, I would have you ignorant of nothing.’ Now – said he – my advice, on the contrary, is to have the courage to be ignorant of a great number of things, in order that you may avoid the calamity of being ignorant of everything. To this I would superadd a little truth, which holds equally good of my own life, and the life of every eminent man I have ever known. The one serviceable, safe, certain, remunerative, attainable quality in every study and in every pursuit is the quality of attention. My own invention or imagination, such as it is, I can most truthfully assure you, would never have served me as it has, but for the habit of commonplace, humble, patient, daily, toiling, drudging attention. Genius, vivacity, quickness of penetration, brilliancy in association of ideas – such mental qualities, like the qualities of the apparition of the externally armed head in Macbeth will not be commanded: but attention, after due term of submissive service, always will. Like certain plants which the poorest peasant may grow in the poorest soil, it can be cultivated by anyone, and it is certain in its own good season to bring forth flowers and fruit. – I can most truthfully assure you, by the by, that this eulogium on attention is so far quite disinterested on my part, as that it has not the least reference whatever to the attention with which you have honoured me. Well, ladies and gentlemen, I have done. I cannot but reflect how often you have probably heard within these walls one of the foremost men, and certainly one of the best speakers, if not the very best, in England. I could not say to myself, when I began just now, in Shakespeare’s line: I will be Bright and shine in gold. But I could say to myself, and I did say to myself, ‘I will be as natural and easy as I possibly can, because my heart has all been in my subject, and I bear an old love towards Birmingham and Birmingham men.’ I have said that I bear an old love towards Birmingham and Birmingham men; let me amend a small omission, and add ‘and Birmingham women’. This ring I wear on my finger now is an old Birmingham gift, and if, by rubbing it I could raise the spirit that was obedient to Aladdin’s ring, I heartily assure you that my first instruction to that Genie on the spot should be to place himself at Birmingham’s disposal in the best of causes. Ladies and Gentlemen, as I hope that it is more than possible that I shall have the pleasure of meeting you again before Christmas is out, and shall have the great interest of seeing the faces, and touching the hands, of the successful competitors in your lists, I will not cast upon that anticipated meeting the terrible foreshadowing of dread which must inevitably result from a second speech. I thank you most heartily, and I most sincerely and fervently say to you, Good night, and God bless you! In reference to the appropriate and excellent remarks of Mr. Dixon, I will now discharge my conscience of my political creed, which is contained in two articles, and has no reference to any party or persons. My faith in the people governing is, on the whole, infinitesimal; my faith in The People governed is, on the whole, illimitable. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Birmingham and Midland Institute Inaugural Meeting Description An account of the resource Speech at the Birmingham and Midland Institute Inaugural Meeting (27 September 1869). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1869-09-27 Identifier An unambiguous reference to the resource within a given context 1869-09-27_Speech_Birmingham-and-Midland-Institute-Inaugural-Meeting Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speech at the Birmingham and Midland Institute Inaugural Meeting' (27 September 1869). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1869-09-27_Speech_Birmingham-and-Midland-Institute-Inaugural-Meeting">https://dickenssearch.com/speeches/1869-09-27_Speech_Birmingham-and-Midland-Institute-Inaugural-Meeting</a>. Scripto Transcription A written representation of a document. Ladies and Gentlemen, We often hear of our own country that it is an over-populated one, that it is an over-pauperized one, and that it is an over-taxed one. Now I entertain, especially of late time, the heretical belief that it is an over-talked one, and that there is a deal of public speech-making going about in various directions which might be advantageously dispensed with. If I were free to act upon this conviction, as president for the time being of the great Institution so numerously represented here, I should at once subside into a golden silence, which would be of a highly edifying, because of a very exemplary, character. But I happen to be the Institution’s willing servant: not its imperious master; and it exacts tribute of mere silver or copper speech – not to say brazen – from whomsoever it exalts to my high office. So, some African tribes – not to draw the comparison disrespectfully – some savage African tribes, when they make a king, require him perhaps to achieve an exciting foot-race under the stimulus of considerable prodding and goading, or perhaps to be severely and experimentally knocked about the head by his privy council, or perhaps to be dipped in a river full of crocodiles, or perhaps to drink immense quantities of something nasty out of a calabash – at all events, to undergo some purifying ordeal in the presence of his admiring subjects. I must confess that I became rather alarmed when I was duly warned by your constituted authorities that whatever I might happen to say here tonight would be termed an inaugural address on the entrance upon a new term of study by the members of your various classes; for besides that the phrase is something high-sounding for my taste, I avow that I do look forward to that blessed time when every man shall inaugurate his own work for himself, and do it. I believe that we shall then have inaugurated a new era indeed, and one in which the Lord’s Prayer will be a fulfilled prophecy upon this earth. Remembering, however, that you may call anything by any name without in the least changing its nature – bethinking myself that you may, if you be so minded, call a butterfly a buffalo, without advancing a hair’s breadth towards making it one – I became composed in my mind, and resolved to stick to the very homely intention I had previously formed. This was merely to tell you, the members, students, and friends, of the Birmingham and Midland Institute; firstly, what you cannot possibly want to know (this is a very popular oratorical theme); secondly, what your Institution has done; thirdly, what, in the poor opinion of its president for the time being, remains for it to do, and not to do. Now, first, as to what you cannot possibly want to know. You cannot need from me any oratorical declamation concerning the abstract advantages of knowledge, or the beauties of self-improvement. If you had any such requirement, you would not be here. I conceive that you are here, because you have become thoroughly penetrated with such truths, either in your own persons or in the persons of some striving fellow creatures, on whom you have looked with interest and sympathy. I conceive that you are here because you conceive the welfare of a great chiefly adult educational establishment, whose doors stand really open to all sorts and conditions of people, to be inseparable from the best welfare of your great town and its neighbourhood. Nay, if I take a much wider range than that, and say that we all – every one of us – perfectly well know that the benefits of such an establishment must extend far beyond the limits of this midland county fires and smoke, and must comprehend, in some sort, the whole community, I do not strain the truth. It was suggested by Mr. Babbage, in his Ninth Bridgewater Treatise, that a mere spoken word – a mere syllable thrown into the air – may go on reverberating through illimitable space for ever and for ever, seeing that there is no rim against which it can strike: no boundary at which it can possibly arrive. Similarly it may be said – not as an ingenious speculation, but as a steadfast and absolute fact – that human calculation cannot limit the influence of one atom of wholesome knowledge patiently acquired, modestly possessed, and faithfully used. As astronomers tell us that it is probable that there are in the universe innumerable solar systems besides ours, to each of which myriads of utterly unknown and unseen stars belong, so it is certain that every man, however obscure, however far removed from the general recognition, is one of a group of men impressible for good and impressible for evil, and that it is in the eternal nature of things that he cannot really improve himself without in some degree improving other men. And observe: this is especially the case when he has improved himself in the teeth of adverse circumstances, as in a maturity succeeding to a neglected or an ill-taught youth, in the few daily hours remaining to him after ten or twelve hours of labour, in the few pauses and intervals of a life of toil; for then his fellow creatures and companions have assurance that he can have known no favouring conditions, and that they can do what he has done, in wresting some enlightenment and self-respect from what Lord Lytton finely calls Those twin gaolers of the daring heart, Low birth and iron fortune. As you have proved these truths in your own experience or in your own observation, and as it may be safely assumed that there can be very few persons in Birmingham, of all places under heaven, who would contest the position that the more cultivated the employed the better for the employer, and the more cultivated the employer the better for the employed; therefore, my reference to what you do not want to know shall here cease and determine. Next, with reference to what your Institution has done; on my summary, which shall be as concise and as correct as my information and my remembrance of it may render possible, I desire to lay emphatic stress. Your Institution, sixteen years old, and in which masters and workmen study together, has outgrown the ample edifice in which it receives its 2,500 or 2,600 members and students. It is a most cheering sign of its vigorous vitality that of its industrial students almost one-half are artisans in the receipt of weekly wages. I think I am correct in saying that 400 others are clerks, apprentices, tradesmen, or tradesmen’s sons. I note with particular pleasure the adherence of a goodly number of the gentler sex, without whom no Institution whatever can truly claim to be either a civilizing or a civilized one. The increased attendance at your educational classes is always greatest on the part of the artisans – the class within my experience the least reached in any similar institutions elsewhere, and whose name is the oftenest and most constantly taken in vain. But it is especially reached here, not improbably because it is, as it should be, specially addressed; in the foundation of the industrial department, in the allotment of the direction of the society’s affairs, and in the establishment of what are called its penny classes – a bold and, I am happy to say, a triumphantly successful experiment, which enables the artisan to obtain sound evening instruction in subjects directly bearing on his daily usefulness or on his daily happiness: as arithmetic (elementary and advanced), chemistry, physical geography, and singing: on payment of the astounding low fee of a single penny every time he attends a class. I beg emphatically to say that I look on this as one of the most remarkable schemes ever devised for the educational behoof of the artisan, and if your Institution had done nothing else in all its life, I would take my stand by it on its having done this. Apart, however, from the industrial department, it has its general department, offering all the advantages of a first-class literary Institution. It has its reading rooms, its library, its chemical laboratory, its museum, its art department, its lecture hall, and its long list of lectures on subjects of various and comprehensive interest, delivered by lecturers of the highest qualifications. Very well. But it may be asked, what are the practical results of these appliances? Now, let us suppose a few. Suppose that your Institution should have educated those who are now its teachers. That would be a remarkable fact. Supposing, besides, that it should, so to speak, have educated education, all around it, by sending forth numerous and efficient teachers into many and divers schools. Suppose the young student, reared exclusively in its laboratory, should be presently snapped up for the laboratory of the great and famous hospital. Suppose that in nine years its industrial students should have carried off a round dozen of the much-competed-for prizes awarded by the Society of Arts and the Government departments, besides two local prizes originating in the generosity of a Birmingham man. Suppose that the Town Council, having it in trust to find an artisan well fit to receive the Whitworth prizes, should find him here. Suppose that one of your industrial students should turn his chemical studies to the practical account of extracting gold from waste colour water, and of taking it into custody, in the very act of running away by the thousand pounds worth, down the town drains. Suppose another should perceive in his books, in his studious evenings, what was amiss with his master’s until then inscrutably defective furnace, and should go straight at it – to the great annual saving of that master – and put it right. Suppose another should puzzle out the means, until then quite unknown in England, of making a certain description of coloured glass. Suppose another should qualify himself to vanquish one by one, as they daily arose, all the little difficulties incidental to his calling as an electro-plater, and should be applied to by his companions in the shop ,in all emergencies, under the name of the ‘Encyclopædia’. Suppose a long procession of such cases, and then consider that these are not suppositions at all, but are plain unvarnished facts, culminating in the one special and significant fact that, with a single solitary exception, every one of the Institution’s industrial students who have taken its prizes within ten years, have since climbed to a higher station in his way of life. As to the extent to which the Institution encourages the artisan to think, and so, for instance, to rise superior to the little shackling prejudices perchance existing in his trade when they will not bear the test of inquiry, that is only to be equalled by the extent to which it encourages him to feel. There is a certain tone of modest manliness pervading all the little facts which I have looked through which I found remarkably impressive. The decided objection on the part of the industrial students to attend the classes in their working clothes breathes this tone, as being a graceful and yet at the same time perfectly independent recognition of the place and of one another. And this tone is admirably illustrated in the case of a poor bricklayer, who, being in temporary reverses through illness in his family, had consequently been obliged to part with his best clothes; and who, being therefore missed from the classes in which he had been noticed as a very hard worker, was entreated to attend them in his working clothes. He replied, ‘No, it was not possible. It must not be thought of. It must not come into question for a moment. It might be supposed that he did it to attract attention.’ And the same man being offered by one of the officers a loan of money to enable him to rehabilitate his appearance, positively declined it, on the ground that he came to the Institution to learn, and to know better how to help himself: not otherwise to ask help, or to receive help, from any man. Now, I am justified in calling this the tone of the Institution, because it is no isolated instance, but it is a fair and honourable sample of the spirit of this place, and as such I put it at the conclusion – though last, certainly not least – of my references to what your Institution has indubitably done. Well, ladies and gentlemen, I come at length to what, in the humble opinion of its evanescent officer before you, remains for the Institution to do, and not to do. As Mr. Carlyle has it, towards the closing pages of his grand history of the French Revolution, ‘This with due brevity disposed of, then courage, oh listener, I see land!’ I earnestly hope – and I firmly believe – that your Institution will do henceforth as it has done hitherto; it can hardly do better. I hope and believe that it will know among its members no distinction of person, creed, or party; but that it will conserve its place of assemblage as a high and pure ground, on which all such considerations shall merge into the one universal, heaven-sent aspiration of the human soul to be wiser and better. I hope and believe that it will always be expansive and elastic; for ever seeking to devise new means of enlarging the circle of its members, and of attracting to itself the confidence of still greater and greater numbers, and never evincing any more disposition to stand still than time does, or life does, or the seasons do. And above all this, I hope, and I feel confident from its antecedents, that it will never allow any consideration on the face of the earth to induce it to patronize or to be patronized, for I verily believe that the bestowal and receipt of patronage in such wise has been a curse in England, and that it has done more to prevent really good objects, and to lower really high character, than the utmost efforts of the narrowest antagonism could have effected in twice the time. I have no fear that the walls of the Birmingham and Midland Institute will ever tremble responsive to the croakings of the timid opponents of intellectual progress; but in this connexion generally I cannot forbear from offering a remark which is much upon my mind. It is commonly assumed – much too commonly – that this age is a material age, and that a material age is an irreligious age. I have been pained lately to see this assumption repeated in certain influential quarters for which I have a high respect, and desire to have a higher. I am afraid that by dint of constantly being reiterated and reiterated, without protest, this assumption – which I take leave altogether to deny – may be accepted by the more unthinking part of the public as unquestionably true; just as certain caricaturists and painters professedly making a portrait of some public man, which was not in the least like him, to begin with, have gone on repeating and repeating it, until the public came to believe that it must be exactly like him, simply because it was like itself, and really have at last, in the fullness of time, grown almost to resent upon him their tardy discovery, that he was not like it. I confess, standing here in this responsible situation, that I do not understand this much-used and much-abused phrase, a ‘material age’, I cannot comprehend – if anybody can: which I very much doubt – its logical signification. For instance: has electricity become more material in the mind of any sane, or moderately insane man, woman, or child, because of the discovery that in the good providence of God it was made available for the service and use of man to an immeasurably greater extent than for his destruction? Do I make a more material journey to the bedside of my dying parent or my dying child, when I travel there at the rate of sixty miles an hour, than when I travel thither at the rate of six? Rather, in the swift case, does not my agonized heart become over-fraught with gratitude to that Supreme Beneficence from whom alone can have proceeded the wonderful means of shortening my suspense? What is the materiality of the cable or the wire, compared with the immateriality of the spark? What is the materiality of certain chemical substances that we can weigh or measure, imprison or release, compared with the immateriality of their appointed affinities and repulsions, prescribed to them from the instant of their creation to the day of judgment? When did this so-called material age begin? With the invention of the art of printing? Surely it has been a long time about; and which is the more material object, the farthing tallow candle that will not give me light, or that flame of gas that will? No, ladies and gentlemen, do not let us be discouraged or deceived by vapid, empty words. The true material age is the stupid Chinese age, in which no new grand revelation of nature is granted, because such revelations are ignorantly and insolently repelled, instead of being diligently and humbly sought. The difference between the ancient fiction of the mad braggart defying the lightning, and the modern historical picture of Franklin drawing it towards his kite, in order that he might the more profoundly study what was set before him to be studied (or it would not have been there), happily expresses to my mind the distinction between the much maligned material sages, and the – I suppose immaterial, but certainly in one sense very much so –sages of the Celestial Empire school. And consider: whether it is likely or unlikely, natural or unnatural, reasonable or unreasonable, that I, a being capable of thought, and finding myself surrounded by such diversified wonders on every hand, should sometimes ask myself the solemn question – should be disposed to put to myself the solemn consideration – Can these things be among those things which might have been disclosed by Divine lips nigh upon two thousand years ago, but that the people of that time could not bear them? And whether this be so or no, I, finding myself so surrounded on every hand, is not my moral responsibility tremendously increased thereby, and with it my intelligent submission of myself as a child of Adam and the dust, before that Shining Source equally of all that is granted and of all that is withheld, who holds in His mighty hands the unapproachable mysteries of life and death? To the students of your industrial classes generally, I have had it in my mind, first, to commend the short motto, in two words, ‘Courage, Persevere’. This is the motto of a friend and worker. Not because the eyes of Europe are upon them, for I don’t in the least believe it; nor because the eyes of even England are upon them, for I don’t in the least believe it; not because their doings will be proclaimed with blast of trumpet at the street corners, for no such musical performances will take place; not because self-improvement is at all certain to lead to worldly success, but because it is good and right of itself; and because, being so, it does assuredly bring with it, its own resources and its own rewards. I would further commend to them a very wise and witty piece of advice on the conduct of the understanding, which was given more than half a century ago by the Reverend Sydney Smith – wisest and wittiest of the friends I have lost. He says – and he is speaking, you will please understand, as I speak, to a school of voluntary students – he says: There is a piece of foppery which is to be cautiously guarded against, the foppery of universality, of knowing all sciences and excelling in all arts: chemistry, mathematics, algebra, dancing, history, reasoning, riding, fencing, Low Dutch, High Dutch, and natural philosophy. In short, the modern precept of education very often is, ‘Take the Admirable Crichton for your model, I would have you ignorant of nothing.’ Now – said he – my advice, on the contrary, is to have the courage to be ignorant of a great number of things, in order that you may avoid the calamity of being ignorant of everything. To this I would superadd a little truth, which holds equally good of my own life, and the life of every eminent man I have ever known. The one serviceable, safe, certain, remunerative, attainable quality in every study and in every pursuit is the quality of attention. My own invention or imagination, such as it is, I can most truthfully assure you, would never have served me as it has, but for the habit of commonplace, humble, patient, daily, toiling, drudging attention. Genius, vivacity, quickness of penetration, brilliancy in association of ideas – such mental qualities, like the qualities of the apparition of the externally armed head in Macbeth will not be commanded: but attention, after due term of submissive service, always will. Like certain plants which the poorest peasant may grow in the poorest soil, it can be cultivated by anyone, and it is certain in its own good season to bring forth flowers and fruit. – I can most truthfully assure you, by the by, that this eulogium on attention is so far quite disinterested on my part, as that it has not the least reference whatever to the attention with which you have honoured me. Well, ladies and gentlemen, I have done. I cannot but reflect how often you have probably heard within these walls one of the foremost men, and certainly one of the best speakers, if not the very best, in England. I could not say to myself, when I began just now, in Shakespeare’s line: I will be Bright and shine in gold. But I could say to myself, and I did say to myself, ‘I will be as natural and easy as I possibly can, because my heart has all been in my subject, and I bear an old love towards Birmingham and Birmingham men.’ I have said that I bear an old love towards Birmingham and Birmingham men; let me amend a small omission, and add ‘and Birmingham women’. This ring I wear on my finger now is an old Birmingham gift, and if, by rubbing it I could raise the spirit that was obedient to Aladdin’s ring, I heartily assure you that my first instruction to that Genie on the spot should be to place himself at Birmingham’s disposal in the best of causes. Ladies and Gentlemen, as I hope that it is more than possible that I shall have the pleasure of meeting you again before Christmas is out, and shall have the great interest of seeing the faces, and touching the hands, of the successful competitors in your lists, I will not cast upon that anticipated meeting the terrible foreshadowing of dread which must inevitably result from a second speech. I thank you most heartily, and I most sincerely and fervently say to you, Good night, and God bless you! In reference to the appropriate and excellent remarks of Mr. Dixon, I will now discharge my conscience of my political creed, which is contained in two articles, and has no reference to any party or persons. My faith in the people governing is, on the whole, infinitesimal; my faith in The People governed is, on the whole, illimitable. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He had also, the President announced, taken the Evans prize, of twenty pounds, founded, as they knew, by a manufacturer of Birmingham; and he noticed three circumstances in Mr. Caswell’s career with great pleasure. The first was that he was not yet twenty-one; the second was that in the right of taking the Evans prize he had received the appointment of analytical chemist in the Messrs. Chances’s great works; and the third was that he had done him the honour of affixing to his examination papers the motto he himself had suggested when he was in Birmingham the last time, ‘Courage, Persevere’. Location The location Birmingham Venue Where the speech was given Town Hall Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18700106 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. Ladies and Gentlemen, When I last had the honour of presiding over the institution which again brings us together, I took occasion to remark upon a certain super-abundance of public speaking which seems to me to distinguish the present time. It will require very little self denial on my part to practise now what I preached then; firstly, because I said my little say that night; and secondly because we have a definite and highly interesting action before us tonight. We have now to bestow the rewards which have been brilliantly won by the most successful competitors in the society’s lists. I say the ‘most successful’, because tonight we should particularly observe, I think, that there is success in all honest endeavour, and that there is some victory gained in every gallant struggle that is made. To strive at all involves a victory achieved over sloth, inertness, and indifference; and competition for these prizes involves besides, in the vast majority of cases, competition with and mastery asserted over circumstances adverse to the effort made. Therefore, every losing competitor among my hearers may be certain that he has still won much – very much – and that he can well afford to swell the triumph of his rivals who has opposed him in the race. I have applied the word ‘rewards’ to these prizes, and I do so, not because they represent any great intrinsic worth in silver or gold, but precisely because they do not. They represent what is above all price. what can be stated in no arithmetical figures, and what is one of the great needs of the human soul – encouraging sympathy. They are an assurance to every student present or to come in your institution, that he does not work there neglected or unbefriended, but that he is watched, felt for, stimulated, and appreciated. Such an assurance, conveyed in the presence of this large assembly, and striking to the breast of the recipient that thrill which is inseparable from any great united utterance of feeling, is a reward, to my thinking, as purely worthy of the labour as the labour itself is worthy of the reward; and by a sensitive spirit can never be forgotten. Now, ladies and gentlemen, with your permission, I will at once proceed to the discharge of the delightful duty you have entrusted to me – the distribution of the prizes and certificates. The prizes are now all distributed, and I have discharged myself of the delightful task you have entrusted to me; and if the recipients of these prizes and certificates who have come upon this platform have had the genuine pleasure in receiving their acknowledgments from my hands that I have had in placing them in theirs, they are in a true Christmas temper tonight. I have the painful sense upon me that it is reserved for someone else to enjoy this great satisfaction of mind next time. It would be useless for the few short moments longer to disguise the fact that I happen to have drawn King this Twelfth Night, but that another sovereign will very soon sit on my inconstant throne. Tonight I abdicate, or, what is much the same thing in the modern annals of royalty, l am politely dethroned. This melancholy reflection, ladies and gentlemen, brings me to a very small point, personal to myself, upon which I will beg your permission to say a closing word. When I was here last autumn I made, in reference to some remarks of your respected member, Mr. Dixon, a short confession of my political faith, or perhaps I should better say, want of faith. It imported that I have very little faith in the people who govern us – please to observe ‘people’ there will be with a small ‘p’, but that I have very great confidence in the People whom they govern: please to observe ‘People’ there with a large ‘P’. This was shortly and elliptically stated; and was, with no evil intention I am absolutely sure, in some quarters inversely explained. Perhaps as the inventor of a certain extravagant fiction, but one which I do see rather frequently quoted as if there were grains of truth at the bottom of it, a fiction called ‘The Circumlocution Office’, and perhaps also as the writer of an idle book or two, whose public opinions are not obscurely stated – perhaps in these respects I do not sufficiently bear in mind Hamlet’s caution to speak by the card lest equivocation should undo me. Anyhow I complain of nobody, but simply in order that there may be no more mistake as to what I did mean, and as to what I do mean, I will restate my meaning, and I will do so in the words of a great thinker, a great writer, and a great scholar – whose life, unfortunately for mankind, was cut short – in his History of Civilization in England: They… may talk as they will about the reforms which government has introduced, and the improvements to be expected from legislation. But whoever will take a wider and more commanding view of affairs, will soon discover that such hopes are chimerical. They will learn that lawgivers are nearly always the obstructors of society, instead of its helpers; and that in the extremely few cases in which their measures have turned out well, their success has been owing to the fact that, contrary to their usual custom, they have implicitly obeyed the spirit of their time, and have been, as they always should be, the mere servants of the people, to whose wishes they are bound to give a public and legal sanction. I will only say to you, in acknowledgement of your great cordiality, and that of the three gentlemen who moved, seconded, and put the motion just carried, that you never can have a President more truly interested in you, or more determined, at the conclusion of his term, to remain your steady and faithful friend. With this sincere assurance I beg respectfully, but only officially, to bid you farewell. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Birmingham and Midland Institute Prize-Giving Description An account of the resource Speeches at the Birmingham and Midland Institute Prize-Giving (6 January 1870). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1870-01-06 Identifier An unambiguous reference to the resource within a given context 1870-01-06_Speech_Birmingham-and-Midland-Institute-Prize-Giving Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speeches at the Birmingham and Midland Institute Prize-Giving' (6 January 1870). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1870-01-06_Speech_Birmingham-and-Midland-Institute-Prize-Giving">https://dickenssearch.com/speeches/1870-01-06_Speech_Birmingham-and-Midland-Institute-Prize-Giving</a>. Scripto Transcription A written representation of a document. Ladies and Gentlemen, When I last had the honour of presiding over the institution which again brings us together, I took occasion to remark upon a certain super-abundance of public speaking which seems to me to distinguish the present time. It will require very little self denial on my part to practise now what I preached then; firstly, because I said my little say that night; and secondly because we have a definite and highly interesting action before us tonight. We have now to bestow the rewards which have been brilliantly won by the most successful competitors in the society’s lists. I say the ‘most successful’, because tonight we should particularly observe, I think, that there is success in all honest endeavour, and that there is some victory gained in every gallant struggle that is made. To strive at all involves a victory achieved over sloth, inertness, and indifference; and competition for these prizes involves besides, in the vast majority of cases, competition with and mastery asserted over circumstances adverse to the effort made. Therefore, every losing competitor among my hearers may be certain that he has still won much – very much – and that he can well afford to swell the triumph of his rivals who has opposed him in the race. I have applied the word ‘rewards’ to these prizes, and I do so, not because they represent any great intrinsic worth in silver or gold, but precisely because they do not. They represent what is above all price. what can be stated in no arithmetical figures, and what is one of the great needs of the human soul – encouraging sympathy. They are an assurance to every student present or to come in your institution, that he does not work there neglected or unbefriended, but that he is watched, felt for, stimulated, and appreciated. Such an assurance, conveyed in the presence of this large assembly, and striking to the breast of the recipient that thrill which is inseparable from any great united utterance of feeling, is a reward, to my thinking, as purely worthy of the labour as the labour itself is worthy of the reward; and by a sensitive spirit can never be forgotten. Now, ladies and gentlemen, with your permission, I will at once proceed to the discharge of the delightful duty you have entrusted to me – the distribution of the prizes and certificates. The prizes are now all distributed, and I have discharged myself of the delightful task you have entrusted to me; and if the recipients of these prizes and certificates who have come upon this platform have had the genuine pleasure in receiving their acknowledgments from my hands that I have had in placing them in theirs, they are in a true Christmas temper tonight. I have the painful sense upon me that it is reserved for someone else to enjoy this great satisfaction of mind next time. It would be useless for the few short moments longer to disguise the fact that I happen to have drawn King this Twelfth Night, but that another sovereign will very soon sit on my inconstant throne. Tonight I abdicate, or, what is much the same thing in the modern annals of royalty, l am politely dethroned. This melancholy reflection, ladies and gentlemen, brings me to a very small point, personal to myself, upon which I will beg your permission to say a closing word. When I was here last autumn I made, in reference to some remarks of your respected member, Mr. Dixon, a short confession of my political faith, or perhaps I should better say, want of faith. It imported that I have very little faith in the people who govern us – please to observe ‘people’ there will be with a small ‘p’, but that I have very great confidence in the People whom they govern: please to observe ‘People’ there with a large ‘P’. This was shortly and elliptically stated; and was, with no evil intention I am absolutely sure, in some quarters inversely explained. Perhaps as the inventor of a certain extravagant fiction, but one which I do see rather frequently quoted as if there were grains of truth at the bottom of it, a fiction called ‘The Circumlocution Office’, and perhaps also as the writer of an idle book or two, whose public opinions are not obscurely stated – perhaps in these respects I do not sufficiently bear in mind Hamlet’s caution to speak by the card lest equivocation should undo me. Anyhow I complain of nobody, but simply in order that there may be no more mistake as to what I did mean, and as to what I do mean, I will restate my meaning, and I will do so in the words of a great thinker, a great writer, and a great scholar – whose life, unfortunately for mankind, was cut short – in his History of Civilization in England: They… may talk as they will about the reforms which government has introduced, and the improvements to be expected from legislation. But whoever will take a wider and more commanding view of affairs, will soon discover that such hopes are chimerical. They will learn that lawgivers are nearly always the obstructors of society, instead of its helpers; and that in the extremely few cases in which their measures have turned out well, their success has been owing to the fact that, contrary to their usual custom, they have implicitly obeyed the spirit of their time, and have been, as they always should be, the mere servants of the people, to whose wishes they are bound to give a public and legal sanction. I will only say to you, in acknowledgement of your great cordiality, and that of the three gentlemen who moved, seconded, and put the motion just carried, that you never can have a President more truly interested in you, or more determined, at the conclusion of his term, to remain your steady and faithful friend. With this sincere assurance I beg respectfully, but only officially, to bid you farewell. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. It was, he said, with particular gratification that he had attended that celebration and witnessed its proceedings. It was a matter for just rejoicing to contemplate the healthy and promising appearance of that institution. Its objects were of the most useful and praiseworthy character; and the nobleman who presided, distinguished as he was for his amiability and usefulness, had never been engaged in a more valuable manner than on this occasion. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18430523 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival 1843 Description An account of the resource Speeches at the Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival (23 May 1843). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1843-05-23 Identifier An unambiguous reference to the resource within a given context 1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Speeches at the Charitable and Provident Society for the Aged and Infirm Deaf and Dumb Anniversary Festival' (23 May 1843). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival">https://dickenssearch.com/speeches/1843-05-23_Speech_Charitable-and-Provident-Society-for-the-Aged-and-Infirm-Deaf-and-Dumb-Anniversary-Festival</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Speeches Identifier An unambiguous reference to the resource within a given context speeches Description An account of the resource <h4>This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time. </h4> Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway. Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (The Speeches of Charles Dickens [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in The Dickensian;<a href="#fn1" id="ref1">1</a> there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled. Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884: <blockquote>[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel – he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, pp. 273-74)</blockquote> However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like The Times. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say). Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points. Please <a href="https://dickenssearch.com/contact">contact us</a> with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens. 1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', The Dickensian 73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', The Dickensian 73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', The Dickensian 85.418 (1989): pp. 66-80. <a href="#ref1" title="Jump back to footnote 1 in the text.">↩</a> Contributor An entity responsible for making contributions to the resource Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods Speech Summary Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words. He had, he said, omitted the toast from the proper place on the list, partly because he had been engaged with one of the officers of the institution in conversation, and partly because he connected the name of his Royal Highness Prince Albert with the charity in which his Royal Highness had always taken so deep an interest. Location The location London Venue Where the speech was given London Tavern Ngram Date Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101. 18541230 Ngram Text Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any   (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML. I shall beg to suggest a reform in these proceedings at the outset by addressing this assembly as ‘Ladies and gentlemen’. I beg to propose to you the health of a constitutional Sovereign of a free people, the embodiment of the private virtues and public principles of the English nation – a Sovereign who in her public contact fully appreciates the national resolution never to allow the light of civilization and freedom to be quenched in the darkness of any irresponsible will on the face of the earth. Gentlemen, I give you the Queen, with all the honours. It does not require any extraordinary sagacity in a commercial assembly to appreciate the dire evils of war. The great interests of trade enfeebled by it, the enterprise of better times paralysed by it, all the peaceful arts sent down before it too palpably indicate its character and results, so that far less practical intelligence than that by which I am surrounded would be sufficient to appreciate the horrors of war. But there are seasons when the evils of peace though not so acutely felt are immeasurably greater, and when a powerful nation by admitting the right of any autocrat to do wrong sows by such complicity the seeds of its own ruin, and overshadows itself in time to come with that fatal influence which great and ambitious powers are sure to exercise over their weaker neighbours. Therefore it is, ladies and gentlemen, that the tree has not its roots in English ground from which the yard wand will be made that will measure – the mine has not its place in English soil which will supply the material of a pair of scales to weigh – the influence, that may be at stake in the war in which we are now straining all our energies. That war is at any time, and in any shape, a most dreadful and deplorable calamity we need no proverb to tell us; but it is just because it is such a calamity, and because that calamity must not for ever be impending over us at the fancy of one man against all mankind, that we must not allow that man to darken from our view the figures of peace and justice between whom and us he now interposes. Ladies and gentlemen, if ever there were a time when the true spirits of two countries were really fighting in the cause of human advancement and freedom – no matter what diplomatic notes or other nameless botherations, from number one to one hundred thousand and one, may have preceded their taking the field – if ever there were a time when noble hearts were deserving well of mankind by exposing themselves to the obedient bayonets of a rash and barbarian tyrant, it is now, when the faithful children of England and France are fighting so bravely in the Crimea. Those faithful children are the admiration and wonder of the world so gallantly are they discharging their duty; and therefore I propose to an assembly emphatically representing the interests and arts of peace, to drink the health of the Allied Armies of England and France, with all possible honours. I think it may be assumed that most of us here present know something about travelling. I do not mean in distant regions or foreign countries, although I dare say some of us have had experience in that way, but at home, and within the limits of the United Kingdom. I dare say most of us have had experience of the extinct ‘fast coaches’, the ‘Wonders’, ‘Taglionis’, and ‘Tallyhos’, of other days. I dare say most of us remember certain modest post-chaises, dragging us down interminable roads through slush and mud, to little country towns with no visible populations except half a dozen men in smock frocks smoking pipes under the lee of the Town Hall; half a dozen women with umbrellas and pattens, and a washed-out dog or so shivering under the gables to complete the desolate picture. We can all discourse, I dare say, if so minded, upon our recollections of the ‘Talbot’, the ‘King’s Head’, or the ‘Lion’ of those days. We have all been to that room on the ground floor on one side of the old inn yard, not quite free from a certain fragrant smell of tobacco, where the cruets on the sideboard were usually absorbed by the skirts of the box coats that hung from the wall, where driving-seats were laid out at every turn like so many human mantraps, where county members framed and glazed were eternally presenting that petition which somehow or other made their glory in the county, though nothing else had ever come of it. Where the Book of Roads, the first and last thing always required, was always missing, and generally wanted the first and last dozen leaves, and where one man was always arriving at some unusual hour in the night, and requiring his breakfast at a similarly singular period of the day. I have no doubt we could all be very eloquent on the comforts of our favourite hotel, wherever it was, – its beds, its stables, its vast amount of posting, its excellent cheese, its head waiter, its capital dishes, its pigeon-pies, or its 1820 port. Or possibly we could recall our chaste and innocent admiration of its landlady, or our fraternal regard for its handsome chambermaid. A celebrated dramatic critic once writing of a famous actress, renowned for her virtue and beauty, gave her the character of being ‘an eminently gatherable-to-one’s-arms, sort of person’. Perhaps someone amongst us has borne a somewhat similar mental tribute to the charms of the ladies associated with the administration of our favourite hotel. With the travelling characteristics of later times we are all, no doubt, equally familiar. We know all about that station of which we have a clear idea although we were never there; we know that if we arrive after dark we are certain to find it half a mile from the town, where the old road is sure to have been abolished, and the new road is going to be made, where the old neighbourhood has been tumbled down, and the new one is not half built up. We know all about that porter on the platform who with the best intentions in the world cannot do anything particularly efficacious with the luggage by looking at it with that bell in his hand. We know all about that particularly short omnibus, in which one is to be doubled up to the imminent danger of the crown of one’s hat; and about that fly, whose leading peculiarity is never to be there when it is wanted. We know, too, how instantaneously the lights of the station disappear the moment the train slips away, and about that grope to the new Railway Hotel, which will be an excellent house when the customers come, but which at present has nothing to offer but a liberal allowance of damp mortar and new lime. I record these little incidents of home travel mainly with the object of increasing your interest in the purpose of this assemblage. Every traveller has a home of his own, and he learns to appreciate it the more from his wandering. If he has no home, he learns the same lesson unselfishly by turning to the homes of other men. He may have his experiences of cheerful and exciting pleasures abroad; but home is the best, after all, and its pleasures are the most heartily and enduringly prized. Therefore, ladies and gentlemen, everyone must be prepared to learn that commercial travellers as a body know how to prize those domestic relations from which their pursuits so frequently sever them; for no one could possibly invent a more delightful or more convincing testimony to the fact than they themselves afford in founding and maintaining a school for the children of deceased or unfortunate members of their own body, – those children who now appeal to you in mute but eloquent terms from the gallery. It is to support that school, founded with such high and friendly objects, so very honourable to your calling, and so useful in its solid and practical results, that we are here tonight. It is to roof that building which is to shelter the children of your deceased friends with one crowning ornament, the best that any building can have, namely a receipt stamp for the full amount of the cost. It is for this that your active sympathy is appealed to, for the completion of your own good work. You know how to put your hands to the plough in earnest as well as any men in existence, for this little book informs me that you raised last year no less a sum than eight hundred pounds; and while fully half that sum consisted of new donations to the Building Fund, I find that the regular revenue of the charity has only suffered to the extent of thirty pounds. After this I most earnestly and sincerely say that were we all authors together I might boast, if in my profession were exhibited the same unity and steadfastness I find in yours. I will not urge on you the casualties of a life of travel, or the vicissitudes of business, or the claims fostered by that bond of brotherhood which ought always to exist amongst men who are united in a common pursuit. You have already recognized those claims so nobly, that I will not presume to lay them before you in any further detail. Suffice it to say that I do not think it is in your nature to do things by halves. I do not think you could so if you tried, and I have a moral certainty that you never will try. To those gentlemen present who are not members of the travellers’ body, I will say in the words of the French proverb, ‘Heaven helps those who help themselves’. The Commercial Travellers having helped themselves so gallantly, it is clear that the visitors who come as a sort of celestial representatives ought to bring that aid in their pockets which the precept teaches us to expect from them. With these few remarks, which not even your good nature will induce me to prolong, I beg to give you as a toast, ‘Success to the Commercial Travellers’ School’. Ladies and Gentlemen, You have made me tonight the representative of so many travellers rich in all kinds of enthusiasm, in addition to my own seven poor ones, and that necessity has involved the necessity of your hearing my voice so often, that I shall confine myself to simply thanking you most sincerely for the very kind manner in which you have received my health. If the President of this Institution had been here, I should possibly have made one of the best speeches you ever heard, but as he is not here, I shall turn to the next toast on my list, the Health of your worth Treasurer, Mr. George Moore, – a name which is a synonym for integrity, enterprise, public spirit, and benevolence. He is one of the most zealous officers I ever saw in my life; he appears to me to have been doing nothing during the last week but rushing into and out of railway-carriages, and making eloquent speeches at all sorts of public dinners in favour of this charity. Last evening he was in Manchester, and this evening he comes here, sacrificing his time and convenience, and exhausting in the meantime the contents of two vast leaden inkstands, and no end of pens, with the energy of fifty bankers’ clerks rolled into one. But I clearly foresee that the Treasurer will have so much to do tonight, such gratifying sums to acknowledge, and such large lines of figures to write in his books, that I feel the greatest consideration I can show him is to propose his health without further observation, leaving him to address you in his own behalf. I propose to you, therefore, the health of Mr. George Moore, the Treasurer of this charity, and I need hardly add that it is one which is to be drunk with all the honours. So many travellers have been going up Mont Blanc lately, both in fact and in fiction, that I have heard recently of a proposal for the establishment of a company to employ Sir Joseph Paxton to take it down. Only one of those travellers, however, has been enabled to bring Mont Blanc to Piccadilly, and by his own ability and good humour so to thaw its eternal ice and snow, as that the most timid lady may ascend it twice a day ‘during the holidays’, without the smallest danger or fatigue. Mr. Albert Smith, who is present amongst us tonight, is undoubtedly ‘a Traveller’. I do not know whether he takes many orders, but this I can testify, on behalf of the children of his friends, that he gives them in the most liberal manner. We have also amongst us my friend Mr. Peter Cunningham, who is also a traveller, not only in right of his able edition of Goldsmith’s Traveller, but in right of his admirable Handbook, which proves him to be a traveller in the right spirit through all the labyrinths of London. We have also amongst us my friend Horace Mayhew, very well known also for his books, but especially for his genuine admiration of the company at that end of the room, and who, whenever the fair sex is mentioned, will be found to have the liveliest personal interest in the conversation. Ladies and gentlemen, I am about to propose to you the health of these three distinguished visitors. They are all admirable speakers, but Mr. Albert Smith has confessed to me, that on fairly balancing his own merits as a speaker and a singer, he rather thinks he excels in the latter art. I have, therefore, yielded to his estimate of himself, and I have now the pleasure of informing you that he will lead off the speeches of the other two gentlemen with a song. Mr. Albert Smith has just said to me in an earnest tone of voice, ‘What song would you recommend?’ and I replied, ‘Galignani’s Messenger’. Ladies and gentlemen, I therefore beg to propose the health of Messrs. Albert Smith, Peter Cunningham, and Horace Mayhew, and call on the first-named gentleman for a song. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Commercial Travellers' Schools Anniversary Dinner Description An account of the resource Chairman's speeches at the Commercial Travellers' Schools Anniversary Dinner (30 December 1854). Creator An entity primarily responsible for making the resource Dickens, Charles Date A point or period of time associated with an event in the lifecycle of the resource 1854-12-30 Identifier An unambiguous reference to the resource within a given context 1854-12-30_Speech_Commercial-Travellers-Schools-Anniversary-Dinner Bibliographic Citation A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible. Dickens, Charles. 'Commercial Travellers' Schools Anniversary Dinner' (30 December 1854). Dickens Search. Eds. Emily Middleton and Lydia Craig. Accessed [date]. <a href="https://dickenssearch.com/speeches/1854-12-30_Speech_Commercial-Travellers-Schools-Anniversary-Dinner">https://dickenssearch.com/speeches/1854-12-30_Speech_Commercial-Travellers-Schools-Anniversary-Dinner</a>. Scripto Transcription A written representation of a document. I shall beg to suggest a reform in these proceedings at the outset by addressing this assembly as ‘Ladies and gentlemen’. I beg to propose to you the health of a constitutional Sovereign of a free people, the embodiment of the private virtues and public principles of the English nation – a Sovereign who in her public contact fully appreciates the national resolution never to allow the light of civilization and freedom to be quenched in the darkness of any irresponsible will on the face of the earth. Gentlemen, I give you the Queen, with all the honours. It does not require any extraordinary sagacity in a commercial assembly to appreciate the dire evils of war. The great interests of trade enfeebled by it, the enterprise of better times paralysed by it, all the peaceful arts sent down before it too palpably indicate its character and results, so that far less practical intelligence than that by which I am surrounded would be sufficient to appreciate the horrors of war. But there are seasons when the evils of peace though not so acutely felt are immeasurably greater, and when a powerful nation by admitting the right of any autocrat to do wrong sows by such complicity the seeds of its own ruin, and overshadows itself in time to come with that fatal influence which great and ambitious powers are sure to exercise over their weaker neighbours. Therefore it is, ladies and gentlemen, that the tree has not its roots in English ground from which the yard wand will be made that will measure – the mine has not its place in English soil which will supply the material of a pair of scales to weigh – the influence, that may be at stake in the war in which we are now straining all our energies. That war is at any time, and in any shape, a most dreadful and deplorable calamity we need no proverb to tell us; but it is just because it is such a calamity, and because that calamity must not for ever be impending over us at the fancy of one man against all mankind, that we must not allow that man to darken from our view the figures of peace and justice between whom and us he now interposes. Ladies and gentlemen, if ever there were a time when the true spirits of two countries were really fighting in the cause of human advancement and freedom – no matter what diplomatic notes or other nameless botherations, from number one to one hundred thousand and one, may have preceded their taking the field – if ever there were a time when noble hearts were deserving well of mankind by exposing themselves to the obedient bayonets of a rash and barbarian tyrant, it is now, when the faithful children of England and France are fighting so bravely in the Crimea. Those faithful children are the admiration and wonder of the world so gallantly are they discharging their duty; and therefore I propose to an assembly emphatically representing the interests and arts of peace, to drink the health of the Allied Armies of England and France, with all possible honours. I think it may be assumed that most of us here present know something about travelling. I do not mean in distant regions or foreign countries, although I dare say some of us have had experience in that way, but at home, and within the limits of the United Kingdom. I dare say most of us have had experience of the extinct ‘fast coaches’, the ‘Wonders’, ‘Taglionis’, and ‘Tallyhos’, of other days. I dare say most of us remember certain modest post-chaises, dragging us down interminable roads through slush and mud, to little country towns with no visible populations except half a dozen men in smock frocks smoking pipes under the lee of the Town Hall; half a dozen women with umbrellas and pattens, and a washed-out dog or so shivering under the gables to complete the desolate picture. We can all discourse, I dare say, if so minded, upon our recollections of the ‘Talbot’, the ‘King’s Head’, or the ‘Lion’ of those days. We have all been to that room on the ground floor on one side of the old inn yard, not quite free from a certain fragrant smell of tobacco, where the cruets on the sideboard were usually absorbed by the skirts of the box coats that hung from the wall, where driving-seats were laid out at every turn like so many human mantraps, where county members framed and glazed were eternally presenting that petition which somehow or other made their glory in the county, though nothing else had ever come of it. Where the Book of Roads, the first and last thing always required, was always missing, and generally wanted the first and last dozen leaves, and where one man was always arriving at some unusual hour in the night, and requiring his breakfast at a similarly singular period of the day. I have no doubt we could all be very eloquent on the comforts of our favourite hotel, wherever it was, – its beds, its stables, its vast amount of posting, its excellent cheese, its head waiter, its capital dishes, its pigeon-pies, or its 1820 port. Or possibly we could recall our chaste and innocent admiration of its landlady, or our fraternal regard for its handsome chambermaid. A celebrated dramatic critic once writing of a famous actress, renowned for her virtue and beauty, gave her the character of being ‘an eminently gatherable-to-one’s-arms, sort of person’. Perhaps someone amongst us has borne a somewhat similar mental tribute to the charms of the ladies associated with the administration of our favourite hotel. With the travelling characteristics of later times we are all, no doubt, equally familiar. We know all about that station of which  we have a clear idea although we were never there; we know that if we arrive after dark we are certain to find it half a mile from the town, where the old road is sure to have been abolished, and the new road is going to be made, where the old neighbourhood has been tumbled down, and the new one is not half built up. We know all about that porter on the platform who with the best intentions in the world cannot do anything particularly efficacious with the luggage by looking at it with that bell in his hand. We know all about that particularly short omnibus, in which one is to be doubled up to the imminent danger of the crown of one’s hat; and about that fly, whose leading peculiarity is never to be there when it is wanted. We know, too, how instantaneously the lights of the station disappear the moment the train slips away, and about that grope to the new Railway Hotel, which will be an excellent house when the customers come, but which at present has nothing to offer but a liberal allowance of damp mortar and new lime. I record these little incidents of home travel mainly with the object of increasing your interest in the purpose of this assemblage. Every traveller has a home of his own, and he learns to appreciate it the more from his wandering. If he has no home, he learns the same lesson unselfishly by turning to the homes of other men. He may have his experiences of cheerful and exciting pleasures abroad; but home is the best, after all, and its pleasures are the most heartily and enduringly prized. Therefore, ladies and gentlemen, everyone must be prepared to learn that commercial travellers as a body know how to prize those domestic relations from which their pursuits so frequently sever them; for no one could possibly invent a more delightful or more convincing testimony to the fact than they themselves afford in founding and maintaining a school for the children of deceased or unfortunate members of their own body, – those children who now appeal to you in mute but eloquent terms from the gallery. It is to support that school, founded with such high and friendly objects, so very honourable to your calling, and so useful in its solid and practical results, that we are here tonight. It is to roof that building which is to shelter the children of your deceased friends with one crowning ornament, the best that any building can have, namely a receipt stamp for the full amount of the cost. It is for this that your active sympathy is appealed to, for the completion of your own good work. You know how to put your hands to the plough in earnest as well as any men in existence, for this little book informs me that you raised last year no less a sum than eight hundred pounds; and while fully half that sum consisted of new donations to the Building Fund, I find that the regular revenue of the charity has only suffered to the extent of thirty pounds. After this I most earnestly and sincerely say that were we all authors together I might boast, if in my profession were exhibited the same unity and steadfastness I find in yours. I will not urge on you the casualties of a life of travel, or the vicissitudes of business, or the claims fostered by that bond of brotherhood which ought always to exist amongst men who are united in a common pursuit. You have already recognized those claims so nobly, that I will not presume to lay them before you in any further detail. Suffice it to say that I do not think it is in your nature to do things by halves. I do not think you could so if you tried, and I have a moral certainty that you never will try. To those gentlemen present who are not members of the travellers’ body, I will say in the words of the French proverb, ‘Heaven helps those who help themselves’. The Commercial Travellers having helped themselves so gallantly, it is clear that the visitors who come as a sort of celestial representatives ought to bring that aid in their pockets which the precept teaches us to expect from them. With these few remarks, which not even your good nature will induce me to prolong, I beg to give you as a toast, ‘Success to the Commercial Travellers’ School’. Ladies and Gentlemen, You have made me tonight the representative of so many travellers rich in all kinds of enthusiasm, in addition to my own seven poor ones, and that necessity has involved the necessity of your hearing my voice so often, that I shall confine myself to simply thanking you most sincerely for the very kind manner in which you have received my health. If the President of this Institution had been here, I should possibly have made one of the best speeches you ever heard, but as he is not here, I shall turn to the next toast on my list, the Health of your worth Treasurer, Mr. George Moore, – a name which is a synonym for integrity, enterprise, public spirit, and benevolence. He is one of the most zealous officers I ever saw in my life; he appears to me to have been doing nothing during the last week but rushing into and out of railway-carriages, and making eloquent speeches at all sorts of public dinners in favour of this charity. Last evening he was in Manchester, and this evening he comes here, sacrificing his time and convenience, and exhausting in the meantime the contents of two vast leaden inkstands, and no end of pens, with the energy of fifty bankers’ clerks rolled into one. But I clearly foresee that the Treasurer will have so much to do tonight, such gratifying sums to acknowledge, and such large lines of figures to write in his books, that I feel the greatest consideration I can show him is to propose his health without further observation, leaving him to address you in his own behalf. I propose to you, therefore, the health of Mr. George Moore, the Treasurer of this charity, and I need hardly add that it is one which is to be drunk with all the honours. So many travellers have been going up Mont Blanc lately, both in fact and in fiction, that I have heard recently of a proposal for the establishment of a company to employ Sir Joseph Paxton to take it down. Only one of those travellers, however, has been enabled to bring Mont Blanc to Piccadilly, and by his own ability and good humour so to thaw its eternal ice and snow, as that the most timid lady may ascend it twice a day ‘during the holidays’, without the smallest danger or fatigue. Mr. Albert Smith, who is present amongst us tonight, is undoubtedly ‘a Traveller’. I do not know whether he takes many orders, but this I can testify, on behalf of the children of his friends, that he gives them in the most liberal manner. We have also amongst us my friend Mr. Peter Cunningham, who is also a traveller, not only in right of his able edition of Goldsmith’s Traveller, but in right of his admirable Handbook, which proves him to be a traveller in the right spirit through all the labyrinths of London. We have also amongst us my friend Horace Mayhew, very well known also for his books, but especially for his genuine admiration of the company at that end of the room, and who, whenever the fair sex is mentioned, will be found to have the liveliest personal interest in the conversation. Ladies and gentlemen, I am about to propose to you the health of these three distinguished visitors. They are all admirable speakers, but Mr. Albert Smith has confessed to me, that on fairly balancing his own merits as a speaker and a singer, he rather thinks he excels in the latter art. I have, therefore, yielded to his estimate of himself, and I have now the pleasure of informing you that he will lead off the speeches of the other two gentlemen with a song. Mr. Albert Smith has just said to me in an earnest tone of voice, ‘What song would you recommend?’ and I replied, ‘Galignani’s Messenger’. Ladies and gentlemen, I therefore beg to propose the health of Messrs. Albert Smith, Peter Cunningham, and Horace Mayhew, and call on the first-named gentleman for a song.