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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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            <text>Hartford, Connecticut</text>
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            <text>Gentlemen, to say that I thank you for the earnest manner in which you have drunk the toast just now so eloquently proposed to you; to say that I give you back your kind wishes and good feelings with more than compound interest, and that I feel how dumb and powerless the best acknowledgements would be beside such genial hospitality as yours–is nothing. To say that in this winter season, flowers have sprung up in every footstep’s length of the path which has brought me here, that no country ever smiled more pleasantly than yours has smiled on me, and that I have rarely looked upon a brighter summer prospect than that which now lies before me now – is nothing. But it is something to be no stranger in a strange place; to feel, sitting at a board for the first time, the ease and affection of an old guest, to be at once on such intimate terms with the family as to have a homely, genuine interest in its every member; it is, I say, something to be in this novel and happy frame of mind. And as it is of your creation, and owes its being to you, I have no reluctance in urging it as a reason why, in addressing you, I should not so much consult the form and fashion of my speech, as I should employ the universal language of the heart which you, and such as you, best teach and best can understand. Gentlemen, in that universal language–common to you in America, and to us in England, as that younger mother tongue which, by means of, and through the happy union of our two great countries, shall be spoken ages hence, by land and sea, over the wide surface of the glove–I thank you. I had occasion, gentlemen, to say the other night in Boston, as I have more than once had occasion to remark before, that it is not easy for an author to speak of his own books. If the task be a difficult one at any time, its difficult certainly is not diminished when a frequent occurrence to the same theme has left one nothing new to say. Still I feel that, in a company like this, and especially after what has been said by the President, that I ought not to pass over those labours of love which, if they have no other merit, have been the happy means of bringing us together. It has been observed that you cannot judge of an author’s personal character from his writings. It may be that you cannot–I think it very likely, for many reasons, that you cannot–but, at least, a reader will rise from the perusal of a book with some defined and tangible idea of the writer’s moral creed and broad purposes, if he has any at all; and it is probably enough that he may like to have this idea confirmed from the author’s lips, or dissipated by his explanation. Gentlemen, my moral creed–which is a very wide and comprehensive one, and includes all sects and parties–is very easily summed up. I have faith, and I wish to diffuse faith in the existence–yes, of beautiful things, even in those conditions of society which are so degenerate, degraded, and forlorn that, at first sight, it would seem as though they could not be described but by a strange and terrible reversal of the words of Scripture – God said, Let there be light, and there was none. I take it that we are born and that we hold our sympathies, hopes, and energies in trust for the many, and not for the few. That we cannot hold in too strong a light of disgust and contempt, before the view of others, all meanness, falsehood, cruelty, and oppression, of every grade and kind. Above all, that nothing is high, because it is in a high place; and that nothing is low, because it is in a low one. [Loud applause.] This is a lesson taught us in the great book of nature. This is the lesson which may be read, alike in the bright track of the stars, and in the dusty course of the poorest thing that drags its tiny length upon the ground. This is the lesson every uppermost in the thoughts of that inspired man, who tells us that there are Tongues in tress, books in the running brooks Sermons in stones, and good in everything. Gentlemen, keeping these objects steadily before me, I am at no loss to refer your favour and your generous hospitality back to the right source. While I know, on the one hand, that if, instead of being what it is, this were a land of tyranny and wrong, I should care very little for your smiles or frowns, so I am sure upon the other, that if, instead of being what I am, I were the greatest genius that every trod the earth, and had exerted myself for the oppression and degradation of mankind, you would despise and reject me. I hope you will, whenever, through such means, I give you the opportunity. Trust me that whenever you give me the like occasion, I will return the compliment with interest. Gentlemen, as I have no secrets from you, in the spirit of confidence you have engendered between us, and as I have made a kind of compact with myself that I never will, while I remain in America, omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested–equally interested, there is no difference between us–I would beg leave to whisper in your ear two words, International Copyright. I use them in no sordid sense, believe me, and those that know me best, best know that. For myself, I would rather that my children coming after me, trudged in the mud, and knew by the general feeling of society that their father was beloved, and had been of some use, that I would have them ride in their carriages, and know by their banker’s books that he was rich. But I do not see, I confess, why one should be obliged to make the choice, or why fame, besides playing that delightful reveille for which she is so justly celebrated, should not blow out of her trumpet a few notes of a different kind from those with which she has hitherto contented herself. It was well observed the other night by a beautiful speaker, whose words went to the heart of every man who heard him, that if there had existed any law in this respect, Scott might not have sunk beneath the mighty pressure on his brain, but might have lived to add new creatures of his fancy to the crowd which swarm about you in your summer walks and gather round your winter evening hearths. As I listened to his words there came back fresh upon me, that touching scene in the great man’s life, when he lay upon his couch surrounded by his family and listened, for the last time, to the rippling of the river he had so well loved, over its stony bed. I pictured him to myself, faint, wan, dying, crushed both in his mind and body by his honourable struggle, and hovering round him the ghosts of his own imagination–Waverley, Ravenswood, Jeannie Deans, Rob Roy, Caleb Balderstone, Dominie Sampson–all the familiar throng – with cavaliers, and Puritans, and Highland chiefs innumerable overflowing the chamber, and fading away in the dim distance beyond. I pictured them, fresh from traversing the world, and hanging down their heads in shame and sorrow that, from all those lands into which they had carried gladness, instruction, and delight for millions, they had brought him now one friendly hand to help to raise him from that sad, sad bed. No, nor brought him from that land in which his own language was spoken, and in every house and hut of which his own books were read in his own tongue, one grateful dollar-piece to buy a garland for his grave. Oh! if every man who goes from here, as many do, to look upon that tomb in Dryburgh Abbey, would but remember this, and bring the recollection home! Gentlemen I thank you again, and once again, and many times to that. You have given me a new reason for remembering this day, which is already one of the mark of my calendar, it being my birthday; and you have given those who are nearest and dearest to me a new reason for recollection it with pride and interest. Heaven knows that, although I should grow ever so grey, I shall need nothing to remind me of this epoch in my life. But I am glad to think that from this time you are inseparably connected with every recurrence of this day; and, that on its periodical return, I shall always, in imagination, have the unfading pleasure of entertaining you as my guests in return for the gratification you have afforded me tonight.</text>
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              <text>Speech at a banquet in his honour in Hartford, Connecticut (7 February 1842).</text>
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              <text>&lt;span&gt;Dickens, Charles. 'Speech at Hartford' &lt;/span&gt;&lt;span&gt;(7 February 1842). &lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1842-02-07_Speech_1842-02-07_Speech_Banquet-at-Hartford"&gt;https://dickenssearch.com/speeches/1842-02-07_Speech_1842-02-07_Speech_Banquet-at-Hartford&lt;/a&gt;.</text>
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              <text>&lt;p&gt;Gentlemen, to say that I thank you for the earnest manner in which you have drunk the toast just now so eloquently proposed to you; to say that I give you back your kind wishes and good feelings with more than compound interest, and that I feel how dumb and powerless the best acknowledgements would be beside such genial hospitality as yours–is nothing. To say that in this winter season, flowers have sprung up in every footstep’s length of the path which has brought me here, that no country ever smiled more pleasantly than yours has smiled on me, and that I have rarely looked upon a brighter summer prospect than that which now lies before me now – is nothing.&lt;/p&gt;&#13;
&lt;p&gt;But it is something to be no stranger in a strange place; to feel, sitting at a board for the first time, the ease and affection of an old guest, to be at once on such intimate terms with the family as to have a homely, genuine interest in its every member; it is, I say, something to be in this novel and happy frame of mind. And as it is of your creation, and owes its being to you, I have no reluctance in urging it as a reason why, in addressing you, I should not so much consult the form and fashion of my speech, as I should employ the universal language of the heart which you, and such as you, best teach and best can understand. Gentlemen, in that universal language–common to you in America, and to us in England, as that younger mother tongue which, by means of, and through the happy union of our two great countries, shall be spoken ages hence, by land and sea, over the wide surface of the glove–I thank you.&lt;/p&gt;&#13;
&lt;p&gt;I had occasion, gentlemen, to say the other night in Boston, as I have more than once had occasion to remark before, that it is not easy for an author to speak of his own books. If the task be a difficult one at any time, its difficult certainly is not diminished when a frequent occurrence to the same theme has left one nothing new to say. Still I feel that, in a company like this, and especially after what has been said by the President, that I ought not to pass over those labours of love which, if they have no other merit, have been the happy means of bringing us together.&lt;/p&gt;&#13;
&lt;p&gt;It has been observed that you cannot judge of an author’s personal character from his writings. It may be that you cannot–I think it very likely, for many reasons, that you cannot–but, at least, a reader will rise from the perusal of a book with some defined and tangible idea of the writer’s moral creed and broad purposes, if he has any at all; and it is probably enough that he may like to have this idea confirmed from the author’s lips, or dissipated by his explanation. Gentlemen, my moral creed–which is a very wide and comprehensive one, and includes all sects and parties–is very easily summed up. I have faith, and I wish to diffuse faith in the existence–yes, of beautiful things, even in those conditions of society which are so degenerate, degraded, and forlorn that, at first sight, it would seem as though they could not be described but by a strange and terrible reversal of the words of Scripture – God said, Let there be light, and there was none. I take it that we are born and that we hold our sympathies, hopes, and energies in trust for the many, and not for the few. That we cannot hold in too strong a light of disgust and contempt, before the view of others, all meanness, falsehood, cruelty, and oppression, of every grade and kind. Above all, that nothing is high, because it is in a high place; and that nothing is low, because it is in a low one. [&lt;em&gt;Loud applause.&lt;/em&gt;] This is a lesson taught us in the great book of nature. This is the lesson which may be read, alike in the bright track of the stars, and in the dusty course of the poorest thing that drags its tiny length upon the ground. This is the lesson every uppermost in the thoughts of that inspired man, who tells us that there are&lt;/p&gt;&#13;
&lt;p&gt;Tongues in tress, books in the running brooks&lt;/p&gt;&#13;
&lt;p&gt;Sermons in stones, and good in everything.&lt;/p&gt;&#13;
&lt;p&gt;Gentlemen, keeping these objects steadily before me, I am at no loss to refer your favour and your generous hospitality back to the right source. While I know, on the one hand, that if, instead of being what it is, this were a land of tyranny and wrong, I should care very little for your smiles or frowns, so I am sure upon the other, that if, instead of being what I am, I were the greatest genius that every trod the earth, and had exerted myself for the oppression and degradation of mankind, you would despise and reject me. I hope you will, whenever, through such means, I give you the opportunity. Trust me that whenever you give me the like occasion, I will return the compliment with interest.&lt;/p&gt;&#13;
&lt;p&gt;Gentlemen, as I have no secrets from you, in the spirit of confidence you have engendered between us, and as I have made a kind of compact with myself that I never will, while I remain in America, omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested–equally interested, there is no difference between us–I would beg leave to whisper in your ear two words, International Copyright. I use them in no sordid sense, believe me, and those that know me best, best know that. For myself, I would rather that my children coming after me, trudged in the mud, and knew by the general feeling of society that their father was beloved, and had been of some use, that I would have them ride in their carriages, and know by their banker’s books that he was rich. But I do not see, I confess, why one should be obliged to make the choice, or why fame, besides playing that delightful &lt;em&gt;reveille &lt;/em&gt;for which she is so justly celebrated, should not blow out of her trumpet a few notes of a different kind from those with which she has hitherto contented herself.&lt;/p&gt;&#13;
&lt;p&gt;It was well observed the other night by a beautiful speaker, whose words went to the heart of every man who heard him, that if there had existed any law in this respect, Scott might not have sunk beneath the mighty pressure on his brain, but might have lived to add new creatures of his fancy to the crowd which swarm about you in your summer walks and gather round your winter evening hearths.&lt;/p&gt;&#13;
&lt;p&gt;As I listened to his words there came back fresh upon me, that touching scene in the great man’s life, when he lay upon his couch surrounded by his family and listened, for the last time, to the rippling of the river he had so well loved, over its stony bed. I pictured him to myself, faint, wan, dying, crushed both in his mind and body by his honourable struggle, and hovering round him the ghosts of his own imagination–Waverley, Ravenswood, Jeannie Deans, Rob Roy, Caleb Balderstone, Dominie Sampson–all the familiar throng – with cavaliers, and Puritans, and Highland chiefs innumerable overflowing the chamber, and fading away in the dim distance beyond. I pictured them, fresh from traversing the world, and hanging down their heads in shame and sorrow that, from all those lands into which they had carried gladness, instruction, and delight for millions, they had brought him now one friendly hand to help to raise him from that sad, sad bed. No, nor brought him from that land in which his own language was spoken, and in every house and hut of which his own books were read in his own tongue, one grateful dollar-piece to buy a garland for his grave. Oh! if every man who goes from here, as many do, to look upon that tomb in Dryburgh Abbey, would but remember this, and bring the recollection home!&lt;/p&gt;&#13;
&lt;p&gt;Gentlemen I thank you again, and once again, and many times to that. You have given me a new reason for remembering this day, which is already one of the mark of my calendar, it being my birthday; and you have given those who are nearest and dearest to me a new reason for recollection it with pride and interest. Heaven knows that, although I should grow ever so grey, I shall need nothing to remind me of this epoch in my life. But I am glad to think that from this time you are inseparably connected with every recurrence of this day; and, that on its periodical return, I shall always, in imagination, have the unfading pleasure of entertaining you as my guests in return for the gratification you have afforded me tonight.&lt;/p&gt;</text>
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