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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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            <text>&lt;p&gt;It had, he observed, a more immediate reference to the object for which they were that day assembled. The Printers’ Pension Society had existed, as most them no doubt knew, about sixteen years, and was founded for the purpose of maintaining the widows of deceased printers, or decayed printers themselves. The amounts awarded in the estimation of some might be said to be small, – the good that was done was great. It afforded to many, and the most deserving persons, relief in the hour of distress, – that distress which sooner or later comes to most of us. But the printers were peculiarly liable to premature decay, to injury in their faculties when many others were still able to earn their daily bread (which was a fact known to most of them) from the character of their occupation – the late and arduous hours during which they were obliged to tax powers that were often of the most delicate nature.&lt;/p&gt;&#13;
&lt;p&gt;That peculiar liability to decay gave printers powerful claims to their sympathy and support. But that claim was largely enhanced when they recollected that by the printers’ means they were enabled to scatter throughout the world the loftiest efforts of intellect – the ‘thoughts that breathe, the words that burn’ – to send to every part of the universe the great imaginings of the most accomplished minds, to instruct and regenerate mankind. When they reflected thus – and who could avoid it? – the claims of the printers became irresistible. He felt quite assured from what took place at the last election for pensioners, and from what he saw now in that room, that everyone would promptly put his hand into whatever pocket he had, and thereby enable their Treasure to make a most favourable report. He was sure it was unnecessary to add more to arouse their sympathies; but he could assure them that the knockings at the door of the institution were very numerous.&lt;/p&gt;&#13;
&lt;p&gt;Be it borne in mind that this institution gave no encouragement to thoughtlessness and extravagance; for every claimant must have contributed to the funds for some years before he was qualified should necessity arise to appeal for aid. Many had belonged to it from its foundation. He knew many who were so circumstanced. The institution was further valuable as generating good feeling among the workmen themselves. On every account they deserved the respect and consideration of every honest man, to the truth of which he could bear ample testimony from considerable intercourse with that valuable body of men. There was an asylum for warriors who had fought the battles of their country, and most justly and properly; but, in God’s name, let them sustain an asylum for those who suffered in struggles, in the bloodless contests, of promoting knowledge, of civilizing or of improving mankind, and of advancing the peaceful superiority of human beings. He gave them 'The Printers’ Pension Society, and prosperity to it'.&lt;/p&gt;&#13;
&lt;p&gt;He felt deeply obliged, he said, for the kindness thus shown, and the enthusiastic manner in which it had been evinced. There were few proceedings which went so home to his heart, as such testimonies of kind regards.&lt;/p&gt;&#13;
&lt;p&gt;He then continued:&lt;/p&gt;&#13;
&lt;p&gt;He had, he said, to propose another toast, and he would introduce it with a remark or two, not because they were requisite, but because such a toast on such an occasion ought not to be named without some observation.&lt;/p&gt;</text>
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            <text>&lt;p&gt;He had next to propose, he said, ‘The Stationers’ Company’. He believed that notwithstanding what had been declared by a Noble and learned Lord, ‘a friend of ours elsewhere’, the Stationers’ Company were alive and doing well, and that Stationers’ Hall still stood where it did. He gave, with great pleasure, ‘The Stationers’ Company, the steady supporters of the Printers’ Pension Society’.&lt;/p&gt;</text>
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            <text>London Tavern</text>
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        <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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        <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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            <text>The Printers’ Pension Society, and prosperity to it. I now give ‘The Press’, that wonderful lever Archimedes wished for, and which has moved the world! which has impelled it onward in the path of knowledge, of mercy, and of human improvement so far that nothing in the world can ever roll it back! The mass of the people, said Dr. Johnson very truly, in any country where printing is unknown, must be barbarous; and Sir Thomas More, the best, and wisest, and the greatest of men, who, before the press was established, died what was almost the natural death of the good, and the wise and the great – Sir Thomas More so clearly saw into futurity, and descried from afar off the stupendous influence of the press, that he went out of his way to set up a printing-press in Utopia, knowing that without it even the people of that fancied land would not bear competition in the course of years with the real nations of the earth. If they looked back only for two hundred years, to that time when the Dutch citizen carved letters on the bark of the beechen tree, and took off impressions of them on paper as toys to please his grand-children – he little knew the wonderful agent which, in scarcely a century, was about to burst on mankind; what a strong engine in the course of time it must become, even in the land where the ruthless vices and crimes of the anointed ruffian who spread More’s bloody pillow were to acquire him an immortality of infamy. I thank God that it has been so; from that hour no good has been devised, no wonderful invention has been broached, no barbarism has been struck down, but that same press has had its iron grip upon it, and never once has it let it till it was done. If we look at our social and daily life, we shall see how constantly present the press is, and how essential an element it has become of civilized existence. In great houses, and even in lowly huts, in crowds, and in solitudes, in town and country, in the nursery of the children and by the old man’s elbow chair – still, in some shape or other, there it is! Now it is an alphabet, with its fat black capital letters; now in the form of whole words; now in the story of Puss in Boots; now as Robinson Crusoe; now as a tale of the Caliph Haroun al-Raschid; now as a Lindley Murray; now as a Tutor’s Assistant; then as a Virgil, a Homer, or a Milton; now in the form of the labours of the editor of a popular newspaper: in some shape or other the press is constantly present and associated with our lives, from the baptismal service to the burial of the dead. I know that to some its power is obnoxious. There are some gentlemen of a patriotism so unselfish that they would put the newspaper press of their native country on an equality of efficiency with that of another nation, which, as long ago as Benjamin Franklin wrote, was an unique, a distinct and a singular thing. But as we have means of judging for ourselves every morning and evening of the newspaper literature, it is satisfactory to know that there never was a righteous cause but the same men have hated it; and there never was a disappointed man or a discontented patriot, anxious to pass upon a people determined not to recognize him as such, but he has bemoaned the privileges of the press in the same crocodile’s tears. With regard to the influence of the press on public men, I only leave you to judge from what public men often are even with this engine in full operation, what sort of characters they would be without it. I give you then, – ‘The fountain of Knowledge and the bulwark of Freedom, the founder of free states and their preserver – the Press!’ The Stationers’ Company, the steady supporters of the Printers’ Pension Society.</text>
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              <text>Printers' Pension Society Anniversary Festival 1843</text>
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              <text>Toast at the Printers' Pension Society Anniversary Festival (4 April 1843).</text>
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              <text>Dickens, Charles</text>
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              <text>1843-04-04</text>
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              <text>&lt;span&gt;Dickens, Charles. 'Printers' Pension Society Annual Dinner' &lt;/span&gt;&lt;span&gt;(4 April 1843). &lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1843-04-04_Speech_Printers-Pension-Society"&gt;https://dickenssearch.com/speeches/1843-04-04_Speech_Printers-Pension-Society&lt;/a&gt;.</text>
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              <text>&lt;p&gt;I now give ‘The Press’, that wonderful lever Archimedes wished for, and which&amp;nbsp;&lt;em&gt;has&lt;/em&gt;&amp;nbsp;moved the world! which has impelled it onward in the path of knowledge, of mercy, and of human improvement so far that nothing in the world can ever roll it back! The mass of the people, said Dr. Johnson very truly, in any country where printing is unknown, must be barbarous; and Sir Thomas More, the best, and wisest, and the greatest of men, who, before the press was established, died what was almost the natural death of the good, and the wise and the great – Sir Thomas More so clearly saw into futurity, and descried from afar off the stupendous influence of the press, that he went out of his way to set up a printing-press in Utopia, knowing that without it even the people of that fancied land would not bear competition in the course of years with the real nations of the earth. If they looked back only for two hundred years, to that time when the Dutch citizen carved letters on the bark of the beechen tree, and took off impressions of them on paper as toys to please his grand-children – he little knew the wonderful agent which, in scarcely a century, was about to burst on mankind; what a strong engine in the course of time it must become, even in the land where the ruthless vices and crimes of the anointed ruffian who spread More’s bloody pillow were to acquire him an immortality of infamy.&lt;/p&gt;&#13;
&lt;p&gt;I thank God that it has been so; from that hour no good has been devised, no wonderful invention has been broached, no barbarism has been struck down, but that same press has had its iron grip upon it, and never once has it let it till it was done. If we look at our social and daily life, we shall see how constantly present the press is, and how essential an element it has become of civilized existence. In great houses, and even in lowly huts, in crowds, and in solitudes, in town and country, in the nursery of the children and by the old man’s elbow chair – still, in some shape or other, there it is! Now it is an alphabet, with its fat black capital letters; now in the form of whole words; now in the story of &lt;em&gt;Puss in Boots&lt;/em&gt;; now as &lt;em&gt;Robinson Crusoe&lt;/em&gt;; now as a tale of the Caliph Haroun al-Raschid; now as a Lindley Murray; now as a &lt;em&gt;Tutor’s Assistant&lt;/em&gt;; then as a Virgil, a Homer, or a Milton; now in the form of the labours of the editor of a popular newspaper: in some shape or other the press is constantly present and associated with our lives, from the baptismal service to the burial of the dead.&lt;/p&gt;&#13;
&lt;p&gt;I know that to some its power is obnoxious. There are some gentlemen of a patriotism so unselfish that they would put the newspaper press of their native country on an equality of efficiency with that of another nation, which, as long ago as Benjamin Franklin wrote, was an unique, a distinct and a singular thing. But as we have means of judging for ourselves every morning and evening of the newspaper literature, it is satisfactory to know that there never was a righteous cause but the same men have hated it; and there never was a disappointed man or a discontented patriot, anxious to pass upon a people determined not to recognize him as such, but he has bemoaned the privileges of the press in the same crocodile’s tears.&lt;/p&gt;&#13;
&lt;p&gt;With regard to the influence of the press on public men, I only leave you to judge from what public men often are even with this engine in full operation, what sort of characters they would be without it. I give you then, – ‘The fountain of Knowledge and the bulwark of Freedom, the founder of free states and their preserver – the Press!’&lt;/p&gt;</text>
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