<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="255" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://www.dickenssearch.com/speeches/1848-04-17_Speech_General-Theatrical-Fund-Anniversary-Festival?output=omeka-xml" accessDate="2026-09-16T13:16:48+00:00">
  <collection collectionId="6">
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="418">
                <text>Speeches</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="600">
                <text>speeches</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1497">
                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3162">
                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </collection>
  <itemType itemTypeId="19">
    <name>Speech</name>
    <description/>
    <elementContainer>
      <element elementId="101">
        <name>Summary</name>
        <description>Occasionally speeches are summarised in sources in third person. Include that here, so that everything in the text transcription is only Dickens's words.</description>
        <elementTextContainer>
          <elementText elementTextId="3874">
            <text>He had, he said, never been in limbo, and therefore his knowledge of the Old Bailey was limited; and as the sheriff had been pleased to remark that but few, if any actors, had been in ‘durance vile’, he thought he might return the compliment by saying that but few sheriffs had been resident in Newgate. With respect to the speech of the gallant officer, who returned thanks for the Navy, he could assure him that though his friend Captain Cuttle was not present, he would most indubitably ‘take a note of it’. ‘Good wine’, as Rosalind says, ‘needs no bush’; so a good play needs no epilogue; a good book no preface; and a good toast but few words. It was conventionally supposed that actors were an improvident race; but he would maintain that it was more creditable to those who yielded up out of so many shillings so many pence to a fund for their decayed brethren, than those who hoarded up hundreds. And he would assert that, in the profession, there were a number of highly honourable, talented and striving men and women, of whose daily lives many of the company then assembled might take an example. Dickens then pronounced a high eulogium on the talents of the chairman, who, he said, had written the best comedy since Goldsmith’s time; and as to his works of fiction, they were known and appreciated by all the world. He concluded by calling on the company to drink his health.</text>
          </elementText>
          <elementText elementTextId="3875">
            <text>He had, he said, but half a dozen words to say. The Muses were ladies; the Graces were ladies; some of the best writers were ladies; some of the best characters in tragedy and comedy were ladies; the brightest portion of our existence were ladies. He would, therefore, give ‘The Ladies’.</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="4">
        <name>Location</name>
        <description>The location</description>
        <elementTextContainer>
          <elementText elementTextId="3876">
            <text>London</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="97">
        <name>Venue</name>
        <description>Where the speech was given</description>
        <elementTextContainer>
          <elementText elementTextId="3877">
            <text>London Tavern</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="98">
        <name>Ngram Date</name>
        <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
        <elementTextContainer>
          <elementText elementTextId="3878">
            <text>18480417</text>
          </elementText>
        </elementTextContainer>
      </element>
    </elementContainer>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3868">
              <text>General Theatrical Fund Anniversary Festival 1848</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3869">
              <text>Toasts given at the General Theatrical Fund Anniversary Festival (17 April 1848).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3870">
              <text>Dickens, Charles</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="3871">
              <text>1848-04-17</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
          <elementTextContainer>
            <elementText elementTextId="3872">
              <text>1848-04-17_Speech_General-Theatrical-Fund-Anniversary-Festival</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Bibliographic Citation</name>
          <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
          <elementTextContainer>
            <elementText elementTextId="3873">
              <text>&lt;span&gt;Dickens, Charles. 'Toasts given at the General Theatrical Fund Anniversary Festival' (17 April 1848).&lt;/span&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1848-04-17_Speech_General-Theatrical-Fund-Anniversary-Festival"&gt;https://dickenssearch.com/speeches/1848-04-17_Speech_General-Theatrical-Fund-Anniversary-Festival&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
</item>
