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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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            <text>&lt;p&gt;&lt;span data-contrast="auto"&gt;As, he said, he should not speak seven minutes, he hoped he should not incur the sacred wrath of the gentlemen in the middle of the room who were so impatient of any waste of time when those opposed to the Committee spoke, but who did not feel the slightest annoyance however long the speeches of the honourable gentlemen at the table might be. He, however, wished it to be distinctly understood that if he were going to speak seven hours instead of seven minutes, although he did not represent Literature in the attitude in which it was there most favourably received &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;namely, in the person of a suppliant certified by two householders &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;he should most strenuously though respectfully maintain his claim to be heard in this place above all others; for, in whatever manner it was treated elsewhere, there, at all events, every other consideration should yield to its dignity.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;As to the denial of Mr. Bell as to the analogy to be drawn between the Literary Fund and the Artists’ Benevolent Fund, he at once took issue with him; he was very well acquainted with both funds, and protested that he knew of no difference between them, and of no reason whatever why this society should not be managed as cheaply as the other. With reference to the claims of Mr. Blewitt, and Mr. Dilke’s frequent acknowledgement of those claims, he impressed upon the meeting that there had been no change in the sentiments of his friend. All that they wanted was, that this society should avail themselves of the valuable services of Mr. Blewitt, in a wider and more efficient manner; and they had declared again and again that nothing would delight them more than to double or even treble Mr. Blewitt’s salary, on the society’s extending his sphere of operations. He passed over the somewhat lengthy case of Mr. Haydn, which, he submitted, with all due deference, had nothing whatever to do with the present discussion, and would endeavour to bring the attention of the meeting to the point at issue.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;The question as to the existence or not of the House fund, was not a question of 1821, but of last year; because, on the second Wednesday of last March, they &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;the conspiring reformers &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;were put down by the solemn assertion that there was a House fund of some £6,400. The subscription for that fund was a complete failure. He took it upon himself to say that it did not exceed £600. And the way in which this imaginary sum was got at was as follows: &lt;/span&gt;&lt;span data-contrast="none"&gt;–&lt;/span&gt;&lt;span data-contrast="auto"&gt; the Prince Regent allowed two hundred guineas a year to pay the rent of the house inhabited by the society, paid yearly or half-yearly; but the sums paid for the rent had been put down as an accumulated fund, precisely as if they had it in hand at the present moment, &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;so the extraordinary statement made last year as to the existence of this sum, never had any real foundation. If statements were so rashly made in that expensive little room he thought it would not be long before the society itself would fall into disrepute.&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span data-contrast="auto"&gt;He would, with their permission, give a short illustration of the mode in which this question had been dealt with. Let him suppose the case of a clerk in the receipt of one hundred pounds a year, paid half-yearly, and every farthing of which was anticipated before he received it. His having received that income twenty years, would not make him the possessor of £2,000. But he would carry the case further. Let them suppose a family picture representing an estimable old gentleman bestowing the hand of his only daughter upon the man of her heart, and saying to them, while tears of generosity coursed down his cheeks, My darling Emma, my dear Edward! take my blessing upon you each; and with my blessing accept my twenty years’ receipts of my rent at £200 a year, which your filial affection will at once enable you to perceive are equal to £4,000 Consols, in perpetuity.’ Or let them, without any derogation of dignity, just fancy themselves for a moment upon an Old Bailey jury, &lt;/span&gt;&lt;span data-contrast="none"&gt;– &lt;/span&gt;&lt;span data-contrast="auto"&gt;would they, or would they not decide that such a representation was a false one? His assertion was, most distinctly, that they (the reform party) were put out of court last year on an utterly false pretence; and that part of the resolution, at all events, every gentleman in the room was bound to consider before he decided.&amp;nbsp;&lt;/span&gt;&lt;span data-ccp-props="{&amp;quot;201341983&amp;quot;:0,&amp;quot;335559739&amp;quot;:0,&amp;quot;335559740&amp;quot;:276}"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;</text>
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            <text>Royal Literary Fund</text>
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              <text>Royal Literary Fund Annual General Meeting 1857</text>
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              <text>Speech at the Royal Literary Fund Annual General Meeting (11 March 1857).</text>
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              <text>Dickens, Charles</text>
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              <text>1857-03-11</text>
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              <text>Dickens, Charles. 'Speech at the Royal Literary Fund Annual General Meeting' (11 March 1857). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1857-03-11_Speech_Royal-Literary-Fund-Annual-General-Meeting"&gt;https://dickenssearch.com/speeches/1857-03-11_Speech_Royal-Literary-Fund-Annual-General-Meeting&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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