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                <text>Speeches</text>
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                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
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                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
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            <text>Boston</text>
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        <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
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        <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
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            <text>Ladies and Gentlemen, Before allowing Doctor Marigold to tell his story in his own peculiar way, I kiss the kind fair hands unknown which have so beautifully decorated my table this evening. Ladies and Gentlemen, My gracious and generous welcome in America, which can never be obliterated from my remembrance, began here. My departure begins here, too; for I assure you that I have never until this moment really felt that I am going away. In this brief life of ours it is sad to do almost anything for the last time, and I cannot conceal from you, although my face will so soon be turned towards my native land, and to all that makes it dear, that it is a sad consideration with me that in a very few moments from this time, this brilliant hall and all that it contains, will fade from my view – for evermore. But it is my consolation that the spirit of the bright faces, the quick perception, the ready response, the generous and the cheering sounds that have made this place delightful to me, will remain; and you may rely upon it that that spirit will abide with me as long as I have sense and sentiment. I do not say this with any limited reference to private friendships that have for years upon years made Boston a memorable and beloved spot to me, for such private references have no business in this public place. I say it purely in remembrance of, and in homage to, the great public heart before me. Ladies and gentlemen, I beg most earnestly, most gratefully, and most affectionately, to bid you, each and all, farewell.</text>
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              <text>At a Reading in Boston</text>
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              <text>Speeches before and after a Reading in Boston (8 April 1868).</text>
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              <text>Dickens, Charles</text>
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              <text>1868-04-08</text>
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              <text>Dickens, Charles. 'Speeches before and after a Reading in Boston' (8 April 1868). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1868-04-08_Speech_At-a-Reading-in-Boston"&gt;https://dickenssearch.com/speeches/1868-04-08_Speech_At-a-Reading-in-Boston&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
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              <text>&lt;p&gt;Ladies and Gentlemen, Before allowing Doctor Marigold to tell his story in his own peculiar way, I kiss the kind fair hands unknown which have so beautifully decorated my table this evening.&lt;/p&gt;</text>
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              <text>&lt;p&gt;Ladies and Gentlemen, My gracious and generous welcome in America, which can never be obliterated from my remembrance, began here. My departure begins here, too; for I assure you that I have never until this moment really felt that I am going away. In this brief life of ours it is sad to do almost anything for the last time, and I cannot conceal from you, although my face will so soon be turned towards my native land, and to all that makes it dear, that it is a sad consideration with me that in a very few moments from this time, this brilliant hall and all that it contains, will fade from my view – for evermore. But it is my consolation that the spirit of the bright faces, the quick perception, the ready response, the generous and the cheering sounds that have made this place delightful to me, will remain; and you may rely upon it that that spirit will abide with me as long as I have sense and sentiment.&lt;/p&gt;&#13;
&lt;p&gt;I do not say this with any limited reference to private friendships that have for years upon years made Boston a memorable and beloved spot to me, for such private references have no business in this public place. I say it purely in remembrance of, and in homage to, the great public heart before me.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, I beg most earnestly, most gratefully, and most affectionately, to bid you, each and all, farewell.&lt;/p&gt;</text>
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