<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="287" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://www.dickenssearch.com/speeches/1869-04-10_Speech_Banquet-in-His-Honour-Liverpool?output=omeka-xml" accessDate="2026-09-16T15:20:46+00:00">
  <collection collectionId="6">
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="418">
                <text>Speeches</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="600">
                <text>speeches</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1497">
                <text>&lt;h4&gt;This collection brings together Dickens’s collected and uncollected speeches, making an under-explored body of work searchable for the first time.&amp;nbsp;&lt;/h4&gt;&#13;
Dickens made more than a hundred speeches between 1837 and 1870 at events ranging from charitable dinners and award ceremonies to banquets in his honour or brief words of thanks before a public reading. In these speeches, the author touched on topics including his own life and professional development as well as other subjects such as politics, education, literature, public health and the development of the railway.&lt;br /&gt;&lt;br /&gt;Efforts to collect Dickens’s speeches prior to 1960 were incomplete at best, and misleading and fragmentary at worst. John Camden Hotten’s collection of speeches, begun without the author’s consent (although he never responded to Hotten’s letters, Dickens did begin efforts to block their publication) and published together with a hastily-compiled biography shortly after the author’s death, remained the primary collected version of the speeches until the Nonesuch Dickens of 1938-39 (a limited print run). Finally, K. J. Fielding brought all known speeches together in 1960, correcting shoddy transcriptions by Hotten using contemporary newspaper accounts, and nearly doubling the total number of speeches attributed to Dickens (&lt;em&gt;The Speeches of Charles Dickens&lt;/em&gt; [Oxford: Clarendon Press, 1960]): Hotten had only featured the text of 56 speeches, the Nonesuch edition of the speeches provided an additional nine, and Fielding presented more than a hundred. Since this monumental work, a handful have also appeared in &lt;em&gt;The Dickensian&lt;/em&gt;;&lt;sup&gt;&lt;a href="#fn1" id="ref1"&gt;1&lt;/a&gt;&lt;/sup&gt; there are certainly more to be found, as the volume of digitised newspapers and periodicals increases, and corrections to be made to existing transcriptions. No effort to collect the speeches has been made since Fielding; this collection thus represents the most complete body of Dickens's speeches ever assembled.&lt;br /&gt;&lt;br /&gt;Dickens did not write his speeches beforehand, nor did he speak from notes. George Dolby recounted his imaginative process in 1884:&lt;br /&gt;&#13;
&lt;blockquote&gt;[S]upposing the speech was to be delivered in the evening, his habit was to take a long walk in the morning, during which he would decide on the various heads to be dealt with. These being arranged in their proper order, he would in his 'mind's eye,' liken the whole subject to the tire of a cart wheel &lt;span&gt;–&lt;/span&gt; he being the hub. From the hub to the tire he would run as many spokes as there were subjects to be treated, and during the progress of the speech he would deal with each spoke separately, elaborating them as he went round the wheel; and when all the spokes dropped out one by one, and nothing but the tire and space remained […] his speech was at an end. (&lt;em&gt;Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America&lt;/em&gt;, pp. 273-74)&lt;/blockquote&gt;&#13;
However, on important occasions, Dickens might personally correct transcriptions of speeches for major London newspapers like &lt;em&gt;The Times&lt;/em&gt;. As such, these newspaper accounts are as accurate a source as we can hope to have for what Dickens said (or meant to say).&lt;br /&gt;&lt;br /&gt;Our Transcription field will only include words attributed directly to Dickens rather than third-person reports or paraphrases of his speeches. Where only such reports exist, we will provide the text in the 'Summary' field. Ngram search and other text analysis tools will be applied to what are given as Dickens's words only, to avoid skewing the results, but of course we are reliant on the quality of the reporting: we recommend analysing topics, themes, quotations and concepts rather than granular detail such as prepositions, punctuation, capitalisation and the intricacies of grammar, as different newspaper accounts can vary on these points.&lt;br /&gt;&lt;br /&gt;Please &lt;a href="https://dickenssearch.com/contact"&gt;contact us&lt;/a&gt; with any errors, corrections, suggestions, or to contribute other uncollected speeches by Dickens.&lt;br /&gt;&lt;br /&gt;&lt;sup id="fn1"&gt;1. These are Philip Collins, 'Some Uncollected Speeches by Dickens', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 89-99; David A. Roos, 'Dickens at the Royal Academy of Arts: A New Speech and Two Eulogies', &lt;em&gt;The Dickensian &lt;/em&gt;73.382 (1977): pp. 100-107; and William F. Long, 'Dickens and the Coming of Rail to Deal: An Uncollected Speech and its Context', &lt;em&gt;The Dickensian&lt;/em&gt; 85.418 (1989): pp. 66-80. &lt;a href="#ref1" title="Jump back to footnote 1 in the text."&gt;↩&lt;/a&gt;&lt;/sup&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3162">
                <text>Emily Middleton; Ellie-Louise Crampton; Maisie Howard; Adam Woods</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </collection>
  <itemType itemTypeId="19">
    <name>Speech</name>
    <description/>
    <elementContainer>
      <element elementId="4">
        <name>Location</name>
        <description>The location</description>
        <elementTextContainer>
          <elementText elementTextId="4241">
            <text>Liverpool</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="97">
        <name>Venue</name>
        <description>Where the speech was given</description>
        <elementTextContainer>
          <elementText elementTextId="4242">
            <text>Saint George's Hall</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="98">
        <name>Ngram Date</name>
        <description>Hidden from users and search. All items in a collection need to have the same data in the same format in order to show up in Ngram (either YYYY, YYYYMMDD, or YYYYMMDD). No combinations will work. For journalism, letters and poetry, if there is no month or day, default to the first of the month or January. So a poem with a date of March 1843 would be 18430301. A poem published in 1856 with no month or date information would be 18560101.</description>
        <elementTextContainer>
          <elementText elementTextId="4243">
            <text>18690410</text>
          </elementText>
        </elementTextContainer>
      </element>
      <element elementId="99">
        <name>Ngram Text</name>
        <description>Hidden from users and search. Copy and paste from the Scripto transcription. Then check and uncheck HTML to strip out all formatting. Finally, search and remove any &amp;nbsp; (which is the HTML for spaces). This will prevent the Ngram picking up on irrelevant HTML.</description>
        <elementTextContainer>
          <elementText elementTextId="4244">
            <text>Mr. Mayor, Ladies and Gentlemen, Although I have become so well accustomed of late to the sound of my own voice in this neighbourhood as to hear it with perfect composure, the occasion is, believe me, very very different in respect of those overwhelming voices of yours. As Professor Wilson once confided to me in Edinburgh that I had not the least idea from hearing him in public, what a magnificent speaker he found himself to be when quite alone, so you can form no conception, from the specimen before you, of the eloquence with which I shall thank you again and again in some of the innermost moments of my future life. Often and often then, God willing, my memory will recall this brilliant scene, and will reilluminate this: – banquet-hall deserted, Whose lights are fled Whose garlands dead And all but I departed: and faithful to this place in its present aspect, I will mark and observe it exactly as it stands – not one man’s seat empty, not one woman’s fair face absent – while life and memory abide by me. Mr. Mayor, Lord Dufferin in his speech so affecting to me, so eloquently uttered, and so rapturously received, made a graceful and gracious allusion to the immediate occasion of my present visit to your noble city. It is no homage to Liverpool, based upon a moment’s untrustworthy enthusiasm, but it is the solid fact built upon the rock of experience that when I first made up my mind, after considerable deliberation, systematically to meet my readers in large numbers, face to face, and to try to express myself to them through the breath of life, Liverpool stood foremost among the great places outside London to which I looked with eager confidence and pleasure. And why was this? Not merely because of the reputation of its citizens for generous estimation of the arts; not merely because I had unworthily filled the chair of its great self-educational institution long ago; not merely because the place had been a home to me since the well-remembered day when its blessed roofs and steeples dipped into the Mersey behind me on the occasion of my first sailing away to see my generous friends across the Atlantic seven-and-twenty years ago. Not for one of those considerations; but because it had been my happiness to have a public opportunity of testing the spirit of its people. I had asked Liverpool for help towards the worthy preservation of Shakespeare’s house. On another occasion I had ventured to address Liverpool in the names of Leigh Hunt and Sheridan Knowles. On still another occasion I had addressed it in the cause of the brotherhood and sisterhood of letters and the kindred arts. And on each and all the response had been unsurpassably spontaneous, open-handed, and munificent. Mr. Mayor, and ladies and gentlemen, if I may venture to take a small illustration of my present position from my own peculiar craft, I would say that there is this objection, in writing fiction, to giving the story an autobiographical form: that through whatever dangers the narrator may pass, it is clear unfortunately to the reader beforehand that he must have come through them somehow, else he could not have lived to tell the tale. Now in speaking fact, when the fact is associated with such honours as those with which you have enriched me, there is this singular difficulty in returning thanks, that the speaker must infallibly come back to himself through whatever oratorical disasters he may languish on the road. Let me, therefore, – let me, then, take the plainer and simpler middle course of dividing my subject equally between myself and you. Let me assure you that whatever you have accepted with pleasure, either by word of pen or by word of mouth, from me, you have greatly improved in the acceptance. As the gold is said to be doubly and trebly refined which has seven times passed the furnace, so a fancy may be said to become more and more refined each time it passes through the human heart. You have, and you know you have, brought to the consideration of me that quality in yourselves without which I should have beaten the air. Your earnestness has stimulated mine, your laughter has made me laugh, and your tears have overflowed my eyes. All that I can claim for myself, in establishing the relations which exist between us, is constant fidelity to hard work. My literary brethren about me, of whom I am so proud to see so many, know very well how true it is, of all art, that what seems the easiest done is oftentimes the most difficult to do, and that the smallest truth may come of the greatest pains, – much, as it occurred to me at Manchester, the other day, the sensitive touch of Mr. Whitworth’s wonderful measuring machine comes at last, though Heaven, Manchester, and its maker only knew how much hammering and firing were required to bring it out. And my companions-in-arms know thoroughly well, and I think it is right the public should know too, that in our careful toil and trouble, and in our steady striving for excellence – not in any little gifts, misused by fits and starts – lies our highest duty at once to our calling, to one another, to ourselves and to you. Ladies and gentlemen, before sitting down I find that I have to clear myself of two very unexpected accusations. The first is a most singular charge preferred against me by my old friend Lord Houghton: that I have been somewhat unconscious of the merits of the House of Lords. Now, ladies and gentlemen, seeing that I have had some not altogether obscure or unknown personal friends in that assembly; seeing that I had some little association with, and knowledge of, a certain obscure peer lately known in England by the name of Lord Brougham; seeing that I regard with some admiration and affection another obscure peer wholly unknown in literary circles, called Lord Lytton; seeing also that I have had for some years some slight admiration of the extraordinary judicial properties and amazingly acute mind of a certain Lord Chief Justice popularly known by the name of Lord Cockburn; and also seeing that there is no man in England whom I respect more in his public capacity, whom I love more in his private capacity, or from whom I have received more remarkable proofs of his honour and love of literature, than another obscure nobleman called Lord Russell; taking these circumstances into consideration, I was rather amazed by my noble friend’s accusation. When I asked him, on his sitting down, what amazing devil possessed him to make this charge, he replied that he had never forgotten the days of Lord Verisopht. Then, ladies and gentlemen, I understood it all; because it is a remarkable fact, that in the days when that depreciative and profoundly unnatural character was invented, there was no Lord Houghton in the House of Lords. And there was in the House of Commons, a rather indifferent member called Richard Monckton Milnes. Ladies and gentlemen, to conclude – for the present; to conclude, I close with the other charge of my noble friend, and here I am more serious, and I may be allowed perhaps to express my seriousness in half a dozen plain words. When I first took Literature as my profession in England, I calmly resolved within myself that, whether I succeeded or whether I failed, Literature should be my sole profession. It appeared to me at that time that it was not so well understood in England as it was in other countries that Literature was a dignified profession, by which any man might stand or fall. I made a compact with myself that in my person Literature should stand, and by itself, of itself, and for itself; and there is no consideration on earth which would induce me to break that bargain. Ladies and gentlemen, finally allow me to thank you for your great kindness, and for the touching earnestness with which you have drunk my health. I should have thanked you with all my heart if it had not so unfortunately happened that, for many sufficient reasons, I lost my heart, at between half-past six and half-past seven o’clock tonight. Gentlemen – for I address myself solely to you – the nature of the toast I am about to propose cannot, I think, be better or more briefly expressed than in a short quotation from Shakespeare, slightly altered: Scene: A banqueting hall. Thunder – of admiration. Lightning – of eyes. Enter Macbeth and Banquo: Banquo: Who are these, So sparkling and so bright in their attire, That look not like the inhabitants o’ the earth And yet are on’t? Reply: Sir, these are the Lancashire Witches. Pondering this turn in my mind just now, and looking round this magnificent hall, I naturally pondered also on the legend of its patron saint. It is recorded of Saint George that he was even more devoted to love and beauty than the other six Champions of Christendom. And I, his loyal imitator and disciple, have moulded myself completely upon him in looking around me here. How happy could I be with either, Were t’other dear charmer away, is a sentiment that was first put into writing some few ages after Saint George’s time; but I have a profound conviction that he would have originated it if he could have projected himself into this occasion. However, he was much better employed in killing the Dragon. Oh yes! – much better employed in killing the Dragon, who would have devoured the lady. And he was much better employed still, in marrying the lady, and enslaving himself by freeing her. The legend, as I remember, goes on to relate that the accursed brood of dragons after that time retired into inaccessible solitudes, and was seen no more – except on very special occasions. Now, it occurs to me, that if any of those dragons should yet be lingering in retirement, and if they should have, in virtue of any bewitched sixth sense, the slightest notion of the havoc that will be wrought amongst Saint George’s descendants by this assembly of glowing beauty here tonight, then the dragon race is even with Saint George at last, and is most terribly avenged. Gentlemen, I give you ‘The Ladies’. Ladies and gentlemen, the learned lady who has just sat down has completely mistaken me. I referred not to my having been enslaved tonight by one lady, or two, but by all present; and when I made the quotation from Captain Macheath, I made a quotation from a gentleman who, though he happened at the moment to be attended by only two ladies, was notoriously the slave, as I am, of the whole sex. I have no, ladies and gentlemen, to propose to you a toast inseparable from the enterprise of Liverpool – from the public honour and public spirit of Liverpool; equally inseparable from the stately streets and buildings around us, and from the hospitals, schools, and free libraries, and those great monuments of consideration for the many which have made this place an example to England. I have to propose to you to drink ‘His Worship the Mayor and the Corporation of this Town’.</text>
          </elementText>
        </elementTextContainer>
      </element>
    </elementContainer>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4235">
              <text>Banquet in His Honour, Liverpool</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4236">
              <text>Speeches given at a Banquet in His Honour, Liverpool (10 April 1869).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4237">
              <text>Dickens, Charles</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="4238">
              <text>1869-04-10</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
          <elementTextContainer>
            <elementText elementTextId="4239">
              <text>1869-04-10_Speech_Banquet-in-His-Honour-Liverpool</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Bibliographic Citation</name>
          <description>A bibliographic reference for the resource. Recommended practice is to include sufficient bibliographic detail to identify the resource as unambiguously as possible.</description>
          <elementTextContainer>
            <elementText elementTextId="4240">
              <text>Dickens, Charles. 'Speeches given at a Banquet in His Honour, Liverpool' (10 April 1869). &lt;em&gt;Dickens Search&lt;/em&gt;&lt;span&gt;. Eds. Emily Middleton and Lydia Craig. Accessed [date]. &lt;/span&gt;&lt;a href="https://dickenssearch.com/speeches/1869-04-10_Speech_Banquet-in-His-Honour-Liverpool"&gt;https://dickenssearch.com/speeches/1869-04-10_Speech_Banquet-in-His-Honour-Liverpool&lt;/a&gt;&lt;span&gt;.&lt;/span&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
    <elementSet elementSetId="4">
      <name>Scripto</name>
      <description/>
      <elementContainer>
        <element elementId="92">
          <name>Transcription</name>
          <description>A written representation of a document.</description>
          <elementTextContainer>
            <elementText elementTextId="4245">
              <text>&lt;p&gt;Mr. Mayor, Ladies and Gentlemen, Although I have become so well accustomed of late to the sound of my own voice in this neighbourhood as to hear it with perfect composure, the occasion is, believe me, very very different in respect of those overwhelming voices of yours. As Professor Wilson once confided to me in Edinburgh that I had not the least idea from hearing him in public, what a magnificent speaker he found himself to be when quite alone, so you can form no conception, from the specimen before you, of the eloquence with which I shall thank you again and again in some of the innermost moments of my future life. Often and often then, God willing, my memory will recall this brilliant scene, and will reilluminate this:&lt;/p&gt;&#13;
&lt;p&gt;– banquet-hall deserted,&lt;/p&gt;&#13;
&lt;p&gt;Whose lights are fled&lt;/p&gt;&#13;
&lt;p&gt;Whose garlands dead&lt;/p&gt;&#13;
&lt;p&gt;And all but I departed:&lt;/p&gt;&#13;
&lt;p&gt;and faithful to this place in its present aspect, I will mark and observe it exactly as it stands – not one man’s seat empty, not one woman’s fair face absent – while life and memory abide by me.&lt;/p&gt;&#13;
&lt;p&gt;Mr. Mayor, Lord Dufferin in his speech so affecting to me, so eloquently uttered, and so rapturously received, made a graceful and gracious allusion to the immediate occasion of my present visit to your noble city. It is no homage to Liverpool, based upon a moment’s untrustworthy enthusiasm, but it is the solid fact built upon the rock of experience that when I first made up my mind, after considerable deliberation, systematically to meet my readers in large numbers, face to face, and to try to express myself to them through the breath of life, Liverpool stood foremost among the great places outside London to which I looked with eager confidence and pleasure. And why was this? Not merely because of the reputation of its citizens for generous estimation of the arts; not merely because I had unworthily filled the chair of its great self-educational institution long ago; not merely because the place had been a home to me since the well-remembered day when its blessed roofs and steeples dipped into the Mersey behind me on the occasion of my first sailing away to see my generous friends across the Atlantic seven-and-twenty years ago. Not for one of those considerations; but because it had been my happiness to have a public opportunity of testing the spirit of its people. I had asked Liverpool for help towards the worthy preservation of Shakespeare’s house. On another occasion I had ventured to address Liverpool in the names of Leigh Hunt and Sheridan Knowles. On still another occasion I had addressed it in the cause of the brotherhood and sisterhood of letters and the kindred arts. And on each and all the response had been unsurpassably spontaneous, open-handed, and munificent.&lt;/p&gt;&#13;
&lt;p&gt;Mr. Mayor, and ladies and gentlemen, if I may venture to take a small illustration of my present position from my own peculiar craft, I would say that there is this objection, in writing fiction, to giving the story an autobiographical form: that through whatever dangers the narrator may pass, it is clear unfortunately to the reader beforehand that he must have come through them somehow, else he could not have lived to tell the tale. Now in speaking fact, when the fact is associated with such honours as those with which you have enriched me, there is this singular difficulty in returning thanks, that the speaker must infallibly come back to himself through whatever oratorical disasters he may languish on the road. Let me, therefore, – &amp;nbsp;let me, then, take the plainer and simpler middle course of dividing my subject equally between myself and you. Let me assure you that whatever you have accepted with pleasure, either by word of pen or by word of mouth, from me, you have greatly improved in the acceptance. As the gold is said to be doubly and trebly refined which has seven times passed the furnace, so a fancy may be said to become more and more refined each time it passes through the human heart. You have, and you know you have, brought to the consideration of me that quality in yourselves without which I should have beaten the air. Your earnestness has stimulated mine, your laughter has made me laugh, and your tears have overflowed my eyes. All that I can claim for myself, in establishing the relations which exist between us, is constant fidelity to hard work. My literary brethren about me, of whom I am so proud to see so many, know very well how true it is, of all art, that what seems the easiest done is oftentimes the most difficult to do, and that the smallest truth may come of the greatest pains, – much, as it occurred to me at Manchester, the other day, the sensitive touch of Mr. Whitworth’s wonderful measuring machine comes at last, though Heaven, Manchester, and its maker only knew how much hammering and firing were required to bring it out. And my companions-in-arms know thoroughly well, and I think it is right the public should know too, that in our careful toil and trouble, and in our steady striving for excellence – not in any little gifts, misused by fits and starts – lies our highest duty at once to our calling, to one another, to ourselves and to you.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, before sitting down I find that I have to clear myself of two very unexpected accusations. The first is a most singular charge preferred against me by my old friend Lord Houghton: that I have been somewhat unconscious of the merits of the House of Lords. Now, ladies and gentlemen, seeing that I have had some not altogether obscure or unknown personal friends in that assembly; seeing that I had some little association with, and knowledge of, a certain obscure peer lately known in England by the name of Lord Brougham; seeing that I regard with some admiration and affection another obscure peer wholly unknown in literary circles, called Lord Lytton; seeing also that I have had for some years some slight admiration of the extraordinary judicial properties and amazingly acute mind of a certain Lord Chief Justice popularly known by the name of Lord Cockburn; and also seeing that there is no man in England whom I respect more in his public capacity, whom I love more in his private capacity, or from whom I have received more remarkable proofs of his honour and love of literature, than another obscure nobleman called Lord Russell; taking these circumstances into consideration, I was rather amazed by my noble friend’s accusation. When I asked him, on his sitting down, what amazing devil possessed him to make this charge, he replied that he had never forgotten the days of Lord Verisopht. Then, ladies and gentlemen, I understood it all; because it is a remarkable fact, that in the days when that depreciative and profoundly unnatural character was invented, there was no Lord Houghton in the House of Lords. And there was in the House of Commons, a rather indifferent member called Richard Monckton Milnes.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, to conclude – for the present; to conclude, I close with the other charge of my noble friend, and here I am more serious, and I may be allowed perhaps to express my seriousness in half a dozen plain words. When I first took Literature as my profession in England, I calmly resolved within myself that, whether I succeeded or whether I failed, Literature should be my sole profession. It appeared to me at that time that it was not so well understood in England as it was in other countries that Literature was a dignified profession, by which any man might stand or fall. I made a compact with myself that in my person Literature should stand, and by itself, of itself, and for itself; and there is no consideration on earth which would induce me to break that bargain.&lt;/p&gt;&#13;
&lt;p&gt;Ladies and gentlemen, finally allow me to thank you for your great kindness, and for the touching earnestness with which you have drunk my health. I should have thanked you with all my heart if it had not so unfortunately happened that, for many sufficient reasons, I lost my heart, at between half-past six and half-past seven o’clock tonight.&lt;/p&gt;</text>
            </elementText>
            <elementText elementTextId="4246">
              <text>&lt;p&gt;Gentlemen – for I address myself solely to you – the nature of the toast I am about to propose cannot, I think, be better or more briefly expressed than in a short quotation from Shakespeare, slightly altered:&lt;/p&gt;&#13;
&lt;p&gt;Scene: A banqueting hall. Thunder – of admiration. Lightning – of eyes. Enter Macbeth and Banquo:&lt;/p&gt;&#13;
&lt;p&gt;Banquo: Who are these,&lt;/p&gt;&#13;
&lt;p&gt;So sparkling and so bright in their attire,&lt;/p&gt;&#13;
&lt;p&gt;That look not like the inhabitants o’ the earth&lt;/p&gt;&#13;
&lt;p&gt;And yet are on’t?&lt;/p&gt;&#13;
&lt;p&gt;Reply:&lt;/p&gt;&#13;
&lt;p&gt;Sir, these are the Lancashire Witches.&lt;/p&gt;&#13;
&lt;p&gt;Pondering this turn in my mind just now, and looking round this magnificent hall, I naturally pondered also on the legend of its patron saint. It is recorded of Saint George that he was even more devoted to love and beauty than the other six Champions of Christendom. And I, his loyal imitator and disciple, have moulded myself completely upon him in looking around me here.&lt;/p&gt;&#13;
&lt;p&gt;How happy could I be with either,&lt;/p&gt;&#13;
&lt;p&gt;Were t’other dear charmer away,&lt;/p&gt;&#13;
&lt;p&gt;is a sentiment that was first put into writing some few ages after Saint George’s time; but I have a profound conviction that he would have originated it if he could have projected himself into this occasion. However, he was much better employed in killing the Dragon. Oh yes! – much better employed in killing the Dragon, who would have devoured the lady. And he was much better employed still, in marrying the lady, and enslaving himself by freeing her. The legend, as I remember, goes on to relate that the accursed brood of dragons after that time retired into inaccessible solitudes, and was seen no more – except on very special occasions. Now, it occurs to me, that if any of those dragons should yet be lingering in retirement, and if they should have, in virtue of any bewitched sixth sense, the slightest notion of the havoc that will be wrought amongst Saint George’s descendants by this assembly of glowing beauty here tonight, then the dragon race is even with Saint George at last, and is most terribly avenged. Gentlemen, I give you ‘The Ladies’.&lt;/p&gt;</text>
            </elementText>
            <elementText elementTextId="4247">
              <text>&lt;p&gt;Ladies and gentlemen, the learned lady who has just sat down has completely mistaken me. I referred not to my having been enslaved tonight by one lady, or two, but by all present; and when I made the quotation from Captain Macheath, I made a quotation from a gentleman who, though he happened at the moment to be attended by only two ladies, was notoriously the slave, as I am, of the whole sex.&lt;/p&gt;&#13;
&lt;p&gt;I have now, ladies and gentlemen, to propose to you a toast inseparable from the enterprise of Liverpool – from the public honour and public spirit of Liverpool; equally inseparable from the stately streets and buildings around us, and from the hospitals, schools, and free libraries, and those great monuments of consideration for the many which have made this place an example to England. I have to propose to you to drink ‘His Worship the Mayor and the Corporation of this Town’.&lt;/p&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
</item>
